Pixel Scroll 6/17/22 Three Scrolls And Three Pixels

(1) MAKING THE COPYRIGHT CLAIMS BOARD WORK FOR YOU. Victoria Strauss instructs authors how to access “The Copyright Claims Board: A New Option For Copyright Disputes” at Writer Beware.

Taking legal action if your copyright is infringed can be complicated and confusing–not to mention expensive. Suing an infringing party, which must be done in federal court, can rack up enormous legal fees, and take years to resolve. (For instance, the Authors Guild estimates that the average cost of a copyright suit is $400,000–often more than the value of the claim itself.) And there’s no guarantee of success. It’s a situation that, for many creators, renders their rights under copyright essentially unenforceable.

Traditionally in the USA, such suits have been creatives’ only avenue of redress. Now, though, there’s an alternative: the Copyright Claims Board (CCB), which opened for business yesterday.

Established by Congress in 2020 via the CASE Act, the CCB is a small claims court for copyright disputes, where creators can bring lower-dollar infringement claims (monetary damages are capped at $30,000) without having to hire an attorney or make a court appearance (proceedings are conducted entirely online). The CCB is housed within the US Copyright Office, and staffed by a three-person tribunal that oversees proceedings and is the final decision-maker on claims….

(2) ANALOG AWARD DEADLINE EXTENDED. The submission deadline for The Analog Award for Emerging Black Voices has been extended to June 30. Eligible to enter are “Any writer over 18 years of age who customarily identifies as Black, has not published nor is under contract for a book, and has three or less paid fiction publications is eligible.”

Here is what the award winner receives:

With editorial guidance, Analog editors commit to purchasing and publishing the winning story in Analog Science Fiction and Fact, with the intent of creating a lasting relationship, including one year of monthly mentorship sessions. These sessions will be opportunities to discuss new writing, story ideas, the industry, and to receive general support from the Analog editors and award judges.

(3) STAY FROSTY. The Game of Thrones spinoffs continue to multiply. The Hollywood Reporter brings news of another: “‘Game of Thrones’ Jon Snow Sequel Series in Development at HBO”.

The network has entered into early development on its first sequel to its blockbuster fantasy drama: A live-action spinoff series centered on the fan-favorite character Jon Snow, The Hollywood Reporter has learned.

Kit Harington is attached to reprise the role should a series move forward. The actor was twice nominated for an Emmy for his portrayal of an action hero who struggles to uphold his family’s noble values in a brutal world.

In Thrones’ eighth-and-final season, Jon Snow discovered his true name was Aegon Targaryen, a potential heir to the Iron Throne. In the series finale, he was exiled from Westeros and journeyed North of the Wall with the Wildlings to leave his old life behind. 

… The development signals an intriguing new direction in HBO’s handling of author George R.R. Martin’s fantasy universe, a move not unlike Disney+’s management of its Star Wars and Marvel brands where the streamer has found success launching character-focused sequel series such as WandaVision (starring Elizabeth Olsen as Wanda Maximoff) and Obi-Wan Kenobi (with Ewan McGregor reprising his iconic role).

Perhaps most boldly from a creative standpoint, the project would upend Thrones’ final season as the last word on the fates of the surviving characters in HBO’s most popular and Emmy-winning series of all time. In theory, the project could open the door for other surviving characters from the Thrones universe to reappear – such as Arya Stark (Maisie Williams), Sansa Stark (Sophie Turner) and Brienne of Tarth (Gwendoline Christie).

This development news means there are now seven Thrones projects in the works in addition to the upcoming House of the Dragon prequel series, which debuts Aug. 21. 

(4) NEWS TO HER. “’Game Of Thrones’ Star Maisie Williams Thought Arya Stark ‘Was Queer’” reports Deadline.

One of the most memorable Game of Thrones scenes in a final season full of memorable scenes was Arya Stark getting it on with Gendry.

Many were surprised that the hookup took place. Not the least of them was Maisie Williams, who played Arya.

Williams told Teen Vogue she was “surprised” by her character’s choice on the eve of major battle.

“The first time that I was surprised by Arya, I guess, was probably in the final [season] where she whips off her clothes and sleeps with Gendry,” Williams says. “I thought that Arya was queer, you know? So… yeah. That was a surprise.”

(5) PLATONIC IDEAS. Camestros Felapton returns to an intriguing question having done more research: “Does Gandalf Know About Atoms? Part 2 Corpuscular Wizards”.

So my previous post on this topic spun out some theories based on very little at all. I didn’t actually believe that Tolkien himself had any views on the issue. It was only afterwards, and with the addition of more coffee, that I realised the issue is right there in the text of The Fellowship of the Ring

(6) LIBRARY CENSORSHIP ISSUES. Organizations continue to target certain graphic novels for removal from school libraries. Publishers Weekly says “Comics Librarians Are Up for the Fight”.

…Organizations such as Moms for Liberty claim that award-winning books often push racial agendas or are obscene and demand their removal from shelves and reading lists. Many librarians counter that these concerns arise from the fact the books’ creators are Black or identify as LGBTQ, or that the titles touch on queer themes. Maia Kobabe’s Gender Queer, a memoir about growing up nonbinary, was the most banned book of 2021 and continues to be a flashpoint for controversy. Even acclaimed graphic novels like Art Spiegelman’s Maus (which won a Pulitzer Prize) and Jerry Craft’s New Kid (which won the Newbery) have become targets for removal.

The challenges have left librarians anxious and intimidated. In Texas and Florida, widespread library challenges have become highly politicized, with librarians in one Texas district being harassed and called groomers, heretics, and child pornographers on social media.

The movement to remove books from libraries and schools has affected school board elections, and laws are being passed to change library reporting structures, resulting in highly confrontational board meetings.

“It’s just demoralizing,” says Tina Coleman, membership specialist for the ALA and liaison for ALA’s Graphic Novel and Comics Round Table (GNCRT). “I’ve talked to librarians who have had to deal with the challenges, and even if it’s a relatively straightforward, easy challenge, librarians are getting all of this vitriol and being harassed. And we have to work under the assumption that this is going to be going on for an extended period of time.”

Indeed, the challenges show no signs of letting up—Moms for Liberty just released a fourth list of books it wants removed from libraries, including classics like The Kite RunnerThe Perks of Being a Wallflower, and Slaughterhouse-Five (coincidentally adapted into a graphic novel in 2020).

It’s a frightening and exhausting atmosphere for librarians across the country, says Matthew Noe, lead collection and knowledge management librarian of Harvard Medical School’s Countway Library, who is wrapping up his second term as president of the GNCRT. “A lot of this stuff is sheer intimidation, and it’s mind boggling,” he adds. Noe feels that while the challenges were mounting all through last year, the phenomenon didn’t strike a chord in the mainstream news until Maus was removed from a school curriculum in Tennessee. “That seemed to be a wake-up call for a lot of people.”…

(7) WRITING ABOUT DISABILITY. Nathanial White draws from deep experience in this post for Tor.com: “Disturbing the Comfortable: On Writing Disability in Science Fiction”.

Six years ago I shattered my spine in a whitewater kayaking accident. The bone shards of my second lumbar vertebra sliced into my spinal cord, severing communication with the lower half of my body. Surgeons rebuilt my vertebra and scaffolded my spine with four titanium rods. I spent a year in a wheelchair. After hundreds of hours of therapy, my body established new neural connections. I learned to walk again. I’m tremendously grateful, and I know it’s an inspiring story. It’s the story that many want to hear. But it’s not the story I want to tell in my writing.

… I decide I need a more encompassing narrative, one that considers exasperation as well as progress, suffering as well as triumph. One that makes meaning not just from overcoming, but from the ongoing lived experience of pain. Maybe I can even exorcize pain through writing, transmute it into narrative. So I invent Eugene, the protagonist of my novella Conscious Designs. I give him a spinal cord injury. Maybe together we can find some sense in our suffering.

The more I get to know Eugene, the more compassion I feel for him. I consider giving him a shot at escaping his pain, so I send him into a near future where technology might be his savior.

Because I want to take away the visual signifier of his disability, his mobility impairment, I gift him a much more advanced robotic exoskeleton than the one that retrained my nerves. Eugene’s device is so svelte, it can hide under his clothes. He doesn’t even limp like I do, except when the machine fails.

But making Eugene mobile doesn’t make his disability go away. …

(8) MIDDLE-EARTH FASHIONS. [Item by Martin Morse Wooster.] Costume designer Ngila Dickson discusses the 19,000 costumes she made for The Lord Of The Rings in this 2003 clip Warner Bros. released two weeks ago.

(9) YOU’RE INVITED. “NASA Invites Media, Public to View Webb Telescope’s First Images” on July 12.

NASA, in partnership with ESA (European Space Agency) and CSA (Canadian Space Agency), will release the James Webb Space Telescope’s first full-color images and spectroscopic data during a televised broadcast beginning at 10:30 a.m. EDT on Tuesday, July 12, from NASA’s Goddard Space Flight Center in Greenbelt, Maryland.

Released one by one, these first images from the world’s largest and most powerful space telescope will demonstrate Webb at its full power, ready to begin its mission to unfold the infrared universe.

Each image will simultaneously be made available on social media as well as on the agency’s website at: nasa.gov/webbfirstimages

(10) MEDIA BIRTHDAY

1960 [By Cat Eldridge.] Anniversary: Twilight Zone’s “The Mighty Casey”

What you’re looking at is a ghost, once alive but now deceased. Once upon a time, it was a baseball stadium that housed a major league ball club known as the Hoboken Zephyrs. Now it houses nothing but memories and a wind that stirs in the high grass of what was once an outfield, a wind that sometimes bears a faint, ghostly resemblance to the roar of a crowd that once sat here. We’re back in time now, when the Hoboken Zephyrs were still a part of the National League, and this mausoleum of memories was an honest-to-Pete stadium. But since this is strictly a story of make believe, it has to start this way: once upon a time, in Hoboken, New Jersey, it was tryout day. And though he’s not yet on the field, you’re about to meet a most unusual fella, a left-handed pitcher named Casey — opening narration of “The Mighty Casey”

Before you ask, yes, I really do like this series. I think it’s the best fantasy genre series ever done bar none. And when a episode is stellar, it is among the best genre fiction done, period. So it is with “The Mighty Casey” which first aired on CBS sixty-two years ago this evening. 

Obviously the episode title is in homage to the “Casey at the Bat” baseball poem. Now go away if you’ve not seen this episode, go away as SPOILER ALERT I’m going to discuss it now. A really bad baseball team somehow acquires a robotic pitcher (really don’t ask as it makes no sense) but the League says Casey is not human and cannot play. So Casey is, sort of Wizard of Oz-ish given a human heart, which makes eligible Casey to play.  Unfortunately the human heart makes him realise that he shouldn’t be throwing those really fast balls. Oh well.

With the team sure to fold soon without its star robotic pitcher, the creator of that robot gives the manager Casey’s blueprints as a souvenir. Looking at them, McGarry suddenly has a brilliant idea, as he runs off after Dr. Stillman to tell him his idea. Rumors later surface suggesting rather strongly that the manager has used the blueprints to build a world-champion team of Casey robots. END SPOILER ALERT.

The entire production was originally filmed with Paul Douglas in the manager role. (Douglas previously played a baseball team manager in the Fifties film Angels in the Outfield. He died right after it was filmed and Serling decided that it needed to be done again with a new actor. CBS being cheap wouldn’t pay for it, so Serling paid for the entire shoot. 

It was filmed at Wrigley Field, a ballpark in Los Angeles, California that hosted minor league baseball teams for more than thirty years. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 17, 1898 — M. C. Escher. Dutch artist whose work was widely used to illustrate genre works such as the 1976 Harper & Row hardcover of Kate Wilhelm’s Where Late the Sweet Birds Sang, or Berkley Books 1996 cover of Clive Barker’s Damnation Game(Died 1972.)
  • Born June 17, 1903 — William Bogart. Pulp fiction writer. He is best remembered for writing several Doc Savage novels using the pseudonym Kenneth Robeson. Actually he’s responsible for thirteen of the novels, a goodly share of the number done. It’s suggested that most of his short stories were Doc Savage pastiches. (Died 1977.)
  • Born June 17, 1927 — Wally Wood. Comic book writer, artist and independent publisher, best known for his work on EC Comics’s Mad magazine, Marvel’s Daredevil, and Topps’s landmark and stellar Mars Attacks set. He was the inaugural inductee into the comic book industry’s Jack Kirby Hall of Fame, and was later inducted into the Will Eisner Comic Book Hall of Fame. (Died 1981.)
  • Born June 17, 1931 — Dean Ing. I’m reasonably sure the first thing I read by him was Soft Targets and I know I read all of his Man-Kzin Wars stories as I went through a phase of reading all that popcorn literature set in Niven’s universe. His “Devil You Don’t Know” novelette was nominated for a Hugo at Seacon ‘79. I also liked  his L-5 Community series. (Died 2020.)
  • Born June 17, 1941 — William Lucking. Here because he played Renny in Doc Savage: Man of Bronze. (I know I’ve seen it, but I’ll be damn if I remember much about it other than I like Doc Savage.)  He also had one-offs in Mission: ImpossibleThe Incredible HulkThe American HeroThe QuestVoyagersX-FilesThe Lazarus ManMillenniumDeep Space Nine and Night Stalker. (Died 2021.)
  • Born June 17, 1953 — Phyllis Weinberg, 69. She’s a fan who was married to fellow fan the late Robert E. Weinberg. She co-edited the first issue of The Weird Tales Collector. She co-chaired World Fantasy Convention 1996. 
  • Born June 17, 1982 — Jodie Whittaker, 40. The Thirteenth Doctor who did three series plus several upcoming specials. She played Ffion Foxwell in the Black Mirror‘s “The Entire History of You”, and was Samantha Adams in Attack the Block, a horror SF film. I like her version of The Doctor a lot with David Tennant being my other favorite modern Doctor. 
  • Born June 17, 1982 — Arthur Darvill, 40. Actor who’s has in my opinion had two great roles. The first was playing Rory Williams, one of the Eleventh Doctor’s companions. The second, and to my mind the more interesting of the two, was playing the time-traveller Rip Hunter in the Legends of Tomorrow, a Time Lord of sorts. (And yes, I know where the name came from.) He also played Seymour Krelborn in The Little Shop of Horrors at the Midlands Arts Centre, and Mephistopheles in Doctor Faustus at Shakespeare’s Globe.  

(12) COMICS SECTION.

(13) PLANET OF THE APES COMICS RETURNING. Marvel Entertainment has announced the Planet of the Apes franchise is coming back to Marvel Comics with all-new stories starting in early 2023. The legendary science fiction franchise has spanned over five decades with media including comics, books, films, television series, video games, and toys. 

Marvel Comics and Planet of the Apes have a history that goes back over 40 years. Marvel first published Planet of the Apes stories in 1974, and in 1975, Marvel published Adventures on the Planet of the Apes, full-color adaptations of the iconic Planet of the Apes films. 

(14) A MEREDITH MOMENT. Peter Roberts once edited a fan newzine (Checkpoint) but he got better. For a few hours more the Kindle edition of his 2014 book The Book of Fungi: A Life-Size Guide to Six Hundred Species from around the World co-authored with Shelley Evans is available for $2.99.

The blurb from Popular Science promises, “The lurid photographs and enticing, offhandedly witty descriptions make the reader want to go out collecting specimens right away.”

(15) JEOPARDY! Andrew Porter did not touch that dial and was rewarded with a “double-stumper” while watching tonight’s Jeopardy! episode.

Category: Sci-Fi Characters

Answer: In an H.G. Wells tale, Griffin, whose face is wrapped in rags, turns out to be this title guy.

Wrong question: Who is the guy in the time machine?

Right question: Who is The Invisible Man?

Answer: Walter M. Miller Jr. won a Hugo Award for penning “A Canticle for” this saint.

No one could ask, “Who is Saint Isaac Leibowitz?”

(16) BUSINESS PLANS TO MAKE A LOT OF DOUGH. [Item by Mike Kennedy.] It’s not so much a pizza-making robot as a pizza-making factory full of several robots & all fitting in a 16-foot box truck.

A start up headed by an ex-SpaceX employee has demonstrated an automated pizza-making machine designed to crank out one 12-inch pie every 90 seconds and to fit in a food truck. The only human would drive the truck, fold boxes, and hand over the goods. Ordering would be via an app. 

The pizzas are estimated to retail from $7-$10 depending on toppings… But first there’s a little matter of convincing the health authorities. CEO Benson Tsai wants to put his first trucks on the road in his home LA market this summer. “SpaceX rocket scientists built a robot that makes $8 pizzas” – the Los Angeles Times has the story.

… “Our vehicle build cost is on the same order of magnitude as building out a Domino’s store,” Tsai said. He declined to give specifics but said that the cost was in the low six figures. Domino’s franchise agreement estimates that, minus franchise fees, insurance, supplies and rent, opening a new location costs between $115,000 and $480,000 to build out.

With lower overhead compared with a store staffed by humans, Tsai says Stellar can drop prices but still maintain the fat profit margins enjoyed by pizza chains. Company-owned Domino’s locations had profit margins of 21% in 2021, according to the company’s annual report, even after 30% of revenue was eaten up by labor costs….

(17) SPEAKING OF LIGHTYEAR. Chris Evans and Taika Waititi chat with BBC One about Lightyear and the problems of doing voice work in this video, which dropped today. “’I have to get off this planet!’ Chris Evans, Taika Waititi on Lightyear and ‘quoting’ Thor Ragnarok”.

(18) VIDEO OF THE DAY. Interstellar Probes over at Isaac Arthur’s Science & Futurism channel.

We continue our discussion of surveying for habitable exoplanets by touring our possible option for interstellar probes, dumb and smart, flyby and protracted orbital.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Moshe Feder, SF Concatenation’s Jonathan Cowie, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]

Pixel Scroll 12/10/21 That’s No Moon – It’s A Harsh Scrollstress

(1) FOR US, THE LIVING. The announcement that Cowboy Bebop won’t get a second season prompted Ryan Proffer to start a “Save the live action cowboy bebop” petition at Change.org.

“For those people who want a second (or more) of the live action cowboy bebop. It wasn’t a direct copy of the anime but the world they put together was amazing and deserve a second season.”

It had almost reached its goal of a thousand signatures when checked this afternoon.

(2) ANALOG AWARD FOR EMERGING BLACK VOICES. Kedrick Brown’s story is the winner of the inaugural Analog Award for Emerging Black Voices reports Locus Online. The award was announced yesterday during the Sixth Annual City Tech Science Fiction Symposium. The other finalists were Yazeed Dezele, Erika Hardison, and Jermaine Martin. (Locus did not report the story titles.)

The winning story will be purchased and published in Analog, and the author receives one year of monthly mentorship sessions. The finalists receive one mentorship session with Analog editors including a critique of their submission and a chance to ask questions about the field. 

The members of the judging panel for 2021 were Steven Barnes, Nisi Shawl, Kim-Mei Kirtland, Trevor Quachri, and Emily Hockaday.

(3) CITY TECH SF SYMPOSIUM. Gillian Polack, who spoke at yesterday’s Symposium, presents an expanded version of her paper, “The Problem of Susan Australia, or, The Tyranny of Distance” in this video.

(4) SECOND FIFTH. John O’Neill analyzes “The Controversy over Nebula Awards Showcase 55, edited by Catherynne M. Valente” at Black Gate.

I’m hearing grousing about the latest Nebula Awards Showcase, edited by the distinguished Catherynne M. Valente.

This is the 55th volume in the long-running series, and the second to be published directly by SFWA, the Science Fiction Writers of America. As is customary, it contains the complete Nebula award-winning stories, as selected by that august body, as well as a tasty selection of the other nominees, as selected at the whim of the editor.

Well — not exactly. And that seems to be the crux of the problem. For the first time I can remember, the Nebula Awards Showcase contains only one of the winners from last year, A. T. Greenblatt’s short story “Give the Family My Love,” originally published in Clarkesworld. All the others — including the winners in novelette, novella, and novel category — are represented only by brief excerpts….

(5) AFROFUTURISM. At the SFWA Blog, Maurice Broaddus says adults “notoriously underestimate middle school students” and talks about “writing stories more through the lens of Black joy rather than Black trauma” in “Black Joy and Afrofuturism for Young Readers”.

…One way to define Afrofuturism is that it centers joy and hope. Black joy is the tenacity and audacity of Black culture. It exists outside and indifferent to the gaze of dominant culture. It recalls that Black people had life, history, and culture before, during, and outside of the dominant culture’s racial caste system. It basks in the beauty of what it means to be a people and a culture.

It is Black art that centers ourselves, who we are, who we could be, enjoying that totality without guilt….

(6) STATE LAWS TO AID LIBRARY ACCESS TO EBOOKS TARGETED BY PUBLISHERS GROUP SUIT. “AAP Sues to Block Maryland, New York Library E-book Laws” reports Publishers Weekly.

The Association of American Publishers filed suit December 9 to stop a new library e-book law in Maryland from taking effect on January 1, claiming that the law, which would require publishers who offer to license e-books to consumers in the state to also offer to license the works to libraries on “reasonable” terms, is unconstitutional and runs afoul of federal copyright law…

The Association of American Publishes explained the reasons for their suit in a statement on their website:

…“Maryland does not have the constitutional authority to create a shadow copyright act or to manipulate the value of intellectual property interests,” commented Maria A. Pallante, President and CEO of the Association of American Publishers and former head of the United States Copyright Office.  “It is unambiguous that the U.S. Copyright Act governs the disposition of literary works in commerce—and for that matter, all creative works of authorship.  We take this encroachment very seriously, as the threat that it is to a viable, independent publishing industry in the United States and to a borderless copyright economy.”  

The complaint, filed in federal court in Maryland, argues that the Maryland law is preempted by the United States Copyright Act, unconstitutionally interferes with interstate commerce, and violates the Constitution’s Due Process clause by mandating vague and unspecified licensing requirements….

(7) WALKING THE RED CARPETS OF MIDDLE-EARTH. Twenty years sure went by fast! Polygon says “The Lord of the Rings cast premiere photos are priceless 2001 nostalgia”. They’re really good photos in any event.

…The hype was already real by the time promotion for The Lord of the Rings: Fellowship of the Ring ramped up. In April 2000, the internet-exclusive trailer for Fellowship was downloaded from Apple Trailers 1.7 million times in its first 24 hours, breaking a record set by Star Wars: Episode I — The Phantom Menace. (Compare that, though, to the present-day record: Spider-Man: No Way Home’s first trailer, released in August and viewed 355.5 million times in the first 24 hours.) But by May 2001, the time had come to reassemble the fellowship … for many, many, many step-and-repeat red carpet opportunities.

Photographic evidence of the high-stakes press gauntlet for Fellowship suggests that Elijah Wood, Ian McKellen, Viggo Mortensen, Sean Astin, Billy Boyd, Dominic Monaghan, Sean Bean, Orlando Bloom, John Rhys-Davies, and Liv Tyler (bringing some much-needed femininity to the red carpet bro-out) had a decent time flying around the world to preach the blockbuster word…

(8) EATING THE FANTASTIC. Scott Edelman invites listeners to eavesdrop on a mid-’70s Marvel Bullpen reunion with Bob Budiansky in episode 160 of his Eating the Fantastic podcast.

Bob Budiansky

This episode’s guest, Bob Budiansky, is a old Marvel Bullpen pal… When I was working at mid-’70s Marvel Comics and decided I no longer wanted to edit their line of British reprint books, I got yet another SUNY Buffalo student and newspaper coworker, Jay Boyar, to take my place, and then when he moved on, he recommended Bob. And that serendipity is how his 20-year career at Marvel Comics was born.

Bob’s led a multifaceted comics career as a writer, artist, and editor. He’s written (among other things) The Avengers and all 33 issues of Sleepwalker, a character he co-created, plus most of Marvel’s run of The Transformers, for which he came up with the names of most of the original Transformers, including Megatron. In fact, his contributions to that franchise were so great that in 2010 he was inducted into the Transformers Hall of Fame.

…We discussed the vast differences between the hoops we each had to jump through to get hired back then, why the Skrulls were responsible for him liking DC better than Marvel as an early comics fan, the serendipitous day he attended a wedding and learned the origin of the Golden Age Green Lantern from its creator, why he stopped reading comics in high school … and how Conan the Barbarian got him started again, which Marvel Bullpen staffer saw his art portfolio and suggested he consider a different career, what it was like to witness the creation of Captain Britain, how got his first regular gig drawing covers for Ghost Rider, his five-year relationship developing 250 Transformers characters for Hasbro, and much more.

(9) EATING ONLY SOME OF THE FANTASTIC. The Offing posted G.G. Russey’s grimm but grotesquely funny “Hansel & Gretel: The Fully-Restored Vegan Version”.

… After three days of wandering, the hungry children came upon a gingerbread house mortared with frosting. Hansel rushed over to take a bite.

“Stop, Hansel! You can’t just eat a stranger’s house! It could contain animal products!”…

(10) TWO-PART HARMONY. Now on Fanac.org’s YouTube channel: Wrong Turns on the Wallaby Track: Australian SF Fandom 1936-60, Leigh Edmonds, Perry Middlemiss in 2 parts.

In this delightful Fan History Zoom (Dec 2021), historian Leigh Edmonds provides both context and details of Australian Science Fiction Fandom in the early days. Beginning with an introduction to Australian history of the period by Perry Middlemiss, the session entertainingly describes the important fans, and clubs from the beginnings in Sydney with a Science Fiction League branch, to the Futurian Society of Sydney and the Thursday night group. Leigh provides both entertaining and instructive insights, from the parallels to US fannish history, to the Australian group whose “main form of entertainment was feuding”, and the impact on science fiction readers of the Australian wartime embargo on the import of unnecessary items. He discusses the uniquely Australian barriers to becoming a professional writer in the field, the banning of Weird Tales on moral grounds and more….

Leigh Edmonds is an Australian historian, and honorary research fellow at the Collaborative Research Centre in Australian History (CRCAH) at Federation University in Ballarat, Australia. He is also a very long term science fiction fan. Perry Middlemiss is a fanwriter and editor as well as a former Worldcon chair.

Note: To begin Leigh had technical difficulties for the first 10 minutes so his portion begins after an excellent, but slightly long, introduction by Perry Middlemiss.

(11) CHRIS ACHILLEOS (1947-2021). Artist Chris Achilleos died December 6. His work has appeared in Heavy Metal, on book covers including series based on Conan the Barbarian, Doctor Who and Star Trek, as well as collections of his own work. Collections of his art include Amazona, Sirens, and Beauty and the Beast. Since 1990 he has mostly worked in designing fantasy trading cards as well as selling prints and original works of art.

(12) MEDIA BIRTHDAY.

2003 [Item by Cat Eldridge.] Eighteen years ago, Big Fish premiered. It was directed by Tim Burton from the screenplay by John August which he did off of Daniel Wallace‘s Big Fish: A Novel of Mythic Proportions. The cast is, if I must say so myself, amazing: Ewan McGregor, Albert Finney, Billy Crudup, Jessica Lange, Helena Bonham, Carter Alison Lohman, Robert Guillaume,  Marion Cotillard, Steve Buscemi and Danny DeVito. Did critics like it? Generally quite so. ReelThoughts said of it, “Big Fish is a clever, smart fantasy that targets the child inside every adult without insulting the intelligence of either.” The box office was modest at best, making just under one hundred twenty-five million against seventy million in production costs not counting marketing. Audience reviewers at Rotten Tomatoes currently give it a most excellent rating of ninety percent. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 10, 1815 Ada Lovelace. Lovelace was the only legitimate child of poet Lord Byron and his wife Lady Byron. She was an English mathematician and writer, principally known for her work on Charles Babbage’s proposed mechanical general-purpose computer, the Analytical Engine. Genre usage includes Gibson and Sterling’s The Difference Engine, Stirling’s The Peshawar Lancers and Crowley’s Lord Byron’s Novel: The Evening Land. (Died 1852.) 
  • Born December 10, 1903 Mary Norton. Author of The Borrowers which won the 1952 Carnegie Medal from the UK’s Chartered Institute of Library and Information Professionals recognizing the novel as the year’s outstanding children’s book by a British author. She would continue to write these novels for three decades. Hallmark turned one into a film in the early Seventies. Her novels The Magic Bed Knob; or, How to Become a Witch in Ten Easy Lessons which was nominated for a Retro Hugo at Dublin 2019, and Bonfires and Broomsticks would be adapted into the Disney film Bedknobs and Broomsticks in the same period. (Died 1992.)
  • Born December 10, 1927 Anthony Coburn. Australian writer and producer who spent most of his career living and working in the U.K.  He was closely involved in the earliest days of Who to the extent that it’s believed it was his idea for the Doctor’s travelling companion, Susan, to be The Doctor’s granddaughter.  He wrote four scripts for the show, of which Only An Unearthly Child was used. His never produced “The Masters of Luxor” Who script was released by Big Finish Productions as adapted by Nigel Robinson. Titan Books has previously released it as a novel. (Died 1977.)
  • Born December 10, 1928 John Colicos. You’ll remember him as being the first Klingon ever seen on Trek, Commander Kor in the “Errand of Mercy” episode. (He’d reprise that role as the 140-year-old Kor in three episodes of Deep Space Nine.) He’ll next show up as Count Baltar in the original Battlestar Galactica continuity throughout the series and film. He’ll even show up as the governor of Umakran in the Starlost episode “The Goddess Calabra”. He also played three roles on the original Mission: Impossible. (Died 2000.)
  • Born December 10, 1946 Douglas Kenney. He co-founded National Lampoon in 1970 along with Henry Beard and Robert Hoffman. With Beard alone in 1969, he wrote Bored of the Rings. Kenney died after falling from a 35-foot cliff called the Hanapepe Lookout in Hawaii. It was ruled accidental. Chris Miller, co-writer of Animal House with him and Harold Ramis, paid homage to him by naming the main character in Multiplicity Doug Kinney, a variation on his name.  (Died 1980.)
  • Born December 10, 1953 Janny Wurts, 68. Illustrator and writer.  She’s won three Chesley Awards, plus a HOMer Award for her Servant of the Empire novel. I strongly recommend the Empire trilogy that she co-authored with Raymond E. Feist, and her excellent That Way Lies Camelot collection was nominated for a BFA.
  • Born December 10, 1960 Kenneth Branagh, 61. Branagh’s better genre work includes his roles as Victor Frankenstein in Mary Shelley’s Frankenstein and Gilderoy Lockhart in Harry Potter and the Chamber of Secrets. As a Director, I’m only seeing Mary Shelley’s Frankenstein and Thor — anyone know of anything else genre related? Is Hercule Poirot genre adjacent? I think so. 
  • Born December 10, 1984 Helen Oyeyemi, 37. I like it when a birthday results in my adding to my audiobook listening list. She’s resident in Prague now and her take on European folktales that surround her there is particularly sharp in Mr. Fox, which was nominated for an Otherwise Award, off that well known tale. And White is for Witching has all the makings of a damn fine haunted house story. Now one should not overlook her Icarus Girl, her first novel, which is fascinating. I’ve not encountered Gingerbread, her latest novel. 

(14) COMICS SECTION.

(15) WHAT IF? SPINOFF. Captain Carter, recently featured in Marvel Studios’ What If, will report for duty in her very own comic series this March. Jamie McKelvie will write the series and design the character’s brand-new look. McKelvie will be joined by rising star artist Marika Cresta, known for her recent work on Star Wars: Doctor Aphra.

The five-issue limited series introduces Captain Carter in an adventure that will find Peggy Carter as a woman out of time, facing the reappearance of an old foe in modern day and deciding what she stands for as the wielder of the shield. 

A reality where Agent Peggy Carter took the Super-Soldier Serum instead of Steve Rogers is turned upside down when the World War II hero is pulled from the ice where she was lost in action decades before. Peggy struggles to find her footing in a modern world that’s gotten a lot more complicated – cities are louder, technology is smarter and enemies wear friendly faces. Everyone with an agenda wants Captain Carter on their side, but what does Peggy want? And will she have time to figure it out when mysterious forces are already gunning for her?

(16) VOLUNTEER FOR DISCON III. Here is another reason to become a virtual volunteer for next week’s Worldcon.

(17) CARBON-BASED UNITS. The Guardian’s Daniel Aldana Cohen hopes Kim Stanley Robinson, author of Ministry for the Future, has the answer: “How will humanity endure the climate crisis? I asked an acclaimed sci-fi writer”.

…The first lesson of his books is obvious: climate is the story. Compared with the magnitude of the crisis, this year’s United Nations climate summit, Cop26, was a poorly planned pool party where half the guests were sweating in jeans, having forgotten their swimming suits. If you’re reading this, you probably know what climate science portends – and that nothing discussed in Glasgow was within rocket range of adequate. What Ministry and other Robinson books do is make us slow down the apocalyptic highlight reel, letting the story play in human time for years, decades, centuries. The screen doesn’t fade to black; instead we watch people keep dying, and coping, and struggling to shape a future – often gloriously.

I spoke to Robinson recently for an episode of the podcast The Dig. He told me that he wants leftists to set aside their differences, and put a “time stamp on [their] political view” that recognizes how urgent things are. Looking back from 2050 leaves little room for abstract idealism. Progressives need to form “a united front,” he told me. “It’s an all-hands-on-deck situation; species are going extinct and biomes are dying. The catastrophes are here and now, so we need to make political coalitions.”…

… Robinson’s elegant solution, as rendered in Ministry, is carbon quantitative easing. The idea is that central banks invent a new currency; to earn the carbon coins, institutions must show that they’re sucking excess carbon down from the sky….

(18) JEOPARDY! Andrew Porter witnessed tonight’s Jeopardy! contestants overlooking the author of Frankenstein.

Final Jeopardy: 19th Century British Authors.

Answer: She called herself “the daughter of two persons of distinguished literary celebrity” in an introduction to one of her novels.

Wrong questions: Who is George Elliot? and Who is Emily Bronte?

Correct question: Who is Mary Shelley?

(19) ENTERPRISING ARTIST. [Item by Ben Bird Person.] Artist Alain Gruetter did this piece based on Star Trek: Enterprise (2001-2005) featuring the Xindi-Aquatics and Xindi-Insectoids from their third season (2003-2004).

(20) IT WILL TAKE MORE THAN A BELL. Wings now, but pixels in the future. More than a dozen people, including William Shatner, are being awarded their astronaut wings by the US government, however, they may be among the last. “First on CNN: The US gives Bezos, Branson and Shatner their astronaut wings” at CNN.

…The Federal Aviation Administration will […] award Commercial Space Astronaut Wings to […] eight people who flew on Blue Origin’s New Shepherd spacecraft, three who flew on Virgin Galactic’s SpaceShipTwo, and to the four members of the SpaceX crew who spent three days in space in September, CNN has learned.

But the space tourism industry shouldn’t get used to this generous allocation of wings from the federal government. In a twist, the FAA has decided to end the entire Commercial Space Astronaut Wings program on January 1. After that, the FAA will simply list the names of everyone who flies above the 50-mile threshold, the US-recognized boundary of space, on a website….

(21) STICKY SUBJECT. CBR presents an extended look at Spider-Man and Doc Ock’s first fight from No Way Home.

Much to Peter Parker’s confusion, Otto Octavius appears on an overpass bridge and demands to know what has happened to his machine. When Peter doesn’t have any answers, Doctor Octopus begins throwing cars, endangering the lives of the civilians nearby.

(22) SECOND SERVING OF HEDGEHOG. Could Jim Carrey’s mustache here be the phoniest of all time?

(23) HALO THE SERIES. This first-look trailer for Halo was shown during The Game Awards last night. Halo the series will be streaming in 2022 on Paramount+.

Dramatizing an epic 26th-century conflict between humanity and an alien threat known as the Covenant, Halo the series will weave deeply drawn personal stories with action, adventure and a richly imagined vision of the future.

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Mike Kayinsky, Ben Bird Person, Lise Andreasen, Jennifer Hawthorne, Chris Barkley, Jeffrey Smith, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna), part of “The Hugo Pixel Scroll Winners” series.]

The Analog Award for Emerging Black Voices

Analog Science Fiction and Fact today announced the Analog Award for Emerging Black Voices, a short story competition that will be judged by a diverse committee of sf professionals with the winner appearing in the magazine.  Finalists and the winning author will be announced at and in partnership with the Annual City Tech Symposium on Science Fiction.

Here are the guidelines from the press release:

Eligibility. Any writer over 18 years of age who customarily identifies as Black, has not published nor is under contract for a book, and has three or less paid fiction publications is eligible.

Submissions. Entries will be taken from May 14– July 23. The stories must be works of hard science fiction of greater than 1,000 words but not over 5,000.

Judging. A diverse committee of science fiction professionals will judge. The panel for 2021 is: Steven Barnes (Lion’s Blood), Nisi Shawl (Writing the Other), Kim-Mei Kirtland (Howard Morhaim Literary Agency, Inc.), Trevor Quachri (Analog Science Fiction and Fact), and Emily Hockaday (Analog Science Fiction and Fact, Asimov’s Science Fiction). Finalists will be chosen and awarded one mentorship session with Analog editors including a critique of their submission and a chance to ask questions about the field.

Award Winner. With editorial guidance, Analog editors commit to purchasing and publishing the winning story in Analog Science Fiction and Fact, with the intent of creating a lasting relationship, including one year of monthly mentorship sessions. These sessions will be opportunities to discuss new writing, story ideas, the industry, and to receive general support from the Analog editors and award judges.

Submit. Submissions will be read blind. Please remove all identifying information from the document before sending it. The file name should be the title of the story. Submissions should be .doc files and follow standard manuscript format. In the body of your email, please include a short cover letter with your contact information, address, the name of your entry, and a statement of interest describing eligibility. Stories can be submitted here: AnalogAward@gmail.com