Pixel Scroll 11/30/22 Mr. Balrog, I Move We Adjourn Combat Sine Die

(1) FUND FOR PETER DAVID. A GoFundMe has been started on behalf of writer Peter David, who has many health problems and faces mounting bills. “Peter David Fund”.

I’m fundraising for author Peter David and his family. He’s had some compounded health problems, and the bills are piling up! On top of kidney failure, and the steep medical bills incurred from that, he just had another series of strokes AND a mild heart attack.  

As we wish him a swift recovery, and send our love and support to his wife Kathleen and his family, let’s also pitch in and help with their medical bills and living expenses. 

Please give what you can to relieve some of the immense stress that this family is going through right now.  

On behalf of Peter, Kathleen, and the whole family, thank you!

The appeal had brought in $51,725 from 1100+ donors at the time this was written.

(2) ARISIA NAMES NEW CHAIR. Melissa Kaplan is the new acting con chair of Arisia 2023. She has written a statement about her conrunning background and why she volunteers to do this.

The past few months have been among the most tumultuous in Arisia’s long history. After the loss of our conchair Jodie Lawhorne, two people stepped up to complete his work. In late October we learned about a serious incident involving one of our volunteers that was reported but never written down many years ago. The individual was put through our current more robust incident response protocol and was subsequently banned from all future participation in Arisia. We also learned that the acting con chairs had had knowledge of this and despite that, had consulted with this individual about volunteering for Arisia 2023. Between that information, and increasing levels of unrelated personal stress on those acting con chairs, it was determined that it was best for all parties for them to step down. Where that left us was 7 weeks out from a convention with no one in charge. I reached out to the e-board and offered to fill in the gap.

So hi, my name is Melissa Kaplan and I’ll be your acting con chair for the next 6.5 weeks….

(3) WILLIS X 2. Dave Langford and Rob Hansen have assembled TAWF Times Two: The 1962 Trip Reports by Walt and Madeleine Willis into a book and made it available in multiple formats at the Trans-Atlantic Fan Fund’s website, where they hope you’ll make a little donation to the fund if you please.

The Tenth Anniversary Willis Fund (TAWF) was organized to bring Walt Willis – this time with his wife Madeleine – to the 1962 Chicago Worldcon, ten years after the fan initiative that brought Walt alone to the 1952 Worldcon also held in Chicago. Both wrote trip reports: Walt’s was serialized in various fanzines and eventually collected as Twice Upon a Time in the monumental Warhoon #28 (1980) edited by Richard Bergeron. Madeleine’s instalments of The DisTAWF Side appeared in The SpeleoBem edited by Bruce Pelz, and have never until now been collected.

For this ebook, Rob Hansen has digitized Madeleine’s chapters, expanded them with comments and corrections from others (plus an unpublished letter from Walt and another from Madeleine) and written a new Foreword covering both reports. David Langford had the easier task of extracting Twice Upon a Time from Warhoon #28, unscrambling dates, correcting typos and restoring a fragment of lost text. Scans of all the original fanzine appearances at Fanac.org were a great help to both of us.

Released as an Ansible Editions ebook for the TAFF site on 1 December 2022. Cover photo of the Willises in 1957 from the collection of Norman Shorrock, probably taken by Peter West. Over 87,000 words.

(4) ANOTHER OPENING OF ANOTHER SHOW. “The Museum of Broadway Is Open. Here Are 10 Highlights.” The New York Times gives reasons to visit when you’re in town.

When a Broadway show closes, the next stop for the hundreds of costumes, setpieces and props is often … the dumpster.

“The producers often stop paying rent in a storage unit somewhere, which is heartbreaking,” said Julie Boardman, one of the founders of the Museum of Broadway, which opened in Times Square this month.

Boardman, 40, a Broadway producer whose shows include “Funny Girl” and “Company,” and Diane Nicoletti, the founder of a marketing agency, are looking to reroute those items to their museum, a dream five years in the making.

“We see it as an experiential, interactive museum that tells the story of Broadway through costumes, props and artifacts,” Nicoletti, 40, said of the four-floor, 26,000-square-foot space on West 45th Street, next to the Lyceum Theater….

‘Phantom of the Opera’ Chandelier Installation

Each of the 13,917 glistening crystals in this piece, which were fashioned by the German artist Ulli Böhmelmann into hanging strands, is meant to represent one performance the Broadway production of “The Phantom of the Opera” will have played from its opening on Jan. 26, 1988, through its closing night performance. Though the final show was originally set for Feb. 18, 2023, the production announced Tuesday that it had been pushed to April 16 amid strong ticket sales (Böhmelmann plans to add the necessary crystals).

‘Avenue Q’ Puppets

In the early days of the 2003 Broadway production of the puppet-filled musical comedy “Avenue Q,” the show’s low budget meant the puppeteers had to put their charges through quick changes. The show initially had only three Princeton puppets — but he had eight costumes — meaning the puppets took a beating from changing clothes multiple times eight shows a week. “Eventually, they had a puppet for every costume,” McDonald said.

Gershwin Theater Set Model

This scale model, which is just over five feet wide, was designed by Edward Pierce, the associate scenic designer of the original Broadway production of “Wicked,” and took four people seven weeks to build. It includes more than 300 individual characters — and another 300 seated audience members in the auditorium. (See if you can find the Easter egg: a small model of the set model, with the designers — who look like the actual designers — showing the director a future design for “Wicked.”)

Wicked set model

(5) THE BEGINNING. In “Back to Back and Belly to Belly and Other Epiphanies on Speculative Poetry”, Akua Lezli Hope shows where it all comes from.

The world’s first literature is speculative poetry.

We told each other stories and encoded them in the form of verse. The earliest written literature is poetry – The Story of Gilgamesh, The Iliad and Odyssey, The Ramayana and Mahabharata, Beowulf and other npoem myths, verse histories and tellings in cultures across and around the world.

I had an epiphany about speculative poetry.

It was there from the start, in my womb and my heart….

(6) PROBABLY AN ANNIVERSARY. “Hitchhiker’s at 42” and 3 Quarks Daily is celebrating. Because something to do with Hitchhiker’s Guide to the Galaxy happened forty-two years ago. Didn’t it?

… To document the broader cultural impact of Hitchhiker’s, we’ve asked a number of public figures in science, the arts, the humanities, and government to reflect on how the book changed their own understanding of life, the universe, and everything.

The Hitchhiker series taught me to laugh at the absurd, to mock self-proclaimed genius, to put off searching for the meaning of life in favor of play, and to oppose time travel on the ground that proper tense usage would become too difficult. It also prepared me to understand that some Albany politicians are like Vogons, insofar as neither are above corruption in the same way that the ocean is not above the sky. And it made 42 my favorite number.” –Preet Bharara, former U.S. Attorney for the Southern District of New York and host of Stay Tuned and Doing Justice…

(7) FREE READ. Congratulations to Cora Buhlert, who has a new short story “Legacy of Steel” in the November 2022 issue of Swords and Sorcery Magazine. The other stories in the issue are “Sun in Shadow” by Sandra Unerman and “You Stand Before the Black Tower” by Nathaniel Webb.

(8)  MORE FROM THE MASTERS. Cora Buhlert also has posted a new Masters of the Universe photo story on her blog: “Masters-of-the-Universe-Piece Theatre: ‘Family’”.

…I have had some new arrivals recently, including at long last King Randor, which opens up a lot of possibilities for stories involving the royal family of Eternia.

One thing that is remarkably consistent over all versions of Masters of the Universe from the early mini-comics via the Filmation cartoon of the 1980s, the 2002 cartoon, the various comics, Masters of the Universe: Revelation all the way to the Netflix CGI show is that Prince Adam has a strained relationship with his father King Randor. Cause Randor always finds something to criticise about his son and heir. Adam is too lazy, too irresponsible, not princely enough, not interested enough in affairs of state, not heroic enough, too foolhardy and he also missed dinner or an official reception, because he was off saving Eternia….

(9) NO MERE METAPHOR. Douglas Kearney holds forth “On the Similarities Between Writing and Turning Oneself Into a Werewolf” at Literary Hub.

…While stretching my hands into claws, I hunt my memory. Have I ever felt talons grow from my fingertips? Do I know the twinge of lupine hair breaking my burning, blossoming skin? How does the paradigm of meaning-making shift when I find I can smell more keenly than I can see? In all these years, have I come closer to knowing?

You might suggest I use writing to account for these questions. Documenting my thoughts about them in a field journal—“May 26: I think I smelled a pig at one mile today.” Nope. I’ve no werewolf archive. There are a few poems, sure; yet they skin the lycanthrope to cover and do some other thing. Those poems, they are not telling you what I am telling you: that I have meant to be a werewolf, and that this has been, I’m afraid, a quiet, lifelong ambition, a discipline I’ve maintained longer and to less purpose, it would seem, than nearly all else….

(10) MEMORY LANE.

1998 [By Cat Eldridge.] Hobbit holes (New Zealand)

Stop me before this gets novella length!

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. — The Hobbit

Only one of the movie sets in New Zealand survives and charmingly enough it’s the village where the hobbits resided. It was used for both trilogies and quite unsurprisingly is now a place with guided tours being offered every day. 

Jackson spotted it during a search by air for suitable locations using one of his airplanes, or so the story is now told, and thought it looked like a slice of England. Furthermore Alan Lee commented to him that the location’s terrain “looked as though Hobbits had already begun excavations” there. 

It became Hobbiton and the Shire with the facades of quite a few hobbit holes and associated gardens, a double arch bridge, hedges, and a mill. They erected an immense oak above Bag End that had been growing nearby and which was cut down and recreated in fibreglass on site complete with artificial leaves.

When I mean facades, I really mean just that. It’s not possible to go inside the as there is nothing inside them, just retaining walls and beyond that dirt. I’m guessing that the site is going to need expensive ongoing maintenance if it is going to survive long term. 

Bag End is the exception as they designed it so a little bit of interior has been designed to seen and the door will open so you can peek in. 

About those hobbit holes. No, the interior scenes for Bag End weren’t not shot here. (Of course they’d make lousy film sets, wouldn’t they? You can’t get cameras in there.) The interior of Bag End was shot in a studio in Wellington.  Ok, there are actually two Bag Ends as Ian McKelllen explains on his charming look at these:

Hobbits must appear smaller than the other characters in the film. When I, as Gandalf, meet Bilbo or Frodo at home, I bump my head on the rafters. (Tolkien didn’t think to mention it!) So there is a small Bag End set with small props to match. 

As Ian Holm and Elijah Wood would be too big within it, they have “scale doubles” who are of a matching size with the scenery and its miniature furniture. In the small set Bilbo and Frodo are played by Kiran Shah (Legend) who is in hobbit proportion to my Gandalf.

And of course there has to be a big Bag End, where the scale is human-sized and all the objects of the small set are duplicated but bigger. There the “hero actors” can play the hobbits but the camera expects a gigantic Gandalf and gets him in Paul Webster (a 7’4″ Wellingtonian) who substitutes for me.

So we’ve got a village full of hobbit hole facades that all look very charming as you can see here and you’ve got the rather amazing effect of creating the illusion of a hobbit hole interior that we can all think is real. I certainly did when I watched the first Hobbit film. I may not have cared for the film itself, but oh my the scenery and the depiction of Bag End was stellar! 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 30, 1835 Mark Twain. It’s been decades since I read it but I still know I loved A Connecticut Yankee in King Arthur’s Court. His other genre work is The Mysterious Stranger in which Satan might be visiting us went unpublished in his lifetime and it’s only relatively recently published with the University of California Press editions of all his completed and uncompleted versions in one volume that a reader can see what he intended. (Died 1910.)
  • Born November 30, 1893 E. Everett Evans. Writer, Editor, Conrunner, and Member of First Fandom who started out with fan writing, but eventually became a published genre author as well. He helped to found the National Fantasy Fan Federation (N3F) and served as its president and editor of its publication. Food for Demons was a chapbook compilation of his fantasy tales, though he was generally not considered to be a good fiction writer. Fandom’s Big Heart Award, which was founded by Forrest J Ackerman in 1959, was named for him for its first 40 years. In 2018, Bob Tucker’s fanzine Le Zombie, of which he had co-edited two issues, won a Retro Hugo Award. (Died 1958.) (JJ)
  • Born November 30, 1906 John Dickson Carr. Author of the Gideon Fell detective stories, some of which were decidedly genre adjacent and The Lost Gallows is apparently genre. The Burning Court with Fell is on this list as are his vampire mythos backstoried novels, Three Coffins and He Who Whispers. And I really should note his Sir Henry Merrivale character has at one genre outing in Reader is Warned. The usual suspects have a more than decent stock of his offerings. (Died 1977.)
  • Born November 30, 1950 Chris Claremont, 72. Writer in the comic realm. Best known for his astounding twenty year run on the Uncanny X-Men starting in 1976. During his tenure at Marvel, he co-created at least forty characters. Looking at his bibliography, I see that he did Sovereign Seven as a creator own series with DC publishing it.  And then there’s the matter of Lucas providing the notes for The Chronicles of the Shadow War trilogy to follow the Willow film and then contracting our writer to make them exist.  Anyone ever encountered these?
  • Born November 30, 1952 Debra Doyle. Writer, Filker, and Fan. Her novel Knight’s Wyrd, co-written with her husband and collaborator James D. Macdonald, won a Mythopoeic Award for Children’s Literature. Most of their co-written works are fantasy, but their Mageworlds series also crosses into space opera territory. As filker Malkin Grey, she and Pergyn Wyndryder won a Pegasus Award for Best Historical Song. She was an instructor at the Viable Paradise Writer’s Workshop, and has been Guest of Honor at several conventions. (Died 2020.) (JJ)
  • Born November 30, 1955 Kevin Conroy. Frell, another great one lost too soon. Without doubt, best known for voicing Batman on Batman: The Animated Series and many other DCU series.  On Justice League Action, the other characters often noting his stoic personality.  I’ve not seen it, but on Batwoman, he plays Bruce Wayne in the “Crisis on Infinite Earths: Part Two” episode.  (Died 2022.)
  • Born November 30, 1952 Jill Eastlake, 70. IT Manager, Costumer, Conrunner, and Fan who is known for her elaborate and fantastical costume designs; her costume group won “Best in Show” at the 2004 Worldcon.  A member of fandom for more than 50 years, she belonged to her high school’s SF club, then became an early member of NESFA, the Boston-area fan club, and served as its president for 4 years. She has served on the committees for numerous Worldcons and regional conventions, co-chaired a Costume-Con, and chaired two Boskones. She was the Hugo Award ceremony coordinator for the 1992 Worldcon, and has run the Masquerade for numerous conventions. Her extensive contributions were honored when she was named a Fellow of NESFA in 1976, and in 2011 the International Costumer’s Guild presented her with their Lifetime Achievement Award. She and her fan husband Don (who is irrationally fond of running WSFS Business Meetings) were Fan Guests of Honor at Rivercon.
  • Born November 30, 1957 Martin Morse Wooster. He discovered fandom in 1974 when he heard about “a big sci-fi con” in downtown Washington where admission was $10 at the door.  He had ten bucks, and so attended Discon II at 16.  A year later, he discovered fanzines through Don Miller, and discovered he liked writing book reviews.  He started contributing to File 770 in 1978 and continued for the rest of his life. He was one of twelve founders of the Potomac River Science Fiction Society, which split from the Washington Science Fiction Association in 1975, and regularly attends PRSFS meetings to discuss books. Lost his life to a hit-and-run driver on November 12. (Died 2022.) (JJ)

(12) THERE’S SOMETHING YOU DON’T SEE EVERY DAY, EDGAR. “Passenger Jet Flies Over Launchpad Right as SpaceX Rocket Takes Off” reports Futurism.

Passengers on board a United Airlines commercial jet flying over Florida’s Cape Canaveral were able to spot an amazingly rare sight in the distance: a SpaceX Falcon 9 rocket lifting off from NASA’s Kennedy Space Center, far below….

(13) HITCHCOCKIAN HORROR. “’Lost in Space’ star Bill Mumy shares ‘scary’ moment with Hitchcock, claims ‘he’s the monster of the story’” at Yahoo!  I don’t want to spoil the anecdote with an excerpt, however, you film history buffs will be interested.

Bill Mumy has worked with some of the most celebrated filmmakers in Hollywood history – but not all of his experiences were out of this world.

The former child star, who made his mark in the ‘60s series “Lost in Space,” has recently written a memoir titled “Danger, Will Robinson: The Full Mumy.” In it, he details his rise to stardom and the numerous encounters he had with TV and film icons along the way – including Alfred Hitchcock.

Mumy worked with the filmmaker in the TV series “Alfred Hitchcock Presents” for the episode “Bang! You’re Dead!”. It was filmed in the summer of 1961 when Mumy was 7 years old….

(14) LEADER OF THE PACK. “Toxoplasma-Infected Wolves More Likely to Lead Packs, Study Finds”The Scientist has details.

Wolves infected with the parasite Toxoplasma gondii are far more likely to become pack leaders than uninfected wolves and are also more likely to disperse from the pack they’re born into, a study published November 24 in Communications Biology reports. The finding points to a possible connection between the infamous parasite and wolf population health.

Toxoplasma gondii (T. gondii) is a “mind control” parasite that can infect any warm-blooded animal, the paper states. The protozoan can only reproduce sexually in the guts of cats, and often spreads through contact with infected feline feces. Infection with T. gondii causes hosts to accrue permanent brain cysts and also induces toxoplasmosis, a disease that can embolden some host species, causing infected animals to seek out more situations in which they can transmit the parasite. Mice infected with T. gondii lose their fear of cat urine, for example, making them more likely to be killed and eaten by a cat, enabling the parasite to reproduce once again…

(15) VIDEO OF THE DAY. Snopes has a surprising answer to the question “Was a Harrison Ford Cameo Cut from ‘E.T. the Extra-Terrestrial’?” Well, you’re not surprised now – it wouldn’t be worth linking to if the answer was “No”, would it?

…The film, which was released in 1982, was written by Melissa Matheson, whom Ford was dating at the time. During a 2012 reunion for the film, actor Henry Thomas, who played the main character, Elliott, told Entertainment Weekly that he was just excited at the prospect of meeting Ford.

“When I met Steven, the first thing out of my mouth was I think, ‘I love Raiders of the Lost Ark,’ and my hero was Harrison Ford,” Thomas said. “I basically was just excited to meet Steven in hopes that I would meet Harrison.”

Ford eventually agreed to shoot a cameo scene with Thomas, playing an uptight school principal who would scold Elliott after the famous frog escape scene, in which Elliott would also kiss a girl in his class. Spielberg also spoke about the cameo in an interview with EW: “He did the scene where E.T. is home levitating all of the stuff for his communicator up the stairs. Elliott is in the principal’s office after the frog incident. We don’t ever see Harrison’s face. We just hear his voice, see his body.”…

(16) VIDEO OF A PREVIOUS DAY. A short clip from Futurama illustrates why, “In the end, it was not guns or bombs that defeated the aliens, but that humblest of all God’s creatures, the Tyrannosaurus Rex.”

[Thanks to JJ, John King Tarpinian, Chris Barkley, Standback, Rich Lynch, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Rick Moen.]

Pixel Scroll 2/1/16 By the Pixels of Babylon, I Scrolled, For I Remembered Filing

(1) PRELIMINARY PUPPIES. Vox Day issued his first “preliminary recommendations” today: “Rabid Puppies 2016: Best New Writer” (Preliminary, since he may change them based on feedback about eligibility, or for other reasons.)

To kick things off, we’ll begin with the Campbell Award: Best New Writer category:

  • Pierce Brown
  • Cheah Kai Wai
  • Sebastien de Castell
  • Marc Miller
  • Andy Weir

There was a noteworthy exchange in the comments.

[Phil Sandifer] Just for the record, Vox, the only reason Andy Weir wasn’t on the ballot last year was the Puppies. Without you, the Campbell nominees last year would have been Chu, Weir, Alyssa Wong, Carmen Maria Marchado, and Django Wexler.

[VD] Oh, Phil, you’re always so careless. That is not the only reason. It is a reason. Had you SJWs favored Weir over Chu, he would have also been on the ballot.

In any event, since you all are such champions of Weir, I’m glad we will all be able to join forces and get him nominated.

(2) GRRM REQUESTS. After announcing that the Locus Recommended Reading List is online, George R.R. Martin explicitly said

Just for the record, before the issue is raised, let me state loudly and definitively that I do not want any of my work to be part of anyone’s slate, this year or any year. But I do feel, as I have said before, that a recommended reading list and a slate are two entirely different animals.

— an announcement whose timing may be more relevant today than it would have been yesterday.

(3) LOCUS SURVEY. You can now take the Locus Poll and Survey at Locus Online. Anyone can vote; Locus subscriber votes count double. Voting closes April 15.

Here is the online version of the 46th annual Locus Awards ballot, covering works that appeared in 2015.

In each category, you may vote for up to five works or nominees, ranking them 1 (first place) through 5 (fifth).

As always, we have seeded the ballot with options based on our 2015 Recommended Reading List [this link will open a new window], mainly because this greatly facilitates tallying of results. However, again as always, you are welcome to use the write-in boxes to vote for other titles and nominees in any category. If you do, please try to supply author, title, and place of publication, in a format like the options listed, where appropriate.

Do not vote for more than one item in a category at the same rank (e.g. two selections ranked 1st); if you do, we will disregard your votes in that category.

File 770 is seeded in the Best Magazine or Fanzine category and would cherish your fifth place votes. Or twenty-fifth, for that matter – the competition is formidable.

(4) IT IS THE END MY FRIEND. And perhaps this is the right place to admire John Scalzi’s Whatever post title: “The End of All Things on the 2015 Locus Recommended Reading List”.

(5) STATISTICS. Brandon Kempner at Chaos Horizon began the month of February by “Checking Back in with the SFWA Recommended Reading List”. He prepared a change table and interpreted the rising fortunes of various novels, beginning with the greatest uptick —

What does this tell us? That Lawrence M. Schoen’s Barsk has emerged as a major Nebula contender, despite being lightly read (as of January 30th, this only has 93 ratings on Goodreads, 31 on Amazon, much much lower than other Nebula/Hugo contenders). That’s due in part to Schoen’s late publication date: the novel came out on December 29, 2015. That’s a tough time to come out, as you get lost in the post-Christmas malaise. A Nebula nomination would drive a lot of attention to this book. Schoen now seems like a very good bet for the Nebula, particularly when we factor in that he received Nebula nominations in the Best Novella category in 2013, 2014, and 2015. There’s clearly a subset of Nebula voters that really like Schoen’s work; a Best Novel nomination might be a spark that gets him more read by the rest of us.

(6) CONGRATULATIONS SCOTT EDELMAN. He did it! Scott Edelman celebrates a special sale in “Never give up, never surrender: My 44-year question to sell a short story to Analog”.

I’ve lost track of how many submissions I made to Analog during the intervening years, first to Ben Bova, then Stan Schmidt (for more than three decades!), and now Trevor Quachri. Were there 25 short stories? Fifty? It’s probably been more than that, but I don’t know for sure. And it doesn’t really matter.

What matters is—in the face of rejection, I kept writing.

What matters is—in the face of rejection, I kept submitting.

What matters is—I never took it personally. I knew that I wasn’t the one being rejected—it was only the words on the page that weren’t the right match.

(7) WILL EISNER AUCTION. The Comic Book Legal Defense Fund is auctioning books from Will Eisner’s personal collection.

Will Eisner wasn’t just the godfather of comics, a creative force who changed the face of modern comics — he was also a staunch advocate for the freedom of expression. In celebration of Eisner’s indomitable talent and advocacy, CBLDF is delighted to offer up for auction books from Eisner’s own personal collection!

All books in this collection come from the late, great Will Eisner’s personal library. The books from this collection are bookplated with Eisner’s own personalized bookplate, featuring his most famous creation, The Spirit. Most of the books in this collection are signed and personalized to the master himself by creators whom Eisner inspired over his illustrious 70-year career

The items are on eBay. The CBLDF’s post has all the links to the various lots.

(8) FAN ART AT RSR. I see that with help from eFanzines’ Bill Burns, Rocket Stack Rank terrifically upgraded its “2016 Fan Artists” content. Gregory N. Hullender explains.

With the help of Bill Burns, we’ve updated the Best Fan Artist page at RSR to include cover art from eFanzines (plus a few that Bill scanned by hand). This doubled the number of artists and tripled the number of images, making it comparable to the Pro Artist page.

(9) INCONCEIVABLE. Japan’s huge convention Comic Market, aka Comiket, which draws half a million fans (in aggregate over three days) expects to be bumped from its facilities in 2020. What could bump an event that big? The Olympics. Anime News Network reports —

Tokyo Big Sight, the convention center where Comiket is usually held, announced earlier that it would not be able to hold the convention between April 2019 and October 2020. Event spaces have been closing throughout the Tokyo area for the past decade. Tokyo Big Sight has also announced that industry booths at this summer’s Comiket would close after two days (instead of the usual three) to accommodate construction work to expand the building for the upcoming Olympics.

(10) TAKE YOUR HANDS OFF THE CANON. We might call this a contrarian view.

(11) TODAY IN HISTORY

  • February 1, 2003 – Space shuttle Columbia broke apart during re-entry, killing all seven astronauts aboard.

(12) TODAY’S BIRTHDAY BOY

  • February 1, 1954 – Bill Mumy, soon to be seen in Space Command.

(13) WOODEN STARSHIP. A Washington Post article about the renovation of the original Starship Enterprise model reveals it was mostly made from big pieces of wood. When ready, the Enterprise will be displayed in a slightly more prestigious spot .

Collum said the model had long hung in the gift shop of the Air and Space Museum on the Mall. Now it is headed for the renovated Milestones of Flight Hall there.

“The historical relevance of the TV show, and this model, has grown,” he said. “So it’s now being brought up into the limelight, and it’s going to be in the same gallery as the ‘Spirit of St. Louis’ [and] the Apollo 11 command module.”

(14) HOW GAMES INSPIRE ENGAGING FICTION. N. K. Jemisin in “Gaming as connection: Thank you, stranger” talks about the aspect of game play that challenges her as a writer. (Beware spoilers about the game Journey.)

I see a lot of discussion about whether games are art. For me, there’s no point in discussing the matter, because this isn’t the first time I’ve had such a powerful emotional experience while gaming. That’s why I’m still a gamer, and will probably keep playing ’til I die. This is what art does: it moves you. Maybe it makes you angry, okay. Maybe it makes you laugh. Not all of it is good, but so what? There’s a lot of incredibly shitty art everywhere in the world. But the good art? That’s the stuff that has power, because you give it power. The stuff that lingers with you, days or years later, and changes you in small unexpected ways. The stuff that keeps you thinking. Right now I’m trying to figure out how to recreate that game experience with my fiction.

(15) SF IN CHINA. Shaoyan Hu discusses“The Changing Horizon: A Brief Summary of Chinese SF in Year 2015”  at Amazing Stories. Quite an impressive roundup.

Fandoms

There were more than 70 college SF clubs in China in year 2015. Compared to 120 clubs in 2012, the number was reduced. However, two independent fandoms, Future Affairs Administration in Beijing and SF AppleCore in Shanghai, were still very active.

SF AppleCore is the most important fandom in Eastern China. Last year, in addition to orchestrating the annual Shanghai Science Fiction and Fantasy Festival, SF AppleCore continued to operate on a regular base to bring about the public SF events such as AppleCore Party (speeches and gatherings of fans) and AppleCore Reading Group.

Future Affairs Administration was the backbone behind the 2016 Worldcon bid for Beijing. Although the bid was not successful, they organized the Chinese Nebula Award ceremony in 2014. Last year, this fandom was consolidated into a media platform for SF and technology related information, although the function for fan events still remained.

(16) WORLDS OF LE GUIN. The Kickstarter fundraising appeal for Arwen Curry’s documentary Worlds of Ursula K. Le Guin has begun. So far, 514 backers have pledged $39,699 of the $80,000 goal. The SFWA Blog endorsed it today:

Viewers will accompany Le Guin on an intimate journey of self-discovery as she comes into her own as a major feminist author, inspiring generations of women and other marginalized writers along the way. To tell this story, the film reaches into the past as well as the future – to a childhood steeped in the myths and stories of disappeared Native peoples she heard as the daughter of prominent 19th century anthropologist Alfred Kroeber.

Le Guin’s story allows audiences to reflect on science fiction’s unique role in American culture, as a conduit for our utopian dreams, apocalyptic fears, and tempestuous romance with technology. Le Guin, by elevating science fiction from mind candy to serious speculation, has given permission to younger mainstream writers like Michael Chabon, Zadie Smith, and Jonathan Lethem to explore fantastic elements in their work.

(17) CGI OVERDOSE? At Yahoo! News, “These ‘Star Wars’ Blooper Reels Show Exactly Why the Prequels Failed”.

The blooper reels for the Star Wars prequel films have been available for a while, but there’s a noticeable trend with all of them. Nearly every blooper — genuinely funny or otherwise — is filmed within a green screen backdrop.

 

[Thanks to Janice Gelb, JJ, Petrea Mitchell, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Gregory N. Hullender.]

Space Command Starts Shooting

Marc Scott Zicree’s Space Command: Redemption, beneficiary of a Kickstarter campaign that blew away its $75,000 goal and ended up raising $221,267, started shooting March 17.

The new science fiction franchise follows the United Planet’s Space Command, “a dedicated group of scientists, soldiers and adventurers exploring and taming the vast expanse of our solar system for human colonization.”

The stunning digital effects are presided over by Doug Drexler, the Oscar and Emmy award winner, whose credits include Star Trek: The Next Generation, Deep Space Nine, Voyager, Enterprise, four Star Trek feature films, Battlestar Galactica, and currently Defiance.  

Cast members include Doug Jones, Bill Mumy, Ethan Phillips, Mira Furlan, Armin Shimerman, Dean Haglund, Elle Viane Sonnet, Bryan McClure, Christina Marie Moses, Katharine Lee McEwan, Jelena Mrdja, Ethan McDowell, Coley Speaks, Aaron Gaffey, and Sara Maraffino.

Bill Mumy recently told an interviewer from StarTrek.com how much he’s enjoying being part of Space Command‘s ensemble

Let’s start with the present. What’s life like for you these days?

MUMY: Life is good. I’m busy working in multiple arenas. Right now I’m back wearing the “Actor in Space” hat. I’m co-starring in Space Command: Redemption, Marc Zicree’s ambitious multi-generational sci-fi epic. I’m working with Mira Furlan from Babylon 5, so that’s a treat for me. Also working with Bob Picardo from Trek. He’s great and funny and we get along really well. Doug Jones from Falling Skies is also in the cast and he’s very talented and nice. It’s a good group, cast and crew and it’s fun to be working in an arena I enjoy and am well known for. I play a “Steve Jobs” type of character, a billionaire inventor who creates synthetic workers. Bob and I and Mira and Doug just shot a 9-page master together the other day. That’s a rare event. So far, so good.

Zicree posted this video from the first day of production.

[Thanks to John King Tarpinian for the story.]