Pixel Scroll 3/3/20 And Was The Corny Cry Of ‘Fifth’ On The File’s Pleasant Comments Seen?

(1) NEW HORROR “RADIO NETWORK.” Brian Keene announced yesterday on Facebook that The Horror Show with Brian Keene will become the flagship podcast for the new Brian Keene Radio Network, which will also include Defenders Dialogue, Cosmic Shenanigans, and Grindcast. From the statement, it looks like the split from Shelly and Armand Rosamilia is amicable.  They are all still friends.

The Horror Show with Brian Keene started out on the Project iRadio Network. During our second year, we became part of the Project Entertainment Network.

Beginning April 1, (in the midst of our sixth year on the air) The Horror Show with Brian Keene will become the flagship podcast for the new Brian Keene Radio Network,…

Listeners will not be impacted by this change. You’ll still be able to hear episodes of each podcast for free via Spotify, Apple Podcasts, Stitcher, iHeartRadio, YouTube, Google Play Music, and all other platforms. You’ll also be able to hear them for free on a new 24/7 live-streaming venture (a rebooted and revamped Brian Keene Radio) beginning in April. Old shows will still be accessible, as well. You may notice some changes to the structure of each show — new theme music, new title cards, advertising presented in a different way — but otherwise, it’s business as usual….

(2) DEAR JEFF BEZOS. While Amanda S. Green had some unfortunate problems uploading her new book via Kindle Digital Publishing, thereby missing a deadline and forfeiting pre-orders, she got a hell of a good post out of it for Mad Genius Club: “Not How I Expected Today To Go”. A lot to learn here.

…Lesson #1: Check the Terms of Service on a regular basis.

Amazon has updated the Terms of Service and did so on Feb. 20, 2020. How many of you have read them since then to see if there are any changes you need to be aware of? I hadn’t–at that point. I guarantee you I have since then.

…In the meantime, I have set a recurring alarm on my phone’s calendar to remind me to check the ToS every month. Yes, I’m being obsessive about it. But I am convinced the fact I knew what the ToS said and could prove it was at odds with the FAQs helped me plead my case and get my pre-order privileges restored. (As did being professional in my dealings with Amazon).

This writer will not be the unhappy writer on what should be release day ever again.

Fingers crossed.

(3) ONWARD. Vanity Fair fills readers in about “The Heartbreaking True Story Behind Pixar’s Onward”. Tagline: “A lost father. A found tape. A voice a filmmaker thought he would never hear.”

Dan Scanlon didn’t have a sad childhood; he just grew up with a hole in it.

It was in the shape of his father, who died in 1977 when Scanlon was only one year old. Neither he nor his brother, who is about three years older, remember their dad. They tried to construct some sense of him from pictures, from stories, from glimpses of the few soundless reel-to-reel home movies they had.

That’s what inspired Scanlon, a veteran Pixar creative team member and director of Monsters University, to pitch the idea for Onward, an animated fantasy about two brothers who do the same. These siblings—younger, shy Ian (voiced by Tom Holland) and older, boisterous Barley (Chris Pratt)—are blue-skinned, pointy-eared elves in a suburban sword-and-sorcery world who harness magic to bring their late father back for one single day together. 

(4) LONDON CALLING, FEWER ANSWERING. Coronavirus is taking its toll of book events. Publishers Lunch asserts “Reed Is Holding the London Book Fair, Dubbed ‘The Nightmare of Epidemiologists,’ without All of You”

The UK government is not ready to ban public events of scale yet, and Reed Exhibitions is apparently not ready to face the costs of a voluntary cancellation and continues to vow that the London Book Fair will proceed next week. The show is an increasing outlier, with the big Leipzig Book Fair canceling next week’s show.

More companies have announced that they will skip the fair and protect their employees, now including a number of UK-based companies and divisions. Penguin Random House, which officially had only made the show optional for US employees — most of whom opted out — has followed other large trade publishers in withdrawing entirely. Their spokesperson said, “The London Book Fair is an important moment in the global publishing calendar but given the fast moving situation around the Coronavirus, Penguin Random House has come to the difficult decision to withdraw from the fair in the interest of the health and wellbeing of our employees, authors, and partners.”

The post continues for another couple of paragraphs naming businesses that have pulled out of the London event. Nevertheless, Publishers Weekly says “London Book Fair Will Still Go Ahead”.

(5) CALL FOR ARTICLES. Steven H Silver will be co-editing an issue of Journey Planet and would like contributions that fit in with its theme —

I don’t believe in the supernatural, but when I was walking amongst the ruins of Kenilworth Castle back in 1984, I had the feeling that if ghosts existed, I was about to meet one.

As anyone who knows me can tell you, I’m not much for wandering around outdoors. Allergies have had a tendency to make me favor climate controlled areas, so it came as a huge surprise to Elaine when we saw Thingvellir in Iceland that I commented “I want to come back here and spend three or four days hiking and camping.”

While it is true that travel broadens the mind, it is also true that it opens us up to the magic of the world around us. This year, I’ll be co-editing an issue of the Hugo Award wining fanzine Journey Planet with James Bacon and Christopher J Garcia that looks at “the most magical place you’ve visited.”

We’re leaving it up to the authors and artists whose work will appear in this issue to define what “most magical” means in this context. It could be a place that took your breath away, a place that actually made you believe that magic or ghosts or the supernatural existed, a place that has significant meaning for you, or something else entirely.

Artwork and photos based on the same prompt are also very welcome.

If you are interested in participating, please drop me an e-mail at [email protected] and we can discuss appropriate topics and article length.

The deadline is June 20.

(6) AO3/CHINA UPDATE. Two English-language publications that focus on China have news stories from their perspective.

South China Morning Post: “Archive of Our Own, one of the internet’s biggest fanfiction sites, blocked in China amid new censorship rules”

…Outraged internet users took to social media Weibo to voice their anger, accusing Xiao’s fans of being compliant in China’s censorship machine.

“China has succeeded in getting people accustomed to self-censorship in the past decade, and in using public power to eliminate those with different opinions. The idea has been deeply rooted in everyone’s head,” Weibo user Frunzzi wrote in one of the most popular comments.

Another user with the handle ChaofanDouxiansen wrote: “Why would you hurt the already limited space for creation? Shame on you.”

Also, Radii reported: “A03 Fanfiction Drama Sparks High-Stakes War of Boys’ Love Fandom”

…Some Sean Xiao fans went so far as to organize a coordinated assault against the website, posting a message that encouraged others to report AO3 and LOFTER (China’s equivalent of Tumblr) for unlawful and homoerotic content.

Unfortunately, it seems that the spiteful act has yielded results. AO3 is now blocked in China, leaving a massive base of displaced fanfiction authors and readers. In turn, that community has started to launch similar attacks against Xiao’s fanbase.

The whole thing is a huge and unnecessary mess, and the fan who organized the assault has admitted to working with Sean Xiao’s management team in order to control the situation on Weibo.

(7) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Daniel Braum and Robert Levy on Wednesday, March 18, 7 p.m. at the KGB Bar (85 East 4th Street, 2nd Floor, New York, NY.)

Daniel Braum

Daniel Braum is the author of the short story collections The Night Marchers and Other Strange Tales, The Wish Mechanics: Stories of the Strange and Fantastic and the Dim Shores Press chapbook Yeti Tiger Dragon. His third collection, Underworld Dreams is forthcoming from Lethe Press in 2020. The Serpent’s Shadow, his first novel, was released from Cemetery Dance eBooks in 2019. He is the editor of the Spirits Unwrapped anthology from Lethe Press.

Robert Levy

Robert Levy’s novel The Glittering World was a finalist for the Lambda Literary Award and the Shirley Jackson Award, while shorter work has appeared in Black Static, Shadows & Tall Trees, The Dark, The Best Horror of the Year, The Year’s Best Gay Speculative Fiction, and more. Anaïs Nin at the Grand Guignol, a speculative novella written in the style of the literary icon’s legendary diaries, was released in October by Lethe Press.

(8) LUNNEY OBIT. Fanzine fan Frank Lunney died February 28 due to a coronary event. Early on, Lunney’s Beabohema was competitive with the very best sercon zines of its day, gaining a Best Fanzine Hugo nomination in 1970 when it shared the ballot with Richard E. Geis’ Science Fiction Review, Charlie Brown’s Locus, Leland Sapiro’s Riverside Quarterly, and Peter Weston’s Speculation. Wikipedia says his contributors included “a then-obscure fan named ‘Gene Klein’ who would later become famous as Gene Simmons of KISS.”

In the early Seventies he switched over to publishing Syndrome, the reasons for which he explained in an interview published by Dan Steffan and Ted White in Blat! (See the full text here.)

…But the real thig that made me decide to change was being at the Boston woldcon in 1971 with the Katzes and the Kunkels. They had some hashish that made me hallucinate. (laughs) And they loaned me A Sense of FAPA with Ah! Sweet Idiocy in it, and I read and I realized that not writing about science fiction was a lot more interesting than being concerned with science fiction at all….

Although he considered what he was doing before to be fannish, from that point on other fans also identified his output as fannish. Or even faannish. In later years he would often attend Corflu. Indeed, Lunney is credited with originating the Corflu practice of paying $20 to have one’s name removed from the choosing hat, taking away any risk of being drafted to give a GoH speech at the Sunday banquet.

(9) TODAY IN HISTORY.

  • March 3, 1965 Mutiny in Outer Space premiered. It was, produced, directed and written by Hugo Grimaldi and Arthur C. Pierce (although the latter was not credited as directing). It starred William Leslie, Dolores Faith, Pamela Curran and Richard Garland. The word “meh” would best sum up the reaction critics at the time had to this film. It has no rating at Rotten Tomatoes so you’ll need to watch it and see what you think of it.
  • March 3, 1965 The Human Duplicators premiered. It was produced and directed by Hugo Grimaldi and Arthur C. Pierce (without a credit for the latter as director). The film stars George Nader, Barbara Nichols, George Macready and Dolores Faith. It was the color feature on a double bill with the black-and-white Mutiny in Outer Space. It wasn’t well received by critics, and Mystery Science Theater 3000 gave it their usual treatment. It currently holds a zero percent audience rating at Rotten Tomatoes. You can see it here.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 3, 1863 Arthur Machen. His novella “The Great God Pan” published in 1890 has garnered a reputation as a classic of horror, with Stephen King describing it as “Maybe the best horror story in the English language.” His The Three Impostors; or, The Transmutations 1895 novel is considered a precursor to Lovecraft and was reprinted in paperback by Ballantine Books in the Seventies. (Died 1947.)
  • Born March 3, 1920 James Doohan. Montgomery “Scotty” Scott on Trek of course. His first genre appearance was in Outer Limits as Police Lt. Branch followed by being a SDI Agent at Gas Station in The Satan Bug film before getting the Trek gig. He filmed a Man from U.N.C.L.E.film, One of Our Spies Is Missing, in which in played Phillip Bainbridge, during the first season of Trek.  Doohan did nothing of genre nature post-Trek. ISFDB notes that he did three genre novels co-written with S.M. Stirling. (Died 2005.)
  • Born March 3, 1924 Catherine Downs. She’s in four Fifties grade B SF films: The Phantom from 10,000 Leagues, The She Creature, The Amazing Colossal Man and Missile to the Moon. All but the first film was the subject of a MST3K show. (Died 1976.)
  • Born March 3, 1936 Donald E. Morse, 84. Author of the single best book done on Holdstock, The Mythic Fantasy of Robert Holdstock: Critical Essays on the Fiction which he co-wrote according to ISFDB with Kalman Matolcsy. I see he also did two books on Kurt Vonnegut and the Anatomy of Science Fiction on the intersection between SF and society at large which sounds fascinating.
  • Born March 3, 1945 George Miller, 75. Best known for his Mad Max franchise, The Road WarriorMad Max 2Mad Max Beyond Thunderdome andFury Road.  He also directed The Nightmare at 20,000 Feet segment of the Twilight Zone film, The Witches of Eastwick, Babe and 40,000 Years of Dreaming
  • Born March 3, 1977 Sarah Smart, 43. She’s Jennifer in the two part Eleventh Doctor story, “The Rebel Flesh” and “The Almost People”. She’s Magda Cribden on The Secret of Crickley Hall, and played Carl Gruff in the “Billy Goat” episode of the Fairy Tale series. 
  • Born March 3, 1982 Jessica Biel,  38. A number of interesting genre films including The Texas Chainsaw MassacreBlade: Trinity, StealthThe Illusionist, the remake of Total Recall which I confess I’ve not seen, and the animated Spark: A Space Tail.
  • Born March 3, 1980 Katherine Waterston, 40. She’s Tina Goldstein in the Harry Potter spin-off Fantastic Beasts and Where to Find Them, which she reprised in Fantastic Beasts: The Crimes of Grindelwald. And she was Janet “Danny” Daniels in Alien: Covenant. Finally I’ll note that she was Chrisann Brennan in the Steve Jobs film.

(11) COMICS SECTION.

(12) FOWL TRAILER. Artemis Fowl hits U.S. theaters May 29.

Disney’s “Artemis Fowl,” based on the beloved book by Eoin Colfer, is a fantastical, spellbinding adventure that follows the journey of 12-year-old genius Artemis Fowl, a descendant of a long line of criminal masterminds, as he seeks to find his father who has mysteriously disappeared. With the help of his loyal protector Butler, Artemis sets out to find him, and in doing so uncovers an ancient, underground civilization—the amazingly advanced world of fairies. Deducing that his father’s disappearance is somehow connected to the secretive, reclusive fairy world, cunning Artemis concocts a dangerous plan—so dangerous that he ultimately finds himself in a perilous war of wits with the all-powerful fairies.

(13) REALISM. In “How To Write Believable, Realistic, and Responsible Violence” on CrimeReads, Ed Ruggero offers seven tips for making violent scenes in fiction plausible.

1. People have strong reactions to violence.

Here is retired Marine Randy Hoffman describing combat to young men and women in training. “Your heart rate is uncontrollable,” he tells them. “Your pulse goes up so much that your ears kind of stop up. Everything goes kind of in slow motion. Your brain focuses on minute details to help you get through engaging the enemy before he can kill you.” [Wall Street Journal, December 13, 2019]

There are also delayed physiological effects. Here is the late Paul Russell, a combat medic in Vietnam, describing his reaction after he crawled under incoming fire to rescue wounded GIs, an action for which he would be awarded the Silver Star. “I threw my guts up all the next day. Adrenaline.”

(14) PRESSING ON. Galactic Journey’s Gideon Marcus is full of good news about their affiliated venture, Journey Press. He begins the “State of the Press, March 2020 edition” with news that their flagship release, Rediscovery: Science Fiction by Women (1958-1963), is in over 300 bookstores (besides being available as an ebook.) Here’s what else they have coming up —

Old Masters sign on with Journey Press

It is our great honor and privilege to announce that Journey Press will be working with Hugo Finalist and SF veteran Tom Purdom to bring back his classic, I Want the Stars. We chose to bring back this particular book for several reasons. For one, it is a timeless work, with a unique vision of the human condition nearly a thousand years from now. For another, it may well be the first science fiction novel ever to explicitly star a Black man. That’s unusual for today, forget 1964. Finally, it’s just a great book. It comes out in June.

Also, we are bowled over with delight to announce our collaboration with Robin Brown, son of the late, great Rosel George Brown. Ms. Brown was one of science fiction’s brightest lights from the mid ’50s until her untimely death in 1967 (two of her best stories are in Rediscovery). Just before she passed away, she wrote Sibyl Sue Blue, the novel that features the first galactic woman space cop. If ever there were a genre we need to have more books in, it’s that one!

Look for Sibyl Sue Blue next year, timed to coincide with coverage of the book at Galactic Journey.

New Talent on the Horizon

In less than two weeks, we will be releasing Kitra, our first work of new fiction. It’s already gotten some great advance reviews, and we think it’ll be a hit. Well, we hope so: there are nine more planned books in the series! Don’t worry, though. Kitra stands alone.

We’re particularly excited about this release, not only because it’s a revival of the space adventure yarns of the mid-20th Century (think Robert Heinlein and Andre Norton), but it also features illustrations by the talented Lorelei E. Marcus. Last, but certainly not least, Kitra has a queer woman of color as its protagonist — again, something we think there should be more of!

(15) WATERWORLD IS REAL. Or at least it Was. Maybe. According to Futurism com: ”Scientists Say Ancient Earth Was Completely Covered In Water”.

Scientists at Iowa State and the University of Colorado say they’ve found compelling new evidence that the ancient Earth was an unbroken expanse of water, without a single continent. Yes: “Waterworld.”

The research, published this week in the journal Nature Geoscience, examined ancient samples of sea floor found in Australia and found chemical clues that Earth used to be a completely blue planet — a discovery, the scientists say, that could have deep implications for the history of life itself.

(16) GAME TECH. “Half-Life: Alyx – Hands on with Valve’s virtual reality game-changer”, a BBC video.

In 1998, Half Life changed first-person shooters forever.

It combined cinematic storytelling, taut and tense combat and extra-dimensional bad guys.

A successful sequel followed, but it’s been nearly 13 years since the last release.

Now the series has returned in the form of a virtual reality title.

BBC Click’s Marc Cieslak was one of the first people in the world to play it, and he suggests it could be VR’s first killer app.

(17) PLOT POINT. “Mulan: Disney drop character following #MeToo movement” – BBC has the story.

A Disney producer says the character Li Shang is missing from the live-action remake of Mulan, as his storyline is not “appropriate” in the #MeToo era.

The film tells of a woman who disguises herself as a man to fight in place of her father in China’s imperial army.

In the 1998 animated original, based on the Chinese legend of Hua Mulan, General Li Shang developed a bond with Mulan’s male warrior alter-ego Ping.

After her true identity was revealed, she and Li Shang have dinner together.

Given recent revelations in Hollywood, however, producer Jason Reed confirmed they were uncomfortable with the power dynamics in their relationship.

“I think particularly in the time of the #MeToo movement, having a commanding officer that is also the sexual love interest was very uncomfortable and we didn’t think it was appropriate,” Reed told Collider.

[Thanks to John King Tarpinian, JJ, Chip Hitchcock, Cat Eldridge, Dann, Mike Kennedy, Michael Toman, Martin Morse Wooster, Brian Z., and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Camestros Felapton.]

Baen To Kindle More Sales?

Baen, a pioneer in ebook marketing, is about to relent and begin selling ebooks outside their own store – presumably through Amazon, predicts Nate Hoffelder at The Digital Reader.

Some of the early clues, says Hoffelder, were the shrinking Baen Free Library, and a request made to one webmaster to stop offering files of Baen books once given away free in CD format because of an imminent “new ebook distribution deal with an ‘unnamed third-party’.”

[Via Andrew Porter and Paul Di Filippo.]

Tor’s DRM-atic Announcement

Tom Doherty Associates, publishers of Tor, Forge, Orb, Starscape, and Tor Teen, will make their entire list of e-books DRM-free by July. The imprints had a combined 30 New York Times bestsellers in 2011.

Digital Rights Management (DRM) technologies are designed to give the seller control over the transferability of content after it has been delivered to the consumer. E-books in the Amazon Kindle format, for example, are readable on that company’s devices, but not those of its rivals. DRM is justified as an anti-piracy measure.

“Our authors and readers have been asking for this for a long time,” said president and publisher Tom Doherty. “They’re a technically sophisticated bunch, and DRM is a constant annoyance to them. It prevents them from using legitimately-purchased e-books in perfectly legal ways, like moving them from one kind of e-reader to another.”

Cory Doctorow on Boing Boing reacted by breezily predicting –

[More] to follow, I’m sure; I’ve had contact with very highly placed execs at two more of the big six publishers…

On the other hand, Laura Hazard Owen at CNN Money questions whether Macmillan itself, the big company that owns Tor, will adopt this policy across the board  —

One should not necessarily infer, from the changes at Tor, that Macmillan is close to dropping DRM across all of its imprints. This decision could be related to competition within the genre (sci-fi/fantasy publishers Baen and Angry Robot are also DRM-free) or to Doherty’s specific role at Macmillan.

Presumably, John Sargent, CEO of Macmillan, who made the final decision to drop DRM on ebooks from Tor/Forge (according to Charles Stross) will watch how it plays out.

A move affecting only the sf/fantasy market still benefits fans wanting the freedom to store and manage their ebook collections on any device they choose.

One of Tor’s top authors, John Scalzi, is in favor of the change. He thinks DRM is an unnecessary impediment to sales. 

Does this mean it’s easier for someone to violate my copyright? It does. But most people don’t want to violate my copyright. Most people just want to own their damn books. Now they will. I support that.

Charles Stross has posted arguments he was invited to make to Macmillan brass about the decision to drop DRM. He admits DRM makes no difference to those who buy a few top bestsellers a year, however, he told execs it makes a big difference to some of the most devoted book buyers.

The voracious 20-150 books/year readers are a small but significant market segment. These people buy lots of titles. They frequently have specialized interests which they pursue in depth, and a large number of authors who, although not prominent, they will buy everything by… Previously they bought paperbacks and hardcovers from specialist genre bookstores or, failing that, from large B&N/Borders branches. They will go to whatever retailer they can find online, and they find DRM a royal pain in the ass — indeed, a deterrent to buying ebooks at all.

It’s no secret he’s talking about sf fans, since he mentions us explicitly a few lines later…

James Bacon: Robert Rankin’s Ebooks

By James Bacon: I was chatting with Robert Rankin who has decided to self-publish as E-books many of the novels from his backlist, with new edit and covers.

I was surprised by this, as he has some 31 books in print. He told me, “’I am self-publishing in ebook form my entire Transworld back catalogue. The Antipope came out on Tuesday on Amazon for the Kindle and that the other 22 will be following one at a time over the coming weeks.”

What sorta surprised me was what he said next: “Jo Fletcher, my then editor with Gollancz, my present publisher, expressed an interest. She wanted to publish all of the Transworld backlist as ebooks. However, I then learned that a ‘gentleman’s agreement’ exists between publishers, that they will not publish each other’s backlists in ebook form. I’ll bet not many authors know that!”

And I didn’t. Who’d have known.

His plans are to issue them one a week over the next 22 weeks. He is doing new cover art for each one and scrupulously re-editing where needed.

Cheap E-books, Boon or Bane?

Or both?

Discussing 99-cent e-books here the other day, Michael Walsh concluded YMMV.

Author Jeff Carlson tells readers of the SFWA Blog he is getting high mileage — he has sold 13,000 copies of his novella “The Frozen Sky”. To celebrate he’s giving away freebies of his other short story collections as Mobi or ePub files.  

However, users of the Amazon Kindle are being forced onto 40 miles of bad road warns the Globe and Mail, because there’s “Spam clogging Amazon’s Kindle self-publishing”:

Spam has hit the Kindle, clogging the online bookstore of the top-selling eReader with material that is far from being book worthy and threatening to undermine Amazon.com Inc’s publishing foray.

Thousands of digital books, called ebooks, are being published through Amazon’s self-publishing system each month. Many are not written in the traditional sense.

Instead, they are built using something known as Private Label Rights, or PLR content, which is information that can be bought very cheaply online then reformatted into a digital book.

These ebooks are listed for sale – often at 99 cents – alongside more traditional books on Amazon’s website, forcing readers to plow through many more titles to find what they want.

Casting this as a crisis may be the smart play for the Globe and Mail‘s news editor, but who is really doing any plowing? As a rule people don’t browse Amazon’s zillions of titles at random. Forcing Amazon’s search engine to sort through more titles is not my idea of a public emergency.

Konrath’s Kindle Success

Curious about the sales of self-published books? Wonder about the effectiveness of different ebook marketers? Good luck, because that kind of information is seldom made public. Whenever somebody pulls back the curtain that’s news in its own right.

Thriller author Joe Konrath told readers of his blog that he sold 5,850 ebooks and made over $4200 on Kindle in March 2010. And later this year he expects to be doing a lot better:

In June, Amazon is switching to the agency model, which means ebooks priced between $2.99 and $9.99 will earn the author a 70% royalty, minus a 6 cent delivery fee. Instead of making 70 cents per ebook sale like I’m currently doing, I can make $2.04 per sale.

Konrath also speculates about selling a book to a conventional publisher but holding back the ebook rights.

“This is a very interesting blog post,” says Francis Hamit. “My own results with e-books have not been anywhere near this, but Mr. Konrath obviously has a following.  I will have to think anew on this.  My concern is that a lot of people are going to jump in and expect similar results but miss the fact that he is probably in the levels of what makes a “best seller” in volume sales in this niche.  However his points about keeping the rights and the impact of that on the bottom line are compelling and a real argument in favor of self-publishing.”

[Thanks to Francis Hamit for the story.]