Pixel Scroll 7/6/22 I Come From A Pixel Down Under, Where Fen Scroll and Pros Wonder

(1) HEARING FROM DELANY. Sally Wiener Grotta kicks off a new video interview series — “What If? Why Not? How?” – with the help of Samuel Delany (who has more to say in the comments at Facebook).

A few weeks ago, when Samuel Delany and I were at a gathering of friends at Michael Swanwick‘s and Marianne Porter’s home, he explained why he feels that spelling “black” with a capital “B” is racist. As is always true, Chip’s discourse was fascinating, keeping us spellbound. There and then, I knew I would want to record him on the subject. So, here he is, helping me launch my new video interview series: “What If? Why Not? How?” 

(2) IN PERSON IN SAN DIEGO. Heidi McDonald scouts the layout for Publishers Weekly in “San Diego Comic-Con Is Back”.

For the first time in three years, San Diego Comic-Con is returning as an in-person event. However, in a world changed by an ongoing global pandemic, even the gigantic pop culture institution will look very different when fans finally return to the San Diego Convention Center July 20–24.

It’s all part of the event industry’s transition away from the most severe pandemic restrictions, as comics publishers and media companies approach events, sales, and marketing in a new social and economic landscape. For publishers, online sales have soared, and the cost of exhibiting at giant pop culture conventions isn’t always justified financially. Nevertheless, the glamour and excitement of SDCC remains a draw, and the intangible value of seeing popular artists, as well as industry colleagues, in person has been much missed.

But this year the layout of the exhibit floor at the San Diego Convention Center will feature significant changes. Warner Bros. Discovery, the newly formed parent company of DC, has pulled out of the massive booth that once anchored the end of one hall and housed DC’s SDCC booth presence. DC will have a full lineup of panels and talent, but no booth. Dark Horse Comics, which has had a large centrally located booth for years, will also be missing, along with the longtime floor presence of indie publisher Drawn & Quarterly and publisher/merchandise producer Graphitti Designs. Image Comics, also a major presence on the exhibit floor, will have a much smaller booth.

Making up for this, newer graphic novel publishers, such as Immortal Studios, Interpop, Tapas Media/Wuxia World, Three Worlds/Three Moons, and Z2, will have booths for the first time….

(3) TRACKING COVID AFTER WESTERCON. Westercon 74, held over the July 4th weekend in Tonopah, has created a COVID tracking page on its website to collate COVID-19 reports.

We ask that any person who contracts COVID-19 during Westercon 74 or for one week following the convention please send an email to covid@westercon74.org so that we can track any possible outbreak. We will not release any personally-identifying information without prior approval from the person who reports having been infected.

So far there is one report from an attendee of Westercon 74 reporting a positive COVID-19 self-test.

Kevin Standlee emphasizes, “We won’t report personal information without the person’s permission.”

(4) A SLICE OF MIDDLE-EARTH. Here’s about 25% of The Lord of the Rings: The Rings of Power Prime Video Exclusive Sneak Peek available today to Prime Video subscribers.

(5) DOMINIQUE DICKEY Q&A. Sarah Gailey interviews “Dominique Dickey of Plant Girl Game, “a cozy tabletop roleplaying game about a family of plant children working together to prevent an ecological disaster.” The crowdfunding appeal for the game is open for another 14 days at Gamefound.

The character age range for this game is young, ranging from 11 years old and up. What makes a child or adolescent’s perspective on community unique?

Children often think of very simple solutions to complex problems, because they’re more immersed in how the world should work than how it actually functions. Adolescents tend to run face first into that complexity: I remember at the age of fifteen or so, going from “Well, why can’t we just fix climate change?” to “A lot of very powerful people are invested in maintaining the status quo, and we have a narrow window of time in which to break that status quo, and it won’t be easy to do so.” I was absolutely enraged, because the childish part of me was still unable to conceptualize cruelty on a larger scale than playground bullies or mean girls in the locker room. I had a child’s expansive empathy, and wasn’t able to understand why anyone would lack that empathy.

Which is a roundabout way of saying that I want players to face that tension. I want players to begin a session of Plant Girl Game with the childlike knowledge that the world should be a kinder, fairer place, and leave with the adolescent realization that if we want that world—for ourselves and for our loved ones—we’re going to have to fight like hell for it….

(6) BE A FRINGE FAN IN A GOOD WAY. [Item by Alison Scott.] Filers might in general be interested in the Chicon Fringe programme, with local Chicago and online events. Events are free and you do not need to be a Chicon 8 member to attend. 

But I’m writing specifically because I’m hosting, on behalf of Glasgow in 2024, an online ‘book club’ discussion on the Best Fanzine finalists.

Tuesday 19th July, 19:30 p.m. BST, 1:30 p.m. CDT. Tickets, which are free, are available at Eventbrite here.

It would be lovely to see Filers, and fanzine readers more generally, there. 

(7) DEVELOPING FRIENDSHIPS. Elizabeth Bear’s guest post on Mary Robinette Kowal’s blog is about a different bit than she anticipated: “My Favorite Bit: Elizabeth Bear Talks About The Origin of Storms.

When I sat down to write this essay, I was thinking that I was going to write about the extremely ancient and slightly dimensionally shifted dragon, possibly, or maybe that I was going to write about the snarky magic pen. But (“upon contemplation,” as they say) I realized my favorite part of The Origin of Storms—the thing that was absolutely the most fun to write—is the friendships…..

(8) ON THE TUBE. “Neil Gaiman’s Books Have Enchanted Millions. Finally, Hollywood Is on Board” reports the Washington Post.

…“All of the things that made ‘Sandman’ wonderful were the same things that made it almost impossible to adapt for film and television for 30 years,” says David S. Goyer, a filmmaker and producer who was a co-writer on the “Dark Knight” Batman trilogy. “All of the features that we love about ‘Sandman’ — that it is, in essence, a story about stories — are the bugs that stymied Hollywood.”

Today that is no longer the case. Quietly and steadily over the past six years, Gaiman has matched some of the most prolific creators in Hollywood. And after 32 years trapped in the purgatory of Hollywood development, a 10-episode series based on “The Sandman” will premiere on Netflix on Aug. 5. Developed by Gaiman, Goyer and writer Allan Heinberg, it represents one of the streaming service’s biggest-budget original productions. Meanwhile, Gaiman’s 2005 novel “Anansi Boys,” a modern twist on the ancient stories of the West African trickster god Anansi, is now an Amazon Studios series in postproduction, and “Good Omens” recently wrapped filming its second season. These follow on the heels of the series“American Gods,” which premiered in 2017 on Starz — earning two Emmy nominations for its first season — and aired its third season last year.

In total, Gaiman has seven shows that he has developed or that are based on his writing, with more in the works. He has become the great adapter, pulling from the store of fable and myth for his books, and transmogrifying his written work into radio and stage plays, audiobooks and movies. And now television.

Gaiman’s books “couldn’t get made in a three-network landscape,” Hamm says, owing to their complexity. As television has matured, though, so too have the opportunities to tell more-nuanced stories….

(9) MEMORY LANE

1957 [By Cat Eldridge.] Sixty-five year ago, one of the very best Warner Bros. cartoons ever done was released on this in the form of Bugs Bunny’s “What’s Opera, Doc?”

It directed by Chuck Jones as written by Michael Maltese whose longest association not unsurprisingly was with Warner Bros. Cartoons, though he did work with other animators such as MGM Cartoons and Hanna-Barbera.

BEWARE! SPOILERS! I MEAN IT! 

In this cartoon, Elmer is chasing Bugs through a number of Richard Wagner’s operas, including Der Ring des NibelungenDer Fliegende Holländer, and Tannhäuser. Fudd is dressed as Siegfried and Bugs as Brunhilda to start it off and then, well let’s just say it’s just it gets even more manic. 

Bugs is apparently dead at the end of the cartoon as Fudd carries him off but he suddenly breaks the fourth wall and raises his head to face the audience while remarking, “Well, what did you expect in an opera? A happy ending?”

END SPOILERS

Given it has only two characters, it won’t surprise there’s only two voice actors. Mel Blanc was Bugs Bunny (as Brünnhilde) and  Elmer Fudd (yelling “SMOG”) which is no surprise, but the surprise for me that that Mel Blanc wasn’t Elmer Fudd being Siegfried but rather it was Arthur Q. Bryan who went uncredited in the cartoon.

It has been voted the best Warner Bros. Cartoon ever. 

A look at the iTunes stores shows it is available there. 

There’s are clips from it legally up YouTube but the entire cartoon is not so please do not offer links to such as they’ll just need to be removed as we don’t host pirated material here. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 6, 1916 — Donald R. Christensen. Animator, cartoonist, illustrator, writer. He worked briefly at Warner Bros. studio, primarily as a storyboard artist for Bob Clampett’s animation unit.  After that, he worked for Dell, Gold Key and Western Publishing comic books, as well as Hanna Barbera, Walter Lantz Productions and other cartoon studios. He wrote and provided illustrations for such comic book titles as Magnus, Robot Fighter, Donald Duck, and Uncle Scrooge. (Died 2006.)
  • Born July 6, 1918 — Sebastian Cabot. He’s here because he’s in The Time Machine, which was nominated for a Hugo at Seacon, as Dr. Philip Hillyer. Several years later, he’ll be in the animated The Sword in the Stone voicing both Lord Ector and The Narrator. Likewise he’d be Bagheera in The Jungle Book, and The Narrator in The Many Adventures of Winnie the Pooh. Lastly he shows up in several episodes of Fifties series Conrad Nagel Theater. (Died 1977.)
  • Born July 6, 1927 — Janet Leigh. Certainly best remembered as doomed Marion Crane in Alfred Hitchcock’s Psycho. She would also be in with her daughter, Jamie Lee Curtis, in both The Fog and Halloween H20: 20 Years Later. She’s also in the Night of the Lepus, a very odd 70s SF film. (Died 2004.)
  • Born July 6, 1945 — Rodney Matthews, 77. British illustrator and conceptual designer. Among his many endeavors was one with Michael Moorcock creating a series of 12 large posters that showed scenes from Moorcock’s ‘Eternal Champion’ series. This is turn became the Wizardry and Wild Romance calendar. He also worked work with Gerry Anderson on the Lavender Castle series. 
  • Born July 6, 1945 — Burt Ward, 77. Robin in that Batman series. He would reprise the role in voicing the character in The New Adventures of Batman and Legends of the Superheroes, and two animated films, Batman: Return of the Caped Crusaders and Batman vs. Two-Face. (Has anyone seen these?) The latter are the last work done by Adam West before his death. 
  • Born July 6, 1946 — Sylvester Stallone, 76. Although I think Stallone made a far less than perfect Dredd, I think the look and feel of the first film was spot on for the 2000 A.D. series which was something the second film, which though it had a perfect Dredd in Karl Urban, utterly lacked. And Demolition Man and him as Sergeant John Spartan were just perfect.
  • Born July 6, 1950 — Rick Sternbach, 72. Best known for his work in the Trek verse sharing with Star Trek: The Motion Picture where he designed control panel layouts and signage for the Enterprise. He’s next hired for Next Gen where communicator badge, phasers, PADDs and tricorders are all based on his designs. These designs will also be used on DS9 andVoyager. He also pretty much designed every starship during that time from from the Cardassian and Klingon ships to the Voyager itself. He would win Best Professional Artist Hugos at SunCon and IguanaCon II, and he was the Artist Guest of Honor at Denvention 3. 

(11) COMICS SECTION.

  • Bizarro is about a bit of financial planning for frogs that reminds me of a bit in Hitchhiker’s Guide.
  • The Argyle Sweater is funny – if you get the reference. I once had a 5-year-old, so I do.

(12) MALTIN ON MOVIES. [Item by Martin Morse Wooster.] I listened to the podcast Leonard and Jessie Maltin did with Dean Fleischer Camp about Marcel the Shell with Shoes On.  Both the Maltins very much like this film. Camp doesn’t provide many technical details, although he credits animation director Kirsten Lepore with doing a lot of the work during the 2 1/2 years it took to make this film.  He also explained that Isabella Rosselini was attached to the project because she likes making quirky artistic choices. Camp also discussed how he and Jenny Slate, who voices Marcel and worked on the script, remain close professional collaborators even though they broke up their relationship. Fun unrelated fact:  director Mike Mills lifts the spirits of his set by bringing in a harpist every friday to play for an hour. Maltin on Movies: Dean Fleischer-Camp”.

The Maltins also had a 2017 conversation with Jenny, available here.

(13) UPGRADE. “The Mars Express spacecraft is finally getting a Windows 98 upgrade” reports The Verge. Although you probably want to know, the ESA hasn’t detailed the exact software that the MARSIS is being upgraded to.

Engineers at the European Space Agency (ESA) are getting ready for a Windows 98 upgrade on an orbiter circling Mars. The Mars Express spacecraft has been operating for more than 19 years, and the Mars Advanced Radar for Subsurface and Ionospheric Sounding (MARSIS) instrument onboard has been using software built using Windows 98. Thankfully for humanity and the Red Planet’s sake, the ESA isn’t upgrading its systems to Windows ME.

The MARSIS instrument on ESA’s Mars Express was key to the discovery of a huge underground aquifer of liquid water on the Red Planet in 2018. This major new software upgrade “will allow it to see beneath the surfaces of Mars and its moon Phobos in more detail than ever before,” according to the ESA. The agency originally launched the Mars Express into space in 2003 as its first mission to the Red Planet, and it has spent nearly two decades exploring the planet’s surface….

(14) SOMETHING FOR HUMMERS TO BE HUMBLE ABOUT. “Over 11 years and 570 episodes, John Rabe and Team Off-Ramp scoured SoCal for the people, places, and ideas whose stories needed to be told, and the show became a love-letter to Los Angeles. Now, John is sharing selections from the Off-Ramp vault to help you explore this imperfect paradise.” Off-Ramp at LAist.

Alex Ross says you’re probably humming “Star Wars” wrong … and more on the surprising music of John Williams, who is NOT a copycat.

John Williams is so ubiquitous now, as former leader of the Boston Pops and the man behind the music for so many Lucas and Spielberg films; and old-fashioned lush orchestral scores are now so common, it’s hard to believe they were endangered a few decades ago. But they were, and Alex Ross, the New Yorker music writer, says you can thank Williams. In a long Off-Ramp interview from 2016 with tons of musical examples, Alex makes the case for Williams, and debunks the notion that the maestro is any sort of plagiarist. He also gamely demonstrates how to properly hum the Star Wars theme. Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and bythe Corporation for Public Broadcasting, a private corporation funded by the American people. (Off-Ramp theme music by Fesliyan Studios.)

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Metal Gear Rising: Revengance,” the narrator says that this game is like equivalent of “if George Orwell downed 10 Monster Energies and asked you to cut up with a katana in the backyard.” It’s slice and dice action that “lets you rip through everything like a kid at Christmas.” And “revengance” means “revenge with a vengance.”

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day HoosierDragon.]

23 thoughts on “Pixel Scroll 7/6/22 I Come From A Pixel Down Under, Where Fen Scroll and Pros Wonder

  1. I’m going with Delany, and “black”.
    Films: hell, yes, one of the best. A lot of boomers were introduced for real to opera by Bugs and Elmer. (Not me – my folks liked classical music.)

    13: Ah, yes. Back in the mid-nineties, some net.friends told me “you never win with windows”, so they called it Lose-95. That went to Lose-98… and the perfectly named Lose-ME.

  2. Mike Mills held up a screening of BEGINNERS I attended for 45 minutes because he was taking photos of the audiences at his screenings as an “art project” and we couldn’t se the fillm until he had taken his photo.

    This did not endear him to his audience.

  3. (14) Try doing it on a kazoo. If you can doing it without breaking up, you’re probably Doing It Rong.

  4. 11) Showing my age that, when the homeowner in the Argyle Sweater cartoon mentioned “a little girl and a monkey”, my first thought was “Pippi Longstocking and Mr. Nilsson?”

  5. [10] I saw Batman: Return of the Caped Crusaders and Batman vs. Two-Face. They were fun. Imagine the Batman 66 series with more of a budget. The latter was significant since Shatner was playing Harvey Dent/Two-Face. Also Julie Newmar played Catwoman for both films.

  6. Back from a day, night, and morning at the hospital.

    Not dead, still. Don’t have covid. Don’t have flu. Just anxiety and depression over the death of an old friend, resulting in not eating or drinking nearly enough, leading to extreme dehydration. Significantly better now. Reading She Who Became the Sun.

  7. @Andrew (not Werdna): Quite. The first thing that comes to my mind when I hear his name is his notes on the cover art for Tales of Known Space.

  8. #10 — Stallone also played Machinegun Joe in the original Death Race 2000.

  9. @Liz,

    delighted to hear you are at home and significantly better.

    (I, on the other hand, currently do have Covid, and it is … no fun. Staying at home, isolating, managing my body temperature …)

  10. Sebastian Cabot was also Santa Claus in a 1973 television version of “Miracle on 34th Street”

  11. [10] Sebastian Cabot played Winston Essex, mysterious host of the short-lived horror anthology Ghost Story (1972-73).

  12. Minor corrections:
    10) Dredd was Karl Urban, not Keith.
    12) Marcel the Shell With Shoes On.

  13. Jack Dominey: What is the correct capitalization?

    You have: Marcel the Shell With Shoes On.
    The movie poster has: Marcel The Shell With Shoes On
    IMDB indexes it as: Marcel the Shell with Shoes On
    The movie’s Twitter account is: Marcel The Shell with Shoes On

  14. @Jack Dominey: Title case is not something style guides agree on! Your version (with capital “With”) follows the AP guide, but our good host’s version (lower-case “with”) is correct per CMOS. Neither one is more correct than the other unless all parties have agreed to follow a particular style guide.

  15. Xtifr: Well, foremost Jack was correcting the extra word I had in the title. But as long as I was making a point to get the title right I also wondered which of these choices in capitalization deserved priority.

  16. @ Mike Glyer

    But as long as I was making a point to get the title right I also wondered which of these choices in capitalization deserved priority.

    In my opinion, you just need a consistent approach for the site. Pick a style guide, any reasonable style guide, and stick to it. Or pick your own approach, either way.

  17. Rob Thornton: I agree. And generally when it comes to films that distribute publicity posters my policy would be to adopt the usage on the poster. Maybe I will really start there next time. Never before do I remember seeing a case where ONLY the poster uses a style and it isn’t followed in the press.

  18. Re: Marcel – I was noting, as Our Host saw, that there was an extraneous His in the item, now corrected. I took the capitalization from the first advert for the movie I saw.

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