MONDAY. My mother is having her pacemaker battery replaced tomorrow and I’ll be going along with her to the hospital. I don’t know how that will affect my plans for the Scroll. A day off? A relief to come home and work on it? If you don’t see one, that’ll be why.
(1) UNEXPECTED PARTY. If there had been op-eds in Lord of the Rings… David Howard tells “We Need a Wizard Who Can Appeal to the Moderate Orc Voter” at McSweeney’s.
I may be just an ordinary orc, but I wasn’t at all surprised when the Dark Lord Sauron became the leader of Mordor. A lot of my smart, liberal friends, though, reacted as if Middle-earth was coming to an end. Dwarves in the barroom of the Prancing Pony said it was the pride of the High Elves. Ravens twittering under the eaves of Mirkwood blamed the cunning of dragons. The Steward of Gondor, posting on FacePalantir, said it was because of Sauron’s hatred for the heirs of Isildur.
I’m here to tell you: it’s the economy, stupid.
It’s all very well for those of you who dwell in the Shire, the haven of Rivendell, or the quiet forests of Lothlórien. You live in a bubble. You don’t know what life is like for the average orc, in depressed areas like the Trollshaws, the Misty Mountains, or the Dead Marshes. Let me tell you, it’s hard out here for an orc….
(2) THE YA AUDIENCE. Q&A with YA author Kate Marshall, “Interview: Graduate Kate Marshall (Part 1 of 2)”, at Odyssey Writing Workshops.
Congratulations on the upcoming September release of Rules for Vanishing, a YA novel about local ghost legend Lucy Gallows! What are some of the unique challenges of writing for a YA audience?
One of the tricky things about the YA audience is that it’s not very young adult! Most YA readers aren’t teenagers, but not by a huge margin—which means that you’re writing both for actual teens and for adult fans of the category. There’s a lot of crossover in expectations and preferences between the two sets of readers, but there are differences you have to navigate. What teens find unrealistic in a teenage character and what adults find unrealistic in a teen character are often quite different. And the online conversation and community is dominated by that older set of readers, which makes it important to seek out teens’ reactions and opinions, whether that’s through school visits or teen reader programs at libraries. And of course, it helps to actually know some teens. And to like them! There’s a lot of disdain out there for young adults, and it’s absolutely antithetical to the pursuit of writing YA. I started writing YA when I was a teenager, but when I picked it up again as an adult I made sure I was interacting with my target audience—in this case, through a mentorship program at a local high school, where I hung out twice a week one-on-one just to chat about my mentees’ lives.
(3) ONE FAN’S VIEW. Europa SF hosts an analysis of two bids for Eurocon in 2021: “COUNTERCLOCK SF: EUROCON 2021 BID EVALUATION – Wolf von Witting”. The site will be chosen during Titancon in Belfast, this year’s Eurocon.
…Let’s compare the upcoming bids for 2021.
The Italian Eurocon in Fiuggi 2009 was a disappointment. A thin program, good food, but low attendance. Not the best publicity for Italian fandom.
At the time, I decided to oppose another Italian Eurocon.
In particular, if they were pitched against a Polish, Croatian or Romanian bid, since these fandoms participate to a wider extent in building bridges across their borders in Europe. Perhaps you recall Tricon 2010, which was a Polish-Czech and Slovakian collaboration?
Romanians are making more efforts to be part of the
European sf-community. I was inclined to throw myself into the blend with long smoffing experience, helping the Romanians to make their event a success. What I found was they don’t need me!
More Italians have to realize, that Europe is no longer an archipelago of isolated language islands. …
(4) SCHULMAN OBIT. Author and part of the early Libertarian movement, J. Neil Schulman (1953-2019) died August 11 of a pulmonary embolism reports John DeChancie.
Schulman’s The Rainbow Cadenza won the Prometheus Award for Best Novel (1984). His book Alongside Night was voted a Prometheus Hall of Fame Award (1989) and produced as a movie (2014).
His third novel, Escape from Heaven, was also a finalist for the 2002 Prometheus Award. His fourth and latest novel, The Fractal Man, is a finalist for the 2019 Prometheus Award.
He wrote the “Profile in Silver” segment for a 1986 episode of the revived Twilight Zone, about a future historian who creates a disastrous alternate timeline when he time travels back to November 22, 1963 and prevents JFK’s assassination.
Neil’s other projects included writing, producing and directing the suspense comedy, Lady Magdalene’s, starring Nichelle Nichols, which won two film-festival awards.
I think I first met Neil at the same time as Sam Konkin III, aboard the riverboat cruise organized by the Louisville NASFiC (1979), all part of a group of New York fans relocating to Southern California.
Schulman had already made his mark in fandom by getting a long interview with Robert A. Heinlein (1973), the most revealing ever, on assignment from the New York Daily News. (The interview would reappear as a serial in New Libertarian magazine, and as a book.)
He became part of Konkin’s Seventies sf club the Science Fiction Association of Long Beach, along with Victor Koman and others.
On his website Rational Review Schulman mixed political commentary — he styled himself a libertarian anarchist — with good anecdotes, such as the one about the time he was a witness to a practical joke played on Leonard Nimoy was speaking to an NYU audience in 1974.
(5) COLÓN OBIT. Prolific comic book artist Ernie Colón has passed away at the age of 88 after a battle with cancer reports SYFY Wire.
…Colón began his career in the 1960s as a letterer for Harvey Comics, where he worked as an uncredited penciler on Richie Rich and Casper the Friendly Ghost. While at Harvey, Colón met Sid Jacobson, who became his longtime friend and creative partner. In 2006, the pair teamed up on the graphic adaptation of the 9/11 Commission Report. The two would continue to release additional historical graphic works, like their 2010 graphic biography about Anne Frank.
.. Many, however, know him best from his work with the late Dwayne McDuffie on Marvel’s Damage Control. He’s equally well known for co-creating DC’s Amethyst, Princess of Gemworld and Arak, Son of Thunder. Colón’s distinctive style lent itself well to DC’s 1980s science fiction mainstays.
(6) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born August 11, 1923 — Ben P. Indick. A member of First Fandom and prolific fanzine publisher. He wrote a handful of short genre fiction but is better remembered for his two non-fiction works, The Drama of Ray Bradbury and George Alec Effinger: From Entropy to Budayeen. (Died 2009.)
- Born August 11, 1928 — Alan E. Nourse. His connections to other SF writers are fascinating. Heinlein dedicated Farnham’s Freehold to Nourse, and in part dedicated Friday to Nourse’s wife Ann. His novel The Bladerunner lent its name to the movie but nothing else from it was used in that story. However Blade Runner (a movie) written by, and I kid you not, William S. Burroughs, is based on his novel. Here the term “blade runner” refers to a smuggler of medical supplies, e.g. scalpels. (Died 1992.)
- Born August 11, 1932 — Chester Anderson. His The Butterfly Kid is the first part of what is called the Greenwich Village Trilogy, with Michael Kurland writing the middle book, The Unicorn Girl, and the third volume, The Probability Pad, written by T.A. Waters. I can practically taste the acid from here… (Died 1991.)
- Born August 11, 1936 — Bruce Pelz. He was highly active in the Los Angeles Science Fantasy Society (LASFS) co-chairing the 30th World Science Fiction Convention. He also wrote filksongs and was a master costumer. Mike has a remembrance of him here. (Died 2002.)
- Born August 11, 1942 — Laurel Goodwin, 77. She starred as Yeoman J. M. Colt in the Trek pilot, and after the series was picked up, the episode became the first season two-part episode entitled “The Menagerie”. She also played Phoebe on the “Anatomy of a Lover” episode of Get Smart!
- Born August 11, 1949 — Nate Bucklin, 70. Musician who has co-written songs with Stephen Brust and others. He’s a founding member of the Scribblies, the Minneapolis writer’s group, and is also one of the founding members of the Minnesota Science Fiction Society, better known as Minn-stf. He spent four years as a member of the National Fantasy Fan Federation or N3F, and his correspondents included Greg Shaw, Walter Breen, and Piers Anthony. He’s been a filk guest of honor at five cons.
- Born August 11, 1959 — Alan Rodgers. Author of Bone Music, a truly great take off the Robert Johnson myth. His “The Boy Who Came Back From the Dead” novelette won the Bram Stoker Award for Best Long Fiction, and he was editor of Night Cry in the mid-Eighties. Kindle has Bone Music and a number of his other novels, iBooks has nothing available. (Died 2014.)
- Born August 11, 1961 — Susan M. Garrett. She was a well-known and much liked genre writer, editor and publisher in many fandoms, but especially the Forever Knight community. (She also was active in Doctor Who and The Secret Adventures of Jules Verne fandoms.) She is perhaps best known for being invited to write a Forever Knight tie-in novel, Intimations of Mortality. It, like the rest of the Forever Knight novels, is not available in digital form. (Died 2010.)
- Born August 11, 1983 — Chris Hemsworth, 36. Thor in the MCU film franchise and George Kirk in the most recent Trek film franchise. Other genre performances include Eric the Huntsman in the exemplary Snow White and the Huntsman and The Huntsman: Winter’s War, Curt Vaughan in Cabin in the Woods and Agent H in Men in Black: International. Ok who’s seen the latter?
(7) COMICS SECTION.
- Pearls Before Swine wonders why people think they have no time to read.
(8) FULL LID. In Alasdair Stuart’s last Full Lid before Worldcon (“The Full Lid 9th August 2019”), “we take a look at Vera Greentea and Yana Bogatch’s superb magical noir graphic novel Grimoire Noir. We also dive deep into the strange and wonderful world of Middle: Below from TinCan Audio and examine how She-Ra Season 3 may have cracked (one) of the problems many Netflix shows face. Oh and in ‘My Event Horizon Fever Dream’ I have ENTIRELY too much fun thinking about where I’d take the upcoming Amazon show.”
…Netflix have two terrible habits; cancelling a show two seasons in (Tuca and Bertie and The OA most recently) and chopping a 13 episode production order into two six episode ones and claiming they’re whole seasons. This really hurt the middle seasons of Voltron but it’s something She-Ra turns not just into a feature but a driving force….
(9) THIS OLD HOLE. “NASA discovers “cloaked” black hole from earliest days of the universe” — The Indian Express has the story.
Astronomers from American space agency NASA have discovered evidence for the farthest “cloaked” black hole found so far. The discovery was made by the Chandra X-ray Observatory. The astronomers have claimed the clocked black hole at only 6 per cent of the current age of the universe.
NASA says that this is the first indication of a black hole hidden by gas at such an early time in the history of the cosmos. Supermassive black holes are often millions to billions of times more massive than our Sun and typically grow by pulling in material from a disk of surrounding matter.
(10) BACKWARDS TO THE FUTURE. In “H. G. Wells and the Uncertainties of Progress” on the Public Domain Review, Peter J. Bowler, an emeritus professor at Northern Ireland’s Queen’s University, looks at how H.G. Wells’s sf novels were grounded in a critique of the Victorian “inevitability of progress.”
…The Darwinian viewpoint is more clearly visible in Wells’ hugely successful non-fiction work The Outline of History, originally published in fortnightly parts in 1920. The survey starts from the development of life on earth and the evolution of the human species. Progress had certainly happened both in evolution and in human history from the Stone Age onward, but Wells shows that there was no predetermined upward trend. His exposure to the Darwinian vision of biological evolution (which continued in his collaboration with Julian Huxley to produce The Science of Life some years later) showed him that there were multiple ways of achieving a more complex biological structure — or a more complex society. Truly progressive steps in both areas were sporadic, unpredictable, and open-ended. When progress did occur in human society, Wells was certain that the driving force was rational thinking, science, and technological innovation. Yet history showed how all too often the benefits of creativity had been undermined by conservatism and social tensions, culminating in the disaster of the Great War….
[Thanks to Francis Hamit, Mike Kennedy, Martin Morse Wooster, Carl Slaughter, Andrew Porter, JJ, John King Tarpinian, Cat Eldridge, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Andrew.]