Pixel Scroll 5/14/20 You Will Scroll Eternal, Shiny And Chrome

(1) MOOT COURT. [Item by Martin Morse Wooster.] This is from Robert Barnes’ Washington Post report of a Supreme Court hearing an argument about whether states have the right to punish “faithless electors” who cast a vote in the Electoral College other than the candidate who won a state’s electoral votes.

“What of the elector who decides after the election ‘I really like Frodo Baggins,’” asked Justice Clarence Thomas, referencing one of the principal protagonists of J.R.R. Tolkien’s Lord Of The Rings.  That person is free to vote his or her convictions, a lawyer challenging state restrictions said, but not for a hobbit; the candidate must be a real person.

(Link: “Supreme Court considers ‘faithless’ presidential electors and finds more questions than answers”.)

(2) US IN FLUX. ASU’s Center for Science and the Imagination launched the latest story in their Us in Flux project today, Tina Connolly’s “Skating Without Streetlights”, a story about virtual reality and friendship, with a bit of a YA spin.

On Monday, May 18 at 4 p.m. Eastern, they’ll have another virtual event on Zoom with Connolly in conversation with VR developer Dennis Bonilla.  

(3) WINDING DOWN NASFIC. Columbus 2020 NASFiC announced today it is cancelled. Their statement “We will not be offering any refunds but, that being said, we still plan on publishing a souvenir book for all attending and supporting members” received some pushback in a public Facebook conrunners’ group. Treasurer Kim Williams has responded with a supplementary statement:

We don’t know what our bills are going to be or what will be left over, And now unfortunately one person has escalated their unhappiness about no refund to PayPal and is encouraging her entire group of friends to do likewise.

So, why did NASFIC say no refunds?

1. We just got to the point of cancellation This Morning. It’s hard to be in the land of “who knows?” so we got the main piece of information out to everyone as soon as possible. We didn’t want people making travel plans and fighting to cancel those too. I treated you with the respect I would have hoped for.

2. We do not have all the information from the hotel or any of our other vendors on what we owe them. We don’t know what is going to be left! I’m negotiating with each vendor doing the best I can.

3. We have to say no refunds at this point because we can’t even begin to know what might be left over.

4. We really would like to do a Souvenir/Program Book because we want to do something for our guests. We put a lot of thought into our choice of guests and feel horrible about not having a convention for them.

5. One of the issues we discussed TODAY is what we should do if any funds are left after that. What we would like to do is participate in the “pass along” program, just like any other WSFS event even though we didn’t receive any.

But if this person continues her claim, it risks all of the above, She wants her refund before anyone else even has a chance.

So, now I really don’t know what is going to happen. .

(4) MORE CONVENTION CANCELLATIONS. Oxonmoot and KublaCon are two more of the many fannish events now off the calendar.

Oxonmoot 2020’s co-chairs Elena Davison and Mike Percival told members the Tolkien Society’s fall event is off for this year.

It is with great sadness that we have reached the decision that it will be impossible to hold a face-to-face Oxonmoot in 2020.

At all times, we have had in mind that we would only run Oxonmoot if we could do so in a way which was safe for our members.

Following the publication on Monday 11th May of the UK Government document “Our Plan to Rebuild”, describing their Covid-19 recovery strategy, it is clear that some level of social distancing will still be required in September, and this has a dramatic impact on the way the spaces in college can be used – for example the capacity of the Hall is reduced by almost 80%. This has led the college to advise that they do not feel able to accommodate our event. In addition, the proposed introduction of a 14-day self-isolation period for overseas travellers would make it difficult for overseas members to attend….

KublaCon’s Executive Producer Mike Eckert says the Oakland, CA gaming convention is cancelled.

…We know this will disappoint many of you, we are disappointed along with you.  We also know there will be questions as to what comes next.

Some of us on Staff, myself included, lost their day job amid this pandemic, many more staff are at home, quarantined; just like you. You may be wondering what happens to your badge fees, ticket fees or booth fees. We want to help answer all of that and we humbly ask for your help too….

(5) EATING THE FANTASTIC. Scott Edelman is still “Social Distancing” – which means eating at home and withstanding the sharp cross-examination conducted by fans of his podcast, something the accomplished raconteur is thoroughly prepared to do,.

Two episodes ago, we sheltered in place together as I ate lunch and answered 33 questions from listeners and former guests of Eating the Fantastic. Since it’ll be awhile before the convention circuit starts up again and restaurants are back in business, I decided to once more invite you into my home to join me for a meal.

After all, my original call for questions had yielded 95 of them, and there was no way I was going to let that meat go to waste!

So after having roasted up a pork butt and assorted vegetables, I pulled together a plate and attempted to answer as many as I could while (metaphorically) breaking bread with you.

…I talked about my early days in the Marvel Comics Bullpen, the many things legendary editor Gardner Dozois and I shoved up our noses, when my food and fandom interests began to overlap, what I would have said to Harlan Ellison had he been in Barry Malzberg’s shoes, whether experiencing personal tragedy helps or harms a writer, the cognitive dissonance I feel about comics having taken over the world, which character caused me to start writing (hint: it was Conan the Barbarian), what I wishes I knew less about, who I was the most thrilled to have met in my life, whether I still get a kick out of my favorite childhood treats, what a terrible collaborator I am, and much, much more.

(6) NEWTON OBIT. Barry Newton, past President of the Washington Science Fiction Association (2014), died May 12 of cancer. He was 70. Barry was part of WSFA for nearly 50 years, having joined in June 1970.

He contributed items to the Scroll in years gone by.

He was retired from the National Institute of Standards & Technology.

His daughter, Meridel, said on Facebook  he will be cremated and inurned in Arlington National Cemetery whenever they resume burials. A celebration of life will be held when gatherings become possible again.

(9) TODAY IN HISTORY.

  • May 14, 1996 Doctor Who aired on the Fox Television Network in the United States. Starring Paul McGann as the Eighth Doctor, Sylvester McCoy as the Seventh Doctor, Daphne Ashbrook as Grace Holloway and Eric Roberts as The Master. It was directed by Geoffrey Sax off a script by Matthew Jacobs. It was intended as a pilot to American produced and based Who series but internal politics at BBC killed it off. Some critics loved, some hated it; the audience reviewers at Rotten Tomatoes gave it a decent forty eight percent rating.  He has since reprised the role, briefly in video form and quite extensively in audio form for Big Finish. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 14, 1848 – Albert Robida.  French illustrator, etcher, lithographer, caricaturist, novelist.  Edited and published Caricature magazine 1880-1893; 520 illustrations for Pierre Giffard’s weekly serial The Infernal War (1908); 60,000 during AR’s life.  In The Twentieth Century (1882; set in 1952), War in the Twentieth Century (1887), Electric Life (1890), five more, imagined technological developments integrated with daily living, e.g. the telephonoscope, whose flat-screen display shows news, plays, conferences, 24 hours a day; here’s an aerial rotating house.  Books about Brittany, the Touraine, Normandy, Provence, Paris, The Old Towns of ItalyThe Old Towns of Spain, text, drawings, lithographs.  Illustrated Cyrano de Bergerac, Rabelais, Swift.  Clock of the CenturiesThe End of Books (with Octave Uzanne); The Long-Ago Is With Us TodayIn 1965.  (Died 1926) [JH]
  • Born May 14, 1852 – Henri Julien.  First full-time newspaper editorial cartoonist in Canada.  Interiors for Douglas Erskine’s novel A Bit of Atlantis (1900), reviewed by Everett Bleiler in Science Fiction, the Early Years (1991).  Here’s a flying canoe.  Louis-Philippe Hébert (1850-1917) called him the most original talent in the country.  Posthumous collection, Album Henri Julien (1916).  (Died 1908) [JH]
  • Born May 14, 1853 – Sir Hall Caine.  Novelist, dramatist, short-story writer, poet, critic.  Secretary to Dante Gabriel Rossetti; Recollections of Rossetti (rev. 1928).  Son of a Manxman, moved there, elected to its legislature; Bram Stoker dedicated Dracula to him in Manx.  The Christian, first novel in Britain to sell a million copies; The MahdiThe Eternal City (translated into thirteen languages), The ScapegoatThe White ProphetThe Prime Minister (play), fantasy; fifteen more novels, seventeen plays, four films (plus more made from his books); The Supernatural in Shakespere (HC’s spelling), The Supernatural Element in Poetry, eighteen more books of non-fiction; ten million books sold.  Went to Russia, Morocco, Iceland, Egypt.  Sixty thousand people at his funeral.  (Died 1931) [JH] 
  • Born May 14, 1929 – George Scithers.  His fanzine Amra 1959-1982 won two Hugos.  Chaired three Disclaves and the 21st Worldcon; Fan Guest of Honor at the 2nd NASFiC (N. Am. Science Fiction Convention, held when the Worldcon is overseas) and the 59th Worldcon; frequent chair of the annual WSFS (World SF Society) Business Meeting.  Served as President of WSFA (Washington, D.C., SF Ass’n) and Official Arbiter of The Cult (an apa – amateur press ass’n – famous in song and story).  First editor of Asimov’s; two Hugos as Best Professional Editor.  Perpetrated the Scithers SFL (Science Fiction League) Hoax.  Revived Weird Tales (with John Betancourt).  World Fantasy special award for Weird Tales (with Darrell Schweitzer), 1992.  World Fantasy lifetime-achievement award, 2002.  (Died 2010) [JH] 
  • Born May 14, 1933 – Ron Bennett.  British fanwriter, collector, publisher, used-book dealer, even while living in Singapore.  TAFF (Trans-Atlantic Fan Fund) delegate, 1958; trip report, Colonial Excursion.  Chaired the 13th Eastercon (United Kingdom natcon, i.e. nat’l convention), ran the Dealers’ Room at the 45th Worldcon.  Member variously of OMPA (Off-trails Magazine Publishers Ass’n, serving awhile as its Official Editor), FAPA (Fantasy Am. Press Ass’n), The Cult (see G. Scithers note); best-known fanzines, Skyrack (rhyming with “beer hack” because, as RB well knew, it meant shire oak, but what a name), Ploy.  (Died 2006) [JH]
  • Born May 14, 1935 Peter J. Reed, 85. A Vonnegut specialist with a long history starting with Kurt Vonnegut, Jr.: The Vonnegut Chronicles: Interviews and Essays that he wrote with Marc Leeds, and Kurt Vonnegut: Images and Representations with Leeds again. He also wrote a handful of essays such as “Hurting ’til It Laughs: The Painful-Comic Science Fiction Stories of Kurt Vonnegut“ and “Kurt Vonnegut’s Bitter Fool: Kilgore Trout”. (CE)
  • Born May 14, 1944 George Lucas, 76. For better and worse I suppose, he created the Star Wars and Indiana Jones franchises. (Raiders of the Lost Ark and Indiana Jones and the Last Crusade are fine. Several Star Wars films are.) And let’s not forget THX 1138. My fave works that he was involved in? LabyrinthRaiders of the Lost ArkThe Empire Strikes Back and Willow. Oh, and and The Young Indy Jones series. (CE)
  • Born May 14, 1947 Edward James, 73. Winner at Interaction of Best Related Non-Fiction Book for The Cambridge Companion to Science Fiction which he did with Farah Mendlesohn. A companion volume, The Cambridge Companion to Fantasy Literature, was also edited with Mendlesohn. He was the editor of Foundation: The International Review of Science Fiction from 1986 to 2001. (CE)
  • Born May 14, 1952 – Kathleen Ann Goonan, 68.  Author, Montessori certified teacher, professor at Georgia Tech (Ga. Inst. of Technology).  Three Nebula nominations; John W. Campbell Memorial Award for In War Times; first novel Queen City Jazz, a N.Y. Times Notable Book; six more novels, forty shorter stories, translated into French, German, Italian, Spanish; cover art for her collection Angels and You Dogs.  Reviews in SF EyeN.Y. Rev. SF.  John Clute caught her allusion to Julio Cortázar (1914-1984) and said of her Nanotech Cycle (QC Jazz the first published) that its heavy plotting only partially coats over the intellectual ferment of the whole.  [JH] 
  • Born May 14, 1968 Greg Davies, 52. He played King Hydroflaxq In the Twelfth Doctor story, “The Husbands of River Song“. A man who’s just a head. Literally. He’s also the Balloon Man in Teen Titans Go! To the Movies. (CE)

(11) SCALZI Q&A. It’s a good interview about a writer’s interaction with literature, but the New York Times’ headline has no relevance to any of his answers that I can see: “The Science Fiction Writer John Scalzi Readily Quits Reading”. (If I’m wrong, I’m sure you’ll let me know!)

Any comfort reads?

I reread James Clavell’s “Shogun” a lot when I travel; I tend to think of it as epic fantasy as I am unsure of its historical and cultural accuracy. Speaking of epic fantasy, Katherine Addison’s “The Goblin Emperor” is always a joy to reread; I leaned on it a lot when creating my own unready imperial ruler for the Interdependency series, the last book of which is out very soon now. And I always have at least one Susan Orlean book on my phone for when I’m stuck in the airport and in the mood for nonfiction; the current one I have at the ready is “The Library Book.” She writes books that are comforting and fascinating at the same time. That’s a good skill to have.

(12) TWO REVIEWS OF SNOWPIERCER. [Item by N.] I’m personally skeptical because the creators seemed to excise all the Bong Joon-ho-isms I enjoyed from the movie but it looks like they kept all the sociological critique. Will be interesting to see. 

The New York Times: “On Track for the Apocalypse, ‘Snowpiercer’ Comes to Television”.

… But the world that this “Snowpiercer” arrives in is one that has moved incrementally closer to the catastrophe that the series anticipates. Though the themes of the show may be more resonant now, the people who made “Snowpiercer” cannot be sure whether it will be more compelling or more terrifying to audiences as a result.The power of good science fiction, [Daveed] Diggs said, is a universality that extends beyond the moment in which it was created. “No matter what time we’re living in, it allows us to reflect on ourselves through a particular lens,” he said. “We certainly did not know that this would be the lens through which we’d be viewing our own show.”

“In TNT’s Series, Snowpiercer Is No Longer a Dark Prophesy but a Mirror”

… We are now coming up on two full months of quarantine here in the States, and though we are not exactly survivors aboard a 1,001-car high speed train careening around a frozen planet, it’s hard for dialogue like this not to resonate. Or for scenes depicting horrendous displays of classism to not gnaw at our collective conscience as we watch our ugly realities play out on a TV screen.

“Do you remember hugs? Do you remember leaving the house without a mask and gloves at the ready? Do you remember what it was like before?”

What happens when there is less to learn from the allegory than from reality itself? When simile becomes metaphor? It’s not that the society we live in is like the fictional world of Snowpiercer; it’s that the society we live in is Snowpiercer.

(13) LOOKING OVER YOUR SHOULDERS. The Boston Globe story “Brattle Book Shop is curating bookshelves for Zoom meetings and FaceTime hangouts” is probably paywalled, but this gives the essentials —

Friends and coworkers aren’t the only ones silently taking stock of what’s going on in the backgrounds of people’s daily virtual calls these days.

Staff at the Brattle Book Shop have also been scanning the scenes with a watchful eye. And as experts in the book trade, they’ve come to a conclusion: That shelf just beyond your upper torso? Yes, that one, with the torn edition of “Twilight” that’s next to the lilting fern. Perhaps it could use some touching up if it’s going to be on camera.

“Zoom calls: no one can see your legs,” store employees tweeted recently, “but everyone can see your apartment. We’re here to help, with the bookshelves at least.”

Like many businesses impacted by the spread of the coronavirus, Brattle Book Shop was forced to close its doors to walk-in customers back in early March. But to help fill the downtime while also staying connected to clientele both old and new, the downtown Boston business decided to tap into a niche market — one that’s been propelled by our newfound reliance on teleconferencing services like Skype, Zoom, and FaceTime.

In April, bookstore owner Ken Gloss and his team began offering to curate people’s shelves with hand-picked selections of books to display during video meetings. The service, staff says, can help add a pop of character to the otherwise disorganized backdrops being scrutinized by people on the other side of the computer screen.

To Gloss, having some aesthetically-pleasing spines perfectly arranged at eye level, or even a few well-known titles neatly stacked up for show, “offers a lot of prestige.”

“When you look at someone’s books, you can tell a lot about them,” he said. “Put back there the impression that you want to give.”

This concept of cleverly organizing backgrounds specifically for Zoom calls isn’t altogether novel, Gloss explained. It’s more of an inventive take on a familiar practice at the historic family-owned business.

For years, the bookstore has fielded requests from customers looking to decorate their shelves with carefully selected reading materials and antique-looking books, items that create a more homey atmosphere.

(14) GO BOOM FALL DOWN. “Spectacular demolition at German nuclear site” – BBC shares the video taken from multiple viewpoints.

Two cooling towers have been demolished in spectacular controlled explosions at a disused nuclear power plant in south-western Germany.

(15) VIDEO OF THE DAY. In “Alex and Mr Fluffkins” on Vimeo, Adeena Grubb and Andy Biddle discuss what happens to a man and his cat when the lockdown is finally over and they can go out.

[Thanks to Mike Kennedy, Joey Eschrich, Michael Toman, Martin Morse Wooster, John King Tarpinian, JJ, Cat Eldridge, John Hertz, N., Chip Hitchcock, Dann, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]

2020 WSFA Small Press Award Taking Submissions

The Washington (DC) Science Fiction Association (WSFA) has announced that the submission period for the 2020 WSFA Small Press Award is open. Entries will be taken through March 31, 2020.

The WSFA Small Press Award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction. The award showcases the best original short fiction published by small presses in the previous year (2018). An unusual feature of the selection process is that all voting is done with the identity of the author (and publisher) hidden so that the final choice is based solely on the quality of the story.

The winner is chosen by the members of the Washington Science Fiction Association and presented at their annual convention, Capclave, held on October 16-18, 2020.

Submissions should be sent to admin@wsfasmallpressaward.org

See The Rules webpage for details.

2019 WSFA Small Press Award Finalists

The Washington Science Fiction Association (WSFA) has announced the finalists for the 2019 WSFA Small Press Award:

  • “Baggage,” by Leslie Burton-Lopez, published in When to Now: A Time Travel Anthology, Fairfield Scribes, (October 2018);
  • “The Djinni and the Accountant,” by Hal J. Friesen, published in Fire: Demons, Dragons, and Djinn, ed. by Rhonda Parrish, Tyche Books, (August 2018);
  • “Familiar in Her Angles,” by E.A. Brenner, published in Metaphorosis, ed. by Morris Allen, (September 21, 2018); 
  • “The Hydraulic Emperor,” by Arkady Martine, pubished in Uncanny Magazine, Issue 20, ed. by  Lynne M. Thomas and Michael Damian Thomas (January/February 2018);
  • “The Spider and the Stars,” by DK Mok, published in Glass and Gardens: Sloarpunk Summers, ed. by Sarena Ulibarri, World Weaver Press (June 2018);
  • “The Tale of the Three Beautiful Raptor Sisters, and the Prince Who Was Made of Meat,” by Brooke Bolander, published in Uncanny Magazine, Issue 23, ed. by Lynne M. Thomas and Michael Damian Thomas (July/August 2018);
  • “The Thing in the Walls Wants Your Small Change,” by Virginia M. Mohlere, published in Luna Station Quarterly, Issue 34, ed. by Jennifer Lyn Parsons, (May 30, 2018); and 
  • “A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies,” by Alix E. Harrow, published in Apex Magazine, Issue 105, ed. by Jason Sizemore, (February 2018).  

The WSFA Small Press Award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction.  The award showcases the best original short fiction published by small  presses in the previous year (2018). An unusual feature of the selection process is that all voting is done with the identity of the author (and publisher) hidden so that the final choice is based solely on the quality of the story.

The winner is chosen by the members of the Washington Science Fiction Association (www.wsfa.org) and will be presented at their annual convention, Capclave (www.capclave.org), held this year on October 18-20, 2019 in Rockville, MD.

2019 WSFA Small Press Award Taking Submissions

The Washington (DC) Science Fiction Association (WSFA) has announced that the submission period for the 2019 WSFA Small Press Award is open. Entries will be taken through April 7, 2019.

The WSFA Small Press Award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction. The award showcases the best original short fiction published by small presses in the previous year (2018). An unusual feature of the selection process is that all voting is done with the identity of the author (and publisher) hidden so that the final choice is based solely on the quality of the story.

The winner is chosen by the members of the Washington Science Fiction Association and presented at their annual convention, Capclave, held on October 18-20, 2019.

Submissions should be sent to admin@wsfasmallpressaward.org

See The Rules webpage for details.

2018 WSFA Small Press Award Finalists

The Washington Science Fiction Association (WSFA) has announced the finalists for the 2018 WSFA Small Press Award for Short Fiction:

  • “A Vague Inclination to Please,” by Brandon Daubs in All Hail Our Robot Conquerers, ed. by Patricia Bray & Joshua Palmatier, published by Zombies Need Brains LLC, (September 2017);
  • “The Cat of Five Virtues,” by Richard Parks in Tales of the Sunrise Lands: Anthology of Fantasy Japan, ed. by David Stokes, published by Guardbridge Books (July 2017);
  • “Floaters Can’t Float,” by Pip Coen, published in Compelling Science Fiction, ed. by Joe Stech, (April 2017);
  • “Oba Oyinbo,” by Jonathan Edelstein, published in Orson Scott Card’s Intergalactic Medicine Show, ed. by Scott Roberts, (October 2017);
  • “The Oracle and the Warlord,” by Karina Sumner-Smith in The Sum of Us: Tales of the Bonded and Bound, ed. by Lucas K. Law & Susan Forest, published by Laksa Media, (September 2017);
  • “Probably Still the Chosen One,” by Kelly Barnhill, published in Lightspeed Magazine, ed. by John Joseph Adams, (February 2017);
  • “The Secret Life of Bots,” by Suzanne Palmer, published in Clarkesworld Magazine, ed. by Neil Clarke and Sean Wallace, (September 2017);
  • “Through Milkweed and Gloom,” by Wendy Nikel in Submerged, ed. by S.C. Butler & Joshua Palmatier, published by Zombies Need Brains LLC, (September 2017).

The WSFA Small Press Award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction. The award showcases the best original short fiction published by small presses in the previous year (2017). An unusual feature of the selection process is that all voting is done with the identity of the author (and publisher) hidden so that the final choice is based solely on the quality of the story.

The winner is chosen by the members of the Washington Science Fiction Association and will be presented at their annual convention, Capclave (www.capclave.org), held this year on September 28-30, 2018 in Rockville, Maryland.

2018 WSFA Small Press Award Seeks Nominees

SF authors, small press publishers and WSFA members have until April 8 to nominate stories for the Washington Science Fiction Association Small Press Award.

Eligible nominees are English-language works of short fiction up to 17,500 words long in the sf, horror and fantasy genres, published for the first time in 2017 by a small press in book or periodical form.

  • Book: A small press is defined as a hard copy print or web publication house releasing no more than 45 titles in the year that the story is published.
  • Periodical: Small press periodicals are paper publications with a circulation of fewer than 10,000 paper copies, or web publications with fewer than 10,000 subscriptions and/or patrons on Patreon in the year that the story is published. Periodicals must compensate authors in some manner, and authors must not contribute financially to the publications.

The winner will be chosen by the members of the Washington Science Fiction Association. Blind voting is done using texts with the identity of the author and publisher stripped.

According to The Rules: “A single representative of a small press or periodical may nominate no more than three (3) stories, which may include stories published by the press/periodical or others. This representative may be the publisher, editor, or an official designee. An author may nominate one (1) story, published by themselves or others. A WSFA member may nominate one (1) story.” Then five members of WSFA screen the submissions and produce the list of finalists.

Submissions should be sent to admin@wsfasmallpressaward.org

See the complete guidelines on The Rules page.

Members of the WSFA Small Press Award Committee are Courtni Burleson, Roger Burns, Cathy Green, Kimberly Hargan, Sam Lubell, and Carolyn Frank (Administrator).

The award, consisting of a small acrylic trophy, and a monetary prize of $500, will be presented at WSFA’s annual convention, Capclave. Certificates of recognition will be presented to the other finalists.

2017 WSFA Small Press Award

“The Tomato Thief,” by Ursula Vernon, published in Apex Magazine, ed. by Jason Sizemore, (January 2016) is the winner of the 2017 WSFA Small Press Award. Congratulations to Oor Wombat!

The Washington Science Fiction Association announced the winner at Capclave on October 7. The award recognizes the best short fiction published by a small press in 2016, and consists of certificates and trophies for both the author and publisher, and $500 for the author.

The other finalists for the 2016 WSFA Small Press Award for Short Fiction were:

  • “Foxfire, Foxfire,” by Yoon Ha Lee, published in Beneath Ceaseless Skies, ed. by Scott H. Andrews, (March 2016);
  • “Jupiter or Bust,” by Brad R. Torgersen, published in Orson Scott Card’s Intergalactic Medicine Show, ed. by Edmund Schubert, (March/ April 2016);
  • “The Mytilenian Delay,” by Neil James Hudson, in Hyperpowers, ed. by Bascombe James, published by Third Flatiron Publishing (May 2016);
  • “Only Their Shining Beauty Was Left,” by Fran Wilde, published in Shimmer Magazine, ed. by E. Catherine Tobler, (September 2016);
  • “Radio Silence,” by Walter H. Hunt in Alien Artifacts, ed. by Joshua Palmatier and Patricia Bray, published by Zombies Need Brains, (2016);
  • “A Salvaging of Ghosts,” by Aliette de Bodard, published in Beneath Ceaseless Skies, ed. by Scott H. Andrews, (March 2016);
  • “Vengence Sewn With A Fey Cord,” by Christine Lucas, published in The Future Fire, ed. by Djibril al-Ayad, (April 2016);
  • “The Witch’s Knives,” by Margaret Ronald, published in Strange Horizons, ed. by Niall Harrison, Jane Crowley, Kate Dollarhyde, Lila Garrott, Catherine Krahe, An Owomoyela, and Vajra Chandrasekera, (October 2016).

The winner was chosen by members of the Washington Science Fiction Association, who voted on texts with the identity of the author (and publisher) hidden so that the final choice was based solely on the quality of the story.

[Based on the press release.]

2017 WSFA Small Press Award Finalists

The Washington Science Fiction Association (WSFA) has announced the finalists for the 2017 WSFA Small Press Award:

  • “Foxfire, Foxfire,” by Yoon Ha Lee, published in Beneath Ceaseless Skies, ed. by Scott H. Andrews, (March 2016);
  • “Jupiter or Bust,” by Brad R. Torgersen, published in Orson Scott Card’s Intergalactic Medicine Show, ed. by Scott Roberts, (March/ April 2016);
  • “The Mytilenian Delay,” by Neil James Hudson, in Hyperpowers, ed. by Bascombe James, published by Third Flatiron Publishing (May 2016);
  • “Only Their Shining Beauty Was Left,” by Fran Wilde, published in Shimmer Magazine, ed. by E. Catherine Tobler, (September 2016);
  • “Radio Silence,” by Walter H. Hunt in Alien Artifacts, ed. by Joshua Palmatier and Patricia Bray, published by Zombies Need Brains, (2016);
  • “A Salvaging of Ghosts,” by Aliette de Bodard, published in Beneath Ceaseless Skies, ed. by Scott H. Andrews, (March 2016);
  • “The Tomato Thief,” by Ursula Vernon, published in Apex Magazine, ed. by Jason Sizemore, (January 2016);
  • “Vengence Sewn With A Fey Cord,” by Christine Lucas, published in The Future Fire, ed. by Djibril al-Ayad, (April 2016);
  • “The Witch’s Knives,” by Margaret Ronald, published in Strange Horizons, ed. by Niall Harrison, Jane Crowley, Kate Dollarhyde, Lila Garrott, Catherine Krahe, An Owomoyela, and Vajra Chandrasekera, (October 2016).

The WSFA Small Press Award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction. The award showcases the best original short fiction published by small presses in the previous year (2016). An unusual feature of the selection process is that all voting is done with the identity of the author (and publisher) hidden so that the final choice is based solely on the quality of the story.

The winner is chosen by the members of the Washington Science Fiction Association and will be presented at Capclave, held this year on October 6-8, 2017 in Gaithersburg, Maryland.

2016 WSFA Small Press Award

smallpress-shoemaker“Today I Am Paul” by Martin L. Shoemaker, published in Clarkesworld Magazine, ed. by Neil Clarke and Sean Wallace, (August 2015), is the winner of the 2016 WSFA Small Press Award given by the Washington Science Fiction Association. The award was announced at Capclave on October 8.

Neil Clarke, publisher of Clarkesworld Magazine, accepted on behalf of Shoemaker.

The WSFA Small Press Award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction. The award showcases the best original short fiction published by small presses in the previous year. Members of the Washington Science Fiction Association select the winner. All voting is done with the identity of the author (and publisher) hidden so that the final choice is based solely on the quality of the story.

2016 WSFA Small Press Award Finalists

wsfa LOGOThe Washington Science Fiction Association (WSFA) announced the finalists for the 2016 WSFA Small Press Award for Short Fiction on August 9:

  • “The Art of Deception,” by Stephanie Burgis in Insert Title Here, ed. by Tehani Wessely, published by Fablecroft Publishing, (April 2015);
  • “Burn Her,” by Tanith Lee in Dancing Through The Fire, ed. by Ian Randal Strock, published by Fantastic Books (September 2015);
  • “Cat Pictures Please,” by Naomi Kritzer, published in Clarkesworld Magazine, ed. by Neil Clarke and Sean Wallace, (January 2015);
  • “The Empress in Her Glory,” by Robert Reed, published in Clarkesworld Magazine, ed. by Neil Clarke and Sean Wallace, (April 2015);
  • “The Haunting of Apollo A7LB,” by Hannu Rajaniemi in Hannu Rajaniemi: Collected Fiction published by Tachyon Publications, (May 2015);
  • “Headspace,” by Beth Cato in Cats In Space, ed. by Elektra Hammond, published by Paper Golem LLC, (December 2015);
  • “Leashing the Muse,” by Larry Hodges, published in Space and Time Magazine, ed. by Hildy Silverman, (May 2015);
  • “Leftovers,” by Leona Wisoker in Cats In Space, ed. by Elektra Hammond, published by Paper Golem LLC, (December 2015);
  • “Today I Am Paul,” by Martin L. Shoemaker, published in Clarkesworld Magazine, ed. by Neil Clarke and Sean Wallace, (August 2015).

The award honors the efforts of small press publishers in providing a critical venue for short fiction in the area of speculative fiction.  The award showcases the best original short fiction published by small presses in the previous year (2015). An unusual feature of the selection process is that all voting is done with the identity of the author (and publisher) hidden so that the final choice is based solely on the quality of the story.

The winner is chosen by the members of the hWashington Science Fiction Associaton and will be presented at their annual convention, Capclave, held this year on October 7-9, 2016 in Gaithersburg, Maryland.