Pixel Scroll 6/6/19 Scroll Me Some Pixels And File Hacks, I Don’t Care If I Never Get Back

(1) F&SF COVER. Gordon Van Gelder, publisher of The Magazine of Fantasy and Science Fiction, shares a preview of their July/Aug. 2019 cover. The cover art is by Mondolithic Studios.

(2) RANKING SPACE OPERA. The readers of Discover Sci-Fi voted these as “The Top 10 Space Opera books or series of all time”. Coming in first place —

1. Honor Harrington series by David Weber

And the number one, all time best space opera as selected by DiscoverSciFi readers is the Honor Harrington series! Otherwise known as The Honorverse, most of the more than 20 novels and anthology collections cover events between 4000 and 4022 AD. Much of the series’ political drama follows that of Europe’s political scene from the 1500’s to 2000’s.

(3) PRIDE MONTH. Tor.com invites readers to celebrate with free novellas: “Happy Pride Month! Download These 4 Free LGBTQ+ Sci-Fi/Fantasy Novellas Before June 8!”

Download In Our Own Worlds now, featuring:

  • The Lamb Will Slaughter The Lion by Margaret Killjoy
  • Passing Strange by Ellen Klages
  • A Taste of Honey by Kai Ashante Wilson
  • The Black Tides of Heaven by JY Yang

(4) SUPER JOB. LAist interview Mark Waid about “How To Become A Comic Book Writer In LA: From A Legendary Superman Writer”.


Waid attributes getting the chance to write comics to dumb luck. But there was also a lot of hard work. He started his career at Fantagraphics in Thousand Oaks, doing editing, layout, and other production on comic book fan magazine Amazing Heroes.

He also had the chance to write for the magazine, doing interviews that he described as puff pieces — but discovered that he was inadvertently networking, since he was now in touch with every editor and creator in comics.

When an editorial position opened up at DC Comics in 1987, he was known there for his work in those fan magazines.

“Was I interested in coming in for an interview? Well, yes. Jesus, yes,” Waid said.

(5) DRAINING THE SWAMP. At this DC they really did it — “‘Swamp Thing’ Canceled Less Than a Week After DC Universe Debut” in The Hollywood Reporter.

Just six days after its debut on DC Universe, Swamp Thing has been canceled.

Only one episode of the series has aired on DC Universe. The remainder of the show’s 10-episode run will play out on the streaming platform, but it won’t return after that. 

(6) IF YOU WILL. In “The Race to Venus”, Nature reviews the initiatives to explore Venus.

After decades of neglect, the world’s space agencies can no longer resist the pull of Earth’s evil twin.

…Venus is Earth’s double. Recent research has even suggested that it might have looked like Earth for three billion years, with vast oceans that could have been friendly to life. “That’s what sets my imagination

on fire,” says Darby Dyar, a planetary scientist at Mount Holyoke College in South Hadley, Massachusetts. “If that’s the case, there was plenty of time for evolution to kick into action.” That could mean that Venus was (somewhat surprisingly) the first habitable planet in the Solar System — a place where life was just as likely to arise as it was on Earth. That alone is a reason to return to the former ocean world.

(7) LEAVING MEATSPACE. [Item by Jonathan Cowie.] Nature this week reviews an SF novel in a substantive way – we perhaps get a full page SF novel a review once a year or twice if we are lucky.  Up this time is Neil Stephenson’s new novel Fall. “A digital god: Neal Stephenson rides again”

Neal Stephenson likes to blow things up. In Seveneves (2015), for instance, the prolific science-fiction writer detonated the Moon, then played out how humanity tried to save itself from extinction. In his new tome, Fall, the metaphorical explosion kills just one man.  But this is an individual sitting on a few billion dollars, and longing to escape the shackles of mortality. The aftermath of the blast is thus just as powerful, and changes the fate of humanity just as profoundly.

(8) NASA COLLECTIBLES. [Item by Daniel Dern.] This Orion appears to be a spacecraft, rather than the boom-boom drive discussed in a recent scroll; submitted here for the souvenir-turtles (1) aspect: “Orion Collectibles”.

(1) If you don’t recognize the Heinlein reference, you won’t be gathering moss. Or syng pngf, aka Zamboni’d credentials.

(9) BEGIN AGAIN. The American Scholar’s George Musser weighs in on the future of the space program: “Our Fate Is in the Stars”.

…In space, no one can hear your echo chamber. Those who worked on Apollo were not immune to human foibles, such as being a little too fond of their own reasoning, but the mission came first. Fishman recalls disputes over the mission plan. Engineers in Huntsville wanted to fly directly from Earth orbit to the lunar surface. Engineers in Houston wanted to use lunar orbit as a way station. The meetings got heated. NASA commissioned two studies, with the twist that each team had to flesh out the other’s plan. Making the engineers step into each other’s shoes unstuck the debate, and Huntsville came around to Houston’s approach. That one decision ended up saving billions of dollars.

But as much as the Apollo program inspires, it also taunts. The unity of purpose, the technological virtuosity, and the exploratory achievements seem beyond us today—not just in space, but in every domain. I almost wish we didn’t remember Apollo, because the remembrances fill a void. The space program still does amazing things, but nothing like Apollo. The world has made itself a safer and healthier place, but some problems demand direction from the top, and we don’t get much of that.


[Compiled by Cat Eldridge.]

  • Born June 6, 1853 Charles Howard Hinton. British mathematician and writer of SF works titled Scientific Romances. He’s largely known now for coining the word “tesseract” which would get used by writers as diverse as Charles  Leadbeater, H.P. Lovecraft, Robert Heinlein and  Madeleine L’Engle. He and his, errr, unique family would in turn figure into the fiction of Alan Moore, Carlos Atanes, Aleister Crowley, John Dewy and Jorge Luis Borges. (Died 1907.)
  • Born June 6, 1915 Tom Godwin. He published three novels and twenty-seven short stories in total. SFWA selected his story, “The Cold Equations”, as one of the best SF short stories published before 1965, and it is therefore included in The Science Fiction Hall of Fame, Volume One, 1929–1964. (Died 1980.)
  • Born June 6, 1947 Robert Englund, 72. I think his best performance was as Blackie on the very short-lived Nightmare Cafe. Of course, most will remember him playing Freddy Krueger in the Nightmare on Elm Street franchise. He actually appeared in a couple of now forgotten horror films, Dead & Buried  and Galaxy of Terror, before landing that role. And he’s continued to do myriad horror films down to the years ranging from CHUD to Strippers vs Werewolves. Versatile man, our Robert.  
  • Born June 6, 1951 Geraldine McCaughrean, 68. Fifteen years ago, she wrote Peter Pan in Scarlet, the official sequel to Peter Pan commissioned by Great Ormond Street Hospital, the holder of Peter Pan’s copyright which J.M. Barrie granted them. So has anyone here read it? 
  • Born June 6, 1959 Amanda Pays, 60. I first encountered her as Thero Jones on Max Headroom, a series I think could be considered the best SF series ever made. She also had a guest role as Phoebe Green in the episode “Fire” of The X-Files, and and as Christina “Tina” McGee in The Flash. She appeared as Dawn in the Spacejacked film. 
  • Born June 6, 1961 Lisabeth Shatner, 58. Uncredited as child along with her sister Melanie in “Miri” episode. Also appeared uncredited on TekWar entitled “Betrayal” which she wrote. The latter also guest-starred her sister, and was directed by their father.  Co-wrote with father, Captain’s Log: William Shatner’s Personal Account of the Making of Star Trek V the Final Frontier.
  • Born June 6, 1963 Jason Isaacs, 56. Captain Gabriel Lorca, the commanding officer of the USS Discovery in the first season of Discovery and also provided the voice of The Inquisitor, Sentinel, in Star Wars Rebels, and Admiral Zhao in Avatar: The Last Airbender. Oh, and the role of playing Lucius Malfoy in the Harry Potter film franchise.
  • Born June 6, 1964 Jay Lake. Another one who died far too young. If you read nothing else by him, read his brilliant Mainspring Universe series. Though his Green Universe is also entertaining and I see Wiki claims an entire Sunspin Universe series is forthcoming from him. Anyone know about these novels? (Died 2014.)


  • Love of books features in Grant Snider’s Incidental Comics:

(12) WW84. On Twitter, Patty Jenkins posted a photo of Gal Gadot’s snappy new costume for Wonder Woman 1984.

(13) GO WITH THE FLOW. Tor.com shows Sparth’s cover for the third book in the series — ”Revealing John Scalzi’s The Last Emperox. (Coming in April 2020.)

The collapse of The Flow, the interstellar pathway between the planets of the Interdependency, has accelerated. Entire star systems—and billions of people—are becoming cut off from the rest of human civilization. This collapse was foretold through scientific prediction… and yet, even as the evidence is obvious and insurmountable, many still try to rationalize, delay and profit from, these final days of one of the greatest empires humanity has ever known.

(14) CAT TUBE. Science Direct has an article on “The use of animal-borne cameras to video-track the behaviour of domestic cats”.

…Free roaming domestic animals can have a profound effect on wildlife. To better understand and mitigate any impact, it is important to understand the behaviour patterns of the domestic animals, and how other variables might influence their behaviour. Direct observation is not always feasible and bears the potential risk of observer effects. The use of animal-borne small video-cameras provides the opportunity to study behaviour from the animal’s point of view….

A nontechnical article about the study in the Washington Post makes it sound like their effect isn’t as profound as advertised: “Catcam videos reveal cats don’t sleep all day. (Just some of it.)”

Indoors, Huck said, most cats’ No. 1 activity would almost certainly be sleeping. But these cats’ lives were recorded when they were outdoors, and they had a higher priority: Their top activity was “resting” — not sleeping, but not exactly up and at ’em. Another preferred pastime was “exploring,” which Huck said amounts to “sniffing at plants or things.”

Although “cats are famous for being lazy,” Huck said, even their alfresco resting was active, if subtly so. The cat’s-eye-view videos revealed many instances of felines sitting for some time in one spot, but “constantly scanning the area,” as evidenced by faint shifts in the camera angle — left to right, up and down.

“They are really very patiently watching the environment, not wasting energy,” Huck said.

(15) THE SOON TO BE LATE AUTHOR. You’ll need to hurry. In LA, it’s opening weekend for “The Assassination of Edgar Allan Poe” at the Downtown Repertory Theater. Tickets for Poe on June 7th, 7:30pm are $25 (discount)

(16) RETRO REVIEWS. Steve J. Wright has completed his Retro Hugo Novelette finalist reviews.


(17) DRACULA’S BALLS. You didn’t know he lost them? Well, strictly speaking, “Dracula the Impaler’s 15th century cannonballs unearthed in Bulgaria”SYFY Wire’s has the story.

According to a report in Archaeology in Bulgaria, the balls were “most likely” used by Count Vlad in the winter of 1461-1462 during his “siege and conquest” of the Zishtova Fortress being held by the Ottoman Turks. The balls were used for culverins, an early, primitive form of the cannon.  

[Thanks to JJ, Chip Hitchcock, Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, Cat Eldridge, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Carl Slaughter, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Jack Lint.]

65 thoughts on “Pixel Scroll 6/6/19 Scroll Me Some Pixels And File Hacks, I Don’t Care If I Never Get Back

  1. Cora Buhlert, I smiled a little when you mentioned Bogart and Bacall in one paragraph and Leigh Brackett in the next. She was a Guest of Honor at a Denver con I was at in the 70s—she announced to the con that she had been hired to write the sequel to STAR WARS—and there was a special screening of a movie she had co-scripted (along with William Faulkner and Jules Furthman), THE BIG SLEEP.

    She told us that some of the scenes had been made up in front of the camera, like the short skit of the two of them gaslighting the police on the phone, and that Faulkner had gotten the okay to work at the studio a short while and go home. The studio people who agreed to it were a bit surprised to learn that he literally meant home, as in Oxford, Mississippi, rather than some place he was staying in LA. He apparently continued to contribute, but at a distance.

    (I tried to get into Faulkner. Read a novel of his and hated it. Many years later—relatively recently—I picked up a Portable edition of Faulkner and stuck with it until it got to the piece with a sentence that went on for four pages, and I haven’t picked it back up yet.)

  2. Lee Whitehouse notes As another related side note, I did get the UK signed edition of the Good Omens script book from Waterstones, and that transaction went well (aside from the book appearing to spend a few extra days in the L.A. area than the USPS anticipated).

    When Hill House was still in existence, they did the authors preferred text of American Gods and sent a review copy to Green Man. They also sent a curious untitled bound document that turned out to be a script that Gaiman had done for Good Omens but he hadn’t at time the right to call it that so he didn’t.

    The characters were there, sometimes with the correct names and sometimes not. It was quite odd. It wasn’t fleshed out, and I think it only ran to less than ninety pages all told.

    Lee, is that what you purchased?

  3. Proof that no justice exists in the universe: Leigh Brackett never got to script a Han Solo movie or write a Han Solo novel.

  4. I agree with Cora about the sloppiness (my term, not hers) of the category stickers that get pasted on books. Since part of my training was in literary taxonomy (AKA genre theory) and much of my subsequent practice has been in reviewing, I’m frequently puzzled by the descriptions I see in cover copy–though I do understand the motives of marketing folk looking to sell into an audience segment.

    I think I mentioned in a recent Scroll my head-scratching at the description of Arkady Martine’s A Memory Called Empire as a space opera, when it is set almost entirely on a planet-covering city and is kin to Le Guin, Arnason, and the Cherryh of the Foreigner sequence rather than, say, the spacier parts of The Expanse.

    And much of what makes The Expanse or Walter Jon Williams’ Dread Empire or Ann Leckie’s Ancillary sequences interesting is the way genres get mixed into complicated shapes–noir thriller, comedy of manners, anthropological puzzle, military adventure. Mix in enough “genre” ingredients and you start to get something like a “novel.”

  5. When you get caught between Mars, the Moon and New York City
    We know it’s crazy and not true
    NASA’s now caught between Mars, the Moon and New York City
    The best that they can do
    The best that they can do is fake the footage

    Donald he speaks as he pleases
    All of his life, he’s mastered nonsense
    Deep in his heart, he’s just, he’s just a boy
    Living his life one day at a time
    And showing himself a really good time
    Tweeting about the way he wants us to be

    Now we’re all confused between Mars, the Moon and New York City
    I know it’s crazy and it’s not true
    There’s no way to get to Mars via the Moon or New York City
    The best that we can do
    The best that they can do is rename the moon

  6. Pingback: The Gradual Vanishing of the Planetary Romance | Cora Buhlert

  7. @PhilRM – I didn’t know about that one – I’ll have to see if I can get hold of it. Thanks!

  8. Andrew on June 7, 2019 at 5:26 pm said:

    “The Moon is a Harsh Marstress”

    Well done!

    And wild applause for Camestros!

  9. @ Andrew and Eli:

    Thanks. I figured it must be something like that, a slang term for ‘dodge’ that I just couldn’t find in dictionaries. I suppose the reason that I kept looking for another explanation was that it was the 80’s, I was soaking in D&D, and I kept thinking the title “The Halfling” was some kind of clue that the protagonist was a Tolkienian semi-magical humanoid race good at hiding, like the D&D halflings, or that the word “halfling” was meant in the other SFF sense of a person who is half-human and half some other alien race (which IIRC never appeared in the story). In what sense DID the author use the word ‘halfling’ as her title? “The Hobbit” had only just appeared in 1937, no character in Brackett’s story resembles Tolkien’s halfling (hobbit), and the word ‘halfling’ before that (as far as untrustworthy dictionaries go) didn’t mean anything magical or otherworldly.

    I suppose my puzzling over this all those years is the SFF equivalent of taking a button and sewing a vest on it. 🙂

  10. 3). I’ve only read one of these but I really enjoyed “Passing Strange”. The characters were interesting and the history aspect of it was well done.
    I tend not to read hard-core fantasy so the YT Yang book didn’t interest me.
    “A Taste of Honey” didn’t catch me,, but maybe I’ll try it again. Sometimes the timing is just off for books you try to read. Many times I’ll return to ‘give it one more try’ and been pleasantly surprised. “Pride and Prejudice” comes to mind.
    And the “Lamb” book got tossed aside–I’m from Iowa and just couldn’t suspend my disbelief.

    There are times I thing there are two people writing the Honorverse books. One to write the drawn-out military “1500 missles launched from ten million kilometers at a speed of. . . ” and one to write the more interesting people drama.

  11. @ULTRAGOTHA: Glad you liked it, though I think Camestros has clearly trumped (heh) my efforts.

  12. I think the term “space opera” may be evolving–or continuing to evolve, as its present meaning is certainly different from the (rather negative) one it had when I was young. And I think Dune probably fits some of the newer definitions of the term nearly as well as it completely avoids the original snarkier ones. Yes, it mostly takes place on a single planet, but the story is told against the backdrop of a great interstellar empire, with barons and dukes and whatnot, which, I think, puts it firmly in the space opera category in the eyes of many younger readers.

    I also don’t think that space opera and planetary romance are in any sense incompatible–at least not any more–so saying it’s in the latter category doesn’t affect whether it’s in the former. Or, at least, that’s the sense I get, talking to younger fans. I won’t claim to be an expert on fannish jargon of any era.

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