By Lis Carey: This is a novella in the Rivers of London series.
Abigail Kamara, younger cousin of police constable and apprentice wizard Peter Grant, has been left largely unsupervised while he’s off in the sticks on a case. This leaves Abigail making her own decisions when she notices that kids roughly her age are disappearing–but not staying missing long enough for the police to care.
Natali, a girl she slightly knows, invites her to a “happening” on the Heath. When she goes to the Heath to meet up for the happening, she doesn’t find the girl, but does meet a white boy named Simon. Simon was also invited to the “happening” by a different girl, Jessica, whom he slightly knows. When neither of the girls shows up, eventually they abandon the “happening,” but start to develop an unlikely friendship of their own. Simon tries to teach her to climb trees; Abigail wins a small degree of favor with the housekeeper and Simon’s mother by getting him to actually do his Latin study. They are both studying Latin in the summer, a year or two earlier than expected, because Simon’s mum has ambitions for Simon, and Abigail has (wizardly) ambitions for herself.
When Abigail realizes that Natali and Jessica, the girls who invited her and Simon to the “happening” that never happened, have disappeared, she can’t let go of it. She insists on investigating. Simon introduces her to the Cat Lady, who is a good deal more interesting that that label alone suggests. A talking fox named Indigo approaches Abigail, and says Abigail is needed for something the foxes can’t do on their own.
Abigail, Indigo, and Simon wind up at a very oddly haunted house, and Abigail has to navigate relations with the police, the talking foxes, a river goddess and her court, Peter’s superior officer, Detective Chief Inspector Thomas Nightingale, and, some ways most terrifying of all, Simon’s mum.
Oh, and the haunting at a closed-up house.
Abigail grows, learns, and shows herself as a genuinely kind and decent person. Also a smart and determined person.
Altogether an enjoyable and satisfying story.
Recommended.
I received a free review copy of this novella, and am reviewing it voluntarily.
What Abigail Did That Summer (Rivers of London #5.83), by Ben Aaronovitch; Subterranean Press, ISBN 9781645240280, March 2021
(1) IN SUIT OVER CONTROLLED DIGITAL LENDING PARTIES FILE FOR SUMMARY JUDGMENT. This week both parties to the lawsuit over “controlled digital lending” — four publishers on one side and the Internet Archive on the other — filed motions for summary judgment Publishers Weekly reports: “Publishers, Internet Archive File Dueling Summary Judgment Motions in Scan Suit”. A motion for summary judgment asks the court to render a decision on the record already submitted.
The battle lines have now been drawn in a potentially landmark lawsuit over the scanning and lending of books. In a motion for summary judgment filed this week, lawyers for Hachette, HarperCollins, Wiley, and Penguin Random House argue that the Internet Archive’s controversial program to scan and lend books under an untested legal theory known as “controlled digital lending” is a massive piracy operation “masquerading as a not-for-profit library.” And in a dueling motion for summary judgment, the Internet Archive counters that its scanning and lending program does not harm authors and publishers and is a public good protected by fair use.
Copies of both parties’ motions are available online, the publishers motion here, and the Internet Archive’s motion here.
The publishers contend Internet Archive’s practices violate copyright law:
…Yet Internet Archive assumes that all “information should be free” and has searched for years to find a legal rationale for its radical infringements. Around 2018, it helped manufacture and market a theory called “controlled digital lending” or “CDL,” which was developed with no input from authors or publishers and without the imprimatur of Congress. Directly contradicting the idea that copyright protects a bundle of divisible rights, IA posits that it is lawful for a library to make digital copies of any print book it acquires and distribute that digital copy over the internet, without a license, as long as (a) the library uses digital rights management (“DRM”) technology to prevent additional copying, and (b) the library “only loan[s] simultaneously the number of [print] copies that it has legitimately acquired.” SUMF¶436. Regardless of whether it actually complies with CDL – and it does not – Internet Archive’s practice of CDL violates fundamental principles of copyright law, and undermines market incentives necessary to spur the creation of new works…
The Internet Archive’s motion gives this explanation of Controlled Digital Lending:
…CDL is fundamentally the same as traditional library lending; it’s just a better way of getting the book to the one patron who borrowed it. Because every book in the Internet Archive’s print collection has already been bought and paid for, everyone agrees the Internet Archive could loan those books by handing or mailing them to a patron. The only difference is that the Internet Archive is loaning the books over the Internet. Either way, the books on loan are not available to other patrons until they are returned….
“The publishers are not seeking protection from harm to their existing rights. They are seeking a new right foreign to American copyright law: the right to control how libraries may lend the books they own,” said EFF Legal Director Corynne McSherry. “They should not succeed. The Internet Archive and the hundreds of libraries and archives that support it are not pirates or thieves. They are librarians, striving to serve their patrons online just as they have done for centuries in the brick-and-mortar world. Copyright law does not stand in the way of a library’s right to lend its books to its patrons, one at a time.”
(2) IT CAUGHT ON IN A FLASH. Space Cowboy Books presents an “Online Flash Science Fiction Reading” on July 19 at 6:00 p.m. Pacific. Register for free here.
Join us online for an evening of short science fiction readings with authors Douglas A. Banc, Ricardo Victoria, and Adele Gardner. Flash Science Fiction Nights run 30 minutes or less, and are a fun and great way to learn about new authors from around the world.
Elon Musk wants to terminate his $44 billion deal to buy Twitter — the latest in a whirlwind process in which the billionaire Tesla CEO became the company’s biggest shareholder, turned down a board seat, agreed to buy the social media platform and then started raising doubts about going through with the deal. The next chapter in the saga is almost certain to be a court battle.
Musk claimed in a letter to Twitter (TWTR)’s top lawyer that he is ending the deal because Twitter (TWTR) is “in material breach of multiple provisions” of the original agreement, which was signed in April, according to a regulatory filing Friday evening.
Musk has for weeks expressed concerns, without any apparent evidence, that there are a greater number of bots and spam accounts on the platform than Twitter has said publicly. Analysts have speculated that the concerns may be an attempt to create a pretext to get out of a deal he may now see as overpriced, after Twitter shares and the broader tech market have declined in recent weeks. Tesla (TSLA) stock, which Musk was planning to rely on in part to finance the deal, has also declined sharply since he agreed to the deal….
(4) SOCIETY OF ILLUSTRATORS. An exhibit of top African-American artists in the comic book industry, “The Artist’s Experience: from Brotherman to Batman”, is being hosted by the Society of Illustrators through October 29.
The Society of Illustrators has announced a dynamic installation on display in the museum that delves between the pages of comic books and explores the artists’ process. “The Artist’s Experience: From Brotherman to Batman” on display from June 15 through October 29, 2022. The exhibit celebrates some of the top African-American artists in the comic book industry, and was co-curated by renowned culture journalist and writer Karama Horne (Marvel’s Protectors of Wakanda: A History and Training Manual of the Dora Milaje) and Eisner Award-nominated artist and writer Shawn Martinbrough (How to Draw Noir Comics: The Art and Technique of Visual Storytelling, Thief of Thieves, Red Hood), whose work will be featured along with over sixteen other talented artists.
… Also featured are Eisner Award-winning artists Afua Richardson (Black Panther World of Wakanda, HBO’s Lovecraft Country), Alitha Martinez (Batgirl, World of Wakanda) and John Jennings (Octavia Butler’s Parable of the Sower), as well as veteran artists Larry Stroman (Alien Legion, X-Factor) and Darryl Banks (Green Lantern).
Artwork from award-winning artist Ronald Wimberly, founder of the experimental art magazine THE LAAB (whose Prince of Cats graphic novel is currently being adapted to film by Spike Lee), Khary Randolph, Jamal Igle, Micheline Hess, Sanford Greene, Eric Battle, Marcus Williams, Chuck Collins, Damion Scott and Robyn Smith will all be on display, as well.
… The 2022 Urban Libraries Unite Trauma Study draws upon a wide-ranging literature review, survey responses from more than 435 urban library workers (conducted between August and September 2021), focus groups, and a two-day forum. The final report paints a vivid picture of the difficult working conditions facing many urban librarians and library workers, as well as a promising framework through which the library community can begin to address its needs.
“It is clear that there is a crisis of trauma in urban public libraries and the evidence for this is so overwhelmingly compelling that it seems likely that trauma impacts work in libraries of all types across the profession,” reads the report’s conclusion. “It is also clear from the literature search and the conversations that created this report’s conclusions that the library profession is starting to wake up to this deeply corrosive crisis.”
The report describes a range of violent or aggressive patron behavior toward library workers, including racist and sexist verbal abuse, harassment, physical assault including having guns and other weapons brandished, and drug and alcohol issues including overdoses. In addition, library workers reported significant instances of “secondary trauma” from constant interactions with community members (including children) struggling with poverty, homelessness, mental illness, or drug abuse….
Now it’s time for breakfast with David Gerrold, who I first encountered when I was 12, because I saw the Star Trek episode scripted by him, “The Trouble with Tribbles,” when it first aired in 1967. And they say 12 is the Golden Age of science fiction, right?
But David is so much more than that famed episode. He’s the author of more than 50 books, hundreds of articles and columns, and numerous hours of television. His TV credits include episodes from Star Trek (such as the aforementioned “The Trouble With Tribbles” and “The Cloud Minders”), Star Trek Animated (“More Tribbles, More Troubles” and “Bem”), Babylon 5 (“Believers”), Twilight Zone (“A Day In Beaumont” and “A Saucer Of Loneliness”), Land Of The Lost (“Cha-Ka,” “The Sleestak God,” “Hurricane,” “Possession,” and “Circle”), Tales From The Darkside (“Levitation” and “If The Shoes Fit”), Logan’s Run (“Man Out Of Time”), and others.
His novels include When HARLIE Was One (which I believe was the first prose of his I read, at age 17), The Man Who Folded Himself, The War Against The Chtorr septology, The Star Wolf trilogy, and The Dingilliad young adult trilogy, the Trackers duology, and many more. The autobiographical tale of his son’s adoption, “The Martian Child,” won the Hugo and Nebula awards for Best Novelette of the Year and was the basis for the 2007 movie, Martian Child. He was the 2022 winner of the Robert A. Heinlein Award, which was presented during Balticon.
We discussed what he means by “humility in the face of excellence,” the curse of fame and why J. D. Salinger may have had the right idea, how the more you know the slower you write, the challenge of living up to having won the Heinlein Award (and why Heinlein once called him “a very nasty man”), the scariest story he ever wrote, how Sarah Pinsker helped him understand what he really felt about Ursula K. Le Guin’s “The Ones Who Walk Away from Omelas,” the kind of person he might have been had he not moved to L.A. as a kid, the fannish way he found out he’d been nominated for a Hugo Award, how it feels to already know what the headline of his obituary will be, and much more.
(7) TOM FABER ON VIDEO GAMES. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber recalls seeing Braveheart with his cousin, who asked, “Where are all the wizards?”
On surveying my collection of fantasy movies and video games the next day, I realized that almost all of them were set in a place that resembled 13th-century Scotland, from Lord Of The Rings to Skyrim to Game Of Thrones. Given that fantasy is the only genre that gives writers unlimited creative licence to dream up the wildest worlds, why do we see the same tired cliches again and again?…
…This is finally starting to change with the emergence of game developers outside the conventional industry hubs who are weaving new fantasies from the threads of their own history and myths. Earlier this year, Mexican studio Lienzo released Aztech: Forgotten Gods, which imagines a sci-fi world in which the Aztecs were never conquered. Rafi: An Ancient Epic incorporates Hindu mythology and draws inspiration fro the Mahabharata and the Ramayana. Maori developer Naphtali Faulkner created the stylish Umurangi Generation, a photo game set in a near-future New Zealand. Meanwhile, Aurion: Legacy of the Kori-Odan and the ambitious upcoming game The Wagada Chronicles both explore complex African mythologies.
A new partnership will bring together all nine of the novels, plus the accompanying short stories, novellas and graphic novels, for the screen.
Rivers of London is part urban fantasy, part police procedural, centring on detective constable Peter Grant. A newly graduated police officer from London, he is recruited in the first book by wizard and inspector Thomas Nightingale to the Folly, a police unit working on supernatural crimes, after an encounter with a ghost….
(9) DIRDA ON BOOKS OF INTEREST TO FANS. Michael Dirda reviews three volumes of Folio Society collections of Marvel comics and three volumes of Penguin Marvel collections. He also reviews a book called Cosplay which is a history of cosplayers going back to Worldcon masquerades. “Marvel comics in updated editions from Penguin and Folio, reviewed” in the Washington Post.
…All this past spring, then, I was eagerly looking forward to recapturing some of that ancient enchantment by immersing myself in six colorful volumes of Marvel superhero comics: three Penguin Classics collections of the early adventures of Spider-Man, Captain America and Black Panther, and three Folio Society best-of collections devoted to Spider-Man, Captain America and Hulk.
For fans, both series are desirable and contain little overlap. The general editor of the Penguin editions, Ben Saunders, a comics scholar from the University of Oregon, provides historical background on how Stan Lee, Jack Kirby, Steve Ditko and others co-created these modern legends. Contemporary writers such as Qiana J. Whitted, Gene Luen Yang, Jason Reynolds and Nnedi Okorafor contribute additional introductions or winningly personal forewords. Appendixes feature recommended reading lists and sometimes supplemental essays, such as Don McGregor’s memoir of how he wrote the multi-issue “Panther’s Rage,” which supplied some of the plot elements to the “Black Panther” movie. Each of these collectible Penguin hardbacks runs to roughly 350 pages and is priced at $50. Paperback editions cost $28.
The Folio Society volumes cost $125 apiece, but for purists they offer a slightly more authentic reading experience….
…At least, I continue to be childishly delighted by adult cosplay, the practice of dressing up as a favorite fictional or cinematic character. As our troubled superheroes know, donning a mask can be liberating, a way of releasing one’s deeper self. Appropriately, Andrew Liptak’s opens his chatty “Cosplay: A History” by looking at costume balls, historical reenactors, Halloween and the tradition of masquerade night at science-fiction conventions. Still, his heart really belongs to the Star Wars franchise.
(10) R. C. HARVEY (1937-2022). Cartoonist Robert C. Harvey, a respected comics historian and columnist, died July 7. His autobiographical intro at The Comics Journal sums up an incredible career.
Harv’s first foray into expository text was with a column in the fondly recalled Menomonee Falls Gazette (a weekly newspaper of comic strips) in the fall of 1973. A couple years later, he launched his Comicopia column in No.130 of the Rocket’s Blast – ComiCollector, which, by then, had been taken over by James Van Hise from Gordon Love, the founder. For RB-CC, he created a mock comicbook superhero, Zero Hero.
In March 1980, Harvey abandoned early columns and started writing for The Comics Journal, with a new effort, The Reticulated Rainbow, starting in No. 54 and continuing regularly under various titles for an insufferably long time. By the time he was in his eighties, Harv’d become, probably, the Journal contributor with the greatest longevity.
Bob also was a longtime contributor to Jud Hurd’s Cartoonist PROfiles magazine, The Thompson’s Comics Buyer’s Guide, Hogan’s Alley, and Nemo, the Classic Comics Library, among others. He also contributed to the early version of the scholarly comics publication Inks. The R.C. Harvey archives for The Comics Journal can be accessed here, and his recent Humor Times columns are here.
Harvey has written or collected and edited thirteen books on comics and cartooning, including his Milton Caniff: Conversations (2002) from the University Press of Mississippi, followed by a full biography of Caniff, Meanwhile… A Biography of Milton Caniff, Creator of Terry and the Pirates and Steve Canyon (2007) published by Fantagraphics. His most recent book is Insider Histories of Cartooning: Rediscovering Forgotten Famous Comics and Their Creators (2014) from UPM. A complete list of his books appears at his website.
Harvey still has two books scheduled to be released this Fall. He annotated the current Fantagraphics Complete Pogo series giving context to references in Walt Kelly’s comic strip, Volume Eight will arrive with R.C.’s contribution. He has also wrote and assembled The Art and History of Popeye due later this year.
(11) LARRY STORCH (1923-2022). Actor Larry Storch died July 8 at the age of 99. His most famous role was the scheming Corporal Agarn of F Troop (1965-1967). His genre work included co-starring with Bob Burns (who wore a gorilla costume) and Forrest Tucker on the Saturday morning children’s show The Ghost Busters. Storch appeared in more than 25 films, including The Monitors (1969, based on a Keith Laumer novel), and Without Warning (1980). He voiced characters in animated shows such as Merlin the Magic Mouse and Cool Cat. In Journey Back to Oz he voiced Aunt Em and Uncle Henry’s farmhand Amos.
(12) KAZUKI OBITIARY. Yu-Gi-Oh! creator Takahashi Kazuki hwas found dead at sea says Deadline. He was 60.
Takahashi Kazuki, the creative force behind manga trading card and Japanese entertainment franchise Yu-Gi-Oh!, has been found dead, according to local public broadcaster NHK.
It was reported Takahashi, whose real name is Kazuo Takahashi, was discovered floating while in snorkeling gear in near Okinawa Prefecture in Japan on Wednesday. A coast guard is looking into the cause of death.
Takahashi began as a manga artist in the 1980s and found success in 1996 when he created manga comic series Yu-Gi-Oh! and began serializing it in Weekly Shonen Jump magazine. He later outlined the rules for an accompanying trading card game.
The franchise grew to span several TV shows, manga spin-offs and video games and is now one of the highest-grossing of all time….
(13) MEDIA BIRTHDAY.
2003 – [By Cat Eldridge.] Some amazingly strange series come out of Canada. So it is with the Alienated series that debuted nineteen years ago this day on the Space network in Canada. It lasted for two seasons and a mere twenty-two episodes.
I’ve no idea who created it since, in true Heinleinian fashion, the serial numbers seem to have been completely filed off.
It was a comedy centered on a stereotypical suburban family living in Victoria, British Columbia who undergo strange and often overtly sexual changes (all nudity was pixillated) after being abducted by aliens. The mother was played by Sarah-Jane Redmond best remembered as Lucy Butler on the Millennium series and the father was played by Johnathan Whittaker who later shows on up The Expanse as Sec-Gen Gillis.
I think it was, to say the least, not aimed at all at being tasteful based on episode titles of the likes of “Where’s the Vagina?”, “Hard to Keep a Good Man Down” and “Where’s the Saltpeter?”. I have no idea what time of the evening it was broadcast in but I’m betting it was later on.
Critics, the few who actually bothered with reviewing it, found it entertaining. It never got a proper wrap-up as it was cancelled in the way so many of these low rated series are — in the middle of the night when no one is looking.
(14) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 8, 1914 — Hans Stefan Santesson. Trifecta of editor, writer, and reviewer. He edited Fantastic Universe from 1956 to 1960, and the US edition of the British New Worlds Science Fiction. In the Sixties, he edited a lot of anthologies including The Fantastic Universe Omnibus, The Mighty Barbarians: Great Sword and Sorcery Heroes and Crime Prevention in the 30th Century. As a writer, he had a handful of short fiction, none of which is available digitally. His reviews appear to be all in Fantastic Universe in the Fifties. (Died 1975.)
Born July 8, 1933 — Michael Barrier, 89. One of the few actors not a regular crew member on the original Trek who shows in multiple episodes under the same name. He was DeSalle in “The Squire of Gothos”, “This Side of Paradise” and “Catspaw”. While he has the same name each time, he does not have the same shipboard job as he serves as a navigator in the first episode, a biologist in “This Side of Paradise” and assistant chief engineer in “Catspaw”.
Born July 8, 1942 — Otto Penzler, 80. He’s proprietor of The Mysterious Bookshop in New York City who edits anthologies. Oh does he edit them, over fifty that I know of, some of genre interest including The Big Book of Sherlock Holmes Stories, Zombies! Zombies! Zombies! and The Black Lizard Big Book of Black Mask Stories which an original Lester Dent story in it. Back in the Seventies, with Chris Steinbrunner, he co-wrote the Encyclopedia of Mystery and Detection for which they won an Edgar Award.
Born July 8, 1951 — Anjelica Huston, 71. I’m going to single her out for her performance as The Grand High Witch of All The World, or Eva Ernst in The Witches, a most delicious film. She was also wonderful as Morticia Addams in both of the Addams Family films, and made an interesting Viviane, Lady of the Lake in The Mists of Avalon miniseries.
Born July 8, 1955 — Susan Price, 67. English author of children’s and YA novels. She has won both the Carnegie Medal and the Guardian Prize for British children’s books. The Pagan Mars trilogy is her best known work, and The Sterkarm Handshake and its sequel A Sterkarm Kiss, will please Outlander fans.
Born July 8, 1958 — Kevin Bacon, 64. The role I best remember him for is Valentine “Val” McKee in Tremors. He also played Jack Burrell in Friday the 13th, David Labraccio in the most excellent Flatliners and Sebastian Caine in Hollow Man.
(15) TUTTLE’S PICKS. “The best recent science fiction and fantasy – review roundup” by Lisa Tuttle in the Guardian. Covers The Daughter of Doctor Moreau by Silvia Moreno-Garcia; Thrust by Lidia Yuknavitch; The Ballad of Perilous Graves by Alex Jennings; Life Ceremony by Sayaka Murata and Old Country by Matt and Harrison Query
WONDER WOMAN Flight of Courage will take riders on a thrilling adventure for the very first time next Saturday, July 16.
Riders will reach speeds of up to 58 mph and can expect a steep climb up a 131-foot hill, an intense 87-degree drop and three inversions (like a loop) along the coaster’s 3,300-foot track.
Before boarding, those waiting in the Greek-inspired ride queue will be treated to immersive storytelling and a deep dive of the comic book heroine’s history and greatest accomplishments…
…The examples range from the rabbit-hole in Alice in Wonderland and the wardrobe in the Narnia books, to Dr Who’s Tardis, Back to the Future’s DeLorean and Platform 9¾ in Harry Potter, via all manner of holes, mirrors, cracks, bridges and “energy frames” found in sci-fi and fantasy fiction. Their timeline tells an eye-opening story, charting the explosion of portals after the second world war, marked by the likes of The Sentinel by Arthur C Clarke (which formed the basis of the film 2001: A Space Odyssey), the Wayback Machine in Peabody’s Improbable History, and the tollbooth from the 1961 book The Phantom Tollbooth, written by architect Norton Juster.
The following period, leading up to the cold war and the space race, saw portals take the form of massive energy-intensive machines and weapons built in the battle for world domination. They highlight the 1960s TV series The Time Tunnel, where thousands of people work under the desert surface on a secret megastructure, which would allow the US military to travel in time, noting how its iconic spiral design went on to inspire countless portals in future stories. The period after the cold war, meanwhile, saw portals serve more satirical and comical roles in lowbrow sci-fi and family movies – such as the phone booth in Bill and Ted’s Excellent Adventure, or the people-eating television in the 1980s body horror film Videodrome.
They found one of the most recurring types of portal to be the “portable hole”, first featured in the Looney Toons cartoon The Hole Idea in 1955, in which a scientist demonstrates his device for rescuing a baby from a safe, cheating at golf and escaping from housework. It later appears in the Beatles’ film Yellow Submarine, in the form of the Sea of Holes, as well as in Who Framed Roger Rabbit, reaching a hole-studded peak in the 1985 Marvel cartoon character, Spot – whose body is covered in portals…
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Stranger Things Season 4 Pitch Meeting”, Ryan Geroge, in a spoiler-packed episode, says the villain this season is a guy who is bald, strong, doesn’t have a nose, and is clearly not Voldemort, Also several characters manage to remain alive by not explicitly dying in front of the camera during their death scenes.
[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Lise Andreasen.]
…Space opera refers to large-scale sci-fi which concerns itself with massive interplanetary battles, dashing heroes, old-fashioned romance, and general classic adventure stories, but in space. The term has its origin, not in opera theater, but in the soap opera genre. That dramatic subgenre, best known for The Young and the Restless and a thousand other endlessly serialized TV series, is actually inspired by the even earlier term horse opera. This term refers to a massive pile of formulaic westerns which largely followed the identical plot and narrative trappings. Space opera was coined in 1941 by author Wilson Tucker in a sci-fi fanzine, who famously noticed that a fair amount of recent sci-fi narratives were bare-bones horse operas, but set in space. The term was an insult for the first few decades of its existence, but it evolved from there….
…Before and during the Star Wars phenomenon came Gene Roddenberry’s Star Trek, which, like much of the subgenre, was partially inspired by TV westerns. These are two of the most important properties in sci-fi history, and despite some debate, both often fit comfortably into the space opera subgenre. Star Wars and Star Trek spawned new eras of space opera, transforming what was once an insult into a substantial audience draw….
(3) THEY WHO BECAME PROFILED IN THE NEWSPAPER. [Item by Olav Rokne.] The Sydney Morning Herald profiled Shelley Parker-Chan, noting that they’re the first Australian author to be shortlisted for the Best Novel Hugo. (I’d add that they’re actually only the fourth Australian author shortlisted for any prose Hugo award. The other three being Greg Egan, Margo Lanagan, and Sean McMullen). It’s a really good piece that sheds some light into the sources of inspiration behind this quite remarkable book. “She Who Became the Sun becomes first Australian novel nominated for Hugo Award”.
The author is quoted: “there is something fundamentally radical about science fiction and fantasy that makes it a great place for people to work when they want to explore that intersection between race, gender, culture and colonialism.”
(4) THE PLACE TO LEARN. Clarion West released their 2020-21 Annual Report today. There are messages from the board, staff, and students; financial and donor information; and a roundup of achievements by Clarion alumni. There is also this report on how they’ve addressed accessibility issues raised about past workshops.
Accessibility update
Over the last two years, Clarion West has cemented its commitment to providing accessible programming. We are making adjustments to lower the barriers affecting people from a variety of backgrounds and abilities, and we will continue to address needs on an ongoing basis.
Here is an update of the work we’ve done to date and what we will be focusing on moving forward:
The Clarion West website
We’ve added the User Way accessibility widget to assist with visual adaptations for our website as an interim measure toward ensuring a greater variety of access to our site. We understand that this app alone is not a long-term solution and we are planning to work with consultants to ensure ongoing improvements, including better content, video, and image descriptions.
We have added an accessible information page and attempt to link to it on almost every class and workshop page.
Online classes and events
We have invested in closed captioning features for online classes and events, with live captioning or ASL interpreters upon request. With instructor permission, class recordings are available after each class for students to review at their own pace. Slides and other materials are provided as far in advance of each class as possible.
Physical accessibility
Clarion West has made a commitment to only partner with facilities that provide ADA accessible spaces and other accommodations. Whenever possible, we seek to partner with other nonprofit organizations to maximize these efforts, share resources, and ensure the best possible experiences for all participants.
The 2022 workshop will be held in accessible housing located a short distance from the Highline College campus in Des Moines, WA.
As we look toward the future, we will be looking into additional adaptive devices, opportunities to improve services, and feedback for all of our programming. If you see a need for increased accessibility that we have not yet identified, please let us know the issue as well as any suggestions you have to reduce barriers to accessibility
Vauhini Vara started writing her debut novel 13 years ago, when she was working as a technology journalist and meeting chief executives like Larry Ellison of Oracle and Mark Zuckerberg of what was then a very young Facebook.
The lack of South Asian leaders in the industry sparked an idea: Her main character, an Indian, would become a tech C.E.O. in the United States. By making her protagonist a man from the Dalit community, which ranks lowest in the Hindu hierarchical caste system, she was simply incorporating what she had a connection to, she said; her father is Dalit, and grew up on a coconut grove in rural India.
Those deeply personal decisions turned out to be prescient. Now, as she prepares for the publication of her novel, “The Immortal King Rao,” on May 3, six of the world’s largest technology companies — Adobe, Alphabet, IBM, Microsoft, Google and Twitter — are being led by men of Indian descent.
(6) SCI-FI FEEDBACK LOOP. Everyone is invited to “The Sci-Fi Feedback Loop: Mapping Fiction’s Influence on Real-World Tech”, a webinar taking place Thursday, May 12, from 2-3 p.m. Eastern. Panelists include science fiction authors Cory Doctorow and Malka Older, SF scholars Sherryl Vint and Michael G. Bennett, investor Tim Chang, and tech policy researcher Kevin Bankston.
This event is the first in a series for the Applied Sci-Fi Project at Arizona State University’s Center for Science and the Imagination, which seeks to understand the influence of science fiction on technology and the people who build it, and to study the ways that sci-fi storytelling can be used as a tool for innovation and foresight.
There’s little question that the imaginary futures of science fiction have influenced the development of real-world technologies, from space travel to cyberspace. Join Arizona State University’s Center for Science and the Imagination for a virtual conversation among sci-fi authors, scholars, and technologists, examining this feedback loop between science fiction and technical innovation. We’ll dive into the history of sci-fi’s influence, and consider its impact on the direction of technology development today.
On 1 March, I asked the question, “What Makes A Hero?” and looked at “the Call”, the first of three C’s that inform my thinking on the subject.
Last month, on 1 April, I checked out C number two: Circumstance.
This month, it’s time for Commitment. (I know, I know, you got that from the title already, but hey — unfolding logic and everything in its proper order, ok? OK!)
…One of the most famous instances of commitment in Fantasy is when Frodo volunteers to take the One Ring to Mordor:
The head of Russia’s space program said Moscow will pull out of the International Space Station, state media reported, a move it has blamed on sanctions imposed over the invasion of Ukraine.
“The decision has been taken already, we’re not obliged to talk about it publicly,” Tass and RIA Novosti reported Roscosmos General Director Dmitry Rogozin as saying in an interview with state TV on Saturday. “I can say this only — in accordance with our obligations, we’ll inform our partners about the end of our work on the ISS with a year’s notice.”
Rogozin earlier this month threatened to end Russia’s mission unless the U.S., European Union and Canada lifted sanctions against enterprises involved in the Russian space industry.
The orbital research space station had until the war remained a rare area of cooperation between Russia and the U.S. and its allies despite steadily worsening relations. But Russia’s unprecedented international isolation since it invaded Ukraine in February has marked the demise of this symbol of joint space exploration.
Three Americans and an Italian astronaut docked at the space station on Wednesday, joining three other Americans, three Russians and a German already on the ISS.
(9) MEDIA BIRTHDAY.
1952 — [By Cat Eldridge.] Seventy years ago this even ion ABC, Tales Of Tomorrow aired its “Red Dust” episode. As the copy provided by the network said, “The first human mission to another solar system loses 2 crew on a red dust-covered planet, which once had an advanced civilization. Due to allergies, neither of the shipmates got anti-radiation shots, so the remaining crew aren’t concerned about their own return to Earth. But then the red dust starts to appear everywhere on the space ship.”
It was directed by Don Medford from a script by Irving Elman from the play by noted SF writer Theodore Cogswell, a member of the First Fandom Hall of Fame. It was an original work by him and not based off anything that he’d previously done. Cogswell was nominated at ConAdian for his PITFCS: Proceedings of the Institute for Twenty-First Century Studies as a Best Non-Fiction Related Book, and he had a Retro Hugo nomination at Noreascon 4 for his “The Wall Around the World” novelette.
The cast was Fred Stewart, Lex Barker, Skedge Miller and Robert Patten. You can watch it here.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 2, 1921 — Satyajit Ray. Bengali filmmaker, screenwriter, graphic artist, lyricist, music composer and writer who is here for his genre fiction which fortunately has been translated into English as most of us don’t read Bengali. Over a decade recently, three collections came in English The Diary of a Space Traveller and Other Stories, Classic Satyajit Ray and The Collected Short Stories) with most of his genre work in the collection. There are nine stories involving Professor Shonku, his most popular SF character. (Died 1992.)
Born May 2, 1924 — Theodore Bikel. He was on Star Trek: The Next Generation‘s fourth season in order to play one of the foster parents to Worf in the “Family” episode as CPO Sergey Rozhenko, retired. That and playing Lenonn in Babylon 5: In the Beginning are the roles I want to note. Well there is one minor other role he did — he voiced Aragon in a certain The Return of the King. (Died 2015.)
Born May 2, 1925 — John Neville. I’ve mentioned before that Kage considered Terry Gilliam’s The Adventures of Baron Munchausen to be one of her favorite films and John Neville was one of the reasons that she did. You can read her review here. Among his other genre roles, Neville had a prominent recurring role in The X-Files as The Well Manicured Man. And he showed up playing Sir Isaac Newton on The Next Generation in the “Descent” episode. (Died 2011.)
Born May 2, 1938 — Bob Null. Very long-time LASFS member who was the Club’s VP for an equally long period. Fancyclopedia3 say that “He also sat on the Board of Directors, and frequently handled logistics for local conventions including both Loscon and local Worldcons, and was always one of those nearly invisible hard-working people who make fandom work. He is a Patron Saint of LASFS.” (Died 2010.)
Born May 2, 1942 — Alexis Kanner. His first genre appearance was on The Prisoner where he so impressed McGoohan in the “Living in Harmony” episode that he created a specific role for him in the series finale, “Fall Out” where he stands trial. He also has an uncredited role in “The Girl Who Was Death” in that series. His final known acting role was as Sor in Nightfall based off the Asimov story of the same name. (Died 2003.)
Born May 2, 1946 — David Suchet, 76. Though rather obviously better remembered as Hercule Poirot, he does show up on in a Twelfth Doctor story, “Knock Knock”, simply called Landlord. Don’t let that deceive you. He’s appeared in some other genre work from time to time including Greystoke — The Legend of Tarzan, Lord of the Apes, Harry and the Hendersons, Dr. No — The Radio Play, Wing Commander, Tales of the Unexpected and Peter Pan Goes Wrong.
Born May 2, 1946 — Leslie S. Klinger, 76. He is a noted literary editor and annotator of classic genre fiction. He is the editor of The New Annotated Sherlock Holmes, a three-volume edition of Arthur Conan Doyle’s Sherlock Holmes fiction with extensive annotations, with an introduction by John le Carré. I’d also like to single out him for his The Annotated Sandman, Vol. 1, The New Annotated Frankenstein and The New Annotated H. P. Lovecraft. The Horror Writers of America honored him with their Silver Hammer Award given to a HWA volunteer who has done a truly massive amount of work for the organization, often unsung and behind the scenes.
Born May 2, 1972 — Dwayne Johnson, 50. Ok I wasn’t going to include him until stumbled across the fact that he’d been on Star Trek: Voyager as The Champion in the “Tsunkatse” episode. Who saw him there? Of course, it’s not his only genre role as he was the Scorpion King in The Mummy Returns, played Agent 23 in Get Smart, voiced Captain Charles T. Baker In Planet 51, was the tooth fairy in, errr, the Tooth Fairy, was Hank Parsons in Journey 2: The Mysterious Island, was Roadblock in G.I. Joe: Retaliation (anyone watch these?), was a very buff Hercules in Hercules, voiced Maui in Moana, was Dr. Smolder Bravestone in both Jumanji films(not on my bucket list) and was one of the Executive Producers of Shazam! which gets a huh from me where he played Black Adam but the forthcoming Black Adam sounds like it could be damn great.
(11) RESCUED FROM OBSCURITY. Davide Mana profiles the forgotten Italian pulp science fiction writer Nora de Siebert: “The lady writes the pulps: Nora de Siebert” at Karavansara.
…Many of De Siebert’s SF stories were often set against the background of future societies in which women were relegated to a subordinate, “ornamental” roles – usually by design and with the help of mind controlling techniques, as men had found out that women could beat them at their own game if allowed; the main protagonists in these stories usually rebelled against the status quo. Not bad, for stories written in a backwater like Italy, in the 1950s….
[GdM] How did you become a novelist? Can you tell us about Waterstones and how Rivers of London come about?
I started as a script writer but after my first Doctor Who I was offered the chance to novelise my story which is like someone saying they’ll pay you good money to learn how to write prose. Once I’d done a 40,000 word novella I knew I could do a full length book. After a few more tie in novels for Virgin and Big Finish I was confident I could write well to that format. When my career as a scriptwriter fizzled out I found myself working in Waterstones and going slowly bankrupt. Faced with penury or worse- moving out of London, I turned to prose to make my one and only talent, writing, pay. The question was – what kind of novel would I write?
Since the invasion of Ukraine, Hollywood’s biggest studios have stopped releasing movies in Russia, and Netflix has ceased service there. But recently, some of the companies’ films have started appearing in Russian movie theaters — illegally.
The screenings are reminiscent of the Soviet era, when the only way to see most Western films was to get access to a pirated version. Whereas those movies made their way to Russians in the form of smuggled VHS tapes, today, cinemas in the country have a simpler, faster method: the internet. Numerous websites offer bootleg copies of movies that take minutes to download.
Some theaters in Russia are now openly screening pirated movies; others are being more careful, allowing private individuals to rent out spaces to show films, free or for a fee. One group, for example, rented out several screening rooms at a movie theater in Yekaterinburg, then used social media to invite people to buy tickets to watch “The Batman.”…
(14) THE GREEN HILLS OF SOFTWARE. [Item by Mike Kennedy.] Vice tells us that Californian and Green Hills Software owner Dan O’Dowd has exactly one plank in the platform for his Senate run: “All he will talk about is how much he hates Tesla’s self-driving cars and the existential threat computers pose to humanity.”
California Senate candidate Dan O’Dowd will not talk about taxes. Or homelessness. Or climate change. Or inflation. Or housing. Or jobs. All he will talk about is how much he hates Tesla’s self-driving cars and the existential threat computers pose to humanity.
“My issue is more important than all of them, because it’s basically about survival,” he told Motherboard. “When cyber Armageddon hits, and everything goes down, I don’t think anybody’s gonna care about taxes.”
It’s not an exaggeration to say that O’Dowd has become obsessed withTesla’s full self-driving cars. He owns three Teslas and claims to have driven nothing else for over a decade, but believes the full self-driving cars have become so dangerous that they need to be banned immediately….
(15) I’LL BE D****ED. Andrew Porter tuned into tonight’s episode of Jeopardy! and witnessed contestants draw a blank about this one.
Category: From Book to Movie with a Different Title
Answer: “The Midwich Cuckoos” inspired this “Damned” 1960 film about children with frightening powers in a small town.
No one could ask, “What is “Village of the Damned”?
Many people know them as agile bipedal dinosaurs with menacing claws and scrunched-up arms, hunting children through a kitchen in “Jurassic Park.”
In the 1993 movie, they’re called velociraptors, but those creatures were more like a different, related species, Deinonychus antirrhopus — a name that the author of the novel “Jurassic Park,” Michael Crichton, considered a less dramatic choice.
The movie helped turn velociraptors (well, technically Deinonychuses) into one of the most recognizable dinosaurs, alongside the T. rex. And now, dinosaur enthusiasts can bid on one of their own.
The auction house Christie’s announced on Friday that it would be selling a Deinonychus skeleton it calls Hector, which was excavated from Montana several years ago. The company said it would be the first public sale of such a specimen. The estimated price tag is $4 million to $6 million, likely prompting most “Jurassic Park” fans to put their paddles down…
(17) TREKKING FOR PEACE. The book launch for José-Antonio Orosco’s recently published Star Trek and the Philosophy of Peace and Justice included this Zoom discussion between him and a few others. The author wears a DS9 uniform for the event and uses its OPS center as a Zoom background.
In coordination with the Concerned Philosophers for Peace, the Anarres Project presents a discussion with the author (and co-director of the Anarres Project) Jose-Antonio Orosco about his new book “Star Trek and the Philosophy of Peace and Justice: A Global, Anti-Racist Approach”. (London: Bloomsbury, 2022) The dialogue is moderated by Dr. Greg Moses (Texas State University), editor of The Acorn Journal: Philosophical Studies in Pacifism and Nonviolence and Communications Director for the Concerned Philosophers for Peace. They are joined by panelists from CPP including Dr. Andrew Fiala (California State University, Fresno) and Dr. Jennifer Kling (University of Colorado, Colorado Springs).
. . . Insofar as the topography of Rhode Island and my physique permitted, I modelled myself so closely on Tarzan that I drove the community to the brink of collapse. I flung spears at the neighbors’ laundry, exacerbated their watchdogs, swung around their piazzas gibbering and thumping my chest, made reply only in half-human grunts interspersed with unearthly howls, and took great pains generally to qualify as a stench in the civic nostril. The hallucination passed as abruptly as it had set in; one morning I awoke with an overwhelming ennui for everything related to Africa, weak but lucid. My kinsfolk were distrustful for a while, but as soon as they saw me constructing a catamaran in which to explore the Everglades, they knew I was rational again.
Curious as to why Tarzan had enraptured two generations and begotten so many sequels, movie serials, and comics, I commandeered my son’s copy of the novel and my wife’s chaise longue and staged a reunion…
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] The Honest Trailers gang comes up with new frontiers for honesty in their take on The Batman. “Honest Theme Songs (‘Kiss From A Bat’)”.
[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Nick Hudson, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Maytree.]
“Deadly Ever After” is the next chapter in the Rivers of London series from Titan Comics. Written by Rivers of London author Ben Aaronovitch, Doctor Who Script Editor Andrew Cartmel and Celeste Bronfman (Star Trek), the issue will be released May 18.
When Chelsea and Olympia accidentally break an enchantment in the woods, deadly fairy tales from a mysterious old book begin coming to life. To set things right, Chelsea and Olympia must unravel a mystery dating back to the 1800s before they become victims of a lethal sorcery.
See the variant covers and sample interior art following the jump.
Future Worlds Prize for Fantasy and Science Fiction Writers of Colour has announced M H Ayinde is the winner of the 2021 prize, for her novel A Shadow in Chains.
The runner up is Salma Ibrahim, with her novel Frankincense.
The winner and runner-up were chosen from a shortlist of eight by judges Nii Ayikwei Parkes, Lloyd Bradley, Valerie Brandes, Shobna Gulati, Zahra Hankir and Tasha Suri.
Ayinde wins £4,000. Her novel is set in a place called the Nine Lands, where only those of noble blood can summon their ancestors to fight in battle. But when a commoner from the slums accidentally invokes a powerful spirit, she finds it could hold the key to ending a centuries-long war.
The judges said of A Shadow in Chains: “A Shadow in Chains is a cool and confident novel, excellently written, that feels very now. We wanted to be in the world of the novel as we read it, and felt this was a book doing something very exciting in the SFF space.”
Ibrahim wins £2,000. Frankincense follows a character called Sidra Ali, who on her way to work on a London bus finds herself arriving in a parallel universe in modern day Mogadishu, Somalia. There she discovers what life would be like if her family hadn’t left Somalia during the civil war.
The judges said of Frankincense: “This is an evocative and layered novel with great potential. It feels original yet recognisable, and we loved that it centred working class experiences.”
The six runners-up of the prize will each receive £800. They are (in alphabetical order by author surname):
The Sawling by Jordan Collins
In the City of Villages by Franchesca Liauw
Margot, Who Is Beautiful Now by Bea Pantoja
The Warden by Madeehah Reza
Contracts Made in Gold by Aqeelah Seedat
A Box Full of Stories by Fatima Taqvi.
The winner and runner-up were announced at an event held at The London Library on Wednesday, February 16.
Future Worlds Prize for Fantasy and Science Fiction Writers of Colour aims to find new talent based in the UK writing in the SFF space, from magical realism and space operas to dystopia and more.
All shortlisted writers, the runner-up and the winner will also receive mentoring from one of the prize’s publishing partners: HarperCollins’ SFF imprint HarperVoyager, Penguin Random House UK’s Del Rey UK, Gollancz, Hachette’s SFF imprints including Orbit, and Pan Macmillan’s Tor.
Future Worlds Prize, first run in 2020 and founded by bestselling author Ben Aaronovitch, was previously called the Gollancz and Rivers of London BAME SFF Award. As part of the prize’s long-term aim of opening science fiction and fantasy publishing to more people, it has been rebranded for its second year. The prize is sponsored by Aaronovitch, with additional financial support from Bridgerton actor Adjoa Andoh. It is administered by Cityread, a registered literature charity.
The 2020 prize was won by Esmie Jikiemi-Pearson for The Principle of Moments, a space-based adventure story. Jikiemi-Pearson has since secured a publishing deal with Gollancz, and her debut novel will be released this year.
The eight stories are (in alphabetical order by author surname):
“A Shadow in Chains” by M H Ayinde
“The Sawling” by Jordan Collins
“Frankincense” by Salma Ibrahim
“In the City of Villages” by Franchesca Liauw
“Margot, Who Is Beautiful Now” by Bea Pantoja
“The Warden” by Madeehah Reza
“Contracts Made in Gold” by Aqeelah Seedat
“A Box Full of Stories” by Fatima Taqvi
The shortlist was chosen by the prize’s publishing partners who read anonymized versions of the entries.
Sarah Shaffi, project manager for the prize, said: “Our shortlist consists of eight brilliant new voices in the world of SFF. This is a prize looking for originality, for works that enrich the SFF genre and for potential, and our eight shortlisted writers and their work display all that and more. “It is now over to our judges to decide on one winner. I don’t envy them!”
Ben Aaronovitch, founder of the prize, said: “What has stunned me about the response to the Future World Prize is the number of entrants, their quality and their enthusiasm. Even so I believe that we have only sampled the ocean of talent out there and I hope we can build upon this promising beginning to get even more brilliant writing in front of even more readers.”
Actor Adjoa Andoh, who judged the prize in its first year and is providing financial support in its second year, said: “I came on board to support Future Worlds Prize, the brainchild of novelist Ben Aaronovitch, because I, like Ben, want to see more storytellers of colour exploring the possibilities that the speculative and science fiction form offers to reimagine the world and embrace new readerships. I am delighted therefore in the second year of the award that so many writers of colour have stepped up. Long may we grow and flourish as writers and readers. Keep those stories coming!”
The prize will be judged by:
Actor and author Shobna Gulati
Author Tasha Suri
Writer Nii Ayikwei Parkes
Journalist Zahra Hankir
Cultural commentator Lloyd Bradley
Publisher Valerie Brandes.
Future Worlds Prize for Fantasy and Science Fiction Writers of Colour aims to find new talent based in the UK writing in the SFF space, from magical realism and space operas to dystopia and more. The winner will receive a prize of £4,000, the runner-up £2,000 and up to six additional shortlisted authors will each receive £800. All shortlisted writers, the runner-up and the winner will also receive mentoring from one of the prize’s publishing partners.
The prize’s publishing partners are HarperVoyager, the SFF imprint at HarperCollins, Penguin Random House UK’s Del Rey UK, Gollancz, Hachette’s SFF imprints including Orbit, and Pan Macmillan’s Tor.
Future Worlds Prize, first run in 2020 and founded by bestselling author Ben Aaronovitch, was previously called the Gollancz and Rivers of London BAME SFF Award. As part of the prize’s long-term aim of opening science fiction and fantasy publishing to more people, it has been rebranded for its second year. The prize is sponsored by Aaronovitch, with additional financial support from Bridgerton actor Adjoa Andoh. It is administered by Cityread, a registered literature charity.
The 2020 prize was won by Esmie Jikiemi-Pearson for “The Principle of Moments”, a space-based adventure story. Jikiemi-Pearson has since secured a publishing deal with Gollancz, and her debut novel will be released in 2022.
More information about the shortlisted authors and works follows the jump.
This year is the tenth anniversary of Ben Aaronovitch’s first Peter Grant novel, Rivers Of London. The series has since expanded into numerous novels, novellas and comics, sold more than two million copies worldwide, and been translated into 14 languages.
Titan Comics is announcing a new addition to the series, Monday Monday: Rivers of London #1, with a cover by star artist Veronica Fish.
The synopsis for this new series reads:
What starts as a routine undercover operation to break up an organized teenage pickpocket gang turns into something far more sinister. A werewolf is on the loose and will stop at nothing to avoid capture! It’s up to Peter Grant and his cohort of chums to hunt the deadly lycanthrope and bring him to justice.
Monday, Monday will see Aaronovitch joined once again by the creative talents of Doctor Who Script Editor and fellow series writer Andrew Cartmel.
Issue #1 of this new arc will debut with a range of variant covers to collect, including artwork by Veronica Fish (Sabrina, Spider-Woman), V. V. Glass (2000AD), and Jose Maria Beroy. See the cover art and sample interior pages following the jump.
The prize, which first ran in 2020 and is founded by bestselling author Ben Aaronovitch, was previously called the Gollancz and Rivers of London BAME SFF Award. As part of the prize’s long-term aim of opening science fiction and fantasy publishing to more people, it has been rebranded for its second year and will be working with publishers from across the industry.
The prize is sponsored by Aaronovitch, with additional financial support from Bridgerton actor Adjoa Andoh. It is administered by Cityread, a registered literature charity, and project managed by Sarah Shaffi.
Future Worlds Prize for Fantasy and Science Fiction Writers of Colour aims to find new talent writing in the SFF space, from magical realism and space operas to dystopia and more. The winner will receive a prize of £4,000, the runner-up £2,000 and up to six additional shortlisted authors will each receive £800. All shortlisted writers, the runner-up and the winner will also receive mentoring from one of the prize’s publishing partners.
Esmie Jikiemi-Pearson
The 2020 prize was won by Esmie Jikiemi-Pearson for The Principle of Moments, a space-based adventure story. Jikiemi-Pearson has since secured a publishing deal with Gollancz, and her debut novel will be released in 2022.
Future Worlds Prize for Fantasy and Science Fiction Writers of Colour opens for submissions from unpublished writers of colour based in the UK at 09:00 on Wednesday, April 28, 2021 and closes at 23:59 GMT on Friday, June 25, 2021.
Ben Aaronovitch, founder of the prize and author of the Rivers of London books, said:
It was really great to have been introduced to so many talented people in the initial award; so many brilliant writers of colour, writing such a dazzling variety of incredible stories. My only regret was that we couldn’t have a great big awards ceremony just so I could meet them in person. We’ll have to do something about that.
I’m extremely excited that this year we’re expanding our reach by working with more UK publishers, agents, bookshops, librarians and anyone else we think can help spread the word and share their expertise with these upcoming writers. I’d always hoped that the award would widen its scope but the speed with which this has happened has been gratifying.
Last year’s winner, Esmie Jikiemi-Pearson, has got a well-deserved publishing deal, and we are determined to build on that to ensure that the breadth of talent revealed amongst the runners up will make their own impact on the publishing world.
There’s still a long way to go before UK publishing is the meritocracy it aspires to be but I’m hoping that Future Worlds Prize can be a small step in the right direction.”
Adjoa Andoh said:
As a black actor and award-winning audiobook narrator of sci fi and speculative fiction, it has been my great joy to see more and more authors of colour follow in the mighty footsteps of Octavia Butler, diving into other worlds to reflect on this world, drawing their readers into adventure, danger and mystery to spectacular effect.
With Future Worlds Prize our hope is to further increase the pool of writers of colour choosing to work in this genre, by encouraging those on the journey to first publication to bring their work to us, to apply for this prize, receive expert support and advice and flourish in their chosen field to the great benefit of all of the readership.
Sarah Shaffi said: “As a lover of science fiction and fantasy books, I’ve always craved more stories told by a richer variety of voices. I’m excited to see the breadth and depth of work we’ll receive, and I encourage authors of colour writing in this area to not be shy, and to get their novels and short stories in to us.”
The prize is continuing its partnership with Gollancz, and is also this year working with all Hachette’s SFF imprints including Orbit, and Pan Macmillan’s Tor for the first time, with more publishing partners to be announced in due course.
Marcus Gipps, publisher at Gollancz said: “As a founding partner in the inaugural prize, Gollancz was thrilled to be part of such an important and vital initiative. We are excited to work with SFF publishers across the market to continue to break down barriers to access and make this the biggest possible prize with the broadest reach. We look forward to many years of collaboration.”
Anna Jackson, publisher at Orbit, said: “We’re proud to be the UK publisher of some of SFF’s most popular and award-winning writers of colour, but we’re very aware that there’s still a significant need for progress to be made in terms of representation within the genre. That’s why we’re delighted to be able to support this fantastic award which aims to discover and champion more underrepresented voices within SFF.”
Bella Pagan from Tor said: “On behalf of Pan Macmillan and Tor, I am absolutely delighted to be involved in this important and relevant award. I hope this will lead to real opportunities for authors from more diverse backgrounds.”
Ben Aaronovitch was a screenwriter for Doctor Who and a bookseller at Waterstones. He now writes full time, and every book in his Rivers of London series has been a Sunday Times Top 10 bestseller. He is published in 14 languages and has sold more than 2 million copies around the world. Aaronovitch is also a trustee on the board of Cityread London and is a long-time supporter of Nigeria’s premiere arts and cultural festival, The Aké Festival. He still lives in London, the city he likes to refer to as ‘the capital of the world’.
About Cityread
Cityread is a registered charity that promotes reading for pleasure and supports public libraries. Previous Cityread initiatives include Cityread London, an annual month-long literature festival delivered in partnership with library services in all 32 London boroughs plus Luton, Reading and. Launched in 2012, it ran for eight years and featured books including Oliver Twist by Charles Dickens, Rivers of London by Ben Aaronovitch, and Sofia Khan is Not Obliged by Ayisha Malik.
(1) WHERE THE BLOOD STILL PULSES – SO TO SPEAK. R.S. Benedict’s article for Blood Knife“How Horror Makes Itself Ungovernable” says that horror alone resists the corporatization of geek culture.
…Geek culture—comic books, video games, sci-fi, fantasy—is mainstream now, squeezing out mysteries, dramas, and period pieces at the box office.
…This is nothing to be celebrated. This is not victory. The mainstreaming of geek culture is artistic gentrification, a way for moneyed interests to wrest control of culture from the creatives who built it and crowd out any voice with something new or subversive to say. Sci-fi, which once gave us visions of the future, and fantasy, which once nurtured our imaginations, have been hijacked to sell imperialism and soda pop. The invaders have won; our loved ones have been replaced by pod people.
Only one speculative genre has managed to escape the Disneyfication process and retain something resembling a soul: horror….
(2) THE TRUTH, OR SOMETHING, IS OUT THERE. The news got George Takei’s attention.
According to retired Israeli general and current professor Haim Eshed, the answer is yes, but this has been kept a secret because “humanity isn’t ready.”
Speaking in an interview to Yediot Aharonot, Eshed – who served as the head of Israel’s space security program for nearly 30 years and is a three-time recipient of the Israel Security Award – explained that Israel and the US have both been dealing with aliens for years.
And this by no means refers to immigrants, with Eshed clarifying the existence of a “Galactic Federation.”
The 87-year-old former space security chief gave further descriptions about exactly what sort of agreements have been made between the aliens and the US, which ostensibly have been made because they wish to research and understand “the fabric of the universe.” This cooperation includes a secret underground base on Mars, where there are American and alien representatives.
If true, this would coincide with US President Donald Trump’s creation of the Space Force as the fifth branch of the US armed forces, though it is unclear how long this sort of relationship, if any, has been going on between the US and its reported extraterrestrial allies.
But Eshed insists that Trump is aware of them, and that he was “on the verge” of disclosing their existence. However, the Galactic Federation reportedly stopped him from doing so, saying they wished to prevent mass hysteria since they felt humanity needed to “evolve and reach a stage where we will… understand what space and spaceships are,” Yediot Aharonot reported.
As for why he’s chosen to reveal this information now, Eshed explained that the timing was simply due to how much the academic landscape has changed, and how respected he is in academia.
“If I had come up with what I’m saying today five years ago, I would have been hospitalized,” he explained to Yediot.
Of course, the timing may also have something to do with the release of Eshed’s newest book, The Universe Beyond the Horizon – conversations with Professor Haim Eshed. And considering all the year’s travails, I liked this reaction —
I did NOT have "Membership to the Galactic Federation denied" on my 2020 bingo card. It was definitely on a future one, but not 2020. Huh.
(3) FELLOWSHIP OF THE PREQUEL. In the “Silmarillion Seminar”, hosted at The Tolkien Professor, a bunch of academics sit down and talk about the Silmarillion chapter by chapter:
Despite its challenging learning curve, The Silmarillion is an amazing set of stories. Some of these stories may be even more profound and more moving than The Lord of the Rings. What’s more, once you know The Silmarillion, you will begin to understand The Lord of the Rings in a whole new way.
In the Silmarillion Seminar, listeners will be reading through the book slowly and carefully, at the pace of about a chapter a week, and gathering together to have an online audio discussion with the Tolkien Professor about each chapter. Each session will be recorded and posted here on this page. Hopefully, you will pick up your copy of the book and give this truly incredible book another chance.
(4) IN A BEGINNING. [Item by Daniel Dern.] OK, now here’s a book I want to read (and have just library-reserved)…
A year or two or three ago, I went to an interesting lecture at Harvard on the origins of alphabets. It was interesting… but it didn’t address my question, and, when either in the Q&A session at the end or while we were milling afterwards, I asked about the origin of alphabetic order, to which I was told, more or less, IIRC, that was a different question. Fair ’nuff.
So, I just saw this review in our paper edition of the December 6 New York Times’ Book Review section (tho, per the URL, I see it ran online back in late October): A Place For Everything: The Curious History of Alphabetical Order by Judith Flanders.
A few paragraphs into reading the review, I made a note (snapped a pic using my phone) and have reserved-requested it through/from my local library.
(5) YOUNG PEOPLE. Young People Read Old SFF reaches the second-to-last story in the Rediscovery collection from Journey Press, “Cornie on the Walls” Sydney van Scyoc. What does James Davis Nicoll’s panel think about this 1963 entry?
Sydney J. van Scyoc was mainly active in the 1960s through the 1980s. Although new short pieces appear as late as 2005, her most recent novel was 1991’s Deepwater Dreams. I haven’t read Deepwater because van Scyoc occupied a blindspot in my collecting. Having read this example of her work, I’ve taken to picking up her novels when I see them. Finding time to read them has thus far eluded me.
But were my Young People as enthusiastic? Let’s find out….
230,000 kilometres above the Earth’s surface, Ciudad de Cielo is filled with almost every vice and foible known to humanity. This is a paradise for bent private cop Nicola “Nikki Fixx” Freeman, because it offers many ways for a high-ranking Seguridad officer to siphon off some extra wealth for herself. The system works, as long as nobody gets too greedy and everyone remembers that there are limits to the crimes to which the authorities can turn a blind eye….
(7) GHOSTS IN THE BIG APPLE. The NY Ghost Story Festival can be viewed free on YouTube.
Night One: Thursday December 10, 2020 7PM EST
Guests are Gwendolyn Kiste, Hysop Mulero and Rudi Dornemann
Night Two: Saturday December 10, 2020 7PM EST
Guests Sarah Langan, Lee Thomas, and Douglas Wynne
When the year grows old and December’s daylight departs too soon it is time to fill the dark nights with stories of ghosts and the supernatural.
Welcome to The New York Ghost Story Festival. An annual event of ghost story readings and discussion hosted by Daniel Braum. Featuring authors of the uncanny, strange and fantastic from New York and around the globe.
(8) MEDIA ANNIVERSARY.
November 1995 — “Two Tales of Korval,” the very first stories in Sharon Lee and Steve Miller’s Adventures in the Liaden Universe series was published by SR in a very limited sixty copies. There was two stories here, “To Cut an Edge” and “A Day at The Races”, plus “A Partial Liaden Glossary”. More printings would follow. Both stories are in A Liaden Universe Constellation: Volume 1 which is available from the usual digital suspects.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born December 7, 1873 – Willa Cather. A dozen stories for us, besides the work of her fame like O Pioneers!, My Ántonia, One of Ours. Pulitzer Prize. Fellow, Amer. Acad. Arts & Sciences. Nat’l Inst. Arts & Letters gold medal for fiction. Nat’l Women’s Hall of Fame. New York Writers Hall of Fame. (Died 1947) [JH]
Born December 8, 1886 – Heywood Broun. Sportswriter, drama critic, columnist, editor; co-founded the Newspaper Guild. One of the Algonquin Round Table. Often wrote against racism, censorship, persecution of people for their beliefs. A novel and three shorter stories for us, much other work. (Died 1939) [JH]
Born December 7, 1915 — Leigh Brackett. Let’s us praise her first for her Retro Hugo this year for Shadow Over Mars, originally published in the Fall 1944 issue of Startling Stories. Now surely her scripts for The Big Sleep and The Long Goodbye are genre adjacent? Why not? Ok, then her very pulpy Sea-Kings of Mars is? Being rhetorical there. And I love her Eric John Stark stories! (Much of these were written with her husband Edmond Hamilton.) And yes, she competed The Empire Strikes Back script just before she died. Is that the actual shooting script? (Died 1978.) (CE)
Born December 7, 1947 – Anne Fine, O.B.E., age 73. Three novels, four shorter stories for us; seventy children’s books, eight adults’. Two Carnegie Medals, two Whitbread Awards, The GuardianAward. Children’s Laureate (U.K., awarded every two years). Fellow, Royal Soc. Literature. Officer of the Most Excellent Order of the British Empire. [JH]
Born December 7, 1949 — Tom Waits, 71. He’s got uncredited (but obviously known) roles in Wolfen and The Fisher King. He is in Bram Stoker’s Dracula as R.M. Renfield, and he shows up in Mystery Men as Doc Heller and in Mr.Nick in The Imaginarium of Doctor Parnassus. He’s simply Engineer in The Book of Eli. (CE)
Born December 7, 1953 — Madeleine E Robins, 67. I’m very fond of her Sarah Tolerance series which starts often Point of Honour, it features a female PI in an alternate version of Georgian London. The Stone War set in a post-apocalyptic NYC is quite interesting as well, and she has quite a bit short fiction, though only three have been collected so far in Luckstones: Three Tales of Meviel. Much of her fiction is available from the usual digital suspects. (CE)
Born December 7, 1957 – Terri Blackstock, age 63. Six novels for us; forty others. Carol Award. Two NY Times best-sellers. “I still print things out and mark all over the hard copies after each draft. Under glass, I have pictures of my characters, with important stats about them, such as their ages, so I can refer to them often.” [JH]
Born December 7, 1973 — Kelly Barnhill, 47. Her The Girl Who Drank the Moon novel was awarded the Newbery Medal and she was a McKnight Writing Fellow in Children’s Literature. Four years ago, her “Unlicensed Magician” novella received the World Fantasy Award for Long Fiction. Iron Hearted Violet was nominated as Andre Norton Award. (CE)
Born December 7, 1980 – Satô Yûya, age 40. (Surname first, Japanese style.) Mishima Yukio Prize. A dozen novels, as many shorter stories. “Same as Always” closes the just-released Penguin Book of Japanese Short Stories. [JH]
Born December 7, 1984 – Walter Dinjos. This just-emerging Nigerian had a dozen stories in e.g. Abyss & Apex, Beneath Ceaseless Skies, Galaxy’s Edge. (Died 2018) [JH]
(10) ROLLING ON THE RIVERS. You Rivers of London fans might want to know about Ben Aaronovitch’s Titan Comics series, the latest title being Rivers of London Volume 8: The Fey and the Furious. (Writers: Ben Aaronovitch, Andrew Cartmel. Artist: Lee Sullivan.)
Trouble never lies far from the race track. When a flash car belonging to a young boy racer from England washes up in the Netherlands with a bagload of unusual cargo, it’s evident there is more than meets the eye happening at street races held in an Essex car park. Enter Detective Inspector Peter Grant. Fresh from suspension, he takes to the track in his orange ‘asbo’ Ford Focus to try and infiltrate the big leagues. But Peter soon finds himself sucked back into an Otherworld – a real-life fairyland!
They’ve also diagrammed where the comics fit into the overall series. (Click for slightly larger version.)
(11) PANDEMIC HEROES. “Real Nurses, Real Stories” describes The Vitals, a comic Marvel produced in collaboration with the Allegheny Health Network based on true stories of nurses fighting the pandemic. Read the comic here — The Vitals: True Nurse Stories (2020). (I’ll start typing again in a moment, right now I have something in my eye…)
(12) ALIEN COMICS ON THE WAY. Marvel Comics earlier announced plans for all-new comics set in the iconic world of the Alien franchise. The first of these will arrive March 2021 with ALIEN #1, written by Phillip Kennedy Johnson, art by Salvador Larroca, and cover by InHyuk Lee.
ALIEN #1 will be a thrilling addition to the incredible legacy that began with the groundbreaking 1979 film. Featuring both new and classic characters from Earth and beyond, this bold take on the Alien mythology will entertain both longtime fans and newcomers to the legendary horror/science-fiction saga.
The new story will feature a Weyland-Yutani mercenary named Gabriel Cruz as he battles a deadly new breed of xenomorph with the survival of his child hanging in the balance.
Francis Hamit is the last guy you would expect to write an anti-war play. He is an Army brat who served four years in the U.S. Army Security Agency during the Vietnam War and had a tour there himself.
“I mostly write about two things,” he says, “Soldiers and spies. My background is in Military Intelligence and I try to stay current with how the American military has changed in the decades since the Vietnam War ended. For many of those who were it there, it never did, because American society turned on us and blamed us for losing the war and every bad thing that happened there. We were all accused of being drug addicts and war criminals, and that legacy has passed to subsequent generations of American soldiers. Most Americans no longer know us, nor do they want to. We are there on the front lines, but everyone else is at the Mall.”
MEMORIAL DAY is a two act, one set, seven character play set in a small town or city neighborhood someplace in the USA. Anywhere between Alabama and Alaska. One of the men was an Army Ranger on D-Day in World War Two. Part of the so-called “Greatest Generation”. The others came later. The bar is owned by a Vietnam veteran, a draftee who one day got into a situation that earned him the Medal of Honor. He doesn’t know what to do with the fame that comes with that award, and resists efforts by other to exploit it. He will not even march in the town’s annual Memorial Day parade. Anyone who ever lived in a small town will find these folks relatable.
Peter Jackson recently revisited Middle-Earth to remaster his Lord of the Ringsand Hobbit trilogies in 4K Ultra HD. The undertaking allowed the celebrated director to go back to the original films (for example, The Fellowship of the Ring turns 20?! next December) and update their visual effects with modern tools. But don’t worry, this isn’t a Star Wars Special Editions-type situation of a director going back in and adding a bunch of stuff that wasn’t there originally.
“Visual effects technology has advanced a lot in 20 years and when they became ultra-crisp and sharp with the 4K process, we realized that some of the shots were not holding up too well. So, we got the opportunity to go back and remove and paint out any imperfections,” Jackson explains in a new video posted by Warner Bros. “I should make it clear: we didn’t upgrade or enhance any of the effects shots. They’re exactly the same as you’re used to seeing them, except they do look as if they were done today rather than 20 years ago.”
In doing so, he was also able to make both trilogies feel like one seamless unit, despite the fact that The Hobbit adaptations were shot years later and at a much higher frame rate. “They now feel like it’s one big, long film, telling the same story and looking and sounding the same,” Jackson added.
What’s your favorite book no one else has heard of?
Not enough folks know what a great book “Kindred,” by Octavia E. Butler, is. It’s kind of tricky to describe but somehow it all works — it’s about race relations and there’s time travel and romance. It’s powerful.
Which genres do you especially enjoy reading? And which do you avoid?
I love historical fiction with a touch of romance — writers like Lee Smith or Diana Gabaldon. I avoid horror.
(16) WERE YOU INVITED TO THE FUNERAL? Colin Broadmoor claims “The Future Died in 1999” at Blood Knife.
The future died in 1999. Ever since, we’ve been trapped in the eternal present—waiting for the other shoe to drop.
For two decades, we’ve fought the same wars, watched the police murder the same people, voted for the same duopoly, and paid for the same IPs in books, movies, and video games. I’m typing this at the close of A.D. 2020—the year I waited for all my life, the way some Christians wait for the Second Coming.
2020, the year forever associated with media like R. Talsorian’s Cyberpunk 2020 (2nd ed., 1992). Each day I wake in 2020 and look around to see myself surrounded by the ash and shadows of the spent neon future of my youth.
For those of you who were not there or don’t remember, it’s difficult to explain the ways in which the 1990s were different from today. There are two key aspects of that final decade of the 20th century that you must keep in mind:
It was the last decade in the West in which the analog took precedence over the digital in all fields.
People felt as if we were witnessing the first rays of a 21st-century dawn, one that promised humanity better living through technology.
(17) A REASON FOR THIS SEASON. Several versions of this holiday tree decoration are for sale — no wonder! The 2020 LED Flickering Dumpster Fire.
[Thanks to Cliff, Mike Kennedy, Martin Morse Wooster, JJ, John Hertz, R.S. Benedict, Cat Eldridge, Michael Toman, Andrew Porter, Daniel Dern, Francis Hamit, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Danny Sichel.]
“Would you like to run the Rivers of London/Unpublished Writers of Colour award?” asks Ben Aaronovitch. The Rivers of London author is the award’s sponsor.
Once a project manager has been picked, the Gollancz Rivers of London BAME SFF Award, given for the first time in 2020, will be getting a new name, too.
The part time project manager position pays £5075 flat fee for 29 days work across one year. Full requirements and details about how apply are here. Applications close November 30.
Here is the job description:
Science Fiction & Fantasy Award for unpublished Writers of Colour – 2021
Project manager Job description and person specification
Job Overview
We are seeking to hire an experienced part-time freelance Project Manager to develop and deliver a new award for unpublished Science Fiction and Fantasy Writers of Colour. year, eight unpublished writers received prize money totalling £10,000 (£4000 winner; £2000 runner up; £800 x 6 shortlisted) and mentoring. The Project Manager will be responsible for overseeing the renaming of the award, partnership building, management of and reporting to the project team, advisory group and judging panel, and the timely delivery and evaluation of the 2021 award.
The award is sponsored by Ben Aaronovitch, author of the Rivers of London series, and administered by Cityread, a registered literature charity. The Project Manager will be managed by Andy Ryan, chief executive of Cityread, and Anne Hall, PA to Ben Aaronovitch.
