It is bittersweet news we bring to you today. As you know we have diligently kept our eyes on the situation surrounding COVID-19 and evaluating what we should do in the best interest of our community, our organization, and the community at large.
It is with both sadness, but also with hope, that I am able to announce that the Westin has offered to move our contract to April 2021. This means that Penguicon 2020 has officially been cancelled.
(3) TODAY IN HISTORY.
March 26, 1989 — Quantum Leap premiered. Created by Donald P. Bellisario (Tales of The Golden Monkey, AirWolf), it starred Scott Bakula as the time-travelling Sam Beckett and Dean Stockwell as his holographic contact from the future, Admiral Al Calavicci. The series would air on NBC for five seasons gaining a large following after a mediocre start. It has a stellar 97% rating by the audience at Rotten Tomatoes. You can se the pilot here.
March 26, 2005 — The modern era of Doctor Who premiered with the airing on BBC of “Rose”. Starring Christopher Ecclestone as the Ninth Doctor and Billie Piper as Rose Tyler with Camille Coduri as Jackie Tyler and Noel Clarke and Mickey Smith, Russell T Davies was the showrunner snd scriptwriter for that episode which you can see here.
(4) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 26, 1850 — Edward Bellamy. Looking Backward: 2000–1887 is really the only work that he’s remembered for today. It’s interesting if more than a bit stifled in its language style. He wrote two other largely forgotten works, Dr. Heidenhoff’s Process and Miss Ludington’s Sister: A Romance of Immortality. (Died 1898.)
Born March 26, 1920 — Alex Comfort. No smirking please as we’re adults here. Yes, he’s the author of The Joy of Sex but he did do some decidedly odd genre work as well. Clute at EoSF notes that his “first genuine sf novel, Come Out to Play (1961), is a near-future Satire on scientism narrated by a smug sexologist, whose Invention – a potent sexual disinhibitor jokingly called 3-blindmycin (see Drugs) – is accidentally released over Buckingham Palace at the Slingshot Ending, presumably causing the English to act differently than before.” (Died 2000.)
Born March 26, 1931 — Leonard Nimoy. I really don’t need to say who he played on Trek, do I? Did you know his first role was as a zombie in Zombies of the Stratosphere? Or that he did a a lot of Westerns ranging from Broken Arrow in which he played various Indians to The Tall Man in which at least his character had a name, Deputy Sheriff Johnny Swift. His other great genre role was on Mission: Impossible as The Great Paris, a character whose real name was never revealed, who was a retired magician. It was his first post-Trek series. He of course showed up on the usual other genre outings such as The Twilight Zone, The Man from U.N.C.L.E., The Outer Limits, Night Gallery and Get Smart. And then there’s the matter of “The Ballad of Bilbo Baggins.” (Died 2015.)
Born March 26, 1942 — Erica Jong, 78. Witches which has amazing illustrations by Joseph A. Smiths is very much still worth your time nearly forty years on. ISFDB also lists Shylock’s Daughter: A Novel of Love in Venice which is a time travel story but it certainly sounds more like a romance novel to me.
Born March 26, 1950 — K. W. Jeter, 70. Farewell Horizontal may or may not be punk of any manner but it’s a great read. Though I generally loathe such things, Morlock Night, his sequel to The Time Machine , is well-worth reading. I’ve heard good things about his Blade Runner sequels but haven’t read them. Opinions please.
Born March 26, 1951 — Brian Bolland, 69. Best remembered as one of the most memorable Judge Dredd artists for 2000 AD, he also did crack work on Camelot 3000 and The Killing Joke as well. The latter received an Eisner Award for Best Graphic Album.
Born March 26, 1953— Christopher Fowler, 67. I started reading him when I encountered his Bryant & May series which though explicitly not genre does feature a couple of protagonists who are suspiciously old. Possibly a century or more now. The mysteries may or may not have genre aspects (some such as Seventy Seven Clocksare genre) but all are wonderfully weird. Other novels by him which I’d recommend are Roofworld and Rune which really are genre, and Hell Train which is quite delicious horror.
Born March 26, 1985 — Keira Knightley, 35. To my surprise and this definitely shows I’m not a Star Wars geek, she was Sabé, The Decoy Queen., in The Phantom Menace. Next up for her is Princess of Thieves, a loose adaptation of the Robin Hood legend. Now I didn’t see that but I did see her in Pirates of the Caribbean: The Curse of the Black Pearl as Elizabeth Swann though I’ll be damned if I remember her role. (She’s in several more of these films. Rinse. Lather. Repeat.) I saw her as Guinevere, an odd Guinevere indeed, in King Arthur. Her last role I must note was as The Nutcracker and the Four Realms in which she was the Sugar Plum Fairy!
(5) WHERE WILL YOU PIN YOUR BADGE? You’ll need to decide, because Adri Joy is getting a head start on badge ribbons for the virtual Worldcon.
(6) ALSO IN NEW ZEALAND, Wellington Paranormal is helping out in their own way.
[Thanks to Chip Hitchcock, JJ, Cat Eldridge, Michael Toman, Mike
Kennedy, Martin Morse Wooster, John King Tarpinian, Errolwi, and Andrew Porter
for some of these stories. Title credit goes to File 770 contributing editor of
the day Brian Z.]
This was what the adventurer’s father said to him in the climax of Indiana Jones and the Last Crusade, as he hung by one hand from a cliff and reached with the other toward the Holy Grail. Ultimately, the words hit home. As much as he wanted one more treasure, he had gone far enough.
That’s apparently the conclusion Steven Spielberg just reached. The Oscar winner has decided not to direct a planned fifth movie about Harrison Ford’s punch-throwing archaeologist, multiple sources confirmed to Vanity Fair. Instead, James Mangold, director of Ford v Ferrari,Wolverine, and Logan, is in talks to take over the project, which is still set to hit theaters on July 9, 2021.
A source close to Spielberg told Vanity Fair, “The decision to hand over directing duties was entirely Steven’s,” adding that “he felt now was the perfect time to let a new director and a new generation give their perspective to the overall story and this film.”
(2) EGYPT ACROSS THE AGES. Juliette Wade hosts “K. Tempest Bradford” at Dive Into Worldbuilding. Read the synopsis, watch the video, or do both!
…She’s been researching Egypt for a long time. She told us about how she’s been attempting to write a novel set in Egypt since college. In fact, it’s a grouping of projects, not one (as is appropriate with a long and thorough research project of this nature!).
She started with a novel based on the life of Pharaoh Akhenaten with links to Oedipus, and then decided she didn’t have the skills to do it well and put it on the back burner. At that point she started learning a lot about the 18th dynasty. People know a lot about that period, she points out, and she has become very knowledgeable about it. Then she started writing a Steampunk story set in ancient Egypt, pushing boundaries. It started out as a short story and turned into a novel. That, she says, has been common for projects she’s worked on since Clarion West. That piece is set at the start of the beginning of the 18th dynasty….
Tempest says she’s thought about carrying forward the steampunk cultural elements into her other novel. Giant flying scarab beetles run by the heat of the sun for Akhenaten to ride in sounded pretty awesome to us!
(3) FOWL PLAY. In
the February 1 Irish Times, Niamh Donnelly interviews Eoin Colfer about
his new fantasy Highwire, as Colfer discusses the forthcoming Artemis
Fowl movie, how he hopes to slow down after 43 books, and the graphic novels he
writes that deal with contemporary political issues: “Eoin
Colfer: ‘Humour defines me … I’m obsessed with it’”.
… “As a teacher I always found that telling stories was the best way to teach because you could sneak the information inside an adventure story. So, a lot of the Artemis books, for example, would have a very ecological message. My books tend to be, of late, a mixture of escapism and trying to tackle issues head on. Last year we did the graphic novel, Illegal, which was, just blatantly, a book about how tough it is to migrate from Africa to Europe. But because it was a graphic novel, we got to people who wouldn’t normally get that subject. And we also brought a lot of people who do like that subject into the world of graphic novels. And then the flip side of that is I like to do books like Highfire and Fowl Twins just so people can have a laugh and kids can go to bed smiling.”
Q: Was there a particular event or idea that was the genesis for The Glass Hotel?
A: My original idea was that I wanted to write a ghost story that was also somehow about money. (In fact, one of my early working titles was Ghosts and Money, because titles are hard.) But the event that captured my imagination was the collapse of the Madoff Ponzi scheme. The characters in the novel are entirely fictional, but the central crime is essentially Madoff’s.
Q: Station Eleven fans will find some small nods to that beloved novel here. While this novel is different in so many ways how do you see it in relation to Station Eleven? It seems like they are both in many ways about art?
A: Yes, I think that’s fair to say. I also think it’s fair to say that if The Glass Hotel is a departure from Station Eleven, it’s in many ways a return to the themes that preoccupied me in my earlier work. My first three novels—Last Night in Montreal, The Singer’s Gun, and The Lola Quartet—were largely concerned with bad decisions, the question of how to live honourably in a damaged world, memory, and questionable morality.
(5) AVOID THE TRAP. [Item by Martin Morse Wooster.] This anecdote about Bradbury and Matheson is from “The Genre
of You” by Jonathan Maberry behind a paywall in the March
‘What kind of writer do you want to be?’
That question was asked of me when I was 13. I’d been dragged along to a party at a penthouse in New York City. It was 1971 and the person asking the question was the legendary writer Richard Matheson…
…Before I could answer, another of the writers at the party — national treasure Ray Bradbury –touched my shoulder and said, ‘Be careful, young man. That question’s a trap.”…
…So, what was the trap? I found out when I did not step into it. ‘I don’t know,’ I said. ‘A lot of things, I guess.’
Matheson beamed a great smile. ‘Good answer!’ he said, then explained why. ‘A genre is something that matters to the people in marketing. It doesn’t matter much to me. It doesn’t matter to Ray. We write what we want to write and then figure out how to sell it.”
Bradbury agreed. ‘I like science fiction and fantasy, but if an idea for mystery comes and whispers loud enough to my ear, I’ll have to listen.’
rest of the article includes anecdotes from Matheson, Harlan Ellison, and Joe
R. Lansdale. Here’s one more Bradbury quote:
“Don’t just write what you want to read — everyone does that. Write the story you would go out of your way to hunt down and read.'”
“It was the 1970s,” Arline L. Bronzaft, a psychologist who worked on Hertz’s replacement map, told Newsday in 2004. “People were fearful of going on the subways. We wanted people to use the map to see the sights of New York.”
The map that Hertz’s firm came up with included streets, neighborhoods and other surface reference points. And it depicted the city and its signature elements like Central Park and the waterways in a fashion more reflective of reality — the park wasn’t square, as on the earlier map, and the water wasn’t beige.
It feels like I recently read an article on the
evolution of subway maps, as the systems’ complexity grew… but I can’t find
or remember it. Ah well.
(Somewhere I still have a few NYT subway tokens of
various sizes (= different values over the years). Pretty sure at least one was
for a 10cent fare.)
For the sfnal connection, I’ve got a list of transit
maps for Middle Earth that I put together a year and a half ago (if the
Fellowship had had ’em, those books and movies could have been shorter,
methinks), but apparently didn’t offer to OGH… I’ll recheck and update it and
send it in.
February 27, 1979 — The Curse of Dracula premiered on NBC. Michael Nouri was Count Dracula, who is living undercover as a college teacher in 1979 San Francisco. It was part of Cliffhangers which attempted to resurrect the genre of film serials. Each hour-long episode was divided into three 20-minute (including commercials) stories featuring different storylines Including this one. The Secret Empire was another genre serial done as part of this show. You can see the first episode of The Curse of Draculahere. Cliffhangers lasted but a single season from the 27th of February to 1st of May 1979.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 27, 1902 — John Steinbeck. Yes, John Steinbeck. ISFDB lists one novel, The Short Reign of Pippin IV: A Fabrication, Plus a bevy of short fiction such as “The Wedding of King”, “The Affair at 7 Rue de M—“ and “The Death of Merlin”. I’ll admit that i didn’t know these existed. So, has anyone read these? (Died 1968.)
Born February 27, 1915 — Donald Curtis. His first genre role was an uncredited one as Ronal in the first twelve chapters of the Forties Flash Gordon Conquers The Universe. He’s a German sentry in Invisible Agent, an WW II propaganda film, and Dr. John Carter in It Came from Beneath the Sea, a Fifties SF film. Likewise he’s in another Fifties SF film, Earth vs. the Flying Saucers, as Major Huglin. He played five different characters during on Science Fiction Theater, and he’d later have a one-offs on The Girl from U.N.C.L.E. and Get Smart!. (Died 1997.)
Born February 27, 1927 — Lynn Cartwright. She had a career in genre productions starting with two Fifties pulp films, Queen of Outer Space and Wasp Women. She next shows up in The Erotic Adventures of Robin Hood, his Lusty Men and Bawdy Wenches. She has an appearance in the Far Out Space Nuts series, and earlier showed up on Science Fiction Theater. The Lucifer Complex is her SF role. (Died 2004.)
Born February 27, 1934 — Van Williams. He was the Green Hornet (with the late Bruce Lee as his partner Kato) on The Green Hornet and three Batman cross-over episodes. He would voice President Lyndon B. Johnson on the Batman series, show up in an episode of Mission Impossible, and also do a one-off Quinn Martin’s Tales of the Unexpected and that’s it. (Died 2016.)
Born February 27, 1938 — T.A. Waters. A professional magician and magic author. He appears not terribly well-disguised as Sir Thomas Leseaux, an expert on theoretical magic as a character in Randall Garrett’s Lord Darcy fantasy series and in Michael Kurland’s The Unicorn Girl in which he appears as Tom Waters. He himself wrote The Probability Pad which is a sequel to The Unicorn Girl. Together with Chester Anderson’s earlier The Butterfly Kid , they make up Greenwich Village trilogy. (Died 1998.)
Born February 27, 1944 — Ken Grimwood. Another writer who died way too young, damn it. Writer of several impressive genre novels including Breakthrough and Replay which I’ve encountered and Into the Deep and Elise which are listed in ISFDB but which I’m not familiar with. So, what else is worth reading by him? (Died 2003.)
Born February 27, 1960 — Jeff Smith, 60. Creator and illustrator of the most awesome Bone, the now complete series that he readily admits that “a notable influence being Walt Kelly’s Pogo”. Smith also worked for DC on a Captain Marvel series titled Mister Mind and the Monster Society of Evil.
Born February 27, 1964 — John Pyper-Ferguson, 56. I certainly remember him best as the villain Peter Hutter on The Adventures of Brisco County, Jr. but I see that he got he got his start in Canadian horror films such as Hello Mary Lou: Prom Night II and Pin: A Plastic Nightmare. His first major SF role was in Space Marines as Col. Fraser. And though he has an extensive one-off career in genre series, his occurrence as a repeated cast member is not uncommon, ie he’s Agent Bernard Fainon the new Night Stalker for the episodes, shows up as Tomas Vergis on Caprica for six episodes and I see he’s had a recurring role on The Last Ship as Tex Nolan.
Born February 27, 1970 — Michael A. Burstein, 50. He won the Astounding Award for Best New Writer in 1997 for “TeleAbsence”. His “Sanctuary” novella was chosen by Analog readers as the best novella published by the magazine in 2005. He has one to date, Remember the Future: The Award-Nominated Stories of Michael A. Burstein, which is available fir the usual digital publishers.
Born February 27, 1976 — Nikki Amuka-Bird, 44. The Voice of Testimony in the Twelfth and Thirteenth Doctor story, “Twice Upon A Time”. She’s shown up quite a bit in genre work from horror (The Omen), space opera (Jupiter Ascending), takes on folk tales (Sinbad and Robin Hood) and evening SF comedy (Avenue 5).
…Joe: I’d love to see a Nebula Longlist where we can see the even just the three or four books that just missed the ballot because here’s where things get interesting for me – I’m surprised that neither The City in the Middle of the Night nor The Light Brigademade the ballot. There’s no telling how, exactly, the Nebulas will translate to the Hugo Awards except that I think we both agree that A Song for a New Day feels more like a Nebula Book than a Hugo Book for whatever that means and whatever that’s worth.
Adri: I agree. Because the Nebulas don’t release voting statistics, they can feel like a closed box in this regard, albeit one that we collectively put our trust in to be delivering a result accurate to the voting base (and, hey, no 20booksto50k shenanigans this year!). Anders, Hurley and also The Future of Another Timeline feel like books that must have been bubbling just under. I wonder, also, about books like Black Leopard, Red Wolf, and some of the other literary “crossover” titles we were looking at on the Locus list. Are those also in the hidden longlist, or is that not what SFWA voters were looking at when putting this together?
(10) SOME LIKE IT SHORT. Then, Adri Joy reviews five sources
of short sff – including collections and magazines – as part of “Questing in Shorts: February 2020” at Nerds
of a Feather.
Of Wars, and Memories, and Starlight by Aliette de Bodard (Subterranean Press)
Aliette de Bodard’s Subterranean press collection is as beautiful as you’d expect on the outside, with a Maurizio Manzieri cover and the standard level of Subterranean finishing. It’s also an excellent collection that’s largely comprised of pieces from the Best Series-nominated Xuya universe, which ranges from alternate history Earth stories in which the Western part of North America is colonised by China, and the Aztec empire of Mexica survives into the present day in a loose alliance with the power now called Xuya. The collection contains one piece from this Earthbound continuity “The Jaguar House, in Shadow“, an intriguing political thriller which, along with the opening story “The Shipmaker“, sets up the rest of the intergalactic political, cultural and technological traits of the Xuya universe very nicely. De Bodard’s stories dealing with cultural clashes of some kind are highlights for me: from “The Waiting Stars“, the tale of a young Dai Viet woman who has been taken from her family and raised in the Galactic Empire, to “Scattered Along the River of Heaven“, a story of conflict and war and cultural revolution told two generations after the fact, de Bodard is quietly unflinching in her portrayals of displaced characters and their struggles to find connection with the different cultures they are surrounded by and yet, to some extent, alienated from. The absolute highlight on this front is “Immersion“, a Nebula and Locus winning short story which alternates between Quy and another woman from the Rong people, both of whom wear Galactic (western culture)-made “Immersers” which allow them to communicate with Galactics but at the expense of their own culture and personhood. For Quy, who wears the Immerser briefly to help her family with business transactions, the experience is unpleasant but temporary; for the other narrator, it has become her permanent reality. The story’s sense of isolation, and the various losses which the casual dominance of Galactic culture in this part of space has created, come around into a perfect, heartbreaking, circle by the end as the second narrator finds tentative connection in her isolating, but unique, understanding of both Rong and Galactic culture….
(11) RETURNING TO THE GALACTOSCOPE. And there’s so much sff
coming out in 1965 that Galactic Journey ran a second batch of reviews:
Here it is, a movie that should make you think Warcraft is high art. Postal opens on two terrorists in the cockpit of a plane, fighting about how many virgins greet martyrs when they enter heaven. The argument ends with them deciding to fly to the Bahamas instead, but then the passengers of their hijacked plane revolt and force it to crash into the World Trade Center. Everything hovers around that level of bad and offensive for the rest of the movie, making this an easy call for definitively worst video-game adaptation ever. Uwe Boll, you make it so hard to love you.
Two American satellites have docked high over the Atlantic in a demonstration of what many commentators expect to be a burgeoning new industry.
One of the platforms is an old telecoms spacecraft low on fuel; the other is an auxiliary unit that will now take over all the former’s manoeuvring functions.
This will allow Intelsat-901 to extend its 19-year mission of relaying TV and other services by another five years.
The event has been described as a major accomplishment by the firms involved.
Northrop Grumman, which produced the Mission Extension Vehicle-1 that grabbed hold of Intelsat-901, said it was the first time two commercial satellites had come together in this way at an altitude of just over 36,000km.
…Northrop Grumman’s vehicle will now control all movement for the pair, including the precise pointing required by IS-901 to map its telecommunication beams on to the right regions of Earth’s surface.
When the Intelsat’s extended mission comes to an end, the MEV-1 will take the telecoms platform to a “graveyard” orbit before then joining up with another “running on empty” customer that needs the same manoeuvring assistance.
Northrop Grumman, which is operating its new servicing business through a subsidiary, SpaceLogistics LLC, said it planned to expand the basic “tug” concept offered by MEV-1 to include vehicles capable of in-orbit repair and assembly.
Already it is working on systems that would feature not just simple docking probes but robotic arms to grab hold of satellites. Another option being developed is fuel pods that can be attached to satellites running low on fuel.
China is preparing to deploy 100,000 ducks to neighbouring Pakistan to help tackle swarms of crop-eating locusts.
Chinese agricultural experts say a single duck can eat more than 200 locusts a day and be more effective than pesticides.
Pakistan declared an emergency earlier this month saying locust numbers were the worst in more than two decades.
Millions of the insects have also been devastating crops in parts of East Africa.
The Chinese government announced this week it was sending a team of experts to Pakistan to develop “targeted programmes” against the locusts.
Lu Lizhi, a senior researcher with the Zhejiang Academy of Agricultural Sciences, described the ducks as “biological weapons”. He said that while chickens could eat about 70 locusts in one day a duck could devour more than three times that number.
“Ducks like to stay in a group so they are easier to manage than chickens,” he told Chinese media.
Some of Earth’s plants have fallen in love with metal. With roots that act practically like magnets, these organisms — about 700 are known — flourish in metal-rich soils that make hundreds of thousands of other plant species flee or die.
Slicing open one of these trees or running the leaves of its bush cousin through a peanut press produces a sap that oozes a neon blue-green. This “juice” is actually one-quarter nickel, far more concentrated than the ore feeding the world’s nickel smelters.
The plants not only collect the soil’s minerals into their bodies but seem to hoard them to “ridiculous” levels, said Alan Baker, a visiting botany professor at the University of Melbourne who has researched the relationship between plants and their soils since the 1970s. This vegetation could be the world’s most efficient, solar-powered mineral smelters. What if, as a partial substitute to traditional, energy-intensive and environmentally costly mining and smelting, the world harvested nickel plants?
Aritst Liisa Hietanen is one talented lady. Like, incredibly talented. Hietanen takes crocheting to a whole new level when she creates life-like models of her friends and neighbors in her native Finland.
[Thanks to JJ, Cat Eldridge, Chip Hitchcock, Mike Kennedy, Martin
Morse Wooster, Michael Toman, John King Tarpinian, and Andrew Porter for some
of these stories. Title credit goes to File 770 contributing editor of the day Jenora
Michael Lee Aday, better known by his stage name “Meat Loaf,” is currently suing horror convention Texas Frightmare Weekend and its venue the Hyatt Regency DFW in Tarrant County, Texas. According to NBC 10:
(3) READ ALL ABOUT IT. SF2 Concatenation’s spring edition is now up.
Principal contents include:
4. How about a book you’ve changed your mind about – either positively or negatively?
Jeff Vandermeer’s Shriek: An Afterword. I loved the first Ambergris book, City of Saints and Madmen. I picked up Shriek next, and found it utterly incomprehensible and dull. Years later, I got the third book in the sequence, Finch, and loved it. I then gave Shriek another try, and it felt like a completely different book. I was astounded at myself for hating it the first time, and I’ve no idea why I bounced off it so hard.
(7) CAROL SERLING OBIT. Carol Serling, widow of Twilight
Zone’s Rod Serling and mother of author Anne Serling died
January 9 reports the Binghamton (NY) Press & Sun-Bulletin.
After the death of her husband, due to complications after heart surgery, Carol worked to keep Rod’s legacy alive.
In 1981, she launched the monthly “The Twilight Zone Magazine” and served as the publication’s editor from 1981 through 1989. She held the legal rights to Serling’s name and likeness. CBS owns the rights to the television series.
In 1994, two new episodes of the sci-fi television series were aired on CBS based on material found by Carol after Rod’s death and then sold to CBS. They aired in a two-hour special titled “Twilight Zone: Rod Serling’s Lost Classics.”
That same year, the Twilight Zone Tower of Terror theme park ride opened at Walt Disney World’s Hollywood Studios (then MGM Studio Theme Park) in Orlando, Florida, and Binghamton High School dedicated its arts program as the Rod Serling School of Fine Arts.
(8) TODAY IN HISTORY.
January 14, 1954 — Riders To The Stars premiered. It was directed by Richard Carlson (who also stars) and Herbert L. Strock (who is uncredited for unknown reasons) and has the additional cast of William Lundigan, Martha Hyer, and Herbert Marshall. Riders to the Stars is the second film in Ivan Tors’ Office of Scientific Investigation trilogy, which was preceded by The Magnetic Monster and followed by Gog. All in all, reviewers considered it a quite unremarkable film. It has no rating at Rotten Tomatoes though Amazon reviewers were kind to it. Fortunately you can judge for yourself as the film is here to watch.
January 14, 1959 — Journey to the Center of the Earth premiered.
January 14, 1976 — The Bionic Woman aired its first episode. A spin-off from The Six Million Dollar Man, it starred Lindsay Wagner, Richard Anderson and Martin E. Brooks. It run just three seasons, half of what the parent show ran. It on ABC, NBC and finally on CBS.
January 14, 1981 — Scanners premiered. Directed by David Cronenberg and produced by Claude Héroux, it starred Jennifer O’Neill, Stephen Lack, Patrick McGoohan, Lawrence Dane and Michael Ironside. Reviewers, with the exception of Ebert, generally liked it, and reviewers at Rotten Tomatoes currently give it a healthy 64% rating.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 14, 1924 — Guy Williams. Most remembered as Professor John Robinson on Lost in Space though some of you may remember him as Don Diego de la Vega and his masked alter ego Zorro in the earlier Zorro series. (Is it genre? You decide.) He filmed two European genre films, Il tiranno di Siracusa (Damon and Pythias) and Captain Sinbad as well. (Died 1989.)
Born January 14, 1943 — Beverly Zuk. Ardent fan of Trek: TOS who wrote three Trek fanfics, two of them on specific characters: The Honorable Sacrifice (McCoy) and The Third Verdict (Scotty). Let’s just say that based on her artwork that I found I’d not say these are anything less than R rated in places. She was a founding member of the Trek Mafia though I’m not sure what that was. (Died 2009.)
Born January 14, 1948 — Carl Weathers, 72. Most likely best remembered among genre fans as Al Dillon in Predator, but he has some other SFF creds as well. He was a MP officer in Close Encounters of the Third Kind, General Skyler in Alien Siege, Dr. Artimus Snodgrass in the very silly comedy The Sasquatch Gang and he voiced Combat Carl in Toy Story 4. And no, I’m not forgetting he’s currently playing Greef Karga on The Mandalorian series. I still think his best role ever was Adam Beaudreaux on Street Justice but that’s very not SFF.
Born January 14, 1949 — Lawrence Kasdan, 71. Director, screenwriter, and producer. He’s best known early on as co-writer of The Empire Strikes Back, Raiders of the Lost Ark and Return of the Jedi. He also wrote The Art of Return of the Jedi with George Lucas. He’s also one of the writers lately of Star Wars: The Force Awakens and Solo: A Star Wars Story.
Born January 14, 1957 — Suzanne Danielle, 63. A Whovian as she showed up as Agella in “The Destiny if The Daleks,“ a Fourth Doctor story. She was on the Hammer House of Horror series in the Carpathian Eagle” episode, and she’s also in Roald Dahl’s Tales of the Unexpected multiple times in different roles. To my knowledge, her only other SFF appearance was on the Eighties Flash Gordon film.
Born January 14, 1962 — Jemma Redgrave, 58. Her first genre role was as Violette Charbonneau in the “A Time to Die” episode of Tales of the Unexpected which was also her first acting role. Later genre roles are scant but include a memorable turn as Kate Lethbridge-Stewart, daughter of Brigadier Lethbridge-Stewart on Doctor Who.
Born January 14, 1963 — Steven Soderbergh, 57. Though largely not a SFF person, he’s ventured into our ‘verse on occasion by directing such films as Solaris (which he also wrote), Nightwatch which he was the writer of, Contagion which he directed and The Hunger Games for which he was Second Unit Director. I’m tempted to call Kafka for which he was Director at least genre adjacent…
Born January 14, 1964 — Mark Addy, 56. He got a long history in genre films showing up first as Mac MacArthur in Jack Frost followed by by the lead in The Flintstones in Viva Rock Vegas (why did anyone make this?), Roland in A Knight’s Tale (now that’s a film), Friar Tuck In Ridley Scott’s Robin Hood (has anyone seen this?) and voicing Clyde the Horse in the just released Mary Poppins Returns. Television work includes Robert Baratheon on Games of Thornes, Paltraki on a episode on Doctor Who, “The Battle of Ranskoor Av Kolos”, and he was Hercules on a UK series called Atlantis.
Born January 14, 1990 — Grant Gustin, 30. The actor, known as Barry Allen aka the Flash in the Arrowverse. I’ve got him as a boyfriend on an episode on A Haunting, one of those ghost hunter shows early in his career. Later on, well the Arrowverse has kept him rather busy.
The two men accused of stealing and reselling more than $500,000 worth of rare books, maps and other artifacts from the Carnegie Library of Pittsburgh reached a plea deal Monday with prosecutors who agreed to drop most of the charges they faced.
…Gregory Priore, 63, of Pittsburgh’s Shadyside neighborhood, was the archivist and manager of the library’s William R. Oliver Special Collections Room from 1992 until April 2017.
The room held a collection of rare books, maps and other items worth millions. Priore was accused of stealing the items from the library and selling them to John Schulman, 56, of Squirrel Hill, who owns the Caliban Bookshop in Oakland.
Among the items that were stolen was a 400-year-old Bible printed in London. It was recovered in April 2019 in the Netherlands as part of the criminal investigation.
Researchers in the US have created the first living machines by assembling cells from African clawed frogs into tiny robots that move around under their own steam.
One of the most successful creations has two stumpy legs that propel it along on its “chest”. Another has a hole in the middle that researchers turned into a pouch so it could shimmy around with miniature payloads.
“These are entirely new lifeforms. They have never before existed on Earth,” said Michael Levin, the director of the Allen Discovery Center at Tufts University in Medford, Massachusetts. “They are living, programmable organisms.”
When Lai was certain of her win on Saturday, she took to Facebook at 8 p.m. to write: ” Hello friends, I am Lai Pinyu, lawmaker of New Taipei City’s 12th District. Please give me your feedback over the next four years.” In her post, Lai included a photo of herself dressed as Sailor Mars from the “Sailor Moon” Japanese manga series, gaining her 30,000 likes, 2,800 comments, and 2,200 shares within 12 hours.
I don’t want to talk about Blood Heir without acknowledging the route this book took to publication. Originally scheduled for release the beginning of 2019, the book was delayed after numerous ARC readers identified significant sensitivity issues with an aspect of the plot and characters. Blood Heir deals in some depth with the concept of indenture, with marginalised characters in the place where the book is set at high risk of being forced to sign work contracts which leave them effectively in slavery. In original ARCs, the story’s depictions of race provoked strong concerns about how the story came across in the context of historic Black slavery in the USA. In response, author Amélie Wen Zhao delayed the book, revisited in the context of her original intent – to explore concepts of indenture with real-world parallels in Asian countries – and has now released the book, as of late November, satisfied that it did so. Having never read the original ARC, I don’t know how much changed before publication, and I should be clear that I’m white and, as a non-American, less likely to pick up cues that would read “chattel slavery” to US audiences – so I’m not going make claims about whether Blood Heir is now “fixed”, other than to note I didn’t pick up anything other than the author’s intended parallels in my own reading. However, from where I stand it feels like Blood Heir’s delayed, revised publication is an example of sensitivity reading going right, albeit late in the process and therefore more loudly and messily than might have occurred if concerns had been raised earlier. People were right to raise concerns. Zhao was right to listen and use those concerns to revisit her intended, ownvoices, message. I hope and suspect the book is stronger for it.
Science fiction writers often have to deal with things on a very large scale. Whether they take readers across vast reaches of space, or into unimaginably far futures, they frequently look at time and the universe through giant telescopes of imagination, enhancing their vision beyond ordinary concerns of here and now.
(This is not to say anything against more intimate kinds of imaginative fiction, in which the everyday world reveals something extraordinary. A microscope can be a useful tool for examining dreams as well.)
A fine example of the kind of tale that paints a portrait of an enormous universe, with a chronology reaching back for eons, appears in the latest issue of Worlds of Tomorrow, from the pen of a new, young writer.
Can you remember
when Larry Niven was a “new, young writer”?
Scientists analysing a meteorite have discovered the oldest material known to exist on Earth.
They found dust grains within the space rock – which fell to Earth in the 1960s – that are as much as 7.5 billion years old.
The oldest of the dust grains were formed in stars that roared to life long before our Solar System was born.
A team of researchers has described the result in the journal Proceedings of the National Academy of Sciences.
When stars die, particles formed within them are flung out into space. These “pre-solar grains” then get incorporated into new stars, planets, moons and meteorites.
“They’re solid samples of stars, real stardust,” said lead author Philipp Heck, a curator at Chicago’s Field Museum and associate professor at the University of Chicago.
OF THE DAY. In
“I Have A Secret: Another Bite” on Vimeo, Michael Sime
introduces us to a guy who DOES have room for dessert in a restaurant.
[Thanks to JJ, John King Tarpinian, Cat Eldridge, Martin Morse
Wooster, Cliff Ramshaw, Mike Kennedy, Alan Baumler, Chip Hitchcock, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing editor
of the day BGrandrath.]
(1) MONSTER PRICE. Bernie Wrightson’s original wrap-around cover artwork for
Frankenstein by Mary Wollstonecraft Shelley sold
at auction today for $1 million dollars. The catalog description at the
link claims —
…It can also easily be said that the 1983 Marvel publication of Mary Wollstonecraft Shelley’s Frankenstein is arguably the finest illustrated book of the second half of the 20th century. Originally written in 1818, the novel was later painstakingly illustrated over the course of nearly a decade by pen and ink master Bernie Wrightson. We are proud to offer here, what we consider the finest fantasy ink drawing of the 20th century, if not of all time….
(2) UNCERTAIN FUTURE. Editor Alex Shvartsman’s foreword in Future
Science Fiction Digest issue 5 explains why it contains only about 20% of
the wordage of previous issues – the launch funding from its Chinese partner has
As Future SF enters its second year, we do so without a safety net.
Our first year’s run was sponsored by the Future Affairs Administration. Together we were able to publish a considerable amount of excellent international fiction, and we thank FAA for their help and support as the magazine launched and found its footing. While FAA is still considering their options regarding any future partnerships with us, at this moment they’re not affiliated with the magazine.
So, what does it mean for Future SF going forward? We aren’t going away, but we have to considerably scale back until we secure alternate funding, or follow the path of many other e-zines in our field and slowly build up a subscription and patron base.
I’m currently talking to the FAA, as well as to a couple of other companies, to see if we can work out another sponsorship or partnership. But even if that proves successful, it is a temporary solution. Only a substantial base of subscribers can ensure stable funding in the long term….
(3) IN TIMES THAT CAME. The Bookseller points to a realm of publishing where change is happening almost quicker than it can be predicted: “Voicing a revolution”.
“Voice tech” will be the next revolution. It’s hard to imagine in today’s text- and screen-based society, but voice recognition apps such as search, device control, shopping and social media will replace screens. It’s already here: only five years after inception, half of citizens in the developed world (47%) owns a smart speaker. How odd we were, the next generation will think, for our incessant tapping on little screens. Wearable tech such as Amazon’s Echo Loop (a small ring enabling you to whisper demands into your palm, and cup your ear for Alexa’s answer) gives a glimpse of the shape our future, with virtual assistants always at our disposal. No need to pull out your phone, even for a phone call. Audiobooks will be a beneficiary of the new generation of voice apps as spheres of our lives transition and we get used to the ease and convenience of voice, and brands have to offer aligned products. Audiobooks are part of the fabric of a healthier technology on the go, where screens play a small role.
Every book published will be available as an audiobook. AI-driven Text-to-Speech apps for audiobook production will leap forward. The AI narrator could be a sampled actor, or a “designer voice” to match the book or brand….
Personally, I think that books are the best gifts. And so I gave myself Margaret St. Clair’s latest, when I spotted it in the spinner rack at my local import bookstore, since I enjoyed last year’s Sign of the Labrys a lot. Even better, this book is an Ace Double, which means I get two new tales for the price of one. Or rather, I get six, because one half is a collection of five short stories.
Range of Ghosts, by Elizabeth Bear (2012): Elizabeth Bear is something of a chameleon of a writer. Whether it is near future cyberpunk thrillers, urban fantasy, alternate historical vampire fiction, espionage, space opera, steampunk, a Criminal Minds meets the X-Files mashup, or epic fantasy – Bear can write it all.
Eschewing the trappings of the stereotypical European setting, Range of Ghosts is silk road epic fantasy – meaning that the novel has a more Mongolian flavor and has an entirely different cultural grounding than what is so often considered “traditional epic fantasy”. Bear pulls no punches in delivering a full realized and top notch epic with rich characterization and incredible worldbuilding. The magic and religion and battles of Range of Ghosts is handled with a deft touch and the best thing is that all of this is set up for something far larger. Range of Ghosts is Elizabeth Bear at the height of her considerable powers. (G’s Review) (Joe)
(6) THOSE OLD FAMILIAR HAUNTS. Emily Littlejohn, in “The
Elements of the Haunted House: A Primer” on CrimeReads, says
that haunted house mysteries work if they’re in the right place and have ghosts
who are appealing but who didn’t die too young or too old.
…Of course, not all ghost stories feature a malevolent spirit intent on wreaking havoc on the living; there are some lovely novels that feature ghosts that are sad rather than mad, more unsettled than vengeful. Those books can be enjoyed in the bright light of day, perhaps with a nice sandwich and a glass of lemonade. But if you like your haunted houses a bit darker, a little less safe, read on for this writer’s perspective.
If I were to write a haunted house novel, I know where I would start: the setting. The canon practically demands a stately manor from the pages of a historical register or an architectural study, all turrets and gables and perhaps a few strange windows that seem a little too much like eyes. Long hallways, flickering light from an early electric bulb or a candle, rooms with furniture shrouded in sheets . . . and nooks, so many nooks, to hide in.
Scientists say they have found the oldest known figurative painting, in a cave in Indonesia. And the stunning scene of a hunting party, painted some 44,000 years ago, is helping to rewrite the history of the origins of art.
Until recently, the long-held story was that humans started painting in caves in Europe. For example, art from the Chauvet Cave in France is dated as old as 37,000 years.
But several years ago, a group of scientists started dating cave paintings in Indonesia — and found that they are thousands of years older.
“They are at least 40,000 years old, which was a very, very surprising discovery,” says Adam Brumm, an archaeologist at Australia’s Griffith University. He and his colleagues used a technique called uranium-series analysis to determine the paintings’ age. The oldest figurative painting in those analyses was a striking image of a wild cow.
These works had been known for years by locals on the island of Sulawesi — but Brumm adds that “it was assumed they couldn’t be that old.”
Since that big reveal, Brumm’s team — which he led with archaeologists Maxime Aubert and Adhi Agus Oktaviana — has been searching for more art in these caves. In 2017, they found something breathtaking — the massive hunting scene, stretching across about 16 feet of a cave wall. And after testing it, they say it’s the oldest known figurative art attributed to early modern humans. They published their findings in the journal Nature.
The Indonesian drawing is not the oldest in the world. Last year, scientists said they found “humanity’s oldest drawing” on a fragment of rock in South Africa, dated at 73,000 years old.
…It may not be the oldest drawing, but researchers say it could be the oldest story ever found.
“Previously, rock art found in European sites dated to around 14,000 to 21,000 years old were considered to be the world’s oldest clearly narrative artworks,” said the paper in Nature.
(8) TODAY IN HISTORY.
December 12, 2014 — Bill The Galactic Hero premiered. Directed by Cox and a lot of friends, it likewise had a cast that was rather large. Yes it’s based on Harrison’s novel. Cox got the rights just after Repo Man came out. Costing just over a hundred thousand to produce, it got generally positive reviews and currently is not available anywhere for viewing.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 12, 1893 — Edward G. Robinson. His very last film was Soylent Green in which was he was Sol Roth. He shortly before that played Abraham Goldman in “The Messiah on Mott Street” on Night Gallery, and he shows up uncredited as himself in the “Batman’s Satisfaction” episode of Batman. (Died 1973.)
Born December 12, 1944 — Ginjer Buchanan, 75. Longtime Editor-in-Chief at Ace Books and Roc Books where she worked for three decades until recently. She received a Hugo for Best Editor, Long Form at Loncon 3. She has a novel, White Silence, in the Highlander metaverse, and three short stories in anthologies edited by Mike Resnick. And she’s a Browncoat as she has an essay, “Who Killed Firefly?” in the Jane Espenson edited Finding Serenity: Anti-Heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly.
Born December 12, 1945 — Karl Edward Wagner. As an editor, he created a three-volume set of Robert E. Howard’s Conan the Barbarian fiction restored to its original form as it was originally written by Howard. He is possibly best-known for his creation of Kane, the Mystic Swordsman. (Died 1994.)
Born December 12, 1946 — Josepha Sherman. Writer and folklorist who was a Compton Crook Award winner for The Shining Falcon which was based on the Russian fairy tale “The Feather of Finist the Falcon”. She was a prolific writer both on her own and with other other writer such as Mecedes Lackey with whom she wrote A Cast of Corbies and two Buffyverse novels with Laura Anne Gilman. I knew her personally as a folklorist first and that she was without peer writing such works as Rachel the Clever: And Other Jewish Folktales and Greasy Grimy Gopher Guts: The Subversive Folklore of Childhood that she wrote with T K F Weisskopf. Neat lady who died far too soon. Let me leave you with an essay she wrote on Winter for Green Man twenty years ago. (Died 2012.)
Born December 12, 1949 — Bill Nighy, 70. Yes he shows up as Dr. Black on Who in an Eleventh Doctor story, “ Vincent and the Doctor”. He’d make a fine Doctor, I’d say. He’s done a lot of other genre performances from the well-known Davy Jones in Pirates of the Caribbean franchise and Slartibartfast in The Hitchhiker’s Guide to the Galaxy, to the blink and he’s gone as he was as the ENT Doc in Curse of the Pink Panther.
Born December 12, 1961 — Sarah Sutton, 58. She’s best known for her role as Nyssa who was a Companion to both the Fourth and Fifth Doctors. She reprised the role of Nyssa in the 1993 Children in Need special Dimensions in Time, and of course in the Big Finish audio dramas. She’s in The Five(ish) Doctors Reboot.
Born December 12, 1966 — Hiromi Goto, 53. Winner of the Otherwise Award for The Kappa Child. She followed that with two more SFF novels, The Water of Possibility and Half World, though it’s been a decade since the latter came out. Systems Fail, the 2014 WisCon Guest of Honor publication, highlighted her work and that of .K. Jemisin. Hopeful Monsters, her collection of early genre short fiction, is the only such work available digitally from her.
Born December 12, 1970 — Jennifer Connelly, 49. Her first genre outing wasn’t as Sarah Williams in Labyrinth, but rather in the decidedly more low-budget Italian horror film Phenomena. She goes to be in The Rocketeer as Jenny Blake, and Dark City as Emma Murdoch / Anna, both great roles for her. I’m giving a pass to the remake of The Day the Earth Stood Still which she was involved in and not saying anything about it. Alita: Battle Angel in which she’s Dr. Chiren scores decently with audiences.
Born December 12, 1976 — Tim Pratt, 43. I think his best work was his very first novel which was The Strange Adventures of Rangergirl but there’s no doubt that later work such as The Constantine Affliction, Bone Shop and The Stormglass Protocol are equally superb. That’s not to overlook his short fiction which if you’ve not tried it you should, and I’d recommend Little Gods as a good place to start.
Born December 12, 1981 — C.S. E. Cooney, 38. She won the Rhysling Award for “The Sea King’s Second Bride” and a World Fantasy Award for her Bone Swans collection. She has what appears to be a very short novel out, Desdemona and the Deep, published by Tor.com. The latter and her collection are available digitally on Apple Books, Kindle and Kobo.
LLOYD: Lorraine, you steal thoughts from my head. (Are you Dr. Manhattan?) Yes, “Lost” is what I thought of too, though the apparent randomness of a polar bear on a tropical island was much more interesting than when they got around to an explanation. There’s an effective trickery when it comes to coincidence — they’re always spooky on some level — and “Lost” got a lot of mileage from repeating the same essentially meaningless sequences of numbers all over the damn place. (Fans spent an enormous amount of time puzzling the show out, even as, fundamentally, there was no puzzle.) In “Watchmen” it’s clocks and eggs and such, and a narrative that leans heavily on dark secrets and (not always) amazing reveals for its dramatic effects: X is the Y of Z!
It works on some primal level, yet it still feels more manipulative than meaningful to me. “Watchmen” is a lot tighter than “Lost” was, though; the circular systems have been obviously worked through in advance, where “Lost” was a festival of retconning.
Thirty years ago, the future became passé. When the Berlin Wall fell in late 1989 and the communist regimes that hid behind it collapsed, political scientist Francis Fukuyama called the event “the end of history”. But he also cast it as the finale of the future: the end of imagining how things might be different. The utopian visions driving both communism and fascism had been discredited and defeated. They were to be replaced by an eternal ‘now’ that, in Fukuyama’s words, saw “Western liberal democracy as the final form of human government”.
… Overall, the Futurium succeeds best as a showcase for the shiniest aspects of the present. In this way, it resembles other tech-engagement centres, such as Science Gallery Dublin and its six sister venues around the world, or Tokyo’s National Museum of Emerging Science and Innovation. But it claims to be something more: a place for co-imagining alternative futures. To succeed, it will need to be bolder. Even though the Berlin landscape is dotted with monuments to failed ideologies, such as the Stasi Museum, history did not end when the wall fell. To imagine new futures, this museum must free itself from the conceptual frameworks of the past.
Although the Sun is quite near to us compared with other stars, it has always kept intriguing and fundamental scientific secrets from us. For instance, we still don’t know how the solar corona — the Sun’s outermost atmosphere — maintains temperatures in excess of one million kelvin, whereas the visible surface has temperatures of just below 6,000?K
An 1875 photograph of a family dressed in finery enjoying a day out at Stonehenge may be the earliest such snap taken at the monument.
English Heritage asked people to send in their pictures to mark 100 years of public ownership of the stones.
After sifting through more than 1,000 images historians said they believed the photograph of Isabel, Maud and Robert Routh was the oldest.
It will be part of a new exhibition of personal photos titled Your Stonehenge.
…The exhibition shows how photography has changed – illustrated by “the way that people pose” and how “their faces have got closer to the camera until they are taking a picture of themselves more than they are of Stonehenge”, said Ms Greaney.
The deepest point on continental Earth has been identified in East Antarctica, under Denman Glacier.
This ice-filled canyon reaches 3.5km (11,500ft) below sea level. Only the great ocean trenches go deeper.
The discovery is illustrated in a new map of the White Continent that reveals the shape of the bedrock under the ice sheet in unprecedented detail.
Its features will be critical to our understanding of how the polar south might change in the future.
It shows, for example, previously unrecognised ridges that will impede the retreat of melting glaciers in a warming world; and, alternatively, a number of smooth, sloping terrains that could accelerate withdrawals.
“This is undoubtedly the most accurate portrait yet of what lies beneath Antarctica’s ice sheet,” said Dr Mathieu Morlighem, who’s worked on the project for six years.
…The exploit was actually very simple. Many of these unethical shops use automated bots to scour Twitter and other social media looking for users saying they want a particular image on the t-shirt and then they simply grab the image and produce the t-shirt, site unseen.
The artists exploited this by basically poisoning the well. They created artwork that no reasonable person would want on a shirt sold on their store and convinced the bots to do exactly that.
(17) OPENING A GOOD VINTAGE. Joe Sherry does a fine
retrospective of this Connie Willis book at Nerds of a Feather: “The Hugo Initiative: Doomsday Book (1993, Best Novel)”.
It tied for the Hugo, but Joe, by not saying which of the two books was really
the best, avoids the mistake Your Good Host once made that launched a
thousand ships Jo Walton into orbit. Sherry’s conclusion is:
…The thing about Doomsday Book is that it works. It is a masterful piece of storytelling that perhaps shouldn’t work as well as it does almost three decades later. It’s good enough that I want to read Fire Watch and the other three Oxford Time Travel novels sooner rather than later(though perhaps not specifically for The Hugo Initiative). The novel is a softer form of science fiction that uses time travel in a way that makes sense. No paradoxes, there is risk, and maybe don’t visit a time and place with bubonic plague. And really, who doesn’t want to read a novel where the protagonist is surrounded by bubonic plague and renders as much aid as she can?
(18) VIDEO OF THE DAY. In Vacation on Vimeo, Andrey Kasay looks at vacations that
went out of control.
(19) VIDEO OF SOME OTHER DAY. The Mandalorian CHiPs intro. Think of Ponch and Jon long ago, in a galaxy far, far away.
[Thanks to JJ, Cat Eldridge, Daniel Dern, Martin Morse Wooster,
John King Tarpinian, Mike Kennedy, Contrarius, SF Concatenation’s Jonathan Cowie,
Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes
to File 770 contributing editor of the day Daniel “Houndog” Dern.]
(1) MCINTYRE BEQUEST. Clarion West announced in
August that they are the recipient of the
literary assets of Vonda N. McIntyre, who wished that the organization manage
her literary copyrights in perpetuity. Locus Online in an
article today reported —
She also left a bequest of $387,129 to the program, the largest single financial gift in the organization’s history: “The bequest will bolster the Clarion West endowment, strengthening our mission and ensuring our financial stability for years. Vonda’s extraordinary generosity will allow Clarion West to continue to support emerging writers for generations to come.” Janna Silverstein has joined as literary contract manager, and will advise Clarion West on how to manage “all copyright materials.”
…And while there are technically an infinite number of copies of digital files, e-books also work differently. When a library wants to buy a physical book, it pays the list price of about $12 to $14, or less if buying in bulk, plus for services like maintenance. An e-book, however, tends to be far more expensive because it’s licensed from a publisher instead of purchased outright, and the higher price typically only covers a set number of years or reads.
That means Prince’s recently released memoir “The Beautiful Ones” recently had a four-week wait for the e-book in San Francisco. Library-goers in Ohio’s Cuyahoga County were waiting 13 weeks to download Jia Tolentino’s book of essays, “Trick Mirror.”
Library e-book waits, now often longer than for hard copies, have prompted some to take their memberships to a new extreme, collecting library cards or card numbers to enable them to find the rarest or most popular books, with the shortest wait.
“We’re excited about developing the next generation of Native superhero, science fiction, and action/adventure stories,” said Rob Schmidt, owner of Blue Corn Creations. “To do that, we also need to develop the next generation of Native writers. This scholarship will help accomplish that.”
Clarion West has helped emerging writers reach for their dreams of professional careers in speculative fiction since 1971. Every summer, aspiring science fiction and fantasy writers attend the Clarion West Writers Workshop, a six-week intensive whose instructors include the best and brightest in the genre. Attendees benefit from the opportunity to hone their craft with the guidance of successful writers.
“Historically the field has reflected the same prejudices found in the culture around it, leading to proportionately fewer successful writers of color,” according to Clarion West’s vision statement. That’s why the Blue Corn Creations scholarship is a great fit with Clarion West’s mission, said Schmidt. “With it the workshop can serve another group with untapped potential: Native Americans.”
The Blue Corn Creations Scholarship for students of Native descent will help cover tuition, fees, and lodging for one student in 2020. The winner will be awarded in a blind judging to those indicating an interest on the application form.
…Blue Corn Creations and Clarion West encourage others to contribute to the scholarship fund. The goal is to establish a permanent full scholarship for students of Native American descent.
(4) BAIZE WHITE MOURNED. Mark Oshiro is going on immediate hiatus while he deals with the sudden death of his partner Baize White.
Sometimes he stood 8 feet 2 inches tall. Sometimes he lived in a garbage can. He often cited numbers and letters of the alphabet, and for nearly a half century on “Sesame Street” he was Big Bird and Oscar the Grouch, opening magic doors for children on the secrets of growing up and the gentle arts of friendship.
His name was Caroll Spinney — not that many people would know it — and he was the comfortably anonymous whole-body puppeteer who, since the 1969 inception of the public television show that has nurtured untold millions of children, had portrayed the sweet-natured, canary-yellow giant bird and the misanthropic, furry-green bellyacher in the trash can outside 123 Sesame Street.
…Big Bird appeared in “The Muppet Movie” (1979) and “The Muppets Take Manhattan” (1984), and in 1985 starred in “Sesame Street Presents: Follow That Bird,” in which a meddlesome social worker sends him to live with “his own kind,” a family of dodos in “darkest Illinois.” He runs away, and has a cross-country adventure.
…With the impending 50th anniversary of “Sesame Street” in October 2018, Mr. Spinney left the show after his own remarkable half-century run as the embodiment of two of the most beloved characters on television and one of the last surviving staff members who had been with the show from its beginning.
Auberjonois was a prolific television actor, appearing as Paul Lewiston in 71 episodes of “Boston Legal” and as Clayton Runnymede Endicott III in ABC’s long-running sitcom “Benson” — a role that earned him an Emmy nomination for best supporting actor in a comedy in 1984. He played shape-shifter Changeling Odo in “Star Trek: Deep Space Nine,” and carried that role into video games, voicing Odo in “Harbinger” and “The Fallen.” His appearance as Judge Mantz in ABC’s “The Practice” earned him another Emmy nod for guest actor in a drama in 2001.
… Other film credits include Roy Bagley in 1976’s “King Kong” and Reverend Oliver in “The Patriot,” as well as parts in “Batman Forever,” “Eyes of Laura Mars” and “Walker.”
…Auberjonois was also known for his voice roles, particularly in 1989’s Disney Renaissance hit “The Little Mermaid,” in which he voices Chef Louis and sang the memorable “Les Poissons.” Fans of “The Princess Diaries” would recognize him as the voice of Mia Thermopolis’ father, Prince Philippe Renaldi, in an uncredited role.
(7) TODAY IN HISTORY.
December 8, 1954 — The Atomic Kid premiered. It was produced by Maurice Duke and Mickey Rooney, and directed by Leslie H. Martinson. It stars Mickey Rooney, Elaine Devry and Robert Strauss. This is the film showing in 1955 at the Town Theater in Back to the Future.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 8, 1861 — Georges Méliès. Best known as a film director for A Trip to the Moon (Le Voyage dans la Lune) which he said was influenced by sources including Verne’s From the Earth to the Moon and Around the Moon. (Died 1938.)
Born December 8, 1894 — E. C Segar. Best known as the creator of Popeye who first appeared in 1929 in Segar’s comic strip Thimble Theatre. Popeye’s first line in the strip, upon being asked if he was a sailor, was “Ja think I’m a cowboy?” J. Wellington Wimpy was another character in this strip that I’m fond of. (Died 1938.)
Born December 8, 1916 — Richard Fleischer. Starting in the early Fifties, he’s got he an impressive string of genre films as a Director — 20,000 Leagues Under The Sea, Fantastic Voyage (which came in second to Star Trek’s “The Menagerie” at NyCon 3 in that Hugo category), Doctor Doolittle, Soylent Green (placed third in Hugo voting), Conan The Destroyer and Red Sonja during the thirty year run of his career. (Died 2006.)
Born December 8, 1939 — Jennie Linden, 80. She’s here for being Barbara in Dr. Who and the Daleks, the 1965 non-canon film. Her next genre forays were both horror comedies, she was in A Severed Head as Georgie Hands, and she’d later be in Vampira as Angela. She’d show up in Sherlock Holmes and The Saint as well.
Born December 8, 1950 — Rick Baker, 69. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London. So what else is he known for? Oh, I’m not listing everything, but his first was The Thing with Two Heads and I’ll single out The Exorcist, Star Wars, The Howling which I quite love, Starman for the Starman transformation, Beast design on the Beauty and the Beast series and the first Hellboy film version.
Born December 8, 1951 — Brian Attebery, 68. If I was putting together a library of reference works right now, Attebery would be high on the list of authors at the center of my shopping list. I think The Fantasy Tradition in American Literature: From Irving to Le Guin is still essential reading and Parabolas of Science Fiction with Veronica Hollinger is very close to a Grand Unification Theory of the Genre.
Born December 8, 1953 — Kim Basinger, 66. She was the of Bond girl Domino Petachi in Never Say Never Again. After that, it’s Vicki Vale in Burton’s Batman as far as we’re tracking her. (We’re pretending My Stepmother Is an Alien never happened.) Ahhhh, Holli Would In Cool World… there’s an odd film.
(9) COMICS SECTION.
Non Sequitur has Alexa working on helping you to become a better writer.
In 1907, the gloriously named Horace Newte published The master beast : being a true account of the ruthless tyranny inflicted on the British people by socialism A. D. 1888-2020, republished in 1919 as The Red Fury: Britain Under Bolshevism. Unlike the other two, Bellamy isn’t mentioned explicitly but it’s clearly a response all the same. Newte’s hero is dismayed to see socialists come to power in Britain at the start of the twentieth century, followed of course by a successful German invasion. He then sleeps from 1911 to 2020, and awakes to find a morally degenerate country where women behave with dreadful freedom. But England is then invaded again, this time by African and Chinese forces, and he escapes to France. It’s online here.
(11) A SEASON FOR GIVING. Nerds
of a Feather helps fans with their holiday shopping in a series of posts about
gift suggestions, such as — “Holiday Gift Guide: Games (All Kinds!)”. Adri
Joy’s enthusiasm about the Goose Game is contagious.
It will come as a surprise to nobody that Untitled Goose Game is my pick for a video game gift this year. This year’s most memeable game, from indie developer House House, combines elaborate stealth-based mechanics with the aesthetics of a rural English village, and puts you in the shoes (well, the webbed feet) of a horrible goose completing a number of tasks to mess with a series of villagers. Featuring four main areas for mischief which open up into an increasingly elaborate world, its a game whose puzzles are satisfying and unrepentantly sadistic, with a great flow through the “level-based” tasks and into more elaborate post-game tests. There’s also plenty of fun to be have in tasks which serve no in-game purpose apart from the pure-hearted joy of being a goose, and while this isn’t quite Breath of the Wild levels of “exploring the world because its there” content, it’s still a diversion that can be returned to even once your goose to-do is all crossed off.
Once you started writing seriously, how long did it take you to sell your first piece? What were you doing wrong in your writing in those early days?
I started writing fiction in 2004, but prior to that I had been writing non-fiction for a long time. Laboratory manuals and procedures, business documents, etc. Then I got a part-time gig writing elementary school test preparation guides for The Princeton Review. That required writing fictional reading passages. I found I liked it, and here’s where real serendipity enters the equation. Makes you wonder if Fate really exists. I wanted to write horror and sci-fi, so I attended a convention (LunaCon) in New York, where I met Odyssey Director Jeanne Cavelos. We talked, and she said I should submit something to an anthology she was working on. I had two days before the deadline. I went home and wrote like a fiend. Finished my first-ever short story and sent it to her, unedited, unproofed.
It got rejected, of course.
But she sent it back with a note saying I almost made it in, I had real talent, and I should keep writing. So I did. And a year later I made my first professional sale, a short story. The year after that, it was two pieces of flash fiction and some poems. Then another couple of short stories. I went on like that for five years, all while also working on my first novel, which was published in 2010.
In those days, I’d have to say I was doing EVERYTHING wrong! I didn’t know about using editors or beta readers. I thought you just proofed your work and the publishers edited it. I didn’t know about first or third drafts. I didn’t know how to write a cover letter. I didn’t know anyone in the business except Jeanne. Over time, I attended more conventions. Met people. Joined the Horror Writers Association and the Science Fiction & Fantasy Writers of America. Took some classes. Learned how to edit properly.
Is They’d Rather Be Right the worst Hugo Award winning novel of all time? I’m in the minority of readers who hated The Three-Body Problem, so that will always be in contention for my personal Worst Hugo Winner of All Time category.
(14) BONES. The New York Review of Books’ Verlyn
Klinkenborg dismisses their own question “What
Were Dinosaurs For?” while covering a selection of dino books.
…As I was reading some recent books on dinosaurs, I kept wondering, “What were dinosaurs for?” It’s a ridiculous question, and I wondered why I was wondering it. After all, dinosaurs were “for” exactly what we are “for,” what every organism has been “for” since life began. Every species that has ever lived is a successful experiment in the enterprise of living, and every species is closely kinned at the genetic level with all other species. This is harder to grasp than it seems, partly because the logic of that Satanic preposition—“for”—is so insidious, so woven through the problem of time. Teleology is the moralizing of chronology, and nowadays science tries to keep watch for even the slightest trace of it, any suggestion that evolution has a direction tending to culminate in us or in what we like to call intelligence or in any other presumably desirable end point.
PopHorror: Are you still touring with Ray Bradbury Forever (Live)?
Bill Oberst, Jr.: Yes. I’ve got a show in Atlanta next year and then I’m going to Walla Walla, Washington. I wanted to go there just so I could say Walla Walla. It’s fun. And then I’ll be performing at some libraries next year because it will be the 100th anniversary of Ray’s birth. We did it on Broadway, and we did it in Los Angeles. We did about ten performances last year, so I learned what worked and what didn’t work. My goal is to get it to the point where people who know nothing at all about Ray Bradbury, people who have never read a word of his, can say, “Wow, I got something out of that.” I’m not interested in the Wikipedia info, where he was born and what he wrote and all that.
Think about it: after we’re all gone and all the people who have known us are gone, what’s left of Tracy and Bill? What were our lives lived for? What did we stand for? What is it about us that future people can say, “Well, I don’t know anything about Tracy or Bill, but this thing they did could apply to my life.” That’s the test. In 100 years, who is going to remember you unless you have some legacy, some mark.
[Thanks to Cat Eldridge, John King Tarpinian, JJ, Darrah Chavey, Chip
Hitchcock, Mike Kennedy, Martin Morse Wooster, Danny Sichel, Nicholas Whyte, Michael
Toman, and Andrew Porter for some of these stories. Title credit goes to File
770 contributing editor of the day David Shallcross.]
Countless characters from Stephen King‘s lexicon of horror works have shrunk down to Funko Pop! vinyl form, from The Shining‘s “Here’s Johnny” Jack Torrance to It‘s Pennywise the shape-shifting clown. Now, King himself joins the list of auteurs immortalized in plastic.
Funko unveiled the acclaimed author in toy form on Monday through two new figures. One is a more standard King, dressed in black and holding a book. The other pays homage to two of his literary creations.
…King joins the likes of fellow author-to-Funko figures George R.R. Martin (A Song of Ice and Fire), Dr. Seuss, and Edgar Allen Poe (“The Raven”).
SUM OF ITS PARTS. Adam Roberts thinks “The
Fix-Up” novel’s importance to sff as been underestimated.
…But my suggestion, which, come the Greek kalends, I’ll write up into a proper academic paper, is this: the ‘fix-up’ has had a much larger, perhaps even a shaping, effect on the entire later development of SF than is realised. I don’t just mean those occasional SF novels today that are made up of discrete elements tessellated: Simmons’s Hyperion say, or Jennifer Egan’s Visit From the Goon Squad—it’s also in the way TV shows like Doctor Who or Star Trek assemble mega-texts out of lots of short-story-ish discrete elements, something (as per the MCU) increasingly mimicked by cinema. Only die-hard fans read new SF short stories today, but the form of the short story feeds directly into contemporary SF in several key ways. Speaking for myself, I find these formal possibilities really interesting: the jolting dislocation of it, the quasi-modernist experimentation; textual tessellation but in a pulp, populist idiom. That’s entirely my bag.
This is how Psycho operates—by outlining rules beforehand, it seems to promise to play by them. All of Psycho’s advance press materials were designed to manipulate audiences. The rules that Hitchcock set for watching it acted as extra-cinematic devices that would help further jolt audiences. Psycho breaks every rule it sets up. It doesn’t stick to a single genre (it goes from realistic crime story to psychological thriller to murder mystery). It kills its main character. Its main villain turns out not to exist. The character who takes over the plot is revealed to have been taken over by another force, a long time ago.
(5) WARTIME SERVICE. Rob Hansen has added a photo gallery to
his fanhistory site THEN that shows British fans in uniform from WWII.
Arthur C. Clarke and Terry Jeeves are in the mix: “WWII:
BRITISH FANS IN THE FORCES”.
Are you ready to see Judi Dench as a cat wearing a gangster-sized fur coat?
The new “Cats” trailer released Tuesday delivers such epic Dench moments, more Taylor Swift shimmying as Bombalurina and plenty of new jokes, thanks to the internet.
“Tonight is a magical night where I choose the cat that deserves a new life,” Dench’s Old Deuteronomy ominously intones.
“Judi Dench giving us @JLo in Hustlers,” tweeted Marc Malkin of The Hollywood Reporter, sharing an image of Dench in a full fur (on fur) coat.
(7) MANDALORIAN RECAP. Dean E.S. Richard warns you before
the spoilers begin in his column “Mondays on Mandalore: A New New Hope” at Nerds
of a Feather. Before he gets that far, Richard says —
…Going back to its roots, back in the actual New Hope days, that is what Star Wars is. Even amidst galactic conflict and high stakes, there is silliness and, well, life.
All of this is to say that The Mandalorian is Star Wars. There are tons of moments that make you laugh – even at its most tense. The stakes don’t seem high, at least until the end of the first episode, even for our helmeted protagonist. In my semi-humble opinion, that is where stories are the best – we know the Mandalorian himself will survive, but what will that cost?
Each of these images comes from Adobe Stock. If I broke down the monthly fee for a subscription, we’re talking about my having spent approximately $5 per image. When you consider how much a lot of authors pay for covers, that’s nothing. The fonts are all open source or free to use. Yes, the font work and text placement needs work. These are mock-ups to see if I liked what I was doing. That means there will be changes before the books go live.
Here’s the thing. Over the last couple of years, I’ve discovered a couple of things where book covers are concerned. First, it is important to review your covers every year or two. You need to see if they are still cuing genre and sub-genre properly. In other words, are they in line with what newer books are doing?
With so many action sequences to pack in, an entire system to liberate, and the overall arc with the Axiom to tie up, it’s almost inevitable that the ending of The Forbidden Stars gets a bit rushed. There’s nothing particularly unsatisfying about the events that transpire, but once things kicked off for the finale I found myself looking sceptically at the number of pages I had left to go, and one character in particular gets the short end of the stick when it comes to revealing their ending.
As the name implies, Third Rock Radio is a radio station that plays rock music. The “third rock” thing is a nod to Earth being the third planet from the Sun. The station plays a variety of rock tunes that often have some casual link to science or space. Basically, if a rock song has “Moon,” “Sky,” or “Rocket” in the title, it’s going to get played.
… NASA’s promotion of the station, on the other hand, has obviously been lacking. Even the promo video for the station has a mere 50k views despite being published over four years ago.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 19, 1919 — Alan Young. He was David Filby and James Filby in The Time Machine. He was Stanley Beamish, the original lead in the unaired pilot of the 1967 Mr. Terrific series. It’s not the DCU character as the latter will not be created until 1997. And he was the voice of Scrooge McDuck for over thirty years, first in the Mickey’s Christmas Carol short (1983) and in various other films, series and even video games up to his death. (Died 2016.)
Born November 19, 1924 — William Russell, 94. He played the role of companion Ian Chesterton in Doctor Who, from the show’s first episode in the end until the next to the last of the second season when the Companions change. Yes, I know the “Unearthly Child” was the unused original pilot. He’s continued the role to the present at Big Finish. And yes, he’s in An Adventure in Space and Time.
Born November 19, 1936 — Suzette Haden Elgin. She founded the Science Fiction Poetry Association and is considered an important figure in the field of SFF constructed languages. Both her Coyote Jones and Ozark Trilogy are most excellent. Wiki lists songs by her that seem to indicate she might’ve been a filker as well. Mike, of course, has a post on her passing and life here. (Died 2015)
Born November 19, 1953 — Robert Beltran, 66. Best known for his role as Commander Chakotay on Voyager. Actually, only known for that role. Like so many Trek actors, he’ll later get involved in Trek video fanfic but Paramount has gotten legalistic so it’s called Renegades and is set in the Confederation, not the Federation.
Born November 19, 1955 — Sam Hamm, 64. He’s best known for the original screenplay (note the emphasis) with Warren Skaaren for Burton’s Batman and a story for Batman Returns that was very much not used. He also wrote the script for Monkeybone. Sources, without any attribution, say he also wrote unused drafts for the Fantastic Four, Planet of the Apes and Watchmen films. And he co-wrote and executive produced the M.A.N.T.I.S.series with Sam Raimi.
Born November 19, 1961 — Meg Ryan, 58. I won’t say she’s been in a lot of SFF films but overall she’s been in some really great ones. There’s Amityville 3-D which we’ll ignore but that was followed by the terrific Innerspace and that segued into Joe Versus the Volcano. City of Angels I’ve not seen but it sounds intriguing. Kate & Leopold is just plain charming. Oh, and she was the voice of the villain Dr. Blight for several seasons on Captain Planet and the Planeteers.
Born November 19, 1963 — Terry Farrell, 56. She’s best known for her role as Jadzia Dax on Deep Space Nine. She too shows up as cast on Renegades that Beltran is listed in. She’s got some other genre roles such as Joanne ‘Joey’ Summerskill in Hellraiser III: Hell on Earth, and Allison Saunders in Deep Core. Interestingly she played the character Cat in the American pilot of Red Dwarf.
So it really looks like UK based Phoenix Conventions (and their parent company KJ Events) may truly be dead. We think. We’d be shocked if they aren’t at this point. Probably. Let me explain.
Yesterday we were forwarded a tweet from twitter user QuickInSilvr which declared that the company was filing for bankruptcy. While we haven’t been able to independently verify that claim, the company has entirely blanked out both their Phoenix Conventions and KJ Events websites. While the Facebookpages are still up, the Phoenix Conventions and KJ Events Twitter accounts have also been deleted.
At the time that Hugo voting had ended, I had read four of them, and voted on that basis. (I had not yet read any Harry Potter and did not feel inclined to read through the series, I would feel different several years later) 2000 was about the first time I started to dip my toes into getting review copies, but it would be many more years before I got my “break” in that regard. I fondly remember getting an ARC of Darwin’s Radio, it was quite the surprise and delight.
Russia’s new Vostochny space centre has lost at least 11bn roubles (£133m; $172m) through theft and top officials have been jailed.
So what went wrong with President Vladimir Putin’s pet project?
Russia’s Federal Investigative Committee (SK) says it is handling 12 more criminal cases linked to theft in this mega-project, which Mr Putin sees as a strategic priority for Russia, because of its huge commercial potential.
The longest jail term handed down so far was 11-and-a-half years for Yuri Khrizman, former head of state construction firm Dalspetsstroy.
Prof Mark Galeotti, a Russia expert at the Royal United Services Institute (Rusi), told the BBC the Vostochny scandal highlighted the scale of corruption in Mr Putin’s huge state bureaucracy.
“How can you deal with it without declaring war on your own elite? He’s not prepared to do that. This dependency on mega-projects almost invariably creates massive opportunities for embezzlement,” Mr Galeotti said.
Polymaths excel in multiple fields. But what makes a polymath – and can their cross-discipline expertise help tackle some of society’s most pressing challenges?
If it weren’t for an actress and a pianist, GPS and WiFi might not exist.
In the late 1930s and early 40s, Hedy Lamarr was the already the toast of Hollywood, famed for her portrayals of femme fatales. Few of her contemporaries knew that her other great passion was inventing. (She had previously designed more streamlined aeroplanes for a lover, the aviation tycoon Howard Hughes.)
Lamarr met a kindred spirit in George Antheil, however – an avant-garde pianist, composer and novelist who also had an interest in engineering. And when the pair realised that enemy forces were jamming the Allied radio signals, they set about looking for a solution. The result was a method of signal transmission called ‘frequency-hopping spread spectrum’ (patented under Lamarr’s married name, Markey) that is still used in much of today’s wireless technology.
It may seem a surprising origin for ground-breaking technology, but the story of Lamarr and Antheil fits perfectly with a growing understanding of the polymathic mind.
Besides helping to outline the specific traits that allow some people to juggle different fields of expertise so successfully, new research shows that there are many benefits of pursuing multiple interests, including increased life satisfaction, work productivity and creativity.
Most of us may never reach the kind of success of people like Lamarr or Antheil, of course – but the research suggests we could all gain from spending a bit more time outside our chosen specialism.
…As David Epstein has also reported in his recent book Range, influential scientists are much more likely to have diverse interests outside their primary area of research than the average scientist, for instance. Studies have found that Nobel Prize-winning scientists are about 25 times more likely to sing, dance or act than the average scientist. They are also 17 times more likely to create visual art, 12 times more likely to write poetry and four times more likely to be a musician.
I have to admit, if you tell me to go read a book about forensics, I am not going to be excited. I don’t know why, but while that sort of thing may interest others, it does almost nothing for me. So, going into this, I read this book because of the poison, not because of the forensics.
That being said, holy crap was it interesting. The chapters are broken up by poisons, and the author tells readers how the poisons were used, some specific cases of said poisoning/incidents, and how this incident transpired and impacted the evolution of NYC’s forensic medicine, and all of this happened during prohibition.
So, selling points: prohibition, poisonings, forensics.
(19) FIRST CONTACT. [Item by Carl Slaughter.] When dealing with little green men,
sending and receiving signals involves a relatively simple technological
achievement — harnessing radio waves. Making first contact with an extraterrestrial, or
them making first contact with us, initiates what will prove to be a very
challenging conversation. “Language
is all based on culture and requires a common frame of reference. If you told an alien, ‘I’m taking an Uber to buy
some coffee at Starbucks,’ you’d have to explain what Uber is, then explain
what a car is, then explain what the Internet is, what a phone is, an app,
coffee, Starbucks, stores, the monetary system. All stuff that is intuitive to modern humans. Translating the words of an extra terrestrial
civilization is just the first step. Understanding what they’re saying is the more
[Thanks to Martin Morse Wooster, Chip Hitchcock, Cat Eldridge, JJ,
John King Tarpinian, Mike Kennedy, Carl Slaughter, Michael Toman, and Andrew
Porter for some of these stories. Title credit goes to File 770 contributing editor
of the day Paul Weimer.]
Short stories are short because there aren’t a lot of characters to interact with or places to go or things to do; otherwise, they’d be too long. Since long was my goal, I let myself daydream about the world around the spaceship. Who were these warriors? Who were they at war with? What was their culture, and how did it conflict with their enemy’s? Why did this priestess’ religion forbid speech?
I came up with anything—and many things that didn’t make it into even the first draft—to fill out the world. I didn’t limit myself at all. I added more characters and gave existing characters more goals based on more detailed backgrounds. I wrote what I now call the Worldbuilding Bible, a 30-page document of information on science, locations, and the histories of the two societies in humanity’s far future. And when I finally started writing the novel, I had a ton of characters on the board who would be sure to create conflict.
(2) ABOUT THE OTHERWISE AWARD. Keffy R.M. Kehrli explores his complex reaction to the decision to rename the Tiptree Award. Thread starts here.
…And look — yes, you can cosplay characters of other races. Most anime characters are asian, and no one’s asking white cosplayers to stop playing those characters. Heck, a white cosplayer can cosplay a black character. The important thing is you just don’t alter your skin color. That’s all you have to do. And if you don’t think you can accurately cosplay a character without doing so, maybe don’t cosplay that character. Or, y’know, just be okay without being perfectly “accurate.” Cosplay exists within a real world context, and maybe you should make sure you think about that context before suiting up.
Is that what I should be getting out of the wider discussion, that if I chose to dress as Black Panther without tinting my skin, everyone should be find with that? I wonder what Filers think.
The second season of The Outer Limits is now underway! As someone who is pretty devoted to her favorite shows, I anticipated the return of the science fiction anthology show with excitement. But something seems different. Could it be the result of the departure of producer Joseph Stefano, who contributed his creative vision and a number of scripts? Maybe changes in the show’s budget, time slot or its music? Read on, and tell me if you share my concern.
…Last week I shared an article about Copyright and Artificial Intelligence looking at the complications that artificial intelligence is bringing to copyright and the challenges we may face when machines, not people, are creating the bulk of our works.
However, as a serious Star Trek fan, I realized that the conversation wouldn’t be complete without an examination of episode 20 of season 7 of Star Trek: Voyager, entitled Author, Author. The episode involves an artificial intelligence writing a creative work and then having to fight to retain control over it as his infringers believe he doesn’t qualify copyright protection.
It’s a rare mix of science fiction, legal wrangling and debates over humanity that could only come from the latter episodes of Star Trek: Voyager. However, as we slide into more and more autonomous artificial intelligence, it may not be long before we have our own story like this one to ponder.
(6) BLOOM OBIT. Critic Harold Bloom died October 14. The New York Times obituary is here — “Harold Bloom, Critic Who Championed Western Canon, Dies at 89”. I mention him primarily because his eye-opening description of how many ways you can trace artists’ influence on one another – the similarities between their works being merely one possibility – had a big impact on Diana Glyer’s first Inklings book.
(7) TODAY IN HISTORY.
October 14, 1926 — A. A. Milne’s classic, Winnie-the-Pooh, was published in the UK.
October 14, 1977 — Starship Invasions premiered. Released as Project Genocide in the UK, it starred Robert Vaughn and Christopher Lee. It scored 39% on Rotten Tomatoes.
October 14, 2011 — The Thing, the prequel to John Carpenter’s The Thing went into general release in the US. It was a financial and critical flop with rating at Rotten Tomatoes of 35%.
October 14, 2008 — Journey To The Center Of The Earth premiered on home video. It starred Greg Evigan of TekWar fame and Dedee Pfeiffer. It rated 29% at Rotten Tomatoes.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 14, 1927 — Roger Moore. Bond in seven films 1973 to 1985, a long run indeed. And he played Simon Templar in The Saint from for most of the Sixties. Let’s not forget that he was in the Curse of the Pink Panther as Chief Insp. Jacques Clouseau! (Died 2017.)
Born October 14, 1946 — Katy Manning, 73. She was Jo Grant, companion to the Third Doctor. She also appeared with the Eleventh Doctor on the Sarah Jane Adventures in a two-part story entitled “Death of the Doctor”. She appears as herself in the The Five(ish) Doctors Reboot.
Born October 14, 1949 — Crispin Burnham, 70. And then there are those who just disappear. There’s nothing to show him active after 1998 when the final part of his People of The Monolith was publishedin Cthulhu Cultus #13 . Prior to that, he edited Dark Messenger Reader / Eldritch Tales from 1975 to 1995, and wrote a handful of what I’ll assume is Cthulhuan fiction. No surprisingly, he’s not to be on iBooks or Kindle.
Born October 14, 1953 — Richard Christian Matheson, 66. Son of the Richard Matheson that you’re thinking of. A very prolific horror writer, mostly of short stories, he’s also no slouch at script writing as he’s written for Amazing Stories, Masters of Horror, The Powers of Matthew Star, Splatter, Tales from the Crypt, Knight Rider (the original series) and The Incredible Hulk. Wiki claims he wrote for Roger Zelazny’s The Chronicles of Amber but IMDB shows no series or show. Kindles and iBooks have a goodly number of story collections available.
Born October 14, 1953 — Greg Evigan, 66. TekWar, one of Shatner’s better ideas, starred him as Jake Cardigan. I really liked it. Yes, Shatner was in it.
Born October 14, 1956 — Arleen Sorkin, 63. To my ears, still the best Harley Quinn as she voiced her on the Batman: The Animated Series.
Born October 14, 1956 — Martin Millar, 63. Among his accomplishments was the novelization of the Tank Girl film. Apparently it’s even weirder than the film was! He won the World Fantasy Award for best novel with his book Thraxas, and the entire Thraxas series which are released under the name Martin Scott are a lot of not-too-serious pulpish fun.
Born October 14, 1963 — Lori Petty, 55. Rebecca Buck – “Tank Girl” in that film. She was also Dr. Lean Carli in Cryptic, and Dr. Sykes in Dead Awake. She had one-offs in The Hunger, Twilight Zone, Star Trek: Voyager, Brimstone, Freddy’s Nightmares and Alien Nation, and voiced Livewire in the DCU animated shows.
Born October 14, 1968 — Robert C. Cooper, 51. He was an executive producer of all the Stargate series. He also co-created both Stargate Atlantis and Stargate Universe with Brad Wright. Cooper has written and produced many episodes of Stargate series as well as directed a number of episodes. I’m really impressed!
In 1962, Stan Lee and Jack Kirby created a superhero based more on the classic Universal Horror monster ideals. While someone like The Thing looks like a monster, he still maintained his intelligence and was a true hero. However, Hulk was like a mixture of Frankenstein’s Monster and the Wolf-Man.
As a matter of fact, early versions of The Hulk had him only changing at night like the Wolf-Man. Hulk was a monster that the world feared but someone who was a hero at the end of the day — despite the collateral damage he caused. He was so popular that it was Hulk that gave Marvel one of their earliest live-action TV shows.
Having sunk a significant amount of time into the goose uprising – learning the ways of the village, its routines, and what happens to all the items I’ve been throwing down the well – I have decided, rather than undertaking a review, to resurrect a hallowed Nerds of a Feather institution: the We Rank ‘Em post. I now bring my extensive goose game expertise to bear on the objective ranking of the villagers of goose game, from my omniscient perspective as the objective arbiter of their destinies. This ranking has been cross checked using the most advanced scientific principles available to game character analysts today, and was also compiled while I was hungry and therefore very motivated to put down the most straightforward, no-nonsense reasoning I could so as to get on with the more important business of reheating leftover noodles and maybe making a mug cake. With these factors in mind, I present to you: the definitive ranking of untitled goose game villagers….
The Force is strong in this trademark opposition. Disney is fighting a multi-million dollar tobacco company’s attempt to register the trademark JEDI in association with its line of e-cigarettes.
The word “Jedi” has no other meaning that being associated with the Star Wars franchise as it was coined by George Lucas and the mark first appeared in the 1977 film, Star Wars: A New Hope. Since this time, Lucasfilm has used the mark continuously in its movies, television shows, video games, and on merchandise. Lucasfilm even owns 22 registered ore pending trademarks for the JEDI mark. There can be no doubt but that when you hear the JEDI mark you automatically associate it with the Star Wars franchise.
Godfrey Phillips India Limited is an India-based tobacco company with reported annual revenue of $640 million. That’s a lot of cancer bucks….
A laryngectomy has separated Peter’s oesophagus and trachea. The operation prevents the risk of him swallowing and choking on saliva, but removes his voicebox.
Though he’ll no longer be able to speak with his biological voice, he’s instead banked his voice on a computer, meaning his new voice will be able to speak emotively – and in other languages if he wants.
Scientists have also designed a face avatar, which he can use to show expressions if he loses muscle control.
An electric wheelchair enables him to be upright, sitting or laid down.
He is fed through a tube and has a catheter and colostomy bag attached so he doesn’t need to eat or use the toilet.
(17) DOGWATCH. Snoopy
in Space is coming November 1 to the Apple TV app with an Apple TV+
Blast off with Snoopy as he fulfills his dream to become a NASA astronaut. Joined by Charlie Brown and the rest of the Peanuts gang, Snoopy takes command of the International Space Station and explores the moon and beyond.
[Thanks to Daniel Dern, JJ, Cat Eldridge, Martin Morse Wooster,
Mike Kennedy, John King Tarpinian, Chip Hitchcock, and Andrew Porter for some
of these stories. Title credit goes to File 770 contributing editor of the day Kip
(1) STAMPEDE ZONE. Fran Wilde, in one of the New York Times’
op-eds from the future, implores “Please,
Stop Printing Unicorns”. Tagline: “Bioprinters are not toys, and parents shouldn’t give them to
… Making bioprinting more accessible to the public — especially to children — will be likely to lead to even worse disasters than last Friday’s blockade of the Chicago I-899 skyways off-ramp by a herd of miniature unicorns. Sure, the unicorns (whose origins are unknown) were the size of ducklings, but their appearance caused several accidents and a moral quandary.
These bioprinted unicorns were living creatures with consciousness — as defined by the A.I. Treaty of 2047 — trying to find their way in the world…..
Gregory Feeley writes novels and stories, most in some respect science-fictional. His first novel, The Oxygen Barons, was nominated for the Philip K. Dick award, and his short fiction has twice been nominated for the Nebula Award. His most recent novels are the historical novel Arabian Wine, and Kentauros, a fantasia on an obscure Greek myth. He recently completed a long novel, Hamlet the Magician.
Michael Swanwick writes fantasy and science fiction of all sorts, at lengths ranging from novels to flash fiction. Over the years, he’s picked up a Nebula Award, five Hugos and the World Fantasy Award–and has the pleasant distinction of having lost more of these awards than any other writer. Tor recently published The Iron Dragon’s Mother, completing a trilogy begun with The Iron Dragon’s Daughter twenty-five years ago. That’s far longer than it took Professor Tolkien to complete his trilogy.
The event is Tuesday,
September 3 at The Brooklyn Commons Café,
388 Atlantic Avenue (between Hoyt & Bond St.). Doors open at 6:30
p.m., event begins at 7:00 p.m.
Everybody calls Rob Kuntz last, he says. Those who want to know about the history of Dungeons & Dragons start with co-creator Gary Gygax’s kids, one of Gygax’s biographers, or D&D publisher Wizards of the Coast. As they’re wrapping things up, they might get around to dialing up Kuntz, a 63-year-old game designer. And once they call him, he tells them the same thing: Everything they know about the creation of the tabletop role-playing game is, in his opinion, sorely mistaken or flat-out wrong.
“There’s a myth that’s been propagated in the industry,” Kuntz told Kotaku during an interview in February of this year. “If you keep digging into this, you’re going to come up with a story that will enrage people and expose the truth.”
(4) MIND OF THESEUS. In the August 14 Financial Times (behind a
paywall), Library of Congress fellow Susan Schneider critiques the arguments
of Ray Kurzweil and Elon Musk that we should figure out how to download our
brains into the clouds to prevent really smart AI machines from taking over our
“Here is a new challenge, derived from a story by the Australian science fiction writer Greg Egan. Imagine that an AI device called ‘a jewel’ is inserted into your brain at birth. The jewel monitors your brain’s activity in order to learn how to mimic your thoughts and behaviours. By th time you are an adult, it perfectly simulates your biological brain.
At some point, like other members of society, you grow confident that your brain is just redundant meatware. So you become a ‘jewel head,’ having your brain surgically removed. The jewel is now in the driver’s seat.
Unlike in Mr Egan’s story, let us assume the jewel works perfectly, So which is you–your brain or your jewel?”
(5) CHAMBERS PRAISED. [Item by Olav Rokne.] The recent Worldcon in Dublin seems to be prompting some
discussion of the literary merit of genre work. Writing in the Irish Times, John
Connolly (“The future of sci-fi never looked so bright”) holds up the work of Hugo-winner Becky
Chambers as an example of meritorious genre work, writing that:
In a world in which intolerance seems to be implacably on the rise, the fundamental decency at the heart of Chambers’s narratives, her depiction of a post-dystopian humanity attempting to construct a better version of itself while encountering new worlds and species, begins to seem quietly, gently radical.
Disney released a new poster depicting the battle, presenting it to all attendees.
Fans can now watch the pinnacle moment of the footage – a cloaked Rey pulls out what appeared to be a red, double lightsaber in battle, similar to the infamous weapon wielded by Darth Maul in “Star Wars: Episode I – The Phantom Menace.”
The D23 crowd let out an immediate, overpowering cheer at the sight of the weapon’s return and proclaimed the sighting on Twitter.
It caused a disturbance in the Force which was felt well beyond the D23 walls.
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 26, 1911 — Otto Oscar Binder. He’s best remembered as the co-creator with Al Plastino of Supergirl and for his many scripts for Captain Marvel Adventures and other stories involving the entire Marvel Family. He was extremely prolific in the comic book industry and is credited with writing over four thousand stories across a variety of publishers under his own name. He also wrote novels, one of which was The Avengers Battle the Earth Wrecker, one of the series created by writer-editor Stan Lee and artist and co-plotter Jack Kirby. (Died 1974.)
August 26, 1912 – Ted Key. Of interest to us is his screenplay for The Cat from Outer Space about an apparent alien feline who has crash-landed here (starring Ken Berry, Sandy Duncan and Harry Morgan), which he followed up with a novelization. He also conceived and created Peabody’s Improbable History for producer Jay Ward’s The Rocky and Bullwinkle Show. It would become the Sherman and Peabody Show. (Died 2008.)
Born August 26, 1912 — Gerald Kersh. He wrote but one genre novel, The Secret Masters, and two genre stories in his Henry the Ghost series. So why’s he here, you ask? Because Ellison declared “you will find yourself in the presence of a talent so immense and compelling, that you will understand how grateful and humble I felt merely to have been permitted to associate myself with his name as editor.” You can read his full letters here. (Died 1968.)
Born August 26, 1938 — Francine York. Her last genre performance was on Star Trek: Progeny. Never heard of It? Of course not, as it was yet another fan project. It’s amazing how many of these there are. Before that, she appeared in Mutiny in Outer Space, Space Probe Taurus and Astro Zombies: M3 – Cloned. (Died 2017.)
Born August 26, 1949 — Sheila E Gilbert, 70. Co-editor-in-chief and publisher of DAW Books with Elizabeth R (Betsy) Wollheim. For her work there, she has also shared the Chesley Awards for best art director with Wollheim twice, and received a solo 2016 Hugo award as best professional editor (long form).
Born August 26, 1950 — Annette Badland, 69. She is best known for her role as Margaret Blaine on Doctor Who where she was taken over by Blon Fel-Fotch Pasameer-Day, a Slitheen. This happened during “Aliens of London” and “World War Three” during the Era of the Ninth Doctor. Her story would conclude in “Boom Town”.
Born August 26, 1970 — Melissa McCarthy, 49. Yes, I know she was in the rebooted Ghostbusters. Fanboys across the net are still wetting their pants about that film. I’m more interested in Super Intelligence in which she is playing a character that has an AI who has decided to take over her life. It reminds me somewhat of Kritzer’s “Cat Pictures Please” premise. It will be released on December 20 of this year. (And we are not talking about her The Happytime Murders.)
Born August 26, 1980 — Chris Pine, 39. James T. Kirk in the Star Trek reboot series. He also plays Steve Trevor in both Wonder Woman films and Dr. Alexander Murry in A Wrinkle in Time. He’s also Cinderella’s Prince in Into the Woods. Finally, he voices Peter Parker / Ultimate Spider-Man in Spider-Man: Into the Spider-Verse.
If you haven’t had a chance to try this snack yet, they’re basically Cheetos puffs that are shaped into various parts of a skeleton like the head, ribcage, hands, and bones. This means that besides being as delicious as a classic Cheeto, you can also build spooky skeletons with your food if you can resist scarfing down the whole bag for a while.
Not a blade of grass longer than the rest, a red “Remove Before Flight” tag unchecked, or a single Kiwi (be it bird or engineer) out of place: Rocket Lab’s Launch Complex-1 looks like an industry brochure come to life (better in fact). Located at the southern tip of the picturesque Mahia Peninsula on the east coast of New Zealand’s North Island, LC-1 is currently the only operational Rocket Lab launch site where the Electron vehicle—Rocket Lab’s low-cost small satellite launch vehicle—takes flight.
Rocket Lab just took advantage of the latest window at LC-1 on August 19. But back in December 2018, fellow rocket launch photographer Brady Kenniston had the exclusive opportunity to photograph Rocket Lab’s first NASA mission, ElaNa-19, from this private launch site. This launch was going to be Rocket Lab’s mostimportant mission to date because, as the leader in the small satellite industry, they had an opportunity to show NASA (and the world) what they are made of. If successful, it could lead to future business from other small satellites in need of a ride to space—not to mention, the company would earn the endorsement of NASA Launch Services as an eligible vehicle to fly future NASA small-satellite science payloads.
Joe: We’re a little more than seven months into what is shaping up to be an absolute stellar year for science fiction and fantasy fiction and I wanted to check in with the two of you to see what you’ve been reading and what has stood out in a year of excellence.
Adri: Indeed! well for starters I lost my heart in the time war…
Paul: I, too, lost my heart in the Time War. Among many other places, but having recently finished that, it is strongly on my mind. I am Team Blue, Adri, how about you?
Heinlein was not fond of critics, not entirely without reason. Even in his day, a good critic could be a wonder – and a bad one a nightmare. But I think he might have liked this book – and, as Heinlein remains popular, we should ask ourselves why. You may not agree with everything in this book, but it will make you think. Mendlesohn treats Heinlein as what he was, a man. Not an angel, or a demon, but a man. An influential man, but a man nonetheless.
(13) SMILE! Guess what this scene made Kevin Standlee think of —
(Now imagine, what if somebody used X-ray film?)
(14) CHALLENGES IN PRODUCING HEINLEIN BOOK. Shahid Mahmud of Arc Manor Publishers sent out an update about Phoenix Pick’s Heinlein novel The Pursuit of the Pankera.
…As many of you are aware from my previous emails, this is the parallel text to The Number of the Beast.
It is, effectively, a parallel book about parallel universes.
We had originally attempted to release the book before Christmas, but some production issues have delayed the release to Sprint/Summer of 2020.
These include sorting out some fairly intricate details discussed in the book. For example (for those of you dying to see what it is that we publishers actually do), here are a few internal excerpts between editors working on various aspects of the book:
“The planet-numbering system may be off in certain parts of the story. At the beginning of the story (and in real life) we live on planet Earth. In the course of the story, there is time travel, and that’s where it gets confusing… the story refers to both Earth-One and Earth-Zero. There is a detailed explanation of the numbering system (see pg. 312) wherein “Earth-Zero is so designated because Dr. Jacob Burroughs was born on that planet…”
However, in other parts of the book, Earth-One is referred to as the characters’ home planet.”
“After discussion with Patrick, I’ve settled on the following conventions: x-axis (hyphenated, lowercase, no italics) but axis x (no hyphen, lowercase, italic single letter). In the manuscript, of course, the italic letter would be underlined rather than set italic. The letters tau and teh remain in the Latin alphabet (rather than Greek or Cyrillic) and are lowercase but not set italic. When used with the word “axis” (tau-axis) they are hyphenated.”
These are the little details that keep us Publishers up at night 🙂
But alas, given a book of this magnitude and size (this is a BIG book, over 185,000 words) all this takes time.
Hence the delay.
Mahmud says the ebook will be priced at $9.99 at launch, but they will run a Kickstarter beginning September 4 to help pay for production, which will allow people to buy the ebook for just $7.00. And there will be other rewards available.
(15) THE NEXT BIG THING. Best Fanzine Hugo winner Lady Business tweeted a get-acquainted thread for new followers (starts here) which closes with this appeal –
Legion creator Noah Hawley’s feature directorial debut stars the Oscar-winning actress as Lucy Cola, a loose adaptation of real-life astronaut Lisa Nowak, who, after returning to earth from a length mission to space, began an obsessive affair with a coworker….
[Thanks to Jim Freund, JJ, Cat Eldridge, Mike Kennedy, Martin
Morse Wooster, Lise Andreasen, Chip Hitchcock, John King Tarpinian, Errolwi,
and Andrew Porter for some of these stories. Title credit goes to File 770
contributing editor of the day Soon Lee.]
…Mascarenhas has said of her novel that time travel “[makes] you constantly think of what stories people leave behind”. Every time we recover a female author, scientist, doctor, activist, every time we affirm that black people lived in medieval Europe, that queer people have always existed and often led happy lives, we change history – not the past, crucially, but history, our story about the past, our narratives and paradigms. And as we change history, we change the future. I’d worried that our book wouldn’t be relevant – it turns out all of us were right on time.
(2) WORLDCON DINING. Now is when this massive project pays
off – Dublin 2019 Eats – compiled by Guest of Honour Diane Duane and Peter Morwood.
…For a lot of years now, SFF conventions have often had local restaurant guides to help their attendees find out what the local food options were. With this concept in mind, and as a way of assisting our thousands of convention visitors in finding their way around the Dublin food scene, in 2018 we came up with the concept of this casual online guide to food that’s either in the immediate area of the Dublin Convention Centre, the Worldcon’s main venue, or accessible from that area via public transport. Your two site managers — locally-based science fiction and fantasy novelists and screenwriters Peter Morwood and Diane Duane — have between them some seventy years of experience at the fine art of tracking down and enjoying great Dublin food.
For the purposes of this guide, our attention is focused mostly on food located near the city’s fabulous Luas tram system — mainly the Red Line that serves the DCC, but also the Luas Green Line that connects to it.
We have a focus on affordable food — because we, like a lot of our Worldcon guests, have often had to spend enough just getting to the venue to make the cost of eating an issue.
…The result is a show suffused with anxiety. When discussing Years and Years, I’ve found that people tend to reference its big dramatic moments, such as the ending of episode 1, in which an air raid siren alerts the gathered family to the fact that the US has dropped an atomic bomb on a Chinese military base (Davies doesn’t try too hard to ground his predictions in carefully-reasoned reality, but his speculation that Donald Trump would do something like this on his final day in office is scarily plausible). Or that of episode 4, in which Daniel and Viktor board an overloaded inflatable raft in a desperate attempt to cross the handful of miles separating Calais from England. But I think the scene that will hit a lot of viewers where they live is actually the end of episode 2, in which Stephen and Celeste race to their bank to try to retrieve even some of their money, and find themselves in a crowd of people hoping to do the same, all equally doomed. The first two are things that you can imagine happening, but maybe not to you. The second feels like exactly the sort of calamity that the comfortably middle class people the show has been aimed at are most likely to experience in the coming decades….
Renowned for his beloved and acclaimed children’s books, Maurice Sendak (1928–2012) was also an avid music and opera lover. In the late 1970s, he embarked on a successful second career as a designer of sets and costumes for the stage. Drawing the Curtain: Maurice Sendak’s Designs for Opera and Ballet will be the first museum exhibition dedicated to this aspect of his career. It will include storyboards, preparatory sketches, costume studies, luminous watercolors, and meticulous dioramas from Mozart’s Magic Flute, Janá?ek’s Cunning Little Vixen, Prokofiev’s Love for Three Oranges, Tchaikovsky’s Nutcracker, and an opera based on Sendak’s picture book Where the Wild Things Are.
The exhibition will include nearly 150 objects drawn primarily from the artist’s bequest to the Morgan of over 900 drawings. Sendak borrowed gleefully from a personal pantheon of artists, some of whom he encountered firsthand at the Morgan. Several such works, by William Blake, Wolfgang Amadeus Mozart, and Domenico and Giambattista Tiepolo, will be displayed alongside his designs. Although less well known than his book illustrations, Sendak’s drawings for the stage embody his singular hand, fantastical mode of storytelling, keen—sometimes bawdy—sense of humor, and profound love of music and art history.
…The emotional dynamism of Delany’s sentences has been perhaps less acknowledged than his world-building, or the sweep of his vision. But when asked to speak about writing as a practice, Delany himself often turns to the art ofsentences, and of how to imbue words with such “ekphrastic force” that they summon the material presence of an imagined world. When Korga and Marq return to themselves they are awe-struck, struggling to narrate the intensity of their own transformative experience. It is impossible not to hear in that a metatextual echo of the obsession of Delany’s practice: that of creating the most immersive possible aesthetic experience for us, his readers and devoted enthusiasts….
…Not long ago I was reading a collection of essays by Hilaire Belloc titled One Thing and Another, and, as is sometimes the case when I read other people’s essays, I got the idea of writing this one. The “idea,” such as it was, had nothing to do with the subject matter of any of the forty essays contained in Belloc’s book; what struck me was that the pages smelled as if they had been soaked in gasoline. I remembered abruptly that it had smelled that way when I’d bought it, and although it has sat on the shelf in my study for twenty years, waiting to be read, the odor hasn’t diminished. It could be fatal to light a match anywhere near it.
This olfactory discovery sent me off in a nostalgic search for my copy of Philip K. Dick’s Dr. Bloodmoney, which Phil gave to me in 1975. My wife, Viki, and I took off on a road trip a few days later in our old Volkswagen Bug, and I brought the book along. It mysteriously disappeared early one rainy morning in central Canada, and I didn’t find it again until a year later, after the car’s battery died. The VW’s battery was under the back seat, and when I pulled out the seat to get at the battery, there was Dr. Bloodmoney, its cover partly eaten by battery acid. I was monumentally happy to find it. The book is inscribed to “Jim Blaylock, a hell of a neat dude,” the only existing written evidence of that allegation….
Built in 1907, the Mizpah Hotel in haunted Tonopah has many spirits supposedly roaming its halls, including Rose, a prostitute murdered by a jealous gambler. Guests report items that mysteriously move and an old elevator whose doors randomly open and close.
…Also, I’ve only ever seen one scene from the entire movie, when a hooded figure wielding a hook stabs a dude in the stomach and blood starts coming out of that man’s mouth. I have watched hundreds of horror films since, but stop me in the street and ask me: What’s the scariest movie you’ve ever seen? and I will unwaveringly answer “I Know What You Did Last Summer, because I was a seven-year-old wuss who had never seen a grown man run through with a sheep hook in a gas station lot before.”
What I’m saying is, “scary” is a silly metric by which to measure a horror movie’s quality, especially if it’s the only one you use. Not to get all “I own a thesaurus” on you, but there are distinct differences between something that’s scary, spooky, threatening, shocking, dreadful, et cetera. The new big horror release, Scary Stories To Tell In the Dark, for example, writes a check the movie needs to cash. It’s right there in the title…
(9) TODAY’S DAY. [Item by Hampus Eckerman.] Moomin Day today:
But not everyone is happy. Here are demonstrators from
last weeks manifestation against the placement of a new Moomin theme park in
the Swedish city of Karlstad. Anti-Moonin feelings are running high. The
picture says it all: “Flera
hinder för Mumin”
(10) TODAY IN HISTORY.
August 9, 1930 — Betty Boop debuted in the animated film Dizzy Dishes.
August 9, 1989 — James Cameron’s The Abyss premiered on this day.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 9, 1899 — P.L. Travers. Yes, she’s genre. A flying nanny is certainly fantasy. Did you know there are total of eight books? I’m sure I’ve seen the film but it’s been so long that I remember ‘nought about it. Anyone here seen the new film? (Died 1996.)
Born August 9, 1920 — Jack Speer. He is without doubt was one of the founders of fandom and perhaps the first true fan historian having Up to Now: A History of Science Fiction Fandom covering up to 1939 as well as the first Fancyclopedia in 1944. Fannish song-writing (before the term “filk” was coined) and costume parties are also widely credited to him as well. Mike has a proper remembrance here. (Died 2008.)
Born August 9, 1927 — Daniel Keyes. Flowers for Algernon was a novel that I read in my teens. Two of the teachers decided that SF was to be the assigned texts for that school year and that was one of them. I don’t now remember if I liked it or not (A Clockwork Orange was another text they assigned and that I remember) nor have I ever seen Charly. I see he has three other genre novels, none that I’ve heard of. (Died 2014.)
Born August 9, 1944 — Sam Elliott, 75. Weirdly the source for this Birthday thought he’d only been in one genre role, General Thaddeus E. “Thunderbolt” Ross in the 2003 Hulk film, but he’s got many other roles as well. His first was Duke in Westworld followed by being Luke Peck in Time Bandits, Flik Whistler in The Thing and Lock in The Adventures of Buckaroo Banzai Across the 8th Dimension. He’s the Phantom Rider in Ghost Rider and Lee Scoresby in The Golden Compass. His latest genre is as the lead in The Man Who Killed Hitler and Then the Bigfoot as The Man Who Killed Hitler and Then the Bigfoot.
Born August 9, 1947 — John Varley, 72. One of those authors that I’ve been meaning to read more of. I read both The Ophiuchi Hotline and Titan, the first novels respectively in his Eight Worlds and the Gaea Trilogy series, but didn’t go further. (See books, too many to read.) If you’ve read beyond the first novels, how are they as series? Worth pursuing now?
Born August 9, 1949 — Jonathan Kellerman, 70. Author of two novels in the Jacob Lev series (co-authored with Jesse Kellerman), The Golem of Hollywood and The Golem of Paris. I’ve read the first — it was quite excellent with superb characters and an original premise. Not for the squeamish mind you.
Born August 9, 1968 — Gillian Anderson, 51. The ever-skeptical, well most of the time, Special Agent Dana Scully on X-Files. Currently playing Media on American Gods. And she played Kate Flynn in Robot Overlords. Did you know she’s co-authored a X-File-ish trilogy, The EarthEnd Saga, with Jeff Rovin?
Without two Cleveland kids from Glenville High School, Superman never would’ve taken flight.
Those two kids, Jerry Siegel and Joe Shuster, fought for decades to get the recognition they deserved for creating the Man of Steel, which became a huge moneymaker for DC Comics- but not for them.
Now their story of financial hardship is the subject of a graphic novel, told specifically from the point of view of the artist in “The Joe Shuster Story” by writer Julian Voloj and illustrator Thomas Campi….
…In Queen of Crows, author Myke Cole explores the burning question: Now what? A blow for freedom has been struck, yes, but the Sacred Throne, and in particular, the Inquisition-like Order is not going to take this lying down. Heloise may well be a saintly figure, possibly even a holy Palatinate, but her actions are not an unalloyed good. The Empire will, indeed, Strike Back, and it is only a question of time before overwhelming force is brought to bear on Heloise and the people she has sworn to protect. This leads to Heloise and her people going on the road, meeting others who have not done well under the Empire’s tyranny, and asking hard questions about oppression, revolt, tyranny, resistance, prejudice, and at the same time providing solid medieval fantastic action….
(14) SILENCE OF THE TWEETS. Jon Del Arroz is in Twitter jail again.
(15) AT GEN CON. Brian’s “Pop Up Gen Con!” report for Nerds of a
Feather begins with an intriguing summary of “We’re
a game where the world is ending and the governments of the world (each
government is a player) need to jointly construct a rocket ship.”
(16) CHOW QUEST. In “Military
Logistics for Fantasy Writers” at the SFWA Blog, Mollie M.
Madden, holder of a Ph.D. in medieval history, challenges authors to explain how
the big armies of their imaginations avoid starving to death.
We all know ‘an army marches on its stomach,’ but it’s not like Napoleon discovered something new. Vegetius (De re militari) and Sun Tzu (The Art of War) were well aware of this concept, as was Alexander the Great (Engels, Alexander the Great and the Logistics of the Macedonian Army, 1980). And it wasn’t news to them, either. Pre-modern military commanders knew this; they planned for this. They paid attention to logistics.
A U.S. court has ruled that Facebook users in Illinois can sue the company over face recognition technology, meaning a class action can move forward.
The 9th Circuit U.S. Court of Appeals issued its ruling on Thursday. According to the American Civil Liberties Union, it’s the first decision by a U.S. appellate court to directly address privacy concerns posed by facial recognition technology.
“This decision is a strong recognition of the dangers of unfettered use of face surveillance technology,” Nathan Freed Wessler, an attorney with the ACLU Speech, Privacy and Technology Project, said in a statement. “The capability to instantaneously identify and track people based on their faces raises chilling potential for privacy violations at an unprecedented scale.”
Facebook told NPR that the company plans to ask the full circuit court to review the decision of the three-judge panel. “We have always disclosed our use of face recognition technology and that people can turn it on or off at any time,” said Joe Osborne, a Facebook spokesman. Information about its facial recognition technology is available in the company policy online.
The case concerns Facebook users in Illinois who accused the social media giant of violating the state’s Biometric Information Privacy Act.
Facebook argued that the users had experienced no concrete harm. But the 9th Circuit panel noted that intangible injuries can still be concrete, and it noted the Supreme Court has said advances in technology can lead to more personal privacy intrusions.
The appeals panel decided that Facebook’s technology “invades an individual’s private affairs and concrete interests.”
…On one level, this constant release of tension from individual incidents is quite nice – no need to worry about Chekov’s gun on the mantlepiece, in this universe it’s going to stay right where it is. However, it also means that the link between individual incidents and the emotional arc of the novella – as the characters grapple with their place in the universe, without a link to Earth calling them back – is either subtle or non-existent, depending on how generous one feels….
A £5m footbridge to a dramatic, wind-battered headland that is at the heart of Arthurian legend will this weekend finally open to the public.
The bridge, one of the most ambitious, complicated and at times controversial heritage projects seen in the UK in recent years, will, says English Heritage, restore the lost crossing of Tintagel Castle in north Cornwall.
Sugary cereal, toys inside the box, Disney characters—does it get any more nostalgic than this? FunkO has announced the latest additions to its cereal portfolio, and my inner child is pumped.
Disney fanatics will want to get their hands on the Ursula (from The Little Mermaid) cereal, a purple version of the FunkO multigrain O’s. Tim Burton devotees and former mall goths will obviously need to try the Oogie Boogie—of The Nightmare Before Christmas fame—version, a green take on the breakfast treat. Insider reports that both cereals will come with Pocket Pop! versions of the characters’ figurines. Considering that FunkO’s Pop! figures are established as cool collectibles, these cute minis are a pretty great prize to get in your cereal box.
[Thanks to Hampus Eckerman, JJ, John King Tarpinian, Cat Eldridge,
Chip Hitchcock, Top Elf, PhilRM, Martin Morse Wooster, Mike Kennedy, Michael J.
Walsh, Carl Slaughter, and Andrew Porter for some of these stories. Title
credit goes to File 770 contributing editor of the day Soon Lee.]
(1) DRESSING UP. An 11-minute video of cosplay at San Diego
San Diego Comic Con 2019, at the San Diego Convention Center. In its 50th year it was an hectic and news worthy convention with some really great costumes and creativity, thanks everyone for participating
(2) DUBLIN 2019 REMINDERS. The Hugo voting deadline is upon
Voting will end on 31 July 2019 at 11:59pm Pacific Daylight Time (2:59am Eastern Daylight Time, 07:59 Irish and British time, all on 1 August)
Professor Jennifer Zwahr-Castro is researching Worldcon, and investigating why we attend and what we get out of the experience. She would like to invite all Dublin 2019 attendees to take part in her research by filling out a survey.
(3) THE CHERRY ON THE TOP OF MT. TBR. An email from NESFA
Press tells me they are pleased to
announce two new ebooks available immediately–
Moskowitz, Sam, The Immortal Storm (978-1-61037-334-0)
Nielsen Hayden, Teresa, Making Book (978-1-61037-333-3)
(4) CLOSE READING. [Item by rcade.] Catherynne Valente tweeted that in 15 years
writing professionally, she doesn’t think she’s ever described the size of a
After some internal debate over whether I should, I broke the news to her that she had.
The overall thread has a lot of hilarious stuff in it. It starts here.
(5) BOOKER PRIZE LONGLIST. Margaret Atwood’s inclusion on
Book Prize Longlist was reported in yesterday’s Scroll – but here’s the
complete list, or
‘Booker Dozen’, as the cognoscenti say.
This year’s longlist of 13 books was selected by a panel of five judges: founder and director of Hay Festival Peter Florence (Chair); former fiction publisher and editor Liz Calder; novelist, essayist and filmmaker Xiaolu Guo; writer, broadcaster and former barrister Afua Hirsch; and concert pianist, conductor and composer Joanna MacGregor.
2019 longlist, or ‘Booker Dozen’, of 13 novels, is:
Margaret Atwood (Canada), The
Testaments (Vintage, Chatto & Windus)
Kevin Barry (Ireland), Night
Boat to Tangier (Canongate Books)
(UK/Nigeria), My Sister, The Serial Killer (Atlantic Books)
The rising academic interest in the zombie as an allegory for cultural and social analysis is spanning disciplines including, humanities, anthropology, economics, and political science. The zombie has been used as a metaphor for economic policy, political administrations, and cultural critique through various theoretical frameworks. The zombie has been examined as a metaphor for capitalism, geopolitics, globalism, neo-liberal markets, and even equating Zombiism to restrictive aspects of academia.
On a recent morning, 15 teenage girls and young women reported for duty at an office overlooking the Pentagon. Their mission: Save the world from nuclear war.
“This is where I want you to stop being you,” said Stacie Pettyjohn, a political scientist at the RAND Corporation, a defense think tank. “You’re going to have to start to role-play.”
Pettyjohn was leading a war-game exercise on North Korea. Typically, military commanders and policymakers use war gaming to test strategies and their likely consequences. But nothing about this game was typical. It was designed by women — RAND’s “Dames of War Games” — for teenagers from Girl Security, a nonprofit that introduces girls to defense issues. The partnership was a first for both groups; it’s among a series of recent efforts to boost women’s participation in national security.
“You have to fight,” Pettyjohn told the teens. “You are the military commanders.”
The scenario Pettyjohn laid out was bleak. U.S. talks with North Korea had collapsed, and deadly tit-for-tat attacks had spiraled into open conflict on the Korean Peninsula. Half the teens would join the blue team, assuming the roles of U.S. and allied South Korean generals. The others went to the red team, playing North Korean leaders determined to stay in power.
(8) SOMEDAY MY BLUEPRINTS
WILL COME. Curbed’s Angela Serratore shares credit with architects
of the Eighties and Nineties for corporate Disney’s current world domination: “The
magical (postmodern) world of Disney”.
It was 1991 and Michael Eisner was on the brink of changing everything.
After becoming the CEO of the Walt Disney Company in 1984, Eisner, a native New Yorker, set out to turn the old-fashioned Disney brand into one that would speak not just to the present moment but also, crucially, to the future. During his tenure, the company would eventually acquire the television network ABC and the sports behemoth ESPN and produce films that would come to define the Disney Renaissance—The Little Mermaid, Beauty and the Beast, The Lion King, and Aladdin, among others.
An amateur architecture and design buff, Eisner also understood that a company like Disney ought to have a real presence—theme parks, of course, but also office buildings, studios, and hotels. What if, his design philosophy seemed to suggest, people could look up at Disney headquarters in Burbank or Orlando and feel the same awe and delight they must’ve felt on Disneyland’s opening day?
We all wish we could change the past, at least some of the time. Relationships, elections, conversations: there are countless moments in our lives we’d love the chance to rework, or simply reimagine. Living in an era when we can easily tweak the small (delete a sentence, crop an image) but feel helpless when facing the large (political turmoil, climate change), it’s hard not to fantasize about reworking our histories.
But this inclination is not new. Attempting to rework the past, at least on paper, has been the outlet of artists and authors for as long as people have been wishing for different endings. “As If: Alternative Histories From Then to Now,” an exhibition at the Drawing Center, presents eighty-four works from 1888 to the present that “offer examples of how we might reimagine historical narratives in order to contend with the traumas of contemporary life.”
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 25, 1907 — Cyril Luckham. He played the White Guardian on Doctor Who. He appeared in The Ribos Operation episode, The Key to Time season during the Era of the Fourth Doctor, and the Enlightenment story during the Era of the Fifth Doctor. He was also Dr. Meinard in the early Fifties Stranger from Venus (a.k.a. Immediate Disaster and The Venusian). (Died 1989.)
Born July 25, 1921 — Kevin Stoney. He appeared in three serials of the science fiction series Doctor Who over a period of ten years, playing Mavic Chen in The Daleks’ Master Plan during the time of the First Doctor, Tobias Vaughn in The Invasion during the time of the Second Doctor and Tyrum in Revenge of the Cybermen during the time of the Fourth Doctor. Other genre credits include: The Adventures of Robin Hood, Danger Man, The Avengers, The Prisoner, Doomwatch, The Tomorrow People, Space: 1999, The New Avengers, Quatermass, and Hammer House of Horror. (Died 2008.)
Born July 25, 1922 — Evelyn E. Smith. She has the delightful bio being of a writer of sf and mysteries, as well as a compiler of crossword puzzles. During the 1950s, she published both short stories and novelettes in Galaxy Science Fiction, Fantastic Universe and The Magazine of Fantasy & Science Fiction. Her SF novels include The Perfect Planet and The Copy Shop. A look at iBooks and Kindle shows a twelve story Wildside Press collection but none of her novels. (Died 2000.)
Born July 25, 1937 — Todd Armstrong. He’s best known for playing Jason in Jason and the Argonauts. A film of course that made excellent by special effects from Ray Harryhausen. His only other genre appearance was on the Greatest American Hero as Ted McSherry In “ A Chicken in Every Plot”. (Died 1992.)
Born July 25, 1948 — Brian Stableford, 71. I am reasonably sure that I’ve read and enjoyed all of the Hooded Swan series a long time ago which I see has been since been collected as Swan Songs: The Complete Hooded Swan Collection. And I’ve certainly read a fair amount of his short fiction down the years.
Born July 25, 1973 — Mur Lafferty, 46. Podcaster and writer. Co-editor of the Escape Pod podcast with Divya Breed, her second time around. She is also the host and creator of the podcast I Should Be Writing which won aParsec Award for Best Writing Podcast. She is also the Editor-in-Chief of the Escape Artists short fiction magazine Mothership Zeta. And then there’s the Ditch Diggers podcast she started with Matt Wallace which is supposed to show the brutal, honest side of writing. For that, it won the Hugo Award for Best Fancast in 2018, having been a finalist the year before. Fiction-wise, I loved both The Shambling Guide to New York City and A Ghost Train to New Orleans with I think the second being a better novel.
The man who came up with Twitter’s retweet button has likened it to “handing a four-year-old a loaded weapon”, in an interview with BuzzFeed.
Developer Chris Wetherell said no-one at Twitter had anticipated how it would alter the way people used the platform.
…He told BuzzFeed that he thought the retweet button “would elevate voices from under-represented communities”.
Previously people had to manually retweet each other by copying text and typing RT and the name of the tweeter but once the process was automated, retweeting meant popular posts quickly went viral.
While some went viral for good reasons, such as providing information about natural disasters, many others were not so benign.
Gamergate – a harassment campaign against women in the games industry – was one example of how people used the retweet to co-ordinate their attacks, Wetherell told BuzzFeed, describing it as a “creeping horror story”.
“It dawned on me that this was not some small subset of people acting aberrantly. This might be how people behave. And that scared me to death.”
Before humans headed up there, animals were the first living creatures that were sent into space. But India will now become the first nation to fly a spacecraft with only humanoid robots. Science writer Pallava Bagla reports.
The Indian government has sanctioned $1.4bn (£1.1bn) to the Indian Space Research Organisation (Isro) for its first manned space flight by 2022.
…To date – using indigenously made rockets – Russia, the US and China have sent astronauts into space. If India can achieve this, it will become the fourth country to launch humans into space from its own soil.
But, unlike other nations that have carried out human space flights, India will not fly animals into space. Instead, it will fly humanoid robots for a better understanding of what weightlessness and radiation do to the human body during long durations in space.
Nasa is finding out how people cope with the demands of long space missions at its Human Exploration Research Analog (Hera).
For 45 days a crew of four people live in a habitat which simulates a mission to Phobos, a moon that orbits the planet Mars.
The crew carry out daily maintenance tasks on board, enjoy views of space from the capsule window and keep in contact with mission control via a five minute delay, meaning that a response to a communication takes 10 minutes.
…Generally, it takes a novel that breaks out of the YA spaces and gains visibility in some of the more SFF communities that I engage with (see, Children of Blood and Bone) or has some aspect that catches the attention of those communities (see, Dread Nation) or are beloved by commentators I deeply admire and respect (see, Tess of the Road). Also, I almost said the “wider SFF communities”, but that would not have been correct because YA publishing and readership is absolutely huge and has a significant overlap in science fiction and fantasy that should not be understated.
This is all to say that I was familiar with three of the novels on the ballot, and I was excited to read everything here to see which novels would break out into my list of new favorites. At least one, and let’s find out which….
Rifts over a dormant volcano in Hawaii have resurfaced in recent days, pitting the state’s culture and history against its ambitions.
Plans for a powerful new telescope near the summit of the Mauna Kea volcano could bring in hundreds of jobs and boost science and the economy. But some native Hawaiians insist the site is sacred and that the long-planned construction should not go ahead.
Last week, protesters blocked access to the building site on Mauna Kea, the tallest mountain in the world when measured from its underwater base. At least 33 people were arrested, given citations and released.
Hawaii’s governor has issued an “emergency proclamation” that increases powers to break up the blockade but said he wanted to find a “peaceful and satisfactory” solution for both sides.
Here, some of the people at the centre of the debate explain what Mauna Kea and the Thirty Meter Telescope (TMT) project mean to them.
Silvia Moreno-Garcia is an author I’d follow into almost any genre, and that’s a good thing given how varied her career has been so far. From the 80’s nostalgia-heavy Signal to Noise to the romance fantasy of manners The Beautiful Ones, to the criminally underrated sci-fi novella Prime Meridian and even the editorial work she does on The Dark Magazine (a recent addition to my short fiction rounds), Garcia brings talent, nuance and a particular eye for female characters challenging overwhelming imbalances in power over the forces against them. Now, in Gods of Jade and Shadow, Moreno-Garcia brings her talents to a historic fantasy where 1920’s Jazz Age Mexico meets the gods and monsters of Mayan mythology, taking protagonist Casiopea Tun on an unexpected but long-dreamed-of adventure with a deposed Lord of the Underworld….
A French inventor has failed in his attempt to cross the English Channel on a jet-powered flyboard.
Franky Zapata, a former jet-ski champion, had been hoping to cross from northern France to southern England in just 20 minutes.
But the 40-year-old fell into the water halfway across as he tried to land on a boat to refuel.
He took off from near Calais on Thursday morning and was heading for St Margaret’s Bay in Dover.
Mr Zapata was not injured when he fell and later announced he was planning a second bid to fly across the Channel next week.
(19) FIRE ONE. James Gleick traces the long,
fictional effort to infect Earthlings with “Moon
Fever” at New York Review of Books.
…The first moon landing was at once a historical inevitability and an improbable fluke. Inevitable because we had already done it so many times in our storytelling and our dreams. Astonishing, even in hindsight, because it required such an unlikely combination of factors and circumstances. “The moon, by her comparative proximity, and the constantly varying appearances produced by her several phases, has always occupied a considerable share of the attention of the inhabitants of the earth,” remarks Jules Verne in his fantastic tale From the Earth to the Moon (1865). The French fabulist imagined that the pioneers of space would be none other than Les Yankees: “They had no other ambition than to take possession of this new continent of the sky, and to plant upon the summit of its highest elevation the star-spangled banner of the United States of America.”
To get there, Verne proposed a projectile fired from a giant gun. He had probably read Edgar Allan Poe’s story “The Unparalleled Adventure of One Hans Pfaall” (1835), in which a Dutchman journeys to the moon by lighter-than-air balloon and meets the inhabitants, “ugly little people, who none of them uttered a single syllable, or gave themselves the least trouble to render me assistance, but stood, like a parcel of idiots, grinning in a ludicrous manner.” Like Poe, Verne embellished his story with a great deal of plausible science involving computations of the moon’s elliptical orbit, the distances to be traveled at apogee or perigee, the diminishing force of gravitation, and the power of exploding gunpowder….
The speed and extent of current global warming exceeds any similar event in the past 2,000 years, researchers say.
They show that famous historic events like the “Little Ice Age” don’t compare with the scale of warming seen over the last century.
The research suggests that the current warming rate is higher than any observed previously.
The scientists say it shows many of the arguments used by climate sceptics are no longer valid.
When scientists have surveyed the climatic history of our world over the past centuries a number of key eras have stood out.
These ranged from the “Roman Warm Period”, which ran from AD 250 to AD 400, and saw unusually warm weather across Europe, to the famed Little Ice Age, which saw temperatures drop for centuries from the 1300s.
The events were seen by some as evidence that the world has warmed and cooled many times over the centuries and that the warming seen in the world since the industrial revolution was part of that pattern and therefore nothing to be alarmed about.
Three new research papers show that argument is on shaky ground.
The science teams reconstructed the climate conditions that existed over the past 2,000 years using 700 proxy records of temperature changes, including tree rings, corals and lake sediments. They determined that none of these climate events occurred on a global scale.
(21) TRAILER PARK. From the novel The Future of Another Timeline,
by Annalee Newitz, comes a riot grrl band called Grape Ape. They are lost to
our timeline, but you can see them here in all their glory. The Future of
Another Timeline comes out from Tor Books on Sept. 24, 2019.
[Thanks to rcade, JJ, John King Tarpinian, Andrew Porter, Carl
Slaughter, Martin Morse Wooster, Mike Kennedy, Chip Hitchcock, Michael Toman, mlex,
Anthony Lewis, and Cat Eldridge for some of these stories. Title credit goes to
File 770 contributing editor of the day Anna Nimmhaus.]