Jacques Sadoul (1934-2013)

Jacques Sadoul

French author and editor Jacques Sadoul died January 18 at the age of 78.

He was a well-known fan and magazine collector who published an album of American SF illustrations, Hier, l’an 2000, in 1973. His work on SF anthologies, Histoire de la science fiction moderne  (“History of Modern Science Fiction”), published the same year, also achieved fame.

Sadoul became one of the first successful SF paperback editors in France, working with Editions Opta and laterwith J’ai lu. Late in his career Sadoul championed the work of A. E. Van Vogt, some of whose novels only appeared in France.

Robert Silverberg recalls, “Jacques was the guiding spirit of the J’ai Lu paperback series, attended many conventions, and was much liked by the writers of his era.”

He was also a founder of the Prix Apollo award.

Sadoul wrote SF and mysteries. He won the Grand Prix for police procedurals for Trois morts au soleil in 1986. And he authored a series of novels about CIA agent Carol Evans, one of the genre’s first lesbian heroines.

His 2006 memoir, “C’est dans la poche ! Souvenirs science-fictifs et autresm,” delivers, in addition to anecdotes about Ellison, Clarke and Van Vogt, a frank defense of commercial publishing against those who favor belles lettres.

[Thanks to Andrew Porter for the story.]

An Unexpected Planet

Seven years ago today NASA launched the New Horizons spacecraft to Pluto. It’s halfway to a scheduled fly-by in July 2015. NASA’s website says:

After 10 years and more than 3 billion miles, on a historic voyage that has already taken it over the storms and around the moons of Jupiter, New Horizons will shed light on new kinds of worlds we’ve only just discovered on the outskirts of the solar system.

Pluto gets closer by the day, and New Horizons continues into rare territory, as just the fifth probe to traverse interplanetary space so far from the Sun. And the first to travel so far, to reach a new planet for exploration.

Did you catch that – “new planet.” Not a dwarf planet. (Much less a “lump of Kuiper belt junk”.)

All of you who spent December repeatedly watching Miracle on 34th Street realize here is a golden opportunity to get justice for this persecuted member of the solar fraternity –

“Your honor, the National Aeronautic and Space Administration, an official agency of the United States government, recognizes Pluto as a planet…”

 [Via Michael A. Burstein.]

Society of Illustrators Panel 2/9

The Society of Illustrators will host leading sf/fantasy artists Donata Giancola, Rebecca Guay, Greg Manchess, Sam Weber, and Michael Whelan, plus moderator Irene Gallo, on February 9 for a panel discussion of “What Lies Beyond”. They’ll range over their careers, the industry today, and where they see science fiction and fantasy illustration heading.

Donato Giancola recently won a gold medal from the Society of Illustrators for his portrait of J. R. R. Tolkien.

Rebecca Guay’s A Flight of Angels appeared on many best graphic novels of 2012 lists.

Greg Manchess, in his 36-year career, has worked on book covers, advertising, magazines, US postal stamps, and movie posters.

Sam Weber’s work has appeared in mainstream and science fiction publications, including the NY Times and Tor Books. He also hosts the illustration podcast, Your Dreams My Nightmares.

Michael Whelan, who has won 15 Hugos and countless other awards, current mixes illustration commissions with gallery work.

Irene Gallo (moderator) is the creative director for Tor.com and Tor Books.

The event is at the Society’s New York headquarters. Tickets are $15 for non-members, $10 for members, $7 students/seniors

[Via Thomas Endrey and Andrew Porter.]

Hamit Does First Virtual Book Signing on Espresso Book Machine

Brass Cannon Books is making presigned copies of Francis Hamit’s thriller, Meltdown, available on the Espresso Book Machine as a 256-page trade paperback.

“Unlike a regular book signing,” said Hamit, “This one will last more than two months rather than two hours, which should give anyone who wants one a chance to get a virtually signed edition.”

The Espresso Book Machine prints and binds trade paperback books in a few minutes while the customer watches. It is featured at some large independent bookstores and university libraries in the USA and Canada

The EBM edition of Meltdown features a signature and inscription page opposite the title page.

Due to a recent illness Francis isn’t doing many personal appearances at this time.

Hamit adds, “We think this is the future of publishing. The EBM is expensive right now, but publishing this way saves a lot of costs of inventory and transportation, and the quality of the final product is identical to the more conventionally printed books we have published. There will be far less waste. It’s a better solution ecologically because there will also be no remainders. And we make a profit on every copy we sell.”

The book can also be ordered from the On Demand Media website.

It is also in e-book form on Amazon Kindle, Barnes & Noble Nook, and Kobo, as well as other PDF outlets worldwide.

If you’re curious, here is a video demonstation of the Espresso Book Machine:

Michael Waite (1936-2013)

Michael Waite, fanzine publisher and member of the Fantasy Amateur Press Association, died January 1 at home in Ypsilanti, MI with hospice care. He was 76 years old.

Among the details in the full obituary posted by the funeral home are his military service – four years in the Air Force, his education – an MFA (1983) in photography and art history, and his faith – he converted from Lutheran to Catholic in 1960.

Michael worked as a photographer in the 1970s and thereafter before beginning a career in human resources at SOS Community Services where he was employed from 1985 until 2011.

[Thanks to Robert Lichtman for the story.]

Classics of SF at Boskone

Going to Boskone/? John Hertz as Special Guest will lead discussions of three SF Classics; here are his notes so you can read up.

We’ll take up three classics at Boskone 50, one discussion each.

Each of our three is famous, each in a different way.  Each may be even more interesting now than when it was first published.

Our working definition is, “A classic is a work that survives its own time.  After the currents which might have sustained it have changed, it remains, and is seen to be worthwhile for itself.”  If you have a better definition, bring it.

Come to as many as you like.  You’ll be welcome to join in.

Philip K. Dick

The Man in the High Castle (1962)

This won Dick’s only Hugo.  The Allies lost World War II; Nazi Germany con­trols the east of North America, Imperial Japan the west, where the story is mostly set.  Avram Davidson said “It’s all here, extrapolation, suspense, action, art philosophy,” and if the likes of us dare add to him, endless resonances, for example falsehood.

Ian Fleming

Moonraker (1955)

Nothing like the Moonraker came for two more years; even then the R-7 and Atlas couldn’t burn hydrogen – fluorine.  Science fiction all right.  Can James Bond take it?  What can we learn?  Could this be among the rare craftsmanly s-f from authors outside our field?  What about the denouement of Gala Brand?

E.E. Smith

Galactic Patrol (1937)

Here we first meet Boskone and the Lens; prequels and sequels followed.  Samuel Johnson said the essence of poetry was invention; Patrol has that; its vitality, and its focus through all the coruscations, are remarkable.  Characterization?  If you think Worsel is painted too explicitly, look at Kinnison’s leaving footprints all over Blakeslee

BSFS Writing Workshops Continue in 2013

The Baltimore Science Fiction Society is continuing its series of day-long sf/fantasy writing workshops in 2013. Jonathan Maberry, Morgan Keyes and Catherine Asaro each will lead one of the sessions.

The series resumes January 26 with Jonathan Maberry instructing on the topic "From Raw to Cooked: Professional Story Development," helping writers take an initial idea and develop it into a compelling framework for a novel. (This session is sold out.)

On June 15, Morgan Keyes will lecture about "The Business of Writing," touching on industry issues such as traditional versus self-publishing, the value of agents, the synopsis, and specific market concerns for genre writers.

On September 21, Dr. Catherine Asaro will discuss "Using Science in Science Fiction," for those writers who want to learn how to successfully integrate believable science into their fiction.

The workshop’s cost for each participant is $25, lunch included. Attendance is limited to 15 people. Contact BSFSEvents for more information, including how to submit payment.

The Baltimore Science Fiction Society is a 501(c)(3) literary organization focusing on science fiction, fantasy, and related genres.

The full press release follows the jump.
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Deckinger Passing Learned

Mike Deckinger in August 2011. Photo by and Copyright © 2013 Andrew Porter.

Mike Deckinger, a longtime fanzine fan, died at home in San Francisco on February 12, 2012 but his death went unreported within fandom until today when Robert Lichtman received back the latest mailing of Trap Door marked “deceased.”

A notice in the San Francisco Chronicle last February read:

Michael Deckinger Passed away peacefully at home on 02/02/12. Mike died as quietly as he lived. Sandi, his wife of 47 years, Eric and Merrill, his brothers, and his many friends from work, the neighborhood, and the science fiction world will miss him. His unique sense of humor will be missed by many. Mike’s cat companions added joy to his life for many years. Mike didn’t like a fuss and hated crowds, for this reason, a private memorial service is planned at a future date. In remembrance of Mike’s life, donations can be made to the San Francisco SPCA, 2500 16th St, San Francisco, CA 94103.

Mike came into fandom in the 1950s. He was a member of the Eastern Science Fiction Association (ESFA) from then until he moved to the West Coast in 1971. Most of that time EFSA met in Newark, where Mike lived seven years beginning in 1964. He served a term as director which came with the responsibility of finding speakers for the evening’s program. Among the guest speakers he recruited were Samuel Delany (a “beardless youth, just out of his teens”) and Joanna Russ.

Mike got active in fanzines at the same time — he cited the Coulsons’ Yandro as the first fanzine he ever received – and became a sufficiently notable faneditor that Roger Ebert paid him respect in a well-known reminiscence called “Thought Experiments: How Propeller-heads, BNFs, Sercon Geeks, Newbies, Recovering GAFIATors, and Kids in Basements Invented the World Wide Web, all Except the Delivery System” (available at Asimov’s):

But for the years of their existence, what a brave new world fanzines created! There was a rough democracy at work; no one knew how old you were unless you told them, and locs made it clear that you either had it or you didn’t. First, of course, was the hurdle of getting your stuff accepted. When Lupoff or Coulson or Deckinger printed something by me, that was recognition of a kind that my world otherwise completely lacked.

During the past decade Deckinger wrote two autobiographical articles for Earl Kemp’s eI, one about his days in ESFA, and another, “How I Almost Became Ivar Jorgensen”, recalling when he almost became a pseudonymous collaborator with pulp writer and editor Paul W. Fairman, who lived half a block away.

Mike is survived by his wife, Sandy (spelled this way in the Wikipedia). Her own fannish credits include a contribution to the original issue of Spockanalia, the first all-Star Trek fanzine, published when the series was still in its first season on NBC.

Mike Deckinger with part of his pulp magazine collection.

[Thanks to Robert Lichtman and Andrew Porter for the story.]

Update 01/16/2013: Corrected date of death per comment.

Axe Apollo Launches . . . Ad Campaign

It’s been written that in the vacuum of space no one can hear you scream. Doubtless it’s also true that no one can smell your B.O — but a wise astronaut will avoid being pitched out of the airlock by using Axe Apollo body spray.

Isn’t that the message?

When 82-year-old Moon landing icon Buzz Aldrin steps to the podium and announces that the Axe ApolloSpace Academy contest will select someone to ride into space, you know there are two immediate responses. The few, who are inspired to take the challenge and compete for an epic trip. And the many, who say, “Maybe I’ll just work on smelling good.” Axe hopes there are enough of the latter to turn a tidy profit on this campaign, because it can’t be cheap to book launch with the space tourism company SPACEXC.

Top-voted candidates will qualify for the Axe SpaceAcademy challenge weekend, held this summer, where they will face physical and mental NASA-style tests.

The four strongest candidates will then be flown to Orlando, Florida, to experience what it is really like to be an astronaut in the final series of challenges.

Only one lucky winner will secure their place to go to space in 2014.

[Thanks to David Klaus for the story.]