Lots of well-known writers and artists came and signed at last Sunday’s LA Vintage Paperback Show. Robert Kerr shot these photos (below) of some of the participants.
(1) FREQUENT FLYER. For me, it’s either Field of Dreams or Patton.
(2) FIXING A HOLE WHERE THE SPACE GETS IN. “Cosmonauts Slice Spacecraft For Clues To Cause Of Mysterious Hole” — a Giphy clip of them at work accompanies the NPR post.
It was all part of an attempt Tuesday to solve the mystery of the leaking International Space Station.
“The cosmonauts spent hours using knives and what looked like garden shears to cut away at the insulation around the spacecraft’s orbital module, to peek at the damaged area,” NPR’s Geoff Brumfiel reported. “All along, mission control in Moscow pleaded with them to take it slow so they wouldn’t make the situation worse.”
(3) ABOUT THAT SPACE SUIT. What if the ISS damage is sabotage? Matthew Reardon explains “The Space Law of Sabotage on the ISS” to readers of the SFWA Blog. (Why would the law in space be any clearer than the law on earth?)
…The first thing we can hope is that there haven’t been criminal acts, sabotage or other, committed on the ISS. Because the relevant space law is a bit of a mess currently, and without any precedent, it could turn into a muddle that would hinder our expansion into space for a long time.
The first thing to point out is that the ISS isn’t a single legal entity. Under the Intergovernmental Agreement signed by the fourteen countries participating in the ISS, each State’s laws remain applicable in the elements it registers. Therefore, in criminal matters, even though the Agreement clearly states that each State’s laws regulate the activities of its nationals on the ISS, each individual piece of the ISS is ruled by different penal law depending on the country that provided that piece.
Theoretically, U.S. criminal law is applicable inside the Destiny lab module (which still raises the question of which U.S. States’ criminal law, but at least that’s a question that can be resolved internally to the U.S.), Russian criminal law in the Zvezda module, Japanese law in the Kibomodule, and so on.
(4) THE KITE FLYERS. David Rooney finds plenty to praise — “‘Mary Poppins Returns’: Film Review” at The Hollywood Reporter.
Belated Hollywood sequels have sunk more often than soared in recent years, but Disney shrugs off those odds with Mary Poppins Returns, an enchanting movie musical that picks up the threads of the studio’s cherished original more than half a century after its 1964 release. Sticking close to the enduring classic’s template while injecting plenty of freshness to give the follow-up its own distinct repro vitality, this lovingly crafted production delivers both nostalgia and novelty. Ideally cast from top to toe, and graced by tuneful songs from Marc Shaiman and Scott Wittman that genuflect to the invaluable contributions of the Sherman Brothers on Mary Poppins, this is a charmer only cynics could resist.
(5) ACROSS THE CON SPECTRUM. Michael Lee answers the question at TwinCities Geek: “Just What Is This Convention, Anyway? A Guide to Different Types of Cons”.
What follows is an explanation of some of the terms used among convention attendees and convention runners to describe the most common types of conventions. One of the goals I have in this article is to focus on terms that don’t also have value judgments. In my experience, there are good and bad examples of almost every type of convention, and everyone’s taste in conventions is slightly different. Hopefully, this will help you narrow down what types of conventions you might like to attend!
Here are the first couple entries in his catalog —
Anime conventions are centered around Japanese animation and related subjects. One of the big things to keep in mind with anime conventionsis that they come in a variety of sizes and shapes, and some are organized by nonprofits while others are for profit. In the Twin Cities, we have fan-run anime conventions like Anime Detour and Anime Fusion. There are a number of large ones around the country, like A Cen (Anime Central) and Anime Expo.
Less often seen in the Twin Cities, bidded conventions move around a region, country, or all over the world. Either a previous convention’s membership or a board of directors chooses the location and committee leadership of an upcoming con. The premier example of a bidded convention is the World Science Fiction Convention (Worldcon), but other examples include the World Fantasy Convention, the NASFIC (the North American Science Fiction Convention), Gaylaxicon, and Costume-Con.
(6) MILES MORALES SWINGSBA CK INTO FRAME. Marvel reintroduces the character:
Just as he is making his big-screen debut in Spider-Man: Into the Spider-Verse, Miles Morales is swinging back into the pages of Marvel Comics in an all-new debut with MILES MORALES: SPIDER-MAN #1! Written by Eisner Award winner Saladin Ahmed (Exiles) with art by celebrated Marvel Young Gun Javier Garrón (Ant-Man & The Wasp) and a cover by Brian Stelfreeze (Black Panther), Miles’ latest adventure brings Miles back to Brooklyn basics… but things definitely aren’t simple when a simple robbery is complicated with a big Spidey-Villain and an even bigger mystery!
“It’s very much intended for folks who might not know the character or might not even have read a Spider-Man comic, and for them to be able to access what’s universal and what’s immediately appealing about this character and about the Marvel Universe,” said Ahmed.
(7) GERNSBACK VIDEO. A Twitter video clip of Sam Moskowitz and Hugo Gernsback from a 1965 BBC Horizon documentary about the relationship between SF and science. First time I’ve seen any video of Gernsback.
(8) CURIOSITY TO EXPLORE STRANGE NEW WORLDS. rcade calls this “Some of the best File 770 reader microtargeting I’ve ever seen.” — “2019 StarTrek TNG Cats Wall Calendar” — “…the Enterprise-D’s adventures (only with cats) …”
When there’s a Red Alert on this bridge, everybody lands on their feet. If you’re a fan of the Star Trek Cats series by Jenny Parks, you need this 2019 calendar. If you’re not, allow us to explain. Parks has created a hilarious new take on ST:TNG characters and scenes by illustrating the characters as cats. Star Trek plus cats. What could be better?
(9) FOR SOMEONE ON YOUR GIFT LIST. Just what message you’ll be sending is up to you! Here’s an alarming concept — “Fiji Mermaid Tiny Skeleton Deluxe Miniature Model Kit With Glass Display Dome and Assembly Tools Box Set – Paper Sculpture”.
The Fiji Mermaid Deluxe Kit includes everything you need to successfully assemble the tiny skeleton model for display. Each kit comes with the pre-cut Fiji Mermaid bones, 59mm borosilicate glass display dome, exhibit base, glue, tweezers, and a magnifier.
Tinysaur Kits assemble into tiny skeletons from a postage stamp sized laser cut pattern. Assembly generally takes 20-30 minutes and the completed Fiji Mermaid models stand roughly 1 inch tall.
(10) TODAY’S BIRTHDAYS
[Compiled by Cat Eldridge.]
- Born December 12, 1946 – Josepha Sherman. Writer and folklorist who was a Compton Crook Award winner for The Shining Falcon which was based on the Russian fairy tale The Feather of Finist the Falcon. She was a prolific writer both on her own and with other writers such as Mercedes Lackey with whom she wrote A Cast of Corbies, and two Buffyverse novels with Laura Anne Gilman.
- I knew her personally as a folklorist first and that is she was without peer writing such works as Rachel the Clever: And Other Jewish Folktales and Greasy Grimy Gopher Guts: The Subversive Folklore of Childhood that she wrote with T K F Weisskopf. Neat lady who died far too soon. Let me leave you with an essay she wrote on Winter for Green Man twenty years ago, “Josepha Sherman’s Winter Queen Speech” (Died 2012.)
- Born December 12, 1949 – Bill Nighy, 69. He’s got a very, very long genre association staring with being an unnamed ENT physician in Curse of the Pink Panther. He was Martin Barton in The Phantom of the Opera, Edward Gardner in Fairy Tale: A True Story, Viktor In Underworld and Underworld: Rise of the Lycans, Philip in Shaun of the Dead, an hilarious Slartibartfast in The Hitchhiker’s Guide to the Galaxy, a quite unrecognisable as him Davy Jones in Pirates of the Caribbean: At World’s End, Rufus Scrimgeour In Harry Potter and the Deathly Hallows – Part 1… I’m stopping right before this get really long. Fortunately his television genre credits may be limited to an uncredited appearance in the “Vincent and the Doctor” episode of Dr. Who as Dr. Black.
- Born December 12, 1965 – Toni Weisskopf, 53. Editor and the publisher of Baen Books In 2015, Weisskopf was nominated for a Hugo Award.
- Born December 12, 1970 — Mädchen Amick, 48. TwinPeaks: Fire Walk with Me was not actually her first genre role as she played a Young Anya on Star Trek:The Next Generation a year or a so earlier. She’s shapeshifter on the rebooted Fantasy Island and yet another shapeshifter, a black cat this time, on Witches of East End. Typecasting I think.
- Born December 12, 1970 – Jennifer Connelly, 48. First genre was as Sarah Williams in Labyrinth. Later appearances in our community include as Jenny Blake in The Rocketeer a film I love, Emma Murdoch / Annan in Dark City, Betsy Ross in the 2003 Hulk, Helen Benson in the 2008 remake of the 1951 The Day the Earth Stood Still and no, it’s not anywhere as good as the original, Roxane in Inkheart, Virginia Gamely in Winter’s Tales based on the novel of the same name that I never finished, and a voice-only appearance only as Karen in Spider-Man: Homecoming.
- Born December 12, 1975 – Mayim Bialik, 43. Dr. Amy Farrah Fowler, PhD on the Big Bang Theory series which I’m not sure is genre but is certainly genre friendly. Appearance in other genre undertakings as the Pumpkinhead horror film, The Real Adventures of Jonny Quest, Stan Lee’s Mighty 7 and The Adventures of Hyperman.
- Born December 12, 1976 – Tim Pratt, 42. I think his best work was his very first novel which was The Strange Adventures of Rangergirl but there’s no doubt that later work such as The Constantine Affliction, Bone Shop and The Stormglass Protocol are equally superb. That’s not to overlook his short fiction which you’ve not tried it you should and I’d recommend Little Gods as a good place to start.
(11) THE WHAT-DID-THEY-DO-TO-THAT-FOOD CHANNEL. I’d watch this. (Maybe I shouldn’t admit it.)
(12) 2001. On December 20, Chicago’s Adler Planetarium will be showing 2001: A Space Odyssey followed by a discussion of the film by astronomer Mark Hammergren and SF critic Gary Wolfe: “Adler After Dark: Space Odyssey”.
- Join astronomer Mark Hammergren and sci-fi editor, critic, and biographer Gary Wolfe in a spirited discussion on the impact 2001 had on film-making and its role in “blowing our minds” during the Apollo era
- Try your hand at stopping the devious HAL 9000 from taking over the event in a museum-wide scavenger hunt
- Learn more about film-making techniques, ranging from sound design to stop-motion animation
- Checkout rarely-seen items from the museum’s collection—like paintings from renowned space artist Chesley Bonestell—whose work directly influenced Kubrick’s vision of the Moon in 1968
- And don’t miss a special improv show where we’ll explore the future as imagined inyour fav sci-fi films!
(13) EDUCATIONAL POP-UPS. “Before they were relegated to the domain of children, books with movable mechanisms explained anatomy, astronomy, and more to adults.” — “When Pop-Up Books Taught Popular Science” in The Atlantic.
One of the most successful popular astronomy books of the 16th century was Peter Apian’s Cosmographia, a work that went through almost 40 editions in Latin, Dutch, French, and Spanish. Apian included five different volvelles in the book. One of these volvelles demonstrates the relationship between the moon and the sun and the phases of the moon.
The volvelle consists of two paper wheels connected with a small piece of string to a printed circle. The topmost wheel has a circular hole, revealing the lower wheel beneath. Both wheels can be rotated freely in either direction. The top wheel of the volvelle has an indicator with the moon on it. Spinning this wheel represents the moon’s west-to-east monthly circuit around the Earth. The lower wheel has an indicator with the sun on it. Spinning this wheel represents the sun’s yearly west-to-east motion. When the reader moves the two wheels, the phases of the moon appear in the hole cut out of the top wheel.
(14) VISIT FROM THE CREATOR. William F. Nolan posed beside the poster for the Logan’s Run movie while visiting the Pasadena Museum’s sff exhibit earlier this year.
(15) CHAIRMAN OF THE BOARD.Print’s Don Vaughan interviews storyboard artist Mark Bristol in “Storyboarding: Drawing from Script to Screen”.
“Every production is different,” Bristol says. “The process is usually the same, but how the storyboards are utilized depends on the director and their own process.” Chris McQuarrie, the director of Mission: Impossible–Fallout, tends to rely heavily on storyboards, Bristol notes, whereas Terrence Malick, with whom Bristol worked on The Thin Red Line and Tree of Life, is more of an “in the moment” director for whom storyboards are merely a suggestion.
(16) BEREZIN OBIT. “Word processor pioneer Evelyn Berezin dies aged 93” – BBC has the story.
The woman who created and sold what many recognise as the world’s first word processor has died aged 93.
Evelyn Berezin called the device the Data Secretary when, in 1971, her company Redactron launched the product.
She grew Redactron from nine employees to close to 500 and was named one of theUS’s top leaders by BusinessWeek magazine in the year she sold it, 1976.
(17) NAMING CONVENTIONS. Poul Anderson loved alien names with apostrophes stuck in the middle – and he may have used up the genre’s quota in the process. At least, I think that’s what Sarah A. Hoyt is warning against in “Words and the Lonely Writer, part 5 – Made Up Languages” at Mad Genius Club.
….Why do apostrophes make the baby Jesus cry? Because while perfectly acceptable as a marking they were a) overused by early sf/f writers so those of us who’ve read deeply into the field roll our eyes to the back of our heads when we see them. b)because they’re not THAT common in English, particularly not mid-word. So when I see R’neker’vir I pause for a couple of seconds. This can be enough to break the spell. Sure, your writing can overcome it, but why make it more difficult? Do you have so many readers you need to cut down some?
Okay, so you aren’t a linguist, and you’re not as weird as the rest of us, and you’ve never made up a language. BUT your new world absolutely needs it.
Start small. First, if you’re doing weird names, decide what the parts of the name mean and whether they bear on the society or the hierarchy or just on your species.
For instance, a species born from eggs (external, laid eggs, smarty pants) might have a lot of names with egg or shell or whatever. One that’s incredibly hierarchical might build in things that mean “second son of the lowest sweeper.”
After that consider your society. Is there some feature so weird, so outlandish you feel the need to emphasize it with a made up word?
(18) WHAT ABOUT THE REST OFTHE STORY? ScreenRant did not end the season a fully satisfied customer: “Elseworlds:7 Unanswered Questions After This Year’s Arrowverse Crossover”.
While Elseworlds ended in a suitably epic fashion, this final chapter did raise a number of issues. Along with some continuity problems and questions about the science involved in the final battle, there are a few Easter Eggs to consider along with some major questions of events to come in the Arrowverse. Here are six questions to consider in the wake of Elseworlds‘ conclusion….
(19) BENNU NEWS. This asteroid was rode hard and put away wet: “NASAmakes amazing discovery on asteroid Bennu”. It sometimes seems like every astronomical body we study closely ends up having more water than expected. Bennu is the latest to join that crowd: (“OSIRIS-REx Discovers Water on Asteroid Bennu”).
Scientists have made a fascinating discovery on asteroid Bennu thanks to NASA’s OSIRIS-REx spacecraft.
Recently analyzed data from the probe has identified water locked inside the asteroid’s clay, the space agency has announced. The spacecraft’s two spectrometers revealed the presence of “hydroxyls,” which are molecules containing oxygen and hydrogen atoms bonded together.
(20) CRISIS FOR SANTA’S SLEIGH? It’s looking bad: “Climate change: Arctic reindeer numbers crash by half”.
The population of wild reindeer, or caribou, in the Arctic has crashed by more than half in the last two decades.
A new report on the impact of climate change in the Arctic revealed that numbers fell from almost 5 million to around 2.1 million animals.
The report was released at the American Geophysical Research Union meeting.
It revealed how weather patterns and vegetation changes are making the Arctic tundra a much less hospitable place for reindeer.
(21) SOME LIKE IT HOT. On the other hand, chickens find the climate quite salubrious: “‘Planet of the chickens’: How the bird took over the world”.
A study of chicken bones dug up at London archaeological sites shows how the bird we know today has altered beyond recognition from its ancestors.
With around 23 billion chickens on the planet at any one time, the bird is a symbol of the way we are shaping the environment, say scientists.
Evolution usually takes place over a timescale of millions of years, but the chicken has changed much more rapidly.
The rise of the supermarket chicken mirrors the decline in wild birds.
“The sheer number of chickens is an order of magnitude higher than any other bird species that’s alive today,” said Dr Carys Bennett, a geologist at the University of Leicester, who led the study
“You could say we are living in the planet of the chickens.”
(22) FAILURE TO COMMUNICATE. You would have predicted this — “Why emojis mean different things in different cultures” — but some of the variations are surprising.
…Equally, in China, the angel emoji, which int he West can denote innocence or having performed a good deed, is used a sign for death, and may be perceived as threatening.
Similarly, the applause emojis are used in the West to show praise or offer congratulations. In China, however, this is a symbol for making love, perhaps due to its resemblance to the sounds “pah pah pah”…
(23) SIR-PRISE. Meanwhie, back at the patriarchy — “Films with female stars earn more at the box office”.
If you liked Wonder Woman and Moana in part because they were films led by strong female characters, then it looks like you weren’t alone.
Conventional wisdom in Hollywood is that male stars are a bigger box office draw, often the reason given for their higher salaries.
But that may have been a miscalculation according to new analysis, showing films with female leads earn more.
Researchers looked at the top 350 grossing films between 2014 and 2017.
The correlation was true irrespective of how big the production budget was: films where female stars had top billing, made more money than those with male stars.
[Thanks to Cat Eldridge, Michael O’Donnell, Mike Kennedy, Martin Morse Wooster, John King Tarpinian, JJ, Chip Hitchcock, Carl Slaughter, John A Arkansawyer, Steven H Silver, and Andrew Porter for some of these stories. Title credit goes to File770 contributing editor of the day Kip Williams.]
(1) PHOENIX COMICON SUSPECT NAMED. Phoenix’s 12News, in “Phoenix Comicon suspect said things would get bloody, according to court papers”, reports the suspect’s name is Mathew Sterling.
The man Phoenix police arrested Thursday for carrying four loaded guns inside the Phoenix Convention Center during Phoenix Comicon has been booked for attempted murder and several more charges. A judge set his bond at $1 million on Friday.
Police said 31-year-old Mathew Sterling made threats to harm a performer at the event. Police also believe he intended to attack officers as well.
According to court documents, Phoenix police received a call from the Hawthorne Police Department in California. Hawthorne police said a witness reported reading Facebook messages from Sterling who was posting pictures of Phoenix officers and threatening to shoot them.
Sterling resisted when approached by police at Phoenix Comicon and even ripped off an officer’s police patch on his uniform, according to court paperwork. He was eventually overpowered and taken into custody.
Police say Sterling was armed with a shotgun and three handguns that were all fully loaded. He was also carrying a combat knife, pepper spray and throwing stars. Police said he was wearing body armor.
Signs posted throughout the Phoenix Convention Center prohibit these kind of items at the event. Sterling avoided the stations where prop weapons are secured and marked, according to court records.
He later told police in an interview that he believed the signs and law prohibiting weapons at the venue did not apply to him, according to court paperwork.
Court documents show Sterling admitted to carrying the weapons into the venue and told police he was the Punisher — a popular Marvel comic book character. Sterling said if he deemed the officers to be what he called “Aphrodite officers” or “bad” officers, he would shoot them. He said these types of officers can hide behind kind faces and police badges.
According to court documents, Sterling purchased a four-day pass to the event and told police he believed with the person dead, the person’s wife and child would be happy.
Sterling appeared in court for his initial appearance Friday. He did not say a word and is being held on a $1 million bond.
Sterling was also booked for three counts of aggravated assault with a deadly weapon, wearing body armor during the commission of a felony, resisting arrest and carrying a weapon in a prohibited place.
After yesterday’s incident, Phoenix Comicon Director Matthew Solberg announced radical changes to attendee screening at the entrances to the event.
In light of recent events, Phoenix Comicon, in cooperation with the Phoenix Convention Center and the Phoenix Police Department, will be implementing enhanced screening to ensure the safety of all our attendees. This screening includes three dedicated access points, no longer allowing costume props within our convention or the Convention Center, and other methods as determined in conjunction with the Convention Center and Phoenix Police Department. We anticipate some delays as you are entering the building and we encourage you to carry as little as possible to make the process easier. …Costume props will no longer be allowed on-site. All costume props should be left at home, in your car, or in your hotel room. This includes costume props for staff, crew, costuming groups, panelists, and participants in the masquerade ball…. Convention staff is also trying to bring some relief to those stuck in line.
We are bringing water to everyone in line as fast as we can.
— Phoenix Comicon (@PhoenixComicon) May 26, 2017
At all three entrances, there is now a "no bag" line. If you have no backpack, large bag, or purse, you will be directed to these lines.
— Phoenix Comicon (@PhoenixComicon) May 26, 2017
(2) CHEESECAKE UPDATE. The crowdfunding appeal to raise $500K for charity as an inducement for Neil Gaiman to do a reading of the Cheesecake Factory menu, reported in May 22’s Scroll, has raised $59,017 in the first four days.
(3) ENOUGH ABOUT YOU. Felicity Harley is catching heat for her narcissistic “interview” with N.K. Jemisin, “Science Fiction Author Felicity Harley talks to Hugo Award Winning Author NK Jemisin” (links to Internet Archive), where Harley spends half the time talking about herself.
…Jemisin says that she writes not to educate or convey her political views but to entertain. I questioned her on her social and political views, and since her books are speculative, I wouldn’t say she deliberately addresses these head on. Rather I think she tends to use allegory and metaphor to introduce them into her stories.
I’m a different kind of writer — I come out of a strong background of political and social activism. For instance, my current book deals specifically with corporate plutocrats and how they are exacerbating climate change, and also some of the moral and ethical dilemmas that we face as we develop highly intelligent, human forms of artificial intelligence. I’m also more of a hard core science writer — I have a three or four page glossary of scientific terms at the back of my book. I’m like an Andy Weir if you like, who I’ll be chatting with later on in this series.
I would say however, after reading her work, that Jemisin is by far the superior artist of the two of us. She writes from her colorful imagination and her Jungian dreams, weaving her political ideas like subtle silver threads throughout her narrative….
Jemisin let loose a hail of tweets about the interview and how it will reshape her policy for dealing with interview requests henceforth. (Her complete comments are available at Storify.)
Step 2: Respect the author's time. I've done dozens of interviews. Most are a 1/2hr or less. Most interviewers *ask* if I want to do longer.
— N. K. Jemisin (@nkjemisin) May 26, 2017
This interview was a solid hour. At the halfway mark I asked if there were more q's. This was a polite hint. She didn't take it.
— N. K. Jemisin (@nkjemisin) May 26, 2017
Also, many of the qs she asked were things that could've been easily Googled fm prior interviews or even Wikipedia.
— N. K. Jemisin (@nkjemisin) May 26, 2017
Person's response was that I hadn't said what I thought I'd said. She'd captured the *meaning* of my words, so no need for another draft.
— N. K. Jemisin (@nkjemisin) May 26, 2017
(4) NOT READY FOR PRIME TIME POSTER. Tommy Lee Edwards tells The Verge: “What went wrong with the Spider-Man Homecoming poster: a veteran film artist explains”.
Not long after a pair of excellent new trailers for Spider-Man: Homecoming landed online, Sony and Marvel unveiled a poster for the film, showcasing nearly everyone in the principal cast. It is, to say the least, crowded. Peter Parker, Tony Stark, and the Vulture appear twice; poor Marisa Tomei is a tiny floating head at the bottom right; and the background features fireworks, lasers, the Manhattan skyline and the Washington Monument.
It didn’t take long for fans and critics to roast the poster on Twitter…
(5) A SHORE THING. Scott Edelman invites everyone to gobble glass noodles with the legendary William F. Nolan in Episode 38 of the Eating the Fantastic podcast.
Welcome to the permanently moored Queen Mary, which sailed the seas from 1936 to 1967, but which is now a retired ocean liner turned hotel in Long Beach, California — and last month the home of the second annual StokerCon. My guest for this episode snuck away with me from the con for some peace and quiet in my room — and to share take-out food delivered from nearby Thai Silk….
We discussed how Ray Bradbury helped him sell his first short story in 1954, the way a slush pile sale to Playboy convinced him to abandon a successful career as a commercial artist, why his Twilight Zone episode was never filmed, the difference between the real truth and Charles Beaumont’s “greater truth,” why he only acted in only one movie (and got punched by William Shatner), how Stan Freberg pranked diners aboard the Queen Mary and made them think the ship was sinking, which novel he thinks is his best (and it’s not Logan’s Run), and more.
(6) OXYGEN. On behalf of writers everywhere, Dawn Witzke pleads for your Amazon reviews: “Review the KISS Way”.
Imagine walking blindfolded into a room. You tell a story and at the end there is silence.
Feeling a bit worried? Well, that is what it’s like for authors.
We know you have our books. We know some of you have even read them. But, without reviews, it’s like that silent room.
Don’t write reviews because:
“I would, but I don’t know what to say.”
“I don’t like doing reviews, it takes so much time.”
“I didn’t like the book. I don’t want to be mean.”
I’ll admit it, I have said those things before.
However, writers depend on reviews. Reviews not only lets the author know how they’re doing their job, it helps others decide whether to buy the book or move along to another book….
(7) SUSTAINABLE SPACE. Authors argue a new vision for economically-viable space stations: “Towards an Economically Viable roadmap to large scale space colonization”.
Al Globus and Joe Strout have an analysis that space settlements in low (~500 km) Earth equatorial orbits may not require any radiation shielding at all. This is based on a careful analysis of requirements and extensive simulation of radiation effects. This radically reduces system mass and has profound implications for space settlement, as extraterrestrial mining and manufacturing are no longer on the critical path to the first settlements, although they will be essential in later stages. It also means the first settlements can evolve from space stations, hotels, and retirement communities in relatively small steps.
(8) TEMPORARY GRAFITTI. Last night stfnal creatures were illuminated on the outside of the Sydney Opera House. Here are two examples — more on Twitter.
— Sydney Opera House (@SydOperaHouse) May 26, 2017
— Sydney Opera House (@SydOperaHouse) May 26, 2017
(9) SPIT TAKE. Another unexpected consequence of tech (or maybe it was to be expected, given lawyers): Ancestry.com‘s license-in-perpetuity. The BBC has the story: “The company’s terms and conditions have stated that users grant the company a “perpetual, royalty-free, worldwide, sublicensable, transferable license’ to their DNA data, for purposes including ‘personalised products and services'”
A leading genealogy service, Ancestry.com, has denied exploiting users’ DNA following criticism of its terms and conditions.
The US company’s DNA testing service has included a right to grant Ancestry a “perpetual” licence to use customers’ genetic material.
A New York data protection lawyer spotted the clause and published a blog warning about privacy implications.
Ancestry told BBC Radio 4’s You and Yours its terms were being changed.
Headquartered in Utah, Ancestry is among the world’s largest for-profit genealogy firms, with a DNA testing service available in more than 30 countries.
The company, which uses customers’ saliva samples to predict their genetic ethnicity and find new family connections, claims to have more than 4 million DNA profiles in its database.
Ancestry also stores the profiles forever, unless users ask for them to be destroyed.
The company’s terms and conditions have stated that users grant the company a “perpetual, royalty-free, worldwide, sublicensable, transferable license” to their DNA data, for purposes including “personalised products and services”.
In a statement to You and Yours, an Ancestry spokesperson said the company “never takes ownership of a customer’s data” and would “remove the perpetuity clause”.
(10) STACEY BERG PROFILE. Here is Carl Slaughter’s overview of Stacey Berg.
ECHO HUNTER 367 SERIES
by Stacey Berg
Harper Voyager Impulse
For four hundred years, the Church has led the remnants of humanity as they struggle for survival in the last inhabited city. Echo Hunter 367 is exactly what the Church created her to be: loyal, obedient, lethal. A clone who shouldn’t care about anything but her duty. Who shouldn’t be able to.
When rebellious citizens challenge the Church’s authority, it is Echo’s duty to hunt them down before civil war can tumble the city back into the dark. But Echo hides a deadly secret: doubt. And when Echo’s mission leads her to Lia, a rebel leader who has a secret of her own, Echo is forced to face that doubt. For Lia holds the key to the city’s survival, and Echo must choose between the woman she loves and the purpose she was born to fulfill.
Protected by the Church for four hundred years, the people of the City are the last of humanity — or so they thought. Echo Hunter 367, made to be faithful to the Church and its Saint at all costs, embarks on what she’s sure is a suicide mission into the harsh desert beyond the City. Then, at the end of all hope, she stumbles on a miracle: another enclave of survivors, a lush, peaceful sanctuary completely opposite of anything Echo has ever known.
But the Preserve has dark secrets of its own, and uncovering them may cost Echo more than just her life. She fears her discoveries will trigger a final, disastrous war. But if Echo can stop the Church and Preservers from destroying each other, she might have a chance to achieve her most impossible dream — saving the woman she loves.
PRAISE FOR REGENERATION
- “Echo Hunter 367 may be a clone and callous killer, but she’s one with true heart and soul. Regeneration is a thrilling conclusion to Berg’s dystopia duology.” — Beth Cato, author of The Clockwork Dagger series
- “Regeneration by Stacey Berg is a paean to resistance, hope, and love, a Canticle for Leibowitz that passes the Bechdel Test and then some. This post-apocalyptic clash of values and technology demonstrates beautifully that physical bravery can only take you so far; real change only happens when we have the courage to listen.” – Nicola Griffith, author of Hild
Stacey Berg is a medical researcher who writes speculative fiction. Her work as a physician-scientist provides the inspiration for many of her stories. She lives in Houston and is a member of the Writers’ League of Texas. When she’s not writing, she practices kung fu and runs half marathons.
(11) FOLLOW THE MONEY. Lela E. Buis ponders “Why Are Literary Awards so Popular?”
A recent article by Deborah Cohen cites James English The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value. According to English, the number of literary awards has more than doubled in the UK since 1988 and tripled in the US since 1976. Not all these are for SFF, of course. Some of them are big competitions for national recognition and some are only small prizes for local authors. Still, there’s been that explosion. So why are awards so popular?
The answer appears to be economics, which is the answer to a lot of questions about human behavior, i.e. there’s money tied up in the awards process. First of all, many of the prizes charge an entry fee, which means it’s a money-making proposition for the organization offering the award. The Newbery is free. The Pulitzer charges $50. But other smaller contests often have higher fees. The Florida Authors and Publishers Association, for example, charges $75 for members and $85 for non-members to enter their contest. These small organizations tend to cater to independent publishers and authors who hope to gain some of the advantages a literary award can offer, meaning you can add “prize-winning author” to your bio.
(12) DIETARY LAWS OF THE AMAZONS. Speaking of following the money, here’s another entry in the Wonder Woman nutrition sweepstakes.
(13) GREATCOATS. At Fantasy Literature, Bill Capossere does a mock dialog involving Sebastien De Castell and his characters as a salute to “Tyrant’s Throne: A near-perfect close to a great series”.
De Castell turned to Kest. “How would you rate our chances?”
Kest rifled through the manuscript. “We’ll get four and five-star reviews and show up on a dozen Best of the Year lists, after which you’ll get one, no two, major nominations. People will be very sad it’s over and will repeatedly beg you for more. Falcio will appear on five or six €˜Best Characters in a Series’ lists, which won’t do much for his humility, I hate to say.”
“I’ll have you know I have the best humility of anyone.”
“My point exactly. I’ll get a Top 10 mention on a list of Best Swordsperson in a fantasy work, but poor Brasti will almost certainly be forgotten, unless someone makes a list of €˜Characters Who You Only Remember as €˜That Other Guy.’”
Brasti glanced up from polishing his bow.
Falcio raised a finger before Brasti could speak. “Please tell me that isn’t a euphemism. I really€”“
De Castell interrupted. “Don’t break perspective, Falcio. And yes, we all hope it isn’t a euphemism.” …
(14) HISTORY OF FINLAND. Here’s an artistic byproduct of DNA-community research: “Genomes tell their story in a stamp celebrating the 100th anniversary of Finland”.
This year, in Finland, we are celebrating the first one hundred years as an independent country. Our history books tell many details of the past decades that have shaped the present day Finland. With modern technology we can complement the written history by another readable source that has literally travelled with our ancestors throughout millenia. This readable source is, of course, the human genome that we are studying at the Institute for Molecular Medicine Finland (FIMM) of University of Helsinki. A figure of our population genetic analysis based on the FINRISK study of the National Institute for Health and Welfare ended up in a special stamp designed by Pekka Piippo to celebrate Finland’s 100th anniversary. It is a bit fancy stamp with a price tag of 10 euros and you can see our contribution in it only in UV-light!
(15) HONORING THOSE WHO DIED IN WW2. Robert Kennedy suggests that as we begin Memorial Day Weekend in the U.S. we increase our appreciation of the cost of war by viewing The Fallen.
[Thanks to Cat Eldridge, JJ, Robert Kennedy, Mark-kitteh, John King Tarpinian, Carl Slaughter, and Chip Hitchcock for some of these stories. Title credit belongs to File 770 contributing editor of the day Bill.]
(1) FAME AND FORTUNE. Mark Lawrence, who contends there is a close correlation between the number of Goodreads reviews a book has and sales, has created a series of graphs that illustrate the number of GR reviews received by various segments of top-selling fantasy books.
The level to which A Game of Thrones outsells the rest of the field is quite staggering, particularly when the publication date means this difference will *increase* significantly when converting figures to a sales estimate.
But when we widen the field of that fantasy lens still further to include urban fantasy, paranormal romance fantasy, YA fantasy, literary fantasy and fantasy written for children… even the mighty GRRM is dwarfed.
(2) BAD NEIGHBORS. In The Australian, James Bradley reviews Stephen Baxter’s Massacre of Mankind, where H.G. Wells’s Martians come again.
As before, the attack begins in England. This time the Martians arrive in greater numbers, establishing a beachhead and overwhelming Britain’s armed forces. But this is only the first phase. With England secured, a second wave arrives, attacking cities around the world with ruthless and terrifying efficiency.
At his best Baxter produces big-picture Clarkean science fiction of a very high order. And while he could never be accused of being a high stylist, novels such as his Xeelee sequence or his recent Flood/Ark and Proxima/Ultima duologies are exhilaratingly accomplished exercises in hard science fiction. The Massacre of Mankind is a more intimate creation, and perhaps because of that takes obvious pleasure not just in pastiching Wells’s style, but the science and technology of the original novel’s setting.
Baxter has huge fun imagining a solar system informed by the theories of the “discoverer” of the Martian canals, Percival Lowell, and others about planetary evolution.
The narrative structure of the original, in particular the extended prelude to the actual attack, lends it a gorgeous elegiac power. While the decision to reproduce that here makes The Massacre of Mankind overlong, the intertextuality is frequently surprisingly entertaining. This is most evident in flourishes such as the complaints of several characters about the inaccuracy of Walter’s original account (and the almost-cameos by the “man of the future”, Wells himself), but it has its serious side as well.
(3) REBOOT. Dean Wesley Smith says Pulphouse Fiction Magazine is coming back.
As you can see from the pictures, we are doing an Issue Zero again this time that will be limited and part of a Kickstarter later in the summer. First issue comes out in January 2018 and the magazine will be quarterly, with about 70,000 words of short fiction every issue. It will be the size and shape of Smith’s Monthly.
I will be mixing some of the stories from the old Pulphouse days along with brand new fiction. I figured most of those older stories have long been forgotten and they need a new life. For each story we will push the author information and be clear to the reader if the story is new or if a reprint, where the story was originally published.
The magazine will have an attitude, as did the first run. No genre limitations, but high quality writing and strangeness.
(3) THE BOOK IS CLOSED. I reported yesterday that three actors are leading the wagering as favorites to become the next Doctor Who. Now Den of Geek says one has become such a popular choice that one UK bookmaker has stopped taking bets on him.
Peter Capaldi is leaving Doctor Who at the end of the year, and incoming showrunner Chris Chibnall is the man tasked with finding his replacement in the TARDIS.
As ever, it’s tough to put much stock in what bookies say on the matter. But, nonetheless, the latest story to emerge from Ladbrokes is an interesting one: they’ve stopped taking bets on Kris Marshall landing the gig.
The My Family, BT adverts and Death In Paradise star, who recently left his role in the latter, has become such a favourite with punters that Ladbrokes have decided to pull the plug and stop accepting bets.
“A surge of punters have backed Marshall so we’ve had no choice but to close the book,” Ladbrokes’ Alex Donohue told the – sigh – Daily Mail. (You really don’t have to click that link and show them any support.)
“If he does get the gig,” Donohue added, “the bookies will be exterminated first.”
…The bets-being-suspended-on-Kris-Marshall story in no way confirms that he, or anyone, has got the part.
(4) DATLOW BOUND FOR ANTIPODES. Every year Canberra-based SFF fans “get together to celebrate everything creepy, geeky and fantastical” at Conflux, and the lucky International Guest of Honour at Conflux 13 will be Ellen Datlow.
We have to keep pinching ourselves to make sure this is real, but (deep breath) Conflux 13 is bringing none other than Ellen Datlow to Australia!!!
Ellen Datlow has been editing science fiction, fantasy, and horror short fiction for over thirty-five years as fiction editor of OMNI Magazine and editor of Event Horizon and SCIFICTION. She currently acquires short fiction for Tor.com. In addition, she has edited more than ninety science fiction, fantasy, and horror anthologies, including the annual The Best Horror of the Year, Lovecraft’s Monsters, Fearful Symmetries, The Doll Collection, The Monstrous, Children of Lovecraft, Nightmares: A New Decade of Modern Horror, and Black Feathers. Forthcoming are, Hallows’ Eve (with Lisa Morton), and Mad Hatters and March Hares (stories inspired by Alice’s Adventures in in Wonderland and Through the Looking Glass and What Alice Found There).
Conflux 13 will be held September 29-Ocober 2 in Canberra.
(5) FIGHT TO THE FINISH. Unbound Worlds brings back Cage Match. Mark-kitteh comments: “SF character cage matches. I think the Dune sandworm is a bit of a ringer though – how would they even get it in the cage?”
What the hell is Cage Match?
Great question. A long time ago, on an internet far, far away, there was a website called Suvudu, which had been founded by some editors at Del Rey as a place to nerd out about sci-fi and fantasy. In the barely remembered year 2010, those editors decided it’d be a real kick to pit their favorite SF/F characters against each other in a fight to the death, and it’d be even MORE of a kick if they brought in some authors to write short scenes illustrating how they thought those fights might play out. And on top of that, they invited users to come vote on the outcome of those fights.
And apparently you all liked it, because we’re still doing it seven years later.
(6) OSBORNE OBIT. TCM’s Robert Osborne is mourned by Steve Vertlieb:
Robert Osborne passed away this morning at age 84. He’d been in ill health for some time. Robert was the face of Turner Classic Movies since its inception, and was a wonderful fountain of enthusiasm, sincerity, and palpable adoration of classic cinema. Those of us who watched the cable movie channel these countless years came to look upon Robert as a friend, a tireless champion of the arts, and as the very definition of integrity. We all knew that he’d been ill, but were afraid to ask about his telling absence of late from the network. A true motion picture historian, Osborne’s warmth and passion for films and their creators will be sorely missed by movie lovers everywhere. Rest In Peace, Robert. Your own star shall shine ever brightly among a luminescent galaxy of stars.
(7) TODAY’S BIRTHDAY BOY
- March 6, 1928 — William F. Nolan
(8) CREATED IN 7 DAYS. Skyboat Media wants to raise $7,000 via Kickstarter to create an 11-hour audiobook of Queers Destroy Science Fiction.
With your help, if we can fund in 7 days, Skyboat will be able to produce an 11 hour digital audiobook for you of the short story and flash fiction portions of Lightspeed Magazine‘s QUEERS DESTROY SCIENCE FICTION! It will be a glorious vocal celebration of inclusivity, diversity and all things science fiction-y!
KICKSTARTER’S ALL in 1: We are doing this for only one week. Our project is aligned with Kickstarter’s theme of 1s and 0s; this means we are offering only digital rewards.
So far they have raised $1,263 of the $7,000 goal.
(9) CASTING CLASH. At ComicsBeat Heidi MacDonald tracks the issue — “Finn Jones leaves Twitter after trying to explain why a white Iron Fist isn’t problematic to an Asian person”.
Don’t get me wrong, Jones has a right to talk about his show, but when he explained to an Asian person, Geeks of Color’s Creative Director, Asyiqin Haron, how to feel about race…he got busted whitesplaining. Then, when the heat got too much for him, Jones just deleted his twitter account.
Pretty much the same thing happened when Tilda Swinton and Margaret Cho had a tense email exchange over the Ancient One
(10) FAUX-MEN COMICS. Trae Dorn at Nerd & Tie says “The Fake X-Men Comics From ‘Logan’ Are Incredible”.
When Logan director James Mangold asked Marvel comics if he could include X-Men comics in the final Hugh Jackman Wolverine installment, he was told he could as long as they weren’t any real comic books. To create the old-school style books for the movie then, Mangold reached out to Joe Quesada and Dan Panosian to create the pages of the books for the movie….
They’re all, frankly, fantastic, and really capture the feel of the X-Men books from the 1980s. I love the way they look just close enough while retaining a slightly off aesthetic letting you know this is another world. It just adds to the fabric of a world which just feels lived in.
There’s a gallery with the post.
(11) THE FLAW IN THE OINTMENT. It’s a hell of a lot more entertaining when somebody else is on the receiving end of these pleonasms. Jonathan McCalmont unleashes “Rabid Cuddlers” at Ruthless Culture.
…Unfortunately for the puppies, while it must have been comically easy to convince a bunch of teenaged nihilists to troll the Hugo awards, it was never going to be easy to convince basement-dwelling trolls to set aside their Japanese pornography long enough to read a bunch of over-written Catholic fantasy novels. The fact that Gamergaters turned up to harass liberals but didn’t stick around to spend money explains why prominent puppies have downplayed their involvement, decreased their ambitions, and failed to step back from the movement in time and wound up being forced to repeatedly beg for financial support from their dwindling fanbase…
…The puppies’ experiences as nerd-fuhrers may well come to define their adult lives but their flirtations with moral entrepreneurship failed to secure them the kind of following that might provide access to the lucrative world of conservative cultural commentary. Even worse, their attempts to cultivate a right-wing alternative to the stuttering multiculturalism of mainstream genre spaces appears to have resulted in little more than a handful of underwhelming blogs supporting the work of a few self-publishing authors….
…The social and ideological instabilities of the puppy movement should come as no surprise once you realise the gulf that separates adolescent edge-lords from a bunch of stupid old men who want fandom to go back to the way it was in 1953. What is surprising is the speed at which a movement whose ruthlessness once made international news has been reduced to bleating about politeness and passing out internet hugs. Liberal genre culture may be ponderous, self-serving, and morally confused but it was never quite that pathetic….
(12) ABOUT. Who doesn’t enjoy a flash of humor at the end of an author bio? Here’s the last line of Kendare Blake’s —
She lives and writes in Kent, Washington, with her husband, their two cat sons (Tybalt and Tyrion Cattister) and their red Doberman dog son, Obi Dog Kenobi.
[Thanks to JJ, Mark-kitteh, Cat Eldridge, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]
(1) ENGINE 451. The Chicago Tribune ran photos — “New Waukegan train mural honors author Ray Bradbury”.
Pedersen said his work includes lots of trains, “but I had to have a design that was simple and would have an impact. I designed it so you could see what it was from 50 yards away.”
“It’s a universal image, everyone will recognize it’s a train,” Pedersen said. “I drew up the sketch and they liked it.”
Pedersen, who recently moved to Waukegan, said he enjoys the other murals around the city. He said he was walking down Sheridan Road when he noticed the wall and thought, “that would look a lot better with a mural.”
As a tribute to Waukegan author Ray Bradbury, Pedersen numbered the old engine 451 in honor of Bradbury’s book Fahrenheit 451.
(2) WALK IN WAUKEGAN. Bradbury’s birth city plans a walking tour and history exhibit next weekend.
(3) FATHER ELECTRICO. On Facebook, director John Sasser made a quick progress report about the documentary Father Electrico: Ray Bradbury Lives Forever, starring Ray Bradbury and sculptor Christopher Slatoff.
Today we completed the final edit of the film! Next up is to get the score complete and then it should be ready to start entering in film festivals.
(4) LETTER FROM IRELAND. For sale at Captain Ahab’s Rare Books, Ray Bradbury’s two-page TLS to Dolph Sharp, December 10, 1953.
Bradbury, Ray. TWO-PAGE TLS TO DOLPH SHARP, DECEMBER 10, 1953.Dublin: S.i., 1953. Letter typed on both sides of a single 5″ x 7″ sheet of blue gray stock; 48 lines (approx.300 words); signed “Ray” (in ink) next to the author’s small self portrait. Folded once, with tiny staple holes at margins; Near Fine. Offered together with the original, roughly-opened mailing envelope.
A wonderful early and revealing letter from a young Ray Bradbury to Dolph Sharp, written from the Royal Hibernian Hotel in Dublin, Ireland and mailed shortly after from Paris, France. Sharp was an author and long-time friend of Bradbury’s who ran a writers group which met in his Hollywood Hills home. Sharp’s daughter E.E. King recalls that shortly after 1948, “Ray Bradbury, Sanora Babb, Wilma Shore, Joseph Petracca, Elliott Grennard and Ben Maddow convened at our home in the Hollywood Hills and shared their stories over pastrami on rye…for over 30 years, they came to Blair Drive…Gathering around the coffee table, they would read their works and comment on one another’s projects. There were drinks and smokes and laughter…always laughter. I remember hearing Ray read the drafts of The Halloween Tree, which started as a painting, then became a short story, then a screenplay and finally a novel. Ray loved words. He was drunk on language. For thirty years, these were always the best of times in our house” (see: http://inkubate.com/history-of-the-writer-as-a-young-girl-2/). Bradbury presses Sharp for details on any progress or successes regarding his work and that of his fellow group members; “There were so many good stories coming there for a time, one after another; certainly one of them must have sold!” He goes on to relay his own progress at writing the script for John Huston’s adaptation of Moby Dick (1956); “I’ve written some 150 pages in order to finished [sic] 77 pages of useable script…Huston seems very happy with the work. Gregory Peck is coming over next Sunday for a visit; he’ll be Ahab, you know. Leo Glenn will be Starbuck.” Perhaps the most revealing passage relates to Bradbury’s disappointment at the reception of his first novel, which was released just two months in advance of this letter: “Will look forward to your opinion on FAHRENHEIT 451 when you have the time. It didn’t make the splash I rather hoped it might. But then – things never do work out quite as planned. I’m damn lucky anyway.” A charming and intimate letter, rich in detail, to a significant individual in the author’s creative circle; scarce thus. $1,950.00
(5) THE BIG READ. In LA, The Big Read continues to celebrate the author of Fahrenheit 451.
- 25 June, Saturday – 1:00 -4:00 PM
Community celebration of creative typewriting, the process employed by Ray Bradbury to write his science fiction masterpiece, Fahrenheit 451. Louise Marler in partnership with THE BIG READ LA brings the F451 Type-In to Beyond Baroque again. The Big Read is a program of the National Endowment for the Arts in partnership with Arts Midwest. With multi-disciplinary arts and activities involving typewriters, all are welcome to bring their own typewriter, use one provided, write interactive poem, type thank you letters, etc. The afternoon will be full of inspired Reading, Writing, and Typing.
- 25 June, Saturday – 4:00 PM to 6:00 PM
THE BIG READ PRESENTS: FAHRENHEIT 451
The Big Read is a program of the National Endowment for the Arts in partnership with Arts Midwest.
www.NEABigRead.org Local writers and poets read selections from Ray Bradbury’s science fiction masterpiece, Fahrenheit 451. Featuring: Carlye Archibque, Greg Cope White, Anna Urena & more TBA! Free to all.
- 25 June, Saturday – 6:00 – 9:00 PM
F451 OPENING ART RECEPTION
A curated group of visual artists whose work centers on literature, language and typewriters will be on display simultaneously. In salute of the author’s work, Marler’s “Ray Bradbury TypOwriter” mixed media art is featured.
Bradbury’s 1947 Royal KMM typewriter art features a blazing writing machine surrounded by burnt text, inspired by “Fahrenheit 451.” This stunning work as well as the giclée limited-edition is offered for sale at the event with a portion of the sales being donated towards journalism scholarships through the Jim Murray Memorial Foundation.
Select Mexican students, inspired by reading “Fahrenheit 451,” artwork will be included with national and regional known artists. Free to all.
(6) ICE CREAM SUIT. South Pasadena will host a showing of The Wonderful Ice Cream Suit.
Screening of Ray Bradbury’s “The Wonderful Ice Cream Suit”, a Disney film, will be presented on Thursday, June 23 at 7:00 p.m. The Fantasy/Comedy/Drama stars Edward James Olmos, Joe Mantegna, Esai Morales, and Sid Caesar. Joe Mantegna will be on hand to introduce the film with his personal tribute to Ray Bradbury who helped start his professional acting career when he hired him for the theatrical version at the Organic Theatre in Chicago in 1974. Mantegna is currently the star of the popular, long-running CBS TV series “Criminal Minds.” Robert Kerr, from the Ray Bradbury Pandemonium Theatre Company, will offer his reflections of his experiences performing the play “The Wonderful Ice Cream Suit” at the Fremont Centre Theatre in South Pasadena with Bradbury in attendance. The Community Room, located at 1115 El Centro Street, will open at 6:30 p.m. The film is rated PG and is presented by the South Pasadena Public Library, the South Pasadena Arts Council (SPARC), and the Friends of the South Pasadena Public Library. Refreshments will be provided and no tickets or reservations are necessary. Special thanks to the Friends of the Rialto Theatre, David Marchan, John King Tarpinian, and David Lyons/Pro Outdoor Movies
(7) THOSE WERE THE DAYS. In February 2010, Mystery & Imagination Bookshop hosted the Bleeding Edge Signing, and the notables present that day can be seen in this video.
William F. Nolan stalks the aisles at 0:25. Earl Hamner Jr. arrives around 1:50. The first Bradbury sighting comes about 2:04. George Clayton Johnson at 2:30.
Norman Corwin sits to the right of Bradbury. Also in there: John Shirley, James Robert Smith, Cody Goodfellow, Lisa Morton, Earl Hamner, John Tomerlin, Dennis Etchison, John Skipp, Paul J. Salamoff, and Pete Atkins.
(1) BIG CON BUSINESS. At ICv2 Rob Salkowitz analyzes “Three Convention Trends We Could Do Without”, art scammers, pay to (cos)play and –
Indifference to fan experience. The rising prominence of cons means more and more families and individuals plan vacations and big-ticket trips around these experiences. The expectations are higher, and more at stake for the business in delivering great experiences.
Naturally, each year, there are always a few bad cons, and bad moments at good cons. These are complex events to organize, and well-meaning folks can get in over their heads. I find it’s best to never attribute to malevolence what can adequately be explained by incompetence.
But as the industry becomes more competitive and conventions become more templated, it’s easy to see how organizers can get so focused on the “best practices” for separating fans from their money that they lose sight of the big picture: that this whole business is built on fun and passion.
The more shows become dependent on tightly-booked celebrities, the more likely that some fans will get the runaround. It’s already astounding to me how much some fans will put up with – and spend – to get a few seconds and a photo with a famous media personality. But when cons lose control of this process, either because they are not following through on little details like whether the photos actually came out properly, or because they are having a behind-the-scenes business dispute with their talent, as happened at Houston’s Space City Comic Con a few weeks ago, it’s the fans who suffer.
(2) THREE BODY. Carl Slaughter delivers another awesome interview: “Liu Cixin, The 3 Body Problem, and the Growth of SF in China”. Where? Here!
CARL SLAUGHTER: Why was science fiction not taken seriously in China until several years ago?
LIU CIXIN: Actually, the 80s was a peak period for Chinese science fiction. Some books during that period sold as many as 4 million copies. When public officials deemed parts of science fiction socially unhealthy, publishers went through a slump. In the 21st century, science fiction in China made a comeback. This might be related to China’s modernization. Modernization focuses people’s attention on the future. They see the future as full of opportunities, as well as crisis and challenges. This set the stage for the development of science fiction and an interest in this literary form.
(3) GAMER. In “Guest Post: Better Sci-Fi Through Gaming, by Yoon Ha Lee”, the author talks about growing up gaming, for the B&N Sci-Fi & Fantasy Blog.
Not that I needed writing a novel an excuse to play games, mind you. But it made for useful background. One of the major characters in the novel basically is a game designer; he comes from the Shuos faction, which likes using games and game design in its pedagogy. It’s something I can trace back to my excellent 8th grade teacher Mr. Capin, who taught social studies and made use of simulations. I’ll never forget the Middle East sim, in which the class was divided up into different nations. I was assigned to “Israel.” Mr. Capin also played the role of the USA, and from time to time, the “USA” would drop “foreign aid” on us. The other groups hated us instantly. Another time, we did the “Roman Senate,” with Mr. Capin playing the role of “Julius Caesar.” He gave me the opportunity to try to stop him, so long as I didn’t spoil what was to come. I was insufficiently persuasive, and he assassinated me. (I have never been prouder to have a teacher announce, “Senator Yoon is dead.” God knows, that’s the closest I’ll ever come to a government position!) It was very visceral, and I’ve never forgotten how vivid the lessons became in that format.
(4) GHOSTBUSTED. “Doc” Geressey, a fixture at cons in NC, SC, and VA for several years, known for having a very exact Ghostbusters replica vehicle and dressing up as a Ghostbuster with friends, has been charged with soliciting a child on social media.
The Gaston Gazette reports:
Michael “Doc” Robert Geressy, 36, of South New Hope Road, has been charged with soliciting a child for sex act by a computer and appearing to meet a child.
Detectives with the Lincolnton Police Department conducted an undercover sting operation involving Geressy. An officer posed as a 14-year-old child on social media. Geressy reportedly discussed meeting to engage in sexual activity.
When Geressy arrived at the predetermined location and was arrested, he was wearing a black suit, tie and sunglasses, police said, like characters in the movie, “Men in Black.” Geressy showed up driving a 1987 Ford Crown Victoria that is a replica of the car used in the movie, according to reports. The vehicle had emergency light equipment as well as after-market toggle switches to replicate the car seen in the movie, police say.
Another member of The Carolina Ghostbusters told the reporter that the group disbanded a year ago, however, they were advertised as appearing at XCON World in Myrtle Beach last month.
(5) MESZAROS OBIT. Michu Meszaros, an actor who brought the titular alien in ’80s sitcom “Alf” to life, has died reports Variety. He was 76.
I had no idea – I thought Alf was a puppet….
(6) TEMERAIRE. Kate Nepveu reviews the series finale: “The Temeraire Series Sticks the Landing: Non-Spoiler Review of League of Dragons”, at Tor.com.
Let me put the conclusion up front: League of Dragons sticks the landing, and if you like the series overall, you should read it. It handles gracefully the general challenges of concluding a long series, and it has lots of the best parts of the series to date, and not that much of the worst.
The general challenges are, by this point, fairly well known. The final book of a long series has to address long-standing problems, without being boringly obvious; surprise the reader, without being unfair; maintain continuity, without letting past decisions unduly constrict the story; and give the reader a satisfying sense of where the important characters wind up, without overstaying its welcome.
I think League of Dragons does well on all these fronts.
(7) A PG-RATED DRAGON. Disney dropped the official trailer for Pete’s Dragon today.
(8) TODAY IN HISTORY
- June 14, 1938 — The first Superman comic book — Action Comic No. 1 — was published
(9) TODAY’S BIRTHDAY BOYS
- June 14, 1909 – Burl Ives, the voice of Gepetto in a Pinocchio TV movie, and Sam the Snowman in Rudolf the Red Nose Reindeer, who also had a role in an episode of Night Gallery.
- June 14, 1949 – Harry Turtledove
(10) WHY WAIT FOR THE MOVIE? Based on viewing the trailer, BBC popular culture writer Nicholas Barber gives the Ghostbusters remake a thumb’s-down, but only for the “right” reasons: “Why the sexists get Ghostbusters wrong”.
Fast-forward 32 years, and it doesn’t look as if much of that innovation and counter-cultural grubbiness has made it into the new film. From what we have seen of it so far, Feig’s version will be a slavish copy of Reitman’s – right down to the cameos by Slimer and the Stay-Puft Marshmallow Man – except with bright and shiny CGI replacing practical effects, and all-for-one togetherness replacing cynical opportunism. But the one thing it has got right is its casting. After all, the Ghostbusters were always meant to be unconventional underdogs. They were meant to be the last people you would expect to save the world from demonic forces – just as the film as a whole was meant to challenge your preconceptions of what a summer blockbuster could be. And one ingenious way to give both the new film and its protagonists that pioneering freshness is to have women in the lead roles.
(11) RADIANCE. Speculiction hosts Jesse Hudson’s “Review of Radiance by Catherynne M. Valente”.
Working with the art of filmmaking, the relationship between the fictional and the real, and Hollywood of old, Radiance is a novel that possesses every ounce of Valente’s literary awareness and fervor for language. Paul Di Filippo calls it “uncategorizable fantastika,” which is, in fact, a shortcut from Valente’s own more complex but accurate description: “a decopunk pulp SF alt-history space opera mystery.” Dynamic to say the least, the milieu is never allowed to desiccate into simple retro-pulp homage, going further to tell a rich, multi-faceted tale of one woman’s life and legacy in Hollywood’s Golden Age—or what it would have been were the solar system alive with humanity.
(12) MONEY IN HAND. Buy a first edition of Logan’s Run, signed and decorated by Bill Nolan, from Captain Ahab’s Rare Books.
- Nolan, William F. and George Clayton Johnson. LOGAN’S RUN – INSCRIBED TO HERB YELLIN. New York: The Dial Press, 1967. First American Edition. First Printing. Octavo (23cm); red pebbled paper-covered boards, with titles stamped in black on spine; dustjacket; , 134pp. Inscribed by the author to his long-time friend and publisher on the half-title page: “A GEN-U-INE LOGAN 1ST!! / To Herb, with hand, and with friendship, Bill Nolan / June 4, ’80.” At the center of the page Nolan has drawn an open hand with crystal disc in red, blue, and black ink; he has also tipped a typed 41-line bio of himself (measuring 2.75″ x 3.5″) onto the opposite page. Pinpoint wear to spine ends and corners, with upper rear board corner gently tapped (though still sharp); very Near Fine. Dustjacket is unclipped (priced $3.95), lightly shelfworn, with a few short tears, shallow loss at crown, with a few small chips along edges of front panel; an unrestored, Very Good+ example.
Nolan’s best-known work, a novel which takes place “after a strange act of nuclear terrorism, forcing the remaining population into underground keeps; a youth culture takes over, instituting the dystopian rule that all those over twenty-one must be killed to combat overpopulation” (Encyclopedia of Science Fiction). Basis for Michael Anderson’s Oscar-nominated 1976 film, starring Michael York and Farrah Fawcett. Sargent, p.144. $1,750.00
(13) SIMAK FAN. The Traveler at Galactic Journey is excited about this recently-completed serial: “[June 14, 1961] Time is the simplest thing… (The Fisherman, by Clifford Simak)”.
If you’re a fan of Cliff’s, you know that he excels at writing these intensely personal stories, particularly when they have (as this one does) a rural tinge. The former Fisherman’s transformation into something more than human is fascinating. Blaine’s voyage of self-discovery and self-preservation is an intimate one, a slow journey with a growing and satisfying pay-off. The pace drags a little at times, and Simak adopts this strange habit of beginning a good many of his sentences with the auxiliary words “for” and “and,” which lends an inexorable, detached tone to the proceedings.
Still, it’s an unique book, one that I suspect will contend for a Hugo this year. It single-handedly kept Analog in three-star territory despite the relative poor quality of its short stories and science articles.
I won’t spoil things for The Traveler by blabbing about what else came out in 1961 if you won’t….
(14) THE SPY WHO SLAGGED ME. James Bond vs Austin Powers – Epic Rap Battles of History – Season 5.
[Thanks to Laura Haywood-Cory, Chip Hitchcock, Hampus Eckerman, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day John A Arkansawyer.]
(1) THE WAY TO LIVE IN FANDOM. In “A few post-Wiscon thoughts on being an ally” Sigrid Ellis covers several topics, and this segment speaks to fans far beyond the environs of WisCon.
Here’s the thing: if the fates are kind, all of us will one day be old in fandom. Two, three, four generations will pile in after us, building on what we have fostered. We, too, will be pushed to the margins and passed by.
Yet my heart and head are with the youth. With the future. I cannot bring myself to condemn change that spreads power among more people. I cannot argue against hearing more people tell their own stories. I cannot stand against representation, inclusion.
And yet, and yet, and yet …
What I want, what a crave, is for people to LISTEN to each other. To empathize. I want the young’ns to thank those who came before for their victories, however incremental. I want the founders and established folks to respect the anger and impatient demands for change. I want the next generation to not throw out everything just because it was done before. I want the previous generation to avoid “because we always do it this way” as a reason.
When I hear some Old Fart say something dismissive and intolerant, I wince. I want to prevent my respected elders from showing their ass in public, I want to cover for them, I want to protect them from being overheard.
When I hear some Young Turk calling to burn it all to the ground and start again, I wince. I want to run interference, I want to soften their demands, I want to compromise and meet them halfway.
(2) WHAT IT’S ABOUT. In a piece for Bloomberg, “’Star Wars’ Is Really About Feminism. And Jefferson. And Jesus”, Cass Sunstein has excerpts from his book The World According to Star Wars.
….Like a great novel or poem, Star Wars doesn’t tell you what to think. You can understand it in different, even contradictory ways. Here are six of those ways.
From the feminist point of view, is Star Wars awful and kind of embarrassing, or actually terrific and inspiring? No one can doubt that “The Force Awakens” strikes a strong blow for sex equality: Rey is the unambiguous hero (the new Luke!), and she gets to kick some Dark Side butt. Just look at the expression on her face when she has a go at Kylo Ren.
By contrast, the original trilogy and the prequels are easily taken as male fantasies about both men and women. The tough guys? The guys. When you feel the Force, you get stronger, and you get to choke people, and you can shoot or kill them, preferably with a lightsaber (which looks, well, more than a little phallic — the longer, the better).
But there’s another view. Leia is the leader of the rebellion. She’s a terrific fighter, and she knows what she’s doing. She’s brave, and she’s tough, and she’s good with a gun. By contrast, the men are a bit clueless. She does wear a skimpy costume, and she gets enslaved, kind of, by Jabba the Hutt. But isn’t everything redeemed, because she gets to strangle her captor with the very chain with which he bound her? Isn’t that the real redemption scene in the series?
(3) SISMAN OBIT. Publisher and novelist Robyn Sisman (1955-2016) died May 20 of cancer reports The Bookseller.
She began her career in publishing at Oxford University Press where she worked her way up to become an editor.
She later became an editorial director at J M Dent and created two publishing imprints – Everyman Fiction, a list of contemporary fiction; and a classic crime line, which included writers such as Nicholas Blake (Cecil Day-Lewis), Margery Allingham, and Kingsley Amis.
Malcolm Edwards believes she commissioned the first Interzone anthology at Dent.
Sisman then joined Hutchinson, part of the Random House group, via a stint at the newly established UK arm of Simon & Schuster.
She oversaw publication of Robert Harris’ wartime novel Fatherland, but also such books as Kim Newman’s The Night Mayor and Brian Stableford’s Empire of Fear brought to her attention by an sf advisor.
Sisman’s career as a writer began with her debut novel, Special Relationship, published in 1995 by Heinemann. She wrote five other romantic comedies, Just Friends (Penguin), Perfect Strangers (Penguin), Weekend in Paris (Penguin), A Hollywood Ending (Orion) and The Perfect Couple? (Orion).
She was married to author Adam Sisman.
(4) TOP DRONE. I don’t know what Luke will go shooting womp-rats with now – “The U.S. Air Force May Have Just Built Its Last Fighter Jet” reports The Daily Beast.
In the direst scenario, Air Force fighters simply won’t survive over enemy territory long enough to make any difference during a major war. In that case, the penetrating counterair system, or PCA, might not be a fighter jet as we currently understand it.
Instead, it could be a radar-evading drone whose main job is to slip undetected into enemy air space and use sophisticated sensors to detect enemy planes—and then pass that targeting data via satellite back to other U.S. forces. “A node in the network,” is how the strategy document describes the penetrating system’s main job.
The Air Force could start work on the penetrating counterair system in 2017, according to the new air-superiority plan. The document proposes that this possible stealth drone could team up with an “arsenal plane”—an old bomber or transport plane modified to carry potentially hundreds of long-range missiles
(5) AERIAL SNACKAGE. Richard Foss was up early to guest on a TV show called Food: Fact or Fiction and wrote a great post about his experiences.
One segment was about the history of food aboard commercial aircraft, the other about food in space, and each had their humorous moments. As part of one I had to eat some airline peanuts, and unfortunately they had brought the sweet kind that I detest. I managed to fake enjoyment when the camera was on, but must have made an interesting face as soon as it stopped, because the cameraman asked if I was choking. When I told him the situation, he complimented me on my acting, because he had thought I loved peanuts as long as the camera was on. The annoying part? They had to shoot the scene three times, so I ate a whole bag of the nasty things.
(6) UP THE AMAZON. John Scalzi delivered “A Tweet Spree on Amazon Authors and Envy” — 17 tweets and a kitten picture. Here’s number 6.
6. I've had single digit Amazon Author rankings in SF/F; I've been off the list of 100 entirely. As far as I can see, no impact on sales.
— John Scalzi (@scalzi) June 7, 2016
(7) AUGUST BRADBURY SHINDIG. Steven Paul Leiva signal boosted a call for submissions for this summer’s Ray Bradbury Read in LA.
On August 22, 2016, in celebration of the ninety-sixth anniversary of the birth of American and Angeleno literary great Ray Bradbury, the Ray Bradbury Read will take place in downtown Los Angeles from twelve noon to three p.m.
The Ray Bradbury Read will feature three hours of short readings from the works of Ray Bradbury; from his short stories, novels, poems, and essays…
The readers of Bradbury’s work will be members of the public selected by the process described below. There will also be guest celebrity readers….
To be considered as a reader you must submit a proposal for a reading of a five-minute-or-under excerpt from one of Bradbury’s many works. The excerpt can come from any of Ray’s published prose and verse writings and should have a central theme, coherence, and completeness about it. More than one excerpt or poem can be read, as long as their reading time does not exceed five minutes. Excerpts from plays and screenplays will not be accepted.
(8) WALK THROUGH MGM. Marc Scott Zicree, Mr. Sci-Fi, visits the former MGM, where Twilight Zone was shot.
(9) DO ANYTHING ELSE IF YOU CAN. William F. Nolan wrote on Facebook:
A major misconception: that all famous, successful writers find it easy to bring in vast amounts of money and have always enjoyed big bucks, right from the start of their fabled careers. Nothing could be farther from the truth. Stephen King had his phone cut off for non-payment and had to use a gas station phone to receive calls while sweating for low pay in an industrial laundry. Ray Bradbury lived on tomato soup for years as his stories were rejected. Charles Beaumont had to hock his typewriter for food. Richard Matheson nearly starved trying to live on random, penny-a-word sales. Just a few examples from many. It takes talent, hard work and a LOT of years to “make it big” as a writer. And most writers never do. A tough game, people. Very, very tough indeed. Write if you must — but ONLY if you must.
(10) NOT A STRANGER. ScienceFiction.com shares “Strange Opinion: Bob Gale Of ‘Back To The Future’ Is Not Happy About ‘Doctor Strange’”.
In a recent interview with MoviePilot, Bob Gale let his opinion be known about Marvel’s upcoming ‘Doctor Strange’ movie, a film that he is not looking forward to. While you might think “Who the hell is Bob Gale?” and “Why does his opinion matter on this?” let me tell you, I had similar thoughts. I knew he was a writer/producer on the ‘Back to the Future‘ movies back in the 80?s (and has done little else since, except for ‘Back to the Future’ video games and promos, and the ride at Universal Studios), and I thought it was very strange that years later the man would pop up again with comments on a Marvel movie. However, Bob Gale having an opinion on the matter is not as strange as I originally thought, as it turns out that back in the 80s (at the height of his relevancy) the man wrote a screenplay for ‘Doctor Strange,’ which unfortunately never got made. Apparently Bob Gale is a huge ‘Doctor Strange’ fan and an expert on the character, which is why he tried to get his movie made, and also why he feels so strongly about Marvel’s upcoming film featuring the character.
Of course I’d listen to Bob Gale’s opinion. He majored in film at USC. More important, that’s how he happened to take me (a fellow USC student) to the first LASFS event I ever attended, the club’s 1970 anniversary dinner, where Harlan Ellison read aloud “Beast That Shouted Love at the Heart of the World.” He can say anything he likes about Doctor Strange as far as I’m concerned. 😉
(11) FANTASY TOURISM. The B&N Sci-Fi & Fantasy Blog has “Rough Guides to Getting Around Single-Climate Planets”.
Ursa Beta Minor (The Restaurant at the End of the Universe, by Douglas Adams) Introduction: The Pleasure Planet Ursa Beta Minor was designed, manufactured, and terraformed to be the ultimate vacation destination. The planet is comprised completely of warm oceans and thin strips of beach front. It is always Saturday afternoon, and the bars are always open. In fact, as you read this, you’re wondering why anyone would travel to any other single-climate planet, and frankly we have to agree with you.
Where to Go: Aside from the beaches and the bars, there is only one other destination: Light City, the capital city. While in Light City, visit the headquarters of the Hitchhiker’s Guide to the Galaxy, which will be very disappointing, but afterwards you can stroll down Life Boulevard and walk past the shops that literally no one is wealthy enough to afford.
Getting There and Getting Around: You’ll need a ship equipped with some sort of Infinite Improbability Drive, or at least a Bistromatic Drive. Once in orbit, you can only arrive by air, as the owners really want you to see Light City from up there, or else the whole trip is a waste.
(12) APPERTAIN YOURSELF A LIBATION. Stoic Cynic in a comment:
Apropos of nothing in this thread (yet), and with apologies to Johnny Mandel, Mike Altman, the cast of MASH, and various posters toasting world peace:
Through early morning fog I see
Another troll post on the screen
Their words that are meant to rile me
I realize and I can see
That scrolling past is painless
It brings on many changes
And I can take or leave it
If I please
Games of trolls are a loss to play
Not gonna feed it today
That losing card I’ll some day lay
But right now though I have to say
That scrolling past is painless
It brings on many changes
And I can take or leave it
If I please
Their words are time we’ll not see again
It doesn’t hurt when it begins
But engage and get all drawn in
The loss grows stronger, watch it grin
Scrolling past is painless
It brings on many changes
And I can take or leave it
If I please
Sea Lions once demanded me
To answer questions they thought key
Is it to be, or not to be?
And I replied, oh why ask me?
Scrolling past is painless
It brings on many changes
And I can take or leave it
If I please
And you can do the same thing
If you please
[Thanks to John King Tarpinian, Martin Morse Wooster, Andrew Porter, Stoic Cynic, and David K.M. Klaus for some of these stories. Title credit goes to File 770 contributing editor of the day Niall McAuley.]
(1) GOOD NEWS. The Guardian reports — “Good Omens: Neil Gaiman to adapt Terry Pratchett collaboration for TV”.
Neil Gaiman, the author and longtime friend of Sir Terry Pratchett, has announced he will be writing the adaptation of their co-authored novel Good Omens for the screen.
Gaiman had previously said he would not adapt their 1990 fantasy novel about the end of the world without Pratchett, who died in March 2015 from a rare form of Alzheimer’s disease. Before his death, Gaiman wrote a BBC Radio 4 adaptation of Good Omens, which broadcast in 2014 and included a cameo from Pratchett; at the time, Gaiman said he had agreed to adapt it because: “I want Terry to be able to enjoy this while he’s still able to.”
But Gaiman, who flew into London on Thursday night for a memorial event for Pratchett at the Barbican, announced to whistles and cheers that he would be personally adapting the book for television. He said he had been spurred to change his mind when he was presented with a letter from Pratchett, intended to be read after his death….
But Wilkins revealed to the audience that Pratchett had left a letter posthumously for Gaiman. In the letter, Pratchett requested that the author write an adaptation by himself, with his blessing. “At that point, I think I said, ‘You bastard, yes,’” Gaiman recalled, to cheers.
“How much are we allowed to tell them?” Gaiman teased, before he was hushed by Wilkins. “Are we allowed to tell them it is a six-part television series?”
(2) GOOD VIEWS. Andrew Liptak explains how “The View from the Cheap Seats Offers a Revealing Look into the Corners of Neil Gaiman’s Mind” at B&N Sci-Fi & Fantasy Blog.
…I’ve done all of these things, and yet somehow, it took the release of his new collection, The View from the Cheap Seats, to realize [Neil Gaiman’s] nonfiction is as compelling as the stories that have bewitched our imaginations.
The book assembles the best of Gaiman’s essays, introductions, speeches, and other musings. They’re generally brief—a couple of pages—but each speaks to his unique worldview so exactly, you can’t help but hear his distinctive voice in your head as you read. Each offers an enlightening peek into his unusual life and his passion for books and writing, from his close friendship with Tori Amos, to the genius of Gene Wolf and Harlan Ellison, to the value of libraries.
(3) HE HAS TWO LITTLE LISTS. Nick Mamatas points out that he made both Vox Day’s “Rampaging Puppies” slate of Locus Awards recommendations (for Hanzai Japan: Fantastical, Futuristic Stories of Crime From and About Japan, Nick Mamatas & Masumi Washington, eds.) and more recently, The Complete List of SJWs.
(4) THEY LIKE LEATHER. Well, Chauncey, there’s something I never expected to see. What’s that, Edgar? A leather-bound edition of Logan’s Run by William F. Nolan and George Clayton Johnson. From the Easton Press.
(5) THE POWER OF FIVE. Samantha Mabry discusses “Five Books That Carry Curses” at Tor.com.
The Brief Wondrous Life of Oscar Wao by Junot Díaz (2007)
“Because no matter what you believe, fukú believes in you.” The opening pages of Díaz’s novel are dedicated to explaining the curse that perpetually plagues the Wao family. This particular curse, otherwise known as fukú, apparently originated in Africa and traveled across the Atlantic to sink its fangs into the modern-day Dominican Republic. It’s tied to ancient history and a more recent bad man, and it’s carried through generations (sorry, Oscar). It’s inescapable, rears its head during all stages of Oscar’s short life, causing him all manner of personal turmoil, and can certainly be tied to his eventual demise.
(6) FANTASTIC BEASTS. Missed this one over the weekend — “Wizards Take Manhattan in New ‘Fantastic Beasts’ Trailer”.
But in the new trailer, revealed during the MTV Movie Awards on Sunday night, we get the full story of his coming to America and 1920s New York, including a stop at Ellis Island, where he uses some crafty magic to hide a title Beast from customs. (Watch the clip above.)
A voiceover notes “just like your suitcase, there’s much more than meets the eye” and then reveals Scamander’s backstory: Kicked out of Hogwarts for his beastly experiments, he still has the support of none other than future headmaster Albus Dumbledore himself.
(7) ACCORDING TO CUSTOM. Lawyer Lawrence M. Friedman perked right up when the litigation hit the screen — “Batman v. Superman and Import Licenses” at Law and the Multiverse.
Heading into Batman v. Superman: Dawn of Justice, I had some trepidation mixed with anticipation. You’ll have to judge the movie for yourself. My short review is that it is filled with great fan service and universe building, but continues to mistreat Superman as a character. To make up for that, Wonder Woman is great and Ben Affleck is perfectly good in the cowl and cape. That’s all I will say on the quality of the movie. What about the legal issues?
Very early in the movie, it becomes clear that Lex Luther and Lexcorp could use my professional help. Explaining why requires at least a minor spoiler. Consider yourself warned.
Following the events of Man of Steel, it becomes obvious to Lex Luther that kryptonite might be a useful tool to combat Superman and potentially other Kryptonians. One of his scientific henchmen, listed in the credits as Emmet Vale, finds a sizeable chunk in the Indian Ocean. As a side note, the existence of a potential “Professor Vale” in this universe is not good news for Superman. As a plot device, Luther realizes that he needs an import license and begins lobbying a Senator played by Holly Hunter for permission to import the kryptonite.
As a customs and trade lawyer, I may have been the only person in the theater to sit up just a little when I heard that. I lost the next couple minutes wondering to myself whether that would, in fact be true. Would Lexcorp, or any other legally compliant importer, need any kind of license to import a chunk of Kryptonite?…
The series follows the struggle of humanity to colonize a habitable exoplanet.
In the near future, a cosmic catastrophe hits the Earth without warning. Unforeseen by any scientist, the Sun transits rapidly into a red giant. Having no choice, mankind must escape the solar system. The survivors become space nomads, seeking a viable replacement for Earth.
David Prowse has given a guest appearance in the new Episode and plays the scientist who develops the mission to save human kind from extinction.
(9) TEACHING WRITING. SF Site News has the story: “Julia Elliott Wins Shared World Residency”.
Julia Elliott has won the Shared World 2016 Amazon Writers-in-Residence. She will attend the Shared World Writers Workshop for teens at Wofford College in South Carolina, where she will meet with the aspiring authors and help teach and guide them in conjunction with the workshop’s other authors.
(10) TUNE CARRIER. John Scalzi sounds like the “stone soup” of vocalists – add a few ingredients and what a singer he’ll be!
Man I would be a great singer If I only Had tonal control, breath control and the ability to sing.
— John Scalzi (@scalzi) April 14, 2016
(11) COURT SAYS DEITY IS NOT. The Register has the verdict: “Flying Spaghetti Monster is not God, rules mortal judge”.
A United States District Court judge has ruled that Pastafarianism, the cult of the Flying Spaghetti Monster (FSM), is not a religion.
Stephen Cavanaugh, a prisoner in the Nebraska State Penitentiary, brought the case after being denied access to Pastafarian literature and religious items while behind bars. Cavanaugh argued that he is an avid Pastafarian, has the FSM tattoos to prove it, and should therefore be allowed “the ability to order and wear religious clothing and pendants, the right to meet for weekly worship services and classes and the right to receive communion” while on the inside.
Prison officers denied his requests on grounds that Pastafarianism is a parody religion.
Judge John M. Gerrard agreed with the prison officers’ argument, noting that Pastafarianism was cooked up as a response to Intelligent Design being taught in the State of Kansas. The decision to teach Intelligent Design was justified as it being one of many widely-held religious beliefs about the origins of the Earth. Activist Bobby Henderson devised Pastafarianism Flying Spaghetti Monster as a riposte, claiming that it, too, was a widely-held belief and that it should also be taught in Kansas’ schools….
Judge Gerrard was not impressed by those offshore cases, quickly deciding that FSMism is a parody, not an actual religion. Nor was he impressed by Cavanaugh, who had a rather poor grasp on Pastafarianism’s key texts, which the judge took the trouble to read….
(12) GARETH THOMAS OBIT. Star of a TV series that gained a cult following, Gareth Thomas (1945-2016), who played Roj Blake on Blake’s 7 died Wednesday reports the BBC.
Yet he remains best known for Blake’s 7, which ran on BBC One from 1978 to 1981.
At its peak, the series was watched by 10 million viewers and was sold to 40 countries.
Thomas claimed never to have watched a single episode of the show, which was derided by some for its shaky sets and basic special effects.
The show also had a distinctly pessimistic tone – typified by the final episode, in which all the main characters were apparently killed off.
(13) TODAY IN HISTORY
- April 14, 1561 — The sky was full of unknown moving objects in Nuremberg, Germany. See the woodcut Battle over Nuremberg by Hans Glaser.
(14) TODAY’S BIRTHDAY GIRLS
- Born April 14, 1936 – Arlene Martel
- Born April 14, 1977 — Sarah Michelle Gellar
(15) TODAY’S BIRTHDAY BOY
- Born April 14, 1954 — Bruce Sterling
(16) PLOWING SEASON ON TATTOOINE. The Hollywood Reporter says the dirt is flying — “Disney Breaks Ground on Star Wars Land in California and Florida”.
“In these all-new lands, guests will be transported to a never-before-seen planet inhabited by humanoids, droids and many others,” according to a status update post from Disney.
Disneyland has taken its first steps into a larger world.
On Thursday, the California and Florida theme parks broke ground on their highly anticipated attraction: Star Wars Land.
“In these all-new lands, guests will be transported to a never-before-seen planet inhabited by humanoids, droids and many others,” according to a status update post from Disney. “Star Wars-themed lands will be the largest-ever single-themed land expansions at Disneyland Resort and Walt Disney World Resort.”
Along with the update, Disney posted a 360-degree photo from the 14-acre construction site at Disneyland.
The opening date for the attractions has yet to be announced.
(17) NOT A BILL THE GALACTIC HERO REFERENCE. A comic book has the answer to this question.
Star Wars: The Force Awakens left us with a lot of burning questions, but one of the more peculiar ones is about C-3PO: Why did he have a red arm? Today in Star Wars Special: C-3PO #1 from Marvel Comics, written by James Robinson with art by Tony Harris, we got the answer in a story that takes place before the events of Force Awakens.
Warning: beware of full spoilers for Star Wars Special: C-3PO #1!
(18) WITH EXTRA ADDED AVATAR. “James Cameron Announces Four ‘Avatar’ Sequels” says a Hollywood Reporter article. Too bad it isn’t five – then it would be okay to laugh…
Fox ended its Thursday CinemaCon presentation with a surprise guest: James Cameron.
He announced that there will be four Avatar sequels, not the three previously planned. “We have decided to embark on a truly massive cinematic process,” he said.
Cameron said as he was planning the three sequels, he found it limiting. “We began to bump up against the limitations for our art form,” he said, explaining that he decided he would need more sequels to tell the whole story.
He said each of the four sequels will be able to stand alone, but will together create a saga. His goal is to release Avatar 2 at Christmas 2018 and the a new film in 2020, 2021 and 2022.
“I’ve been working the last couple of years with a team of four top screenwriters,” he said, “to design the world of Avatar going forward: The characters, the creatures, the environment, the new cultures.”
(19) X BERATED. Not everyone is sanguine about the company’s chance of handling Star Wars with kid gloves – consider the faux“Disney/Pixar’s X-WINGS Movie Trailer” from Big Bee Studio.
What happens when the people who made Cars & Planes get their hands on Star Wars? X-Wings. That’s what happens.
[Thanks to John King Tarpinian, Steven H Silver, David K.M. Klaus, Chip Hitchcock, and JJ for some of these stories. Title credit goes to File 770 contributing editor of the day Will R.]
(1) MODERATE TO HEAVY PUPPIES. Standback contributes “A Moderate Conversation Re: Sad Puppies”.
So to some extent, this is a sufficient answer to Stephanie’s question. Why is there so much vitriol against the Puppies? Because we’re on the internet, where it doesn’t take a whole lot to escalate an argument over Best Brand of Pasta into virtual knifings…..
To start things off: I would say I understand the core Puppy complaints, and agree with many of them (to varying extents).
I definitely see a shift in the “focus” of the genre, even if I’d be hard-pressed to nail it down to a definition (not unreasonable, in a genre still best-defined as “what we point to when we say it”). The disproportionate influence of particular groups and fandoms has been raised and enthusiastically argued over in the past (e.g.   ). And I think there’s been a lot of snubbing, condescension and ad-hominem attacks coming from non-Puppies. Which they often don’t notice, or consider justified. (Scott Alexander’s I Can Tolerate Anything Except the Outgroup springs to mind, as it so often does.)
I won’t go over the Puppy grievances one by one, but I think I can see where all of them are coming from.
(2) DAN SCHNEIDER VIDEO INTERVIEW #68. Steven H Silver says, “Yesterday, Terry Bisson and I were interviewed for a podcast about Alternate History. If you want to hear what I would sound like recording on an Edison cylinder, I imagine this is pretty much it.”
(3) EATING THE FANTASTIC. Scott Edelman’s third episode of his Eating the Fantastic podcast is now live, with guest Bill Campbell.
Bill opened up about many things, including the genius of Samuel R. Delany, how Rosarium’s first book Mothership: Tales from Afrofuturism and Beyond gave birth to a new publishing company, the challenges of crowdfunding creative projects, why he was once blacklisted at a convention, and many other topics which I hope you’ll find as fascinating as I did.
Episode four, coming in two weeks, will feature writer Tom Doyle.
(4) REQUESTING MORE CONTENTS, FEWER TABLES. Black Gate continues its Hartwell tribute with “The Books of David G. Hartwell: Visions of Wonder and The Science Fiction Century”. I’m all in favor of paying tribute to Hartwell, I’d just like to see more in these posts than the reprinted tables of contents of his collections.
(5) NAMING CONVENTIONS. Michael J. Walsh observes what a well-Cultured sense of humor Elon Musk displayed in naming his ships.
By January 2016, a total of three ASDSs have been refitted. The first ASDS, named Just Read the Instructions (JRtI), was converted from a barge in late 2014 and was deployed in January 2015 during the CRS-5 cargo resupply mission to the International Space Station in order to provide a landing platform for a test flight of the returning booster stage. It was used for two landing tests through April 2015, and by June 2015, was retired as an ASDS. The second ASDS, named Of Course I Still Love You (OCISLY), was converted from a much-newer deck barge and became operational in June 2015 to support a landing test on the CRS-7 mission.
(6) CRADLE OF SF’S GOLDEN AGE. Robert A. Heinlein’s birthplace in Butler, MO has been listed for sale. The asking price is $97,500.
Geo Rule says “The Heinlein Society will gladly accept a six figure donation to purchase it and turn it into a museum, if you’re feeling generous as well. Well, maybe seven figure to turn it into a museum…”
(7) STATHOPOULOS EXHIBITION. Rejects! The Good, The Bad, and The Ugly, a retrospective of portraits by famed Australian painter Nick Stathopoulos , runs March 28-April 15 at Project 504 Studio in St. Leonards (Sydney). Stathopoulos is a 10-time Ditmar Award winner, who also was a 1999 Hugo nominee in the Best Professional Artist category.
(8) NANCY REAGAN OBIT. Former First Lady Nancy Davis Reagan died today, March 6, at the age of 95. Like her spouse, she had an acting career prior to living in the White House, which included a role in the genre movie Donovan’s Brain. The movie was based on a 1942 horror novel by Curt Siodmak who, showing what a small world it is, lived in those days not far from Robert A. Heinlein’s home on Laurel Canyon.
(9) TODAY’S BIRTHDAY BOYS
- Born March 6, 1906 — Lou Costello. “Abbott and Costello Meet… have to be some of the best monster movies,” says John King Tarpinian.
- Born March 6, 1928 – William F. Nolan
(10) ACE OF HORROR. SF Signal has “5-Time Bram Stoker Winner Jonathan Maberrry on His Prolific Career”
CARL SLAUGHTER: Which of your novels is being adapted by hollywood?
JONATHAN MABERRY: I’m fortunate to have several of my projects in development for film and television. My Joe Ledger thrillers are being developed by Lone Tree Entertainment and Vintage Picture Company as a possible series of movies, likely beginning with Extinction Machine, the 5th in the series. And my vampire apocalypse series, V-Wars, is headed to TV, with a brilliant script by former Dexter head writer, Tim Schlattmann. Several other properties, including Rot & Ruin, The Pine Deep Trilogy, and others, are being discussed.
CS: How long and how hard is the journey to the screen?
JM: Like most writers I’ve coasted the edges of the Hollywood experience for years. There are some frustrations, of course, but that’s part of the game. For example, back on 2007 I co-created a show for ABC-Disney called On the Slab, which was a horror-sci fi-fantasy news program. Disney paid us to develop it and write a series bible and sample script; and then there was a change of management in the department that purchased it. Suddenly the project was orphaned and therefore dead in the water. Another time producer Michael DeLuca (Blade, Magnolia) optioned the first Joe Ledger novel, Patient Zero, on behalf of Sony, who in turn took it to ABC, who hired Emmy Award-winning TV writer Javier Grillo-Marxuach (Lost) to write a pilot. Then after we’d gone a long way toward seeing it launch they decided instead to focus on the reboot of Charlie’s Angels, which flubbed badly. That’s Hollywood. I don’t take this stuff personally, though. And I never lost my optimism.
(11) FRIENDSHIP CALCULUS. Adam-Troy Castro explains “How To Remain My Friend When You Really Hate My Friend”.
I guarantee you, if I am close to Friend X, I know that “Asshole” is part of his Venn Diagram. As it is part of mine. As it is part of yours. I have clearly already made my personal calculations and decided that his other aspects are more important. I may someday change my mind. But it is my mind to change, based on whatever passes between me and Friend X; possibly even depending on what I see Friend X do to Friend Y. But you, who have had a different experience with Friend X, and therefore a different reaction, cannot win this argument with me using words, no matter how eloquently you express everything you find objectionable about him. It is, however, very possible for you to lose it. You can become a bore. You can become a scold. You can just become the distasteful person who always feels obligated to piss on my pal; the guy who gives me the impression that nothing will satisfy him until I start pissing on my pal too. That makes YOU the shithead.
(12) VIRUS WITH A LIBRARY. Nature reports “CRISPR-like ‘immune’ system discovered in giant virus”.
Gigantic mimiviruses fend off invaders using defences similar to the CRISPR system deployed by bacteria and other microorganisms, French researchers report. They say that the discovery of a working immune system in a mimivirus bolsters their claim that the giant virus represents a new branch in the tree of life.
Mimiviruses are so large that they are visible under a light microscope. Around half a micrometre across, and first found infecting amoebae living in a water tower, they boast genomes that are larger than those of some bacteria. They are distantly related to viruses that include smallpox, but unlike most viruses, they have genes to make amino acids, DNA letters and complex proteins.
(13) TO BOLDLY BUILD WHAT NO MAN HAS BUILT BEFORE. Collider explains why “NASA Has Designed a Warp Ship Inspired by ‘Star Trek’s Enterprise”.
When does science-fiction become science fact? Throughout various mediums over the last few centuries, we’ve seen early versions of concepts that would eventually become a reality. Sometimes these portrayals are pretty far off base (still waiting on those flying cars), while other times they feel downright prescient. But in the case of Star Trek and one particular engineer at NASA, science-fiction actually informed science fact, with NASA engineer and physicist Harold White now actively working on a space ship that would allow travel faster than the speed of light—or, for the Star Trek inclined, warp speed.
White announced this idea a few years ago, with the concept seeking to allow travel faster than the speed of light by literally expanding space-time behind the object and contracting space-time in front of it. In reality, the object doesn’t “go fast,” but instead takes advantage of Albert Einstein’s theory of relativity to move between space-time.
If your head has yet to explode, sit tight—in concert with White, designer Mark Rademaker has now created a CGI design concept of the ship that would operate using this theory, which they have aptly named the IXS Enterprise. Per Rademaker in an interview with the Washington Post, the idea behind the concept art serves two purposes: to visualize their idea, and to inspire burgeoning young scientists
(14) PAGING HUGO NOMINEES. George R.R. Martin knows it’s “Nomination Time”. His short fiction recommendation is a needle in a small Venusian haystack.
Last year, however, these three categories were among those most impacted by Puppygate. The slates dominated all three, sweeping the board and shutting out all other work. In the novelette category, a disqualification allowed one non-Puppy nominee to squeeze onto the ballot, and that story ultimately won. In novella and short story, fans unhappy with the choices presented them voted No Award. Understandably, IMNSHO… still, it was not a happy ending. There was some wonderful and powerful work published in these categories in 2014, and it was a shame that none of it could be recognized. (I was proud and pleased to present Alfie Awards to Ursula Vernon for “Jackalope Wives” in short story, and to Patrick Rothfuss for “The Slow Regard of Silent Things” in novella… but we all know that an Alfie is not a Hugo, and in an ordinary year both Vernon and Rothfuss would surely have been contending for a rocket).
That’s last year, however. No amount of rehashing can change what happened. The important thing is to see that it does not happen again. And to that end, it behooves all of us to nominate the short stories, novelettes, and novellas that we enjoyed most last year… to share our thoughts with our friends… to shout our recommendations from the rooftops. Let’s make sure this year’s shortlists truly represent the best of what was published in 2015.
As to my own recommendations…
Ah, there I hit a problem. I am not making any recommendations in these categories. Problem is, I have a conflict of interest. As a writer I did not publish any original short fiction in 2015, true. As an editor, however… well, Gardner Dozois and I co-edited an anthology called OLD VENUS that came out last year, and in my (admittedly less than objective) view, that book contained several stories that are worthy of Hugo nominations, and one that is so bloody brilliant that I think it stands right up there with any story that ever won the Hugo.
I really can’t tell you which one it is, however. Or the names of the other stories in the book that I think worthy of consideration. Look, Gardner and I liked all the stories we included in OLD VENUS. If we hadn’t, we would not have purchased them (and we do reject stories for every one of our anthologies). But we’d be lying if we said we liked all of them equally. There are stories Gardner liked more than I did; there are stories I liked more than Gardner did; there are stories both of us loved, loved, loved. As editors, however, it would be unethical for us to say which were which in public. Just as parents need to maintain devoutly that they love all their children equally and have no favorites, it behooves the ethical editor to take a similar stance toward the stories they purchase and publish.
(15) GIVING KATE A HELPING PAW. Steve Davidson hated to let go to waste the effort he invested on a comment I deleted here the other day. It now has manifested as “Puppy See, Puppy Do-Do” at Amazing Stories.
Kate Paulk recently closed the comments (at the beginning of March) so that they could be compiled and a final list composed.
It’s a little late in the game, especially considering that nominators are kinda expected to read and be familiar with works they’re going to recommend (but that isn’t necessarily an impediment for organized voting), so we’ve decided to help them out a bit and give them a hand up.
We started with one of the most visible categories – Best Novel. The following list contains all of the individual works mentioned in the comments. We did not verify eligibility (although most, if not all of the works seems to meet that criteria). When judging whether or not someone recommended something, we took “Plus 1” and “Me Too” to count for a “vote”. If someone talked about a work but didn’t expressly indicate that it was something they were going to nominate, we didn’t count it.
If a “top ten” is going to be compiled, it’s pretty obvious from the counts below what we should see on the Sad Puppy IV Slate. It will be interesting to see how the final list compares.
(16) HAMMER EMCEE RAPPED. Marie Porter has some feedback for masquerade emcees, triggered by a recent bad example of the art.
I want to talk about Emcees for convention ?#?cosplay masquerades.
It feels like almost every masquerade we’ve competed in, judged, or watched – with maybe 1-2 exceptions – has had an emcee that behaves in a manner that I find disrespectful to the competitors.
As a general thing, it usually comes in the form of trying to be “entertaining”, and basically comes off like this emcee has an audience, that they are the STAR of the show, and the competitors are basically props to them. They feed off the laughs, which they try to obtain by any means necessary.
A lot of the time, it happens by cracking rude and unnecessary jokes while introducing the competitor, as the competitor leaves the stage, etc.
When it happens, it feels like the emcee has lost sight of what the show is actually about – showcasing the hard work of the competitors. It’s not the “emcee show”, no matter how much they would like to think it is.
Tonight, a few things happened that still have me mad, so let me describe it to demonstrate what I’m saying.
A friend of mine was competing in the beginner category, in a costume she SLAVED over – a Steampunk Lady Thor. I watched her build progress – she put a ton of work into it, and she had every reason to be proud of it.
As she was on stage – being judged, mind you – the emcee talked *over her provided audio* to say – and I quote
“She could hammer me any time”.
She looked horrified, and – quite frankly – like she wanted to murder the guy. Rightly so, IMHO. She basically had all of her hard work diminished into a sexual joke. It was degrading and objectifying, and had no place happening. SHE WAS COMPETING, during PERFORMANCE judging. Can you imagine being shocked by something like that, after all that work?
This is a Facebook link to video of the emcee’s “hammer” line. You can see it for yourself.
(17) UNLOOTED LOOT? Nile Magazine wonders if someone blabbed: “It is full of treasures… the discovery of the 21st century”.
Tantalising news about the ‘secret chamber’ in Tutankhamun’s tomb.
“We do not know if the burial chamber is Nefertiti or another woman, but it is full of treasures.” – Egypt’s Tourism Minister, Hisham Zaazou.
It seems that some secrets are too good to keep. Is this a phenomenal leak about what lays beyond the false wall in Tutankhamun’s tomb? Is it speculative wishful thinking? Or is this a clever boost for badly-needed tourism?
Mr. Zaazou claims that the announcement of what lays inside the secret chamber will be made in April. “It will be a ‘Big Bang’ – the discovery of the 21st century.”
To be honest, I’m not sure what to make of the news that has wafted out of Egypt via Spain in the past 24 hours. The Spanish national daily newspaper, ABC, claims that Egypt’s Tourism Minister, Hisham Zaazou, who was in Spain a few weeks ago, confirmed that there is “treasure” in Tutankhamun’s tomb.
(18) OLD NEWS IS GOOD NEWS. Shortly after Ray Bradbury died in 2012, Jessica Allen wrote a retrospective for Maclean’s about the Bradbury stories Maclean’s had published, in “Here’s to you, Ray Bradbury”. Her article was adorned with photos of the title page art, including a notable typo in the credit for his contribution to Maclean’s September 15, 1948 edition.
[Thanks to John King Tarpinian, Michael J., Walsh, Steven H Silver, Lis, Andrew Porter, and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day IanP.]
“A Tribute To George Clayton Johnson” is scheduled at the Egyptian Theatre in Hollywood on Friday, February 26 at 7:30 p.m.
Tributes to Those Who Inspired Us
A TRIBUTE TO GEORGE CLAYTON JOHNSON
This program is free to the public – first come, first served – with a suggested donation of $8 to our nonprofit to help cover expenses.
George Clayton Johnson (July 10, 1929 – December 25, 2015) penned some of the most memorable science fiction scripts of the 1960s and ’70s, including the first episode of “Star Trek” and seminal episodes of “The Twilight Zone,” as well as co-writing the novel Logan’s Run. Join us for an evening celebrating Johnson’s life and career, including classic moments from his TV work and remembrances from colleagues. There will be a panel discussion and a performance by members of Ray Bradbury’s Pandemonium Theatre Company.
To rsvp on Eventbrite click here. It is free to rsvp.
Panel discussion follows with biographer Vivien Cooper, LOGAN’S RUN co-writer William F. Nolan, writers Dennis Etchison, Mark Scott Zicree and Wendy All and producers Jason and Sunni Brock, moderated by George’s son Paul Johnson. There will also be a performance by members of Ray Bradbury’s Pandemonium Theatre Company.
The event will run approximately 150 min.
[Thanks to John King Tarpinian for the story.]