The 2023 Mythopoeic Award winners were revealed during the Mythopoeic Society’s Online Midsummer Seminar 2023, “Fantasy Goes to Hell”, on August 6.
MYTHOPOEIC FANTASY AWARD FOR ADULT LITERATURE
Sacha Lamb, When the Angels Left the Old Country (Levine Querido, 2022)
2023 MYTHOPOEIC FANTASY AWARD FOR CHILDREN’S LITERATURE
Kelly Barnhill, The Ogress and the Orphans (Algonquin Young Readers, 2022)
2023 MYTHOPOEIC SCHOLARSHIP AWARD IN INKLINGS STUDIES
Paul S. Fiddes, Charles Williams and C.S. Lewis: Friends in Co-inherence (Oxford UP, 2021)
2023 MYTHOPOEIC SCHOLARSHIP AWARD IN MYTH AND FANTASY STUDIES
Brian Attebery, Fantasy: How It Works (Oxford UP, 2022)
The Mythopoeic Fantasy Award for Adult Literature is given to the fantasy novel, multi-volume, or single-author story collection for adults published during 2023 that best exemplifies the spirit of the Inklings. Books are eligible for two years after publication if not selected as a finalist during the first year of eligibility. Books from a series are eligible if they stand on their own; otherwise, the series becomes eligible the year its final volume appears.
The Mythopoeic Fantasy Award for Children’s Literature honors books for beginning readers to age thirteen, in the tradition of The Hobbit or The Chronicles of Narnia. Rules for eligibility are otherwise the same as for the Adult literature award. The question of which award a borderline book is best suited for will be decided by consensus of the committees.
The Mythopoeic Scholarship Award in Inklings Studies is given to books on Tolkien, Lewis, and/or Williams that make significant contributions to Inklings scholarship. For this award, books first published during the last three years (20 00–2023) are eligible, including finalists for previous years.
The Mythopoeic Scholarship Award in Myth and Fantasy Studies is given to scholarly books on other specific authors in the Inklings tradition, or to more general works on the genres of myth and fantasy. The period of eligibility is three years, as for the Inklings Studies award.
A complete list of Mythopoeic Award winners is available on the Society website. The finalists for the literature awards, text of recent acceptance speeches, and selected book reviews are also listed in this on-line section.
ALEXEI KONDRATIEV AWARD: Also, Anna Caterino won the 2023 Alexei Kondratiev Award for “Hell on His Mind: Dean Winchester’s Journey to Hell and Back”. The award is given for the best paper presented at Mythcon by an undergraduate or graduate student. The winner receives a certificate, a one-year subscription to Mythlore, and half-off registration for the next Mythcon they attend.
…These days it takes a feat of imagination to convey the surrealism of the Black interviewers’ situation. Historian-novelist P. Djèlí Clark conjures that experience in his 2018 dark fantasy short story “Night Doctors,” which begins by quoting a WPA interviewee in Virginia, Cornelius Garner, and his story of “Ku Kluxers” posing as doctors. Clark, while researching a master’s thesis in history, immersed himself in the interviews at the Library of Congress. “People always ask me, ‘Where did you get that idea of the Klan as monsters?’ I say, ‘The WPA archive,’ ” Clark told me in a phone interview….
(2) LEADING AT THE QUARTER POLE. Brian Attebery, author of Fantasy: How It Works, picks the “Top 10 21st-century fantasy novels” for the Guardian. I’ve read two – I’d better get busy.
… However, in this century, a new wave of fantasy challenges that European dominance. Writers of colour and writers from indigenous cultures use magical narratives to depict experiences and express viewpoints difficult to convey within the constraints of realism. One of the effects of fantasy is the way it forces us to consider the categories of the real, the possible and the ordinary – all the norms that fantasy violates. And, in particular, the new fantasy reveals how culture-bound those norms are. Non-European traditions mark off boundaries differently and include as natural entities things we might think of as supernatural. Out of those different ways of setting the limits of the possible and assigning meaning to the impossible come different versions of the fantastic.
The works I list here not only tell engaging stories set in vividly imagined worlds, they are also worth reading for the way their versions challenge our sense of the ordinary and the limits of the real…
In March 1904, the Book Review ran a short appreciation of Henry James’s “The Turn of the Screw,” calling it “one of the best ghost stories ever written” and lamenting that it had been “generally neglected by the public.” Perhaps, the Book Review speculated, it was because “there are periods when tales of the imagination burdened with supernatural horror are more popular than cheerful tales of love and adventure” and times when such stories do not sell at all.
Several days later, “Librarian” wrote a letter concurring with the Book Review’s assessment of the James novella: “It is the best ghost story I have ever read, and the only one that ever made me afraid of the dark.” “Librarian” then requested more recommendations, preferably ones featuring “some old-time ghost dragging chains through corridors or showing his cut throat.”
For months, fellow readers obliged, flooding the Book Review letters page with their favorite tales of terror — “The Severed Hand,” “What Did Mrs. Harrington See?,” “The Watcher,” “The Middle Toe of the Right Foot,” “Witch of Prague,” “The Damned Thing” and “The Monkey’s Paw,” to name just a few….
(7) SPANDEX IS YOUR BEST FRIEND. So says the voice of experience in the new trailer for She-Hulk: Attorney at Law. Were they stretching the truth? The series begins streaming August 17 on Disney+.
(8) MEDIA BIRTHDAY.
1952 – [By Cat Eldridge.] Seventy years ago on this date, The Miraculous Blackhawk: Freedom’s Champion first aired. It was a fifteen-chapter adventure with definite sf underpinnings. Columbia Pictures was very prolific with these reels, this being their forty-ninth such endeavor.
The Blackhawks had been created by Chuck Cuidera, Bob Powell and Will Eisner for Quality Comics, which went defunct in 1956. Many of Quality’s character and title trademarks were sold to National Comics Publications (now DC Comics). Characters such as Plastic Man started at Quality.
Primarily created by Chuck Cuidera with input from both Bob Powell and Will Eisner, the Blackhawk characters first appeared in Military Comics #1 in August 1941.
The film was produced and directed by Spencer Gordo, who was as the “King of Serial Directors” as he directed more film serials than any other director. It was written by George H. Plympton, Royal K. Cole and Sherman L. Lowe. The only important one there is Plympton who I’ve mentioned before as he’s responsible for the scripts for Flash Gordon (1936), The Green Hornet (1940), Flash Gordon Conquers the Universe (1940), Superman (1948) and Batman and Robin (1949).
I can’t establish it’s in the public domain, so please don’t offer links to it.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 24, 1802 — Alexandre Dumas. The Three Musketeers and Twenty Years After. Are they genre? Good question. I’d say yes as the France they take place in is a fantasy. (Died 1870.)
Born July 24, 1878 — Lord Dunsany whose full name and title was a jaw dropping Edward John Moreton Drax Plunkett, 18th Baron of Dunsany. So ISFDB lists him as genre for the Jorkens body of work among works. H’h. Gary Turner, who some of you will recognize from Golden Gryphon Press and elsewhere, reviewed The Collected Jorkens: Volumes One, Two, and Three, for Green Man, so I’ve linked to the reviews here. They also list The King of Elfland’s Daughter which I reviewed here as it’s a audio recording with a very special guest appearance by Christopher Lee. (Died 1957.)
Born July 24, 1895 — Robert Graves. Poet, mythologist, historical novelist, critic. Author of, among other works, The White Goddess (a very strange book which Yolen quotes from in The Wild Hunt), two volumes called TheGreek Myths, Seven Days in New Crete which Pringle has on his Best Hundred Fantasy Novels list, and more short fiction that really bears thinking about. (Died 1985.)
Born July 24, 1916 — John D. MacDonald. Though better known for the Travis McGee series which I really like, he wrote three genre novels of which I think the best by far is The Girl, the Gold Watch & Everything which was made into a film.He also wrote some sixty genre short stories, many collected in Other Times, Other Worlds. (Died 1986.)
Born July 24, 1936 — Mark Goddard, 86. Major Don West, the adversary of Dr. Zachary Smith, on Lost in Space. Other genre appearances were scant. He played an unnamed Detective in the early Eighties Strange Invaders and he showed up on an episode of The Next Step Beyond which investigated supposed hauntings as Larry Hollis in “Sins of Omission”. Oh, and he was an unnamed General in the Lost in Space film.
Born July 24, 1945 — Gordon Eklund, 77. He won the Nebula for Best Novelette for “If the Stars Are Gods”, co-written with Gregory Benford. They expanded it into a novel which was quite good as my memory says. So would anyone care to tell the story of how he came to write the Lord Tedric series which was inspired by an E.E. Doc Smith novelette? If the Stars Are God is available at the usual suspect as well as Cosmic Fusion, which according to Amazon “was originally written between January 1973 and September 1982, a mammoth 300,000-word epic novel of ‘science fiction, sex, and death.’”
Born July 24, 1951 — Lynda Carter, 71. Wonder Woman of course. But also Principal Powers, the headmistress of a school for superheroes in Sky High; Colonel Jessica Weaver in the vampire film Slayer; Moira Sullivan, Chloe Sullivan’s Kryptonite-empowered mother in the “Prodigy” episode of Smallville; and President Olivia Marsdin in Supergirl. She has an appearance in Wonder Woman 1984 as Asteria.
Born July 24, 1964 — Colleen Doran, 58. Comics artist and writer. The work she’s done includes Warren Ellis’ Orbiter graphic novel, Wonder Woman, Legion of Superheroes, Teen Titans, the “Troll Bridge”:by Neil Gaiman and her space opera series, A Distant Soil. She also did portions of The Sandman, the “Dream Country” and “A Game of You”. She’s tuckerized into Sandman as the character Thessaly. Her work has received the Eisner, Harvey, Bram Stoker, and International Horror Guild Awards.
Born July 24, 1981 — Summer Glau, 41. An impressive run of genre roles as she was River Tam in the Firefly franchise, followed by these performances: Tess Doerner in The 4400, Cameron in Terminator: The Sarah Connor Chronicles, Bennett Halverson in Dollhouse (is this worth seeing seeing?), Skylar Adams in Alphas and lastly Isabel Rochev who is The Ravager in Arrow. And she appears as herself on The Big Bang Theory in “The Terminator Decoupling” episode. Another series I’ve not seen.
Played by humans, chess is a game of strategic thinking, calm concentration and patient intellectual endeavour. Violence does not usually come into it. The same, it seems, cannot always be said of machines.
Last week, according to Russian media outlets, a chess-playing robot, apparently unsettled by the quick responses of a seven-year-old boy, unceremoniously grabbed and broke his finger during a match at the Moscow Open.
“The robot broke the child’s finger,” Sergey Lazarev, president of the Moscow Chess Federation, told the TASS news agency after the incident, adding that the machine had played many previous exhibitions without upset. “This is of course bad.”
(12) TRUE GRIT. Comic-Con week is turning this Scroll into a trailer park! “The Sandman” comes to Netflix on August 5.
Afterwards, Neil Gaiman discussed the Netflix Sandman by dissecting the trailer for Vanity Fair.
(13) D&D FLICK. This trailer for Dungeons and Dragons dropped at Comic-Con.
(14) EATS SHOOTS AND LEAVES. Or maybe there should be some commas in there – this isn’t about superhero cannibalism. I Am Groot, a collection of five original shorts, starts streaming August 10 on Disney+.
[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Cora Buhlert, Francis Hamit, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Bruce D. Arthurs.]
… In Still Just A Geek, I write a lot about the child abuse, neglect, and exploitation I survived and still struggle with. It was incredibly challenging to revisit (and in the case of The Curse, relive) all of it. In the afterword, I wrote that I expected that doing that work would lead to a catharsis, but all it did was retraumatize me.
That was true, until I narrated the audiobook. Over the course of six or seven days, I said everything I wrote in the book out loud. I gave a voice to the child who was put to work against his wishes at seven years old. I gave a voice to the teenager who was abused by his father. I gave a voice to the young father and husband who was struggling to provide for his family while he also struggled to figure out what he was going to do with the rest of his life….
Both politicians and political scientists know the power of narratives: there is much talk about who controls and how to alter “the narrative.” But neither group tends to ask where these narratives are actually, you know, narrated. In his new book, Reverse Colonization: Science Fiction, Imperial Fantasy, and Alt-Victimhood, David M. Higgins offers a fascinating look into the process by which such stories are generated and transformed into cultural references and societal roadmaps.
Higgins examines a particular cluster of narratives about power and identity, a cluster that is nicely described in his title: stories that use the iconography of science fiction to express fear of the other and resentment of loss of power, thus giving a boost to a number of reactionary movements, from Brexit and the cult of Trump to anti-feminist internet trolldom. Higgins traces the origins of a set of powerful tropes in print science fiction from the 1960s and early 1970s; he then follows their spread through media and electronic culture as well as their uses in political rhetoric and advertising. His choice of decade might seem unnecessarily limiting — why not go back to the Gothic origins of science fiction or forward to survey the contemporary scene? — but it makes perfect sense as he guides us through the paranoid visions of Philip K. Dick, the heroic illusions of Frank Herbert’s Dune (1965), and the crumbling empires of J. G. Ballard, and then shows how these and their contemporaries provided the imagery, language, and narrative tropes that continue to mold behavior and set terms for debate….
(4) REPAYING IT FORWARD. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber discusses why far too many gamers are trolls.
…Two-thirds of gamers have experienced toxic behaviour in online multiplayer games, according to a study from games company Unity. Anyone who has played an online shooter will be familiar with the abuse that fills your headphones and can escalate from ‘noob’ to ‘kill yourself’ within seconds.
Online gaming forums too are hotbeds of vitriol. ‘Hate raids’ on Twitch–where mobs of trolls target streamers from minority backgrounds with spam and hate speech–have become so prevalent that streamers boycotted the platform last September in protest. Anti-Defamation League research shows that marginalised groups suffer worst and that online abuse can cause real world harm, with 44 per cent of players feeling emotionally affected by attacks and 11 per cent of them reporting depressive or suicidal thoughts as a result….
(5) WE INTERRUPT THIS NARRATIVE. For those who just tuned in and for whom it’s important to believe that a genre that didn’t have a name until a hundred years ago was knowingly practiced by writers since Roman times, Grunge’s Richard Milner offers, “The 1,800-Year-Old History Of Science Fiction Explained”.
… But yes, science fiction does indeed go back to the 2nd century CE. That doesn’t mean that ancient sci-fi features cell phones, rocket propulsion, and quantum tunneling. Rather, it means that the recognizably current sci-fi tropes — extraplanetary adventure, alien races, space flight, and the rest — were present even back then, albeit in a softer, more fantastical form….
(6) GILBERT GOTTFRIED (1955-2022). Comedian and voice actor Gilbert Gottfried died April 12 from Recurrent Ventricular Tachycardia due to Myotonic Dystrophy type II. Primarily thought of as a comedian/comic actor by (likely) most people, he did tons of voice work in genre TV and films, mostly animated.
He was the voice of the wise cracking parrot Iago in Disney’s iconic animated film Aladdin (1992), the video Aladdin 2: The Return of Jafar (1994), and many more Aladdin-themed projects over the years.
His live-action genre film and TV work included episiodes of Superboy, The Weird Al Show (as “Al’s imaginary friend Gilbert”), and the last three Sharknado films. He also did voice work in episodes of The Ren and Stimpy Show, Superman: The Animated Series as Mr. Mxyzptlk, and many other sff shows.
(7) MEDIA BIRTHDAY.
1979 — [Item by Cat Eldridge.] Forty-three years ago, I was at University which is where I saw Mad Max in a lovely old theater near there. Not a packed house but a decent gathering if I remember this correctly many years on.
It was produced by George Miller and Bryon Eric Kennedy (who’d go on to Mad Max 2: The Road Warrior with him. He died at age thirty three when the helicopter he was piloting crashed at Warragamba Dam in New South Wales, Australia).
The screenplay was by Miller and James McCausland. It’s his only screenplay and he shows up in Mad Max as the bearded man in an apron.
Need I say who played the lead character here? I think not.
So how was the reception?
First, it cost virtually nothing to produce, less than a half million, and made at least a hundred million globally. It holds the Guinness World Record for the highest box office to budget ratio of any motion picture ever.
Second, critics liked it. Or despised it. Philip Adams in the Australian Bulletin said that it had “all the emotional uplift of Mein Kampf”. Ouch. Whereas David Nusair of Reel Film Reviews stated that “Gibson’s thoroughly charismatic performance, along with Miller’s treatment of the film’s few high-octane moments, goes a long way towards keeping things interesting for the majority of Mad Max‘s mercifully brief running time.”
It get an excellent seventy percent rating among audience reviewers at Rotten Tomatoes.
It was not nominated for a Hugo but its sequel, The Road Warrior (with the alternative title of Mad Max 2) was at ConStellation.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 12, 1884 — Bob Olsen. He wrote twenty-seven poems and stories that were published in Amazing Stories in the late Twenties and early Thirties. He’s said to be one of the first authors to use the term “space marines”. A search of both print and digital publishers does not show any indication that any of his genre or mystery fiction is now in-print. (Died 1956.)
Born April 12, 1916 — Beverly Cleary. One of America’s most successful authors, almost a hundred million copies of her children’s books have been sold worldwide since her first book was published over seventy years ago. Some of her best-known characters are Ramona Quimby and Beezus Quimby, Henry Huggins and his dog Ribsy, and Ralph S. Mouse. (Died 2021.)
Born April 12, 1915 — Emil Petaja. He considered his work to be part of an older tradition of ‘weird fiction.’ He published thirteen novels and some one hundred and fifty short stories. His Otava series, published by Ace Books in the Sixties, is based on the Finnish national myth, The Kalevala. He was named the first ever Author Emeritus by the Science Fiction Writers of America. And he was chair of the Golden Gate Futurians, a club of writers and fans, hosting meetings at his home in the Castro neighborhood of San Francisco. (Died 2000.)
Born April 12, 1921 — Carol Emshwiller. I think her short stories are amazing and The Start of the End of It All and Other Stories collection won a World Fantasy Award. She’d later receive a Life Achievement honor from the World Fantasy Awards. I’ve not read her novels, so which would you recommend I read? Novel wise, she’s reasonably well stocked at the usual suspects but her collections are largely not there. (Died 2019.)
Born April 12, 1922 — Vince Clarke. He first made acquaintance with fandom in the late Thirties, and was active as a fanwriter and editor from a decade hence including Science Fantasy News. He’d be the winner of the first TAFF in 1954 but didn’t take the trip. He worked on the 1957 Worldcon, Loncon I, and he was Fan Guest of Honor at the 1995 Worldcon, Intersection. He helped create the British Science Fiction Association. (Died 1998.)
Born April 12, 1936 — Charles Napier. Well, let’s meet Adam on the Trek episode of “The Way to Eden”. Oh, that’s a horrible outfit he’s wearing. Let’s see if he had better genre roles… well he was on Mission: Impossible twice in a truly anonymous roles, likewise he played two minor characters on The Incredible Hulk and he did get a character with a meaningful name (General Denning) on Deep Space 9. I’m surprised to learn that he voiced General Hardcastle in the Superman and Justice League Unlimited series, and also voiced Agent Zed for the entire run of the Men in Black animated series. (Died 2011.)
Born April 12, 1958 — Elizabeth Klein-Lebbink, 64. A LA-resident con-running fan. She has worked on a variety of conventions, both regionals and Worldcons, frequently in the art shows. She has been a member of the Dorsai Irregulars. She is married to fellow fan Jerome Scott. Works for NASA where she’s co-authored papers such as “Measurements of Integration Gain for the Cospas-Sarsat System from Geosynchronous Satellites”.
Born April 12, 1968 — Alicia Coppola, 54. She showed up on Voyager in the premier episode “Caretaker” as Lieutenant Stadi. Depending on how you define genre, she was in National Treasure: Book of Secrets as FBI Agent Spellman, and had one-offs in Touched by an Angel, The Lazarus Man, The Burning Man, The Sentinel, Profiler, The Dead Zone and Teen Wolf. She was Dr. Ana Castillo in Blood & Treasure which surely is genre.
The “Stranger Things” kids are all grown up and going to war with the monsters of the Upside Down in the official trailer for Season 4.
Set to a looping version of the pulse in Journey’s “Separate Ways (Worlds Apart),” the trailer sees Mike (Finn Wolfhard), Dustin (Gaten Matarazzo), Lucas (Caleb McLaughlin) and Max (Sadie Sink) enter high school, while Eleven (Millie Bobby Brown) and Will (Noah Schnapp) are in California. As the friends navigate their different surroundings, a new supernatural threat surfaces, forcing them to once again confront the horrors of the Upside Down….
(10) RUN DON’T WALK TO YOUR NEAREST THEATER. [Item by Mike Kennedy.] This listicle of someone’s idea of the 15 “best” movie posters is a little over half genre. Maybe closer to 2/3 if you include all kinds of horror. YMMV. “These Are The 15 Best Film Posters Of All Time” at Buzzfeed. Images of the posters are at the link.
There have been many creative and eye-popping designs for film posters over the years, and a lot of them have become just as iconic as the films themselves. No matter how much they’ve told us about their respective movies, these posters made us want to line up and buy a ticket. These are the 15 Best Film Posters of All Time….
6. E.T. the Extra-Terrestrial
Behind the shot of Elliott flying on his bike in front of the moon, this poster is one of the most memorable images of Steven Spielberg’s sci-fi masterpiece. Invoking Michelangelo’s “The Creation of Adam,” this image is a marvelous display of a young boy’s first encounter with this magical little alien.
(11) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Critical Role’s The Legend of Vox Machina,” the Screen Junkies say that, even though we live “in a world where the only thing more boring than someone telling you about their dreams is someone telling you about their Dungeons and Dragons campaign,” this Amazon series, which raised $1.3 million on Kickstarter, could be the first successful adaptation of a tabletop game since 1985’s CLUE.” After noting numerous board game adaptations that were failures (remember the Tom Hanks cheesefest Mazes And Monsters) this series “has so much D & D in it you’ll feel like you’re eating lunch alone in the eighth grade again.” But then voice actor Matthew Mercer shows up and Mercer and the narrator have an epic voice rap battle!
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Chris Barkley, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]