An apology and correction: We mistakenly identified Lauren Raye Snow as the first Latinx to serve as Worldcon Vice Chair. This is incorrect, as Fred Duarte served as a Vice Chair of LoneStarCon 2, the 55th Worldcon. We sincerely apologize for our error.
“I’m saddened that my announcement as the first Latinx VIce Chair of a Worldcon was incorrect and overshadowed the brilliant legacy and work of Fred Duarte,” Lauren Raye Snow said. “I sincerely hope my work can carry the banner raised by Fred forward for Latinx fans.”
(1) THE BUZZ. Disney and Pixar’s Lightyear will be released June 17, 2022. Chris Evans voices Buzz. As Variety ‘explains, “Lightyear doesn’t follow the toy-sized, space-faring exploits of Tim Allen’s iconic character. Rather, the 2022 film introduces the ‘real-life’ human astronaut whose adventures inspired the toy line seen in the ‘Toy Story’ franchise.”
The sci-fi action-adventure presents the definitive origin story of Buzz Lightyear—the hero who inspired the toy—introducing the legendary Space Ranger who would win generations of fans.
(2) SHIRLEY JACKSON CONSIDERED. Ellen Datlow along with Laurence Hyman, Nate King, and Bernice Murphy discuss “Shirley Jackson” in episode 12 of the American Writers Museum podcast.
In this episode, we’ll discuss the life and work of multi-dimensional writer Shirley Jackson, perhaps best known for her horror novels and short stories. We’re joined by three guests whose lives and careers have been influenced greatly by Jackson in different ways.
Circuses! They seem like such a safe, wholesome source of communal entertainment. Yet, many who’ve ventured under a circus big top have faced unexpected consequences—some quite dangerous for performers in real life. Perhaps it’s no surprise then that the circus provides such a lively—and occasionally treacherous—setting for these five recent fantasies….
(4) GAIA & FRIENDS. Isaac Arthur’s episode on “Sentient Planets & World Consciousnesses” includes examples from films, comics, games and books with authors like Isaac Asimov, Peter Watts and Alastair Reynolds cited.
(5) I’M SORRY I’LL READ THAT AGAIN. Fireside editor Brian J. White found he needed to explain yesterday’s story notification email to recipients:
We’ve gotten a handful of messages about today’s weekly story notification email and wanted to send out a clarification: We made a mistake in not thinking about how that notification for the story “Not Quite What We’re Looking for Right Now” would look in people’s inboxes. The email that went out about and hour and a half ago wasn’t a misdirected story rejection, it’s a short story written in the form of a story rejection, and the blurbs I wrote around it didn’t make that clear. Sorry for the confusion this has caused, and thanks to the folks who let us know about it.
(6) A MODEST GOSPEL-HORROR, UNASKED QUESTION. Virtual convention programmers! Michael Toman has an item to suggest:
It occurred to me ask if anyone out there might be interested in including a “Gospel-Horror” panel and/or performance at a convention this year or maybe sometime safer?
This Interested Listener really enjoyed listening to live choral music from “Game of Thrones” and other shows at the last Loscon I attended.
Sorry, but “names to my mind come there none…”
I would buy a “Zoom Ticket” for something like this to help support fannish musical activity, especially since I’m still “Live Audience Hesitant” about poking my Grizzled, Geezer Guy Snout out of my Own Private, Paper Labyrinth Burrow.
In no particular order, Terry Pratchett (especially the Witch novels); Dashiell Hammett (especially the Continental Op stories); Barbara Hambly (her gothics are my comfort reading); Caitlín Kiernan (all of their novels, but Kiernan is also one of the only short story writers I regularly keep up with); and I’m having too much trouble narrowing down another half dozen folks for a fifth. I’d hate to leave anyone out–so let’s call number five a wild card spot, eh?
I recently made a Marvel movie. I probably can’t tell you about it, but it doesn’t matter. In any case, some people were quite surprised why I decided on such a project of all things. But for me it was very clear: I got to know the director – and I really liked him a lot. He was funny, humble, everything you want from a director. And with the cheerleading story “Bring It On – Girls United” he made a film years ago that I think is damn good. So I accepted, even though I’m not otherwise interested in these huge comic book adaptations as an actor.
When I asked him about his film adaptation of Dune, the writer-director Denis Villeneuve quickly held up his prized copy of Frank Herbert’s book, a French-translation paperback with a particularly striking cover that he’s owned since he was 13. “I keep the book beside me as I’m working,” Villeneuve told me cheerfully over Zoom. “I made this movie for myself. Being a hard-core Dune fan, the first audience member I wanted to please was myself. Everything you receive is there because I love it.”…
…Unlike Lynch or Alejandro Jodorowsky—the Chilean-French filmmaker who planned and failed to make a hallucinogenic twelve-hour version of “Dune” in the seventies—Villeneuve was a “Dune” fan from childhood, having come to the book at age thirteen. His connection to the material shows. The melancholy atmospheres of the alien-contact tale “Arrival” and the dystopian “Blade Runner” sequel are transmuted into a sort of interstellar emo, so that the dreams, fears, and ambitions of Paul Atreides (Timothée Chalamet) become as central to the film as the special effects and political skulduggery. Chalamet is twenty-five—the same age that Kyle MacLachlan was when Lynch’s “Dune” came out—but slighter, more vulnerable, closer to the “stringy whipcord of a youth” that Herbert describes….
(11) MEMORY LANE.
1934 – Eighty-seven years ago this day, Los Angeles got its Science Fiction club. The Los Angeles chapter of the Science Fiction League (No. 4) began meeting in 14-year-old Roy Test Jr.’s family garage on October 27, 1934. At LASFS’ 75 anniversary banquet Roy joked that his mother, Wanda Test, volunteered to be club secretary as a way to come to the meetings “and see what kind of oddballs I was associating with. Maybe it didn’t occur to her I was the oddest one there.” She was the club’s first secretary and her minutes became known as “Thrilling Wanda Stories.” (The prozine Wonder Stories ran an article about the birth of the club in the February 1935 issue.)
Ten years after first LASFL meeting, Roy Test, Jr. was an Army Air Corps bomber pilot stationed in England. In 2005, at the age of 83, he could still wear his pink and greens from WWll. (SGVN Staff Photo/Sarah Reingewirtz, SVCITY)
Rob Hansen also points out today is the anniversary of the first meeting of the Ilford Science Literary Circle in 1930 – “If British fandom has a birthday, this is it.”
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 27, 1937 — Steve Sandor. He made his first genre appearance on Trek playing Lars in the second season episode “The Gamesters of Triskelion.” He also did one-offs on Knight Rider, Fantasy Island and The Six-Million Dollar Man. He did a choice bit of horror in The Ninth Configuration. (Died 2017.)
Born October 27, 1939 — John Cleese, 82. Monty Python of course, but also Time Bandits, Mary Shelley’s Frankenstein, two Bond films as Q and even two Harry Potter films as Nearly Headless Nick. He’s definitely deep into genre film roles. And let’s not forget he shows up as an art lover on the “City of Death” story, a Fourth Doctor story.
Born October 27, 1948 — Bernie Wrightson. Artist who with writer Len Wein is known for co-creating Swamp Thing. He did a lot of illustrations from Cemetery Dance magazine to Stephen King graphic novels to DC and Marvel comics. Tell me what you liked about his work.) Some of his horror work at Creepy magazine is now available as Creepy Presents Bernie Wrightson at the usual digital suspects. (Died 2017.)
Born October 27, 1950 — James L. Conway, 71. Director who has worked on all four on the new Trek franchise series: Next Generation, Voyager, Deep Space Nine and Enterprise. He’s also done work on Charmed, Smallville, Supernatural, the most excellent Magicians and Orville.
Born October 27, 1953 — Robert Picardo, 68. He debuted in genre as Eddie Quist, the serial killer werewolf in The Howling. He’d be in Dante’s Explorers, Looney Tunes: Back in Action, Gremlins 2: The New Batch, Small Soldiers and Innerspace. And then of course he played the role of the Emergency Medical Hologram (EMH) on Voyager and on Star Trek: First Contact as well. And he even managed to appear on Stargate SG-1. Like many Trek performers, he shows up on the Orville series as he played Ildis Kitan in a recurring role.
Born October 27, 1963 — Deborah Moore, 57. English actress and the daughter of actor Roger Moore and Italian actress Luisa Mattioli. She’s an Air Hostess in Die Another Day, a Pierce Brosnan Bond film. And she was a secretary in Goldeneye: The Secret Life of Ian Fleming. Her very first role was as Princess Sheela in Warriors of the Apocalypse. She was in Top Line an Italian SF film.
Born October 27, 1970 — Jonathan Stroud, 51. His djinn-centered Bartimaeus series is most excellent. Though considered children’s novels, I think anyone would enjoy them. I’ve also read the first two in his Lockwood & Co. series as well — very well done.
(13) COMIC STRIP.
Bizarro shows the Roman insurance industry at work.
(14) VIRTUAL IRISH CONVENTION. Cora Buhlert spent the first October weekend at Octocon, the Irish National Science Fiction Convention, which was virtual this year “for obvious reasons” as she noted: “Cora’s Adventures at the Virtual 2021 Octocon”.
…On Sunday, I was on the panel about “Uncovering the Hidden Treasures of the Past” with Michael Carroll, who was also the Octocon Guest of Honour, Cheryl Morgan, Deirdre Thornton. Ian Moore was the moderator. This panel was recorded and may be watched along with other great content at the Octocon Twitch channel.
Now everybody who knows me should know that I love talking about old SFF and the many great stories and novels of past decades that are not nearly as well known as they should be, so that was exactly the right panel for me. We agreed that reading and discussing older SFF is valuable, because it shows us where the genre came from and how it got where it is now. Besides, actually reading older SFF and not just the few books anointed classics either is also the best antidote against the common claim that women, people of colour, LGBTQ people, [insert minority here] were not writing SFF before the current time, because women, people of colour, LGBTQ people, etc… were always part of the genre, we have just chosen to forget and ignore many of them, denying the writers who follow role models….
(15) HAPPY 125TH ANNIVERSARY TO THE OTHER, OR AT LEAST ANOTHER, TBR. [Item by Daniel Dern.] TBR is, according to the lead essay in “The Very First Cover of the Book Review” in its Sunday October 24, 2021 edition, stands for “The Book Review” — “not to be confused with “to be read,” as the lead paragraph quickly notes. Its fuller non-acronymic initial name is NYTBR, as in, the New York Times Book Review, or, as I (and, I’m sure many others, including no doubt some of you), the Sunday Book Review section. (Possibly fewer these years because you’re reading it online, and so lacking the physical sectionality.)
This 125th-anniversary issue celebrates itself by reprinting reviews, essays, and a few letters, notable and interesting (and in some cases often amusing) from a mix of the book being reviewed, or the author reviewing it, and, in some cases, the letters.
(Since I’m a print-and-digital subscriber, I don’t know how much is visible through the paywall — or rather, how many articles the Times‘ free account offer permits. There does appear to currently be a buck-a-week-for-a-year digital offer, I see… so, assuming that New York Times digital access isn’t like Pringles potato chips (the process of cooking in their stackable format invented, as I’ve only recently learned, by Gene Wolfe, a name that dagnab better be familiar to 97% or greater of File 770 readers), you can enjoy this anniversary section within a week, for a buck, and then cancel. Or borrow a friend’s copy.)
For example (based on what I’ve read so far plus looking at the table of contents):
In Letters, Jack London responding to a review of his prizefighting story, “The Game,” that found fault with its realism:
I doubt if this reviewer has had as much experience in such matters as I have. I doubt if he knows what it is to be knocked out, or to knock out another man. I have had these experiences, and it was out of these experiences, plus a fairly intimate knowledge of prizefighting in general, that I wrote “The Game.”… I have just received a letter from Jimmy Britt, lightweight champion of the world, in which he tells me that he particularly enjoyed “The Game” on “account of its trueness to life.”
James Baldwin’s review of Alex Haley’s book, Roots
Rex Stout (creator of the Nero Wolfe books, of course — which include, along with detecting, many discussions of fine cooking, mostly between Wolfe and in-house chef Fritz Brenner) reviews The Alice B. Toklas Cook Book,
Sportswriter Roger Angell reviews “Books About Babe Ruth” (four biographies)
Vladimir Nabakov reviews Jean-Paul Sartre’s “Nausea” translated into English… spending a good chunk of the review showing and faulting sample translation inaccuracies.
A review of James Joyce’s “Ulysses.”
And with that, I’m going to go back, and finish reading Stout’s review of Toklas’ recipes.
(16) JIM JEFFERIES ON HALLOWEEN. “I Don’t Know About That with Jim Jefferies” devotes an episode to Halloween, discussing the holiday with Lisa Morton, six-time Bram Stoker Award-winning author and host of the “Spine Tinglers with Lisa Morton” podcast.
In what could be a serious reality check for the buzz-filled space tourism industry, its most established player says it had to cancel its upcoming launch with SpaceX because it couldn’t find any viable — and sufficiently wealthy — passengers for the journey.
“The mission was marketed to a large number of our prospective customers, but ultimately the mix of price, timing and experience wasn’t right at that particular time and our contract with SpaceX expired,” [Space Adventures] company spokesperson Stacey Tearne told SpaceNews. “We hope to revisit the offering in the future.”…
…Jared Isaacman, the Inspiration4 mission commander, told CNN, “Nobody really wants to get into the gory details.”
Crew Dragon has more interior space than a minivan, but less than a studio apartment, and there is no proper bathroom. Instead, it has a device on its ceiling that astronauts use to relieve themselves — remember, there’s no up or down in microgravity. The device creates suction using an internal fan, crucial to ensuring human waste goes in the right direction in the weightlessness of space. Some officials vaguely said the toilet problem involved the fan, prompting even more questions.
A closely held secret no more….
(19) MAJOR EVENT AT THE SEC. Starting this weekend, the UN Climate Change Conference (COP26) will be held in Glasgow at the SEC, which is also the proposed site for the Glasgow in 2024 Worldcon bid. A reader asks the question, “Will there be any spin-off benefit from this COP event (new facilities, kit etc)? Are the bid team actively keeping an eye on this?”
(20) BLUE MARBLE. This Muppets video dropped earlier in the week and is part of the forthcoming environmental special Dear Earth.
The Muppets perform the 70’s classic Mr. Blue Sky. It’s all part of the Dear Earth special; an epic global celebration of our planet and what we need to do to slow climate change. Sprinkled with musical performances Dear Earth also contains well-known climate activists, creators, and celebs who will all share ways to make our lives more sustainable.
(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Halloween Kills” the Screen Junkies say that “extra crispy” Michael Myers is lucky because his foes this time fight with hockey sticks, a cricket bat, and an iron. “Where are all of your guns, people!” the narrator says. “I thought this was America. How drunk are you people?” Also, how did they get someone to look like Donald Pleasance?
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, Andrew (not Werdna), Daniel Dern, SF Concatenation’s Jonathan Cowie, Jennifer Hawthorne, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Russell Letson.]
The winner of the 2021 Capital Crime Amazon Publishing New Voices Award has been announced.
The Black Pool by Darren Boyle
He will receive a £1000 cash prize, a trophy, and a potential offer of publication from Thomas & Mercer, the mystery and thriller imprint of prize sponsor Amazon Publishing
The Amazon New Voices Award is open to unpublished mystery, thriller, and crime fiction manuscripts in English from writers around the world.
The Hillerman Prize is awarded annually to the best debut crime fiction set in the Southwest. Estes is an Emmy award-winning reporter who lives in Phoenix, and is also a founding member of Sisters in Crime Grand Canyon Writers. Off the Air is the story of a local TV news reporter who gets the scoop of a lifetime while investigating the murder of a popular radio talk show host. But the killer is determined to keep her silent.
THE INAUGURAL GLENCAIRN GLASS CRIME SHORT STORY COMPETITION
Glencairn Glass, manufacturer of whiskey glasses and sponsor of the Bloody Scotland crime fiction festival, are launching a crime short story competition: the Glencairn Glass Crime Short Story Competition.
All story entries must be no more than 2000 words long and based on the theme ‘A Crystal-Clear Crime.’
The first prize winner will receive £1000, and two runners up will each receive £250. All three winners will also receive a set of six bespoke engraved Glencairn Glasses and the overall winning entry will be published by Scottish Field as well as on the Glencairn Glass website.
Further details about competition rules and regulations are available at www.whiskyglass.com
DisCon III has opened site selection voting for the location of the World Science Fiction Convention in 2023. There are three filed bids on the ballot, however only two are active – Chengdu, China and Winnipeg, Canada. Memphis, USA folded this month and its entry on the ballot is overprinted “Withdrawn.”
The ballot can be downloaded here [PDF file]. It includes the voting instructions in English. The instructions (only) are available in three additional languages: French; Simplified Chinese; and Spanish.
Full information about buying tokens and guidelines for voting in 2023 Site Selection are available at the convention’s website.
Membership in DisCon III is a requirement to vote in Site Selection. If you are not already a member of DisCon III, you must purchase at least a Supporting Membership in DisCon III. The cost of this is US$50. In addition, there is a US$50 Site Selection voting fee. Adding these two together means that the minimum cost to vote is US$100. If you do not already have a DisCon III membership, you may purchase it here.
Postal mail ballots must be received by Tuesday, December 7. Ballots submitted via email must be received by Tuesday, December 14 at 12:00 noon Eastern. Onsite voting at DisCon III continues until Friday, December 17 at 6:00 p.m. Eastern.
(1) KRUGMAN’S RINGING ENDORSEMENT. “‘Dune’ Is the Movie We Always Wanted” says Paul Krugman. After pausing to tell us why he hates Apple TV’s Foundation series, he tells why he loves the Villenueve Dune adaptation.
… Now on to “Dune.” The book is everything “Foundation” isn’t: There’s a glittering, hierarchical society wracked by intrigue and warfare, a young hero of noble birth who may be a prophesied Messiah, a sinister but alluring sisterhood of witches, fierce desert warriors and, of course, giant worms.
And yes, it’s fun. When I was a teenager, my friends and I would engage in mock combat in which the killing blow had to be delivered slowly to penetrate your opponent’s shield — which will make sense if you read the book or watch the movie.
What makes “Dune” more than an ordinary space opera are two things: its subtlety and the richness of its world-building.
Thus, the Bene Gesserit derive their power not from magic but from deep self-control, awareness and understanding of human psychology. The journey of Paul Atreides is heroic but morally ambiguous; he knows that if he succeeds, war and vast slaughter will follow.
And the world Herbert created is given depth by layers of cultural references. He borrowed from Islamic and Ayurvedic traditions, from European feudalism and more — “Dune” represents cultural appropriation on a, well, interstellar scale. It’s also deeply steeped in fairly serious ecological thinking…
… Legendary Entertainment announced the news in a tweet on Tuesday, ensuring that the spice will continue to flow on screen. Warner Bros. will distribute the film and help finance it, though Legendary is the primary money behind the movie and owns the film rights to the book series. The film is expected to have an exclusive theatrical run, and Legendary will likely make that point iron-clad after “Dune” debuted simultaneously in theaters and on HBO Max last week. The unorthodox distribution pattern was a pandemic-era concession by Warner Bros., but one that caused an uproar when it was unveiled in 2020. “Dune: Part 2” will hit theaters on Oct. 20, 2023….
When interviewed by Variety at the Toronto Film Festival, Villeneuve said, “I wanted at the beginning to do the two parts simultaneously. For several reasons, it didn’t happen, and I agreed to the challenge of making part one and then wait to see if the movie rings enough enthusiasm… As I was doing the first part, I really put all my passion into it, in case it would be the only one. But I’m optimistic.”
(3) DISCON III BUSINESS MEETING DEADLINE. Meeting chair Kevin Standlee reminds all that the deadline for submitting proposals to the 2021 WSFS Business Meeting is November 16, 2021. Any two or more members of DisCon III (including supporting and virtual members) may sponsor new business. Submit proposals to [email protected]. See “A Guide to the WSFS Business Meeting at DisCon III” [PDF file] for more information about the WSFS Business Meeting.
Reports from committees of the Business Meeting and financial reports from Worldcon committees are also due by November 16, 2021. Send reports to [email protected].
(4) RED ALERT. Remember when you had half a year to do all your Hugo reading? Okay, now’s time to panic. DisCon III today posted a reminder that the Hugo voting deadline is just a few weeks away.
(5) 6TH ANNUAL CITY TECH SF SYMPOSIUM. The Sixth Annual City Tech Science Fiction Symposium on Access and SF has extended the submission deadline of its call for papers until October 29. See full guidelines at the link.
The Sixth Annual City Tech Science Fiction Symposium aims to explore the broad theme of “Access and SF” as a way to understand the relationship between access and SF, identify what’s at stake and for whom, foster alliances between those fighting for access, and discuss how improving access for some improves access for all.
The Sixth Annual City Tech Science Fiction Symposium is a virtual event that will be held online Thursday, December 9 from 9:00 a.m.-5:00 p.m. Eastern at CUNY in New York.
Stephen Graham Jones, author of My Heart Is a Chainsaw
GR: What’s your definition of a perfect horror novel?
SGJ: One that changes your daily behavior—makes you afraid of the shower, afraid of the dark, suspicious of the people in your life. One that leaves you no longer certain about yourself or the world you live in. A perfect horror novel is one you forget is a book at all. It’s one that lodges in your head and your heart as an experience, a little perturbation inside you that you only snag your thoughts on when alone. But when those thoughts start to seep blood, you place that cut to your mouth and drink. This is the nourishment you need, never mind how drained it leaves you feeling. Nothing’s for free.
Caitlin Starling, author of The Death of Jane Lawrence
GR: What’s your definition of a perfect horror novel?
CS: I want to drown in atmosphere. That doesn’t mean I want only slow-moving horror but books that feel like the movies The Blackcoat’s Daughter or A Dark Song—something in that vein. I also want characters that I can live inside, that even if I question their decisions, I don’t just hate or want to suffer. It’s more fun for me to watch a character I enjoy struggle.
Grady Hendrix, author of The Final Girl Support Group
GR: What sparked the idea for your latest book?
GH: Growing up, I wasn’t allowed to see R-rated movies, so after Boy Scout meetings when our Scoutmaster took us to the gas station for snacks, I convinced him that I was allowed to buy issues of Fangoria with my snack money instead. I’d pore over Fango’s deeply detailed plot breakdowns and photo spreads so that I could pretend to have seen all these horror movies. The first one I remember was their feature on the opening of Friday the 13th Part 2, in which the final girl from Part 1, played by Adrienne King, gets murdered by Jason. The casual cruelty of that blew my mind. This woman had seen all her friends die, decapitated the killer, and survived, but she still couldn’t let her guard down. I always wanted to write her a happier ending. (Fun fact: Adrienne King is the audiobook narrator for The Final Girl Support Group.)
(7) CLASSISM IN SESSION. In “The Potterization of Science Fiction”, The Hugo Book Club Blog decries a prevalent type of sff story, and the distortions it has wrought on the TV adaptation of Foundation.
…One of the fundamentally troubling assumptions behind the born-great protagonist is the anti-democratic idea that the lives of some people simply matter more than the lives of other people. If we accept that Harry Potter is destined to be the only one who can do the thing that’s important, then why should we care about the life of Ritchie Coote? Likewise, if Aragorn is destined for the throne then we have to accept that all other Men of Gondor would be incapable of managing the kingdom (let alone Women of Gondor). There is a direct link between the idea that one person can be born great, with the ideas that underpin racism, classism, and sexism. See also: the equally flawed “great man” theory….
(8) DEATH FROM ABOVE. In the latest episode of Phil Nichols and Colin Kuskie’s Science Fiction 101 podcast, “Fly Me To The Moon”, they review The Apollo Murders.
The author, Chris Hadfield, has flown on the Space Shuttle and on Soyuz, worked on the Russian Mir space station, and commanded the International Space Station. You can’t get more astronaut experience than that.
….If you’ve been tempted by The Apollo Murders, listen to our review to see if it’s the kind of thing that appeal to you. But do be warned: here there be spoilers!
(9) FRIENDLY LOCAL GAME STORE DOCUMENTARY. [Item by Olav Rokne.] Here’s a trailer for an interesting Kickstarter documentary about the largest independent games store on Earth. Now, I might be biased, since I worked there in the 1990s, but Sentry Box is great. One of the best SF book selections anywhere (Gord, the owner handed me my first copy of Lest Darkness Fall … and Steve Jackson and Judith Reeves-Stevens used to visit the store semi-regularly.)
(10) MEMORY LANE.
1984 – Thirty-seven years ago, The Terminator said “I’ll be back” as the first in that franchise was released. It was directed by James Cameron who wrote it along with Gale Anne Hurd who also produced it. (She would marry Cameron in 1985.) It starred Arnold Schwarzenegger, Michael Biehn and Linda Hamilton. Almost all the critics at the time really liked it, though the New York Times thought there was way too much violence. You think? One critic at the time said it had, and I quote, “guns, guns and more guns.” Huh. Audience reviewers at Rotten Tomatoes give it a very high score of eighty-nine percent. I was surprised that it did not get a Hugo nomination.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 26, 1942 — Bob Hoskins. I’ll insist his role as Eddie Valiant in Who Framed Roger Rabbit? is his finest genre role though I suppose Mario Mario in Super Mario Bros. could be said… Just kidding! He’s the Director of The Raggedy Rawney which he also had a role, a strange might be genre film, and he’s Smee in Hook as well. (Died 2014.)
Born October 26, 1954 — Jennifer Roberson, 67. Writer of of fantasy and historical romances. The Chronicles of the Cheysuli is her fantasy series about shapeshifters and their society, and the Sword-Dancer Saga is the desert based adventure series of sort, but the series I’ve enjoyed is her Sherwood duo-logy that consists of Lady of the Forest and Lady of Sherwood which tells the Robin Hood tale from the perspective of Marian. Her hobby, which consumes much of her time, is breeding and showing Cardigan Welsh Corgis.
Born October 26, 1960 — Patrick Breen, 61. He’s Redgick, a Squid, a minor character that appeared in Men in Black. In beloved Galaxy Quest, he’s Quelled, a Thermian who forms a bond with Alexander Dane. It’s a wonderful role. And he has a recurring role as Larry Your-Waiter, a member of V.F.D. on A Series of Unfortunate Events series.
Born October 26, 1962 — Faith Hunter, 59. Her longest running and most notable series to date is the Jane Yellowrock series though I’ve mixed feelings about the recent turn of events. She’s got a nifty SF series called Junkyard that’s been coming out on Audible first. Her only award to date is the Lifetime Achievement award to a science fiction professional given by DeepSouthCon.
Born October 26, 1962 — Cary Elwes, 57. He’s in the ever-so-excellent Princess Bride which won a Hugo at Nolacon II as Westley / Dread Pirate Roberts / The Man in Black. He also shows up in Dr. Lawrence Gordon in the Saw franchise, and was cast as Larry Kline, Mayor of Hawkins, for the third season of Stranger Things. And no, that’s hardly all his genre roles.
Born October 26, 1963 — Keith Topping, 58. It being the month of ghoulies, I’ve got another academic for you. He’s published Slayer: The Totally Cool Unofficial Guide to Buffy, Hollywood Vampire: An Expanded and Updated Unofficial and Unauthorised Guide to Angel, The Complete Slayer: An Unofficial and Unauthorised Guide to Every Episode of Buffy the Vampire Slayer and one and one for horror film fans in general, A Vault of Horror: A Book of 80 Great British Horror Movies from 1956-1974. He’s also written some novels in the Doctor Who universe, some with Martin Day, and written non-fiction works on the original Avengers, you know which ones I mean, with Martin Day also, and ST: TNG & DS9 and Stargate as well with Paul Cornell.
Born October 26, 1971 — Jim Butcher, 50. I really don’t know how far I got in the the Dresden Files, at least though Proven Guilty, and I will go back to it eventually. Who here has read his other series, Codex Alera and Cinder Spires? I see he won a Dragon this year for his Battle Ground novel, the latest in the Dresden Files series.
Born October 26, 1973 — Seth MacFarlane, 48. Ok, I confess that I tried watching TheOrville which he created and it just didn’t appeal to me. For those of you who are fans, why do you like it? I will admit that having it described as trying to be a better Trek ain’t helping.
(12) COMICS SECTION.
Garfield shows we need some better way to handle giant robots. (I imagine Slim Pickens delivering the line in the comic.)
(13) DIOP WINS NEUSTADT. Boubacar Boris Diop is the 27th laureate of the Neustadt International Prize for Literature, which recognizes outstanding literary merit in literature worldwide. Diop is not a genre writer so far as I’m aware, but this major literary award news came out today.
Francophone writer Diop (b. 1946, Dakar, Senegal) is the author of many novels, plays and essays. He was awarded the Senegalese Republic Grand Prize in 1990 for Les Tambours de la mémoire as well as the Prix Tropiques for The Knight and His Shadow. His Doomi Golo was the first novel to be translated from Wolof into English. Toni Morrison called his novel Murambi: The Book of Bones “a miracle,” and the Zimbabwe International Book Fair listed it as one of the 100 best African books of the 20th century.
…The Neustadt Prize is the first international literary award of its scope to originate in the United States and is one of the very few international prizes for which poets, novelists and playwrights are equally eligible. Winners are awarded $50,000, a replica of an eagle feather cast in silver and a certificate.
…Part of this is also Herbert’s fault. By writing a story in which he intended to critique “Western man,” Herbert also centered Western man. Often when critiquing something, one falls into a binary that prevents the very third option that so many have been looking for since decolonization. Herbert’s greatest shortcoming can be seen in his analysis of T.E. Lawrence and the deification of leaders in an interview he gave in 1969. He said, “If Lawrence of Arabia had died at the crucial moment of the British … he would have been deified. And it would have been the most terrifying thing the British had ever encountered, because the Arabs would have swept that entire peninsula with that sort of force, because one of the things we’ve done in our society is exploited this power.”
Herbert’s shortcoming is not his idea that “Western man” seeks to exploit the deification of charismatic leaders but that Arabs (or any other non-Western) would fall easily for it. This notion, in fact, builds on a stereotype that motivated European powers to fund propaganda among Muslims during the world wars in the hope that they could provoke a global jihad against one another. Needless to say, that didn’t happen, because Islam isn’t a “warrior religion” whose followers are just waiting for the right trigger to go berserk. Islam’s followers are human and are as complicated and multifaceted as other humans. Herbert should have seen that more clearly….
During a catastrophic natural disaster, high school sophomore Miranda takes shelter with her family in this heart-stopping thriller. After a meteor knocks the moon closer to earth, worldwide tsunamis demolish entire cities, earthquakes rock the world, and ash from volcanic explosions block out the sun. When the summer turns dark and wintery in northeastern Pennsylvania, Miranda, her two brothers, and their mother are forced to hideout in their sunroom, where they must survive solely on stockpiled food and limited water. Readers will find themselves completely riveted by this story of desperation in an unfamiliar world although there are small slivers of hope, too.
(16) UNCOVERED. Tenth Letter of the Alphabet, in “Inspiration: The Reflection”, compares Will Bradley’s 1894 art with the science fictional cover by Mike Hinge it inspired, published by the 1975 fanzine Algol. Editor Andrew Porter commented there —
…This issue was the first with a full color cover. Working with the artist, Mike Hinge, was a challenge. He was a stickler for details, even demanded that his copyright appear on the front cover, in the artwork! This was also the first issue with the covers printed on 10pt Kromecoate, so the image really bumped up.
I forgot to mention that Hinge also did interior artwork, for the Le Guin piece. Also, all the type on the cover, and the headlines inside was done using LetraSet, which I still have dozens of sheets of, though I haven’t used it in decades.
(17) TOCHI ONYEBUCHI AND NGHI VO. At Essence of Wonder with Gadi Evron, Nghi Vo and Tochi Onyebuchi joined Alan Bond and Karen Castelletti to talk about their 2021 Hugo Awards nominated works, Empress of Salt and Fortune and Riot Baby.
(19) THE WEED OF CRIME. In the Washington Post, Hannah Knowles says that federal prosecutors have charged Vinath Oudomzine for fraudulently obtaining a pandemic-related Small Businsss Administration loan. Prosecutors charge that Oudomosine spend $57,789 on a Pokemon card, which they did not identify. “Vinath Oudomsine used covid-19 business relief to buy a Pokémon card, federal prosecutors say”.
… On July 14, 2020, according to prosecutors, Oudomsine sought a loan for a business that he said had 10 employees and revenue of $235,000 over a year. The next month, court documents state, the SBA deposited $85,000 into a bank account in Oudomsine’s name.
Court filings give few details about the alleged Pokémon card purchase — such as which “Pocket Monster” it carried — simply stating that Oudomsine bought it “on or about” Jan. 8 of this year.
Collectible gaming cards can fetch big sums — this year, one unopened box of first-edition Pokémon cards sold for more than $400,000.…
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Halloween Kills Pitch Meeting” on Screen Rant, which has spoilers, Ryan George says Michael Myers managers to escape from the cliffhanger of the previous Halloween movie, even though he’s “an eight-fingered 60-year-old with smoke inhalation.” Also, Jamie Lee Curtis, despite her billing, is barely in the movie and about half the script is various characters saying, “Evil dies tonight!”
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Chris Barkley, Lise Andreasen, Jennifer Hawthorne, Rob Thornton, Michael J. Walsh, Dann, Gadi Evron, Daniel Dern, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Danny Sichel.]
By John Hertz: We’ll discuss three Classics of Science Fiction at Loscon XLVII, one discussion each. Come to as many as you like. You’ll be welcome to join in.
Our working definition is: “A classic is a work that survives its own time. After the currents which might have sustained it have changed, it remains, and is seen to be worthwhile for itself.” If you have a better definition, bring it.
Each of the three is famous in a different way. Each may be more interesting now than when first published. Have you read them? Have you re-read them?
James Blish, The Triumph of Time (1958)
It’s Blish’s centennial year (1921-1975). Here he imagined you could go much faster than light – if you had the mass of a city. This is the last in the “Cities in Flight” series. Is it the best? What about “SF stories never end”?
Leigh Brackett, The Long Tomorrow (1955)
There are no surprises at all in the first part of this book. But don’t think for a moment that Brackett’s poetic power is all that redeems it. A.J. Budrys said “Always ask ‘Why are they telling us this?’”
Mark Twain, A Connecticut Yankee in King Arthur’s Court (1889)
Is this “a keen and powerful satire on nobility and royalty”? What about the King at the hut? Theodore Sturgeon said “Science fiction is knowledge fiction”. You might like to see my note on this book written a few years ago.
It is a juried award for work in a specialized segment of sff field, described in the Wikipedia:
Uchronia refers to a hypothetical or fictional time-period of our world, in contrast to altogether fictional lands or worlds. A concept similar to alternate history but different in the manner that uchronic times are not easily defined.
Middle-Earth and the Hyborean Age are examples of uchronic settings.
French publisher ActuSF gives the award in three categories:
The Literary Prize, rewarding essays and novels.
The Prix Graphisme, rewarding comics, covers and other pictorial initiatives.
The Special Prize, rewarding an original uchronic work, be it a game, an exhibition, etc.
Eligible works were those published or released in French between September 1, 2020 and June 30, 2021.
The winners will be announced in November and the prize awarded on December 4, 2021 at the La Dimension Fantastique bookstore in Paris.
Here is the list of nominees for the 2021 Prix ActuSF de l’Uchronie:
PRIX LITTÉRAIRE
Aucune terre n’est promise by Lavie Tidhar. (Unholy Land) Translation by Julien Bétan (Mnémos Label Mu)
Célestopol 1922 by Emmanuel Chastellière (L’Homme Sans Nom)
Lady Astronaute et Vers les étoiles by Mary Robinette Kowal. (The Calculating Stars) Translation by Patrick Imbert (Denoël Lunes d’encre)
Le Grand jeu by Benjamin Lupu (Bragelonne)
Le Mystère du Tramway hanté et Les tambours du dieu noir; followed by L’étrange affaire du djinn du Caire by P. Djèlí Clark. (The Haunting of Tram Car 015 and The Black God’s Drums) Translation by Mathilde Montier (L’Atalante)
PRIX GRAPHIQUE
Horseback 1861 by Hasteda (Scénario) and Nikho (Design) (Ankama label 619)
Le Voyage extraordinaire T7, Cycle 3 – Vingt mille lieues sous les glaces 1/3 by Denis-Pierre Filippi (Scénario) Silvio Camboni (Design) (Glénat, collection Vents d’Ouest)
Les Chimères de Vénus T1 by Étienne Jung (Design), Alain Ayroles (Scénario) (Rue de Sèvres)
PRIX SPÉCIAL
Et si Napoléon, quatorze récits d’uchronies napoléoniennes, Anthology edited by Stéphanie Nicot (Mnémos)
For All Mankind Saison 2 (Apple TV) (French-subtitled version of the streaming series)
Les chroniques de St Mary by Jodi Taylor. (For the series The Chronicles of St. Mary’s) Translation by Cindy Colin Kapen (HC éditions)
Traité de chronoportation d’Ostramus (Oneiroi) (A French-only work on Time Travel, ostensibly written by a time-traveler named Ostramus)
The 2021 award jury members are: Étienne Barillier, Bertrand Campeis, Karine Gobled, Hermine Hémon, Jean Rebillat and Jean-Luc Rivera.
[Thanks to JJ for identifying the English titles of translated works.]
The Science Fiction and Fantasy Poetry Association announced the winners of SFPA Poetry Contest on October 24.
Speculative poets from around the world sent Contest Chair Josh Brown 249 entries (76 dwarf-length, 133 short, and 40 long poems). From those blind entries, Judge Sheree Renée Thomas selected the winning poems in each length category.
All placing poems have been published on the SFPA website along with the judge’s comments. Winning poets receive $150, $75, and $25 cash prizes for first, second, and third place respectively.
DWARF CATEGORY
1st Place: “Strings” by Deborah L. Davitt 2nd Place: “The Health Benefits of Gardening” by Jerri Hardesty 3rd Place: “Restitution” by Morgan L. Ventura
SHORT CATEGORY
1st Place: “We, Dust” by Blaize Kelly Strothers 2nd Place: “Double-Slit Experiment” by Bradley Earle Hoge 3rd Place: “engagement party” by Aiesha Muhammed
LONG CATEGORY
1st Place: “The Last Special Day” by Donald Raymond 2nd Place: “Docking on Phobos” by Clarabelle Miray Fields 3rd Place: “Fireflies in Retrograde” by Clarabelle Miray Fields
Sheree Renée Thomas is an award-winning fiction writer, poet, and editor. Josh Brown is a writer of fiction, non-fiction, and poetry.
…If [the superhero is] prone to turning into living flame? Clothes go up in flame. Super-cold? Cloth turns brittle when frozen. Change size? Clothing shreds. Or a teeny-tiny size-changer can slip between the weave of the cloth. Then change back to normal human and oops, no clothes.
In the old days, the Comics Code Authority guaranteed a certain level of protection from power-induced nudity. The Hulk’s pants size might go from M to XXXXXXXL but somehow his trousers always stretched enough to provide him with shorts. Similarly, Doctor Phosphorus’ skin incinerated everything it touched, despite which he somehow always had enough of his trousers left to avoid being charged with indecent exposure (well, in addition to terrorism and murder)….
(2) RECLAMATION 2022 VENUE ANNOUNCEMENT. The Reclamation 2022 committee today announced that next year’s UK Eastercon venue will be the Radisson Hotel & Conference Centre London Heathrow. The con will run April 15-18, 2022.
The hotel, formerly known as the Park Inn, is a venue that will be familiar to regular science fiction convention goers and is easily accessed via various transport links. In addition to the hotel, there are local pubs and restaurants and central London is a tube ride away.
The committee would like to thank the community for their enormous patience. The current global situation made the process far more difficult than we’d hoped. It has taken over two years of searching to find a suitable venue for a convention of our size that will accommodate non-corporate gatherings.
We did want to announce the venue much earlier in the year. We had hoped to bring Eastercon to Brighton for 2022. Sadly, the venue required more extensive renovations than they, and we, first anticipated and it’s no longer available at this time. We hope to see an Eastercon there in the future.
To attend Reclamation, the 72nd Eastercon, you need to purchase membership for the convention. All information can be found on the website at https://reclamation2022.co.uk/membership/ . Membership can also be purchased at Eastercon fan tables, which can be found at various forthcoming fan conventions….
… The assault on genre writing in Ireland began as early as 1892, when Douglas Hyde, eventually to become the first president of the Irish Free State, gave a speech to the Irish National Literary Society in Dublin in which he urged his listeners to set their faces “sternly against penny dreadfuls, shilling shockers”. To Hyde, genre writing was not only “garbage” and “vulgar”, it was also “English”, which made it undesirable in the extreme. It had no relevance to his conception of Irishness, which was limited to everything “most smacking of the soil, most Gaelic”. If it was genre fiction, it wasn’t Irish literature. In fact, it probably wasn’t literature at all….
… Today, I’m pleased to feature Light On Light Through, a podcast run by Paul Levinson, who’s a science fiction author, singer/songwriter, media critic and professor of communications and media studies at Fordham University.
Paul Levinson is clearly a very busy man, so I’m thrilled to welcome him to my blog today to talk about Light On Light Through….
“We’re interested in exploring the wicked, strange places that walk the line between reality and nightmare—the alien, the absurd, and above all else, the weird.” —Starward Shadows Quarterly Submissions page
… Aside from Lovecraft, other thematic inspirations cited for Starward Shadows Quarterly include J. R. R. Tolkien and Robert E. Howard. How do you handle the historical racism and colonialist tropes inherent in fantasy and sword & sorcery?
DRH: This is a tricky topic. The best I can explain it is that we always look for ways to bring fresh, modern insight on those topics, and we deliberately seek out authors who provide that. If a story doesn’t have a new, enlightened viewpoint that shatters racism and colonialism and instead falls back on addressing those grief-ridden topics in the same, tired, old ways, then we simply won’t publish the story—no matter how good it is otherwise. It isn’t enough for something to be “not that problematic.” It needs to actively counteract the social impact that previous authors have had in these difficult areas in order for us to accept it….
…For “Dune,” by contrast, Zimmer wanted to conjure sounds that nobody had ever heard before.
“I felt like there was a freedom to get away from a Western orchestra,” he said recently, speaking in the Warner Bros. offices overlooking Hudson Yards in New York. “I can spend days making up sounds.”
The resulting soundtrack might be one of Zimmer’s most unorthodox and most provocative. Along with synthesizers, you can hear scraping metal, Indian bamboo flutes, Irish whistles, a juddering drum phrase that Zimmer calls an “anti-groove,” seismic rumbles of distorted guitar, a war horn that is actually a cello and singing that defies Western musical notation — just to name a few of its disparate elements.
The score combines the gigantic, chest-thumping sound of Zimmer’s best known work of the last decade with the spirit of radical sonic experimentation. The weirdness is entirely befitting the saga of a futuristic, intergalactic civilization whose denizens are stalked by giant sandworms and revere a hallucinogenic substance called spice….
Pablo Escobar’s hippos have a lawyer. And a good one at that. In a U.S. first, a court recognized the animals as legal persons. That could be the hippos’ salvation in the ongoing fight about what to do with one of the world’s most rotund and dangerous invasive species.
… Now, there are up to 120 hippos roaming around Colombia, and they are considered one of the top invasive species in the world. Authorities have weighed a plan to kill the hippos off and on since 2009, and its recently gained steam.
Last July, Colombian attorney Luis Domingo Gómez Maldonado filed a lawsuit on the hippos’ behalf to save them from being euthanized. Instead, the case recommends sterilization. Colombian officials announced a plan to use a chemical contraceptive developed by the U.S. Agriculture Department to sterilize “the main group” of the hippos, and the region’s environmental agency Cornare began to implement the plan on Friday, darting 24 hippos.
… “The Colombian legal system can’t compel someone in the U.S. to provide testimony or to produce documents, but we have this federal law that allows interested persons in Colombia to go to the U.S. and obtain that ability to obtain documents and testimony.” Christopher Berry, the attorney overseeing the U.S. case who also serves as managing director at the Animal Legal Defense Fund, said. “So we applied for the hippos’ rights to compel their testimony in order to support the Colombian litigation, and now the [U.S. District Court for the Southern District of Ohio] has granted that application, recognizing that the hippos are interested persons.”…
(8) MEDIA BIRTHDAY.
1968 – Fifty-three years this evening on NBC, Star Trek’s “Spectre of the Gun” first aired. It was written by former producer Gene L. Coon (under the name of Lee Cronin) and directed by Vincent McEveety. It had one of the larger guest casts — Ron Soble as Wyatt Earp, Bonnie Beecher as Sylvia, Charles Maxwell as Virgil Earp, Rex Holman as Morgan Earp, Sam Gilman as Doc Holliday, Charles Seel as Ed the bartender, Bill Zuckert as Johnny Behan, Abraham Sofaer as the Melkotian Voice and Ed McCready as Barber. You know the premise, so I won’t detail it here. I will note that the budget wasn’t available to shoot on location on a full set, so instead a Western street of false building fronts and no sides was used. It’s considered one of the finest episodes of the original though Keith R.A. DeCandido of Tor.com inexplicably decided to criticize the episode for its historical inaccuracies. Huh? And I’ll note that the First Doctor had done an Old West story two years previously, “The Gunfighters” and the Eleventh Doctor will have his own such story as well, “A Town Called Mercy”.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 25, 1909 — Whit Bissell. You most likely know him as Station Manager Lurry on “The Trouble With Tribbles”, but his major contribution to the SFF genre was being in all thirty episodes of The Time Tunnel as Lt. Gen. Heywood Kirk. He also did one-offs on The Invaders, I Dream of Jeannie, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea, Science Fiction Theater, The Incredible Hulk and The Outer Limits. And yes, in the Time Machine film. (Died 1996.)
Born October 25, 1940 — Janet Fox. Author whose stories appeared in countless genre zines and anthologies between the Seventies and mid-Nineties. Her long fiction, mostly the Scorpio Rising series, was done as Alex McDonough. She’s also know for the Scavenger’s Newsletter which featured a number of noted writers during its long including Linda Sherman, Jeff VanderMeer and Jim Lee. (Died 2009.)
Born October 25, 1955 — Gale Anne Hurd, 66. Her first genre work was as Corman’s production manager on Battle beyond the Stars. (A decent forty-two percent among audience reviewers at Rotten Tomatoes.) From there, we’ve such films as Æon Flux, the Terminator franchise, Aliens, Alien Nation, Tremors, Hulk and two of the Punisher films to name just some of her genre work. We’ll forgive her for the latter.
Born October 25, 1955 — Glynis Barber, 66. Soolin on Blake’s 7 for a series. She also appeared in The Hound of the Baskervilles (Ian Richard and Donald Churchill were Holmes and Watson) and a Sherlock Holmes series I didn’t know about, Sherlock Holmes and Doctor Watson starring Geoffrey Whitehead and Donald Pickering.
Born October 25, 1963 — John Gregory Betancourt, 58. Writer best known most likely for his work In Zelazny’s Amber universe but who has written quite a bit of other franchise fiction including works in the Star Trek, Hercules, Robert Silverberg’s Time Tours, Dr. Bones and The New Adventures of Superman. Most of his original fiction was early in his career. He’s also edited in a number of magazines including Weird Tales, Amazing Stories, H. P. Lovecraft’s Magazine of Horror, Adventure Tales and Cat Tales. He even co-edited with Anne McCaffrey, Serve It Forth: Cooking with Anne McCaffrey. His Wildpress Press has been nominated three times for World Fantasy Awards.
Born October 25, 1971 — Marko Kloos, 50. Author of two MilSF series, Frontlines and The Palladium Wards. His Lines of Departure was nominated for Hugo Award for Best Novel at Sasquan on a slate organized by the Sad Puppies. In reaction to this, Kloos withdrew the novel from consideration for the award. He was subsequently honored by George R. R. Martin for this decision. And that gets him Birthday Honors. Four of his books have been Dragon Awards nominees in the Best Military SF or Fantasy category.
Born October 25, 1971 — Elif Safak, 50. Turkish writer not currently under arrest though considered an opponent of Recep Tayyip Erdogan as she’s lived in the U.K. for eight years. She’s got three genre novels, one written originally in Turkish (Mahrem), The Gaze in its English translation, and two written in English, The Architect’s Apprentice (which was translated into Turkish as Ustam ve Ben) and 10 Minutes 38 Seconds in This Strange World.
Born October 25, 1989 — Mia Wasikowska, 32. She’s Alice in Tim Burton’s creepy Alice in Wonderland and equally creepy Alice Through the Looking Glass. Rotten Tomatoes gave the first a fifty-three percent rating and the second a twenty-nine percent rating.
(10) COMICS SECTION.
Mutts warns us about what can go wrong with your magic spells. (A re-run of an earlier strip, but fans of puns won’t mind seeing it again.)
And for the record, the current Dick Tracy team did a sign-off strip, as in, the current creative team is (apparently) moving on.
(11) A LEGEND IN HER OWN TIME. In the Washington Post, Michael Cavna has an appreciation of Ruthie Tompson, who met Walt Disney in 1918, worked for Disney animation for nearly 50 years, became a Disney Legend in 2000, and passed away recently at 111. “Ruthie Tompson, who died at age 111, was a Disney trailblazer in ‘a man’s world’”.
Ruthie Tompson, whose hand helped paint early Mickey Mouse, was the very picture of humility — even as she turned 110.
Tompson became an animation trailblazer in 1937, working among the scores of other young women in Disney’s famed Ink & Paint department — for long hours, relatively low pay and no screen credit — on the landmark feature “Snow White and the Seven Dwarfs.”“We worked into the night, day after day, until we got it exactly right!” she told the Hollywood Reporter last year, from the Motion Picture and Television Fund’s retirement community in Woodland Hills, Calif., while enduring the second global pandemic of her lifetime….
(12) SOMETHING TO DREAD. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber discusses the lasting appeal of Nintendo’s sf game Metroid, whose 2021 extension, Metroid Dread, was recently released.
I can’t help thinking that perhaps in 2021, Metroid has been a victim of its own success. Back in 1997, a game called Castlevania: Symphony of the Night borrowed elements from Super Metroid and set the mould for a genre unimaginatively dubbed the ‘metroidvania.’ These are titles united by their contiguous 2D maps and gameplay that juggles tense combat with exploration. In recent years indie developers have followed in Metroid‘s footsteps to create modern classics such as the graceful Ori series, the haunting Hollow Knight, or the pixel art gauntlets of Dead Cells and Axiom Verge….
…These games have innovated to thoughtfully elevate Metroid‘s blueprint. Hollow Knight and Ori And The Will Of The Wisps are among the most beautiful games I’ve played in years; Metroid Dread doesn’t quite deliver the same charm. It’s certainly taut, engrossing, and slick, but I can’t help wondering if it might feel more revelatory if the original Metroid not been quite so influential in the first place.
(13) KEEPING UP WITH MILTON DAVIS. Oliver Brackenbury, whose podcast So I’m Writing a Novel… Cora Buhlert featured awhile ago, interviews Milton J. Davis in episode 20: “Interview with Milton Davis about Sword & Soul”.
… MVmedia has teamed up with Avaloy Studios to bring you this story as an animated series. Milton Davis, the novel author, will write the script, with animation duties done by Avaloy Studios. The pledges from this Kickstarter will allow us to create the first five episodes of the series….
Listen here as we discuss ‘Dracula’s Guest’ by Bram Stoker, ‘A Rendezvous in Averoigne’ by Clark Ashton Smith, and ‘The Horror from the Mound’ by Robert E. Howard!
(15) KITCHEN APPLIANCE. [Item by Daniel Dern.] First there is a credential, then there is no credential, then there is. The Schrödinger Drawer, or, the credential that walks through credenzas. (Via Steven J Vaughan-Nichol’s Facebook page.)
Dragon Magazine #41 was published in April 1981. And it was in the pages of this official Dungeons & Dragons tome that the immortal deity known as Bugs Bunny was finally given its due as a playable character in the game, along with several other cartoon characters — or rather, “Saturday morning monsters.”…
Blue Origin, Boeing, Sierra Space and several other partners announced today (Oct. 25) that they plan to build a commercial off-Earth outpost called Orbital Reef, which is scheduled to be up and running by the late 2020s.
Orbital Reef’s envisioned customers include national governments, private industry and space tourists, project team members said. The outpost will initially complement but eventually take the baton from the International Space Station (ISS), which is expected to be retired in the 2028 to 2030 timeframe….
Star Trek is assimilating its 2021 advent calendar.
The iconic sci-fi franchise is turning to the dark side this festive season for an advent calendar designed to look just like the Cube ship used by the Borg alien race.
Any Stark Trek fan knows that a Borg Cube on the radar means serious trouble for the Federation because the cybernetic alien race will stop at nothing to conquer and assimilate their enemies….
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] A guy who watched Star Trek IV too many times asks: Can you really fit two humpback whales on a Klingon ship? To answer that, first you have to deduce the size of a Bird of Prey.
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Michael J. Lowrey, Cora Buhlert, Dan’l, Chris Barkley, Darrah Chavey, Rob Thornton, Daniel Dern, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]
