2020 SDCC Cancelled

San Diego Comic-Con (SDCC) organizers announced today that for the first time in its 50-year history the event has been cancelled. They explained on their website:

Recognizing that countless attendees save and plan for its conventions each year, and how many exhibitors and stakeholders rely upon its events for a major portion of their livelihood, they had hoped to delay this decision in anticipation that COVID-19 concerns might lessen by summer. Continuous monitoring of health advisories and recent statements by the Governor of California have made it clear that it would not be safe to move forward with plans for this year.

The event, which had been scheduled to take place July 23-26. 2020 will instead return to the San Diego Convention Center from July 22-25, 2021. 

Similarly, WonderCon Anaheim, which was to have been held April 10-12, 2020 will return to the Anaheim Convention Center from March 26-28, 2021.

The press release did not discuss new plans for presenting the Eisner Awards and other honors announced each year at the San Diego convention.

In addition to their two annual events, Comic-Con has been planning a major renovation of Balboa Park’s Federal Building to be completed for the grand opening of the Comic-Con Museum in the summer of 2021. However, the COVID-19 situation has had an effect on those efforts as well. As such, they will be rephasing the Museum’s initially planned major renovations, but will not scale back the experience to be offered to visitors upon the Museum’s grand opening. They anticipate releasing building plans illustrating the Museum’s transformation and sharing more information about those efforts in the coming months.

SDCC also announced that individuals who purchased badges for Comic-Con 2020 will have the option to request a refund or transfer their badges to Comic-Con 2021. All 2020 badge holders will receive an email within the next week with instructions on how to request a refund. Exhibitors for Comic-Con 2020 will also have the option to request a refund or transfer their payments to Comic-Con 2021 and will also receive an email within the next week with instructions on how to process their request.

In the next few days onPeak, Comic-Con’s official hotel affiliate, will be canceling all hotel reservations and refunding all deposits made through them. There is no need for anyone who booked through onPeak to take any action, including trying to cancel their reservations online or contacting the company via phone as the process will be handled automatically. Those who booked rooms through onPeak will be notified when refunds have been completed.

“Extraordinary times require extraordinary measures and while we are saddened to take this action, we know it is the right decision,” said David Glanzer, spokesperson for the organization. “We eagerly look forward to the time when we can all meet again and share in the community we all love and enjoy.”

Comic-Con attracts over 135,000 people and is estimated to generate over $147 million for the local economy each year. California Gov. Gavin Newsom has said he’s not optimistic about a return of mass gatherings for sports events, concerts and fairs this year.

[Thanks to Mike Kennedy and N. for the story.]

Convention Cancellations Accelerate as Public Health Restrictions Announced

With the effects of the coronavirus outbreak expanding, and authorities all over the world responding with policies that attempt to limit large gatherings, many more sff events have cancelled or postponed. Some are shielded from contractual penalties because the actions were initiated by the government, but not all.

The International Association for the Fantastic in the Arts has relented and cancelled ICFA 41, which was to be held March 18-21.

For the last two weeks, the IAFA Board has been monitoring the evolving COVID-19 situation. Until yesterday, we considered it our responsibility to keep the ICFA going for the more than 400 members who were still planning to attend, and to let each individual decide for themselves the risk.

The situation has changed drastically and quickly. The WHO has ruled this an official pandemic and, well, you’ve all seen the news. We believe it would be irresponsible for us to hold the conference because travel poses a public health threat, so ICFA is cancelled. We now must enter into negotiations with the hotel to try to minimize the financial damage. At this time, our policy to credit registration forward (as opposed to refunds) has not changed, but we will give you an update when the situation becomes clearer.

Costume-Con 38 in Montreal, scheduled to start tomorrow, has been cancelled.

It is with great sadness that we are constraint to follow the Prime Minister directives to cancel any event bigger than 250 persons. It is a case of force majeure. We will keep you updated on the situation.

Zenkaikon, slated to begin March 20 in Lancaster, PA now will not take place. The decision was made in response to the state governor’s appeal: “Gov. Tom Wolf advises canceling mass gatherings in Pennsylvania, avoiding recreational activities due to coronavirus concerns” .

We know many of our prospective attendees will be disappointed by this decision. We are disappointed too. Our volunteer staff has spent thousands of hours to make this event happen, and to make it safe for our attendees. But given the current reports coming out about this virus, we agree that it is no longer safe to hold the event. We would hate to put our members, staff, exhibitors, panelists, guests, and the greater Lancaster community at risk.

Fantastika 2020, the Swecon this year, has been postponed until sometimes in the fall. Here is the Google Translate rendering of their Swedish-language announcement:

We have had a very hard time deciding whether to implement Fantastika or set it up for the coronavirus pandemic. Now the issue has been resolved by the Diesel Workshop [the convention facility] seeing us as such an event that they do not allow it. One advantage of this is that we do not have to pay for the premises and in addition, the Diesel workshop tries to find a suitable weekend with us in the committee where we can move Fantastika2020….

Planet Comicon Kansas City is postponed ‘til later this year:

Planet Comicon Kansas City is following the Emergency Order issued by the City and will be postponing PCKC 2020, scheduled for next weekend (March 20-22). The safety, security and health of our attendees, guests, exhibitors, staff and crew members will always be of the utmost importance to us. We will be shifting our efforts to our new event dates which will be in late summer or early fall of 2020 and will be announced in the coming days. For more information, click here.

Already cancelled were the Spectrum Awards Ceremony and Flesk/Spectrum appearance planned in conjunction with the KC convention.

The 2020 Jack Williamson Lectureship at Eastern New Mexico University has been postponed.

I regret to inform you that, due to the COVID-19  virus outbreak in the country and – more recently — in New Mexico, Eastern New Mexico University will be canceling large campus events.  Unfortunately, that means postponing the 2020 Williamson Lectureship (scheduled for April 2-3, 2020) until fall 2020.

We are reaching out to our guests and guest writers to see if we can arrange a date in September.

TOOL TO HELP STAY CURRENT. The US/Canada Convention Status Sheet is an unofficial attempt to track the many dozens of events planned for the next few months.

IN CALIFORNIA. Last night, the Governor of California publicly advised against holding large gatherings (See the LA Times story, “Large gatherings should be canceled due to coronavirus outbreak, California Gov. Gavin Newsom says”.) This announcement affects conferences, concerts, sporting events, and more — but currently does not apply to schools.

… Gov. Gavin Newsom joined state health officials in recommending the cancellation of gatherings of 250 or more people across the entire state, escalating the effort by his administration to slow the spread of the novel coronavirus….

The advisory, which does not carry the force of law, stops short of asking Californians to change their work, travel or even some leisure habits. A document provided by the governor’s administration said the limit on large gatherings does “not apply to essential public transportation, airport travel, or shopping at a store or mall.”

Wondercon, not due to take place until April 10-12, has been postponed. Comic Con International, which runs the Anaheim, CA event, proactively decided to postpone the con even though the host city nudged them on Twitter:

It’s also been decided that Disneyland in California will close through the end of the month.

As for San Diego Comic-Con itself, scheduled for July 23-26, the SDCC Unofficial Blog says it’s still moving forward:

…So what does this mean for San Diego Comic-Con 2020? Comic-Con International stated that they “continue to work closely with officials in San Diego and at this time no decision has been made regarding the rescheduling of Comic-Con slated to take place this summer; July 23-26, 2020.” That convention is more than four months out, and with the exception of E3, most events being canceled have been in March-April. Most event organizers are likely waiting to see how containment and other measures in the US work, as well as if warmer weather could potentially help combat the spread of COVID-19, before making decisions on conventions further out. But the situation continues to change at a rapid pace, so keep an eye on this space.

The annual L. Ron Hubbard Writers and Illustrators of the Future awards ceremony, planned for April 3 in Hollywood, CA has been cancelled.

We have been closely monitoring the situation around the COVID-19 virus in California and throughout the world and carefully considered our options for the 36th L. Ron Hubbard Writers and Illustrators of the Future workshops and awards celebration.
In the best interest of the winners, judges, and guests, the workshops and gala event set to take place in Hollywood, CA, on April 3rd will be postponed until later this year.
We know how important this event is for aspiring writers and illustrators and their families who come in from all over the world.

THIS WEEKEND. Yesterday’s File 770 post about conventions affected by the coronavirus outbreak noted that PopCult HQ was tracking eight events happening this weekend. Whereas yesterday six were still planned, by today all but one has been cancelled or postponed.

That one is the River Region Comic Con in Montgomery, Alabama.  

STATEMENT CONCERNING CORONAVIRUS: We have been monitoring the situation and there has been no advisement from Alabama Public Health to not have the event. At this time no cases have been reported in Alabama. If the CDC or Montgomery Public advises and does not allow us to use the building due to concerns we would then cancel. RIVER REGION COMIC CON HAS NOT BEEN CANCELLED. for more information: CLICK HERE!

TADE THOMPSON. One of the GoHs of the UK Eastercon, Tade Thompson, has withdrawn. The convention currently is still planned to start April 10 in Birmingham, UK.

CHARLES STROSS BATTENS DOWN THE HATCHES. In Scotland, Charles Stross is “self-isolating”: “Public appearances in a time of pandemic”.

This probably doesn’t need saying, but I’m cancelling/avoiding public gatherings and/or public appearances for the indefinite, but hopefully short-term, future.

As of an hour ago the Scottish government announced that we’re moving from “contain” to “delay” wrt. Covid-19—community transmission unrelated to travel or contact has been confirmed—and banning all assemblies of >500 people from Monday.

I’m personally in the high-risk category, being over 50 and with both type II diabetes and hypertension, so I’m self-isolating as of today….

TAKE CARE. Diana Glyer’s comment on Facebook seems a good note to end with:

My favorite book about contagions is Connie Willis’s brilliant Doomsday Book, There are a hundred things to love about that book, but for me, today, the big takeaway in it is this: We are limited in the things we can do to address the catastrophe itself, but there are no limits to the ways we can serve, love, help, guide, encourage, and care for one another in the midst of it. And that will make all the difference.

Pixel Scroll 3/24/18 It Would Be The Last Pixel In The World That Scrolled By Molly Grue

(1) START AN INVESTIGATION. “Why the Hell Are These Books Out of Print?” demands James Davis Nicoll in a post at Tor.com. Here are a few of his examples:

Chester Anderson’s 1967 The Butterfly Kid is the first volume in the Greenwich Trilogy. It is without a doubt the finest SF novel in which a collection of futuristic hippies band together to save the world from drugs, blue space lobsters, and the nefarious Laszlo Scott. Anderson and his friend Michael Kurland feature as protagonists. It’s a delightful, light-hearted romp—although apparently not delightful enough, because it has been out of print for decades. The Butterfly Kid was followed in 1969 by Michael Kurland’s The Unicorn Girl and in 1970 by T. A. Waters’ The Probability Pad, both of which are in print.

(2) JOHN TRIMBLE HEART SURGERY. The Trimbles announced on Facebook:

John is getting heart surgery this coming Monday, and the doctor doesn’t want him to do anything strenuous for several months. So a very busy 2018 is going to be seriously curtailed. As for the cruise, we took out insurance, so didn’t lose all the money paid for it. If things go well, we will go next Spring.

John is in good health; in fact the doctor said he was as healthy as the average 60-year-old. The operation is a bit sudden, but when John’s heart checked out to be in the process of clogging, the doctor said he’d as soon operate before doing it during a cardiac arrest. Good thinking!

Good wishes are all John needs. Don’t send flowers, please. But if so moved, please make a donation to the Heart Fund. Any Heart Fund. Research helped to find John’s problem. We’d like to know that others can be helped, too.

(3) NOT READY FOR MORE LIKE THIS. Edmonton’s Hugo Award Book Club blog takes an iconoclastic look at Ready Player One in “Tomorrow isn’t about yesterday”, criticizing what they believe is nostalgia’s undermining effect on science fiction.

There is a subtle – but significant – difference between genuine appreciation for works from those who wrote before us and an ugly, toxic nostalgia that displaces the creation and appreciation of new works.

Which brings us to Ready Player One, a book that has become emblematic of the notion that the works of the past are somehow superior to those of the present or perhaps even the future.

… [I] will be forever grateful that Hugo voters did not include it on the ballot in 2012, despite the massive hype it received when published.

(4) WHAT’S THAT SMELL? Whatever you think about the games, this movie based on a famous old game sucked. The Guardian remembers: “‘The stench of it stays with everybody’: inside the Super Mario Bros movie”.

“We’re in the bedroom of King Koopa’s skyscraper; it’s a big set,” recalls actor and co-star Richard Edson. “Dennis [Hopper] comes in and he’s looking pissed off. He’s mumbling to himself, he won’t look at anyone. So the directors ask, ‘What’s up Dennis?’”

Something was about to go horribly wrong.

The incendiary actor-director, who had unapologetically told everyone he had taken the role for money alone, stood amid the grandeur of his character’s penthouse suite and exploded. “He just starts screaming at Annabel and Rocky,” recalls Edson. “He’s telling them they’re completely unprofessional, that he’s never seen anything like this. Rocky says ‘Dennis, what is it?’ And he yells: ‘You rewrote my lines! You call this writing? This is shit! It’s shit! And the fact you’d do it without asking me?’ He went on and on. He couldn’t control himself.

“This went on for 45 minutes. The producers were looking at their watches, Rocky and Annabel were looking at each other, like, what the fuck can we do? The actors were like, oh my God, this is amazing, this is better than the movie. Finally, they say: let’s go to lunch – but lunch turns out to be another two hours of Dennis screaming at the directors and producers about the state of movie making. Meanwhile, there are 300 extras waiting for the next scene. Rocky and Annabel start begging him – they’re like, Dennis, please tell us what you want, we’ll do anything.

“But he wasn’t through yelling at them. People were knocking at the door, producers were going out trying to tell people what the fuck was going on. Finally, Rocky and Annabel said, ‘Look, you rewrite the scene, or we’ll go back to the original, whatever you want.’ And finally he goes: ‘OK, we’ll do the scene the way it’s written now.’ Everyone sighs, we go back three and a half hours after it was meant to be done, we do the scene exactly the way it was written when he started.”

(5) THE CASE FOR CASH. Whether these creators’ games look to the past or future, they look like money says the BBC: “How video games turn teenagers into millionaires”.

Alex Balfanz is an 18-year-old student at Duke University in North Carolina. Every day he has lectures or seminars, followed by assignments. Like many students his age, he devotes a couple of hours per day, and many more at weekends, to video games.

But he’s not just playing them – he’s making them. And making a lot of money doing it.

“In the 10 months that Jailbreak has been released, it has already yielded seven figure profits,” Balfanz says of his cops-and-robbers adventure game released last year. A few weeks ago, it was played for the billionth time.

Balfanz is just one of thousands of young gaming entrepreneurs in their teens or twenties making money in an industry that made $36 billion last year.

(6) ENDANGERED SPECIES. Nobody was more shocked than the dino: “T-Rex goes up in flames at Colorado dinosaur park”.

The owners of a dinosaur theme park in Colorado said an “electrical issue” was behind the demise of a life-sized animatronic T-Rex.

Zach and Carman Reynolds, owners of the Royal Gorge Dinosaur Experience in Canon City, said in a Facebook post that the Tyrannosaurus Rex statue went “extinct” Thursday.

Mike Kennedy joked, “Are the humans fighting back against the coming robot revolution? But the dino park owners say they plan to replace the bot, so the resistance may need to strike again.”

(7) DOG STAR. NPR’s Chris Klimek says Wes Anderson’s Isle Of Dogs takes Best in Show: “The Fast And The Furry Us: Wes Anderson’s Masterful ‘Isle Of Dogs'”.

You have an opinion, probably, on which of the two most common species of household pet you deem superior — and an opinion, possibly, on the fastidious filmography of Wes Anderson. But this much, at least, is fact: Nobody ever made a good movie about the nobility of cats.

Not even Anderson, who certainly seems like he might be a cat person, with his velvet-and-tweed blazers and his indoor scarves and his arched-eyebrow worldview. But no one will question his right-thinking canine-supremacy bone-a-fides after Isle of Dogs. (Go on, say the title out loud.) His dizzying new stop-motion epic is so visually rich, so narratively ambitious and so openhearted in its admiration for Japanese culture and the unshakable loyalty of doggos that it’ll likely roll right over the familiar cries that Anderson is too fussy or whatnot like a Corgi rolling over for a belly rub.

(8) ROTHFUSS AT WONDERCON. Comics Beat is covering a bunch of panels at this weekend’s WonderCon, such as “WonderCon ’18: Patrick Rothfuss Speaks of ‘What If’ at ‘Gather ‘Round the Campfire: Telling Tales'”.

Novels like J.R.R. Tolkien’s The Hobbit and Neil Gaiman’s American Gods are all considered literary masterpieces, but fantasy novels didn’t always get the recognition they do today. Even still there are those who see fantasy as pale comparisons to the likes of Hemingway, Buck, and Steinbeck. If this is the case, why do authors still choose to write in the fantasy genre?

At this year’s WonderCon, this question and others were heavily discussed at the “Gather ‘Round the Campfire: Telling Tales” panel. In attendance were authors Jenna Rhodes, Tina LeCount Myers, R.A. Salvatore, and WonderCon guest of honor Patrick Rothfuss.

(9) TODAY’S BIRTHDAY BOY

  • Born March 24, 1930 — Steve “The Blob” McQueen

(10) NICE BEANIE. John Scalzi gets more fannish all the time.

(11) CATS AND BOOKS. This image reportedly has gone viral even though the cat is wide awake!

Cats Are Seriously Unimpressed At Being Awakened From Their Nap To Pose Next To Related Works

(12) YOUR NEXT PARTY. Who wouldn’t like this?

(13) THE SCORE. Steve Vertlieb hopes you’ll read his post about the composer for “Max And Me”:

Composer Mark McKenzie has written a superb score for the upcoming animated Mexican film production of “Max And Me”, concerning the life and martyred death of Franciscan priest Maximillian Kolbe, who gave his life so that others may live, in the Auschwitz concentration camp.  Here is my critique of this brilliant original motion picture score.

A note from composer Mark McKenzie regarding the release of his newest, most powerful film score…

One hundred thirty-five of London’s finest musicians gathered at Abbey Road Studios to record MAX AND ME including one of the most expressive solo artists of our generation, concert violinist Joshua Bell. Polish priest Maximillian Kolbe, tortured at Auschwitz asked those around him to not be overcome with hatred but to love for “Only love is creative.” His compassion lead him to sacrificially die in Auschwitz’s starvation bunker to help a man with children survive. The film makers, musicians and I hope this message of hope, love, and beauty amidst great darkness will be enjoyed by many and spread widely. A portion of each sale goes to the Shoah Foundation, Word Vision and Catholic Relief Services.

(14) BACK TO THE PAST. Even when there’s not a Mercury launch, science is smokin’ in 1962 says Galactic Journey: “[March 24, 1963] Bumper Crop (A bounty of exciting space results)”.

February and March have been virtually barren of space shots, and if Gordo Cooper’s Mercury flight gets postponed into May, April will be more of the same.  It’s a terrible week to be a reporter on the space beat, right?

Wrong!

I’ve said it before and I’ll say it again.  Rocket launches may make for good television, what with the fire, the smoke, and the stately ascent of an overgrown pencil into orbit…but the real excitement lies in the scientific results.  And this month has seen a tremendous harvest, expanding our knowledge of the heavens to new (pardon the pun) heights.  Enjoy this suite of stories, and tell me if I’m not right…

(15) THE COURTS BE WITH YOU. Lucasfilm’s legion of lawyers couldn’t win this one: “Star Wars firm Lucasfilm must pay ‘failed’ Darth Vader film damages”.

A film-maker who sued Stars Wars producers Lucasfilm for blocking plans to make a film about Darth Vader has won almost £39,500 in damages.

Marc John, 46, of Buckinghamshire, claimed he was stopped from beaming a live interview with actor David Prowse to 1,200 cinemas.

He claims the film would have made about £3m, with his share worth £1.35m.

A High Court judge ruled Mr John could have made the film but for Lucasfilm’s interference.

Mr John, of Thornley Close, Aylesbury, claimed the Darth Vader interview and other scenes from the “For the Love of the Force” Star Wars convention in Manchester would have netted him a seven-figure sum.

It would have been broadcast in December 2015, just prior to the release of Star Wars: The Force Awakens, when anticipation and hype for the franchise was “sky high”, his legal team said.

(16) PRE-INTERNET ANTIQUE. Motherboard spreads the word that “You Can Now Play the First LGBTQ Computer Game, For the First Time”.

Caper in the Castro is a legendary video game, not because legions of die-hard fans continue to play it, but because it was thought to be lost forever. Now, what is largely considered to be the first LGBTQ-focused video game (it was released in 1989) is on the Internet Archive for anybody to play.

The game is a noir point-and-click that puts the player in the (gum)shoes of a private detective named Tracker McDyke who is, in case you couldn’t guess by the name, a lesbian. McDyke must unravel the mystery behind the disappearance of Tessy LaFemme, a transgender woman, in San Francisco’s Castro district, an historically gay neighbourhood.

Caper in the Castro was coded by a developer who goes by CM Ralph and spread through early message board systems, known as BBS boards. The game was originally released as “CharityWare,” and came with a short message from Ralph asking the player to donate to an AIDS charity. Since those early days, though, the game was thought to be lost and unpreserved for future generations to enjoy or appreciate. Until now.

(17) BOUNCEHENGE. This 2012 item is still news to me! “English Artist Creates Life-Sized Stonehenge Bounce House”

Stonehenge is one of the most famous monuments in the world, but if you go to visit it you have to enjoy it from a distance. In order to protect the historical site, tourists must stick to a path that surrounds the stones and can’t actually walk among them. Recently, the Turner Prize winning artist, Jeremy Deller, created a monument of his own that visitors are more than welcome to walk through; in fact, visitors to this version of Stonehenge are encouraged to jump and flail about to their hearts content. There’s no need to worry about damaging this Stonehenge, for as visitors will quickly find out as they approach the structure, it is actually a bounce house.

 

[Thanks to Chip Hitchcock, ULTRAGOTHA, Martin Morse Wooster, JJ, John King Tarpinian, Mark Hepworth, Mike Kennedy, Carl Slaughter, Cat Eldridge, Olav Rokne, Steve Vertlieb, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Rob Barrett.]

Pixel Scroll 3/27/16 (I’ll Never Be Your) Star Beast of Burden

(1) DANGER WILL ROBINSON! “’Lost in Space’ robot saved from Valley Village fire” reports Daily News.

TV and movie props that included a robot reportedly from TV’s “Lost in Space” were saved from destruction late Wednesday in Valley Village due to the efforts of Los Angeles firefighters.

The LAFD responded about 11:30 p.m. to a garage fire in the 5100 block of Whitsett Avenue. Firefighters attacked the blaze, which was electrical in nature, a fire department spokesman told a photographer at the scene.

The home belongs to a prop designer and special effects artist who was out of town at the time, according to a caretaker who woke to the smell of smoke.

(2) JOCULARITY. Two Easter hams are heard from.

(3) HEARSAY. Mark Evanier’s friend has convinced him this weekend’s blockbuster is “Not the World’s Finest” – as he explains at News From ME.

I don’t have a whole lot of interest in seeing the new Batman Vs. Superman movie, a film which has achieved something I didn’t think was possible. It actually caused my dear friend Leonard Maltin to use the word “sucks” in his review. Even Rob Schneider never managed that and lord, how he tried.

(4) PARAGRAPH FROM A FUTURE TRIP REPORT. GUFF delegate Jukka Halme outlined how he spent the day.

Sunday at Contact 2016 has been a small whirlwind. Moderated my first panel (Through New Eyes), which went really well. Chatted way too long at the Fan Fund table with the Usual Suspects. Bought books. Just a few. Waited ages for my Pad Thai at the hotel restaurant, that was brimming with people and not too many employees, Presented a Ditmar, with a little bit of Bob Silverberg routine (VERY little) to Galactic Suburbia. Held an auction for fan funds, which went smashingly well. And missed the bar, since this is a dry state and while it is apparently OK to sell alcohol during Easter Sunday, places either close up really early, or everybody had left the bar.

(5) AN AUTHOR’S USE OF NAVAJO CULTURE. “Utah author features Navajo characters, history in new science fiction thriller” in Deseret News.

After serving a mission for The Church of Jesus Christ of Latter-day Saints on a Navajo reservation in New Mexico, Robison Wells, who lives in Holladay, fell in love with both the area and the people he served. When he wrote his newest book, “Dark Energy” (HarperTeen, $17.99, ages 13 and up), which features several Native American characters and is scheduled to be released March 29, he worried about portraying them in the correct way.

“I wanted to show respect for the culture,” he said. “I didn’t want to appropriate their culture or their traditions.”

He sent his manuscript out to a lot of Navajo readers to get their reactions and tried to adjust his book accordingly. He knew writing a story centering on Native American characters and history would be a difficult and controversial thing to do, but he felt that it was such a compelling story that he had to tell it.

(6) ADDRESS FOR HAMNER CONDOLENCES. Anyone wishing to send a letter or card to the family may do so at the address below.

Jane Hamner
P.O. Box 220038
Newhall, CA 91322

(7) TODAY’S BIRTHDAY BOY

  • Born March 27, 1963 — Quentin Tarantino

(8) TODAY’S BLOOD-PRESSURE BOOSTER. Jason Sanford says “The Retro Hugo Awards must be fixed”.

If any particular Worldcon wants to give out Retro Hugos, then e-book and/or online anthologies of eligible authors and stories must be made available to those nominating for the awards. And that must include works which are not in the public domain. Yes, it would take time to do this but I imagine most publishers and/or author estates would be willing to make the stories available for members at no cost.

But even if voters have access to stories from decades ago, it’s still unlikely that as many people will take part in the Retro Hugo nominating process as takes part in nominating for the regular Hugos. This, unfortunately, leaves the Retro Hugos open to missing important works and to being gamed.

To fix this here’s my next suggestion: Use a combination of juries and regular Worldcon members to nominate works for the Retro Hugos. 

I know juries seem like the ultimate insider power play, but when you’re dealing with stories published 75 or 100 years ago it can be useful to have experts in that genre time period also nominating stories. Perhaps the jury could nominate two of the five works in each category, and Worldcon members could nominate three of five. This also seems like a sensible way to make sure the nominated stories are truly the best that year has to offer.

(9) CAN MUSK AFFORD A MARTIAN ODYSSEY? “Neil deGrasse Tyson to Elon Musk: SpaceX Is ‘Delusional’ About Mars”. A writer at The Motley Fool explains Tyson’s reasons.

In less than 10 years from now, SpaceX may or may not beat NASA in the race to Mars. Astrophysicist, Hayden Planetarium director, and host of the National Geographic Channel’s StarTalk Dr. Neil deGrasse Tyson is placing his bet on “not.”

“The delusion is thinking that SpaceX is going to lead the space frontier. That’s just not going to happen…” Tyson said in an interview with The Verge. Tyson laid out his arguments for why fans of a solo SpaceX trip to Mars suffer from a “delusion.” According to Tyson, there are three main reasons SpaceX cannot go to Mars on its own.

Reason 1: Cost

“So if you’re going to bring in investors or venture capitalists and say, ‘Hey, I have an idea, I want to put the first humans on Mars.’ They’ll ask, ‘How much will it cost?’ You say, ‘A lot,'” Tyson said in the interview.

Tyson says it’s “very expensive” to go to Mars. How expensive? Some estimate $30 billion, but a bill of $160 billion isn’t out of the question, and critics in Congress charge that the total cost could reach $500 billion….

(10) CAT GOT YOUR TONGUE? Camestros Felapton is away traveling for a month. During their absence, Timothy the Talking Cat has taken over the blog, and has been busy posting such literary gems as “Timothy retells Dune”.

…Now there was this posh elitist liberal progressive family called the Artyfarties. They like super sucked at making money. The dad was a real wimp and the mum was in some sort of feminist cult. The son looked like the crazy guy in Agents of Shield but younger and more wimpy. The kid Artyfarties thought he was so much smarter than everybody but was a big wimp.

Now Boss Harkonen took pity on the Artyfarties. Big mistake! But he had a kind heart and he hated to see the Artyfarties suck so badly at businessing. So Boss Harkonen says to Dad Artyfarties: “You can run this planet for me. It is the only place you get Old Spice Magic which makes people young and makes spaceships run. It’s a classic monopoly, you can’t go wrong. Just don’t screw it up!” ….

(11) MEASURING SUCTION. Which is worse? Timothy the Cat’s retelling, or David Lynch’s? It’s close. Here’s Jonathan K. Dick’s evaluation of the movie at A.V Club, Dune can’t capture the novel’s incalculable brilliance”.

So what the hell is wrong with Lynch’s Dune? Before the collective “everything” echoes through the internet, it’s important to understand that the phrase itself “Lynch’s Dune” should already throw up the kind of red flags usually reserved for impending, air-raid level danger. Four years removed from his time behind the chair as director for the spirit-lifting biopic The Elephant Man and its eight Academy Award nominations, Lynch received the go-ahead from producer Raffaella De Laurentiis to direct the film adaption of Dune. This after 20 years, no less than 10 directors, producers, screenwriters, scripts, and general filmmaking anxiety that included the likes of Ridley Scott, Rudy Wurlitzer, Robert Greenhut, and of course the brilliantly documented attempt by Alejandro Jodorowsky.

(12) FIRST SEASON FLINTSONES COSPLAY? The Traveler from Galactic Journey amusingly interprets cosplay at this weekend’s WonderCon in terms of what fans knew in 1961 — “[March 27, 1961] What A Wonder! (WonderCon)”.

These are generally smallish affairs compared to their business-oriented cousins, with attendance running into the hundreds.  But for the fan who normally has a local community of just a half-dozen fellows (and perhaps many more as pen pals), going to a convention is like a pilgrimage to Mecca.  One meets people with completely different experiences, different perspectives.  There is the opportunity to get news from far and wide on exciting new projects, both fan and professional.  And the carousing is second to none, both in the heights of enthusiasm and creativity.

Take a look at my newly developed roll of shots from “WonderCon”, a sizeable affair held last weekend in Los Angeles.  These are some dedicated fans, some fabulous costumes, and some terrific times!

First off, a few attendees who came in street clothes: …

(13) MILESTONES ABOVE THE SKY. Motherboard advises that “‘In Space We Trust’ is a Beautiful History of Exploration”

In the timeline (which for all its beauty will entirely monopolize your CPU usage) you navigate the history of space as a young cosmonaut. The timeline begins with the October 4, 1957 launch of Sputnik and takes the user through all the major space milestones: first spacecraft, journeys to other planets, landings on celestial bodies.

Each milestone is accompanied by a series of stunning animations, a brief description of the event and a link to a Wikipedia page on the topic in case you want to read more. Your journey is orchestrated with an ethereal soundtrack that is overlaid with sounds from space like cosmonauts on a radio or rocket engines igniting.

 

 [Thanks to John King Tarpinian, JJ, Martin Morse Wooster, and Will R. for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

SF Outreach at WonderCon

John O’Halloran, Helen Montgomery Leane Verhulst, and Chris O’Halloran, ready for business on Day One.

By the Science Fiction Outreach Project TeamJames Bacon, Chris Garcia and Helen Montgomery 

It was an incredibly brilliant experience. We benefitted hugely from teamwork and generosity of fans.

Between a variety of book drives, donations and even people turning up at WonderCon (April 1-3) with small bags, we had between 5,500 to 6,000 books.  Borderlands, Berkshire Books, Locus Magazine, and Half Price Books (in both the Bay Area and the Chicagoland Area) also donated books.

We had boxes of Locus and SF and F to give away as well.

We had bookmarks made, and every book had one inserted prior to shelving.

We were able to shelve around 1400 books at a time in the space we had, and had stacks of flyers for other cons on both tables, promoting a wide variety of cons as well as progress reports for Renovation.

We set up on Thursday, after spending Monday through Wednesday sorting books, picking up books, and then loading a truck, etc.

On Wednesday after loading the truck, we popped into the Moscone Convention Center, and this was fortuitous as we got our badges and met our contacts, and they were real nice.

Thursday we built our shelving, the Freeman move-in experience was a good one, as was the whole set up.

Friday — well it was interesting, we were all set up and within minutes of opening our booth area had about 6 people in it, and from then till close we never had less, and frequently had too many.  This was the pattern for the rest of the weekend as well.

A continual information dump from the team (we had 7 on hand at opening and this increased throughout the weekend) to the attendees, and then longer time taken to explain what cons are (I know, but wow – you should have seen their faces when they realized what else is out there!), what Reno is, what Worldcon is and what we were doing meant at all times we were busy.

There was much interest, and people from the Bay Area, Sacramento, and Reno especially interested in the World Science Fiction Con coming to somewhere nearby or Westercon or Loscon, while folks from further afield were pointed at cons in their states and generally anyone who wanted to know about something local to them was satisfied.

The diversity of people calling into the booth was much more varied than our experience at book conventions, and yet all folks wanted to do was talk about books, get recommendations or talk about these “book conventions” that we were promoting. Everyone was super friendly (well, the books were free) but the interest in the overall hobby was noticeable.

Also, the knowledge of people was superb, many of these people were genuine SF readers – who just are not aware of what’s going on in the SF fannish community.

Friday we cleared the bookshelves, and on Saturday and Sunday both days we refilled throughout the day and managed the books well, and so by Sunday night we ended up with only 80 books not taken.

It was real hard work, it was an incredibly fun thing to engage with people about books and our wider hobby and we are pretty sure we can call it a success.

Helping out the core team were: Dave Gallaher, Dave Clark, Mike Ward, John O’Halloran, Chris O’Halloran, Kevin Standlee (who brought a Hugo statue for us to display!), Steve Libbey, Tom Becker, Lynda Wentzelberger, “Hitgirl” (a random attendee who decided what we were doing was cool and started to help), Jo Mead, and Leane Verhulst. 

We would also like to thank Kimm Antell and Meredith Branstad for helping to design bookmarks and postcards and banners for us.

We really, really, really want to thank Colin Harris for updating our Facebook page throughout the weekend (despite us being on the Pacific coast, and him being in London, England!), which got us some great comments from folks who were there, found us, and went to find us on FB later!  (Have you “liked” us on FB yet?  We are “Science Fiction Outreach Project – USA”)

Highlights for us included:

  • Seeing the looks on people’s faces when they realized the books really were free
  • Watching people light up when they heard about SF conventions
  • Watching people get so excited when they realized they could be part of the Hugo Awards process
  • Watching people recommend books to each other
  • One of us recommended a book that was already taken, and another person overheard and said “Yup, it’s great. I was going to take it but you have it.” (This happened more than once, including adults giving some stuff over to teenagers just getting into the genre.)
  • People being happy to hear that Worldcon is coming to a town near them
  • Young adults getting even more excited when they learned about the YA discount and the options about volunteering to make Worldcon affordable
  • Writers and publishers who had their own booths at the convention coming over and donating books for us to give away (especially Archaia Publishing, who gave us a big box of comic books to give to kids)

It was quite honestly one of the most amazing experiences some of us have ever had in fandom.

WonderCon is only just over – but we’re already gearing up for what comes next!  We have a few ideas of what we would like to do, and will keep the readers of File 770 updated as we go.

We cannot thank you all enough for your support, it was a great weekend.  I truly believe we got our message out and in a good way, and that fandom will benefit from this for sure.

Many thanks,
The Science Fiction Outreach Project Team (James, Chris, and Helen)

Day Two, with Hugo rocket.

Saturday at 3:30 p.m.

The final remains on Day Three.