(1) RETRO HUGO FAN CATEGORY RESOURCE. Joe Siclari and the FANAC Fan History Project are providing support to Dublin 2019 Retro Hugo voters:
The nomination forms have gone out for Dublin 2019’s Retro Hugo awards for works published in 1943. It’s often very difficult to find materials relevant to the Fan Categories for the Retros, but we have a solution! FANAC.ORG has assembled the list of fanzines published in 1943, with links to those available on line. We’ve made several hundred fanzines available, and more will be added if they become available at http://fanac.org/fanzines/Retro_Hugos1943.html .
Here you’ll find fanzines from 4sj, Doc Lowndes, J. Michael Rosenblum, Bob Tucker, Jack Speer, Larry Shaw, F. T. Laney and other stalwarts of 1943 fandom (and also Claude Degler). There are genzines, FAPAzines, newszines, and letterzines. There is fannish artwork, and fannish poetry. There’s even the first publication of Lovecraft’s “Funghi From Yuggoth”. Fanzines which meet the issue requirements for Best Fanzine are so marked.
Hugo nominations continue through March 15, 2019.
(2) THE SHOW WON’T GO ON. Scott M. Roberts, the editor of Orson Scott Card’s Intergalatic Medicine Show #67 announces the end. The magazine will publish two more issues before shutting down.
I am sad to report that Orson Scott Card’s Intergalactic Medicine Show will be pulling up stakes in June 2019. I’ve been a reader since the first issue, and on the staff since 2009. My kids have grown up with the magazine in their lives, and I am fiercely proud of all that we’ve accomplished.
I am also very, very pleased with the state of science fiction and fantasy in general today. When IGMS first rolled onto the scene, online magazines were few and far between. Now the main mode of consumption of short SFF literature is online in one form or another (podcasts, e-issues, webpages, etc). And the voices of SFF today are vibrant, strident, beckoning, beseeching, screeching, awesome myriads. We have been a part of that polysymphonic wonder. We were one of the first to tell our truest lies on the brave digital frontier.
(3) RAVING ABOUT RAVENS. Adri Joy is an early bird, sharing her reaction to Leckie’s new novel: “Microreview [Book]: The Raven Tower by Ann Leckie” at Nerds of a Feather.
Ah, ravens. They’re smart, they’re beaky, they come in murders, and many in our world are better Londoners than I am. They’re also the subject of more than their share of both folklore and, through that, fantasy interest. Whether they’re harbingers of death, guides to the spirit world, speakers of prophecy and truth or otherworldly tricksters, there’s a lot of mileage in these feathery next-level dinosaurs. Now, in Ann Leckie’s first novel-length foray into fantasy, a raven god is front and centre, alongside a cast whose human members often play second fiddle to their divine counterparts.
(4) EATING THE FANTASTIC. Scott Edelman hopes you’ll share spring rolls with Ruthanna Emrys and him in episode 89 of his podcast Eating the Fantastic.
Ruthanna Emrys is best known for the H. P. Lovecraft-inspired Innsmouth Legacy series, which so far includes the 2014 novella “The Litany of Earth,” followed up by the novels Winter Tide in 2017 and Deep Roots in 2018. Her fiction has also appeared in such magazines as Strange Horizons and Analog Science Fiction and Fact, plus anthologies such as Timelines: Stories Inspired by H. G. Wells’ The Time Machine and The Mammoth Book of Cthulhu: New Lovecraftian Fiction.
We discussed the ways in which her first exposure to Lovecraft was through pop culture references rather than the original texts, the reasons for the recent rise of Lovecraft recontextualisation, how tea with Jo Walton convinced her she was right to go ahead and write her first Innsmouth Legacy novel, why she ascribes to the tenets of the burgeoning Hopepunk movement, her love of writing X-Men fanfic and her hatred of gastropods, how she recovered from a college professor’s unconstructive criticism, the time George Takei was nice to her at age 8 after she attended her first con in costume on the wrong day, and much more.
(5) NEW AWARD HONORS SUE GRAFTON. Mystery Writers of America has established the Sue Grafton Memorial Award for the best novel in a series with a female protagonist. (Do I hear Puppies howling?) The announcement is here.
Thirty-five years ago, Sue Grafton launched one of the most acclaimed and celebrated mystery series of all time with A is for Alibi, and with it created the model of the modern female detective with Kinsey Millhone, a feisty, whip-smart woman who is not above breaking the rules to solve a case or save a life. Like her fictional alter ego, Grafton was a true original, a model for every woman who has ever struck out on her own independent way.
Sue Grafton passed away on December 28, 2017, but she and Kinsey will be remembered as international icons and treasured by millions of readers across the world. Sue was adored throughout the reading world, the publishing industry, and was a longtime and beloved member of MWA, serving as MWA President in 1994 and was the recipient of three Edgar nominations as well as the Grand Master Award in 2009. G.P. Putnam’s Sons is partnering with MWA to create the Sue Grafton Memorial Award honoring the Best Novel in a Series featuring a female protagonist in a series that also has the hallmarks of Sue’s writing and Kinsey’s character: a woman with quirks but also with a sense of herself, with empathy but also with savvy, intelligence, and wit.
The inaugural Sue Grafton Memorial Award will be presented at the Edgar Awards on April 25. The nominees are:
- Lisa Black, Perish – Kensington
- Sara Paretsky, Shell Game, HarperCollins – William Morrow
- Victoria Thompson, City of Secrets, Penguin Random House – Berkley
- Charles Todd, A Forgotten Place, HarperCollins – William Morrow
- Jacqueline Winspear, To Die But Once, HarperCollins – Harper
(6) A VANCE MYSTERY. At Criminal Element, Hector Dejean reviews The Man in the Cage by John Holbrook Vance, better known as Jack Vance, which won the 1961 Edgar Award for the best first mystery novel, even though it wasn’t his first novel in either genre: “Jack Vance’s Edgar Award: A Mystery Novel Wrapped in an Enigma”.
Vance was extremely talented and prolific, publishing his first book, The Dying Earth, in 1950, and his last work of fiction, Lurulu, in 2004. In 1957, he published his first mystery novel, Take My Face, using the pen name Peter Held. Later that year, he published another novel, titled either Isle of Peril or Bird Island, under the name Alan Wade. (Different versions exist, and according to some Vance-ologists the book doesn’t really qualify as a crime novel.) A year later, he wrote his first mystery to be published under his full name, John Holbrook Vance. That book’s title, according to sources on the Internet, was Strange People, Queer Notions.
This is where things get odd. Following a trip to Morocco—Vance was as impressive a traveler as he was a writer—Vance wrote a mystery set in North Africa; John Holbrook Vance was the name on this one as well. The book was The Man in the Cage, and it’s quite good—I would even say it’s a standout book, especially for readers curious about Vance who might not care for the conventions of sci-fi and fantasy. The MWA agreed, and in 1961 they gave it an award, making Vance’s awards-shelf one of the more diverse of any American author.
Awarding Vance isn’t the weird part. It’s that the book won the Best First Novel by an American Author award, even though it was not Vance’s first book, nor even his first mystery….
Dejean then goes on to laud the merits of the story itself.
(7) CONTRASTING EDGARS AND HUGOS. Criminal Element is also doing a retrospective of all Edgar Award winners for best novel: “The Edgar Awards Revisited”. Cora Buhlert sent the link with a comment: “It’s an interesting project and I was struck by how many women won Edgar Awards in the early years (the first five winners are four women and Raymond Chandler), which is very different from the early years of the Hugos.”
(8) CRIMEMASTER AWARD. The Maine Writers and Publishers Alliance has awarded its 2019 CrimeMaster Award to Lisa Gardner.
Storied crime author Lisa Gardner writes award-winning novels that are addictive. Thankfully for us, there are more than 30 of them, with some 22 million copies in print. That’s more copies than the entire population of New England, where she and her family live.
(9) TAKE COVER. Regarding the #CopyPasteCris plagiarism scandal, Nora Roberts is one of the authors whose work was appropriated, and as Kristine Kathryn Rusch phrased it —
Nora’s particularly outspoken about what she has gone through, and I have to admit, I snorted tea when I read this comment from Sarah Wendell of Smart Bitches, Trashy Books:
When I saw “Nora Roberts” [on this list] my first thought was, “Everybody, get underground NOW.”
Today Roberts posted her appropriately furious response: “Plagiarism Then and Now”.
…I personally don’t believe fiction writers should use ghosts. Celebrity auto-biographies and such, that’s the job. If a fiction writer uses a ghost to help flesh out a book, or hires a book doctor to whip a book into shape, I strongly believe that person should be acknowledged–on the book.
The reader deserves honesty. The reader’s entitled to know she’s buying the author’s–the one whose name’s on the book–work, not somebody that writer hired for speed or convenience. And I’ll state here as I have before. If a book has my name on it, I wrote it. Every word of it.
I do not, never have, never will comprehend how someone can feel any pride claiming a book they didn’t write.
…A creature like Serruyo can have a decent run, make some money–make some best-seller lists–before she (or he, or they, who knows?) is found out. And the pain, the scars, the emotional turmoil this causes to the victims of plagiarism never ends.
Serruyo won’t be the only one using that underbelly, exploiting the lack of real guardrails on Amazon and other sites for a few bucks.
I’ll have a lot more to say about this, all of this. I’m not nearly done. Because the culture that fosters this ugly behavior has to be pulled out into the light and burned to cinders. Then we’re going to salt the freaking earth….
(10) IT’S OFFICIAL. I learned today that Iowa declared November 2018 to be Speculative Poetry Month. Impressive!
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
- Born February 22, 1925 — Edward Gorey. I reasonably sure that his animated introduction to the PBS series Mystery! Was my first encounter with him. I will recommend Gorey Cats, The Haunted Tea-Cosy: A Dispirited and Distasteful Diversion for Christmas and The Doubtful Guest. Ok he’s not genre but damn if he’s fun and delightfully weird. Oh, and do go read Elephant House: Or, the Home of Edward Gorey, with superb photographs and text by Kevin McDermott. (Died 2000.)
- Born February 22, 1929 — James Hong, 90. Though not genre, became known to audiences through starring in The New Adventures of Charlie Chan in the late Fifties. Genre wise, his first role was in Godzilla, King of the Monsters! voicing Ogata/Serizawa. He then pops up in The Satan Bug as Dr. Yang and next is seen playing Ho Lee In Destination Inner Space. You’ll no doubt recognize him in Colossus: The Forbin Project, he’s Dr. Chin, but I’ll bet you’ve never heard of, oh wait you have, Blade Runner in which he’s Hannibal Chew and Big Trouble In Little China which I love in which he’s wizard David Lo Pan. its back to obscure films after that with next up being Shadowzone where he’s Dr. Van Fleet and Dragonfight where he’s Asawa. He’s next in The Shadow as Li Peng but I’ll be damned if I can remember his role and the same holds true for him as Che’tsai In Tank Girl too. He’s Mr. Wu in the very loose adaption of the classic The Day the Earth Stood Still.
- Born February 22, 1930 — Edward Hoch. The lines between detective fiction and genre fiction can be awfully blurry at times. ISFDB listed him but I was damned if I could figure out why considering he’s known as a writer of detective fiction who wrote several novels and close to a thousand short stories. It was his Simon Ark character who was the protagonist of Hoch’s first published story and who was ultimately featured in thirty-nine of his stories that made him a genre writer as Ark is the cursed by God immortal doomed to wander forevermore and solved crimes. (Died 2008.)
- Born February 22, 1937 — Joanna Russ. Is it fair to say she’s known as much for her feminist literary criticism as her SF writings? That The Female Man is her best-known work suggests my question really isn’t relevant as there may be no difference between the two. She was for a long time an influential reviewer for the Magazine of Fantasy & Science Fiction where I think it would fair to say that you knew clearly what she thought of a given work. (Died 2011)
- Born February 22, 1944 — Tucker Smallwood, 75. Space: Above and Beyond as Commodore Ross is by far my favorite genre role by him. I think his first genre appearance was as President Mazabuka on Get Smart followed by one-offs on Babylon 5, Bio-Dome, X-Files, Contact, Millennium, NightMan, Voyager, Seven Days, The Others, The Invisible Man, The Chronicle, Mirror Man and Spectres. After that he landed a role on Enterprise playingXindi-Primate Councilor for an extended period of one season.
- Born February 22, 1956 — Philip Kerr. Though better known for his Bernie Gunther series of historical thrillers set in Germany and elsewhere during the 1930s, his write several genre friendly works. A Philosophical Investigation is set in a near future UK where it is possible to test for violent sociopathy and the consequences of that. The other is Children of the Lamp, a more upbeat YA series set in London involving djinns and rather obviously young children. (Died 2018.)
- Born February 22, 1959 — Kyle MacLachlan, 60. Genre-wise known for his role as Dale Cooper in Twin Peaks and its weird film prequel Twin Peaks: Fire Walk with Me, Paul Atreides in Dune, Lloyd Gallagher in The Hidden, Clifford Vandercave In The Flintstones, Calvin Zabo in Agents of S.H.I.E.L.D. and Jeffrey Beaumont in Blue Velvet (OK not genre, just weird).
- Born February 22, 1968 — Jeri Ryan, 51. Seven of Nine of course but she’s had other genre roles including being Juliet Stewart in Dark Skies, an UFO conspiracy theory series. She’s showed up in briefly roles in Warehouse 13, The Sentinel, Helix and had recently showed up in the Arrowverse.
- Born February 22, 1972 — Duane Swierczynski,47. Though a mystery writer by trade, he’s also worked as a writer at both DC and Marvel on some very impressive projects. He did writing duties on the second volume of time traveling soldier Cable, penned the Birds of Prey as part of The New 52 relaunch and wrote an excellent Punisher one-off, “Force of Nature”.
(12) COMICS SECTION.
- Psyops at Saturday Morning Breakfast Cereal. SJW credentials news in the hovertext. Think before you read it. Can you handle the truth?
(13) LIGHT OF OTHER DAYS. In her monthly column for The Paris Review, YA of Yore, Frankie Thomas takes a second look at the books that defined a generation.
What Was It About Animorphs?
For children’s books in particular it was an era of quantity over quality, an unremitting glut. In those pre–Harry Potter days, a typical “series” meant hundreds of books churned out on a monthly basis by teams of frantic ghostwriters. You could order them by the pound. Often they came with a free bracelet or trinket, as if resorting to bribery. There were 181 Sweet Valley High books, 233 Goosebumps books, and so many Baby-Sitters Club books that their publisher, Scholastic, has never made the full number public (by my count it was at least 345 if you include all the spin-offs)—and they were all, to a certain degree, disposable crap.
But then there was Animorphs….
Harry Potter and the Secret Gay Love Story
The fifth book in the series, Harry Potter and the Order of the Phoenix, was published in the summer of 2003, by which point Harry was fifteen and those of us growing up along with him had discovered sex. The Harry Potter years also happened to coincide with the Wild West era of the internet and the rise of abstinence-only sex education; as a result, for better or for worse, erotic Harry Potter fan fiction played a major and under-discussed role in millennial sexual development. This was especially true if you were queer—or, not to put too fine a point on it, if you were me—and had picked up on the secret gay love story that existed between the lines of Rowling’s text.
I refer, of course, to Sirius and Lupin….
(14) THEY’RE MADE OF MEAT. [Item by Mike Kennedy.] A team from Sweden’s Lund University is searching for the elusive Borkborkborkino particle, which would be proof that the Chef field exists. Or at least I guess that’s what they were doing at this year’s “Stupid Hackathon Sweden” event. Gizmodo has the story: “Particle Physicists Build a Meatball Collider.”
A team of particle physicists wanted “to unveil the deepest secrets of the Universe—and of Swedish cuisine.” So, naturally, they built a Swedish meatball collider.
The MEAL, or MEatball AcceLerator collaboration, could answer important questions such as why we’re made of meatballs, rather than anti-meatballs, or whether we can create dark meatballs. The proof-of-concept experiment was a success.
[…] they’ve got lofty goals for their next steps, according to the project’s slides: “Get funding for a meatball—anti-meatball collider that has the circumference of the solar system and meatballs the size of the Earth.”
(15) VIRGIN TEST. “Virgin test flight blasts to edge of space” — Reuters has video coverage.
A Virgin Galactic rocket plane on Friday soared to the edge of space with a test passenger successfully for the first time, nudging British billionaire Richard Branson’s company closer to its goal of suborbital flights for space tourists.
(16) ONLY THE BEGINNING.It will take two months to land, but it’s on its way: “Israel Launches Spacecraft To The Moon” – NPR has the story. (See also, BBC: “Israel’s Beresheet Moon mission gets under way”.)
An Israeli spacecraft blasted off this evening, aiming to land on the moon. And if the mission is successful, it would make Israel the fourth country to land a spacecraft on the lunar surface – after the U.S., the former Soviet Union and China.
It would also be the first privately initiated project to do so, although it was assisted by government partners, as Nature notes. “The feat seems set to kick off a new era of lunar exploration – one in which national space agencies work alongside private industries to investigate and exploit the moon and its resources,” Nature added.
The spacecraft, which is called Beresheet (Hebrew for “in the beginning”), was launched from Cape Canaveral, Fla.
It was initially conceived as part of Google’s challenge called the Google Lunar XPRIZE for a private company to complete a soft landing on the moon. The Israeli non-profit SpaceIL was one of five international teams in the running for the $20 million grand prize; Google announced last year that the contest would end with no winner because no team was prepared to launch by the deadline. Still, the Israeli engineers at SpaceIL continued to work toward landing a spacecraft on the moon.
(17) A SCALZI CONSPIRACY FONDLY REMEMBERED. John Scalzi’s classic prank showed up in the background of a recent Big Bang Theory episode.
Mayim Bialik photographed the items in Wil Wheaton’s TV set apartment on Big Bang Theory and got him to explain their significance.
Wil and I both grew up on camera, and we also are geeky nerds who share a passion for discussing our mental illness struggles publicly. We are very similar, and it’s so refreshing to work with him.
The set that was used as his living room was really special because it contained actual items from Wil’s real life house. I was so delighted to see artwork, fan art, and memorabilia from his life—and I was so delighted that I photographed all of it and asked him to describe each item.
Wil Wheaton received the painting in 2008 and when it was finally revealed to him who had sent it, he wrote about the experience in “evil and awesome (but mostly awesome)”.
Without knowing that I needed a reminder not to take this stuff so seriously, without knowing – in April, when the wheels were set into motion – that around the beginning of August I’d be feeling pretty lousy about getting cut from the show I look forward to attending every year, John did what good friends do: pick you up when you’re down, and provide reality checks when you need them the most.
(18) UNFORGETTABLE. Nerds of a Feather features “6 Books with Simon Ings”:
5. What’s one book, which you read as a child or a young adult, that has had a lasting influence on your writing?
John Christopher got under my skin as a child and has never let me go. Kids’ books like The Prince in Waiting fed me those nostalgic and valedictory notes you need if you’re going to write into the British fantasy tradition. Much, much later I discovered the man had teeth: Death of Grass is a sort of John-Wyndham-without-the-apology tale about how personal virtue actually works in a disintegrating culture. Kindness is not a virtue. It is a sentiment. There, I’ve said it. But JC said it first.
(19) OSCAR-WORTHY FX. Here are three BBC posts with behind-the-scenes info about movie special effects.
- “How we made the effects on Solo: A Star Wars Story” — video, including a scene for which most viewers think the reverse of what was actually CGI vs reality.
The film Solo: A Star Wars Story has been Oscar nominated in the best visual effects category.
Visual effects supervisor Julian Foddy of ILM London spoke to Al Moloney about some of the challenges the company faced in helping to make the film.
- “Christopher Robin: How we made the film’s visual effects” — video, including intermediate shots — puppetry, and actors working with stand-in beanbags.
The film Christopher Robin has been Oscar nominated in the best visual effects category.
Visual effects supervisor Chris Lawrence spoke to Al Moloney about some of the challenges the company faced in helping to make the film.
Robert Rodriguez’s latest stint as director is on the sci-fi blockbuster Alita: Battle Angel.
The film was written and produced by James Cameron, who originally planned to direct it.
Rodriguez says he made the movie for half the price Cameron would have, but with a reported budget of $200m (£154m), it still cost considerably more than your average indie-flick.
BBC Click’s Marc Cieslak speaks to the director and cast of the film, to find out more.
[Thanks to John King Tarpinian, Cora Buhlert, Jason, Cat Eldridge, Mike Kennedy, Carl Slaughter, Chip Hitchcock, JJ, Andrew Porter, SF Concatenation’s Jonathan Cowie, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip Williams.]
Pixel corrupts; AbScrollute Pixel corrupts AbScrollutely.
Gorey’s not genre? Piffle!
(17) I always thought someone should do a black velvet painting of a saucer-eyed Ayn Rand. It wouldn’t be much farther from reality than the flattering sketch she used on her books.
11) Another birthday boy:
James Hong. You might not recognise his name, but you will remember him from such classics as Colossus: The Forbin Project, Blade Runner, Big Trouble In Little China, The Shadow, Tank Girl and more.
“Two pixels diverged on a scroll….”
@2, that should be Orson Scott Card, I think. I’ll appertain myself a dish of ice cream….
@Hampus: He was also in “Agents of SHIELD” for one episode.
I think Gorey is at least Genre adjacent.
@Hampus. Oh yes, COLOSSUS Is a favorite of mine. I remember him in it.
18) Hey, that’s my 6 Books feature 🙂 I’ve had a really busy week of stuff come out.
(15) So has it now gone where no virgin has gone before?
(9) Of course, we only have Serruyo’s word that a ghostwriter is to blame.
@5: I was reasonably impressed by Shell Game, which would enrage Puppies even if a man were the lead; it’s merciless about ICE interfering with keeping a city less unsafe. I’ll have to look at the others if the nominees are this caliber.
@7: the difference in gender balance of awardees is not surprising; how long did it take for a woman to stand as high in SF as (e.g.) Christie or Sayers did in mysteries? (This is a question wrt popularity, not quality.) The social-observation threads that took a long time to show up in SF were a part of mysteries much earlier; are mysteries older as a commonly-read genres? e.g., if we trace relative numbers of publications, do mysteries also have a long history of being an almost-all-male province, but enough earlier that they Got Better decades before SF? (I have no feel for what happened between Poe and sometime around World War One.)
@10: I’m not surprised at Roberts’s fury, but her lack of understanding is surprising; some people think being a Published Author is such a grand thing that they will do anything to get there — they’re not interested in the work, only in the payoff.
@11: I would call The Doubtful Guest genre — and some of Gorey’s other work is far too weird to be called mimetic.
@OGH re @11: another typo, but “deceive” is such a wonderful warping of “detective” fiction that it should stand.
@14: video! we want video!
@Chip: Since Nora Roberts is the aggrieved party here, I reckon she has the right to react any damn way she wants. Seriously, “lack of understanding” sounds like you’re blaming the victim, not the culprit.
(I have now read her article, and note there is now proof ghostwriters were involved, although the blame still rests with Serruyo.)
5) Thirty-five years ago, Sue Grafton launched one of the most acclaimed and celebrated mystery series of all time with A is for Alibi, and with it created the model of the modern female detective with Kinsey Millhone…
Whelp, no. Marcia Muller was there five years earlier with Sharon McCone in Edwin of the Iron Shoes. Not that Grafton wasn’t hugely influential, because she was, but Muller and her character were there in 1977.
I believe if you’ll click through to the Gizmodo story you can see some.
11) I’m pretty sure Gorey’s “The Stupid Joke” (from Kirby McCauley’s Dark Forces is genre.
6) The mysteries are the one part of Jack Vance’s oeuvre (and thank you, AutoCorrect, for correcting oeuvre for me) that I haven’t really explored yet. I read The Dark Ocean and watched the film adaptation of Bad Ronald, but that’s about it so far.
(3) It’s scheduled to drop on the 26th.
The theory of scroll/pixel duality.
Car’s not Cards in the clicky link.
Two pixels were approaching,
and the file began to scroll.
Reading ‘Semiosis’ and enjoying the vegetable sentience.
Finished a re-read of ‘Excession’ and have now embarked on ‘Planet of Exile’. I have completed the Murderbot diaries, and think that ‘Rogue Protocol’ was my favourite. I’m finding it hard though to place these in my Hugo nominations, because they don’t really stand alone.
So come on, come on, scroll the pixellation with me
More Gorey genre works:
– He designed sets and costumes for a 1977 stage production of Dracula, and illustrated “toy theater” characters for the same.
– I believe he illustrated an edition of The War of the Worlds, though I’ve never seen it.
– Also many illustrations for John Bellairs’s fantasy novels.
– The ending of “The Curious Sofa” is clearly science-fictional.
Re Gorey and genre, I stand humbly corrected. I had not read deep enough in him to have made the needed connections.
Hampus Eckerman saysJames Hong. You might not recognise his name, but you will remember him from such classics as Colossus: The Forbin Project, Blade Runner, Big Trouble In Little China, The Shadow, Tank Girl and more.
If you look now, you’ll find a Birthday for him up. The Pixel engineering department was having a problem temporarily but that the scrolling there is now working.
11) Russ’ Picnic on Paradise is set to appear in a Library of America volume later this year, along with Lafferty’s Past Master, Delany’s Nova, and Jack Vance’s Emphyrio.
Gorey’s illustrated War of the Worlds is available in the Gorey Store*. I have a copy. It is a compact 5″x7.5″ hardcover. The illustrations are 1/3 page chapter headings. It is not about the illustrations, like the Barry Moser illustrated Moby Dick. But the illustrations complement the text nicely and it is a good reading edition of a classic story by H.G. Wells.
*Or you can get it from NYRB Classics, the original publisher, for only $2.00 more.
(3) It’s scheduled to drop on the 26th.
Is it? Cause the mailman brought it to me two days ago, very much to my surprise. Of course, it’s possible that Thalia messed up and sent it out early. Wouldn’t be the first time, they also put the final book in the Sookie Stackhouse series on the shelves one or two weeks early, which caused quite a bit of uproar at the time.
#10: I’m kind of shocked at the absurdity of thinking that you can rip off Nora freaking Roberts and nobody will notice. She’s one of the most widely read writers of all time. I used to shelve books at a library, and while we always had books by her on the shelves, they also got checked out and returned on a regular basis. If you’re going to plagiarize, at least pick some obscure writers, not Nora Roberts and Courtney Milan. Yeesh. I hate when people who are unethical turn out to also be dumb.
@Eli: I saw that production of Dracula, with Frank Langella in the title role. The sets were spectacular.
Ed Hoch wrote a science fiction mystery called, IIRC, “The Transvection Machine.”
Chip says I’m not surprised at Roberts’s fury, but her lack of understanding is surprising; some people think being a Published Author is such a grand thing that they will do anything to get there — they’re not interested in the work, only in the payoff.
Huh? Nora’s the one who got ripped off. She doesn’t have any obligation to understand anyone. It’s theft of her intellectual property, period. Acting as if she or we should be sympathetic with the thieves is an insult.
No one is asking for sympathy for thieves; however, comprehension of thieves’ motives is useful for predicting what they will do. Until the Lanaia Lee plagiarism case, I wouldn’t have predicted that anyone would claim to be an author while admitting that “their” work had been written by a ghostwriter who had in turn copied it illegally from someone else. Now that I see that this was not a unique event, but apparently a trend, I’m guessing that it’s like people who want to be famous – not to “become famous for having done something terrific” but just to be famous. It’s a foreign concept to me, still, but worth understanding, just as it’s worth understanding that some people are psychopaths – not because I want to sympathize with them, but because understanding that such people exist makes me safer (though unhappier, of course – I was happier before I knew such people exist). It is somewhat surprising that Nora Roberts hasn’t run into other people whose desire isn’t for accomplishment, but for fame unsullied by worth; she may have a higher opinion of people than has been forced upon me.
Andrew says No one is asking for sympathy for thieves; however, comprehension of thieves’ motives is useful for predicting what they will do.
Regardless of the motive, they stole her work. Predicting what they will they will is absurdly simple: if the Courts don’t stop them, they will continue to do so.
Cat: Fair enough. And I guess we can predict that there will be others who will do the same damn foolish and criminal thing.
@Steve Green: read the text @OGH posted:
and note that I opened with I’m not surprised at Roberts’s fury. I don’t argue with her attitude toward plagiarism, but ISTM that a writer whose subject is relatively real people should have a slightly broader understanding of real people. Note that “understanding” does not mean “forgiveness”; one can understand a villain’s motivation (I’d say motiveless villains are a marker of weak writing) without approving the motivation or even sympathizing with the character.
@Mike Kennedy: interesting — the top picture came up as a still last night. Oh well, guess it’s time to reboot to broom out the ad junk.
@Chris S: read the comments?
@Eli: I should have remembered both of those — I’ve seen the Dracula models (very local exhibit) and I’m a Bellairs fan (although his IMO best work was illustrated by someone else, possibly to make clear that it wasn’t YA.
@Cat Eldridge: see above to Steve Green. (I probably should have included the quote I was commenting on originally; it seemed obvious at the time.)
@Andrew: just so. A possible extension of your discussion: given the number of authors who I’ve heard tell of someone offering them an idea for a 50/50 split of revenue (i.e., the author telling the story was to do all the actual writing), it’s clear that some people think that the creative notion is at least as important as the hundreds or thousands of hours of work that are needed to put that notion in a form that other people can parse. In G&S terms, they would like to believe themselves the noble judge and disparage the industrious mechanic.
Unless Roberts is writing a character who is a plagiarist or a thief or otherwise dishonest, she probably doesn’t actually need to understand them all that much (maybe she does write those characters, I confess I haven’t read her books). If you read her blog post on the matter, she wrote that her first brush with major plagiarism of her works, in the late 90s, her first reaction was to try to be forgiving and understanding. That experience was so aggravating and crushing that she has basically moved past that and into fierce self-defense. Which I support. So many women get told to not make a fuss, to be understanding and forgiving, so it’s refreshing to see any woman go fully into defense of herself, and not the person who’s taken advantage of her.
@becca: I hope Nora Roberts is able to really nail the crooks.
Unless Roberts is writing a character who is a plagiarist or a thief or otherwise dishonest
These plagiarists have made themselves into a ready-made gift for those writers who actually write. Any writer who has been looking for a loathsome malefactor for a story and who doesn’t want to discriminate against anyone who doesn’t deserve it, Amazon has just delivered exactly what you need. Free shipping on all orders!
@Chip: In Pohl’s “The Way the Future Was,” he tells of an encounter he had in Europe with someone who wanted to be an SF writer, and asked Pohl how one finds someone to actually write the books and what the usual fee is. As I recall, Pohl advised the would-be “writer” to contact Mr. Ellison.
@Tom Becker: Yep.
Saying “I don’t understand how anyone can like brussels sprouts”* doesn’t mean you can’t write a believable person who likes brussels sprouts. I mean, presumably, you like other foods, and can extrapolate. (Heck, even if you’re one of those rare folks who doesn’t particularly like any foods, you still probably like something.)
* I, personally, do like brussels sprouts, but I’ve heard people say this.
It’s quite possible to understand why someone might break into a house and steal your computer, stereo, TV, cash, etc… to support their ailing family or finance their durg habit or whatever and still be utterly furious when someone breaks into your house and steals your stuff.
Nora Roberts is the victim here and this isn’t her first go-around with plagiarism. And she absolutely has the right to be furious.
Besides, Nora Roberts writes romantic suspense under her regular name and science fiction mysteries as J.D. Robb. She certainly knows about the motivations of people who do bad things, because she writes about them regularly.
The latest count on Serruya’s plagiarism:
42 books, 29 authors, 3 articles, 2 recipes, 1 website, & 1 Wattpad story
Three different ghostwriters have reported their dealings with her, all describing the same MO.
They were given a mess of scenes and bits and told to make it coherent.
Apparently all her works (29) are just long quilted plagiarisms.
AND she shafted at least one ghostwriter – claiming to be too broke to pay for work she’d already received.
… to be picky about it, though, while Robert’s post is epic, the matter initially came to light when an attentive reader reported it to Courtney Milan, whose opening salvo is here:
The “idiot” part?
“Look, I’m not special in any other way and I don’t want to toot my own horn to much, but if I were an unethical plagiarist and I was looking to plagiarize a romance author, I would pick literally anyone except the one who clerked for the Supreme Court, taught intellectual property as a law professor, and doesn’t back down from a fight.
Robert’s follow up post here:
Dang editing windows!
Robert’s follow-up is, I think, all anyone might wish for in terms of “understanding” the plagiarist.
This one is gong to be interesting to follow
I did understand Nora Roberts like this: She doesn’t understand someone who published fiction under his own name that is writen by ghostwriters (had just writen ghostriders, to much Marvel), there is in her opinion nothing to be proud of.
This seems to be independent from the opinion of this partucalar case.
I understand this if you have my name on it, you get me. She makes an execption for colaborations which are open (and some are very awasome) and work for hire where pseudos are used.
This is perhabs strong worded, but why is that such a topic here? (We have a very popular Fantasywriter here in Germany where people believe that he uses ghostwriters)
About the Serruyocase: Sorry that is unbelievable. She ripped of 29 books (corection 29 writers and 42 books, wow), some of them from very popular writers and thought she would get away with it?
Sorry that is stupitivity that is hart to believe.
@Andrew: I wonder how many different countries they found pieces of that wannabe in.
@StefanB: Google attributes the familiar quote
to H. L. Mencken. Substitute intelligence (or perhaps wisdom, if you’re a D&Der), and consider that every curve has its outliers; Serruya may be a member of her very own Six Sigma Society, but I find the reports entirely believable.
Sorry, I didn’t want to imply that I disbilieve that the story happened.
I wanted to make the plagirism was exspecially stupid and how on earth did she ever believe she would get away with this.
I’m a little amused that (9) and (13) are running in the same Scroll. For those unfamiliar with Animorphs, most of the second half of the series was ghostwritten (subject, of course, to Applegate’s oversight). Obviously a completely different situation and publishing environment, but still.