Tag Archives: audiobooks

Pixel Scroll 3/6/24 So We Scroll On, Filers Against The Current, Borne Back Ceaselessly Into The Pixels

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(1) WANT TO HEAR SOME GOOD NEWS? In “Regarding Audible”, Brandon Sanderson reports progress has been made in moving audiobook distributors toward a fairer royalty structure. Work remains to be done, however.

…I’m happy to say that this stand has borne some fruit. I’ve spent this last year in contact with Audible and other audio distributors, and have pushed carefully–but forcefully–for them to step up. A few weeks ago, three key officers high in Audible’s structure flew to Dragonsteel offices and presented for us a new royalty structure they intend to offer to independent writers and smaller publishers.

This new structure doesn’t give everything I’ve wanted, and there is still work to do, but it is encouraging. They showed me new minimum royalty rates for authors–and they are, as per my suggestions, improved over the previous ones. Moreover, this structure will move to a system like I have requested: a system that pays more predictably on each credit spent, and that is more transparent for authors. Audible will be paying royalties monthly, instead of quarterly, and will provide a spreadsheet that better shows how they split up the money received with their authors….

Now, before we go too far, I do anticipate a few continuing issues with the final product. I want to manage expectations by talking about those below.

  • What I’ve seen doesn’t yet bring us to the 70% royalty I think is fair, and which other, similar industries get.
  • Audible continues to reserve the best royalties for those authors who are exclusive to their platform, which I consider bad for consumers, as it stifles competition. In the new structure, both exclusive and non-exclusive authors will see an increase, but the gap is staying about the same.
  • Authors continue to have very little (basically no) control over pricing. Whatever the “cover price” of books is largely doesn’t matter–books actually sell for the price of a credit in an Audible subscription. Authors can never raise prices alongside inflation. An Audible credit costs the same as it did almost two decades ago–with no incentive for Audible to raise it, lest it lose customers to other services willing to loss-lead to draw customers over.

These are things I’d love to see change. However, this deal IS a step forward, and IS an attempt to meet me partway….

…Because of this, I will be bringing the Secret Projects to Audible very soon. I consider Audible to again be a positive force for the industry, and I have decided to shake hands with them. Audible has promised to release their new royalty system for all authors sometime in 2024, though I should be testing it in the next month or so….

(2) WOMEN’S PRIZE FOR FICTION. There is one work of genre interest on the Women’s Prize for Fiction longlist.

Click here for the complete longlist.

(3) ATTENTION AURORA AWARDS VOTERS. Members of the Canadian Science Fiction and Fantasy Association (CSFFA) can nominate for the 2024 Aurora Awards through April 6. Full guidelines at the link.

(4) GENRE ALL THE WAY DOWN. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4’s A Good Read this week devotes its first half to the book On Writing by Stephen King.  Not only does it do what it says on the tin, there is even a plot twist at the book’s end with the reveal that the writing of this book was what enabled King to recommence fiction writing following a bleak period when his life came apart after an accident. (His wife comes out of this very well.)

Another book reviewed in the programme is firmly SFnal, it being the post-apocalyptic On The Beach. It’s just the book to read with Putin’s finger hovering over a big red button in the Kremlin.

The singer-songwriter Kathryn Williams loves books about the craft of writing and her choice of a good read is ‘On Writing: A Memoir of the Craft’, by the master of horror, Stephen King. The book gave her practical tools and advice which helped her to write her debut novel, The Ormering Tide. She also loves what we learn about King’s life – from his flatulent childhood nanny to the devastating 1999 accident which almost ended his life.

And the poet and novelist Andrew McMillan chooses On the Beach by Nevil Shute. In Australia, a group of people try to come to terms with the end of the world. A nuclear war has wiped out all life in the northern hemisphere and the radiation is drifting steadily south. What would you do if you knew that you, and everyone you know, had only months to live?

You can access the full programme at “A Good Read”.

(5) HELP FIND IT. The Lost Universe is NASA’s table top role-playing adventure. Download it at the link.

A dark mystery has settled over the city of Aldastron on the rogue planet of Exlaris. Researchers dedicated to studying the cosmos have disappeared, and the Hubble Space Telescope has vanished from Earth’s timeline. Only an ambitious crew of adventurers can uncover what was lost. Are you up to the challenge?

This adventure is designed for a party of 4-7 level 7-10 characters and is easily adaptable for your preferred tabletop role-playing game (TTRPG) system.

NASA’s first TTRPG adventure invites you to take on a classic villain (while also using and learning science skills!) as you overcome challenges and embark on an exciting quest to unlock more knowledge about our universe. Download your game documents below and get ready to explore Exlaris!

From the game runner’s manual:

…The first part of the game is an introduction to the world, and the city the players find themselves in. During this portion of the game the players find themselves thrown into the bodies of the characters they created; they know what they would normally know on Earth but have no knowledge of the place they’re in. They won’t recognize each other and will have to tell the other players what they see when they look at them. However, they will intuitively know they have magical ability if they are a spellcaster and can learn how to channel that in early encounters in the game….

… The second part of the adventure is a journey outside the city to nearby ruins, where they will complete a skill challenge and encounter the dragon that was behind the disappearances. They must complete these challenges before they can recover the researchers and get home…

(6) AUNTIE ‘EM! “Scandal in Oz: Was ‘Over the Rainbow’ Plagiarized?” Did cousin Judy sing a stolen song? The Hollywood Reporter takes the case.

Norwegian pianist Rune Alver carefully unfolded the brittle sheet music and began caressing the keys of the baby grand. He had found the classical piece buried in an archive and believed it hadn’t been heard in maybe a century. But as he delved into the second section, Cantando, he felt a shiver run down his spine. The melody wasn’t just reminiscent of something he’d heard before — it was iconic. He instantly recognized the unforgettable, yearning opening notes of “Over the Rainbow,” the Academy Award-winning anthem Judy Garland performed in The Wizard of Oz, perhaps the most famous song to come out of Hollywood. How could this be? The sheet music was dated 1910, and The Wizard of Oz premiered nearly 30 years later. But the melody hung there (“Somewhere over the rainbow, way up high …”). It was hauntingly similar. Too similar, he thought. 

About 10 years ago, Alver, now 67, was researching the works of a Scandinavian composer named Signe Lund when he made this disturbing discovery. In the late 19th century, Lund had been the toast of Oslo and went on to a successful career in the United States, before her Nazi sympathies late in life turned her into a pariah. She was now long forgotten. It was at an archive in Bergen, Norway, that Alver unearthed the pages of her composition titled “Concert Étude, Opus 38,” which she had written in the United States and copyrighted in Chicago in 1910 during one of her visits to America. Lund had performed the piece in many American cities. It was “the most popular of her pieces” in her lifetime, Alver says.

The similarities between Lund’s “Opus 38” and composer Harold Arlen and lyricist E.Y. “Yip” Harburg’s “Over the Rainbow” cannot be dismissed. Though there are notable variations (the former is in a minor key, for example, and follows a different time signature), the melodies of the main themes are nearly identical. Decades after the deaths of Arlen and Harburg, it is impossible to unequivocally determine whether the similarities are unintended or deliberate — a notoriously difficult thing to prove even when all participants are living. But to Alver, who included “Opus 38” on his 2020 CD Étude Poétiques: Works by Signe Lund, there is no debate about it. “Of course it is plagiarism,” he says today. Given the sacred aura that surrounds “Over the Rainbow,” the accusation borders on the blasphemous, akin to smudging the Mona Lisa. Yet Alver has no doubt that Lund’s DNA can be found in Harold Arlen’s melody…

…As an unabashed fan of Arlen and Oz, [composer Stephen] Schwartz concedes there are undeniable commonalities between Lund’s and Arlen’s compositions, but adds, “If this was a different composer or in different circumstances, I might be a little more suspicious of something untoward having occurred here, but I think it’s extremely unlikely.” 

Schwartz is not the only one whose ears pricked up when they first heard the Cantando to Lund’s “Opus 38.” Michael Feinstein, the polished pianist and recording artist who founded music-preservation nonprofit The Great American Songbook Foundation, recognizes the likeness as well. “Well, it’s very similar, of course, to ‘Over the Rainbow.’ But there are only 12 notes on the piano,” he explains. “My take on it is that Harold never would have knowingly stolen anything. It’s not hard to prove any theory when it comes to music. There is a famous saying that ‘plagiarism is copying without inspiration, and inspiration is plagiarism without getting caught.’ ”… 

(7) LEGACY. “John Williams Reflects on Oscar Noms, ‘Star Wars,’ Spielberg Collabs” in Variety.

Harrison Ford can’t escape the two-and-a-half-minute fanfare that John Williams composed for his most famous cinematic hero, Indiana Jones. “As I often remind John, his music follows me everywhere I go — literally,” Ford says. “When I had my last colonoscopy, they were playing it on the operating room speakers.”  

Creating those big, bold, brassy musical moments has become Williams’ trademark over his seven-decade career. Without his symphonic genius, some of the most indelible images in movie history — from E.T.’s flight across the moon to the ravenous shark zeroing in on an unsuspecting swimmer — would have lacked their singular power.   

This year, Williams is resetting the record books again with his Academy Award nomination for best original score for “Indiana Jones and the Dial of Destiny.” It’s his 54th nomination, which is the most ever for someone not named Walt Disney, and thus the biggest tally for any living person — and any nonproducer, period.  

“People ask about a legacy,” Williams says as he sits in the Amblin screening room on the Universal lot, adjacent to his bungalow office. “If I could be remembered as someone who did his job well and remembered as a good solid musician, I would rest very happily.” 

(8) SIGNAL FADE. AP News says, “They are TV’s ghosts — networks that somehow survive with little reason to watch them anymore”. Has it been that long since I watched the USA Network just to see Tadao play “Shake Hands Man”?

…Few cable and satellite networks are a force anymore, the byproduct of sudden changes in how people entertain themselves. Several have lost more than half their audiences in a decade. They’ve essentially become ghost networks, filling their schedules with reruns and barely trying to push toward anything new.

Says Doug Herzog, once an executive at Viacom who oversaw MTV, Comedy Central and other channels: “These networks, which really meant so much to the viewing public and generations that grew up with them, have kind of been left for dead.”…

…Cable TV primarily took flight in the 1980s, breaking the iron grip of ABC, CBS and NBC. Essentially the first fragmentation of media, cable brought people with common interests together, says Eric Deggans, NPR television critic.

“People who were previously marginalized by the focus on mass culture suddenly got a voice and a connection with other people like them,” Deggans says. “So young music fans worldwide bonded over MTV, Black people and folks who love Black culture bonded over BET, middle-aged women bonded over Lifetime and fans of home remodeling convened around HGTV and old-school TLC.”…

…Now MTV is a ghost. Its average prime-time audience of 256,000 people in 2023 was down from 807,000 in 2014, the Nielsen company said. One recent evening MTV aired reruns of “Ridiculousness” from 5 p.m. to 1:30 a.m.

The general interest USA Network’s nightly audience tumbled 69% in the same time span, and that was before January’s announcement that viewer-magnet “WWE Raw” was switching to Netflix.

Without favorites like “The Walking Dead” or “Better Call Saul,” AMC’s prime-time viewership sunk 73%. The Disney Channel, birthplace to young stars like Miley Cyrus, Hilary Duff and Selena Gomez, lost an astonishing 93% of its audience, from 1.96 million in 2014 to 132,000 last year….

(9) MICHAEL LANGFORD (1955-2024). Longtime Georgia fan Michael Nathan Langford died March 5 at the age of 69. The family obituary is posted on Legacy.com. (No relation to the editor of Ansible that we’re aware of.)

…He was an entertainer and cabaret host for WHOlanta, and also worked as a writer and actor for the Atlanta Radio Theater Company and Sketchworks Comedy. He was an avid chess player and enjoyed attending and performing at DragonCon. He was preceded in death by his parents, Nathan Davis Langford and Patricia Ann Crocker Langford; and his partner of 21 years, Kim Holec….

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 6, 1957 — Ann VanderMeer, 67. Ann VanderMeer was the fiction editor for Weird Tales magazine until Marvin Kaye purchased it. While she and Stephen H. Segal were editing it, they won a Hugo Award for Best Semiprozine. It was also nominated for a World Fantasy Award. 

Ann VanderMeer accepting Hugo in 2009. Photo by Stu Segal.

She edited as Ann Kennedy The Sterling Web which would become The Silver Web zine from the late Eighties to the beginning of this century.  

Her latest major ongoing editing endeavor is what is now Reactor, ‘til recently Tor.com. She’s been there for a decade now. She and the other Senior Editors have put together The Best of Tor.com anthology series.

Steampunk and Steampunk II: Steampunk Reloaded, edited with her husband of over 20 years, Jeff VanderMeer, and published by Tachyon, are simply excellent. There are writers that I know with a sprinkling of not so recognizable writers. The thirdl, Steampunk III: Steampunk Revolution, I’ve not yet read.

I am going to single out just one more work she edited, again with her husband, as it’s just awesome — The Thackery T. Lambshead Cabinet of Curiosities. 

Lambshead was a man who enjoyed lending out his acquisitions but it is suspected by many that he held the strangest pieces of his collection in an underground lair only he could enter. And these pieces are now written about by such writers as Holly Black, Neil Gaimain, Mike Mignola (there are many illustrated pieces here) and China Mieville to name but a very few.

And here’s a sample from one of those entries.

1929: The Singular Taffy Puller

As Told to N. K. Jemisin

I had traveled far—along the bustling coast by rail, then across the Atlantic by steamship, at great expense, I might add—on a matter of pride. Or, more specifically, dessert. You see, the cobbled and sweaty streets of my city would reek but for the exquisite aromas that offer relief from horse manure and overindulgence. Wrinkle your nose and you might miss the scent of the most delicate amaretto fondant, or creamy divinities solidifying to tooth-tenderness. And when the pecan harvest is brought—ah, me! You never tasted pralines like mine.

But those selfsame streets are crowded with eateries these days, and an old octoroon spinster looking to make a name for herself must employ more than the braggadocio that paler, maler chefs may indulge. Especially given that, of late, my business had suffered by its proximity to a flashy new restaurant next door. It was for this reason that I traveled to the house of the esteemed doctor, and was ushered into the renowned cabinet, so that I could at last behold the item that might—I hoped— save my business.

On entry to the doctor’s home, I was momentarily stunned by the profusion of wonders within. These included the cabinet itself: a room of what had been handsome walnut wainscott and elaborately worked moulding (French rosettes and Egyptian cartouches, of all the mad combinations), though the lingering evidence of half-finished reorganization obscured the best of it. What remained of the chamber’s treasures had been tossed, with no apparent regard for further cataloguing or even convenience, onto bookshelves, plinths, and racks, which quite crowded the space…. 

(11) COMICS SECTION.

  • Brewster Rockit lets you eavesdrop on an argument from the future.
  • Free Range – you know the phrase, you just didn’t know it was a prank.
  • Speed Bump demonstrates a continuing “problem”. (Well, not all of us think it’s one.)

(12) MUTANT MILESTONE. This June, creators from the X-Men’s past, present, and future come together to bid a final farewell to the Krakoan Age in X-Men #35, the milestone 700th issue of Uncanny X-Men. The issue will feature an epic-length story by writers and artists who shaped the Krakoan Age including Gerry Duggan, Kieron Gillen, Al Ewing, Lucas Werneck, Joshua Cassara, and more. The giant-sized issue will also feature a story of family by X-Men master Chris Claremont and offer a glimpse of things to come in the new X-Men titles launching this summer.

Check out artist Pepe Larraz’s wraparound cover below.

(13) GIFT ECONOMY FANFIC BINDERS. In Atlas Obscura’s report on “The Emerging Art of ‘Fanbinding’” they interview people who are binding fanfic – but not for profit, in contrast with some others who made the news a few weeks ago.

THE IDEA FIRST CAME TO Tiffo while they were volunteering at a local nonprofit writers’ league. In addition to that, they’d been active in online fanfiction communities for years, cheering on fellow writers who published their work digitally, sometimes at novel-length (or longer!), entirely for free. Members of both groups of writers were always excited to share their work with the world—but there was one key difference. “People I knew from the writers’ league got to walk up and go, ‘Look at my book,’” Tiffo says. “I got to hand it to them and say, ‘Sign your book for me.’ It’s beautiful to have that moment, to get to see the things that people worked so hard on become a physical thing.” And then they thought: Fanfiction authors work just as hard on their stories as any other kind of writer. Why couldn’t they have that same experience?

Tiffo looked up bookbinding tutorials to create their first physical fanfic artifact: a pair of anthologies of their best friend’s Doctor Who stories. (Since their friend often wrote about the character Rose, Tiffo even cross-stitched a galaxy-patterned rose for one of the covers, probably the last time they’ll cross-stitch for a book, they joke. But you never know.) They fell in love with the act of physically making books, but felt certain they couldn’t be the only one excited by the idea of binding fanfiction specifically. The internet was there to help: They found the term “fanbinding”—and, more importantly, the Renegade Bindery….

…“I recently bound a Witcher fic, set in Kaer Morhen during the winter, that featured a cerulean blue jacket, so it’s bound in a blue to match, with blue drop caps in a middle ages–style font alongside woodcut prints of wolf cubs playing,” says Des. For a Mo Dao Zu Shi fic (based on the popular Chinese novel and telelvision series), she made hexagrams from the text of the I Ching; for a Star Wars fic, she played with the aesthetics of Jedi temples….

…This DIY spirit aligns with Renegade’s commitment to the fannish gift economy, the ethos that underpins the largely non-monetized fanfic world. Renegade’s members don’t charge money for their labor, though they might ask a recipient to help with material costs. Des helped write these values into the Code of Conduct, which members agree to when they join the Renegade Bookbinding Guild. Binders generally get permission from the authors whose fic they’re binding, and that mutual respect extends to keeping binding free….

(14) ANTHROPOCENE CANCELED! “Proposal to mark a new chapter in Earth’s history will ‘go no further,’ scientists say” – CNN explains.

Scientists have voted against a proposal to declare a new geological epoch called the Anthropocene to reflect how profoundly human activity has altered the planet.

The proposal was rejected by members of the Subcommission on Quaternary Stratigraphy, which is part of the International Union of Geological Sciences, according to three voting members of the subcommission contacted by CNN Tuesday.

The vote followed a 15-year process to select a geological site that best captures humanity’s impact on the planet. The international union’s Anthropocene Working Group, which spearheaded the effort, made a July 2023 announcement that identified the location as Crawford Lake in Ontario because of the way sediment from the lake bed reveals the geochemical traces of nuclear bomb tests, specifically plutonium, from 1950.

The vote was not unanimous, said Kim Cohen, an assistant professor of geosciences at Utrecht University in the Netherlands and a voting member of the subcommission.
“There were some abstainees. There was a minority of yeses to a majority of nos,” said Cohen, who voted in favor of the proposal.

Phil Gibbard, a professor emeritus of quaternary paleoenvironments at the Scott Polar Research Institute at the University of Cambridge in the United Kingdom, and a voting member of the subcommission, said that the “proposal for a formal Anthropocene was rejected by a 66% vote.”

(15) ONE IS COOL, THE OTHER IS GHASTLY. Ghostbusters News claims “AMC Theatres unveils exclusive Ghostbusters: Frozen Empire collectibles”. Learning from the promoters of Dune, AMC theaters will be offering a Ghost Trap popcorn container to those who buy tickets to the forthcoming Ghostbusters sequel. However, they say AMC has pulled its plans for the Slimer popcorn container.

(16) RAILROADING TIME. Brick Technology gives a lesson in “Building a Cat-Sized Lego Train”. Technology purr-fected!

Building an RC Lego train that cats can ride in with 3D printed rails and wheels. My 2 cats Cookie and Muffin are tired of walking, they’d rather travel by Lego train. Lego isn’t designed for building a large train that can carry cats because it lacks large wheels and rails for smooth movement. To solve this, 3D printing was used to create these parts. The rail switches use magnets or rubber for automatic changing. The bogies have a suspension system to handle uneven tracks and curve tilts, with each wheel powered by a strong, compact Lego L motor. The axles are made of aluminium to avoid bending under the weight. The bogies feature an automatic coupling system like those in American trains, which can be opened using air pressure. The train’s frame is flexible and only sturdy when combined with the outer shell, it keeps the train low for easy boarding. This frame also contains pipes for door operation and coupling, along with wiring for non-Lego LED lights. The train is powered by 3 Lego Powered Up hubs, allowing for extra sensors to automate the train further. The carriages are designed like trams, the only type suitable for transporting cats, as the cat’s weight helps with wheel-rail friction. A standard locomotive would need to be very heavy to pull cat-filled carriages. The train has an open roof for quick cat exits.

(17) VIDEO OF THE DAY. “Frank Herbert Explains the Origins of Dune (1969)” – let Open Culture introduce the interview.

Dune: Part Two has been playing in theaters for less than a week, but that’s more than enough time for its viewers to joke about the aptness of its title. For while it comes, of course, as the second half of Denis Villeneuve’s adaptation of Frank Herbert’s influential sci-fi novel, it also contains a great many heaps of sand. Such visuals honor not just the story’s setting, but also the form of Herbert’s inspiration to write Dune and its sequels in the first place. The idea for the whole saga came about, he says in the 1969 interview above, because he’d wanted to write an article “about the control of sand dunes.”…

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Steven H Silver, Rich Lynch, Moshe Feder, Kathy Sullivan, Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Steven French for some of these stories. Title credit belongs to File 770 contributing editor of the day David W.]

Audie Awards 2024

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The 2024 Audie Awards winners were announced by the Audio Publishers Association (APA) on March 4.

The complete list of winners is here. Categories and other winners of genre interest include:

AUDIO DRAMA

  • Third Eye (Audio) By Felicia Day. Performed by Felicia Day, Neil Gaiman, full cast

AUTOBIOGRAPHY/MEMOIR

  • Making It So (Audio) Written and narrated by Patrick Stewart. Published by Simon & Schuster Audio

FANTASY

  • The Dragon Reborn By Robert Jordan. Narrated by Rosamund Pike. Published by Macmillan Audio

HISTORY/BIOGRAPHY

  • Goodbye Christopher Robin: A.A. Milne and the Making of Winnie-the-Pooh (Audio) By Ann Thwaite, preface by Frank Cottrell-Boyce. Narrated by Simon Vance. Published by Tantor Audio, a division of Recorded Books

LITERARY FICTION & CLASSICS

  • The Iliad (Audio) By Homer, translated by Emily Wilson. Narrated by Audra McDonald. Published by Audible Studios

SCIENCE FICTION

  • Cassandra in Reverse (Audio) By Holly Smale. Narrated by Kristin Atherton. Published by HarperAudio

YOUNG LISTENERS

  • The Skull (Audio) By Jon Klassen. Narrated by Fairuza Balk and Jon Klassen. Published by Dreamscape Media

Pixel Scroll 2/2/24 Scroll Pixel Very Simple Man, With Big Warm Filey Secret Heart

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(1) UNLOAD THE CANON. Rev. Tom Emanuel calls on scholars and students to “Decanonize Tolkien” at Queer and Back Again.

In the fifty years since Tolkien’s death, his work and legacy have irrevocably shaped our understanding of what fantasy even is. This Oxford don, whose seemingly anachronistic, unclassifiable, wildly popular stories of Elves, Hobbits, and magic rings were once dismissed by the self-appointed guardians of Western literature, has now become one of its canonical figures.

Whether this is a good or a bad thing depends very much on whom you ask. Speaking as a lifelong Tolkien fanatic, my answer is: a bit of both. Either way, we might as well throw in the towel on biblical scholarship as on Tolkien scholarship. Just as the Bible is an inescapable, bone-deep influence on Western culture even for those who do not accord it status as Scripture, Tolkien is an inescapable influence on modern fantasy and, by extension, the study of the fantastic. His canonical status is why we cannot yet write him off; he means too much to too many people, has exerted too great a gravitational pull upon our field of inquiry. Yet that same canonical status is also why Tolkien scholarship must explore new horizons of reception and applicability and grapple responsibly with Tolkien’s complicated legacies both literary as well as cultural, historical as well as contemporary – another feature his work shares with the Bible. In fairness to my colleagues, many exceptional scholars, both established and emerging, are actively breaking new ground in Tolkien studies. More is needed, however, and an active reconsideration of approaches which have held sway in our field for too long….

…Those of us who study the man will always find it edifying (possibly) and entertaining (most certainly) to “interpret every single note Tolkien once wrote on a napkin and subject this analysis to multiple peer review,” to quote from this forum’s prompt. If we seek to continue in a genuinely Tolkienian spirit, however, we would do well to consider more deeply and carefully the effects of Tolkien’s fiction upon his readers and the wider culture in which they are implicated.

Key to this endeavor will be loosening the grip of so-called “authorial intent” over large swaths of Tolkien fandom and scholarship….

(2) HUGO AWARDS MESS REACHES ESQUIRE. [Item by PhilRM.] A not-terrible article that just showed up in Esquire about Chengdu touches, briefly and not terribly accurately, on the Puppies, and is almost entirely about the exclusions rather than the complete lack of believability of the numbers (although Heather Rose Jones’ work gets a link), but at least it delivers a well-deserved drubbing to Dave McCarty. “Hugo Awards 2024: What Really Happened at the Sci-Fi Awards in China?”

…In 2021, the voting process to select the host city for the 2023 convention became a lightning rod for conspiracy theories. Each year, anyone who purchases a membership in the World Science Fiction Society can vote on where WorldCon will be held two years later. In 2021, voters could choose between Chengdu and Winnipeg, Canada for the 2023 convention. “There were concerns that a couple thousand people from China purchased memberships [in the World Science Fiction Society] that year to vote for Chengdu,” says Jason Sanford, a three-time Hugo finalist. “It was unusual, but it was done under the rules.”

While Sanford welcomed the participation of new Chinese fans, other people were alarmed that many of the Chinese votes for Chengdu were written in the same handwriting and posted from the same mailing address. The chair of the convention that year, Mary Robinette Kowal, says some members of the awards committee wanted to mark those votes as invalid. “But if you’re filling out a ballot in English and you don’t speak English, you hand it to a friend who does,” she says. “And the translation we’d put in could be read as ‘where are you from,’ not ‘what is your address.’”

Eventually, a few votes were invalidated by the committee, but most were allowed to stand. “China has the largest science fiction reading audience on the planet by several magnitudes, and they are extremely passionate,” Kowal says….

…When McCarty finally shared last year’s nominating statistics on his Facebook page, authors, fans, and finalists were shocked. In the history of the awards, no works had ever been deemed ineligible like this. Many people who had expected Kuang to win for Babel were now stunned to see she very well could have, and McCarty’s refusal to explain what happened made everything worse. (McCarty did not respond to interview requests for this story.)

“Fandom doesn’t like people fucking with their awards, no matter who does it or why,” says John Scalzi, a three-time Hugo Award winner who was a finalist last year in the Best Novel category: the very same category in which R.F. Kuang should have been nominated for Babel, according to the nomination count on page 20 of McCarty’s document. “The reason people are outraged right now is because they care about the award, in one fashion or another, and this lack of transparency feels like a slap,” Scalzi says….

The article ends:

At the end of my Zoom call with Sanford, I see some emotion in his face around the eyes. “When I was young, science fiction and fantasy books literally saved my life,” he says. “I looked for books that were Hugo finalists or winners, and they showed me a way forward. They showed me there are other people out there who think like me.”

Whatever happens to the Hugos moving forward, one thing is clear: No one should have the power to erase books from the reading lists of future Jason Sanfords.

Jason Sanford disavowed the last paragraph on Bluesky.

Yes, I read the Esquire article I was interviewed for about the Hugo Awards controversy. A good article overall. I liked how the transparency of the Hugos is compared to lack of the same with most literary awards. Then I read the closing paragraph. Oh gods. SMDH. Be nice & know I didn’t write that.

Editor’s Note: The article also says of McCarty, “Within the WorldCon community, he’s nicknamed the ‘Hugo Pope’ for serving on so many awards committees over the years.” It’s a nickname I haven’t heard before. And Ersatz Culture reminds me that the October 26 Scroll carried a photo of a signature book showing McCarty refers to himself as ‘Hugo Boss’.

(3) WE DON’T TALK ABOUT HUGOS. Artist Lar deSouza has done a cartoon inspired by the controversy. See it on Bluesky: “We don’t talk about Hugos….”.

(4) IN THE YEAR OF THE DRAGON, A HEADLINE. “Dungeons & Dragons Publisher Denies Selling Game To Chinese Firm: Here’s What To Know” reports Forbes.

Wizards of the Coast, the Hasbro division behind tabletop game Dungeons & Dragons, is denying rumors sparked by a Chinese news report that a struggling Hasbro could be selling its Dungeons & Dragons franchise to Chinese video game company Tencent….

…But in a Thursday statement to multiple outlets, including Forbes, Wizards of the Coast, the Hasbro division that publishes Dungeons & Dragons and games including Magic: the Gathering, denied the rumors, claiming while the company has multiple partnerships with Tencent, “we are not looking to sell our D&D [intellectual property],” and the company would not comment any further on “speculation or rumors about potential M&A or licensing deals.”…

(5) FIGHT GOES INTO THE SECOND ROUND. [Item by Cat Eldridge.] “Disney To Appeal Ron DeSantis Legal Loss As The Empire Strikes Back” reports Deadline. Of course they are. It’s The Mouse. They have far more lawyers than there are pirates in The Pirates of The Caribbean Ride at Walt Disney World. And those lawyers know more about fighting dirty than those pirates ever did. Hmmm…. Mickey with an eye patch and cutlass…

The lines at Disney World may be long, but the Mouse House isn’t standing around to let Ron DeSantis savor his win yesterday in the company’s First Amendment lawsuit against the failed presidential candidate.

Less than 24 hours after a federal judge agreed with the Florida Governor and deep-sixed Disney’s nearly year long legal action, the Bob Iger-run entertainment giant and Sunshine State mega-employer gave official notice they plan to challenge Wednesday’s dismissal.

“Notice is given that Plaintiff Walt Disney Parks and Resorts, U.S., Inc. (“Disney”) hereby appeals to the United States Court of Appeals for the Eleventh Circuit from the Order Granting Motions to Dismiss and the final judgment entered by the U.S. District Court for the Northern District of Florida on January 31, 2024,” said outside Disney counsel Daniel Petrocelli and a small legion of lawyers in a filing this morning.

No word yet when the actual appeal will be filed, but it could be within the next week or so, I hear.

In a Florida knife fight that started with Disney’s slow but eventual opposition to the state’s parental rights bill, known by detractors AKA the “Don’t Say Gay” law, and then turned to DeSantis’ throwing overboard the long standing governance the company had over the region around Orlando’s Disney World and appointing his own Central Florida Tourism Oversight District Board. As the dust-up escalated, Disney filed its suit in April, as past and now present CEO Iger and the so-called “woke” battling DeSantis, who was eyeing what became a face plant of a primary campaign, hurled missives at each other in public…

(6) URSA MAJOR. Nominations for the Ursa Major Awards, Annual Anthropomorphic Literature and Arts Award, are open and will continue until February 17.

To nominate online, all people must first enroll. Go here to ENROLL FOR ONLINE NOMINATIONS or to LOGIN if you have already enrolled.

You may choose up to five nominees for each category:

Nominations may be made for the following categories:

Best Anthropomorphic Motion Picture
Best Anthropomorphic Dramatic Short Work
Best Anthropomorphic Dramatic Series
Best Anthropomorphic Novel
Best Anthropomorphic Short Fiction
Best Anthropomorphic Other Literary Work
Best Anthropomorphic Non-Fiction Work
Best Anthropomorphic Graphic Story
Best Anthropomorphic Comic Strip
Best Anthropomorphic Magazine
Best Anthropomorphic Published Illustration
Best Anthropomorphic Game
Best Anthropomorphic Website
Best Anthropomorphic Costume (Fursuit)
Best Anthropomorphic Music

(7) CALL FOR ‘WEIRD HOLLYWOOD’ SUBMISSIONS. Christopher J. Garcia, Chuck Serface, and Alissa Wales are planning an issue of The Drink Tank about Weird Hollywood. “Weird,” however you define that term, can apply to Hollywood as the city itself or as the entertainment industry. The editors are interested in fiction, art, history, poetry, photography, or anything printable you want to contribute. Send submissions to Chris at [email protected] or to Chuck at [email protected]. The deadline is March 1, 2024.

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born February 2, 1990 — Sarah Gailey, 33. Sarah Gailey comes to our attention with their Best Related Work Hugo at Worldcon 75 with their Women of Harry Potter posts. Fascinating look at some other commenters mostly. Here is the “Women of Harry Potter: Ginny Weasley Is Not Impressed” post at Reactor.

Their alternate history “River of Teeth” novella, the first work in that series, was nominated for  a Hugo Award for Best Novella at Worldcon 76 and a Nebula. It’s also the first work in their American Hippo duology, the other being the novella “Taste of Marrow”. 

Upright Women Wanted by Sarah Gailey, art by Will Staehle
Upright Women Wanted by Sarah Gailey, art by Will Staehle

Upright Women Wanted is set in the a fantasy of a Wild West of a twenty minutes into the future dystopian hyper heterosexual America which is all I can say about giving away spoilers about it. Major trigger warnings for any conservative readers here. 

Their Magic for Liars, is quite excellent I would say. It’s a murder mystery set in school for young wizards but it’s nothing like those books.  They discuss their book here in a YouTube video.

The Echo Wife is a thriller with some very adult questions about the nature of what being human actually means. To say anymore would be spoiling it. It’s damn good. I’d say that it’s their best work to date. 

Their latest novel, Just Like Home, is not one I’ve read. Let’s just say that I don’t do serial killers and leave it at that. 

They also scripted The Vampire Slayer series on Boom! Comics from the universe of Buffy the Vampire Slayer.

They have done a double, double handful of short fiction, almost so far collected though the American Hippo collects the “River of Teeth” novella and the “Taste of Marrow” novella, and two short stories, “Worth Her Weight in Gold” and “Nine and a Half”, all part of the River of Teeth storytelling. 

Finally they have a magical, in the best way magic is, newsletter called Stone Soup. “It’s about the things we cook, the things we read, the things we write. It’s about the things we care about, together and separately; it’s about everything we add to the pot, in little bits and pieces, to make something great. It’s about community.” You can sign up for the free level, or the paid which I do and is well worth the cup of coffee a month it’ll cost you. (My Patreon fees collectively are larger than any of my streaming services by far.) Mike has from to time included material from it here. 

(9) COMICS SECTION.

  • Frazz ponders the power of story.

(10) ARE WRITERS GETTING PAID? The Society of Authors is skeptical. According to the Guardian, “Spotify claims to have paid audiobook publishers ‘tens of millions’ in royalties”.

Spotify has said that it has paid audiobook publishers “tens of millions” since allowing users 15 hours of audiobook listening in its Premium subscription package last autumn.

The company said that the figure, reported by trade magazine the Bookseller, is “100% royalties” and that it expects to “continue growing” royalty payouts in future. It would not give a more precise amount for payouts made so far, but said that the “tens of millions” figure applies in both pounds and dollars.

However, the Society of Authors (SoA) said they “remain concerned at the lack of clarity about the deals”. The industry body said it is “still waiting to see the effect on author incomes and whether these are real additional sales or simply take market share from Amazon”….

(11) JEOPARDY! [Item by Andrew Porter.] A Tolkien category featured on tonight’s episode of Jeopardy! Some contestants stumbled.

Category: Talking About Tolkien

Answer: Humphrey Carpenter’s bio of J.R.R. Tolkien, C.S. Lewis & like-minded friends has this title, like their literary circle.

Wrong question: What is the Oxford group?

Right question: What is the Inklings?

Answer: To his family and close friends, Tolkien was known by this name, the first “R” in his initials.

Wrong questions: What is Rael? and What is Robert?

Right question: What is Ronald?

(12) CSI SKILL TREE. The latest episode of CSI Skill Tree is “Game Localization with Siyang Gao and Emily Xueni Jin”. The series examines how video games envision possible futures and build thought-provoking worlds. In this episode, the participants discuss the process of video game localization, which encompasses both translation and deeper work, even up to adapting a game’s mechanics, cultural references and allusions, and more to better resonate with players who encounter the game outside of its initial linguistic and cultural context.

Siyang Gao is a writer, translator, and video game localizer who specializes in narrative-heavy games, and Emily Xueni Jin is an essayist, researcher, and fantastic translator of science fiction who translates both from Chinese to English and the other way around. Also, here’s a YouTube playlist with all 14 of the Skill Tree episodes thus far.

(13) K5 WAS NO K9; RETIRED. The New York Times says “Goodbye for Now to the Robot That (Sort Of) Patrolled New York’s Subway”.

The New York Police Department robot sat motionless like a sad Wall-E on Friday morning, gathering dust inside an empty storefront within New York City’s busiest subway station.

No longer were its cameras scanning straphangers traversing Times Square. No longer were subway riders pressing its help button, if ever they had.

New York City has retired the robot, known as the Knightscope K5, from service inside the Times Square station. The Police Department had been forced to assign officers to chaperone the robot, which is 5 feet 3 inches tall and weighs 400 pounds. It could not use the stairs. Some straphangers wanted to abuse it.

“The K5 Knightscope has completed its pilot in the NYC subway system,” a spokesman for the department said in an email.

On Friday, the white contraption in N.Y.P.D. livery sat amid a mountain of cardboard boxes, separated from the commuting masses by a plate-glass window. People streaming by said they had often been mystified by the robot.

“I thought it was a toy,” said Derek Dennis, 56, a signal engineer.

It was an ignominious end for an experiment that Mayor Eric Adams, a self-described tech geek, hoped would help bring safety and order to the subways, at a time when crime remained a pressing concern for many New Yorkers….

(14) TUNES INSPIRED BY LOVECRAFT STORY. Another musical discovery that might be of interest: “The Music of Erich Zann” from Half Deaf Clatch via Speak Up Recordings at Bandcamp.

‘The Music of Erich Zann’ is one of my favourite short stories by H.P Lovecraft, and I’ve been wanting to do a musical adaptation for a long while now. This EP started out as a few short atmospheric instrumentals, but very quickly turned into a full blown musical work with lots of lyrics!

The words are an abridged version of the story and detail the salient points, rather than providing a blow by blow account, if you haven’t read the actual story I highly recommend it.

I kept the instrumentation relatively simple, just an acoustic guitar, electric cello, pipe organ, percussion and atmospheric soundscapes. The majority of the sounds are made by acoustic or electro-acoustic instruments, the electric cello was played through an Orange ‘Crush’ acoustic amp and EHX Soul Food pedal, any ‘otherworldly’ effects were created with instruments put through octavers and auto filters.

In the original story Lovecraft says that Eric Zann plays a ‘viol’, it is widely accepted that he meant a viol da gamba, a Baroque era instrument which closely resembles the cello, but has five to seven strings, and frets. Since these are rare and very expensive, I obviously decided to use my electric cello for this EP, as buying a viol da gamba seemed an unnecessary extravagance.

(15) OUT OF THE JUG. The Guardian visits with “The man who owes Nintendo $14m: Gary Bowser and gaming’s most infamous piracy case”.

In April 2023, a 54-year-old programmer named Gary Bowser was released from prison having served 14 months of a 40-month sentence. Good behaviour reduced his time behind bars, but now his options are limited. For a while he was crashing on a friend’s couch in Toronto. The weekly physical therapy sessions, which he needs to ease chronic pain, were costing hundreds of dollars every week, and he didn’t have a job. And soon, he would need to start sending cheques to Nintendo. Bowser owes the makers of Super Mario $14.5m (£11.5m), and he’s probably going to spend the rest of his life paying it back….

…In the late 00s he made contact with Team Xecuter, a group that produces dongles used to bypass anti-piracy measures on Nintendo Switch and other consoles, letting them illegally download, modify and play games. While he says he was only paid a few hundred dollars a month to update their websites, Bowser says the people he worked with weren’t very social and he helped “testers” troubleshoot devices.

“I started becoming a middleman in between the people doing the development work, and the people actually owning the mod chips, playing the games,” he says. “I would get feedback from the testers, and then I would send it to the developers … I can handle people, and that’s why I ended up getting more involved.”

In September 2020, he was arrested in a sting so unusual that the US Department of Justice released a press release boasting about the indictment, in which acting assistant attorney general Brian C Rabbitt called Bowser and his co-defendants “leaders of a notorious international criminal group that reaped illegal profits for years by pirating video game technology of US companies”.

“The day that it happened, I was sleeping in my bed, it was four in the morning, I’d been drinking all night,” Bowser says. “And suddenly I wake up and see three people surrounding my bed with rifles aimed at my head … they dragged me out of the place, put me in the back of a pickup truck and drove me to the Interpol office.”…

(16) VIDEO OF THE DAY. Ryan George’s “Echo Pitch Meeting” invites everyone to step inside the Pitch Meeting that led to Echo! Beware what you step in, though, because there are spoiler warnings.

[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, JJ, Kathy Sullivan, Joey Eschrich, PhilRM, Jason Sanford, Robin Anne Reid, Ersatz Culture, Chuck Serface, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Audie Awards 2024 Finalists

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Finalists in 27 competitive categories for the 2024 Audie Awards were announced by the Audio Publishers Association (APA) on January 30.

The Audie Awards® recognize excellence in audiobook and spoken word entertainment. The winners will be revealed on March 4.

The complete list of finalists follows the jump. Categories and individual finalists of genre interest include:

FANTASY

The Dragon Reborn

  • By Robert Jordan
  • Narrated by Rosamund Pike
  • Published by Macmillan Audio

The God of Endings

  • By Jacqueline Holland
  • Narrated by Saskia Maarleveld
  • Published by Macmillan Audio

Red Rabbit

  • By Alex Grecian
  • Narrated by John Pirhalla
  • Published by Macmillan Audio

Starling House

  • By Alix E. Harrow
  • Narrated by Natalie Naudus
  • Published by Macmillan Audio

Tread of Angels

  • By Rebecca Roanhorse
  • Narrated by Dion Graham
  • Published by Simon & Schuster Audio

SCIENCE FICTION

Cassandra in Reverse

  • By Holly Smale
  • Narrated by Kristin Atherton
  • Published by HarperAudio

The Deep Sky

  • By Yume Kitasei
  • Narrated by Sarah Skaer
  • Published by Macmillan Audio

Dual Memory

  • By Sue Burke
  • Narrated by André Santana
  • Published by Dreamscape Media

Wool

  • By Hugh Howey
  • Narrated by Edoardo Ballerini
  • Published by Blackstone Publishing

The World We Make

  • By N.K. Jemisin
  • Narrated by Robin Miles
  • Published by Hachette Audio

MULTI-VOICED PERFORMANCES

The Ghost Sequences

  • By A.C. Wise
  • Narrated by Erica Sullivan, Traber Burns, Andrew Gibson, Bradford Hastings, Kate Mulligan, Kevin Kenerly, Alex Boyles, Krystal Hammond, Hillary Huber, and Emily Lawrence
  • Published by Blackstone Publishing

AUTOBIOGRAPHY/MEMOIR

Making It So

  • Written and narrated by Patrick Stewart
  • Published by Simon & Schuster Audio

NARRATION BY AUTHORS

Making It So

  • Written and narrated by Patrick Stewart
  • Published by Simon & Schuster Audio

ORIGINAL WORK

Hellboy: A Plague of Wasps

  • By Christopher Golden
  • Narrated by Jasmine Hyde, Scott McCormick, Stewart Crank, Carolla Parmejano, Sebastian Zancanaro, Peter Holdway, Kay Eluvian, Bia Borin, Vinicius Faria Zinn, Stephanie Nemeth-Parker, and Eric Messner
  • Published by Graphic Audio

The complete list of finalists follows the jump.

Continue reading →

Pixel Scroll 11/1/23 Eat, Pray, Jaunt

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(1) 4 YOUR LISTENING PLEASURE. [Item by SF Concatenation’s Jonathan Cowie.] SF book lovers had an hour of delight on BBC Radio 4 last Sunday with two half-hour programmes.

First up there was Open Book that saw a led discussion of a panel of three authors that looked at artificial intelligence (AI) in their work as well as the possible effects of AI on novels writing.

The overall drift – of what was an interesting conversation – was that AI is not developed enough at the current moment to have a significant impact on (commercial) writing/publishing but there is clearly a trajectory and that in a few years time things could well be different..

One point made was that eventually AI writing might possibly induce a revolution in writing with a new type of novel. The panel took this notion further and said it may be that in the future some AI writing will only be able to be appreciated by AI (non-human) readers.

You can listen to the programme here,

Elizabeth Day and Johny Pitts present a special edition of the programme exploring AI and the novel.

Recorded at the London Literary Festival at the Southbank Centre; novelists Naomi Alderman, Adam Thirlwell and Julianne Pachico join Elizabeth and Johny on stage to discuss depictions of AI in their fiction – and what AI might mean for fiction.

Naomi Alderman’s new novel, The Future, is the tale of a daring heist hatched in the hope of saving the world from the tech giants whose greed threatens life as we know it. Adam Thirlwell’s The Future, Future takes us from the salacious gossip of pre-revolutionary Paris to a utopian lunar commune, and Julianne Pachico tells the story of a young girl raised by artificial intelligence in her novel Jungle House.

The second programme was The Exploding Library that in this episode looked at Angela Carter’s Night at the Circus.

“Am I fact or am I fiction?”

So asks the six-foot-something winged woman, Fevvers, the acclaimed aerialiste at the heart of Angela Carter’s epic, Nights at the Circus. It’s a question that has haunted almost every performer who’s stepped onto a stage and seen their ‘real’ self and ‘stage’ selves blur.

Yet a woman with wings with the world at her feet is almost run-of-the-mill in this extravaganza. There’s dancing tigers, murderous clowns, shamanic visions in the Siberian wilderness, and the odd pair of stinky tights.

Labels and genres are flung around – gothic, magical realism, fantasy – but the book, like Angela Carter’s writing in general, evades categorisation at every turn. Twist the kaleidoscope and another vision emerges, twist again and the human condition is re-revealed.

Kiri Pritchard Maclean runs off with the circus to consider the performer underneath the greasepaint, and find out what happens when the performance comes to an end. (Plus chickens).

You can listen to the programme here.

(2) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Two part convention report by Chengdu fan/business owner

(via SF Light Year)

I’m not exactly sure who Huawen is; I think they are a fan who set up an SF-related company/museum/library (?) based in Chengdu.  (Per the website URL listed in the leaflet image listed in the leaflet image, “[their company] was established in 2021 in Chengdu, Sichuan Province. It is a media company dedicated to promoting excellent science fiction culture.”  Per the first part of their report, had some involvement in the early days of the Chengdu bid/con organization, but dropped out.  

Part 1; Part 2

Extracts from Part 1 of their report, via Google Translate with manual edits.

I was a little afraid of the World Science Fiction Convention.  Previously, I’d only heard about this science fiction convention which has lasted for more than 80 years, from news reports and a few words from friends. There was always a sour grapes mentality of “looking at what other people’s families were doing”.

But now after experiencing it personally, I feel more or less disenchanted. Let me expand upon this first.

First of all, the Worldcon has a long history and many traditions. This is the 81st edition. With 80 previous events, it has accumulated a lot of experiences and traditions. I had never participated in it before, and felt that it would always be a bit of a mystery to me.

And then there’s the scale. Every time, thousands of science fiction fans and practitioners participate, with hundreds of stalls and hundreds of activities. Such a large scale has never been seen before in China.

Then there is the difficulty of organization. The complexity and organizational difficulty increases exponentially with the increase in scale. What’s more, except for a few members of the organizing committee, almost all of them are involved for just a short time. This level of difficulty is simply hellish. Think about it – it’s scary…

I saw from the WeChat official account of the convention that collections related to the history of science fiction were being solicited. I was originally thinking of doing a big presentation, but I succumbed to procrastination.  However, if I rushed to catch up with my preparations, maybe the visual effect could be good? …

In the end, as an exhibitor, I briefly displayed a small collection in two cabinets, and fortunately everyone reported that they had good impressions of it.

Therefore, my main participation in this conference was as an exhibitor, and secondarily as a guest 1, 3, and 5.   [I think this is a reference to the badge numbering, about what access individual attendee types had?]  I constantly switched between the two identities whilst at the con.

Precisely because of the resource-draining nature of being an exhibitor, I was unable to participate in many activities, and was unable to observe the full picture of this convention, which really was a pity.  If I had been able to attend more events, there would definitely be more [in this report]. However, I can summarize my experiences, to learn from [them in the future]

1. The venue is the basic determining factor for almost any event / Unparalleled, beyond imagination, 900 million yuan [approx $123m USD]  can convince people with reason…

The venue and facilities were so good, but my preparations were so unsatisfactory, and I completely underestimated the scale of this conference.

2. The youth trend is obvious, directly reversing the aging trend of the World Science Fiction Convention

I heard a long time ago that the participants at foreign world science fiction conventions are mainly middle-aged and elderly people, with only a small proportion of young people.  This phenomenon is not recent; it has a history of at least more than 20 years.

The same is true from my observations at my table. The foreign science fiction fans who came to the conference are generally older.  I never saw any children or teenagers, and young people in their twenties and thirties were also relatively rare.  [Note: the default Google Translate output says, “…were relatively preferred”, which didn’t make much sense to me.  I’ve taken the liberty of replacing that with something that makes more sense to me.]

By contrast, the clear main participants of this Chengdu Science Fiction Convention are minors, mainly primary school students, followed by junior high school students, and many high school students. Excluding the parents and adults accompanying children, the proportion of adult science fiction fans attending the conference was a long way down – less than one tenth….

I speculate that the average age of all participants this time was most likely no more than 18 years old.  Science fiction makes people young, if I’m honest.

I bet that no subsequent World Science Fiction Convention in the next fifty years will be able to gather such a group of tens of thousands of primary and secondary school science fiction fans – no, a hundred years.

I think foreign science fiction fans will have received a little shock from Chengdu 🙂

3. We ran out of materials and lacked preparations. We really couldn’t squeeze out another drop …

All the books that I planned to sell were sold out on the first or second day.

The three new commemorative medals made for this science fiction convention were almost completely out of ink the next day, and I had to replenish them twice a day. [Note

Not only were there not enough badges, but the 3,000 ribbons prepared for the previous 2,000 people did not last until the end, even with the restriction that “each person could only choose one.”

The only thing that I still had some inventory of, was a leaflet that had 5,000 copies printed.

I have skim read the second post, but haven’t had time or energy to do a similar write-up; it will probably appear in tomorrow’s Scroll.

The caption on this photo in the linked post says Huawen is ‘the newbie in the corner’, but that doesn’t help much to identify them.
Huawen’s table and display
Article about ‘the problem of aging American science fiction readers’
Sign reads: ‘Gifts, ribbons and stamp booklets are all gone, nothing left!
Front of Huawen’s leaflet
Back of Huawen’s leaflet

The Space-Time Painter and the Hugos being used in school work and tests

I spotted these Xiaohongshu posts earlier today (1), (2).  There are other unusual references to this Hugo winner that I’ll include in a future Scroll.

Photos from Shanghai Halloween

These have absolutely nothing to do with the Worldcon, but they came up in my Xiaohongshu default feed late last night, and I thought they might be of mild interest to Filers.  Sorry that there’s no link to the source post, but I was afraid that if I spent too long looking at that post, the algorithmic feed might determine that this is the sort of content that it should continue to show me in future… There’s more in a short Twitter video from the Chinese news site Sixth Tone, and also a three-minute English-language explainer video on YouTube.

(3) MARVEL’S PROBLEMS. “Crisis at Marvel: Jonathan Majors Back-Up Plans, ‘The Marvels’ Reshoots, Reviving Original Avengers and More Issues Revealed” in Variety.

…[E]veryone at Marvel was reeling from a series of disappointments on-screen, a legal scandal involving one of its biggest stars and questions about the viability of the studio’s ambitious strategy to extend the brand beyond movies into streaming. The most pressing issue to be discussed at the retreat was what to do about Jonathan Majors, the actor who had been poised to carry the next phase of the Marvel Cinematic Universe but instead is headed to a high-profile trial in New York later this month on domestic violence charges. The actor insists he is the victim, but the damage to his reputation and the chance he could lose the case has forced Marvel to reconsider its plans to center the next phase of its interlocking slate of sequels, spinoffs and series around Majors’ villainous character, Kang the Conqueror.

At the gathering in Palm Springs, executives discussed backup plans, including pivoting to another comic book adversary, like Dr. Doom. But making any shift would carry its own headaches: Majors was already a big presence in the MCU, including as the scene-stealing antagonist in February’s “Ant-Man and the Wasp: Quantumania.” And he has been positioned as the franchise’s next big thing in this season of “Loki” — particularly in the finale, which airs on Nov. 9 and sets up Kang as the titular star of a fifth “Avengers” film in 2026.

“Marvel is truly fucked with the whole Kang angle,” says one top dealmaker who has seen the final “Loki” episode. “And they haven’t had an opportunity to rewrite until very recently [because of the WGA strike]. But I don’t see a path to how they move forward with him.”

Beyond the bad press for Majors, the brain trust at Marvel is also grappling with the November release of “The Marvels,” a sequel to 2019’s blockbuster “Captain Marvel” that has been plagued with lengthy reshoots and now appears likely to underwhelm at the box office….

(4) MORE LEARNEDLEAGUE. [Item by David Goldfarb.] Some One-Day Special quizzes that Filers might enjoy:

(Xena has gods and sorceresses; Randall Munroe has won a Hugo Award, so I claim that both of these are at least genre-adjacent.)

(5) HWA SUMMER SCARES SPOKESPERSON IS CLAY MCLEOD CHAPMAN. The Horror Writers Association yesterday announced their Summer Scares Reading Program 2024 Spokesperson and Timeline.

The Horror Writers Association (HWA), in partnership with United for Libraries, Book Riot, Booklist, and NoveList®, a division of EBSCO Information Services (EBSCO), is proud to announce the fifth annual Summer Scares Reading Program. Summer Scares is a reading program that provides libraries and schools with an annual list of recommended horror titles for adult, young adult (teen), and middle grade readers. It introduces readers and librarians to new authors and helps start conversations extending beyond the books from each list and promote reading for years to come.

Summer Scares is proud to announce the 2024 spokesperson, author Clay McLeod Chapman:

“To this day, I still have vivid memories of my grandmother escorting six-year-old me through our local library — Go, Bon Air! — and striking a deal: Pick two books, any two books, one for her to read to me and one for me to read to myself. When we both finished our individual reads, we could always come back and pick another pair. I can still list off practically every book I selected — beginning with “Monsters of North America” by William A. Wise — returning to the library to replenish our endless reservoir of reading every week of my childhood. Now I feel as if I’m returning to the library all over again, thanks to Summer Scares, where the deal this time is to pick those books that continue to make an impact on me and share them with as many readers as humanly possible.”

Chapman is joined by a committee of six library workers who, together, will select three recommended fiction titles in each reading level, totaling nine Summer Scares selections. The goal of the program is to encourage a national conversation about the horror genre, across all age levels, at libraries around the world, and ultimately attract more adults, teens, and children interested in reading. Official Summer Scares designated authors will also make themselves available at public and school libraries.

The committee’s final selections will be announced on February 14, 2024, Library Lover’s Day. Chapman, along with some of the selected authors, will kick off Summer Scares at the 8th Annual HWA Librarians’ Day, Friday, May 31st, during StokerCon® 2024 at the San Diego Mission Bay Marriott….

(6) HOWARD STATEMEN DEATH LEARNED. [Item by Rick Kovalcik.] Howard “Howeird” Statemen (1950-2022) was a past Boskone participant. In response to an email, his sister informed us that Howard passed away last year on October 5, 2022 of an aneurysm. Here’s the link to his memorial presentation on YouTube. He also had a website which may be of interest to some people: Howeird Dot Com at WMP. 

(7) SHERRIE R. CRONIN (1954-2023). Author Sherrie R. Cronin died October 23 at the age of 68. The SFWA Blog has posted a tribute.

…A geophysicist by trade and extensive traveler by passion, Cronin lived in seven cities and visited forty-six countries, while staying dedicated to her writing. Cronin wrote 13 works within the “46. Ascending” and “The War Stories of the Seven Troublesome Sisters” series. Additionally, she was dedicated to writing and blogging about world peace, empathy, and what she called intra-species harmony. She joked that she’d love to tell these stories, stories of peace—or be Chief Scientist Officer—on the Starship Enterprise, and admitted to occasionally checking her phone for a message from Captain Picard. Just in case….

(8) MEMORY LANE.

1939 — [Written by Cat Eldridge.]

Our Beginning is not from a genre work this time, but from a mystery, that of Raymond Chandler’s The Big Sleep. We do cover mysteries here, so I thought I’d look at Chandler and this work.

He turned to writing mysteries relatively late at age forty four after losing his job as oil company exec during the Great Depression. “Blackmailers Don’t Shoot”, his first story, was published in 1933 in Black Mask, one of many mystery stories he’d write. The Big Sleep, his first novel, followed six years later. 

The Big Sleep would first be published by Alfred A. Knopf in 1939. It is based off of two Black Mask stories, “Killer in the Rain” (published in 1935) and “The Curtain” (published in 1936) as Chandler based his novels off previously written material. Well, he said “cannibalised” those stories. 

It would be made into two films, the 1946 film that Leigh Brackett helped write the screenplay and which co-started Humphrey Bogartand Lauren Bacall,  and a 1978 one that’s remembered mostly, well, for Robert Mitchum being at sixty twice as old as the character he playing, Philip Marlowe. Mitchum had previously been an aging Philip Marlowe in Farewell, My Lovely, a 1975 release. 

The 1946 film’s 38-year-old Marlowe played by Bogart who was 44 at the time. Why the script aged him by five years is unknown. 

There was a television adaptation starring Zachary Scott, who had done mostly Westerns, as Marlowe, that was broadcast on September 25, 1950. I can’t find any record of it existing now. 

Oh, and none of Chandler’s novels will move into the public domain until 2034, the year the rights to The Big Sleep are set to expire. 

And now our Beginning…

IT WAS ABOUT ELEVEN O’CLOCK in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark blue clocks on them. I was neat, clean, shaved and sober, and I didn’t care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars. 

The main hallway of the Sternwood place was two stories high. Over the entrance doors, which would have let in a troop of Indian elephants, there was a broad stained-glass panel showing a knight in dark armor rescuing a lady who was tied to a tree and didn’t have any clothes on but some very long and convenient hair. The knight had pushed the vizor of his helmet back to be sociable, and he was fiddling with the knots on the ropes that tied the lady to the tree and not getting anywhere. I stood there and thought that if I lived in the house, I would sooner or later have to climb up there and help him. He didn’t seem to be really trying. 

There were French doors at the back of the hall, beyond them a wide sweep of emerald grass to a white garage, in front of which a slim dark young chauffeur in shiny black leggings was dusting a maroon Packard convertible. Beyond the garage were some decorative trees trimmed as carefully as poodle dogs. Beyond them a large green house with a domed roof. Then more trees and beyond everything the solid, uneven, comfortable line of the foothills.

On the east side of the hall a free staircase, tile-paved, rose to a gallery with a wrought-iron railing and another piece of stained-glass romance. Large hard chairs with rounded red plush seats were backed into the vacant spaces of the wall round about. They didn’t look as if anybody had ever sat in them. In the middle of the west wall there was a big empty fireplace with a brass screen in four hinged panels, and over the fireplace a marble mantel with cupids at the corners. Above the mantel there was a large oil portrait, and above the portrait two bullet-torn or moth-eaten cavalry pennants crossed in a glass frame. The portrait was a stiffly posed job of an officer in full regimentals of about the time of the Mexican war. The officer had a neat black Imperial, black mustachios, hot hard coalblack eyes, and the general look of a man it would pay to get along with. I thought this might be General Sternwood’s grandfather. It could hardly be the General himself, even though I had heard he was pretty far gone in years to have a couple of daughters still in the dangerous twenties. 

I was still staring at the hot black eyes when a door opened far back under the stairs. It wasn’t the butler coming back. It was a girl. 

She was twenty or so, small and delicately put together, but she looked durable. She wore pale blue slacks and they looked well on her. She walked as if she were floating. Her hair was a fine tawny wave cut much shorter than the current fashion of pageboy tresses curled in at the bottom. Her eyes were slategray, and had almost no expression when they looked at me. She came over near me and smiled with her mouth and she had little sharp predatory teeth, as white as fresh orange pits and as shiny as porcelain. They glistened between her thin to taut lips. Her face lacked color and didn’t look too healthy.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 1, 1897 — Naomi Mary Margaret Mitchison, Baroness Mitchison, CBE (née Haldane). Author of many historical novels with genre trappings such as The Corn King and the Spring Queen which Terri Windling called “a lost classic” and The Bull Calves but also SF such as Memoirs of a Spacewoman. She was also a good friend of Tolkien, and was one of the proofreaders of The Lord of the Rings. (Died 1999.)
  • Born November 1, 1917 — Zenna Henderson. Her first story was published in The Magazine of Fantasy & Science Fiction in 1951. The People series appeared in magazines and anthologies, as well as the stitched-together Pilgrimage: The Book of the People and The People: No Different Flesh. Other volumes include The People Collection and Ingathering: The Complete People Stories. She was nominated for a Hugo Award at Detention for her “Captivity” novelette. Her story “Pottage” was made into the 1972 ABC-TV movie, The People.  “Hush” became an episode of George A. Romero’s Tales from the Darkside which first aired in 1988. (Died 1983.)
  • Born November 1, 1923 — Gordon R. Dickson. Writer, Filker, and Fan who was truly one of the best writers of both science fiction and fantasy. It would require a skald to detail his stellar career in any detail. His first published speculative fiction was the short story “Trespass!”, written with Poul Anderson, in the Spring 1950 issue of Fantastic Stories. Childe Cycle, featuring the Dorsai, is his best known series, and the Hoka are certainly his and Poul Anderson’s silliest creation. I’m very fond of his Dragon Knight series, which I think reflects his interest in medieval history.  His works received a multitude of award nominations, and he won Hugo, Nebula, and British Fantasy Awards. In 1975, he was presented the Skylark Award for achievement in imaginative fiction. He was Guest of Honor at dozens of conventions, including the 1984 Worldcon, and he was named to the Science Fiction Hall of Fame and the Filk Hall of Fame. The Dorsai Irregulars, an invitation-only fan volunteer security group named after his series, was formed at the 1974 Worldcon in response to the theft of some of Kelly Freas’ work the year before, and has provided security at conventions for the last 34 years. (Died 2001.) (JJ)
  • Born November 1, 1923 — Dean A. Grennell. Writer, Editor, Firearms Expert, Conrunner, and Fan who edited numerous fanzines including La Banshee and Grue, which was produced sporadically from 1953 to 1979 and was a finalist for the Hugo Award in 1956. He published several short fiction works, and even dabbled in fanzine art. He ran a small U.S. gathering held the same weekend as the 1956 UK Natcon which was called the Eastercon-DAG, and another called Wiscon, which preceded the current convention of that name by more than twenty years. He is responsible for the long-running fannish joke “Crottled Greeps”. (Died 2004.) (JJ)
  • Born November 1, 1942 — Michael Fleisher. A writer best known for his work at  DC Comics of the Seventies and Eighties, particularly for the Spectre and Jonah Hex. He wrote Hex for over a dozen years, both as an Old West and a SF character. Fleisher wrote three volumes of The Encyclopedia of Comic Books Heroes, doing some research on-site at DC Comics. (Died 2018.)
  • Born November 1, 1959 — Susanna Clarke, 64. Author of Jonathan Strange & Mr Norrell which I think wins my award for the most-footnoted work in genre literature. It won a World Fantasy, Nebula, Mythopoeic and of course a Hugo Award, that being at Interaction. It was adapted into a BBC series, most likely without the footnotes. The Ladies of Grace Adieu and Other Stories collects her short works and is splendid indeed with artwork by Charles Vess. Her Piranesi novel as nominated for a Hugo at Discon III, the year that Martha Wells Network Effect got it.

(10) HWA INDIGENOUS HERITAGE MONTH. “Un-Settling Horrortellers: Introduction to Indigenous Heritage Month 2023” by Shane Hawk kicks off another Horror Writers Association blog series.

…The HWA has put great effort into recognizing the need for diversifying Horror and the association itself over the last few years. It’s been so wonderful to see. Owl Goingback has earned the Lifetime Achievement Award and won two Stokers, Jewelle Gomez also has earned a Lifetime Achievement Award, Stephen Graham Jones has won four Stokers, and the HWA has highlighted Indigenous writers just outside of the Horror genre like Daniel H. Wilson, Darcie Little Badger, and Tim Tingle.

Indigenous Horror is a small space to spill blood on the ground, smell the organ meat slopping out of the clawed-open abdomen, but it is growing at a nice pace. My main mission with Never Whistle at Night: An Indigenous Dark Fiction Anthology was to increase that small percentage and rid ourselves of that pesky “less-than” mathematical symbol when it came to describing Indigenous market share of genre works. The anthology has only been out for six weeks, but its status as an international bestseller since its first week (and every week since) has proven that there is an absolute hunger for Indigenous Horror and dark fiction. Over are the days of the non-Native genre writer killing us off after we help the white folks understand the monster’s weaknesses, exploiting our religions, our traumas, our cultures, our “esoteric” folklore. Also, the days wherein Holt McCallany of Mindhunter fame sported brownface to become Navajo in Creepshow 2 are over (“What the hell was that?” all the Natives asked in unison). Like I wrote in the original proposal sent to Penguin Random House: Now it’s our turn. (Or like Barkhad Abdi sternly told Tom Hanks in that one Boat Movie, “We’re da captain now…”

(11) OFF TO THE RACES. Mark Hamill helps plug the “Star Wars scheme for Bubba Wallace at Phoenix”.

Bubba Wallace will run a special Star Wars X-wing fighter scheme on his No. 23 Toyota this weekend for the NASCAR Cup Series Championship Race at Phoenix Raceway.

The scheme is inspired by Columbia Sportswear’s Star Wars collection.

(12) WILEY POST’S EERIE PRESSURE SUIT. The National Air and Space Museum’s podcast AirSpace devotes its latest episode “Jetstream” to an item of history-making pilot wear.

No, this isn’t a spooky Halloween costume. It’s one of the earliest pressure suits.

In the 1930s, aviation icon Wiley Post reached the stratosphere for the first time in his Lockheed Vega Winnie Mae. The aircraft didn’t have a pressurized cabin, so he wore a pressure suit and helmet designed for him by the B.F. Goodrich Company. 

***

We get it—the early days of aviation were full of outlandish characters, and it can be a little exhausting. But trust us on this one—it’ll be worth it. Wiley Post was an oil-worker and armed robber-turned-record breaking pilot who discovered the jet stream while wearing a sweet eye-patch and a suit straight out of 20,000 Leagues Under the Sea (it was a lewk). That should be enough but wait! There’s more! That steampunk getup, which Wiley designed and built with tire company BF Goodrich, was the very first successful pressure suit. And it did more than unlock the stratosphere, it laid the groundwork for the first spacesuits—and modern spacesuits aren’t much different. This tall tale keeps getting higher, but again—trust us (we’ve got the suit!). Special thanks to Tested’s Adam Savage, whose answer for “history’s most important spacesuit” was both unexpected and absolutely on the mark.

(13) ROBOBOOKS ON THE WAY. According to Publishers Weekly, “Kindle Direct Publishing Will Beta Test Virtual Voice–Narrated Audiobooks”.

In a post today in the Kindle Direct Publishing community forum, the self-publishing giant announced that it has begun a beta test on technology allowing KDP authors to produce audiobook versions of their e-books using virtual voice narration. The ability to create an audiobook using synthetic speech technology is likely to result in a boom in the number of audiobooks produced by KDP authors. According to an Amazon spokesperson, currently only 4% of titles self-published through KDP have an audiobook available.

Under the new initiative, authors can choose one of their eligible e-books already on the KDP platform, then sample voices, preview the work, and customize the audiobook. After publication, audiobooks will be live within 72 hours, and will distributed wherever Audible titles are sold. Prices can be set between $3.99 and $14.99 and authors will receive a 40% royalty. All audiobooks created by virtual voice, the post says, will be clearly labeled and, as with any audiobook, customers can listen to samples….

(14) A FRIGHTENING COINCIDENCE. [Item by SF Concatenation’s Jonathan Cowie.] Moid over at the Media Death Cult YouTube Channel has a short, 10-minute video on “The History Of Science Fiction Horror”. Funny that this should come out Halloween week. Spooky or what?

(15) VIDEO OF THE DAY. “Disney+ Shares ‘LEGO Marvel Avengers: Code Red’ Poster” – Animation World Network has the story and a gallery of images from the production.

…In the special, the Avengers assemble to save New York City from the threat of the Red Skull and his Hydra forces. Amid the battle, the Avengers are unexpectedly joined by Black Widow’s father, Red Guardian, which doesn’t go over well with Natasha. 

In the show, after an argument with his daughter about his well-intentioned helicopter parenting, Red Guardian disappears under mysterious circumstances. As Black Widow and the Avengers investigate, they discover that the villainous Collector is kidnapping every character who has “red” in their name. But despite their best efforts, the Avengers are unable to stop the Collector from kidnapping his next victim, their friend Red She-Hulk….

Here’s the trailer:

[Thanks to Ersatz Culture, John King Tarpinian, Chris Barkley, David Goldfarb, JeffWarner, Rick Kovalcik, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/12/23 My Pixel Threw Out All My Old Scrolls And All That’s Left Is This Godstalk

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(1) HELL OF A STORY. Jennifer McMahon discusses nine books where “The Devil Made Me Do It” at CrimeReads.

…I was a child of the late seventies. I grew up watching The Exorcist, The Omen and Rosemary’s Baby. Movies that taught me the nature of true evil and terror. While movies were the gateway to this terrifying genre, books go to deeper and darker places still. So light a candle, get out your crucifix, cast a ring of salt around your favorite reading chair and settle in….

One of McMahon’s selections is:

A Head Full of Ghosts by Paul Tremblay

This is a multi-layered literary horror novel that pays homage to the exorcism story genre and explores big questions about possession, mental illness and reality TV. The story follows Merry, at 23, sharing her recollections about her childhood with an author. When she was 8 and her sister Marjorie was 14, Marjorie… changed.  Their parents were split on whether this was a mental health crisis, or the work of the devil. A local priest became involved, and soon, their family became the center of a reality show called The Possession. Was Marjorie actually possessed? Get sucked into this spellbinding story and see what you believe.

(2) THIS MAKES ME THINK OF SNL’S DAVID L. PUMPKINS SKETCH. “Madame Tussauds and the InterContinental New York Times Square host spooky overnight stays in NYC” – TimeOut says it will cost a mere $4K!

This might be the scariest Halloween-themed experience out there at the moment: Madame Tussauds and the InterContinetal in Times Square are offerings folks with a flair for the spooky the chance to stay in a room reminiscent of some of the most petrifying movies in history on the nights of Friday, October 13 and Tuesday, October 31.

The chilling experience for two will cost around $4,000 plus taxes—a hefty price for what will likely be a sleepless night but, alas, some of us just can’t enough of the whole sinister vibe. 

Guests will start off enjoying a three-course dinner and drinks menu delivered by the hotel’s room service staff and inspired by four popular movies: The Exorcist, The Nun, Annabelle and IT. …

…The room you’ll actually sleep in will be an eerie one, decorated like a subway station, yet complete with a fully stocked mini bar (clearly, you’ll need to drink to get through this all)….

(3) SURVIVORS. “’Scavengers Reign’ Official Trailer Released” — GlobalGrind is on top of the story.

This week (October 11), Max released the official trailer for its new adult animated series Scavengers Reign. Click inside to check it out!

In Scavengers Reign, the brainchild of visionary creators Joe Bennett and Charles Huettner, the remaining crew of a damaged interstellar freighter ship find themselves stranded on a beautiful yet unforgiving alien planet – where they must survive long enough to escape or be rescued. But as the survivors struggle to locate their downed ship and missing crew mates, their new home reveals a hostile world allowed to thrive without human interference. Featuring lush, visually stunning animation, Scavengers Reign presents a wholly unique view of the consequences of unchecked hubris and humanity’s eternal desire to conquer the unknown….

(4) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Students from nearby school post English language video about the event

This is a nice two minute video where some students from the Hua’ai school just across the lake from the Science Museum talk in English about the event, and some of the related activities they are taking part in.

(I’ve attached 4 PNG screengrabs, filenames prefixed school)

8 Light Minutes Culture: book launches, ribbons, Aldiss and Lukyanenko stamps, and more

An incomplete summary of this mp.weixin.com post:

  • CG render of their booth
  • Launch of volumes 2 and 3 of Chinese SF: An Oral History
  • Limited edition of the Sawyer/Lukyanenko/Liu anthology
  • “The Songs of Space Engineers” hard SF anthology edited by Cixin Liu
  • Pick up a luminous bracelet from their booth
  • Get your books stamped by Brian Aldiss and Sergey Lukyanenko stamps
  • 18-different ribbons; different ones to be available each day from (I think) two different booths.  NB: 8LM has the Chinese licence for Doctor Who books, so the DW ribbons are presumably official merch

Video of official “Kormo” figure

I think this toy was covered along with other merchandise in a previous Scroll; there’s now an unboxing video of what looks like the finished item.

Kaiju Preservation Society, Ray Bradbury and The Culture ribbons and merchandise

Xinxing Publishing House are launching three limited edition sets of merchandise at the con, this Xiaohongshu post says that information about buying them online will come later, although whether that includes international purchases remains to be seen.

  • Kaiju Preservation Society canvas bags
  • Culture “Gravitas” bags  (Google Translate calls these “laser bags”; they seem to have some sort of foil/metallic effect?)
  • There are also ribbons for KPS, The Culture and Ray Bradbury

Secondary market tickets being advertised

I’ve no idea how widespread or successful these are, but here’s a Xiaohongshu user posting a screengrab from some other app/site showing a Chengdu resident advertising a single day “youth” (age 13-25) ticket for Saturday  21st for 500 yuan.  For reference: the sale price for the 5-day youth tickets was 200 yuan, and the individual youth day tickets that were sold more recently were 78 yuan.

Per Google Translate (with minor manual edits) the original ad states:

Youth tickets for the Chengdu Science Fiction Convention on the 21st are available at a premium price.  If you are interested in tickets click [the button] and chat with me privately.

The footer text notes:

There are risks in concert products, please follow the transaction process and do not trade outside the site.

(5) OCTOTHORPE PODCAST. Octothorpe 94 “Satisfying Meat” is now up. Listen here.

John Coxon is eating cinnamon rolls, Alison Scott doesn’t think it’s funny, and Liz Batty has two lists. We discuss the Best Novel finalists for the Hugo Awards. Art by the very lovely Sue Mason.  

John is in the bottom-left, sitting in a chair, wearing a blue shirt and purple trousers, holding a can, and reading an ebook. Alison is in the upper-middle, lying down upside down, wearing a purple shirt and stripy trousers, and reading an ebook. Liz is in the bottom-right, wearing a pink shirt with green trousers, holding a mug of a hot beverage, and reading a physical book. They are surrounded by floating beer bottles, books, the Moon, a mug with a moose on it, and two cats. The word “Octothorpe” appears in scattered letters around the artwork, against a pinky-purple background.

(6) ROYAL ARTIST. The New York Times tells “How the Queen of Denmark Shaped the Look of Netflix’s ‘Ehrengard: The Art of Seduction’”.

…Around the time the princess turned 30 — and after she had earned a diploma in prehistoric archaeology at the University of Cambridge, and had studied at Aarhus University in Denmark, the Sorbonne and the London School of Economics — she read J.R.R. Tolkien’s “The Lord of the Rings.” It inspired her to start drawing again.

Not long after, upon her father’s death in 1972, the princess was crowned as queen: Queen Margrethe II of Denmark, to be specific.

Margrethe, now 83, celebrated 50 years on the throne in 2022. But in assuming the role of queen, she did not abandon her artistic passions. As a monarch she has taken lessons in certain media, has taught herself others and has been asked to bring her eye to projects produced by the Royal Danish Ballet and Tivoli, the world’s oldest amusement park, in Copenhagen.

Her paintings have been shown at museums, including in a recent exhibition at the Musée Henri-Martin in Cahors, France. And her illustrations have been adapted into artwork for a Danish translation of “The Lord of the Rings.” (They were published under the pseudonym Ingahild Grathmer, and the book’s publisher approached her about using them after she sent copies to Tolkien as fan mail in 1970.)

Margrethe recently notched another creative accomplishment: serving as the costume and production designer for “Ehrengard: The Art of Seduction,” a feature film that debuted on Netflix in September and has wardrobes and sets based on her drawings and other artworks.

The film is an adaptation of the fairy tale “Ehrengard” by Karen Blixen, a Danish baroness who published under the pen name Isak Dinesen. Set in a fictional kingdom, the story is loosely about a woman named Ehrengard who becomes a lady-in-waiting and foils a royal court painter’s plot to woo her.

(7) IT’S ALL GREEK TO THEM. “Of Snakes and Men: ‘Krapopolis’ Monstrous Transformations”: Animation World Network takes a look (and doesn’t turn to stone.)

While most people find solace in reading fiction novels, Pete Michels gets his kicks from history and archeology books. So, when Dan Harmon, who Michels had worked with previously on Rick and Morty, reached out with a proposal for a parody series on Greek mythology, Michels jumped at the opportunity… 

…In the series, Ayoade voices Tyrannis, the mortal son of a goddess and benevolent King of Krapopolis, who tries to make do in a city that lives up to its name. Waddingham plays Deliria, Tyrannis’ mother, goddess of self-destruction and questionable choices. Deliria is as petty as she is powerful, and only seems interested in defending civilization if it means she’ll get more worshipers out of it than her frenemies up on Mt. Olympus. Berry is Shlub, Tyrannis’ father, a mantitaur (half centaur [horse + human], half manticore [lion + human + scorpion]). He’s the self-described “life of the orgy,” and a true pleasure seeker. Murphy voices Stupendous, Tyrannis’ half-sister, daughter of Deliria and a cyclops. Trussell plays Hippocampus, Tyrannis’ half-brother, offspring of Shlub and a mermaid, and a hot mess, biologically speaking….

(8) PULPFEST. “2023 PulpFest Convention Report, by Martin Walker” at Mystery File.

…This year, though, Walker [Martin] did attend but managed to catch Covid while there, and while he’s doing much better now, it took him a while to recover, and he never did manage to write up a report. As you may have surmised, “Martin Walker,” whose report follows, is a pseudonym, but I can guarantee the facts he relates are 100% accurate. Bill Lampkin, whose photos I used is real, however, and I thank both him and our anonymous reporter for this year’s annual PulpFest report, at last!

Here’s a snippet from the report:

…There was more buying and selling on Friday, August 4. Competing for attendees’ attention were a couple of afternoon presentations. Chris Carey and Win Scott Eckert discussed “Doc Savage — The Man and Myth of Bronze.” Part of PulpFest’s celebration of the 90th anniversary of “The Man of Bronze,” it was also this year’s FarmerCon presentation. Since 2011, PulpFest has hosted FarmerCon, a convention that began in Peoria, Illinois, the hometown of Philip José Farmer….

(9) AUDIO ALARM. “Spotify’s new audiobook streaming could have ‘devastating effect’, says Society of Authors” – the Guardian has the story.

The Society of Authors (SoA) has said it is “deeply concerned” about Spotify’s new audiobook provision. The industry body cited “the devastating effect that music streaming has had on artists’ incomes”, and expressed its fear that authors may suffer in a similar way.

“The streaming of audiobooks competes directly with sales and is even more damaging than music streaming because books are typically only read once, while music is often streamed many times,” a statement from the SoA read.

At the beginning of October, the Bookseller reported that “all of the major book publishers” had agreed limited streaming deals with Spotify. Since 4 October, Spotify Premium subscribers in the UK and Australia have been able to access to up to 15 hours of audiobook content per month, from a catalogue of more than 150,000 titles.

“As far as we are aware, no authors or agents have been approached for permission for such licences, and authors have not been consulted on licence or payment terms,” the SoA said. “Publishing contracts differ but in our view most licences given to publishers for licensing of audio do not include streaming. In fact, it is likely that streaming was not a use that had been invented when many such contracts were entered into.”…

(10) KEITH GIFFEN (1952-2023). Keith Giffen, whose 47 years in the comics business were heavily SF-themed, died  October 9 at the age of 70. The veteran writer and artist’s work included DC’s Lobo and the Jamie Reyes version of the Blue Beetle and Marvel’s Rocket Raccoon. The full details of his career are in his Wikipedia entry.

(11) PHYLLIS COATES (1927-2023) Phyllis Coates, known as TV’s first Lois Lane, died October 11 reports Deadline.

Phyllis Coates, who became television’s first Lois Lane when she was cast in the classic Adventures of Superman series starring George Reeves, died yesterday of natural causes at the Motion Picture & Television Country House and Hospital in Woodland Hills. She was 96.

In 1951, Coates was invited to audition for the role of Lois Lane in the low-budget feature film Superman and the Mole Men. Starring Reeves as Superman, the film was a de facto TV pilot, and by the end of the year both Reeves and Coates were asked to join the upcoming TV series.

Coates stayed with the series for only one season – 1952-53… Until her death, Coates was the last surviving regular cast member of the classic superhero series.

Though best remembered for Superman, Coates would build an extensive roster of TV and film credits in a career that lasted well into the 1990s. She appeared in the now-classic monster movie I Was A Teenage Frankenstein and … later, one 1994 episode of Lois & Clark: The New Adventures of Superman, in which she played the mother of Teri Hatcher’s Lois Lane.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 12, 1875 — Aleister Crowley. Mystic. Charlatan possibly. Genre writer? You decide. But I’ve no doubt that he had a great influence upon the genre as I’m betting many of you can note works in which he figures. One of the earliest such cases is Land of Mist, by Sir Arthur Conan Doyle which was published in 1926. (Died 1947.)
  • Born October 12, 1903 — Josephine Hutchinson. She was Elsa von Frankenstein with Basil Rathbone and Boris Karloff in Son of Frankenstein. She was in “I Sing the Body Electric”, The Twilight Zone episode written by Bradbury that he later turned into a short story. (Died 1998.)
  • Born October 12, 1904 — Lester Dent. Pulp-fiction author who was best known as the creator and main author of the series of novels chronicling Doc Savage. Of the one hundred and eighty-one Doc Savage novels published by Street and Smith, one hundred and seventy-nine were credited to Kenneth Robeson; and all but twenty were written by Dent. (Died 1959.)
  • Born October 12, 1956 — Storm Constantine. Writer with her longest-running series being the Wraeththu Universe which has at least four separate series within all of which are known for their themes of alternative sexuality and gender. She has also written a number of non-fiction (I think they are) works such as Sekhem Heka: A Natural Healing and Self Development System and The Grimoire of Deharan Magick: Kaimana. (Died 2021.)
  • Born October 12, 1965 — Dan Abnett, 58. His earlier work was actually on Doctor Who Magazine, but I’ll single out his co-writing Guardians of the Galaxy #1–6 with Andy Lanning, The Authority: Rule Britannia and his Border Princes novel he did in the Torchwood universe as great looks at him as a writer. 
  • Born October 12, 1966 — Sandra McDonald, 57. Author of some sixty genre short stories, some of which are collected in Diana Comet and Other Improbable Stories (which won a Lambda Award for LGBT SF, Fantasy and Horror Works) and Lovely Little Planet: Stories of the Apocalypse.  Outback Stars is her space opera-ish trilogy. 

(13) KGB. Ellen Datlow has posted her photos of last night’s Fantastic Fiction at KGB reading with David D. Levin and Matthew Kressel.

(14) EATING THE FANTASTIC. Scott Edelman invites listeners to dine on oxtail stew with Lauren Beukes in Episode 209 of the Eating the Fantastic podcast.

Lauren Beukes

At this year’s Readercon, my first guest of the weekend was Lauren Beukes, who I first met at the very start of her novel publishing career — at the 2009 Worldcon in Montreal, where Angry Robot Books held a launch party which included Moxyland. That party also debuted the first novel of previous guest of the podcast Kaaron Warren, who was launching her own book Slights.

In addition to Moxyland, Beukes is also the author of the novels Zoo City (winner of the 2011 Arthur C Clarke Award), The Shining Girls, Broken Monsters, Afterland, and her newest novel, Bridge. The Shining Girls, about a time-travelling serial killer and the survivor who turns the hunt around is currently an Apple TV+ series with Elisabeth Moss. She’s also the author of the short story collection, Slipping, plus a pop-history, Maverick: Extraordinary Women From South Africa’s Past.

Beukes has worked also in worked in film and TV, as the director of Glitterboys & Ganglands, a documentary which won Best LGBTI Film at the Atlanta Black Film Festival, and as showrunner and head writer on South Africa’s first half hour animated TV show, Pax Afrika, which ran for 104 episodes on SABC. Her comics work includes the original horror series, Survivors’ Club with Dale Halvorsen and Ryan Kelly, and the New York Times best-selling Fairest: The Hidden Kingdom, a Japanese horror remix of Rapunzel with artist Inaki, as well as “The Trouble With Cats,” a Wonder Woman short set in Soweto with Mike Maihack.

We discussed why the genre community is like a giant amoeba, how her choice of D&D character is in perfect sync with the way she writes, the reason she only recently realized she has ADHD (and why her new novel Bridge is definitely an ADHD book), why AI can never replace writers, the ways in which the protagonist of her new novel is different from all her other protagonists, the importance of authenticity readers, why acquiring editors at publishing companies are like restaurant critics, the importance of art in helping us find our way through the darkness, the reason you shouldn’t be so hard on your younger self, how she uses the Tarot to get unstuck, and much, much more.

(15) PLANT EXTINCTION RISK. [Item by SF Concatenation’s Jonathan Cowie.] 45% of all flowering species of plant are at risk of extinction, is just one of the sobering statistics in the Royal Botanic Gardens latest State of the World’s Plants and Fungi 2023 report. The fifth edition of State of the World’s Plants and Fungi, from the Royal Botanic Gardens, Kew (RBG Kew), focuses on the latest knowledge on the diversity and geographical distribution of plants and fungi.

Now, for the first time, scientists have used models to predict the extinction risk of every flowering plant species and identify the uncertainty level of each prediction. The report looks back at all the plant species known to us and there threat of extinction classification. Further, it looked at when each species was discovered and its extinction threat. The researchers found that the earlier a species had been discovered, the lower its extinction threat: recently discovered species were more at risk. Extrapolating this into yet-to-be-discovered species, the conclusion is that these would be even more prone to extinction. The report says that there are 77% undescribed plant species are likely threatened with extinction. And there are many species yet to be discovered. Taking flowering plants alone, the report estimates that potentially tens of thousands of flowering plant species have yet to be scientifically named.

Since 2015, a project to have all tree species assessed for the IUCN (the UN’s International Union for the Conservation of Nature) Red List, has so far found that 31% of tree species are at risk of extinction. And this does not include tree species yet to be discovered for whom the extinction risk is higher.

But there are notable black holes in the data. Given the history of fungal species discovery, it is estimated that 92% and 95% of fungi have yet to be scientifically described. Since the beginning of 2020, more than 10,200 fungal species have been described as new to science.  (See Antonelli, A. et al (2023) State of the World’s Plants and Fungi 2023. Royal Botanic Gardens: Kew, Middlesex, Great Britain.)

(16) VIDEO OF THE DAY. “Orphan Black: Echoes Teaser Trailer”.

#OrphanBlackEchoes, starring Krysten Ritter and Keeley Hawes, premieres in 2024 on AMC, BBC America, and AMC+.

[Thanks to John King Tarpinian, Chris Barkley, Cat Eldridge Scott Edelman, John Coxon, Danny Sichel, Ellen Datlow, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and Ersatz Culture  for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 10/7/23 For All Fankind

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(1) WAYS IN WHICH PRATCHETT IS STILL WITH US. Sam Jordison discusses “Pratchett power: from lost stories to new adaptations, how the late Discworld author lives on” in the Guardian.

“Of all the dead authors in the world, Terry Pratchett is the most alive,” said John Lloyd at the author’s memorial in 2015. This sentiment remains as true now, 40 years after the publication of Pratchett’s first Discworld novel, The Colour of Magic. The anniversary has been commemorated in a set of illustrated Royal Mail stamps. There’s been a show dedicated to Pratchett at the Edinburgh fringe. A Kickstarter for a graphic novel adaptation of Good Omens, the book he co-wrote with Neil Gaiman, became the number one comics campaign in Kickstarter history, bringing in more than £2.4m; a second series of the TV adaptation was also released.

All this would make 2023 an impressive year by any writer’s standards – but happened in the month of August alone. The big event comes this month, with the publication of A Stroke of the Pen, a collection of rediscovered early stories. This past year also brought an animated adaptation of Pratchett’s children’s novel The Amazing Maurice, and a new set of Discworld audiobooks….

Naturally, the best paragraphs are the ones that quote Pratchett:

…Not that Pratchett was universally disparaged: the critics who actually read his books tended to like them. When AS Byatt reviewed Thief of Time, she said it deserved to win the Booker prize. Of course, Pratchett never got a look in. “Thank goodness,” he said, “because I think my earnings would have gone down considerably if I suddenly got literary credibility.” He also joked that when he was given an OBE for services to literature, those services “consisted of refraining from trying to write any”…

(2) BEARS DISCOVER TYPING. Margaret Grebowicz traces “Terry Bisson’s History of the Future” in The New Yorker.

… In 1969, Bisson quit writing for a decade and left New York for “hippie commune” work in the South and Southwest. He met his wife, Judy Jensen, in a commune, and they became involved in the May 19th Communist Organization, a group created by former members of the Weather Underground. In 1975, the couple moved back to New York to organize for May 19th, and Bisson worked as an auto mechanic in taxi garages and a copywriter. He sold his first science-fiction novel, “Wylrdmaker,” to the publisher David Hartwell in 1981, for fifteen hundred dollars. The novel was pulp: it told the story of Kemen of Pastryn, a satirical futuristic version of Conan the Barbarian. It wasn’t the book Bisson wanted to write, he told me, but “it was the smartest thing I ever did. That’s when I discovered you didn’t have to be fucking Hemingway or Fitzgerald to write a novel.” His second novel, “The Talking Man,” was more of a passion project—it was a fantasy novel set in the rural South, with junkyards instead of castles. “There was a sense of science fiction as a very urban literature and the future as a very urban place,” the writer Karen Joy Fowler told me. “Terry’s perspective was more land-based, regional, and populist.”

If May 19th had asked him to do anything risky, Bisson would have. But he was always suspected of being a “petit-bourgeois intellectual” and thus was kept on the sidelines. In 1985, he was subpoenaed to testify in front of a grand jury, to identify friends who had gone into hiding, and who were suspected for bombings at the Capitol and three military bases nearby. He refused to comply, and spent three months in prison—a short stint, he notes, compared with those of his friends. There, Bisson started his third novel, “Fire on The Mountain,” an alternative history in which the abolitionist John Brown’s revolt at Harper’s Ferry succeeded. When it was published, in 1988, Bisson dedicated the book to Kuwasi Balagoon and the Black Liberation Army….

(3) THE 1440 MINUTE HATE. Sandra Newman, author of 1984 turnabout Julia, tells “What I learned about today’s rage culture from rewriting 1984” in the Guardian.

…Nowadays, the language of Nineteen Eighty-Four is used by rightwingers to indict “wokeism”. Any new coinage from the left is called “Newspeak”; any attempt to acknowledge moral ambiguity is dismissed as “doublethink”. With the single word “Orwellian”, a college’s overreaching speech policy, for example, is framed as an existential threat to the free world. But Nineteen Eighty-Four wasn’t a warning against a university’s inclusivity statement. It was a warning about men like Trump and Putin and the violent mass movements they inspire….

… When my Nineteen Eighty-Four book was announced, described as a “feminist retelling”, I was treated to a personal experience of how far things had gone. The news attracted a storm of misogynist and antisemitic abuse in rightwing tweets, blogs, YouTube videos, even newspaper articles. This was long before the novel was available to be read – before I’d barely written a few chapters. Still, all the attackers were sure what would be in it: a full-throated endorsement of Big Brother. …

(4) OHAYOCON MELTDOWN. Nerd & Tie is following the controvery between the owner and volunteers of a commercial sff con: “Ohayocon Senior Leadership and Volunteers on Strike After Removal of Con Chair Cody Marcum [Updated 10/6]”. A long post at the link.

…From what we’ve been able to gather, it appears that a group of Ohayocon staffers and volunteers had formed an informal union called Convention of Ohio Volunteer Network (COVEN) and presented a document of demands to Phelps and other members of the board of Cultural Exchange Society, Inc on March 4th, 2023. You can read a full version of that document here. …

Update 10/6/2023 (8:50pm CDT): Ohayocon has put out a statement regarding the current situation which is, frankly, confusing. In the statement, Ohayocon says “Contrary to misinformation swirling online, NO volunteers or members of the Senior Leadership Team have been fired from Ohayocon…” which is at odds with Phelp’s repeated, explicit statements that the con chair and marketing head had been fired….

(5) SMALL WONDERS 4. Co-editors Cislyn Smith and Stephen Granade are proud to bring a mix of flash fiction and poetry for the spooky month in Small Wonders Issue 4, now available on virtual newsstands here. Subscriptions are available at the magazine’s store and on Patreon.

The Issue 4 Table of Contents and release dates on the Small Wonders website:

  • Cover Art: “Rebuilding” by Carrie Alyson
  • “Katya’s Microscope” (fiction) by Monica Joyce Evans (2 Oct)
  • “Five Easy Hairstyles for Snake-Haired Girls” (poem) by Jelena Dunato (4 Oct)
  • “Granny’s Spider” (fiction) by Wen Wen Yang (6 Oct)
  • “On the bare unwelcoming shore” (fiction) by Zohar Jacobs (9 Oct)
  • “Drunken Supernova” (poem) by Keira Perkins (11 Oct)
  • “Faith That Builds Worlds” (fiction) by Eric A. Clayton (16 Oct)
  • “If We Live to Be Giants” (fiction) by Allison Mulder (13 Oct)
  • “Sever” (poem) by Lora Gray (18 Oct)
  • “Five Functions of Your Bionosaur” (fiction) by Rachael K. Jones (20 Oct)

(6) GOAL: DISRUPTION. “Spotify Gave Subscribers Music and Podcasts. Next: Audiobooks.” – in the New York Times.

Four years ago, Spotify’s business was stagnating. Apple had overtaken it as the top paid music service in the United States, losses were mounting and customer growth was slowing.

Daniel Ek, the company’s chief executive, decided that Spotify needed to transform from a music service into the everything store for audio. The first missing piece was podcasts, a business that has helped boost ad sales.

Now Mr. Ek has set his sights on another rapidly growing medium: audiobooks.

On Tuesday, Spotify said that it would begin offering 15 hours of audiobooks each month as part of its streaming service for premium subscribers in Britain and Australia. This winter, it will expand the offering to subscribers in the United States.

Spotify’s expansion into books has the potential to shake up the retail landscape for audiobooks, a fast-growing segment of publishing that has long been dominated by the Amazon-owned audio retailer Audible.

(7) CHENGDU WORLDCON ROUNDUP. [Item by Ersatz Culture.]

Single day tickets now available

Announcement on Weibo ; Chinese-language announcement on the official site ; Damai.cn sales page . There is no corresponding English-language item on the official site, and I don’t think there were FB or Twitter posts either.

Just over two weeks after attending tickets/memberships for the con were halted without notice, the promised single day tickets have finally gone on sale.  Key points:

  • Adult (over-25) tickets are 128 yuan per day (around $18 USD)
  • “Teenager” (13-25) tickets are 78 yuan per day (around $11 USD)
  • For reference, the original 5-day ticket prices were 320 and 200 yuan ($44 and $28 USD) respectively
  • Tickets are only available for Thursday 19th through Sunday 22nd, i.e. not the opening day
  • Ticket sales will close at the end of Saturday 14th (presumably Beijing-time, but this isn’t explicitly stated)

Translations of some of the reply comments on the Weibo post reflect the above:

  • I bought three single-day tickets, which are more expensive than the pass, and I can’t participate in the lottery
  • Why is there no 18-day single-day ticket opening ceremony at 8pm。This day is a variety of activities, and by then there will be almost no one during the day。

Chengdu magazine cover feature on the Worldcon and SF generally –  https://weibo.com/1615055180/NmLaY6rLI

File 770 contributor Feng Zhang posted photos of the October issue of Chengdu Culture/Tianfu Culture, in which the Worldcon is a cover feature, and in which he is interviewed.

A couple of Xiaohongshu posts about the interior decor

  • The Wandering Earth 2 exhibit has progressed a bit since the video included in a Scroll a couple of days ago.  http://xhslink.com/KAbNfv  (I’ve attached the image, as there’s not much else to that post)
  • A company making large lamps seems to be making replicas of the planets to be displayed at the con. http://xhslink.com/739Mfv  The text of the post refers to “10 major planets”, so maybe Pluto-diehards will be in luck?

(8) CAN’T SLIP ONE BY HIM. A scholar suspects the language of Watership Down is spreading to English. “Lapine Lingo in American English: Silflay”.  

Lapine Lingo in American English: Silflay; Author(s): Thomas E. Murray; Source: American Speech , Winter, 1985, Vol. 60, No. 4 (Winter, 1985), pp. 372-375; Published by: Duke University Press

“The general conclusion concerning silflay and its infiltration into American speech, then, is clear: whereas the Russians may or may not be coming, the rabbits have definitely already come and gone, and in their short stay have left a significant linguistic imprint on a sizable portion of the American population. As for the future of silflay, I think it may warrant further attention. Will its popularity die a slow and inconsequential death, as is the case with so many nonce creations, or will it spread, either geo-graphically or socioeconomically, to other English-speaking peoples?  Moreover, what of the other terms that Adams created (over forty are listed in the Glossary at the end of the novel)? Will one or more of them charm some innocent lover of bunnies into increasing his or her vocabulary and thus propagating other aspects of the lapine lingo? Perhaps not, but given the current, unexpected popularity of silflay, the entire rabbit language phenomenon certainly bears watching.”

(9) NM-AZ BOOK AWARD WINNERS. The New Mexico Book Co-op has announced the 2023 winners of the New Mexico-Arizona Book Awards.

The winner in the Sci-Fi category is Avery Christy for Mountain Knight.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 7, 1938 — Jane Gallion (Ellern). Writer, Poet, and Fan who was one of the members of the Los Angeles Science Fiction Society subgroup The Blackguards, which hosted many parties and tournaments. She edited the fanzines Karuna, and Topaze (etc.), contributed to many other fanzines over the years, and was known for her three post-apocalyptic novels which were very early examples of feminist works involving explicit sex. (Died 2003.)
  • Born October 7, 1942 — Lee Gold, 81. She’s a member of LAFA and a writer and editor in the role-playing game and filk music communities. She published Xenofilkia, a bi-monthly compilation of filk songs which has been published since 1988, four issues of the Filker Up anthology; and has published for forty-four years, Alarums and Excursions, a monthly gaming zine. She’s edited more fanzines than I care to list here, and is a member of the Filk Hall of Fame along with Barry Gold, her husband. 
  • Born October 7, 1945 — Hal Colebatch. Lawyer, Journalist, Editor, and Writer from Australia who has written, singly or in collaboration, two novels and at least two dozen shorter pieces set in Larry Niven’s The Man-Kzin Wars series. However, his main body of work is non-genre, including six books of poetry, short stories, and radio dramas and adaptations. His non-fiction books include social commentary, biography and history, and he has published many hundreds of articles and reviews in various news and critical venues. (Died 2019.)
  • Born October 7, 1946 — Chris Foss, 79. UK Illustrator known for the Seventies UK paperback covers for Asimov’s Foundation trilogy and E. E. “Doc” Smith’s Lensman and Skylark series among many that he did. He also did design work for the Jodorowsky version of Dune. Alien has his Spaceship design, and he did redesign of Gordon’s rocket cycle for the 1980 Flash Gordon film. 
  • Born October 7, 1947 — John Brosnan. Australian writer who died way too young of acute pancreatitis. He used at least seven pseudonyms, and wrote scripts for a number of what I’ll generously call horror films including one I know that somehow I saw — Carnosaur.  If you like your SF with a larger dose of pulp, his Sky Lords trilogy (The Sky Lords, The War of the Sky Lords and The Fall of the Sky Lords) is damn good. Airships, airships! (Died 2005.)
  • Born October 7, 1950 — Howard Chaykin, 73. Comic book artist and writer. His first major work was for DC Comics, drawing “The Price of Pain” which was an adaptation of author Fritz Leiber’s characters Fafhrd and the Gray Mouser in Sword of Sorcery #1. He would illustrate damn near everything else from Batman and The Legion of Super-Heroes for DC to Hulk and Iron-Man for Marvel (to name but two series) but I think his best genre work was his own American Flagg! series.
  • Born October 7, 1956 — Rick Foss, 67. Historian, Writer, Food Connoisseur, Conrunner, and Fan who has had around a dozen short fiction works published, mostly in Analog, some of which are in his Probability Zero universe. He is also a food writer, maintains a blog of interesting and little-known stories about food and cooking, has published the book Food in the Air and Space: The Surprising History of Food and Drink in the Skies about the history of airline food, and has had occasional food-related contributions on File 770. He is a member of LASFS and SCIFI, has worked many Loscons and other conventions, and chaired Loscon Sixteen in 1990. Along with his twin brother Wolf Foss, he was Fan Guest of Honor and Toastmaster at Windycon 19 in 1992.
  • Born October 7, 1959 — Steven Erikson, 64. He’s definitely most known for his Malazan Book of the Fallen series, which began with the publication of Gardens of the Moon and was completed with the publication of The Crippled God, ten novels later. Though I’ve not read it, and didn’t know it existed until now, he’s written the Willful Child trilogy, a spoof on Star Trek and other tropes common in the genre. 

(11) COMICS SECTION.

  • Candorville livestreams a generation clash.
  • Candorville finds a reason to be grumpy about the Updated Drake Equation.

(12) FOR ALL MANKIND MISSION ART. Collectspace.com covers an interesting item: “New collectible pin buttons depict ‘For All Mankind’ space mission patches”. (The direct link to the Icon Heroes product page is here.)

As recently announced by Apple TV+, the fourth season of “For All Mankind” is set to debut on Nov. 10. Created by Ronald D. Moore, along with current showrunners Ben Nedivi and Matt Wolpert, “For All Mankind” explores how humanity’s space exploration efforts may have proceeded differently if the Soviet Union had beaten the United States to landing a man on the moon.

One of the ways the show has distinguished its timeline from our own has been the inclusion of altered or entirely new mission patches worn by the astronauts in the series. For the past three seasons, Icon Heroes, a pop culture collectibles company, has sold limited edition replicas of the “For All Mankind” embroidered emblems.

Now, the Irvine, California-based company is offering those same alternate Apollo artworks, space shuttle symbols and Martian marks as collectible pinback buttons….

(13) 2023 LAUREATE AWARD. The National Fantasy Fan Federation has announced the 2023 Laureate Award winners. The Laureate Award was first given in 1941.

Best Fan Writer — Martin Lock
Best Fan Artist — Jose Sanchez
Best Fan Website — Fanac.org from Joe Siclari, Edie Stern, and Mark Olsen
Best Non-N3F Fanzine — Simultaneous Times Newsletter from Jean-Paul L. Garnier
Best N3F Fanzine — Tightbeam
Best Podcast — Simultaneous Times
Best Novel — Lords of Uncreation by Adrian Tchaikovsky
Best Shorter Work or Anthology — Return to Glory by Jack McDevitt
Best Pro Artist — Austin Arthur Hart
Best Editor — Toni Weisskopf
Best SF Poet — Michael Butterworth
Best Comic Book — New Think 1.0
Best Anime — Chainsaw Man
Best Manga — Mindset
Best Television Show, Film, or Video — Heath Row’s Productions
Best None of the Above — Manuscript Press (Rick Norwood) and aruffo.com for reprinting the daily comic strip Alley Oop

(14) RALPH CRAM’S OEURVE. “The University Architect Who Also Wrote About Haunted Buildings” in the Princeton Alumni Weekly.

The architect who created the look of Princeton’s campus wrote ghost stories. Fittingly, Ralph Adams Cram’s stories are about haunted buildings, and what haunts those buildings is the past. In a story collection that he published in 1895, empty houses prove, over and over, to be anything but. In a crumbling castle near Innsbruck, Austria, where a devilish nobleman once set the ballroom on fire while his guests danced inside, two “ghost hunters” get caught up in a danse macabre. In a secluded convent near Palermo, Italy, a visitor follows a beckoning specter to the site where, a century earlier, the nuns bricked up one of their sisters in the convent’s walls, a heartless punishment for a sin of the heart. In an abandoned old manse in the Latin Quarter of Paris, rumored to have once been a favorite haunt of the city’s witches, a gang of young “rake-hell” students spends the night on a dare, with predictably ghastly results.

The thesis is straightforward: We inhabit buildings, and they inhabit us, in a larger sense than we might think. In 1907, a group of archaeologists who planned to do excavations in the ruins of Glastonbury Abbey performed séances to get advice from the former inhabitants on where to dig. Cram wrote a defense of their methods, arguing not that they dialed up literal ghosts but that buildings are a deep well of memory that outlasts their inhabitants. (The archaeologists found what they were looking for, but England is so crowded with historical odds and sods that they find kings under parking lots, so their chances were already good.)…

(15) TAKE TWO. The solar system has no suspenders but it may have two belts. “Puzzling objects found far beyond Neptune hint at second Kuiper belt” in Science.

Beyond Neptune’s orbit lie thousands of small icy objects in the Kuiper belt, with Pluto its most famous resident. But after 50 astronomical units (AU)—50 times the distance between Earth and the Sun—the belt ends suddenly and the number of objects drops to zero. Meanwhile, in other solar systems, similar belts stretch outward across hundreds of AU….

A new discovery is challenging that picture. While using ground-based telescopes to hunt for fresh targets for NASA’s New Horizons spacecraft, now past Pluto on a course out of the Solar System, Fraser and his colleagues have made a tantalizing, though preliminary, discovery: about a dozen objects that lie beyond 60 AU—nearly as far from Pluto as Pluto is from the Sun. The finding, if real, could suggest that the Kuiper belt either extends much farther than once thought or—given the seeming 10-AU gap between these bodies and the known Kuiper belt—that a “second” belt exists…

(16) ROCKY MOUNTAIN HIGH. “NASA rover makes adventurous trip, then snaps stunning Mars picture” at Mashable.

It was a long slog. But NASA‘s Curiosity rover did it.

The space agency’s car-sized robot, which has ventured up Mars’ Mount Sharp for nearly a decade, successfully traversed rocky terrain to arrive at a scientifically-intriguing site made by ancient avalanches of boulders, debris, and water. Today, this place, Gediz Vallis Ridge, exists as a prominent hill blanketed with large rocks.

After making the arduous trek (scientists worked to find a passable route to this area for three years), the Curiosity rover turned around and snapped an expansive image of the Martian landscape beyond, which NASA released on Oct. 5.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Juli Marr, Andrew (not Werdna), Mark Roth-Whitroth, Steven French, John-Paul L. Garnier, JeffWarner, Andrew Porter, Ersatz Culture, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 7/16/23 Waiting For Hugot

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(1) HALL H EMPTIES OUT. “The last few big Hollywood blockbusters have now dropped out of Comic-Con” reports Yahoo!

The weirdest Comic-Con in years continues to get weirder, today: Legendary has announced that its upcoming sci-fi sequel Dune: Part Two, one of the last live-action blockbusters scheduled for a panel at this year’s version of the long-running convention, has now dropped out. (Ditto the glimpse the studio was planning at the next installment of its Monsterverse franchise of films.) At the same time, at least three TV shows that were still holding out hope for the convention—Amazon’s Wheel Of Time, Freevee’s Jury Duty, and ABC’s Abbott Elementary—have all confirmed that they’re canceling their panels.

The reason, obviously, is the SAG-AFTRA actors strike: There’s not a lot of point in paying for an expensive panel in the Con’s famed Hall H if you don’t have any stars on hand to fill it out and pump up the crowds. 

(2) SPEAKING OF MURDERBOT. NPR taps into the Nerdette podcast to learn “How audiobooks are made”.

GRETA JOHNSEN, BYLINE: Meet Sarah Jaffe. She’s an executive producer at Penguin Random House Audio.

SARAH JAFFE: What that actually means is mostly – I think my 10-year-old self would be thrilled – I get paid to read books all day, talk to really brilliant authors and then do sort of the dream casting that I think we all do in our heads of like, OK, what kind of voice would I need to play this character? And then I get to find and hire that voice.

JOHNSEN: One of my favorite voices is this guy.

KEVIN R FREE: I am Kevin R. Free. I am a multi-hyphenate artist, and I suppose I’m on the Nerdette podcast because I am an audiobook narrator. That is the hat for which you are interviewing me.

JOHNSEN: Kevin has been wearing that hat since 2000. I love him because he narrates Martha Wells’ “Murderbot Diaries”…

(3) RESISTING OUR AI OVERLORDS. “‘Not for Machines to Harvest’: Data Revolts Break Out Against A.I.” reports the New York Times.

For more than 20 years, Kit Loffstadt has written fan fiction exploring alternate universes for “Star Wars” heroes and “Buffy the Vampire Slayer” villains, sharing her stories free online.

But in May, Ms. Loffstadt stopped posting her creations after she learned that a data company had copied her stories and fed them into the artificial intelligence technology underlying ChatGPT, the viral chatbot. Dismayed, she hid her writing behind a locked account.

Ms. Loffstadt also helped organize an act of rebellion last month against A.I. systems. Along with dozens of other fan fiction writers, she published a flood of irreverent stories online to overwhelm and confuse the data-collection services that feed writers’ work into A.I. technology.

“We each have to do whatever we can to show them the output of our creativity is not for machines to harvest as they like,” said Ms. Loffstadt, a 42-year-old voice actor from South Yorkshire in Britain.

… At Archive of Our Own, a fan fiction database with more than 11 million stories, writers have increasingly pressured the site to ban data-scraping and A.I.-generated stories.

In May, when some Twitter accounts shared examples of ChatGPT mimicking the style of popular fan fiction posted on Archive of Our Own, dozens of writers rose up in arms. They blocked their stories and wrote subversive content to mislead the A.I. scrapers. They also pushed Archive of Our Own’s leaders to stop allowing A.I.-generated content.

Betsy Rosenblatt, who provides legal advice to Archive of Our Own and is a professor at University of Tulsa College of Law, said the site had a policy of “maximum inclusivity” and did not want to be in the position of discerning which stories were written with A.I.

For Ms. Loffstadt, the fan fiction writer, the fight against A.I. came as she was writing a story about “Horizon Zero Dawn,” a video game where humans fight A.I.-powered robots in a postapocalyptic world. In the game, she said, some of the robots were good and others were bad.

But in the real world, she said, “thanks to hubris and corporate greed, they are being twisted to do bad things.”

(4) YOUR CHRIS BARKLEY HUGO PACKET. Chris M. Barkley has put links to the columns that will make up his entry in the packet here on Facebook.

I have submitted my selections of columns from File 770 for the 2023 Hugo Award Packet in the Best Fan Writer category. Although it will be a few weeks before the complete packet is released to members of the Chengdu World Science Fiction Convention to consider, I am pinning links to my columns from today until the close of voting period, September 30th.

(5) BUSINESS IS BOOMING. [Item by Steven French.] In advance of Oppenheimer hitting the cinemas, the Guardian presents its latest list, this time of ‘best’ films about the atomic bomb. Sadly there’s no mention of 1950 Brit movie Seven Days Until Noon (which recently appeared on TV here in the U.K.) About a scientist whose moral qualms about the atomic bomb lead him to threaten the destruction of half of London, it won an Academy Award for writers Paul Dehn and James Bernard. Dehn was a well regarded poet and referred to by John LeCarre as an ‘assassin’ following his war service in the SOE. He went on to co-author not only the movie version of The Spy Who Came in From the Cold but also several of the Planet of the Apes sequels. “Streaming: the best films about the atomic bomb”.

…But the legacy of the atom bomb, from its development to its impact to its all-round political aura, is a rich one, spanning everything from esoteric arthouse films to genre B-movies. For decades after the horrifying outcome of the Manhattan Project, through the long-lingering chill of the cold war, anxiety over nuclear warfare was the driving force behind any number of thrillers and war films. Comedies, sci-fi and even the odd film noir – see Robert Aldrich’s blistering Kiss Me Deadly (1955; Internet Archive), which culminates in a literally explosive allegory – got in on the paranoia….

(6) GREGG T. TREND OBITUARY. Longtime fanzine fan Gregg T. Trend passed away in hospice this morning Sunday, July 16 his wife Audrey announced on Facebook.

A Detroit fan active since at least the early 1960s, Gregg attended the 1963 Worldcon, Discon 1. He was a member of the Wayne Third Foundation and edited some issues of its clubzine Seldon’s Plan. He was a member and one of the OEs of MiSHAP.

The last time I saw him was during Renovation, the 2011 Worldcon, at the Faneds’ Feast in the Purple Parrot coffee shop, attended by Ed and Sandra Meskys, Katrina Templeton, Andrew Porter, Cathy Lister-Palmer, Murray Moore, Mary Ann Moore, Gregg and Audrey Trend, me, Milt Stevens, Alan Stewart, Marcy Maliniewicz, Jerry Kaufman, Mike Ward.

Andrew Porter adds, “I bought a piece of his artwork on the sketch table at Discon 1 in 1963, my first Worldcon, and knew him for many decades.”

Gregg Trend in 2003. Photo by Mike Glyer.

(7) MEMORY LANE.

1971 – [Written by Cat Eldridge from a choice by Mike Glyer.]

R. A. Lafferty is the writer of our Beginning, so let’s talk about him. A much loved writer in fandom with almost fifty Award nominations in over his fifty-year career (though only three Awards resulted — a Hugo at Torcon II for his “Eurema’s Dam” along with a Phoenix Award and a World Fantasy Award for lifetime achievement.

I personally think that all of his fiction is worth a read but I’ll single out The Devil is Dead trilogy as one of his better works. Also worth noting is that he was a first rate writer of short fiction as noted by his having thirty-five collections published. Yes, thirty-five. 

Mike picked his Past Master novel.  It was published by Rapp & Whiting fifty-five years ago. It was nominated at St. Louiscon for a Hugo and garnered Ditmar and Nebula nominations as well. 

AT THE TWENTY-FIFTH HOUR

THE THREE big men were met together in a private building of one of them. There was a clattering thunder in the street outside, but the sun was shining. It was the clashing thunder of the mechanical killers, ravening and raging. They shook the building and were on the verge of pulling it down. They required the life and the blood of one of the three men and they required it immediately, now, within the hour, within the minute. 

The three men gathered in the building were large physically, they were important and powerful, they were intelligent and interesting. There was a peculiar linkage between them: each believed that he controlled the other two, that he was the puppeteer and they were the puppets. And each was partly right in this belief. It made them an interlocking nexus, taut and resilient, the most intricate on Astrobe. 

Cosmos Kingmaker, who was too rich. The Heraldic Lion. 

Peter Proctor, who was too lucky. The Sleek Fox.

Fabian Foreman, who was too smart. The Worried Hawk.

“This is Mankind’s third chance,” said Kingmaker. “Ah, they’re breaking the doors down again. How can we talk with it all going on?” 

He took the speaking tube. “Colonel,” he called out. “You have sufficient human guards. It is imperative that you disperse the riot. It is absolutely forbidden that they murder this man at this time and place. He is with us and is one of us as he has always been.” 

“The colonel is dead,” a voice came back. “I am Captain John Chezem the Third, next in command.”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 16, 1882 — Felix Locher. He is considered the oldest Star Trek actor of all time by birth year, appearing in “The Deadly Years” episode. 0ther genre appearances included Curse of the Faceless Man, The Twilight Zone, Frankenstein’s Daughter, The Munsters, House of the Damned, The Man from U.N.C.L.E. and Mission Impossible. His entire acting career was from 1957 to 1969. (Died 1969.)
  • Born July 16, 1928 — Robert Sheckley.  I knew that his short story “Seventh Victim” was the basis of The 10th Victim film but I hadn’t known ‘til now that Freejack was sort of based of his Immortality, Inc. novel.  I’ve read a lot by him with Bring Me the Head of Prince Charming (written with Zelazny) being my favorite work by him. Sheckley is very well stocked on the usual suspects. He had two Hugo nominations, at NYCon II for his “Spy Story” short story, and at Detention for his Time Killer novel. His Seventh Victim novel was nominated for a Hugo at the 1954 Retro Hugos at Noreascon 4. (Died 2005.)
  • Born July 16, 1929 — Sheri S. Tepper. I think I’m going to start with her Marianne Trilogy (Marianne, the Magus and the Manticore; Marianne, the Madam and the Momentary Gods; Marianne, the Matchbox and the Malachite Mouse) as her best work. Both the setting and the characters are unique, the story fascinating.  Nominated for an Astounding Award way back when, she had a long career, so I’m going to note  Beauty, The Gate to Women’s Country, Six Moon Dance and The Companions as my favorites knowing very well that yours won’t be the same. (Died 2016.)
  • Born July 16, 1956 — Jerry Doyle. Now this one was depressing. Dead of acute alcoholism at sixty, his character Michael Garibaldi was portrayed as an alcoholic, sometimes recovering and sometimes not on Babylon 5. (Died 2016.)
  • Born July 16, 1951 — Esther Friesner, 72. She’s won the Nebula Award for Best Short Story twice with “Death and the Librarian” and “A Birthday”.  I’m particularly fond of The Sherwood Game and E.Godz which she did with Robert Asprin. She won the 1994 Edward E. Smith Memorial Award for Imaginative Fiction, for lifetime contributions to science fiction, “both through work in the field and by exemplifying the personal qualities which made the late ‘Doc’ Smith well-loved by those who knew him,” presented by the New England Science Fiction Association. She’s well stocked at the usual suspects. 
  • Born July 16, 1963 — Phoebe Cates, 60. Ok, her entire genre appearance credit is as Kate Beringer in Gremlins and Gremlins 2: The New Batch. (Well and romantic fantasy Date with an Angel.) It’s two films that I have an inordinate fondness for that the Suck Fairy cannot have any effect upon. She retired from film acting as she said there were no good roles and is doing theatre work. 

(9) SOLDIER’S ICON. [Item by Susan de Guardiola.] Apparently Baby Yoda on body armor is becoming a thing in Ukraine, as shown on this volunteer of the Georgian Legion.

Also: “may feathers grow in the throats of our enemies” is a really excellent curse.  No idea whether it’s a Georgian thing or a cultural reference I’m just oblivious to.

(10) ACTRESS PROTESTS BODY SCAN TECH. “Snowpiercer Star Breaks Silence Over Body Scan Tech Used in Season 4” at MovieWeb.

In an industry where the boundary between reality and virtualization is increasingly blurred, a recent wave of controversy has hit the Hollywood sphere. A central figure in this ongoing discourse is none other than Lena Hall, the illustrious Tony Award winner and Grammy nominee, best known for her role in TNT’s Snowpiercer.

On the cusp of the show’s fourth season, Hall took a public stand on Twitter, lambasting the opaque nature of the utilization of full-body scan technology. The thespian recounted her experiences with the procedure, expressing her dismay at the lack of transparency and her perceived violation of consent.

Hall shared,

“So… Snowpiercer season 4 did a full body scan and full range of emotion capture of all the series regulars on the show not ever telling us the real reason why. NOW I know why and it’s really disturbing because I didn’t consent.”

“P.S. they told us it was for special effects but were very vague!”

(11) SOUVENIR FROM SPACE. “French Woman Allegedly Hit By Meteorite While Having Coffee With Friends” at HotHardware. Daniel Dern sent the link with the quip, “I’m Not Having What She’s Having.”

… It’s not every day that someone is hit by a meteorite while trying to enjoy a cup of coffee with friends. In fact, it is an extraordinarily rare occurrence for someone to be struck by a meteorite anywhere on their body. But such was the case for the woman in France recently, and if confirmed would be the first person on record to be struck by a meteorite in nearly 70 years.

“I heard a big ‘Poom’ coming from the roof next to us. In the second that followed, I felt a shock on the ribs. I thought it was an animal, a bat!” the lady proclaimed in an interview with the French newspaper Les Dernières Nouvelles d’Alsace (DNA). She continued, “We thought it was a piece of cement, the one we apply to the ridge tiles. But it didn’t have the color.”…

(12) WHAT HARM COULD AI DO? [Item by SF Concatenation’s Jonathan Cowie.] Over at BBC Radio 4, there has been a series of short (14-minute) episodes on artificial intelligence.  The latest episode concerns whether or not we can control AI? and has some SFnal references. “Can we control AI?”

When so-called “generative” Artificial Intelligences like Chat GPT and Google’s Bard were made available to the public, they made headlines around the world and raised fears about how fast this type of AI was developing. But realistically, what harm could AI do to people? Is it an existential threat, or could it become one? And if things got really bad, couldn’t we just switch it off or smash it up with a hammer?

(13) VIDEO OF THE DAY. Here’s a trailer for a trailer for the new Beauty and the Beast adaptation: Belle.

Belle would do anything to save her ailing father. She journeys in search of a mythical rose believed to be a cure. As payment for the rose, she must surrender herself to a vicious beast and battle his spell.

[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Joyce Scrivner, Daniel Dern, Susan de Guardiola, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Update 07/17/2023: Replaced a photo of Gregg Trend. The one originally provided by Andrew Porter was of someone else.

Pixel Scroll 5/12/23 I’m A Citizens For Boisenberry Space Jam Of The Galaxy Fan

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(1) UNDERSTANDING A SOCIAL MEDIA SUCCESS STORY. [Item by Cora Buhlert.] Grace P. Fong explains how Twitter’s algorithm caused that Bigolas Dickolas tweet to go viral: “This is How Bigolas Dickolas Won the Twitter”.

…Basically, I think this not a case of lightning striking but more a case of two long-term successes colliding in a way that was socially unlikely (although algorithmically possible), followed by a snowball effect in part of the sheer novelty of these two social groups.

So first, you need to understand the social media algorithm…

We know that the algorithm groups people based off who they follow and who follows them back. This is why ‘top’ people in a particular circle will actually have similar follower counts give or take a few K. For example, pop stars will have followings in the 100Ks, visual artists at 20Kish, and writers at 10Kish. Posts that do well are first elevated to members of the same circle.

That’s the key to success here: the post by Bigolas Dickolas (who I’ll call BD to save space) hopped circles. A much bigger circle than the speculative fiction circle: the Trigun circle….

(2) TOLKIEN SCHOLARSHIP. Robin Anne Reid has published “My Presentation for the ‘Tolkien and Medieval Constructions of Race’ Roundtable” at Writing from Ithilien.

…I would like to thank Kris and Mariana for organizing this roundtable. I second their call to foreground work by medievalists of colour and to expand scholarship on Tolkien that draws on critical race, intersectional, postcolonial, and neo-colonial theories. However, my focus today is not on what Tolkien wrote. Instead, I argue that Tolkien studies is dominated by white scholars who too often defend their beloved author with the shield of authorial intentionality, and that we need to turn an analytical gaze on ourselves and the systemic racism that is the foundation of our field (and of Anglophone academia). What follows is an overview of that process in my own work.

My 2017 bibliographic essay on “Race and Tolkien” in Christopher Vaccaro and Yvette Kisor’s Tolkien and Alterity analyzes twenty-three essays and two books on the topic that were published between 2003-2013. The essays include a handful of entries in Michael Drout’s Tolkien Encyclopedia, but most are peer-reviewed publications. The conflict between those who defend what are held to be the author’s personal beliefs and those who analyze the texts is clear. My conclusion is that it is futile to frame the research question as “Is Tolkien racist or not?” as opposed to the question of “how does Tolkien’s work criticize and reproduce the racist/imperialistic/colonialist systems of the world in which he lived?” My bibliographic essay is the only one of the eleven chapters in the first collection on “Alterity” that engages with the topic of race and racisms as opposed to the other types of alterity which, by the unstated default, are primarily White: queerness; women; femininity; language, and identities….

(3) A WINDOW ON PUBLISHING ISSUES. The New York Times profiles R. F. Kuang, author of Yellowface, in “She Wrote a Blistering Satire About Publishing. The Publishing Industry Loves It.”

Everything about R.F. Kuang’s novel “Yellowface” feels engineered to make readers uncomfortable. There’s the title, which is awkward to say out loud, and the cover, which features a garish racial stereotype — cartoonish slanted eyes imposed on a block of yellow.

Then there’s the story itself. In the opening chapters, a white author steals a manuscript from the home of a Chinese American novelist who has died in a bizarre accident, and plots to pass it off as her own. What follows is a twisty thriller and a scorching indictment of the publishing industry’s pervasive whiteness and racial blind spots.

If people in the literary world bristle at Kuang’s withering depiction of the book business — or cringe in recognition — well, that’s exactly the point, she said.

“Reading about racism should not be a feel-good experience,” she said. “I do want people to be uncomfortable with the way that they’re trained to write about and market and sell books, and be uncomfortable with who’s in the room, and how they’re talking about who’s in the room.

“And it’s also functioning on a different level for writers of color,” she added, “to think about how we are moving through those spaces, and the traps that are set for us.”…

(4) AUDIOBOOKS MAKING NOISE. Publishing Perspectives shows that in February in the U.S. “Audio in Adult Titles Surpasses Ebooks”.

… The AAP’s report points to February as the first time that digital audio has surpassed ebooks in books for adults. We emphasize the “for adults” element only to stress that the handy lead taken by digital audio over ebooks in February is no across the board, but limited to adult content….

(5) SHOOTING THE MOON. [Item by Danny Sichel.] Andrew McCarthy used two telescopes for five years and stitched together +280,000 individual photos of the Moon to produce the “Gigamoon”, the most detailed image of the Moon on record. It’s over a billion pixels large, and he’s made an interactive version available.

Try zooming in — at EasyZoom.

(6) KGB. Ellen Datlow has posted her photos from the Fantastic Fiction at KGB readings on May 10, 2023 which featured guests Paul Tremblay and John Langan.

(7) SURVIVOR MARS — OR — THROW SHAT FROM THE HABITAT. [Item by Mike Kennedy.] Just when you thought every stupid “celebrity“ elimination show had been made, along comes Stars on Mars. Hosted by William Shatner on Fox, a dozen B-, C-, and mostly D-List celebrities will be gathered in a simulated Mars habitat and compete with each other to prevent being “sent back to Earth.“

Speaking for themselves, the Futurism article says, “We’ll probably be tuning in — even if it’s just so you don’t have to.” In any case, you’ve been warned. “New Show Traps Lance Armstrong and Ariel Winter in Simulated Mars Base”

…The show, set to premiere next month, will be hosted by none other than “Star Trek” legend and depressed space tourist William Shatner.

“Thanks to lower gravity on Mars, you’ll weigh 62 percent less,” Shatner quipped during a promo video. “Bad news: the air is unbreathable, so if you’re from LA, it’ll remind you of home.”

The guest list is a bizarre mashup of VIPs, from UFC champion Ronda Rousey and “Real Housewives of Atlanta” reality star Porsha Williams Guobadia to actor Christopher Mintz-Plasse, who you might remember as McLovin’ from the comedy “Superbad.”

The show will vaguely mimic a NASA analog mission, with contestants living and working inside a mockup of a Martian colony, though it’s unclear for how long.

They will also compete with each other during several challenges set by Shatner and vote each other off of the show — “send them back to Earth” — until a single “space invader” is left standing, according to a press release….

(8) LIVE STAGE EFFECTS. The New York Times continues its periodic series with “5 Tony-Nominated Broadway Shows, 5 Stagecraft Secrets”. Includes the very bloody Sweeney Todd.

…Theater, at its best, is a form of magic — it enchants us, transforms us and often makes us wonder, “How do they do that?”

On Broadway, where craft is polished and spectacle is heightened, there is much at which to marvel. So this spring, now that all the 2022-23 plays and musicals have opened, we have once again asked a few of the Tony-nominated shows to let us peek behind the metaphorical curtain, exploring how they came up with, and pulled off, some of the sensational stagecraft that caught our attention this season.

Warning: Spoilers ahead….

(9) JERRY LAPIDUS (1948-2023). Fanzine fan Jerry Lapidus died about April 19 in his home in Ormond Beach, Florida announced D. Gary Grady.

I remember Jerry’s genzine Tomorrow and… which was published in a slightly exotic format on legal length paper (see issues at Fanac.org.) From 1968-1972 he also did an annual compilation of the current Worldcon constitution in The Legal Rules which identified the latest changes and published notes on the actions of the business meeting.   

Outside of fandom, recalls Grady, “For many years Jerry worked with Actors Equity in New York, negotiating Equity contracts with regional theaters all over the country. Later he took a position helping run a large performing arts center in Daytona Beach, the Seaside Music Theater, and more recently he was a volunteer at a small nonprofit theater in Palm Coast.”

Jerry’s wife Anita died in 2015. He is survived by his daughter, Kim.

(10) MEMORY LANE.

2012 – [Compiled by Cat Eldridge.]

May I start off by saying we are so blessed to have Pat Cadigan among as both an individual and as a writer? Truly blessed? She’s an amazing person that has been honored with multiple Hugo nominations but only one win which was for “The Girl-Thing Who Went Out for Sushi”, the source of our Beginning this time. 

It was published in Jonathan Strahan’s Edge of Infinity anthology in 2012.

And now Cadigan demonstrates her most excellent wordsmithing in this Beginning…

Nine decs into her second hitch, Fry hit a berg in the Main ring and broke her leg. And she didn’t just splinter the bone—compound fracture! Yow! What a mess! Fortunately, we’d finished servicing most of the eyes, a job that I thought was more busywork than work-work. But those were the last decs before Okeke-Hightower hit and everybody had comet fever.

There hadn’t been an observable impact on the Big J for almost three hundred (Dirt) years—Shoemaker-Somethingorother—and no one was close enough to get a good look back then. Now every news channel, research institute, and moneybags everywhere in the solar system was paying Jovian Operations for a ringside view. Every JovOp crew was on the case, putting cameras on cameras and backup cameras on the backup cameras—visible, infrared, X-ray, and everything else. Fry was pretty excited about it herself, talking about how great it was she would get to see it live. Girl-thing should have been watching where she wasn’t supposed to be going.

I was coated and I knew Fry’s suit would hold, but featherless bipeds are prone to vertigo when they’re injured. So I blew a bubble big enough for both of us, cocooned her leg, pumped her full of drugs, and called an ambulance. The jellie with the rest of the crew was already on the other side of the Big J. I let them know we’d scrubbed and someone would have to finish the last few eyes in the radian for us. Girl-thing was one hell of a stiff two-stepper, staying just as calm as if we were unwinding end-of-shift. The only thing she seemed to have a little trouble with was the O. Fry picked up consensus orientation faster than any other two-stepper I’d ever worked with but she’d never done it on drugs. I tried to keep her distracted by telling her all the gossip I knew and when I ran out, I made shit up.

Then all of a sudden, she said, “Well, Arkae, that’s it for me.”

Her voice was so damned final, I thought she was quitting. And I deflated because I had taken quite a liking to our girl-thing. I said, “Aw, honey, we’ll all miss you out here.”

But she laughed. “No, no, no, I’m not leaving. I’m going out for sushi.”

I gave her a pat on the shoulder, thinking it was the junk in her system talking. Fry was no ordinary girl-thing—she was great out here but she’d always been special. Back in the Dirt, she’d been a brain-box, top-level scholar and a beauty queen. That’s right—a featherless biped genius beauty queen. Believe it or leave it, as Sheerluck says.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 12, 1907 — Leslie Charteris. I really hadn’t thought of the Simon Templar aka The Saint series as being genre but both ISFDB and ESF list the series with the latter noting that “Several short stories featuring Templar are sf or fantasy, typically dealing with odd Inventions or Monsters (including the Loch Ness Monster and Caribbean Zombies.” (Died 1993.)
  • Born May 12, 1928 — Robert Coulson. Writer, well-known fan, filk songwriter and fanzine editor. He and his wife, writer and fellow filker Juanita Coulson, edited the fanzine Yandro which they produced on a mimeograph machine, and which was nominated for the Hugo Award ten years running right through 1968, and won in 1965. Yandro was particularly strong on reviewing other fanzines. Characters modeled on and named after him appear in two novels by Wilson Tucker, Resurrection Days and To the Tombaugh Station. (Died 1999.)
  • Born May 12, 1937 — George Carlin. Rufus in Bill & Ted’s Excellent Adventure and Bill & Ted’s Bogus Journey. He also showed up in Scary Movie 3 and Tarzan II. I once met him many decades ago at a Maine summer resort. He was really personable and nice. (Died 2008.)
  • Born May 12, 1938 — David Pelham, 85. Artist and Art Director at Penguin Books from 1968 to 1979, who was responsible for some of the most recognizable cover art in genre books to date. He did the cog-eyed droog for Anthony Burgess’s novel A Clockwork Orange in 1972.
  • Born May 12, 1942 — Barry Longyear, 81. Best known for the Hugo- and Nebula Award–winning novella Enemy Mine, which became a film by that name as well. An expanded version of the original novella as well as two novels completing the trilogy, The Tomorrow Testament and The Last Enemy make up The Enemy Papers. I’m very fond of his Circus World series, less so of his Infinity Hold series.
  • Born May 12, 1950 — Bruce Boxleitner, 73. His greatest genre role was obviously Captain John Sheridan on Babylon 5. (Yes, I loved the show.) Other genre appearances being Alan T. Bradley in Tron and Tron: Legacy, and voicing that character in the Tron: Uprising series. He has a recurring role on Supergirl as President Baker.
  • Born May 12, 1958 — Heather Rose Jones, 65. Part of our File 770 community.  She received the Gaylactic Spectrum Award for the Mother of Souls, the third novel in her Alpennia series which has now seen four novels published, quite an accomplishment. For six years now, she has presented the Lesbian Historic Motif Podcast subseries of the Lesbian Talk Show.

(12) COMICS SECTION.

  • Frazz explains some indiocyncratic English pluralization(s).

(13) PIONEERING THE COMIC STORE BUSINESS. The Comics Journal interviews the current owner of L.A.’s famed “Golden Apple Comics” who inherited in from his father.

Just to step back historically for a moment, Golden Apple was one of the earliest comic stores in L.A., and became one of the most important stores nationally for comic retail. So, to your mind, what led to that influence? What was the key to your dad’s strategy?

First and foremost, his passion, his creativity, his drive, his vision. He was a retail pioneer for comic books. There were comic book stores in the 1970s, but they were run by fans, and they weren’t even legitimate businesses. My dad is actually the one who really pushed for cash registers, for example. Everybody else was using cigar boxes or whatever, and they weren’t paying their taxes, they weren’t doing inventory or anything. 

And selection was always a big thing for us. It was a really big store, the original store. We probably carried more new titles and deeper stock than anybody. We would just have hundreds of copies of every major Batman, Spider-Man, X-Men, Image title. Because here’s the thing about Golden Apple: we didn’t do subscriptions, like pull lists or traditional subscription boxes, which are sort of the backbone of the industry. My dad didn’t believe in it. He felt that it took away from the shopping aspect of [the store]: that they would come in, and buy [their holds], and walk out the door and not even look around. And he was wrong. There are a small handful who do that, and I always look at them and go, “Oh, you’re the ones my dad was fearing.” But it’s a very small amount of regulars.

Obviously, one of the main keys was, [Golden Apple] is a place to meet your heroes, whether it’s a comic creator, a celebrity, a movie star, a musician. If you had a comic book that you were trying to promote, you came through Golden Apple. So Wizard magazine did an article called “Comic Shop to the Stars” – we basically [had] kept it under wraps for years, as a sign of respect, and I didn’t want to publicly call out these celebrities that had been shopping in our store. And then one day, Wizard magazine said, “Hey, I heard X, Y and Z shop here.” And my dad said, “You know what? I think it’s time to tell the world.” And we did, and ever since then, our star has just risen: more celebrities come in, I think, because of it. Michael Jackson was famously a customer. It was the only comic store he went to, and we would close the place down for him. And he brought his kids and everything – we’re the last documented store where photographers took pictures of Michael and his three children before he died.

Have you ever felt there’s a downside to that – whether adding that level of glitz detracts from your identity as a comic shop in any way?

It’s a pure plus. I can’t tell you the countless amount of customers who have been in the store when a big celebrity comes in. It makes their day….

(14) BITE ME. “Soap can make humans more attractive to mosquitoes, study finds” reports the Guardian.

Lathering up with soap might seem a reasonable mosquito-evasion strategy on the basis that if they can’t smell you, they can’t bite you.

However, a study suggests that rather than helping you go incognito, soapy fragrances could make you a more attractive target, with mosquitoes favouring the scent of volunteers who washed with three out of four popular soap brands tested.

The scientists behind the research said mosquitoes may be attracted to soap because, when they are not feeding on blood, they supplement their sugar intake with plant nectars.

“The fact we are taking those flowery, fruity smells and putting them on our bodies means that now the same object smells like a flower and a person at the same time,” said Clément Vinauger, who led the work at Virginia Polytechnic Institute and State University. “It would be like waking up and smelling something that was like both coffee and muffins. Very appealing.”…

(15) HAMILTONIAN HUMOR. [Curated by Daniel Dern.]

At the 30th annual Easter Bonnet Competition, the company of Hamilton took top honors for transforming their opening number into an homage to Stephen Sondheim’s Sweeney Todd. Lin-Manuel Miranda chillingly portrayed the “demon barber of Fleet Street” as his fellow cast members retold the dark, twisted tale.

(16) VIDEO OF THE DAY. The faux “Lord of the Rings by Wes Anderson Trailer” is a big hit online. Jennifer Hawthorne says, “If you’ve seen any Wes Anderson movies this is hilarious, and if you haven’t it’s still pretty fun (and also, you should go see some Wes Anderson movies.)”

It was made using AI – the maker has posted an explanation about how they did it: “AI Filmmaking”.

[Thanks to Andrew Porter, John King Tarpinian, SF Concatenation’s Jonathan Cowie, Jennifer Hawthorne, Cora Buhlert, Daniel Dern, Danny Sichel, Ellen Datlow, Chris Barkley, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Audie Awards 2023 Finalists

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Finalists in 26 competitive categories for the 2023 Audie Awards were announced by the Audio Publishers Association (APA) on February 23.

The Audie Awards® recognize excellence in audiobook and spoken word entertainment. The winners will be revealed on March 28.

The complete list of finalists is here. Categories of genre interest include:

SCIENCE-FICTION

How High We Go in the Dark

  • By Sequoia Nagamatsu
  • Narrated by Julia Whelan, Brian Nishii, Keisuke Hoashi, MacLeod Andrews, Jeanne Sakata, Greg Watanabe, Kurt Kanazawa, Matthew Bridges, Kotaro Watanabe, Brianna Ishibashi, Joe Knezevich, Micky Shiloah, Stephanie Komure, and Jason Culp
  • Published by HarperAudio

Intergalactic Exterminators, Inc

  • By Ash Bishop
  • Narrated by Scott Brick and Suzanne Elise Freeman
  • Published by CamCat Books

No Kindness Too Soon

  • By Sylvain Neuvel
  • Narrated by Melanie Nicholls-King, Deepti Gupta, Neil Hellegers, Gabriel Vaughan, Kathy Searle, Imani Jade Powers, Nicolette Chin, Gopal Divan, and Garrett Michael Brown
  • Published by Audible Originals

Noor

  • By Nnedi Okorafor
  • Narrated by Délé Ogundiran
  • Published by Tantor Audio, a division of RBmedia

YMIR

  • By Rich Larson
  • Narrated by Alan Medcroft
  • Published by Hachette Audio

FANTASY

The Art of Prophecy

  • By Wesley Chu
  • Narrated by Natalie Naudus
  • Published by Penguin Random House Audio

Cold as Hell

  • By Rhett C. Bruno and Jaime Castle
  • Narrated by Roger Clark
  • Published by Blackstone Publishing

Good Omens

  • By Neil Gaiman and Terry Pratchett
  • Performed by Rebecca Front, Michael Sheen, David Tennant, Katherine Kingsley, Arthur Darvill, Peter Forbes, Gabrielle Glaister, Louis Davison, Pixie Davis, Chris Nelson, Ferdinand Frisby Williams, Adjoa Andoh, Allan Corduner, Kobna Holdbrook-Smith, Josh Hopkins, Lorelei King, Matt Reeves, and Lemn Sissay
  • Published by HarperAudio

Legends & Lattes

  • Written and narrated by Travis Baldree
  • Published by Macmillan Audio

The Monsters We Defy

  • By Leslye Penelope
  • Narrated by Shayna Small
  • Published by Hachette Audio

AUDIO DRAMA

1984

  • By George Orwell
  • Adapted by Anna Lea
  • Performed by Chris Lew Kum Hoi, Rhianne Barreto, Michael Maloney, Clare Corbett, Homer Todiwala, Jonathan Keeble, Rupert Holliday Evans, Sarah Paul, Simon Shepherd, Theo Solomon, Wayne Forester, Finnigan Morris, Hugo Whysall, Jake Turner, Jo Ashe, Katrina Cooke, Linton Tulloch, Morgan Denman, Bronwen Denman, Muriel Abehsera, and Rob Wilson
  • Published by Storytel Original

Clean Sweep

  • By Ilona Andrews
  • Performed by Alejandro Ruiz, Christopher Walker, Holly Adams, James Lewis, Karen Novack, Ken Jackson, Nora Achrati, Peter Holdway, Elias Khalil, Ryan Reid, and Alex Hill-Knight
  • Published by GraphicAudio, a division of RBmedia

Coraline

  • By Neil Gaiman
  • Performed by Julian Rhind-Tutt, Pixie Davies, Katherine Kingsley, Julian Clary, Jacqueline Boatswain, Kevin McNally, Adjoa Andoh, Adrian Schiller, Heather Nicol, William Parker, and Nicole Davis
  • Published by HarperAudio

Good Omens

  • By Neil Gaiman and Terry Pratchett
  • Performed by Rebecca Front, Michael Sheen, David Tennant, Katherine Kingsley, Arthur Darvill, Peter Forbes, Gabrielle Glaister, Louis Davison, Pixie Davis, Chris Nelson, Ferdinand Frisby Williams, Adjoa Andoh, Allan Corduner, Kobna Holdbrook-Smith, Josh Hopkins, Lorelei King, Matt Reeves, and Lemn Sissay
  • Published by HarperAudio

Pipeline

  • By Dominique Morisseau
  • Performed by Sophina Brown, Eugene Byrd, Demetrius Grosse, Sharon Lawrence, X Mayo, Uyoata Udi, and Karen Malina White
  • Published by LA Theatre Works