(0) Short Scroll today – no reason, just not as many things I wanted to include.
(1) LE GUIN’S BEST BOOKS. The New York Times takes a look at why Ursula K. Le Guin matters: “Her powerful imagination turned hypothetical elsewheres into vivid worlds governed by forces of nature, technology, gender, race and class a far cry from our own.” “The Essential Ursula K. LeGuin”.
In her 2009 essay “On the Frontier,” Ursula K. Le Guin took stock of an abstraction endemic to both the American West, where she was raised, and her chosen genre of science fiction. Interplanetary wars, galaxy-spanning empires, brave men bounding toward their next conquest — all this action rests on a notion of the future as inchoate, waiting to be made. But that’s never been true, she argued, in America or her fiction. “The future is already full,” she wrote. “It is much older and larger than our present, and we are the aliens in it.”…
(2) THE TRIMBLES. Maggie Thompson posted this photo taken at Comic-Con showing her flanked by John and Bjo Trimble. Bjo recently turned 90.
(3) SIMULTANEOUS TIMES. Space Cowboy Books in Joshua Tree, CA has released episode 66 of Simultaneous Times, a monthly science fiction podcast. Stories featured in this episode are:
“Cost of Living” by Mike Morgan; with music by Fall Precauxions
“We’re All Family Here” by Mark Soden Jr.; with music by Phog Masheeen
After a decade of waiting, “Percy Jackson and the Olympians” fans will finally get an author-backed screen adaptation of the beloved young adult novels on Dec. 20. The series will arrive on Disney+ with two episodes, followed by weekly drops….
The teaser opens with voiceover from Virginia Kull as Percy’s mother, Sally Jackson. “The stories that I have told you about Greek gods and half-bloods — they are real,” she says over images of Camp Half-Blood, Percy on the elevator to Olympus, Ares (Adam Copeland) and different confrontations with monsters….
Percy Jackson & The Olympians tells the fantastical story of a 12-year-old modern demigod, Percy Jackson, who’s just coming to terms with his newfound supernatural powers when the sky god Zeus accuses him of stealing his master lightning bolt. Now Percy must trek across America to find it and restore order to Olympus.
US authorities have charged a man in connection with the theft of a pair of ruby red slippers worn by actress Judy Garland as Dorothy in the 1939 classic movie “The Wizard of Oz” nearly 20 years after they were stolen from a museum in Minnesota.
On Tuesday, a federal grand jury indicted Terry Jon Martin on one count of theft of a major artwork for allegedly stealing “an object of cultural heritage from the care, custody, or control of a museum,” according to court documents filed in the US District Court of Minnesota. The slippers were valued at least $100,000, court documents stated….
BBC Sounds has recording of the Witness History interview with John Kelsch, one of the people who founded the Judy Garland Museum from which the slippers were taken in 2005: “The Wizard of Oz: The stolen ruby slippers”.
(6) CHRIS CALLAHAN (1944-2023). Chris Callahan, an active Washington Science Fiction Association member in the 1990s and earlier, died June 10. Rich Lynch notes, “She was one of the many people who worked on the 1998 Baltimore Worldcon and I am especially grateful to her for volunteering as a proofreader for the Souvenir Book. She saved me from many embarrassing typos, and had some valuable insights on how it ended up being put together.”
Callahan was part of the WSFA Players who performed Alexis Gilliland’s parody musical “2001 A Space Opera” at the 1974 Worldcon.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 18, 1925 — Brian Aldiss. Much honored, he’s was named a Grand Master by SFWA and inducted by the Science Fiction Hall of Fame. I’ll single out his Helliconia series, Hothouse and The Malacia Tapestry as my favorites. He won a Hugo at Chicon III for “The Long Afternoon of The Earth”, another at Conspiracy ’87 for Trillion Year Spree which he co-authored with David Wingrove. He’s well known as an anthologist and SF writer with Space, Time and Nathaniel, a collection of short stories being his first genre publication. He’s edited far too many collections to know which one to single out, but I’m sure that the collective wisdom here can make recommendations. (Died 2017.)
Born August 18, 1931 — Grant Williams. He is best remembered for his portrayal of Scott Carey in The Incredible Shrinking Man though he will have the role of the psychopathic killer in Robert Bloch’s The Couch. Of course, he shows in Outer Limits, he plays Major Douglas McKinnon in “The Brain of Colonel Barham”. And he’s Major Kurt Mason in The Doomsday Machine. (Died 1985.)
Born August 18, 1934 — Michael de Larrabeiti. He is best known for writing The Borrible Trilogy which is noted by several sources online as being an influence by writers in the New Weird movement. Ok folks, I’ve not read so please explain how The Borrible Trilogy influences that literary movement as it doesn’t seem like there’s any connection. (Died 2008.)
Born August 18, 1954 — Russell Blackford, 69. Writer resident in Australia for awhile but now in Wales. Author of Terminator 2: The New John Connor Chronicles, and editor of the Australian Science Fiction Review in the Eighties. With Van Ikin and Sean McMullen, he wrote Strange Constellations: A History of Australian Science Fiction. And he wrote Science Fiction and the Moral Imagination: Visions, Minds, Ethics.
Born August 18, 1955 — Tom Flynn. Journalist who edited Free Inquiry magazine from 2010 until his death. He waged a decades-long crusade against Christmas. Seriously he wrote a book titled The Trouble with Christmas. His only work was his Galactic Rapture/Messiah Gamesspace opera which ran to six volumes. Only one volume, The Destroyer’s Creed, is available from that company shall be named and it’s quite expensive. (Died 2021.)
Born August 18, 1958 — Madeleine Stowe, 65. She’s in the Twelve Monkeys film as Kathryn Railly, and she’s in the Twelve Monkeys series as Lillian in the “Memory of Tomorrow” episode. Her other genre work was a one-off in The Amazing Spider-Man which ran for thirteen episodes nearly forty years ago where she was Maria Calderon in “Escort to Danger” in that series, and she also played Mia Olham in Impostor which was scripted off Philip K. Dick’s “Impostor” story.
Born August 18, 1966 — Alison Goodman, 47. Australian writer who’s won three Aurealis Awards for Excellence in Speculative Fiction for Singing the Dogstar Blues, The Two Pearls of Wisdom and Lady Helen and the Dark Days Pact. The Two Pearls of Wisdom was nominated for an Otherwise Award.
Born August 18, 1967 — Brian Michael Bendis, 56. He’s both writer and artist, a still uncommon occurrence. Did you know he’s garnered five Eisner Awards for both his creator-owned work and Marvel Comics? Very impressive! He’s the primary force behind the creation of the Ultimate Marvel Universe, launching Ultimate Spider-Man which is an amazing series which I read on the Marvel Unlimited app.
Queer Lodgings is a queer-led podcast covering all things Tolkien. Join Alicia, Grace, and Leah (and sometimes Tim), a group of fans and scholars, semi-monthly as we discuss Middle-earth from a lgbtq+-focused, intersectional, antiracist, and non-christian perspective.
They’re beginning to post transcripts of some episodes, and Reid provides in this issue of her Substack.
(9) FLY LIKE IT’S 1999. Plans are afoot for “The Eagle Has Landed” Documentary which will explore the legacy of the iconic Eagle Transporter from Space: 1999. The project’s director/creator Jeffrey Morris is launching a Kickstarter campaign on August 28 to bring it to life.
Meet the Visionaries: Icons of the Eagle Legacy
Click here to learn more about who will join Jeffrey Morris in the documentary, including:
Brian Johnson: Visual Effects Artist / Creator of the Eagle Nick Tate: Captain Alan Carter in Space: 1999 Barbara Bain: Dr. Helena Russell in Space: 1999 Charles Duke: Astronaut / Apollo 16 Lunar Module Pilot Kevin J. Anderson: Bestselling Sci-Fi Author / Space: 1999 Fan Bill George: Visual Effects Supervisor Robert Meyer Burnett: Filmmaker / Film Culture Podcaster
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Jean-Paul L. Garnier, Olav Rokne, Rich Lynch, Chris Barkley, Michael Toman, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) EXPECT HUGO BALLOT IN “EARLY JUNE”. The Chengdu Worldcon committee today told Facebook readers when to look for the 2023 Hugo ballot:
The 2023 Chengdu Worldcon Hugo Awards nomination was officially closed on April 30th, and the shortlist will be out early June. Big thank you to all members who spent your valuable time to make the nominations.
(2) TAKE TWO. Cass Morris was very sorry to hear that Disney is closing the Galactic Starcruiser. And not for any abstract reasons – she was planning to go next year. However, the attraction’s inability to stay in business prompted Morris to embark on a vast thought experiment about the kind of Disney Star Wars immersive hotel experience which could work, and her results are quite entertaining. “Galactic Travels” at Scribendi.
…Unfortunately, while this news is terribly sad, it’s also not wholly unexpected. The Starcruiser has had trouble ever since it opened. The high price point, unusual conceit, and level of fannish commitment required for full enjoyment seem to have kept it operating at low capacity.
So, last night as I was nursing my sadness about probably never getting to go, I started thinking…
If I were going to design a Star Wars hotel for Disney World, one that might stand a better chance of succeeding… what would I do?…
(3) MINDFULNESS ABOUT VIRTUAL GOHS. Oghenechovwe Donald Ekpeki has an idea for using virtual cons in a progressive way – involving international, disabled, and otherwise nontraveling creators — which he has shared with Facebook readers:
…Something I learnt along the way, from my first con I participated in, was that virtual cons are important. Having people of diverse backgrounds & voices be able to attend, contribute to the general pool of knowledge & discussions. I believe diversity, multiple viewpoints and experiences taking into account, people working together, will solve many world problems, including the recent AI scourge of the arts. twitter.com/Penprince_/sta…
Sure, running virtual components isnt always possible. Funding, the tech issues, etc. It’s understandable when cons can’t have them. But when they do have them, it’s imperative, almost compulsory they have both virtual attendees and guests of honour like CanConSF & ICFA did. It gives a platform to allow people with the experience and expertise to contribute on a larger scale to genre development and history, the change to. As ICFA guest of honour, the first ever African born, Black writer to be, I created the genre #Afropantheology, which I believe hope, & plan will contribute and richly influence genre & storytelling generally. The GoH platform was very helpful in that. …
(4) IT’S BIG. Max Gladstone tells how his vacation was interrupted by word about the apotheosis of his writing career in “Big Bigolas Energy” at The Third Place.
…It unfolded for me in fits and starts, and almost out of order, as one would expect of a book about time travel.
While we were in transit, a friend who often texts us about Time War sitings in the wilds of social media sent my partner a screenshot of The Bigolas Tweet, which at that time had 12,000 likes.
I thought, how wonderful! Nice note to start the vacation. And also: what a great screen name. My brain was in vacation mode already, so I didn’t think about the numbers too much. As I’ve been told many times, Twitter Doesn’t Sell Books.
Later that evening, Amal (that’s my New York Times Bestselling co-author Amal El-Mohtar, to be clear, though at this point we were neither of us New York Times Bestselling co-authors) sent me a screenshot of the same tweet; the numbers were much bigger (Bigolas-er?). I thought: wow! It’s really taking off. But still: Twitter Doesn’t Sell Books.
As they say: lol….
(5) INNOCENT BYSTANDER.Google Bard, another of these AI language models, has somehow managed to pull Nnedi Okorafor into the latest row about BasedCon.
What is this person talking about?? Can anyone enlighten me? Because in all my life, I have NEVER felt threatened by white people and I don’t know what “basedcon” even is. https://t.co/CqeXXiyYgT
(6) EATING THE FANTASTIC. Scott Edelman invites listeners to munch on mahi mahi with L. Marie Wood in Episode 198 of the Eating the Fantastic podcast.
L. Marie Wood
I knew L. Marie Wood for a decade or more before I learned at the last in-person Balticon before the pandemic that we’re basically neighbors, but never knew it. So after an earlier lunch during which we tried to figure out how we’ve somehow managed to avoid each other all these years, we got together at Brix 27 in downtown Martinsburg, West Virginia so I could learn more about who she is and how she came to be.
L. Marie Wood is a writer of psychological horror, supernatural suspense, and dark fiction of all kinds who’s been a professionally published writer for 20 years, ever since her first novel Crescendo and first short story “The Dance” were published in 2003. Her novels since then include The Promise Keeper, Cacophony, Accursed, and others, plus multiple short story collections, including Anathema and Phantasma. She’s also a screenwriter who’s a three-time winner of Best Horror Screenplay at the NOVA International Film Festival, Best Psychological Horror Short Script at Hollywood Horrorfest, and on and on. Her most recent publications are the novel The Open Book, accompanied by the related short story collection The Tales of Time, which contains the short stories being read by — and feared by — the characters in that first book.
We discussed the way she began her writing career selling poetry in parking lots, our differing experiences with hand selling our own books, the fears which keep horror writers up at night, the many misconceptions she had about the writing life back when he began, the uncomfortable novella she wrote when she was five, what our parents made of our horrific scribblings, the ever-present problem of dealing with rejection, our mutual love of pantsing, what should become of our papers, and much more.
At the 2023 Eastercon (Conversation), Guest of Honor Niall Harrison, and fellow “Third Row” fans John Coxon, Emily January and Abigail Nussbaum sat down for a discussion on the future of fandom (circa 2004).
Moderated by Meg MacDonald, the panel hilariously tells the story of Third Row Fandom, named and brought into being accidentally by Greg Pickersgill during a “Future of Fandom” panel at the 2004 Eastercon.
Themselves dubbed “the future of fandom” by Greg, the fans seated in the third row at that panel have made good on the title, pulling others into their orbit and having an outsized influence on science fiction and science fiction fandom over the last 20 years.
Illustrated with powerpoint slides to map out their impact, this fascinating panel tells the story of a cohort of young fans maturing into movers and shakers in the field, as writers, reviewers, editors, award judges and convention organizers.
Many thanks to Conversation 2023 for providing this recording, and particularly to Alison Scott for her assistance.
These days I think a poet has a thousand beginnings. Sometimes I trace it back to an old encyclopedia with gorgons and dinosaurs, another, a 3rd-grade role-playing game almost no one remembers. Others it feels like an unrequited crush on a classmate, a fortune teller’s prediction about me shared to my grandmother, a ghost in an attic, or just the absence of seeing stories like my own in the news, in movies and novels, and especially poetry. Each moment was liberating in its own way….
Here’s an example of an editing clause that should be a dealbreaker (this and other clauses quoted below are taken from actual contracts in my possession):
“Publisher shall have the right to edit and revise the Work for any and all uses contemplated under this Agreement.”
What’s missing here? Any obligation on the publisher’s part to seek your approval before making the edits and revisions–or even allow you to see them before publication. A clause like this enables the publisher to edit at will without consulting or even informing you, and, if you do have the opportunity to see the edits, to unilaterally reject your concerns. If you sign a contract with this kind of language, you are at the mercy of the publisher and its editors. You shouldn’t be surprised if the publisher takes advantage of it.
(10) SPFBO 9. Right now Mark Lawrence’s Self-Published Fantasy Blog-Off judges are picking their favorite covers from among the 300 entrants. See them here: “SPFBO 9 – The Cover Contest!”
(11) MEMORY LANE.
1996 – [Compiled by Cat Eldridge.]
Mary Doria Russell’s The Sparrow is one of those novels that treats the Catholic Church with respect and is also a true SF novel at the same time, a very neat trick indeed.
It was published by Villard twenty seven years ago, and was honored with an Arthur C. Clarke Award, the Otherwise Award, and a BSFA Award. It has a sequel, Children of God, published two years afterwards.
The Sparrow has one of the most perfect Beginnings I’ve ever read which you can see below if by any slim chance you’ve not read it yet.
It was predictable, in hindsight. Everything about the history of the Society of Jesus bespoke deft and efficient action, exploration and research. During what Europeans were pleased to call the Age of Discovery, Jesuit priests were never more than a year or two behind the men who made initial contact with previously unknown peoples; indeed, Jesuits were often the vanguard of exploration.
The United Nations required years to come to a decision that the Society of Jesus reached in ten days. In New York, diplomats debated long and hard, with many recesses and tablings of the issue, whether and why human resources should be expended in an attempt to contact the world that would become known as Rakhat when there were so many pressing needs on Earth. In Rome, the questions were not whether or why but how soon the mission could be attempted and whom to send.
The Society asked leave of no temporal government. It acted on its own principles, with its own assets, on Papal authority. The mission to Rakhat was undertaken not so much secretly as privately—a fine distinction but one that the Society felt no compulsion to explain or justify when the news broke several years later.
The Jesuit scientists went to learn, not to proselytize. They went so that they might come to know and love God’s other children. They went for the reason Jesuits have always gone to the farthest frontiers of human exploration. They went ad majorem Dei gloriam: for the greater glory of God.
They meant no harm.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 19, 1937 — Pat Roach. He was cast in the first three Indy Jones films as a decided Bad Person though he never had a name. His first genre appearance was in A Clockwork Orange as a Milkbar bouncer but his first named role was being Hephaestus in Clash of Titans. He was of an unusually stocky nature, so he got cast as a Man Ape in Conan the Destroyer, and as Bretagne the Barbarian in Red Sonja. And of course he had such a role as Zulcki in Kull the Desttoyer. Oh, and he played a very large and mostly naked Executioner in the George MacDonald Fraser scripted The Return of The Musketeers. (Died 2004.)
Born May 19, 1944 — Peter Mayhew. Chewbacca from the beginning to The Force Awakens before his retirement from the role. The same year he first did Chewy, he had an uncredited role as the Minotaur in Sinbad and the Eye of the Tiger. He also shows in the Dark Towers series as The Tall Knight. Can we say he earned a Hugo at IguanaCon II? I know I’m stretching it there. (Died 2019.)
Born May 19, 1946 — Andre the Giant. Fezzik in The Princess Bride, one of my all-time favorite films. Also, an uncredited role as Dagoth in Conan the Destroyer. He’s actually did a number of genre roles such as The Greatest American Hero with his American acting debut playing a Bigfoot in a two-part episode aired in 1976 on The Six Million Dollar Man titled “The Secret of Bigfoot”. He died of cardiac arrest, not at all surprising given his size and weight of over five hundred pounds. (Died 1993.)
Born May 19, 1948 — Grace Jones, 75. First genre appearance was as Stryx in Rumstryx, an Italian TV series. Her next was Zulu in Conan the Destroyer followed by being May Day in A View to Kill and Katrina in Vamp. She was Masako Yokohama in Cyber Bandits which also starred Adam Ant. Her last several genre roles to date were Christoph/Christine in Wolf Girl, and Death aka The Devil in Gutterdammerung, a film that also featured Henry Rollins, Slash and Iggy Pop!
Born May 19, 1966 — Jodi Picoult, 57. Her Wonder Women work is exemplary (collected in Wonder Women, Volume 3 and Wonder Woman: Love and Murder). She also has a most excellent two-volume YA series called the Between the Lines Universe which she wrote with Samantha van Leer. ISFDB lists her Second Glance novel as genre but I’d say it’s genre adjacent at best. Her latest work though marketed as a mainstream novel, Between the Lines Musical, is actually genre.
Born May 19, 1966 — Polly Walker, 57. She appeared in Syfy’s Caprica, Sanctuary and Warehouse 13, as well as performing voice work in John Carter.
Born May 19, 1996 — Sarah Grey, 27. Before DC Universe cast the present Stargirl in Brec Bassinger for that series, Legends of Tomorrow cast their Stargirl as this actress for a run of three episodes. The episodes (“Out of Time”, “Justice Society of America” and “Camelot 3000”) are superb. I’ve not seen her as Alyssa Drake in The Order but I’ve heard Good Things about that series.
(13) COMICS SECTION.
Speed Bump shows even the ultimate Creator needs prompts.
The Far Side, on the other hand, shares an idea about Hell.
The Far Side also imagined how this Star Trek personality would spend his time in Hell.
(14) KAIJU IN TRANSLATION. Never before available in English it says here. Now’s your chance to read the original Godzilla stories: “Godzilla and Godzilla Raids Again” coming from the University of Minnesota Press in October 2023.
The first English translations of the original novellas about the iconic kaijū Godzilla
Although the Godzilla films have been analyzed in detail by cultural historians, film scholars, and generations of fans, Shigeru Kayama’s two Godzilla novellas—both classics of Japanese young-adult science fiction—have never been available in English. This book finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of Godzilla and Godzilla Raids Again. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity’s onslaught in unpredictable and devastating ways.
In this issue, medievalist and SF writer Erin K. Wagner writes about C. S. Lewis’ science fiction novel That Hideous Strength, communication studies scholar and SF writer Jenna N. Hanchey considers the Africanfuturist film Neptune Frost, and we offer a brief reflection on the new essay collection Ex Marginalia, edited by Chinelo Onwualu.
Theodore Rex, the weirdest of weird ’90s movies, is a $33 million direct-to-video buddy cop movie starring Whoopi Goldberg and a wisecracking dinosaur. (Take as much time as you need to wrap your brain around that sentence. We understand.)
Theodore Rex wasn’t an attempt to tie into the dino-fever that swept the nation’s youth in the early ’90s; it was a genuine attempt at making a gritty sci-fi film about a detective and her dinosaur partner. That’s right. Legendary EGOT-winner Whoopi Goldberg and a Talking Man-Sized Dinosaur teamed up for a cop film and they demanded to be taken seriously. (The 90s were a very strange time.)
Even though the film is a complete nightmare, things behind the scenes of Theodore Rex were much worse. As weird as it sounds, we can’t stress this enough: nobody had fun on this Whoopi Goldberg/Dinosaur joint.
Ranker’s first little-known fact is –
Whoopi Goldberg Was Forced By Law To Be In This Movie
Whoopi Goldberg did, at one time, want to be in Theodore Rex and agreed to play the lead for $5 million and a share of the profits, but she quickly changed her mind and tried to back out (good instincts, Whoopi!). Goldberg had to learn the hard way that it’s just not that easy to simply walk away from expensive movies starring talking dinosaurs (a lesson we all could learn from). Because she had agreed to do the movie, the producers sued her for $20 million when she tried to back out. After an answering machine recording of Goldberg surfaced where she said she was “100% committed” to the project, she was forced to choose between appearing in the film or paying out the nose for a dinosaur detective movie that she agreed to appear in. There’s a famous saying in Hollywood: “The only thing worse than appearing in a terrible dinosaur movie is paying $20 million NOT to appear in a terrible dinosaur movie,” so Whoopi opted to appear in the terrible dinosaur movie.
A Minnesota man has been indicted on charges that he stole a pair of the famed ruby slippers worn by Judy Garland in “The Wizard of Oz” from the Judy Garland Museum in Grand Rapids, Minn., the actress’s hometown, nearly 18 years ago.
On Tuesday, a federal indictment in U.S. District Court for the District of Minnesota charged Terry Jon Martin of Minnesota with stealing an authentic pair of the slippers, which officials estimated have a market value of $3.5 million, from the museum sometime between Aug. 27 and Aug. 28 of 2005. Mr. Martin was indicted on one count of theft of a major artwork….
Interesting – I recently corresponded with someone from this museum. They’re always looking for things related to cousin Judy, and I’m told some of my other cousins may be making donations. (I have nothing, myself, and never met her.)
Big Shot [Disney+] Turner & Hooch [Disney+] The Mysterious Benedict Society [Disney+] The Mighty Ducks: Game Changers [Disney+] Willow [Disney+] The Making Of Willow [Disney+] Diary of a Future President [Disney+] Just Beyond [Disney+] The World According to Jeff Goldblum [Disney+] Marvel’s Project Hero [Disney+] Marvel’s MPower [Disney+] Marvel’s Voices Rising: The Music of Wakanda Forever [Disney+] Cheaper by the Dozen remake [Disney+] The One and Only Ivan [Disney+] Stargirl [Disney+] Artemis Fowl [Disney+] The Princess [Disney+] Encore! [Disney+] A Spark Story [Disney+] Black Beauty [Disney+] Clouds [Disney+] America the Beautiful [Disney+] Better Nate Than Ever [Disney+] Weird but True! [Disney+] Timmy Failure [Disney+] Be Our Chef [Disney+] Magic Camp [Disney+] Howard [Disney+] Earth to Ned [Disney+] Foodtastic [Disney+] Stuntman [Disney+] Disney Fairy Tale Weddings [Disney+] Wolfgang [Disney+] It’s a Dog’s Life with Bill Farmer [Disney+] The Real Right Stuff [Disney+] The Big Fib [Disney+] Rogue Trip [Disney+] More Than Robots [Disney+] Shop Class [Disney+] Pick the Litter [Disney+] Own the Room [Disney+] Among the Stars [Disney+] Harmonious Live! [Disney+] Pentatonix: Around the World for the Holidays [Disney+] Y: The Last Man [FX/Hulu] Pistol [FX/Hulu] Little Demon [FX/Hulu] Maggie [Hulu] Dollface [Hulu] The Hot Zone [Nat Geo/Hulu] The Premise [Hulu] Love in the Time of Corona [Hulu] Everything’s Trash [Hulu] Best in Snow [Hulu] Best in Dough [Hulu] Darby and the Dead [Hulu] The Quest [Hulu] Rosaline [Hulu]
(19) DISORIENTING. Steven Heller interviews Hungarian artist István Orosz in “Illusions From a Visual Magician” at Print Magazine. Includes a gallery of images like the one below.
What you see is never what you really see. It is neither real nor surreal, it is art—the result of precision drafting and intricate mathematical logic. Hungarian illustrator, animated film director and poster artist István Orosz basks in the mystique of his ambitious visual contortions, implausible objects and incredible optical illusions. He is a visual punster on the highest plane who is happiest when making confounding images and anamorphoses relying on forced perspective that echo, not coincidentally, his famous mathematics teacher (and inventor of the Rubik’s cube) Ernő Rubif….
[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Joey Eschrich, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) COSINE COMMUNITY. COSine 2023, the Colorado Springs Science Fiction Convention, will be held January 20-22. Guests of honor include author Martha Wells, science guests Drs. Louise & James Gunderson, Experts in Robotics & Artificial Intelligence, artist Kyle Crutcher, a Retro-Futurist Potter, and special guests Connie Willis and Courtney Willis.
Their latest news letter also calls attention to the needs of their Artist Guest of Honor from 2020, Peri Charlifu, who is having some health issues. Although he (and his amazing pottery) will still be at COSine this year, it looks like he is going to be dealing with a lot in 2023. There is a GoFundMe running for those who’d like to help out: “Peri’s Medical Support Fund ~ Stage Four”.
In late December 2022, Peri shared with us that “I have been dealing with kidney failure for a while now. My last trip to the nephrologist was not a great one. She’s moved me into stage four renal failure and I’m looking at dialysis soon, maybe as soon as next year. I have some options, but in any case, it will mean a pretty big change to my life. Whatever kind of dialysis I elect to pursue, I will need some sort of surgery, and if I can get a transplant, I will also need major surgery. This will critically impact my work schedule, I will be unable to work in my studio and I will not be able to throw or do any type of kiln or glaze work. So I need to make as much inventory now as I can, so I have something to send to shows while I’m convalescing. Because of this, I will not be as active at conventions, in programming or in running the art shows. I hope you all understand. Thank you, I’m optimistic that I’ll eventually be OK.”
LOOKING FOR a New Year’s resolution? According to Dr. Moiya McTier, the Milky Way galaxy has a few for you: “Ask questions about the world around you and find real answers to them. Decide you deserve better and fight to clean your sky of all kinds of pollution — trust me, I’m worth it. Or make beautiful art that people can talk about long after you’ve shuffled off your particular mortal coil.”
If that seems like a lot for one year, don’t worry. The Milky Way is on a tight schedule, so it has condensed a galactic lifetime of advice and insight into a compact book entitled The Milky Way: An Autobiography of Our Galaxy. “My telling you this story — my story — is a gift,” the Milky Way reminds its readers, “[i]t’s like Beyoncé taking time out of her ‘busy’ schedule to personally give you singing lessons.” But who is the Milky Way galaxy to invoke Beyoncé, tell us how to live, or, for that matter, talk at all? And why is it speaking out now?
…McTier, the author behind the Milky Way’s voice, became the first Black woman to earn her PhD in astronomy at Columbia after majoring in astrophysics along with folklore and mythology at Harvard. She has since built a career in science communication and storytelling that includes collaborations with PBS and Disney. In an interview for this publication, McTier described the Milky Way as a “larger-than-life character” who “looks at us and sees a homogeneous group.” She elaborated that “the idea that there are different types of humans is absurd to the galaxies,” but to McTier, who grew up in a log cabin in rural Pennsylvania, this idea was a formative influence. The autobiography’s foreword reveals how, in a community that “had only ever seen a Black person on TV,” McTier looked to the sun and moon as her imaginary parents and emotional support system. …
Fans and critics can’t yet decide on the success of FX’s take on Octavia E. Butler’s “Kindred,” calling it “thrilling” but “uneven,” “provocative” yet “skimpy.” But there’s one thing they do agree on.
“It’s about damn time,” said author and film historian Tananarive Due, echoing the long-bottled frustration of Butlerphiles who have been waiting patiently (and somewhat hesitantly) for one of her most popular stories to make the leap from page to screen. Nearly 43 years after the novel’s publication and 16 years after Butler’s untimely death at 58, “Kindred’s” arrival on Hulu last month was a result of political movements, box-office trends, and a bit of luck.
Since its debut in 1979, Kindred has been “optioned” — industry parlance for the nascent stage of adaptation — in one form or another. Almost 20 years later, celebrated playwright Branden Jacob Jenkins discovered the novel as a tween on a shelf at Sister Space, a D.C. indie bookstore centering Black female authors and stories. It’d be another two decades before Jacob Jenkins, the series creator, would see his interpretation of Butler’s work available to binge on Hulu. The process wasn’t just long, it was Sisyphean.
“I like to say it’s a miracle whenever a Black property makes it to the screen because Hollywood is very risk adverse,” explained Due, who has firsthand knowledge of the improbability of the book-to-TV pipeline. Back in the mid-2000s, Due pitched an adaptation of her novel “The Good House,” about family history entwined with a haunted house. During one such meeting, an executive asked if the Black characters centered in her story “had to be Black.”
“That’s what Octavia was up against,” Due said. “No matter how much her work was beloved, the gatekeepers were not looking for stories in the speculative realm featuring Black characters. No one was asking for that. Hollywood was always an uphill climb and a hard sell.”
Someone, or something, shadowy has put a strong spell on popular literature aimed at women, once cheekily labelled “chick lit”. This perky genre, packaged in bright covers, jauntily titled and so long a mainstay of the publishing industry, has been slowly transforming into something darker and rich with sorcery, with 2023 set to be a new high point in a growing “witch lit” trend.
“Witches are definitely a big thing, which is exciting and fun,” said Phoebe Morgan, a publisher at Hodder Fiction, “but it also has something to do with a sense that women’s rights are in danger of being stripped away again, with things like the overturning of Roe v Wade in America. These books are often concerned with pregnancy, abortion and abuse, as well as magic.”
Several big forthcoming titles in the adult women’s market are concerned with witches and witchcraft, with female persecution developing as a main theme. Next month, Emilia Hart’s much-heralded Weyward will hit bookshops, telling an epic story of three generations of women entangled with magic. But space around the bubbling cauldron is already crowded. Kirsty Logan’s Now She Is Witch will already have staked its place, with publication this week….
… “Make haste, my prince,” warned Hrim. “Your uncle has risen against your father and usurped the throne. Your father and brothers met axe blades in the dark, wielded by the lovers your uncle placed by their sides. Your sisters’ nurses were bribed, their defenses are breached. You’re the last hope.”…
Here’s what was distilled from a couple pages of my own fanwriting.
(7) MEMORY LANE.
1907 — [Compiled by Cat Eldridge.] L. Frank Baum’s Ozma of Oz
Today’s essay is upon an extended quote from L. Frank Baum’s Ozma of Oz: A Record of Her Adventures with Dorothy Gale of Kansas, Billina the Yellow Hen, the Scarecrow, the Tin Woodman, the Cowardly Lion and the Hungry Tiger; Besides Other Good People Too Numerous to Mention Faithfully Recorded Herein. Yes, that is the actual title. Forty words I believe. Somebody tell Scott Edelman.
It was published on July 30, 1907 by Reilly & Britton who published all of the Oz novels. It was officially the third book of Baum’s Oz series. It was the first in which Baum was indicated that there would be a series of Oz novels of which there would eventually be fourteen.
The book was illustrated lavishly in color by John R. Neill.
Did you know Reilly & Lee, the American publisher who was very desperate to keep the series going, selected Ruth Plumly Thompson to continue the series? So she wrote another nineteen, followed by three Oz books written by John R. Neill, two by Jack Snow and one each by Rachel Cosgrove Payes and by Eloise Jarvis McGraw & her daughter. Wow.
It bears this dedication: “To all the boys and girls who read my stories – and especially to the Dorothys – this book is lovingly dedicated.”
And here’s the quote I selected which is a delightful look at lunch box trees:
One was quite full of square paper boxes, which grew in clusters on all the limbs, and upon the biggest and ripest boxes the word “Lunch” could be read, in neat raised letters. This tree seemed to bear all the year around, for there were lunch-box blossoms on some of the branches, and on others tiny little lunch-boxes that were as yet quite green, and evidently not fit to eat until they had grown bigger.
The leaves of this tree were all paper napkins, and it presented a very pleasing appearance to the hungry little girl.
But the tree next to the lunch-box tree was even more wonderful, for it bore quantities of tin dinner-pails, which were so full and heavy that the stout branches bent underneath their weight. Some were small and dark-brown in color; those larger were of a dull tin color; but the really ripe ones were pails of bright tin that shone and glistened beautifully in the rays of sunshine that touched them.
Dorothy was delighted, and even the yellow hen acknowledged that she was surprised.
The little girl stood on tip-toe and picked one of the nicest and biggest lunch-boxes, and then she sat down upon the ground and eagerly opened it. Inside she found, nicely wrapped in white papers, a ham sandwich, a piece of sponge-cake, a pickle, a slice of new cheese and an apple. Each thing had a separate stem, and so had to be picked off the side of the box; but Dorothy found them all to be delicious, and she ate every bit of luncheon in the box before she had finished.
“A lunch isn’t zactly breakfast,” she said to Billina, who sat beside her curiously watching. “But when one is hungry one can eat even supper in the morning, and not complain.”
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 8, 1908 — William Hartnell. The very first Doctor who appeared when Doctor Who originally aired on November 23rd, 1963. He would be the Doctor for three years leaving when a new Showrunner came on. He played The Doctor once more during the tenth anniversary story The Three Doctors (aired 1972–73) which was the last thing he filmed before his death. I scanned through the usual sources but didn’t find any other genre listing for him. Is that correct? (Died 1975.)
Born January 8, 1925 — Steve Holland. Did you know there was a short lived Flash Gordon series, thirty-one episodes in 1954 – 1955 to be precise? I didn’t until I discovered the Birthday for the lead in this show today. Except for four minor roles, this was his entire TV career. Biography in “Flash Gordon: Journey to Greatness” would devote an entire show to him and this series. (Died 1997.)
Born January 8, 1941 — Boris Vallejo, 82. Illustrator whose artwork has appeared on myriad genre publications. Subjects of his paintings were gods, hideous monsters, well-muscled male swordsmen and scantily clad females. Early illustrations of Tarzan, Conan the Barbarian and Doc Savage established him as an illustrator.
Born January 8, 1942 — Stephen Hawking. Y’all know who he is, but did you know that Nimoy was responsible for his appearance as a holographic representation of himself in the “Descent” episode on Next Gen? He also guest starred in Futuruma and had a recurring role on The Big Bang Theory. Just before his death, he was the voice of The Book on the new version of The Hitchhiker’s Guide to the Galaxy radio series. (Died 2018.)
Born January 8, 1947 — David Bowie. First SF role was as Thomas Jerome Newton in The Man Who Fell to Earth. He plays The Shark in Yellowbeard, a film that Monty Python should have produced but didn’t. Next up is the superb Labyrinth where he was Jareth the Goblin King, a role perfect for him. There’s a sixty scale figure from Hot Toys that is stellar. He shows up again in The Hunger later on as The Host. From that role, he went on to being Pontius Pilate in The Last Temptation of Christ, an amazing role by the way. He was in Twin Peaks: Fire Walk with Me as FBI Agent Phillip Jeffries, a role which was his last role when he appeared later in the Twin Peaks series. He also played Nikola Tesla in The Prestige from Christopher Priest’s novel of the same name. (Died 2016.)
Born January 8, 1977 — Amber Benson, 46. Best known for her role as Tara Maclay on Buffy the Vampire Slayer. Her post-BtVS genre credits are scant with a bit of work on Supernatural, a Sci-fi Channel film called Gryphon, a web series called The Morganville Vampires and, I kid you not, a film called One-Eyed Monster which is about an adult film crew encountering monsters. She is by the way a rather good writer. She’s written a number of books, some with Christopher Golden such as the Ghosts of Albion series and The Seven Whistlers novel which I read when Subterranean Press sent it to Green Man for review. Her Calliope Reaper-Jones series is quite excellent too.
Born January 8, 1979 — Sarah Polley, 44. H’h what did I first see her in? Ahhhh she was in The Adventures of Baron Munchausen! Let’s see what else she’s done… She’s been in the animated Babar: The Movie, Existenz, No Such Thing (which is based very loosely on Beowulf), Dawn of the Dead, Beowulf & Grendel (well sort of based on the poem but, errr, artistic license was taken) and Mr. Nobody.
A developer of the NFT known as Mutant Ape Planet was charged in the Eastern District of New York for allegedly defrauding investors of $2.9 million. Aurelien Michel, a 24-year-old, French national who lives in Dubai, was charged with defrauding purchasers of his non-fungible token (NFT), a type of digital asset, of more than $2.9 million. Michel was arrested at John F. Kennedy International Airport on Wednesday night and appeared before Magistrate Judge James Cho on Thursday.
… Rug pulls have become a common scheme for sellers of NFTs, but this would be one of the biggest ever as it would potentially be bigger than the Big Daddy Ape Club, that allegedly cost investors $1.3 million at the time, the Baller Ape Club, that allegedly cost investors $2.6 million….
Get ready to dance, dance, dance with your hands above your head, Wednesday fans. The Jenna Ortega–led show has officially escaped Netflix’s one-and-done cancellationcurse and been renewed for a second season. “It’s been incredible to create a show that has connected with people across the world. Thrilled to continue Wednesday’s tortuous journey into season two,” showrunners and executive producers Alfred Gough and Miles Millar confirmed to Tudum.com. “We can’t wait to dive head first into another season and explore the kooky spooky world of Nevermore. Just need to make sure Wednesday hasn’t emptied the pool first.” Below, what we know about the goth girl’s next semester at Nevermore Academy, straight from Enid’s gossip blog….
(12) ON SF CONS. [Item by David Doering.] A question to muse: are the decades of cons and the resulting con-fostered SR/F community why we won the culture war?
In terms of global culture, SF cons are a rather unique expression–amateur-run, passion driven–over other fields of interest. Yes, there’s been fraternities and clubs for all kinds of interests. But none seem to have had such an impact with what you and I have seen over the last 50-60 years.
Going from the despised and avoided, con-energized fans now are the drivers of culture worldwide. Interesting, no?
… The author’s choice of the number 42 has become a fixture of geek culture. It’s at the origin of a multitude of jokes and winks exchanged between initiates. If, for example, you ask your search engine variations of the question “What is the answer to everything?” it will most likely answer “42.” Try it in French or German. You’ll often get the same answer whether you use Google, Qwant, Wolfram Alpha (which specializes in calculating mathematical problems) or the chat bot Web app Cleverbot.
Since the first such school was created in France in 2013 there has been a proliferation of private computer-training institutions in the “42 Network,” whose name is a clear allusion to Adams’s novels. Today the founding company counts more than 15 campuses in its global network. The number 42 also appears in different forms in the film Spider-Man: Into the Spider-Verse. Many other references and allusions to it can be found, for example, in the Wikipedia entry for “42 (number).”
The number 42 also turns up in a whole string of curious coincidences whose significance is probably not worth the effort to figure out. For example:
In ancient Egyptian mythology, during the judgment of souls, the dead had to declare before 42 judges that they had not committed any of 42 sins.
The marathon distance of 42.195 kilometers corresponds to the legend of how far the ancient Greek messenger Pheidippides traveled between Marathon and Athens to announce victory over the Persians in 490 B.C. (The fact that the kilometer had not yet been defined at that time only makes the connection all the more astonishing.)…
(14) VIDEO OF THE DAY. Ryan George takes us inside the “Clash of the Titans Pitch Meeting” – which begins by straightening out the boss about the fact that there are no Titans in the movie.
[Thanks to Michael Toman, Cat Eldridge, Todd Mason, Jennifer Hawthorne, David Doering, Martin Morse Wooster, Mike Kennedy, John King Tarpinian, Chris Barkley, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]
(1) HARPERCOLLINS STRIKE NEWS. HarperCollins president and CEO Brian Murray, in “An Open Letter to Authors and Agents”, today addressed the company’s stalled negotiations with the United Auto Workers union which represents employees whose strike is now in its 19th day.
… Our current compensation offerings are consistent with our peers in the publishing industry. During recent negotiations, we proposed a fair and reasonable pay structure, including increases to entry level salaries. Based on publicly available information, HarperCollins’s proposed compensation increases would provide for a higher starting salary than any other major New York publisher. As well, we offer a minimum of six and a half weeks paid time off for all full-time employees (increasing with tenure), four “work from anywhere” weeks, overtime pay for those qualifying, and generous health and wellness benefits.
As with the entire industry, HarperCollins continues to contend with ongoing challenges to publishing and its underlying economics. The financial requests made by United Auto Workers, which are many and far reaching, fail to account for the market dynamics of the publishing industry and our responsibility to meet the financial demands of all our business stakeholders—including all employees, authors, and booksellers….
(2) PICKETER SPEAKS. Striking HarperCollins employee Rye White tells readers what’s going on in “HarperCollins Strike Dispatch” at N+1.
… Leading up to this year’s strike, the anxiety and frustration from union members toward the company was palpable even over video meetings and emails. HarperCollins still largely operates remotely (although good old Brian has since issued a mandate to change this), and it’s generally difficult when you work from your own living space to feel fully connected to the whole. Many people, myself included, are pandemic hires. We’ve seldom, if ever, actually come down to work in the office. Even so, our union’s organizing committee met with nearly every individual member for one-on-one chats about questions and concerns, and we were greeted with an enormous amount of careful consideration. What do we do if bosses pressure us to write out instructions for how to handle our everyday tasks? What will happen to our authors? Each of us understood the power in this decision. When it came time to vote, out of 200 or so members, more than 190 voted to authorize.
The first two days of the strike, we asked anyone who could make the commute to come down to 195 Broadway for maximum turnout and maximum noise. In the last two weeks, I’ve met many of my coworkers for the first time, put faces to names I’d only ever seen over email, and have learned about many people’s personal struggles and motivations and frustrations. “I feel closer to you all than ever before,” one picket captain noted in a recent weekly debrief meeting. “This is definitely a weird time, but I feel the camaraderie and it’s really meaningful.”…
(3) AUREALIS AWARDS. The deadline for entering work for the Aurealis Awards, Australia’s premier speculative fiction awards, is December 14.
All work published (or planned for publication) between January 1 and December 31, 2022 needs to be entered by this deadline. Enter your Australian speculative fiction work in the Aurealis Awards here.
(4) IN FRIGHTENING TECHNICOLOR. Headlining “Heritage’s Most Star-Studded Entertainment Auction Ever” is “The Wicked Witch of the West Hourglass — the Most Famous and Recognizable Timepiece in Film History.” They’re looking for an opening bid of $400,000.
….Three decades since it was last offered at auction, and after years of being displayed in myriad museums and traveling exhibitions – including Los Angeles Public Library’s Getty Gallery – it’s time once again for The Wicked Witch of the West’s hourglass to return to market. This meticulously constructed piece – made of wood, papier-mâché and handblown glass filled with red glitter and decorated with gargoyles keeping watch over the witch’s castle – is perhaps the most recognizable timepiece in cinema history. It is the very instrument the Wicked Witch uses to count down the moments Dorothy has to live – a beautiful thing no matter the moment, and forever linked to some of our earliest Technicolor nightmares.
The hourglass, which stands nearly two feet tall, was first available as part of MGM’s landmark 1970 auction, among “the things dreams were once made of.” The studio actually reused the prop a handful of times after its appearance in Oz, including in 1941’s Babes on Broadway – starring, amazingly enough, Judy Garland alongside Mickey Rooney in the Busby Berkeley-directed “Backyard Musical” (with Vincente Minnelli helming his wife’s sequences)….
1938 — [By Cat Eldridge.] Mother Goose in Central Park
Continuing our exploration of characters from the fantasy genre is our look at the Mother Goose statue in Central Park.
The figure of Mother Goose is the imaginary author of a collection of French fairy tales and later of English nursery rhymes. Mother Goose in English dates back to the early Eighteenth Century, when Charles Perrault’s Contes de ma Mère l’Oye fairy tale collection was first translated into English as Tales of My Mother Goose. English writers quickly created their own collections of Mother Goose tales.
This granite statue by Frederick Roth, installed at the entrance to Rumsey Playfield in Central Park in 1938, shows a woman flying atop a goose. She has a pointy hat, purse, cloak, buckled shoe, and one very unhappy-looking cat riding the clouds.
Several other nursery rhyme characters are carved into its sides from five of the Mother Goose stories — Humpty Dumpty, Old King Cole, Little Jack Horner, Mother Hubbard, and Mary and her little lamb. I’m only going to show you the flying woman atop a goose and the cat as I think it’s the best part of the statue.
The Park went on to commission two more such statues, Alice in Wonderland and Hans Christian Andersen and the Ugly Duckling.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 6, 1893 — Sylvia Townsend Warner. Do yourself a favor and look up a bio of her as she’s a fascinating person. This lovely site is a good place to do so. Her first novel, Lolly Willowes or, The Loving Huntsman, is definitely genre. ISFDB lists four genre collections by her. Kingdoms of Elfin is available on on Kindle Kindle, Lolly Willowes everywhere the usual suspects are. (Died 1978.)
Born December 6, 1900 — Agnes Moorehead. I’m assuming that the statute of limitations for spoilers has long passed on this particular show. I’m referring to TheTwilight Zone episode “The Invaders” in which she never spoke a word as she fought off the tiny Invaders, human astronauts, and she a giant alien. Written especially for her by Richard Matheson. (Died 1974.)
Born December 6, 1924 — Wally Cox. Ok, who can resist the voice of the Underdog series which ran from 1964 to 1967? I certainly can’t. He was in Babes in Toyland, The Twilight Zone, Mission: Impossible, Lost in Space, Get Smart, The Girl from U.N.C.L.E., Quarantined, Night Gallery and Once Upon a Mattress. Warning: anything with him in it on YouTube or Vimeo is still under copyright so please don’t link to it. (Died 1973.)
Born December 6, 1953 — Tom Hulce, 69. Oscar-nominated screen and stage actor and producer. His first genre role was in a highly-praised performance as the lead in the American Playhouse broadcast of The Rise and Rise of Daniel Rocket, about a young boy who discovers that he can fly. Although the bulk of his career has been in the theater, his most notable genre film role was as Henry Clerval in Kenneth Branagh’s Saturn-nominated Mary Shelley’s Frankenstein. He was nominated for an Annie Award for his voice performance of Quasimodo in Disney’s The Hunchback of Notre Dame, and appeared in the films Stranger than Fiction and Jumper.
Born December 6, 1957 — Arabella Weir, 65. A performer with two Who appearances, the first in “Exile,” a Big Finish audio, released in 2003. Almost a decade later Weir appeared on screen as Billis in “The Doctor, the Widow and the Wardrobe”, a superb Eleventh Doctor story. She’s had one-offs on genre and genre adjacent series such as Shades of Darkness, Genie in the House, Randall & Hopkirk (Deceased) and even a genre adjacent Midsomer Murders.
Born December 6, 1962 — Colin Salmon, 60. Definitely best known for his role as Charles Robinson in the Bond films Tomorrow Never Dies, The World Is Not Enough and Die Another Day. He played Dr. Moon in “Silence in the Library” and “Forest of the Dead”, Tenth Doctor stories, and was Walter Steele on Arrow. He most recently played General Zod on Krypton He was, alas, Ben in that clunker of films, Mortal Engines.
Born December 6, 1969 — Torri Higginson, 53. I had forgotten that she had a role in the TekWar movies and series as Beth Kittridge. I like that series a lot. Of course, she portrayed Dr. Elizabeth Weir in one episode of Stargate SG-1 and the entire Stargate Atlantis series. Her most recent genre roles was as Dr. Michelle Kessler in Inhuman Condition, where she plays a therapist who focuses on supernatural patients, and Commander Delaney Truffault in the Dark Matter series.
(8) COMIC SECTION.
Sure, Thanksgiving is over, but Hermanhas another reason not to decorate for Christmas yet.
… It’s been over half a century since science fiction’s golden age of the ’60s and ’70s, and a lot of the movie technology that initially seemed advanced at the time now seems woefully out of date. Today’s reality has surpassed what was once thought of as science fiction and Redditors have come together to discuss some of the examples they think are the most blatant…
For one example:
User Interface
User interface is one of the most complicated fields in technology. They can often be visually striking, but they’re chiefly made to be easily navigated. Movies don’t really get this. As Redditor YZJay comments, UI shown in movies is “hilariously unusable in terms of design, low contrast, weak indicators of what are interactive, waaaay too much animations etc.”
UI in movies animate far too much to be useful, and they have too many transitions and sparkly effects. As mentioned, ease of navigation is the priority and the UI in movies is usually way too complicated or patience-testing to use. It makes one thankful for more basic, minimalist designs.
The Sony Librie, the first e-reader to use a modern electronic-paper screen, came out in 2004. Old as that is in tech years, the basic idea of a handheld device that can store large amounts of text stretches at least eight decades farther back in history. Witness the Fiske Reading Machine, an invention first profiled in a 1922 issue of Scientific American. “The instrument, consisting of a tiny lens and a small roller for operating this eyepiece up and down a vertical column of reading-matter, is a means by which ordinary typewritten copy, when photographically reduced to one-hundredth of the space originally occupied, can be read with quite the facility that the impression of conventional printing type is now revealed to the unaided eye,” writes author S. R. Winters.
Making books compatible with the Fiske Reading Machine involved not digitization, of course, but miniaturization. According to the patents filed by inventor Bradley Allen Fiske (eleven in all, between 1920 and 1935), the text of any book could be photo-engraved onto a copper block, reduced ten times in the process, and then printed onto strips of paper for use in the machine, which would make them readable again through a magnifying lens…..
From Star Wars Mandalorian it’s The Child Clapper with Night Light! Known as “Baby Yoda” to fans, The Child Clapper is the cutest way to operate an appliance with two claps. Clap 3 times to turn on the night light and hear quotes from the show. Hear, “The kid is coming with me” when the night light is turned on and “Come on baby, do the magic hand thing” when it’s turned off.
…In their report, published Wednesday in Nature, the researchers described the result in measured words: “This work is a successful attempt at observing traversable wormhole dynamics in an experimental setting.”
… The wormhole that Dr. Spiropulu and her colleagues created and exploited is not a tunnel through real physical space but rather through an “emergent” two-dimensional space. The “black holes” were not real ones that could swallow the computer but lines of code in a quantum computer. Strictly speaking, the results apply only to a simplified “toy model” of a universe — in particular, one that is akin to a hologram, with quantum fields on the edge of space-time determining what happens within, sort of in the way that the label on a soup can describes the contents….
The special went live (on Disney+) during Thanksgiving weekend. Daniel Dern says, “We finally watched it last night; a lotta fun. It’s also worthwhile to then watch one of the ‘abouts’ for more on the lesser-known characters, in-jokes, cameos, and implications for the Marvel movie universe.”
[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Daniel Dern, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]
(1) FUTURE TENSE. The November 2022 entry in the Future Tense Fiction series is “Universal Waste” by Palmer Holton, a story about a small-town cop, a murder, and a massive futuristic recycling operation.
(2) WISCON 2023. Kit Stubbs, Treasurer of SF3, WisCon’s parent not-for-profit organization, rallies everyone with the hashtag Let’s #RebuildWisCon!
WisCon 46 in 2023 is happening! We are thrilled to announce that Gillian Sochor (she/her, G is soft like “giraffe”, Sochor like “super soaker”) is joining Lindsey and Sherry as our third co-chair. This means we are going ahead with an in-person con for 2023!…
Finances Thanks to everyone who donated and offered matching gifts last year, we were able to cover the cost of our 2022 hotel contract. We are now looking to raise $30,000 in this year’s annual fundraiser which will allow us to do all kinds of awesome things for WisCon 46 in May 2023, including:
Offset the cost of hotel rooms for members who need to isolate due to COVID-19 and who otherwise might not be able to due to the financial burden
Purchase more high-quality air filters for con spaces and masks for members
Expand the meal voucher program, introduced last year, which enables members in need to eat for free at local restaurants
Continue to offer CART services for transcription, now that the state of Wisconsin is no longer providing funds to offset that cost
And part of that $30,000 will go towards rebuilding WisCon’s savings after last year.
If you weren’t aware, WisCon can’t pay for itself with registrations alone. We try to keep the cost of registration down to make our con as affordable as possible. But what that means is that we’re counting on the members of our community who can chip in extra to do so! Please donate today to help #RebuildWisCon!…
WisCon Member Assistance Fund This year we’re also looking to raise $3,000 for our WisCon Member Assistance Fund! The WMAF is a specially designated fund that can only be used to provide travel grants to help members attend WisCon. Please consider making a donation via PayPal.
(3) THIS COULD BE YOUR BIG BREAK! Daniel Dern says he won’t be covering Arisia 2023, and suggests I ask another Filer would be interested in getting a press credential to attend and reporting on the convention The upcoming Arisia will be held from January 13-16, 2023, at the Westin Boston Seaport hotel. Vaccination Verification required. If you’re game, email me at mikeglyer (at) cs (dot) com and I will put you in touch with the con.
(4) GOTHAM AWARDS. Everything Everywhere All at Once, the multiverse-spanning adventure, won Best Feature at the Gotham Awards 2022 reports Variety. And cast member Ke Huy Quan won Best Supporting Performance. I don’t know why I’ve never heard of the Gotham Awards before, but if they keep going to sff movies I’ll be talking about them in the Scroll again.
(5) NEXT YEAR’S LOSCON. Loscon 49 will be held over Thanksgiving Weekend in 2023. The theme: “Enchanted Loscon”. Guests of Honor — Writer: Peter S. Beagle; Artist: Echo Chernik; Fan: Elayne Pelz. At the LAX Marriott Hotel from November 24-26, 2023. More information at: www.loscon.org.
(6) ZOOMIN’ ABOUT PITTSBURGH. The last FANAC Fan History Zoom of 2022 will be on December 10, about the major fannish breakout in Pittsburgh in the late Sixties and Seventies. Write to [email protected] if you want to get on the list to see it live.
…Science fiction and fantasy, on the other hand, are driven by the aesthetic. They are about the look and feel. The sense of wonder. They don’t have an inherent plot structure.
This means that you can map Science Fiction onto a Mystery structure easily.
When I decided I wanted to do “The Thin Man in space,” I needed to understand the structure of the Nick and Nora movies specifically. So I began by watching all six of the films. This was a great hardship, as I’m sure you can imagine. Here are some of the beats that are in all of the films: A happily married couple and their small dog solve crime while engaging in banter and drinking too much. Interestingly, they also contain the element that Nick does not want to investigate and Nora really wants him to. Nick almost always gets along well with law enforcement. He has an uneasy relationship with the wealth of Nora’s family. There’s always a scene in which he goes off sleuthing on his own and carefully looks over a crime scene. More than one murder.
From there, I started building the world of the novel. THAT is the hallmark of science-fiction and fantasy. We engage in worldbuilding in which we think about how changing an element or introducing a technology has ripple effects. For this, I knew I wanted to be on a cruise ship in space. There’s a writing workshop that my podcast, Writing Excuses, runs every year on a cruise ship. I based my ship, the ISS Lindgren on the types of things that happen on those and extrapolated for the future….
George R. R. Martin. Two Signed Early Partial Manuscripts ofGame of Thrones. Includes: 1 box, 384 leaves. Typed, dated November 1994. Boldly signed on the cover page in blue sharpie. [Together with]: 3 boxes, 888 leaves. Typed, dated July 1995. Boldly signed on the cover page in blue sharpie.
Two early drafts of the first book from A Song of Ice and Fire, the hit HBO series and international phenomenon.
The impact that A Game of Thrones has had on the fantasy genre, both as a novel and a television series, is almost impossible to exaggerate. Named to the BBC list of “100 ‘most inspiring’ novels” in 2019 alongside C.S. Lewis’s The Chronicles of Narnia, Frank Herbert’s Dune, and Ursula K. Le Guin’s Earthsea trilogy, it almost single-handedly cemented “grimdark” as a fantasy subgenre and helped inspire the likes of Joe Abercrombie and Marlon James, both masters of fantasy in their own right. The overwhelming success of the HBO show redefined fantasy for the general public and has been lauded by both authors and publishers as responsible for boosted sales in fantasy and science fiction….
…As is his typical process, Martin created five copies of each draft of Game of Thrones. Two were kept for his personal files; one was sent to his editor; a fourth was given to Texas A&M University where the archive of Martin’s oeuvre resides; and this, the fifth and final copy, was initially donated to a ConQuesT charity auction, held annually in Kansas City. Parris McBride, Martin’s wife, hoped the charity would get “a few bucks for them;” alas, no one bid on the items. They were then picked up by one of the original book researchers for A Song of Ice and Fire, and from there found their way to Heritage….
Our annual special issue – Amazing Stories: SOL SYSTEM – a double-sized issue, both in digital and print, of Amazing Stories. It will be chock full of stories set in exciting futures within our solar system. The publication is set for April 2023.
We’re also planning an online convention for April 2023 to celebrate this issue as well. Most of the contributing authors will be there!
We’re really excited about this and we know you’ll love it. Backers of our Kickstarter can choose digital copies of the magazine, print copies, convention memberships, and many more bonus add-ons as well.
(10) THE WATTYS. The winners of Wattpad’s 2022 Watty Awards have posted. The Grand Prize Winner, worth $5,000, is Nichole Cava’s The Vampire Always Bites Twice.
There are also Category Award winners for Fantasy, Science Fiction, Horror, Paranormal, and Fanfiction, to name a few. The website’s format makes it hard to distinguish the shortlist and the winner – more work than I was willing to invest. If you want to try, they’re all at the link.
– Wattpad, the global entertainment company and leading webnovel platform, announced the 2022 Watty Award winners! With over 500 winners across nine languages, the 2022 Watty Awards were the biggest edition yet. This year’s USD $5,000 English-language grand prize went to Nichole Cava for The Vampire Always Bites Twice (55.1K reads), which follows a criminal necromancer and vampire private eye that unexpectedly team up to solve the case of a missing barista.
In addition to cash prizes, 2022 Watty Award prizes included multiple publishing and entertainment adaptation opportunities from Wattpad WEBTOON Studios and the Wattpad WEBTOON Book Group. Among the more than 30,000 entries for the 2022 Watty Awards, these winning stories were selected…
(11) PYUN OBITUARY. Albert Pyun, director of Cyborg, Interstellar Civil War, Tales of an Ancient Empire, the Saturn-winning The Sword and the Sorceror and the 1990 version of Captain America, has died November 26 at 69, after several years of dementia and multiple sclerosis.
(12) MEMORY LANE.
2007 — [By Cat Eldridge.] Dorothy and Toto in Oz Park (2007)
Fifteen years ago, a very special statue went up in Oz. No, not that Oz, but the park in Chicago, so first let’s talk about that park. It had been developed as part of the Lincoln Park Urban Renewal Area during the Seventies, and this park was formally named the Oz Park in 1976 to honor Baum who settled in Chicago in 1891 in an area west of the park.
During the Nineties, the Oz Park Advisory Council and Lincoln Park Chamber of Commerce hired Chicago artist John Kearney to do all the figures for the Park.
He first created a sculpture of the Tin Man which he fashioned out of chrome bumpers. It was his last such sculpture done that way as the bumpers of chrome were increasingly scarce and thus way too expensive.
Next came the Cowardly Lion which was cast in bronze. Take a look at the detail in the fur — quite amazing, isn’t it?
Next is the rather colorful Scarecrow that is a seven-foot-tall sculpture, cast in an amazing twenty-two separate pieces in Kearney’s own foundry on Cape Cod.
Now we come to the last statue, Dorothy and Toto. This final statue to be completed was Dorothy and Toto, using the so-called lost wax technique which you can see an example of here being done. Kearney added paint for the blue dress and the iconic ruby red shoes. The final statue was installed fifteen years ago.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 29, 1910 — Kendell Foster Crossen. He was the creator and writer of the Green Lama stories. The character was a Buddhist crime fighter whose powers were activated upon the recitation of the Tibetan chant om mani padme hum. He also wrote Manning Draco series, an intergalactic insurance investigator, four of which are can be found in Once Upon a Star: A Novel of the Future. The usual suspects has a really deep catalog of his genre work, and the Green Lama stories have been made into audio works as well. (Died 1981.)
Born November 29, 1918 — Madeleine L’Engle. Writer whose genre work included the splendid YA sequence starting off with A Wrinkle in Time, which won the Newbery Medal and a host of other awards, and has been made into a 2003 television film and a theatrical film directed by Ava DuVernay. She produced numerous loosely-linked sequels, including A Wind in the Door, A Swiftly Tilting Planet, Many Waters, and An Acceptable Time. In addition to her fiction, she wrote poetry and nonfiction, much of which related to her universalist form of Christian faith. She was honored with a World Fantasy Award for Life Achievement in 1997. In 2013, Crater L’Engle on Mercury was named for her. (Died 2007.) (JJ)
Born November 29, 1925 — Leigh Couch. Science Teacher and Member of First Fandom. Active in fandom, along with her husband and children, during the 1960s and 70s, she was a member of the Ozark Science Fiction Association and one of the editors of its fanzine Sirruish. She was on the committee for the bid to host Worldcon in Hawaii in 1981. She was honored for her contributions as Fan Guest of Honor at the first Archon, the long-running regional convention which grew out of that early St. Louis-area fandom. (Died 1998.) (JJ)
Born November 29, 1942 — Maggie Thompson, 80. Librarian, Editor, and Fan who, with her husband Don, edited from the 1960s to the 90s the fanzines Harbinger, Comic Art, Rainy Days, and Newfangles, and wrote a column for The Buyer’s Guide for Comic Fandom. When this became the professional publication Comic Buyer’s Guide in 1983, because of their extensive knowledge of comics, she and her husband were hired as editors; after he died in 1994, she continued as editor until it ceased publication in 2013. Under their editorial auspices, it won two Eisner Awards and the Jack Kirby Award. Together they were honored with the Inkpot Award, and twice with the Comic Fan Art Award for Favorite Fan Writers.
Born November 29, 1950 — Kevin O’Donnell Jr. Writer who produced a number of genre novels and more than 70 short fiction works. He was chair of the Nebula Award Committee for nearly a decade, and business manager for the SFWA Bulletin for several years; he also chaired for 7 years SFWA’s Grievance Committee, which advocates for authors who experience difficulties in dealing with editors, publishers, agents, and other entities. He received the Service to SFWA Award in 2005, and after his death, the award was renamed in his honor. (Died 2012.)
Born November 29, 1969 — Greg Rucka, 53. Comic book writer and novelist, known for his work on Action Comics, Batwoman and Detective Comics. If you’ve not read it, I recommend reading Gotham Central which he co-created with Ed Brubaker, and over at Marvel, the four-issue Ultimate Daredevil and Elektra which he wrote is quite excellent as well. I’ve read none of his novels, so will leave y’all to comment on those. He’s a character in the CSI comic book Dying in the Gutters miniseries as someone who accidentally killed a comics gossip columnist while attempting to kill Joe Quesada over his perceived role in the cancellation of Gotham Central.
Born November 29, 1976 — Chadwick Boseman. Another death that damn near broke my heart. The Black Panther / T’Challa in the Marvel metaverse. The same year that he was first this being, he was Thoth in Gods of Egypt. (If you’ve not heard of this, no one else did either as it bombed quite nicely at the box office.) He was Sergeant McNair on Persons Unknown which is at least genre adjacent I would say. And he even appeared on Fringe in the “Subject 9” episode as Mark Little / Cameron James. I understand they did a stellar tribute to him in the new Black Panther film. His Black Panther was nominated at Dublin 2019 for a Hugo but lost to another exemplary film, Spider-Man: Into the Spider-Verse. (Died 2020.)
The Bodleian’s Tolkien archivist Catherine McIlwaine, writer John Garth and academic Stuart Lee discuss the role of JRR Tolkien’s son, Christopher, in promoting the works of his father and furthering understanding about them.
McIlwaine is co-editor with Bodley’s Librarian Richard Ovenden of The Great Tales Never End: Essays in Memory of Christopher Tolkien, while Garth and Lee have both contributed essays. Christopher was his father’s literary executor and published 24 volumes of his father’s work over four decades, more than Tolkien published during his lifetime. The collection of essays includes reflections on Christopher’s work by world-renowned scholars and reminiscences by family members.
McIlwaine is the Tolkien archivist at the Bodleian Libraries. Garth is an author and freelance writer and editor. He is author of The Worlds of J.R.R. Tolkien: The Places that Inspired Middle-earth and Tolkien and the Great War: The Threshold of Middle-earth. Lee is an English lecturer at the University of Oxford who lectures on fantasy literature with a focus on Tolkien. Discussions are chaired by Grace Khuri, a DPhil candidate at Oxford and the first Oxford postgraduate to write a PhD solely on Tolkien.
(16) HOW TO CONTACT THE CHENGDU WORLDCON. The Chengdu Worldcon posted this list of its “working emails”:
(17) DOING RESEARCH AND ASKING EXPERTS. Gideon P. Smith steers writers toward resources for “Writing the Science Right” at the SFWA Blog.
Getting the science right in SF can make the difference between writing cute stories and great science fiction. If you are a non-scientist writing SF and want to know how to do that, then this blog post is for you….
(18) LA ARTIST & WRITER. Some of you already know him, and All About Jazz invites the rest of you to “Meet Tony Gleeson”.
Tell Us A Bit About Yourself.
I’m an artist by vocation and a musician by avocation (I’ve played guitar all my life and picked up keyboards a couple of decades back). Music of all kinds has always been a major part of my life, but early on I made the choice to pursue the visual arts as my career. I spent my so-called formative years on the east coast, in upstate New York, Washington DC, and New York City. When I attended art school in Los Angeles, I fell in love with southern California and after a few years back in Manhattan, I persuaded my wife Annie to move there— quite an adventurous step for her as she’d never been on the West Coast. We’ve been Angelenos since 1977. We have three grown kids pursuing their own lives and adventures, but the house is hardly empty or still with our two cats, Django and Mingus, and our bird Charlie.
Annie’s been an NICU RN and I’ve run an illustration and design studio ever since we got here. I figure I’ve had around a thousand illustrations published: magazines, newspapers, book covers, catalogues and product illustrations. I’ve also done concept art for film, TV, advertising, and toy and product design.
I was a bookseller for several years early in the new millennium. I’m also a writer, with ten crime novels published in Britain and the United States. The most recent, A Different Kind of Dead, was released in the U.S. by Wildside in 2021. The new one, Find the Money, also by Wildside, is due for release before this year’s end. I’m kind of a polymath with a lot of interests (including film, baseball, classic mysteries, science fiction, and comic art) that tend to veer into obsessions….
Look, I was not expecting this. Two years and more than a dozen shows into the Disney+ experiment, I think we’ve all developed a decent enough sense of what to expect from the television incarnations of the two biggest entertainment franchises on the planet. And for the most part, these shows have been fine. Some fun moments. Some actors who are better than their material. Maybe a hint of a political idea. There was no reason for Andor—a prequel to a prequel whose original premise was already quite dodgy—to be any better.
And then it turned out to be good. Not just good for Star Wars, but just plain good. Best TV of the year good. I have to admit that I went a bit Kübler-Ross about this. First there was Anger—this show is too good to be Star Wars. No way does a story this smart, this thoughtful about the compromises of life under fascism, and the costs of rising up to resist it, exist only as a lead-in to a floppy-haired teenager doing an amusement park ride….
(20) FONT FOLLY. [Item by Mike Kennedy.] A memorable Saturday Night Liveskit from 2017 poked a lot of fun at the “lazy choice“ of the font Papyrus for the mega-blockbuster movie Avatar. (You may not be familiar with the controversy, but it’s a real thing.)
“Saturday Night Live” can be very hit or miss when it comes to their sketches, but it should come as no surprise that “Papyrus” will go down as one of their best. The bit features Ryan Gosling as a man who has disassociated from the world around him because he remembered that James Cameron’s mega-blockbuster “Avatar” used a variation of the Papyrus font for its logo. It’s the kind of thing you may think about for a second or two before moving on with your life, but the sketch from former “SNL” writer Julio Torres dedicates itself to making Gosling’s breakdown look as dramatic as possible.
Like the “Potato Chip” segment, it’s the kind of “SNL” bit that makes you laugh at how seriously everyone is playing their part with something so silly and bizarre. It’s just a logo, and yet Gosling plays it as if the material is worthy of a conspiracy thriller. Since the 2017 sketch, Cameron has given the “Avatar” logo a typeface facelift that gives the series more of an identity, although it’s not that different. It honestly looks as if the graphic designer took the modified Papyrus logo as is, and filled it with air.
The “Terminator 2” filmmaker can change the logo all he wants, but if the internet has taught me anything, it’s that it never forgets. For five years, Cameron has remained silent on the whole Papyrus conversation … until now. With the long-awaited “Avatar: The Way of Water” only weeks away, the blockbuster mastermind is finally breaking his silence.
In the January 2023 issue of Empire, James Cameron finally faces the logo demons that have been haunting him for minutes, as he jokes about how the graphic design choice got in the way of getting even more money. “Just think of how much we could have grossed if it wasn’t for that damn font,” says Cameron…
[Thanks to Mike Kennedy, JJ, John King Tarpinian, Jeffrey Smith, Danny Sichel, Daniel Dern, Scott Edelman, Joey Eschrich, Cora Buhlert, Rich Lynch, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(1) BIG BROTHER IS WATCHING. ALSO LISTENING, PHONE-STALKING, AND DNA TRACKING. “A New York Times analysis of over 100,000 government bidding documents found that China’s ambition to collect digital and biological data from its citizens is more expansive and invasive than previously known.” “Four Takeaways From a Times Investigation Into China’s Expanding Surveillance State”. There’s also a 15-minute video at the link.
China’s ambition to collect a staggering amount of personal data from everyday citizens is more expansive than previously known, a Times investigation has found. Phone-tracking devices are now everywhere. The police are creating some of the largest DNA databases in the world. And the authorities are building upon facial recognition technology to collect voice prints from the general public.
The Times’s Visual Investigations team and reporters in Asia spent over a year analyzing more than a hundred thousand government bidding documents. They call for companies to bid on the contracts to provide surveillance technology, and include product requirements and budget size, and sometimes describe at length the strategic thinking behind the purchases. Chinese laws stipulate that agencies must keep records of bids and make them public, but in reality the documents are scattered across hard-to-search web pages that are often taken down quickly without notice. ChinaFile, a digital magazine published by the Asia Society, collected the bids and shared them exclusively with The Times.
This unprecedented access allowed The Times to study China’s surveillance capabilities. The Chinese government’s goal is clear: designing a system to maximize what the state can find out about a person’s identity, activities and social connections, which could ultimately help the government maintain its authoritarian rule….
(2) LEAVING THE GOLD STANDARD BEHIND. Rich Horton’s latest “Old Hugos that never were” post lists potential Hugo Nominations among stories published in 1949. “Hugo Nomination Recommendations, 1950” at Strange at Ecbatan.
…This is the earliest set of potential Hugo nominees for 1950s Worldcons I’ll do. I chose this date mainly because it seemed a clean break to posts on 10 years of Hugos — for the 10 1950s Worldcons. (The 1950 Worldcon was NorWesCon, held in Portland, OR.)
Another reason is that 1949 is a fairly significant year in the transition from the so-called “Golden Age” to the next phase … the time when John W. Campbell’s Astounding slipped from its unquestioned place at the top of the SF heap. …
(3) EYE ON THE DREAM. There’s a rich selection of videos about writing and career advice on the Dream Foundry YouTube page, including many items recorded during their Flights of Foundry event.
(4) CATCH UP WITH WFC. The World Fantasy Con 2022’s third Progress Report can be downloaded by anyone at this page. It includes write-ups about all the guests of honor and toastmaster.
(5) LUNAR ACCOMODATIONS. [Item by Mike Kennedy.] In a hole in the moon there lived a moonstronaut. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a moonstronaut-hole, and that means comfort.
Relatively speaking.
The Atlantic extols “The Coziest Spot on the Moon”. Most of the text of the article is behind a paywall. The Atlantic does show a limited number of free articles and makes the first bits of additional articles available to all.
The moon has a reputation for “magnificent desolation,” as Buzz Aldrin said when he stepped onto the surface more than 50 years ago. It has no atmosphere to speak of, and no protection from a constant stream of radiation, whether from the sun or deep space. During a lunar day, about as long as 15 of our own, nonstop sunlight makes the surface hot enough to boil water. A lunar night lasts just as long, only it’s unfathomably cold.
Yet hidden in this bleak picture are a select few places that might offer some respite from all those inhospitable conditions. And one particular spot that sounds almost … pleasant?
Using data from a spacecraft in orbit around the moon, scientists have studied a cavern on the lunar surface and discovered that part of it has a pleasantly cool temperature of 63 degrees Fahrenheit (about 17 degrees Celsius). This cavern is shaped like a cylinder, and extends about 328 feet (100 meters) down from the surface—about the height of a 30-story building. Sunlight illuminates only part of the cavern’s bottom; the rest is out of reach, and remains permanently shadowed….
(6) ALL CATS, ZERO HUMANS. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber reviews Stray, a new game from Annapurna Interactive. Faber begins his column by explaining that before YouTube he and his friends delighted in getting semi-secret URLs for crazy cat videos.
The game casts you as a slender ginger who lives in a humanless future. Your hero has neither magical powers nor an arsenal of quips; it’s just a regular moggie, mute except for miaows and purrs. An accidental slip sends it tumbling into a sunless underworld occupied by friendly robots with TVs for faces and nasty little creatures called Zurks. With the help of a drone companion, your mission is to find a way back to the surface and work out what happened to the humans. The game balances puzzles, stealth, and platforming with explanatory quests more reminiscent of old point-and-click adventure games. Its gameplay is well constructed but unremarkable,…
…Still, if you are a fan of felines, this game is catnip. It’s easy to imagine a room of developers making a huge list of all the particular things cats do and incorporating them: you can scratch at carpets, push objects off roofs, walk on computer or piano keyboards to chaotic effect and settle down for a nap on a pile of cushions. There’s even a dedicated ‘miaow’ button whose sound on PS5 issues intimately from your computer. Most of these features do not serve a gameplay purpose–the game just wants you to enjoy being a cat.
Faber says that there’s a Twitter feed of cats enjoying watching the feline cyberpunk dystopia action in Stray.
“Stray,” the video game about a nameless feral cat wandering through a city of robots, is one of the summer’s biggest surprise hits. Now, some players are modifying the game to add their own feline friends to its post-apocalyptic world.
Mods — short for modifications — are fan-made alterations to a video game that are done by rewriting or changing the game’s files. The simplest mods make cosmetic changes, such as changing the texture on a weapon to look nicer. But mods can also be wildly ambitious, sometimes ballooning into entirely new games. 2021’s “The Forgotten City,” an adventure set in ancient Rome, was originally a “Skyrim” mod.
On NexusMods, a site that hosts downloadable mods, there are already a number of options available to players seeking to change the look of “Stray’s” furry hero with different coats and eye colors. The site is flush with options for black cats, gray tabbies, calicoes and more, each already downloaded hundreds of times.
Many of the modders who made those skins based them off their own cats. One creator added their green-eyed tuxedo cat, Maro, to “Stray.” The download page includes a real-life photo reference for maximum accuracy. Hi, Maro!
Variety has learned exclusively that Hutchison, in addition to showrunning, will also write and executive produce on the series, which is based on the Charlie Jane Anders novel of the same name. It was reported as being in development at Amazon in September 2021….
… “Victories Greater Than Death” follows Tina, a teenager and keeper of an interplanetary rescue beacon. Tina can’t wait for it to activate, leave home, and chase her dreams. But she’s stuck waiting, until one day, destiny calls….
Production on Snowpiercer‘s fourth and final season is on hold after multiple members of the cast and crew were hospitalized due to heat exhaustion.
On Thursday, temperatures hit the mid-90s on the show’s outdoor set in British Columbia, Canada. The high temperatures resulted in as many as 14 people, including background actors and crew members, requiring transportation to local hospitals to seek treatment, as one crew member tells Deadline….
A 1980s pop culture mainstay is plotting a comeback. AMC Networks is developing a Max Headroomdrama series reboot, with Matt Frewer set to reprise his role as the world’s first artificial intelligence TV personality. Halt and Catch Fire co-creator Christopher Cantwell is writing the adaptation and is attached as showrunner for the project, which is produced by Elijah Wood and Daniel Noah’s SpectreVision and All3Media….
(10) MASHED UP INTELLECTUAL PROPERTIES. [Item by Martin Morse Wooster.] In “Marvel comics are now Penguin Classics. Time to turn classics into Marvel.”, the Washington Post’s Alexandra Petri shows what classics such as Little Women and The Scarlet Letter would look like with the addition of superheroes. Here’s one example:
The Importance of Being Earnest: “To lose one parent may be regarded as a misfortune,” Lady Bracknell intones, “but to lose both and also your Uncle Ben in an unrelated incident looks like carelessness.” Jack rolls his eyes at her. “Okay, Downton Abbey. Nobody asked you.”
Cecily punches Algernon in the face. “That’s for not being named Ernest,” she says. She punches him again. “And that’s for trying to pit me against Gwendolen, who is my sister, and we passed the Bechdel Test together seconds before you came in.” “Good,” Algernon says, rubbing his face. “I wouldn’t have known you were a strong woman unless you punched somebody!”
(11) SPACE MEMORIAL PLANS. People have an opportunity to say a final farewell to Carolyn Meskell Grayson on August 4. The wife of Ashley Grayson, who has worked in the field as a literary agent, died in 2017. Click on the link and see the picture of her that is going into space on August 4. “Tesla Photo in Space Mosaic”.
(12) MEMORY LANE.
1995 – [By Cat Eldridge.]Ghosts. Haunted houses. Many maintain that such concepts have no place in our computerized twentieth century reality. But until man conquers death, one inevitable question will always linger within the recesses of the human mind: What lies beyond? — Opening narration Outer Limits’s “If These Walls Could Talk”.
Twenty-seven years ago this evening on the rebooted Outer Limits we had an apparently classic haunted house story where a woman whose son disappeared asks a supernatural debunker to investigate a seemingly haunted house where her son was last seen.
SPOILER ALERT!
Now being Outer Limits, it turns out that the house isn’t haunted at all. Did any of you read the first novel in Simon R. Green’s Nightside series, Something from the Nightside? John Taylor enters a house to rescue a woman only to discover the house itself is alive. Same here. It’s essentially an alien kudzu lifeform that crashed to earth and is mimicking being a house. And eating people. Lots of them.
I think that, like the alien house in Something from the Nightside, that the scriptwriter did a rather good job of making the Big Bad believable.
END SPOILER
I don’t think it’s steaming for free anywhere right now.
(13) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 30, 1911 — Reginald Bretnor. Author of many genre short stories involving Ferdinand Feghoot, a comical figure indeed. It looks like all of these are available in digital form on iBooks and Kindle. He was a consummate SJW. He translated Les Chats, the first known book about cats which was written by Augustin Paradis de Moncrif in 1727. He also wrote myriad articles about cats, was of course a companion to cats, and considered himself to have a psychic connection to cats. Of course most of us do. (Died 1992.)
Born July 30, 1927 — Victor Wong. I remember him best as the Chinese sorcerer Egg Shen in John Carpenter’s exemplary Big Trouble in Little China. He was also The Old Man in The Golden Child, Walter Chang in Tremors, Dr. Wong in the “China Moon” episode of the Beauty and the Beast series and Lee Tzin-Soong in the “Fox Spirit” episode of Poltergeist: The Legacy. (Died 2001.)
Born July 30, 1948 — Carel Struycken, 74. I remember him best as the gong ringing Mr. Holm on Next Gen, companion to Deanna Troi’s mother. He was also Lurch in The Addams Family, Addams Family Values and the Addams Family Reunion. He’s listed as being Fidel in The Witches of Eastwick but I’ll be damned if I remembered his role in that film. And he’s in Ewoks: The Battle for Endor which I’ve never seen…
Born July 30, 1961 — Laurence Fishburne, 61. Appeared in The Matrix films of which I watched at least two. His voice work as Thrax in Osmosis Jones is outstanding as is his role as Bill Foster in Ant-Man. Oh I must note that he shows up on the new Muppets series they did about a decade ago in the “Hostile Makeover” riff they do in the first season.
Born July 30, 1966 — Jess Nevins, 56. Author of the superlative Encyclopedia of Fantastic Victorian and the equally great Heroes & Monsters: The Unofficial Companion to the League of Extraordinary Gentlemen which is far better than the film ever could be. He’s also written the Fable Encyclopedia which is a most excellent look at Willingham series. I didn’t know he was a fiction author ‘til now but he has two genre novels, The Road to Prester John and The Datong Incident. He picked up three impressive nominations: IGH for Companion to The League of Extraordinary Gentlemen, World Fantasy for The Encyclopedia of Fantastic Victoriana and Sidewise for An Alternate History of Chinese Science Fiction. I’ve read the first two and recommend them wholeheartedly.
Born July 30, 1970 — Christopher Nolan, 52. Writer, producer and often director as well of the latest Batman film franchise, The Prestige (which I absolutely love), Interstellar, Inception and Batman v Superman: Dawn of Justice to name some of his work. Tenet was nominated for a Hugo at DisCon III.
Born July 30, 1975 — Cherie Priest, 47. Her southern gothic Eden Moore series is kickass good and Clockwork Universe series isa refreshing take on steampunk which has been turned into full cast audiobooks by GraphicAudio. I’ve not read the Cheshire Red Reports novels so have no idea how good they are. Anyone read these? She won an Endeavour Award for her Dreadnought novel.
Born July 30, 1984 — Gina Rodriguez, 38. Anya Thorensen in Annihilation based on Jeff VanderMeer’s novels which I’ve read though I’ve not seen the film. She was also Robin I the “Subway” episode of the Eleventh Hour series, and directed the “Witch Perfect” episode of the new Charmed series. Who has seen this new Charmed series?
To start this series, we’re looking at the Lodestar Award, which is “technically” not a Hugo Award, but is awarded with them anyway, so it counts for this series. The Lodestar Award is for the best Young Adult SciFi and Fantasy novels of the previous year – the Hugo equivalent of the Norton Award (which is the Nebula version of the same award). As a huge fan of YA works, I love going through the nominees of this award every year, and unsurprisingly I had read all of the nominees of this one prior to the shortlist being announced. None of the nominees were on y nomination ballot….and yet there’s a number of works here on this list that I really liked, and a few very deserving winners….
Not all of this year’s San Diego Comic-Con action took place on the convention center floor or in its ballrooms. While studios and producers like Marvel made headlines in Hall H, thousands of attendees to this year’s Con took time out to visit lavish, expensive activations geared toward an experiential visit to the worlds of films and series like Apple TV+’s “Severance,” HBO’s upcoming “Game of Thrones” prequel “House of the Dragon” and the upcoming “Dungeons & Dragons: Honor Among Thieves” movie.
Fans eager to return to Comic-Con — the first since 2019, after two years of virtual events due to the pandemic — welcomed that ability to once again interact with pop culture. Here are five of the most notable activations at this year’s Comic-Con, which took place July 20 to July 24….
…This final form of Technicolor enraptures viewers even today, reproducing colors as it did at intense, sometimes borderline-psychedelic depths of saturation. The process found its ideal material in the fantasy of The Wizard of Oz, with its yellow brick road (choosing whose exact shade inspired about a week of deliberation at MGM), its ruby slippers (calculatedly changed from the silver shoes in L. Frank Baum’s original novel), and its host of settings and characters with great chromatic potential.
This is surely the sharpest and most-detail rich version of The Wizard of Oz most of us have seen, and, in those respects, it actually outdoes the original prints of the film. For some the image may actually be too clear, making obvious as it does certain artificial-looking aspects of the backgrounds and costumes. But in a sense this may not run counter to the intentions of the filmmakers, who knew full well what genre they were working in: even on film, a musical must retain at least some of the look and feel of the stage.
Why bother to design your own robots when you can just reuse what nature created?
This was the thought process behind a research project from engineers at Rice University who successfully transformed dead spiders into robotic gripping claws. The scientists have dubbed their new area of research “necrobotics” and say it could create cheap, effective, and biodegradable alternatives to current robotic systems….
When I saw that a robot had broken the finger of a 7-year-old boy it was playing at the Moscow Open chess tournament, my first reaction was, “They’re coming for us.”
All the machines that have been following commands, taking orders, and telling humans, “Your order is on the way!”, “Recalculating route!”, or “You’d really like this 6-part Danish miniseries!” have grown tired of serving our whims, fulfilling our wishes, and making their silicon-based lives subservient to us carbon breathers.
And so, a chess-playing robot breaks the finger of a little boy who was trying to outflank him in a chess match.
Onlookers intervened to extricate the boy’s hand from what’s called the actuator, which a lot of us might call a claw. The boy’s finger was placed in a plaster cast. He returned to the tournament the next day.
Sergey Smagin, vice-president of the Moscow Chess Federation, told the Baza Telegram channel that the robot had lunged after the little boy tried to make his move too quickly.
“There are certain safety rules,” he said, “and the child, apparently, violated them.”…
…The women are named after Marra’s own great-aunts, first-generation Italian Americans with a similarly curdled worldview. (“You poor girl,” one of the fictional aunts tells Maria. “You have your whole life ahead of you.”)
The last of Marra’s aunts, Mimi, died in 2015.
“She lived to 98 and hated every second of it,” Marra said. “Her love language was that she told people that her grandnephew was better than theirs.”
When Marra’s first book came out, Mimi drove around to different bookstores, moving copies of the novel closer to the front door. “I’m sure she didn’t read it herself, but she would be damn sure that you would,” Marra said….
(21) HEY, HO. Jim Janney shared this wonderful parody in comments:
When that I was and a little tiny fan, With hey, ho, the pixel and the scroll, No one did worry if my verses would scan, For the file it scrolleth every day.
But when I came to fan’s estate, With hey, ho, the pixel and the scroll, ‘Gainst bots and trolls fen shut their gate, For the file it scrolleth every day.
But when at a con did I arrive, With hey, ho, the pixel and the scroll, By swaggering could I never thrive, For the file it scrolleth every day.
A great while ago the world begun, With hey, ho, the pixel and the scroll, But that’s all one, our file is done, And we’ll strive to please you every day.
(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In this 2013 video by Jeff Blyth, Wall-E creates an evil robot and they have a showdown. “Breaking Bad Robot”.
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Lise Andreasen, Carl Andor, Denise Dumars, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Patrick Morris Miller.]
(1) DISCON III SOUVENIR BOOK NOW AVAILABLE IN CHINESE. The 2021 Worldcon committee has had the Souvenir Book translated into Chinese.
It is digitally available in either English or Chinese on their website to anyone who wishes a copy. The English edition is here. The Chinese copy is here.
(2) STOKERCON PHOTOS. Ellen Datlow has shared her Flickr album of photos taken at Stokercon 2022 Denver. No captions yet, however.
(3) MORE HUGO FINALIST SAMPLERS. Alasdair Stuart has anticipated the Hugo Voter Packet by making available his selections from 2021’s The Full Lid, a Best Fanzine finalist, as either a PDF or a zip file containing PDF, mobi, and epub formats. He adds, “With many thanks to Nick Eden for the assembly!”
You can also find voter materials for two Best Semiprozine finalists, Escape Pod as well as PodCastle, at their sites.
…The story very much fits the expectations of a Chambers novel. The stakes are galactically-low and focused on the personal. There is conflict but it is either resolved or accommodated by people finding ways to get along. If anything, the focus on this aspect is greater than in previous stories and oddly, I found it better for that. It is a novel that is far more confident in staying within this personal space that is nonetheless shaped by political and cultural events….
(5) CODE NAME: DUDLEY. James Davis Nicoll begins “Five SF Works About Fighting Crime in Space” by explaining a bit of Canadian news to Tor.com readers, what might hypothetically follow, then names some books that might provide models:
…Presumably some sort of jet-pack-wearing analog of the Royal Canadian Mounted Police will be along to enforce this. Its officers might well wonder “how would a space-based police force work? How does one even set fire to a barn in space?” Happily, while a space patrol may be new to Canada, SF authors have already explored how such an organization might operate, as these five vintage works prove.
Space Cadet by Robert Heinlein (1948)
While hardly the first space patrol novel, Heinlein’s coming-of-age tale may be one of the best known. Space Cadet follows the education and early career of would-be Interplanetary Patrolman Matt Dodson, from his enrollment to his first major assignment on Venus. Along the way, he is transformed from a naïve teen into a responsible young man.
While the Patrol reserves the option to simply nuke problems from orbit, it prefers more subtle approaches. The Venus affair is a case in point. In the 19th or 20th century, a dispute between natives and traders might have been resolved through violent retribution against the natives. The Patrol, with its more ethical and enlightened outlook, does its best to respect the Venusians and deliver actual justice. Hard news for the trader in question, who is very much in the wrong.…
(6) THE BOYS ARE BACK IN TOWN. Amazon dropped this trailer for season 3 of The Boys today.
Teachers at a Brooklyn school are finding inspiration from an unlikely source: Star Trek.
They’re boldly going where no educators have gone before (probably), learning “Klingon” as a way to connect to students in their classroom — as the fictional language invented for aliens serves as a reminder of everyone’s humanity.
Teachers at Saint Mark Catholic Academy in Sheepshead Bay are hoping that changing their language will help change their way of thinking. They are learning a language that until fairly recently was all Greek to them.
“Unless you’re a real Star Trek fan, you’re not well versed in Klingon,” said principal Mark Wilson.
It’s spoken by the fictional Klingon warriors on Star Trek. But learning this foreign fictional language is helping the teachers better understand real students learning English as a second language.
Over the last few years the school has seen an influx of eastern European students — children who don’t speak English at home. That includes Denys Shorodok, who came from Ukraine and for whom English is a third language.
“The teachers were coming to me (saying) I want to help my students but I don’t know how, and I wanted to help my teachers and I didn’t know how. So That’s when I reached out to ACES,” said Wilson.
… “One of the key parts of empathy is to think about what would it feel like for you if you were in the same situation,” said Rania El-Badry, the assistant director of the program.
“They now are familiar with the psychology and emotions of students in the classroom,” says program director Erica David, “and that’s something that will influence the way that they teach going forward.”…
(8) REVOVLVERS. Dwayne Day discusses his five favorite moons in “All the myriad worlds” at The Space Review.
The other day I was having dinner with a prominent planetary scientist when I mentioned that I had a list of my five favorite moons. You do? He asked, surprised. Sure. Don’t you? He studies Venus, and Venus, like Vulcan, has no moon, so he didn’t have his own list of favorite moons but asked me to name mine. As I explained, most of my choices are not based strictly on scientific merit, but on the stories they tell—and the history of how we have discovered, studied, and explored them. Here they are, and why they’re on my list.
First up – Triton.
…Triton is one of Neptune’s moons, the largest, and it is an oddball. It circles the planet backwards, retrograde, in the opposite direction of Neptune’s other moons. This indicates that it did not form with them, and was likely captured when it wandered in from the Kuiper Belt. Triton was discovered shortly after the discovery of Neptune in 1846. Triton is cold, with estimated temperatures of 38 K (−235 °C). That, and its origins, combine to make it very interesting, and intriguing….
(9) KARL LEMBKE (1960-2022). Long-time LASFSian Karl Lembke died May 15 after a three-year battle with cancer. Karl was first elected Chair of the Board of Directors in 2002 (which I know because I took the minutes of the meeting!) and served continuously for 20 years.
He joined LASFS in September 1985. He received the Evans-Freehafer Award for service to the club in 2010. His financial donations to the club were acknowledged by making him a Patron Saint of the 38th meeting of the year. At times he also served as Scribe of the Thursday night meetings.
Past LASFS President Eylat Poliner adds, “Karl was a gentle soul. He was a devoted and loved member of the LASFS. He ran hospitality for Loscon for many years. He loved to play mahjong. He liked to cook/bake and was loyal to his family, He loved science fiction. He brewed mead and beer. He loved his co-workers and boss.”
As a conrunner, Karl often worked the green room or staff lounge at Loscon, Gallifrey, and even Corflu the last time it was in LA. He chaired Loscon 32 in 2005.
Heinlein would have been impressed to know that in Karl’s lifetime he made 997 apheresis (plasma and platelet) donations to the Red Cross.
2013 – [By Cat Eldridge.] Just nine years ago, the sequel to rebooted Star Trek came out, Star Trek Into The Darkness. The twelfth film in the Trek franchise (really it was), it would be Leonard Nimoy‘s last film appearance before his death two years later. The Trek cast from the first film were back and the guest cast of Benedict Cumberbatch, Alice Eve, and Peter Weller would be here as well.
Naturally it was directed by J.J. Abrams off a script written by Roberto Orci, Alex Kurtzman and Damon Lindelof. Abrams and Orci created Fringe, Kurtzman wrote the first film in this series plus he directed and co-wrote The Mummy which I essayed here not long ago, and Lindelof is one of the prime movers behind Lost.
In case someone here has managed not to see it yet, I’m not going to discuss it. See NO SPOILERS.
It was costly. Best estimates say it was close to two hundred million by the time they were all done but it made nearly a half billion according to industry sources. That said, calculating in all of the expenses, Deadline Hollywood estimated that the film made a profit of only thirty million. Oh ouch.
So what did critics think of it at the time? Well most liked it though some I will admit detested it with all their hearts. Peter Travers of the Rolling Stone said: “Spoilers would cause me more trouble than an army of Klingons. One hint: If you rewatch any Star Trek movie before seeing this one, make it 1982’s iconic The Wrath of Khan. Kudos to Abrams for going bigger without going stupid. His set pieces, from an erupting volcano to the hell unleashed over London and Frisco Bay, are doozies. So’s the movie. It’s crazy good.”
And SF Crownest said: “Snappy dialogue, spry action sequences, vibrant special effects, solid characterizations and galaxy-induced intrigue paints ‘Star Trek: Into Darkness’ as one the first summertime hits of 2013 to register its big box office promise with genuine thrills at a time where aimless sequels usually spell redundancy and disaster. Alas, it is quite acceptable to feel around in the ‘Darkness’ for Abrams’s stimulating spectacle that beams up some sharp and boisterous fun-filled momentum as routinely as it does an exasperated Scotty looking to return on board the ship.”
Christopher Orr of The Atlantic has an interesting point in his review I think and so we’ll leave our review notes with it: “For all its chasing and falling and fighting–and the movie supplies a great deal of each–Star Trek Into Darkness is at its best when the Enterprise crew are merely bickering and bantering among themselves: less space opera than soap opera.”
It currently has a most excellent ninety percent rating among audience reviewers at Rotten Tomatoes.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 16, 1918 — Barry Atwater. Surak in “The Savage Curtain” episode where several reliable sources say he had serious trouble making Vulcan hand gesture. He did a lot of other genre work from Night Stalker where he played the vampire Janos Skorzeny to The Man From U.N.C.L.E., The Alfred Hitchcock Hour, Voyage to the Bottom of the Sea, Night Gallery, The Wild Wild West and The Outer Limits. (Died 1978.)
Born May 16, 1937 — Yvonne Craig. Batgirl on Batman, and that green-skinned Orion slave girl Marta on “Whom Gods Destroy” on Trek. She also one-offs in The Man from U.N.C.L.E., The Wild Wild West, Voyage to The Bottom of the Sea, The Ghost & Mrs. Muir, Land of the Giants, Fantasy Island and Holmes and Yo-Yo. (Died 2015.)
Born May 16, 1950 — Bruce Coville, 72. He’s won three Golden Duck Awards for Excellence in Children’s Science Fiction. He won first for his My Teacher Glows in the Dark, the second for his I Was a 6th Grade Alien, and the third for producing an audio adaptation of Heinlein’s The Rolling Stones. And NESFA also presented him with the Edward E. Smith Memorial Award for Imaginative Fiction. He was twice nominated for the Mythopoeic Fantasy Award for Children’s Literature.
Born May 16, 1953 — Pierce Brosnan, 69. Louis XIV in The Moon and the Sun adaptation of Vonda McIntyre’s novel, shot in 2014 then not released til this year. James Bond in a remarkably undistinguished series of such films. Seriously, what do you remember about his Bond films? Dr. Lawrence Angelo in The Lawnmower Man, and he was lunch, errr, Professor Donald Kessler in Mars Attacks! and Mike Noonan in Bag of Bones.
Born May 16, 1955 — Debra Winger, 67. Not I grant you an extensive genre resume but interesting one nonetheless. Her first genre appearance is in E.T. the Extra-Terrestrial in uncredited turn as, and I kid you, a Halloween Zombie Nurse with a poodle. Really I’m not kidding. And she appeared in three episodes of the Seventies Wonder Woman as Drusilla / Wonder Girl. If you want to stretch it, she was Rebecca in The Red Tent film.
Born May 16, 1968 — Stephen Mangan, 54. Voiced Bigwig, Silverweed and Shale in the 1999 Watership Down series, Green Javelins in the Hyperdrive SF comedy series, and Dirk Gently in that series after the pilot. Last year, he was the lead in A Christmas Carol at The Old Vic.
Born May 16, 1969 — David Boreanaz, 53. Am I the only one that thought Angel was for the most part a better series than Buffy? And the perfect episode was I think “Smile Time” when Angel gets turned into a puppet. It even spawned its own rather great toy line. He’s currently Master Chief Special Warfare Operator Jason Hayes on SEAL Team which has migrated to Paramount + which means that the adult language barrier has been shattered so it’s quite amusing to hear a very foul mouthed Boreanaz.
Born May 16, 1977 — Lynn Collins, 45. She was an excellent Dejah Thoris in the much underrated John Carter. Her first genre role was Assistant D.A. Jessica Manning on the very short lived horror UPN drama Hauntings, and she showed up in True Blood as Dawn Green. She survived longer on The Walking Dead as Leah Shaw. Back to films, she was in X-Men Origins: Wolverine and The Wolverine as Kayla Silverfox, Rim of The World as Major Collins and Blood Creek as Barb.
(13) GEORGE PÉREZ APPRECIATION.[Item by Martin Morse Wooster.] In the Washington Post, David Betancourt has an appreciation for George Pérez. He notes that Perez was proud of his Puerto Rican heritage and was proud of creating with Bill Mantlo the first Puerto Rican superhero, the White Tiger, whose first appearance was in The Deadly Hands Of Kung Fu #19 in 1975. “George Pérez was the master of the big comic-book moment”.
… And on the page, the storytelling power of Pérez’s pencils was fueled by the undeniable joy that came through in every panelhe ever illustrated. To flip through the pages of his decades of work with Marvel and DC Comics as well as independent projects was to know this man was born to draw superheroes.
As comics changed over the years, his art style remained classic — subtle and sophisticated. He never bowed to the pressure to draw oversexualized heroines in suggestive positions or heroes who looked as if they took superhero performance enhancers, which were the norms for many publishers in the very extreme 1990s….
(14) A MASTER’S VOICE. Frank Frazetta was an Illustrators of the Future Contest judge from its inception until he passed away in 2010. The contest recently made available a short video featuring him: “Advice from a Master: Frank Frazetta”.
The first “Doctor Strange” film introduced an idiosyncratic character by means of an apt cinematic peculiarity, but its sequel, “Doctor Strange in the Multiverse of Madness,” squeezes the character into the Marvel franchise by trimming away all the whimsy. The strength of the first “Doctor Strange” is the embrace of its protagonist’s weirdness, which enshrines him among the franchise’s fictional personalities. The sequel is conservative: the weirdness is reined in, and the narrative’s symbolic loose ends are replaced by chains that bind it to other characters and story lines from the Marvel stable.….
L.Frank Baum’s book “”The Wonderful Wizard of Oz”” was first published in 1900 and was a hit from the get-go. While the story was first adapted for Broadway in 1903 and for film in 1910, it is probably the 1939 film starring Judy Garland that most people think of when one mentions The Wizard of Oz. In this episode we’ll explore some of the more fanciful parts of the story and dive deep into tornadoes, flying witches, hot air balloons and – what about those flying monkeys?
…Oliver said he’d normally bring out a mascot to show how “terrible and horrifying” utilities are.
But he didn’t have to in this case.
“They already made a murderous hell-demon almost 100 years ago,” he said, referring to an extremely creepy long-ago mascot for power companies called Reddy Kilowatt.
He regretted it almost instantly.
“I could kill you right now and there’s nothing anyone could do about it,” Reddy Kilowatt declared.
Then, he did exactly that….
(18) UPON A STAR. Tella is an animated film, directed by Zachary Conlu, about a little girl and her unusual new pet.
A lost girl gets a surprise visit from a fallen star that seems to give no notice of her…
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] This Eddie Izzard sketch of what happened when Darth Vader showed up in the Death Star cafeteria may have 28 million views, but it’s never appeared in File 770! (From 2008.)
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]
Right after the Fourth of July might not be when I shop for Christmas ornaments, but somebody does, because that’s when Hallmark runs its Keepsake Ornament Premiere.
If the timing is for the convenience of retailers, there is also a certain logic in picking a spot on the calendar that is as far away as you can get from a date associated with Christmas trees. It’s plain some of these ornaments are intended for a Halloween or Thanksgiving tree, while others probably are destined never to decorate a tree at all but to remain pristine in their original wrapping on collectors’ shelves.
Although this first one has nothing to do with the Christmas season other than that’s when four of the Harry Potter movies came out, if you believe there’s an omniscient Santa Claus who knows when you’ve been bad or good, then this might work for you, too:
“There’s nothing hidden in your head the Sorting Hat can’t see…” Relive the Sorting Ceremony, one of the most eagerly anticipated traditions for first-year students at the Hogwarts School of Witchcraft and Wizardry. This Christmas tree ornament features the famous Hogwarts Sorting Hat, which moves and says lines about each house: Gryffindor, Slytherin, Ravenclaw and Hufflepuff (battery-operated).
And Hallmark also caters to a sort of counter-Christmas clientele with these next two items.
Be sure to give Old Man Parker’s “major award” a glorious spot on the tree this year! With its lampshade fringe and fishnet stockings, this premium porcelain Christmas tree ornament will have you reminiscing about the hit holiday movie “A Christmas Story” all season long. Year dated 2021.
Spread the spirit of Halloween Town to even the smallest of Christmas trees with this miniature ornament. The stylized design features Sally holding one of her potion ingredient jars. For a spooktacular display, pair it with our coordinating Lil’ Jack and Lil’ Oogie Boogie mini ornaments (each sold separately).
Then, if you call yours a Halloween or Thanksgiving tree, Hallmark has you covered.
Make it a Halloween of legendary proportions when you display this cute ornament! The diorama-style jack-o’-lantern design features an adorable Bigfoot creature with its iconic pose wandering in front of a moonlit forest.
Yes, it’s hard to imagine a more sacred holiday memory than this —
Relive one of the most hilarious moments from “Friends” when you display this Christmas tree ornament. In an effort to cheer up Chandler, Monica wears a turkey on her head—complete with a fez and sunglasses. When you press the button to play the audio clip from the show, you’re sure to proclaim your love…just as Chandler did on that fateful Thanksgiving Day.
But it’s a complete mystery what occasion Hallmark thinks people are celebrating when they buy creeptastic ornaments like these two:
After her sister’s demise, the Wicked Witch of the West harbored villainous hope for getting her hands on the Ruby Slippers. Relive the climactic scene inside her castle as the Wicked Witch of the West demands that a frightened Dorothy turn over the enchanted footwear. Fans of the classic movie “The Wizard of Oz” will love adding this Christmas tree ornament to their collection.
And I think the most suitable tree for decorating with the next ornament would be something like Old Man Willow, who tried to turn the hobbits into mulch.
Considered one of the most powerful Disney villains, the dark and sinister Chernabog first reared its wicked head in the classic 1940 film “Fantasia.” Pay tribute to good versus evil with this striking likeness of the menacing character ferociously emerging from Bald Mountain with his giant wings extended. Insert the bulb of a standard miniature light string through the rubber grommet on the ornament to create a special lighting effect.
Otherwise there are literally dozens of Keepsake Ornaments that commemorate popular movies and TV shows.
If they’re serious about selling these, quit fooling around, call him “Baby Yoda.”
The legend continues with The Child named Grogu (often called “Baby Yoda” by fans) from the Disney+ original series The Mandalorian. This Christmas tree ornament features the mysterious Force-sensitive alien playing with a shifter knob—from Din Djarin’s ship, The Razor Crest—as he sits atop a Stormtrooper helmet from remnants of the Galactic Empire.
Ordinarily, when I see a robot it’s not my first response that “He needs a few square meals under his belt” like I do with this one:
Loyal to the Rebel Alliance, K-2SO carried the markings of his former programming as an Imperial security droid, allowing him to effectively infiltrate Imperial installations and outposts. Rebellion hero Cassian Andor undertook the difficult task of reformatting K-2SO’s personality, leaving him with a blunt disposition that cemented his place as a favorite character. Fans of Rogue One: A Star Wars Story will love displaying this metal Christmas tree ornament of the versatile droid.
There are quite a few sci-fi TV shows with ornaments. There’s even an entire series of alternate-universe crew from Star Trek: TOS’ “Mirror, Mirror” episode, including the iconic Spock.
A striking departure from his prime-universe self, Spock’s discipline toward logic and science not only made him an inscrutable presence aboard the I.S.S. Enterprise but also led him to discern Captain Kirk’s most dangerous secret. Plug the ornament into Hallmark’s Keepsake Power Cord (sold separately) for constant illumination, then press the button to start a sound and light show based on the classic original Star Trek series episode “Mirror, Mirror.” Connect all of the Star Trek Storytellers ornaments—Captain James T. Kirk, Lieutenant Hikaru Sulu, Lieutenant Nyota Uhura, First Officer Spock and Ensign Pavel Chekov—and the U.S.S. Enterprise Tree Topper (each sold separately) to unlock additional interactive performances.
Likewise, many movies and other characters. I think it’s the inclusion of the comic book that I like best about this one.
Eighty years ago, “Man’s World” changed forever with the first appearance of Wonder Woman. This Christmas tree ornament celebrates the legacy of one of DC Comics’ most powerful and beloved Super Heroes—a steadfast symbol of truth, justice and equality—alongside cover art from the Wonder Woman No. 1 comic book.
Want to bet there are a couple of Filers who will soon own this item?
Originally constructed from a single enchanted stone in the shape of a giant Power Skull, Castle Grayskull protects the hidden power of the Universe and the secrets of Eternia. He-Man and his foes struggle to hold the mysterious, timeless powers of the mighty fortress. This Christmas tree ornament is a nostalgic tribute to “He-Man and the Masters of the Universe” for fans of all ages.
In the end I admit that this ornament, which relates to no holiday and needs no tree to justify its existence, affords me so much amusement that if I’m not careful I’ll wind up owning it.
He’s not Sheldon Cooper, he’s The Flash! Relive the hilarious events as the gang dresses up like the Justice League of America for a New Year’s Eve costume party with this Christmas tree ornament. Press the button to play some of Sheldon’s phrases from that unforgettable episode of “The Big Bang Theory” (battery-operated).
(1) GRRM’S NEW PROJECT. George R.R. Martin is one of the executive producers of the forthcoming Dark Winds series based on the books by Tony Hillerman. The Hollywood Reporter lists the others:
…The series is created and executive produced by Graham Roland (Tom Clancy’s Jack Ryan) and stars Zahn McClarnon (Fargo), who is also an executive producer, and Kiowa Gordon (The Red Road). Vince Calandra (Castle Rock) is the showrunner and also an executive producer. Chris Eyre (Smoke Signals) will direct the pilot and executive produce. Other executive producers include George R.R. Martin, Robert Redford, Tina Elmo and Vince Gerardis. In a rare move, the production has secured permission to film on tribal lands in New Mexico….
…I am thrilled to report, Joe Leaphorn and Jim Chee are returning to television.
We just got word from AMC that they are greenlighting DARK WINDS, based on Tony’s novels about the two Navajo tribal policemen. The first season will be six episodes long, adapted (largely) from LISTENING WOMAN, one of my favorite books in the series. If we get the viewers. more seasons will follow, and more books will be adapted.
…DARK WINDS will be filmed in and around Santa Fe and Gallup, and on the Navajo reservation, and based out of the Native-owned Camel Rock Studios (the former Camel Rock Casino), right here in the Land of Enchantment. Filming will begin in August, and continue — we hope — for many years.
Bob Redford and Chris Eyre have put together a great team (with a little help from yours truly), and we hope to make a great show, one that truly captures the magic of this very special place. Look for DARK WINDS on AMC in 2022.
(2) EYEWITNESS TO SFF HISTORY. Alec Nevala-Lee introduces the video of his interview: “Talking with Barry Malzberg”.
In the course of researching my book Astounding, I got to know the author Barry N. Malzberg, who by any estimation has had one of the most singular careers in all of science fiction. Over the course of three sessions in July 2019, I interviewed Barry about his life and work in a conversation that ended up lasting close to two hours, which I’ve finally put online. We spoke about his influences and early career; his time at the Scott Meredith Literary Agency; the rise and fall of the softcore erotica market; his friendships with Dean Koontz and Bill Pronzini; his brief stint as editor of Amazing Stories magazine; his encounter with the editor John W. Campbell; and the origins, legacy, and “bad karma” of his novel Beyond Apollo. I think there’s some good stuff there, so enjoy! (If you get the chance, you might also want to check out my recent interview with the science fiction podcaster Mikel J. Wisler, in which we discuss a similarly broad range of topics, including my New York Times review of Project Hail Mary by Andy Weir.)
(3) BUHLERT ONLINE READING. Cora Buhlert will be taking part in the monthly Flash Fiction Night organized by Space Cowboy Books in Joshua Tree, California on Tuesday, July 13 at 6:00 p.m. Pacific US Time. It’s a free online event — register here.
I’ll be reading some science fiction flash fiction together with Andy Dibble and Douglas A. Blanc. It’s already the third Flash Fiction Night and you can watch recordings of the first two on the Space Cowboy Books YouTube channel.
(4) THE FUTURE’S NOT FAR AWAY. [Item by Martin Morse Wooster.] Kim Stanley Robinson took part in a forum about climate change moderated by Ezra Klein in the June 27 New York Times Magazine. Other panelists include Saul Griffith, Rhinna Gunn-Wright, and Shilela Jasanoff. Klein appeared pretty familiar with The Ministry of the Future. “What if American Democracy Fails the Climate Crisis?”
Klein: Stan, imagining outside the current context is your specialty as a science-fiction novelist, so I’m wondering what you think the weaknesses of our current systems are.
Kim Stanley Robinson: Well, we are stuck in an international system of nation-states, and we don’t have time to invent and institute any kind of alternative world governance, so we have to use what we’ve got. But we also have the Paris agreement, and climate equity was written into it so that developed rich nations were tasked with paying more and doing more and helping the historically disadvantaged and even colonized nations. Executing all that is, of course, a different story.
(5) LE GUIN. Andrew Porter sent this link to an article which he says surprisingly eluded him when The Guardian originally published it in March. It’s a review of the nonfiction book Le Guin completed during her last year: “Dreams Must Explain Themselves by Ursula K Le Guin review – writing and the feminist fellowship”. (The title essay appeared in Porter’s fanzine, and was collected in a 40-page chapbook of essays under the same title in 1975.)
In 1973 Ursula Le Guin was phoned by publisher and science fiction fan Andrew I Porter, trying to persuade her to write about herself in his magazine Algol. “Andy kept saying things like, ‘Tell the readers about yourself,’ and I kept saying things like, ‘How? Why?’” Standing in her hallway, with a child and a cat circling her legs, it seemed impossible to explain over the crackling connection that “the Jungian spectrum of introvert/extrovert can be applied not only to human beings but also to authors”. Le Guin knew that at one end of the spectrum there are authors such as Norman Mailer, who talk about themselves, and at the other, authors who, like her, need privacy….
A long-lost dress worn by Judy Garland in The Wizard of Oz has been found decades later in a box at a university in Washington, D.C.
Catholic University announced in a news release that the dress, which was gifted to the school nearly 50 years ago by actress Mercedes McCambridge while she was serving as the drama department’s artist-in-residence, was found by drama department lecturer Matt Ripa in a box placed atop some mail slots near his desk.
Ripa said he had often gone searching for the dress during his free time after hearing about the long-lost item in 2014, but he was apparently beaten to the discovery by Thomas Donahue, a now-retired drama professor, who had placed the box in Ripa’s office before leaving the school last year.
Ripa said the box must have been placed atop the mail slots by someone, causing it to evade his notice until last month.
“As soon as I popped the top off the box, I knew what it was,” Ripa told The Washington Post. “I saw that blue gingham and I just started laughing and laughing. I mean, I’m still laughing. Because I was shocked, holding a piece of Hollywood history right in my hands.”
The school contacted Ryan Lintelman, entertainment curator at the Smithsonian’s Museum of American History, to verify whether the dress was authentic. Lintelman and two colleagues examined the garment and determined that it appears to be the real deal.
Andy Serkis is going back to Middle Earth – but not in the way you might think. The actor, who has lent his voice to Gollum in The Lord of the Rings trilogy and the first Hobbit film, will be narrating J.R.R Tolkien’s work in a brand new series of audiobooks.
This September @andyserkis returns to Middle-earth in the brand new audiobook of J.R.R. Tolkien’s masterpiece, The Lord of the Rings.
Here’s your first behind-the-scenes look at this magical new recording ????
Another interesting aspect about “For All Mankind” is that the show includes women as equal characters with equal time in the show’s narrative. That probably owes to the show’s “Star Trek” heritage. But the show doesn’t really start out that way in season one: it begins with the Soviets beating the US to the punch, and shows how the US astronaut cadre responds to this defeat. By this point in the show’s timeline, women aren’t astronauts, so we see the show’s Deke Slayton imploring his men to “get mad,” “kick the dog,” and let loose during the weekend after the Soviet landing.
This is when we get to meet Ed Baldwin and Gordo Stevens, who were just mere kilometers from the lunar surface weeks before. At The Outpost, an astronaut hangout modeled on a long-gone bar not far from Johnson Space Center, the astronauts have an insane, alcohol-soaked party, which culminates in a group singalong to Jimmy Ruffin’s “What Becomes of the Brokenhearted?” In my mind, I think this was shown to compare how men coped with defeat and heartbreak versus how women—in the upcoming narrative—would cope with similar stressful situations. Ed Baldwin even briefly kneecapped his own career by opening up about his frustrations with NASA to a reporter. At any rate, by this point, women were wives and mothers in the “For All Mankind” universe, not astronauts or management.
Dwayne:
Yeah, that’s a good observation. Initially, it’s all machismo. It’s brave men and heroes. But that’s about to change very fast. And that makes the show’s title a bit ironic—it’s not about “man” after the first episode.
After the Soviet Union beats America to the Moon, the Americans respond by landing Apollo 11, which in this alternative timeline, nearly ends in failure. But the Soviets then follow up with another significant first when they land a woman on the Moon. We see one of the female characters—a young Mexican girl named Aleida—smile when she sees that a woman is on the Moon.
(9) MEMORY LANE.
1981 — Forty years ago, John Carpenter’s Escape from New York premiered. (That was how it was shown on-screen.) Starring Kurt Russell as Snake Plissken, this film was written by John Carpenter and Nick Castle. It was directed by John Carpenter, and produced by Larry Franco and Debra Hill. Supporting cast was Lee Van Cleef, Donald Pleasence, Ernest Borgnine, Isaac Hayes, Adrienne Barbeau, and Harry Dean Stanton. The film received generally positive reviews with Russell in particular finding strong favor with the critics; it did very well at the box office earning far more than it cost to produce; and audience reviewers at Rotten Tomatoes give it a seventy-seven percent rating which is far better than the thirty-nine percent rating the the Escape from L.A. sequel gets. It did not get a Hugo nomination at Chicon IV.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 10, 1903 — John Wyndham. His best known works include The Day of the Triffids and The Midwich Cuckoos, both written in the Fifties. The latter novel was filmed twice as Village of the Damned. The usual suspects have an impressive selection of his novels including these titles though little of his short fiction is available, alas. The Day of the Triffids is currently a buck ninety-nine there. (Died 1969.)
George Clayton Johnson by Tony Gleeson.
Born July 10, 1929 — George Clayton Johnson, He’s best known for co-writing with William F. Nolan the Logan’s Run novel, the source for the Logan’s Run film. He was also known for his scripts for the Twilight Zone including “A Game of Pool,” “Kick the Can,” “Nothing in the Dark,” and “A Penny for Your Thoughts,” and the first telecast episode of the original Star Trek, “The Man Trap.” (Died 2015.)
Born July 10, 1931 — Julian May. She‘s best known for her Saga of Pliocene Exile (known as the Saga of the Exiles in the UK) and Galactic Milieu series: Jack the Bodiless, Diamond Mask and Magnificat. She was inducted into the First Fandom Hall of Fame at Sasquan. (Died 2017.)
Born July 10, 1941 — David Hartwell. Encyclopedia of Science Fiction describes him as “perhaps the single most influential book editor of the past forty years in the American science fiction publishing world”. I certainly fondly remember the The Space Opera Renaissance he co-edited with Kathryn Cramer. Not to mention that his Year’s Best Fantasy andYear’s Best SF anthologies are still quite excellent reading, and they’re available at the usual suspects for a very reasonable price. (Died 2016.)
Born July 10, 1941 — Susan Seddon Boulet. If you’ve read the American edition of Terri Windling’s The Wood Wife (which won the Mythopoeic Fantasy Award for Adult Literature Award), you’ve seen her amazing work. Or perhaps you’ve got a copy of Pomegranate‘s edition of Ursula Le Guin’s Buffalo Gals, Won’t You Come Out Tonight which also features her art. If you’re keen on knowing more about this amazing artist, see the Green Man review of Susan Seddon Boulet: A Retrospective. (Died 1997.)
Born July 10, 1945 — Ron Glass. Probably best known genre-wise as Shepherd Book in the Firefly series and its sequel Serenity. His first genre role was as Jerry Merris in Jerry Merris, a SF horror film, and he’d later show up voicing Philo D. Grenman in Strange Frame: Love & Sax (“slated as the world’s first animated lesbian-themed sci-fi film”; look it up as it has a very impressive voice cast) and he showed up twice as J. Streiten, MD in Agents of S.H.I.E.L.D. Oh, and he was on Voyager playing a character named Loken in the “Nightingale” episode. (Died 2016.)
Born July 10, 1953 — Hans Beimler, 68. He was co-executive producer, director, and writer on TekWar before co-producing a number of Next Gen episodes. He was involved in over a hundred episodes of Deep Space Nine in a numberof production roles too complicated to describe here. And he was one of the executive producers of the short-lived Dresden Files.
Born July 10, 1970 — John Simm, 51. The second of the modern Masters on Doctor Who. He appeared in the final three episodes of the Time of the Tenth Doctor: “Utopia,” “The Sound of Drums,” and “Last of the Time Lords.” He also played Sam Tyler in the most excellent Life on Mars. And he played Macbeth atChichester Festival Theatre.
Set in the futuristic year of 1990, Rosel George Brown’s Sibyl Sue Blue takes place in a world both like and unlike today’s world of 1966. Sibyl is a tenacious and smart detective working for the city’s homicide department. When a series of bizarre ‘suicides’ start plaguing the city’s youth, she’s called in to investigate. As she follows the clues, she’s drawn into increasingly strange events, from trying alien drugs to being invited to join a spacefaring millionaire on an off-world jaunt.
Sounds like fun, right? Yet when Judith Merril told me the other day that she’ll be reviewing it in an upcoming issue of Fantasy and Science Fiction, she mentioned that “…under all the froth and fun and furious action, there is more acute comment on contemporary society than you are likely to find in any half dozen deadly serious social novels.”
…The Jungle Cruise will officially reopen on July 16, with some changes, the park announced Friday. The ride, which takes passengers through Asia, Africa and South America, had been closed since the park itself reopened April 30, after being shutdown because the pandemic.
The company had announced in January that it would remove “negative depictions” of native people and pledged to make further changes to “reflect and value the diversity of the world around us.”
The ride, which originally opened in 1955, has been criticized, for example, for depicting the locals as headhunters.
“We’re excited to be building on the story of the Jungle Cruise to include new adventures that stay true to the experience we know and love, while adding more humor, more wildlife, and an interconnected story,” Chris Beatty, an Imagineer who worked on the renovations, said in a news release. “As part of creative development, we’ve also introduced characters from around the world and took a thoughtful approach to ensure accurate representation of cultures in our story.”
Beatty explained in behind-the-scenes video of the upgrade that one of the team’s goals was to “bring a sense of inclusivity” to the project. “We want to make sure that everyone that rides the Jungle Cruise can see themselves in the characters and in this experience.”
They also wanted to keep it classic and to highlight the “skippers,” the Disney cast members who make jokes while leading the faux tour of the area.
As part of the new storyline, chimpanzees have taken over a wrecked boat and the tourists have climbed up a tree in search of safety….
…However, a recent NASA announcement suggests a glimmer of hope: The agency tweeted on Thursday that it had successfully tested a procedure that would switch parts of the telescope’s hardware to their back-up components.
This could pave the way for the payload computer to come back online, leading to the restart of Hubble’s scientific observations.
NASA reported the procedure could happen as early as next week, following additional preparations and reviews. The telescope and the scientific instruments on board remain in working condition.
But the switch will be “risky,” according to NASA astrophysics division director Paul Hertz.
“You can’t actually put your hands on and change hardware or take a voltage, so that does make it very challenging,” he told New Scientist.
…On June 30, NASA announced it had figured out that the source of the payload computer problem was in Hubble’s Science Instrument Command and Data Handling unit (SI C&DH for short), where the computer resides.
“A few hardware pieces on the SI C&DH could be the culprit(s),” NASA said.
Backup pieces of hardware are pre-installed on the telescope. So it’s just a matter of switching over to that redundant hardware. But before attempting the tricky switch from Earth, engineers have to practice in a simulator, the agency added.
NASA has rebooted Hubble using this type of operation in the past. In 2008, after a computer crash took the telescope offline for two weeks, engineers successfully switched over to redundant hardware. A year later, astronauts repaired two broken instruments while in-orbit – Hubble’s fifth and final reservicing operation. (NASA does not currently have a way to launch astronauts to the space telescope.)
[Thanks to Martin Morse Wooster, JJ, Michael Toman, Tony Gleeson, John King Tarpinian, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to contributing editor of the day John A Arkansawyer.]
Heritage Auction’s next Hollywood Auction on December 18 will feature Margaret Hamilton’s “Wicked Witch of the West” screen-worn flying hat from The Wizard of Oz. Among the other goodies you can bid on are —
Elizabeth Taylor “Cleopatra” lavender gown and headdress from Cleopatra (1963).
Marlon Brando “Fletcher Christian” Royal Navy officer uniform from Mutiny on the Bounty (1962).
Original Lucasfilm-sanctioned “Darth Vader” promotional costume for Star Wars: The Empire Strikes back and Return of the Jedi.
Frank Darabont personal 3-sheet poster from Planet of the Apes signed by Charlton Heston, Roddy McDowall and James Whitmore.
Ultra-heavy “Thor” Mjölnir hammer used by all the Avengers in the “worthy test” sequence in Avengers: Age of Ultron.
Moe Howard’s (70+) page handwritten manuscript for his autobiography Moe Howard and the Three Stooges.
Robert Keeshan’s iconic “Captain Kangaroo” jacket from Captain Kangaroo.
Lou Ferrigno “The Hulk” screen worn costume on custom display from The Incredible Hulk.
Kevin Costner “Mariner” costume ensemble from Waterworld.
Director Barry Sonnenfeld’s annotated shooting script from The Addams Family.
Plus the Michael Keaton original “Batman” cowl and display from Batman Returns.
Also the helmet worn by actor Michael Ansara in the “Soldier” episode of Outer Limits. (Which John King Tarpinian assures me was also worn by Robin Williams in an episode of Mork and Mindy.)
Or maybe you’d like to exchange a pile of dollars for these cubits from Battlestar Galactica.
And I’m sure we all remember Apocalypse Kong – don’t we?
Finally, for your listening pleasure, a recording of a Star Trek score — but which episode? Perhaps “Where No Man Has Gone Before,” the third episode which aired two days after the date on the box.
