The awards are given for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic. They are voted upon by a jury of professional writers, editors, critics, and academics.
The 2020 awards will be presented as a pre-recorded event on Sunday, August 15 at Readercon 31.
Sisters by Daisy Johnson (Jonathan Cape)
Death in Her Hands by Ottessa Moshfegh (Penguin Press)
Mexican Gothic by Silvia Moreno-Garcia (Del Rey / Penguin Random House)
Plain Bad Heroines by Emily M. Danforth (William Morrow)
The Only Good Indians by Stephen Graham Jones (Saga Press, Gallery Books)
True Story by Kate Reed Petty (Viking)
The Best of Both Worlds by S. P. Miskowski (Trepidatio Publishing)
History of an Executioner by Clancy McGilligan (Miami University Press)
Night of the Mannequins by Stephen Graham Jones (Tordotcom Publishing)
Ring Shout by P. Djèlí Clark (Tordotcom Publishing)
Agatha’s Barn: A Carpenter’s Farm Story by Michael Bailey (Written Backwards)
Her Mad Song by C J Halbard (Man on Fire Press)
“I Will Find You, Even in the Dark” by Jessica Landry (Dim Shores Presents Vol. 1)
Many Restless Concerns: The Victims of Countess Bathory Speak in Chorus (A Testimony) by Gayle Brandeis (Black Lawrence Press)
The Attic Tragedy by J. Ashley-Smith Meerkat Press)
Faith by Sayaka Murata, translated by Ginny Tapley Takemori (Granta)
“Heritage Hill” by Matthew R. Davis (Outback Horrors Down Under: An Anthology of Antipodean Terrors)
“Pale Toes” by Marko Hautala, translated by Sanna Terho (The Valancourt Book of World Horror Stories)
“Señor Ligotti” by Bernardo Esquinca, translated by James D. Jenkins (The Valancourt Book of World Horror Stories)
“Holes” by R.A. Busby (Graveyard Smash: Women of Horror Anthology Vol.2 collection)
Graceful Burdens by Roxane Gay (Amazon Original Stories)
“Isn’t Your Daughter Such a Doll” by Tobi Ogundiran (Shoreline of Infinity 18)
“Not the Man I Married” by R. A. Busby (Black Petals Issue #93 Autumn, 2020)
“Room and Board Included, Demonology Extra” by Eden Royce (Broken Eye Books)
“The Memory Game” by Franki Haber (The Gravity of the Thing)
Settling the World: Selected Stories by M. John Harrison (Comma Press)
Mannequin and Wife by Jen Fawkes (LSU Press)
Thin Places by Kay Chronister (Undertow Publications)
Velocities: Stories by Kathe Koja (Meerkat Press)
Moonflower, Nightshade, All the Hours of the Day by JD Scott (Lake Forest College Press)
Aftermath of an Industrial Accident: Stories by Mike Allen (Mythic Delirium Books)
After Sundown, edited by Mark Morris (Flame Tree Press)
Black Cranes: Tales of Unquiet Women, edited by Lee Murray & Geneve Flynn (Omnium Gatherum)
Miscreations: Gods, Monstrosities & Other Horrors, edited by Doug Murano & Michael Bailey (Written Backwards)
The Night Bazaar Venice: Thirteen Tales of Forbidden Wishes and Dangerous Desires, edited by Lenore Hart (Northampton House Press)
Lullabies for Suffering: Tales of Addiction Horror, edited by Mark Matthews (Wicked Run Press)
Shadows & Tall Trees, Vol. 8, edited by Michael Kelly (Undertow Publications)
Tiny Nightmares, edited by Lincoln Michel and Nadxieli Nieto (Catapult)
Shirley Jackson (1916-1965) wrote such classic novels as The Haunting of Hill House and We Have Always Lived in the Castle, as well as one of the most famous short stories in the English language, “The Lottery.” Her work continues to be a major influence on writers of every kind of fiction.
[Thanks to Mike Allen for the story. Based on a press release.]
(1) HELICOPTER OVERVIEW. In “How Twitter can ruin a life: Isabel Fall’s complicated story” at Vox, Emily VanDer Werff’s interview with author Fall is threaded throughout a wide-ranging commentary about the ways “Isabel Fall’s sci-fi story ‘I Sexually Identify as an Attack Helicopter’ drew the ire of the internet” and what happened next. The article begins —
“In a war zone, it is not safe to be unknown. Unknown travelers are shot on sight,” says Isabel Fall. “The fact that Isabel Fall was an unknown led to her death.”
Isabel Fall isn’t dead. There is a person who wrote under that name alive on the planet right now, someone who published a critically acclaimed, award-nominated short story. If she wanted to publish again, she surely could.
Isabel Fall is a ghost nonetheless.
In January 2020, not long after her short story “I Sexually Identify as an Attack Helicopter” was published in the online science fiction magazine Clarkesworld, Fall asked her editor to take the story down, and then checked into a psychiatric ward for thoughts of self-harm and suicide.
The story — and especially its title, which co-opts a transphobic meme — had provoked days of contentious debate online within the science fiction community, the trans community, and the community of people who worry that cancel culture has run amok. Because there was little biographical information available about its author, the debate hinged on one question: Who was Isabel Fall? And that question ate her alive. When she emerged from the hospital a few weeks later, the world had moved on, but she was still scarred by what had happened. She decided on something drastic: She would no longer be Isabel Fall….
(2) AND THE WINNER IS. [Item by Mike Kennedy.] The public has selected “Commander Moonikin Campos” as the official name of the manikin to be launched on Artemis I, the uncrewed flight test of the Space Launch System rocket and Orion spacecraft around the Moon. The launch is currently scheduled for later this year. The namesake of the moonikin is ArturoCampos — electrical power subsystem manager for the Apollo 13 lunar module — who was a key player in bringing that mission safely back to Earth. ”Public Names ‘Moonikin’ Flying Around Moon on NASA’s Artemis Mission” at NASA.
The final bracket challenge was between Campos and Delos, a reference to the island where Apollo and Artemis were born, according to Greek mythology.
… The other six names under consideration were:
ACE, for “Artemis Crew Explorer.”
DUHART, a dedication to Irene Duhart Long, chief medical officer at Kennedy Space Center from 2000 to 2010.
MONTGOMERY, dedication to Julius Montgomery, first African American to work as a technical professional at Cape Canaveral Air Force Station, now known as Cape Canaveral Space Force Station.
RIGEL, a giant superstar in the Orion constellation.
SHACKLETON, a crater on the Moon’s South Pole, which is named after famous Antarctic explorer Ernest Shackleton.
WARGO, a dedication to Michael Wargo, NASA’s first chief exploration scientist.
The Moonikin is a male-bodied manikin previously used in Orion vibration tests. Campos will occupy the commander’s seat inside and wear an Orion Crew Survival System suit– the same spacesuit that Artemis astronauts will use during launch, entry, and other dynamic phases of their missions.
Campos will be equipped with two radiation sensors and have additional sensors under its headrest and behind its seat to record acceleration and vibration data throughout the mission. Data from the Moonikin’s experience will help NASA protect astronauts during Artemis II, the first mission in more than 50 years that will send crew around the Moon….
It’s been thirty-one years since Good Omens was published, which means it’s thirty-two years since Terry Pratchett and I lay in our respective beds in a Seattle hotel room at a World Fantasy Convention, and plotted the sequel. (I got to use bits of the sequel in the TV series version of Good Omens — that’s where our angels came from.)
Terry was clear on what he wanted from Good Omens on the telly. He wanted the story told, and if that worked, he wanted the rest of the story told.
So in September 2017 I sat down in St James’ Park, beside the director, Douglas Mackinnon, on a chair with my name on it, as Showrunner of Good Omens. The chair slowly and elegantly lowered itself to the ground underneath me and fell apart, and I thought, that’s not really a good omen. Fortunately, under Douglas’s leadership, that chair was the only thing that collapsed.
… So that’s the plan. We’ve been keeping it secret for a long time (mostly because otherwise my mail and Twitter feeds would have turned into gushing torrents of What Can You Tell Us About It? long ago) but we are now at the point where sets are being built in Scotland (which is where we’re shooting, and more about filming things in Scotland soon), and we can’t really keep it secret any longer.
There are so many questions people have asked about what happened next (and also, what happened before) to our favourite Angel and Demon. Here are, perhaps, some of the answers you’ve been hoping for.
As Good Omens continues, we will be back in Soho, and all through time and space, solving a mystery which starts with one of the angels wandering through a Soho street market with no memory of who they might be, on their way to Aziraphale’s bookshop.
(Although our story actually begins about five minutes before anyone had got around to saying “Let there be Light”.)
(4) KNOWN UNKNOWNS.Asimov’s does a “Q&A with Ursula Whitcher”, whose poem “Ansibles” appears in the current issue. The intro says Whitcher “is ready to fight for the honor of being the second-most-famous SF author named Ursula” – something definitely to aspire to, but I think at the moment that space is already filled.
Asimov’s Editor: The first line of your poem is, “I can’t explain gravity without using gravity.” Have you ever actually tried to explain gravity?
UW: I have! As well as being a poet, I’m a mathematician. My research is inspired by the physical theory of string theory, which offers one way to unify quantum physics and general relativity. I took more classical courses in general relativity as a graduate student, so I’ve spent quite a bit of energy working out equations for possible shapes of spacetime.
Ray Bradbury is perhaps best-known for writing Fahrenheit 451, The Martian Chronicles, and The Illustrated Man. He was much more than those stories though: a screenplay writer, a friend to Walt Disney, and an amateur painter, just to name a few.
From a young age, Ray was obsessed with finding a way to live forever. He will certainly be remembered for his writing, but his influence elsewhere may surprise you.
[Visit] the American Writers Museum in Chicago, your ticket into the interactive, inspirational, and surprising world of American writing of all genres. Learn about the history of writing in the United States and how it has shaped our lives through exhibits that stretch your imaginations and appeal to all 5 senses.. Then, explore the intricacies of language through games and try writing something for yourself on a vintage typewriter!
…The show will continue to run in two parts in London; Melbourne, Australia; and Hamburg, Germany, but will be a single part in New York, San Francisco and Toronto. It was not immediately clear how long that single part would be; the two parts have a total running time of about 5 hours and 15 minutes.
Structured essentially as a stage sequel to J.K. Rowling’s seven wildly popular “Harry Potter” novels, the show was the most expensive nonmusical play ever to land on Broadway, costing $35.5 million to mount, and another estimated $33 million to redo Broadway’s Lyric Theater. Before the pandemic, the play was routinely grossing around $1 million a week on Broadway — an enviable number for most plays, but not enough for this one, with its large company and the expensive technical elements that undergird its stage magic.
The play, a high-stakes magical adventure story with thematic through lines about growing up and raising children, was written by Jack Thorne and directed by John Tiffany, based on a story credited to Rowling, Thorne and Tiffany. Thorne and Tiffany said they had been working on a new version of the show during the pandemic, which, they said, “has given us a unique opportunity to look at the play with fresh eyes.”
The writers did not say what kind of changes they would make, but the production promised that the new version would still deliver “all the amazing magic, illusions, stagecraft and storytelling set around the same powerful narrative.”
“Harry Potter and the Cursed Child” began its stage life in London, opening in the summer of 2016, and winning nine Olivier awards — the most of any play — in 2017. It arrived on Broadway in 2018, picked up six Tony Awards, and initially sold very strongly, grossing about $2 million a week. But the sales softened over time, as average ticket prices fell, apparently because of a combination of the lengthy time commitment and the need to buy two tickets to see the whole story, which made it particularly expensive for families….
The GenCon gaming convention made with this statement:
The Origins Game Fair has said the Gygax-connected TSR company is also unwelcome at their event.
(8) BOUCHARD OBIT. Detroit area fan and fanzine publisher Alexander Bouchard was killed yesterday in an automobile accident. Al produced a fanzine called The Lightning Round. He also liked to post political comment videos on his YouTube Channel AlexanderFilmWorks — the last two in January criticizing the attack on the Capitol. He is survived by his widow, Megan. A GoFundMe appeal has been opened by their friends Kimberly and Miki Ivey: “Al Bouchard’s burial and help for his wife Megan”.
(9) MEDIA BIRTHDAY.
June 30, 1971 – On this date fifty years ago, Willy Wonka & the Chocolate Factory premiered. It was directed by Mel Stuart and produced by Stan Margulies and David L. Wolper. It was based off Charlie and the Chocolate Factory by Roald Dahl. The exemplary cast consisted of Gene Wilder, Jack Albertson, Peter Ostrum, Roy Kinnear, Julie Dawn Cole, Leonard Stone, Denise Nickerson, Dodo Denney and Paris Themmen. Some critics really didn’t like it, some kind of liked it and most were very fond of it. It really didn’t do well at the box office though not even making back production and marketing costs. Audience reviewers at Rotten Tomatoes currently give it a very superb rating of eighty-seven percent.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 30, 1902 — Lovat Dickson. Australian-born publisher and author who was half-brother of Gordon R Dickson. He wrote a biography of H G Wells, H G Wells: His Turbulent Life and Times. (Died 1987.)
Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft-forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Addams Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.)
Born June 30, 1920 — Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con in what was later called the Great Exclusion Act. In the Fifties, he edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. First Fandom named its award for collecting after him. (Died 1997.)
Born June 30, 1959 — Vincent D’Onofrio, 62. His long running-role is Dective Goren on Law and Order: Criminal Intent which is in no way genre. He was Kingpin in the Daredevil film, Edgar the Bug in the only truly great Men in Black film to date and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye.
Born June 30, 1961 — Diane Purkiss, 60. I’ve not read her Corydon Trilogy she wrote with Michael Dowling, her son, but I can say that At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, Nymphs, and Other Troublesome Things is as splendid as the title suggests it is. She’s also written Fairies and Fairy Stories: A History.
Born June 30, 1963 — Rupert S. Graves, 58. Here because he played Inspector G. Lestrade on thatSherlock series. He also appeared on Doctor Who as Riddell in the Eleventh Doctor story, “Dinosaurs on a Spaceship”. He had one-offs in The Nightmare Worlds of H. G. Wells: The Moth, Twelve Monkeys, Krypton and Return of the Saint.
Born June 30, 1966 — Peter Outerbridge, 55. Dr. David Sandström in what I think is the underrated ReGenesis series as well being Henrik “Hank” Johanssen in Orphan Black anda recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series.
Born June 30, 1972 — Molly Parker, 49. Maureen Robinson on the current Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The Sentinel, Highlander: The Series, Poltergeist: The Legacy, Human Target and she appeared in The Wicker Man asSister Rose / Sister Thorn.
(12) LOOK OUT BELOW.[Item by Jennifer Hawthorne.] Third Planet Sci-Fi and Fantasy Superstore in Houston is suing the hotel next door to them because guests at the hotel keep dropping junk on top of the bookstore’s roof, and recently caused a lot of damage. The suit is being presented in an unusually nifty format though! To see the entire comic, skip down to page six of the Plaintiff’s Petition. (Screencaps from Above the Law’s post “Comic Store Includes Graphic Novel Of Allegations In Filing”.)
(13) CLARION CALL. The Clarion West Write-A-Thon is under weigh, but you can still get on board.
Participating writers sign up beginning June 7. They set writing goals, put up excerpts of their work, and use social media to let people know that they’re writing for a good cause. There are all kinds of writing goals—from the manageable “write for five minutes a day” to the ambitious “finish a novel” or “finish six short stories.” Every writer in the Write-a-thon chooses a goal that works for them.
This summer, writers may participate in additional online events, including affinity groups, writing sprints, (recorded) craft talks, and more. See [page] for the full list of perks.
After the Write-a-thon kicks off on June 20, friends and family can visit the Write-a-thon site, choose a writer or writers they would like to support, and use the button on each writer’s page to sponsor them. Every week, writers get a report on who’s donated to them, allowing them to communicate with their supporters. Many writers send their supporters updates on their progress, or show off their completed work at the end of the Write-a-thon, but it’s not required.
3. Am I too late to join?
The 2021 Clarion West Write-a-thon runs from June 20 to July 31. But no worries if you got here midway through; there’s no last day to sign up as a participant, and you can donate until August 31.
(14) YOUR FIRST. Clarion West is also doing a panel about “Releasing Your First Book” on July 5 at 6:30 p.m. Pacific. “Releasing your first book is tough any time. Hear from four Clarion West alumni who did it last year and learn what their journey was like.” Register here. The panel features Elly Bangs, Lauren Dixon, Emily Skaftun, and E. Lily Yu.
On Monday, July 5, we’re hosting our first live panel: Releasing Your First Book. Learn what the journey was like from four Clarion West alumni — Elly Bangs (CW, ’17, author of Unity, Tachyon Publications), Emily Skaftun (CW ’09, author of Living Forever & Other Terrible Ideas, Fairwood Press), Lauren Dixon (CW ’10, author of Welcome to the Bitch Bubble, Hydra House Books), and E. Lily Yu (CW ’13, author of On Fragile Waves, Erewhon Books) — who released their books last year.
Nadja and her ten-year-old son are on an overnight flight from Germany to New York when a group of terrorists violently take control of the plane and threaten the lives of the passengers. Suddenly Nadja faces an impossible choice – should she reveal her dark side and the inner monster she has kept hidden from her son for years in order to save him? The hunters become the hunted in this action-horror from director Peter Thorwarth.
…The core members of such a team might include a mastermind (to plan the heist), a thief (to get past any security devices), the driver (to orchestrate exfiltration), the muscle (in case something goes horribly wrong), and of course, the distraction (because it is much easier to get away with stuff if everyone is looking in the wrong direction). Speculative fiction offers numerous candidates who would combine the required expertise with the necessary moral flexibility. Here are the five SFF characters I’d pick for my retrieval team.
The Driver: McGill Feighan (The Journeys of McGill Feighan series by Kevin O’Donnell, Jr.)
McGill Feighan is a “flinger,” a teleporter whose reach spans the Milky Way. He is also one of the very few flingers to escape the Flinger Network’s methodical conditioning, which prevents flingers from doing anything untoward. Although he is not criminally inclined, he is at the centre of a compelling mystery—why did the terribly mysterious Far Being Retzglaran orchestrate McGill’s kidnapping as a baby?—and if you can convince him the job will somehow get him closer to answering that question, he may turn a blind eye to certain legal niceties. With him by your side, the entire galaxy is within reach.
Note: The vast criminal gang known as the Organization would also like an answer to McGill’s question. They play rough, so try not to attract their attention. Or the attention of the Far Being Retzglaran, for that matter.
(17) JEOPARDY! Andrew Porter witnessed these stumbles on tonight’s episode of Jeopardy!
Final Jeopardy: 20th Century Novels
Answer: British biochemist J.B.S. Haldane’s essay on ectogenesis, birth outside the womb, helped inspire this 1932 novel.
Wrong questions: “What is ‘Metamorphosis’?” and “What is ‘Steppenwolf’?”
Right question: “What Is ‘Brave New World’?.”
(18) WE SEE EXOPLANETS. HOW DO THEY SEE US? [Item by SF Concatenation’s Jonathan Cowie.] One of the best ways we currently detect exoplanets is when their orbit intersects our line of sight with their host star: these exoplanets transit their star. As said, this only works when observer, planet and star are all aligned. However, just as we can this way detect exoplanets, so exoplanets about stars in the plane of our Earth orbiting the Sun can similarly detect the Earth!
Assuming aliens have at least the same technology as us, how many of these are there?
Two US astronomers, using data from the Gaia mission that takes into account the movement of stars, have worked out how many stars could detect an Earth transit of the Sun.
It turns out that over the past 5,000 years there were some 1,715 stars within 100 parsecs (~350 light years) of the Earth that could detect us using the transit method. Currently, today, there are 1,402 stars that could detect the Earth using the transit method with our level of technology. Of these 128 are G type stars like our Sun.
The astronomers also estimate, taking a pessimistic view of our current exoplanet catalogue, and applying a probability based on that, that there 508 rocky planets in the habitable zone of these stars.
Finally, assuming that we have been generating significant radio waves for about a century, they calculate 29 of these potentially habitable rocky planets could, were there aliens there listening, be in a position to also detect our radio signals.
Ingenuity, NASA’s pint-sized Mars helicopter, has kicked up some surprising science on its flights over the red planet. When whizzing through the Martian air, its blades sometimes stir up a dust cloud that envelops and travels along with the tiny chopper. In several videos of Ingenuity’s flights, planetary scientists have seen dust whirling beneath the helicopter’s rotors — even when Ingenuity is flying as high as 5 metres above the Martian surface. That suggests that dust can get lifted and transported in the thin Martian air more easily than researchers had suspected….
(20) VIDEOS OF THE DAY. [Item by Mike Kennedy.] Billy Boyd and Dominic Monaghan, actors who played hobbits in The Lord of the Rings movies (Pippin Took and Merry Brandybuck), appeared on The Late Show to promote their podcast “The Friendship Onion.” Host Stephen Colbert referred to it as completing his set of Hobbits as he has previously interviewed Elijah Wood and Sean Astin—as well as many other LotR actors. There was singing, trivia, and banter plus a video appearance by Peter Jackson.
Dominic Monaghan and Billy Boyd share stories from the set of the “Lord of the Rings” movies and get our host to join them in singing a Hobbit drinking song. You can hear more from them in their new Lord of the Rings podcast, “The Friendship Onion.”
Dominic Monaghan, Billy Boyd, and special guest Peter Jackson try to find a “Lord of the Rings” trivia question that will stump our host. And to up the stakes, they have a special LOTR prize for Stephen if he can get it right.
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Justin Busch, Lloyd Penney, Robin A. Reid, Jennifer Hawthorne, Daniel Dern, David K.M. Klaus, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day microtherion.]
The Animals in that Country – Laura Jean McKay (Scribe)
Chilling Effect – Valerie Valdes (Orbit)
Dr Andrew M. Butler, Chair of Judges, said:
To everyone’s surprise, each of the titles is a debut novel. This has never happened before.
Tom Hunter, Award Director, commented:
As we announce our 35th Clarke Award shortlist I’m reminded of Sir Arthur’s wish that the prize continue to reflect the best of UK science fiction, and not one fixed definition of it.
With SF publishing in the UK currently thriving and over 100 increasingly diverse titles again submitted to our judges this year, a single definition of science fiction in the 2020s was always going to be a challenge but with this shortlist I believe our judges not only met the challenge, they’ve raised the bar.
Whether its SF for readers of all ages, works in translation, books from the heart of SF publishing, our vibrant small presses or literary imprints embracing their speculative fiction sides, our judges have created a definition of the best of science fiction literature today that is uniquely their own yet instantly recognisable.
A complete list of all eligible titles submitted to the judging panel can be found here.
The award’s judging panel members and supporting organizations are:
Stewart Hotston, British Science Fiction Association
Alasdair Stuart, British Science Fiction Association
The final season of Star Wars: The Clone Wars was released to widespread critical acclaim, and now the animated series will look to pick up some new accolades. It was announced this week that the seventh season of The Clone Wars has received three nominations at the upcoming Daytime Emmy Awards.
The show will look to take home the trophies for Outstanding Writing Team for a Daytime Animated Program, Outstanding Music Direction and Composition for a Preschool, Children’s or Animated Program, and Outstanding Sound Mixing and Sound Editing for a Daytime Animated Program.
The winners in the Children’s Programming and Animation category will be announced in a stand-alone show streaming at 8 p.m. ET July 17 on the Emmy OTT platform.
FIYAH is partnering with the LeVar Burton Reads podcast for their first-ever writing contest! Do you write speculative fiction (sci-fi, fantasy, horror)? Do you love the podcast? Have you dreamed of getting your work in front of THE LeVar Burton ever since the days of Reading Rainbow? Well, here’s your shot. We are looking for one special story to be featured in Season 10 of the podcast
The first place winner will receive $500 and the story will be read by LeVar Burton on an upcoming episode of the LeVar Burton Reads podcast. The second place winner gets $250, and the third place winner, $100.
Editors for this contest include Diana M. Pho and L. D. Lewis, with the final selection being made by LeVar himself. View full submission guidelines and contest rules here.
After over 50 years of rubbing shoulders with the giants of the entertainment industry, Steve Vertlieb’s resume reads like a cinephile’s dream. This week I speak with the award winning journalist and film historian about the cultural impact of Rod Serling and his seminal science fiction anthology series “The Twilight Zone”.
The late 1950s/early 1960s were a time of staunch conservatism in America. This ideology was prevalent in the mainstream entertainment Americans watched on their television sets and at the local cinema. Rod Serling was a man with a message but it wasn’t a message many at this time wanted to hear. A talented writer, Serling was also a student of history and he knew that to get a message through a fortress wall, sometimes you needed to give the gift of a Trojan horse. “The Twilight Zone” was that gift and in the guise of science fiction, black comedy and horror Rod Serling’s voice reached out to open the eyes, ears and hearts of a fascinated public. This week we welcome award winning journalist, film historian and archivist Steve Vertlieb to the show as we discuss the cultural impact of “The Twilight Zone” and how Rod Serling’s message is still relevant over 60 years after the show’s debut.
… I’m sure you could find many SFF novels about such fuddy-duddy tourism turning strange. There are also novels that up the stakes by marooning the protagonist far from home. This will certainly give the protagonist a way to display do-or-die determination by denying them any choice in the matter…
Consider these five works about castaways.
The Luck of Brin’s Five by Cherry Wilder (1977)
Travel on Torin is a simple matter of hopping into a convenient space-plane and jetting to some other location on the Earth-like world that orbits 70 Ophuichi. Or it would be, if Scott Gale had not just crashed his expedition’s only space-plane on the far side of Torin, near the Terran expeditionary base’s antipodes. Oops.
Torin’s native population is unaware that they have off-world visitors until Scott’s space-plane falls from the sky. To the family of weavers known as Brin’s Five, Scott could become their new Luck (an integral member of each Moruian family’s five-member structure). His arrival may save the weavers from misfortune and starvation.
To Great Elder Tiath Avran Pentroy, also known as Tiath Gargan (or Strangler), technologically superior aliens are an unwanted disruptive element. Best to quietly dispatch Scott before Strangler has to deal with the ramifications of alien contact. And if Brin’s Five are not public-minded enough to surrender their Luck? Why, they can be dispatched as well.
I am very happy to announce Toni Weisskopf, Publisher of Baen Books, as this year’s keynote speaker for the combined Writers and Illustrators of the Future 36/37 Awards Ceremony. Many of our past winners and current judges are published by Baen Books. Writers of the Future and Toni first connected up in 1989, when as a volunteer, she helped out at the Writers of the Future Awards Event in New York City. We are happy she will be back again!
(8) TIME ENOUGH FOR CATS. Did we mention there is a Japanese adaptation of Heinlein’s The Door Into Summer? Let’s make sure it hasn’t been overlooked by the Scroll:
(9) MEMORY LANE.
1999 — Twenty-two years ago, Charles Vess wins a Mythopoeic Fantasy Award for Adult Literature for the illustrated version of Neil Gaiman’s Stardust which was published by Vertigo the previous year. Gaiman of course shared in that Award. It would also win a World Fantasy Award as well.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 29, 1919 — Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. And of course he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.)
Born June 29, 1920 — Ray Harryhausen. All-around film genius who created stop-motion model Dynamation animation. His work can be seen in The 7th Voyage of Sinbad (his first color film) which was nominated for a Hugo at Detention, Jason and the Argonauts, Mighty Joe Young and Clash of the Titans. (Died 2013.)
Born June 29, 1943 — Maureen O’Brien, 78. Vicki, companion of the First Doctor. Some 40 years later, she reprised the role for several Big Finish Productions Doctor Who audio works. She had a recurring role as Morgan in The Legend of King Arthur, a late Seventies BBC series. Her Detective Inspector John Bright series has been well received.
Born June 29, 1947 — Michael Carter, 74. Best remembered for being Gerald Bringsley in An American Werewolf in London, Von Thurnburg in The Illusionist and Bib Fortuna in the Return of the Jedi. He plays two roles as a prisoner and as UNIT soldier in the Third Doctor story, “The Mind of Evil”.
Born June 29, 1950 — Michael Whelan, 71. I’m reasonably sure that most of the Del Rey editions of McCaffrey’s Dragonriders of Pern series was where I first noticed his artwork but I’ve certainly seen it elsewhere since. He did Heinlein’s The Cat Who Walks Through Walls cover which I love and many more I can’t recall right now. And there’s a wonderful collection of work available, Beyond Science Fiction: The Alternative Realism of Michael Whelan.
Born June 29, 1956 — David Burroughs Mattingly, 65. He’s an American illustrator and painter, best known for his numerous book covers of genre literature. Earlier in his career, he worked at Disney Studio on the production of The Black Hole, Tron, Dick Tracy and Stephen King’s The Stand. His main cover work was at Ballantine Books where he did such work as the 1982 cover of Herbert’s Under Pressure (superb novel), the 2006 Anderson’s Time Patrol and the 1983 Berkley Books publication of E. E. ‘Doc’ Smith Triplanetary.
Born June 29, 1968 — Judith Hoag, 53. Her first genre role was in Teenage Mutant Ninja Turtles as April O’Neil followed by being in Armageddon playing Denise Chappel and then a Doctor in A Nightmare On Elm Street. She filmed a cameo for another Turtle film, Teenage Mutant Ninja Turtles: Out of the Shadows, but it was deleted. She’s got one one-offs in Quantum Leap, The Adventures of Brisco County, Jr., Strange World, The Burning Zone, X-Files, Carnivàle and Grimm. Her latest genre role was in The Magicians as Stephanie Quinn.
It is a good time to be a superheroic animal. DC’s League of Super-Pets animated movie is on the way and has somehow nabbed Dwayne “The Rock” Johnson as the voice of Krypto the Superdog, along with Kevin Hart as Ace the Bat-Hound, plus Keanu Reeves, Kate McKinnon, Diego Luna, and more. But these critters—and maybe others—have long had superhero careers in the pages of DC Comics. It’s time to look at every member of the Legion of Super-Pets— and see how they compare….
(13) SALE OF THE MID-CENTURY. See a bit of sf history in a photo here on Facebook – at the 1968 Worldcon in Oakland/Berkeley, Harlan Ellison auctions off the services of David Gerrold (standing).
It’s time for a showdown of galactic proportions… In which universe does your loyalty lie, are you Team Spock or is Darth your daddy? Foxglove and Gee Quiz are proud to strike back in 2021 bringing you a quiz from galaxies far away, a showdown between Star Wars and Star Trek superfans.
Whet your whistle in Mos Eisely Cantina while the food replicator whips you up dishes from culinary worlds like Endor, Naboo, Vulcan and Remus. Have you ever tried Petrokian Sausage? All teams answer questions from both universes, including specialty bonus food and beverage rounds to test your knowledge of culinary delights that are out of this world. Every ticket includes 2 drinks, canape and shared table banquet dishes from all corners of the universe!
Book your six person team ($450) or book a single ticket ($75) and declare your loyalty and we’ll match you up with like-minded quizzers.
ORIGINAL: How big? When complete the starship will measure 42-inches long and 18-inches wide. Features will include electronic lights and sounds that can be controlled via an app, and you can open up the saucer section of the Enterprise to see a full 1966-style bridge. The body of the ship will also open to display the engineering room.
A large collaboration of astrophysicists report they have made the first-ever confirmed detections of shockwaves produced by mergers between neutron stars and black holes. The detections, 10 days apart, represent two of these enormous cosmic unions.
In January 2020, Earth quivered ever so slightly as shockwaves imperceptible to human senses passed through it. Those ripples were gravitational waves, perturbations in spacetime generated by all massive objects but only detectable from extremely huge events, like two black holes colliding. The waves were strong enough to be picked up by the Laser Interferometer Gravitational-Wave Observatory in Louisiana (the Washington branch of the instrument was offline at the time) and the similar Virgo experiment in Pisa, Italy. These experiments detect gravitational waves using a sensitive arrangement of mirrors and laser beams.
Black holes are points in space with such intense gravitational fields that not even light can escape. They form when a star dies and collapses in on itself. Neutron stars form similarly; they are the extremely dense collapsed remains of dead stars and are mostly composed of packed-in neutrons.
… Venus doesn’t have plate tectonics. But according to a study published Monday in the Proceedings of the National Academy of Sciences, it may possess a quirky variation of that process: Parts of its surface seem to be made up of blocks that have shifted and twisted about, contorting their surroundings as they went.
These boogying blocks, thin and flat slices of rock referred to as campi (Latin for “fields”), can be as small as Ireland or as expansive as Alaska. They were found using data from NASA’s Magellan orbiter mission, the agency’s last foray to Venus. In the early 1990s, it used radar to peer through the planet’s obfuscating atmosphere and map the entire surface. Taking another look at these maps, scientists found 58 campi scattered throughout the planet’s lava-covered lowlands….
(18) SHOW BIZ WANTS YOU. Universal Studios Hollywood put out a call for contestants to be on “the first ever Harry Potter quiz show.” The application is here.
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Ratchet and Crank: Rift Apart,” Fandom Games says the latest line extension of the Ratchet and Crank franchise is so familiar that “if it seems like a new coat of paint on an old favorite, that’s what it is” and shows the rule of the gaming industry, that, “If it ain’t broke, just slap newer-looking graphics on it and charge full price.”
[Thanks to John King Tarpinian, Cat Eldridge, Mike Kennedy, Cora Buhlert, James Davis Nicoll, Daniel Dern, Andrew Porter, Martin Morse Wooster, JJ, and Michael Toman for some of these stories. Title credit belongs to contributing editor of the day Andrew (not Werdna).]
By Sara Felix: There was a post a while ago on twitter that asked, “So what motivates y’all to continue entering bids to host Worldcons? Genuinely curious.”
And I responded with, ”I think there are some great bids out there like Glasgow 2024 that you can genuinely tell they are enthusiastic and want to put on a good show. Working on Dublin was like that for me as well. I am not saying they are perfect but the excitement is really important.”
But that is just the tip of the iceberg of what I wanted to say and the twitter format leaves a lot to be desired. A few people have touched on a part of my answer in different ways but a lot of it boils down to, I volunteer because I want to make a difference and I want to do better. I like being part of a group of people who are excited to put on a good show.
And I think I have in my own ways but I always strive to do more. And there is so much that can be done that hasn’t already. Or it has been done but then forgotten and never to be picked up again. FANAC and the work Joe Siclari and Edie Stern and others have done to showcase past events has opened my eyes to some amazing projects over the years at Worldcon and beyond. And I would like to see some of those rich traditions intertwined with newer ideas added.
I know the question was why do you keep entering bids but I want to talk about why I volunteer for Worldcon and help with bidding.
What have I done?
For me I think I have left some mark on Worldcon fandom. With Colin Harris we created the Artist Showcase that has now been a staple at many Worldcons since Chicon 7. I advocate for it on every con I am involved in. As an artist and the president of ASFA (The Association of Science Fiction and Fantasy Artists) I am a promoter of artists and want to see them recognized and part of the community. I want to see their work spotlighted as much as I can. It saddens me that more artists can’t show at Worldcons due to the cost to attend and am always looking for ways to change that.
For Dublin there was amazing art and artists that were featured. To spotlight those artists we created The Art and Artistry of Dublin 2019. I have created art show panels for artists who can’t afford or don’t want a full panel of art, I provide fan art for conventions when seated or bidding as much as I can. I want to help in any small way that is possible.
I was part of the Mexicanx Initiative and work to include the other Mexicanx in fan related activities and have supported the other initiatives like this on the Worldcons I have worked on.
I am trying to make my divisions more inclusive in the future so we have more voices present at the table. There are plans in the beginning stages that hopefully come to fruition on future concoms I am a part of.
These aren’t huge projects but hopefully they are things that people remember and help them to enjoy the event just a bit more.
I run the Chesleys every year for ASFA. Besides all the behind the scenes work I have also called for more diverse voices in the categories since I have been president. I talk about it on panels at conventions and online and push artists to submit their work every year.
So that answers the how I am involved, but why?
I love art. I love science fiction. I love the friends I have in the community. I want to put on a good show. I volunteer to have fun and try and get my friends involved that I enjoy working with. It doesn’t always work out like I plan but overall I am ultimately a perfectionist and want to do something that I am proud of and can talk about positively with my friends and family in and outside of fandom.
And I know there are others out there like that. I have worked with them before. And I will continue to ask them to be on any teams I have in the future. Or go to them for advice when I need a bit of help.
I also like to see organizations do better. I attend SMOFcon to talk to people about how things are run and how we can change current policies or methods and try to use the things I learn to help my teams. My focus is on art and artists a lot of the time and I am always looking for new and innovative ways to help cons promote art and bring more artists.
It is not all sunshine and rainbows…. fandom is hard. There are personalities that I don’t always work well with and opinions that I don’t agree with. I have worked on some very hard Worldcons in the past and now I know when I need to step away. I don’t agree with the principle of “that is how we have always done it” and in fact I think there are some positions in Worldcon that would be better filled by a professional. *cough*social media *cough* The “this is how we have always done it attitude” is toxic for change and I get there are traditions we want to keep. I believe that the past traditions are important and there can be change while still honoring them.
I have learned to set limits for myself on volunteering as it has been made it very apparent that I can’t do everything that is asked of me. This was a hard lesson to learn.
A big red flag for me is when the convention doesn’t align with my ideas of what makes a good Worldcon. My biggest problem with working on Worldcons typically come down to bad communication and silo-ing of divisions.
Let me just say…. I am not perfect. I work on publications and design. Have I misspelled names? Yep you betcha. Have I put out the wrong materials? Totally. I make mistakes and so does my team sometimes. But I try to make sure we don’t make the same mistakes over and over again.
My first Worldcon was a phenomenal experience. The second was not so much and I stopped going after that. It took me 9 years to be involved again at Worldcon and that was because I was asked to volunteer. My experiences going to the convention have been improved by the relationships I have with other volunteers over the years. I am sure most people are aware that going to cons is so much better with friends and I have experienced that with other volunteers when you have worked on something 2+ years. I know there are people I have worked with on past conventions that I talk to everyday or at least every week.
Would I be on a bid team for a convention?
Yes definitely! I am now. I love the people I work with and the enthusiasm they bring to the table and those are best bid teams. And I hope I provide the same level of enthusiasm for things I work on with them. The best bids pay attention to the good and the bad of the conventions that came before and try to incorporate those learnings into their plans. They look to bring on like-minded staff. If I was ever going to bid for a Worldcon this is what I want to do as well. (Not bidding to run a Worldcon, thanks :p)
(1) ON THE JOB. Slate has posted the June short story from Future Tense and Arizona State University’s Center for Science and the Imagination: “The Skeleton Crew,” by Janelle Shane, about a haunted house (supposedly) powered by AI.
Aroha had been a closet skeleton for two weeks now, the longest anyone had managed to hold the position. At first the job had been utterly undoable, but she and her co-workers had hacked in some we’d-totally-be-fired-for-this improvements…
“The Skeleton Crew” asks us to consider two questions. The first is an interesting twist on an age-old thought experiment. But the second is more complicated, because the story invites us to become aware of a very real phenomenon and to consider what, if anything, should be done about the way the world is working for some people….
(2) FOUNDATION AND TEASER. What would I do if my civilization was about to end? Uh, log into Facebook? Of course, I’m not head of a galactic empire.
I was more of a TV baby than a reader when I was little. The year after my dad died, I saw the original cartoon version of The Hobbit (1977) and it was the first time I’d seen the portrayal of an invented world—well, like mine it had darkness and evil but also hope and magic, and that was a great place to start from. I was so hooked in to the idea the something could be different in my own world of grief and losing my dad, so I sought out Tolkien and there was no turning back after that. The idea of having an experienced wizard and guardian helping you through trauma and hardship, and yet taught you to self-rely on your own cunning and imagination really appealed to me. In its own way, Tolkien’s novel surpassed the film adaptation. It expanded a world that I needed to see. So, I sought out other fantasy literature. Not long after, I discovered Clive Barker’sBooks of Blood and I was astonished not only by its visceral brutality but also by its variety and diversity of setting and plotlines. As a trans kid, I needed different worlds, and to have even the most vague impression that I could create one or many from dreams and imagination drew me in to the creative process. All uphill from there.
Volume 1 in the epic saga of the culture war within science fiction. This volume covers the story up to 2014 of the people and events that would lead up to the 2015 Sad Puppy controversy at the prestigious Hugo Awards.
Links to Books2Read, Apple Books, and Rakuten Kobo in the post.
(5) NOT COMING BACK. Nicholas Whyte begins his series of blog reviews of this year’s Hugo nominees by putting some speculation to rest: “2021 Hugos: Best Graphic Story or Comic” at From the Heart of Europe.
A couple of people have asked me if I will return to the staff of DisCon III now that the Chair has resigned. Whoever the new Chair is, I will decline any such invitation. My former position as WSFS Division Head was filled within twenty-four hours of my own resignation, by someone who (unlike me) has actually done that job before, and who does not need me looking over their shoulder. I have no information about the rest of the vacancies, and frankly it’s none of my business whether others of the former team decide to return if invited to do so. Whoever does pick up the reins, I wish them well; I think that we left the Hugo Administration side of things in pretty good shape, and there is of course continuity in Site Selection and the Business Meeting. (One of my few regrets about the way things ended is that we had not yet set up systematic monitoring of the votes coming in, so I have absolutely no idea who is winning.)…
…His favourite example of literature’s ability to identify a social mood and cast it into the future is a retelling of the Cassandra myth by the East German novelist Christa Wolf. Kassandra, published in 1983, casts Troy as a state not unlike the late-stage German Democratic Republic, succumbing to the paranoia of a Stasi-like secret police as it veers towards a not-so-cold war. Kassandra, cursed with the gift of prophecy, is also a cipher for the author’s own predicament: she foresees the decline her society is heading for, but her warnings are ignored by the military patriarchy.
If states could learn to read novels as a kind of literary seismograph, Wertheimer argues, they could perhaps identify which conflicts are on the verge of exploding into violence, and intervene to save maybe millions of lives….
.. In 2018, weeks after the Bundeswehr officers had travelled to Tübingen, Wertheimer presented his initial findings at the defence ministry in Berlin. He drew attention to a literary scandal around Jovan Radulovi?’s 1983 play Dove Hole, about an Ustashe massacre against their Serbian neighbours, and the expulsion of non-Serbian writers from the Serbian Writers’ Association in 1986. In the years that followed, he showed, there was an absence of tales about Albanian-Serbian friendships or love stories, and a rise in revisionist historical novels. Literature and literary institutions, he told the military men, had “paved the way for war” a good decade before the start of the bloodshed of the Kosovo war in 1998.
Carlo Masala was at the presentation. “At the beginning, I thought: this is crazy shit,” he recalls. “It won’t fly.” But Masala, who had spent a part of his academic career studying the conflict in Bosnia, remembered how the hardening tensions in the regions had been preceded by a decline in interfaith marriages. “In Kosovo, it seemed, you could detect similar early warning signs in the literary scene.”
“It was a small project that created a surprising amount of useful results,” says one defence ministry official who attended the presentation. “Against our initial instincts, we were excited.”
In its bid for further government funding, Wertheimer’s team was up against Berlin’s Fraunhofer Institute, Europe’s largest organisation for applied research and development services, which had been asked to run the same pilot project with a data-led approach. Cassandra was simply better, says the defence ministry official, who asked to remain anonymous.
“Predicting a conflict a year, or a year and a half in advance, that’s something our systems were already capable of. Cassandra promised to register disturbances five to seven years in advance – that was something new.”…
… Unsurprisingly, speculative fiction authors have been swift to see the narrative potential in home renovation, whether for those who wish to own their own homes or who merely wish to find an affordable rental. Consider these five examples:
The Haunting of Hill House by Shirley Jackson (1959)
Hill House’s no doubt substantial real-estate potential has one impediment: a reputation for inducing madness in the inhabitants. Hill House was built by the cruel, eccentric Hugh Crain and is subtly, disturbingly, out of true. It has a long and bloody history, which has so far deterred occupation by the sane and the living.
A quartet of occult investigators sees opportunity here. Luke Sanderson is present to keep an eye on his aunt’s cursed property; bohemian Theodora appears to be intrigued by novelty. Doctor John Montague hopes to find scientific proof of the supernatural; Eleanor Vance wants to escape a life of being exploited and disparaged by her kin. What better place to find one’s dreams than an estate legendary for its nightmares?
Between the time of the rise of disco and when the oceans drank the polar ice caps, there was an age undreamed of . . . and the name of this age was . . . The Eighties. And unto this age was born a seemingly sudden explosion of mystic tales about mighty warriors. For years, those stories shook the theaters with the strength of their steel before they diminished into perennial cable reruns and cult fandom. Now, forty years hence, cast your gaze back upon a time of stop-motion dragons and barbarian queens. Let me remind you of the days of HIGH ADVENTURE . . .
The Sword & Sorcery is a subgenre with an adventure-oriented style that contains elements of fantasy, like magic (hence the “sorcery” part). The name arose from correspondence between American writer Fritz Leiber and British writer Michael Moorcock in the 1960s as they debated what to call the kinds of tales that Robert E. Howard wrote (and which frequently featured his most famous creation, Conan the Barbarian). Leiber landed on “Sword and Sorcery” as a way to differentiate it from historical fantasy and “high fantasy” (which often dealt with world-shaking threats versus the more personal or sword-for-hire quests of “sword and sorcery”). It’s also a nod to the “sword and sandals” nickname that some myth and fantasy films had acquired in the 1950s and 1960s, generally movies featuring the likes of Steve Reeves or Reg Park as Hercules.
4. DANIEL KEYES FOUND INSPIRATION FOR CHARLIE IN HIS WORK.
Charlie Gordon isn’t based on a specific person or an existing experiment, but the character’s resolute drive to become smarter was inspired by one of Keyes’s students. In interviews over the following decades, Keyes would recount how one of his pupils in a class for children with intellectual disabilities asked to be transferred out. “Mr. Keyes, this is a dummy class,” the child said, according to the author’s recollection. “If I try hard and get smart before the end of the term, would you put me in a regular class? I want to be smart.”
(10) SHATNER HEALING UP. William Shatner, now 90, told The Guardian he is recovering from falling off a horse, as he answered their questions about his work in Senior Moment, playing a retired Nasa test pilot and self-proclaimed ladies’ man who loses his driving license and meets a woman who changes his life, and about his next album.
…Shatner, who will release an album called Love, Death and Horses later in the summer, said he wishes he knew when he was younger that fame and success do not prevent loneliness.
He said: “The album is autobiographical and one of the songs is about loneliness, how much loneliness was a part of my life. It is a part of everybody’s life, no matter how much attention you get, and how happily married you are, and how many children you have. As the song says, we’re all essentially alone and the big mystery is will there be anybody there at the end?”
Shatner said he attributes the energy he still has to “DNA, no question about it” and added: “I have lived a good life. I don’t do drugs, I don’t drink and smoke, and I try to exercise as much as possible, with good food.”
However, he revealed he is currently suffering from a serious injury, saying: “My shoulder is shattered right now. I cracked the bone falling off a horse a couple of weeks ago. So my left arm is bad but I keep exercising it. It’s getting better and better.
“But I’ve had the good luck of not having anything really debilitating. So nothing has sapped my energy.”
(11) MEMORY LANE.
1982 – Thirty nine years ago, John Crowley’s Little, Big would win both the World Fantasy Award and the Mythopoeic Fantasy Award. It would place fifth in the voting at Chicon IV for Best Novel Hugo. (C. J. Cherryh’s Downbelow Station won that year.) It would also be nominated for a Balrog, BSFA and Nebula as well.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 28, 1920 — James Doohan. Montgomery “Scotty” Scott on Trek of course. His first genre appearance was in Outer Limits as Police Lt. Branch followed by being a SDI Agent at Gas Station in The Satan Bug film before getting the Trek gig. His first genre series would’ve been Space Command where he played Phil Mitchell. He filmed a Man from U.N.C.L.E.film, One of Our Spies Is Missing, in which he played Phillip Bainbridge, during the first season of Trek. After Trek, he was on Jason of Star Command as Commander Canarvin. ISFDB notes that he did three Scotty novels co-written with S.M. Stirling. (Died 2005.)
Born June 28, 1926 — Mel Brooks, 95. Young Frankenstein (1974) (Hugo and Nebula winner) and Spaceballs (1987) would get him listed even without The 2000 Year Old Man, Get Smart and others. Here is an appreciation of Mel on YouTube. (Alan Baumler)
Born June 28, 1946 — Robert Asprin. I first encountered him as the co-editor along with Lynn Abbey of the Thieves’ World Series for which he wrote the superb “The Price of Doing Business” for the first volume. I’m also very fond of The Cold Cash War novel. His Griffen McCandles (Dragons) series is quite excellent. I’m pleased to say that he’s well stocked on both at the usual suspects. (Died 2008.)
Born June 28, 1947 — Mark Helprin, 74. Author of three works of significance to the genre, Winter’s Tale, A City in Winter, which won the World Fantasy Award for Best Novella and The Veil of Snows. The latter two are tastefully illustrated by Chris Van Allsburg. I know Winter’s Tale was turned into a film but color me very disinterested in seeing it as I love the novel.
Born June 28, 1951 — Lalla Ward, 70. She is known for her role as the second actress to play Romana (or Romanadvoratrelundar in full) on Doctor Who during the time of the Fourth Doctor. She has reprised the character in Dimensions in Time, the webcast version of Shada, and in several Doctor Who Big Finish productions. In addition, she played Ophelia to Derek Jacobi’s Hamlet in the BBC television production. And she was Helga in an early horror film called Vampire Circus.
Born June 28, 1954 — Raffaella De Laurentiis, 67. Yes, she’s related to that De Laurentiis, hence she was the producer of the first Dune film. She also did Conan the Barbarian and Conan the Destroyer, both starting Arnold Schwarzenegger, and Kull the Conqueror. She also produced all films in the Dragonheart series. She was the Executive Producer of the Sky Captain and the World of Tomorrow.
Born June 28, 1954 — Alice Krige, 67. I think her first genre role was in the full role of Eva Galli and Alma Mobley in Ghost Story. From there, she plays Mary Shelley (née Godwin) in Haunted Summer before going onto being Mary Brady in Stephen King’s Sleepwalkers. Now it’s in Star Trek: First Contact in which she first plays the Borg Queen, a role she’ll repeat in the finale of Star Trek: Voyager, “Endgame”. She’s had a number of other genre roles but I will only note that she was Eir in Thor: The Dark World.
Born June 28, 1954 — Deborah Grabien, 67. She makes the Birthday list for her most excellent Haunted Ballads series in which a folk musician and his lover tackle the matter of actual haunted spaces. It leads off with The Weaver and the Factory Maid. You can read the first chapter here. Oh, and she makes truly great dark chocolate fudge.
(13) COMICS SECTION.
Tom Gauld foresees the future of job interviews:
And don’t miss the Bloom County / Calvin & Hobbes crossover –
(14) GENRE DICTIONARY. Nick Mamatas revises an entry:
…Nonetheless, each attempt to bring inclusivity to Star Wars has been met with backlash from a small but vocal group of Star Wars fans lamenting the saga’s “social justice warriors” and “woke” approach to its latest endeavors.
Now, some Star Wars fans are mad again. This time at a Lego set.
As originally noted by the fan site Jedi News, the new Mandalorian-themed toy line features beloved bounty hunter Boba Fett’s spaceship; however, its traditional Slave I moniker has been changed to “Boba Fett’s Starship.” Per the definitive Star Wars reference site Wookieepedia, Fett’s heavily modified “Firespray-31-class patrol and attack craft” formerly belonged to this father, Jango. While originally built as a police craft with cells to transport criminals, Fett revamped the holding area into prisoner cages, “coffin-like cabinets that were less humane but better controlled his prisoners.”
Speaking to Jedi News, Lego designer Michael Lee Stockwell said the toymaker was no longer using the Slave I name, with fellow designer Jens Kronvold Frederiksen adding, “It’s probably not something which has been announced publicly but it is just something that Disney doesn’t want to use any more.”…
Tam O’Shaughnessy and Sally Ride, the first American woman to fly in space — in 1983, aboard the space shuttle Challenger — shared a passion for getting girls involved in STEM. It led them to co-found Sally Ride Science, a company focused on equity and inclusion in science education.
There was much more to O’Shaughnessy and Ride’s relationship, however. They met as kids in the early 1960s and developed an instant connection. Years later, they fell in love.
But their relationship remained largely private until after Ride’s death in 2012 at age 61. In an interview with Short Wave host Madeline Sofia, O’Shaughnessy remembers how Ride opened the door to that revelation shortly before she died.
O’Shaughnessy says she asked Ride, “Who am I going to be in the world?”
“And she kind of thought about it for a second,” O’Shaughnessy remembers. “And she said, you decide. Whatever you decide will be just fine. …
“Very few people in general knew that she was gay. So it was really Sally telling me to do what I thought was best and then my friends helping me realize that I needed to be true to myself. And it changed my life, and I wish Sally could experience that.”…
…Had Lucas’s galaxy lost its power, or had its new stewards simply mismanaged it? The recent success of a remarkable Star Wars television series suggests the latter. When the streaming-TV service Disney+ launched in late 2019, it featured The Mandalorian, which picks up five years after the events of the original trilogy, and follows the adventures of a mysterious mercenary who has sworn never to take off his helmet. By the end of Season 2, a critical consensus had emerged: It was the best live-action Star Wars product to arrive since the early 1980s. Millions of viewers cooed over the short-statured enigma known to fans as Baby Yoda, who has a price on his adorable head for unknown reasons. As The Mandalorian’s laconic and lethal hero travels from one planet to the next, the sublime feeling of immersion that laced Lucas’s early movies reemerges. To watch the show and then look back at the sweep of Star Wars history is to understand where that feeling comes from—and why most of Hollywood’s hero-driven, special-effects-laden fantasies never attain it….
In 1926, Fritz Kahn completed Man as Industrial Palace, the preeminent lithograph in his five-volume publication The Life of Man. The illustration shows a human body bustling with tiny factory workers. They cheerily operate a brain filled with switchboards, circuits and manometers. Below their feet, an ingenious network of pipes, chutes and conveyer belts make up the blood circulatory system. The image epitomizes a central motif in Kahn’s oeuvre: the parallel between human physiology and manufacturing, or the human body as a marvel of engineering.
An apparatus currently in the embryonic stage of development—the so-called “implantable living pharmacy”—could have easily originated in Kahn’s fervid imagination. The concept is being developed by the Defense Advanced Research Projects Agency (DARPA) in conjunction with several universities, notably Northwestern and Rice. Researchers envision a miniaturized factory, tucked inside a microchip, that will manufacture pharmaceuticals from inside the body. The drugs will then be delivered to precise targets at the command of a mobile application. DARPA’s initial, modest goal for the four-and-a-half-year program, which awarded contracts to researchers this May, is to alleviate jet lag….
Louis Moorhouse, from Bradford has been blind since he was 18 months old.
Now aged 19, and about to finish his first year at University, Louis has been a beneficiary of Living Paintings Touch to See library since childhood; enjoying and learning from the audio tactile images and books, developing skills and experiencing things his sighted peers take for granted….
… Recently Louis approached us with a brilliant idea: to create a Touch to See book based on the greatly loved character: Doctor Who.
“I’m a big fan of the show Doctor Who, but I have yet to fully meet the weird and wonderful characters, aliens, monsters and devices from the show because I can’t see them.
If I could sum up what I think is the most important thing about my campaign I would ask a sighted person to just imagine – close your eyes and now imagine you can’t open them ever again. This is how it is and now you want to read a book or watch Doctor Who. How are you going to do that? How important is reading a book to you? As a sighted person how would you feel if that was taken away from you and you couldn’t read anymore?
Then you discover Living Paintings and the books are full of characters you’ve heard about and imagined all the time, they’ve been on TV, you’ve listened to the audio books, you may have had the books read to you and you never quite understood what they looked like and now, because of Living Paintings you do.”
[Thanks to Michael Toman, John King Tarpinian, Cat Eldridge, Rob Thornton, Cora Buhlert, Joey Eschrich, Jeff Warner, Lise Andreasen, James Davis Nicoll, Mike Kennedy, Andrew Porter, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
The eight titles were selected by a jury from the 24-title longlist.
Natania Barron, Queen of None (Vernacular Books)
Emily Colin, Sword of the Seven Sins (Blue Crow Books)
Tracy Deonn, Legendborn (Margaret K. McElderry Books)
T. Frohock, Carved from Stone and Dream (Harper Voyager)
A.J. Hartley, Impervious (Falstaff Books)
Whitney Hill, Elemental (Benu Media)
T. Kingfisher, Paladin’s Grace (Argyll Productions)
Jay Posey, Every Sky a Grave (Skybound Books)
The winner(s) will be announced at ConGregate 7 / DeepSouthCon 59 on Saturday, July 10 as part of an awards ceremony also including the Phoenix Award and Rebel Award.
The Manly Wade Wellman Award was founded in 2013 to recognize outstanding achievement in science fiction and fantasy novels written by North Carolina authors. The 2021 award covers novels published in 2020. The award is named for long-time North Carolina author Manly Wade Wellman with the permission of his estate.
(1) HAVE YE SEEN THE MOVIE? The cetacean film star is hardly ready to retire: Phil Nichols discusses “Moby Dick at Sixty-Five!” at Bradburymedia.
Sixty-five years ago today – 27th June 1956 – John Huston’s film version of Moby Dick was released, with a screenplay co-written by Ray Bradbury. As regular readers of Bradburymedia will be aware, Ray’s experience of working on this film cast a very long shadow.
Bradbury became somewhat obsessive over Herman Melville’s story, and was driven to write his own prose version of Moby Dick in the form of Leviathan ’99, which was initially a radio play, then a stage play and opera, and eventually a novella….
Nichols follows with a roundup of links to his many posts about various connections between Bradbury and the making of Moby Dick.
(2) FANZINE IPA. [Item by Steven Johnson.] Not a fanzine called IPA, or an apa called IPA, but an limited release Pacific Northwest IPA called Fanzine IPA, from Fort George Brewery in Astoria and Great Notion Brewing of Portland, Oregon. Imagine my surprise when my brother pulled out two pint cans of Fanzine IPA, adorned with bizarre comic strip panels. Images of the cans are at the brewery website. (Click for larger images.)
In an ever hazier world, West Coast IPAs have nearly gone the way of the landline and fax machine. As the condensation slowly evaporates from the window of the indie punk bookstore, Fanzine IPA comes into focus – a crisp, clear, West Coast style collaborative presentation from Fort George Brewery and Grains of Wrath Brewery. Fanzines are deeply rooted in the DIY ethos of the fiercely independent, small run, self-published, xeroxed and stapled testaments to the object of a true fan’s reverence. The Fanzine IPA can features the art of independent folk legend Michael Hurley, who himself is the subject of a Fanzine. A piney bitterness backs up the heavy hop additions, with grapefruit and other citrus notes. Mild sweetness from the malt bill lingers with a taste of orange juice.
One year ago, British comic book writer Warren Ellis (Transmetropolitan, Global Frequency, Red) was accused by writer Katie West of coercion, manipulation, and sexually predatory behavior on Twitter. West’s tweet was immediately met with responses from dozens of women and non-binary individuals who shared similar experiences with Ellis, establishing what appeared to be a broad pattern of a giant in the comics industry abusing the power he held over fans and followers. Since then, victims of Ellis have formed So Many of Us, a group of over 60 people who accused Ellis of years of grooming and emotional manipulation.
Ellis issued an apology and largely withdrew from public life, but like most canceled men of the Me Too movement, he has resurfaced. News broke that Image Comics would be bringing Ellis back to finish his mid-2000s series Fell with artist Ben Templesmith. Templesmith made the announcement on his Patreon account, where he wrote of Ellis, “I’m glad he’s going to be doing some comics again. I don’t think anyone thought he’d bugger off and work in a shoe factory or anything, … He is after all, one of the most important comics writers of the past few decades. It means a lot to me to finish this thing, finally, so I couldn’t say no. I guess we’ll let the market speak as to how things go.”
Image Comics initially stood by the announcement, saying “Warren Ellis and Ben Templesmith’s Image Comics series Fell will indeed return for its long awaited final story arc in graphic novel format. We will have more details to share about this very soon.”
But as public outrage grew, they backtracked and issued a new statement saying, “This week’s Fell announcement was neither planned, nor vetted, and was in fact, premature, … While finishing Warren Ellis and Ben Templesmith’s Fell is something we’ve been looking forward to for years, Image Comics will not be working with Warren on anything further until he has made amends to the satisfaction of all involved.” I guess the market has spoken….
(4) GAME WRITER SUES FANS FOR LIBEL. Those of you who have been wondering where to apply all of your recently accumulated knowledge about California defamation lawsuits and the state’s anti-SLAPP provisions learned while following JDA’s case can apply it to a new California case.
The attorneys for video game writer Christoper Avellone filed a libel suit against two women for statements they made in social media about what happened at a Dragon Con, of a nature that can be deduced from the denial:
…These false statements are of or about Avellone and are libelous on their face…. The reader would reasonably understand the statements to be about Avellone and to mean that Avellone targeted young women, including women under the age of consent, by forcing them to become intoxicated for the purpose of engaging in non-consensual sexual contact….
A PDF copy of the complaint, which was filed June 16 with the Superior Court of the State of California, County of Los Angeles, can be read here.
D.M. Schmeyer, who identifies himself on Twitter as an attorney, has an extensive critique of the lawsuit in a thread that starts here. The following are a couple examples of his skeptical take on the suit.
(5) MEMORY LANE.
1982 – In 1982 at Chicon IV where Marta Randall was Toastmaster, C. J. Cherryh would win the Best Novel Hugo for Downbelow Station whichwas set in Cherryh’s Alliance–Union universe during the Company Wars period. It was published by Daw the previous year and originally had been called The Company War by the author. Other nominated works were The Claw of the Conciliator by Gene Wolfe, The Many-Colored Land by Julian May and Little, Big by John Crowley.
(6) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 27, 1909 — Billy Curtis. You’ll best remember him as the Small Copper-Skinned Ambassador in Trek’s “Journey to Babel” episode. His genre experienced goes all the way back to Wizard of Oz where he was a Munchkin, and later on he’s a mole-man in Superman and The Mole-Men, and later on a midget in The Incredible Shrinking Man. He had lots of one-offs, be it on Batman (twice there), Bewitched, Gilligan’s Island, Planet of The Apes or Twilght Zone. (Died 1988.)
Born June 27, 1941 — James P. Hogan. A true anti-authoritarian hard SF writer in the years when that was a respectable thing to be. The group that gave out the Prometheus Award certainly thought so with fifteen nominations and two Awards for two novels, The Multiplex Man and Voyage from Yesteryear. I’m sure that I’ve read at least a few of his novels, most likely Inherit the Stars and The Gentle Giants of Ganymede. A decent amount of his work is available at the usual suspects. (Died 2010.)
Born June 27, 1952 — Mary Rosenblum. SF writer who won the Compton Crook Award for Best First Novel for The Drylands, her first novel. She later won the Sidewise Award for Alternate History Short Form for her story, “Sacrifice”. Water Rites and Horizons are the only ones available at the usual suspects. (Died 2018.)
Born June 27, 1959 — Stephen Dedman, 62. Australian author who’s the author of The Art of Arrow-Cutting, a most excellent novel. I really should read Shadows Bite, the sequel to it. He’s the story editor of Borderlands, the tri-annual Australian science fiction, fantasy and horror magazine published in Perth. Kindle has The Art of Arrow-Cutting and a few other titles.
Born June 27, 1966 — J. J. Abrams, 55. Let’s see… He directed and produced the rebooted Star Trek, Star Wars: The Force Awakens and Star Wars: The Rise of Skywalker (he was a co-writer on the latter two), but I think I will single him out as the executive producer of the Fringe series. And he was an executive produced the Lost series as well. Did you know he was the executive producer of Person of Interest too?
Born June 27, 1972 — Christian Kane, 49. You’ll certainly recognize him as he’s been around genre video fiction for a while first playing Lindsey McDonald on Angel before become Jacob Stone on The Librarians. And though Leverage ain’t genre, his role as Eliot Spencer there is definitely worth seeing.
Born June 27, 1975 — Tobey Maguire, 46. Spider-Man in the Sam Raimi trilogy of the Spidey films. His first genre appearance was actually in The Revenge of the Red Baron which is one seriously weird film. Much more interesting is his role as David in Pleasantville, a film I love dearly. He produced The 5th Wave, a recent alien invasion film.
Born June 27, 1987 — Ed Westwick, 34. British actor who has roles in the dystopian Children of Men, S. Darko (a film I couldn’t begin to summarize), Freaks of Nature (a popcorn film if ever there was one), the “Roadside Bouquets” episode of the British series Afterlife (which I want to see) and The Crash (which may or may not be SF).
(7) COMICS SECTION.
Frank and Ernestwould be debating about an Einstein quote if they had someone to take the other side.
Off the Markshow the problem with aliens who do look like something humans have seen before.
Bizarro drops a frosty gag in the middle of summer.
…How did Relativity Space achieve this? They built a proprietary metal 3D printing system they call “Stargate” that can, as most 3D printers can do, produce arbitrary objects. The company has used it to produce working Aeon 1 engines for their previous and much smaller rocket, the Terran 1.
The advantage here is that they are literally 3D printing the entire rocket with Stargate. The engines, the fuselage, plumbing and more. This approach allows them to bypass many complications during the build process and subsequent operation: there are far fewer parts to assemble, fewer joints to fail, fewer seams to leak, and so on. The parts are also designed using generative techniques to ensure they are lightweight as possible….
(9) GET JEMISIN’S GREEN LANTERN. (Item by Daniel Dern.) N K Jemisin’s “Far Sector” Green Lantern twelve-issue miniseries from DC Comics is done, and it’s excellent. (Note, Sojourner “Jo” Mullein , Jemisin’s Green Lantern, has just shown up in one of the regular Green Lantern titles.)
Want to get/read it? As always, with comics, there’s a range of ways, depending on where your slider is between Sooner and Frugaler (also paper vs. pixels):
For sale as paper comics. From your local comic shop, or via distant/online sellers. List price $3.99 each, so x12 for the whole run.
In digital form, via ComiXology.com (the engine behind DC and Marvel’s digital sites; owned by Amazon, FYI.) Hmmm, issues 1-9 are currently on sale from $3.99 each down to $0.99, with 10-12 still $3.99 each, so cheaper than buying the paper comics (assuming they’re still available at list price) — Far Sector (2019-) Digital Comics – Comics by comiXology
Digitally, via DC’s digital streaming site/service DC Universe Infinite — $7.99/month or $74.99/year; free 1-week trial
Good deal for the patient and moderately frugal — like Marvel, new issues don’t get posted here until (at leaat) 6 months after print release date.
So far, the first 9 issues of Far Sector are up here. Wait 3 months, they’ll all be up.
(10) A MODERN STONE AGE FAMILY HOME. “Settlement reached in Flintstone House case” – the San Jose Mercury-News says the city and the owner of a house in Hillsborough, California modeled after the Flintstones have finally resolved their litigation.
After a years-long legal battle, the quirky, colorful prehistoric decor dotting the so-called Flintstone House will be allowed to stay.
According to the Palo Alto Daily Post, Florence Fang and the town of Hillsborough recently settled a 2019 lawsuit stemming from allegations that Fang had failed to get approval to add dinosaurs and a large sign reading “Yabba Dabba Doo,” among other things, to the yard surrounding her whimsical orange and purple home, which is very visible from Interstate 280.
The settlement agreement reportedly says Hillsborough will pay Fang, a retired media mogul whose family used to own the San Francisco Examiner, $125,000 to cover costs associated with the lawsuit and approve permits for the changes made to the home. Fang, who is in her mid-80s, will drop her claims. She has said the city had stymied her initial attempts to get permits, and she suggested that she was discriminated against for being Asian….
(11) MARATHON MAN. Author Miles Cameron has mixed his thoroughly modern career with ancient avocations —
After the longest undergraduate degree on record (1980-87), I joined the United States Navy, where I served as an intelligence officer and as a backseater in S-3 Vikings in the First Gulf War, and then on the ground in Somalia, and elsewhere. After a dozen years of service, I became a full time writer in 2000. I live in Toronto (that’s Ontario, in Canada) with my wife Sarah and our daughter Beatrice, currently age fourteen. I’m a full time novelist, and it is the best job in the world.
I am also a dedicated reenactor; it is like a job, except that in addition to work, you must pay to participate. You can follow some of my recreated projects on the Agora. We are always recruiting, so if you’d like to try the ancient world or the medieval world, follow the link to contact us. Come on. You know you want to.
Below, that’s us, at Marathon in Greece in 2011.
Cameron’s new SF novel Artifact Space was release this month:
Out in the darkness of space, something is targeting the Greatships.
With their vast cargo holds and a crew that could fill a city, the Greatships are the lifeblood of human occupied space, transporting an unimaginable volume – and value – of goods from City, the greatest human orbital, all the way to Tradepoint at the other, to trade for xenoglas with an unknowable alien species.
It has always been Marca Nbaro’s dream to achieve the near-impossible: escape her upbringing and venture into space.
All it took, to make her way onto the crew of the Greatship Athens was thousands of hours in simulators, dedication, and pawning or selling every scrap of her old life in order to forge a new one. But though she’s made her way onboard with faked papers, leaving her old life – and scandals – behind isn’t so easy.
She may have just combined all the dangers of her former life, with all the perils of the new . . .
Moray eels can hunt on land, and footage from a recent study highlights how they accomplish this feat with a sneaky second set of jaws.
….And morays climbing out of water came as no surprise to some observers. Lana Sinapayen, an artificial life researcher who grew up in the Caribbean island of Martinique, said local fishermen often caught morays by placing squids on the shore and waiting for the eels to arrive. “You only need a solid stick to take your pick,” she wrote in an email. Dr. Sinapayen was not involved in the research but wanted to emphasize that many local people have long known that morays can hunt on land.
[Thanks to JJ, Michael Toman, John King Tarpinian, Hampus Eckerman, Jennifer Hawthorne, Daniel Dern, Cat Eldridge, Mike Kennedy, Andrew Porter, and Martin Morse Wooster for some of these stories. Title credit belongs to contributing editor of the day Daniel Dern.]
Now doesn’t that seem an unlikely question to see here? And yet with the winners of the 2020 Dragon Awards’ seven novel categories including John Scalzi, Erin Morgenstern, and T. Kingfisher, and the award administrators canvassing voters through the Atlanta-local library systems, the chances of prying Puppy paws loose get better every year. (Though they’re trying to hold on — Declan Finn challenged the Puppies to push back against the “Leftist dirtbags” mainstreaming the award in this blog post.)
ELIGIBILITY. Nominees should be first released between 7/1/2020 and 6/30/2021. The eligibility period means, among other things, that you can’t just plug in Hugo finalists, because two of them came out before July 1 (the Jemisin and Wells books; Wells was one of last year’s finalists).