(1) SAY IT AIN’T SO. Mother Jones’ Kevin Drum exclaims “Science Fiction Writers No Longer Write What I Want to Read”.
I don’t keep up with sf as much as I used to, but last night I decided I was in the mood for some. So I browsed through new releases for the past three months. I immediately crossed off (a) fantasy novels and (b) anything that was book x of y. In other words, all I wanted was a single-volume sf novel that wasn’t part of an ongoing series.
After doing that, there were maybe four or five books left to choose from. Some just didn’t look like my cup of tea, as some books don’t. In the end, there were two books left on my list. I bought one of them. So far it’s not very good.
(2) INDIE ANGST. Ruth Anne Reid tells “Why I Left Smashwords”.
If you’ve been following me a while, you may recall when I made the choice to use Smashwords. At the time, it seemed wisest; most authors were telling me that wide distribution was the key to sales. So what if Smashwords took a cut of my already eaten-into book sales? (No bookstore gives 100% of the sale to the author, after all.) Surely it was worth it, saving me the time and effort of getting into those stores myself.
Well, the experiment has lasted for a little more than a year (since November 2014), and after all kinds of publicity, including a very successful Bookbub promotion (which made me a BEST-SELLER YAY), I can tell you this: for me, Smashwords is not worth it.
(I emphasize “for me” because for some folks, it works great. For me, however, it didn’t.)
Let me break down precisely why….
(3) STAN FLEECED. In “‘Picked Apart by Vultures’: The Last Days of Stan Lee” on The Daily Beast, Mark Ebner says that the aging comics tycoon is surrounded by people who want his money and there are fears that he won’t leave enough money to his only child, daughter JC, to let her live in comfort.
You might expect Stan Lee, at age 95, to be enjoying the fruits of his many labors: Marvel Comics, the company he served as the former president and chairman of, dominates popular culture. Characters he co-created — among them Spider-Man, Iron Man, X-Men, and the Avengers — are household names. He’s a comics legend, with his own star on the Hollywood Walk of Fame. When Marvel sold to Disney in 2010 for $4 billion, he personally pocketed a cool $10 million, and tours the world as its ambassador emeritus. And midway through his tenth decade, Black Panther, based on a character he and Jack Kirby first envisioned in 1966, currently sits atop the global box office charts, and carries a Rotten Tomatoes score of 97%.
Instead, seven months after the death of Joan, his wife of almost 70 years, beset with pneumonia, the apparent victim of gross financial malfeasance and surrounded by a panoply of Hollywood charlatans and mountebanks, he may be facing his greatest challenge, every bit the equal of any of the psychologically flawed superheroes he helped shepherd into being
(4) REASONS TO VOTE. Abigail Nussbaum reveals “My Hugo Ballot, Media Categories”:
Best Related Work:
- “Freshly Remember’d: Kirk Drift” by Erin Horáková (Strange Horizons) – It’s been nearly a year since Erin’s masterful essay–about James Kirk, how pop culture processes masculinity, and how the forces that have changed how we view our male heroes are also reflected in politics. Aside from being a brilliant–and brilliantly written–bit of textual analysis, which repeatedly demonstrates that Kirk is a much more thoughtful, respectful, and even feminist character than the conventional wisdom about him would have it, “Kirk Drift” speaks to vital currents in our culture. Why do we prioritize bluster and machoism over competence and cooperation, so much that we reinvent characters who embody the latter traits so that they instead espouse the former? I doubt there’s another piece of criticism published last year that was as relevant or as necessary as this essay, and it deserves to be recognized by the Hugos.
- Iain M. Banks by Paul Kincaid (University of Illinois Press) – The Modern Masters of Science Fiction series (edited by Gary K. Wolfe) has been publishing tantalizing volumes about mid- and late-twentieth century SF authors for several years, but none were as designed to appeal to my interests as one of my favorite critics writing about one of my favorite authors. In this short but illuminating volume, Kincaid walks us through Banks’s career–with the aid of copious references to interviews, contemporary reviews, and reminiscences of Banks’s friends in the UK SF community. Most gratifyingly, he ties together Banks’s SF and mainstream output, arguing that the gap between the two is nowhere near as wide as many critics have argued, and that there are common themes that recur throughout his work. He also delivers a close, strongly political analysis of the Culture novels, and while I don’t entirely agree with his conclusions, his argument is cogent and engaging. This is a major work of criticism on a major author, and any fan of Banks owes it to themselves to read it.
(5) TODAY IN HISTORY
- March 11, 1971 – THX 1138 debuted.
(6) TODAY’S BIRTHDAY HITCHHIKER
- Born March 11, 1952 – Douglas Adams
(7) BUSBY BIRTHDAY. Steven H Silver salutes a birthday boy at Black Gate: “Birthday Reviews: F.M. Busby’s ‘Tundra Moss’”.
Busby served as the Vice President of SFWA from 1974-6. His novels include the Demu trilogy, the Rebel Dynasty books, and the Rissa Kerguelen series.
“Tundra Moss appeared in the third volume of Gregory Benford’s What Might Have Been series of alternate history anthologies with the theme Alternate Wars.
(8) COMICS SECTION.
- John King Tarpinian learned the highly scientific reason behind daylight savings time from Wiley.
Stream & Download ‘Art3mis & Parzival’ here – http://smarturl.it/HITH004DL Find the hidden clues in this video to win GUNSHIP’s Holy Arcade Machine Of Antioch! You must use your cunning to pass the trials that GUNSHIP themselves have laid down. Head to http://www.gunshipmusic.com to play.
(10) TIME TRAVELING TWIN. No doubt about it!
I appear to be cosplaying Robert Silverberg today. pic.twitter.com/TRVLHGKmdv
— John Scalzi (@scalzi) March 11, 2018
(11) EXPECT ALIENS TO BE…ALIEN! Engadet explains: “NASA wants to change the way we think about the habitable zone”.
One of the most exciting discoveries in recent years was the TRAPPIST-1 system — a group of seven Earth-sized planets circling a red dwarf star 40 light years away. Hopes of finding life on these planets were dashed in July 2017 after two studies from the Harvard-Smithsonian Center for Astrophysics concluded the red dwarf was likely too dim and cool to support Earth-like ecosystems. The habitable zone, in this case, was much closer to the star than Earth is to the Sun, increasing the amount of UV radiation on these planets to an unlivable level.
At least, unlivable by Earth standards. In December, a study published on arXiV.org proposed the idea that the “habitable zone” was too narrow a search criteria when looking for alien life. Researchers were as likely, if not more, to find life on frozen planets with subsurface oceans, according to the study’s authors. That life, of course, may not look much like the organisms on Earth.
(12) LOCKE. Locke’s tweets were quoted here among many examples of people who gave pushback to Chris Barkley’s proposal to rename the Worldcon’s new YA Award. Nothing critical was said against them. Besides, did anybody like Chris’s approach?
Apparently I'm on some File770 shitlist for being pissed about the Lodestar renaming. Once again, proving my point in the tweets they quoted. ?
— Katherine Locke (@Bibliogato) March 12, 2018
Since I gave Barkley a platform to make his announcement, some may mistake that as an endorsement. I’m against it myself. And publishing people’s negative statements about it is not an agenda against the critics.
(13) WALKING TALL. StarWars.com’s “Fully Operational Fandom” feature agrees “This 17-Foot-Tall AT-AT Would Even Impress the Emperor”. [Via io9.]
Like the Rebellion scrapping together equipment and people, Gilbert worked with what he had and assembled a team of volunteers. They moved fast due to a tight schedule and made the AT-AT in four weeks. Gilbert explains how they accomplished the feat: “We worked quite a few evenings, but we had an incredible team of volunteers working on the project. Overall, I’d say about 25 people helped at one point or another. Other than three to four of us, many had never used power tools before, so it wasn’t like we were dealing with a team of prop makers or anything. We’d show someone how to use the tool, watch them do it, and then I’d be their biggest fan when they did it right. The volunteers are what made this project special.”
Lacking Imperial materials, they made do with foam insulation boards, foamboard adhesive, and plywood (you can read details on Instructables). The project cost around $1,000. And like the Rebellion figuring things out as they went, they faced challenges.
(14) FANTASY OUT OF AFRICA. NPR’s Caitlin Paxson says Tomi Adeyemi’s Children Of Blood And Bone, a fantasy based on West African myths, is a feast for hungry readers.
Eventually, all the children of Orïsha are faced with a choice: will the restoration of magic heal their broken homeland, or will its quest only drive them further apart and cause more suffering?
Like the similarly eagerly anticipated Black Panther movie (to which this will undoubtedly draw comparisons, given the proximity of their releases), Children of Blood and Bone is a fast-paced, excellently crafted hero’s journey through a fantasy world that is informed by African mythology (specifically West African, in the case of the book) and populated with compelling and nuanced black characters. The world is hungry for this, and Tomi Adeyemi delivers a worthy feast.
(15) HOW IT SHOULD HAVE STARTED. The BBC’s Caryn James looks at A Wrinkle in Time.
Ava DuVernay’s charming, spirited, Oprah-fied version of A Wrinkle in Time arrives as the victim of its own hype. From its sublime casting to its big-hearted message, there is much that is appealing in this fantasy about Meg Murry, a girl who travels through space and time to rescue her missing father, and finds her own confidence along the way. Yet the stumbles in creating the alternate worlds Meg visits make the film less spectacular than viewers might have hoped, and at times a bit flat. Without the weight of high expectations, Wrinkle would look like a perfectly good Disney movie bound to appeal to its target audience of 10-year-old girls, and not so much to anyone hoping for dazzling film-making.
[Thanks to John King Tarpinian, Mike Kennedy, JJ, Cat Eldridge, Martin Morse Wooster, Christian Brunschen, Carl Eldridge, and Carl Slaughter for some of these stories Title credit goes to File 770 contributing editor of the day Andrew, with a typo assist from OGH.]