Marcus is a 45-year-old space historian and science fiction aficionado from Vista, a city of around 100,000 less than an hour north of San Diego. He introduces himself as The Traveler, but for those unsure of exactly where he travels, a pasteboard next to the dais declares: “Time Travel — Just Ask Me.”
Many who attend his presentations at science fiction and fantasy conventions, public libraries, coffee houses, corporate auditoriums, and other venues actually do ask, Marcus tells The Times of Israel. They’re particularly interested, he says, in the way he bridges the present with the world of 55 years ago.
Everyone is doing their best to stay healthy and sane in these trying times as we face the COVID-19 coronavirus pandemic. Remember the Kickstarter campaign that got our three gorgeous art books funded? One of the perks was an ElfQuest coloring book, full of wonderful Wendy Pini black-and-white line artwork. This book was only available through the Kickstarter campaign and is now rare as zwoot brains.
We’re now making it available to you here, for free, as a PDF file for you to print out and color to your heart’s content. We hope it’ll ease some of the cabin fever we’re all feeling – and that you’ll share your creations on social media.
(6) TODAY IN HISTORY.
March 25, 1956 — Indestructible Man premiered. Based on a screenplay written by Vy Russell and Sue Dwiggins, it was produced and directed by Jack Pollexfen, and starred Lon Chaney, Jr., Ross Elliott and Robert Shayne. In some areas of the States, it was a double bill with Invasion of the Body Snatchers. It wasn’t at all liked by critics at the time, and the audience over at Rotten Tomatoes currently gives it an eight percent rating. You can see it here, and you can also see it with the Mystery Science Theater 3000 commentary thisaway. (MST3 version)
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 25, 1916 — Jean Rogers. She played Dale Arden in 1936’s Flash Gordon serial and again in 1938’s Flash Gordon Goes To Mars serial. She’d be replaced by Carol Hughes for the third, Flash Gordon Conquers the Universe, when she said she wasn’t interested in doing it. She would go on to co-star with Boris Karloff in the horror film Night Key. (Died 1991.)
Born March 25, 1927 — Sylvia Anderson. Film producer, writer, voice actress and costume designer, best known for her collaborations with Gerry Anderson on such Supermarionation series as Thunderbirds, Supercar, Fireball XL5 and Stingray. (Died 2016.)
Born March 25, 1930 — Patrick Troughton. The Second Doctor of who I’ll confess I’m not the most ardent fan of. The Fourth Doctor is my Doctor. Troughton had a long genre resume starting with Hamlet and Treasure Island early on before preceding to such works as Scars of Dracula and Frankenstein and the Monster from Hell later on. Telly wise, I see him on R.U.R. Radius playing a robot, on a Fifties Robin Hood show being that character, and on The Feathered Serpent. This is children’s series set in pre-Columbian Mexico and starring Patrick Troughton as the scheming High Priest Nasca. H’h. (Died 1987.)
Born March 25, 1939 — D. C. Fontana. Script writer and story editor, best remembered for her work on the originalTrek franchise. She also worked on Genesis II, Logan’s Run, The Six Million Dollar Man and Buck Rogers in the 25th Century. Her final work was writing an episode for the fanfic known as Star Trek: New Voyages. (Died 2019.)
Born March 25, 1947 — Paul Levinson, 73. The Silk Code novel by him would garner the Locus Award for Best First Novel of 1999. It was the first novel in a series of novels and short stories featuring NYPD forensic detective Dr. Phil D’Amato who first appeared in Levinson’s “The Chronology Protection Case” novelette. You can purchase it from the usual digital sources.
Born March 25, 1947 — Elton John, 73. According to EoSF, “Rocket Man (I Think It’s Going to Be a Long Long Time)” is based on the Bradbury “Rocket Man” short story. And they also note that “Dan Dare (Pilot of the Future)” (on Rock of the Westies, 1975) is a catchy song about the childhood taste in comics of the song’s lyricist Bernie Taupin.
Born March 25, 1958 — Amy Pascal, 61. She gets Birthday honors for being responsible for bringing Spider-Man: Into The Spider-Verse to the screen. She also produced Spider-Man: Homecoming and Spider-Man: Far from Home as well the Ghostbusters film that’s best ignored. She is producing the yet untitled Spider-Man: Into the Spider-Verse sequel.
Born March 25, 1964 — Kate DiCamillo, 56. She is one of only six people to win two Newbery Medals, for her novels The Tale of Despereaux and Flora & Ulysses. I’m not familiar with the latter work, but the former is a wonderful read that got turned into a remarkably good film as well.
Fans of The Walking Dead must wait for the finale of the current series after producers revealed they had not been able to finish it because of Covid-19.
That means season 10 will end with its penultimate episode next month – but they aim to air the planned finale as a special episode later in the year.
AMC, which makes the zombie drama, said the pandemic had made it “impossible” to finish the episode on time.
Season 10 started airing last October and will now wrap up on 5 April.
“Current events have unfortunately made it impossible to complete post-production of The Walking Dead season 10 finale, so the current season will end with its 15th episode on April 5,” the network said.
When it does eventually arrive, the programme-makers have promised the finale will be “an epic, action-packed thriller with plenty of surprises”.
With movie theaters closed around the world because of the coronavirus pandemic, Warner Brothers is postponing the openings of some of its big summer movies, including Wonder Woman 1984. It was originally set for June 5. Now, it will hit theaters on Aug. 14.
Wonder Woman star Gal Gadot tweeted, “In these dark and scary times, I am looking forward to a brighter future ahead where we can share the power of cinema together again.” Warner Brothers is also postponing its animated movie Scoob, the thriller Malignant and its film version of Lin-Manuel Miranda’s hit Broadway musical In the Heights.
Conservation experts are calling for urgent action to protect our closest living relatives, the great apes, from the threat of coronavirus.
New measures are needed to reduce the risk of wild gorillas, chimps and orangutans encountering the virus, scientists warn in a letter in Nature.
Habitat loss and poaching are big threats to the survival of great apes, but viruses are also a concern.
Scientists say the current outbreak warrants the utmost caution.
Infectious disease is now listed among the top three threats to some great ape groups.
“We do not know what the effect of the virus on them is and that means we have to take the precautionary principle and reduce the risk that they will get the virus,” said Prof Serge Wich of Liverpool John Moores University, UK, who is a co-signatory of the letter.
“That means halting tourism, which is happening in several countries already, reducing research, being very cautious with reintroduction programmes, but also potentially halting infrastructure and extractive projects in great ape habitats which bring people in closer contact with great apes and thus potentially spread this virus to them.”
[Thanks to Microtherion, Andrew Porter, John King Tarpinian, JJ,
Cat Eldridge, Chip Hitchcock, Michael Toman, Mike Kennedy, and Martin Morse
Wooster for some of these stories. Title credit goes o File 770 contributing
editor of the day Andrew.]
Actor Lyle Waggoner died March 17 at the age of 84. Although he narrowly missed genre fame in the Sixties — a finalist for the title role in the Batman TV series, he lost out to Adam West — in the Seventies he was cast in his best-known genre role as Col. Steve Trevor, Jr. in the Lynda Carter Wonder Woman TV series.
Waggoner played a supporting role in the TV production of Once Upon a Mattress (1972) with Carol Burnett, while also working on her weekly variety show (1967-1974), source of his biggest fan following.
He also was in episodes of the original Lost in Space, Supertrain,
Time Express, Mork & Mindy, Fantasy Island, and in the movies Journey
to the Center of Time (1967), and Wizards of the Demon Sword (1991).
(2) SPFBO SAMPLER AVAILABLE. Fantasy Book Critic announces
SPFBO Sampler Available Now!” (SPFBO
is the Self-Published Fantasy Blog-Off, an annual competition hosted by Mark
Today we’re thrilled to announce the official launch of The SPFBO Sampler! Looking to dive into the world of indie fantasy novels, but don’t know where to start? Here’s the perfect place to get a taste of the works of over 70 self-published authors from all around the world. Go get your copy today, and let all these incredible authors transport you into their worlds and beyond.
This huge undertaking has been organized by indie author Jon Auerbach, its gorgeous cover created by indie author and cover artist and designer Luke Tarzian, and includes a foreword by the accomplished and best-selling SFF author Mark Lawrence. This is one you surely cannot miss.
(3) TONOPAH GOING UP. Membership rates for the 2021
Westercon in Tonopah, NV will rise
on March 1.
The cost of an attending membership in Westercon 74 will increase to $50 effective March 1, 2020. In addition, the $10 conversion-to-attending rate for those people who voted in the 2021 Westercon Site Selection in Utah expires at the end of February 2020. Membership rates for Young Adult and Child members remain unchanged.
(4) EREWHON LIT SALON. Louis
Evans and Sarah Pinsker will be the readers at the Erewhon Literary Salon on January
9. The event takes place in the office of Erewhon Books in the Flatiron/NoMad
district of Manhattan. For full information and policies, and to RSVP, click here. Event address and information will be emailed to those who
have RSVPed a few days before the event.
LOUIS EVANS is a writer recently returned to his native NYC from a half-decade spent in the SF Bay. His work has been published in Analog SF&F, Escape Pod, The Toast, Third Flatiron Anthologies, and Write Ahead/The Future Looms. He’s a two-time winner of Zach Weinersmith’s Bad Ad-hoc Hypothesis Festival and the Shipwreck SF bad erotic fanfiction competition. He is a founding co-producer of Cliterary Salon, a feminist and queer literary show in the SF Bay.
SARAH PINSKER is the author of over fifty works of short fiction, including the novelette “Our Lady of the Open Road,” winner of the Nebula Award in 2016. Her novelette “In Joy, Knowing the Abyss Behind,” was the Sturgeon Award winner in 2014. Her fiction has been published in magazines including Asimov’s, Strange Horizons, Fantasy & Science Fiction, Lightspeed, and Uncanny and in numerous anthologies and year’s bests. Her stories have been translated into Chinese, Spanish, French, and Italian, among other languages, and have been nominated for the Nebula, Hugo, Locus, Eugie, and World Fantasy Awards.Sarah’s first collection, Sooner or Later Everything Falls Into the Sea: Stories was published by Small Beer Press in March 2019, and her first novel, A Song For A New Day, was published by Penguin/Random House/Berkley in September 2019.
…The mainstream media has historically painted furries as sex-crazed, socially maladjusted freaks who enjoy rubbing up against each other in giant bunny costumes. This is essentially false. Like most subcultures, the furry fandom is a largely internet-driven phenomenon, providing a label for a preexisting feeling that has always lived, dormant and unnamed, inside a select number of people. While there is a contingent of furries who do derive sexual pleasure from the subculture, the fanbase is much more broad than that.
Maybe you really liked drawing wolves during eighth-grade homeroom. Maybe you’ve always felt an inexplicable affinity with Tony the Tiger. Maybe you’ve long thought it would be rad to buy a $10,000 curvy hippo costume and enter a breakdancing competition. If you fall into any of these categories, then furries are your kind of people, and FurFest the place to unleash the human-sized sergal (a fictional rabbit/shark/wolf amalgam) within. As the voiceover to an intro presentation for FurFest sonorously boomed over a dubstep beat, “You know you are more than a human…now you are the beast that slept inside your mind.”
MFF is widely touted as the biggest furry con in the world, and its attendance has increased exponentially in recent years: While the con only saw about 1,000 attendees in 2005, it reported more than 10,900 guests in 2018, and Matt Berger, media relations lead for MFF, estimates that 12,000 were in attendance this year. That’s in part due to the increasing number of younger children and their families who are gravitating to furry culture — during my time at Midwest FurFest, I saw children as young as seven attending dance competitions and meet-and-greets accompanied by their parents, having stumbled on the fandom via YouTube or TikTok.
In so keeping with its increasingly family-friendly image, the fandom has become intent on promoting itself as a beacon of acceptance and inclusivity, and MFF is no exception….
…In the end, however, another number might turn out to be equally meaningful. Over the course of many decades, Asimov groped or engaged in other forms of unwanted touching with countless women, often at conventions, but also privately and in the workplace. Within the science fiction community, this is common knowledge, and whenever I bring it up in a room of older fans, the response is usually a series of nods. The number of such incidents is unknown, but it can be plausibly estimated in the hundreds, and thus may match or exceed the long list of books that Asimov wrote.
“An unpreserved Vesuvius, an overnight ruin” — that’s how Sean Adams describes Los Verticalés, the fictional setting of his engrossing debut novel The Heap. Adams is not speaking figuratively. Los Verticalés, nicknamed The Vert, was once a leviathan 500-story building, erected in the American desert, that housed an entire metropolis’ worth of apartments, residents, and businesses. But years ago it suddenly collapsed, leaving a gargantuan pile of rubble and bodies called The Heap. That “overnight ruin” is now surrounded by a loose community of mobile homes called CamperTown, and the denizens of CamperTown dig through the debris, searching for the dead and whatever modest treasure might be salvaged.
One of these Dig Hands, as they’re known, has a higher motivation: Orville Anders is the brother of Bernard Anders, a radio personality who is the last known survivor of The Vert’s collapse. Bernard, however, is still trapped beneath the rubble, miraculously alive and broadcasting his daily radio talk show from somewhere in the bowels of The Vert’s vast corpse. Bernard, living in darkness, subsists on rats and a trickle of water coming down a wall; Orville digs desperately every day in search of his buried-alive, increasingly unstable brother, keeping in touch by calling in to his radio show every day, hoping not only to find Bernard but to strengthen a fraternal bond that’s grown frayed and distant over the years. It’s a numbing, heartbreaking task, and it’s made all the more difficult when Sundial Media — the owner of WVRT, the radio station that Bernard is still technically employed by — saddles Bernard with a moral dilemma: Would he be willing to brand and commercialize his exchanges with his brother as a kind of podcast-meets-reality-show?
Adams’ imaginative scope is staggering. The intricately wrought details of The Vert serve as the substructure of The Heap, contained in interstitial chapters that sketch a blueprint of the fallen building as a monument to modern technology as well as a chilling social experiment. The Vert’s inner core of apartments comprised the lower classes, since they were isolated from the outside of the building and therefore didn’t have windows; in their place, UV screens broadcast moving images of the real world as a kind of analogy of Plato’s cave wall. Reality began to warp inside The Vert as friction grew between The Windowed and The Windowless, to the point where the building’s physical collapse is symbolic of its civic collapse.
I’ve come to an agreement with Jack Vance’s son, John, that I will be writing a sequel to Jack Vance’s iconic Demon Princes series. A contract is being drawn up.
I’m not an outliner, but I’ve sketched out an idea for the story: a young person, not sure yet if it’s male or female, returns to the world called Providence and the community of Mount Pleasant. This was the site of a slave-taking raid by the five megacriminals known collectively as the Demon Princes, whom Kirth Gersen devoted his life to tracking down and killing.
The returnee has escaped from slavery and come to reclaim the family property – as well as something precious buried there.
But the ghost town has been repopulated by sinister people – I’m thinking maybe a cult or some kind of radical political organization. So my underdog has to undergo trials and tribulations.
I’m very much looking forward to this.
(9) TODAY IN HISTORY.
January 7, 1961 — ITV premiered The Avengers. Original cast was Ian Hendry and Patrick Macnee. Hendry left after the first series; Steed with becoming the primary male character, partnered with a succession of female partners. The series would last for six seasons and one hundred and one episodes. We of course have our favorite female partner but that’s not for us to say here. After it ended in 1969, John Steed would be paired with two new partners on The New Avengers, a series that ran for two seasons in the mid-Seventies.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 7, 1912 — Charles Addams. Illustrator best known for the Addams Family which he first drew in 1932 and kept drawing until his death. Needless to say there has been a number of films using these characters of which The Addams Family is my favorite. (Died 1988.)
Born January 7, 1924 — Eugene Lee Coon. Showrunner on Trek for much of the first and second seasons. Responsible in some part for thirteen scripts for the show. Outside of this show, he had little in the genre save writing one episode each of The Wild Wild West and The Immortal, and later scripting The Questor Tapes. (Died 1973.)
Born January 7, 1926 — Graham Stone. Australian fan, bibliographer, collector, and small press publisher. Founder of the Australian Science Fiction Society and member, as well, of the Futurian Society of Sydney. He wrote with his co-author Royce Williams, Zero Equals Nothing. Winner of an A. Bertram Chandler Award. (Died 2013.)
Born January 7, 1928 — William Peter Blatty. Novelist and screenwriter best known for The Exorcist though he was also the same for Exorcist III. The former is by no means the only genre work that he would write as his literary career would go on for forty years after this novel and would include Demons Five, Exorcists Nothing: A Fable which he renamed Demons Five, Exorcists Nothing: A Hollywood Christmas Carol and The Exorcist for the 21st Century, his final work. (Died 2017.)
Born January 7, 1950 — Erin Gray, 70. She’s best known as Colonel Wilma Deering Buck Rogers in the 25th Century series. Would it surprise you that she shows up in as Commander Grey in Star Trek Continues, one of those video Trek fanfics
Born January 7, 1955 — Karen Haber, 65. Wife of Robert Silverberg. I fondly remember reading her Meditations on Middle Earth anthology. And the three Universe anthologies she did with her husband are most excellent. I don’t remember reading any of her novels but that’s hardly a certainty that I didn’t as even when my memory was a lot better than it is now I hardly remembered all the genre fiction I read.
Born January 7, 1957 — Nicholson Baker, 63. Ok ISFDB lists him as having two SFF novels, The Fermata and House of Holes. The Wiki page him lists those as being two out of the three erotic novels that he’s written. Not having read them, are they indeed erotic SFF? I see that ESF say they’re indeed SFF and yes are erotic. H’h.
Born January 7, 1961 — Mark Allen Shepherd, 59. Morn, the bar patron on Deep Space Nine. Amazingly he was in Quark’s bar a total of ninety-three episodes plus one episode each on Next Gen and Voyager. Technically he’s uncredited in almost all of those appearances. That’s pretty much his entire acting career. He’s also an abstract painter whose work was used frequently on DS9 sets.
Born January 7, 1966 — Heidi Elizabeth Yolen Stemple, 54. Daughter of Jane Yolen, sibling of Adam Stemple. She and Yolen co-wrote the Mirror, Mirror: Forty Folktales for Mothers and Daughters to Share anthology. ISFDBsays they did two chapbooks as well, A Kite for Moon and Monster Academy.
Born January 7, 1971 — Jeremy Renner, 49. You know him as Hawkeye in those MCU films but he’s also in a number of other SFF film including Hansel and Gretel: Witch Hunters, Mission: Impossible – Ghost Protocol, Mission: Impossible – Rogue Nation and Arrival.
Born January 7, 1980 — Tom Harper, 40. Director of such British series as Demons, Misfits and Philip K. Dick’s Electric Dreams. He’s also done some SFF film work such as The Woman in Black: Angel of Death and The Borrowers.
Born January 7, 1983 — Ruth Negga, 37. She was Raina in Agents of S.H.I.E.L.D. but she left that show as she got a leading role being Tulip O’Hare in the Preacher series. She was also Nikki in Misfits, Queen Taria In Warcraft and a WHO Doctor In World War Z.
(11) COMICS SECTION.
Bizarro suggests one of Stan Lee’s mottos was a bit naïve.
Grant Snider’s Incidental Comics is about Beginning,
Who is the most popular Star Trek captain of all time? This age-old — and extremely fraught — Trekkie debate has arguably been settled. The impending release of Star Trek: Picard seems to prove that, overwhelmingly, fans love Captain Jean-Luc Picard more than any other Trek captain ever. Yes, hardcore Trekkies will tell you they celebrate all captains equally (even Scott Bakula), but the zeitgeist seems to tell a different story.
We love Picard a lot, and surely, we love him more than Captain James T. Kirk. This wasn’t always the case, but we’ve been living in a Picard-first world for a long time now. Here’s when it happened….
WOMAN. The Warner Bros. UK Twitter account has dropped four
pics from the upcoming June 5 release Wonder Woman 1984:
“Travel back to 1984 with these new stills from #WW84.” They include
scenes set both on The Mall and in a mall.
Who? – You! We need outgoing, creative, friendly, enthusiastic, graduating college seniors who have an appetite for adventure and are willing to see the country through the windshield of the Oscar Mayer Wienermobile. Applicants should have a BA or BS, preferably in public relations, journalism, communications, advertising, or marketing, though applicants are not limited to these degrees.
Anneliese Nielsen, who owns a cannabis brand in Los Angeles, used a strain of weed calibrated for relaxation, but found herself unable to relax in a dark theatre illuminated by the ghastly cat face of Corden. ‘I’m 35 and announced, ‘I’m scared!’ to my fellow moviegoers at least seven times,’ says Nielsen, who called the film ‘a special kind of evil.’
The Alamo Drafthouse chain has special ‘rowdy’ showings of CATS where patrons are encouraged to consume adult beverages and loudly comment on the film.
Facebook has announced it will remove videos modified by artificial intelligence, known as deepfakes, from its platform.
Deepfakes are computer-generated clips that are designed to look real.
The social media company said in a blog that these videos distort reality and present a “significant challenge” for the technology industry.
While deepfakes are still relatively uncommon on the internet, they are becoming more prevalent.
AI software creates deepfakes of people – often politicians or celebrities – by merging, replacing, or superimposing content on to a video in a way that makes it look real.
Facebook said it would remove videos if it realised they had been edited in ways that weren’t obvious to an average person, or if they misled a viewer into thinking that a person in a video said words they did not actually say.
“There are people who engage in media manipulation in order to mislead,” wrote Monika Bickert, vice president of global policy management at Facebook in the blog.
Facebook staff and independent fact-checkers will be used to judge a video’s authenticity.
(17) VIDEO OF THE DAY. “Looney Tunes–Behind The Lines: A Conversation With Tex
Avery” on YouTube is an interview with the great animator Tex Avery that
is undated, but probably from the late 1970s.
[Thanks to JJ, Martin Morse Wooster, Cat Eldridge, Andrew Porter, N.,
Mike Kennedy, John King Tarpinian, Olav Rokne, and Chip Hitchcock for some of
these stories. Title credit goes to File 770 contributing editor of the day Daniel
This is one of the best dates to be a sff movie and tv fan.
Compiled by Cat Eldridge.
December 18, 2013 — Forbidden
in 1956) was selected by the Library of Congress for induction in the National
Film Registry. It was just one of twenty-five such films to be added to the
growing archive of American motion pictures earmarked for preservation because
of their cultural, historic or aesthetic significance.
December 18, 1947 — Brick Bradford, a 15-chapter serial film starring Kane Richmond, was produced by Columbia Pictures. It’s based off was the SF strip created by writer William Ritt and artist Clarence Gray. The strip was first distributed in 1933, it ran for over fifty years. Kane Richmond was the hero of the serial. You can watch the first episode here.
December 18, 1968 — Chitty Chitty Bang Bang premiered. Directed by Ken Hughes and written by Roald Dahl and Hughes, based very, very loosely on Ian Fleming’s Chitty-Chitty-Bang-Bang: The Magical Car. (Well they sort of used the title.) The cast is amazing and includes Dick Van Dyke, Sally Ann Howes, Heather Ripley, Lionel Jeffries, Helpmann and Gert Fröbe to name but a few. Critics, with the exception of the one at Time when it came out, loved it, and reviewers agree — it has a 67% approval rating at Rotten Tomatoes.
December 18, 2009 — Avatar premiered. It was directed, written, produced, and co-edited by James Cameron, and stars Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez, and Sigourney Weaver. It made more money than bears thinking about, had generally strong critical reviews and rates 85% at Rotten Tomatoes. It would place fifth of the final five nominees in the Hugo voting at Aussiecon 4 with the winner of Best Dramatic Presentation, Long Form being Moon.
December 18, 1987 — Stephen Spielberg’s Batteries Not Included premiered.
Directed by Matthew Robbins, it was the feature film screenwriting debut of
Brad Bird. It starred real life couple Hume Cronyn and Jessica Tandy. Need I
say that it was a box office success, and that critics and reviewers alike
enthusiastically embraced it? Well it wasn’t and it didn’t. It did OK, it
got a mixed review and it currently has a decent 60% at Rotten
December 18, 1985 — Brazil premiered. It was directed by Terry Gilliam and written by him as well, with contributions by Charles McKeown and Tom Stoppard, too. The film stars Jonathan Pryce along with Robert De Niro, Kim Greist, Michael Palin, Katherine Helmond, Bob Hoskins and Ian Holm. It finished fourth in the voting at ConFederation, the year Back to the Future won its Hugo. Critics were decidedly mixed on it, but Rotten Tomatoes has it at 98% among reviewers currently.
December 18, 1976 — The Wonder Woman series premiered on ABC. It would be on ABC a single season before airing on CBS for another two seasons. Based on the comic-book series of Charles Moulton in the Forties, it stars Lynda Carter as Yeoman Diana Prince who is Wonder Woman along with Lyle Waggoner as Major Steve Trevor. The fanboys are dumping on it at Rotten Tomatoes so it has an abysmal rating of 10% over there.
The trailer dropped today for Wonder Woman 1984. In theaters
June 5, 2020.
Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing two all-new foes: Max Lord and The Cheetah. With director Patty Jenkins back at the helm and Gal Gadot returning in the title role, “Wonder Woman 1984” is Warner Bros. Pictures’ follow up to the DC Super Hero’s first outing, 2017’s record-breaking “Wonder Woman,” which took in $822 million at the worldwide box office. The film also stars Chris Pine as Steve Trevor, Kristen Wiig as The Cheetah, Pedro Pascal as Max Lord, Robin Wright as Antiope, and Connie Nielsen as Hippolyta.
(1) COLLECTIBLE PAPERBACKS SPOTLIGHTED. [Item by Andrew
Porter.] This daily series of short videos concentrate on vintage and collectible paperbacks. It began barely more than a month ago, and so far, nearly
50 have been uploaded to Gary
Lovisi’s YouTube channel.
Episodes have covered (starting with the most recent): Hardboiled Crime Fiction “Frank Kane” with Ron Lesser GGA covers; Dell 10¢ Paperbacks; Edgar Rice Burroughs “John Carter” inspired Pulp SF “Jon Kirk of Ares”; Sherlock Holmes Books; Sleaze “Kozy Books” Series; “The Thing” SF Horror in Paperback; ” UK Cherry Tree Books; Sexy Digest GGA Sleaze; Mysterious Bookshop NYC Tour; “Shuna” Jungle Girl Series; Best Rare US Dime Novels; Hardboiled Pulp Fiction Books; Rare British “World Fantasy Classics”; Fredric Brown early Bantam Paperbacks; “Boardman Bloodhound Books”; Checkerbooks US Paperback Book series; Gold Star “The New Tarzan Book Series”; British Gangster Digests; “Avon Science Fiction Reader” Series; Early Avon SF Fantasy & Horror.
(2) PETER RABBIT DEUX. The sequel arrives in theaters next
In PETER RABBIT™ 2: THE RUNAWAY, the lovable rogue is back. Bea, Thomas, and the rabbits have created a makeshift family, but despite his best efforts, Peter can’t seem to shake his mischievous reputation. Adventuring out of the garden, Peter finds himself in a world where his mischief is appreciated, but when his family risks everything to come looking for him, Peter must figure out what kind of bunny he wants to be.
(3) TOLKIEN GENESIS. Verlyn Flieger’s Scholar Guest of
Honor Address for the 2019 Mythcon, “The Arch and the
Keystone”, can be read online at Mythlore.
…Moving forward is more challenging. How can we contrive to move forward when, like Alice’s Red Queen, we have to run faster and faster just to stay in place? The growing body of writing both by and about Tolkien ensures that not only can we no longer read the unknown book I discovered in 1956, we can’t even all read the same book in 2019. We have too many opinions based on too much information from too many sources to come to a consensus. In spite of his fame, in spite of his position at the top of the heap, in spite of The Lord of the Rings’ established position as Waterstone’s Book of the Century, the world has and probably will continue to have trouble agreeing on who/what he is….
…This weekend, Hodgson, 59, will sport the red jumpsuit for the first time since 1993 and bring the Great Cheesy Movie Circus Tour to the National Theatre, a live version of the MST3K format familiar to fans: making fun of bad movies — in this case, the British schlockfest “Circus of Horrors” (1960) and the 1986 kung fu flick “No Retreat, No Surrender” — interspersed with sketches.
…With the fourth annual conference scheduled to take place very soon in Beijing Nov 2019, I thought I would delve a little deeper into the conference and the organization behind it.
The 2019 conference will, for the first time, include participants from outside of China. These include Andrei Heim, Kevin Anderson, Leonard Mondrino, Mary Robinette Kowal, and Neil Clarke.
The Conference theme for 2019 is divided into tracks: “science fiction + culture”, “science fiction + technology”, “science fiction + science”, “sci-fi + film” “, science fiction + games”, “science fiction + youth.”
Organizationally, I get the impression that this has a professional team, strategizing about how to capitalize on the popularity of science fiction in China today, and that they are looking for not only ideas, but actual talent….
…Besides the art show and print shop, Warehouse One was also housed several cool displays and craft items. There were half a dozen large scale lego constructions, including a massive Star Wars one by James Shields, a Community Drawing Wall, and a wall of art by Irish artist, including some Steve Dillon comic pages and Ian Clark’s wonderful Dublin 2019 artworks. There was programming in the Odean movie theatre screen rooms, and next door at the Gibson hotel, and some of it looked quite good. But ultimately when deciding what to see I factored in the walk there and back, and unless there were two items one after another there just didn’t seem worth it – by the end I attended no programming at Point Square excepting the art show and artist reception. In retrospect the 7-day LUAS transit pass would have been a good idea, but we didn’t see that option in time.
Had Steven Spielberg been a 16-millimeter camera-toting teen in the 1930s, his home movies might have looked like “As the Earth Turns,” a black-and-white, silent 45-minute science-fiction film about a peace-crazed scientist named Pax who attempts to persuade the world to put down its weapons by inducing extreme climate change.
Made by Richard H. Lyford, a 20-year-old Seattle-based budding playwright and filmmaker who would go on to work as a Disney animator and Oscar-winning documentary director, the digitally restored 1938 original has been outfitted with a period-appropriate score by contemporary composer Ed Hartman.
Last year’s Academy Awards race boasted 25 entries, while 2017 had 26 and 2016 had 27 (a then-record).
(9) ROAD MAP. This week’s Nature offers “Tips from a Pulitzer prizewinner” — author
Cormac McCarthy. Though this advice is for writing research papers, it’s good,
general writing advice…
• Use minimalism to achieve clarity. While you are writing, ask yourself: is it possible to preserve my original message without that punctuation mark, that word, that sentence, that paragraph or that section? Remove extra words or commas whenever you can.
• Decide on your paper’s theme and two or three points you want every reader to remember. This theme and these points form the single thread that runs through your piece. The words, sentences, paragraphs and sections are the needlework that holds it together. If something isn’t needed to help the reader to understand the main theme, omit it.
• Limit each paragraph to a single message. A single sentence can be a paragraph. Each paragraph should explore that message by first asking a question and then progressing to an idea, and sometimes to an answer. It’s also perfectly fine to raise questions in a paragraph and leave them unanswered.
• Keep sentences short, simply constructed and direct. Concise, clear sentences work well for scientific explanations. Minimize clauses, compound sentences and transition words — such as ‘however’ or ‘thus’ — so that the reader can focus on the main message.
As Disney continues to plunder its animated IP for live-action remakes, where these films fall on the spectrum of pointlessness has to do with how closely they adhere to the source. The remakes that simply copy the material from one format to the other, like Beauty and The Beast or Aladdin, have been consistently enervating whereas the ones that attempt a full gut rehab, like Dumbo or the excellent Pete’s Dragon, at least have the benefit of an independent artistic vision. In this particular creative desert, every droplet of water counts.
The 2014 fantasy Maleficent wasn’t a remake of Sleeping Beauty so much as an alternative telling, an act of playful revisionism that relates to the original as the novel and Broadway musical Wicked relates to The Wizard of Oz. The main twist — that Maleficent isn’t evil, but a wronged fairy taking revenge on a duplicitous king — riffs cleverly on the idea that everyone has their reasons. The film also nests other bits of commentary inside, like questioning whether Prince Phillip and Princess Aurora could have fallen in love so quickly or snickering at the notion that Aurora could dodge Maleficent’s curse by hiding in the woods for 16 years. But it works best as a vehicle for Angelina Jolie, whose enhanced cheekbones and villainous cackle suggested the making of a camp icon.
…Mistress of Evil loses the emotional stakes of the first film, which were rooted in a terrible injustice and the unlikely bond between Maleficent and the cursed princess she comes to adore. There’s a good angle here about the destructive potential of myth, tied to the stories that unfairly poison Maleficent in the human world, but Jolie goes missing for long stretches of the film as Ingrith does her scheming. And while it’s a pleasure to see Pfeiffer lay into a regal villain, it’s odd to see a Maleficent film with so little Maleficent, and all the giggly little sprites in the world can’t make up for it. Jolie was born to play the role, and the best strategy would have been to let her.
(11) TODAY IN HISTORY.
October 18, 2016 — The new edition of The Star Trek Encyclopedia by Michael Okuda and Denise Okuda was released. They were production staff on Next Generation, Deep Space Nine and Voyager. It was illustrated by Doug Drexler. Now a two volume. set with a slip case, it has five hundred new entries.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 18, 1917 — Reynold Brown. Artist responsible for many SF film posters. His first poster was Creature from the Black Lagoon which Mike included in a recent post, with other notable ones being Attack of the 50 Foot Woman, I Was a Teenage Werewolf and Mothra vs. Godzilla. (Died 1991.)
Born October 18, 1938 — Barbara Baldavin, 81. She was a recurring performer on Trek first as Angela Martine in “Balance of Terror” and “Shore Leave”. She would also appear in the final season’s “Turnabout Intruder” as communications officer Lisa. After that, she had one-offs on Fantasy Island and The Bionic Woman. She retired from the business in 1993.
Born October 18, 1938 — Dawn Wells, 81. Mary Ann Summers on Gilligan’s Island which y’all decided was genre. She and Tina Louise are the last surviving regular cast members from that series. She had genre one-offs on The Invaders, Wild Wild West and Alf.
Born October 18, 1944 — Katherine Kurtz, 75. Known for the Deryni series which started with Deryni Rising in 1970, and the most recent, The King’s Deryni, was published in 2014. As medieval historical fantasy goes, they’re damn great.
Born October 18, 1951 — Jeff Schalles, 68. Minnesota area fan who’s making the Birthday Honors because he was the camera man for Cats Laughing’s A Long Time Gone: Reunion at Minicon 50 concert DVD. Cats Laughing is a band deep in genre as you can read in the Green Man review here.
Born October 18, 1951 — Pam Dawber, 68. Mindy McConnell in Mork & Mindy. She did very little other genre work, Faerie Tale Theatre and the Twilight Zone being the only other shows she did. She was however in The Girl, the Gold Watch & Everything as Bonny Lee Beaumont which is based off the John D. MacDonald novel of the same name. Go watch it — it’s brilliant!
Born October 18, 1960 — Jean-Claude Van Damme, 59. Cyborg, the Universal Soldier film franchise and Time Cop are but three of his genre films. And he’s in some films in ways that aren’t necessarily apparent, i.e. he was an uncredited stunt double in Predator, and he had a cameo in Last Action Hero.
Born October 18, 1964 — Charles Stross, 55. I’ve read a lot of him down the years with I think his best being the rejiggered Merchant Princes series. Other favorite works include the early Laundry Files novels and both of the Halting State novels.
Wonder Woman is getting a special giant-sized comic book to commemorate an upcoming landmark issue.
Today, DC Comics announced it will assemble an all-star roster of writers and artists who will pack the 96-page super-sized one-shot with stories and artwork that chronicle the Amazonian princess from the 1940s all the way through to today. Contributing to the issue are long-time Wonder Woman scribes Greg Rucka and Gail Simone, along with the book’s current writer, Steve Orlando.
…I asked Dick which movies scared him as a kid growing up in Chicago. Not many, he said. “What I really liked were the big bug movies: ‘Them.’ ‘Tarantula.’ Things like that.”
In fact, Dick said he didn’t actually see the movie that scared him the most.
“I’m being very honest: There was a trailer I saw in the movie theater,” he said. “There was a closet door opening and some thing came out of the closet. It scared the living daylights out of me. I left the theater. Let’s face it, it’s a cheap horror thing: the unknown coming out of a door.”
Great news, Stephen King fans … and aspiring writers! The Victorian mansion in Bangor, Maine, that King and his wife Tabitha have called home for decades has been reorged as a nonprofit and will open its ornate bat-decorated gate to scholars and authors.
The Bangor City Council on Wednesday approved the Kings’ request to rezone their home, per a story from Rolling Stone. Going forward, the red mansion at 47 West Broadway where the Kings raised their three children will serve as an archive of King’s work, while a guest house next door would serve as a writers’ retreat. The archive was previously at the Kings’ alma mater, the University of Maine….
On Christmas Eve 1965 a 4.5 billion-year-old meteorite exploded over the Leicestershire village of Barwell.
It was one of the largest and best recorded meteorite falls in British history: witnesses reported a flash in the sky accompanied by a loud bang, followed by a thud as one of the first pieces of space rock landed on the ground. As news of what happened emerged, the media descended on the village and a frantic search for the hundreds of scattered fragments began.
For nine-year-old Graham Ensor, who lived nearby, it was an event that would change his life, sparking an enduring passion for space rocks. The former lecturer now owns about 1,000 specimens, which experts believe could be the largest private collection in the UK.
(19) LOAFING AROUND. Kitchen
Overlord celebrates this literary occasion with a ghastly looking baked
Week: Spice Stuffed Sandworm Bread”. At the end of the post there are
links to even more Dune-inspired recipes.
Since you honor my sietch with your visit, I will share the secrets of creating a proud, impressive, spice-scented effigy of the Great Maker of Arrakis….
(20) VIDEO OF THE DAY. In “The Truth About Test
Screenings” on Vimeo, SHAZAM! director David F. Sandberg gives an
insider’s view of when test screenings matter and when they don’t.
[Thanks to John King Tarpinian, Martin Morse Wooster, JJ, Mlex,
Chip Hitchcock, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Michael
Toman, John Hertz, and Andrew Porter for some of these stories. Title credit belongs
to File 770 contributing editor of the day Jack Lint.]
(1) TIPTREE BIOGRAPHER COMMENTS FURTHER. Julie Phillips,
author of James Tiptree, Jr.: The Double Life of Alice B. Sheldon
blogged about “On
Tiptree and naming” on September 17.
A number of people are reading the manner of Alli and Ting’s Sheldon’s death as an instance of caregiver murder, in which a person with a disability is killed by a person responsible for caring for them. There is a pattern of murders like this being downplayed or dismissed as “understandable” because the caregiver “must have been under such strain.” This is extremely upsetting and hurtful to people living with disabilities. You can read more about this here and here. (Content warnings: suicide; Americans’ appalling lack of access to heath care.)
Mostly I’ve been asked for factual answers: Did it happen? Did it not happen? It may be that a name that calls up painful associations should be changed in any case. But I believe it matters to talk about what we know and don’t know, and here are some thoughts about Ting’s and Alli’s choices.
… Topics such as pollution, overcrowding, and a warming Earth began to appear more frequently within the genre. Harry Harrison’s 1966 novel Make Room! Make Room! (later adapted—and firmly embedded in pop culture consciousness—as Soylent Green) examined the plight of an overcrowded Earth, though today the main drivers of climate change are far less attributable to rising populations in less developed areas of the world and far more to do with mass consumerism in the developed world.
J.G. Ballard’s 1962 novel The Drowned World specifically imagines a post-apocalyptic 2145 in which global warming (caused by solar wind heating the atmosphere, rather than specifically fossil fuel emissions) lead to sea-level rise, ruining London. Even nearly 60 years ago—long before “climate change” had become a source of widespread anxiety, it was a stark vision; reviewer Peter Brigg noted, “Ballard created in this novel the most pervasive demonstration of the frailty of ‘technological’ man.”
The Rumble Museum, in association with the Arthur C. Clarke Award, is delighted to announce a national science fiction competition for young people who would like to see their ideas turned into a short story by a professional science fiction author.
Anyone 15 years or younger can enter, and full entry details can be found here. Deadline for entries October 31.
HOW TO ENTER
To enter, please submit a premise and opening lines for a science fiction short story. We would like to see a description of the world or society your story is set in, an outline of the main characters and plot, and first 350 words or first page.
…Like many fans, I first became really aware of Philip K. Dick after he won the 1963 Hugo Award for Best Novel for his remarkable The Man in the High Castle. That book dazzled in its chronicle of an alternate history in which the Nazis and Japanese won World War II (which opened up many areas of thought and conversation for me and my friends) as well as in its brilliant world-building and the fascinating, multifaceted characters at the heart of Dick’s award-winner.
High Castle was also an amazingly tight novel, packing a dense plot into its mere 240 pages. As many of us Dick fans have learned, not all of his works are quite so tightly plotted. I adored his Martian Time-Slip and Dr. Bloodmoney from last year, but those books tended to both delight and annoy in their meandering, nearly stream-of-consciousness styles.
The newest Philip K. Dick novel, The Penultimate Truth (just out in paperback from Belmont) fills a bit of the gap between his ’62 masterpiece and the challenging ’63 books. This thoroughly delightful book wanders a bit but always held me in its comforting grasp.
(5) LID O’CLOCK ROCK. Alasdair Stuart’s newest Full Lid embraces the profoundly weird career of
Gerard Butler, examines the Hot Zone and attends the Battle of Big Rock: “The Full Lid 20th September 2019”
With its austere surfaces and jaundiced view of humanity’s interplanetary destiny, James Gray’s stirring sci-fi epic Ad Astra can’t help but evoke Stanley Kubrick’s 2001: A Space Odyssey, the paterfamilias of all “serious” space movies. But in fact it’s a closer cousin to another long-delayed, wildly over-budget spectacle that initially fared better with ticket-buyers than critics, only to be revealed in time as a masterpiece: Francis Ford Coppola’s Apocalypse Now.
Like Coppola’s surreal Vietnam War movie, Ad Astra is told to us by a haunted man on a mission into the unknown. After a thrilling set piece involving an unplanned high-altitude skydive from the “International Space Antenna,” Brad Pitt’s Major Roy McBride is dispatched to investigate the cause of a series of destructive cosmic ray bursts emanating from Neptune.
McBride is given the task because his superiors believe these disruptions might somehow have been caused by his father (Tommy Lee Jones), commander of an exploration mission that was presumed lost some 16 years earlier. In the event the old man has somehow survived and gone all Colonel Kurtz on them, they’re hoping his baby boy might be able to talk him down.
One needn’t have seen 2001 — or for that matter, last year’s undervalued Neil Armstrong biopic First Man — to grok that emotional availability is the one area in which McBride is seriously deficient. (His heart rate has never risen above 80, his dossier says.) In space, no one can hear you cry…
… though they are sometimes privy to your internal monologue. “We are the world-eaters,” McBride laments in voiceover as he takes in the Applebees and Hudson News shops that pimple the near side of the moon in the mid-to-late 21st century. The only thing Ad Astra shares with the comparatively upbeat adventure The Martian is a notion we might be wiser to leave space exploration to our robots. We see McBride file a psychological self-evaluation each time he’s getting ready to launch; only if the A.I. concurs with his assessment that he’s fit to fly is he permitted to go.
(7) TODAY IN HISTORY.
September 20, 1979 — The film version of Buck Rogers was edited for television as “Awakening” to serve as the very first episode of Buck Rogers in the 25th Century. It would last two seasons.
September 20, 2006 — Jericho aired its pilot episode on CBS. It was cancelled after its first full season, because of poor ratings. A fan campaign persuaded the network to bring the show back for another season, of seven episodes, after which it was cancelled again. IDW has done two seasons in comic book form.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 20, 1935 — Keith Roberts. Author of Pavane, an amazing novel. I’ll admit that I’ve not read anything else by him, so do tell me about other works please. (Died 2000.)
Born September 20, 1940 — Jonathan Hardy. He was the voice of Dominar Rygel XVI, called simply Rygel, once the royal ruler of the Hynerian Empire, on Farscape. He was also Police Commissioner Labatouche in Mad Max, and he had a one-off in the Mission: Impossible series that produced in his native Australia in the “Submarine” episode as Etienne Reynard. (Died 2012.)
Born September 20, 1948 — George R. R. Martin, 71. I’ll admit that I’ve only read the first two volumes of ASOFI. I loved The Armageddon Rag and think that he’s a wonderful short writer. And no, I’ve not watched A Game of Thrones.
Born September 20, 1955 — David Haig, 64. He played Pangol in “The Leisure Hive” a Fourth Doctor story. He also showed up on Blake’s 7 in “Rumours of Death” as Forres, and was Colonel Bonnet in The Adventures of Young Indiana Jones: Tales of Innocence. He’s also General Vandenberg in the 2006 film remake of A for Andromeda. Finally, I should I should he’s The Player in Rosencrantz and Guildenstern Are Dead done at The Old Vic a few years back.
Born September 20, 1959 — James Blaylock, 69. One of my favorite writers. I’d recommend the Ghosts trilogy, the Christian trilogy and The Adventures of Langdon St. Ives whichcollects all of the Langdon St. Ives adventures together as his best writing, but anything by him is worth reading.
Born September 20, 1986 – Aldis Hodge, 33. He plays Alec Hardison on Leverage. Ok, I know it’s not SFF but if there’s a spiritual descendant of Mission: Impossible, this series is it. Both the cast and their use are technology of that series are keeping with MI spirit. He’s also had one-offs on Charmed, Buffy the Vampire Slayer, Supernatural, The Walking Dead, Star Trek Discovery’s Short Takes and Bones (which given that it crossed over with Sleepy Hollow…)
Born September 20, 1989 — Malachi Kirby, 30. He shows up on Doctor Who as Gastron in “Hell Bent”, a Twelfth Doctor story, and he’s on Black Mirror as Stripe in their “Men Against Fire” episode.
(9) MAKER MAKES NEWS. In the Washington Post, Patti Restivo profiles cosplayer Kyle
Wilhelm, whose crosstitiching on his costume as “Wolf Shaman” at the
Maryland Renaissance Festival was so good that he got an apprenticeship at
Outback Leather, whose clients include the Renaissance Festival, Medieval
Times, a nearby horse racing track, and several motorcycle clubs. “A
costume wizard brings his skills to Maryland Renaissance Festival”. Photo
…Like Sargent, Wilhelm describes himself as mostly self-taught. He said he trained as a blacksmith and in animal care-taking, and previously worked part-time gigs as an actor, model and stuntman.
For at least a decade, the 29-year-old said he did leather crafting in his basement before landing at Outback Leather with Sargent and finding his calling.
“Ron’s like my second dad,” Wilhelm said.
(10) HUGO LONG LIST. David Steffen says his “Long
List Anthology Volume 5” Kickstarter has now raised enough money to
acquire all the stories he could get the rights to.
After the Hugo Awards each year, the World Science Fiction Society (who administer the award) publishes a longer list of works that fans cast nomination votes for. The works on the ballot get a lot of attention, the purpose of this anthology is to get more readers for these other stories that were also loved by so many fans. The result each year is a big and ecclectic collection of fiction very different in tone and theme that can act as a sampler for work enjoyed by the Hugo voting audience.
This project is not endorsed by nor affiliated with the Hugo awards, WSFS, WorldCon, or any associated entities. The Hugo name is used with permission.
“It’s a really odd situation where I think the attraction is far more popular than the movie, in most ways,” Shawn Marshall of theme park site Parks And Cons said. “Probably for a lot of theme park fans, when you say ‘Waterworld,’ we’re all thinking of the Universal show moreso than the movie at this point.”
If you haven’t seen the show, it simplifies the movie’s story and packs it into 20 minutes of pure action. After a pre-show getting the crowd hyped and explaining/showing that you may get very, very wet if you’re in the splash zone, a deep voice comes on over the loudspeakers to explain the story.
(12) THIS IS GENIUS. Richard Paolinelli sent a DMCA
takedown notice to the Internet Archive requiring them to remove all saved
copies of pages from his blog. And they did. What a hack! Who would have
thought he had it in him.
Dystopian stories are, in essence, thought experiments. And few come as thoughtful as The Divers’ Game.
The latest novel from acclaimed author Jesse Ball depicts a world both unimaginably unjust and all too believably cruel: Society has been split into two distinct halves, the pats and the quads, with the former group given unchecked supremacy over the second. It isn’t the most original premise in dystopian fiction, but Ball clearly isn’t trying to reinvent any genre tropes. Rather, he’s plumbing the depths of a familiar conceit, attacking it from a fresh angle, and constructing a parable that’s jarring in its subtle complexity and profound, horrific revelation.
…Ball’s bombshell is undisguised and unapologetic: He’s taking dead aim at current U.S. policy in regard to immigration and the detention of asylum-seekers, and the repercussions he speculates upon leave no doubt as to his standpoint on the topic — even as he expresses them in nested sequence of vicious satire. But his series of modest proposals culminates in the second section of the book, in which the titular’s divers’ game is unveiled. It’s a game played by quad children, and it’s as much of a Shirley Jackson-esque premise as it is an exquisite probe of liminal zones and psychogeography between the privileged and the oppressed.
Robin Wright’s breakout role as Buttercup in The Princess Bride left a mark on a lot of childhoods, and it would be difficult to dismiss the importance of that role in her film career going forward. While she’s gone on to play a wide variety of complicated characters, it is also true that the no-nonsense and self-possessed attitude of Buttercup would be a defining characteristic, not just of Wright’s career, but of Wright herself.
More recently, Wright had the chance to play a new icon of feminine power for audiences of all ages with her role as General Antiope in Wonder Woman. In many ways, these are two incredibly different characters, but they both carry with them that sense of sustained defiance that audiences have come to admire in many a Robin Wright role.
[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Andrew Liptak,
Michael Toman, Martin Morse Wooster, Mike Kennedy, Cat Eldridge, and Andrew
Porter for some of these stories. Title credit belongs to File 770 contributing
editor of the day Cat Eldridge.]
…Lucy A. Snyder’s a seven-time Bram Stoker Award finalist and a five-time winner, including for her first novel Spellbent in 2009, and most recently for her collection While the Black Stars Burn in 2016. She has published more than 80 short stories in Lady Churchill’s Rosebud Wristlet, Strange Horizons, Weird Tales, and more. Her nonfiction book Shooting Yourself in the Head for Fun and Profit: A Writer’s Survival Guide. was published in 2014. She was a Bram Stoker Award nominee at this year’s StokerCon for her collection Garden of Eldritch Delights.
We took off for lunch one afternoon to Punjab Cafe, which has been operating in Quincy since 2000, and is by all accounts the best Indian restaurant in the area. They had a tasty looking buffet option available, but we ordered a la carte instead, because a buffet is definitely not the way you want to go when you’re trying to maintain the flow of a conversation and are both wired to a recorder.
We discussed how Madeleine L’Engle’s A Wrinkle in Time made her want to become a writer, the rare bad advice she got from one of her Clarion instructors, the way Hunter S. Thompson and Truman Capote taught her about consensual truth, how she learned to embrace her uneasy relationship with horror, the time Tim Powers said of one of her early stories that “this is an example of everything that’s wrong with modern science fiction,” why if you want to write flash fiction you should learn to write poetry, what you should consider if you’re starting a new writing workshop, how best to prepare for public readings of emotionally difficult stories, the way she used Kickstarter to continue her Jessie Shimmer series (plus everything you need to know to start your own campaign), what it was like writing in the Doctor Who and X-Files universes, and much, much more.
…Being a writer is a lot like being on a roller coaster. For a start, if you are a small child or a cat some spotty gatekeeper won’t let you be a writer. “You have to be this tall to be a writer!” they say. “Keep you arms inside the carriage while writing is in motion” they say. Ignore these self-appointed petty tyrants in the fairground of publishing! You only need TWO things to be a writer 1. the willpower 2. the determination and 3. a valid ticket from the ticket booth….
… Last but not least there’s Gamergate itself, which has survived not just as an influence on current events and a template for subsequent harassment campaigns, but in something close to its initial form: The Gamergate subreddit is still very active. Its participants still mob journalists who report critically on them and games. So “gamers” didn’t die, and neither did socially conscious games journalism, nor efforts to increase diversity in games. Even individual Gamergate targets like Quinn, Sarkeesian, and others continue to work in their respective fields. But neither, it seems, did Gamergate.
Recent topics on the Gamergate subreddit—in 2019!—include lists of video games and game development studios to avoid because they pander to “social justice warriors” and complaints about Kotaku’s coverage of diversity in games and the industry. There are posts in the past month continuing to detail, and criticize, everything Quinn does. The lesson for all of us is that reactionary ideas and movements and cults of personality—ones that oppose progress and equality—won’t simply disappear even if they “lose,” even with the passage of time. Reporters who write about Gamergate—or any of the topics it reacted against—can still expect a brigade of hundreds of negative replies on social media. It hasn’t died. It never ends….
JP: This focus on the technical aspects of writing reminds me of what you’ve said before about the sentence: that the sentence is the most important unit of writing for you.
SD: For me, yes. I do go along with Gertrude Stein, in that the paragraph is the emotional unit of the English language. It’s also a point about the sentence instead of the word.
JP: Is that how you think of your own writing? Do you think of it as sentence-making?
SD: Basically, yes.
JP: And is that different for science fiction, versus fantasy and other kinds of genres?
SD: No, that’s not where the difference lies; I think all writing requires that. But I do think science fiction allows some unique combinations of words. It’s a genre that is distinguished, because certain things can happen in the language of science fiction that don’t happen anywhere else. Science fiction tends to take the literal meaning. If it has a choice between a figurative meaning and a literal meaning, the literal meaning is always available. Her world exploded. In science fiction, it’s not an emotionally fuzzy metaphor. Instead, it can literally mean a planet belonging to a woman blew up. As in, Princess Leia: Her world exploded.
Call it The Film About Rich People Hunting Poor People … That Lived.
But that’s a mouthful. Maybe The HuntStrikes Back; it’s pithier.
Just two weeks ago, Ready or Not seemed poised to represent a second data point in 2019’s “Murderous, Mansion-Dwelling One-Percenters In Film” trend graph, preceded by Craig Zobel’s “blue bloods vs. red staters” thriller The Hunt and followed in November by Rian Johnson’s latter-day Clue riff, Knives Out.
But with The Hunt withdrawn from release, Ready or Not assumes pride of place … albeit in the doggiest of days of the dead of August. And what should have blossomed into a delicate arc describing an emerging cinematic trend (and launching a thousand thinkpieces in the process) instead reverts to a flat line connecting two 2019 movies that both feature 1. rich jerks wielding bladed weapons in elegantly appointed rooms and 2. dumbwaiters, probably. One assumes.
…While both studios should be enjoying a victory lap after a successful summer, with Disney, hot off of their Marvel Studios Comic-Con announcements, set to make D23 this weekend’s event, and Sony releasing an extended cut of Far From Home over labor day weekend. Instead, Spider-Man has become victim of a messy custody battle that has dominated social media and shown just how ugly Disney fandom can get with #SaveSpiderMan and #BoycottSony hashtags trending this week.
Battle lines have been drawn on social media, and by way of willful ignorance on the parts of adults online behaving like children, Sony has been made the bad guy for refusing to give up its asset. While details surrounding Disney and Sony’s split have varied, The Hollywood Reporter reported that the breakup comes down to money. Disney, already possessing the merchandizing rights for Spider-Man and benefiting from the use of the character in the MCU, sought at least a 30 percent stake in future Spider-Man grosses. Others have reported figures as high as 50 percent. However you cut it, those numbers are a significant uptick from Disney’s previous 5 percent stake. It’s also worth noting that while Sony’s Spider-Man films may receive an uptick in box office grosses for their MCU connection, the studio doesn’t receive a share of the grosses for the Marvel Studios films in which Holland’s Spider-Man appears.
…She goes on … “Whether it’s Sony or someone else’s, the continued evolution of Stan’s characters and his legacy deserves multiple points of view.”“When my father died, no one from Marvel or Disney reached out to me. From day one, they have commoditized my father’s work and never shown him or his legacy any respect or decency.” JC’s parting words … “In the end, no one could have treated my father worse than Marvel and Disney’s executives.” Ouch!!!
“We’re building an immersive super hero-themed land at Disney California Adventure to enable our guests to join the Avengers to save the world,” Bob Chapek, chairman of Disney Parks, Experiences and Products, said at D23 Expo, ComicBook reported.
The Avengers Campus will open in summer, 2020.
(9) TODAY IN
August 23, 1965 — In the United Kingdom, Dr. Who And The Daleks was released which starred Peter Cushing as Doctor Who.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 23, 1869 — Edgar Lee Masters. Author of the Spoon River Anthology which, since each poem is by someone who’s dead, should count as genre, shouldn’t it? (Died 1950.)
Born August 23, 1927 — Peter Wyngarde. Not a lead actor in any genre series but interesting none-the-less. For instance, he shows up in the two Sherlock Holmes series, one with Peter Cushing and one with Jeremy Brett. He’s one in a series of Doctor Who with the Fifth Doctor and he faces off against the classic Avenger pairing of Steed and Peel. He shows up as Number Two in The Prisoner as well. (Died 2018.)
Born August 23, 1929 — Vera Miles, 90. Lila Crane in Psycho which she reprised in Psycho II. On a much more family friendly note, she’s Silly Hardy in Tarzan’s Hidden Jungle, the very last of the twelve Tarzan pictures released by RKO. She has done one-offs on Buck Rogers in Twentieth Century, Fantasy Island, The Twilight Zone, Alfred Hitchcock Presents, I Spy and The Man from U.N.C.L.E.
Born August 23, 1939 — Barbara Eden, 80. Jeannie on I Dream of Jeannie. Her first genre role however was on Voyage to the Bottom of the Sea as Lt. Cathy Connors though she’d show up a few years later as Greta Heinrich on The Wonderful World of the Brothers Grimm. Some thirty-five years after I Dream of Jeannie went off the air, she had a recurring as Aunt Irma on Sabrina, the Teenage Witch.
Born August 23, 1944 — Karl Alexander, 75. Author of Time after Time, which was filmed directed and written by Nicholas Meyer. Cast includes Malcolm McDowell, Mary Steenburgen and David Warner. Sequel of Jaclyn the Ripper is not as well known.
Born August 23, 1963 — Ed Gale, 56. Ok I now introduce you to the man inside of Howard the Duck. (Sorry JJ.) Well someone has to play that crappy role. And did you know that it’s been retooled to be called by the studio, and I kid you not, Howard: A New Breed of Hero? Did you know Seth Green voices Howard the Duck in Guardians of The Galaxy?
Born August 23, 1965 — Chris Bachalo, 54. Illustrator well known for his work on DC Comics’ Shade, the Changing Man and Gaiman’s two Death series, Death: The High Cost of Living and Death: The Time of Your Life.
Born August 23, 1970 — River Phoenix. The Young Indiana Jones in Indiana Jones and the Last Crusade was his best known genre role. He was also Wolfgang Müller in Explorers, and he’s Talbot Roe in Silent Tongue, a horror film most likely you’ve never heard of. (Died 1993.)
(11) COMICS SECTION.
John A Arkansawyer sent the link to Wondermark with a note, “I’m surprised this technology was never used during the glory days of the APA era.”
Today marks the end of an era for DC’s Wonder Woman, as G. Willow Wilson is set to exit the title in the coming months. On Thursday, Wilson took to Twitter to confirm the news, citing that the exit will be so she can schedule out time for a “bucket-list-dream-project”.
Wilson also confirmed that Steve Orlando will be taking over the title, something that had previously been hinted at in DC’s solicitations….
I’ve probably reread The Haunting of Hill House by Shirley Jackson more than any other book. It’s not her greatest, that would be We Have Always Lived at the Castle, but I got to it when I was a teenager and so it entered my bloodstream early. I read it three or four times in high school alone.
There are lots of reasons why I love it, Jackson is an underrated literary stylist, and I love the way she loathes human beings. It’s cruel, but it’s almost always funny, too. Misanthropy always goes down better with a sense of humor. But maybe the reason I most love that book is for the house itself. Jackson does a wondrous job of animating Hill House without ever really answering the question of whether its truly haunted or merely haunted by the imagination of a lonely young woman.
Forty years after Life of Brian was first released, Nicholas Barber looks at why the Monty Python film was banned – and went on to become a box office hit.
It may not be true that all publicity is good publicity, but in the case of Monty Python’s Life of Brian, which was released 40 years ago, some of the bad publicity was heaven-sent. The comedy team’s irreverent Biblical romp had been due to open on 200 screens across the US, but after various religious groups protested against it, the number of screens was tripled. “They actually made me rich,” said John Cleese of the protesters on one American talk show. “I feel we should send them a crate of champagne or something.”
The idea for Life of Brian came about when the team was promoting its previous film, Monty Python and the Holy Grail. Eric Idle joked that their next project would be called “Jesus Christ: Lust For Glory”, and his team-mates realised that no one had ever made a comedy about the Messiah. Initially, they planned to lampoon Jesus himself, but the more they read up on him, the less keen they were. “It was quite obvious that there was very little to ridicule in Jesus’s life, and therefore we were onto a loser,” said Michael Palin in 1979. “Jesus was a very straight, direct man making good sense, so we decided it would be a very shallow film if it was just about.”
They moved onto the character of Brian, a 13th disciple who never made it into the Bible because he always arrived five minutes late and missed the miracles. But they eventually settled on the premise that the hapless Brian (Graham Chapman) wouldn’t have any connection with Jesus at all; he would be someone who happened to live in Roman-occupied Judea at the same time, and who was mistaken for a Messiah by the fanatical masses.
The Pythons’ satire wouldn’t target Jesus or his teachings, instead caricaturing political militants, credulous crowds, the appeal of throwing stones at people, the complexities of Latin grammar, and the difficulties of being a tyrant when you’ve got a speech impediment. “I thought we’d been quite good,” said Idle in Robert Sellers’ behind-the-scenes book, Very Naughty Boys. “We’d avoided being specifically rude to specific groups.”
At least that’s what a new documentary about the Satanic Temple could be about to prove.
Despite the similarity of the name, the Temple is different to The Church of Satan, established in 1966 by chat show circuit celebrity Anton LaVey in San Francisco, California.
Human sacrifice? Wrong. Blood drinking? Wrong. Black Mass? Well, sort of right.
The Temple was founded in 2013 with a mission statement “to encourage benevolence and empathy among all people, reject tyrannical authority, advocate practical common sense and justice, and be directed by the human conscience to undertake noble pursuits guided by the individual will”.
Hail Satan? directed by US film-maker Penny Lane, follows the Temple’s attempts to curtail what they see as the encroachment of Christianity on US life through its growing political influence….
…Perhaps the most famous novel of the subterranean genre is Jules Verne’s Journey to the Centre of the Earth, in which Verne’s hero, Professor Lidenbrock, and his nephew, Axel, believe that there are volcanic tubes leading to the earth’s centre. Verne is a great story-teller and the adventures of these two very different characters and their guide Hans, involve natural dangers like running out of water and deadly storms as well as encounters with creatures from a far distant past.
Although there’s no actual time travel, Verne’s underworld seems located in prehistory, where everything is gigantic, whether it be insects, mushrooms or petrified trees; where an Icthyosaurus wins a battle with a Plesioraurus. The travellers’ most terrifying experience is an encounter with an enormous prehistoric man, all of 12 feet tall, watching over a herd of huge mastodons….
…The monsters aren’t the only Pixar creations headed to Disney+ for new adventures. Toy Story 4‘s Forky, the fan-favorite piece of trash who became a toy, will return in a new series of short films called Forky Asks a Question, starring Tony Hale reprising his role from the film. Fans in attendance at the presentation got a sneak peek of the first short, which features Forky talking to Hamm the Piggy Bank about the concept of money. That clip hasn’t landed online yet, but we’ve got the poster for the shorts right here:
Kevin Feige also revealed new details for ‘WandaVision’ and ‘Falcon & The Winter Soldier.’ Marvel Studios confirmed three new series in the works for Disney+ at D23: She Hulk, Moon Knight and Ms. Marvel.
She-Hulk — AKA attorney Jennifer Walters, cousin to Bruce Banner, whose blood transfusion was responsible for her powers — first appeared in 1980’s The Savage She-Hulk No. 1, and was the last major Marvel character co-created by Stan Lee. After her original series ended after two years, she became a member of both the Avengers and the Fantastic Four as the character developed more of a distinct personality from her male counterpart, gaining a stronger sense of humor and intelligence and deciding that she preferred being super-strong and green permanently — or, at least, as much as possible. (Unlike the male Hulk, She-Hulk traditionally maintains her smarts and personality when Hulked out.)
[Thanks to John King Tarpinian, Michael Toman, Alan Baumler, Cat
Eldridge, Chip Hitchcock, JJ, Mike Kennedy, Martin Morse Wooster, and Andrew
Porter for some of these stories. Title credit belongs to File 770 contributing
editor of the day Lee Whiteside.]
And the number one, all time best space opera as selected by DiscoverSciFi readers is the Honor Harrington series! Otherwise known as The Honorverse, most of the more than 20 novels and anthology collections cover events between 4000 and 4022 AD. Much of the series’ political drama follows that of Europe’s political scene from the 1500’s to 2000’s.
Waid attributes getting the chance to write comics to dumb luck. But there was also a lot of hard work. He started his career at Fantagraphics in Thousand Oaks, doing editing, layout, and other production on comic book fan magazine Amazing Heroes.
He also had the chance to write for the magazine, doing interviews that he described as puff pieces — but discovered that he was inadvertently networking, since he was now in touch with every editor and creator in comics.
When an editorial position opened up at DC Comics in 1987, he was known there for his work in those fan magazines.
“Was I interested in coming in for an interview? Well, yes. Jesus, yes,” Waid said.
After decades of neglect, the world’s space agencies can no longer resist the pull of Earth’s evil twin.
…Venus is Earth’s double. Recent research has even suggested that it might have looked like Earth for three billion years, with vast oceans that could have been friendly to life. “That’s what sets my imagination
on fire,” says Darby Dyar, a planetary scientist at Mount Holyoke College in South Hadley, Massachusetts. “If that’s the case, there was plenty of time for evolution to kick into action.” That could mean that Venus was (somewhat surprisingly) the first habitable planet in the Solar System — a place where life was just as likely to arise as it was on Earth. That alone is a reason to return to the former ocean world.
(7) LEAVING MEATSPACE. [Item by Jonathan Cowie.]Nature this week reviews an SF novel in a substantive way – we perhaps get a full page SF novel a review once a year or twice if we are lucky. Up this time is Neil Stephenson’s new novel Fall. “A digital god: Neal Stephenson rides again”
Neal Stephenson likes to blow things up. In Seveneves (2015), for instance, the prolific science-fiction writer detonated the Moon, then played out how humanity tried to save itself from extinction. In his new tome, Fall, the metaphorical explosion kills just one man. But this is an individual sitting on a few billion dollars, and longing to escape the shackles of mortality. The aftermath of the blast is thus just as powerful, and changes the fate of humanity just as profoundly.
(8) NASA COLLECTIBLES. [Item by Daniel Dern.] This Orion appears to be a spacecraft, rather than the
boom-boom drive discussed in a recent scroll; submitted here for the souvenir-turtles
(1) aspect: “Orion Collectibles”.
(1) If you don’t recognize the Heinlein reference, you
won’t be gathering moss. Or syng pngf, aka Zamboni’d credentials.
…In space, no one can hear your echo chamber. Those who worked on Apollo were not immune to human foibles, such as being a little too fond of their own reasoning, but the mission came first. Fishman recalls disputes over the mission plan. Engineers in Huntsville wanted to fly directly from Earth orbit to the lunar surface. Engineers in Houston wanted to use lunar orbit as a way station. The meetings got heated. NASA commissioned two studies, with the twist that each team had to flesh out the other’s plan. Making the engineers step into each other’s shoes unstuck the debate, and Huntsville came around to Houston’s approach. That one decision ended up saving billions of dollars.
But as much as the Apollo program inspires, it also taunts. The unity of purpose, the technological virtuosity, and the exploratory achievements seem beyond us today—not just in space, but in every domain. I almost wish we didn’t remember Apollo, because the remembrances fill a void. The space program still does amazing things, but nothing like Apollo. The world has made itself a safer and healthier place, but some problems demand direction from the top, and we don’t get much of that.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 6, 1853 — Charles Howard Hinton. British mathematician and writer of SF works titled Scientific Romances. He’s largely known now for coining the word “tesseract” which would get used by writers as diverse as Charles Leadbeater, H.P. Lovecraft, Robert Heinlein and Madeleine L’Engle. He and his, errr, unique family would in turn figure into the fiction of Alan Moore, Carlos Atanes, Aleister Crowley, John Dewy and Jorge Luis Borges. (Died 1907.)
Born June 6, 1915 — Tom Godwin. He published three novels and twenty-seven short stories in total. SFWA selected his story, “The Cold Equations”, as one of the best SF short stories published before 1965, and it is therefore included in The Science Fiction Hall of Fame, Volume One, 1929–1964. (Died 1980.)
Born June 6, 1947 — Robert Englund, 72. I think his best performance was as Blackie on the very short-lived Nightmare Cafe. Of course, most will remember him playing Freddy Krueger in the Nightmare on Elm Street franchise. He actually appeared in a couple of now forgotten horror films, Dead & Buried and Galaxy of Terror, before landing that role. And he’s continued to do myriad horror films down to the years ranging from CHUD to Strippers vs Werewolves. Versatile man, our Robert.
Born June 6, 1951 — Geraldine McCaughrean, 68. Fifteen years ago, she wrote Peter Pan in Scarlet, the official sequel to Peter Pan commissioned by Great Ormond Street Hospital, the holder of Peter Pan’s copyright which J.M. Barrie granted them. So has anyone here read it?
Born June 6, 1959 — Amanda Pays, 60. I first encountered her as Thero Jones on Max Headroom, a series I think could be considered the best SF series ever made. She also had a guest role as Phoebe Green in the episode “Fire” of The X-Files, and and as Christina “Tina” McGee in The Flash. She appeared as Dawn in the Spacejacked film.
Born June 6, 1961 — Lisabeth Shatner, 58. Uncredited as child along with her sister Melanie in “Miri” episode. Also appeared uncredited on TekWar entitled “Betrayal” which she wrote. The latter also guest-starred her sister, and was directed by their father. Co-wrote with father, Captain’s Log: William Shatner’s Personal Account of the Making of Star Trek V the Final Frontier.
Born June 6, 1963 — Jason Isaacs, 56. Captain Gabriel Lorca, the commanding officer of the USS Discovery in the first season of Discovery and also provided the voice of The Inquisitor, Sentinel, in Star Wars Rebels, and Admiral Zhao in Avatar: The Last Airbender. Oh, and the role of playing Lucius Malfoy in the Harry Potter film franchise.
Born June 6, 1964 — Jay Lake. Another one who died far too young. If you read nothing else by him, read his brilliant Mainspring Universe series. Though his Green Universe is also entertaining and I see Wiki claims an entire Sunspin Universe series is forthcoming from him. Anyone know about these novels? (Died 2014.)
(11) COMICS SECTION.
Love of books features in Grant Snider’s Incidental Comics:
(12) WW84. On Twitter, Patty Jenkins posted a photo of Gal Gadot’s snappy new costume for Wonder
The collapse of The Flow, the interstellar pathway between the planets of the Interdependency, has accelerated. Entire star systems—and billions of people—are becoming cut off from the rest of human civilization. This collapse was foretold through scientific prediction… and yet, even as the evidence is obvious and insurmountable, many still try to rationalize, delay and profit from, these final days of one of the greatest empires humanity has ever known.
…Free roaming domestic animals can have a profound effect on wildlife. To better understand and mitigate any impact, it is important to understand the behaviour patterns of the domestic animals, and how other variables might influence their behaviour. Direct observation is not always feasible and bears the potential risk of observer effects. The use of animal-borne small video-cameras provides the opportunity to study behaviour from the animal’s point of view….
Indoors, Huck said, most cats’ No. 1 activity would almost certainly be sleeping. But these cats’ lives were recorded when they were outdoors, and they had a higher priority: Their top activity was “resting” — not sleeping, but not exactly up and at ’em. Another preferred pastime was “exploring,” which Huck said amounts to “sniffing at plants or things.”
Although “cats are famous for being lazy,” Huck said, even their alfresco resting was active, if subtly so. The cat’s-eye-view videos revealed many instances of felines sitting for some time in one spot, but “constantly scanning the area,” as evidenced by faint shifts in the camera angle — left to right, up and down.
“They are really very patiently watching the environment, not wasting energy,” Huck said.
(15) THE SOON TO BE LATE AUTHOR. You’ll need to hurry. In
LA, it’s opening weekend for “The Assassination of Edgar Allan Poe” at the Downtown Repertory Theater. Tickets
for Poe on June 7th, 7:30pm are $25 (discount)
(16) RETRO REVIEWS. Steve J. Wright has completed his Retro
Hugo Novelette finalist reviews.
According to a report in Archaeology in Bulgaria, the balls were “most likely” used by Count Vlad in the winter of 1461-1462 during his “siege and conquest” of the Zishtova Fortress being held by the Ottoman Turks. The balls were used for culverins, an early, primitive form of the cannon.
[Thanks to JJ, Chip Hitchcock, Jonathan Cowie, Mike Kennedy,
Martin Morse Wooster, Cat Eldridge, SF Concatenation’s Jonathan Cowie, John
King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories.
Title credit goes to File 770 contributing editor of the day Jack Lint.]
…Fandom roots were growing independently. Influential fans of these times included Fred Patten, who helped import anime to America, founding a fandom for it, mingling it with science fiction fans and their conventions. Anime was a breath of fresh air with robots, monsters, science fiction and serious adult stories. Patten was also a bridge for funny animal artists with self-published APA’s and zines. In the early 80’s, Steve Gallaci put furries in military science fiction illustration that energized these artists.
At conventions, there was a certain social split among artists and fans. Serious-minded artists wanted to launch respectable careers, while orbiting ones hoped to ride along. But others looked to themselves as sources for fandom for its own sake — and respectability to outsiders wasn’t the main point. While other fandoms took different paths, this one branched off towards a subculture.
At 1980’s sci-fi conventions like Baycon in the San Francisco Bay area, the split was felt with separate room parties (separated by elitism or even cliquish mocking at “skunkfvckers”). It eventually spun off into the first furry con, ConFurence 0 in 1989, a test put together by fans in Southern California. (Mark Merlino, cofounder of Confurence, told me about the fan split in a long email exchange in 2017.) Others spun off from Chicago (Duckon), Philadelphia (Philcon) and elsewhere when furry fans wanted cons of their own….
…Tomorrow, Part 2 will look more at how fandom grows with free expression, its own cottage industry and independent media, while making a certain fandom identity. Then Part 3 will look at how fandom can work like counterculture (or even punk) and how commercialism creeps in and complicates it.
(2) X-MEN: THE SEMINAL
MOMENTS. The late Len Wein gets a lot of love in the video that launches
this series – “The History of the
X-Men Part 1.”
Starting today through the end of May, Marvel will release the four-episode series online to celebrate the X-Men series that changed the Marvel Universe forever: Giant-Size X-Men, 1991’s X-Men #1, Age of Apocalypse, and New X-Men. Sponsored by this summer’s blockbuster HOUSE OF X and POWERS OF X series, these new retrospectives will take both longtime and new X-Men fans back to some of the greatest moments in the Marvel Universe, setting the scene for the most important story in the history of mutantkind.
Each of these shorts will feature voices from Marvel’s past and present – including legendary creators like Adam Kubert, Chris Claremont, Larry Hama, Jonathan Hickman, Al Ewing and more – as they look back and share their thoughts (and inside looks) into the most influential moments that redefined and reignited the X-Men, leading to bold new directions that drew in generations of fans around the world.
X-MEN: THE SEMINAL MOMENTS Series Release Schedule: 5/20 – X-MEN: THE SEMINAL MOMENTS Episode 1: Giant-Size X-Men (1975); 5/22 – X-MEN: THE SEMINAL MOMENTS Episode 2: X-Men #1 (1991); 5/24 – X-MEN: THE SEMINAL MOMENTS Episode 2: Age of Apocalypse (1995); 5/28 – X-MEN: THE SEMINAL MOMENTS Episode 2: New X-Men (2001)
(3) A MARTIAN ODYSSEY. Ingvar
(of Trigger Snowflake fame) livetweeted his tour of the Sweden Solar System, starting near the
Sun and ending right by Mars, “Using just feet and public transport, it takes
about three hours to go from the Sun to Mars.” The thread starts here.
Salvage will tell the story of two couples fighting to survive on a houseboat as it moves down river in a post-apocalyptic America: Everyone is out for their own survival, nothing is as it was and brutality is the new normal. Each of the characters discover sides of themselves they never knew existed, some valiant and some violent.
The film also boasts an original score composed by Jerry Cantrell of Alice in Chains.
Right-o grimdark horde! I need your input to decide upon a shortlist for a new cover artist to replace our outgoing legend Jason Deem.
When I put out the word for a new artist we got a very tall pile of entries–fifty or sixty or so. I had to cut most of them either for their art not being aligned with what I want on our covers, or their rates being a bit too far out of budget, and got the list down to four. I’d love to get your opinion on them.
This week, Devil’s Due published the Alexandria Ocasio-Cortez & The Freedom Force: New Party, Who Dis? comic book. A number of comic book retailers ran exclusive retailer covers, including this one for NY Collector Cave by Carla Cohen which Bleeding Cool posted a couple of weeks ago. In which AOC bears a stunning resemblance to Wonder Woman. Too stunning it seems for DC Comics whose legal team, after reading the article on Bleeding Cool (Warner Bros IP traffic spiked in the days after we posted that article), sent a cease-and-desist notice to DEvil’s Due and the NY Collector Cave demanded that the comic in question not be distributed, but recalled and returned or destroyed.
(9) PUSHING THE NARRATIVE. Is
Grumpy Cat dead, or already reincarnated as Craig Martelle? Camestros Felapton
has a few quotes from the 20BooksTo50K leader that raise the possibility: “Wrapping
up the LMBPN Kerfuffle and the Nebulas”. Martelle told his FB group —
…Six indies nominated for Nebula awards last night and zero indie winners. What matters most is which stories resonate best with the readers and which ones will lead to new stories bringing more readers on board. Who is going to be the most professional of the authors? Out of our six finalists? Only one is not a full-time author and that is by choice.
I am not talking down about any winners or any other authors – being a full-time writer comes with great risk….
Camestros follows up with some earthy opinions of his own.
(10) TODAY’S BIRTHDAYS.
by Cat Eldridge.]
Born May 20, 1911 — Gardner Francis Fox. Writer for DC comics who created The Flash, Adam Strange and The Atom, plus the Justice Society of America. His first SF novel was Escape Across the Cosmos though he wrote a tie-ie novel, Jules Verne’s Five Weeks in a Balloon, previously. (Died 1986.)
Born May 20, 1928 — Shirley Rousseau Murphy, 91. Author of the Joe Grey series of mysteries. It’s a cat who solves mysteries. Surely that’s genre. Excellent series. She also did some genre, none of which I’ve encountered, the Children of Ynell series and the Dragonbard trilogy.
Born May 20, 1946 — Cher, 73. In The Witches of Eastwick which is her main genre credit. She did appear as Romana on The Man from U.N.C.L.E. in “The Hot Number Affair” and she voiced herself in the “The Secret of Shark Island” of The New Scooby-Doo Movies which despite the name was actually a series, but that’s it.
Born May 20, 1960 — John Billingsley, 59. Phlox on Enterprise, a series I really liked despite the fact it seems to have many detractors. His first genre role was in A Man from Earth as Mr. Rothman, a film in which the scriptwriter riffed off the immortality themes from the “Requiem for Methuselah” episode he did for Trek. He’d later reprise that role in The Man from Earth: Holocene. He’s had one-off appearances on The X-Files, Stargate SG-1, Duck Dodgers, Twin Peaks, Lucifer and The Orville. He had a recurring role on Stitchers as Mitchell Blair.
Born May 20, 1961 — Owen Teale, 58. Best known role is Alliser Thorne on the just concluded Game of Thrones. He also was Will Scarlet in the superb Robin Hood where the lead role was performed by Patrick Bergin, he played the theologian Pelagius in 2004 King Arthur, was Vatrenus in yet another riff on Arthurian myth called The Last Legion, was Maldak in the “Vengeance on Varos” episode in the Era of the Sixth Doctor, and was Evan Sherman in the “Countrycide” episode of Torchwood. He’s currently playing Peter Knox in A Discovery of Witches based on the All Souls trilogy by Deborah Harkness, named after the first book in the trilogy.
Born May 20, 1992 — Jack Gleeson, 27. Joffrey Baratheon on the just concluded Game of Thrones. Earlier genre roles are all nameless but are Reign of Fire, Batman Begins and Shrooms, the latter being an Irish horror film.
(11) IN THE LID. Alasdair
Stuart says The Full Lid
for May 17 includes a visit
to the UK’s phenomenally good National Video Game Museum, a review of Vylar Kaftan’s excellent new
novella and a look at Directive, a short run podcast with endless tricks up its
sleeve. The Hugo Spotlight this week is Foz Meadows. Here’s an excerpt
about the museum —
…Some of them are demos or in beta testing like Lightmatter, which I spent a lot of time with. You’re visiting a science facility built into a mountain when the science becomes Science. Guided out by the grumpy Cave Johnson-alike whose project it is, you have to manipulate your surroundings to stay in the light. Because every shadow will kill you. It’s got that Portal‘feral science’ feel to it mixed with a great, monochrome graphic palette that throws stark light and shadow everywhere. Once this is done, I’m going to pick it up.
So that’s a game I would never have known existed. That’s still being built. And you can play for free in a museum….
A fantastical silk road city comes to life in Nafiza Azad’s richly detailed debut novel, The Candle and the Flame.
Fatima works as a messenger in the melting pot of Noor, a bustling desert city where humans and djinn live side by side. Once Noor was only a human city, but an attack by a chaotic tribe of djinn called the Shayateen wiped out the entire population — all except for Fatima and her adoptive sister and grandmother. After the massacre, a new maharajah took charge of Noor and turned to the Ifrit, powerful djinn who strive to keep order in the world, to help drive out the Shayateen and keep the city safe, for its new human and Ifrit inhabitants alike.
Dear book bloggers of the world: I’m worried about you. Please be kinder to yourselves.
Book blogging is not and was never meant to be something you are required to do every day or three times a week or on any arbitrarily defined schedule.
Book blogging is not and should not be about keeping up with other bloggers. There isn’t some prize for reading the most books, or downloading the most eARCs from Netgalley or getting the most ARCs in the mail.
Book blogging should not be something that comes before selfcare, or before your family, or before the big things in your life. Some days watching TV should come before book blogging, because we all do #selfcare differently….
Imagine spending 40 years and more than a billion dollars on a gamble.
That’s what one U.S. government science agency did. It’s now paying off big time, with new discoveries about black holes and exotic neutron stars coming almost every week.
And while three physicists shared the Nobel Prize for the work that made this possible, one of them says the real hero is a former National Science Foundation staffer named Rich Isaacson, who saw a chance to cultivate some stunning research and grabbed it.
“The thing that Rich Isaacson did was such a miracle,” says Rainer Weiss, a physicist at the Massachusetts Institute of Technology and one of the 2017 Nobel laureates. “I think he’s the hero. He’s a singular hero. We just don’t have a good way of recognizing people like that. Rich was in a singular place fighting a singular war that nobody else could have fought.”
Without him, Weiss says, “we would’ve been killed dead on virtually every topic.” He and his fellow laureate Kip Thorne recently donated money to create a brand-new American Physical Society award in Isaacson’s honor.
…”I think that when the show first started, it was the book reader base that really got it going,” said David “Razor” Harris, editor of Thrones news, recap, and discussion website Winter is Coming.
“This is a show that both debuted and ran in an era where live-tweeting, after episode breakdowns, and podcasts are the norm,” said Myles McNutt, a media studies expert and assistant professor at Old Dominion University, who reviews the show for The AV Club. Twitter was barely five years old when the program debuted; Instagram would make its appearance six months after Thrones did. Earlier generations of web-savvy fans had been consigned to wikis and message boards, corners of the internet the uninitiated found easy to overlook. But instead, Thrones content was “popping up in your YouTube related videos, on the the Apple front page of top podcasts,” said McNutt.
“It sort of feels like it’s part of your feeds and your daily existence online,” he continued. “I do think there’s ubiquity to it that has encouraged people to jump onboard that might not have otherwise.”
(16) SIREN SONG. Air New Zealand encourages George R.R. Martin to finish the books — after flying to the country on one of their planes.
(17) NOT THIS FUTURE? BBC’s Jane Wakefield analyzes “The Google city that has angered Toronto”. Key quote vs. genre: “The smart city model is all about hype. They believe that if we have enough data we can solve all our problems, and we need to be skeptical about those claims.”
It was meant to be a vision of how we will all live in future – a smart city built from the internet up – offering citizens the chance to experience the very latest technology.
That would include autonomous cars, innovative ways to collect rubbish and shared spaces for communities to come together in new ways.
Sidewalk Labs, a sister company to Google, had acquired disused land in Toronto, Canada for this bold urban experiment, which it hoped would become a model for other cities around the world.
The fact that it would be collecting a lot of data from sensors placed all around the harbourside development unsettled some.
Now many are asking whether a private firm should take charge of urban improvement at all….
…Are the emojis just an attempt to sell more chocolate to youths? Probably. But they’re also designed to do the one thing that advertisers and brand managers speaking at industry conferences love most: starting a conversation. The press release states that the selected emojis were chosen because they “feature meanings that would help to spark a conversation.” The idea that chocolate could get people talking was based on market research which concluded that 87% of kids would want to share chocolate that features emojis with others.
(20) WESTWORLD SADDLES UP AGAIN. The third season trailer has dropped — Westworld III – HBO 2020.
John King Tarpinian, Mike Kennedy, Carl Slaughter, Chip Hitchcock, Martin Morse
Wooster, Cat Eldridge, Patch O’Furr, Andrew Porter, Dann, Alasdair Stuart, and
JJ for some of these stories. Title credit goes to File 770 contributing editor
of the day Acoustic Rob.]