Pixel Scroll 11/24/22 On The Avenue, Second-Fifth Avenue, The Filetographers Will Snap Us, And You’ll Find That You’re In The Pixelgravure

(1) TURKEY DAY. Following that overstuffed title it’s time to pay homage to another Thanksgiving tradition, one I’m sure you’ll immediately recognize.

(2) SIGNERS OF THE TIMES. “Bob Dylan Gets Tangled Up in Book Autograph Controversy” – the New York Times tells why.

Simon & Schuster sold 900 signed copies of the singer’s new essay collection, but superfans and internet sleuths noticed something wasn’t right with the autograph. Now the publisher is issuing refunds.

… So when Simon & Schuster, Dylan’s publisher, advertised limited-edition, hand-signed copies of the musician’s new collection of essays for $600 each, Bernstein was among 900 fans who went for one. Last week, he received his copy of “The Philosophy of Modern Song,” Dylan’s first collection of writings since he won the Nobel Prize in Literature in 2016, with a letter of authenticity signed by Jonathan Karp, the publisher’s chief executive.

There was only one problem.

Karp’s signature “looked more legit than Bob’s,” Bernstein said.

Bernstein was one of hundreds of fans who sleuthed their way around social media, reaching the conclusion that the supposedly hand-signed books had not, in fact, been signed by Dylan.

“I got the nostalgia bug,” said Bernstein, who already owned an unsigned copy of the book, as well as a Kindle version and an audio version. He added, “If he touches this book — he wrote it, signed it — it feels like the soul of Bob Dylan is with me.”

Instead, many fans suggested that the “autographed” copies of the book had been signed by a machine….

(3) OCTOTHORPE. “Just Nearly Froze to Death”, Octothorpe episode 71, is ready for listeners.

John is on the Holodeck, Alison is in the past, and Liz is at school. We discuss what Alison got up to at Novacon before chatting about a few other bits and bobs. Listen here!

(4) SMACKAGE. “Stephen King, Elon Musk spar: MyPillow will be Twitter’s ‘only advertiser’” on MarketWatch.

That was master of horror and bestselling fiction writer Stephen King riffing on the parade of advertisers including GM, United Airlines and Audi pausing or scrapping their marketing on the social-media platform since Tesla and SpaceX CEO Elon Musk took over…. 

…This is perhaps why Musk responded to King’s most recent tweet about MyPillow with “Oh hi lol.” 

Musk followed up by asking, “Is My Pillow actually a great pillow? Now I’m curious.” 

(5) DRAGONS DEFENDED. In “Weber & Correia on the mil-SF Dragon Award” – Camestros Felapton delivers lengthy excerpts from the two authors’ remarks delivered in the wake of the Dragon Awards deleting the Military SF category. Weber tries to justify the decision to his grumpy fan base, and Larry Correia upbraids “the people who are nominally supposed to be on my side” for their “black pilled doom nonsense.” If you care what Weber and Correia think about the situation, this would be the place to find out.

(6) PUSH THE PANIC BUTTON! SF2 Concatenation, in an Autumn 2022 editorial headlined “The 2023 Worldcon in China may be cancelled! If, that is, the UN COP15 Convention on Biodiversity (CBD-COP15) changes are a portent”,  is volunteering the Winnipeg NASFiC as the backup plan.

The 2023 Worldcon in Chengdu China has had its problems, not least political controversy due to its Guests of Honours’ support for political aggression, namely: China’s Uyghur policy, Putin’s war on Ukraine and apparent tacit support (being willing to share a platform with those of such views) thereof respectively.  However, these are not  the reasons the event may be cancelled.  China has a strict ‘zero CoVID-19 policy that has meant that as soon as a number of cases are reported in a city, then that city is put into strict lockdown: this has already happened a number of times this year.  So, for instance, following discussions with China, on 21st June (2022) the United Nations announced that the CBD-COP15 meeting would no longer be held in Kumming, China, but be held instead 5th – 17th December (2022) in Montreal, Canada.  The risk of the CBD-COP running foul of, or even itself causing – with the international influx of thousands of participants – a mini CoVID outbreak so triggering, a strict lockdown in Kumming was real enough for the UN to make the change: it was considered a non-trivial risk….

Meanwhile, following the above being written in July-August following the UN CBD-COP15 change, at the beginning of September (2022) 25 million people in Chengdu, China, have been put in lockdown.  This is a portent if ever one should be needed, irrespective with what has already happened with the UN’s CBD-COP15.

The crew’s vision for rescuing the Hugo Awards is a little shortsighted — “The rest could be arranged by those regularly associated with WSFS governance (the World SF Society being the body under whose auspices the Hugo’s are organised)” – because WSFS is not an administrative body, it is the members of the seated Worldcons. There’s no WSFS management to pull the plug on Chengdu, or to take funds from them to pay for award trophies. That would take the Chengdu Worldcon’s cooperation. And consider that the minimum requirements for the Worldcon are far more modest than a UN convention. What if Chengdu fell back on doing a virtual Worldcon, like CoNZealand?

(7) MEMORY LANE.

1993 [By Cat Eldridge.] Tombstone 

The Old West has a significant impact upon the SFF genre, be it in video such as Star Trek’s “Spectre of the Gun”, Doctor Who’s “A Town Called Mercy”, The Wild Wild West series or, to note but two novels, Emma Bull’s Territory and Midori Snyder’s The Flight of Michael McBride

So I’m going to look at some of my favorite Westerns starting with the Tombstone which premiered twenty-nine years ago. 

It directed by George P. Cosmatos from a screenplay by Kevin Jarre. He was also the original director, but was replaced early in production.  It had three producers — James Jacks, Sean Daniel and Bob Misiorowski.

It quite possibly the most extraordinary cast ever assembled for a Western —  Kurt Russell, Val Kilmer and Sam Elliott in lead roles, and with Bill Paxton, Powers Boothe, Michael Biehn, and Dana Delany in supporting roles, as well as narration by Robert Mitchum. The Dana Delany appearance, though brief, I think was one of her best ever.

The film was screenwriter Kevin Jarre’s first job as director but he was overwhelmed by the job, failing to get needed shots and falling behind the shooting schedule. Biehn threaten to quit being his close friend but Russell talked him out of it.

I see no need for spoilers as likely you know the story as they really didn’t deviate that much from what has been told before. It’s how they told it that I find such a stellar story. Each of the principal characters is realized, a completely believable human being. And each is given enough lines to come to life in this story. If I had to single out one actor here in particular, it’d be Val Kilmer as the dying Doc Holliday. That is a performance for the ages. 

One of the actors gets much of the credit for what the final shooting script looks like. Russell worked endlessly with producer Jacks to ruthlessly cut to the bone Jarre’s originally vastly overblown script, deleting endless subplots and emphasizing the oh so important relationship between Wyatt and Doc. 

It is disputed to this day who directed the actual film. Russell claims that he and not Cosmatos did. He says that the latter was brought in as a “ghost director” because Russell did not want it to be known at the time that he was directing the film. 

Critics either really liked it or really, really hated it. The latter, all male I must note, thought it treated women badly. I didn’t. 

Box office wise, it was a fantastic success, making three times what it cost to produce. 

I’ve watched it at least a half dozen times. The Suck Fairy has equally enjoyed it each times she’s viewed it with me. She particularly liked the final scene with Kurt Russell as Wyatt Earp and Dana Delany as Josephine Marcus dancing in the snow in San Francisco. She does have a soft heart, you know.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 24, 1882 E. R. Eddison. Writer whose most well-known work by far is The Worm Ouroboros. It’s slightly connected to his much lesser known later Zimiamvian Trilogy. I’m reasonably that sure I’ve read The Worm Ouroboros but way too long ago to remember anything about it. Silverberg in the Millenium Fantasy Masterworks Series edition of this novel said he considered it to be “the greatest high fantasy of them all”. (Died 1945.)
  • Born November 24, 1907 Evangeline Walton. Her best-known work, the Mabinogion tetralogy, was written during the late 1930s and early 1940s, and her Theseus trilogy was produced during the late 1940s. It’s worth stressing Walton is best known for her four novels retelling the Welsh Mabinogi. She published her first volume in 1936 under the publisher’s title of The Virgin and the Swine which is inarguably a terrible title. Although receiving glowing praise from John Cowper Powys, the book sold quite awfully and none of the other novels in the series were published at that time. Granted a second chance by Ballantine’s Adult Fantasy series in 1970, it was reissued with a much better title of The Island of the Mighty. The other three volumes followed quickly. Witch House is an occult horror story set in New England and She Walks in Darkness which came out on Tachyon Press is genre as well. I think that is the extent of her genre work but I’d be delighted to be corrected. She has won a number of Awards including the Mythopoeic Award for Adult Literature, Best Novel along with The Fritz Leiber Fantasy Award, World Fantasy Award, Convention Award and the World Fantasy Award for Life Achievement. (Died 1996.) (JJ )
  • Born November 24, 1926 Forrest J Ackerman. It’s no wonder that he got a Hugo for #1 Fan Personality in 1953 and equally telling that when he was handed the trophy at Philcon II (by Asimov), he physically declined saying it should go to Ken Slater to whom the trophy was later given by the con committee. That’s a nice summation of him. You want more? As a literary agent, he represented some two hundred writers, and he served as agent of record for many long-lost authors, thereby allowing their work to be reprinted. Hell, he represented Ed Wood! He was a prolific writer, more than fifty stories to his credit, and he named Vampirella and wrote the origin story for her. His non-fiction writings are wonderful as well. I’ll just single out Forrest J Ackerman’s Worlds of Science FictionA Reference Guide to American Science Fiction Films and a work he did with Brad Linaweaver, Worlds of Tomorrow: The Amazing Universe of Science Fiction Art. Did I mention he collected everything? Well, he did. Just one location of his collection contained some three hundred thousand books, film, SF material objects and writings. The other was eighteen rooms in extent. Damn if anyone needed their own TARDIS, it was him. In his later years, he was a board member of the Seattle Science Fiction Museum and Hall of Fame who now have possession of many items of his collection. (Died 2008.)
  • Born November 24, 1948 Spider Robinson, 74. His first story, “The Guy with the Eyes,” was published in Analog (February 1973). It was set in a bar called Callahan’s Place, a setting for much of his later fiction.  His first published novel, Telempath in 1976 was an expansion of his Hugo award-winning novella “By Any Other Name”. The Stardance trilogy was co-written with his wife Jeanne Robinson; the first book won a Nebula. In 2004, he began working on a seven-page 1955 novel outline by the late Heinlein to expand it into a novel. The resulting novel would be called Variable Star. Who’s read it?
  • Born November 24, 1957 Denise Crosby, 65. Tasha Yar on Next Gen who got a meaningful death in “Yesterday’s Enterprise” after getting an earlier truly meaningless one. In other genre work, she was on The X-Files as a doctor who examined Agent Scully’s baby. And I really like it that she was in two Pink Panther films, Trail of the Pink Panther and Curse of the Pink Panther, as Denise, Bruno’s Moll. And she’s yet another Trek performer who’s popped doing what I call Trek video fanfic. She’s Dr. Jenna Yar in “Blood and Fire: Part 2”, an episode of the only season of Star Trek: New Voyages as Paramount was not amused. 
  • Born November 24, 1957 Jeff Noon, 65. Novelist and playwright. Prior to his relocation in 2000 to Brighton, his stories reflected in some way his native though not birth city of Manchester. The Vurt sequence whose first novel won the Arthur C. Clarke Award is a very odd riff off Alice in Wonderland that he describes as a sequel to those works. Noon was the winner of an Astounding Award for the Best New Science Fiction Writer.
  • Born November 24, 1957 John Zakour, 65. For sheer pulp pleasure, I wholeheartedly recommend his Zachary Nixon Johnson PI series which he co-wrote with Larry Ganem. Popcorn reading at its very best. It’s the only series of his I’ve read, anyone else read his other books? 
  • Born November 24, 1965 Shirley Henderson, 57. She was Moaning Myrtle in Harry Potter and the Chamber of Secrets and Harry Potter and the Goblet of Fire. She was Ursula Blake in “Love & Monsters!”, a Tenth Doctor story, and played Susannah in Tristram Shandy: A Cock and Bull Story, a film that’s sf because of the metanarrative aspect.

(9) COMICS SECTION.

  • Eek! shows that even a successful experiment by a mad scientist can cause problems. (Or do they always?)
  • The Far Side shows the real reason they went extinct.

(10) I SEE BY YOUR OUTFIT. Radio Times is agog as “Doctor Who unveils new look at David Tennant as Fourteenth Doctor”.

…Fans were previously treated to a closer look at Tennant’s Fourteenth Doctor outfit at MCM Comic Con last month, where a special exhibit showed off the blue coat and white trainers that the Doctor will wear in the upcoming 60th anniversary episodes, which are set to air in 2023.

The exhibit also featured the striped jumper and green jacket worn by Catherine Tate, who will be reprising her role as the Doctor’s companion Donna Noble in the three specials….

(11) SHOCKWAVE WIDER. Nature shows how “Shock waves spark blazing light from black holes”.

Radiation from a jet of ultrafast particles powered by a supermassive black hole suggests that the particles are accelerated by shock waves propagating along the jet, making them shine with the brightness of 100 billion Suns!

Most of the 200 billion galaxies in the Universe are centred around enormous black holes that can weigh as much as one billion Suns. Many of these black holes are dormant, but some are still growing, devouring gas from their surroundings and releasing vast amounts of radiation. Even fewer of these active supermassive black holes are capable of launching powerful jets from their cores — ultrafast streams of particles that shine brightly, and can travel distances of up to 100 times the size of their own galaxy. But what provides the initial kick that enables these particles to release so much energy? Writing in Nature, Liodakis et al. report that the push comes from shock waves that are generated naturally…

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, SF Concatenation’s Jonathan Cowie, Patrick McGuire, Michael Toman, Cat Eldridge, Mike Kennedy, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 6/5/17 Don’t Scroll Until You See the Whites Of Their Pixels

(1) WISDOM. Bob Dylan’s Nobel Lecture has been posted online.

By listening to all the early folk artists and singing the songs yourself, you pick up the vernacular. You internalize it. You sing it in the ragtime blues, work songs, Georgia sea shanties, Appalachian ballads and cowboy songs. You hear all the finer points, and you learn the details.

You know what it’s all about. Takin’ the pistol out and puttin’ it back in your pocket. Whippin’ your way through traffic, talkin’ in the dark. You know that Stagger Lee was a bad man and that Frankie was a good girl. You know that Washington is a bourgeois town and you’ve heard the deep-pitched voice of John the Revelator and you saw the Titanic sink in a boggy creek. And you’re pals with the wild Irish rover and the wild colonial boy. You heard the muffled drums and the fifes that played lowly. You’ve seen the lusty Lord Donald stick a knife in his wife, and a lot of your comrades have been wrapped in white linen.

I had all the vernacular all down. I knew the rhetoric. None of it went over my head — the devices, the techniques, the secrets, the mysteries — and I knew all the deserted roads that it traveled on, too. I could make it all connect and move with the current of the day. When I started writing my own songs, the folk lingo was the only vocabulary that I knew, and I used it.

(2) TO THE MOON, ALICE. Chuck Wendig couldn’t just review the movie — “Greetings From The Eunuch Moon Colony #457!”

On the first day, I’d heard some rumblings about how the film was doing very well in the box office, perhaps even setting records as a film directed by a woman — strange to think how that was once unusual! — and I’d also heard that there were a handful of “women-only” screenings happening, and that some men were noticeably upset about being excluded. What I didn’t know was what happened during those screenings. They were the start of it. The beginnings of the rebellion. A fast-growing fire….

That was it. That was how it began. Bloody and brutal. Turns out, there was a Special Edition Wonder Woman film. One we men did not get to see. One that indoctrinated the women and the girls, one by one, in the ways of Matriarchy. That was the start of the Lady’s Laws. They spliced in iPhone footage from those initial women-only screenings: the male organs bouncing around, the blood, the chanting, the Vagenda of Manocide laid bare for all to see. It was brainwashing, pure and simple. I’m with her, they said again and again. A mantra. Pointing to the woman on the screen. Wonder Woman. An Amazon. A goddess made of clay killing all the men.

It wasn’t long before the women had taken over. It was only two years later I found myself on a shuttle bound for the moon. To one of the expansionist eunuch colonies. I expected that you’d need us for breeding — not you personally, of course, but the Greater General Lady-You — but turns out, with genetic manipulation, we aren’t needed for much at all.

(3) TOO MUCH GAS. The Center for Planetary Science offers an explanation for “The ‘Wow!’ Signal”.

ABSTRACT

In 2016, the Center for Planetary Science proposed a hypothesis arguing a comet and/or its hydrogen cloud were a strong candidate for the source of the “Wow!” Signal. From 27 November 2016 to 24 February 2017, the Center for Planetary Science conducted 200 observations in the radio spectrum to validate the hypothesis. The investigation discovered that comet 266/P Christensen emitted a radio signal at 1420.25 MHz. All radio emissions detected were within 1° (60 arcminutes) of the known celestial coordinates of the comet as it transited the neighborhood of the “Wow!” Signal. During observations of the comet, a series of experiments determined that known celestial sources at 1420 MHz (i.e., pulsars and/or active galactic nuclei) were not within 15° of comet 266/P Christensen. To dismiss the source of the signal as emission from comet 266/P Christensen, the position of the 10-meter radio telescope was moved 1° (60 arcminutes) away from comet 266/P Christensen. During this experiment, the 1420.25 MHz signal disappeared. When the radio telescope was repositioned back to comet 266/P Christensen, a radio signal at 1420.25 MHz reappeared. Furthermore, to determine if comets other than comet 266/P Christensen emit a radio signal at 1420 MHz, we observed three comets that were selected randomly from the JPL Small Bodies database: P/2013 EW90 (Tenagra), P/2016 J1-A (PANSTARRS), and 237P/LINEAR. During observations of these comets, we detected a radio signal at 1420 MHz. The results of this investigation, therefore, conclude that cometary spectra are detectable at 1420 MHz and, more importantly, that the 1977 “Wow!” Signal was a natural phenomenon from a Solar System body.

(4) A BAD DAY FOR DINO SCI-FI. While astronomers were eliminating the Wow from that space signal, other researchers were taking the mick out of some exciting fossils: “Scientists just destroyed our dreams of a real Jurassic Park”.

Jurassic Park — you know, that silly little novel-turned-movie about mankind bringing dinosaurs back from the dead that made a measly $1 billion — is science fiction, but could it ever actually happen? Researchers studying the remains of one special Tyrannosaurus rex thought it just might be when they discovered what they thought was intact proteins deep within the dinosaur’s fossilized bones. Now, new research has absolutely destroyed the already hazy dream that dinosaurs could one day be resurrected.

When first announced, the discovery of these proteins proved a very exciting event for many paleontologists and scientists. It was the first time that such a discovery had been made, and seemed to fly in the face of the accepted belief that dinosaur fossils simply couldn’t provide the DNA data that would be needed to even begin the process of resurrecting such long-extinct animals. Unfortunately, there was apparently no reason to be excited in the first place, because the proteins detected by lab analysis weren’t even that of a dinosaur.

(5) SALLIS OBIT. Actor Peter Sallis, the voice of Wallace of Wallace & Gromit, has died at 96.

Wallace and Gromit creator Nick Park led tributes to Sallis, describing him as a “unique character”.

“I’m so sad, but feel so grateful and privileged to have known and worked with Peter over so many years. He was always my first and only choice for Wallace,” Park said in a statement.

(6) HE’S BACK. John Crowley (Little, Big) has a new publication from PM Press — Totalitopia.

John Crowley

John Crowley’s all-new essay “Totalitopia” is a wry how-to guide for building utopias out of the leftovers of modern science fiction. “This Is Our Town,” written especially for this volume, is a warm, witty, and wonderfully moving story about angels, cousins, and natural disasters based on a parochial school third-grade reader. One of Crowley’s hard-to-find masterpieces, “Gone” is a Kafkaesque science fiction adventure about an alien invasion that includes door-to-door leafleting and yard work. Perhaps the most entertaining of Crowley’s “Easy Chair” columns in Harper’s, “Everything That Rises” explores the fractal interface between Russian spiritualism and quantum singularities—-with a nod to both Columbus and Flannery O’Connor. “And Go Like This” creeps in from Datlow’s Year’s Best, the Wild Turkey of horror anthologies.

Plus: There’s a bibliography, an author bio, and of course our Outspoken Interview, the usual cage fight between candor and common sense.

(7) SUPER SHOWCASE. Some of the best sff author around are contributors to —

Behind the Mask: An Anthology of Heroic Proportions
Editors: Tricia Reeks and Kyle Richardson
Released May 12th, 2017

Behind the Mask is a multi-author collection with stories by award-winning authors Kelly Link, Cat Rambo, Carrie Vaughn, Seanan McGuire, Lavie Tidhar, Sarah Pinsker, Keith Rosson, Kate Marshall, Chris Large and others.

It is partially a prose nod to the comic world: the bombast, the larger-than-life, the save-the-worlds and the calls-to-adventure. But it’s also a spotlight on the more intimate side of the genre. The hopes and dreams of our cape-clad heroes. The regrets and longings of our cowled villains. That poignant, solitary view of the world that can only be experienced from behind the mask.

The authors in this collection, both established and new, are all dexterous and wonderfully imaginative, each deserving of their own form-fitting uniforms and capes.

Some of the stories pulse with social commentary, like Cat Rambo’s whimsical and deft “Ms. Liberty Gets a Haircut” and Keith Rosson’s haunting “Torch Songs.”

Others twist the genre into strange and new territories, like Stuart Suffel’s atmospheric “Birthright,” Kate Marhsall’s moving “Destroy the City with Me Tonight,” and Adam Shannon’s reality-bending “Over an Embattled City.”

Some punch with heart and humor, like Matt Mikalatos’s satisfying “The Beard of Truth” and Chris Large’s adventurous “Salt City Blue,” while others punch with bite and grit, such as Michael Milne’s evocative “Inheritance,” Aimee Ogden’s poignant “As I Fall Asleep,” and Jennifer Pullen’s heartfelt “Meeting Someone in the 22nd Century.”

Some of the stories feature characters who might not be superheroes in the traditional sense, yet are heroic nonetheless, such as Sarah Pinsker’s imaginative “The Smoke Means It’s Working” and Stephanie Lai’s majestic “The Fall of the Jade Sword.”

Some shine a unique, captivating spotlight on supervillains, like Keith Frady’s dramatic “Fool” and Carrie Vaughn’s romantic “Origin Story.”

Some are somber, ponderous works, where our heroes consider their impact on the world, like Lavie Tidhar’s regret-tinged “Heroes” and Nathan Crowder’s resonant “Madjack.” Others tread more light-hearted waters, with heroes adjusting to the sometimes-comical, sometimes-stressful life in the public eye, like Seanan McGuire’s entertaining “Pedestal” and Patrick Flanagan’s lively “Quintessential Justice.”

And then there are the softer, quieter moments between heroes, as they navigate their extraordinary lives in their own unique ways, such as Ziggy Schutz’s tender “Eggshells” and, of course, Kelly Link’s captivating “Origin Story.”

(8) ROGUE REVIEWER. Aaron Pound at Dreaming of Other Worlds discusses a Hugo finalist “Review – Rogue One: A Star Wars Story”.

Short review: A convoluted plot sends Jyn Erso to Scarif with a band of ruffians where they set about stealing the plans for the Death Star and kick off the plot of the original Star Wars movie from 1977.

Haiku
Her father taken
A secret design flaw
Desperate mission

(9) LANDMARK NOT DEAD YET. The LAist says “Rejoice, West Hollywood’s Historic Formosa Cafe Plans To Reopen”.

Is West Hollywood’s iconic Formosa Cafe coming back to life? Sure seems that way. In an interview with Los Angeles Magazine, Bobby Green, Dimitri Komarov, and Dima Liberman of 1933 Group (who restored the Highland Park Bowl and The Idle Hour, among other establishments) revealed that they have signed a long-term lease with the property’s owners and will restore the Formosa to its former glory. “We’re gonna put it all back,” Green told LA Mag. “Vince [Jung, the previous, long-time owner/operator] has everything in storage: All the autographed photos, all the Elvis decanters, the lucky Buddha. He’s got everything.”

(10) TWILIGHT OF THE GODS. In 1962, not all customers are satisfied. Galactic Journey takes readers “[June 5, 1962] Into the Sunset (the End of The Twilight Zone, Season 3)”.

You hear that? That’s the last school bell ringing, signifying the end of the school year. That means the beginning of summer break, and with it the end of another season of The Twilight Zone. However, unlike the previous seasons of The Twilight Zone, I hear this may be the last. I am both sad, and a bit relieved. I have very much enjoyed reviewing this series with my father, and I am very sad to see it go. However, I believe it’s also time for it to go. It had a very good first season, and progressively got worse over time as Serling strained for more ideas. It was obvious that by the end, Serling was out of inspiration. Still, rather than focus on all the many mediocre episodes, I’d like to go back and appreciate the really stand-out episodes of The Twilight Zone.

[Thanks to John King Tarpinian, Carl Slaughter, Cat Eldridge, and Camestros Felapton for some of these stories. Title credit goes to File 770 contributing editor of the day rcade.]