(1) CONVERSATION. At Tor.com, Natalie Zutter tells about the appearance of N.K. Jemisin, Nnedi Okorafor, and Ibi Zoboi at the Brooklyn Museum’s Target First Saturday, in “Masquerade, Initiation, and Sci-Fi/Fantasy: N.K. Jemisin and Nnedi Okorafor in Conversation”.
…Okorafor’s initiation was her experience with paralysis as a teenage athlete, a difficult period during which she had to relearn how to walk but during which she also turned to writing as a way to cope. Her first story was about a flying woman, “because when you can fly, you don’t have to walk.” She explained, “I know that that experience was my initiation into becoming a writer. When I look back, when it was happening, I didn’t know. I just knew that I was learning how to cope and going deep like that, being so distraught that the only way I [could] stay sane was to go into myself, was how I discovered that thing, that storytelling. From that point on, there is this mystical aspect to storytelling; I’ve had several times where I’m writing stories and I just go somewhere, and something is there. An hour will go by and I’ll look at what I’ve written and it will be new to me and I’m like, ‘Who wrote that?’ […] That actually is very scary to me, but over the years I’ve come to deal with that fear and be comfortable with it and expect it, and know to just sit back and let it happen.”
While Okorafor turned into herself, Jemisin’s initiation was the inverse—she went outward through countless adventures as a child and extensive traveling as an adult. Growing up in Mobile, Alabama, the kind of child who would make little books out of construction paper tied together with yarn, she would visit her father up in New York City (specifically, pre-hipster Williamsburg). “This was my wonderland,” she said, remembering how her father would give her a handful of money and mark a spot on the map, then send her out to traverse the subway system and find her way to her destination. “This was the place I came to become my true self,” she said, “where I shed the masks that I had to wear in Alabama in order to be safe, in order to fit in, to be accepted. I came here, and I could be my little nerdy self and be where I needed to be.” Those childhood adventures prepared her for adulthood as an author navigating the publishing industry: “I’ve always been the little black face, the little ink spot on the page. It did not feel to me like having to go into that space and ask for acceptance or fight to be understood. It felt like ‘You need to reshape yourselves. I am here, this is the industry that you claim to be, you need to be what you claim to be.’ And the industry has been changing in that way, in the last few years. I don’t think it’s me; it’s a lot of people. But the fact that I felt that has been built from that early-adapter stuff I had to do.” …
(2) DISCUSSING DISABILITIES. Today saw the launch of Our Words: Discussing Disabilities in Science Fiction.
The purpose of Our Words is to focus on disabilities in speculative fiction, and give the disabled a place to talk freely and openly about our experiences in the genre. Furthermore, I hope to educate genre fans, authors, publishers, and whoever else about disabilities in the genre, in a comprehensive, well-rounded sort of way. This website will eventually expand to do interviews, discuss and review books, have personal essays, highlight issues in the genre, at conventions, and so more.
Our Words is a website run by a disabled genre fan, for disabled genre fans. This is a place for us to all have a voice. A place for us to use our words, and be heard.
(3) HARRY DRESDEN CARD GAME. Jim Butcher’s Dresden-verse has spawned a cooperative card game that is in the midst of being lavishly funded by fans on Kickstarter. Asked for $48,000, supporters have pledged over $379,000 so far, with nine days to go.
Backers will be rewarded with many extras, including the first chapter of Peace Talks (mid May 2016). More details at: The Dresden Files Cooperative Card Game. (Here’s a video that explains how the game is played.)
(4) OWN A BRICK FROM BRADBURY’S HOME. Con or Bust is gathering items for its 2016 fundraising auction. John King Tarpinian has donated a brick from Ray Bradbury’s home, which was demolished in January 2015.
Bidding opens on Wednesday, May 25, 2016 at 12:01 a.m. Eastern. It will close on Sunday, June 5, 2016 at 4:00 p.m.
(5) CAREER LAUNCH. Tina Jens at Black Gate mentions the magic number in “Things Your Writing Teacher Never Told You: Going to the Nebulas”.
I require the students in the more advanced course, the Fantasy Writing Workshop, to complete at least one story and submit it to a semi-pro or pro market. But the course aimed at writing majors and non-writing majors alike, Exploring Fantasy Genre Writing, has more than half the students ready to submit a poem or short story for publication, as well. There’s always a few, each semester, but more this semester, I think….
As part of the last week of classes, for both my courses, I’m having a representative from our department’s Publishing Lab (run by students, for students, to help them submit their poetry, fiction, and creative nonfiction) come in. They help read proposed cover letters, find markets, and provide emotional support. The drill is this, with their laptops open and everyone tapped in to the school wi-fi, when a student author says they’re ready to submit, their finger hovering over the send button, the group does a mission-control countdown from five.
Five, four, three, two, one, SEND! When the button is pushed, we ring a bell and give them a cookie. An actual bell, and an actual cookie. We’ve found both help.….
(6) CARL BRANDON AWARD. Nominations are open for the 2014 and 2015 Carl Brandon Awards.
Two awards are given each year:
The Carl Brandon Parallax Award is given to works of speculative fiction created by a self-identified person of color. This Award includes a $1000 cash prize.
The Carl Brandon Kindred Award is given to any work of speculative fiction dealing with issues of race and ethnicity; nominees may be of any racial or ethnic group. This Award includes a $1000 cash prize.
Nominations open through July 16, 2016
(7) KEN MACLEOD. The Herald of Scotland profiled “Science fiction writer Ken MacLeod on his Free Presbyterian childhood, his time as a Communist Party member and the future of humanity”.
“I got disillusioned with my early Trotskyism and joined the Communist Party at exactly the wrong time in the mid-1980s.” You join us as Ken MacLeod, a man once described as “the greatest living Trotskyist libertarian cyberpunk science-fiction humourist,” is recalling his political history. “I think I left in 90 or 91,” he continues, “a few months before it dissolved itself.
“The CP at that time was certainly a very interesting place to be because they were having their terminal crisis as it were. So it was certainly intellectually stimulating.”
He stops and sips his coffee, looks out through the window of the South Queensferry café where we are sitting at the looming Forth rail bridge. For a moment Scotland’s industrial past and service sector present are invisibly united in the eyesight of one of the country’s most entertaining, politically engaged futurists.
(8) TODAY IN HISTORY.
- May 9, 2006 – Tobias Buckell became a freelancer.
…My wife, Emily, has joined me to help out with the freelancing. So the business has grown. We haven’t killed each other yet being home all the time.
I almost died just a few years into freelancing. Found out I had a heart defect. Spent years recovering and learning how to manage a whole new life.
Had twins. Still trying to figure out this dad thing. Very much a learn as you go.
I have published 9 novels in that 10 years, 2 under a pseudonym. There are two more written as of yet unsold as well. I’ve also done 4 collections, 5 novellas, and sold 36 short stories….
(9) COSPLAY ORIGINS. Jennifer Culp invites everyone to “Meet the Woman Who Invented Cosplay” in her article for Racked.
Myrtle Rebecca “Morojo” Douglas Smith Gray Nolan was a Gemini, born in June 1904. She was an atheist, an active member of the Los Angeles Science Fiction Society, and a proponent of the 19th-century constructed auxiliary language Esperanto, meant to foster communication and understanding between people of all cultures. (Obviously, she was a big nerd.)
Between the years of 1938 and 1958, she edited three separate long-running sci-fi fanzines (“editing” including all of the typing, mimeo, and physical work required to manufacture the zines, naturally) and wrote editorials for several major early sci-fi “pro”-mags in the early ‘40s. Basically she was the mid-20th century equivalent of a prolific, influential blogger. She married three times, had one son, and shared a decade-long romantic and creative relationship with fellow fan Forrest J Ackerman, with whose help she sparked off a phenomenon that would develop into costume-loving fan culture we know today. In the decades following her death, her memory has largely been resigned to footnotes designating her a mere “girlfriend,” and that’s a damn shame, because both with and without Ackerman Morojo was a badass….
Following her death in 1964 at the age of 60, Morojo found herself in an unenviable posthumous predicament: the most detailed and accessible record of her life and work exists in the form of eulogies written by two of her ex-boyfriends. (Hold up, just take a second here: can you freakin’ IMAGINE what a hell that could be???) Amazingly, her old flames Elmer Perdue and, of course, Forrie, seem to have done pretty damn right by her memory, publishing (of course!) a fanzine in her honor.
Ackerman comes across as — frankly — a self-absorbed ass in his brief essay “I Remember Morojo,” openly acknowledging his surprise at being asked to contribute. He had barely spoken to the woman since he “got mad at her about half my life ago,” as he puts it. But in spite of the teeth-grindingly irritating paragraph he spends speculating about her position in his own imaginary hierarchy of female sci-fi fandom and the insulting description of 17 years of dedicated work on Guteto as “her own little” zine, Forrie gives Morojo what he surely perceived as the ultimate in (awkward nerd) respect, meticulously listing all of the fannish achievements he could recall to ascribe to her. It is through Ackerman’s remembrance that we know that Morojo was responsible for the world’s first fan costumes, which he specifically notes that she “designed and executed.”
You can download a scanned copy of Ackerman’s I Remember Morojo at eFanzines. Here’s FJA’s quote about her leading role in early costuming —
“She designed & executed my famous ‘futuristicostume’ – and her own – worn at the First World Science-Fiction Convention, the Nycon of 1939. In 1940 at the first Chicon she and I put on a skit based on some dialog from THINGS TO COME, and won some kind of prize. In 1941 at the Denvention she wore a Merrittesque AKKA-mask (frog face) devised by the then young & as yet unknown master filmonster model maker & animator, Ray Harryhausen. In 1949 at the Pacficon in LA, I understand she created a sensation as A. Merritt’s Snake Mother…”
Although Ackerman surpassed all others at drawing fannish attention to himself, as you can see he gave the credit in this case to Morojo. Nor was he the one who gave himself the title the inventor of cosplay. That was masquerade fans of an earlier era who named Ackerman the father of costuming, a move that may have been designed to catch some of his reflected glory for costumers, who at times have felt pushed to the margins by conrunners and fanzine fans. Just the same, Morojo – the actual creator of the costumes – was never treated as the primary historical figure before now.
(10) BRITISH MILIARY SF. SFFWorld has an “Interview with Tim C. Taylor author of The Human Legion series”.
The first book in the series, Marine Cadet has been released as part of the Empire at War collection. How has it been to join forces with fellow British authors and promote British military SF like this?
It’s been wonderful to meet a few fellow military SF authors in the flesh at the recent British convention called Eastercon, because writing can at times be a lonely profession. To begin with, I had a lot of doubts. Can really do this? I had the idea of putting together a box set of military SF books, and hit upon British military SF as a theme, but I was treading new ground. American readers might find this strange, but to the best of my knowledge there has never been such a thing as a ‘British military SF scene’. I mean, the Warhammer 40K novels have been enormously successful, and one of the most successful of all British science fiction authors of recent years is Karen Traviss with her four Halo military SF novels that were all New York Times bestsellers. So it’s not a new thing for British authors to write military SF, but Warhammer 40K and its Black Library publishing arm seems to sit in a splendid and psychotic isolation, and Karen Traviss seems to be largely ignored by much of British fandom, as if writing the tie-in novels where she has seen greatest success so far means that she is not a ‘proper’ writer.
To be honest, I haven’t previously placed a lot of interest in where an author was based, but when I looked at the bios of the new wave of military SF authors I had read in recent years, I was astonished to find how many were British.
So when I started inviting authors (and an artist for the cover and interior illustrations) and saying, “Let’s do something together and call it British military SF”, I don’t think anyone had ever used that term before. Now that I’m more attuned to where people are based, I realize there are many more British authors I could have invited.
By the way, I want to point out that although I kicked off ‘The Empire at War’ project, it was far from just myself doing the work, and it is a good feeling to create something as a group that we can all be proud of.
(11) DAMN RIGHT. Here’s the wisdom Sigrid Ellis serves between two slices of Hamilton and Burr:
…I so often feel this way about Wiscon. It feel like the big things, the stuff everyone talks about later, are always taking place somewhere I am not. In some other panel, some other party, some other room. Never the room I am in.
But I gave this some serious thought and realized that I’ve actually been IN “the room” while “it” is happening at some points in the past. At Wiscon, or other events. I’ve been there. I’ve been, from time to time, the insider. It just never felt that way at the time.
And that made me think how utterly stupid I am being. I mean, way to proactively ruin a great convention, being upset about whether or not the “important” things are happening where I can see them. It’s my convention experience, dammit! I can and will enjoy it for my friends, the conversations I have, the sleep I’ll get, the people I’ll meet, the dinners I’ll have! …
(12) THE AUTOBIOGRAPHICAL CAT. Ursula K. Le Guin continues “Annals of Pard: My Life So Far, by Pard, Part II” at Book View Café.
I cried very loudly in the roaring moving room-thing on the way here, because I thought the awfulness and strangeness was all happening over again forever. I still always think that when they put me in box that smells of fear and the roaring moving room-thing. But except for that I have hardly cried at all since coming here.
The aunty human went away and left me with the old queen and an old tom. I was distrustful of him at first, but my fears were groundless. When he sits down he has an excellent thing, a lap. Other humans have them, but his is mine. It is full of quietness and fondness. The old queen sometimes pats hers and says prrt? and I know perfectly well what she means; but I only use one lap, his. What I like to use about her is the place behind her knees on the bed, and the top of her head, which having a kind of fur reminds me a little of my Mother, so sometimes I get on the pillow with it and knead it. This works best when she is asleep.
(13) FREE COMICS. James Bacon tells about spending Free Comic Book Day with the creators signing at Forbidden Planet, in “Fiends of the Eastern Front: Fodder by Hannah Berry and Dani at FCBD in Orbital”.
It is rare that so many cool things could align so nicely.
A free copy of 2000 AD is pretty much a boon, but finding that it contains a ‘Fiends of the Eastern Front’ story was really rather exciting. Entitled ‘Fodder’ the artwork is by Dani and is really quite lovely, but apart from it being on the paper pages, the originals are concurrently on display as part of Orbital comics Danistrips ‘Stay Cool’ exhibition on now until the 31st of May.
This allows fans to get a closer look at the original work, which is always a pleasure to behold.
Added to this, Dani the artist, and the writer, Hannah Berry were doing a signing with Peter Milligan, Matt Smith, Clint Langley and Alec Worley in the same location, to celebrate Free Comic Book Day.
(14) CENSUS OF SF REVIEWERS. Strange Horizons has posted “The 2015 SF Count”.
Welcome to the sixth Strange Horizons “SF count” of representation in SF reviewing. The goal of the count is straightforward: for the last calendar year, for a range of SF review venues, to calculate the gender and race balance of books reviewed, and of reviewers….
A number of limitations should be taken into account when interpreting these data. For gender, the limitations include limited accounting for pseudonyms and, more generally, a reliance on public presentation of gender. The count divides individuals into “men” or “women and non-binary.” However, reliable information about gender identity for the vast majority of people counted is not accessible through our methodology, which means it is probable that some individuals have been misrepresented. We will continue to review our methodology each year, and welcome suggestions. (For instance, we are considering changing our terminology to “women and genderqueer,” based on feedback from genderqueer individuals and the inclusion of that term in the Merriam-Webster dictionary this year.)
For race, our categories were “white” and “person of color.” These are crude, and such a binary division is arguably only valid here (as opposed to more specific categorisation) because the total number of POC is so low. Since race is difficult to determine reliably using only names and Google, it is probable that here, too, some authors, editors, or reviewers have been incorrectly allocated. We nevertheless believe that the count is worth publishing because the number of incorrect allocations is likely to be small compared to the overall number of individuals counted….
(15) GRRM IN GE. This month’s Galaxy’s Edge features short fiction by, and an interview with, George R.R. Martin.
(16) JOE ABERCROMBIE. A week before he placed two novels as finalists in the Locus Awards, Joe Abercrombie participated in a Reddit Ask Me Anything session.
Hi Joe, can you tell us about your day to day writing process? How much do you outline scenes and how many words do you tend to write a day? Are there any tricks that help you get into it? – Actevious
It depends a lot what stage of the process you’re at, so the workflow is very different depending on whether you’re planning something, drafting something, or revising and editing. There’s always a fair bit of work to do that’s not actually writing – emails, interviews, dealing with the business side. When I’m drafting new stuff I try to make sure I actually write, uninterrupted, for 3 hours each day. That doesn’t sound like much but you can cover a lot of ground if you’re focused. 1,200 words in a day I consider acceptable. 2,000 would be good. 3 or 4,000 would be a great day. But then when you’re revising you might measure progress by how many words you cut. If there’s a trick I’m aware of, it’s just to make sure you put in the time even when you’re not feeling inspired. Sometimes you feel like you’re writing real junk, but just get it down, when you come back maybe you cut a lot of it, but there’ll still be stuff that’s worthwhile in there.
A theme I notice you write quite a lot about is war, vengence and the endless circle of misery and horror they create. How did you come to write about this? – TheOtherWhitman
Well war is certainly a fundamental of epic fantasy – Lord of the Rings is all about a war, likewise the Belgariad, Dragonlance, Wheel of Time, etc., etc. I guess I felt the fantasy I read as a kid had come to show the shiny and heroic side of warfare a bit too much, and the dark actions and dark characters were somewhat overlooked. Not a lot of trauma or PTSD. I wanted to look at the other side of it.
(17) GLADIATOR JOINS MUMMY. CinemaBlend reports Russell Crowe has joined the cast of The Mummy.
It seems like everyday a new reboot or long awaited sequel gets announced. We’ve seen streaming services like Netflix bring back previously cancelled series, and even movies like Independence Day get their sequel after 20 years. One of the most recent of these sequels is the upcoming Mummy reboot, starring Tom Cruise. Now it appears that the film has booked another huge star for its already impressive cast. Collider recently sat down with actor Russell Crowe, where they asked him to confirm or deny the rumors of his involvement in the sequel. He had to say the following:
Yeah, I’m gonna do it. I’m gonna play Dr. Henry Jekyll, Fellow of the Royal Society. It’s very interesting, what they’re gonna do with that stuff. I’ve had a couple of chats about it with the director (Alex Kurtzman).
There you go, ladies and gents. Russell Crowe will officially be freaking us all out in The Mummy.
(18) KIP THORNE IN SOCAL. The OC Breeze announced “Astrophysicist Kip Thorne to give free talk on intersection of arts and science” at Chapman College on May 12.
Noted astrophysicist Kip Thorne, Ph.D. knows a lot about the weird phenomena of time and space: black holes, wormholes, time travel and more. As one of the world’s leading experts on Einstein’s Theory of Relativity, Dr. Thorne has collaborated with many of the top names in science, including Stephen Hawking, and served as science advisor and executive producer on the recent blockbuster movie “Interstellar.” His multi-faceted interests in art, science and the universe know no bounds – and it is precisely this intersection of big ideas that Dr. Thorne will discuss in a free talk at Chapman University on Thursday, May 12, 7:30 p.m. in Musco Center for the Arts.
Admission is free and open to the public, but a ticket is required for entry and can be obtained online at www.muscocenter.org or by calling 844-OC-MUSCO (844-626-8726).
(19) CHEAP SEATS. They aren’t that cheap. Neil Gaiman and Audrey Niffenegger will join forces at a London event on May 31. Break your piggy bank.
Author Neil Gaiman will do a rare public event in London to celebrate his new non-fiction collection, “The View from the Cheap Seats” (Headline), together with Audrey Niffenegger, author of The Time Traveler’s Wife (Vintage).
The event, run in association with Headline Publishing Group, Penguin Random House, Waterstones and video streaming agency Streaming Tank, will take place at The Union Chapel, Islington, on Tuesday, 31st May. The two US-based writers will discuss Gaiman’s latest work, with “a couple of surprises” also in store, according to publishers.
Tickets are £20 each, and include a free signed copy of The View from the Cheap Seats for every ticket-holder. The books will be distributed on the night by Waterstones, which will have a pop-up bookshop in place on the evening.
The event will be live-streamed across the globe by Streaming Tank, via YouTube, Facebook and Twitter, so anyone unable to attend can also enjoy the “one-off” event.
Gaiman and Niffenegger will be answering audience questions, both from within the chapel and viewers at home or in bookshops tuning in. Questions can be submitted via Twitter ahead of the event too using the hashtag #CheapSeats.
[Thanks to robinareid, Xtifr, Andrew Porter, Will R., James David Nicoll, JJ, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
@Simon Bisson: I’m still mourning Chris Squire.
Tingling and tingling in the Hugo packet
The buck who cannot hear the buckaroos;
Slates tore apart; the Cabal could not hold;
Mere trollery was loosed on the Worldcon,
The fanosphere was loosed, and everywhere
Hypocrisy and cliquishness were found;
The SMOFs lacked all conviction, and the worst
Were full of disingenuosity.
Surely nullification is at hand;
Surely another Shunning is at hand.
Another Shunning! Hardly are those words out
When some free read on Kindle Unlimited
Tries to hook your short attention span:
A shape with raptor body and the abs of a man,
Or something else completely overdone,
Is pounding its own butt, while all about it
Facepalm the despondent SF fans.
The Ustream plays again but now I know
That our coming Fannish generation
Is vexed to nightmare by a rocket trophy,
And which hard bud, his retweets rising fast,
Campaigns towards Helsinki for an award?
On Ghost in the Shell casting. Much better on the history of Japanese anime/cyberpunk than most stuff you see.
Brian Z, nice pastiche. Well done. (I disagree with your conclusions, however; I’m not that pessimistic.)
@Nicole J. LeBoeuf-Little
*laugh* Yeah, I’m glad you saw that.
@PhilRM Same here. I understand the shows open with a tribute to him.
@9: …costumers, who at times have felt pushed to the margins by conrunners and fanzine fans. When was that? As a conrunner, I remember 30 years ago, when some costumers were talking about being the central event of the Worldcon and boycotting if they didn’t get a list of concessions. I won’t argue what fanzine fans thought of costumers as I’ve never been part of that circle, but I wonder whether costumers were hearing the occasional idiot rather than the calmer typical opinion.
::pre-double fifth inna godstalk stylee::
From Eness’ Smashwords bio:
While I’m glad to see he’s overcome “deep evil”, I’d hate to see what he was up to that was worse than SSaRR.
There were LoLs.
@Simon Bisson: one of my regrets in life is having missed the original Drama tour. I was living in Tucson at the time, for graduate school; my friend Marc and I drove the two hours to Phoenix only to discover that the show had been cancelled (presumably due to poor ticket sales). My brother saw them in Boston near the start of the tour and said it was epic.
Re: the libel, epistemic closure
I wish I could say that those bubbles, and the cry of “if they only knew more!” and “it’s a conspiracy” were merely creatures of the alt-right. Just try to mention in progressive circles that math says Clinton has won, and that it might be a good idea to start keeping Trump from becoming President as opposed to fighting the leftier-than-thou fight to the last person. You’ll hear about ignorance and conspiracies a-plenty.
Chip Hitchcock on May 10, 2016 at 9:04 am said:
And how tempted were you to take them up on it? 😀
Just because they think they’re the “central event” doesn’t make it true. Also, the fact that they were feeling disgruntled and threatening a boycott may suggest that they were feeling marginalized by the conrunners at that time, and were reacting by pointing out how popular they were among the broader fan base.
Earlier, in the forties and fifties, they may not have even had that much leverage.
And Worldcon isn’t the only con out there. Other cons (especially media cons) may have been even less enthusiastic about costuming. Especially after the famous peanut butter incident. And the various events that led to the “no costume is no costume” rule.
Well, online culture-warring is dreadfully time-consuming, after all.
Speaking of which, I did a quick tour of various Puppy-person blogs the other day, both Sad and Rabid. Their essays since Donald Trump became the GOP nominee-apparent are so focused on the US elections, it gives me some hope (possibly doomed, unrealistic, forlorn, and lacking feathers) that they’ll be more interested in that than in the Hugo Awards for the rest of the summer and we might have a quieter season in sf/f than we did last year.
James Davis Nicoll: I think it’s fairly obvious that women and POC are not the predominant source of book reviews. But I feel manipulated by this counting exercise.
The survey appears restricted to what, evidently, the surveyors regard as 18 critical institutions within the field. This is the internet, and there is Google. While researching a project of my own the other day I came up with a blogroll of 75 sf book review sites, and that’s just my first pass. A lot of sf book reviews are being published beyond these institutions. (In your case this hits close to home — you are among the field’s most prolific reviewers, and they left you off!) The survey is not an accurate count of what is happening in the field, regardless that it coincides with what we believe is the true state of affairs.
(10) Like Mark-kitteh, I can’t think of much specifically British mil-SF, and agree that the examples given contradict each other. Particularly as one is American! Offhand, I could only think of Naomi Novik’s “Temeraire” novels, which are British mil-Fantasy. Everything else is serial numbers filed off or steampunk.
(12) Still a delightful cat autobiography. It really has a sense of his personality, both as an individual and as another species.
Still in the feline vein: nice review, SFK!
Xtifr: if I’d been running the NASFIC they were directly threatening, I would have told them to boycott and be damned; they were trying to hold up the rest of the convention for expenditures it wasn’t sure it could afford. As for being marginalized earlier: were they kept out, or just not revered? Most of the costumers I’ve dealt with are willing to be part of the con just like everyone else; a few seem to think (as if they were Larry Correia) that they’re entitled to an audience — IMO a fan-run convention is a common space rather than an audience for any group of fans.
The peanut butter incident was at a fan-run SF convention; AFAIK the only unenthusiasm it produced was a rule against peanut butter. The only anti-costume policy I can point to is the one Boskone put in for a few years after two hotels declined its return business; they \had/ to present a more staid demeanor or risk being unable to find anywhere they could happen.
I don’t tar all costumers with the same brush used for the occasional idiot; I suggest you find facts before accepting a claim that costumes were generally marginalized.
So what if they weren’t actually marginalized? You’re making the common mistake of denying what people say they felt.
My observation was about why costumers pushed Forry Ackerman out in front as the forefather of their activity, even though it was Morojo who designed and made the first ones.
In addition to what Mike said…
@Chip Hitchcock wrote:
When did I say anything about generally marginalized? That was not even close to my claim.
You asked when they had ever felt marginalized. I offered some possible answers. There’s a difference between ever and always/generally.
And honestly, I don’t know for sure that any costumers have ever felt marginalized; I’ve never been very deep in that part of fandom (although I was a runner-up at the ’68 Worldcon masquerade—at age 9). I just don’t find it as implausible as you seem to. Though I would certainly disagree with a claim that they are generally marginalized. But I would also be very doubtful of any claim that they have never been marginalized.
Something, something, fallacy of the excluded middle… 🙂
@ Chip H.: It would have been close to 30 years ago now that I was having a discussion with a Big Name in Costuming at some con or other, and I said that filkers were the most under-respected group in fandom, and he said no, costumers were. Turns out we were thinking about different things. He was noticing that some cons were beginning to invite filk guests and have filk-related programming beyond just the open filk, whereas at that time no cons had ever had a costuming guest or panel. I was noticing that damn near every con no matter how dinky had a masquerade and it was considered a major part of the programming, while (again, at that time) there were a lot of cons where filkers were lucky to get the use of a programming room late at night for the open filk, and there were some where we had to either have someone volunteer their hotel room or sing in the hallway. So that could have been part of what was going on.
@Mike Glyer: Word (so to speak). I read way too many book reviews (and watch a few, thanks to T.M. Wagner’s SFF180), and none or almost none are at the places listed by SH.
The peanut butter incident was at a fan-run SF convention; AFAIK the only unenthusiasm it produced was a rule against peanut butter.
The Peanut Butter Incident happened at the 1972 Worldcon. Comic book artist Scott Shaw! dressed as his sewer monster character “The Turd,” in a costume consisting primarily of pantyhose and chunky peanut butter. Shortly before Shaw! was due on stage, his body temperature had warmed the peanut butter enough that it began to drip. Not only did he get peanut butter on the stage, but the costumers in line with him backstage had to beware of getting it on their costumes.
So they banned peanut butter. And other messy substances. The rule is currently known as the “peanut butter and jelly rule” (a few years later someone went on stage as a zombie, carrying a dummy “victim” decorated with strawberry jam guts). And the rule, with the nickname, is also found in the annotated Rotsler’s Rules for Masquerades. I haven’t seen any bias against costumers on this point.
BTW, Scott Shaw! has a youtube video in which he talks about The Turd. (He says the peanut butter did terrible things to the hotel plumbing. Mike Glyer denies that part of the story in File 770.)
@Dave Clark, thanks for the story. I didn’t remember it, and was too lazy to Google.
Reading rambling! 😀
@JJ back on page 1: I finished “The Builders” a little while ago in audiobook but was unimpressed. I’m unfamiliar with The Magnificent Seven (blush, yes, I’ve heard of it); maybe that would’ve helped. Anyway, I’ve heard good things about Polansky’s books and someone gave me Low Town quite a while ago, so I still plan to read it and check out his other work. But “The Builders,” while occasionally good and occasionally amusing, mostly was a little tedious and annoying. And I hate one-sentence chapters (or however short those little bits were). Anyway, IIRC it got plenty of hype, but for me, it didn’t live up to the hype.
I read Beasts of Tabat quite a while back. I was very excited to get it, as it sounded very weird and interesting and potentially up my alley! But it wasn’t as good as I’d hoped – some interesting things, flashes of “this could be great,” but overall it just didn’t excite me, once I really got into it. Still, I’ll probably give the second one a shot.
But the cliffhanger? Oh, you piker! 😉 For a frustrating-as-hell cliffhanger, try Lynn Flewelling’s The Bone Doll’s Twin, or for a super-literal cliffhanger that made me want to throw the book across the room, Peter F. Hamilton’s Pandora’s Star. Gak. No cliffhanger can ever tick me off as much as those two. Flewelling’s book was good and I got the sequel, but Hamilton’s wasn’t good enough to survive the ending; I never got the sequel, and I regret wasting time on that doorstopper.
I just finished listening to “Domnall and the Borrowed Child” by Sylvia Spruck Wrigley, which I’m was very good but not quite great, and I just started listening to the first “Genrenauts” story (which I believe is the last in the Tor.com Season One audio collection).
@Mark (Kitteh): I’ve heard good things about “The Jewel and her Lapidary.” Dead Letters sounds bizarrely fun, from what you wrote; I’m opening it in a new tab to check it out. 😉 Thanks for your comments/reviews, too.
Whoops, I thought just a split-second too late, “This thread’s quieted down a bit, so I should check the box.”
Oh, hey, Kendall, thanks for offering your thoughts on The Builders and Beasts of Tabat. I was kind of wondering whether I was, unbeknownst to me, in a really crabby mood, and it was me rather than those works. So it’s nice to get a bit of validation on that.
The Magnificent Seven, in a greatly-simplified and abbreviated nutshell, is: Old Gang, having gone their separate ways years ago after being battered by battle with horrible nemesis, gets back together for one last epic showdown with The Bad Guys. Chaos and slaughter ensue.
The worst part of it is that I then picked up A Crown for Cold Silver by Alex Marshall, and damned if it isn’t the very same plot! I managed 110 pages of that 650-page doorstop, waiting and waiting and waiting for it to grab me, and it just didn’t (I’m sure that the “cast of hundreds” did not help with that). So I ticked it off as “Read, verdict: Meh”, and returned it to the library.
I just started James Gunn’s Transcendental (to be followed by the sequel, Transgalactic), and already it’s far more interesting and engaging. It’s And Then There Were None on an Interstellar Voyage. I do love me some SF mystery.
The bit of The Builders that’s a really explicit nod to The Magnificent Seven is the opening where each team member is recruited in turn with a vignette showing how kickass they are.
The main issue I had with The Builders was that it spent so much time on the opening sequences, plus the extended conclusion, that it was really missing the middle. (Plus that thing with the really short chapters!) I liked it enough to pick up a couple of his novels though.
I was under-impressed with The Builders as well. I got to the end of it and had a “that’s it?” moment.
@James Davis Nicoll
Go you! I read most of your reviews, not much from those other sites…
Damn, did not get amy frustrating cliffhanger at all. Just a normal first book of the N-ology for me…
Costuming… interesting. Though I wonder how much connection to the “modern” scene; strikes me somewhat as one of those “ideas whose time has come”. But certainly that it was a woman as the first costumer fits my experience in other contexts, and I marvel at those who seem to have wanted to have a “man” validify their experience.
@JJ: LOL re. A Crown for Cold Silver, good point. I’m kinda paused on that right now, but I like it a lot better (though it’s far from perfect) than The Builders. The latter bummed me out a little extra, I realized, because I have a soft spot for furries (though I’m not a furry fan in particuar), so I expected it to grab me more. Oh well.
Thanks for reminding me about Transcendental. I’d bookmarked it a while back but don’t remember anything about it. Your one-line take on it makes it sounds good. 🙂
@dan665: “I got to the end of it and had a ‘that’s it?’ moment.” – Good summary of my feelings at the end, too.
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