Pixel Scroll 3/8/22 I Think There Is A World Market For About Five Pixel Scrolls

(1) DONATE FOR A CHANCE AT A TIARA. Renowned artist Sara Felix says, “I am entering people to win this week’s Tiara Tuesday if they donate to a charity.” The full announcement from her Facebook page is below. Sara explains that while her Facebook shows the event has closed, “if someone donates and lets me know I will enter them in the giveaway.” Email: [email protected]. Here is the text:

Happy tiara Tuesday y’all!

A friend asked me to make a blue and yellow tiara as support for the Ukrainian people. Seeing all the gorgeous flower crowns that are a cultural tradition I thought marrying the tiara, the blue and yellow, and the flowers would be a fitting tribute.

I would like to auction the tiara and donate the money to Happy Kids Poland who supports orphaned children and kids with disabilities, I will pick a name from the donations. (Thanks Mariya for the suggestions!) Any amount is fine!

From their donation page:

“Together, we collect money for children from orphanages who have come and will be coming to Poland. The Foundation will also try to evacuate children who spent their last nights in the basement and Kiev. The evacuation of orphans from orphanages, foster families and other forms of foster care from Ukraine to Poland…To this day, the need for evacuation and safe admission of children has been declared to us by the guardians of 900 Ukrainian orphans from Lviv, Odessa, Chrust, Kherson and other cities. The numbers keep growing.”

If you don’t want to go through Facebook let me know, their website also takes paypal as well. (https://www.happykids.org.pl/aid-for-children-from…/...)  (Link on the main page: https://www.happykids.org.pl)

(2) CAROL PINCHEFSKY GETS (IN) WIRED. [Item by Daniel Dern.] Carol Pinchefsky isn’t just getting coverage for her new book, Turn Your Fandom Into Cash – A Geeky Guide to Turn Your Passion Into a Business (or at least a Side Hustle) here at File 770 (“Interview with Carol Pinchefsky”).

She’s also getting traction in WIRED, with a full-episode one-hour interview on WIRED’s weekly podcast Geek’s Guide to the Galaxy, episode #504, “Carol Pinchefsky Interview”, and a WIRED.com article, “It’s Not Easy Running a Geeky Business”, summarizing and linking to the podcast.

Carol notes: “I know David Barr Kirtley and have been on his show three other times. But this was the first time I’ve had an episode dedicated to myself.”

Could a nomination for Best Related Work Hugo be, if not next, soon?

(3) FREE EDITORS PANEL PART OF SLF MEMBERSHIP DRIVE. As part of the Speculative Literature Foundation’s Genesis Membership Drive they are hosting free virtual panels every week for the month of March.

This Saturday’s panel will be What do Editors Want? — March 12, 2:00–3:00 p.m. Central. RSVP here.

A panel of short fiction editors talk about what they’re looking for in stories right now — and what to avoid! What common mistakes do writers make? What makes a story stand out from the slushpile?

Panelists: Award-winning editors Lynne Marie Thomas, editor-in-chief of Uncanny Magazine, and Neil Clarke, editor-in-chief of Clarkesworld Magazine. Moderated by Mary Anne Mohanraj, SLF Director.

(4) SCANNING THE BALLOT. They were just announced six hours ago but Cora Buhlert already has her analysis of the Nebula finalists up. Quick work! “Some Comments on the 2021 Nebula Finalists”. A brief quote —

…A Desolation Called Peace by Arkady Martine is a sequel to the 2020 Hugo winner A Memory Called Empire and probably the most obvious finalist in this category. It’s also a great book.

Finally, Plague Birds by Jason Sanford is another very pleasant surprise on this ballot, since it got less attention than the other novels, probably due to being published by a small press, Apex Books. I’m also really happy for Jason, who’s one of the hardest working people in SFF. Plague Birds is a great novel as well, which hits a lot of my personal buttons….

(5) FLA IN THE OINTMENT. On the Orlando in 2023 NASFiC Bid Facebook page, Adam Beaton works to turn the current criticism of Chengdu into a political asset.

So, we’ve been seeing the recent chatter about letters and petitions about Chengdu WorldCon 2023, and here are our thoughts:

There isn’t an actual mechanism to take away the Worldcon based on the actions of what that committee’s government chooses to do or even not do. We can say, though, that the power of boycotting has always been a way for many diverse voices to be seen and heard, from the Cogadh na Talún in Ireland to the Swadeshi Movement in India. Such actions can and should always be considered by any of the members of WSFS.

The NASFiC can never be the Worldcon, and no one can promise you that. What we can promise you, however, is our deep commitment to running for you the best alternative to the Worldcon we can–a convention that celebrates the diversity and inclusivity that empowers us all as fans and commits our spirit to “keep moving forward,” as Walt Disney once said.

It’s also vital for us to recognize that some in the community have strong feelings about our own government here in Florida and perhaps even the American South at large. It would be hypocritical to not point that out in a statement like this, and we see and hear all of your opinions and feelings regarding this topic.

The WSFS community is a culture of creativity. We’ve never been afraid to express ourselves through any medium, and in the end, it’s the best advice we can give you all regarding this topic.

Be like Walt. Keep moving forward.

(6) ON GOTHAMER WINGS. Abigail Nussbaum assesses “The Batman” at Asking the Wrong Questions.

…The guiding principle was clearly “The Dark Knight, but more so”. The film is structured more as a crime story than a superhero story, with a strong presence for the Gotham police department, an emphasis on organized crime and institutional corruption, and a deranged villain—Paul Dano as the Riddler—who is obsessed with exposing the seedy underbelly of the supposedly respectable Gotham leadership. This is all well-executed as far as it goes, and to his credit, Reeves improves on the original where it was most obviously lacking. The action scenes are coherent and gripping, and the visuals—though eventually the brown and grey color palette becomes quite tedious—are rich and velvety. But where Nolan’s Batman movies were, for better and worse, putting their own stamp on the material, Reeves’s just feels like it’s turning up the dial on someone else’s work…. 

(7) BAT CAVING. In contrast, the Washington Post’s David Betancourt says that The Batman is, in his view, the best DC superhero movie since The Dark Knight because it isn’t part of the DC Extended Universe. “’The Batman’ with Robert Pattinson shows that it’s best when he works alone”.

…Batman is a superhero who looks cool next to other heroes on screen but doesn’t need them for relevancy.  Batman doesn’t need a co-star; he’s the star.  He doesn’t need a cavalry; he is the cavalry. This Caped crusader is the one card in DC’s hand that can beat anything Marvel can throw at them….

(8) EXPANDED POSSIBILITIES. Gareth L. Powell confesses “What I Owe to Bounty Hunter Leia”.

… But one of the key things that influenced me — and I only realised this recently — was the moment at the beginning of Return of the Jedi when Boushh the mysterious bounty hunter pulls off his mask to reveal… He was Leia all the time!

As a youngster, this seemed revolutionary. I thought it was so badass. I’d consumed quite a few 1960s and 1970s sci-fi movies and TV shows by that point, and those tended to feature scantily-clad love interests with poor survival skills, who regularly needed the hero to come and bail them out of trouble. But here, the princess got tooled-up and went to rescue her man. And she even managed to stare down Jabba the Hutt with a thermo detonator!…

(9) FOWLER PROFILE. The Guardian interviews Karen Joy Fowler about her non-sff book Booth, but that doesn’t mean there aren’t any genre gems: “Karen Joy Fowler: ‘I’m a bossy writer; I’m not going to not tell you’”

Booth is dedicated, among others, to the science fiction and fantasy writer Ursula K Le Guin.
She’s enormously important to me. I was living in Davis, California when I’d just begun to publish fiction, and the University of Davis invited her to do some events. I got a call: this lunch was being arranged, and she’d asked that I be included. I’d been reading her since college and was completely in awe – the Booker was great, but I don’t think anything matches the heady success of learning that Ursula K Le Guin wanted to meet me! We became friends and I wrote a couple of introductions to her books. One of them I wrote before she died, the other I wrote after. In the one I wrote before, I called her a genius and she made me take the word out; she said it made her feel squirmy. I did as she asked, but kind of put it back after she died, knowing she would not want me to. She’s a truly amazing voice; there cannot be another writer who has imagined more worlds in more interesting ways….

(10) GOODWIN OBIT. Laurel Goodwin, last surviving member of the first Star Trek pilot “The Cage”, has died at the age of 79 reports Deadline.

Laurel Goodwin, an actor who made her movie debut at age 19 opposite Elvis Presley in the 1962 feature Girls! Girls! Girls! and four years later played a crew member in the original, failed Star Trek pilot starring Jeffery Hunter, died February 25. She was 79.

… it was a performance in an episode that never made it to air for which she earned an enduring cult following: She played Yeoman J.M. Colt in “The Cage,” the unaired 1965 pilot for Star Trek that starred Hunter as Captain Christopher Pike. The pilot was rejected by NBC, though some scenes were recycled for a 1966 two-part episode (“The Menagerie”) after William Shatner had replaced Hunter as the Enterprise captain. (“The Cage” subsequently was released in various home entertainment formats.)


1968 [Item by Cat Eldridge] McCoy: “Fantastic machine, the M-5. No off switch.”

Fifty-four years ago this evening on NBC, Star Trek’s “The Ultimate Computer“ first aired. It was the twenty-fourth episode of the second season, and one of six Trek teleplays written by D C Fontana — the other five being “Catspaw”, “Tomorrow is Yesterday”, “Journey to Babel”, “Friday’s Child” and “By Any Other Name”. “Catspaw” was originally uncredited to her but she did the final teleplay based on what Robert Bloch wrote though it is said Roddenberry did further revisions.

The story is by Laurence N. Wolfe. This is his sole writing credit. Wolfe was a mathematician, who wrote the original story out of his fascination with computers. Later on Wolfe would give his original draft to Bradbury to pass on to Roddenberry. 

It was produced by John Meredyth Lucas who was involved with the series for its entire run in all aspects. He wrote three episodes (“The Changeling“, “Patterns of Force” and “Elaan of Troyius”). 

“The Ultimate Computer“ was also considered particularly important in the casting of an African American, William Marshall, as the inventor of the M-5 as well as the duotronic circuit which was the basis of all Star Fleet computer systems.

Reception for this episode is excellent. Michelle Erica Green said of it that, “Star Trek has never done a better ‘bottle show’ – an episode filmed entirely on standing sets, which usually means that all of the action is located on the ship itself.”  

And Jamahl Epsicokhan says “A wonderfully acerbic debate between Spock and McCoy about the role of computers is also well conceived, ending in Spock’s well-put notion to Kirk, “…but I have no desire to serve under them.” Following the M-5’s initial success, the scene where another captain calls Kirk “Captain Dunsel” is the episode’s best-played and simultaneously funny and painful moment. (In a word, ouch.)” 

Note the remastered episode recreates the entire battle between the Enterprise and the other Star Fleet ships with new ships. 


[Compiled by Cat Eldridge.]

  • Born March 8, 1921 Alan Hale Jr. The Skipper on Gilligan’s Island which y’all decided was genre, and he did show up in such films as Captain Kidd and the Slave Girl and The Fifth Musketeer. Series wise, I see he was on The Wild Wild West and Fantasy Island. He was also in the cast of The Giant Spider Invasion film which is most decidedly SF if of a pulpish variety and got the Mystery Science Theater 3000 treatment. (Died 1990.)
  • Born March 8, 1922 John Burke. He was active in Fandom in the Thirties, with work in The FantastThe Futurian and The Satellite. He went pro by the late Thirties in a number of pulp zines.  If you read nothing else by him, I recommend his late in life series The Adventures of Dr. Caspian and Bronwen, well-crafted horror. Ash-Tree Press collected much of his superb short fiction in We’ve Been Waiting for You And Other Tales of Unease. (Died 2011.)
  • Born March 8, 1931 Paddi Edwards. She’s here for two very different roles. First is for being the voice of Gozer in the Ghostbusters film. Second is having the lead role of Anya on “The Dauphin” of The Next Generation. The casting agents at Disney liked her so she had the role of Flotsam & Jetsam in The Little Mermaid franchise.
  • Born March 8, 1950 Peter McCauley, 72. I remember him best from the most excellent Sir Arthur Conan Doyle’s The Lost World series where he played Professor George Challenger. He also showed as Mr. Spilett on Mysterious Island, another series shot in New Zealand and based off Jules Verne’s novel L’Île mystérieuse. Continuing the Verne riff, he was Admiral McCutcheon in 20,000 Leagues Under the Sea, a Nineties TV version of the novel. 
  • Born March 8, 1970 Jed Rees, 52, Another Galaxy Quest performer, he played Teb, a Thermian. His most recent major genre outing was on Deadpool as Jared / Agent Smith / The Recruiter. He’s had one-offs in Ghost WhispererThe Crow: Stairway to HeavenThe NetX-Files,Outer Limits,The Sentinel and Sliders.
  • Born March 8, 1976 Freddie Prinze Jr., 46. I’m fairly sure his first genre role was in Wing Commander as Lt. Christopher Blair followed by the animated Mass Effect: Paragon Lost in which he voiced Lieutenant James Vega. Speaking of animated endeavors, I’ve got him in Kim Possible: A Sitch In Time voicing Future Jim / Future Tim followed by being in all in all four seasons of the animated Star Wars Rebels as Kanan Jarrus. And that’s a series which I highly recommend as it may well be the best Star Wars fiction ever done. 

(13) TOK SHOW. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Nilanjana Roy discusses #BookTok, a branch of TikTok where readers post book reviews.

I quickly added Rebecca Roanhorse’s Between Earth And Sky fantasy series, inspired by the civilisations of pre-Columbian America, and Matt Haig’s The Midnight Library to my book-buying list. I was soon wondering if I should be reading more #enemiestolovers romance, and found myself developing an unhealthy fascination with the melodramatic thrill of ‘crying reader’ videos.  (BookTokers believe in sharing their motions, throwing books they don’t like across a room, screaming or lipsyncing to music,)…

…This brief immersion to #BookTok has inspired me to dust off my grandmother’s Mills & Boons, and allowed me to buy new romance novels without snobbish guilt.  BookTokers might be much younger than my generation, but they’ve built a place where we can all be #booknerds together.

(14) HAPPIER TIMES.  2006 KYIV EUROCON. [By SF Concatenation’s Jonathan Cowie.] Happier times. Opening ceremony at the 2006 Eurocon, Kyiv. Jim Walker (who has reviewed a number of Eurocons for SF2 Concatenation) behind empty seat. Front bottom left: Ian Watson and Jonathan Cowie looking on.

If memory serves, picture by Roberto Quaglia.

Ditto if memory serves Harry Harrison (western GoH — who Eurocon liaised with SF2 Concatenation to get him there) was behind Roberto on the stage.

Also, this was early on, the hall was full for the actual opening ceremony and a government minister said a few words, there was the singing of the national anthem and the GoHs were introduced.

(15) TALKIN’ ABOUT MY INVESTIGATION. [Item by Martin Morse Wooster.] A former FBI agent turned crime novelist says that FBI agents could get new ideas if they read more horror novels. “What if the FBI Required Recruits to Read Paranormal Crime Thrillers?” at CrimeReads.

Over twelve intense weeks at the FBI Academy in Quantico, Virginia, I learned how to analyze crime scene evidence, elicit information from informants, and detect a liar from a hundred yards away. As a brand new intelligence analyst, however, my training curriculum (regrettably) did not include reading about immortal demons, parallel universes, or reincarnation. Because that would’ve been ridiculous. A complete waste of time. Right?

Well, maybe not.

Paranormal crime thrillers, where these fantastical concepts thrive, don’t obey the neat and tidy rules of the universe. And in my experience at the Bureau, neither do the cleverest of criminals or sneakiest of enemy spies….

(16) CLEARING THE OLD TUBES. NPR says “NASA is opening a vacuum-sealed sample it took from the moon 50 years ago”. The reason for the wait is mentioned in the article.

Fifty years ago, astronauts on one of NASA’s Apollo missions hammered a pair of tubes 14 inches long into the surface of the moon. Once the tubes were filled with rocks and soil, the astronauts — Eugene Cernan and Harrison “Jack” Schmitt — vacuum-sealed one of the tubes, while the other was put in a normal, unsealed container. Both were brought back to Earth.

Now, scientists at NASA’s Johnson Space Center in Houston are preparing to carefully open that first tube, which has remained tightly sealed all these years since that 1972 Apollo 17 mission — the last time humans set foot on the moon….

Because the sample being opened now has been sealed, it may contain something in addition to rocks and soil: gas. The tube could contain substances known as volatiles, which evaporate at normal temperatures, such as water ice and carbon dioxide. The materials at the bottom of the tube were extremely cold at the time they were collected.

The amount of these gases in the sample is expected to be very low, so scientists are using a special device called a manifold, designed by a team at Washington University in St. Louis, to extract and collect the gas.

Another tool was developed at the European Space Agency (ESA) to pierce the sample and capture the gases as they escape. Scientists there have called that tool the “Apollo can opener.”

(17) WHEN GRAVITY FAILS. Netflix released this trailer for a new anime movie which begins streaming on April 28.

In a Tokyo where gravity has broken, a boy and a girl are drawn to each other… The story is set in Tokyo, after bubbles that broke the laws of gravity rained down upon the world. Cut off from the outside world, Tokyo has become a playground for a group of young people who have lost their families, acting as a battlefield for parkour team battles as they leap from building to building. Hibiki, a young ace known for his dangerous play style, makes a reckless move one day and plummets into the gravity-bending sea. His life is saved by Uta, a girl with mysterious powers. The pair then hear a unique sound audible only to them. Why did Uta appear before Hibiki? Their encounter leads to a revelation that will change the world.

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers:  Scream (2022),” the Screen Junkies, in a spoiler-filled episode, say that the new Scream is, like most movies these days, “A self-referential circle jerk of fan service,” and is “the best Scream since the first one, because it basically is the first one.”  But the narrator is interrupted by Scream’s terifying killer Ghostface!  Will the narrator survive?  “You can’t kill off my friends,” he says, “because I don’t have any friends!”

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, SF Concatenation’s Jonathan Cowie, Daniel Dern, Will R., Chris Barkley, Rob Thornton, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Interview with Carol Pinchefsky About Her New Book, Turn Your Fandom Into Cash

By Daniel P. Dern: If you’re a fan of something, whether it’s potato cosplay (I just made that up but the phrase gets search results), making Star Trek paraphernalia, volunteering at science fiction conventions, or writing for File770.com, and want to turn your fan fave fun — particularly if it’s geeky — into money, Carol Pinchefsky has a new — published March 1, 2022 — book for you, available in paperback, e-book, and audiobook: Turn Your Fandom Into Cash – A Geeky Guide to Turn Your Passion Into a Business (or at least a Side Hustle).

According to Pinchefsky, book highlights include:

  • Interviews with lawyers about intellectual property (IP) infringement, with potential ways to avoid infringing.
  • A sample IP license request that turned two fans with zero experience into RPG/board game developers’ worth $3+ million.
  • Advice from geeky business owners who make a living doing what they love on how to actually run a business, from creating websites to social media to pricing items.
  • Frank discussions with people who have made–and lost–money in the geekosphere: cosplaying, running a convention, geeky social media influencing, writing, and throwing a film festival.
  • An interview with one of the founders of ThinkGeek, which was once valued at $140 million and was bought out by GameStop.
  • Recommendations from Kickstarter, as well as an author of an academic paper, on how to best run a crowdfunding campaign.

Pinchefsky is a freelance writer of geek culture, technology, science, and business, as well as the competition editor for The Magazine of Fantasy & Science Fiction. Prior to that, she was a first reader for Weird Tales magazine. I recently interviewed Pinchefsky (by email) about her new book, how and why she came to write it, and other parts of her geek background.

DANIEL: What is Turn Your Fandom Into Cash about?

CAROL: The title says it all — it’s about making money in geek culture, showing you the ins-and-outs of making money involved in the worlds you love to immerse yourself in or world you want to create yourself.

DANIEL: What got you interested in this geeky business?

CAROL: I’ve been a geek my entire life, stretching back to a Universal Monsters movie marathon on television, seeing Star Wars when it was released, and then working my way up to the hard stuff: Star Trek and The Twilight Zone. A few years ago, my friend Heather Krasna wrote a book on getting a job in public service and nonprofits (Jobs That Matter: Find a Stable, Fulfilling Career in Public Service), and she said I should write a book about getting a job in geek culture. I said, “Sure,” and started researching.

During my research, I took a look at the dealer’s room at a New York Comic Con, and I saw hundreds of thousands of dollars being exchanged. I also saw several cases of IP (intellectual property) infringement. With so much money on the line, IP holders would be well within their rights to sue these infringers. I spoke with several lawyers who made suggestions on how to avoid drawing the wrath of IP holders.

Here is where my publishers would say this isn’t legal advice, and business owners should consult their own attorneys.

DANIEL: What — other than this book — geek culture money-making projects have you done? Helped others with?

CAROL: Well, I’m a freelance writer of geek culture, so I make money that way. To be honest, I earn more money in tech and other non-geeky markets. But I frequently manage to involve my geek background. For example, I wrote “5 lessons IT can learn from ‘Rogue One: A Star Wars Story’” and “8 ways sci-fi imagines data storage”.

I’ve also co-written two LARPs (live-action role-playing games) with a few friends. The games didn’t put money in our pockets, but we did manage to pay for our hotel rooms, travel, and food for those two conventions. So…kinda sorta money-making-ish.

DANIEL: Of the endeavors you mention in the book, do you have any favorite, most amusing, weirdest, etc, to mention?

CAROL: It’s kind of remarkable how many people had started a business without realizing they had started a business. People just started doing what they loved and managed to make some cash off of it.

I was also impressed by people who managed to insert themselves into their fandoms. For example, Max Salzman made bracelets that appeared in their favorite TV series, Orphan Black, and Troy Foreman was an extra in The X-Files’ finale in 2018.

DANIEL: Any particular products you were excited to be able to buy?

CAROL: I bought a Star Trek dress from Elhoffer Design. Catherine Elhoffer was one of the first designers in the geekosphere to recognize the demand for high-end goods. I also bought a fabulous vest from Volante Design. Volante creates extremely well-made, eye-catching outerwear. My husband has one of their jackets, which billows when he walks. He calls it his “slow-walking jacket,” because it’s what slow-walking villains would wear.

There’s also Tea & Absinthe‘s tea. I recommend their not-Harry Potter, not-House Ravenclaw tea, “Elixir of Wisdom.”

DANIEL: What have you learned about this topic from writing this book (either in research, or the book-writing process?

CAROL: I really liked what I learned and what I taught my interviewees during our conversations.

One of my interviewees is a former executive creative director for DC Comics. He said he had turned down a licensing application for Superman-themed condoms. I laughed and said it was perfect, because of Larry Niven’s essay “Man of Steel, Woman of Kleenex.” It turns out that he hadn’t known about it, so I sent him a link.

Fans of that essay–which explains the foreseeable doom of any person who chooses to have sex with Kal-El–know instantly that Superman-based condoms would be the perfect marketing tie-in.

From there, I learned that IP holders won’t approve any item that goes against their brand, no matter how hilarious it would be.

DANIEL: To anticipate comments from my fellow long-time DC comic fans, there would be ways to avoid  said doom, like microdosing Green Kryptonite, etc.

CAROL: Damn, that’s funny. But I think condoms would be the perfect solution to protect the Man of Steel’s lovers. Sadly, Niven failed to mention condoms.

DANIEL: What was some of the first sf/f you read (as a child?)

CAROL: You know the line in Star Wars [Episode IV – A New Hope], “Your father wanted you to have this when you were old enough?” When I was 12, my father handed me I, Robot — Isaac Asimov’s collection of his robot stories — and The Puppet Masters by Robert Heinlein. Around the same time, I also read The Hobbit.

I also got into a fight with a librarian over Dracula. She said the book was too “big” for me and refused to let me take it out. Lucky for me, I had a mother who wasn’t afraid to go toe-to-toe with a librarian, and I got the book.

I started with the greats, and genre fiction keeps getting greater.

DANIEL: What/how got you into fandom?

CAROL: I joined the science fiction club in high school, and we got enough money together to rent a van so we could go to Lunacon — a nearby science fiction convention. That changed my life. Also, my best friend and I found out there was a regular Star Trek-centered convention: Creation Convention. We went to every one for years. We particularly honed in on fanzines like SLAYSU, the Clipper Trade Ship, and anything else fanzine editor Roberta Rogow would sell me. (Funny enough, her daughter Louise became one of my closest friends in college.)

I’ve attended conventions every year, either literary or media, since then. I just love them, because it’s filled with my friends and the friends I haven’t met yet.

DANIEL: Have you sold SF/F fiction?

CAROL: Although I’ve written almost 2,000 articles, I’ve only sold one short story. I’ve also sold multiple poems. I’ve been nominated for three Rhysling Awards (from the Science Fiction Poetry Association). Sadly, I haven’t won. Yet.

DANIEL:  What are some of your favorite cons? Favorite con activities?

CAROL: My favorite cons are Worldcons. Not only do I get to meet like-minded people from all over the world, it’s a great excuse to travel.

DANIEL: I have a semi-vague memory from at least a decade ago of meeting you at a Worldcon and briefly comparing digital cameras.

CAROL:  That was back when phones were dumb. Soon, we will be welcoming our phone-OS-based overlords.  

DANIEL:  One or two favorite fan/con anecdotes/memories?

CAROL: At a World Fantasy Con, many years ago, I attended Neil Gaiman’s reading of his upcoming book, Neverwhere. Afterward, I walked up to him and said, “Sell me that book.” He said, “I can’t, I have a reading.” And I said, “You just finished.” He said, “Oh,” looked at the back of the book, and charged me cover price. Because of this, I can officially state that I bought the first copy of Neverwhere sold in the United States.

And at a convention in DC in the early 2000s, there was an auction where I bid on a beautiful necklace. I came back a few hours later to see that Robert Jordan had outbid me…by a lot. Just then, he came by and said, “I want this necklace for my wife.” I said, “You’re richer than me, aren’t you?” He agreed that he probably was. We had a lovely chat about The Wheel of Time before I abandoned all hope of acquiring that necklace.

DANIEL: One or two bits of advice (that are presumably also in the book).

CAROL: If you do try to get an IP license, do start with smaller IP holders, then build up a track record. Work with the owners of a book, an indie game or comic book, or even a YouTube channel you love. They’ll be way more responsive than a large IP holder like Disney, who already works with dozens of creators.

Also, don’t try to do everything yourself. Get help from an accountant when filling out tax forms, and get help from a lawyer for any questions surrounding IP.

DANIEL: Any advice or other thoughts for File 770’s readers?

CAROL:  My book is for anyone who thinks Lando Calrissian is the hero of the Star Wars saga. After all, he’s the guy who went from smuggler and scoundrel to successful small business owner.

And talk to your lawyer!

DANIEL: Thanks! And best of luck with your book! (And I see my library has a copy on order, I’m now reserving it — done!)

CAROL: Thank you! If you or your readers have questions about the book, please reach out.