Tag Archives: Artemis

Pixel Scroll 8/6/24 The Problem Of Scroll 13

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(1) S.O.S. FOR TARAL’S COLLECTIONS.  Steven Baldassarra announced on Facebook  that the late Taral Wayne’s apartment needs to be emptied of his collections and stuff, and his sister has offered them to friends.

I am posting this message out on behalf of Christine Miller, Taral Wayne‘s sister. Please spread this message out to those who knew Taral:

“If anyone is interested in his art, toys or fanzines, please reach out to me, Christine Miller. I have to get his treasures out of the building asap.

“When I last spoke to Taral about funeral arrangements (although he was convinced he would live forever), he wasn’t interested in one. His remains are being cremated and then he will be buried with our mother in North York. At the moment, I’m just trying to get his treasures out of his apartment and don’t have the band width to think much past that.”

Taral Wayne (1951-2024) died July 31.

(2) FINALIST VANISHES FROM DRAGON AWARDS BALLOT. For one brief and shining moment Cedar Sanderson’s cover for Goblin Market was a 2024 Dragon Awards finalist in the Best Illustrative Book Cover. Then it suddenly wasn’t. Sanderson appeared on the originally released version of the ballot, but hours later she was missing. No explanation has been given, and her publisher demands to know why.

Jonna Hayden, Production Manager for Raconteur Press, sent this email to the Rac Press substack/newsletter subscribers this evening: “Concerning the Dragon Awards”:

In an effort towards transparency, we have sent the following letter to the Dragon Awards team, via Dragon Con:

“I am the Production Manager for Raconteur Press, and our Lead Designer is Cedar Sanderson. Cedar was nominated for a Dragon Award for her work on our book “Goblin Market” and achieved a place on the final ballot in the category “Best Illustrative Cover” for 2024. Or so we thought. Several hours after the final ballot was announced (and we proudly shared the information) Cedar’s name was removed.

“We were surprised by this removal–there has been no explanation, no replacement name added to the list, and no comment of any kind from the Dragon Awards as to the reason behind it. Cedar has not been contacted, and multiple emails from many, many fans have gone unanswered.

“In their frustration, her fans have been emailing, messaging, and calling us, to see if we have any communication or information as to the ‘why’ of this. We are, unfortunately, equally in the dark. We’ve been referring them to the contact form on the Awards page, but no information has been forthcoming. The lack of any comment on the Dragon Awards’ part is now beginning to lead to speculation as to the integrity of the awards as a whole. In light of the recent Hugo issues at the China Worldcon, I would think your organization would be striving to maintain the utmost transparency.

“Is there any plan whatsoever to address this? Will there be a statement of any kind as to the reasons? I would like to return to my regular job of publishing great short fiction, and not be fielding the frustrated and angry messages of fans who nominated her in good faith.

“I’m sure there’s a reasonable explanation, and sharing it will help.

“Please let us know what the the plan for this is going forward.

“Thank you.”

If you haven’t had your fill of speculation, see the comments here.

(3) THERE IS A SEASON, TURN, TURN, TURN ON THE TV. Abigail Nussbaum says, “In its second season, the already-excellent Interview With the Vampire became one of the best and most entertaining shows on TV. My review in Strange Horizons discusses how the show both honors and subverts its source material.” “Interview With the Vampire Season 2”.

Published in 1976, Anne Rice’s Interview with the Vampire has a fair claim to being one of the most influential novels of the late twentieth century. Wildly successful in its own right—spawning some dozen sequels, several related series of novels, and a myriad film and TV adaptations—it all but singlehandedly reshaped the popular perception of the vampire. Rice’s vampires are brooding, tormented beings, haunted both by the need to kill and the crushing loneliness of eternal life. They seek companionship—which is to say, thinly veiled homoerotic bonds—with fellow immortals, but these relationships often turn rancid due to the beloved’s similar tormentedness. It’s a portrait that slid into self-parody almost as soon as it made its appearance, and which later creators have found themselves pushing against (“People still fall for that Anne Rice routine,” a decidedly nontormented vampire quips in an early episode of Buffy). But the very fact that this pushback feels necessary speaks to the trope’s influence and reach.

AMC’s adaptation of Interview with the Vampire—which premiered in 2022, and whose second season aired earlier this summer—wears that legacy lightly, and even playfully…

(4) TIME ON THEIR HANDS. T.R. Napper arrives in Glasgow in time to exchange drolleries with George R.R. Martin.

(5) SEE DELANY SPEECH. Posted to YouTube yesterday: Samuel R. Delany at the Free Library of Philadelphia on June 15, 2024 in conversation with composer and library trainee Mark Inchoco: “How SF Dances to the Music of Time”.

(6) NOT TERRY’S GHOST. [Item by Ersatz Culture.] Private Eye is a long running British news/satirical magazine, that sells more copies than some UK national newspapers.  In their current issue (#1629, dated 2nd-15th August, so should be available in shops throughout the duration of the Glasgow Worldcon), their books section makes some interesting claims about the authorship of last year’s Hugo Best Related Work winner.

In his 2014 collected non-fiction book, A Slip of the Keyboard, Discworld writer Terry Pratchett had some advice for anyone who saw a celebrity author at a book signing.

“Don’t pass comment if they spend a lot of time reading their book while they’re in the shop.  It may be the first time they’ve seen it.  Do not offer to help them with the longer words.”

Ironic, then, that the official Pratchett biography, A Life with Footnotes, was “co-written” by ghostwriter Giles Smith – and not, as advertised on the cover, solely by Rob Wilkins, Pratchett’s former assistant.  Wilkins went on to collect, amongst other awards, a 2023 Hugo for the book he did not write – a prestigious bauble Pratchett himself never managed to secure.

Giles Smith’s page on the UK Simon & Schuster website states that “in the last ten years, he has been the ghost-writer for eight Sunday Times bestselling autobiographies”, although there is no mention of this work on his agent’s site.

Note: credit is due to Kári Tulinius whose Bluesky post is what brought this to my attention.

The books column also includes a section on the Neil Gaiman allegations, but given that the magazine was published last week, is out-of-date with the latest developments, and also has a slightly odd take (in my opinion), such as whether this will affect the number of books that Gaiman writes blurbs for.

(7) READERS’ INTEREST AROUSED. NOR IS THAT ALL. On romantasy and other literary erotica: “My weeks of reading hornily: steamy book sales have doubled – and I soon found out why”, Zoe Williams told Guardian readers.

I spent a fortnight reading nothing but smut and I don’t need to give you a reason. But since there is one, here it is: business is booming in the publishing world of love and sex. Aficionados draw fine distinctions – between romance and erotica; “steamy” and “smutty”; fantasy and saga fiction – and endlessly subdivide the genres, but the takeaway is that the stigma around what used to be called “books that women like” has gone. And, as the UK literary agent Alice Lutyens puts it: “The steamier the sex, the better the book does.”

I started two books simultaneously, which just happened to span the gamut, from the almost completely chaste The Stars Too Fondly, by Emily Hamilton, to the most pornographic thing I’ve ever read (and I’ve read De Sade): Heat Clinic, by Alexis B Osborne. So, I could give you a take on the difference between romance and erotica, but I would rather throw it to an expert. Leah Koch started the independent romantic bookshop Ripped Bodice in Los Angeles with her sister, Bea, in 2016 (they recently opened a second shop in New York). She says readers tend to assume erotica is sexier. “The technical definition is that, in erotica, character development happens from sexual situations. We stock both.”…

… if there is one thing that has come to pass, maybe through TikTok, maybe just by the march of time, it is that readers no longer care about respectability, literary or any other kind. They don’t care if they are reading an Omegaverse novel in public; they don’t even care if someone mistakenly thinks it’s furry pornography. They don’t care if what they are reading could be mistaken for YA and they are not young. They don’t care if the patriarchy thinks they are silly. Which means, in the publishing world of – yup, I’m still calling it this – smut, pretty much anything could happen.

(8) PRO TIPS. Charlie Jane Anders shares valuable insights in “Another Way To Think About ‘Conflict’ and ‘Stakes’ In Your Fiction” at Happy Dancing.

1) Conflict

Here is a story that contains plenty of conflict: “I was hungry. I really wanted a sandwich. So I got up and went to the fridge and made a sandwich. The End.” A situation is introduced, the protagonist has a need. They need a sandwich! What are they going to do? They’re going to make a sandwich. The conflict is resolved — we can all relax now.

Here’s another story that has a lot of conflict: “My friend and I were both hungry and there was only one sandwich. So we each had half a sandwich and it tasted really good, and I was happy to be eating a sandwich with my friend.” OH MY GOD. There was only one sandwich. But we figured it out. 

What I’m trying to say is that conflict doesn’t mean antagonism. Nobody has to be baring their teeth or vowing bloody murder. Nor does conflict have to be massive and dramatic, with bodily fluids going everywhere and people snarling angrily.  In fact, much of the time in real life, “conflict” is just people dealing with the challenges and frictions of being in the world.

And of course, stories don’t need to have any conflict in them at all. You can have a story where it’s literally just like, “My friend and I hung out and watched the sunset, and it was nice.” That’s a story with a beginning, middle and an end. That’s very satisfying.

But even if you want to have some conflict in your story, conflict does not have to mean a certain level of drama or horribleness. A conflict doesn’t have to be intransigent or insurmountable, or involve anyone chopping off anyone else’s limbs….

(9) TODAY’S BIRTHDAY.

[Written by Lis Carey.]

August 6, 1926 – Janet Asimov. (Died 2019.) 

By Lis Carey: Janet Opal Jeppson earned a medical degree from New York University Medical School, completed a residency in psychiatry at Bellevue Hospital, and in 1960 graduated from the William Alanson White Institute of Psychoanalysis, where she continued to work, practicing psychiatry and psychoanalysis until 1986. She continued to practice and publish medical papers under the name of J.O. Jeppson, even after her marriage to Isaac Asimov. 

Janet Jeppson and Isaac Asimov. Photo by and (c) Andrew Porter

She started writing children’s science fiction in 1970, also published as by J.O. Jeppson. The other change in Jeppson’s life that year was that she started dating Isaac Asimov, after he separated from his first wife. They married in 1973, after the divorce became final.

Some of Jeppson’s solo science fiction included The Second Experiment and The Package in Hyperspace. Together with Isaac, she wrote the Norby Chronicles series, which ran to eleven volumes. However, Isaac is reported to have said that the work was 90% Janet’s, with him just doing a final read-thru and polish, but his name “was wanted on the book for the betterment of sales”.

She was married to Isaac until his death in 1992, from complications of HIV, due to a transfusion during bypass surgery in 1983. Based on symptoms, Janet suspected HIV, and pushed for an HIV test, but doctors resisted until he was extremely ill. They also pressured her to keep the results secret due to fear of public reaction, and so it was not revealed until ten years after his death.

Married to a strong personality, she kept her own space and her own career, while being a loyal partner, and a determined advocate for him in his final illness.

(10) COMICS SECTION.

(11) AUREALIS AWARDS OPEN FOR ENTRIES. The 2024 Aurealis Awards, Australia’s premier awards for speculative fiction, are for works created by an Australian citizen or permanent resident, and published for the first time between January 1, 2024 and December 31, 2024.

The administrators encourage publishers and authors to enter all works published already this year by September 30, 2024, then subsequent publications as they are released, so their judges have time to consider each entry carefully.

Full Rules and FAQ are on the Aurealis Awards website.

(12) IT’S GONE, JIM. “GameStop Kills Game Informer Magazine And Takes Website Offline” – Kotaku has the magazine’s obituary.

Game Informer, the longest-running gaming magazine in the U.S., is officially dead and GameStop killed it. It began publishing in 1991 and has been one of the last remaining physical gaming magazines in the world, with cover stories that continued to share deep dives and exclusive interviews on the biggest games coming out, from Final Fantasy: VII Rebirth to Star Wars Outlaws. No more….

(13) A DAY IN THE DEATH. Brenton Dickieson sees a connection between Tolstoy and Lewis in “The Living Lie, But Dead Men Tell the Truth: The Screwtape Letters and Ivan Ilych” at A Pilgrim in Narnia.

In Leo Tolstoy’s brilliant novella, The Death of Ivan Ilych (1886), there is a curious pun in the English translation I use (Aylmer Maude):

“The dead man lay, as dead men always lie” (96)…

…Doctors who lie, friends who lie, dying in comfort believing there is the hope of life and separated from the danger of a sense of their true mortal conditions. There it is.

Ivan Ilych’s condition is not great evil-doing, but “contented worldliness.” Ivan has lived in wealth, fulfilling his ambitions, playing whist with adoring friends of the same class and intelligence, fulfiling the role of a clerk with precision, even if his roles of father, husband, neighbour, and justice-keeper are somewhat ignored. Even in his dying days, he cannot realize death in his own frame. And when he begins to suspect that the death rattle is near, he cannot accept that his life has been meaningless. Not just meaningless, but a slow descent in inverse proportion to his imagined rise to social acceptance.

This is, of course, precisely what Screwtape would want….

(14) (NOT JUST) FOR THE DARK SIDE OF THE MOON. [Item by Daniel Dern.] “Power On The Moon? A Giant Tower Could Light The Way For NASA Astronauts” says HotHardware.

Space company Honeybee has proposed a 100 meter tall tower that will potentially light the path for future NASA Artemis astronauts on the moon. The LUNARSABER (Lunar Utility Navigation with Advanced Remote Sensing and Autonomous Beaming for Energy Redistribution) tower is a deployable structure that integrates solar power, communications, and more, all in one package.

As NASA and other space agencies look to begin building lunar bases, they will all have to overcome some obvious obstacles. Perhaps one of the greatest of those will be how to generate power where none yet exists. Honeybee, a company owned by Blue Origin, believes it has created a solution that will not only solve the lunar power problem, but also “shine light on new possibilities, increasing operating hours for human and robotic missions on the Moon.”

“LUNARSABER can turn night into day in the deepest craters on the Moon,” remarked Kris Zacny, VP of Exploration Systems at Honeybee Robotics. “It is truly a game-changing system that will pave the way for a lunar economy.”

Some may be wondering how on Earth Honeybee expects to get a 100 meter tall tower onto the Moon. Well, the simple answer is a technology called DIABLO (Deployable Interlocking Actuated Bands for Linear Operations). DIABLO utilizes a rolled piece of metal, and then bends it into a deployable cylindrical structure that can support heavy payloads, which then becomes the base for LUNARSABER.

In order to deliver power, solar panels will be deployed via one of two methods, depending on the tower’s location on the Moon….

(15) WAITING FOR GOLDBLUM. [Item by Daniel Dern.] “Netflix’s Kaos turns Jeff Goldblum into the all-powerful Zeus” – BGR has the story. “Jeff Goldblum’s new Netflix series Kaos is basically The Boys but about Greek mythology”

…Right away, the title of this eight-episode drama also gives you a little hint of what it’s all about. One of the animating principles here is that the world was born from chaos — and while Kaos is set in the modern era, it’s a sort of off-kilter, slightly askew version of it (thus, the modified spelling). In other words, there are no old men in the sky here wearing togas and hurling lightning bolts at Earth. What we get, instead, is a creepy Goldblum-as-Zeus laughing deliriously at his TV while watching scenes of devastation and commenting about how much he loves fire….

DPD, having watched the video, says “I’m not sure it’s ‘The Boys Go Greek’ and we’ll be waiting for it.”

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge, Ersatz Culture, Lis Carey, Daniel Dern, SF Concatenation’s Jonathan Cowie, Steven French, Kathy Sullivan, Teddy Harvia, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 6/2/24 Take Me Down To The Scroll Tonight, I Want To See The Pixels

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(1) MAKING IT UP. Sarah Gailey interviews the authors and editors of The Worst Ronin in “Middle Finger To the Sky: The Worst Ronin by Maggie Tokuda-Hall and Faith Schaffer” at Stone Soup.

Gailey: What did you get to do here that you might not have gotten to do if this book landed elsewhere?

Tokuda-Hall: [The Worst Ronin] was largely written with a middle finger to the sky–when POC are invited to the table to tell our stories, there are usually so many caveats. Yes, we want your story but we want it to be about your marginalization. Or, yes, tell your story, but we want it to be edifying about your culture. There’s this demand that we serve the white gaze, and not a respect for our boundless imaginations. We want to make up shit, too. And so I very stridently let the reader know, in many ways, that this book is not there to educate them about anything. This is not historically accurate. This is a work of invention.

Gailey: How did you first dive into the story, knowing you could do whatever you want?

Tokuda-Hall: I took such joy in writing this book. I had a misguided notion at first that I would keep it super wholesome and middle grade, but my brain just doesn’t work that way, and as soon as I accepted that the plot and characters took off and I just felt like I was sprinting to catch up with them. The hardest thing with this book was balancing the humor that is so inherent to the central characters (The Worst Ronin is a buddy comedy, in its heart) with the darkness of the stories they each would face. …

(2) WHITHER STOKERCON 2025? During last night’s Bram Stoker Awards ceremony it was announced that StokerCon 2025 will be held June 12-15 at the Hilton Stamford Hotel in Stamford, Connecticut.

(3) UBIQ. The Society of Illustrators will host “JACK DAVIS: A Centennial Celebration”, an exhibit of work by the famed MAD Magazine cartoonist and commercial illustrator, at its New York location from June 12-September 21. Full details at the link.

The Society of Illustrators marks the centenary celebration of Jack Davis’ birth by hosting a retrospective featuring the original art from among his most admired works, many for the first time ever. The art on view represents every genre and every phase of Davis’ six-decade career: from EC Comics and Mad Magazine to TV Guide and Time Magazine, from Raid and McDonald’s ads to NASCAR and Super Bowl promotions, from history book illustrations to movie posters….

…“Jack Davis was quite possibly the most ubiquitous American humor illustrator of all time. Davis was a master cartoonist, caricaturist, and illustrator, and his funny, fast-paced, manic, beautifully rendered work has graced the covers of countless comic books, magazines, and record albums and has also appeared on movie posters, bubble gum cards, and advertisements. A virtual mind-boggling one-man industry, Davis has been called “the fastest cartoonist alive” and ‘the master of the crowd scene.’ It’s astonishing to realize that this quiet Southern gentleman was usually finished with assignments for the day and out on the golf course by 2:30 p.m.”

– Drew Friedman from his Fantagraphics book, Heroes of the Comics.

(4) LOSCON 50. Can it be Loscon 50 already? Why, it wasn’t that long ago I missed the first one while I was at grad school….

However, I trust the committee’s count. And here’s the graphic that accompanies their Progress Report #3 on Facebook. Get a full update there.

(5) BEFORE YOU CAN READ THE OMENS. Colleen Doran’s Funny Business brings us a “Good Omens Update”, a highly detailed tour of Doran’s techniques for producing art for the book. So much more is involved than I ever guessed.

…I use the construction method of drawing, as you see. This is an old-school technique. Some people seem to assume that artists always use computers and tracing for their drawings, but most cartoonists of my generation work extemporaneously. There’s quite a bit of noodling around and searching in the sketches. Using too much reference often results in stiff, dead work.

In comics, it’s very important to make sure you’ve considered word balloon placement when designing a page. The script for Good Omens is more copy-heavy than most modern comic book scripts because I want to preserve as much of the clever original language as I can….

(6) DIVING INTO NETFLIX. If you’re interested in the latest business statistics on Netflix and its content, JustWatch recently released a page where they provide data and analysis: JustWatch: Netflix Statistics.

Some of the page’s features are content expansion, popularity, subscription prices, its market share, and much more.

(7) FREE READ. Sunday Morning Transport’s stories for June are by authors Kelly Robson, Laura Anne Gilman, Meg Elison, and Yi Sheng Ng. The first story of the month is free to read, but they seek “paying subscribers who allow us to keep publishing great stories week after week.”

In this, June’s first, free, story, Kelly Robson shows us how, at Versailles, getting old is no picnic. But sometimes there are options… “The High Cost of Heat” by Kelly Robson.

(8) USE THE FORCE…OF MEMORY. After all this time can there still be “Facts You Probably Didn’t Know About the Original ‘Star Wars’ Trilogy”? Maariv Periodical challenges you to find out. Their first fact is:

Big Mistake

When it came to signing a contract with James Earl Jones to fill in Darth Vader’s voice, George Lucas offered him a choice: He could take a salary of $7,000 for his work or royalties off the back end of ticket sales. Back then, $7,000 was a decent amount of money, so Jones took the cash, which turned out to be a costly mistake.

Had he chosen the alternative, he would have earned far more; Jones admitted years later that the decision cost him “tens of millions of dollars.” In comparison, Sir Alec Guinness took the royalties – and his heirs have earned an estimated $95 million for his work in the first “Star Wars” film.

(9) TODAY’S BIRTHDAY DOUBLE FEATURE.

[Compiled by Paul Weimer.]

June 2, 1929 — Norton Juster. (Died 2021.)

By Paul Weimer. Once upon a time when the world was young, a 2nd grade teacher had a reading session with my class. We read a book about a character who had found himself in a land of mathematics and weirdness, of two princesses bound, of paths to infinity and clock-like dogs. It was a wild and magical place and I adored the book to pieces. 

Norton Juster

The problem is, I had misunderstood the title. I thought the title was “Milo and the Mathemagicians” and did not see or find the book for three decades after that second grade classroom. Some days, I wondered if I had just imagined or hallucinated the existence of this book. 

Enter the pre-LLM internet. It was the mid 2000’s and I got the urge to try and find some books of my youth among dome other things. And in that time, the Internet was at its peak for finding information that you wanted. SEOs were not yet a thing. Amazon was not full of crap. Websites still proliferated. And I had great success. I managed to find a copy of an old liberal arts college math textbook that, decades ago, had introduced me to Escher and other wondrous things. (Oddly, it was just called The Math Book)  I found some old SF anthologies I had not seen for years. I hit upon authors and musicians and others I had dimly remembered from my youth. It was a great time for me for rediscovery. 

And then there was Milo.  I was throwing search terms in one day trying to find “Milo and the Mathemagicians”, and somehow managed to hit The Phantom Tollbooth.  I read the description and thought “Is this it?” I bought a copy and with anxious anticipation, I started reading it. Did you ever have that feeling, wondering if the book you are reading is something that is going to be that good, or live up to the suck fairy? I had that feeling re-reading The Phantom Tollbooth.

Imagine my utter happiness  when I delved into the book and found, to my delight, that it WAS the book I had remembered from that second grade class. And all of the joys in the book, the wordplay, the characters, the concepts (how many children’s books try and explain *infinity*) and the absolute heart of the book.  And the artwork and drawings. I had not remembered specific drawings from the second grade class, but I had remembered the book WAS illustrated. And the illustrations are wonderful! 

I don’t regret seeking out the TV movie that was made, subsequently, it doesn’t quite work for me, but I can see why it was made. 

But speaking of movies, the other Juster property I adored that I did not realize at the time WAS Norton Juster was the Academy Award winning short film The Dot and the Line.  I had seen it way back when I had read Flatland, and loved it, but had no idea that it had anything to do with The Phantom Tollbooth.  Imagine my delightful surprise when I found out it was based on a Juster book. I think, given its dynamism, that the short movie is better than the actual book and I do recommend that fans of The Phantom Tollbooth go seek it out.

I’ve now, including the second grade class, read The Phantom Tollbooth four times. And I look forward to it again. And I really need to rewatch The Dot and the Line myself. Don’t jump to the island of conclusions that The Phantom Tollbooth is for children alone. It works for readers of all ages. If you have any interest in wordplay, mathematics or whimsy, pick it up and give it a spin.

Born June 2, 1915 — Lester Del Rey. (Died 1993.)

By Paul Weimer. For me, first and foremost, Lester Del Rey was a publisher and an editor. Many of the books I first encountered reading science fiction, back 4 decades ago, were published by Del Rey, which he founded with his wife Judy Lynn Del Rey.  And for a good while, that’s all I thought that he was (although his legacy and influence as a publisher is huge). 

Lester Del Rey at a Philcon around 1964. Photo by and (c) Andrew Porter.

The Science Fiction Hall of Fame anthology was a gateway to a number of authors for me. Theodore Sturgeon. Murray Leinster. Fritz Leiber (for “Coming Attraction”, although I would soon discover Fafhrd and the Grey Mouser).  And Lester Del Rey, for “Helen O’Loy”.  I had read enough Greek Mythology by that point to get the idea that this was a Helen of Troy story, and it was perhaps the first story I read where a robot was an object of romantic interest. Helen’s story, and the tragedy of it moved me deeply.

I soon came across other Del Rey stories, here and there, randomly, sprinkled in best of collections and favorite science fiction stories and the myriad other SF anthologies that I read in the first decade of my science fiction reading.  

But it was Harlan Ellison® who turned me onto perhaps the best and my favorite of the Lester Del Rey stories. In one of his own collections about the relationship between men and Gods, he mentioned a Lester Del Rey story “For I am a Jealous People”.  I could see the biblical allusion in the title, and I decided to seek it out.

I recently re-read it, and it still slaps, hard.  “For I am a Jealous People” is a kicker of a story, where the Abrahamic God is real, has always been real. But, now, God is angry with humanity and fed up with us, and basically has sided with aliens invading Earth and its possessions. That is a smash to the face to begin with, but it’s humanity response to this revelation in the story that really brings it home to me, the power of a Del Rey story at it’s best.  Humanity’s response could have been any number of plausible results. Regret. Sadness. Despair. Resignation. Anger.  Del Rey goes for “Good. Bring it!” It’s a muscular answer to the question of what to do when even God is against you, and it remains powerful to this day.

(10) COMICS SECTION.

(11) UPDATES TO THE BLOCH WEBSITE. Jim Nemeth, curator of the Robert Bloch Official Website announced three new additions.

1) Bill Gillard, an English professor at the University of Wisconsin Oshkosh, recounts his recent travel to Laramie, Wyoming, to research the Bloch papers/archives collection, housed at the University of Wyoming. With photos! Read: Robert Bloch Papers
2) Matthew R. Bradley’s interview of Bloch; from Filmfax magazine (Aug/Sep 1993) Read:  Heart of a Small Boy. 
3) See Bob’s military draft card. See Gallery page.

(12) SPACE, THE FINAL EPISODE. Camestros Felapton has closing remarks on the conclusion of a Star Trek series: “Farewell Star Trek Discovery”.

….Notably, this season had the best attempt yet at marrying the idea of single season long story with Star Trek’s more traditional episode-long stories. The basic plot idea (a quest for a series of clues leading to a hidden secret treasure) was not terribly original but it was enough of a hook to ensure each episode could have its own sub-story while overtly moving the plot along. The broader plot was also well served by the two antagonists who became more interesting as the season progressed….

(13) LEARNING ALL OVER AGAIN. “How NASA astronauts are training to walk on the Moon in 2026” in Nature.

NASA astronaut Kate Rubins was having a hard time seeing in the eerie twilight of the Moon’s south pole this month.

Rubins made her way carefully through the deep shadows on the lunar surface, her path dimly lit by lights on her spacesuit’s helmet. She was hunting through the volcanic landscape for geological treasure — Moon rocks that she could pick up and bring back to Earth, which would reveal secrets of this frozen world. As the first person to set foot on the Moon in more than half a century, Rubins was making good progress on her historic foray — despite the piles of cow manure along the way.

The rock-strewn plain wasn’t really the Moon but was, in fact, the high desert of northern Arizona. Rubins and astronaut Andre Douglas were participating in the biggest dress rehearsal yet for the next time NASA plans to send people to the Moon’s surface, a mission known as Artemis III. If all goes to plan, Rubins or one of her colleagues will be stepping onto the actual Moon a little over two years from now. So NASA is training its astronauts to make the most of their precious time there — given that no human has set foot on the lunar surface since the last Apollo crew blasted off in 1972….

(14) PIGS NOT IN SPACE. Slashfilm discusses Georges Méliès A Trip to the Moon and a little-known predecessor in “This 14-Minute Short Isn’t The First Sci-Film, But It Came Close”.

…But “A Trip to the Moon” wasn’t the first sci-fi film. Indeed, it wasn’t even Méliès’ first sci-fi film. 

If one is to trust the Aurum Film Encyclopedia, the first sci-fi film ever was “The Mechanical Butcher,” a short made by the Lumière Brothers in 1895. The Lumières, as all first-year film students know, invented the Cinématographe motion picture system, one of the earliest motion picture cameras, making them among the very first filmmakers. “The Mechanical Butcher” is only 53 seconds long, and depicts butcher characters lifting a pig into a futuristic machine and extracting it as prepared pork products. Mechanized slaughterhouses were relatively new in 1895, and the Lumières made a short depicting the absurdity of sped-up, high-tech meat manufacture. Why, only a moment ago, these pork chops were alive! If sci-fi is a genre that analyzes technology’s effects on human development — techno-anthropology — then “The Mechanical Butcher” certainly counts….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Paul Weimer, Rich Lynch, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Teddy Harvia, and Kathy Sullivan for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 7/8/20 Here’s What We All Must Learn To Do, Scroll And Pixel

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(1) HALLOWEEN ALREADY? People who sell candy are getting ready. But no need for anybody to go door-to-door: buy your own bag and tuck in at at home. “Hershey’s Will Have A Ton Of New Halloween Candy This Year Including Reese’s Cups With Green Creme” says Yahoo! Life.

…Next up are these Vampire Milk Chocolate Kisses that might look like your classic Hershey’s Kisses (with adorable bat foil) but when you bite in, they’re stuffed with a strawberry creme filling fit for a vampire. You get the strawberry flavor before you even bite in, which I loved. They taste like a chocolate-covered strawberry but, like, way easier to eat.

…In addition to new candies, you’ll also find some old faves on shelves this fall like Reese’s Pumpkins, mini Pumpkin Pie Kit Kats, Hershey’s Glow-In-The-Dark minis, and milk chocolate Monster Kisses with adorable themed foils. All of these will start rolling out in stores as the holiday gets closer which gives you plenty of time to coordinate a Halloween costume around your favorite candy.

(2) COVID-19 TAKES DOWN ANOTHER CON. The Windy City Pulp and Paper Convention, initially postponed from April til September, now has been cancelled says organizer Doug Ellis:

…We regret to announce that after consultation with our convention hotel, the Westin Lombard Yorktown Center in Lombard, Illinois, we have determined that it is not possible to hold our convention this year due to COVID-19. The next Windy City Pulp and Paper Convention is scheduled for April 16-18, 2021 at the same location.

…The 2020 show would have been our 20th, and we had plans to make it our best yet. We’ll take this extra time to work on making what will now be our 20th show (albeit in 2021) even better!

(3) STILL WAITING BY THE LAKE. Meanwhile, some X-factor is keeping Salt Lake City’s FanX event from actually cancelling, no matter how close they might be to making that decision: “What Happens if FanX 2020 is Postponed due to COVID-19?”

The FanX® staff, much like the attendees, looks forward to all our events all year long. We never fathomed we would be in such a state of uncertainty for this year’s event because of a global pandemic. With the recent rise of Utah’s COVID-19 cases, the possibility of having the event this September and meeting again with our FanX family is looking bleak. Unless we see a significant reduction in the number of new COVID-19 cases in the next couple of weeks, we do not feel it is in the best interest of the community and the attendees for us to continue with the plan to have the event this year. Keeping the safety of everyone at the event is always our top priority. 

…In the case that we are able to have FanX® in September 2020, we are preparing to have plenty of safety features in effect and are working with health professionals to take as many safety precautions as possible. We are still preparing details of what this might look like for attendees, and we will continue to monitor COVID-19 best practices at that time for events. 

(4) ON WITH THE SHOW. “‘Batwoman’ Casts Javicia Leslie as New Series Lead” – Variety has the details. Leslie, who was on God Friended Me for two seasons, will replace Ruby Rose on “Batwoman” but showrunner Caroline Dries says that Rose’s character, Kate Kane, will not be killed off on the show.

“Batwoman” has found its new series lead, with Javicia Leslie set to step into the cape and cowl for the show’s upcoming second season on The CW.

“I am extremely proud to be the first Black actress to play the iconic role of Batwoman on television, and as a bisexual woman, I am honored to join this groundbreaking show which has been such a trailblazer for the LGBTQ+ community,” Leslie said.

Leslie will portray a new character on the show named Ryan Wilder. She is described as likable, messy, a little goofy and untamed. She’s also nothing like Kate Kane (previously played by Ruby Rose), the woman who wore the Batsuit before her….

(5) FRIENDLY PERSUASION. Camestros Felapton advocates for a fourth finalist: “Hugo Fan Writer: Why you should vote for…Bogi Takács”.

… Bogi’s writing is a positive challenge that asks people to reconsider the scope of works that they engage with. “Positive” in the sense that it is driven by creative output and the advocacy for creators of speculative fiction rather than the sense of simply being ‘feel-good’ or avoiding pointing out the ingrained prejudices and issues within the wider SF&F community.

(6) BLM. Essence of Wonder will be joined by Maurice Broaddus this Saturday, July 11 at 3:00 p.m.to discuss his writing, as well as the youth movement taking the lead in the recent Black Lives Matter protests: “Maurice Broaddus and the BLM Youth Movement: The World We Want to Create”

(7) GAIMAN PANEL LIVESTREAM. The 2020 Auckland Writers Festival went virtual and is running a Winter Series of livestreamed panels. On Sunday, July 12, Episode 11 will feature:

 English master storyteller Neil Gaiman with his latest, ‘The Ocean at the End of the Lane’, author and curator Kolokesa Uaf? M?hina-Tuai discussing ‘Crafting Aotearoa’ and Canadian writer and artist Leanne Shapton with ‘Guestbook: Ghost Stories’.

(8) BRADBURY’S PSEUDONYMS. First Fandom Experience fills readers in about “The Making Of ‘The Earliest Bradbury’”, their recently published volume of his earliest writing as a science fiction fan.

… However, developing a comprehensive list of Bradbury’s fanzine contributions required intensive effort by the FFE team and others.

Fortunately, there was a clear starting point: the first and most numerous of Bradbury’s fanzine appearances are found in the club organ of the Los Angeles Science Fiction League (LASFL), Imagination! This title ran for thirteen issues from October 1937 — the same month that Bradbury joined the group — to October 1938. The FFE archive includes a full set of these rare issues, and we read them exhaustively to find anything written by or referring to Bradbury.

This seemingly straightforward task soon revealed a key challenge: Bradbury and other members of the LASFL frequently published under a variety of pseudonyms. We puzzled over a number of articles that might have been penned by Bradbury, but sported whimsical bylines like “D. Lerium Tremaine” and “Kno Knuth Ing.” (A previous blog post discusses our early attempts to sort this out.)…

(9) LIGHTS AND SIRENS. LitHub celebrated Hilary Mantel’s July 6 birthday with a look back at her days as a film reviewer: “On Hilary Mantel’s birthday, please enjoy her 1988 review of RoboCop.”

Today, Dame Hilary Mary Mantel, author of the Booker Prize-winning novels Wolf Hall and Bring Up the Bodies, and the likely future Booker Prize-winning novel The Mirror and the Light, turns 68.

But you probably knew that. What you might not have known was that Mantel was the film critic for the UK’s The Spectator for four years, between 1987 and 1991, during which time she reviewed many films, including Overboard (“God bless us all. And send us better films next week.”), The Accused (“Economy is commendable, but a woman in all her complexity cannot be represented by a pair of outsize shoulder-pads.”), and Fatal Attraction (“A quite unremarkable film in most ways, with its B-movie conceits, cliché-strewn screenplay and derivative effects.”).

She also reviewed RoboCop—and rather enjoyed it:

“F—— me!” cry the criminals, as RoboCop blasts them into the hereafter. Rapists, robbers, terrorists are minced before our eyes. Villains are blown apart, defenestrated, melted down into pools of toxic waste. “You have the right to an attorney,” the courteous robot voice reminds them, as he tosses them through plate glass. The pace is frenetic. The noise level is amazing. You absolutely cannot lose interest; every moment something explodes….

(10) MEDIA ANNIVERSARY.

Forty-three years ago in the Bananas literary zine which was edited by Emma Tennant and published by Blond & Briggs, Angela Carter’s “The Company of Wolves“ was first printed. (A novelette by J.G. Ballard, “The Dead Time”, and a short story by John Sladek, “After Flaubert” comprised the rest of the zine.) Three years later, it was included in Carter’s The Bloody Chamber and Other Stories collection. It would win a BSFA Award for Best Media as it would become a film of that name written by Angela Carter and Neil Jordan which starred Sarah Patterson, Angela Lansbury, Stephen Rea and David Warner. It is quite often produced as a theatre piece in the U.K. (CE)

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born July 8, 1906 — Walter Sande. He’s best remembered for being on Red Planet Mars, The War of the Worlds and Invaders from Mars, but he also showed up playing a heavy in such serials as The Green Hornets Strikes Again! and Sky Raiders, the latter being at least genre adjacent. He’s had a recurring role as Col. Crockett on The Wild, Wild West, and one-offs on Voyage to the Bottom of The Sea, The Man from U.N.C.L.E., Lost in Space and Bewitched. (Died 1971.) (CE)
  • Born July 8, 1925 – Lou Feck.  Forty covers, a few interiors.  Here is Rogue in Space.  Here is Cinnabar.  Here is On Wings of Song.  (Died 1981) [JH]
  • Born July 8, 1930 – George Young.  Program Book and publicity for Detention (17th Worldcon).  His head was under the first propeller beanie, made (i.e. the beanie) by Ray Nelson, inspiring on another evolutionary track Beanie Boy of Beanie and Cecil; here’s RN telling the story to Darrell Schweitzer.  See photos of and by GY via the FANAC.org index.  [JH]
  • Born July 8, 1934 – Merv Binns.  Co-founded Melbourne SF Group, founded Melbourne Fantasy Film Group; ran first Australian SF bookshop Space Age Books; Guest of Honour [note spelling] at 9th Australian nat’l SF convention (“natcon”), 13th, 44th; at 2nd New Zealand natcon; chaired Cinecon, SF film convention.  Big Heart (our highest service award).  Ditmar, Chandler, Infinity, McNamara Awards.  Fanzines Australian SF News, Out of the Bin.  (Died 2020) [JH]
  • Born July 8, 1944 — Jeffrey Tambor, 76. I first encountered him on Max Headroom as Murray, Edison’s editor. Later on, and yes, I sat through that film, he’s Mayor Augustus Maywho in How The Grinch Stole Christmas. Finally, I’ll note he was in both of the only true Hellboy films playing Tom Manning, director of the Bureau of Paranormal Research and Defense. (CE)
  • Born July 8, 1944 — Glen Cook, 76. With the exception of the new novel which I need to read, I’ve read his entire excellent Black Company series. I’ve also mostly liked his far lighter Garrett P.I. series which it seems unfortunately he’s abandoned. And I should read the Instrumentalities of the Night as I’ve heard good things about it. (CE)
  • Born July 8, 1945 – D. West.  First-rate fanartist.  See here (cover for Chunga), here (Inca), here (Banana Wings); a hundred fifty interiors in his consummately sour style.  Here’s Randy Byers’ tribute (some harsh language, some fanzine slang).  (Died 2015) [JH]
  • Born July 8, 1953 – Mark Blackman, 67.  Chaired Lunacon 38.  Illustrated (with Greg Costikyan) the New York Conspiracy’s Hymnal.  I met him in TAPS (the Terrean Amateur Press Ass’n), later in person.  Reports from New York, like this; can often be found in WOOF.  [JH]
  • Born July 8, 1954 — Ellen Klages, 66. Her novelette “Basement Magic” won a Nebula Award for Best Novelette. I strongly recommend Portable Childhoods, a collection of her short fiction, which published by Tachyon Publications, my boutique favorite publisher of fantasy. Passing Strange, her 1940 set San Francisco novel which won a BSFA Award and a World Fantasy Award is also really great. (CE)
  • Born July 8, 1970 — Ekaterina Sedia, 50. Her Heart of Iron novel is simply awesome. I’d also recommend The Secret History of Moscow as well. It’s worth noting that both iBooks and Kindle list several collections by her, Willful Impropriety: 13 Tales of Society, Scandal, and Romance and Wilfill Impropriety that ISFDB doesn’t list. They’re quite superb it turns out as is Paper Cities: An Anthology of Urban Fantasy anthology she edited which won a World Fantasy Award. (CE)
  • Born July 8, 1978 — George Mann, 42. Writer and editor. He’s edited a number of anthologies including the first three volumes of Solaris Book of New Science Fiction. Among my favourite books by him are his Newbury & Hobbes series, plus his excellent Doctor Who work. (CE)
  • Born July 8, 1978 – Erin Morgenstern, 42.  New York Times Best-Seller The Night Circus won Alex and Locus Awards; 127 editions in 21 languages.  The Starless Sea came next.  Does Nat’l Novel Writing Month which indeed produced Circus; “I’m grateful to Chris Baty for coming up with such an outlandish idea and also he has very good taste in wine.”  Otherwise she drinks Sidecars without sugar.  [JH]

(12) COMICS SECTION.

  • You know what a bear does in the woods. Heathcliff shows what an alien does in the woods.

(13) SLAP HAPPY. [Item by Dann.] I came across this one and thought it might be of interest. Sasha Wood’s Casually Comics channel on YouTube offers a frequently fun and detailed look into various comics. This episode from last year covers the ubiquitous meme where Batman slaps Robin. Sasha does an entertaining dive into the alternative universe that was the World’s Finest series.

I have found Sasha’s approach to be well balanced, informative, and fun. A little signal boost in her direction would be a good thingTM.

(14) FLYING BY. Cat Rambo will be teaching “Principles for Pantsers” online on Saturday, August 1, 1-3 PM Pacific time. Registration and scholarship info at the link.

Some people outline. Others don’t. There’s plenty of advice on how to do the former, but those who practice the latter sometimes feel that they’re floundering, and no one’s providing any principles. Working with my own process as well as that of students, clients, and mentees, I’ve come up with twelve principles that you can apply, post-pantsing, in order to start moving from chaos to order.

Join Cat Rambo for a workshop in which they teach you how to pants successfully.

(15) WORD POWER. NPR relayed on the verdict: “Regardless Of What You Think, ‘Irregardless’ Is A Word”. How many fucks do you give?

Merriam-Webster raised the hackles of stodgy grammarians last week when it affirmed the lexical veracity of “irregardless.”

The word’s definition, when reading it, would seem to be: without without regard.

“Irregardless is included in our dictionary because it has been in widespread and near-constant use since 1795,” the dictionary’s staff wrote in a “Words of the Week” roundup on Friday. “We do not make the English language, we merely record it.”

(16) WHY WAIT? Robert Zubrin says that an Artemis flight around the moon is possible this year: ““Artemis 8” using Dragon” in The Space Review.

A mission equivalent to Apollo 8—call it “Artemis 8”—could be done, potentially as soon as this year, using Dragon, Falcon Heavy, and Falcon 9.

The basic plan is to launch a crew to low Earth orbit in Dragon using a Falcon 9. Then launch a Falcon Heavy, and rendezvous in LEO with its upper stage, which will still contain plenty of propellant. The Falcon Heavy upper stage is then used to send the Dragon on Trans Lunar Injection (TLI), and potentially Lunar Orbit Capture (LOC) and Trans Earth Injection (TEI) as well.

(17) RUSSIAN SPACE AGENCY ADVISOR CHARGED. “Russia Arrests Space Agency Official, Accusing Him of Treason” reports the New York Times. But is it a bum rap?

Russia’s secret police on Tuesday arrested a respected former reporter who worked in recent months as an adviser to the head of the country’s space agency, accusing him of treason for passing secrets to a NATO country.

Life News, a tabloid news site with close ties to the security apparatus, posted a video of the former reporter, Ivan I. Safronov, being bundled off a leafy Moscow street into a gray van by plainclothes officers of the Federal Security Service, or F.S.B., the domestic arm of what was known in Soviet times as the K.G.B.

The F.S.B. said that Mr. Safronov was suspected of working for the intelligence service of an unspecified NATO country, passing on “classified information about military-technical cooperation, defense and the security of the Russian Federation.”

What information that could be, however, was unclear. Mr. Safronov only started working at the space agency, Roscosmos, in May. Before that, he worked for more than a decade as a well-regarded journalist for Kommersant and then Vedomosti, both privately owned business newspapers with no obvious access to state secrets.

Outraged at what was widely viewed as another example of overreach by Russia’s sprawling and often paranoid security apparatus, journalists and ordinary Muscovites gathered in small groups outside the headquarters of the F.S.B. to protest the arrest. Several were detained for holding up signs in support of Mr. Safronov.

(18) HEYERDAHL VINDICATED. “Ancient Americans made epic Pacific voyages”.

New evidence has been found for epic prehistoric voyages between the Americas and eastern Polynesia.

DNA analysis suggests there was mixing between Native Americans and Polynesians around AD 1200.

The extent of potential contacts between the regions has been a hotly contested area for decades.

In 1947, Norwegian explorer Thor Heyerdahl made a journey by raft from South America to Polynesia to demonstrate the voyage was possible.

Until now, proponents of Native American and Polynesian interaction reasoned that some common cultural elements, such as a similar word used for a common crop, hinted that the two populations had mingled before Europeans settled in South America.

Opponents pointed to studies with differing conclusions and the fact that the two groups were separated by thousands of kilometres of open ocean.

Alexander Ioannidis from Stanford University in California and his international colleagues analysed genetic data from more than 800 living indigenous inhabitants of coastal South America and French Polynesia.

(19) VIRGIN TECH. “The tech behind Virgin Orbit’s mission to space” – a BBC video.

Virgin Orbit plans to launch its rockets from a plane. This new approach means no need for a launch site or the need to burn masses of fuel to get the rockets off the ground.

The rockets will be used to take satellites into space. A test launch in May failed but now the company is looking to make a further attempt.

BBC Click’s Marc Cieslak went to find out more about the technology behind the launches.

(20) GET READY AGAIN. Andrew Liptak told Tor.com readers today “Ernest Cline’s Ready Player Two Will Hit Bookstores in November”.

… Penguin Random House hasn’t revealed a plot for the novel, but presumably, it’ll pick up the adventures of Wade, Aech, and Art3mis now that they’re in charge of the OASIS, and will come with plenty of nerd references.

However, Liptak was no fan of Ernest Cline’s most recent book, Armada, as he reminded his Reading List audience by reposting his review titled “Ernie Cline’s Armada Fucking Sucks”.

(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] “Truly, Madly, Cheaply!  British B-Movies” on YouTube is a very entertaining 2008 BBC documentary presented by Matthew Sweet about the B movies produced in Britain from the 1930s to the 1970s.  These films were in all sorts of genres, and ones in the 1930s gave Merle Oberon and Sir John Mills some of their first parts, but sf and fantasy films are discussed, including Devil Girl From Mars, Trog, and Konga. Also discussed is the 1973 film Psychomania (also known as The Death Wheelers), a zombie biker movie so bad that star Nicky Henson, interviewed by Sweet, said, “I can’t believe I’m talking to you about this film nearly 40 years later.”  (Psychomania was also the final film of George Sanders.)

[Thanks to Doug Ellis, Martin Morse Wooster, Andrew Porter, Olav Rokne, Chip Hitchcock, Mike Kennedy, Michael Toman, JJ, Chip Hitchcock, David Doering, Cat Eldridge, Dann, and John Hertz for some of these stories. Title credit goes to File 770 contributing editor of the day Steve Davidson.]