Compiled by Carl Slaughter: (1) Star Trek scandals. ScreenRant lists “Star Trek: 15 Dark Behind-The-Scenes Secrets You Never Knew”.
- The series creator tried to ruin Wrath of Khan
Star Trek: The Motion Picture was over-budget and underwhelming. In response, Paramount removed Gene Roddenberry as Executive Producer and made him a consultant. They brought in Nicholas Meyer and Harve Bennett to shepherd the sequel, The Wrath of Khan. Only, Leonard Nimoy was going through a phase all Trek actors have: he was sick of playing the character and wanted out. To appease him, it was decided that Spock would be killed off early on.
Then, “somehow,” the script was leaked, and fans had a shared nervous breakdown. The source of the leak was never truly revealed, but the actors and producers largely accept that Gene himself leaked the pages of the script. He was vocal about not wanting Spock killed off and was frustrated with the darker plot, as well as the theme of growing into middle age. He wanted to sabotage the project, or at least have Spock’s death taken out of the script. In the end, it was just rearranged, and, if anything, it made the film even better.
(2) Star Trek controversies: Next, ScreenRant totes up the “15 Most Controversial Things Star Trek Has Done”. Call this the controversial kiss compilation.
- Trill Wives Kiss
For all of its inclusiveness regarding things like race and class, Star Trek has always been a bit skittish about portraying gay characters. One of the reasons for this might be how much their simple explorations of any kind of same-sex romance riled audiences up. We can see that at play with Deep Space Nine’s episode “Rejoined”.
While they were introduced in Star Trek: The Next Generation, DS9 let us fully explore the aliens known as Trills. Science Officer Jadzia Dax is one such alien, and she hosts a symbiote that has inhabited generations of previous Trills. In “Rejoined”, Dax is reunited with another Trill who used to be her wife in a previous life. Despite cultural laws forbidding it, the two resume their old relationship, giving us our first onscreen, same-sex kiss in Trek history.
The moment was sweet, but very controversial, with some TV stations refusing to air the episode and others editing the kiss out. Paramount was inundated with negative phone calls regarding the episode, forcing staff to work back-to-back shifts just to deal with the volume of calls. While the episode has aged well, Trek hasn’t done much more in terms of gay representation.
(3) Undeveloped Star Trek episodes: Memory Alpha knows about the “Undeveloped Star Trek episodes”.
In his introduction to the 1994 book Lost Voyages of Trek and The Next Generation (p. 3), Edward Gross commented, “Perhaps most surprising in the Star Trek mythos is the sheer quantity – and in many cases quality – of unfilmed adventures that have spanned from the original through various aborted attempts at revival throughout the 1970s and right in to The Next Generation. In many cases, these scripts and treatments were left unfilmed due to political reasons, studio indecisiveness or ego. In others, they just weren’t up to snuff and probably wouldn’t have made a decent episode of Lost in Space.
(4) Star Trek writers talk about the unsold spec stories they wrote and pitched. Vulture talks to the writers about “8 Star Trek Spec Scripts That Never Saw the Light of Day”.
Almost every episode of Star Trek: The Original Series begins, “Space: the final frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilization. To boldly go where no man has gone before.” The opening promised a whole new world of adventure and discovery. And this utopia of exciting new ideas expanded beyond the screen all the way to its writers room: Star Trek had a famous open-submission policy, meaning any writer, anywhere, could submit a script.
The Next Generation, Deep Space Nine, and Voyager helped launch the careers of several great TV writers. Ron D. Moore (Outlander, Battlestar Galactica), Bryan Fuller (Hannibal, American Gods), and René Echevarria (Teen Wolf, Terra Nova, The 4400) all got their start pitching for the show. But spec writing, obviously, didn’t always lead to success (not the first time at least). Sometimes your episode would get produced, sometimes it would get you in the door to pitch, and sometimes, well, you just had to keep trying….
Jane Espenson (Buffy the Vampire Slayer, Once Upon a Time, Husbands, Battlestar Galactica)
The only [spec] whose plot I recall at the moment was the one that got me invited in to pitch at the show. It was about Data using the holodeck to put himself in situations calculated to evoke strong emotions, hoping to feel happiness or love … but when the simulation goes awry (someone reprogrammed it? I forget), he does get a taste of emotion, but it ends up being anger. He has to confront the downside of being like a human being — not all emotions are positive. It reads like it sounds — a fun little thought experiment, certainly not enough to provide the spine of an episode. But it got me in the door!
(5) Jason Isaacs interview: The incoming captain tells Entertainment Weekly how much he admires the archetype — “Star Trek’s Jason Isaacs explains why William Shatner is a genius”.
Yeah, what he’s doing with really tough dialogue in those scenes, the way he knows which lines to just casually throw away and others where he just really sells it.
It’s so tough. He sells everything. People who think he’s hammy are people responding to other people doing funny impressions of him. If you watch the original he’s utterly brilliant. He was one of Canada’s top Shakespearian actors. He brings that level of commitment and epic high stakes to what could have been ridiculous dialogue. He and [Leonard] Nimoy together were a genius double. Anyone who thinks they’re hammy should try to do it themselves. I’m trying to do it now and, I’m telling you, it’s not easy.