(1) NUMBER, PLEASE. Indiana Jones and the Dial of Destiny comes to theaters June 30, 2023. It’s the first fifth in the series!

Harrison Ford returns as the legendary hero archaeologist in the highly anticipated fifth installment of the iconic “Indiana Jones” franchise, which is directed by James Mangold (“Ford v Ferrari,” “Logan”). Starring along with Ford are Phoebe Waller-Bridge (“Fleabag”), Antonio Banderas (“Pain and Glory”), John Rhys-Davies (“Raiders of the Lost Ark”), Shaunette Renee Wilson (“Black Panther”), Thomas Kretschmann (“Das Boot”), Toby Jones (“Jurassic World: Fallen Kingdom”), Boyd Holbrook (“Logan”), Oliver Richters (“Black Widow”), Ethann Isidore (“Mortel”) and Mads Mikkelsen (“Fantastic Beasts: The Secrets of Dumbledore”).

(2) BUT FIRST! Marvel Studios’ Guardians of the Galaxy Volume 3 will get a head start, arriving in theaters on May 5, 2023. Screen Crush took notes on the new trailer: “’Guardians of the Galaxy Vol. 3’ Trailer Teases the Team’s End”. 

…Right off the bat, you’ll see the Guardians wearing matching team uniforms for the first time — uniforms that come right out of the Guardians comic books that first inspired this movie franchise.

But just because they’re dressing as a unit doesn’t mean things are going well on the team. This Vol. 3 trailer strongly implies the film will mark the end of the team — and that some of the characters may die along the way. Several of the characters, including Chris Pratt’s Star-Lord and Dave Bautista’s Drax, are shown badly wounded, and there is a lot of ominous talk from Bradley Cooper’s Rocket about them all flying away together “one last time.”

(3) NELSON AT PKD CEREMONY. Here are two photos of Ray Nelson, who died yesterday, taken by Andrew Porter when Nelson received his Philip K. Dick Award citation in 1983.

(4) MISSING ARMAGEDDON. James Davis Nicoll recommends “Five SF Works About Sitting Out World War III” at Tor.com. Three of them were published in 1984 – feel free to propound your own theory about that!

Although recent history suggests that humans as a whole (or at least their leaders) are perfectly comfortable with the ever-present risk of a global nuclear exchange, individual authors appear to be more ambivalent. Perhaps it’s some unnatural “life wish.” One coping mechanism that appeared over and over in SF written during the Cold War was to suppose that nations allied with one superpower or another could arrange to sit out World War III, thus suffering only indirect effects….

(5) ARABIC LITERATURE PRIZE. The three-book shortlist for the 2022 Banipal Prize of Arabic Literature in Translation includes one work of genre interest, Slipping by Mohamed Kheir, translated by Robin Moger. The winner will be announced in February.

Here is the description of Slipping:

A struggling journalist named Seif is introduced to a former exile with an encyclopedic knowledge of Egypt’s obscure, magical places. Together, as explorer and guide, they step into the fragmented, elusive world the Arab Spring left behind. They trek to an affluent neighborhood where giant corpse flowers rain from the sky. They join an anonymous crowd in the dark, hallucinating together before a bare cave wall. They descend a set of stairs to the spot along the Nile River where, it’s been said, you can walk on water. But what begins as a fantastical excursion through a splintered nation quickly winds its way inward as Seif begins to piece together the trauma of his own past, including what happened to Alya, his lover with the remarkable ability to sing any sound: crashing waves, fluttering wings, a roaring inferno.

(6) THE WELL DRESSED FAN. This is a public service announcement for the Glasgow2024 Shop at Redbubble where you can buy your 2024 Worldcon gear.

(7) THE VALUE OF FICTION. Jason Sanford has a good essay in Apex Magazine about why reading and writing fiction is important: “How Can You Be?”

… It’s interesting how our world’s “serious” people always find a way to dismiss things. How there are always people finding ways to insist other people’s activities and loves are not up to the task of dealing with life. How, to them, the time is never right to create art and fiction and anything else they deem frivolous.

I suspect such attitudes have always existed. In the 18th and 19th centuries, the emerging genre of novels such as those of Jane Austen were looked down upon by serious people. Similar attitudes were directed toward the science fiction, fantasy, and horror genres for a large part of the 20th century. Most other creative and artistic pursuits have experienced similar tut-tuttings, with the short list of creative fields being dismissed over the decades including movies, TV shows, jazz, comic books, hip hop, video games, rap, manga, anime, and cosplay.

Hell, it’s a safe bet that every type of art and storytelling has been dismissed at one time or another by the world’s serious people….

(8) WOJTOWICZ MOURNED. Hania Wojtowicz of Toronto, who’s been active in Midwestern fandom for decades, died December 1 of cancer. Her brother Steve Klimczuk announced her passing on Facebook.

(9) ALINE KOMINSKY-CRUMB (1948-2022). Underground comix artist Aline Kominsky-Crumb died November 29 reports Forbes.

…Kominsky-Crumb was a founding member of the influential all-female collective that produced the anthology Wimmin’s Comix, a long-running feminist comic published by Last Gasp from 1972-1985. Kominsky-Crumb, along with artist Diane Noomin, broke with the group in the mid-1970s to do their own publication, Twisted Sisters. Both comics were some of the first to deal squarely with the political issues around female empowerment, criticism of the patriarchy, sexual politics, lesbianism and other topics central to feminist ideology….

She is surivived by her husband, comix creator Robert Crumb.  

(10) MEMORY LANE.

1914 — [By Cat Eldridge.] Winnie the Pooh Birthplace statue

The only reason for being a bee is to make honey. And the only reason for making honey is so I can eat it. — Pooh

Continuing our look at the statues of great genre characters, we come to the one of commemorating the birthplace as it is of Winnie the Pooh and no, it’s not somewhere in in a quaint corner of Britain. 

On Aug. 24, 1914, Lt. Harry Colebourn, a Canadian veterinarian and soldier with the Royal Canadian Army Veterinary Corps, came across an orphaned female bear cub while on a train stop in White River, Ontario. So he bought her for twenty dollars.

He then named her Winnipeg, shorten than to Winnie, after his hometown, and she travelled with him to Britain, where he became the very unofficial regimental mascot for five years before she was donated to the London zoo where she resided the rest of her life — that’s where she caught the attention of a boy named Christopher Robin and his father, A.A. Milne — which is how Milne came to use her as the basis of Winnie the Pooh. 

The town apparently did not know that Milne had named Winnie the Pooh after her until the Eighties. They now have an annual celebration of All Things Pooh, Winnie’s Hometown Festival, thirty-four years old this year and held every year save the Pandemic years, including a street parade in honor of the “tubby little cubby all stuffed with fluff.” 

Of course, the Mouse decided to be an absolute idiot as they always do without fail. Their lawyers in the Nineties sent a letter to them refusing the town’s request to build a Winnie the Pooh statue. They suggested that the town build a statue of the original black bear instead. They backed down when the publicity got really, really hostile towards them in the States.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

• Born December 1, 1886 — Rex Stout. He did several genre or at least genre adjacent novels, to wit How Like A God, The President Vanishes and his lost world tale, Under the Incas. Though I’ve read lots of Stout, I’ve not read these. ISFDB also lists Rue Morgue No. 1 as genre but this appears to be mysteries or possibly straightforward pulp tales that he co-edited with Louis Greenfield. Anyone here who read it? (Died 1975.)
• Born December 1, 1905 — Charles G. Finney. Writer and Editor. It’s rare that I pick writers whose main accomplishment is one work which has defined them, but his one such work is, well, phenomenal. His first novel and most famous work, The Circus of Dr. Lao, won one of the inaugural National Book Awards for the Most Original Book of 1935; it is most decidedly fantasy. A film adaptation, 7 Faces of Dr. Lao, was a 1965 Hugo nominee. Ray Bradbury liked the novel so much that he included a magazine-published excerpt as the headline story in his anthology The Circus of Dr. Lao and Other Improbable Stories; it is said that the carnival in his Something Wicked This Way Comes is modeled upon The Circus of Dr. Lao. (Died 1984.)
• Born December 1, 1942 — John Crowley, 80. I’m tempted to say he’s a frelling literary genius and stop there but I won’t. Mythopoeic Fantasy Award and World Fantasy Award winning Little, Big is brilliant but if anything his crow-centric novel of Ka: Dar Oakley in the Ruin of Ymr which received the Mythopoeic Fantasy Award makes that novel look like child’s play in comparison. (Yes Little, Big did a Hugo nomination at Chicon IV.) Did you know he wrote a novella called The Girlhood of Shakespeare’s Heroines? Or Lord Byron’s Novel: The Evening Land, which contains an entire imaginary novel by the poet? 
• Born December 1, 1956 — Bill Willingham, 66. Writer and Artist who is best known, I’d say for his long-running, four-time Hugo finalist Fables comic series – though personally I think his best work was Proposition Player, in which the souls of those lost in a card game become entangled in the politics of Heaven and Hell. He got his start in the late 1970s to early 1980s as a staff artist for TSR Games, where he was the cover artist for the AD&D Player Character Record Sheets and a lot of other games. I must mention his superb 1980s comic book series Elementals, and he later wrote the equally excellent Shadowpact for DC. I was always ambivalent about the Jack of Fables series which he spun off of Fables, but his House of Mystery was rather good as well. His work has been recognized with several Eisner Awards, and he was honored as a Special Guest at Renovation.
• Born December 1, 1962 — Gail Z. Martin, 60. Best known for known for The Chronicles of The Necromancer fantasy adventure series. Her single award to date, and it is impressive, is the Manly Wade Wellman Award for North Carolina Science Fiction and Fantasy for her Scourge novel. It was the seventh time that she had been a finalist for it. 
• Born December 1, 1964 — Jo Walton, 58.  She won the John W. Campbell Award for Best New Writer in 2002 and the World Fantasy award for her novel Tooth and Claw in which dragons got positively and delightfully Victorian. Even if they eat each other. Really they do. Her Small Change trilogy may be the finest WW II novels I’ve read bar none, and her Sulien series is an excellent retelling of the Arthurian myth. Among Others she says is about the “coming-of-age experience of having books instead of people for friends and solace”. I can relate to that as I imagine many here can too. And let’s not overlook so stellar An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000 nominated at Dublin 2019.
• Born December 1, 1970 — Greg Ruth, 52. Artist and Illustrator who has provided covers and interior art for dozens of genre fiction works and comics, including the Lodestar Award-winning Akata Warrior, and the new hardcover and German editions of Nnedi Okorafor’s Hugo-winning Binti series. His art has earned four Chesley nominations, winning once, and has been selected for numerous editions of the industry year’s best art book, Spectrum; he was one of five artists selected for the Spectrum jury in 2015. His covers for the German editions of Okorafor’s Lagoon and Book of the Phoenix were nominated for the Kurd-Laßwitz-Preis, and Lagoon took home the trophy. Interestingly, he has created two music videos – for Prince and Rob Thomas (of Matchbox Twenty). (JJ)
• Born December 1, 1985 — Janelle Monáe, 37. Writer, Actor, Composer, Singer and Producer who is known for her science-fictional song lyrics and videos. Her debut EP, Metropolis: Suite I (The Chase), is the first in a 7-part conceptual series inspired by Fritz Lang’s classic SF film; the single “Many Moons”, and her subsequent album, The ArchAndroid, garnered Grammy nominations, and her next album, The Electric Lady, was also acclaimed. She released the album Dirty Computer, with a companion 48-minute mini-movie which is very much a science fiction film. She played a lead role in the Hugo- and Oscar-nominated film Hidden Figures, and has also had guest appearances on Stargate Universe and Philip K. Dick’s Electric Dreams. (JJ)

(12) COMICS SECTION.

• Curtis is continuing with a guest-appearance by Peanuts character Franklin all this week (so far):
• Curtis 11-28
• Curtis 11-29
• Curtis 11-30
• Curtis 12-1

(13) TAFF LIBRARY GROWS. The Lindsay Report by Scots fan Ethel Lindsay reprints the Trans-Atlantic Fan Fund delegate’s trip report in ebook form. You can download it at the link, and if you enjoy any of the free ebooks on the site, a donation to TAFF is a fine way to express your appreciation.

Ethel Lindsay (1921-1996), a prolific Scots fan active from the early 1950s as fanzine editor, writer, publisher, reviewer and social organizer, was the first female winner of the TransAtlantic Fan Fund. She travelled under the auspices of TAFF to the USA for the 1962 World SF Convention: Chicon III in Chicago. Before and after Chicon she visited fans in New York, Los Angeles, San Francisco and elsewhere, and lost little time in describing her adventures in The Lindsay Report (1963), now digitized for this ebook.

1962 was unusual in that were three UK fan fund delegates at that year’s Worldcon, whose paths also crossed elsewhere in the USA. The other two were Walt and Madeleine Willis, brought from Northern Ireland by the Tenth Anniversary Willis Fund (TAWF). Thus there are three complementary trip reports: Ethel’s The Lindsay Report, Walt’s Twice Upon a Time and Madeleine’s The DisTAWF Side. Both Willis reports have been combined as another TAFF Free Library ebook, TAWF Times Two (2022). Besides her interactions with the Willises (providing a different perspective on shared events), Ethel also references her friend Ella Parker’s The Harpy Stateside (1962; expanded TAFF ebook), reporting on Ella’s 1961 Worldcon visit and US tour.

Released as an Ansible Editions ebook for the TAFF site on 1 December 2022. The cover artwork by Atom (Arthur Thomson) was the frontispiece of the original The Lindsay Report. 37,000 words.

(14) BUTLER’S GROWING AUDIENCE. [Item by Olav Rokne.] Happened to pick up the print edition of the New York Times yesterday, and read a really thoughtful piece about why Octavia Butler’s work continues to resonate. Then noticed the byline; the piece is written by Hugo finalist Lynell George. “The Visions of Octavia Butler”.

As a science fiction writer, Butler forged a new path and envisioned bold possibilities. On the eve of a major revival of her work, this is the story of how she came to see a future that is now our present….

(15) VIDEO OF THE DAY. Honest Trailers treatment of “Hancock” comes with the warning, “…Prepare for a third act twist that turns an otherwise okay comedy into a complete train wreck…”

[Thanks to John King Tarpinian, Chris Barkley, Daniel Dern, SF Concatenation’s Jonathan Cowie, David Langford, John A Arkansawyer, Olav Rokne, Lloyd Penney, Cora Buhlert, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Socialinjusticeworrier.]