(1) PUBLISHER CUTS TIES WITH MYKE COLE. Angry Robot, which published their first Myke Cole book, Sixteenth Watch, in March, says they won’t be bringing out any more.

We are aware of the allegations of abusive behaviour made against Myke Cole. We take all such allegations extremely seriously. Angry Robot Books will not be publishing any further titles by Myke. Thank you to everyone who has addressed their concerns about this matter to us.

— Angry Robot (@angryrobotbooks) June 25, 2020

Cole previously had a trilogy published by Tor, and another series by Ace.

Cole also has been dropped by his agent.

I will ensure that my actions and those of my agency (today and going forward) foster an environment that promotes safety and inclusion for all within the SF/F community, and the publishing industry at large.

–Joshua Bilmes, President (2/2)

— Jabberwocky Literary (@awfulagent) June 25, 2020

Vault Comics canceled Hundred Wolves, where Myke Cole was the writer. The series was set to begin in September.

Vault Comics will no longer be publishing Hundred Wolves from writer Myke Cole.

— Vault Comics (@thevaultcomics) June 25, 2020

Cole apologized for his behavior, and reiterated an apology from 2018 — and then said he was “exiting…the public square…for the foreseeable future.”

(2) THE ROOM WHERE IT SHOULDN’T HAPPEN. Foz Meadows suggests ways to understand and navigate the sff social scene. Thread is compiled at Threadreader.

Foz kicks off with this tweet –

So hey: for any straight dudes in SFF right now who are genuinely wondering why making sexually loaded jokes or comments is counted as a form harassment, I'm gonna do you a 101 explain.

— Foz Meadows (@fozmeadows) June 25, 2020

— but spends more time on issues like these:

Especially from people who are established or successful in the industry, what they're doing is saying, "Unless you'll accept me behaving grossly, sexually about and around people who make my dick hard – including you, maybe! – you don't get to network the same as everyone else."

— Foz Meadows (@fozmeadows) June 25, 2020

(3) THE PROMISE OF ANGER IS AN ILLUSION. Alexandra Erin also discusses ethical ideas that may be helpful in deciding how to handle social situations: “More In Sorrow Than In Anger”. Tagline: “On what we choose to do when all our sins are remembered.”

This is not the piece I had planned on writing this week. While I cannot ignore national politics or world events, the professional community of which I am a part – that of the science fiction and fantasy literary profession – has been imbroiled with a wave of revelations of misconduct by some of the big fish in our small ponds of convention circuits, mentor programs, and what passes for royalty and nobility in our petty fiefdoms.

… At some points in our lives, all of us will find ourselves in a situation where the next thing we do will either make others very sad or very angry.

Sometimes this will be entirely outside your control. Sometimes you are placed in a situation through no fault of your own where nothing you do will make others happy, and in fact anything you do will likely leave them unhappy.

This is not about those times.

This is about the times when you do something, or are party to something, or fail to prevent something that is hurtful and harmful to others. Maybe you didn’t see it that way. Maybe you didn’t intend to do anything wrong.

But it’s true nonetheless that you’ve caused damage and now the question is what to do about it. What to say about it. Where to go next.

(4) WORD PICTURE. Catherynne M. Valente offered a way of looking at recent developments.

#SFF writers are workers without a workplace. An office without a building.

So what’s happening right now is basically that the SFF world is using Twitter as an HR department.

And we’re all being asked to man the desk without training.

— Catherynne M. Valente (@catvalente) June 26, 2020

(5) ROUNDUP. At Multiversity Comics Christopher Chiu-Tabet has assembled “A Timeline of Recent Allegations in the Comic Book Industry”.

Since June 15, 2020, when artist/writer Cameron Stewart was widely accused of abusing his clout to prey on aspiring teenage comic book creators, the industry has continued to be rocked by allegations of other prominent figures sexually harassing, assaulting, or coercing their colleagues. Other creators have also begun to speak out about general sexism in the industry.

This list of recent allegations will continue to be updated….

(6) KEENE’S COMMENTS. In last night’s episode of The Horror Show With Brian Keene, he said the show’s team was aware of 10 cases of allegations involving everything from sexual coercion to sexual assault that have been made “against ten different individuals in the comic book, horror, science fiction, book-selling, convention organizer, and cosplay sectors of our industry — all of which had publicly come to light in the last 7 days.”

When Keene followed up the podcast today with a public Patreon post, “Behind Closed Doors”, he said the number is up to 17.

…When we started out, we were lifted up by those who came before us. Now, we spend a good part of each day lifting up those who are following our trail. But while we may be able to speak with some authority on the quality of that person’s writing or art or directorial abilities, and while we may speak to them via email or phone or social media — at the end of the day, we don’t always know what’s going on behind closed doors.

…Ignorance is not an excuse. But I do believe that we as creators, in the process of lifting up others and celebrating others, must always remember that we don’t know what goes on behind closed doors. And if those doors are opened and we see what goes on, and it is harmful to individuals or to our greater community, then we have a duty to speak out about it and our association with that person going forward, as I did with Chandler.

I believe we can separate the art from the artist. I also believe we can separate the artist from their associations. I believe that once their associations come to light, we should take a moment — just a moment — and look at it with some nuance. If the artist was associated with something like Stormfront, and was secretly posting hate-screeds, okay, yeah, fuck that person right in the ear. But there’s a big difference between that and Tweeting, “Hey, check out this other author’s book.”

We as creators have a responsibility when it comes to our platforms and our reach. If we’ve lifted up an artist who is later alleged to have done something harmful to individuals in our community, or to the community itself, I think it is our absolute duty to speak on that candidly and honestly and urgently. And that can be difficult. I think the most heartbreaking thing about Kelly Sue DeConnick’s two videos regarding the Warren Ellis allegations is not what she says — but what she doesn’t say. The hurt and bewilderment that is there in her expression. The pain left unvoiced. I can only imagine how hard it was for her to speak out like that, but she was right to do so. To not address it, after years of Ellis lifting her up to his audience and she (in all fairness) lifting him up to her audience, would have been a disservice to the larger community.

In my opinion, she did the right thing….

(7) MWA ACTION. The Mystery Writers of America have issued a statement about the suspension of an unnamed member: “A Message from the MWA National Board of Directors”.

Due to allegations made against one of our members, on Wednesday evening, June 24, 2020, the Board of Directors of Mystery Writers of America (MWA) voted to suspend the membership of the accused member, pending the outcome of our investigation. Mystery Writers of America takes the safety of our members at industry events, whether sponsored by MWA or not, very seriously and will continue to work towards a goal of making every event safe for everyone who attends. We are currently working with our legal advisors on developing a more comprehensive code of conduct, which will be completed and made public shortly.

(8) INTERNATIONAL THRILLER WRITERS BOARD EXODUS. Hillel Italie, in an Associated Press story entitled “Board members resign from thriller writers association after harassment, racial criticisms” says that eight of the 10 board members of the International Thriller Writers Association resigned amid criticisms of the organization’s response to Black Lives Matter and some sexual harassment charges. (The resigning board members statement is on Facebook here.)

 Eight of 10 board members and the executive director have resigned from International Thriller Writers, a professional association which has faced widespread criticism for its responses to the Black Lives Matters protests and an author’s allegations she was harassed during a writers conference. 

Criticism of the ITW emerged last week when novelist Laurie Chandlar announced on Twitter that she had stepped down from her position as Debut Author Chair. 

“I and another female author brought serious concerns to the ITW board regarding a male author’s behavior at an industry event. They were summarily and callously dismissed,” Chandlar wrote. “For years I’ve heard of women being harassed, groped, and cornered at industry events. And even with serious complaints involving a police report, it seems some leaders have preferred over the years to just sweep it all under the rug.”

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

• Born June 26, 1905 – Lynd Ward.  His striking Gods’ Man, a novel in woodcuts, has no words; an artist sells his soul for a magic paintbrush, which seemed a good idea, but ha ha; there’s a Dover edition; the title alludes to Plautus’ Bacchides Act IV sc. 2, “Whom the gods favor, dies young”.  LW did a fine illustrated edition of Frankenstein; won the Caldecott Medal; with wife May McNeer, other notable work, e.g. Prince Bantam about Yoshitsune and Benkei who although historical people are also the stuff of legend.  Here is another LW image.  (Died 1985) [JH]
• Born June 26, 1910 – Elsie Wollheim.  One of the original Futurians.  Wife and then widow of Donald A. Wollheim, co-founded DAW Books with him and succeeded him at his death.  Guest of Honor at WisCon 5, Lunacon 26, DeepSouthCon 33, L.A.con III the 54th Worldcon (some use Roman numerals, some don’t) chaired by Our Gracious Host.  (Died 1996) [JH]
• Born June 26, 1929 – Milton Glaser, 91.  Graphic designer.  Made the logograph for DC Comics; also I [heart] NY which, since I’ve lived there, I invite you to consider as possible fantasy, but I loved it, anyway.  Two dozen covers for us.  Here is A Canticle for Leibowitz.  Here is The Man Who Called Himself Poe.  Here is a Bob Dylan poster.  [JH]
• Born June 26, 1929 – Wally Weber, 91.  Of Seattle and Huntsville.  Co-edited Cry of the Nameless when it won the Hugo for Best Fanzine; chaired the 19th Worldcon; TAFF (Trans-Atlantic Fan Fund) delegate.  [JH]
• Born June 26, 1936 – Nancy Willard, Ph.D.  Wrote Things Invisible to See, four more; four shorter stories; poetry; two or three score other things of which we might claim many; Pish, Posh, said Hieronymous Bosch and The Sorcerer’s Apprentice illustrated by the Dillons; Newbery Medal for A Visit to William Blake’s Inn.  (Died 2017) [JH]
• Born June 26, 1987 – Zoraida Córdova, 33.  Eight novels, of which one is Star Wars and so is a shorter story (in From a Certain Point of View).  Having been reared in Queens she naturally writes about Brooklyn Brujas.  Co-hosts a podcast Deadline City.  [JH]

(10) MUPPETS NOW. The forthcoming Disney+ Muppets show starts July 31.

(11) WHAT’S THAT SMELL? Yes, today seems like the right day to discover this is happening.  “Grateful Dead Launches Deodorant Brand”. From NPR:

So the Grateful Dead are launching a deodorant brand, which is not particularly on-brand. It’s true – when you think of the Dead, you don’t right away think fresh scent. But the line is handmade, small-batch and vegan. The fragrances have names like skull and roses and sunshine, overtones of lavender and rose and blood orange and bergamot, respectively. All this meaning your armpits can now glow with the gold of sunshine.

Umm, doubtful.

(12) LOOK OUT FOR THAT JUGGERNAUT! Smithsonian Magazine tells readers how “You Can Help Teach the Curiosity Rover to Drive on Mars”.

You could help the Curiosity rover navigate Mars by flipping through photos of the red planet’s rocky landscape and labeling what you see.

NASA is asking volunteers to help sort through and label thousands of photographs taken by the rover. The labels, gathered through the AI4MARS program, will help the rover pick a path to reach its next scientific target. The labels will contribute to a machine learning project to help the rover’s path planners pick smooth routes, after years of sharp terrain wore down the rover’s treads, Elizabeth Howell reports for Space.

… Curiosity landed on the Red Planet in 2012. In theory, choosing clear, smooth paths could help extend Curiosity’s useful time on Mars. But by 2017, there was damage on the rover’s zigzagged treads, threatening their ability to carry its four-ton mass. That’s after only driving about 14 miles throughout its mission so far. According to a statement, it can take four to five hours for a team of rover planners to figure out where Curiosity should drive and how it should get there.

(13) HOLMES ON THE RANGE. The Verge’s Adi Robertson clearly has an opinion: “Arthur Conan Doyle’s estate sues Netflix for giving Sherlock Holmes too many feelings”.

The estate of Sir Arthur Conan Doyle has sued Netflix over its upcoming film Enola Holmes, arguing that the movie’s depiction of public domain character Sherlock Holmes having emotions and respecting women violates Doyle’s copyright.

Enola Holmes is based on a series of novels by Nancy Springer starring a newly created teenage sister of the famous detective. They feature many elements from Doyle’s Sherlock Holmes stories, and most of these elements aren’t covered by copyright, thanks to a series of court rulings in the early 2010s. Details from 10 stories, however, are still owned by Doyle’s estate. The estate argues that Springer’s books — and by extension Netflix’s adaptation — draw key elements from those stories. It’s suing not only Netflix, but Springer, her publisher Penguin Random House, and the film’s production company for unspecified financial damages.

(14) MARKET REPORT. Publishers Weekly has put out a call for “Feature: SF, Fantasy & Horror”

Issue: Sept. 7
Deadline: July 15

We’re interested in works of genre fiction (adult and YA crossover only) whose themes include race, gender, and building an equitable society; illness, pandemics, and the post-apocalypse; superheroes and supervillains outside of comics and graphic novels; and witchy dark fantasy. Pitches on other SFF trends are welcome, as is information on series openers/finales. New titles only, please; no reprints. Pub dates: Sept. 2020–Feb. 2021. 

Please send pitches to <[email protected]> by July 15 and put “Call for Info: SFF” in the subject line.

(15) FACEBOOK. BBC reports “Facebook to tag ‘harmful’ posts as boycott widens”

Facebook has said it will start to label potentially harmful posts that it leaves up because of their news value.

The more hands-on approach comes as the social media firm is under pressure to improve how it moderates the content on its platform, including posts by US President Donald Trump.

More than 90 advertisers have joined a boycott of the site.

Consumer goods giant Unilever on Friday added its name to the list, citing a “polarized election period” in the US.

The maker of Dove soap and Ben & Jerry’s ice cream said it would halt Twitter, Facebook and Instagram advertising in the US “at least” through 2020.

“Continuing to advertise on these platforms at this time would not add value to people and society,” it said. “We will revisit our current position if necessary.”

(16) SPLASH MOUNTAIN MAKEOVER. “Disney Parks’ Splash Mountain Ride to Remove ‘Song of the South’ References” – Variety has the story.

… The Walt Disney Co. on Thursday announced that its classic ride Splash Mountain would be “completely reimagined,” amid scrutiny over the ride’s roots in the racist 1946 film “Song of the South.”

The ride will be redesigned to draw from the 2009 film “The Princess and the Frog,” the first Disney animated movie to feature a Black princess. According to Disney, the redesign has been in the works for over a year, though no concrete timeline for its construction and relaunch has been announced. The new ride’s storyline will pick up after Princess Tiana and Louis’ final kiss in the film, and feature music from the movie as the pair prepare for a Mardi Gras performance….

(17) WINDING UP PRODUCTION. The Hollywood Reporter says “A.I. Robot Cast in Lead Role of $70M Sci-Fi Film”.

As the industry grapples with how to reopen for production safely, one movie is proceeding with a lead actress who is immune to COVID-19 — because she’s a robot named Erica.

Bondit Capital Media, which financed titles such as To the Bone and the Oscar nominated Loving Vincent, Belgium-based Happy Moon Productions and New York’s Ten Ten Global Media have committed to back b, a $70 million science fiction film which producers say will be the first to rely on an artificially intelligent actor.

Based on a story by visual effects supervisor Eric Pham, Tarek Zohdy, and Sam Khoze, who also produces through Life Entertainment, b follows a scientist who discovers dangers associated with a program he created to perfect human DNA and helps the artificially intelligent woman he designed (Erica) escape.

Japanese scientists Hiroshi Ishiguro and Kohei Ogawa, who created Erica in real life as part of their study of robotics, also taught her to act, applying the principles of method acting to artificial intelligence, according to Khoze….

(18) VIDEO OF THE DAY. In “Howard The Duck Pitch Meeting” on YouTube, Ryan George explains why Howard The Duck made no sense.

[Thanks to John Hertz, JJ, John King Tarpinian, Cat Eldridge, Daniel Dern, Chip Hitchcock, Mike Kennedy, Martin Morse Wooster, Michael Toman, Dan B., and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Kendall.]