(1) KEENE BUILDING HIS OWN TOWN SQUARE. Twitter developments have inspired leading horror author Brian Keene to reopen his Blog and revive his forums (“The Keenedom”).
…I’m done with social media. I loathed Facebook from day one. Instagram was okay for a little while, but the novelty wore off. Tumblr and TikTok are maddening in their functionality. I have used these platforms because I needed to reach the audience who buys my books, but I never enjoyed it. I quite liked Twitter, and had a lot of fun there, but it is the Titanic barreling toward the Hindenburg right now, and if you doubt that, then you’re not old enough to remember MySpace or Xanga or Geocities, and if you are old enough and still doubt it, then you weren’t paying attention.
What I forgot is that back in the day, the audience who buys my books came to me. They came to my Blog and to the message board, because there was content there that appealed to them. That’s my idea this time around, as I dial back to the past in an effort to move forward. The message board isn’t just for me and readers of my books. It’s for everyone in this genre — fan, reader, aspiring creator, or professional — who is sick of using 20 different social media apps, and just wants a big circus tent under which to find each other, and have real conversations again about things that we love with other people who love them, free from all the incessant toxic bullshit that comes with social media.
If that sounds like something you might dig, then join us there. It’s free. I’m there. So are Paul Tremblay, Josh Malerman, Mary, Edward Lee, Hailey Piper, David J. Schow, Jed Shepherd, Carver Pike, Wesley Southard, Jamie Flanagan, Samantha Kolesnik, and pretty much everyone else.
And when he says he’s “done”, this is what he really means —
…I’m not “done” with social media. I recognize that it is a necessary evil, and that I need to keep my presence in such places in order to sell books. But going forward, my social media accounts are pretty much just going to mirror whatever news item is on my website….
(2) SNEAK PEEK OF SEASON TWO. Dave Chappelle’s guest appearance on Saturday Night Live included a sendup of “House of the Dragon”.
Allies (Dave Chappelle, Kenan Thompson, Ego Nwodim, Punkie Johnson) of Rhaenyra Targaryen (Chloe Fineman) and Daemon Targaryen (Michael Longfellow) visit the couple at Dragonstone.
…It’s been difficult. Kelley and I are both exhausted and stressed and working hard on taking care of an old and fragile woman with dementia (and forgets she’s just had her hip replaced and is wearing a cast and tries to walk) and her old and confused husband. We have no time, we have no bandwidth, we don’t know how long this will last or what the future holds. Those of you who have had to manage this kind of thing don’t need telling; those of you who haven’t, well, I hope you never do.
One of the things that adds to the stress is having to renege on promises and cancel things. So let me be clear here: if you ask me a favour3 in the next three months you will not even get the courtesy of a no. Until late winter/early spring, my focus will be very close to home….
…As for myself, growing up on the outskirts of Denver with a mother of multi-tribal descent and an alcoholic, often abusive white father, my desire for the macabre took root fast. As horror author Grady Hendrix notes, this was perfect timing: the 80’s were part of the golden era of horror fiction. And Stephen King’s novel, The Shining, so mirrored my own experience—of running from an alcoholic dad who sometimes read Louis L’Amour to me—but other times held us at gunpoint in his underwear, that it became a compulsive go-to for the rest of my life. Neither my boyfriend nor my therapist understand this compulsion, but research shows that a lot of us love horror because it helps us to process our trauma. There’s something about the mirroring of our own childhood and/or current traumas—and the way in which they resolve at the end that’s cathartic, as author Stephen Graham Jones notes. For me, horror is the only genre, when the stuff in my head becomes too intense, that distracts me. I often fall asleep while reading or watching it….
(5) MEMORY LANE.
1995 — [By Cat Eldridge.]Deep Space Nine’s “Little Green Men”
We have come gather on this wet, cold Autumn evening to speak of little green men, specifically Deep Space Nine’s “Little Green Men” which first aired twenty-seven years ago this night in syndication.
It was from a story by Toni Marberry and Jack Trevino with the actual script by Ira Steven Behr and Robert Hewitt Wolfe. Behr was the showrunner and executive producer here.
NATURALLY WE HAVE SPOILERS. WHAT DID YOU EXPECT? CHOCOLATE?
Quark and Rom are bringing Nog to Earth to enroll in Starfleet Academy, but they are accidentally sent back in time to 1947 after the shuttle is sabotaged and become, oopps!, the supposed alien invaders in the Roswell event.
Americans think they’re Martians. Quark attempts to sell technology that of course alter the timeline , but fortunately Odo shapeshifted came along because he knew Quark intended to make the trip profitable by smuggling an banned cargo of highly dangerous kemocite.
Rom, intelligent and more clever than Quark by quantum levels, uses a nuclear weapon to get them back to the proper time. Once he’s off to Starfleet Academy, they head back to DS9 where Quark sells the damaged shuttle thereby losing money, and embarrassing him as Ferengi, and getting arrested by Odo for the kemocite smuggling.
I DO HAVE HOT CHOCOLATE IF YOU ARE STILL AROUND.
Reception of it by critics was absolutely wonderful. UKSciNow said “was a joy”. Very impressive.
Of course it’s streaming on Paramount +.
One last note: Charles Napier, who here was General Denning, previously appeared on Star Trek’s “The Way to Eden” as Adam. He had told the Trek casting people that he would only play a military character after having portrayed that “space hippie” in his last appearance. And here he is in his preferred role.
(6) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 13, 1850 — Robert Louis Stevenson. Author of for Treasure Island, Strange Case of Dr Jekylland Mr Hyde and the New Arabian Nights collection of short stories. (Died 1894.)
Born November 13, 1888 — Philip Francis Nowlan. He’s best known as the creator of Buck Rogers. The character first appeared in Nowlan’s 1928 novella Armageddon 2419 A.D. as Anthony Rogers. Nowlan and the syndicate John F. Dille Company, later known as the National Newspaper Service syndicate, contracted to adapt the story into a comic strip illustrated by Dick Calkins. The strip made its first newspaper appearance on January 7, 1929. (Died 1940.)
Born November 13, 1935 — Keith Roberts. Author of Pavane, an amazing novel. I’ve also read his collection of ghost stories, Winterwood and Other Hauntings, with an introduction by Robert Holdstock. Interestingly he has four BSFA Awards including ones for the artwork for the cover of his own first edition of Kaeti & Company. (Died 2000.)
Born November 13, 1950 — James Blaylock, 72. One of my favorite writers. I’d recommend the Ghosts trilogy, the Christian trilogy and The Adventures of Langdon St. Ives which collects all of the Langdon St. Ives adventures together as his best writing, but anything by him is worth reading. I see the usual suspects don’t have much by him but they do have two Langdon St. Ives tales, Homunclus and Beneath London.
Born November 13, 1955 — Brenda Clough, 67. She was nominated for a Hugo at ConJosé for her “May Be Some Time” novella. I’m very fond of her fantasy Averidan series. Though very much not genre, I recommend her A Most Dangerous Woman, a sequel to The Woman in White by Wilkie Collin. It’s a serial on Realm and the usual suspects.
Born November 13, 1957 — Stephen Baxter, 65. Ok I’m going to confess that the only thing I’ve read that he’s written is the Long Earth series with Terry Pratchett. I’ve only read the first three but they are quite great SF! Ok I really, really need your help to figure out what else of his that I should consider reading. To say he’s been a prolific writer is somewhat of an understatement and he’s gotten a bonnie bunch of awards as well though no Hugos. It’s worth noting that Baxter’s story “Last Contact” was nominated for a Hugo for best short story at Denvention 3 as were The Time Ships as L.A. Con III, “Moon Six” novellette at BucConeer, “On the Orion Line” novellette and “The Gravity Mine” short story at the Millennium Philcon, and finally “The Ghost Pit” short story at ConJosé.
Born November 13, 1974 — Owen Sheers, 48. His first novel, Resistance, tells the story of the inhabitants of a valley near Abergavenny in Wales in the Forties shortly after the failure of Operation Overlord and a successful German takeover of Britain. It’s been made into a film. He also wrote the “White Ravens”, a contemporary take off the myth of Branwen Daughter of Llyr, found in the New Stories from the Mabinogion series.
… So how far back do we have to go to find the first horror movie? Almost as far back as the very origins of film, it seems—to 1896, when French special-effects genius Georges Méliès made the three plus minute short above, Le Manoir du Diable (The Haunted Castle, or the Manor of the Devil). Méliès, known for his silent sci-fi fantasy A Trip to the Moon—and for the tribute paid to him in Martin Scorsese’s Hugo—used his innovative methods to tell a story, writes Maurice Babbis at Emerson University journal Latent Image, of “a large bat that flies into a room and transforms into Mephistopheles. He then stands over a cauldron and conjures up a girl along with some phantoms and skeletons and witches, but then one of them pulls out a crucifix and the demon disappears.” Not much of a story, granted, and it’s not particularly scary, but it is an excellent example of a technique Méliès supposedly discovered that very year….
(11) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Adam Savage goes to London and faunches after a starship model from Star Trek: The Next Generation that was recently auctioned in London.
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Ben Bird Person, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge, who wanted to show he’s equally capable of contributing a short title.]
… I took Le Guin for granted. When she died in 2018, I could have fit the span of my life inside hers almost three times. She had always been there, like a mountain, or the sun, and it was easy to fall into the certainty that she always would be. I was unfamiliar with her most celebrated works—The Left Hand of Darkness, The Dispossessed, books by which she became the first woman to win a Hugo Award for Best Novel, and then, five years later, the first woman to have won it twice.
I had assumed, with all the oblivious confidence of youth, that I’d get to read them while she was still with us and talk to her about them. I imagined that I would meet her one day, under ideal conditions that would make me seem interesting enough for conversation, and ask her about poetry, about being a middle-aged woman in the 1970s, and about science fiction. Her passing hit me harder than I expected, considering my slender acquaintance with her work, but that was the thing about Le Guin: to have lost her was to have lost a world I longed to visit….
(2) ROMANTIC NOVEL AWARDS. The Romantic Novelists Association announced the winners of the 2022 Romantic Novel Awards in London on March 7. The awards celebrate excellence in romantic fiction in all its forms. The complete list is here. In the RNA category of genre interest the winner is —
The Fantasy Romantic Novel Award
A Marvellous Light, Freya Marske, Pan Macmillan
(3) HIDDEN TREASURE. [Item by Bill Burns.] The BBC Archive started a new YouTube channel a couple of months ago, and there are some interesting SF items: BBC Archive – YouTube. As well as Star Wars, Doctor Who, and other media items, there’s these more mainstream pieces from broadcast programs:
“Arthur C Clarke predicts the future” (September 1964)
“Douglas Adams on HITCHHIKERS GUIDE TO THE GALAXY game” (1984)
“ISAAC ASIMOV’s 3 laws of ROBOTICS” (1965)
(4) SCREENTIME MACHINE. For the first five seconds I thought it was a Monty Python sketch. But no – these are all legit sff writers on a 1979 episode of the BBC’s Book Programme trying to answer the question “What is SCIENCE FICTION?”
Robert Robinson presents a science-fiction themed edition of The Book Programme. What constitutes science-fiction, is there room in the genre for the metaphysical or spiritual, or should writers slavishly stick to the scientific? What is to be made of the phenomenon that is the sci-fi convention – is there something unique to science fiction that inspires such devotion in its fans? And is all fiction slowly becoming science fiction? Taking part are: Douglas Adams, the author of the science-fiction comedy ‘The Hitchhikers Guide to the Galaxy’; Harry Harrison, a prolific science fiction writer best known for his ‘Deathworld’, ‘Stainless Steel Rat’ and ‘Bill, the Galactic Hero’ novels; Peter Nicholls, the editor of The Encyclopedia of Science Fiction; and Ian Watson, whose book ‘The Jonah Kit’ won the British Science Fiction Association award for Best Novel and whose new book “God’s World” is reviewed here and forms the basis for the discussion.
…If you’re just joining us, the Non-Fiction Spotlights are a project, where I interview the authors/editors of SFF-related non-fiction books that came out in 2021 and are eligible for the 2022 Hugo Awards….
Why should SFF fans in general and Hugo voters in particular read this book?
Carl: I first became interested in Lovecraft because of references to him in popular culture. As I began to read more and more of his stories, I became fascinated by the ways his work continues to show up in everything from heavy metal music to board games to internet memes to television shows. What I didn’t know was that there were dozens of others having similar experiences. This book provides a glimpse at what others have discovered in their own journey through Lovecraft. I think anyone with an interest in Lovecraft, including SFF fans and Hugo voters, can discover just how far Lovecraft’s influence goes through a book like this. Even those who already have a firm grasp of Lovecraft should be able to find new insights and research opportunities here….
…A more fully formed story started to emerge in 2020. This original fairy tale explored both the conflict and the generosity she was seeing in the world around her. She noticed, for example, that throughout the pandemic, some people worked together to protect one another from the coronavirus, and others did not.
“I saw the power that one individual has to make something better for another,” she said.
A conversation with her “awesome and interesting” 10-year-old nieces also helped shape the story. The girls’ parents are philosophers. They study knowledge — how people think and reason and how they decide right from wrong. The girls thought that philosophy should also consider kindness and animals.
Barnhill listened. “The Ogress and the Orphans” probes what happens to people’s hearts and to the spirit of their communities when they give to others — or turn away. What happens when they respect and include others — or seek power over them?…
(8) WOOL GATHERING. At Bandcamp, Aidan Baker’s album “The Sheep Look Up” is intended as “a ‘soundtrack’ to John Brunner’s 1972 dystopian novel.” Baker is a Canadian musician “making experimental ambient music.”
(9) MEMORY LANE.
1968 — [Item by Cat Eldridge] Anne McCaffrey’s Dragonriders of Pern series has a fascinating Hugo history.
She won a Hugo the first time she was nominated, for the novella “Weyr Search” at Baycon (tied with Philip José Farmer’s “Riders of the Purple Wage”.) It was published in Analog Science Fiction / Science Fact, October 1967. It’s in A Dragon-Lover’s Treasury of the Fantastic anthology which was edited by Margaret Weis, available from the usual suspects at a very reasonable price.
It would be the only win for the Dragonriders of Pern series but by far is not the only nomination for the series.
Next up would be the “Dragonrider” novella which was nominated one year later at St. Louiscon. Three years later, her Dragonquest novel would get a nod at the first L.A. Con showing that Con had impeccable taste. And at Seacon ‘79, The White Dragon gets nominated. (I really love that novel.) The next L.A. Con would see another novel be nominated, Moreta: Dragonlady of Pern. (I’ve never heard of that one.) And the final nomination, also for a novel, was at MagiCon, for All the Weyrs of Pern.
The series did win a number of other awards including a Nebula for Dragonrider, a Ditmar and Gandalf for The White Dragon, a Balrog for Dragondrums and The Science Fiction Book Club’s Book of the Year Award for The Renegades of Pern. It is, after all, an expansive series.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 7, 1925 — Richard Vernon. He is perhaps best remembered for playing the role of Slartibartfast in The Hitchhiker’s Guide to the Galaxy series. His first genre role was Sir Edgar Hargraves in the Village of the Damned which was adapted from John Wyndham’s The Midwich Cuckoos. He’s also in Goldfinger as Colonel Smithers. (Died 1997.)
Born March 7, 1926 — Alan Sues. Here for his outstanding performance in The Twilight Zone’s “The Masks” as Wilfred Harper, Jr., one of the most chilling scripts written for that series. He really didn’t have much of a genre history showing just otherwise on Wild Wild West and Sabrina, the Teenage Witch unless you want to include Rudolph and Frosty’s Christmas in July where he played Scratcher the jealous Reindeer. (Died 2011.)
Born March 7, 1942 — Paul Preuss, 80. I know I’ve read all of the Venus Prime series written by him off the Clarke stories. I am fairly sure I read all of them when I was in Sri Lanka where they were popular among the British ex-Pat community. I don’t think I’ve read anything else by him.
Born March 7, 1944 — Stanley Schmidt, 78. Between 1978 and 2012 he served as editor of Analog Science Fiction and Fact magazine, an amazing feat by any standard! He was nominated for the Hugo Award for Best Professional Editor every year from 1980 through 2006 (its final year), and for the Hugo Award for Best Editor Short Form every year from 2007 (its first year) through 2013 with him winning in 2013 at LoneStarCon 3. He’s also an accomplished author and l know I’ve read him but I can’t recall which novels in specific right now though I know I enjoyed what I read by him.
Born March 7, 1945 — Elizabeth Moon, 77. I’ll let JJ have the say on her: “I’ve got all of the Serrano books waiting for when I’m ready to read them. But I have read all of the Kylara Vatta books — the first quintology which are Vatta’s War, and the two that have been published so far in Vatta’s Peace. I absolutely loved them — enough that I might be willing to break my ‘no re-reads’ rule to do the first 5 again at some point. Vatta is a competent but flawed character, with smarts and courage and integrity, and Moon has built a large, complex universe to hold her adventures. The stories also feature a secondary character who is an older woman; age-wise she is ‘elderly’, but in terms of intelligence and capability, she is extremely smart and competent — and such characters are pretty rare in science fiction, and much to be appreciated.”
Born March 7, 1954 — Elayne Pelz, 68. She is a member of LASFS (and officer) and of SCIFI who worked on myriad cons, mainly in art show and treasury. She was married to famous SF fan Bruce Pelz and assumed leadership of Conagerie, the 2002 Westercon, upon Bruce’s death and the con was held successfully. She was the Chair of Loscon 20.
Born March 7, 1970 — Rachel Weisz, 52. Best remembered for The Mummy films which I really, really love (well the first two with her), and her first genre film was Death Machine, a British-Japanese cyberpunk horror film which scores rather well – fifty-one percent — among audience reviewers at Rotten Tomatoes. I’ve also got her in Chain Reaction and The Lobster. As of late, Weisz starred as Melina Vostokoff in the MCU film Black Widow.
It’s only been a few days since Disney’s lavishly pricedStar WarsGalactic Starcruiserattraction previewed for invited media, influencers, and guests—yet eBay listings are already being promoted for exclusive items from the experience. Some item postings even have timetables for guests who have yet to step onto the Halcyon ship but promise to bring back merch for sale.
A sign that this might be different from the usual hive of scum and villainy where merch-flippers tend to dwell is that the prices seem to reflect ways to offset the cost of the trip itself—or for those who got freebies to maybe even get on board again….
…Pan’s Labyrinth director Guillermo del Toro has brought up another point of contention: The new format for the upcoming awards ceremony.
The Academy of Motion Pictures and Arts recently unveiled its new format, which involves pre-taping a select eight categories and announcing the winners in a pre-show. The categories moved to this lower-tier position include Best Production Design, Editing, Makeup and Hairstyling, Original Score, Sound, Documentary Short, Animated Short and Live-Action Short. After the last couple of arduous years in the film industry, del Toro thinks this change could not come at a worse time.
“The nominees that we have here, most of the ones we have here tonight, [worked] against many, many difficult odds [to get here], and we don’t do [films] alone,” del Toro said while receiving the Hollywood Critics Association’s Filmmaking Achievement Award. “We do them together, and the people that made them with us did it risking everything in a pandemic, showing up, making the day, somewhat in a miracle.
“I must say, if any year was the year to think about it, this is not the year not to hear their names live at the Oscars. This is the year to sing it, and sing it loud,” Del Toro continued. “We shouldn’t do it this year; we shouldn’t do it ever, but not this year… And we must say this… 2021 was a f**king great year for movies.”…
(13) TIME’S THREE. “Take three historical figures, throw them together in some situation, and tell us the story that ensues.” That simple description was enough make a success of Fantastic Books’ Kickstarter campaign, fully funding the anthology Three Time Travelers Walk Into…, which will appear in June. “It pulls together the adventuring of such disparate figures as Julia Child, Jesus Christ, Michael Jackson, and Vlad the Impaler (well… not all in one story).”
Edited by Michael A. Ventrella, the contributing authors are Eric Avedissian, Adam-Troy Castro, Peter David, Keith R.A. DeCandido, Gregory Frost, David Gerrold, Henry Herz, Jonathan Maberry, Gail Z. Martin, Heather McKinney, James A. Moore, Jody Lynn Nye, L. Penelope, Louise Piper, Hildy Silverman, S.W. Sondheimer, Allen Steele, and Lawrence Watt-Evans.
NASA’s Perseverance rover has involuntarily adopted a traveling companion, in the form of a stone that’s lodged in one of its six aluminum wheels.
An image captured by Perseverance’s Onboard Front Left Hazard Avoidance Camera, or Hazcam for short, shows the interloper sitting on the interior of a wheel. The rover must’ve kicked up the rock while exploring Jezero Crater, where it’s been operating since it landed on Mars in February 2021.
The picture was taken on February 25, 2022, but a similar image taken five days later showed the rock still firmly in place. The stone, it would appear, is now a stubborn fixture of the $2.2 billion rover….
(15) RETURN TO SENDER. “Dreaming of Suitcases in Space”. Hard to believe, but the New York Times, not Philip K. Dick, came up with that title. “A California start-up company believes it can one day speed delivery of important items by storing them in orbit.”
…Inversion is building earth-orbiting capsules to deliver goods anywhere in the world from outer space. To make that a reality, Inversion’s capsule will come through the earth’s atmosphere at about 25 times as fast as the speed of sound, making the parachute essential for a soft landing and undisturbed cargo.
Inversion is betting that as it becomes cheaper to fly to space, government agencies and companies will want to not only send things to orbit but also bring items back to earth….
…What Inversion is trying to do is not easy. Designing a vehicle for re-entry is a different engineering challenge than sending things up to space. When a capsule enters the atmosphere from space, it is traveling at such high speeds that there is the danger of burning up — a huge risk for human travelers and precious nonhuman cargo alike.
Seetha Raghavan, a professor in the University of Central Florida’s mechanical and aerospace engineering department, said it would be even more difficult to handle the heat, vibration and deceleration of the capsule when the vehicle size shrank.
“It all becomes harder when you have a smaller item to control,” Ms. Raghavan said.
Inversion’s plan for capsules in orbit raises questions about whether it will contribute to congestion in space, already a problem with the megaconstellations of satellites. And the abundance of satellites interfering with observations of planets, stars and other celestial bodies has been a common complaint among astronomers.
But Inversion said it was using materials to make its capsules significantly less reflective to decrease visual pollution. In addition, the company said its capsule would come with systems to avoid debris and collisions in orbit….
(16) CUBISM. [Item by Ben Bird Person.] Artist/illustrator Will Quinn did this piece commemorating the Dungeons & Dragon‘s gelatinous cube.
According to Patreon, “I listen to ‘Not Another D&D Podcast’ while I draw these days, and they were coincidentally fighting an ooze monster during this drawing (not a Gelatinous Cube, though. It was a Juiblex).”
[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, Rob Thornton, Ben Bird Person, Chris Barkley, Bill Burns, SF Concantenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Charon Dunn.]
… In 2020, a Sea Lion Press story won a Sidewise Award for the first time. Most Sidewise winners are paper novels by major book publishers which sell in the thousands so it was exciting to us that an ebook by a minor publisher with more modest sales could win it. You’re obviously not the only judge but do you consider popularity or legitimacy at all or would you be happy to vote for a self published ebook with barely any sales if you felt the work was good enough?
I try to read each story or novel for the Sidewise Award pretending I know nothing of its provenance. I try to ignore who the author is, who published it, or the way it got to press. To me, it is about the story being told and the way it is told. I try to judge each book on two levels. Is it a good/interesting alternate history and is it a well written book. I’ve voted down books I like because they were strong in one of those two categories, but weak in the other. If the writing isn’t good, the concept doesn’t matter and if the writing is good but the alternate history is weak, it is hard to consider it a contender….
(3) WHO CAN RESIST CETACEANS? [Item by Ben Bird Person.] Artist JohannesVIII (@ViiiJohannes) did this piece of two humpback whales assimilated as Borg from Star Trek.
(4) FANHISTORY ZOOM. Fanac.org’s next Fan History Project Zoom Series presentation is happening on February 26. To RSVP, or find out more about the series, please send a note to [email protected]
Death Does Not Release You – LASFS Through the Years with Craig Miller (M), Tim Kirk, Ken Rudolph and Bobbi Armbruster
Date: February 26, 2022 Time: 4pm EST, 1pm PST, 9PM London, 8AM Sunday AEDT (Melbourne)
LASFS is unique – in its history and impact on fandom. LASFS has a clubhouse, a long list of professional writers that have been members, and has had an incredibly active fan group over the decades. Los Angeles area fandom has produced innumerable fanzines, six Los Angeles Worldcons (and many other conventions). Join us for a session with our real world AND fannishly accomplished participants – convention runners (including a Worldcon chair), a noted fan and professional artist, and a fanzine editor, all past or present LASFS members – in conversation about Los Angeles fandom from the inside.
Upcoming Fanac.org fanhistory Zooms are:
March 19 —Traveling Ghiants, Fan Funds from the Days of Mimeo to the Days of Zoom
Geri Sullivan (m), Lesleigh Luttrell (DUFF), Justin Ackroyd (GUFF) and Suzle Tompkins (TAFF)
…According to convention rules, attendees were required to have received at least one COVID-19 vaccine dose and wear masks indoors.
The first case was reported to the CDC by the Minnesota Department of Health on Dec. 2 in a man — called Patient A — who had flown to New York City for the convention, the report said.
For the report, the CDC teamed up with the MDH and state and local departments across the country interviewing Patient A, and 23 of his 29 close contacts from 13 states who also attended the convention.
Patient A had traveled to New York City on November 18. He was fully vaccinated and received a booster shot earlier in November, according to the authors.
However, he developed symptoms on Nov. 22 and subsequently tested positive for COVID-19, after which he notified all his close contacts, the report said.
Of the 23 attendees contacted, 16 tested positive for the virus, equating to an attack rate of 70%.
All the contacts were fully vaccinated, but only 11 had received a booster dose before going to the convention, according to the report. The authors indicate that having a booster dose lowered the odds of testing positive for COVID-19.
Ten of the 12 people, or 83%, who didn’t receive a booster tested positive for the virus while six of the 11 people, 55%, who tested positive were boosted, meaning there were 1.5 times fewer infections in boosted individuals….
In 2022, Signum University’s Annual Texas Language and Literature Symposium (TexMoot) invites you to join us as we consider the ethical turn in speculative fiction: How do imaginary worlds teach us to care for this one?
From ecological concerns to social commentary, science fiction and fantasy offer readers a mirror through which to view our own world. For example, the struggles of a terraforming planet may remind us how precious and fragile is the one we live on. The real-world conflict between nature and technology comes to life on the page when trees march to war. We may find insights into how to interact with people around us by spending time with characters in a fellowship—or on a starship.
At TexMoot 2022, you will explore questions like: How do we relate to the Other—the “monsters” and “aliens” beyond the bulkhead door? What roles can technology play in preserving nature or reinforcing what makes us human? Do humans change the nonhuman environment, or are they inevitably changed by it? Is there really a clear line between the human and the nonhuman, anyway? And whose responsibility is it to preserve “civilization” and transmit its legacy to future generations?
TexMoot 2022 will also investigate the ways authors convey these commentaries. What literary techniques best serve the message; at what point does a work cross the line into propaganda? When does the message serve the story, and when does the story serve the message?
The TexMoot Team is looking for both traditional academic papers (of about 15 minutes) and shorter discussion prompts in which the presenter talks for 5 minutes and ends with a provocative question to start a roundtable discussion. Presentations and discussion topics can be more academic or popular, according to your preference and experience.
Stranger Things, a signature show for Netflix since its premiere in 2016, has been renewed for a fifth and final season.
In addition to the climactic renewal, the company said the long-awaited Season 4 of the show will premiere in two “volumes,” the first on May 27 and the second on July 1. In an open letter to fans (read it in full below), co-creators Matt and Ross Duffer said the split season resulted from the season’s nine episodes having a total running time twice as long as that of any previous season.
The Duffer Bros noted that the full arc was expected to be “four or five” seasons when they first envisioned the show, so the end is not a surprise. Plus, it won’t be the end of the franchise, they promised.
“There are still many more exciting stories to tell within the world of Stranger Things: new mysteries, new adventures, new unexpected heroes,” they wrote. “But first we hope you stay with us as we finish this tale.”
While movie studios like Marvel like to keep all details about their films under complete wraps, there’s one truth they simply cannot get around: It takes a long time to make merchandise, especially action figures. That’s why they’re often the first looks at movie outfits and characters, and it’s why we’re getting this first look at Natalie Portman as Jane Foster as the Mighty Thor in the upcoming Thor: Love and Thunder. In related news, she’s awesome—as regular Thor’s new movie outfit, which you can also see here!…
(9) RIDE WITH THE SPACE COWBOY. Simultaneous Times science fiction podcast episode 48 is live, featuring short stories by F.J. Bergmann and Toshiya Kamei with original soundtracks by Phog Masheen and RedBlueBlackSilver. “Simultaneous Times Ep.48 – F.J. Bergmann & Toshiya Kamei”. Simultaneous Times is a monthly science fiction podcast produced by Space Cowboy Books in Joshua Tree, CA.
(10) FAREN MILLER (1950-2022). Faren Miller, a Locus staffer and contributor for 37 years, died February 15 at the age of 71 reports Locus Online. Miller was hired by Locus in 1981, and her last review column for the magazine was in 2018. Her only published novel, The Illusionists (1991), was a finalist for the William Crawford – IAFA Fantasy Award for first fantasy book.
(11) MEDIA BIRTHDAY.
1989 — [Item by Cat Eldridge] Thirty-three years ago, the first film of what would become the Bill & Ted franchise, Bill & Ted’s Excellent Adventure, premiered on this day. It was directed by Stephen Herek as written by Chris Matheson, son of author Richard Matheson, and Ed Solomon, writer of the first Men in Black film, who would write all three of these films.
Bill & Ted’s Excellent Adventure, of course, stars Keanu Reeves, Alex Winter and George Carlin. (I met the latter many years ago. A rather nice gentleman he was.) Two out of the three had successful careers after this, one really didn’t.
It was a box office triumph earning back forty million against a modest budget of just ten million.
Critics generally hated it. The New York Times in reviewing it flatly stated that it was a “painfully inept comedy”. And the Los Angeles Times said that it was an “unabashed glorification of dumbness for dumbness’ sake”. Dissenting from this unrelenting hostility, the Radio Times cheerfully said ir was a “flawless, purpose-built junk movie”.
So how do audience reviewers at Rotten Tomatoes view it now? Well, they give it a most bodacious seventy-five percent rating.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 17, 1912 — Andre Norton. She penned well over a dozen series, but her major series was Witch World which began rather appropriately with Witch World in 1963. The first six novels in that series were Ace Books paperback originals published in the Sixties. I remember them with fondness quite some decades after reading them. (Died 2005.)
Born February 17, 1913 — David Duncan. A screenwriter and novelist who was nominated twice for Hugos, first for being writing the screenplay for The Time Machine at Seacon, and for the same work on Fantastic Voyage at NyCon 3. He also wrote Time Machine: The Journey Back sequel to The Time Machine. And he wrote The Outer Limits’ “The Human Factor” episode. (Died 1999.)
Born February 17, 1939 — Kathy Keeton. Founder and publisher of the now defunct Omni. It was founded by her and her partner and future husband Bob Guccione, the publisher of the also defunct Penthouse. It would publish a number of stories that have become genre classics, such as Card’s “Unaccompanied Sonata”, Gibson’s “Burning Chrome” and “Johnny Mnemonic” and George R. R. Martin’s “Sandkings” to name a few of the stories that appeared there. (Died 1997.)
Born February 17, 1954 — Don Coscarelli, 68. A film director, producer, and screenwriter best known for horror films. His credits include the Phantasm series, The Beastmaster, and Bubba Ho-Tep, the latter based a novella by Joe R. Lansdale whom I’ve met and who is a really nice person.
Born February 17, 1971 — Denise Richards, 51. Her first genre role was as Tammy in Tammy and the T-Rex (really don’t ask). Her next role was the one she’s known for as Carmen Ibañez in Starship Troopers. A few years later she’ll be Dr. Christmas Jones in The World Is Not Enough, the eighteenth Bond film. She played Victoria Dare in Timecrafters: The Treasure of Pirate’s Cove.
Born February 17, 1975 — Jerry O’Connell, 47. Quinn Mallory on Sliders, a series whose behind-the-broadcast politics is too tangled to detail here. His first SF role was on Mission to Mars as Phil Ohlmyer with the SF dark comedy Space Space Station 76 with him as Steve being his next role. He’s done a lot of of DCU voice work, Captain Marvel in Superman/Shazam!: The Return of Black Adam, Clark Kent / Superman in Justice League vs. Teen Titans and Justice League: Throne of Atlantis, Justice League Dark, The Death of Superman and Reign of the Supermen where he also plays Cyborg Superman to great, chilling effect. The latter film is kickass excellent.
This week Amazon, launched a new app for its digital comics platform, Comixology, and a new Amazon-native online storefront that will eventually replace Comixology’s browser-based store and reader. But the new changes have alarmed both users and creators.
Long-time Comixology users have taken to social media to list all the ways the new web and app user experience represents a step backward from what they’re used to. Chief among the many complaints is a new web reader that doesn’t display double page spreads correctly, has removed creator credits from book listings on the storefront, and lacks both panel-by-panel and zoom functions, rendering most comics in illegibly small images….
(14) MISSING A PART OF THE FUTURE. Voice acting veterans Mark Hamill, Tara Strong, Kari Wahlgren, and Charlie Adler call out Hulu, which is reviving Futurama but hasn’t been willing to meet the terms of Bender’s voice John DiMaggio: “Futurama Hulu revival: Actors supporting John DiMaggio” at SYFY Wire.
A number of established Hollywood veterans have come to the side of John DiMaggio as the actor continues to clash with Hulu and 20th Century Studios over proper compensation for the streamer’s upcoming revival of Futurama.
The official announcement of the beloved series’ return from co-creators Matt Groening and David X. Cohen was slightly marred by the fact that DiMaggio (who voices foul-mouthed robot Bender and a plethora of supporting characters) was the only member of the original cast who had not signed on for the revival. It was soon reported that the show would recast Bender in the wake of contract negotiations stalling out. If talks have ended for good between both parties, some fans say they won’t be tuning in if DiMaggio isn’t brought back for the 20 additional episodes slated to premiere sometime next year (production kicks off this month)….
Disney has launched a new business for fans who can’t bear to leave the pristine, family-friendly world the corporation has nurtured through its theme parks and media ventures.
“Storyliving by Disney” will operate as part of the company’s theme parks division, developing a series of master-planned communities for residential living, designed by Disney’s creative staff and offering the same pampered tranquility found in its resorts.
“Picture an energetic community with the warmth and charm of a small town and the beauty of a resort,” said Disney Parks, Experiences and Products exec Helen Pak in a promotional video.
Only one location has been announced so far: a community of 1,900 housing units named Cotino that will be built in the city of Rancho Mirage in California’s Coachella Valley (a location where Walt Disney himself once lived)….
(16) SPLISH SPLASH, YOU’LL BE TAKIN’ A BATH. [Item by Michael Toman.] I can’t be the only Filer who would be interested in reading this Kim Stanley Robinson nightmare scenario, with or without fires and earthquakes. What will California’s coast look like in 100 years? “We’re Kind of Built on This Knife’s Edge” at Alta.
Eighteen thousand years ago, give or take, the continental shelf 30 miles off the coast of San Francisco was exposed as a wide, flat coastal plain with an extensive system of dunes and river valleys connecting the Farallon Islands to the continental United States, which didn’t go by that name. Farther north, salt waters from the Pacific Ocean stretched all the way inland to present-day Sacramento.
Rising sea levels have continued to erode the shoreline ever since, as human beings established a society they would eventually call California. Some of our biggest cities were built in this 10 miles of dynamic coastline.
“We often think of the California coast as this high-relief terrain with active tectonics, which it is, but we’ve put millions of people in the lowest parts of the entire state, like the San Diego Bay, the San Francisco Bay, and the Los Angeles Basin,” says Patrick Barnard, the research director of the climate impacts and coastal processes team at USGS Pacific Coastal and Marine Science Center in Santa Cruz….
Chinese engineers are developing a large, four-legged robotic “yak,” supposedly capable of hauling as much cargo as two real yaks. The unnamed robot—which seems destined for military use—is similar to the robo-dog concept that Waltham, Massachusetts-based Boston Dynamics has popularized over the last decade. But a careful reading of the video shows that it may just be a bunch of Chinese Communist Party propaganda.
Supported by its four spindly legs and barrel-shaped body, the robot is topped off with a cargo-carrying metal rack. Global Times, a Chinese tabloid with links to the Chinese government, claims it can carry up to 160 kilograms (352 pounds) and travel at up to 6.21 miles per hour. It cites the Chinese Communist Party news site People’s Daily as saying the robot was “the world’s largest, heaviest and most off-road-capable of its kind.”…
…. Robo-yak isn’t going anywhere anytime soon for the same reasons the Marines never pursued LS3: robots run on batteries and once the batteries run down, it takes hours—at a place with abundant power to spare, which is not exactly the desert—to recharge them.
Set within the same universe as its parent series, The Boys: Diabolical acts as an eight-part collection of animated short films exploring a range of stories related to the corrupt superhero world that fans of The Boys have come to know and love. Each episode will run between 12 and 14 minutes and feature a unique animation style.
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: It Takes Two,” Fandom Games says the gimmick of this game is that you’re supposed to play it with your partner and preserve your marriage. But the narrator says a better test is to “Play Cuphead with your wife, because if your marriage can survive that, it can survive anything!”
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Steven H Silver, Chris Barkley, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Randall M.]
…AMPAS announced Monday that beginning now through March 3, audiences can vote on Twitter for their favorite movie of 2021 using the #OscarsFanFavorite hashtag or by casting a ballot on the Oscars Fan Favorite website. The winning fan-favorite film of the year will then be announced live during the 2022 Oscars ceremony….
In addition to the fan-favorite vote, the Academy is asking audiences to use Twitter to vote for an #OscarsCheerMoment spotlighting moments that made them “erupt into cheers in theaters” while watching. Five winners selected from the pool of participants will win a package, including tickets to a full year of free movies in a theater of their choice, streaming subscriptions, and exclusive items from the Academy Museum shop.
… The passionate fanbase surrounding Zack Snyder’s Justice League is back at it again, this time calling for the Academy of Motion Picture Arts and Sciences to give an Oscar to Snyder’s film.
… Following the film’s release, Justice League formed a wide and vocal fanbase, who spent years demanding Warner Bros. to allow Snyder to complete his version of the film. Some of the film’s stars joined in on the #ReleasetheSnyderCut movement, confirming that his version was already near completion and only needed visual effects work to be completed.
(3) 2022 RHYSLING AWARD CHAIR UPDATE: The Science Fiction & Fantasy Poetry Association today announced that due to unexpected medical reasons, Kimberly Nugent has had to step down from serving as the 2022 Rhysling Award Chair.
In her absence, SFPA President Bryan Thao Worra has appointed Webmaster F.J. Bergmann and Secretary Brian Garrison to finish out the Chair duties this year.
(4) BATTLING AMAZON KDP. Oghenechovwe Donald Ekpeki has written a long catch-up post for Facebook readers, published yesterday, which covers many topics, including news that Amazon Kindle Direct Publishing restored his royalties, and that The Year’s Best African Speculative Fiction (2021) anthology has consequently been turned into a free download. Here is a brief excerpt:
…Amazon KDP did eventually pay my complete royalties, about $1500 which I got using Suyi Davies Okungbowa’s US account. Jason Sanford helped send the Gofundme money & I finished paying all the authors with it & donated all the Amazon royalties to the African Speculative Fiction Society as I promised. The money is being used to help set up a fund that will help African writers navigate institutional barriers to entry & participating in international SFF activities like the ones Amazon & other bodies have thrown up.
I withdrew the book from Amazon completely cuz the evil they’ve done is enough. & I just can’t trust em as a platform anymore.
…I have made the anthology, which is the first ever Year’s Best African Speculative Fiction anthology entirely free in all formats as I promised.
(5) ERIC FLINT MEDICAL UPDATE. Eric Flint told his Facebook followers yesterday that he’s in the midst of a long hospital stay for a staph infection.
It’s been a while since I’ve posted anything and the reason is simple: I’ve been in the hospital for the past three weeks, sicker than the proverbial dog. I came down with a staph infection that caused me to collapse getting out of bed — and then I couldn’t get up, I was so weak. (Trust me, this is a a really scary experience.)
I’d always known staph infections could be rough, but I had no idea just how bad they could be. Happily, I’m over the worst of it and my recovery is coining along well. I’ll probably be released from the hospital in ten days, although I’ll still have to do home rehab for a while longer.
During Black History month, Book of the Day is bringing you some interviews from the archives, including this one with author Octavia Butler. Butler wrote many sci-fi classics, like the Parable series and Kindred, so she’s accustomed to imagining different worlds. NPR’s Scott Simon asked her back in 2001 to imagine a world without racism. Butler believed that in racism’s place we would have to have absolute empathy. But she told Simon that this would most certainly present its own challenges – and we would probably just find something else to fight about.
I’ve always been a writer. One of my earliest memories is folding white paper in half, drawing stick figures and captions, and titling the book “Baby Bobby.” On the back, I wrote “Baby Bobby is a book about a baby. The author is Tananarive Due.” I spelled a bunch of the words wrong, but BOOM. I came into this world understanding that I was a writer.
Do you make a conscious effort to include African diaspora characters and themes in your writing and if so, what do you want to portray?
I do. I have several projects with my agent and every one of them has an African American protagonist. Each character has obstacles to overcome, which they do despite the deck being stacked against them. All of these are based on real life people. My intent is to put forth to the African American Community, especially the younger generation, that it is possible to overcome obstacles and not to be deterred from their final objective, goals, and dreams in life.
What has writing horror taught you about the world and yourself?
You know, I didn’t tend to think of a lot of it has horror going in, but certainly see how the label fits. I believe that we get through things, not over them. Sometimes the way through involves terror and tribulation—also that hope can be a twisted thing and at times you find flecks of it in the most unexpected places.
Hands down, it was my father, Chris Acemandese Hall. He was a songwriter, artist, activist and author. As a songwriter, he penned the jazz classics, “So What” and “Bitches Brew” sung by vocalese great, Eddie Jefferson. As an artist, you may have seen his works from Let’s Celebrate Kwanza, Melanin and Me, the Lost Books of the Bible and Budweiser’s Great Kings of Africa promo where he did the Hannibal poster, the Ethiopian who led a Carthaginian army and a team of elephants against Rome in the Second Punic War. As an author, he was responsible for creating Little Zeng, a character I’m now developing in my new horror novel. Little Zeng was the first published African Griot superhero. He was published three years before Black Panther who Marvel introduced in July, 1966.
Dad also co-founded an activist group called AJASS (African Jazz Art Society & Studio), along with Elombe Brath and others. Among starting the Black is Beautiful ideology with the Black Arts Movement, featuring the Grandassa Models, AJASS’s influence in the African-American diaspora not only affected civil rights leaders, as well as poets, musicians, photographers, models, artists and singers, it influenced every cell in my body.
What is one piece of advice you would give horror authors today?
Bring your personal brand of weirdness to the page. I want to meet your demons. I want to be made to feel uncomfortable about how much you love vampires and werewolves. I want to see the monsters that frightened your great grandparents and the cultural superstitions that haven’t been white washed by American society. Tell me about the thing that scared you the most when you were a kid and why it still haunts you to this day. Write about race and sex and class and trauma and politics and religion and don’t pull any punches. I want to laugh, cry and clutch my pearls while you’re trying to scare me.
(8) HWA ON MAUS. The Horror Writer Association’s Officers and Board of Trustees issued a statement on a Tennessee school district’s decision about Maus.
The Horror Writers Association condemns banning books in no uncertain terms. We believe authors need to be able to tell their stories without fear of reprisal.
The banning of “Maus” in a Tennessee school district, which was done on the eve of International Holocaust Remembrance Day, is nothing less than censorship and anti-Semitism.
“Maus” is not the first text to be excluded from school libraries. Recently, LGBTQ+ texts have been banned in a Washington state school district, and many other books by authors of color have been censored in districts across America. These are chilling examples of censorship, racism, anti-Semitism, and white washing. We all need to be more vocal each and every time this happens.
These actions set a dangerous precedent in a free society. They cannot and should not be tolerated. The HWA condemns all attempts at censorship, particularly these obvious attempts of the establishment to silence marginalized voices. We urge you to speak out in your local communities against such autocratic tactics that not only threaten our creative community but also make our world less safe.
I remember clearly the first time someone else referred to Claire Kovalik, the main character in Dead Silence, as an unreliable narrator. My emotional response took me aback—first, surprise and then a sudden surge of defensiveness.
She’s doing the best she can, I wanted to say. I mean, come on, she’s locked up in what amounts to a mental institution at the start of the story, after a head injury and a traumatic incident that she doesn’t quite remember involving her crew and a mysterious ghost ship. What do you want from her???
The funny thing is, the statement wasn’t meant as a critique, not at all. It was simply a fact—Claire Kovalik is an unreliable narrator. Of course she is. She must be, for all the reasons listed above and more. And I’d done those things very intentionally, so why the strange and powerful reaction?
It took me a bit to step back from that moment and deconstruct what was going on in my mind….
(10) SF AUTHORS ANTICIPATE GENE EDITING. Fanac.org has posted video of the Tropicon 6 (1987) panel “Future Evolution” with Joe Green, Jack Haldeman II, Vincent Miranda and Tom Maddox.
Tropicon 6 was a small local convention, held in Ft. Lauderdale, Florida in 1987. This panel discussion about gene editing and the Future of Future Evolution is worth watching for several reasons. Thanks to author Joe Green, the panel focuses in very quickly on gene editing, and the issues it brings to confront humanity, both technically and ethically. The insightful comments by the panelists, and the issues and choices discussed are still very much with us, despite the panel having been recorded in 1987. One warning – there is loud background air conditioning noise for the first 15 minutes or so, but the sound is perfect for the remainder of the recording. The recording also provides a view into the dynamics of small, local conventions, where the writers are part of the community, know each other, and are not adverse to arguing with the audience. Everyone knows everyone, and no one is shy about asking questions. This panel was held at 10PM on Friday night, and there is silliness in the beginning. Some of the audience questions have been cut due to sound issues. Joe Siclari, now Chairman of the Fan History project, introduces the panel and the panel ending is signalled by me, Edie Stern, now FANAC.org webmaster.
(11) EASTERCON MEMBERSHIPS. Reclamation 2022 is this year’s Eastercon, the annual British national science fiction convention, being held April 15-18 at Radisson London Heathrow.
Membership is £70 until the end of February, after which it will £80. (And it will cost more on the door). Book here.
(12) HORROR WORKSHOPS. HWA’s Horror University Online is offering a series of workshops. Registration is $65 for non-HWA-members, $55 for HWA members, and four- and ten-course bundles are available. Here are the next few —
Jason Henderson, host of the Castle of Horror Podcast, publisher at Castle Bridge Media and best-selling writer of Night of the Book Man and the Alex Van Helsing and Young Captain Nemo series gives you a two-hour course in getting from idea to launchable manuscript in six weeks, covering: Choosing your sub-genre; Making Your Familiar Monsters Different; Outlining your novel; Forcing Yourself to Draft; Editing; and The Basics of Publishing- Traditional and Non-Traditional.
March 7:A Writer Prepares: Techniques for Character Development for Fiction Writing with John Palisano.
How does one develop compelling characters? What happens when you hit a wall in a scene and you’re not sure what to do or where to go? What if you just can’t hear the character’s voice? How do you create several characters within a story that all seem to be distinct and memorable?
In my class A Writer Prepares: Character development for fiction writing attendees will gain several useful tools as well as handouts they can use into the future for developing characters for their stories.
Using experience I gained while in Acting and Drama school, as well as real world experience in putting on plays, working on big Hollywood feature films with A-level talent, as well as in multi-award winning fiction of my own, this class A Writer Prepares: Character development for fiction writing is a riff on the famous Konstantin Stanislavsky book and method … but taken into the here and now! Get ready to have some fun!
What makes an agent, editor, or publisher interested in a pitch and how do you prepare to give one? What are the things a pitch should cover and how can you avoid basic mistakes in the process? This workshop is all about the pitches (two verbal, two written) you will need as a writer and the different times when you will use them. This workshop will include hands-on verbal and written pitching of stories with immediate feedback in a safe environment.
(13) FORBES OBIT. Author Lani Forbes died February 3 at the age of 35 reports Rediscovered Books, which invites fans to join them for Lani’s Book Birthday and a Celebration of Life and Literature on February 17. Full details and registration here.
Young adult author Lani Forbes, whose critically acclaimed Age of the Seventh Sun series won multiple Realm Awards, died on February 3, 2022, in Boise, Idaho, after a nine-month battle with neuroendocrine cancer. She was 35….
Lani Forbes was the daughter of a librarian and a surfer, which explained her passionate love of the ocean and books. Forbes was born May 6, 1987, in Huntington Beach, California. She grew up in California, and attended high school at Huntington Beach High School. In 2009, Forbes received her Bachelor’s Degree in Psychology from Hope International University. She then received her teaching credentials from Cal State University. After 10 years of teaching, Forbes went on to become a trauma counselor, serving women who had been abused by their spouses through addiction.
Her young adult book series, the Age of the Seventh Sun, premiered in 2020 with the release of The Seventh Sun, followed by The Jade Bones in 2021 and The Obsidian Butterfly in 2022. The Seventh Sun was a finalist for the Realm Awards Book of the Year and won Best Debut, Best Young Adult, and Best Epic Fantasy. Forbes’s passion was showing readers the transformative and encouraging power of story on the human experience….
(14) MEDIA BIRTHDAY.
1988 — [Item by Cat Eldridge] Thirty-four years ago, the Red Dwarf series first aired on BBC Two. It was created by Doug Grant and Rob Naylor who based it off their Dave Hollins: Space Cadet that aired in the BBC Radio 4 series Son of Cliché show also produced by them.
As of two years ago, seventy-four episodes of the series have aired, including one special, concluding the twelfth series. The cost has had myriad changes with only Chris Barrie as Rimmer, Craig Charles as Lister, Danny John-Julesas as Cat and Robert Llewellyn as Kryten being there for the entire series.
Because Grant and Naylor not only directed the series but wrote the material and frequently changed everything as the series went along, critics came to be sharply divided on the series. The changes often caused them to loathe Grant and Naylor. Or love them. No middle ground at all. Grant and Naylor didn’t care one fuck. That’s a direct quote.
BBC gave them two hundred fifty thousand pounds per episode, about three hundred thirty thousand dollars currently. Not a big budget but enough. It’s now broadcasting on Dave which is a British free-to-air television channel owned by UKTV, a joint venture of the BBC and Thames TV.
(15) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 15, 1883 — Sax Rohmer. Though doubtless best remembered for his series of novels featuring the arch-fiend Fu Manchu, I’ll also single out The Romance of Sorcery, as he based his mystery-solving magician character Bazarada on Houdini who he was friends with. The Fourth Doctor story, “The Talons of Weng-Chiang” had a lead villain who looked a lot like most depictions of Fu Manchu. (Died 1959.)
Born February 15, 1907 — Cesar Romero. Joker in the classic Sixties Batman TV series and film. I think that Lost Continent as Major Joe Nolan was his first SF film, with Around the World in 80 Days as Abdullah’s henchman being his other one. He had assorted genre series appearances on series such as The Man from U.N.C.L.E., Get Smart, Fantasy Island and Buck Rogers in the 25th Century. (Died 1994.)
Born February 15, 1939 — Jo Clayton. Best remembered for the Diadem universe saga which I’m reasonably sure spanned twenty novels before it wrapped up. Damned good reading there. Actually all of her fiction in my opinion is well worth reading. Her only award is the Phoenix Award given annually to a Lifetime achievement award for a science fiction professional who has done a great deal for Southern Fandom. (Died 1998.)
Born February 15, 1945 — Douglas Hofstadter, 77. Author of Gödel, Escher, Bach: An Eternal Golden Braid. Though it’s not genre, ISFDB notes he wrote “The Tale of Happiton “, a short story included in the Rudy Rucker-edited Mathenauts: Tales of Mathematical Wonder.
Born February 15, 1945 — Jack Dann, 77. Dreaming Down-Under which he co-edited with Janeen Webb is an amazing anthology of Australian genre fiction. It won a Ditmar Award and was the first Australian fiction book ever to win the World Fantasy Award. If you’ve not read it, go do so. As for his novels, I’m fond of High Steel written with Jack C. Haldeman II, and The Man Who Melted. He’s not that well-stocked digitally speaking though Dreaming Down-Under is available at the usual suspects.
Born February 15, 1948 — Art Spiegelman, 74. Author and illustrator of Maus which if you’ve not read, you really should. He also wrote MetaMaus which goes into great detail how he created that work. (Discussed here at Green Man Review.) And yes, I know he had a long and interesting career in underground comics but I’ll be damned if I can find any that are either genre or genre adjacent. I know if I’m wrong that you’ll correct me.
Born February 15, 1958 — Cat Eldridge, 64. He’s the publisher of Green Man Review. He’s retconned into Jane Yolen’s The One-Armed Queen as an enthomusicologist in exchange for finding her a rare volume of fairy tales.
Born February 15, 1971 — Renee O’Connor, 51. Gabrielle on Hercules: The Legendary Journeys and Xena: Warrior Princess. I’m reasonably sure that I watched every damn episode of both series when they aired originally. Quite fun stuff. Her first genre role was first as a waitress in Tales from the Crypt and she’s had some genre film work such as Monster Ark and Alien Apocalypse. She’s also played Lady Macbeth in the Shakespeare by the Sea’s production of Macbeth
(16) FROM DEEP POCKETS TO DEEP SPACE. [Item by Martin Morse Wooster.] In the Washington Post, Christian Davenport interviews billionaire Jared Isaacman, who went into space last year on the first private spaceflight. Isaacman says he is launching another four-person private spacelight later this year, and the Polaris Dawn mission will have the first private astronaut performing a spacewalk. “Jared Isaacman to fund 3 SpaceX flights, including first crewed launch of Starship”.
…In addition to the first commercial spacewalk, Isaacman said the first Polaris mission would endeavor “to go farther than anyone’s gone since we last walked on the moon — in the highest Earth orbit that anyone’s ever flown.” The record was set in 1966 by the Gemini 11 crew, which flew to 853 miles, the highest altitude for any non-lunar crewed mission, according to NASA.
The flight, which would take off from the Kennedy Space Center in Florida, would require a license from the Federal Aviation Administration. But the FAA considers only the safety of people and property on the ground in granting such approval and not the risks their activities in space might pose to the crew.
Well folks, The Book of Boba Fett Season 1 is in the books. One of its unquestionable highlights was Black Krrsantan leaping from the comic book page to live-action. Carey Jones perfectly brought the gladiator-turned-bounty-hunter to life, ably joining the late Peter Mayhew and Joonas Suotamo as Star Wars Wookiee mainstays. Hasbro, of course, is now looking to seize on Krrsantan’s popularity. The toy maker just announced a Black Series figure for the character, and frankly, it couldn’t be a bigger fail.
… Sorry, Hasbro, but the “new” Black Series Krrsantan is, in a word, awful. As many across social media have pointed out, the figure is nothing more than a repainted retread of an old Chewbacca figure from almost a decade ago. The only difference is the head sculpt. That, at least, features the Wookiee’s braids and scars. Unfortunately, the differences pretty much end there. Even the bowcaster weapon is the same. You can’t look at the Black Series figure and not think “black Chewbacca.” Plus, the monochrome accessories (while true to the comics) just look, well, cheap….
…The streaming giant [Netflix] has partnered with Take-Two Interactive, the game’s parent company, to develop a potential cinematic universe. Vertigo Entertainment and Take-Two will serve as producers.
No writer or filmmaker is on board at this time. The partnership deal has been in the works for almost a year.
Released in 2007 from 2K Games, a subsidiary of Take-Two, the first-person shooter game featured a crumbling underwater city named Rapture, its society fragmented in a civil war with many inhabitants addicted or using a genetically enhancing serum that gives people powers while also living in fear of Big Daddies, mutated humans who have been merged with diving suits. Into this world is dropped the game’s protagonist, Jack, a survivor of a mysterious plane crash in the Atlantic Ocean….
The developer of astronomy software who said that Elon Musk’s company would cause a new crater on the moon says that he “had really gotten it wrong.”
…Part of a rocket is expected to crash into the far side of the moon on March 4. Initially thought to be a SpaceX rocket stage, the object may actually be part of a Long March 3C rocket that launched in 2014….
Legacy of the Sith will send players to the darkest depths and farthest reaches of the galaxy and unlock the ability to choose your personal combat style.
(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Ghostbusters: Afterlife,” the Screen Junkies say that the newest Ghostbusters movie “invites you to remember how great the original was and — that’s it. That’s the whole movie.” The film “gives the loudest people what they want…Easter eggs the size of Denver omelets.”
[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Ed Fortune, Rob Thornton, Chris Barkley, Ben Bird Person, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) S.L. HUANG ON MOVIE GUN SAFETY. [Item by rcade.] S.L. Huang, who won a 2020 Hugo Award for the short story “As the Last I May Know,” has worked in movies as a stuntwoman, gun trainer and gun safety expert (a job with the title of “film armorer”).
She has posted a Twitter thread on the shooting accident that killed cinematographer Halyna Hutchins this week. Thread starts here. Here are a few excerpts:
(2) UNRAVELED RAPIDLY. [Item by Danny Sichel.] Earlier this week, a group of six popular YA writers announced that they were co-launching a shared world project which would be called “Realm of Ruin”, and which would involve NFTs and reader submissions and quite a lot of details which hadn’t been properly thought out.
By Friday, the project had been canceled.
@BadWritingTakes tracked the details in a thread that begins here.
(3) RUH-ROH! New episodes of Scooby-Doo and Guess Who? started streaming on HBOMax October 1, and they’ve really upgraded the roster of guest stars — Cher, Sean Astin, Jessica Biel, Terry Bradshaw, Lucy Liu, Jason Sudeikis, and Run DMC.
…[Sid] Krofft is best known through his collaborations with his brother Marty on TV shows like “Land of the Lost,” “Sigmund and the Sea Monsters,” “The Banana Splits Adventure Hour,” “The Brady Bunch Variety Hour” and “H.R. Pufnstuf,” whose 17 episodes from 1969 were a syndication staple through the 1970s and again in the ’90s….
Killian says he was 90 at the time, and though they bicker like an old married couple, he reluctantly tried it out. What he found was that his penchant for storytelling helped him connect online like he had with audiences through his puppetry or through TV, and that many people remembered and revered him not only for his work but how it influenced them.
“You just don’t know, after all these years, that the fans still hang out and they know all the songs and everything that you’ve done,” says Krofft.
Those fans include many who are now stars in their own right. Just the other day, according to Krofft, Seth Rogen came to visit him. Why? Because he admired his work.
He says he didn’t know most of the stars he’s interacted with. “They searched me out! A few days ago, Anderson Cooper contacted me. I don’t know Anderson. And Katie Couric. People are reaching out to me that I never knew. I wanted to, but I never met them. Half of the people that I have had on, they reached out to me. I’m floored over that.”…
It is no exaggeration to state that surrealist painter Richard M. Powers (1921-1996) was one of the most startlingly imaginative and prolific artists of the twentieth century. The otherworldly landscapes, perplexing quasi-machines, and extra-dimensional biomorphic forms he produced for countless science fiction book covers of the 1950s and 60s were a powerful early inspiration for composer/multi-instrumentalist Scott Robinson, who brings his “aRT” trio with Pheeroan akLaff and Julian Thayer to Roulette for this centennial multimedia concert event.
The evening will begin with a pre-concert discussion with the artist’s son, writer Richard Gid Powers, and longtime broadcaster David Garland. Robinson’s short award-winning video, “Powers100,” will also be shown. Following an intermission, the aRT trio will then take the stage for the World Premiere of Higher Powers, an improvisational multimedia piece in which live video feed of the performers will be interactively intermixed in real time with Powers imagery chosen from among his vast output…some of it unpublished, never before seen by the public. The use of monitors for the performers, along with computer technology to blend and meld images on the large screen above, is a method that aRT developed in collaboration with sculptor Rob Fisher in 1991 which allows for full, 360° interactivity. The performers literally enter the work, and become it… and vice versa. Extremely rare instruments from Robinson’s arsenal will be seen and heard, including a sub-contrabass sarrusophone, a Model 201 theremin which was Robert Moog’s very first creation (one of only 20 he made), and one of the world’s largest saxophones. Rare footage of the artist at work will also be shown, and there will be a reception following the performance.
…Yet, despite signaling aspirations to tackle big-picture issues from a global perspective, Invasion’s diversity is largely ornamental, a toothless, paint-by-number multiculturalism of the sort you see on college brochures. It’s as though the show’s creators assumed that simply writing in an immigrant or a person with a disability would magically create compelling television in and of itself—no need for intrigue or conflict or any of the flesh-and-blood details that make an audience care about whether or not a character gets sent off to the alien glue factory.
Yet, for all that, Invasion remains an interesting cultural document because it is doing something different from the great bulk of science fiction out there about what happens when creatures from another galaxy show up on our doorsteps. Namely, it presents a world in which the arrival of space invaders does not magically fix race or class divides by uniting the human race against a common enemy, a trope that has now been a staple of science fiction for more than a century….
Last night, Paizo formally announced that they have officially recognized a union of their own staff which has been named the United Paizo Workers. The company issued the statement and quote from their president below, which revealed they had voluntarily recognized the United Paizo Workers union, which is affiliated with the Communications Workers of America (CWA). This is a pretty major step for the company considering their staff announced they were unionizing just a week ago.
… Jeff Alvarez, President of Paizo [said:]
“The next steps will involve the United Paizo Workers (UPW) union electing their bargaining representatives and then meeting with Paizo management to negotiate terms for a collective bargaining agreement. We expect this process to take some time, but we are committed to the effort and hope to settle a contract in due course. Until an agreement is reached, the Paizo staff continues to focus on creating amazing Pathfinder and Starfinder products.”
… Duneposted the best opening day for a Warner Bros. theatrical/HBO Max day and date title with $17.5M. While Warners is calling the weekend currently at $33M, rivals believes it’s higher, in the high $30Ms range, which would also indicate a record weekend for a Warner/HBO Max title and filmmaker Denis Villeneuve as well.
The industry estimate for Saturday’s drop is around -30%. Hopefully, the HBO Max of it all doesn’t drag the movie further down, as US folks with HBO subscriptions discover they can watch Dune at home for free. Between Thursday and Friday, there was a significant amount of moviegoers who decided to see Dune at the last minute, with 67% of the crowd either buying their tickets the day of, or the day before.
Dune‘s Friday is bigger than that of Villeneuve’s previous sci-fi reboot, Blade Runner 2049, which saw a Friday of $12.6M, and also that of Legendary and Warner Bros. previous reteaming, Godzilla vs. Kong, which saw a Friday of $11.8M, that being the first of the studio’s tentpoles on HBO Max at Easter….
(9) WINDYCON DEAL. Chicago’s annual Windycon is on the brink, financially, and is offering incentives to make its room block:
Windycon is giving away convention memberships with hotel room bookings, if you book a room for two nights by October 25.
Want to see Carlos Hernandez or Seanan McGuire in person? Come to suburban Chicago November 12-14! Help save a venerable fan-run SF convention that, I promise, is taking Covid precautions VERY seriously!
Per the press release:
We all know the last few years have been rough. We had to go virtual with Breezycon last year, and this year we are struggling to provide a safe environment for us to gather. In order to help keep Windycon going, we need to make our room block. We’ve extended our room block deadline to Monday, October 25 but we are still low.
Because of this shortfall we are offering free registration for the hotel reservations that meet these qualifications
If you don’t have a room yet and book 2 nights, or more, you will receive a free registration for Windycon 2022. Book 4 or more and get 2 free registrations for Windycon 2022
If you already have a reservation but extend it for a 3rd night, or more, you will receive a free registration for Windycon 2022. Extend it for 4 and get 2 free registrations for Windycon 2022
If you have booked your room and it’s for 2 nights we will put your name in a drawing for 10 registrations. Plus, as a reward for already booking early, you will qualify for a $10 reduction of your Windycon registration fee next year.
There’s no getting away from it… StarShipSofa needs a little help in funding. We have been going 16 years now (wow) and I have had this silent goal to take SSS to 20 years, say goodbye one last time then bow out and walk away… or better still – drift into the deep universe and beyond.
Truth is… we won’t get there if our funding keeps reclining. We have lost nearly 200 Patreon supporters since we started and now are stuck financially, scraping together enough funds each month to put out only two shows.
This is such a shame.
Please support via Patreon. Monthly donations are the perfect cure to help me achieve my goal. Let me get to 20 years of StarShipSofa – after that who knows.
(11) MEDIA BIRTHDAY.
1959 – “Picture of a woman looking at a picture. Movie great of another time, once-brilliant star in a firmament no longer a part of the sky, eclipsed by the movement of earth and time. Barbara Jean Trenton, whose world is a projection room, whose dreams are made out of celluloid. Barbara Jean Trenton, struck down by hit-and-run years and lying on the unhappy pavement, trying desperately to get the license number of fleeting fame.”
Sixty two years ago, Twilight Zone’s “The Sixteen-Millimeter Shrine” first aired on CBS. It starred Ida Lupino who was the only individual to have worked as both actress and though she was uncredited at the time as a director in the same episode of The Twilight Zone. She will be credited with directing of “The Masks” which she appeared in. She was thereby the only woman to direct an episode of The Twilight Zone.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 23, 1880 — Una O’Connor. Actress who appeared in the 1930s The Invisible Man as Jenny Hall. She had a bit part in Bride of Frankenstein, and a supporting role in the genre-adjacent The Adventures of Robin Hood. Though not even genre adjacent, she was Mrs. Peters in the film adaptation of Graham Greene’s Stamboul. Great novel, I’ll need to see if I can find this film.She’s in The Canterville Ghost, and shows up twice in TV’s Tales of Tomorrow anthology series. And that’s it. (Died 1959.)
Born October 23, 1935 — Bruce Mars, 86. He was on Trek three times, one uncredited, with his best remembered being in the most excellent Shore Leave episode as Finnegan, the man Kirk fights with. He also had one-offs in The Time Tunnel, Voyage to the Bottom of The Sea, and Mission: Impossible. He is now Brother Paramananda with the Self-Realization Fellowship in Los Angeles which he joined shortly after ending his acting career in 1969.
Born October 23, 1953 — Ira Steven Behr, 68. Best remembered for his work on the Trek franchise, particularly Star Trek: Deep Space Nine, on which he served as showrunner and executive producer. As writer and or producer, he has been in involved in Beyond Reality, Dark Angel, The Twilight Zone, The 4400, Alphas, and Outlander.
Born October 23, 1955 — Graeme Reavlle, 66. New Zealand composer responsible for such genre soundtracks as The Crow, From Dusk Till Dawn, The Saint (the 1997 version), Titan A.E., Lara Croft: Tomb Raider, Daredevil and Sin City.
Born October 23, 1959 — Sam Raimi, 62. Responsible for, and this is not a complete listing, the Darkman franchise , M.A.N.T.I.S., the Jack of All Trades series that Kage loved, the Cleopatra 2525 series, Hercules: The Legendary Journeys and Xena: Warrior Princess series and the Spider-Man trilogy.
Born October 23, 1969 — Trudy Canavan, 52. Australian writer who’s won two Ditmars for her Thief’s Magic and A Room for Improvement novels and two Aurealis Awards as well, one for her “Whispers of the Mist Children” short story, and one for The Magician’s Apprentice novel. It’s worth noting that she’s picked up two Ditmar nominations for her artwork as well.
Born October 23, 1986 — Emilia Clarke, 35. She’ll be most remembered as Daenerys Targaryen on the Game of Thrones. Her genre film roles include Sarah Connor in Terminator Genisys and Kira in Solo: A Star Wars Story. She was also Verena in Voice from the Stone, a horror film. Not to mention Savannah Roundtree in Triassic Attack, a network film clearly ripping off Jurrasic Park.
Born October 23, 2007 — Lilly Aspell, 14. She’s a Scottish-born performer best known so far for portraying the young Diana in Wonder Woman and its sequel. She voiced the role on DC Super Hero Girls. She was Newschild in Holmes & Watson, and Megan in the alien invasion flick Extinction.
(14) FRIENDLY NEIGHBORHOOD HELL. Randee Dawn continues the “Halloween Haunts” series at the Horror Writers Association Blog with “Suburbia is Hell” – just as Pohl and Kornbluth foretold.
Suburbs are hell.
This said by someone who grew up on cul-de-sacs, down streets named after Ivy League universities, on parcels of farmland carved up into intentionally bland, vaguely descriptive development names, on land that was almost certainly stolen from the original inhabitants, then re-distributed and tamed. Or attempted to be tamed….
At 31 years old Zach King has already amassed an extensive catalog of accomplishments and compiled a massive catalog of accomplishments. His magic trick videos have reached millions and millions on several different social media platforms. King opens up to Dana Jacobson about how the fun isn’t just making the magic, it can also be found when revealing the illusion.
One of the oddest trends in 2020 was the rise of the geeky advent calendar. You may recall we reviewed the one from Boss Fight Studio, but it was far from the only one available – many were even in normal stores, like Walmart or Target. They began showing up on shelves in late October, which in at least one case was a problem.
This set is based on a horror movie. And it’s got 31 days, not 24 – so obviously this was not meant to be a Christmas calendar, but a Halloween calendar. Not much use on October 20th. But hey, there’s nothing saying it’s only good for a specific year, right? So buy one on post-holiday clearance, and store it away for next October!
(17) ZOOM WITH GRADY HENDRIX ABOUT HAUNTING. Northern Illinois University’s “Future Telling” webinar series features “The Haunted Mind,” a free virtual presentation with Grady Hendrix, author (Horrorstör, My Best Friend’s Exorcism) and Konrad Stump, Local History Associate, Springfield-Green County Library, on Wednesday, October 27, at 6:00 p.m. Central. Register here.
Why do some people believe they have experienced a haunting? Understand the science behind environmental and neurological conditions that shape people’s belief in ghosts or their tendency to experience delusions. Join host Gillian King-Cargile as she talks with author Grady Hendrix (The Final Girl Support Group, The Southern Book Club’s Guide to Slaying Vampires, Horrorstör), librarian Konrad Stump, a local history expert and co-chair of Horror Writers Association Library Committee, and other experts in psychology and neurology. Don’t miss this spirited discussion on spooky science.
The goal of the “Future Telling” webinar series is to “introduce writers to bleeding-edge concepts, to invigorate STEM experts with mind-bending views of the future, and to celebrate the connections between STEM and storytelling.”
(18) CINEMATIC INSPIRATION. [Item by Ben Bird Person.] Artist Bugboss did this piece based on the 1973 movie Fantastic Planet:
“Bridgerton,” a period piece about 19th century British royalty produced by Shonda Rhimes, premiered in December. French series “Lupin: Part 1? and season one of “The Witcher,” a fantasy series starring Henry Cavill, tied for second on the list, with 76 million accounts.
Naturally, as an anime fan I consider “Lupin” part of our genre. Some could even argue that Bridgerton has an element of “fantasy” to it as well.
(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Diablo II Resurrected,” Fandom Games says this game is a barely revised version of Diablo, but Blizzard Games didn’t want to face “the righteous anger of one billion nerds” by offering something gamers wouldn’t already be used to.
[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, rcade, Cassy B., Rob Thornton, Rich Lynch, Chris Barkley, Nancy Sauer, Ben Bird Person, David Doering, Danny Sichel, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) INDIGENOUS HERITAGE IN HORROR. The Horror Writers Association blog features Owl Goingback, a three-time Bram Stoker Award Winner, receiving the award for Lifetime Achievement, Novel, and First Novel. “Interview with Owl Goingback”.
Do you make a conscious effort to include indigenous characters and themes in your writing and if so, what do you want to portray?
Yes. I’ve used indigenous characters in most of my books and stories, because I wanted to share a culture rich in history, folklore, and ceremony, and often very misunderstood. I also wanted to show that native people of this country have a different way of looking at things than people whose ancestors came from other parts of the world. Like the traditional oral storytellers of my people, I wanted to create stories that were enjoyable while weaving a bit of teaching into the narrative. That way I’m educating in addition to entertaining.
I guess I’ve done a good job of weaving teaching elements into my stories, because my books are being used in an eight-week educational program for youthful offenders at the Orange County Corrections Facility in Orlando, Florida. The young inmates get to read a novel featuring monsters and mayhem, and scenes of bloody carnage, while subconsciously being reminded to listen to their elders and respect Mother Earth.
You’re really good at designing non-human species. They’re just recognizable enough for us to be like, “Oh, I understand the emotions and the intellect going on here,” but also just alien enough for us to be like, “That’s really different.”
One of my favorite things to do on any project is invent aliens. I always start with the caveat of: We have to have a point of entry. We have to be able to relate to them on some human level. Do the aliens in Wayfarers resemble anything like what I think actual extraterrestrial life is like? No, of course not. But you have to be able to emotionally connect with them. And I don’t know that we could [immediately do that] with other species out there in the universe that exists.But from there, we’re gonna get weird. I start with biology first. I look at the physicality. I look at how they are different from us. I always start with a particular trait. For example, the Aeluons, one of the big alien species in Wayfarers, communicate through the chromatophore patches on their cheeks. That starts with a real-world inspiration — squid and octopus.
I take that and blow it up to a civilization level. If color is your primary mode of communication, how does that affect your art? How does that affect your architecture, the way you dress, the sorts of technology you have? And how do you relate to other species, especially if they have different ideas about what color means or just use it as a decoration? There’s a million questions you can ask with just that one element. Everything else comes from there….
(3) F&SF COVER. The Magazine of Fantasy & Science Fiction’s Nov/Dec 2021 cover art by Maurizio Manzieri illustrates “Broad Dutty Water” by Nalo Hopkinson. Publisher Gordon Van Gelder says, “The issue has just been printed and will be distributed soon.”
(4) ORDER IN THE COURT. Every so often someone sends me a link to a stfnal t-shirt, and if I like it well enough I run it in the Scroll. Which is always promptly greeted by fan-lawyering comments to the effect “I hope they have the rights to that art” or “I looked that up and its copyright hasn’t expired OMG!” Well, there’s no stopping that, however, after yesterday’s response to Out of Print’s Foundation unisex book t-shirt I contacted the company to inquire if they had the rights. Here’s their reply:
Thank you for your interest in Out of Print. We work with the Estate of Isaac Asimov (Asimov Holding LLC) and the Estate of both respective artists for each book cover. Please do not hesitate to contact us if you have any other questions.
The following policies were just approved at today’s Boskone and NESFA meetings:
[Boskone] Attendees must be vaccinated and show proof of vaccination or have tested negative with a PCR test taken February 15, 12:01 am or later and before the convention. There are no exceptions.
All humans 2 years old or older [attending Boskone] must wear a mask in convention spaces (including open parties) at all times, except when eating or drinking in designated food and drink spaces. There are no exceptions.
Without spoilers, what was one of your favourite moments of the story to write? What was it that made you enjoy that section so much?
The Aces High obstacle course, hands-down, was the most fun in this book! The protagonist must successfully navigate an obstacle course in an asteroid field like a slalom race to qualify for entry into an advanced Star-Pilot’s school. It’s full of raw action, but unlike many action scenes in the story, there’s no violence involved. It’s a chance for the reader to see starfaring through a Pilot’s eyes, with excitement and joy. Describing the different challenges, and how Shaundar deals with them, not only let me really buckle down into how the universe works, but it let me show you a lot of important things about Shaundar as a character. It was a glorious moment.
Mind Riot Entertainment will work with journalist, game developer and computer programmer Brianna Wu for Gamergate, a series about her experience as a critic and target of the notorious 2014 online harassment campaign, for which the studio has optioned life rights.
The 2014 Gamergate online campaign ignited a firestorm for its targeting of women in the gaming industry which laid the foundation for current issues of disinformation and hate. Before QAnon, Covid-19 conspiracists and the January 6th insurrection, there was Gamergate. Wu was among the targeted women, which also included Zoë Quinn and Anita Sarkeesian.
… The series will explore the origins of the widespread intimidation campaign from the perspective of multiple, fictional people in the game industry – from executives to journalists and indie developers.
Gamergate is co-created and co-written by Wu and J. Brad Wilke (Camel Spiders), and will be produced by Mind Riot Entertainment’s Jonathan Keasey (Parallel) and Jeremy J. Dodd (One Nation Under Earl).
… [Wu said:] “We’re not going to retread the same story told in thousands of news stories from outlets such as the New York Times and Washington Post, plus multiple documentaries like GTFO. Our series will focus on new, fictional people within the industry reacting to a horrific situation. By explaining how they were unable to stop the video game industry from being hijacked by the lunatic fringe – we can show how the tactics of Gamergate were the same ones that led to tragedies like Christchurch and January 6th”…
Keasey added: “Working with Brianna is a huge score for us. Based in Seattle, one of the country’s meccas for gaming, we’ve been wanting to shed light on this subject matter for a while and are honored that Brianna will be co-writing the series alongside Brad.”
The caretakers of the Intellectual Property known as James Bond, knowing that their newest effort would be the last one to star Daniel Craig, decided to spare no expense—or footage—to make this an “epic” entry in the long-running series. The result is a lavish piece of entertainment that ought to please any 007 fan. My only complaint is that there’s just too much of it. Any film that asks its audience to sit still and pay attention for nearly 3 hours had better have a damn good reason. This one doesn’t….
…In the trailer for Season 4, Martin-Green’s character and her crew are faced with a mysterious and deadly space anomaly.
“Today, we seek to understand a threat like none our galaxy has faced before,” Martin-Green says in the trailer. “With so much at stake, countless lives, futures … Once we enter the anomaly, we are going where no one has gone before.”
That’s a direct pull, of course, from the voice-over introduction to the original “Star Trek” series, an iconic TV program that first aired in the 1960s and spawned an entire universe of sci-fi content. As Burnham, Martin-Green is the first Black woman to have the lead role in a “Star Trek” series….
(10) MEMORY LANE.
1999 – Twenty-two years this Autumn, the Baen Free Library, which was founded by writer Eric Flint and Baen Books publisher Jim Baen. opened for business. (Accounts differ on the actual date. And really it doesn’t matter that much, does it?) Jim Baen considered it an experiment in the field of intellectual property and copyright whereby the giving away of free books would increase the sale of other books sold by that publisher. Currently Baen Ebooks, as it’s now called, sells individual e-books, a subscription-based e-book program and access to galleys of forthcoming publications.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born October 11, 1940 — Caroline John. Liz Shaw, companion to the Third Doctor. Shaw was a brilliant scientist, unusual for a companion. She returned for The Five Doctors. And she would reprise her character in the Big Finish audio works. Later she played the role of Laura Lyons in the BBC adaptation of The Hound of the Baskervilles, opposite Tom Baker as Holmes. (Died 2012.)
Born October 11, 1944 — Patrick Parrinder, 77. I’ve a soft spot for academics who plow our fields. This one settled upon H. G. Wells starting with H. G. Wells and H. G. Wells: The Critical Heritage nearly forty years ago all the way to H. G. Wells’s Perennial Time Machine that he recently wrote with Danièle Chatelain and George E. Slusser.
Born October 11, 1960 — Nicola Bryant, 61. Well known for her role as Perpugilliam “Peri” Brown, a companion to both the Fifth and Sixth Doctors. She also worked in “The Two Doctors” story so she appeared with the Second Doctor as well. Of course she’s done Big Finish Doctor Who audio dramas. Like so many, many genre performers, she shows up in the video Trek fan fiction playing Lana in Star Trek Continues.
Born October 11, 1964 — Michael J. Nelson, 57. Best known for his work on Mystery Science Theater. He was the head writer of the series for most of the show’s original eleven-year run, and spent half of that time as the on-air host. Bad genre films were a favorite target of his and his companions.
Born October 11, 1965 — Sean Patrick Flanery, 56. I really do think that his best work was on The Young Indiana Jones Chronicles and the films that followed. It certainly wasn’t as Bobby Dagen in Saw: The Final Chapter, a film best forgotten. (It gets a forty-one percent rating among audience reviewers at Rotten Tomatoes, much better than I expected.) He appeared as Jake Greyman in Demon Hunter, another low budget horror film, and as John in The Evil Within. I see a pattern…
Born October 11, 1972 — Claudia Black, 49. Best remembered for being Aeryn Sun in Farscape, Vala Mal Doran in Stargate SG-1 and Sharon “Shazza” Montgomery in Pitch Black. She also had a recurring role as Dahlia in The Originals and starred as Dr. Sabine Lommers in the Containment series.
Born October 11, 1972 — Nir Yaniv, 49. Author, editor, musician, and filmmaker. He founded a webzine for the Israeli Society for Science Fiction & Fantasy. Currently, he’s the chief editor of Chalomot Be’aspamia, Israel’s only professionally printed genre magazine. His short fiction has appeared in Weird Tales, Apex Magazine and The Best of World SF. He co-wrote The Tel Aviv Dossier with Lavie Tidhar.
Born October 11, 1976 — Emily Deschanel, 45. Temperance “Bones” Brennan in Bones which crossed over with Sleepy Hollow twice (she visited the latter once) and she had a bit part on Spider-Man 2. More notably she was Pam Asbury in Stephen King’s Rose Red series. Actually the forensic science on Bonesis genre, isn’t it?
(12) COMICS SECTION.
Close to Homeshows why astronauts should have been alerted by the fiddle playing cat.
Dork Tower, in “Foundation’s Edgy,” is skeptical that fans really want to watch an absolutely faithful adaptation of Asimov’s trilogy. (“I do not agree with the views expressed in this comic,” says Lise Andreasen.)
(14) AUTOGRAPHED FANZINE RARITY. Bidding ends October 14 on The Gary Munson Collection of Horror and Fantasy Rare Books Auction at Heritage Auctions. One fascinating item is Ray Palmer’s personal, bound copy of Cosmos – The Serial Novel, produced in the early Thirties with seventeen chapters by seventeen different authors. Installments ran in the fanzine Science Fiction Digest between July, 1933 and January, 1935. It was a round-robin novel with each chapter by a different author (one a Palmer pseudonym). Palmer got sixteen “Masters of Science Fiction” to write successive chapters of the story, “using each other’s unique characters, worlds, and conflicts to build an adventure that spans galaxies.” Each author has autographed a page in the volume.
Chapter 1 – Faster Than Light by Ralph Milne Farley – July, 1933
Chapter 2 – The Emigrants by David H. Keller, M.D. – August, 1933
Chapter 3 – Callisto’s Children by Arthur J. Burks – September, 1933
Chapter 4 – The Murderer From Mars by Bob Olsen – September, 1933
Chapter 5 – Tyrants of Saturn by Francis Flagg – October, 1933
Chapter 6 – Interference on Luna by John W. Campbell – November, 1933
Chapter 7 – Son of the Trident by Rae Winters [Pseudonym of Raymond A. Palmer] – December, 1933
Chapter 8 – Volunteers From Venus by Otis Adelbert Kline and E. Hoffman Price – January, 1934
Chapter 9 – Menace of the Automaton by Abner J. Gelula – February, 1934
Chapter 10 – Conference at Copernicus by Raymond A. Palmer – March, 1934
Chapter 11 – The Last Poet and the Robots by A. Merritt – April, 1934
Chapter 12 – At the Crater’s Core by J. Harvey Haggard – May-June 1934
Chapter 13 – What a Course! by Edward E. Smith, Ph.D. – July, 1934
Chapter 14 – The Fate of the Neptunians by P. Schuyler Miller – August, 1934
Chapter 15 – The Horde of Elo Hava by L. A. Eshbach – September, 1934
Chapter 16 – Lost in Alien Dimensions by Eando Binder – October-November, 1934
Chapter 17 – Armageddon in Space by Edmond Hamilton – December, 1934-January, 1935
(15) ASK THE PANEL. QI is a BBC comedy panel show with Sandi Toksvig and Alan Davies, where panelists get points for being interesting. Here’s a recently posted excerpt from a show a couple years old, BUT, there’s an equation! “When Is The Best Time For Interstellar Travel?”
Howard Andrew Jones Ring-Sworn Trilogy has been a recent highlight and hallmark of positivist heroic epic fantasy. In strong contrast to grimdark, morally grey epic fantasy that has long been a dominant note, the Ring-Sworn Trilogy has opted for the path of less ambiguous protagonists and antagonists, and highlighting and emphasizing the importance, and effectiveness of positive action and standing up for one’s beliefs, family, and country. All of this takes place in a richly created multiverse….
(17) VICIOUS CYCLE. [Item by Ben Bird Person.] Artist Martha Womersley did this piece based on a vinyl toy for the 1963 movie Matango or Attack of the Mushroom People:
(18) ALLEY OOPS. Once again I came across an ad for the Wizard AlleyWorld Bookshelf Insert Box, which I think is a clever little thing (although the ad’s choice to put it on a shelf full of thriller novels seems tone-deaf.)
VIDEO OF THE DAY. [Item by Martin Morse Wooster.] The Death and Return of Superman/Long Live Superman on YouTube is a 2019 documentary, written by Scott McCulloch and directed by Alexander Gray, which is connected with the publication of the thousandth issue of Action Comics. As DC publisher Dan DiDio notes, if “Batman comes into a bar, everyone wants to run and hide. If Superman comes into a bar, you want to buy him a drink.”
This documentary is worth seeing if you want to see great comics creators such as Denny O’Neil, Neal Adams, and Louise Simonson talk about what Superman means to them. This works for me, but it might not work for you. The existence of Zack Snyder’s evil Superman is thankfully ignored.
Best bit of trivia: superheroes in 1940 were known as “long johns characters.”
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Ben Bird Person, Gordon Van Gelder, Daniel Dern, Lise Andreasen, Brown Robin, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Miles Carter.]
(1) WHEN WILL YOU MAKE AN END? Unlike other recent kerfuffles, John Scalzi has a good deal to say about the copyright controversy in “Two Tweet Threads About Copyright” at Whatever.
Background: Writer Matthew Yglesias, who should have known better but I guess needed the clicks, offered up the opinion that the term of copyright should be shortened to 30 years (currently in the US it’s Life+70 years). This naturally outraged other writers, because copyrights let them make money. This caused a writer by the name of Tim Lee to wonder why people were annoyed by Yglesias’ thought exercise, since he thought 30 years was more than enough time for people to benefit from their books (NB: Lee has not written a book himself), and anyway, as he said in a follow up tweet: “Nobody writes a book so that the royalties will support them in retirement decades later. They’re mostly thinking about the money they’ll make in the next few years.”
This is where I come in….
6. The moral/ethical case is ironically the easiest to make: think of the public good! And indeed the public domain is a vital good, which should be celebrated and protected — no copyright should run forever. It should be tied to the benefit of the creator, then to the public.
7. Where you run into trouble is arguing to a creator that *their* copyright should be *less* than the term of their life (plus a little bit for family). It’s difficult enough to make money as a creator; arguing that tap should be stoppered in old age, is, well. *Unconvincing.*
8. Likewise, limiting that term limits a creator’s ability to earn from their work in less effable ways. If there’s a 30-year term of copyright and my work is at year 25, selling a movie/tv option is likely harder, not only because production takes a long time (trust me)…
9. …but also because after a certain point, it would make sense to just wait out the copyright and exclude the originator entirely. A too-short copyright term has an even *shorter* economic shelf-life than the term, basically. Why on earth would creators agree to that?
“I’m not sure I understand why copyright and patent terms are such different lengths. My father is an electronic engineer who designed an extremely successful glassbreak sensor (e.g. for home security systems). Guess how long a patent term is at max? Twenty years from date of filing. It’s a far cry from 120 years or life+70 for copyright.”
Because patents and copyrights cover different kinds of things.
On the one hand, patents are often more crucial — if we had to wait 120 years for penicillin to go into the public domain, that hampers researchers and harms the public much more than if we had to wait that long for James Bond. The public domain needs that stuff sooner. If you patent a process that allows solar radiation to be collected and stored by a chip, then anyone who wants to do that has to license the process from you, even if they came up with it independently. You’ve got a monopoly on the whole thing.
But if you write a book about hobbits on a quest to dunk some dangerous mystic bling in lava, well, people can’t reprint your book or make a movie out of it without securing permission. But they can still write a book about halflings out to feed some dangerous mystic bling to the ice gnoles — what’s protected by copyright is that particular story, not the underlying plot structure. Tolkien gets a monopoly on his particular specific expression of those ideas, not on piece of science that can be used a zillion different ways.
I’m sure there are other reasons, but those two illustrate the basic idea, I hope.
(2) RIGHTS MAKE MIGHT. Elizabeth Bear’s contribution to the dialog about copyrights is pointing her Throwanotherbearinthecanoe newsletter audience at three installments of NPR’s Planet Money podcast that follows the process of gaining rights to a superhero. At the link you can hear the audio or read a transcript.
…SMITH: The daughter of the original artist who created Micro-Face, Al Ulmer. Maybe we should have our lawyers here just in case it gets a little litigious. After the break.
(SOUNDBITE OF MUSIC)
MALONE: You want to start by just telling us your name and who you are?
LOUCKS: Hi. Yes. I’m Peggy Loucks (ph), and I’m 83 years old. And I’m a retired librarian. And I’m the daughter of Allen Ulmer – U-L-M-E-R.
SMITH: When we found out that Al Ulmer’s daughter, Peggy, was still alive, I was thinking, yes. I have so many questions for her.
MALONE: I, on the other hand, was nervous because, look; we don’t need Peggy’s permission to do anything with her father’s character, Micro-Face, since he is in the public domain. But like, look; if she hates this project, I mean…
SMITH: Yeah, it would be a jerk move to be like, tough luck, lady; we’re taking your father’s idea and completely changing it and making a fortune off of it. So we started off with some easy questions for Peggy.
MALONE: Do you know what he thought about drawing superheroes? Did he enjoy doing superheroes in particular, creating them?
LOUCKS: Oh, yes. You know, the – especially some of these characters, they were always in tights with capes and, you know, some kind of headgear or masks.
SMITH: So what was your father like as a person?
LOUCKS: You know, he would’ve been really someone you would like to have known and been in their company. You know, he was a gourmet cook. His beef Wellington was to die for. We always waited for that….
(3) STAY TUNED TO THIS STATION. Amazon dropped a trailer for The Underground Railroad, based on Colson Whitehead’s alternate history novel. All episodes begin streaming on Amazon Prime Video on May 14.
From Academy Award® winner Barry Jenkins and based on the Pulitzer Prize winning novel by Colson Whitehead, “The Underground Railroad” chronicles Cora Randall’s desperate bid for freedom in the antebellum South. After escaping a Georgia plantation for the rumored Underground Railroad, Cora discovers no mere metaphor, but an actual railroad beneath the Southern soil.
(4) AURORA AWARDS. The Canadian Science Fiction and Fantasy Association has announced an updated Aurora Awards calendar.
Nominations will now open on March 27th, 2021. Nominations will now close on April 24th, 2021. The ballot will now be announced on May 8th, 2021.
The Voter’s Package will now be available on May 29th, 2021.
After that date, the calendar will be back on track.
Voting will open July 31st, 2021. Voting will close September 4th, 2021.
The Aurora Awards will be announced at Can*Con in Ottawa, held October 16-18.
(5) PAYING IT FORWARD. In this video Cat Rambo reads aloud her contribution to the collection Pocket Workshop: Essays on Living as a Writer.
One of the great traditions in fantasy and science fiction writing is that of the mentor/mentee relationship. We’re told of many of the earlier writers mentoring newer ones offering advice passing along opportunities and sometimes collaborating…
(6) IT GETS VERSE. [Item by Martin Morse Wooster.] In Isaac Asimov’s autobiography In Joy Still Felt, he reprints part of a poem called “Rejection Slips” where he discusses being rejected by Galaxy editor H.L. Gold.
Dear Ike, I was prepared (And boy, I really cared) To swallow almost everything you wrote. But Ike, you’re just plain shot, Your writing’s gone to pot, There’s nothing left but hack and mental bloat. Take past this piece of junk, It smelled; it reeked, it stunk; Just glancing through it once was deadly rough. But Ike, boy, by and by, Just try another try I need some yarns and kid, I love your stuff.
…In fact, according to Forbes.com’s annual inventory of the highest-paid dead celebrities, the guy who grew up Theodor Geisel in Springfield ranks No. 2 — behind only Michael Jackson — with earnings last year of $33 million. In other words, the Vipper of Vipp, Flummox, and Fox in Sox generated more dough in 2020 than the songs of Elvis Presley or Prince, or the panels of “Peanuts” creator Charles Schulz.
And Dr. Seuss stands to make even more money now. That’s because the announcement that six of his 60 or so books will no longer be published has sent people scurrying to buy his back catalog. On Thursday, nine of the top 10 spots on Amazon’s best-sellers list were occupied by Dr. Seuss, including classics “The Cat in the Hat,” “One Fish, Two Fish, Red Fish, Blue Fish” and “Oh, the Places You’ll Go!”
A fortune’s a fortune, no matter how small, but $33 million is a mountain that’s tall. So how does Dr. Seuss continue to accumulate such wealth? It turns out Geisel, who died in 1991 at the age of 87, doesn’t deserve the credit. His wife does. Two years after the author died, Seuss’s spouse, Audrey Geisel, founded Dr. Seuss Enterprises to handle licensing and film deals for her husband’s work….
(8) MEDIA BIRTHDAY.
March 7, 1980 — On this day in 1980, the Brave New World film premiered on NBC. (It would show on BBC as well.) It was adapted from the novel by Aldous Huxley by Robert E. Thompson and Doran William Cannon, and was directed by Burt Brinckerhoff. It starred Kristoffer Tabori, Julie Cobb and Budd Cort. It has a forty-six percent rating among audience reviewers at Rotten Tomatoes. You can watch it here.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born March 7, 1944 — Stanley Schmidt, 77. Between 1978 and 2012 he served as editor of Analog Science Fiction and Fact magazine, an amazing feat by any standard! He was nominated for the Hugo Award for Best Professional Editor every year from 1980 through 2006 (its final year), and for the Hugo Award for Best Editor Short Form every year from 2007 (its first year) through 2013 with him winning in 2013. He’s also an accomplished author. (CE)
Born March 7, 1945 — Elizabeth Moon, 76. I’ll let JJ have the say on her: “I’ve got all of the Serrano books waiting for when I’m ready to read them. But I have read all of the Kylara Vatta books — the first quintology which are Vatta’s War, and the two that have been published so far in Vatta’s Peace. I absolutely loved them — enough that I might be willing to break my ‘no re-reads’ rule to do the first 5 again at some point. Vatta is a competent but flawed character, with smarts and courage and integrity, and Moon has built a large, complex universe to hold her adventures. The stories also feature a secondary character who is an older woman; age-wise she is ‘elderly,’ but in terms of intelligence and capability, she is extremely smart and competent — and such characters are pretty rare in science fiction, and much to be appreciated.” (CE)
Born March 7, 1959 — Nick Searcy, 62. He was Nathan Ramsey in Seven Days which I personally think is the best damn time travel series ever done. And he was in 11.22.63 as Deke Simmons, based off the Stephen King novel. He was in Intelligence, a show I never knew existed, for one episode as General Greg Carter, and in The Shape of Water film, he played yet another General, this one named Frank Hoyt. And finally, I’d be remiss to overlook his run in horror as he was in American Gothic as Deputy Ben Healy. (CE)
Born March 7, 1966 — Jonathan Del Arco, 55. He played Hugh the Borg in Star Trek: The Next Generation and in Star Trek: Picard. That is way cool. He also showed up as on Star Trek: Voyager as Fantôme in “The Void” episode. (CE)
Born March 7, 1970 — Rachel Weisz, 51. Though better known for The Mummy films which I really, really love (well the first two with her), her first genre film was Death Machine, a British-Japanese cyberpunk horror film which score a rather well fifty one percent among audience reviewers at Rotten Tomatoes. I’ve also got her in Chain Reaction and The Lobster. (CE)
Born March 7, 1974 — Tobias Menzies, 47. First off is he’s got Doctor Who creds by being Lieutenant Stepashin in the Eleventh Doctor story, “Cold War”. He was also on the Game of Thrones where he played Edmure Tully. He is probably best known for his dual role as Frank Randall and Jonathan “Black Jack” Randall in Outlander. He was in FindingNeverland as a Theatre Patron, in Casino Royale as Villierse who was M’s assistant, showed up in The Genius of Christopher Marlowe as the demon Mephistophilis, voiced Captain English in the all puppet Jackboots on Whitehall film and played Marius in Underworld: Blood Wars. (CE)
Born March 7, 1903 – Bernarda Bryson. Painter, lithographer; outside our field, illustrations for the Resettlement Administration, like this. Here is Gilgamesh. Here is The Twenty Miracles of St. Nicholas. Here is Bright Hunter of the Skies. Here is The Death of Lady Mondegreen (hello, Seanan McGuire). (Died 2004) [JH]
Born March 7, 1934 – Gray Morrow. Two hundred fifty covers, fifty of them for Perry Rhodan; four hundred interiors. Also Classics Illustrated; Bobbs-Merrill Childhoods of Famous Americans e.g. Crispus Attucks, Teddy Roosevelt, Abner Doubleday; DC Comics, Marvel; Rip Kirby, Tarzan; Aardwolf, Dark Horse. Oklahoma Cartoonists Associates Hall of Fame. Here is Buck Rogers in the 25th Century. Here is the NyCon 3 (25th Worldcon) Program & Memory Book. Here is The Languages of Pao. Here is The Best of Judith Merrill. Here is Norstrilia. Here is a page from “The Doors of His Face, the Lamps of His Mouth” in GM’s Illustrated Roger Zelazny. (Died 2001) [JH]
Born March 7, 1952 – John Lorentz, age 69. Active, reliable in the excruciating, exhilarating, alas too often thankless work of putting on our SF conventions, e.g. chaired Westercon 43 & 48, SMOFcon 8 (Secret Masters Of Fandom, as Bruce Pelz said a joke-nonjoke-joke; a con annually hoping to learn from experience); administered Hugo Awards, sometimes with others, 1998, 2002, 2006, 2015; finance head, Renovation (69th Worldcon). Fan Guest of Honor at Westercon 53, Norwescon XXI (with wife Ruth Sachter). [JH]
Born March 7, 1954 – Elayne Pelz, age 67. Another indispensable fan. Currently Treasurer and Corresponding Secretary of the Southern Cal. Inst. for Fan Interests (yes, that’s what the initials spell; pronounced skiffy), which has produced Westercons, Worldcons, and a NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas). Widow of B. Pelz; I danced at their wedding; E chaired Westercon 55 upon B’s death. Twice given LASFS’ Evans-Freehafer Award (service; L.A. Science Fantasy Soc., unrelated to SCIFI but with some directors in common). Fan Guest of Honor at Leprecon 9, Loscon 13 (with B), Westercon 48, Baycon 2004. Several terms as LASFS Treasurer, proverbially reporting Yes, we have money; no, you can’t spend it. [JH]
Born March 7, 1967 – Donato Giancola, age 54. Gifted with, or achieving, accessibility, productivity, early; Jack Gaughan Award, three Hugos, twenty Chesleys, two Spectrum Gold Awards and Grandmaster. Two hundred seventy covers, four hundred forty interiors. Here is Otherness. Here is The Ringworld Engineers. Here is his artbook Visit My Alien Worlds (with Marc Gave). Here is the Sep 06Asimov’s. Here is the May 15Analog. Two Middle-Earth books, Visions of a Modern Myth and Journeys in Myth and Legend. [JH]
Born March 7, 1977 – Brent Weeks, age 44. Nine novels, a couple of shorter stories. The Way of Shadows and sequels each NY Times Best-Sellers; four million copies of his books in print. Cites Homer, Dante, Shakespeare, Yeats, Tolkien. “I do laugh at my own jokes…. scowl, change the word order to see if it makes it funnier, scowl again … try three more times…. occasionally cackle…. This is why I can’t write in coffee shops.” [JH]
(10) LIADEN. Sharon Lee and Steve Miller have issued Liaden Universe® InfoDump Number 127 with info about the availability of a new Adventures in the Liaden Universe® chapbook. Also:
LEE AND MILLER PANELISTS AT MARSCON Sharon and Steve will attending the virtual MarsCon, to be held March 12-14 (that’s this weekend!) Here’s the convention link.
DISCON III Steve and Sharon hope to attend DisCon III virtually. We have no plans to attend in-person, as much as we’d been looking forward to doing so.
ALBACON 2021 Sharon and Steve will be Writer Guests of Honor at the virtual AlbaCon, September 17-18, 2021. Here’s the link to the convention site
UPCOMING PUBLICATIONS The Trader’s Leap audiobook, narrated by Eileen Stevens, is tentatively scheduled for April 11, 2021
The four small cats trapped on a sinking boat needed a miracle. The abandoned ship, near the Thai island of Koh Adang, was on fire — sending plumes of thick black smoke into the air as the waters of the Andaman sea rose around them. The ship was not just burning: It was sinking. And it would not be long until it disappeared beneath the surface.Wide-eyed and panicked, the felines huddled together. When the help they so desperately needed arrived, it came in the form of a 23-year-old sailor and his team of Thai navy officials….
(13) GOOD DOG. In the Washington Post, Steven Wright says video game developers are making an effort to have animals in the games that you can pet and interact with but that it takes up a lot of additional pixels since the designers are trying to make the games realistic and are using tons of pixels having characters run and blast foes. “The ‘Can You Pet The Dog’ Twitter account is having a big impact”.
… Tristan Cooper, who owns the Twitter account “Can You Pet the Dog?,” never set out to create a social media juggernaut. Rather, he was just trying to point out what he felt was a common quirk of many high-profile games: While many featured dogs, wolves and other furry creatures as hostile foes of the protagonist, those that did feature cuddly animal friends rarely let you pet them. Cooper says the account was particularly inspired by his early experience with online shooter “The Division 2.”
… However, as the account quickly began to grow in popularity, Cooper and others began to notice a subtle increase in the number of games that featured animals with which players can interact. To be clear, Cooper doesn’t wish to take any credit for the proliferation of the concept, despite the obvious popularity of the account. (“Video games had pettable dogs long before I logged onto Twitter, after all,” he wrote. “That’s the whole reason I created the account.”)
However, he and the account’s fans do sometimes note the timing of these additions, particularly when it comes to certain massive games. For example, he notes that battle royale phenomenon “Fortnite” patched in pettable dogs only a few weeks after the account tweeted about the game. And “The Division 2” finally let you nuzzle the city’s wandering canines in its “Warlords of New York” expansion, which came out in March 2020 — around the same time Cooper was celebrating the year anniversary of the Can You Pet The Dog? account….
(14) WHAT’S THE VISION FOR NASA? [Item by Martin Morse Wooster.] In the Washington Post, Christian Davenport says that the increasing rise of private spacecraft with a wide range of astronauts as well as cost overruns in its rocket development programs is leading the agency to do a lot of thinking about what its role in manned spaceflight should be. Davenport reports a future SpaceX mission will include billionaire Jared Isaacman and will be in part a gigantic fundraiser for St. Jude’s Children Research Hospital (a St. Jude’s physician assistant will be an astronaut as will the winner of a raffle for another seat). “NASA doesn’t pick the astronauts in a commercialized space future”.
… And it comes as NASA confronts some of the largest changes it has faced since it was founded in 1958 when the United States’ world standing was challenged by the Soviet Union’s surprise launch of the first Sputnik into orbit. Now it is NASA’s unrivaled primacy in human spaceflight that is under challenge.
… In an interview, Steve Jurczyk, NASA’s acting administrator, said the agency is well aware of how its identity and role are changing, and he likened the agency’s role to how the U.S. government fostered the commercial aviation industry in the early 20th century.
NASA’s predecessor, NACA, or the National Advisory Committee for Aeronautics, “did research, technology development to initially support defense … but also later on supporting a burgeoning commercial aircraft industry and aviation industry,” he said. “So that may be how we evolve, moving forward on the space side. We’re going to do the research and the technology development and be the enablers for continuing to support the commercial space sector.”
The question NASA faces, then, is an urgent one: “How do you maintain that NASA technical expertise?” Jurczyk said.
The agency does not know….
(15) YOU COULD BE SWINGING ON A STAR. OR — Ursula Vernon could no longer maintain what critics call “a willing suspension of disbelief.”
Commenters on her thread had doubts, too. One asked: “Were any special herbs or fungi involved before this message was received?”
As for the possibility of putting this phenomenon to a local test —
[Thanks to Andrew Porter, John Hertz, Ben Bird Person, Martin Morse Wooster, Michael Toman, John King Tarpinian, Cat Eldridge, JJ, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]
Whitehead, 50, is the youngest winner of the lifetime achievement prize, which the library has previously given to Toni Morrison, Philip Roth and Denis Johnson, among others. He is the first author to win Pulitzers for consecutive works of fiction — “The Underground Railroad” and “The Nickel Boys,” for which he won in April.
(2) WHY HE HAD TO LEAVE. Edmund Schluessel reports on his experiences with Finncon 2020, which took place this past Friday-Sunday online and was based in Tampere, Finland. “Finncon 2020. So.”
I was quite sanguine about Finncon 2019. I praised the “more thriving, more diverse, more accepting community” I had found in Finland.
Thus this post is difficult to write. I’ll start with the part of Finncon 2020 I was there for, then talk about why I had to leave….
(3) HOLIDAY ON KLENDATHU. [Item by Olav Rokne.] Writing at The Verge, Joshua Rivera examines the legacy and impact of Paul Verhoeven’s 1997 film adaptation of Starship Troopers, linking to several other articles that examine the movie’s newfound relevance to America’s current political divisions. I know this film gets debated endlessly around these parts, but to my eye, the fact that a quarter century later people outside the SFF community are still debating its meaning and parsing its subtext is a good indication that Starship Troopers has enduring value. “The world is finally coming around to Starship Troopers”
I’m here to see the fireworks, and rare is the blockbuster that is interested in forcing me to question that.
(5) SWEDISH HOPES UP. Fantastika, the Swedish national con or Swecon, is off for this year so they’ve named a date for the event in 2021. (We had the cancellation a few days ago, but not the new date.)
The Committee has decided to cancel the convention in October due to the corona pandemic. We have instead booked the venue, Dieselverkstaden, for the weekend April 9-11, 2021, i e the weekend after Easter. We sincerely hope that it will be possible to have the convention at that time. Please note that this is not the same date as the one that we previously considered.
If you wish to have the membership refunded you need to send me an e-mail with information on how I should send it, e g via PayPal. If you have already got a refund you are of course welcome to pay the membership again.
(6) DEEPSOUTHCON HOPES DOWN BUT NOT OUT. CONtraflow chair Frank Schiavo told Facebook followers the event (which is also this year’s DeepSouthCon) has been postponed to 2021. But there may be a virtual DeepSouthCon on the original weekend.
After much discussion, long board meetings, working back and forth with the host hotel, city/parish/state leadership, and Southern Fandom Confederation/Deep South Con representatives , the board of directors of CONtraflow has come to the following conclusion: under current conditions, we cannot give you the amazing Fan experience that you all have come to expect from the previous nine years of CONtraflow. We must reschedule CONtraflow 10, originally scheduled for this coming November 13-15. Hosting our convention as usual in 2020 is impossible in these pandemic conditions, as they currently are and will be for the foreseeable future. There are simply too many unknowns at play at this time. Our only responsible, reasonable, and possible choice is to reschedule CONtraflow 10. Please know this decision is as tough and painful for us as it is for all of you. We didn’t make it lightly and hope you will support our decision.
I am sure most of you have questions about the rescheduled event. I’ll try to answer a few of the big ones.
The new date for CONtraflow 10 is October 1-3, 2021 at the Airport Hilton in Kenner, Louisiana. We are currently working on guests and speakers for the new convention dates. We’ll have a first flier about the new dates up on social media for you to share in the next few days. We are planning to have a more detailed flier with guests and major events up and out there online before the end of September.
…As for the DeepSouthCon 58 (2020) to be hosted by CONtraflow this year, there are plans for a virtual DeepSouthCon 58 mini convention featuring panels, programming, the annual SFC meeting and the Hearts tournament, and more on the Saturday of the original convention weekend (November 14, 2020). We are working out the details of online hosting and any possible costs and will be updating you with details of the virtual DSC in the coming weeks….
(7) A STRANGE PROLOGUE. Rob Hansen has added “THE 1971 EASTERCON” to his THEN British fanhistory website, complete with the usual cornucopia of photos. It includes this account of a bizarre chain of events:
THE BRIAN ALDISS GoH SAGA – Peter Weston
At SCI-CON 70:
Brian confided that this was the second time he had been asked to be Guest of Honour but had then been required to step down. We were suitably shocked, as he went on to explain how he had been invited as GoH for 1969 in Oxford, but when a new committee had taken over, headed by John Brunner, they had wanted to have Judith Merril instead. George Hay had heard about this, thought it was a bit poor, and so he had asked Brian to be GoH in 1970, which he had accepted. Then George heard that James Blish was moving to England and he did exactly the same thing, pushing out Brian once again in favour of a supposed bigger “name.” Rog and I were suitably disgusted, and promptly offered to make amends. We would bid for the 1971 Eastercon and would do it properly. We promised to find a decent hotel and make Brian our Guest of Honour. (p.191)
Suddenly, however, we hit double trouble. Brian Aldiss resigned as Guest of Honour, and this was immediately followed by the start of a postal strike. Brian’s letter was a bombshell! The only reason Rog and I had taken on the convention was to do justice to him, and now he was dropping out for no very good reason, saying vaguely that he “might be living in Hong Kong for a while.”
What’s the biggest weakness in your writing these days, and how do you cope with it?
I mentioned cross-tension earlier, which I love. The thorn in my side, however, is forward tension.
To start us on the same page, by forward tension I mean the often external plot tension that pulls a reader through the story. In my Bourshkanya Trilogy, this tends to be resistance activities to weaken or tear down the fascist state. In general, fighting the big bad, and the sequence of events that leads to it, tends to be high in forward tension as the characters try and fail, as the villain pursues them, etc.
Cross-tension, by contrast, occurs between characters who have opposing, potentially unreconcilable beliefs. Both characters may try to do what they believe is right or necessary, may even care deeply for one another, but with the underpinnings of their belief structures in conflict, they’re forced onto opposite sides, e.g., a resistance fighter and a loyal State soldier. Secrets flourish in this soil, as do the juiciest (in my opinion) of all fiction elements: well-motivated, understandable yet heartbreaking betrayals. Or not. Opposing beliefs can be reconciled, which is part of what makes them so delightful. Cross-tension can also arise between a character and elements of the world, e.g., a resistance fighter who has to pretend loyalty to the State.
From my description, you can probably tell how much I love cross-tension. It makes my brain sing and is one reason I love having multiple POVs on both sides of a tricky moral line.
(9) HELP NEEDED. Jenny Parks, the author of Star Trek Cats (2017) and Star Trek: The Next Generation Cats (2018) has an online fundraiser for treatment of her Hodgkin’s lymphoma: “Jenny Parks Cancer Relief Fund”. As of today, people have donated $10,462 of the $25,000 goal. Ben Bird Person submitted the item with these images of “some of her art she’s done for me!”
(10) PRESTON OBIT. Actress Kelly Preston, whose best-known sff role was in the 1986 film Space Camp, died July 12 of cancer. (The New York Times tribute is here.) She had a brief cameo with her husband John Travolta in Battlefield Earth (2000). On This Date In Science Fiction History takes an extended look at her genre resume in “Stardate 07.13.2020.A: In Memoriam – Kelly Preston”.
(11) CRAWFORD OBIT. Small press publisher Gary William Crawford (1953-2020) died July 9.He founded Gothic Press in 1979, serving as its editor, as well as the author of many published works in Gothic literature.
From 1979 to 1987, Crawford produced six issues of the journal Gothic, and later, the press published the horror poetry magazine Night Songs. Crawford recently began the online journal, Le Fanu Studies.
(12) BRECHA OBIT. Sff writer F. Alexander Brejcha (1957-2019), whose first story was published in Analog in 1992, died in February 2019 it was recently learned. A collection of his short fiction, People First!!, was released in 2004, as was a collection of three novellas, No World Warranty.
(13) MEDIA BIRTHDAY.
July 13, 1960 — Irwin Allen’s version of The Lost World premiered. Based on the Arthur Conan Doyle novel. It was directed by him, produced by him with the assistance of Cliff Reid, and he wrote the screenplay with the help of Charles Bennett. The cast included Claude Rains, David Hedison, Fernando Lamas, Jill St. John, and Michael Rennie. Financing was so limited that the monsters were monitor lizards, iguanas, and crocodiles affixed with miniature horns and fins. Critics weren’t fond of it, it did poorly at the box office, and the audience reviewers at Rotten Tomatoes currently give it a scathingly poor 20% rating.
(14) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born July 13, 1796 – William Harvey. Engraver and designer. Woodblocks for e.g. Bewick’s Aesop, Northcote’s Fables, Lane’s Arabian Nights. Here is “Ali of Cairo”; here is “The Merchant and the Jinni” (note, jinni is the singular, jinn the plural); here is “Sayf al-Muluk and Badi’a al-Jamal”. Here is a portrait of Defoe, and title page, for Robinson Crusoe. (Died 1866) [JH]
Born July 13, 1864 – John Astor IV. Possibly the richest man in the world when he went down with the Titanic; wrote A Journey in Other Worlds set in what is now our past, the year 2000, with travel to Jupiter and Saturn powered by antigravity. (Died 1912) [JH]
Born July 13, 1904 — Norvell W. Page. Chief writer of The Spider pulp series as Grant Stockbridge. He started out by writing a backup story in the first issue of The Spider pulp: “Murder Undercover” and by the third issue was writing the main Spider stories which he did for some seventy stories. He also wrote The Black Bat and The Phantom Detective pulps. (Died 1961.) (CE)
Born July 13, 1926 — Robert H. Justman. Producer and director who worked on many a genre series including Adventures of Superman, The Outer Limits, Star Trek, Mission: Impossible, Man from Atlantis and Star Trek: The Next Generation. He was the assistant director for the first two Star Trek episodes: “The Cage” and “Where No Man Has Gone Before”. (Died 2008.) (CE)
Born July 13, 1926 – Dik Daniels. For years a prominent photographer, to whom we owe many such records. Widely, long, and uncelebratedly enough helpful that he was given the Big Heart, our highest service award. Some photos 1968-2001 on this Website. (Died about 2001) [JH]
Born July 13, 1937 — Jack Purvis. He appeared in three of director Terry Gilliam’s early fantasy films, with roles in Time Bandits, The Adventures of Baron Munchausen and Brazil. He’s in three of the Star Wars films, the only actor he claims to have played three different roles, and he’s also in Wombling Free (based on The Womblies, a UK Children’s series), The Dark Crystal and Willow. (Died 1997.) (CE)
Born July 13, 1940 — Sir Patrick Stewart OBE, 80. Jean-Luc Picard, starting with being Captain of the USS Enterprise (NCC-1701-D) on Star Trek: The Next Generation up though the current Star Trek: Picard. Also had some minor role in the MCU as Professor Charles Xavier, and played Leodegrance in Excalibur. Though not even genre adjacent, I’m fond of his role as King Henry II in The Lion in Winter. (CE)
Born July 13, 1942 — Harrison Ford, 78. Three great roles of course. First, being Dr. Henry Walton “Indiana” Jones, Jr. in the Indiana Jones franchise which is four films deep with a fifth on the way. The second, of course, being Han Solo in the Star Wars franchise, a role he’s done four times plus a brief cameo in The Rise of Skywalker. And the third being Rick Deckard in Blade Runner, a role he reprised for Blade Runner 2049. Oh ,and he played the older Indy at age fifty in the Young Indiana Jones Chronicles in the “Young Indiana Jones and the Mystery of the Blues” episode. (CE)
Born July 13, 1953 — Chip Hitchcock, 67. To quote Fancyclopedia, Chip Hitchcock “is a con-running fan living in the Boston area. He is a member of NESFA and MCFI and has worked on a great many conventions including Worldcons at the Division Head level, Boskones and numerous other regionals.“ Happy Birthday, Chip! (CE)
Born July 13, 1954 – Gary Feldbaum, 66. First SF con, Boskone 15 (Fancyclopedia 3 and some others call the first Boskones I-V i.e. through 1945; the current ones, starting in 1965, 1-57 so far). Moved to Philadelphia; happening to be a lawyer when one was wanted incorporated the Philadelphia SF Soc. (PSFS); chaired six Philcons. Has worked on Worldcons on three continents. Might be found heading a Division or ushering for the Masquerade. [JH]
Born July 13, 1965 – Tomoyuki Hoshino, 55. Two novels, a dozen shorter stories for us; nine more novels. Bungei, Mishima, Noma, Ôe, Yomiuri, Tanizaki Prizes. Born in Los Angeles, lived in Mexico long enough to get work in Japan translating Spanish-language movies. Teaches creative writing at his alma mater Waseda U. Me and the collection We, the Children of Cats are available in English. [JH]
Born July 13, 1981 – Monica Byrne, 39.The Girl in the Road won a Tiptree Award (as it then was); translated into German. Nine shorter stories in, on, or at Electric Velocipede, Fantasy, The Magazine of Fantasy and Science Fiction, Shimmer. Plays. A TED Talk (Technology, Entertainment, Design). Non-fiction in The Atlantic, Huffington Post, Virginia Quarterly Review. Website. [JH]
This week in The Full Lid we have a first!! Matt Wallace’s Savage Legion is out in a couple of weeks and as part of the coverage for it, I’m delighted to run an original flash fiction piece by Matt, along with one by myself. Matt’s one of my favorite writers and people and it’s a delight to see him doing excellent work like this piece and the upcoming novel.
Elsewhere I take a look at the graphic novel new Netflix movie The Old Guard was adapted from. Finally, I take a look at unfairly overlooked crime/science fiction/magic movie Sleight.
How did this all dovetail with your interest in science fiction?
There’s no point in my life when I don’t remember reading science fiction. My dad and I would — actually the whole family, but dad and I particularly — would listen to Hitchhiker’s Guide to the Galaxy when it was on the radio. We’d watch Star Trek, Battlestar Galactica; I read all of the things. But it is for me again, the thing that I said at the beginning about the ways science fiction and fantasy for me allows us to ask big questions.
Connie Willis set a thing once, which made me go “Oh, yes, that’s why I like it so much.” She said that she thinks that the difference between science fiction and fantasy and mimetic fiction or everyday fiction is that in mimetic fiction, you have ordinary problems, but then your character has to have an outsized or an extraordinary response to an ordinary problem. Like, someone’s husband is cheating on them, it’s not just, that they go stay with a family member; they go to the PTA and they stand on the table and they confront the person that he was having an affair with in order to drive the plot — you have to have this extraordinary reaction to cause the plot to move forward.
Whereas in science fiction and fantasy, we have extraordinary events taking place, which allows people to have normal, proportionate responses. And that made me understand part of why I like science fiction and fantasy, but it also made me realize that it gives us an opportunity to present a much more faithful representation of honest human emotion. The things that happen to us in our real world can be as as rocking or earth-shattering as a meteor hitting. There can be things that are as deeply traumatic. But most of those things aren’t enough to drive a plot. I feel like that’s doing a disservice to people who write mimetic naturalistic fiction, because I certainly have read stuff where people are having completely normal responses to completely normal events, but speaking in very general terms, it is an opportunity that science fiction offers.
…Robinson was one of the figures to come out of the mid-20th century sci-fi short story scene, penning techno-thrillers for various pulp publications. His thriller The Glass Inferno, written with Thomas Scortia, was one of two books that were combined to make the classic 1974 disaster film The Towering Inferno. He also was known for being the speechwriter for Harvey Milk, the gay San Francisco politician who was assassinated in 1978.
Hunting Season will follow a law officer from the future who is declared an enemy of the state and sentenced to be executed by being sent to the past and stalked by a posse. The man has three days to acclimate to his new era and find a way to survive.
While in grad school, one of the things my professors constantly warned against during discussions was falling into the trap of counterfactual speculation. When discussing and debating the causes and events of the medieval period, we were to confine ourselves to theories that could be supported by the primary sources and archaeological evidence. The fact that I did not become an historian and founded the Sidewise Award for Alternate History may give some indication of how well I adhered to those rules.
(20) PAGING DR. HOWARD, DR. FINE, DR. HOWARD… [Item by Mike Kennedy.] Pick six of your most intelligent, fittest friends. Now imagine the seven of you are on a mission to Mars & you have appendicitis. Which friend do you pick to be your surgeon? Mind you, none of them have medical training. “From floating guts to ‘sticky’ blood – here’s how to do surgery in space” at The Conversation.
… Surgery in microgravity is possible and has already been been carried out, albeit not on humans yet. For example, astronauts have managed to repair rat tails and perform laparoscopy – a minimally invasive surgical procedure used to examine and repair the organs inside the abdomen – on animals, while in microgravity.
These surgeries have led to new innovations and improvements such as magnetising surgical tools so they stick to the table, and restraining the “surgeonaut” too.
One problem was that, during open surgery, the intestines would float around, obscuring view of the surgical field. To deal with this, space travellers should opt for minimally invasive surgical techniques, such as keyhole surgery, ideally occurring within patients’ internal cavities through small incisions using a camera and instruments.
Now, the patrol robot has been adapted so it can also disinfect surfaces as it patrols, and is attracting interest from Tokyo’s Metro stations as well as other businesses.
In May, Japanese Prime Minister Shinzo Abe noted surging demand for unmanned deliveries and pledged to carry out tests to see if delivery robots were safe to use on roads and sidewalks by the end of the year.
Even the self-driving wheelchair can come into its own amid a coronavirus-filled world, the company said, potentially helping elderly people move around more independently without a helper who might be a vector for the virus.
Johnnie Walker, the whisky which traces its roots back 200 years, will soon be available in paper bottles.
Diageo, the drinks giant that owns the brand, said it plans to run a trial of the new environmentally-friendly packaging from next year.
While most Johnnie Walker is sold in glass bottles, the firm is looking for ways of using less plastic across its brands.
Making bottles from glass also consumes energy and creates carbon emissions.
To make the bottles, Diageo will co-launch a firm called Pulpex, which will also produce packaging for the likes of Unilever and PepsiCo.
Diageo’s paper whisky bottle, which will be trialled in spring 2021, will be made from wood pulp and will be fully recyclable, the company said.
The idea is that customers would be able to drop them straight into the recycling.
(24) TUCKER INTERVIEW, PART DEUX. Fanac.org has posted the second segment of the Bob Tucker interview done for Chicon 2000.
Dick Smith’s interview of Wilson “Bob” Tucker was done for Chicon 2000, that year’s World SF Convention. Here in Part 2, the stories keep coming (and Bob is an excellent storyteller). Tucker talks about Claude Degler’s first appearance in fandom and how Jack Speer (later Judge Speer) got into trouble. There’s more about Chicon 1, how he learned about the internet and how fandom has changed in the preceding 60 years. You’ll even hear how Bob ended up joining the N3F after decades in fandom. Videography by Tom Veal, Chairman of Chicon 2000.
[Thanks to Andrew Porter, Mlex, Olav Rokne, “Orange Mike” Lowrey, Mike Kennedy, Martin Morse Wooster, Ben Bird Person, John King Tarpinian, Rich Lynch, Steven H Silver, Michael Toman, John Hertz, JJ, Cat Eldridge, and Chip Hitchcock for some of these stories. Title credit goes to File 770 contributing editor of the day Peer.]
(1) STOKER AWARDS LIVESTREAM. The Horror Writers Association will stream the Bram Stoker Awards ceremony on YouTube on April 18. Link URL in the graphic.
(2) DOCTOR WHO DURING LOCKDOWN. Neil Gaiman wrote “Rory’s Story” for the April 11 watchalong.
It’s 1946. Eight years after he was sent back in time by the Weeping Angels, Rory Williams is dictating his biography… ‘Rory’s Story’ was specially created as an introduction to #BiggerOnTheInside, the worldwide watchalong of the Doctor Who episode ‘The Doctor’s Wife’ , which took place online on Saturday 11 April 2020. Written by Neil Gaiman and starring Arthur Darvill as Rory, ‘Rory’s Story’ was home-produced remotely during the ‘lockdown’ period of the COVID-19 outbreak in April 2020.
(3) ICONIC ROBOTS. For a short time you can still see Eric Joyner’s collection of “Machine Man Memories” online at the Corey Helford Gallery.
Eric Joyner attended the Academy of Art and the University of San Francisco and went on to establish himself as a commercial artist, creating illustrations for Mattel Toys, Levi’s, Microsoft and Showtime. A member of San Francisco Society of Illustrators and New York Society of Illustrators, Joyner has been an instructor and speaker at San Francisco’s Academy of Art University and California College of the Arts. His work has been featured in San Jose Museum of Art’s exhibition “Robots: Evolution of a Cultural Icon”, and he has shown in numerous galleries and cultural institutions worldwide. For additional information about the artist, please visit www.ericjoyner.com.
(4) HYPHENATED HISTORY. [Item by Scott Edelman.] My reread of old comics led to this ad on the back cover of House of Mystery #21 (December 1953).
The founding of this SCIENCE-FICTION BOOK CLUB is a recognition of the fact that Science-Fiction has won a place as an important *new kind* of literature — that it is a valuable addition to the library of every imaginative reader. Science-Fiction has grown so fast it’s hard to keep with it!
A model enthusiast has had his own steampunk designs patented by the British railway brand Hornby.
Laurie Calvert made his first model in 2012 and took the idea to Hornby the following year.
(6) BEWARE PICARD SPOILERS. The Hugo Book Club Blog thought today would be a timely occasion to discuss the theme of resurrection in sff: “The Phoenix Farce”. And did I mention, BEWARE SPOILERS!
Picard is dead for fewer than three and a half minutes of screen time. He literally spends more time saying that he will lay down his life for a cause than he spends being dead. Why should viewers get emotionally invested in Picard putting his life on the line when his life costs him nothing?
Although the finale of Star Trek: Picard’s first season provides a case example of this trend, we’d like to be clear that his pointless death and meaningless resurrection is by far not the most underwhelming. Even within the past few years of Star Trek, we’d note Dr. Hugh Culber’s resurrection in Star Trek: Discovery, and Kirk’s resurrection in Star Trek: Into Darkness.
This latter example offers an interesting comparison between resurrections of fictional characters, and what makes some more egregious than others. Into Darkness is a soft remake of The Wrath of Khan, and follows many of the same character moments: a reactor overloading, and a beloved protagonist sacrificing themselves for the greater good. In the case of The Wrath of Khan, it’s Spock who gives his life for the greater good, while in Into Darkness, it’s James Kirk. In both cases, the character who dies gets a prolonged death scene, and an emotional farewell. The narrative asks audiences to grieve for the character’s demise…
His two biggest movies were 1981’s Time Bandits, directed by Terry Gilliam. He played Strutter among an all-star cast including Sean Connery, John Cleese, and Shelley Duvall. Two years later, he played an Ewok warrior in the conclusion to the original Star Wars Trilogy, Return of the Jedi.
April 12, 1940 — Black Friday premiered. It was directed by Arthur Lubin from a screenplay by Curt Siodmak (who won a Retro Hugo last year for Frankenstein Meets the Wolf Man) and Eric Taylor. Though Boris Karloff and Béla Lugosi were co-billed, Lugosi only has a rather small part in the film and does not appear on screen with Karloff. Universal Had cast Lugosi as the Doctor and Karloff as the Professor, but Karloff insisted on playing the Doctor. So Lugosi was given the minor role of a rival gangster, while Stanley Ridges was brought in to play the Professor. Reception was mixed with some critics loving the double billing, but the NYT noted that “Lugosi’s terrifying talents are wasted”. Over at Rotten Tomatoes, the audience reviewers give it a rating of 49%. It is in the the public domain now, so you can watch it here.
April 12, 1940 — Dr. Cyclops premiered. It was produced by Dale Van Every and Merian C. Cooper, and directed by Ernest B. Schoedsack. It starred Thomas Coley, Victor Kilian, Janice Logan, Charles Halton, Frank Yaconelli, and Albert Dekker. It was written by Tom Kilpatrick from a short story by Henry Kuttner which first appeared in the June 1940 of Thrilling Wonder Stories. Critics thought it cheesy but were generally favorable in their reviews overall. Audience reviewers at Rotten Tomatoes give it a 56% rating.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 12, 1884 — Bob Olsen. He wrote twenty-seven poems and stories that were published in Amazing Stories in the late Twenties and early Thirties. He’s one of the first authors to use the term “space marines”. A search of both print and digital publishers does not show any indication that any of his genre or mystery fiction is now in-print. (Died 1956.)
Born April 12, 1915 — Emil Petaja. He considered his work to be part of an older tradition of ‘weird fiction.’ He published thirteen novels and some one hundred fifty short stories. His Otava series, published by Ace Books in the Sixties, is based on the Finnish national myth, The Kalevala. (Died 2000.)
Born April 12, 1916 — Beverly Cleary, 104. The oldest living author ever to get Birthday honors. One of America’s most successful living authors, almost a hundred million copies of her children’s books have been sold worldwide since her first book was published in seventy years ago. Some of her best known characters are Ramona Quimby and Beezus Quimby, Henry Huggins and his dog Ribsy, and Ralph S. Mouse.
Born April 12, 1921 — Carol Emshwiller. I think her short stories are amazing and The Start of the End of It All and Other Stories collection won a World Fantasy Award. She’d later receive a Life Achievement from the group of judges chosen by the World Fantasy Awards Administration. I’ve not read her novels, so which would you recommend I read? (Died 2019.)
Born April 12, 1922 — Vince Clarke. He first made acquaintance with fandom in the late Thirties, and was active as a fanwriter and editor from a decade hence including Science Fantasy News. He’d be the winner of the first TAFF in the early Fifties but was unable to attend. He ran the 1957 Worldcon, Loncon I, and he was Fan Guest of Honor at the 1995 Worldcon, Intersection. He’s responsible for creation of the British Science Fiction Association. (Died 1998.)
Born April 12, 1929 — Elspet Gray. She had two great roles, first as Lady Collingford in Catweazle, a Richard Carpenter series. Second she played Chancellor Thalia in “Arc of Infinity“ a Fifth Doctor story. She also played Mrs. Dresland in The Girl in a Swing based on the Richard Adams novel. (Died 2013.)
Born April 12, 1936 — Charles Napier. Adam in one of the worst original Trek episodes done, “The Way to Eden”. He had one-offs, and this is not a complete list, on Mission Impossible, The Incredible Hulk, Knight Rider, Tales of The Golden Monkey, The Incredible Hulk Returns, Lois & Clark: The New Adventures of Superman, Deep Space Nine and voiced Agent Zed in the animated Men in Black series. (Died 2011.)
Born April 12, 1974 — Marley Shelton, 46. She’s been in such pulp undertakings as Sin City, Grindhouse and Scream 4, not to overlook Hercules in the Underworld and Pleasantville in which she was Margaret Henderson. She was to be Victoria Winters in the unsold Dark Shadows pilot done fifteen years ago.
Why we care: Good ideas sometimes come from unexpected places. Consider the furry community, prone to the kink of wearing Disney World mascot-style animal costumes in public. Is it an unusual lifestyle? Absolutely. However, it just might be one that presents a path toward thriving in these antimicrobial times.
On the first episode of Full Frontal with Samantha Bee since the rapid spread of COVID-19 plunged much of America into quarantine, the hygienic wisdom of the furry community is on display. Correspondent Amy Hoggart infiltrates a furry convention that took place earlier this month to interview people who are used to wearing protective covering over their entire bodies while interacting with others.
(12) SHELL GAME. Last night on Saturday Night Live, “Middle-Aged Mutant Ninja Turtles.”
The Mutant Ninja Turtles aren’t teenagers anymore in an update of the animated series that shows how the superheroes face problems as middle-aged adults.
[Thanks to Scott Edelman, John King Tarpinian, JJ, Cat Eldridge, Martin Morse Wooster, Chip Hitchcock, Mike Kennedy, Michael Toman, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Chris S.]