Monthly Archives: October 2018

First Fandom Annual 2018

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Jack Robins

The 2018 First Fandom Annual has just been published: Remembering Jack Robins (1919-2015), Edited by John L. Coker III and Jon D. Swartz.

This periodical showcases new articles and photographs, as well as a long interview with Jack Robins recalling the good old days, an article by Lottie about her family, and two of Jack’s SF-themed plays: “The Ivory Tower” and “The Trials and Tribulations of Publishing.”

Here are first-hand accounts of some early adventures of SF fans from the 1930s, including Donald A. Wollheim, John B. Michel, Leslie Perri, Richard Wilson, Fred Pohl, David A. Kyle, William S. Sykora, Cyril M. Kornbluth, Robert W. Lowndes, Isaac Asimov, and Damon Knight.

Also presented are a selection of Jack’s poetry and several of his historic SF photographs.

Also featured, a Jack Robins bibliography prepared by Christopher M. O’Brien.

  • 90 pages, limited edition (50 copies); Laser printed on good quality paper; B&W photos and interior illustrations; Gloss covers, 8½ x 11, saddle-stitched.

This will soon be out-of-print, so order your copy today by sending a check or money order for $30 (payable to John L. Coker III) to John at 4813 Lighthouse Road, Orlando, FL – 32808.

Four Resignations from Arisia Eboard

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The Arisia Eboard tonight announced four recently re-elected board members have resigned:

Update from the Eboard: 10/30

At this time I, Gregorian Hawke, have accepted the resignation of the following Eboard members (those who stood for re-election in September). Anna Bradley – Vice-President, Rick Kovalcik – Clerk, Benjamin Levy – Treasurer, and Sharon Sbarsky – Member-at-Large. Anna Bradley has resigned effective immediately. Rick Kovalcik, Benjamin Levy, and Sharon Sbarsky have resigned effective upon the election of a replacement (per Bylaws 3.12) at the November 11th meeting when elections will be held.

Gregorian Hawke is now Acting President as per our Bylaws. Andy Rosequist is now Acting Vice-President per Bylaws and Eboard vote.

The entire Eboard remains committed to doing what’s best for the community. Some of the resigning members have chosen to stay involved until November to continue the work required to, among other things, make the meeting happen and deal with Storage issues. Others have decided it would be best to step away immediately and we ask you to respect all their decisions.

If you wish to join the corporation, the overseeing body of the convention, you can join online at https://corp.arisia.org/membership. Dues are currently $20 and the Eboard grants dues waivers upon request.

The next Corporate Meeting (where elections will be held) will be at 2PM on 11/11/18 at Arts at the Armory, 191 Highland Ave, Somerville, MA 02143 and is open to the public. Information on public transit and parking available here: http://artsatthearmory.org/about/getting-here/

Our Bylaws state you must attend one Corporate Meeting (in person) before gaining voting rights, however new members may speak, ask questions, hold proxies, and run for office.

The calendar for Arisia meetings is at https://corp.arisia.org/calendar

As before, please send further questions about this situation, our Code of Conduct, or disciplinary policy in any capacity to [email protected]. This email address goes to the Incident Response Team Heads, Conchair team, and Executive Board. We are working on additional steps that we will announce in the coming weeks.

Signed,
Gregorian Hawke for the Eboard

Pixel Scroll 10/29/18 Pixel Was The Doctor. The Croll’s Name Was Pixel’s Croll

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(1) THE ORVILLE RETURNING. The second season of The Orville premieres December 30 on Fox.

THE ORVILLE is a live-action, one-hour space adventure series set 400 years in the future that follows The Orville, a mid-level exploratory spaceship. Its crew, both human and alien, face the wonders and dangers of outer space, while also dealing with the familiar, often humorous problems of everyday life.

 

(2) ABOUT TIME. TV Line says the farewell episode of Timeless will air on December 20: “Timeless Series Finale Gets Air Date, EPs Promise ‘Unforgettable Thrill Ride Through Past, Present and Future'”.

NBC is giving Timeless fans an early Christmas gift: The cancelled drama’s two-hour series finale will air on Thursday, Dec. 20 at 8/7, the network announced on Friday.

According to the press release, executive producers Eric Kripke, Shawn Ryan and Arika Lisanne Mittman are “promising fans an epic, unforgettable thrill ride through the past, present and future, with a healthy dose of Christmas spirit. Spread across three centuries and two continents, the finale will test Lucy, Wyatt and the entire Time Team like never before as they try to #SaveRufus, preserve history and put a stop to Rittenhouse once and for all.”

Returning cast members include Abigail Spencer, Matt Lanter, Malcolm Barrett, Goran Višnji?, Paterson Joseph, Sakina Jaffrey and Claudia Doumit

(3) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Leanna Renee Hieber and Cat Rambo on November 21:

  • Leanna Renee Hieber

Leanna Renee Hieber is an award-winning author, actress and playwright who has written twelve Gothic, ghostly Gaslamp Fantasy novels for Tor and Kensington Books such as the Strangely Beautiful series, The Eterna Files, the Magic Most Foul trilogy and The Spectral City series. Her work has been featured in many notable anthologies and translated into many languages. A veteran of stage and screen, Leanna works as a Manhattan ghost tour guide for Boroughs of the Dead. http://leannareneehieber.com

  • Cat Rambo

Cat Rambo is the author of two novels, the most recent of which is Hearts of Tabat, five collections, 200+ stories, several non-fiction works, and co-editor of one cookbook. A Nebula Award, World Fantasy Award, and Endeavour Award nominee, she is also a two-term President of the Science Fiction and Fantasy Writers of America and runs online school The Rambo Academy for Wayward Writers.

Things begin Wednesday, November 21st, 2018, 7 p.m. at KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs.) New York, NY.

(4) VAMPIRE RESEARCH. Bram Stoker marked up library books but these librarians aren’t upset. The Bookseller has the story — “London Library finds Bram Stoker’s source books”.

The London Library says it has located a number of the actual books used by Bram Stoker in researching his novel Dracula.

Stoker’s own notebooks list a wide range of the author’s sources for Dracula, including hundreds of references to individual lines and phrases in books that he considered relevant. A recent trawl of the London Library’s bookshelves has revealed that the Library has original copies of 26 of these books, and many of them carry detailed markings that closely match Stoker’s notebook references – whether crosses and underlinings against relevant paragraphs, or page turnings on key pages, or other notations – and which the library believes were made by Stoker himself.

…Philip Spedding, the library’s development director, and the man who uncovered the books’ annotations, commented: “Bram Stoker was a member of The London Library but until now we have had no indication whether or how he used our collection. Today’s discovery changes that and we can establish beyond reasonable doubt that numerous books still on our shelves are the very copies that he was using to help write and research his masterpiece.”

(5) HOW TO AMEND THE LAWS OF NATURE. Steven Sottong tells SFWA Blog readers why this job is not that bleepin’ easy in “Suspension of Disbelief”.

I’d even gotten as far as figuring out about gravity. If you accelerate at 1G for the first half of the voyage, turn the ship around and decelerate at 1G for the last half, you always have gravity and it’s always in the same direction. But if you stop accelerating at some point in the voyage, you end up with zero G which is highly disruptive. So if I can’t accelerate and decelerate the entire voyage, then all or part of the ship must spin to create an artificial gravity with centripetal force. Unfortunately, the direction of the artificial gravity is at right angles to the direction of acceleration, so you have to rotate all of the living quarters of the ship to keep the floor where floors normally go — a major pain. Additionally, I found out at a presentation at the 2018 WorldCon that centripetal force doesn’t behave like natural gravity, meaning I needed to adjust many of the scenes in the story.

(6) MYTHCON 50 GOHS. These are your guests of honor for Mythcon 50 in San Diego:

  • John Crowley will be our Author GOH (“Little, Big” – won the Mythopoeic Fantasy Award in 1982; “KA: Dar Oakley in the Ruin of Ymr” – won the Mythopoeic Fantasy Award this past summer, 2018).
  • Verlyn Flieger will be our Scholar GOH (“A Question of Time: J. R. R. Tolkien’s Road to Faerie”, “Tolkien’s Legendarium: Essays on The History of Middle-earth”, and “Green Suns and Faërie: Essays on J.R.R. Tolkien” – all winners of the Mythopoeic Scholarship Award for Inklings Studies – in 1998, 2005, and 2013).

(7) THRILLING TSUNDOKU TALES. By O. Westin —

(8) WHO COMIC BEGINS. Titan Comics’ Thirteenth Doctor comic series debuts November 7.

Taking control of the TARDIS for this regeneration is an amazing new team: Eisner-nominated writer Jody Houser (Stranger Things, Mother Panic, Faith, Spider-Man), illustrator Rachael Stott (Doctor Who, Motherlands), and colorist Enrica Angiolini (Warhammer 40,000).

(9) SCIENCE FICTION/DOUBLE FEATURE: Jason got caught in a bit of a time warp over at Featured Futures and only recently finished Summation: September 2018 with its lists of reviews and recommended readings:

Apologies for taking so long to finish what I read for this month. I ended up reading 90 stories of about 533K words. That netted fourteen noted stories (four recs), with Lightspeed’s special issue, Asimov’s, Analog, and Galaxy’s Edge contributing multiple tales.

But you don’t have to shiver with antici… pation for Summation: October 2018 as it’s been completed on time:

October was fairly light in both total and noted stories. Counting a couple of late September stories in the month’s first Wrap-Up, there were 37 of the former, weighing in at about 207K words, and a half-dozen of the latter at about 41K (with two recommendations of 7K). Somewhat unusually, Nature and CRES produced the recommended tales, with a science fantasy from Lightspeed and a trio of BCS fantasies from one of its anniversary issues getting the honorable mentions

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 29, 1906 – Fredric Brown, Writer who produced a handful of novels and a prodigious number of short works which have been translated into more than a dozen different languages, and are known for their use of humor and for the mastery of the “short-short” form. One of his stories, “Arena”, was the basis for an episode of the original Star Trek series. Four of his stories have been finalists for Retro Hugo Awards, and a collection of his stories translated into Spanish won a Premio Ignotus. He has been credited as an influence for a wide range of well-known SFF authors, from Philip K. Dick and Robert A. Heinlein to Neil Gaiman and Stephen King. In 2012 he was the recipient of the Cordwainer Smith Rediscovery Award. History records that he was an SJW with a Siamese cat named Ming Tah.
  • Born October 29, 1935 – Sheila Finch, 83, Writer and Linguist from England who emigrated to the U.S. in her early 20s. She won the Compton Crook Award for her first novel, Infinity’s Web. She is best known for her Guild of Xenolinguists series; one of its novellas, Reading the Bones, won a Nebula Award, and she is credited with coining the term “xenolinguist”, a title used for Uhura in the Star Trek reboot movies. She served as Vice-President of SFWA and Chair of their Grievance Committee for five years, is a founding member of the Asilomar Writers Consortium, and has been Guest of Honor at several conventions, including a Balticon.
  • Born October 29, 1938 – Ralph Bakshi, 80, Animator, Writer, and Director from Israel who started as a low-level animator at Terrytoons, studio of characters such as Heckle and Jeckle and Mighty Mouse. His first major break was as creative director for CBS on Mighty Mouse and the Mighty Heroes, fast-forwarding to Fritz the Cat (which may or may not be genre, but it’s got a talking cat). Genrewise, I’d say he’s most noted for the Hugo finalist Wizards which features voice work by Mark Hamill and for which the name was changed from War Wizards, so that it wouldn’t be confused with you-know-what film. Next up was the Hugo-nominated The Lord of the Rings, a very odd affair, followed by by Fire and Ice, a collaboration with Hugo-winning artists Frank Frazetta. Then came what I considered his finest work, the Mighty Mouse: The New Adventures series! He created the animated series Spicy City, which was SF noir with lots of sex and violence, and got cancelled after six episodes. Then there’s Cool World… His career work was recognized with an Annie Award for Distinguished Contribution to the Art of Animation.
  • Born October 29, 1941 – Hal W. Hall, 77, Librarian, Writer and Member of First Fandom who is best known for his nonfiction bibliographies and indexes of genre works. His Science Fiction and Fantasy Reference Index, 1985-1991 was computerized in 2000 and put online as the Science Fiction and Fantasy Research Database; it currently indexes more than 113,000 items about SF and fantasy. His work has been recognized with the Science Fiction Research Association’s Pilgrim Award and their Thomas D. Clareson Award, First Fandom’s Sam Moskowitz Archive Award, and the J. Lloyd Eaton Memorial Award, given by the UC-Riverside Eaton Collection’s foundation to honor contributions of lasting significance to the field.
  • Born October 29, 1954 – Paul Di Filippo, 64, Writer and Critic. Ciphers: A Post-Shannon Rock-n-Roll Mystery was his first work. He is, I’d say, an acquired taste. I like him; for first-time readers, I’d suggest The Steampunk Trilogy and go from there. His A Year in the Linear City was a finalist for Hugo Award for Best Novella, a World Fantasy Award, and the Sturgeon Award. He’s one of genre’s stellar reviewers, having reviewed at one time or another for Asimov’s Science Fiction, The Magazine of Fantasy and Science Fiction, Science Fiction Eye, The New York Review of Science Fiction, Interzone, Nova Express, and Science Fiction Weekly. His work has received numerous nominations for BSFA, Nebula, World Fantasy, Philip K. Dick, Tiptree, Sidewise, and Premio Ignotus Awards, and he has won a British Science Fiction Award and the Prix Imaginaire.
  • Born October 29, 1967 – Rufus Sewell, 51, Actor from England who is currently appearing as Reichsmarschall John Smith in The Man in The High Castle, which is loosely based on the 1962 novel of the same name by Philip K. Dick. He was the lead in Dark City, a film which is often compared to the Matrix films, but which actually preceded them. He’s also appeared in The Legend of Zorro, Arabian Nights, Hercules, Abraham Lincoln: Vampire Hunter, A Knight’s Tale, Mermaid Chronicles, The Illusionist, and the U.S. version of the TV series Eleventh Hour.
  • Born October 29, 1969 – Jason Chong, 49, Actor from Australia whose first genre appearance was in an episode of Time Trax; he has gone on to roles in the films See No Evil, The Forbidden Kingdom, The Pact, Guardians of the Tomb, Little Monsters, Dr. Jekyll and Mr. Hyde, and episodes of Farscape, The Lost World, Terra Nova, Marco Polo, Wolf Creek, and Bite Club.
  • Born October 29, 1971 – Winona Ryder, 47, Actor who has a long history in the genre starting with Beetlejuice, but also including Saturn-nominated roles in Edward Scissorhands, Bram Stoker’s Dracula, Alien: Resurrection, and the Hugo-nominated TV series Stranger Things, as well as parts in S1m0ne, A Scanner Darkly, Being John Malkovich, Black Swan, and the 2009 Star Trek reboot, as Spock’s mother.
  • Born October 29, 1972 – Gabrielle Union, 46, Actor who has solid genre creds with extended roles as Perri Reed in the new Night Stalker and as Zoey Andata in FlashForward, for which she was nominated for the NAACP Image Award for Outstanding Supporting Actress in a Drama Series. She also played the Klingon officer N’Garen in the “Sons and Daughters” episode of Star Trek: Deep Space Nine, had a guest part on The Others, and was nominated for a Saturn Award for her role in Cradle 2 the Grave.
  • Born October 29, 1977 – Ben Foster, 41, Musician and Composer from England, best known for his work on the Torchwood TV series (for which he received three BAFTA nominations) and as orchestrator for Murray Gold on the Hugo-winning Doctor Who; he has also worked on the series Thunderbirds Are Go, Sherlock, Mars, The Last Witch, and films including Poltergeist, The Mummy: Tomb of the Dragon Emperor, and Prometheus.
  • Born October 29, 1985 – Janet Montgomery, 33, Actor from England who has had main roles on the TV series Salem and the TV version of DC Comics’ Human Target. She has also appeared in the films The Space Between Us, Black Swan, Dead Cert, The Hills Run Red, and Wrong Turn 3: Left for Dead, and in episodes of Black Mirror and Merlin.

(11) COMICS SECTION.

(12) WHERE NO TREK HAS GONE BEFORE. From Fansided we learn about the “Star Trek short from author Michael Chabon”.

Pulitzer Prize-winning author Michael Chabon. Chabon’s short, called Calypso, is set 1000 years after Discovery, meaning it’s set later down the Star Trek timeline than any film or TV show yet produced. There’s a new trailer for that, too:

 

(13) BEAUTY IS IN THE ABACUS OF THE BEHOLDER. [Item by Mike Kennedy.] Data visualization is probably as much art as science and the shortlists for the 2018 Kantar Information is Beautiful Awards support that. The lists include several items of potential genre & genre-adjacent interest. You’ll need to click the links below to get to the nominee page, then click through to the various creator’s websites to see the full visualizations.

A 3-D linked look the Marvel Cinematic Universe is one of the nominees in the Arts, Entertainment & Culture category. Also in that group is Fear and Loathing In Cinema Theatre: Our Favourite Genres and Emotions In IMDB Top 250. In the Science & Technology category, there’s an ambitious wrap-up of Satellites: 60 Years In Orbit. (Though some people may hesitate to go to the Russian host site to view this one.) For the astronomically inclined, Figures in the Sky looks at how constellations vary across a host of cultures. The Next Bechdel Test may already have been reported in File 770. Both those latter two are in the People, Languages & Identity category. YMMV on how many other of these nominees are genre-adjacent.

(14) TENTACLE TIME. National Geographic video shows where “World’s largest deep-sea octopus nursery discovered”.

Off the coast of Monterey, California, and some two miles below the surface of the Pacific Ocean, scientists piloting a remotely-operated submersible saw something no one has ever seen before.

Octopuses. Hundreds of them. Huddled on a rocky outcrop at the base of an underwater mountain.

“We went down the eastern flank of this small hill, and that’s when—boom—we just started seeing pockets of dozens here, dozens there, dozens everywhere,” says Chad King, chief scientist on the Exploration Vessel Nautilus.

All in all, King estimates that more than 1,000 octopuses known as Muusoctopus robustus were nestled among the rocks, most of which appeared to be inverted, or turned inside out. For this species, that inside-out pose is common among females that are brooding, or protecting their growing young. In some cases, the submersible’s camera could even spot tiny embryos cradled within their mothers’ arms.

(15) HALLOWEEN TREE. It’s Bradbury season at the Take Me To Your Reader podcast: “TMTYR Episode #70: This Movie is Woke! (The Halloween Tree)”.

Once, again, the Pavement Pounders are joined by Dr. Phil Nichols to discuss some Ray Bradbury. This time, it’s The Halloween Tree, the book, the television film, and the Colonial Radio Theater production.

(16) ON THE ROAD. Filmmaker John Carpenter’s Official Music Tour will take him all over Europe, but the last stop will be in Los Angeles.

(17) BARELY SFF ADJACENT. Slate presents “The 10 Commandments of Baby Halloween Costumes”. And a lot of the photos are of genre costumes!

There are almost no wrong answers. You don’t have to be especially creative. Tons of babies dress up as pumpkins, and guess what? Each and every one of them makes an excellent pumpkin. On the other end of the spectrum, if you want to do something weird or special, go for it! This Halloween will be one of the few your baby isn’t old enough to express any preferences of her own, so if you want to dress her as Lady Gaga in A Star Is Born or a Chippendale’s dancer, I say go for it.

https://www.instagram.com/p/BphOtIegNvv/

(18) DUM VIVIMUS VIVAMUS. SYFY Wire has made note of Halloween yard art that pays homage to (spoiler alert) the demise of Spider-Man at the end of the latest Avengers movie (“Avengers: Infinity War fan Halloween display pays hilarious homage to the snap”).

Thanos’ finger snap at the end of Avengers: Infinity War sucked for pretty much everybody but the Mad Titan himself — and perhaps most of all for Peter Parker and Tony Stark. Stranded with a busted alien spacecraft on Thanos’ home planet and already left for dead, Stark has to watch as his superhero friends vaporize all around him one by one — including Spidey, who turns to ash right in Tony’s arms.

Just in time for Halloween, one MCU fan has used a little low-fi elbow grease, along with a ton of creative thinking, to commemorate what may be the movie’s most poignant moment. With nothing more than some pumpkins, a handful of leaves, and a couple of Marvel bits you can buy at the nearest big-box store, they’ve captured the tear-jerking moment of Peter’s sad goodbye, and the result — we have to admit — is way funnier than it probably should be.

[Thanks to JJ, John A Arkansawyer, Andrew Porter, Chip Hitchcock, Martin Morse Wooster, Mike Kennedy, Carl Slaughter, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Kip W.]

Dave Duncan (1933-2018)

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Canadian sff author Dave Duncan passed away October 29 after sustaining a brain hemorrhage in a fall.

Originally from Scotland, Duncan lived all his adult life in Western Canada. He worked as a geological consultant until at age 53 he made the transition to full-time professional writer.

Duncan was a prolific novelist who wrote both fantasy and science fiction, although he said, “I always regret that my SF books are less popular than my Fantasy. SF actually takes more work to write!”

His best-known fantasy series included “The Seventh Sword,” “A Man of His Word,” and “The King’s Blades.”

He sold his sixtieth book this year – the science fiction novel Pillar of Darkness.

He won two Aurora Awards, for his novels West of January (1990) and Children of Chaos (2007).

He was an eight-time nominee for the Endeavour Award, given for a distinguished science fiction or fantasy book by a writer living in the Pacific Northwest.

Duncan was both a founding and an honorary lifetime member of SF Canada, the country’s association for speculative fiction professionals. He was inducted into the Canadian Science Fiction and Fantasy Hall of Fame in 2015.

He is survived by his wife, Janet, whom he married in 1959, and by their son, two daughters, and four grandchildren

[Thanks to Susan Forest for the story.]

2009 Endeavour Award finalists Kay Kenyon and Dave Duncan with award committee member Page Fuller.

Arisia 2019 Chair, Artist GoH Make Statements; Wu and Hopkinson Call for Action

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Arisia 2019 chair Daniel Eareckson has publicly addressed “what we are doing to make Arisia a safer place”, and artist Elizabeth Leggett announced why she has decided to remain as one of the con’s guests of honor.

Meanwhile, Brianna Wu is calling for feminists to stay away from the con, and “high profile men” as well. Nalo Hopkinson, who turned down an Arisia 2020 GoH invitation, says “There has to be a house cleaning.”

My name is Daniel Eareckson and I am the Convention Chairperson for Arisia 2019.

I have taken too long to make this public statement; I apologize for that. Between now and the convention, I intend to frequently put out messages like this one indicating what we are doing to make Arisia a safer place. Likely turning into a weekly update.

Several actions have already been taken:

– Noel Rosenberg will not be on staff and is banned from attending Arisia 2019.

– Joseph Averett will not be volunteering for Arisia 2019. I have asked the Eboard to open or reopen investigations into the incidents mentioned.

– We are reaching out to third party specialists to review our Code of Conduct and Policies regarding Incident Responses. As these recommendations become solidified, we will share them with you.

– The Eboard has approved refunds for Arisia 2019 memberships to anyone who no longer wishes to attend this convention.

I will announce more actions as they are taken; and recognize that these initial steps are not enough to produce lasting change. I encourage your input. Emailing [email protected] or [email protected] is the best way to make sure that people see your suggestions. Although there are a lot of people working on this right now, we may not be able to reply to every individual message, though each message is read and considered.

I want everyone to know what goes on in our meetings and how to be part of making things change. I invite everyone to please come to the next Arisia Corporate meeting on November 11th at 2pm at the Somerville Armory and the Convention Committee meeting on November 18th at 4pm at NESFA to learn about what we do, how we do it, and to become involved directly.

Our structure and Policies are at https://corp.arisia.org/documents. Improving our Policies is one way we can make changes last and prevent mistakes in the future.

I am personally committed to addressing the issues raised by the people who chose to come forward, and to seeing that Arisia 2019 takes place in a environment where people can feel safe. I want you all to feel that this convention is worthy of attending, that we as a convention can learn from and recover from our past mistakes, that we can improve and exceed the level that is expected of us.

Daniel Eareckson

Arisia 2019 Conchair ([email protected])

Dear Friends, Fans and Family,
This has been a very long three days.
I have made a decision. After a lot of thinking and soul searching, I have decided to remain as Arisia’s 2019 Artist Guest of Honor.

At no point was this an easy or casual decision. As I mentioned, Ms. Huff’s account is both something I believe and something that is all too familiar to me. The mistakes that were made in handling this and another incident were horrifying.

I wanted to see what was going to be done. I wanted to see the actions behind the words. Here is what I know.
In the past few days the following things have come from Arisia leadership:

* The person accused has resigned from being president and has been officially banned from any and all current and future Arisia functions.
* Some previous incidents are now being re-examined.
* Arisia leadership has opened acknowledged their several mistakes in this, and have announced steps that they are currently making towards changing their policies and improving their awareness of how to handle future such incidents.
* The BRCC will continue to provide training to con-staff.
* Arisia’s no-refund policy has been rescinded, allowing anyone who wishes to pull out to do so.
* They are holding a corporate meeting on the 11th, which the public is (as always) welcome to attend.
* They are reaching out to an outside company for review and assistance with the process so that there are more eyes other than just Arisia volunteers on this issue.
* As of Sunday evening I know that there are several other steps that they are looking to take, but are not finalized.

In the desire to make sure that I was not misinterpreting what I was reading from the corporate emails I made a point of checking with an Arisia affiliate that what I’m saying is right. This was important to me to make sure that *I* clearly understood what was being said and wasn’t getting anything mixed up as it informed my decision in staying with, and supporting the convention.

These steps, along with the many conversations I have had with Arisia staff this weekend have left me believing that Arisia is taking this with the heavy seriousness it needs. I have faith that they will continue to make improvements to their process in the next few months and over the upcoming years.

In addition all sales of my Arisia piece featuring the jellyfish mermaid under Boston Harbor now named, “Depth” (originally entitled, “Illuminate”) will be donated to the Boston Rape Crisis Center. This includes the one issue 24”x36” limited edition dye sublimation along with the 12×18 prints. After that time, the Boston Harbor variant will be gone for good.

Thank you for your patience with me.
Light and Laughter,
Elizabeth Leggett

  • Brianna Wu

(Thread starts here.)

  • Nalo Hopkinson

https://twitter.com/Nalo_Hopkinson/status/1056940390975123457

 

Historic Science Fantasy Recreated on Radio

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By Jonathan Cowie: One of the most prominent screen writers of mid-20th century British SF was Nigel Kneale.

He is famous for the Quatermass TV series as well as controversial (among the establishment) TV adaptation of Orwell’s 1984.

To mark Halloween, the Beeb Beeb Ceeb has just re-adapted a found script for the lost television play The Road (1963).  This new adaptation has just been broadcast on BBC Radio 4 as an audio play.

The Road is a science fantasy in which an 18th century scientist comes to a remote English village whose surrounding woods are apparently haunted. He and a small group set out into the trees to investigate…

Without giving you a spoiler, it has to be said that The Road deviates from where you think it is going with a very neat twist towards the story’s end. This turn makes the story more a science fantasy (than a fantasy horror).

The Road was only ever broadcast on television once but has stuck in the minds of many of those that saw that screening. This radio play adaptation is based on the original script and is therefore something of SF heritage value.

The radio play can be heard on BBC i-Player for the next three and a bit weeks: The Road.

Pixel Scroll 10/28/18 Wanna See My Smilin’ Face On The Cover Of The Pixel Scroll

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(1) SMOKE GETS IN YOUR EYES. And everywhere else. Juliette Wade’s latest Dive Into Worldbuilding features “Sean Grigsby and Smoke Eaters”. Read the synopsis, and/or view the video at the link.

It was a real pleasure to have Sean Grigsby on the show! He’s the author of Smoke Eaters, one of the most high-concept novel ideas I’ve encountered. It’s basically “firefighters versus dragons.” I was eager to hear how, as a firefighter himself, he’d approached depicting the firefighting realistically and not just on the basis of speculation. Sean told us he was surprised how many internet references to firefighters are actually romance- or erotic-leaning, and assured everyone listening that that’s not what Smoke Eaters is all about. He also remarked that there are an astonishing number of stories involving firefighters who turn into dragons. The whole shirtless thing doesn’t make a lot of sense when you’re trying to protect yourself from fire…

 

(2) NELSON BOND. Mike Allen was the keynote speaker as “West Virginia university celebrates ‘Dean of Roanoke Writers'” – the Roanoake Times has the story.

A stage play with a Roanoke connection delighted an audience of about 75 on a recent October weekend. Before the play started, I addressed the audience, sketching out the life of author Nelson Bond as best I could in the time allotted.

Bond, once called “the dean of Roanoke writers,” had his heyday in the 1930s, ’40s, and ’50s. He wrote more than 250 short stories, most of them science fiction and fantasy. He also wrote radio shows and television scripts. He retired from writing in the 1960s, which is one of the reasons why his work is little known today.

…Ten years ago, I spoke at the dedication of the Nelson Bond Room on the third floor of the university’s Morrow Library. Frankly, I was gobsmacked and humbled that his family would ask that of me, and the same was true when I was asked to be the keynote speaker for the theater school’s Oct. 20 production of “Mr. Mergenthwirker’s Lobblies.”

… “Mr. Mergenthwirker’s Lobblies” tells the story of an eccentric, nervous, sweet young man who has two invisible companions called “Lobblies,” who have the power to foretell the future and use that power to thwart crime. The original story has a tragic ending — but proved so popular that Bond brought Mergenthwirker back and featured him in more stories. When Bond’s career made the leap to radio and then to television, he brought the character with him. In 1946, “Mr. Mergenthwirker’s Lobblies” became the first full-length stage play ever broadcast on a television network.

(3) WHO ON DISPLAY. Once upon a time there were Doctor Who Exhibitions in various places, now commemorated at this website:

And others….

(4) WHO ON THE DANCEFLOOR. Enjoy this Doctor Who dance from last night’s Strictly Come Dancing (aka Dancing With The Stars in the US.)

(5) JOHN WILLIAMS ON THE MEND. Fantha Tracks learned “John Williams is doing well and will return to Los Angeles shortly”.

John Williams is recovering well from his illness (read news), and will return to Los Angeles next week, according to information provided by Mike Matessino, producer and close friend of John Williams.

(6) SO YOU WANT TO BE IN MOVIES. Lance Phan has become an Instagram Famous artist, making 3-D models that can cast you as an animated character (BuzzFeed: “This Artist Can Draw You As If You’re A Character In A Disney Pixar Movie”).

How cool would it be to see yourself as a 3D-like cartoon character in the vein of a Disney Pixar film?

Well, that’s exactly what Lance Phan can do. He’s a super talented 3D artist who can make anyone look like a bonafide animated character from any Pixar film.
Lance tells BuzzFeed he’s been doing 3D art for about five years.
He started by drawing environment only because he claims his character modeling wasn’t good, but he had a goal.

He tells BuzzFeed, “Two years ago, I told myself that I needed more practice and commitment, then I went online to ask random people for their consent to make characters out of their profile picture.”

Once Lance began posting his new and improved 3D drawings online, people wanted to pay him to draw them, too.

(7) KAREN OBIT. The Boston Globe reports the passing of “James Karen, 94, character actor from ‘Poltergeist,’ ‘Return of the Living Dead’”.

James Karen, who began a long career as a character actor at the suggestion of a congressman and who appeared in thousands of commercials and more than 200 film and television roles, including ‘‘All the President’s Men,’’ ‘‘Poltergeist,’’ ‘‘The China Syndrome’’ and the cult classic ‘‘The Return of the Living Dead,’’ died Tuesday at his home in Los Angeles. He was 94.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 28, 1902 – Elsa Lanchester, Actor from England who is famous for playing both Mary Wollstonecraft Shelley and The Monster’s Mate in Bride of Frankenstein, which is considered one of the few sequels to a great film that is even better than the original film on which it is based. She has a surprisingly deep list of genre credits; she also played the Red Queen in Alice in Wonderland, and had parts in Mary Poppins, The Ghost Goes West, Passport to Destiny, The Spiral Staircase, The Bishop’s Wife, The Glass Slipper, Bell, Book and Candle, Blackbeard’s Ghost, Willard, Terror in the Wax Museum, and the SJW favorite That Darn Cat!, as well as guest roles in episodes of The Man from U.N.C.L.E., Night Gallery, and Off to See the Wizard.
  • Born October 28, 1951 – William H. Patterson, Jr., Writer, Conrunner, and Fan who was particularly known for his appreciation of, and scholarship for, the work of Robert A. Heinlein. He founded the Heinlein Journal in 1997, and co-founded the Heinlein Society with Virginia Heinlein in 1998. He also helped organize the Heinlein Centennial which took place in Kansas City in 2007. He published a two-volume biographical work entitled Robert A. Heinlein: In Dialogue with His Century, the first of which was nominated for the Best Related Work Hugo. He was part of a successful Worldcon bid, as well as a failed Westercon bid about which he wrote a one-shot fanzine called The Little Fandom That Could. Mike Glyer’s tribute to him can be read here.
  • Born October 28, 1951 – Joe R. Lansdale, 67, Writer and Martial Arts Expert who has written novels, stories, and comic books in many genres, including science fiction, horror, mystery, suspense, and western. He was a co-founder of the Horror Writers’ Association, and several of his novels have been made into movies. His DCU Jonah Hex animated screenplays are far superior to the live action Hex film. Bubba Ho-Tep, a comedy horror film starring Bruce Campbell, is his best known genre work, though he has done a number of novel series including The God of The Razor and Reverend Jedidiah Mercer, which are definitely Weird Westerns. He has been Guest of Honor at many conventions, including a World Fantasy Convention. His work has been nominated many times for awards, and he has won the Stoker Awards a stunning 10 times across most of its categories, including one for Lifetime Achievement. His short story, “On The Far Side Of The Desert With Dead Folk”, won a British Fantasy Award.
  • Born October 28, 1952 – Annie Potts, 66, Actor whose most famous genre role is undoubtedly as the admin assistant to the parapsychologists in the original Hugo finalist Ghostbusters and Ghostbusters II; in one of the many fan-pleasing cameo roles featuring actors from the original, she was the hotel clerk in the Hugo-nominated  Ghostbusters reboot. She had a role in the Hugo finalist The Man Who Fell To Earth, provided the voice of Bo Peep in three of Pixar’s Hugo-nominated Toy Story films, also appeared in episodes of Hercules, The Twilight Zone and Amazing Stories, and currently plays the Meemaw of the titular character in Young Sheldon.
  • Born October 28, 1958 – Amy Thomson, 60, Writer of hard science fiction whose first novel, Virtual Girl, which featured a female Artificial Intelligence and explored themes of feminism, was a Prometheus and Locus Award finalist and earned her a nomination for the Campbell Award for Best New Writer. Subsequent novels featuring uniquely-alien aliens were finalists for Philip K. Dick and Endeavour Awards. A really interesting io9 interview with her can be read here.
  • Born October 28, 1978 – Gwendoline Christie, 40, Actor from England whose distinctive 6’3″ height gave her the perfect stature to play Brienne of Tarth in the Hugo-winning Game of Thrones (for which she received a Saturn nomination), and Stormtrooper Captain Phasma in the Hugo finalists The Force Awakens and The Last Jedi, along with the animated series spinoff Star Wars Resistance and Star Wars videogames. Other genre appearances include parts in The Imaginarium of Doctor Parnassus, The Zero Theorem, and The Hunger Games: Mockingjay, and a main role in the TV series Wizards vs. Aliens. She also appeared in the music video for Goldfrapp’s “Strict Machine” in 2003.
  • Born October 28, 1982 – Matt Smith, 36, Actor from England who, at the age of 26 – the youngest actor to be given that role – was tapped for a career-making part as the Eleventh incarnation of The Doctor in the very long-running, Saturn-nominated BBC series Doctor Who, a role which he reprised in the Sarah Jane Adventures crossover episode “The Death of the Doctor”, as well as voicing the Big Finish full cast audiowork and several videogames. Twelve of his episodes were Hugo finalists; two of those were winners. In other genre work, he portrayed the physical embodiment of Skynet in the Terminator Genisys film and had roles in Pride and Prejudice and Zombies, and another zombie film, Patient Zero. It was recently announced that he has been cast in a yet-to-be-disclosed role in Star Wars: Episode IX. And he wears a fez oh so well.

(8) A PAIR OF BIRTHDAY REVIEWS. And two writers continue their daily celebrations:

Richard A. Lovett is one of Analog’s most regular contributors (of non-fiction as well as fiction), and one of its best. Today is his 65th birthday, and so here is a compilations of many of my Locus reviews of his stories.

Thomson won the John W. Campbell Award for Best New Author in 1994 on the basis of her debut novel, Virtual Girl. She subsequently published two novels in The Color of Distance series and the stand-alone novel Storyteller, as well as three short stories. She has been nominated for the Prometheus Award for Virtual Girl, the Philip K. Dick Award and Seiun Award for The Color of Distance, and the John W. Campbell Memorial Award, Gaylactic Spectrum Award, and Endeavour Awards for her novel Storyteller. In the trading card series issued by the Chicago in 2000 Worldcon bid, card number 28 was of Thomson and identified as the “Official Rookie Card.”

(9) COMICS SECTION.

(10) HARRY POTTER. NPR looks at Harry Potter’s influence: “Inside The Ever-Expanding Wizarding World: Harry Potter At 20”. Chip Hitchcock observes, “The hotel that hosted all 4 Noreascons is buttoned up due to a strike, but next door the Barnes & Noble has a standup of tchotchkes right in the middle of the store.”

It’s hard to remember a world before Harry Potter. The children’s book series is a juggernaut that spawned a film series, theme parks, a Broadway play and museum exhibits. It’s been 20 years since readers in the U.S. were first introduced to the wizarding world, and more than 500 million copies of the books have been sold worldwide.

The series is still intensely personal for the boys and girls who have read, and still read the books. It’s also had a deep impact on what children read.

At the New York Historical Society, a new exhibit called “Harry Potter: A History of Magic” traces the roots of author J.K. Rowling’s novels — and it’s filled with Potterheads of all ages. Inside the museum, curator Roberta Olson is justifiably proud to show what she’s got.

(11) WHAT’S THE PLAN WHEN IT ALL GOES TO HELL? Douglas Rushkoff tells Medium readers what’s on the minds of the wealthy: “Survival of the Richest”.

After I arrived, I was ushered into what I thought was the green room. But instead of being wired with a microphone or taken to a stage, I just sat there at a plain round table as my audience was brought to me: five super-wealthy guys?—?yes, all men?—?from the upper echelon of the hedge fund world. After a bit of small talk, I realized they had no interest in the information I had prepared about the future of technology. They had come with questions of their own.

They started out innocuously enough. Ethereum or bitcoin? Is quantum computing a real thing? Slowly but surely, however, they edged into their real topics of concern.

Which region will be less impacted by the coming climate crisis: New Zealand or Alaska? Is Google really building Ray Kurzweil a home for his brain, and will his consciousness live through the transition, or will it die and be reborn as a whole new one? Finally, the CEO of a brokerage house explained that he had nearly completed building his own underground bunker system and asked, “How do I maintain authority over my security force after the event?”

(12) SUDDENLY LAST SUMMER. Runes are busting out all over: “Heatwave reveals England’s lost prehistoric sites” – pictures from all over the UK.

Surveys from the air have revealed Neolithic ceremonial monuments, Iron Age settlements, square burial mounds and a Roman farm for the first time.

Historic England said the weather “provided the perfect conditions” to see the crop marks because of the lack of moisture in the soil.

They include two Neolithic monuments discovered near Milton Keynes.

The long rectangles near Clifton Reynes are thought to be paths or processional ways dating from 3600 to 3000BC, one of the oldest of their type in the country.

Numerous features in a ceremonial landscape near Eynsham, a few miles north-west of Oxford, date from 4000BC to 700BC.

Monuments to the dead, a settlement and a circle of pits can be seen in crop marks on the field in an area that is already protected….

In each case the remains are revealed as differences in colour or in the height of crops or grass.

Duncan Wilson, chief executive of Historic England, said: “The discovery of ancient farms, settlements and Neolithic cursus monuments is exciting.

(13) LOADS OF REVIEWS. If you’re looking for reviews to read, there are links to the reviews of all the works listed below at “Friday’s Forgotten Books, October 26, 2018”.

  • Les Blatt, THE LADY IN THE LAKE, Raymond Chandler
  • Brian Busby, THE TRIUMPHS OF EUGENE VALMONT, Robert Barr
  • Kate Jackson/CrossExaminingCrime. N OR M?, Agatha Christie
  • Martin Edwards, THE MURDER OF MARTIN FOTHERIL, Edward C. Lester
  • Curtis Evans, Felicity Worthington Shaw/”Anne Morice”: Her Life in Crime
  • Rich Horton, MASTER OF LIFE AND DEATH, Robert Silverberg; THE SECRET VISITORS, James White
  • George Kelley, THE FUTURE IS FEMALE, edited by Lisa Yaszek
  • Margot Kinberg, TESS, Kirsten McDougall
  • Rob Kitchin, THE FALCON AND THE SNOWMAN, Robert Lindsey
  • B.V. Lawson, SHE SHALL HAVE MURDER, Delano Ames
  • Evan Lewis, THIRD ON A SEESAW, “Neil MacNeil” (W. T. Ballard)
  • Steve Lewis, SQUEEZE PLAY, Paul Benjamin
  • Todd Mason, YESTERDAY’S TOMORROWS edited by Frederik Pohl; EDITORS edited by Saul Bellow and Keith Botsford; Futurian editors Doris Baumgardt, Donald Wollheim, Robert Lowndes, Larry Shaw; and the likes of Samuel Delany’s DHALGREN, Josephine Herbst’s THE STARCHED BLUE SKIES OF SPAIN and Gustav Hasford’s THE SHORT-TIMERS
  • J.F. Norris, THIRTEEN STANNERGATE, G.M. Wilson
  • Mike Lind/Only Detect, A PUZZLE FOR FOOLS, “Patrick Quentin”
  • Matt Paust, WHEN TIME RUNS OUT, Elina Hirnoven
  • James Reasoner, THE MANITOU, Graham Masterson
  • Richard Robinson, THE HAPPY BIRTHDAY MURDER, Lee Harris
  • Gerard Saylor, DEAD BEFORE DYING, Deon Myer
  • Kevin Tipple hosting Barry Ergang, WHISTLE UP THE DEVIL, Derek Smith
  • TomCat, APPLEBY’S OTHER STORY, Michael Innes
  • TracyK, HIS BURIAL TOO, Catherine Aird

(14) BATWOMAN PHOTO. Melissa Benoist (Supergirl) has posted a photo of Ruby Rose in her Batwoman costume for this year’s Arrowverse crossover.

[Thanks to Martin Morse Wooster, Hampus Eckerman, John King Tarpinian, JJ, Cat Eldridge, Mike Kennedy, Chip Hitchcock, Todd Mason, Mark Hepworth, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]

Arisia Bans Rosenberg, Authorizes Membership Refunds

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The Arisia, Inc. Executive Board announced today that Noel Rosenberg, removed as President yesterday, has been permanently banned from the convention.

The action came on the heels of revelations in Crystal Huff’s post “Why I’m Not At Arisia Anymore: My Rapist is President. Again.” charging the convention with failing to enforce its code of conduct in situations where she had been the victim.

And the Arisia committee has continued to be rocked by statements from people inspired by Huff’s post to go public with their own criticism of Arisia’s handling of incidents they reported.

…This year (2018) was my first Arisia. I knew it was a stretch for me to go, but because Arisia is an important event to my partners I wanted to give it a try. While playing in a Dungeons & Dragons game, one of the other players repeatedly and intentionally misgendered me. When I corrected him, he rolled his eyes at me. This game had a sign up sheet, and was part of a three part series. Given that we were using character names, I don’t remember the name of the person who had done this.

…After the report was filed I was told that staff would find and follow up with the person who had aggressively misgendered me and then be in touch. I received two emails, both of which felt formulaic and left me with a sense that my hurt wasn’t important to Arisia….

… In June 2013, J and I had to recap the events in detail because Morgon wanted to get back on staff. In response to our reiterated complaints, Arisia finally banned him from being on staff—though not from attending—and gave him a wide path to reinstatement: “After Arisia 2014, he is welcome to ask the EBoard to change this decision if: he apologizes for his actions at Arisia 2011, he has a position lined up and agreed to pre-con by the area-head responsible, and he presents a letter from a doctor saying he is capable of volunteering for that position.”

This is why I haven’t attended Arisia since 2011. I didn’t and don’t give a shit about whether serial harassers get teachable moments. (I also don’t feel it’s the place of a convention to request any kind of medical documentation of, presumably, a person’s mental health.) I felt absolutely unsupported by Arisia’s executive team at the time and after.

As these reports have come out, Arisia has been losing staff and volunteers:

Mark Amidon

I have just notified the head of Programming and my track’s Head that I will not be attending Arisia 2019. I will not be a guest, panelist, moderator, nor Assistant Track Head.

Tamar Amidon

I am withdrawing from attending and staffing Arisia 2019. Maura’s report on her treatment, the results of that, and then putting the predator back onto staff as an ADH enraged me, Finding out that one of my kids had issues with that predator, when she was 14, around the same time, makes it impossible for me to even be in the same room as some of those involved with the extremely bad decisions made all over that case.

Today’s Arisia Eboard statement makes membership refunds available, and tells fans the next open-to-the-public corporate meeting will happen November 11.

Update from the Eboard: 10/28

We are announcing that Noel Rosenberg is banned from attending Arisia and Arisia functions permanently. This decision will be reported to the corporate membership at the next corporate meeting. Per policy, this decision may be overturned by the corporate membership, or revisited by a future Eboard if new information comes to light.

We are also examining some of our previous IR decisions in light of new information.

We understand that some people will still not want to attend Arisia 2019 or feel unsafe doing so. Although normally Arisia memberships are non-refundable (but are transferable) the board has authorized refunds to people who request them. Email [email protected] so we can help with this request.

The Eboard is continuing to discuss and explore further options and will continue to share updates.

The next Corporate Meeting will be at 2PM on 11/11/18 at Arts at the Armory, 191 Highland Ave, Somerville and is open to the public. Information on public transit and parking available here: http://artsatthearmory.org/about/getting-here/

As before, please send further questions about this situation, our Code of Conduct, or disciplinary policy in any capacity to [email protected]. This email address goes to the Incident Response Team Heads, Conchair team, and Executive Board. We are working on additional steps that we will announce in the coming weeks.

Signed,
The Arisia Executive Board

Frankenstein on a Big Screen with Big Music

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By Martin Morse Wooster: I was at the American Film Institute on Friday night to see the 1931 Frankenstein. The added value this time was a score by Michael Shapiro. Frankenstein doesn’t have a score except for the main title and one musical stretch) so Shapiro created one, which I learned from Shapiro’s website was first performed in 2002, and comes in versions for full orchestra, chamber orchestra, or wind ensemble.  The version I heard was the wind ensemble one, and the wind ensemble was the U.S. Navy Band.

The American Film Institute does a brisk trade in showing silent films with live accompaniments, but in these cases musicians are adding sound to films that don’t have any noise. Frankenstein has a reasonable amount of dialogue for a film and Shapiro’s score often drowns out what happens on the screen.  I don’t think Shapiro’s work adds to Frankenstein, and it occasionally subtracts from what is happening on screen.  I’m glad I heard it, and of course the Navy Band was competent, but I don’t need to hear Shapiro’s score again.

That being said, I’m very glad I saw Frankenstein on a large screen.  Given that I’ve seen the stage version of Young Frankenstein, which is a copy of a copy, it’s good to see the original again. Frankenstein has its problems.  At 71 minutes, it’s too short, and there are some scenes that are now clichés.  (Note to assistants of Frankenstein:  stealing the jar that says “Abnormal Brain” is a really bad idea.)  I also liked Frankenstein’s explanation that he has harnessed something even more powerful than the ultraviolet ray and “the violet ray.”

That being said, Frankenstein is a great film.  Colin Clive is excellent as Frankenstein, and gives a performance of controlled menace.  James Whale was an excellent director; you can argue whether this film or Bride of Frankenstein was better, but Frankenstein is in the first tier.  Whale picked Boris Karloff and was right to do so.  I thought the most powerful scene was when the monster kills a little girl because, well, he’s evil.  That scene was scarier than a lot of gorefests I’ve seen.

Michael Shapiro may have written a superfluous score, but I’m glad the American Film Institute reminded me of Frankenstein‘s excellence.

U.S. Navy Band rehearses Frankenstein score.

Pixel Scroll 10/27/18 When A Pixel’s Not Engaged In Its Enscrollment, Or Maturing Its Pixellious Little Plans

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(1) ARISIA AGAIN. A second account where someone tells how Arisia unsatisfactorily handled her reported rape — Maura Taylor in “Arisia and #MeToo (TW: Rape)”.

I believe Crystal Huff, in part because a very similar thing happened to me.

Arisia ’15, I was raped. And Arisia did nothing in response…

(2) NOVEL VERDICT. SF Bluestocking weighs in on an anticipated sequel: “Book Review: Bloody Rose by Nicholas Eames”.

Nicholas Eames’ freshman novel, Kings of the Wyld, was one of my favorite reads of 2017, a well-written, cleverly observed and often hilariously funny adventure fantasy pastiche that adhered to genre forms while gently poking fun at well-worn tropes and presenting a refreshingly positive and downright heartwarming portrait of non-toxic masculinity in action. So I was pretty hyped to see what Eames would make of this sequel, which showcases a mixed-gender cast from the point of view of a queer teenage girl. Unfortunately, Bloody Rose doesn’t quite rise to the level of excellence of its predecessor, although it’s also by no means a complete failure at the perhaps-too-many things it sets out to accomplish…

(3) HERE’S LOOKING AT WHO, KID. ScienceFiction.com calls it “sour grapes”: “Steven Moffat Is Afraid Of ‘Doctor Who’ Looking ‘Cheap’”.

While on an episode of the podcast Sitcom Geeks, Moffat revealed that he thinks more money should be spent on ‘Doctor Who’ in order to keep the show competitive. The interviewer made a comment about the ‘Who’ of his childhood, saying:

“My memory of ‘Doctor Who’ is very much a piece of cardboard that he is standing behind.”

To which Moffat replied:

“That’s the big challenge of ‘Doctor Who’ now… running the risk of looking as cheap now as it did then, compared to what the rest of TV is doing, unless they put a whole lot more money into it. And it’s still an inexpensive show. A show that generates as much money as ‘Doctor Who’ should be getting more of it back.”

(4) A THEOLOGICAL CONTROVERSY. Popsugar throws down: “Is the Nightmare Before Christmas a Halloween Movie or a Christmas Movie? Let’s Settle This”.

Yes, a lot of the movie takes place in Halloween Town and main character Jack Skellington is the Pumpkin King, but there are also plenty of Christmas elements once Jack travels to Christmas Town. Is it a Christmas movie that happens to take place around Halloween, or is it a Halloween movie with strong Christmas themes? The debate between which is which has raged on among fans ever since the film’s release in 1993 (in late October, it should be noted), so much so that director Henry Selick finally had to step into the fray.

Click to find out how the director answered the question.

(5) FAST FOOD CONFRONTATION. N.K. Jemisin’s thread starts here.

https://twitter.com/nkjemisin/status/1055937794265284614

https://twitter.com/nkjemisin/status/1055942408612052992

“Badassfully” — that cracks me up.

(6) FOR THE RECORD. Video researcher Echo Ishii’s latest two finds include one of the recent past and another from 20 years ago.

HUMANS is a UK science fiction television series that began in 2015. There are three series broadcast thus far. The theme revolves around a modern world in which anthropomorphic androids called ‘synths’ are part of daily life. Synths can be purchased for family/personal use but there are also synths contracted by companies and synths contracted by government health services. HUMANS is an SF drama show-the focus being on how the exists of synths explores human relationships to technology and each other….

…Thomas Veil’s life has been erased. His friends don’t know him and his identity seems to be erased from all record. He figures out that the people responsible for his erasure negatives of a photograph he took of rebels being hanged by  US soldiers in South America. Someone wants the negatives to erase all the evidence. Veil believes it’s part of a coverup of government activities.  He tries to identify the military unit involved using evidence from the photos, yet, each step takes him  deeper into a an ever, menacing conspiracy.  He follows a trail of clues with lead him to several other anomalies: one town controlled by  subliminal programming; another town in which people are being abducted by UFO’s;  yet another  town comprised entirely of people who’ve been erased like Tom.  Veil himself is often captured, tracked, and subject to further experiments.

(7) THE PLOT THICKENS. WIRED’s coverage of Kim Stanley’s Robinson’s new book, Red Moon, begins in his community garden plot — “The Climate-Obsessed Sci-Fi Genius of Kim Stanley Robinson”.

Robinson’s little town, crisscrossed by bike paths, is full of artists and scientists. (The guy who works the next garden plot over is a researcher at Monsanto; Robinson says everyone can tell that neighbor secretly threw down some RoundUp to clear a pathway.) Robinson tried to build a perfect ecosystem within the constraints of scientific and political realities. It went wrong. Now, only a polymerization of advanced superscience and hardcore diplomacy will fix it—and ignoring those realities will make things worse.

In other words, Kim Stanley Robinson is living inside a Kim Stanley Robinson novel….

(8) LE GUIN THE POET. David Naimon, who interviewed Ursula K. Le Guin for Ursula K. Le Guin: Conversations on Writing, discusses in “Always Beginning”, a post at the Poetry Foundation website, how Le Guin’s she continued to work on poems throughout her career.

…Despite her formal playfulness, Le Guin’s poems aren’t considered experimental or avant-garde. She wasn’t interested in what was or was not en vogue—formally, stylistically, or otherwise—in contemporary poetry. She found more freedom in the constraints of metrically rhyming verse than in free verse. And there is a way in which Le Guin’s poetry feels, if not out of time, then as if it arises from a longer span of time. I first noticed this elongated perspective, this drawing from a longer timeline of influence, when discussing the craft of writing fiction with her. She cautioned against getting swept up in whatever was in fashion given how many fashions she had seen come and go in publishing, as well as how the commodification of books shapes many of these fashions….

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 27, 1926 – Takumi Shibano, Teacher, Writer, Editor, and Fan from Japan. He co-founded and edited Uchujin, Japan’s first SF magazine, in 1957. He was a major figure in the establishment of Japanese SFF fandom, and he founded and chaired four of the first six conventions in that country. In 1968 the Trans-Oceanic Fan Fund (TOFF) paid for him to attend a Worldcon for the first time, in the U.S., where he was a Special Guest. He wrote several science fiction novels starting in 1969, but his work translating more than 60 science fiction novels into Japanese was his major contribution to speculative fiction. From 1979 on, he attended most Worldcons and served as the presenter of the Seiun Award. He was Fan Guest of Honor at two Worldcons, in 1996 and at Nippon 2007, he was given the Big Heart Award by English-speaking fandom, and he was presented with a Special Hugo Award and a Special Seiun Award.
  • Born October 27, 1939 – John Cleese, 79, Oscar-nominated Actor, Writer, and Producer from England whose most famous genre work is undoubtedly in the Hugo finalist Monty Python and the Holy Grail, but who has also appeared many other genre films, including the Saturn-nominated Time Bandits, Mary Shelley’s Frankenstein, The Great Muppet Caper, the live-action version of The Jungle Book, two of the Harry Potter movies, and the remake of The Day the Earth Stood Still – and, surprisingly, in episodes of the TV series The Avengers, Doctor Who, and 3rd Rock from the Sun. And he wrote a DC Elseworlds tale, Superman: True Brit, in which Superman was British. Really. Truly.
  • Born October 27, 1940 – Patrick Woodroffe, Artist and Illustrator from England, who produced more than 90 covers for SFF books, including works by Zelazny, Heinlein, and GRRM, along with numerous interior illustrations, in the 1970s. He was also commissioned to provide speculative art for record album cover sleeves; his masterwork was The Pentateuch of the Cosmogony: The Birth and Death of a World, a joint project with the symphonic rock musician Dave Greenslade, which purported to be the first five chapters of an alien Book of Genesis, consisting of two music discs by the musician and a 47-page book of Woodroffe’s illustrations. It sold over 50,000 copies in a five-year period, and the illustrations were exhibited at the Brighton UK Worldcon in 1979. Hallelujah Anyway, a collection of his work, was published in 1984, and he was nominated for Chesley and BSFA Awards.
  • Born October 27, 1948 – James Cosmo, 70, Actor and Producer from Scotland whose most notable recent genre appearance was playing Night’s Watch Commander Mormont in the series Game of Thrones. He had roles in the films Highlander, The Lion, the Witch and the Wardrobe, The Seeker: The Dark Is Rising, Wonder Woman, Doomwatch, Malevolent, Dark Signal, and the short film 2081 (based on Vonnegut’s story “Harrison Bergeron”), as well as roles in TV series such as SS-GG, Terry Pratchett’s The Colour of Magic, UFO, Merlin, and the upcoming His Dark Materials.
  • Born October 27, 1948 – Bernie Wrightson, Artist and Illustrator, whose credits include dozens of comic books and fiction book covers, and more than hundred interior illustrations, as well as a number of accompanying works of short fiction. His first comic book story, “The Man Who Murdered Himself” appeared in the House of Mystery No. 179 in 1969. With writer Len Wein, he later co-created the muck creature Swamp Thing in House of Secrets No. 92. In the 70s, he spent seven years drawing approximately fifty detailed pen-and-ink illustrations to accompany an edition of Frankenstein. And in the 80s, he did a number of collaborations with Stephen King, including the comic book adaptation of that author’s horror film Creepshow. In 2012, he collaborated with Steve Niles on Frankenstein Alive, Alive! for which he won a National Cartoonists Society’s award. He was Guest of Honor at numerous conventions, was honored with an Inkwell Special Recognition Award for his 45-year comics art career, and received nominations for Chesley Awards for Superior and Lifetime Artistic Achievement and for a Stoker Award for Superior Achievement in an Illustrated Narrative.
  • Born October 27, 1953 – Robert Picardo, 65, Actor and Writer who played the Emergency Medical Hologram on 170 episodes of the Saturn-winning Star Trek: Voyager, a role which he reprised in cameos in the film Star Trek: First Contact and episodes of Deep Space Nine and the fan series Star Trek: Renegades. He is also credited with writing a Voyager tie-in work, The Hologram’s Handbook. He has a long list of other genre credits, including the films The Man Who Fell to Earth, Total Recall, Innerspace, Legend, Amazon Women on the Moon, and Gremlins 2 (for which he received a Saturn nomination to match the one he received for Voyager), and recurring roles in the TV series Stargate SG-1, Stargate Atlantis, Smallville, and Sabrina, the Teenage Witch. Since 1999 he has been a member of the Advisory Board, and now the Board of Directors, of The Planetary Society, which was founded by Carl Sagan to provide research, public outreach, and political advocacy for engineering projects related to astronomy, planetary science, and space exploration.
  • Born October 27, 1970 – Jonathan Stroud, 48, Writer from England who produces speculative genre literature for children and young adults. The Bartimaeus Trilogy is set in an alternate London, and involves a thousand-year-old djinn; Lockwood & Co. is a series involving ghost hunters in another alternative London. I’ve read a few of the latter – they’re fun, fast reads. His works have won 3 Mythopoeic Awards for Children’s Literature and 3 Prix Imaginaires for Youth Novels.

(10) COMICS SECTION.

  • In Monty, an attack of the credentials:
  • Wrong Hands is confident you’ll hear a lot of these clichés at Halloween.

(11) INPUT REQUESTED. Do you have an opinion about what magazines Featured Futures should cover? Jason wants to know: “Poll: What Magazines Should Featured Futures Cover?”

(12) BACK IN THE ZONE. Whew! Galactic Journey’s Natalie Devitt says in the new fall (1963) season The Twilight Zone has redeemed itself: “[October 26, 1963] [Return to Form] (Twilight Zone, Season 5, Episodes 1-4)”.

In case you have been living under a rock or moved on to newer programs, like The Outer Limits, The Twilight Zone returned to television for a fifth season. The series has also returned to a half-hour format and is once again airing on Friday nights. Back in May, I wrote that I hoped the program would be renewed for at least another season, because I just could not bear the thought of a once great series ending its run with an episode like The Bard. Well, it seems as if the television gods must have been listening because my wish has come true. If you have not been tuning in consistently for the past month, here is what you may have missed:

(13) PANNED. NPR’s Chris Klimek reviews “‘Suspiria’: A Cult-Horror Remake Dances To A Confusing Beat”.

Suspiria, Luca Guadagnino’s reimagining of Dario Argento’s gnarly Italian cult film about a haunted dance academy in Germany, is vulgar, shamelessly pretentious, and frequently opaque. But enough about its virtues.

Set in 1977, the year Argento unleashed Suspiria Prime upon the world, this “cover version” (in the words of Guadagnino’s longtime collaborator Tilda Swinton, who plays three of the new film’s major roles, under varying tonnages of prosthetic makeup) is, tonally and visually, muted and somber where its inspiration was vibrant and operatic. A title card at the opening warns us that it comprises “Six Acts and an Epilogue in a Divided Berlin,” and sure enough, this Suspiria, at 152 minutes, runs just shy of an hour longer than Argento’s. Even without those title cards at the top of each act, you would. Notice. The. Time.

(14) PECUNIAM PRO ARTIS. Monetizing: at London’s “Comic Con, Cosplayers explain how they support their art”.

Yaya Han has more than two million fans on Facebook alone. She’s become a celebrity in her own right and has even featured on comic book covers for Marvel.

She has found her niche within the community, but only through trial and error.

“It’s still brand new to all of us,” she says.

“I have a line of cosplay accessories that I designed back in the early 2000s. I have been selling online as well as at conventions as a vendor or exhibitor.

“People saw me at conventions for years, and this was how I built my name and brand recognition.

“I did all of this without knowing what I was doing. I just wanted to live at cons [conventions].

(15) OLD FILM SERVICE TO BE SHUTTERED. FilmStruck, a subsection/streaming service for old movies, will be closed before the end of November says Gizmodo: “Warner Bros. and Turner Are Killing One of the Internet’s Last Good Things”.

…  Variety reports that AT&T subsidiaries Warner Bros. Digital Network and Turner are shuttering FilmStruck, the Netflix-like streaming service for older films. If you’ll remember AT&T acquired Turner, Warner Bros., and HBO in a major deal in June.

FilmStruck, for the sadly uninitiated, is a service that allowed you to stream thousands of old movies and documentaries for less than the price of Netflix. For old movie lovers, this was an absolute boon; between the catalogs of Warner Bros., Turner, and Criterion, FilmStruck had the largest library of early films available to a mass audience. There are movies on the service that are virtually impossible for the public to view any other way—no VHS release, no readily available spools of film, and only the slightest chance of a screening on TCM.

(16) CEASELESS SURVEILLANCE. Camestros Felapton discusses the trilogy — “Review: The Centenal Cycle by Malka Older”.

Comprising three books (Infomocracy, Null States and State Tectonics), the Centenal Cycle examines a near future world with a radical form of global democracy. With most of the globe carved up into roughly equal population sized mini-states, Older’s thought-experiment novels takes the ‘marketplace of ideas’ seriously with a world where people might move a few blocks in a big city to change their government. The grout in the tiles of worldwide micro-democracy is information and Information. The latter is an organisation that is a cross between a nationalised Google, a surveillance state, a non-partisan civil service, the ‘deep state’ and a benevolent version of a Wikipedia of everything….

(17) FRANK AT 200. At Nerds of a Feather, Adri analyzes a thematic collection — “Microreview [Book]: Creatures: The Legacy of Frankenstein”.

I’m looking today at a timely volume from Abaddon books, which explores the mythology two centuries on through a new set of stories edited by David Thomas Moore. Creatures: The Legacy of Frankenstein is a collection of five long novelettes and/or short novellas exploring the legacy of Victor Frankenstein and his creation through a series of shared universe stories, dealing with other creators in other situations, all of which circle the same themes of life, death, autonomy and monstrosity that the original text evokes so effectively.

…Put together, this is a very strong collection: what the stories as a whole lack in inter-relatedness and consistency, they make up for in terms of the sheer breadth of the Frankenstein experience that they cover between them.

(18) STYLE SAVINGS. Silly, but they are authorized. “A Sweet Offer: The Last Unicorn Nail Wraps” at Support Peter S. Beagle.

Interested in some neat The Last Unicorn themed product that’s been personally endorsed by Peter and benefits him as well? Well do I have a very sweet deal for you!

Peter says to tell mr to share code UNICORN10 with you which will grant you 10% off of all The Last Unicorn nail wraps and you can go here to view all neat designs you can purchase.

(19) DEATH ON A HOLIDAY. The “15th Annual Halloween Mourning Tours” educate people about death in Los Angeles a century ago.

It’s 1918, there’s been a death in the family and you are invited to the funeral. Will you cry? What will you wear? Will you attempt to contact the dearly departed?

Get the answers as you join the funeral party and see how Edwardians grieved their dead at Heritage Square Museum’s popular Mourning Tours from noon – 4pm on October 27 and 28, 2018.  Throughout the weekend, funeral-goers will be immersed in mourning etiquette, participate in a reenactment ceremony inside a historic home and other activities including:

  • The year is 1918 and that means the Spanish Flu is wreaking havoc! Will you defy the gathering bans to attend the funeral? Or, if you are deemed “sick,” what will you discover as you are escorted into a flu-ridden home?
  • Learn about the turn-of-the-century movement of Spiritualism and the lure of séances complete with a reenactment and a discussion on the “tricks of the trade.”
  • Experience a re-creation of Phantasmagoria, a phenomenon that shocked and exhilarated its Victorian audiences.

(20) MOONBASE. An open access article at Nature — “How to build a Moonbase” [PDF file].

Researchers are ramping up plans for living on the Moon.

Next year, astronaut Matthias Maurer expects to walk on the surface of the Moon — but without the hassles of a rocket flight, zero-gravity nausea and a risky landing. Instead he’ll stroll close to home in a leafy meadow near Cologne, Germany, which is set to host the largest Moon mock-up ever made. On a pit of artificial lunar dust covering more than 1,000 square metres, Maurer and other scientists will be attached to crane-and-pulley systems that allow them to leap as if experiencing the Moon’s weaker gravity, and work under adjustable lamps that simulate lighting at different lunar sites. Sometimes, they will retreat to lunar-style living quarters: an airlock-connected module the size of a shipping container.

(21) BYE BYE BOBA. There won’t be a Boba Fett movie and this writer for The Verge seems to think it is a Good Thing™: “Lucasfilm canceling its Boba Fett film could be good news for Star Wars’ future”.

…We also know what happens with the other characters in the other rumored projects: Boba Fett gets eaten by a Sarlacc in Return of the Jedi, and Obi-Wan Kenobi bites it after helping a terrorism suspect escape from a secure facility in A New Hope. These backstory movies flesh out the larger world of Star Wars, but they’re not advancing the larger story or advancing toward the kind of ending that builds anticipation and story loyalty.

This isn’t to say that prequel stories can’t be useful or interesting. Lucasfilm’s animated TV shows have done solid work in looking at older time periods in the franchise and telling intriguing, engaging, successful stories…

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Mike Kennedy Carl Slaughter, Chip Hitchcock, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jayn.]