Pixel Scroll 9/4/19 The Filer Who Climbed Mount Tsundoku, But Came Down From Mount Read

(1) TIPTREE AWARD UPDATE. The Motherboard has added this note to their “Alice Sheldon and the name of the Tiptree Award” post:

Update: Wednesday September 4, 2019.

We’ve seen some people discussing this statement and saying we’re refusing to rename the award. Of course it’s easy to read what we’ve written in that way; our apologies. While this post focuses on the reasons why we have not immediately undertaken to rename the award, our thinking is ongoing and tentative, and we are listening carefully to the feedback we are receiving. We are open to possibilities and suggestions from members of our community as we discuss how best to move forward. You can contact us at feedback@tiptree.org.

(2) WORLDBUILDING. “R.J. Theodore on Secondary Worlds Without Monocultures: POV, Cultural Perspective, and Worldbuilding” is a guest post on Cat Rambo’s blog.

My favorite part of writing SFF is inviting the reader to explore new worlds with unearthly mechanics, magic systems, or zoology that entrance the imagination. But what imprints a story on the reader’s soul is the ability to relate to the experience. The real world contains multitudinous experiences, cultures, and viewpoints. It’s important to reflect that in our stories, even if we are zooming in on a more intimate story.

Avoiding monoculture by creating characters who have different experiences makes a story feel vibrant, more faithful, and realistic. When those characters interact, it adds conflict, tension, and opportunities to create real magic.

(3) UNPERSUASIVE. NPR’s Glen Weldon sums up “Dark Crystal: Age Of Resistance’: Gorgeous, Multi-Faceted, Hollow At Its Center”.

Let’s get the cheap joke out of the way up top:

Look, if I wanted to watch dead-eyed, expressionless creatures sniping at one another over backstories I can’t follow without consulting the Internet, I’d watch Real Housewives.

Okay, that’s done. Now let’s get serious. Let’s talk Gelflings.

…Real talk: Gelfling are … bad. Boring. Lifeless. Dull.

On their own, they’d be generic enough — a first-pass attempt at your garden-variety Tolkien-adjacent high-fantasy race. But as soon as you place them — as do both the original 1982 The Dark Crystal film and Netflix’s new, 10-episode prequel series — at the center of a world as gorgeously wrought, breathtakingly detailed and astonishingly elaborate as that of The Dark Crystal, they become something even worse: They’re basic.

…When Henson and Co. create wildly inhuman, or un-human, creatures, we’ll blithely accept them, whether their eyes are ping-pong balls (C. Monster, K.T. Frog) or their mouth’s that of a toucan with a skin condition (assorted Skeksis). Pigs, podlings, bears or bog monsters — it doesn’t matter. We cheerfully buy into the illusion, not only because these women and men are so skilled in the art of design and puppetry, but because we know that we’re tourists wandering through someone else’s imagination — we assume things look and act different, there.

But Gelfling? They’ve got disturbingly human-like faces, and we know how those work. And even though the art of Gelfling-animatronics has evolved in the 37 years since the film — eyebrows now knit, cheeks now dimple — Gelfling as a race remain permanent residents of the darkest depths of the uncanny valley.

(4) ATWOOD’S NEW BOOK. NPR’s Danielle Kurtzleben reports that “‘The Testaments’ Takes Us Back To Gilead For A Fast-Paced, Female-Centered Adventure”

What do the men of Gilead do all day?

We learn very little about it in The Testaments. We hear of one who mostly shuts himself in his study, away from his family, to work all day. We learn that a high-ranking government official serially kills off each of his teenage wives once they get too old for his tastes, then seeks out new targets. We learn that another respected man is a pedophile who gropes young girls.

So. We know that Gilead men are at best nonentities, at worst monstrous. Beyond that, they are chilly, dull, uninterested in the women around them — to the point that they also seem kind of dim. Mostly, they lurk just outside the frame, threatening to swoop in at any moment to wreak havoc.

And that absence only emphasizes that the women of Gilead are more fascinating than ever. The Testaments, Margaret Atwood’s follow-up to her classic novel The Handmaid’s Tale, returns to that dystopic theocracy 15 years later via three protagonists: Agnes, a girl in Gilead who from a young age rejects marriage, though her parents intend to marry her to a powerful Commander. Daisy is a Canadian girl repulsed by Gilead, raised by strangely overprotective parents. And Aunt Lydia — yes, that Aunt Lydia — has near-godlike status as one of Gilead’s founding Aunts and spends her days quietly collecting dirt on Commanders and fellow Aunts.

Telling much more about how the lives of Agnes, Daisy and Aunt Lydia do and don’t intersect would be to spoil the fun of The Testaments. The book builds its social commentary on gender and power into a plot-driven page turner about these women’s machinations as they deal with their stifling circumstances.

“Fun” is a loose term here, of course. As with The Handmaid’s Tale, The Testaments contains a lot of gut punches (as one may have gathered by now, what with all the murderous, pederastic men everywhere).

And a lot of the time, it’s women administering these gut punches to each other. Despite the awful men everywhere, one of the main themes The Testaments explores is how women hurt one another — whether it’s friend versus friend, Aunt versus student, or even mother versus daughter.

(5) AND A BONUS. At NPR,“Hear Margaret Atwood Read From ‘The Testaments,’ Her Sequel To ‘The Handmaid’s Tale'” — audio, with transcript.

…Handmaids are in the public eye again thanks to the hit TV series — and the frequent appearance of silent, red-robed protesters at political events. Now, Atwood is returning to the world of Gilead, the repressive theocracy she created out of the ruins of present-day America. The Testaments opens 15 years after the events of the first book, and follows an old familiar character as well as introducing some new voices. As for what happens to Offred … well, no spoilers here.

(6) INSIDE HOLLYWOOD. “Kristen Stewart was told to stop holding ‘girlfriend’s hand in public’ if she wanted a Marvel movie”Yahoo! Entertainment quotes the actress:  

… She continued, “I have fully been told, ‘If you just like do yourself a favor, and don’t go out holding your girlfriend’s hand in public, you might get a Marvel movie.'” The writer noted how the actress looked “almost amused at the memory.” Although Stewart kept it vague about where that directive came from, she added, “I don’t want to work with people like that.” (Marvel did not immediately respond to Yahoo Entertainment’s request for comment.)

“Literally, life is a huge popularity contest,” she added.

The 29-year-old credited a younger generation with helping give her the confidence to step out publicly with a romantic partner. “I just think we’re all kind of getting to a place where — I don’t know, evolution’s a weird thing — we’re all becoming incredibly ambiguous,” she explained. “And it’s this really gorgeous thing.”

(7) HUGO WINNING SERIES BECOMES GAME. ComicBook.com reports “Award-Winning Broken Earth Fantasy Series to Become a Tabletop RPG”.

The award-winning Broken Earth books by N.K Jemisin will be adapted into a roleplaying game. Earlier this month, Green Ronin Publishing, the maker of tabletop RPGs based on The Expanse, Lazarus, Dragon Age, and A Song of Ice of Fire, announced that had signed a licensing agreement with Jemisin to publish a new game based on her Hugo Award-winning series. The new game will use a modified version of Green Ronin’s Chronicle System, the same game system used by A Song of Ice and Fire Roleplaying. Tanya DePass and Joseph D. Carriker will co-develop The Fifth Season RPG, which will be released in Fall 2020.

(8) TODAY IN HISTORY.

History records that it was on this fateful day back in the year 1966 that Gene Roddenberry — believing he had captured lightning in a bottle — took a copy of Star Trek‘s “Where No Man Has Gone Before” to play for the crowds gathered at the World Science Fiction Convention in Cleveland, Ohio.  How was the program first received?  Well, let’s just say that Gene couldn’t sate their appetites, and — before the event was all over — crowds also demanded to view the black-and-white print the man also brought along of the original Trek pilot, “The Cage.”  So it goes without saying that many folks credit September 4th as the serendipitous birth of the franchise.

  • September 4, 1975 Space:1999 premiered on this day.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 4, 1905 Mary Renault. ISFDB only counts her Theseus novels as genre (The King Must Die, and The Bull from the Sea). Is that right? I’m not familiar with her full body of work to say if it is or is not correct. (Died 1983.)
  • Born September 4, 1916 Robert A. W. Lowndes. He was known best as the editor of Future Science Fiction, Science Fiction, and Science Fiction Quarterly (mostly published late Thirties and early Forties) for Columbia Publications. He was a principal member of the Futurians. A horror writer with a bent towards all things Lovecraftian ever since he was a young fan, he received two letters of encouragement from H. P. Lovecraft. And yes, he’s a member of the First Fandom Hall of Fame. (Died 1998)
  • Born September 4, 1924 Joan Aiken. I’d unreservedly say her Wolves Chronicles were her best works. Of the many, many in that series, The Wolves of Willoughby Chase featuring the characters of Bonnie Green, Sylvia Green and Simon is I think the essential work to read; even though The Whispering Mountain is supposed to a prequel to the series I don’t think it’s essential reading. The Wolves of Willoughby Chase is certainly the one in the series I see stocked in my local bookstores. (Died 2004.)
  • Born September 4, 1924 Ray Russell. His most famous story is considered by most to be “Sardonicus” which was published first in Playboy magazine, and was then adapted by him into a screenplay for William Castle’s Mr. Sardonicus. In 1991 Russell received the World Fantasy Award for Lifetime Achievement. (Died 1999.)
  • Born September 4, 1928 Dick York. He is best remembered as the first Darrin Stephens on Bewitched. He was a teen in Them!, an early SF film which is considered the very first giant bug film. He showed up in myriad Alfred Hitchcock Presents, several episodes of Twilight Zone and has a one-off on Fantasy Island. He voiced his character Darrin Stephens in the “Samantha” episode of The Flintstones. (Died 1992.)
  • Born September 4, 1957 Patricia Tallman, 62. Best known as telepath Lyta Alexander on Babylon 5, a series I hold that was magnificent but ended somewhat annoyingly. She was in two episodes of Next Generation, three of Deep Space Nine andtwo of Voyager. She did uncredited stunt work on further episodes of the latter as she did on Voyager. H’h to the latter. Oh, and she shows up in Army of Darkness as a possessed witch. 
  • Born September 4, 1975 Kai Owen, 44. Best known for portrayal of Rhys Williams in Torchwood, the Doctor Who spin-off I stopped watching after the first two series. He reprised his characters in the Big Audio auidiodramas. 
  • Born September 4, 1999 Ellie Darcey-Alden, 20. She’s best known for playing young Lily Potter in Harry Potter and the Deathly Hallows – Part 2. She’s also celebrated here for being  Francesca “Franny” Latimer in the Doctor Who  Christmas special “The Snowmen”, an Eleventh Doctor story. 

(10) COMICS SECTION.

  • Bizarro gets silly with a classical literary reference.
  • The Argyle Sweater gets silly with a pop culture TV reference. (Do you detect a trend?)

(11) PAYING THE FREIGHT. Arc Manor has begun a Kickstarter appeal, seeking $30,000 to publish “Robert Heinlein’s Unpublished Novel”.  They have already announced the ebook and a hardcover will be released in March 2020. 

We now have the unique opportunity to publish a brand new novel by this great author titled The Pursuit of the Pankera , A ‘parallel’ book written about the parallel universes introduced in book The Number of the Beast, published in 1980….

The Pursuit of the Pankera is an 185,000 word novel with the same characters as The Number of the Beast. The two books share a similar beginning, but where the existing book  goes off on a totally unrelated tangent (almost becoming a satire of science fiction and neglecting the original conflict), The Pursuit of the Pankera  remains focused on the original conflict and works itself towards a much more traditional Heinlein ending. In many ways, it hearkens back to some of the earlier Heinlein novels.

(12) YOUTUBE HIT WITH BIG PENALTY. BBC has the story — “YouTube fined $170m in US over children’s privacy violation”.

YouTube has been fined a record $170m (£139m) by a US regulator for violating children’s privacy laws.

Google, which owns YouTube, agreed to pay the sum in a settlement with the Federal Trade Commission (FTC).

The video-streaming site had been accused of collecting data on children under 13, without parental consent.

The FTC said the data was used to target ads to the children, which contravened the 1998 Children’s Online Privacy Protection Act (Coppa).

“There’s no excuse for YouTube’s violations of the law,” said FTC chairman Joe Simons.

He added that when it came to complying with Coppa, Google had refused to acknowledge that parts of its main YouTube service were directed at children.

However, in presentations to business clients, the company is accused of painting a different picture.

(13) BATMAN BY TWILIGHT. Ramin Setoodeh, in the Variety story “Robert Pattinson on Becoming Batman and Why ‘The Lighthouse’ Is Just Weird Enough”, has a long interview with Pattinson (it was Variety’s cover story) where he says he loved the Tim Burton movies as a kid and “You feel very powerful immediately” when you don the Batsuit.

…“Rob definitely has a darker side and is comfortable working in that space,” says Robert Eggers, the director of A24’s “The Lighthouse,” which screens this week at the Toronto Intl. Film Festival and opens in theaters on Oct. 18. “And he has good taste in cinema. I think a lot of directors he likes are doing stuff that isn’t run-of-the-mill Hollywood.”

But in the past few months, Pattinson’s career has taken another turn as he’s begun gravitating back toward the stormy clouds of movie stardom. He spent most of his summer in Estonia making the Nolan film, which arrives in theaters in July 2020. And of course, despite his concerns, he was cast in “The Batman,” the Warner Bros. tentpole from director Matt Reeves that will start shooting this winter and debuts in June 2021.

(14) CHANGING OF THE GUARD. Meanwhile in the actual comic books, Bleeding Cool’s Rich Johnston speculates “DC Comics is About to Give Us a Black Batman”. He says it’s likely DC will introduce a black Batman in 2020 although it’s unclear who will don the Batsuit.

The hot gossip coming out of comic book shows this weekend from a number of prominent sources, is that in the summer of 2020 leading into 2021, DC Comics is planning to bring us a black Batman. Not Bruce Wayne, but someone else donning the cowl and cape.

Who this new Batman will be, I don’t know. All I have been told is that it won’t be Duke Thomas, the young man previously teased as taking on the role of Robin and Batman to come.

Marvel Comics has given us a black/Latino Spider-Man with Miles Morales, popularised in the Into The Spider-Verse movie. Sam Wilson took on the role of Captain America, reflected in the Avengers: Endgame movie. And Nick Fury has been replaced in the Marvel Universe by his black son, Nick Fury, Jr, reflecting the casting of Samuel L Jackson in the Marvel movies. While in Doomsday Clock, DC Comics’ unauthorised sequel to Watchmen, the new Rorschach is a black man, and son of the original Rorschach’s psychiatrist. It looks like the mainstream DC Comics Universe may be heading in a similar direction with Batman.

(15) DISNEY ROTATES PARTY THEMES. LAist urges readers to “Embrace The ‘Nightmare’ Of Oogie Boogie Bash, Disney’s New Halloween Event At California Adventure”. (Why does this remind me that I came in second to Oogle Boogle in LASFS’ Fugghead of the Year Contest in 1976?)

Mickey’s Halloween Party is retiring to Florida. Disneyland’s wholesome, long-running, kid-focused, trick-or-treating event was a favorite for Disney fans (of all ages, we don’t judge) who were allowed to go to the parks IN COSTUME, which is normally against the rules.

This year, Disney is replacing the SoCal event with something slightly more sinister: the Oogie Boogie Bash, themed around Nightmare Before Christmas villain Oogie Boogie. It’s also switching parks, with the monster taking over California Adventure. Don’t worry, you can still dress up.

It’s a darker take on Halloween, with a focus on villains, and a storyline that involves Oogie Boogie casting a spell to take over the park.

The change may help keep both parks full, since Disneyland will no longer have to shut down early on event nights. It’s also a chance to age up the vibe from just being for the tykes, according to Disney show director Jordan Peterson, with some spookier attractions meant to appeal to the tween and even teen audience.

(16) SPECULATIVE THRILLER NEWS. John Marks, in “Seven Techno-Thrillers To Read As Our World Crumbles” on CrimeReads, says that there’s no better way to prepare for global environmental or technological collapse than reading a novel by Ernest Cline, Michael Crichton, or Andy Weir.

Authors, like me, who write speculatively about tech, are only limited by our imaginations. And that’s why we are fascinated by it, because it offers limitless potential.

Often it is far more of a challenge to create characters and worlds that are overshadowed by tech that goes askew than tech that gets it right.

What happens when automation that has been designed to assist humanity starts working against it? That question has been the basis of two of my six novels, The One and most recently, The Passengers.

(17) SMOKE GETS IN YOUR REPLICANT EYES. From 2013, the Blade Runner trailer redone in classic black-and-white noir style.

[Thanks to JJ, Cat Eldridge, Chip Hitchcock, John King Tarpinian, Martin Morse Wooster, Mike Kennedy, Brian Z., Rich Horton, David Doering and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Hampus Eckerman.]

YouTube Ejects Some Vox Day Videos

Vox Day told readers of Vox Popoli yesterday that YouTube has taken down three of his videos [Internet Archive link] for violating its guidelines.

Hi Voxiversity,

As you may know, our Community Guidelines describe which content we allow – and don’t allow – on YouTube. Your video Immigration and War was flagged to us for review. Upon review, we’ve determined that it violates our guidelines and we’ve removed it from YouTube.

Please note that this removal has not resulted in a Community Guidelines strike or penalty on your account. 

Sincerely,
– The YouTube Team

And:

As you may know, our Community Guidelines describe which content we allow – and don’t allow – on YouTube. Your video Voxday Darkstream 04.25.2018 The Problem with Jordan Peterson was flagged to us for review. Upon review, we’ve determined that it violates our guidelines and we’ve removed it from YouTube.

And:

As you may know, our Community Guidelines describe which content we allow – and don’t allow – on YouTube. Your video Voxday Darkstream 04.28.2018 The Culling of the Cucks was flagged to us for review. Upon review, we’ve determined that it violates our guidelines and we’ve removed it from YouTube.

This happened the same day YouTube announced its latest policy updates in “Our ongoing work to tackle hate”:

Over the past few years, we’ve been investing in the policies, resources and products needed to live up to our responsibility and protect the YouTube community from harmful content. This work has focused on four pillars: removing violative content, raising up authoritative content, reducing the spread of borderline content and rewarding trusted creators. Thanks to these investments, videos that violate our policies are removed faster than ever and users are seeing less borderline content and harmful misinformation. As we do this, we’re partnering closely with lawmakers and civil society around the globe to limit the spread of violent extremist content online.

… We’ve been taking a close look at our approach towards hateful content in consultation with dozens of experts in subjects like violent extremism, supremacism, civil rights, and free speech. Based on those learnings, we are making several updates:

…Today, we’re taking another step in our hate speech policy by specifically prohibiting videos alleging that a group is superior in order to justify discrimination, segregation or exclusion based on qualities like age, gender, race, caste, religion, sexual orientation or veteran status. This would include, for example, videos that promote or glorify Nazi ideology, which is inherently discriminatory. Finally, we will remove content denying that well-documented violent events, like the Holocaust or the shooting at Sandy Hook Elementary, took place.

…In addition to removing videos that violate our policies, we also want to reduce the spread of content that comes right up to the line. In January, we piloted an update of our systems in the U.S. to limit recommendations of borderline content and harmful misinformation, such as videos promoting a phony miracle cure for a serious illness, or claiming the earth is flat. …Thanks to this change, the number of views this type of content gets from recommendations has dropped by over 50% in the U.S.

…In the case of hate speech, we are strengthening enforcement of our existing YouTube Partner Program policies. Channels that repeatedly brush up against our hate speech policies will be suspended from the YouTube Partner program, meaning they can’t run ads on their channel or use other monetization features like Super Chat.

The New York Times story about the policies, “YouTube to Remove Thousands of Videos Pushing Extreme Views”, noted —

YouTube did not name any specific channels or videos that would be banned. But on Wednesday, numerous far-right creators began complaining that their videos had been deleted, or had been stripped of ads, presumably a result of the new policy.

…The kind of content that will be prohibited under YouTube’s new hate speech policies includes videos that claim Jews secretly control the world, that say women are intellectually inferior to men and therefore should be denied certain rights, or that suggest that the white race is superior to another race, a YouTube spokesman said.

Channels that post some hateful content, but that do not violate YouTube’s rules with the majority of their videos, may receive strikes under YouTube’s three-strike enforcement system, but would not be immediately banned.

A Google search shows a number of other YouTube accounts represent they still host Vox Day’s banned videos.