Tag Archives: 2000AD

Pixel Scroll 3/25/24 For A Short Time, They Were Amber Pixels, But All Cried NAY, And They Returned To True Green

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(1) THE THOUGHT PANZER PROBLEM. [Item by Doctor Science.] “Netflix blockbuster ‘3 Body Problem’ divides opinion and sparks nationalist anger in China” reports CNN.

A Netflix adaptation of wildly popular Chinese sci-fi novel “The Three-Body Problem” has split opinions in China and sparked online nationalist anger over scenes depicting a violent and tumultuous period in the country’s modern history. …

Author Liu said in an interview with the New York Times in 2019 that he had originally wanted to open the book with scenes from Mao’s Cultural Revolution, but his Chinese publisher worried they would never make it past government censors and buried them in the middle of the narrative.

The English version of the book, translated by Ken Liu, put the scenes at the novel’s beginning, with the author’s blessing.

Ye Wenjie’s disillusionment with the Cultural Revolution later proves pivotal in the sci-fi thriller’s plot, which jumps between the past and present day.

I learned of the CNN article via esteemed Sinologist Victor Mair at Language Log: “’The Three Body Problem’ as rendered by Netflix: vinegar and dumplings”.

All of this rancorous dissension surrounding the Netflix version of “The Three Body Problem” reminds me of what transpired after the airing of “River Elegy” (Héshāng 河殇), which was written during the latter part of the 80s.  This was a six-part documentary aired by China Central Television on June 16, 1988 that employed the Yellow River as a metaphor for the decline of Chinese civilization.  … I strongly believe that it was this artistic production created by Premier Zhao Ziyang’s (1919-2005) zhìnáng tuán 智囊团 (“think tank”) in an inclusive sense that precipitated the Tiananmen protests and massacre one year later …”

“The difference is that “River Elegy” was a documentary created in China by critical, progressive intellectuals, whereas the Netflix version of “Three Body” is a film adaptation of a Chinese sci-fi novel infused with Western ideas and standards by its American producers, making it a much more complicated proposition.

Let’s see if the chemistry is there in Netflix’s “Three Body” to cause the sort of ramifications that ensued from CNN’s “River elegy”.

(Dr. Mair’s history of the think tank, “River Elegy”, and the Tiananmen protests is here: “Thought Panzers”).

… As soon as I read the expression “sīxiǎng tǎnkè 思想坦克”, I had the exact same impression as Mark.  It sounded bièniu 彆扭 (“awkward”), weird, unnatural.  But I don’t think the person who translated the English term “think tank” into “sīxiǎng tǎnkè 思想坦克” was clever enough to add the extra military dimension consciously, though they may have done so sub/unconsciously ….

(2) NO AI RX FOR THE DOCTOR AFTER ALL. [Item by Ersatz Culture.] A couple of weeks ago, the March 7th Pixel Scroll covered the BBC’s plan to use AI to promote Doctor Who.  Today Deadline reports that this plan has been abandoned.

The BBC has “no plans” to use AI again to promote Doctor Who after receiving complaints from viewers.

The BBC’s marketing teams used the tech “as part of a small trial” to help draft some text for two promotional emails and mobile notifications, according to its complaints website, which was intended to highlight Doctor Who programming on the BBC.

But the corporation received complaints over the reports that it was using generative AI, it added.

“We followed all BBC editorial compliance processes and the final text was verified and signed-off by a member of the marketing team before it was sent,” the BBC said. “We have no plans to do this again to promote Doctor Who.”   

(3) AO3 VS. DDOS. Archive Of Our Own’s Systems volunteers have posted an account of last year’s DDoS attacks against the Archive. “The AO3 July/August DDoS Attacks: Behind the Scenes”.

…We later found out that the attack had actually peaked at 65 million requests per second. For context, the largest publicly announced HTTP DDoS attack by Cloudflare at the time was a 71 million request per second attack. Additionally, we received information that the attack originated from the Mirai botnet. However, Cloudflare did its job well and we saw very little, if any, impact….

(4) WOMEN ARTISTS HARD HIT AS NEWSPAPER CHAINS SHED PRINT COMICS. [Item by Kristine Kathryn Rusch.] Cartoonist Georgia Dunn discovered that Gannett has gotten rid of most of its diverse and female cartoonists, even if they’re making money for the syndicate.

Michael Cavna’s article in the Washington Post explains why “Standardization at Gannett, other chains, leaves few women in print comics” [Google cache file; article is behind a paywall.].

The latest warning signs for some female artists began last fall. Suddenly, their work began disappearing from many American comics pages.

An announcement started hitting the pages of newspapers dotted around the country: the USA Today Network, owned by Gannett, was “standardizing” its comics across more than 200 publications. One of those newspapers, the Coloradoan, published a list of comics, batched in groups, that it said made up Gannett’s new lineup of options.

What began to concern some cartoonists and industry observers: None of the dozens of comics listed as print offerings for Gannett papers was actively being created by a woman artist.

Just three strips in Gannett’s list of print comics have a credited woman: “For Better or For Worse,” which creator Lynn Johnston says is in reruns; “Luann,” by writer-artist Greg Evans and his daughter, co-author Karen Evans; and “Shoe,” by artist Gary Brookins and Susie MacNelly.

As the changes rolled out at many Gannett papers between October and early this year, Hilary Price, creator of the long-running syndicated strip “Rhymes With Orange,” said she began to see a significant dip in her sales income.

Price said she is accustomed to encountering misogynistic reader responses to her work as an artist. What is becoming professionally demoralizing to her lately, though, is the sense that female artists are being removed from America’s comics pages as several newspaper chains have consolidated or contracted their print funnies in recent years.

Some female cartoonists say that as they endure double-digit percentage losses in their income from client papers, their representation in print, already historically unbalanced, is growing alarmingly, and disproportionately, small.

…Georgia Dunn, creator of the syndicated “Breaking Cat News,” said her income dropped substantially in recent months as a result.

“I don’t think it’s a Machiavellian plot — I don’t think it’s intentional,” Dunn said of the optics that female artists are being disproportionately affected by the industry’s changes. “But they overlook us a lot.”

…The “Breaking Cat News” creator shared with her readers the bad news that she might have to make some hard financial decisions as her client income dropped sharply. But “when I shared with them how this restructuring hit me, they made up my lost income overnight,” she said.

“I woke up and opened Patreon and started crying,” she continued. “I felt like George Bailey at the end of ‘It’s a Wonderful Life.’”…

And here’s Dunn’s follow-up post on GoComics. (Scroll beneath the cartoon itself) — Breaking Cat News – March 23.

(5) SAM I AM. John O’Neill’s “The Horrors of Sam Moskowitz” at Black Gate begins its discussion of a series of horror anthologies with this discussion of their fanhistoric editor:

…Moskowitz was an interesting character. A professional magazine editor, he edited the trade journals Quick Frozen Foods and Quick Frozen Foods International for many years, and he gradually put his professional skills to use in the genre, starting in 1953 with Science-Fiction Plus, Hugo Gernsback’s last science fiction magazine. He began editing anthologies with Editor’s Choice in Science Fiction, published by McBride in 1954, and produced two dozen more over the next 20 years.

Moskowitz (who sometimes published under the name “Sam Moscowitz,” maybe because the ‘k’ on his typewriter was worn out?), was just as well known as a critic and genre historian. While still a teenager, he was one of the key organizers of the first Worldcon, held in New York City in 1939 (where he famously barred several Futurians, including Donald A. Wollheim, Fred Pohl, Robert A. W. Lowndes, Cyril Kornbluth, and others).

His genre histories and biographies, including Explorers of the Infinite and Seekers of Tomorrow, are still well worth reading today — as is his legendary history of fannish feuds, The Immortal Storm, which fan historian Harry Warner Jr. summed up with,

“If read directly after a history of World War II, it does not seem like an anticlimax.”

First Fandom still presents an annual award in Moskowitz’s memory each year at Worldcon….

(6) IT’S NOW AN EX-CASE.  Deadline is on hand as “Judge Tosses X/Twitter Case Against Group That Produced Study On Proliferation Of Hate Speech On Platform”.

A federal judge tossed out a lawsuit brought by X/Twitter against a watching group that produced a study that examined the proliferation of hate speech on the platform.

U.S. District Judge Charles Breyer concluded that the platform, owned by Elon Musk, was attempting to chill the speech rights of the Center for Countering Digital Hate and other groups.

The judge wrote that X’s “motivation in bringing this case is evident. X Corp. has brought this case in order to punish [Center for Countering Digital Hate] for CCDH publications that criticized X Corp.—and perhaps in order to dissuade others who might wish to engage in such criticism.”

X/Twitter had sued the group, claiming that in doing their study, they unlawfully “scraped” the platform for its data that led to an exodus of advertisers.

“X disagrees with the court’s decision and plans to appeal,” the company said.

Read the judge’s decision in the X case….

(7) CHECKING IN ON THE COPYRIGHT CLAIMS BOARD. At Writer Beware, Michael Capobianco suspends judgment about the effectiveness of the relatively new Copyright Claims Board: “To CCB or Not to CCB: The Question is Still Out”.

It’s been more than a year since my last post about the now not-so-new Copyright Claims Board (CCB).

Victoria covered the CCB when it first started hearing claims in June 2022, and her post gives a good summary of how it operates and what it is supposed to accomplish. The short version:  The CCB was created as a judicial body under the US Copyright Office to administer small copyright claims that would be too expensive and/or time-consuming in federal court.

At the time I confess I was worried about an eventuality that fortunately hasn’t come true. There are vanishingly few copyright trolls trying to use the CCB to collect money from innocent or ignorant individuals by scaring them into paying settlements. On the other hand, it has worked for some business to business claims: Joe Hand Promotions, Inc., a company that “serves as the exclusive distributor of all Ultimate Fighting Championship (UFC) and select boxing pay-per-view programming” is by far the most frequent CCB claimant, with forty-five claims and counting, mainly against bars and restaurants, and many of those are withdrawn from consideration by the CCB and apparently settled privately.

What has happened in the intervening 20 months has been a disappointment for anyone hoping that the CCB would become a useful tool for writers seeking to get redress for infringement of their work. First of all, the number of “literary” claims is still very small, around 10% of total claims, and many of those, as we previously pointed out, are dismissed by the CCB because they weren’t filed correctly or have other flaws. Some are outright bizarre, and I may do a post about them in the future. With others the claimant doesn’t understand that a vendor selling used copies of their books is not a violation of their copyright….

…In short, even as its second birthday is only a few months away, it’s still too early to draw conclusions about the efficacy of the CCB when it comes to literary works, especially books. The majority of the claims that it has decided so far involve photographs and, in those cases, it generally is finding in favor of the photographer and awarding reasonable to low damages. But there are still only a handful of contested decisions and none of them involve the kinds of published material that Writer Beware usually deals with….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 25, 1920 – Patrick Troughton. (Died 1987.) So let’s talk about Patrick Troughton, the Second Doctor. 

(Digression: All of the classic Doctors are available on the BritBox streaming service. It’s $8.99 a month for a lot of British content including all of the Poirot mysteries. End of digression.) 

The first time that I watched his run I wasn’t at all fond of him as I thought his characterization wasn’t that serious. Rewatching them a few years ago on BritBox, I realized that he was a much better actor than I thought he was and that his Doctor was a much better, more nuanced persona that I realized. No, he’s still not anywhere near my favorite Doctor but now I can watch him without cringing. 

Patrick Troughton as the Second Doctor Who.

Ok I’m getting distracted…

Part of his problem, and yes of the first Doctor, and yes this is just my opinion, is that the scripts weren’t that good. It wasn’t until the Third Doctor that they started actually thinking about having decent scripts.

So what did he do? Well he had the distinct honor of being in The Gorgon, an early Sixties horror film with Christopher Lee and Peter Cushing.   

Horror films involving Dracula, Frankenstein, feathered serpents and demons would all see him make his appearance. He showed in a lot of mysteries including the Danger Man and The Saint series. And several Sherlock Holmes series as well. 

I think Space: 1999 is the only other genre series he appeared in besides a lot of Robin Hood work in the Fifties, mostly on The Adventures of Robin Hood. 

(9) COMICS SECTION.

(10) A CHANCE TO START AT THE BEGINNING. [Item by SF Concatenation’s Jonathan Cowie.] The weekly 2000AD British anthology SF/F comic has its landmark 2,375 issue coming out next week. “New readers start here: jump on board with 2000 AD #2375”.

First up, it’s a little longer at 48 pages.  Second, all the current stories ended this week, so the next, 2,375 prog will see the start of all new stories: so, no jumping into the middle of something. In short this is an ideal place for newcomers to give it a try. 2000AD is perhaps most noted for its Judge Dredd strip. But there is a Rogue Trooper film in the works….

The new issue of 2000 AD has been precision-tooled for those hungry to discover why it’s called the Galaxy’s Greatest Comic – with bitingly good stories from top comics talent!

2000 AD Prog 2375 is a 48-page special on sale from 27 March, with a bold new cover by Hitman artist John McCrea and colourist Jack Davies.

This latest issue is designed to make it easy for new readers to pick up 2000 AD, with a mix of brand new stories and ongoing series that showcase the best the GGC has to offer!

(11) SHATNER ON JIMMY KIMMEL. The Captain celebrated his birthday on late night TV a few days ago with a flaming cake and a mulligan on Captain Kirk’s final moments: “William Shatner on Turning 93, Going to Space & He Gets a Do-Over of His Star Trek Death Scene”.

(12) A LAUGHING MATTER. Bob Byrne’s enjoyment is contagious in his article “Terry Pratchett – A Modern-Day Fantasy Voltaire” for Black Gate.

…Rincewind isn’t Conan, or Elric, or Gandalf (I’ve met Gandalf, and you sir, are no Gandalf). But while we love reading about the great heroes (or villains), we ‘get’ Rincewind….

(13) FUNNY VIDEO. [Item by Jennifer Hawthorne.] This clip showed up on Reddit. It’s apparently from the shooting set of Ford’s TV show, Shrinking. “Harrison Ford is too old for this shit”.

(14) CARGO CULTISTS. “Astronauts’ mementos packed on Boeing Starliner for crew flight test” – Space.com has the story.

A NASA astronaut who had the honor of naming her spacecraft will fly items inspired by that name when she launches to the International Space Station next month.

Sunita “Suni” Williams, who is set to fly with fellow NASA astronaut Barry “Butch” Wilmore on Boeing’s first Crew Flight Test (CFT) of its CST-100 Starliner capsule, will reveal the “Calypso”-related items once she is in orbit.

“A little homage to other explorers and the ships they rode on, I think we are going to call her ‘Calypso,'” said Williams in 2019, when she announced the ship’s name just after it returned to Earth from flying its first uncrewed mission.

Boeing announced Williams’ intentions as it completed packing Calypso for the CFT launch, which is currently targeted for April 22. All that remains to be added to the vehicle are some late stow items and the astronauts, themselves.

The CFT Starliner will carry 759 pounds (344 kilograms) of cargo, including 452 pounds (205 kilograms) from Boeing and 307 pounds (139 kilograms) from NASA. Boeing will have 25 bags and NASA will have 11 bags stored in the cabin where Wilmore and Williams will be seated….

(15) MARK WATNEY’S HOME AWAY FROM HOME. View NASA’s Astronomy Picture of the Day at the link – a photo of a place you’ve probably read about already.

Ares 3 Landing Site: The Martian Revisited. Explanation: This close-up from the Mars Reconnaissance Orbiter’s HiRISE camera shows weathered craters and windblown deposits in southern Acidalia Planitia. A striking shade of blue in standard HiRISE image colors, to the human eye the area would probably look grey or a little reddish. But human eyes have not gazed across this terrain, unless you count the eyes of NASA astronauts in the scifi novel The Martian by Andy Weir. The novel chronicles the adventures of Mark Watney, an astronaut stranded at the fictional Mars mission Ares 3 landing site corresponding to the coordinates of this cropped HiRISE frame. For scale Watney’s 6-meter-diameter habitat at the site would be about 1/10th the diameter of the large crater. Of course, the Ares 3 landing coordinates are only about 800 kilometers north of the (real life) Carl Sagan Memorial Station, the 1997 Pathfinder landing site.

(16) VIDEO OF THE DAY. Black Nerd Problems tees up the Studio Ghibli Fest for 2024.

Studio Ghibli Fest is back in theaters in its biggest year yet! Now, coming off the triumphant Oscar® win for Hayao Miyazaki’s latest feature The Boy and the Heron, celebrate this iconic studio with an all-new selection of fan favorites and iconic titles alike.

This year’s lineup highlights the works of studio co-founders Hayao Miyazaki and Isao Takahata, as well as directors Yoshifumi Kondo, Hiroyuki Morita, and Hiromasa Yonebayashi. In celebration of Hayao Miyazaki’s recent Oscar win, Studio Ghibli Fest 2024 kicks off with the acclaimed director’s previous Academy Award-winning feature, Spirited Away, which took home the Oscar in 2001.

The lineup also includes special celebrations for the Howl’s Moving Castle 20th Anniversary, Kiki’s Delivery Service 25th Anniversary, and Pom Poko 30th Anniversary.

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Kristine Kathryn Rusch, Kathy Sullivan, Jennifer Hawthorne, JJ, Doctor Science, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Mark.]

Pixel Scroll 8/29/23 Mom Said Not To Scroll Pixels In The File

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(1) DEATH IN THE MOUTH 2 KICKSTARTER. Cartoonist and writer Sloane Leong and writer Cassie Hart have partnered to launch a Kickstarter appeal for a second volume of Death in the Mouth: Original Horror from the Margins.  Death in the Mouth 2 is a horror anthology showcasing BIPOC and other ethnically marginalized writers and artists from around the world. It will feature twenty prose stories spanning the distant past to the far future, real and fictive worlds, all while exploring new and unique manifestations of horror. Each story will also be accompanied by an original black and white illustration by a unique artist.

They’ve invited authors like Sascha Stronach, Jeeyon Shim, Richard Van Camp, Erika T. Wurth, Nadia Bulkin, JAW McCarthy, Ana Hurtado, Paula D. Ashe and more to contribute stories.

Artists include Anand Radhakrishnan, Max Banshees, Rosío Airén, Eli Minaya, Tiffany Turrill-Gourdin, Julie Benbassat, Daylen Seu, Sloane Hong, Leslé Kieu, and Makoto Chi. They anticipate welcoming many new and underrepresented authors and artists through their open call.

At this writing the Kickstarter has raised $19,435 of its $40,000 goal with 16 days to go.

(2) HOW DARE YOU. At Black Gate, S.M. Carrière reminds everyone that “Reviews Are Not For Authors”, with a couple spectacular examples of writers who felt otherwise:

…The first case I was made aware of involved Susan Stusek, who was dropped by her publisher because of the backlash she received on TikTok and GoodReads following her behaviour.  The book, to be released by publisher Sparkpress September 12th of this year was sent to several book reviewers to drum up publicity, as is the norm. One reviewer had the sheer temerity not to rate the book a perfect five stars, rating it instead four stars; still a brilliant rating by any measure. The accompanying review was also very positive.

Stusek did not seem to agree. She took to TikTok to voice her vexation with the four star review…

(3) WORK-FOR-HIRE. Rachael K. Jones shares expertise in “Work-for-Hire in Short Fiction: An Overview” at the SFWA Blog.

Work-for-hire writing jobs are common in novel-length work, especially in the world of tie-in fiction, but rarer in short fiction. If you’re primarily a short fiction author, you might be caught off-guard if approached with this kind of work. You may not have an agent who can give you advice. You might not know how much money to ask for, or how to tell a valid offer from a scam. If you’ve been approached with short fiction work-for-hire and don’t know where to start, this article is for you!

Overview of Work-for-hire

Work-for-hire is defined by the US Copyright Office as work where “the hiring or commissioning party is considered the author and the copyright owner.” This differs from a typical author–publisher relationship where the publisher purchases limited rights to use a story in a specific way. For example, if you sell a story to Clarkesworld, after the exclusivity period ends, you can reprint the story, include it in a collection, translate it, sell movie rights, write sequels, expand it into a novel, or use it any way you’d like.

Under the work-for-hire model, this isn’t the case. In exchange for the upfront payment, you assign the copyright to the commissioner of the work to do with as they please. This entity now has the right to use the story however they wish: they can include it in a collection, sell the movie rights, produce sequels, make it into merchandise or non-fungible tokens (NFTs), and so forth, while you lose the legal right to do so….

(4) INTERZONE. Gareth Jelley, Editor and Publisher of Interzone and IZ Digital reminded me the current website for Interzone is https://interzone.press and said Interzone #295 should be with subscribers by the end of September.

Because we were corresponding about the James White Award, he pointed out that one of the former winners, DJ Cockburn, has had some short stories in IZ Digital, Interzone’s online sister zine (which are free to read, though support is welcomed):

The stories in IZ Digital are not republished in Interzone, and vice versa. The two publications are related, but independent.

(5) SUNK WITHOUT A TRACE. The Guardian leads with the Nautilus cancellation on the way to suggesting why it happened: “The great cancellation: why megabucks TV shows are vanishing without a trace”.

A big budget series filmed in Queensland which employed hundreds of Australian cast and crew has become the latest victim of cuts at Disney, being dropped by the studio after filming – and before it even had a chance to be released.

Nautilus, a UK series that had been set to stream on Disney+, is a prequel story to Jules Verne’s 20,000 Leagues Under the Sea. Shazad Latif stars as Captain Nemo, an Indian prince who became a prisoner of the East India Company and sets off on a mission of revenge on submarine Nautilus.

The series was in production for most of 2022 on the Gold Coast, where it took up half the soundstages at Village Roadshow Studios to house the replica submarine. The cast also included Australian actors Georgia Flood, Pacharo Mzembe, Benedict Hardie and Darren Gilshenan, as well as international talent Cameron Cuffe and Thierry Fremont.

When Nautilus was announced in 2021, the Queensland government touted the production would inject $96m into the local economy and create 240 positions for crew and 350 jobs for background actors. At the time, Queensland premier Annastacia Palaszczuk flagged the prospect of multiple seasons to be filmed in the state. Screen Queensland declined to reveal the value of government incentives the production received, citing commercial in confidence….

…In May, Disney+ announced a content removal plan designed to cut US$1.5bn worth of content, meaning it substantially reduces the company’s value, giving it a lot less tax to pay. Nautilus is not the only victim: a live-action TV adaptation of The Spiderwick Chronicles was also completed and then axed. Disney isn’t the only network to abandon shows that have largely been made…

(6) A DECADE IN SFF ART EXPLAINED. Michael Gonzalez interviews Adam Rowe about his new book Worlds Beyond Time: Sci-Fi Art of the 1970s for CrimeReads: “The Strange, Surreal, Visionary Sci-Fi Art of the 1970s”.

Tell me about your relationship with Vincent Di Fate, a legendary artist who also wrote the book’s introduction. What was your pitch to get him involved? Did he give you any advice about putting the book together?

Fairly quickly after deciding to write a pitch for this book, I realized there was a great art collection that already covered a lot of the same ground: Di Fate’s Infinite Worlds, 1997. It covers over a century of science fiction art, so it’s not the exact subject as mine, but I highly recommend it to anyone who enjoyed my collection. 

I also talked to Grady Hendrix, an author who co-wrote the 70s and 80s horror fiction celebration Paperbacks From Hell in 2017 (a big inspiration for the format and tone of Worlds Beyond Time). Hendrix told me that talking to Di Fate had helped him understand the publishing industry better, and recommended I talk to him for my book.

I interviewed Di Fate a few times while writing the book, and his knowledge of science fiction art history was immensely helpful – I learned a lot. He told me about one of the most interesting shifts in ‘70s science fiction cover art history, the fact that cover art trends shifted away from surrealism and towards representational art in 1971, when two influential editors led the charge: Donald A. Wollheim left Ace Books to start DAW Books in 1971, the same year Lester and Judy-Lynn del Rey started the Del Rey imprint within Ballantine. 

So, when I was looking for someone to write the foreword, Di Fate was my first choice. I’m thankful he agreed! 

(7) ED HUTNIK (1956-2023.) Filk has lost another valued member of the community, Ed Hutnik. He died at home on August 25, 2023. He was the husband of Jeanne Wardwell. In addition to filking, he participated for many years in medieval re-creation activities. The family obituary is here. Fans have left memories on the Tribute Wall.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 29, 1854 — Joseph Jacobs. Australian folklorist, translator, literary critic and historian who became a notable collector and publisher of English folklore. Many of our genre writers have use of his material. “Jack the Giant Killer” becomes Charles de Lint’s Jack Of Kinrowan series!  Jack the Giant Killer and Drink Down the Moon to give an example. (Lecture mode off.) Excellent books by the way. (Died 1916.)
  • Born August 29, 1904 — Leslyn M. Heinlein. She was born Leslyn MacDonald. She was married to Robert A. Heinlein between 1932 and 1947. Her only genre writing on ISFDB is “Rocket’s Red Glare” which was published in The Nonfiction of Robert Heinlein: Volume I.  (Died 1981.)
  • Born August 29, 1942 — Dian Crayne. A member of LASFS, when she and Bruce Pelz divorced the party they threw inspired Larry Niven’s “What Can You Say about Chocolate-Covered Manhole Covers?” She published mystery novels under the name J.D. Crayne. A full remembrance post is here. (Died 2017.)
  • Born August 29, 1946 — Robert Weinberg. Author, editor, publisher, and collector of science fiction. At Chicon 7, he received a Special Committee Award for his service to science fiction, fantasy, and horror. During the Seventies, he was the genius behind Pulp which featured interviews with pulp writers such as Walter B. Gibson and Frederick C. Davis. He also published the Pulp Classics, Lost Fantasy, Weird Menace, and Incredible Adventures series of pulp reprints at the same time. (Died 2016.)
  • Born August 29, 1951 — Janeen Webb, 72. Dreaming Down-Under which she co-edited with Jack Dann is an amazing anthology of Australian genre fiction which won a World Fantasy Award. If you’ve not read it, go do so. The Silken Road to Samarkand by her is a wonderful novel that I also wholeheartedly recommend. Death at the Blue Elephant, the first collection of her ever so excellent short stories, is available at the usual suspects though Dreaming Down-Under is alas not.
  • Born August 29, 1953 — Nancy Holder, 70. She’s an impressive four-time winner of the Bram Stoker Award. I’m not a horror fan so I can’t judge her horror novels for you, but I’ve read a number of her Buffyverse novels and I must say that she’s captured the feel of the series quite well. If you are to read but one, make it Halloween Rain.
  • Born August 29, 1954 — Michael P. Kube-McDowell, 69. A filker, which gets major points in my book.  I’m reasonably sure I’ve read both of his Isaac Asimov’s Robot City novels, and I can recall reading Alternities as well which was most excellent.

(9) TEACHER’S PET. At KCET’s website you can watch a 4-minute clip from Antiques Roadshow where they appraised someone’s Ray Bradbury Archive. The books once belonged to an English teacher who had 17-year-old Ray in her class at Los Angeles High School.

(10) COLLECTORS POLL. Tumblr user Obsidian Sphere asks “Which Magazine Would You Most Like To Have A Complete, Restored Set Of?. They list nine choices (actually, they list them twice) beginning with these two:

Weird Tales 1922 Frankly, most of the stores were below par, “Beloved Dead” indeed, really only famous because of a few notable exceptions.

Amazing Stories 1926 The first all “scientifiction” magazine. But truth be told, most of the writing was just bad. (and then there was the “Shaver Mystery!”) In 1985, when Spielberg decided he wanted a TV series called Amazing Stories instead of just looking for another name when he found the Mag still had the rights to the title, he brought the whole catalog. He flushed it, calling it garbage so they could do stories about Grandpa’s ghost train and cute furry critter from space crying over Ricky and Lucy getting divorced….

You need to be a Tumblr user or log in some other way to vote.

(11) THE CAR IS THE STAR. “How ‘Back to the Future: The Musical’ created a DeLorean that flies” at LAist. Here’s part of the illusion:

…”Inside it all is a mechanical, steel, aluminum madness of gizmos and electronics and what we call turtles to make it spin,” said Hatley. “Motors, lights, effects, smoke machines, speakers. It’s crammed with that. You can just get a person in it.”

The car itself only moves slightly, while turning around. So to create the illusion of speed, Finn Ross installed an LED wall at the back of the stage and a scrim in the front, with the car sandwiched in between. It’s projected video, along with lights, sound and underscoring, that make it look like the car is truly hurtling from 0 to 88 mph….

(12) NEVERS LAND. Another peek inside an effects department is offered in “The Bewitching Victorian Era VFX of ‘The Nevers’” at Animation World Network.

…A signature sequence from Season 1A is the lake fight, where Nichlas ‘Odium’ Perbal (Martyn Ford), who has the ability to walk on water, attempts to drown Amalia True (Laura Donnelly).  According to Han, “You couldn’t have done that by just letting one department take control. Stunts had to choreograph this sequence that was half above and below water.  Special effects had to design all the rigs. Amalia had a winch cable that helped her to get almost a supernatural speed to swim across the tank.  For us, we prevised the whole thing shot by shot.  For every shot we did an isometric blueprint on paper so people could see, ‘For this shot we’re going to use wires and glass platform,’ or, ‘That shot will be done underwater with an underwater camera.’  It’s a great study piece of every possible component of visual effects, special effects and stunts working together.” …

(13) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] “The Art of Future Storytelling of 2000 AD Magazine” is a video from Art Shutter.

In this mini-documentary, we embark on a thrilling journey through the pages of 2000 AD, the galaxy’s greatest comic magazine. Join us as we uncover the rich history, iconic characters, visionary creators, and enduring influence of this British comic institution. From the stern visage of Judge Dredd to the mind-bending artistry of its pages, we’ll explore how 2000 AD reshaped the comics landscape and left an indelible mark on pop culture. Don’t miss this tribute to the geniuses behind illustration comics and other disciplines of commercial art!

[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Rick Kovalcik, Gareth Jelley, Dann, Steven French, Soon Lee, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Essential Judge Dredd: The Apocalypse War Review

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[To be posted in the coming autumnal edition of SF² Concatenation in September.]

Essential Judge Dredd: The Apocalypse War
(1981 / 2022) John Wagner, Alan Grant & Carlos Ezquerra,
2000AD – Rebellion, £19.99 / Can$34 / US$25, trdpbk, 160pp,
ISBN 978-1-781-08890-6

Review by Jonathan Cowie: This is part of the relatively new Essential Judge Dredd series of graphic novels. It is a welcome reprint of a collection of one of the first Judge Dredd sagas that originally appeared in the weekly British comic 2000AD in 1982 with its prequel, “Block Mania” appearing in 1981: the stories ran consecutively. This collection features both “Block Mania” and “The Apocalypse War” and they really are a single tale.

That this is a “welcome” reprint is evidenced by this volume having had a second printing in 2022. This graphic novel is a key component to the overall Dredd plot arcs demonstrating that Dredd is not adverse to a bit of wholesale genocide if he feels it lawful.

It begins with “Block Mania” when citizens of Mega-City One’s blocks begin inter-block warfare. This was not healthy. Just as today, the US has citizen gun problems, in Mega City One the matter is compounded by each block having its own Citi Def squads – the city’s voluntary civil defense corps. The mania began with the Dan Tanna block battling Enid Blyton. But the neighboring blocks joined in taking sides. Soon there were six blocks at war with the addition of Rikki Fulton, Henry Kissinger, Betty Crocker and Pancho Villa blocks. With the Garner Ted Armstong block and others adding to the fray, soon the whole of Mega City One’s northern sectors were fighting. It was all out internecine war.

The Judges had their hands full. But then things got worse. Suddenly the Judges themselves began acting strangely and joined in! Dredd suspected that something was causing this, and he was right. Block Mania was a first strike designed to weaken Mega City One. The Diktatoriat of the Kremlin in East Meg One – the capitol city of the Sov Block was currently being led by Supreme Judge Josef Bulgarin. He and the rest of the Diktatoriat wanted to repay Mega-City One for all the so-called ‘indignities’ they had heaped on the Sov Block. They wanted Mega-City One’s “decadent citizens [to] be slaves to the might of the glorious East Meg”.

Dredd and the Judges were going to be hard pressed to defend Mega-City One and Dredd himself would ultimately have to take the war to East Meg One…

As said, this is one of the earliest Judge Dredd sagas. Much of the artwork was done by Carlos Ezquerra who co-created Dredd (specifically his visual portrayal) with John Wagner (who was more responsible for the character’s concept). The script was written by John Wagner together with Alan Grant. This was one of their early Dredd collaborations – there were eventually many, and though they had collaborated before on Dredd, I have a feeling that this was the first time that they did all of a Dredd saga together. On this occasion the writing team did so pseudonymously under the moniker T. B. Grover.

There were also artists involved with cover art. Lettering was done by the legendary Tom Frame.

Originally, when the stories were first printed in 2000AD back in 1981/2, each weekly episode was six pages long with just the first two, which covered the comic’s centrefold being in colour: the rest were black and white. (2000AD itself did not go full colour until 1991 but did have some extra colour pages before then in addition to the centrefold.) The first graphic collection of the stories, if my memory serves, was in 1984 by Titan Books. This was a two-volume set and published throughout in black and white: even what were originally the colour centrefolds were black and white in this first graphic novel edition.

Then, in 2003, Titan reprinted the saga in a single volume as a hardback and then reprinted the following year as a large format (outsized A4) paperback (allowing a rendition of the strip in approximately the same size as the original). For a while Hamlyn – Egmont took over from Titan to produce 2000AD graphic collections. When Rebellion took over publishing 2000AD from Fleetway (a part of Egmont) in 2000 (yes, in 2000AD!), they soon published their own graphic collections. Here, in the main, these Rebellion graphic novels are published in a slightly reduced-sized format, but this particular edition is different…

As mentioned earlier, this edition of The Apocalypse War is published as part of a new series called Essential Judge Dredd and is in full color and is in a slightly larger format to the usual Rebellion Judge Dredd graphic novels. So again rendition of the strip in approximately the same size as the original comic.

This Essential Judge Dredd series is a really neat idea as, as with this saga, the early Dredd stories were originally published over four decades ago. Assuming a younger reader age of say 10, that means that today, anyone under the age of 50 is unlikely to have encountered these Dredd tales the first time around (something that really ages me). Therefore these reprints are vital for the new generation of Dredd fans if they are to catch up and appreciate the character’s history and ethical background.

Finally, a word about The Apocalypse War’s social context. 2000AD writers are socially aware and were so way back when it all began in 1977. Writers John Wagner and Alan Grant (as T. B. Grover when this story was first published) regularly went through the newspapers for news stories that they could then take to the next level and satirize in a Dredd story.  This is why Judge Dredd seems prescient about the slow creep of Britain towards a police state. What younger readers may not realize was the international tension in the 1960s and through to the early 1980s between the Soviet Union and NATO was palpable: there was a real threat of nuclear war. (I recall being on a bio’ geo’ fieldtrip in 1980 to hear on breakfast radio that overnight NATO had increased its Defcom status.) Today, we have climate extinction marches, but back then it was ban the bomb. Dramatized documentaries such as The War Game (1966) and the Threads (1984) film really were terrifying. This fear of nuclear war was a real cultural phenomenon and even influenced the popular music charts with things like Frankie Goes To Hollywood’s number one in the charts hit Two Tribes (1984). The original six-month run of “Block Mania”/”Apocalypse War” was conceived by Grant and Wagner as a satire on the then, and indeed current, policy of “mutually assured destruction” (MAD).

Today, with a mad man and his cronies in the Kremlin not afraid of over 100,000 casualties (so far) of his own people in pursuance of his brainless war with Ukraine for Orwellian, fictional reasons, we see an uncaring leader that very much echoes that of Supreme Judge Josef Bulgarin. When he is informed of the likely Sov casualties (up to 12%) in the early phase of the conflict, he is asked whether or not the Sov people should be informed as to what is coming and why? To which Bulgarin answers: “The people? What have they got to do with it?”  It is hard not to feel that somehow Wagner and Grant got hold of a newspaper over four decades into their future…

++ Jonathan Cowie

Pixel Scroll 3/30/22 Everybody In This Scroll Is Wearing A Pixel, And Don’t Kid Yourself

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(1) GAME MAKER SETTLES HARASSMENT SUIT. “Activision Blizzard to pay $18 million to harassment victims” reports the LA Times. However, a number of other such suits remain active.

Activision Blizzard agreed to set up an $18-million fund for employees who experienced sexual harassment or discrimination, pregnancy discrimination or retaliation as part of a settlement with a federal employment agency Tuesday.

The consent decree, which a federal judge said she intended to sign after a hearing Tuesday, comes in response to a lawsuit filed against the Santa Monica video game company in September by the Equal Employment Opportunity Commission, which alleged that Activision employees were subject to “severe” and “pervasive” sexual harassment in the workplace.

Anyone who worked at the company after September 2016 and believes that they were subject to harassment, discrimination or retaliation will be eligible to apply for a share of the cash payout. The company officially denied all wrongdoing as part of the settlement, which also included requirements for regular audits overseen by the federal agency over the next three years, changes to workplace policies and anti-harassment training.

(2) MARK YOUR WESTEROS CALENDAR. TechRadar reports “Game of Thrones prequel House of the Dragon finally has a release date on HBO Max”.

Game of Thrones spin-off House of the Dragon has finally been given a release date on HBO Max – and fans don’t have long to wait for Westeros’ return.

The 10-episode series, based on George R. R. Martin’s 2018 novel Fire and Blood, will begin streaming in the US and other HBO Max territories on August 21. Those in the UK will be able to access episodes at the same time as their US counterparts (on the morning of August 22) on Sky Atlantic and Now TV.

House of the Dragon will tell the backstory of the Targaryen dynasty, with events taking place 200 years prior to the events of the original show. Fans were treated to an ominous teaser trailer for the series back in 2021, but we’d expect a full-length trailer to drop imminently, given the recent news confirming its release date….

(3) FLASHBACK TO 2000AD’S 40TH BASH. [Item by SF Concatenation’s Jonathan Cowie.] Alas, I could not make the 2017 event but one of my old college SF soc mates did a write up: “The 40th 2000AD anniversary event” at SF2 Concatenation.

PSIFA (my college SF society) has official permission from 2000AD (along with Cambridge U SF Soc) to have the Gronk as its mascot. We also visited its Command Module a couple of times back in the day (1979 and 1980) when it was based in London and had the 2000AD team as guests at one of our Shoestringcons, and Alan Grant as a guest of honour at one of our annual dinners. Indeed, at our college the SF soc was quite active as indicated by 2000AD being the second best-selling weekly (after New Scientist) at the college’s main campus Students Union shop.  So my links with 2000AD are somewhat historic. I must say, we never dreamed back then that it would last for the best part of half a century.  Indeed, I recall when some of us were chatting with them, that they themselves never thought the comic would last as evidenced by the fact they dubbed it with the then futuristic title 2000AD.  Well, we’re well past that milestone now…

The 40th anniversary celebratory bash cum one-day mini-con was very much a fan event with all the 2000AD Great & Good, script and art creator-droids present (there must been over 60 or so there), many with long queues for signings and sketches. And when the queues died off, you just wondered up for a chat. Tharg’s Nerve Centre and Pat Mills were particularly busy.

King’s Reach Tower, Tharg’s “Nerve Center”

(4) HONEY, I’M HOME. “NASA astronaut Mark Vande Hei, Russian cosmonauts return safely to Earth”, and the Washington Post assesses how the two countries’ support teams cooperated.

Two Russian cosmonauts and a NASA astronaut landed in a remote area of Kazakhstan on Wednesday after undocking from the International Space Station and flying back to Earth in a historic mission that came amid mounting tensions over the war in Ukraine.

…The landing marks the end of a triumphant mission for Vande Hei, whose 355 days in space set a record for the longest single spaceflight for an American. His safe return, along with his Russian counterparts Pyotr Dubrov and Anton Shkaplerov, also serves as a powerful symbol of partnership amid heightened tensions between the United States and Russia over the war in Ukraine — strain that has surfaced persistent questions about whether the relationship in space can endure.

Ever since Russia’s bloody invasion of Ukraine began more than a month ago, NASA has steadfastly maintained that the station has been operating normally and that its relationship of more than 20 years with the Russian space agency has been unaffected by the turmoil on the ground.

NASA deployed a team of about 20 personnel to Kazakhstan to retrieve Vande Hei, who would be whisked away in a helicopter to a NASA aircraft at a nearby airstrip. He is scheduled to fly directly back to Houston to be reunited with friends and family. The Russian and American teams appeared to be working well together in the recovery effort, which they have done many times before over their long partnership in space.

NASA has said it cannot operate the station without the Russians, which provide the propulsion that allows the ISS to keep its orbit and maneuver when needed. Russia needs NASA, as well, as the space agency provides power to the Russian segment of the station….

(5) GARRY LEACH (1954-2022). Artist Garry Leach died March 26 at the age of 67. The 2000AD website has an extensive tribute.

A modest and unassuming talent, by the time of his first work for 2000 AD – inking Trevor Goring’s work on the Dan Dare story ‘The Doomsday Machine’ in 1978 – his confident brushwork was already unmissable and although appearances were sporadic – whether on high-tech superspy series M.A.C.H.1 or on one-episode Future Shocks, including working with future collaborator Alan Moore – his self-assured style brought a solidity to its pages.

…His greatest and most famous work was co-creating the new Marvelman with Alan Moore in 1981. A revival of the unauthorised and believed-abandoned British version of Captain Marvel from the 1950s, this series for Dez Skinn’s Warrior anthology was a stunning deconstruction of the superhero genre that presaged Moore’s better-known work on Watchmen.

Garry’s sharp-lined realism brought a languid, sinewy quality to Marvelman that befitted Moore’s intense psychological script…. 

… After a spell working in advertising, Garry returned to comics in the late 1990s as John McCrea’s inker on Hitman, and worked for other DC Comics titles such as Legion of Superheroes, Monarchy and Global Frequency. He also inked fellow 2000 AD artist Chris Weston on J. Michael Straczynski’s The Twelve for Marvel Comics and returned to 2000 AD in 2004 to produce covers for the Judge Dredd Megazine….

(6) MEMORY LANE.

1978 — [Item by Cat Eldridge.] Forty-four years ago at IguanaCon II where Tim Kyger was the Chair and Harlan Ellison was the pro guest and Bill Bowers was the fan guest, Frederik Pohl’s Gateway wins the Hugo for Best Novel. 

The other nominated works for that year were The Forbidden Tower by Marion Zimmer Bradley, Lucifer’s Hammer by Larry Niven and Jerry Pournelle, Time Storm by Gordon R. Dickson and Dying of the Light by George R. R. Martin. 

It was serialised in the November and December 1976 issues of Galaxy prior to its hardcover publication by St. Martin’s Press. A short concluding chapter, cut before publication, was later published in the August 1977 issue of Galaxy. (Huh? Why was this done?) 

It would win damn near every other major Award there was as it garnered the John Campbell Memorial for Best Science Fiction Novel, the Locus Award for Best First Novel, the Nebula Award for Novel and even the Prix Pollo-your Award for Best Science Fiction Novel published in France. It was nominated for but did not win the Australian Ditmar Award. 

It of course the opening novel in the Heechee saga, with four sequels that followed. It is a most exceptional series.

I’m chuffed that Pohl was voted a Hugo for Best Fan Writer at Aussiecon 4. Who can tell what works got him this honor? 

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born March 30, 1928 — Chad Oliver. Writer of both Westerns and SF, a not uncommon pairing of occupations at the time he’s was active. He considered himself an anthropological science fiction writer whose training as an academic informed his fiction, an early Le Guin if you will. Not a terribly prolific writer, with just nine novels and two collections to his name over a forty-year span. Mists of Dawn, his first novel, is a YA novel, which I’d recommend as it reads a lot to similar what Heinlein would write. (Died 1993.)

Born March 30, 1930 — John Astin, 92. He is best known for playing as Gomez Addams in Addams Family, reprising his role in the Halloween with the New Addams Family film and the Addams Family animated series. A memorable later role would be as Professor Wickwire in The Adventures of Brisco County, Jr., and I’d like to single out his delightfully weird appearance on The Wild Wild West as Count Nikolai Sazanov in “The Night of the Tartar” episode.

Born March 30, 1948 — Jeanne Robinson. She co-wrote the Stardance Saga with her husband Spider Robinson. To my knowledge, her only other piece of writing was “Serendipity: Do, Some Thoughts About Collaborative Writing”‘ which was published in the MagiCon Program. (Died 2010.)

Born March 30, 1950 — Robbie Coltrane, 72. I first saw him playing Dr. Eddie “Fitz” Fitzgerald on Cracker way back in the Ninties. Not genre, but an amazing role none-the-less. He was Valentin Dmitrovich Zhukovsky in GoldenEye and The World Is Not Enough, with a much less prominent role as a man at an airfield in Flash Gordon being his first genre role. Being Rubeus Hagrid in the Potter franchise was his longest running genre gig. He’s also voiced both Mr. Hyde in the Van Helsing film and Gregory, a mouse, in The Tale of Despereaux film. 

Born March 30, 1958 — Maurice LaMarche, 64. Voice actor primarily for such roles as Pinky and The Brain (both of which Stross makes use of in The Laundry series) with Pinky modeled off Orson Welles, near as I can tell the entire cast of Futurama, the villain Sylar on Heroes, the voice of Orson Welles in Ed Wood, a less serious Pepé Le Pew in Space Jam, and, though maybe not genre, he’s voiced  Kellogg’s Froot Loops spokesbird Toucan Sam and  the animated Willy Wonka character in Nestlé’s Willy Wonka Candy Company commercials.

Born March 30, 1990 — Cassie Scerbo, 22. She’s only here because in researching Birthdays for this date, one site listed her as being a member of the cast of Star Trek: Progeny, yet another Trek video fanfic. Though IMDB has a cast listed for it, that’s about all I could find on it. If I was betting a cask of Romulan ale, I’d wager this was one of the productions that Paramount got shut down before it actually was shot.

(8) COMICS SECTION.

  • Existential Comics pits Iron Man against the Villains of Society. (And don’t miss the alt text.)

(9) THOSE GREAT EXPECTATIONS. Sarah A. Hoyt explains her concept of a “contract with the reader,” and what it took for her to learn the importance of foreshadowing in “Just Sign on the Dotted Line” at Mad Genius Club.

… There was for instance the notable book whose description says that Mr. Bennet had improved the family fortunes, and so Lizzy and Darcy met on equal footing, which I stopped reading halfway through.

It wasn’t because our protagonists had not yet met. Yes, sure, the promise of any Jane Austen fanfic is that the couple will meet and have a happy ever after. I could have stayed with it, if they were having adventures leading up to “Everything between them changed in these ways.” It was that with that premise, the writer proceeded to give us exactly how Mr. Bennet improved family fortunes. To do her credit, she’d researched regency money and investment structures, and landowning, and how to improve land, and the price of cereals and….. Did I just fall asleep and drool on the table?

Yeah, after a first chapter that introduces the Bennet family, the author decided she’d suffered for her knowledge and we should too. When I got to the actual calculations pages, I gave up and hied to easier pastures. To be charitable, perhaps she’d been driven insane by the people who write regencies that assume that noblemen are businessmen, doctor is a revered status, and some dukes are accountants. It was still a major welshing on her contract with the reader.

Also in my own defense, my problems with foreshadowing were never as bad as the bad examples above. I just failed to establish the “range of the possible” in a book, and then had things happen that — to the reader — amounted to dropping an elephant from the ceiling onto the main character, with no warning….

(10) OCTOTHORPE. In episode 54 of the Octothorpe podcast, “John Coxon is dancing, Alison Scott is listening, and Liz Batty is Batman. We discuss the Chengdu Worldcon and the recent controversies they’re at the centre of, before moving onto discussing the FAAn Awards and books by Jo Walton and Naomi Novik.” Note: The episode was not yet loaded at the time this Scroll was posted.

A man with a beard wears a Necron-themed Christmas jumper, standing next to a Necron wearing an Octothorpe-themed Christmas jumper.

(11) ARTIFICIALLY INTELLIGENT STARGATE SCRIPT. Giant Freakin Robot announces “Richard Dean Anderson Joining The SG-1 Cast For New Stargate Episode”. (Subscription to The Companion is necessary to access the episode which is coming in May.)

When SG-1 entered its ninth season, Richard Dean Anderson ended his status as star and producer of the series. Instead, he opted to make several guest appearances. Now, much like his character, the former SG-1 star is being coaxed of retirement for a special reunion of the popular sci-fi show. According to Gate World, he is set to suit up Jack O’Neill for version 2.0 of Stargate A.I. The project, which was a table reading of a script written by artificial intelligence, was such a hit last November that The Companion has decided to give it another shot.

(12) FUTURE TRIAGE. In the Washington Post, Pranshu Verma says the US military is creating a program called In The Moment which would use AI to calculate military triage, while bioethicists debate whether it’s a good idea to let an algorithm determine who lives and who dies on the battlefield. “U.S. military wants AI to make battlefield medical decisions”.

…To that end, DARPA’s In the Moment program will create and evaluate algorithms that aid military decision-makers in two situations: small unit injuries, such as those faced by Special Operations units under fire, and mass casualty events, like the Kabul airport bombing. Later, they may develop algorithms to aid disaster relief situations such as earthquakes, agency officials said.

… Matt Turek, a program manager at DARPA in charge of shepherding the program, said the algorithms’ suggestions would model “highly trusted humans” who have expertise in triage.But they will be able to access information to make shrewd decisions in situations where even seasoned experts would be stumped.

For example, he said, AI could help identify all the resources a nearby hospital has — such as drug availability, blood supply and the availability of medical staff — to aid in decision-making.

“That wouldn’t fit within the brain of a single human decision-maker,” Turek added. “Computer algorithms may find solutions that humans can’t.”…

(13) THE NEED FOR SPEED. “Turing Award Won by Programmer Who Paved Way for Supercomputers”  — the New York Times has the story.

In the late 1970s, as a young researcher at Argonne National Laboratory outside Chicago, Jack Dongarra helped write computer code called Linpack.

Linpack offered a way to run complex mathematics on what we now call supercomputers. It became a vital tool for scientific labs as they stretched the boundaries of what a computer could do. That included predicting weather patterns, modeling economies and simulating nuclear explosions.

On Wednesday, the Association for Computing Machinery, the world’s largest society of computing professionals, said Dr. Dongarra, 71, would receive this year’s Turing Award for his work on fundamental concepts and code that allowed computer software to keep pace with the hardware inside the world’s most powerful machines. Given since 1966 and often called the Nobel Prize of computing, the Turing Award comes with a $1 million prize.

In the early 1990s, using the Linpack (short for linear algebra package) code, Dr. Dongarra and his collaborators also created a new kind of test that could measure the power of a supercomputer. They focused on how many calculations it could run with each passing second. This became the primary means of comparing the fastest machines on earth, grasping what they could do and understanding how they needed to change.

(14) CHIPS ON THE TABLE. With Love From Sweden has some big news about the country’s SJW credentials:  “Issue 66: The status of cats & scilla season”.

…Earlier this month riksdagen (the Swedish parliament) voted in favour of an amendment to the law on supervision of dogs and cats, which means that cats will soon have the same status as dogs. From January 1 2023, all cats in Sweden are to be registered and either chipped or tattooed – or the owners could face a fine. Cat shelters and other animal welfare organisations have advocated for this change for many years, to raise the status of the cat. According to the last count, there are approximately 1.159,000 cats in Sweden.

Since 2001, all dogs that live in Sweden need to be marked with an identity number and recorded in the dog register of the Swedish Board of Agriculture. The registered owner is responsible for the welfare and behaviour of the dog, and the same will go for cats. Many dogs were already id marked before 2001 and many cats are already id marked today….

(15) LONG TIME PASSING. “Hubble telescope detects most distant star ever seen, near cosmic dawn” – the Washington Post picks up the story from Nature.

A long time ago in a galaxy far, far away, there was a large and magnificently brilliant star that shined across the young, expanding universe. The starlight skewed blue. It was the cosmic morning, when everything in the universe was still new, raw, the galaxies still forming not long after the first stars had ignited and lit up the heavens.The light from that blue star traveled through space for billions of years, and then one day a few thin beams crashed into a polished mirror — the light bucket of the Hubble Space Telescope.

In a report published Wednesday in the journal Nature, a team of astronomers asserts that this is the most distant individual star ever seen. They describe it as 50 to 100 times more massive than our sun, and roughly 1 million times brighter, with its starlight having traveled 12.9 billion years to reach the telescope….

(16) EYE BEFORE AIYEE.The Sea Beast is a new animated feature from Netflix coming in July.

In an era when terrifying beasts roamed the seas, monster hunters were celebrated heroes – and none were more beloved than the great Jacob Holland. But when young Maisie Brumble stows away on his fabled ship, he’s saddled with an unexpected ally. Together they embark on an epic journey into uncharted waters and make history.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Spider-Man:  No Way Home,” the Screen Junkies say that Spider-Man. having played second fiddle to Iron Man, Iron Man’s personal assistant, and Iron Man’s astrologer, now has to play second fiddle to two other Spider-Men.  This “2 1/2 hour brain vacation” has “all the characters you loved” from the previous Spider-Man movies, “some of the characters you forgot about, and none of the characters Sony would like you to forget about.”

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Jeffrey Smith, John A Arkansawyer, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Russell Letson.]

45 Years of 2000AD

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By James Bacon: Forty-five years ago or thereabouts, on February  26, 1977, the first ‘prog’ of 2000AD was released by IPC magazines. The second issue dated March 5 a week later saw the debut of Judge Dredd. Since then, Rogue Trooper, Nemesis the Warlock, Halo Jones, Sláine, Judge Anderson, Strontium Dog, Roxy and Skizz, The ABC Warriors, Bad Company and Proteus Vex are just some of the characters and stories that have emanated from the comic that was started by Pat Mills and John Wagner. Some have gone on to be in computer games, especially as the comic was purchased by Rebellion developments in 2000, and Judge Dredd has been brought to the silver screen twice. 

Addictive and enjoyable stories of the fantastic, written and drawn by some of the greatest comic creators of the latter part of the 20th century, they often related to the current, utilizing Science Fiction to obscure issues about violence or subversiveness, but reflecting metaphorically about the now of the time. Judge Dredd was an extrapolation of how bad authority could become. A number of stories came too close to the bone in the 1970’s including in Prog 71 and 72 which featured the Battle of the Burger Barons story with McDonald’s led by Ronald McDonald and Burger King going to war. If that wasn’t enough, Prog 77 and 78 featured many characters, such as the Jolly Green Giant, Col. Sanders, The Michelin Man and although most companies didn’t engage, Jolly Green Giant did sue, and this story has not been reprinted.

An example of unfortunate agelessness may be the ‘Invasion’ story of Bill Savage that featured in 2000AD in the 1970’s and 2000’s. ‘Invasion’ themed stories were common throughout British comics, from Will O the Whistle in Victor to Holocaust Squadron in Warlord. These stories with a hard hint of Jingoism and usually with an Eastern European or Asian aggressor invading Britain, extrapolated on a Third World War scenario. The Pat Mills and Gerry Finley-Day story ‘Invasion’ and subsequent anti-authoritarian ‘Savage’ with art by Charlie Adlard had a more thoughtful approach. Although one felt that the Invasion theme was now confined to history, to be considered and analyzed, it appears that it is suddenly and dreadfully now a current situation. 

In the 1980’s the comic Crisis, a considered and thoughtful ongoing anthology from the 2000AD stable featured stories with a hard political view, reflecting on subjects from the Northern Ireland Troubles, Tiananmen Square to near future Third World War with multinationals exploiting poorer countries. Recently readers have been offered further stories which drive political thoughtfulness, and this has been most prominent with Dreadnoughts, which took an insightful near future look from now at the creation of the Judges, who become the police, detective, judge, jury and executioner all in one in the Judge Dredd historical timeline. Prog 2270 celebrated the anniversary with a Brian Bolland cover. 

Bolland cover

A confluence of occurrences is now about to occur, which through design or synchronicity will offer various opportunities to fans to see, engage and share appreciation for ‘The Galaxy’s Greatest Comic’.

A celebration of 45 years of 2000 AD will occur online and free on this weekend on March 26 and 27 on 2000 AD’s social media channels and YouTube, and Rebellion’s dedicated Twitch stream. This two-day event has a considerable amount of talent engaging with fans, while all panels available to watch on YouTube afterwards. The full schedule is available here: https://2000ad.com/news/the-galaxys-greatest-full-schedule-announced

Comic creatives who have been announced include John Wagner, Pat Mills, Mick McMahon, Brian Bolland, Garth Ennis, Rob Williams , Alex de Campi (Archie vs Predator), Sean Phillips,  Vincent Deighan (Frank Quitely), Jock, Anna Morozova, Micheal Carroll and John McCrea amongst others. A full list of creatives is available in the Rebellion website https://2000ad.com/2000ad-45th-anniversary/

The 2000AD team have also invited a wide and varied selection of 2000AD readers from other professions, and this will see Ian Rankin, Lauren Beukes, Louie Stowell discussing their view as authors, Kelly Kanayama looking beyond  borders in 2000AD with British writer currently in Seattle Arthur Wyatt, Irish writer Michael Carroll and American artist Chris Burnham and fascinatingly Ministers for Parliament Stella Creasy and Alex Sobel on a panel with political journalist Ian Dunt on a panel discussing politics in 2000AD with MIke Molcher. How often have elected politicians been on panels? 

Pat Mills and John Wagner will also be interviewed and with a total of 21 programme items, it’s a comprehensive weekend of online activity. 

James with Calum at Glasgow. Where has that two years gone?

Also on March 26, the Commando and British Comic swap meet is being held at the 29th Glasgow Scout Group, Cameron Halls in Glasgow. The one-day event features a number of guests, Commando and 2000AD artist Graeme Neil Reid, 2000AD artist Colin MacNeil, Commando editor Calum Laird and Commando writer Colin Maxwell. The event will be occurring in person, and there are Covid precautions in place. The previous iteration of the Glasgow event took place on March 13, 2020 and based on the success of the Watford Swap meet and return of comic conventions and marts, a number of fans are travelling to it. The late Ian Kennedy who passed away on February 5 this year was due to be a guest, and he will be well remembered by those present, and missed.

Starting at 10:00 a.m., entry to the event is a pound for adults and kids go free. All proceeds from the door, raffle and other fund raising activities go to 29th Glasgow Scout Group. The venue is a 15-min train ride from Glasgow Central.  These swap meets are great fun, low key relaxed events where there is considerable chat, and where one can find fans helping one another out. 

Although there is a clash with the 2000AD online event, this writer will be joining those heading north. 

Currently at the Cartoon Museum in central London to tie in with the  celebration of 45 years of 2000AD with a Dredd @45 focused exhibition of eight pieces, and they span a considerable amount of time, and give a quick look at the character. There is a lot more to see at the Cartoon Museum. 

Later in May on the 28th & 29th, Lawless will take place at the Doubletree in Bristol. This convention, a celebration of all things 2000AD with talks, panels, and a large number of artists and writers, will be occurring in Bristol.  There’s a community feel to the event, but this is fed by the professionals. At the last one in 2019, comic artist and historian David Roach kindly brought some of his art collection, to share with fans all by the late Carlos Ezquerra who was being celebrated. Lawless attracts large numbers of professionals but welcomes hundreds of fans. Cosplay is a strong component, Judges from many territories appear, and every year more ingenious characters from the world of Judge Dredd make an appearance. With 29 comic professionals announced as guests, including Brian Bolland, John Higgins, Mike Dorey, Karen Holloway, Abigail Bulmer and Sally Jane Hurst, it presents excellent coverage of the whole history of the comic, as well as the unique opportunity to meet, engage, share a pint with and chat to professionals.  

Our Irish Fan in London will hopefully report on some of these ongoings.

Pixel Scroll 3/17/22 If You Can’t Handle Me At My Pixel, You Don’t Deserve Me At My Scroll

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(1) PLEASE, MAY I HAVE SOME MORE? “Editorial Resignations At Big Houses Spark Reckoning” reports Publishers Lunch. Of the four departed editors, one worked for Tor and two for Orbit.

Multiple resignations from the editorial departments at two big houses caused an online reckoning on Friday. Four editors, Angeline Rodriguez and Hillary Sames at Orbit, Erin Siu at Macmillan Children’s, and Molly McGhee at Tor all announced their resignations, leading to a discussion about the workload of junior and mid-level employees and the difficulty of advancement across the industry. The online exchange brought into the open the frustrations of increased workload, burnout and turnover that have been brewing as the pandemic continues. Those feelings are intensified as big publishers report record sales and earnings, even as multiple people report on Twitter they believe their employers are not sufficiently reinvesting those proceeds in additional staff, systems and raises.

At the heart of the discussion was McGhee’s resignation letter which she posted on Twitter….

McGhee’s interview with the New York Times ran under the headline “When Will Publishing Stop Starving Its Young?”

… On March 11, McGhee joined a group of junior and midlevel employees who exited the publishing industry, blaming low pay, unrealistic workloads and burnout. For context: It is extremely difficult, if not impossible, to live in or near New York City (epicenter of bookmaking) on an entry-level publishing salary. Add school loans, subtract a second job or additional subsidy and you risk being factored out of a career in letters before the ink on your college diploma has had a chance to dry.

“As some of you may have heard, today is my last day at Tor Books,” McGhee wrote in the resignation letter she shared on Twitter. “My promotion request was denied, and as such I am leaving as my first acquisition (the marvelous THE ATLAS SIX by Olivie Blake) debuts at number three on The New York Times Bestsellers List.” She goes on, “Making the NYT is a career high for an editor. It is rare for an assistant to do so and, by all accounts, this should be ‘a great beginning’ and not a heartbreaking end.”

McGhee also cites “the invisibility of the junior employee’s workload” as one of her reasons for leaving Tor. As Blake writes in her novel, “We are the gods of our own universes, aren’t we?” Indeed we are. But gods cannot live on ramen alone….

The text of McGhee’s March 11 message follows:

(Click for larger images.)

(2) ESA AND ROSCOSMOS BREAKUP. The European Space Agency has suspended the ExoMars rover after Russia’s invasion of Ukraine. The ESA ruling council “acknowledged the present impossibility of carrying out the ongoing cooperation with Roscosmos on the ExoMars rover mission with a launch in 2022” – “ESA – ExoMars suspended”.

As an intergovernmental organisation mandated to develop and implement space programmes in full respect with European values, we deeply deplore the human casualties and tragic consequences of the aggression towards Ukraine. While recognising the impact on scientific exploration of space, ESA is fully aligned with the sanctions imposed on Russia by its Member States.

ExoMars

ESA’s ruling Council, meeting in Paris on 16-17 March, assessed the situation arising from the war in Ukraine regarding ExoMars, and unanimously:

  • acknowledged the present impossibility of carrying out the ongoing cooperation with Roscosmos on the ExoMars rover mission with a launch in 2022, and mandated the ESA Director General to take appropriate steps to suspend the cooperation activities accordingly;
  • authorised the ESA Director General to carry out a fast-track industrial study to better define the available options for a way forward to implement the ExoMars rover mission.

Space Transportation

Following the decision by Roscosmos to withdraw their personnel from Europe’s Spaceport in French Guiana, all missions scheduled for launch by Soyuz have been put on hold. These concern essentially four institutional missions for which ESA is the launch service procurement entity (Galileo M10, Galileo M11, Euclid and EarthCare) and one additional institutional launch.

Consequently, the ESA Director General has initiated an assessment on potential alternative launch services for these missions, which will include  a review of the Ariane 6 first exploitation flights.  A robust launch manifest for ESA missions’ launch needs, including for spacecraft originally planned for launch by Soyuz from Kourou, will be submitted to Member States.   

Likewise, “Russia’s War in Ukraine Threatens Joint Missions to Mars, Venus and the Moon” reports Scientific American.

… The strife is impacting otherworldly missions as well: Consider Russia’s nascent Venera-D mission, a proposed orbiter and lander meant to blast off for Venus in 2029. The U.S. had been considering allowing NASA to collaborate on Venera-D, perhaps by contributing scientific instruments. But, citing retaliatory sanctions, Russia’s space leadership deemed continued U.S. participation in the project “inappropriate.”…

(3) RUNAWAY SUCCESS. Brandon Sanderson’s record-breaking Kickstarter, “Surprise! Four Secret Novels by Brandon Sanderson by Dragonsteel Entertainment”, had raised $29,710,529 when I checked today. With 14 days remaining it will obviously break $30 million and then some.

(4) MS. PRESIDENT. “Stacey Abrams makes surprise appearance on Star Trek as president of Earth” – Yahoo! has the story.

Stacey Abrams just boldly went where no Georgia gubernatorial candidate has gone before.

Abrams, the Georgia politician who’s running for governor of the state this year, had a surprise cameo in the latest episode of Star Trek: Discovery, appearing as the president of United Earth.

A scene at the end of the season four finale, “Coming Home,” introduces the United Earth president, and Abrams gets several lines, announcing that “United Earth is ready right now to rejoin the Federation, and nothing could make me happier than to say those words.” She also has a discussion with Discovery‘s main character, Michael Burnham (Sonequa Martin-Green), about Earth rejoining the Federation, and this scene closes the episode….

(5) MOFFAT’S NEXT SHOW. “The Time Traveler’s Wife shares trailer for new Steven Moffat series” – Radio Times sets the frame.

Sky has released the official teaser trailer for Steven Moffat’s adaptation of The Time Traveler’s Wife, which will air on Sky Atlantic and NOW in May.

… The six-episode series is the second major adaptation of Audrey Niffenegger’s popular novel of the same name, following the 2009 film starring Rachel McAdams and Eric Bana, once again telling the story of a marriage that threatens to be torn apart by time travel. Alongside Leslie and James, the cast also includes Desmin Borges, Natasha Lopez, Kate Seigel and Michael Park.

Of course, it’s not Moffat’s first time dealing with time travel – following his hugely successful stint as Doctor Who showrunner between 2009 and 2017 – but he’s been on record to explain that the two shows share little in common beyond that superficial similarity.

(6) I’VE SEEN THAT FACE BEFORE. [Item by Olav Rokne.] Well, this will certainly be out of the price range of us mere mortals… Virgil Finlay’s “Portrait of Robert A. Heinlein” will be up for auction on April 15. “This lot is accompanied by a letter signed by the artist and dated August 5, 1953.”

(7) MEDIA BIRTHDAY.

2006 — [Item by Cat Eldridge] Doctor Who ended back in 1989 when the Seventh Doctor as played by Sylvester McCoy had his final story, “Survival.” No indication was given beforehand that the show was being cancelled. 

A year after the BBC revived by the show in the UK, Doctor Who returned in the U.S. “Rose” was broadcast in the States on March 17, an episode named for the Billie Piper character who was the first modern companion. Christopher Eccleston played the Ninth Doctor.  Briefly. Note that there is no regeneration scene here. Of course as we know there were other Doctors between the Seventh Doctor and this Doctor. Indeed the numbering is suspect, isn’t it? 

So how was the reception for this new Who? The New York Times liked it: “In most previous versions of the show, so little was going on between the Doctor and his female companions that fans took to making up sex scenes on the Internet, much the way ‘X-Files’ buffs tried to fantasize a little action between Scully and Mulder. But between the Doctor and Rose there is genuine, old-fashioned chemistry, and their interaction, which occasionally takes on the aspect of screwball comedy, is much the best thing in the show.” 

And Radio Times succinctly put it, “Think big. Think bold. Think fantastic! For the very first time, Doctor Who achieves a perfect blend of big screen and small screen.”

Season One over at Rotten Tomatoes holds a near perfect ninety-six percent rating among audience reviewers. 

The entire new series is streaming on HBO Max. The older series is on a number of streaming services of a British nature.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 17, 1846 — Kate Greenaway. Victorian artist and writer, largely known today for her children’s book illustrations. So popular was she and her work that the very popular Kate Greenaway Almanacks appeared every year from 1883 to 1895. Among her best-known works was her edition of Robert Browning’s The Pied Piper of Hamelin, Rosa Mulholland’s Puck and Blossom and Bret Harte’s Pirate Isle. (Died 1901.)
  • Born March 17, 1906 — Brigitte Helm. German actress, Metropolis. Her first role as an actress, she played Maria and her double, the Maschinenmensch, plus several uncredited roles as well.  She’s got some other genre credits including L’Atlantide (The Mistress of Atlantis) and Alraune (Unholy Love). Her later films would be strictly in keeping with the policies of the Nazis with all films being fiercely anti-capitalist and antisemitic. (Died 1996.)
  • Born March 17, 1945 — Tanya Lemani, 77. Iranian-born actress who is one of the victims of Star Trek’s “Wolf in the Fold” as the dancer Kara. She has appeared on the original Fantasy Island, Get Smart, I Dream of Jeannie, The Bionic Woman, and The Man from U.N.C.L.E. in one-offs.
  • Born March 17, 1933 — Penelope Lively, 89. I’ve actually mentioned her before as Catherine Butler did a work in part on her, Four British fantasists: place and culture in the children’s fantasies of Penelope Lively, Alan Garner, Diana Wynne Jones, and Susan Cooper. She’s here because I’m very fond of one of her novels, The Wild Hunt of Hagworthy, having a great liking for fiction about that story. She’s won the Booker Prize for Moon Tiger and the Carnegie Medal for British children’s books for The Ghost of Thomas Kempe.
  • Born March 17, 1941 — Paul Kantner. A founder of Jefferson Airplane which would become Jefferson Starship. The Dragonfly album, particularly “All Fly Away” and “Hyperdrive” is very genre as well as much of the Jefferson Airship output is genre. “Hyperdrive” would be used in the opening ceremonies at MidAmeriCon (1976). (Died 2016.)
  • Born March 17, 1947 — James Morrow, 75. Author of the most awesome Godhead trio whose first novel, Towing Jehovah, won a Nebula and a World Fantasy Award and was nominated for a Hugo at Intersection. I’m also impressed by The Last Witchfinder as it’s told by a sentient book, Isaac Newton’s Principia Mathematica! 
  • Born March 17, 1948 — William Gibson, 74. I’ve read the Sprawl trilogy more times than I can remember and likewise the Bridge trilogy and The Difference Engine. He won a Hugo at Aussiecon Two for Neuromancer, his only such win, though he had other nominations including for the other two novels in the Sprawl trilogy.
  • Born March 17, 1951 — Kurt Russell, 71. I know I saw Escape from New York on a rainy summer night in a now century-old Art Deco theatre which wasn’t the one I later saw Blade Runner in. I think it’s much better than Escape from L.A. was. Of course there’s Big Trouble in Little China, my favorite film with him in it. And let’s not forget Tombstone. Not genre, you say. Maybe not, but it’s damn good and he’s fantastic in it.

(9) COMICS SECTION.

(10) YOU BE THE JUDGE. All Squaxx dek Thargo may want to know there’s going to be a “Star-studded online convention to celebrate 45 years of 2000 AD”. It’s free and happening on March 26-27.

Featuring celebrity fans and legendary creators, The Galaxy’s Greatest will stream online and for free on 26 and 27 March on 2000 AD’s social media channels and YouTube, and Rebellion’s dedicated Twitch stream.

The two-day show will feature top flight guests on more than a dozen panels, all discussing the impact of 2000 AD on comics and culture over almost half a century, as well as announcements and new merchandise.

… The event will throw a spotlight on the people who have helped make 2000 AD the galaxy’s greatest comic, with creators both new and legendary sharing their stories and insights on the comics-making process — including a feature interview with the co-creator of Judge Dredd and Strontium Dog, John Wagner, as well as panels with Garth Ennis (The Boys, Preacher), Rob Williams (Suicide Squad), Alex de Campi (Archie vs Predator), Sean Phillips (Criminal), Anna Morozova (Judge Anderson), John McCrea (Hitman), Dan Cornwell (Rok of the Reds), Aleš Kot (Zero), and more to be announced.

The next 45 years of 2000 AD will also be discussed with owners and publishers Chris Kingsley OBE and Jason Kingsley OBE, and current editor Matt Smith – now the longest serving editor in 2000 AD history….

(11) SQUELCH THAT RUMOR. Radio Times eavesdrops while “Catherine Tate addresses Doctor Who return rumours”.

…The Donna Noble star has been heavily linked with a return to the sci-fi show in recent months, with rumours that she might rejoin the cast for the upcoming 60th anniversary special.

And she addressed those rumours during an appearance on The One Show to promote her new film The Nan Movie, telling Jermaine Jenas that she “probably started a lot of them” herself.

“What can I tell you? No, I wish it was [true],” she said. “Well, no one’s been in touch.”

But she added: “I’m on the same number, I’d just like to say. So, if you’ve got the money, I’ve got the time.”

(12) OCTOTHORPE.  John Coxon has COVID, Alison Scott wanted to do a podcast, and Liz Batty had no better offers. So it’s a short episode of the hosts answering Cora Buhlert’s questions. Listen to Octothorpe 53  here: “It Was John’s Idea”.

(13) BREAKFAST IS SERVED ON ARRAKIS. The New York Times was initiated into “The Secret Sounds of ‘Dune’: Rice Krispies and Marianne Faithfull”.

…We were at Zuma Beach on the kind of warm March afternoon that New York readers would surely prefer I not dwell on, and Villeneuve’s Oscar-nominated sound editors Mark Mangini and Theo Green were nearby, pouring cereal into the sand. This wasn’t meant to provoke any sea gulls; Mangini and Green wanted to demonstrate the sound-gathering techniques they used to enliven Arrakis, the desert planet where the “Dune” hero Paul Atreides (Timothée Chalamet) discovers his destiny.

 “One of the most compelling images in the film is when Paul first steps foot onto the planet,” Mangini said. Since the sand on Arrakis is laced with “spice,” a valuable and hallucinogenic substance, the sound designers had to find an audible way to convey that something special was underfoot.

By way of explaining it to me, Mangini ground his work boot into the soft patch of sand that he had dusted with Rice Krispies. The sand produced a subtle, beguiling crunch, and Villeneuve broke out into a big smile. Though he’d heard it plenty of times in postproduction, he had no idea what the sound designers had concocted to capture that sound.

“One of the things I love about cinema is the cross between NASA kind of technology and gaffer tape,” Villeneuve said. “To use a super-expensive mic to record Rice Krispies — that deeply moves me!”…

(14) FLY LIKE AN EAGLE. [Item by Mike Kennedy.] Time keeps on slippin’, slippin’, slippin’ into the future… At least that’s what the Steve Miller Band assured me in their 1976 hit Fly Like an Eagle. Perhaps they assured Elon Musk the same thing (though he’d only have been 5 at the time).

In 2016, Musk told us that humanity would land on Mars by 2024. In late 2020, he revised the landing date to 2026. Now he’s telling us 2029. This is hardly the first time that Musk has been forced to change projections for one of his ventures. Nor is it the first time a targeted date for anyone’s space launch has slipped.

To me, 2029 still seems ambitious given where we are. But, if Musk (or someone else) does manage to hit that date, it’ll be 60 years after the Eagle landed on the Moon. Assuming I live that long (and am still compos mentis), it’d be extraordinary to witness both landings in one lifetime. “Elon Musk Has New Estimate for When Humans Might First Step on Mars” at CNET.

… Starship, which SpaceX is designing to take astronauts to the moon for NASA and eventually to Mars, has made some successful high-altitude flights, but has yet to make it to space.

Musk has made noise over the past two years about federal launch regulations slowing the process of reaching Mars and recently even floated the specter of bankruptcy if SpaceX isn’t able to produce Starship’s raptor engines more rapidly.

Unsurprisingly, getting to Mars takes planning. As Mars and Earth move around the sun, the two planets move closer to one another and then farther away again. To take advantage of the times when the trip between the two worlds is shortest requires launching during certain windows. The ideal Mars launch windows for this decade are later this year, late 2024, late 2026 and late 2028/early 2029. 

It’s looking as though Musk’s initial ambitions may have been overly optimistic. If his target date slips much further, into the 2030s, it will be more in the ballpark of when NASA has always been aiming in terms of sending the first astronauts to Mars…. 

(15) BEHIND THE LINES. Enjoy “Greener Grass” a Star Wars short film made with Unreal Engine 5.

(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Harry Potter and the Prisoner of Azkaban Pitch Meeting” Ryan George says in the third Harry Potter movie, Voldemort isn’t around but Dumbledore still gets to give his annual address on the many ways Hogwarts students can die.  And when asked why Hogwarts could produce a book of monsters that is an actual monster, the writer answers, “It’s clear wizards don’t have any consumer protection laws.”

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Rich Horton, Gary Farber, Olav Rokne, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Olav Rokne.]

2000AD Sci-Fi Special: Global Justice

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Review by James Bacon: The traditional summer special edition of 2000AD has always been a fun read, usually a selection of stories, showcasing the best characters of the British anthology weekly comic. This year, there has been a subtle change, and it’s quite inspired and brilliant. While we have had linked stories in specials before, this comic has six stories set in the Judge Dredd world, but across the planet, with a Dredd story top and tailing the special. 

Writers Michael Carroll and Maura McHugh have plotted and overseen this ‘Dreddworld’ story, based on a concept from Matt Smith, the 2000AD editor, and they worked to craft an overall arc  across six different stories, providing the reader with a cracking piece of entertainment bringing in quite the selection of classic and popular 2000AD characters. With 4 different stories taking place in different locations, the variety of artwork does not at all jar the reader, rather it sits very well as we change city. 

The cover sets the tone, we see the planet earth, with Dredd, PSi Anderson, Judge Armatige from Brit-Cit, Chopper from Oz, Judge Inspector Inaba and Devlin Waugh, and so we follow them. 

Dredd comes to the assistance of Cursed Earth Coburn, who is in the middle of a riotous situation after a nuclear waste incident, where innocents have been killed,  and the involvement of the large corporate responsible for the site, whose senior management is immediately onhand way too quickly makes it murky, but there is a supernatural element and so we travel, around the globe and with other writers and artists, we follow the story, each distinct and individual, but forming part of the puzzle, enlightening the reader as we see Toxic waste being dumped in Oz, and paranormal activity in Hondo City, and while there feels like Big Corp conspiracy is at hand, there is considerable paranormal activity too. 

The Judge Anderson story, written by McHugh with incredible art by Anna Morozova is fabulous, Pippa Bowlands colour work definitely enhances this story, but as one gets to this story, the situation becomes clearer. 

The damage that humanity have done to the planet, in this science fiction post nuclear apocalypse future is staggering, and it continues  apace, and it literally comes back to haunt and as we come to the final chapter, back where we started, Mike Carroll and Maura McHugh bring it all together.

A very enjoyable and fun read, bringing together some fabulous aspects of the Dredd universe. 

Credits: Biohazard by Mike Carroll and Ben Willsher; Chopper: Dreamgazer by David Baillie and Tom Foster; Armitage: Natural Fern Killer by Liam Johnson and Robin Smith; Hondo City Justice: Daughters of Uranium by Karl Stock and Neil Googe’ Judge Anderson: All Will Be Judged by Maura McHugh and Anna Morozova; and Apotheosis, by Mike and Maura, James Newell.

Sample interior pages follow the jump.

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