Pixel Scroll 8/25/19 Pixel, Pixel, Scrolling Bright, In The Files Of The Night

(1) WORLDCON PHOTOS. Simon Bubb, part of Dublin 2019’s staff photography team, has posted albums of his photos from the Worldcon at Facebook. Beautiful photos. So many good memories for those who participated.

Worldcon Dublin 2019 – Wednesday 14th August

Worldcon 2019 – Thursday

Worldcon 2019 – Day 2 (Friday)

Worldcon – Saturday

Worldcon 2019 – Sunday

Worldcon 2019 – Hugos

Worldcon 2019 – Monday & Closing

(2) DINO SQUIRREL REVIVAL. [Item by SF Concatenation’s Jonathan Cowie.] This week’s episode of Stranger than Sci-Fi on Beeb Beeb Ceeb Radio 4 was the penultimate episode. Next week is the final in the series and is on telekinesis.

Alice Fraser and Jen Gupta.

The latest episode, “Jurassic Park” (available for a month), looked at de-extinction. Crichton not only read up on the science, he was so taken with one paper that hypothesized possibly near-future DNA technology that he went to visit the researchers.  And the rest is history.

The programme pointed to the limits of de-extinction but did say that we could digitize DNA of current endangered species and bring them back if we had to.

Astro-physicist Jen Gupta and comedian Alice Fraser travel the parallel worlds of science and sci-fi.

Starting with the latest books and films, they discover real life science that sounds too strange to be true – from babies grown in bags, via black hole Jacuzzis, to flowers that behave like our ears.

In this episode, they tackle the question everyone wants to know the answer to – can we bring the dinosaurs back to life? They talk to the journalist Britt Wray about the surprising origin story for the book Jurassic Park. Then they dive into the world of de-extinction research and find out why there is a group of scientists who focus all their time on reviving extinct species.

They ask if we might soon see woolly mammoths roaming the Siberian steppe once again. What are the potential pitfalls of resurrecting the dead?

(3) UPDATED 2018 BESTS. Eric Wong of Rocket Stack Rank sends the link to RSR’s 2018 Best SF/F list with the scores updated and Best American Science Fiction and Fantasy 2019 stories highlighted (all 20 in TOC + 33 notable stories that scored 2 or more) with links to stories that are free online.

(4) AN AUTHOR’S PICK. Silvia Moreno-Garcia tells NPR that “In ‘Automatic Eve,’ Steampunk Meets ‘Blade Runner’ — In Japan”. A publisher’s last gasp is a winner.

I’m going to give you the Hollywood elevator pitch in order to secure your attention: This is a Japanese steampunk novel for fans of Blade Runner. Do I have your attention now? Good. Because we’re going to flash back in time to 2009, when Haikasoru popped into the world.

…Unfortunately, Haikasoru didn’t quite catch the imagination of the public in the United States. Its biggest hit was probably All You Need is Kill, adapted into the Tom Cruise vehicle Edge of Tomorrow, but otherwise it sadly went on being ignored by most of the speculative fiction fans, while ironically producing the stuff fans say they hunger for.

…But the first incarnation of the imprint has one last, lyrical swan song before it drifts to sleep: Automatic Eve, a mosaic novel.

I like mosaic novels thanks to having read Clifford D. Simak’s City as a teenager. Some people despise them, the break with non-linearity, the short episodes building up to something more, frustrate certain readers. But even if you don’t exactly fancy that format, Rokuro Inui’s Automatic Eve, translated by Matt Treyvaud, works well. Characters, situations and plot points reoccur during the course of the book, so that you are left with a feeling of coherence rather than of stories thinly strung together, which can be the issue that turns readers away from mosaic novels in the first place – and sometimes earns them the pejorative term of “fix-ups.”

Much of the wonder of the book derives from its setting and mechanics. In a steampunk Japan where artisans can produce automatons that perfectly mimic humans and animals, an intricate web of deceit and secrets has been laid down. At the center of this web sits the beautiful, mysterious Eve and her father, an inventor with ties to both the shogunate and the ruling imperial house, which are locked in a battle for power.

(5) CORRECTION. The participants James Davis Nicoll is recruiting participants for the next phase of Young People Read Old SFF must have been born after 1990. The post still says “1980,” however, he later corrected this in the comments. Uh, never mind!

(6) WHAT A FAN DOES TO A $40K CAR. [Item by Dale Arnold.] Baltimore area fan Miriam Winder Kelly recently bought a brand new Tesla Model 3 for over $40,000.00 and immediately put bumper stickers for  her favorite causes on it. The Baltimore Science Fiction Society, The Red Cross and Middle Earth?  The BSFS bumper sticker is quite old and apparently she saved several from 20 years ago so she could always have one on her car.

By the way the bumper sticker was designed by a committee chaired by the late costuming fan Bobby Gear. (wife of the late multiple Worldcon Masquerade MC Marty Gear) Bobby said when she delivered the design, “I am never helping design anything with a committee again!”

(7) LOOMIS OBIT. Game publisher Rick Loomis of Flying Buffalo Incorporated died August 24, his birthday, after battling cancer. He was 73.  A “Help Gaming Legend Rick Loomis” for his medical expenses had been started just recently.

Rick was one of the founding members of the Game Manufacturing Association and served as its President several times when they needed him. He started Flying Buffalo Games back in 1970 and was one of the first people to ever run a Play-by Mail game on a dedicated computer. He has traveled the world to promote role-playing and card games and over the years Rick has befriended hundreds (thousands!) of people at conventions from his Flying Buffalo Games booth and company.  He published Tunnels & Trolls, the Nuclear War Card Game, Grimtooth’s Traps and so much more…

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • August 25, 1851 George Parsons Lathrop. Noted for co-authoring In the Deep of Time novella with Thomas A. Edison which ran in English Illustrated Magazine on the third of March 1897. (Died 1898.)
  • August 25, 1909 Michael Rennie. Definitely best remembered as Klaatu in The Day the Earth Stood Still. He would show up a few years later on The Lost World as Lord John Roxton, and he’s got an extensive genre series resume which counts Lost in Space as The Keeper in two episodes, The Batman as The Sandman, The Time TunnelThe Man from U.N.C.L.E. and The Invaders. (Died 1971.)
  • August 25, 1913 Walt Kelly. If you can get them, Fantagraphics has released Pogo in six stunning hardcover editions covering up to 1960. They’re planning to do all of his strips eventually. Did you know Kelly began his career as animator at Walt Disney Studios, working on DumboPinocchio and Fantasia? (Died 1973.)
  • August 25, 1930 Sean Connery, 89. Worst film? Zardoz. Best film? From Russia with Love. Best SF film? Outland. Or Time Bandits you want go for silly.
  • August 25, 1940 Marilyn Niven, 79. She was a Boston-area fan who lives in LA and is married to writer Larry Niven. She has worked on a variety of conventions, both regionals and Worldcons.  In college, she was a member of the MITSFS and was one of the founding members of NESFA. She’s also a member of Almack’s Society for Heyer Criticism.
  • August 25, 1947 Michael Kaluta, 72. He’s best known for his 1970s take on The Shadow with writer Dennis O’Neil for DC in 1973–1974. He’d reprise his work on The Shadow for Dark Horse a generation later. And Kaluta and O’Neil reunited on The Shadow: 1941 – Hitler’s Astrologer graphic novel published in 1988.
  • August 25, 1955 Simon R. Green, 64. I’ll confess that I’ve read pretty much everything he’s written. Favorite series? The Nightside, Hawk & Fisher and Secret History are my favorite ones with Drinking Midnight Wine the novel I’ve re-read the most. 
  • August 25, 1958 Tim Burton, 61. Beetlejuice is by far my favorite film by him. His Batman is interesting. Read that comment as you will. Charlie and the Chocolate Factory is definitely more Dahlish than the first take was, and Sleepy Hollow is just damn weird. 
  • August 25, 1970 Chris Roberson, 49. Brilliant writer. I strongly recommend his Recondito series, Firewalk and Firewalkers. The Spencer Finch series is also worth reading.

(9) COMICS SECTION.

  • Lio mourns the loss of a favorite magazine.

(10) HE GAVE US SUPE’S DIGITS. CBR.com wants to know “When Did We Learn the Address of Clark Kent’s Apartment?” Hint: Bill Finger thought it up.

In “When We First Met,” we spotlight the various characters, phrases, objects or events that eventually became notable parts of comic lore, like the first time someone said, “Avengers Assemble!” or the first appearance of Batman’s giant penny or the first appearance of Alfred Pennyworth or the first time Spider-Man’s face was shown half-Spidey/half-Peter. Stuff like that.

Today, based on a suggestion from reader Riccardo N., we look into the first time that Clark Kent’s apartment was given the address of 344 Clinton Street, Apartment 3-D.

Obviously, in the early days, Jerry Siegel and Joe Shuster were not really all that considered about world-building. No one in comics really was. Batman’s set-up was different from issue to issue early on (my favorite is where Bruce Wayne just kept his Batman costume in a chest at the foot of his bed). So when they say Superman is in his apartment, there really was no thought into it beyond “Superman is in his apartment”…

(11) WEBS ON THE WAY. SYFY Wire got this straight from the spider’s mouth: “Tom Holland says his third Spider-Man film has already been pitched, describes it as ‘something very different'”.

During his first-ever visit to Philadelphia at Keystone Comic Con, Tom Holland teased his third live-action Spider-Man film, teasing that it’s already been pitched and will be “something very special and something very different” from what we saw in Homecoming and Far From Home, while having a deep personal connection to the actor’s own life. Moreover, he gave an enthusiastic “of course!” when asked if Happy Hogan (Jon Favreau) has a long-term romantic shot with Aunt May (Marisa Tomei). 

Holland also took a moment to tackle the headline-making split between Disney and Sony, which many see as Peter Parker’s removal from the Marvel Cinematic Universe.

“Uh, it’s been a crazy week,” he said, echoing his statement at D23 Expo yesterday. “The news came as a bit of a shock, but we’ve made five great movies … you guys have made it so special for me and it’s not the end of me playing Spider-Man. There’s definitely more to come … I’m just really excited for everything … It’s only gonna get bigger and better … It’s pretty crazy.”

(12) COINING A WORD. John M. Jordan, in “The Czech Play That Gave Us the Word ‘Robot’” on the MIT Press website reminds us that, although we might know that Karel Capek coined the term “robot” most people don’t know the plot of Capek’s play R.U.R. or know that robota is Czech for “forced labor.”  The post is an excerpt from Jordan’s MIT Press book Robots.

The contrast between robots as mechanical slaves and potentially rebellious destroyers of their human makers echoes Mary Shelley’s “Frankenstein” and helps set the tone for later Western characterizations of robots as slaves straining against their lot, ready to burst out of control. The duality echoes throughout the twentieth century: Terminator, HAL 9000, Blade Runner’s replicants.

The character Helena in “R.U.R.” is sympathetic, wanting the robots to have freedom. Radius is the robot that understands his station and chafes at the idiocy of his makers, having acted out his frustrations by smashing statues.

(13) CASTALIA’S BUSINESS PLAN. Vox Day addresses the retrenchment at Castalia House in “A change to the Caligan campaign” [Internet Archive link.]

In light of the changes in the ebook market and our retreat from the Kindle Unlimited space, we’ve been making some strategic changes at Arkhaven and Castalia House. Now that we’ve successfully entered the video space, we’re concentrating our efforts on our strongest fiction and non-fiction properties, primarily because we don’t have the bandwidth to devote to everything.

This is why we’ve returned the publishing rights to their books to a number of our authors, although we continue to support them and their self-publishing efforts, and why we have methodically reduced the number of books that we are publishing. Our sales remain strong, which tends to indicate that our revised approach is a viable one.

Day responded to a complaint in comments:

It’s not a democracy. And given some of the lessons we’ve learned, we are no longer going to push IP that we do not control into other media.

Publishers are in a trap of sorts. If a book doesn’t sell well, the author thinks he should have self-published. If the book sells really well, the author thinks he should have self-published.

And in another comment he said:

I was told a lot of things that didn’t come to pass too. So I am not going to accept being held accountable for things that were entirely contingent upon other’s responsibilities.

If you want a refund, we’ll give you one. You have that option. But I’m not going to waste my time or the backers’ resources on projects that should not have been done in the first place. We all meant well, but the foundation was not solid.

We are going to be in the red on this no matter what due to the need to produce 18 comics. So I want to make sure at least some of them will sell well enough to give us a shot at breaking even on it.

(14) WHO STAYS, WHO GOES. Camestros Felapton identifies the affected creators in “Day confirms the Castalia retreat”.

…So what does Day mean be ‘our strongest fiction and non-fiction properties’. There are some clues.

  • We know John C Wright has at least partially been dropped or moved on.
  • We know that the core of this announcement was shifting what comic would be provided to people who had pledged to a crowd funding campaign. Day is shifting from a story by Rolf Nelson to an adaptation of one of his own books.
  • In a comment Day says: “And given some of the lessons we’ve learned, we are no longer going to push IP that we do not control into other media.” What IP does Day control? What he writes himself.

The problem with being a publishing house is you have to deal with two groups of people best avoided in business: writers and readers. Castalia’s business model also includes a third: Amazon. It sounds like Day has problems with all three….

(15) YES BUGS M’LADY. NPR’s “Nailed It: Bringing Science Into Nail Art” shows photos of parasites and other things you never expected to find on fingernails.

Of all the things I love about being a girl, I love doing nail art the most. But I’m also a scientist, and scientists aren’t usually associated with perfectly manicured nails. Nail art became my way of debunking some common stereotypes, including those that associate scientists with being cold or unapproachable.

I got into nail art four years ago after a friend of mine bought a beginner nail art kit. It contained one metal plate with various nail-sized designs etched on the surface – animals, flowers, food – along with nail polish, a scraper and a silicone stamper.

…At the time, I was working as a research scientist studying Alzheimer’s disease at Cornell University, where I was looking for ways to get lay people interested in science. On Instagram, I found some science communicators using drawings or video to explain concepts like how stem cells help heal wounds.

Then I had an epiphany! None of these science communicators were using nail art as a platform. And none of the nail artists I followed were doing scientific designs.

I had been blogging about science for a while, but I wanted to try something new. So on October 10, 2018, I started an Instagram account (@nailsciart) where I’d use nail art to reach a very specific demographic: teenage girls. I wanted to show them the fun side of science through an art form many of them could find appealing — and that it’s possible to have polished nails and work on cool science.

[Thanks to Simon Bubb, John King Tarpinian, Cat Eldridge, Chip Hitchcock, JJ, Dale Arnold, Eric Wong, Andrew Porter, Martin Morse Wooster, BravoLimaPoppa, Danny SIchel, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 8/20/19 My Name Is Pixel, Scrolled Pixel

(1) HUGO STATS. Dublin 2019 Hugo Administrator Nicholas Whyte has published his analysis of the voting: “2019 Hugos in detail, and reflections on the viability of Best Fanzine”. It begins —

All but two of the winners had the most first preferences in their categories. The exceptions

  • Best Dramatic Presentation, Short Form: The Good Place: “Janet(s)” came from third place to overtake Dirty Computer and The Expanse: “Abaddon’s Gate”.
  • Best Graphic Story: Monstress, Volume 3: Haven started in second place but got enough transfers to overtake Black Panther: Long Live the King.

The only category where fewer than six rounds of counting were required to determine the winner was Best Fancast, where Our Opinions Are Correct won on the fifth count.

The closest results were:

  • Best Graphic Story: Monstress, Volume 3: Haven beat Black Panther: Long Live the King by 8 votes.
  • Best Novella: “If at First You Don’t Succeed, Try, Try Again” beat “The Last Banquet of Temporal Confections” by 9 votes.
  • John W. Campbell Award for Best New Writer: Jeannette Ng beat Rivers Solomon by 43 votes.

At lower rankings, there were three closer results:

  • Best Related Work: The Mexicanx Initiative beat Astounding by 4 votes for fourth place.
  • Best Fancast: The Skiffy and Fanty Show beat The Coode Street Podcast also by 4 votes for fifth place.
  • Best Fan Writer: Bogi Takács beat Elsa Sjunneson-Henry again by 4 votes for second place.

(2) AFTER ACTION REPORT. Cheryl Morgan tries to figure out what went wrong at the Hugo Losers Party in “Worldcon #77—Day 5”.

…Quite why so many finalists were turned away isn’t clear. It isn’t the fault of the Dublin committee, because they have nothing to do with the party other than pass on invitations to the finalists. It probably isn’t the fault of the NZ people because these days I understand that organisation of the event is passed on to people who work for George. People on Twitter inevitably blamed George personally (and doubtless complained that he should be writing books rather than running parties). The fault may lie with the staff at the venue. It is all a bit murky.

What is clear is that a whole lot of people who were not Hugo finalists had got into the party long before the Hugo Ceremony finished. This is the publishing industry in action. If there is a swank party going, publishing people will find a way to get into it. And the fact that they did led to the venue being (allegedly) overcrowded and people being turned away.

(3) FUND RAISING FOR SARAH NEWTON. Sarah Newton is a game designer and author of the Mindjammer game and novels and other RPGs. Over the past 6 months she’s been caring for her husband who had with stage IV cancer and she is now raising money for his funeral expenses, to get back on her feet, and get her company up and running again: “We?re raising £3,500 to help fund the funeral expenses of Chris James, the Brown Dirt Cowboy.” The appeal has brought in £7,231.

I wanted to explain what any money above Chris’s funeral expenses will be used for. The week after next, I’ll take Chris’s ashes to the UK by car and ferry, appx £400. I’ll return to work in France by 1 October. Mindjammer Press has been mothballed since February. It’ll take me the rest of the year to start delivery, meaning I need to cover the period financially. With your blessing, it would be useful to use your gifts to reduce any loan I’ll eventually need. My outgoings are low – appx 1000 euros a month. Please let me know your thoughts.

(4) IN CASE YOU HADN’T NOTICED. Jezebel notes “Once Again, Women Casually Dominated the Hugo Awards” (based on a post at The Verge.)

… The streak is notable, because it comes even after a Gamergate-style pushback attempt in 2015.

(5) INTERNATIONAL COVERAGE. And one of those winners got a nice writeup in MalaysiaKini: “Malaysian author Zen Cho wins Hugo Award”.

Malaysian author Zen Cho has bagged the Hugo Award, a prestigious literary award for science fiction writing.

Cho’s ‘If At First You Don’t Succeed, Try, Try Again’ won in the Best Novelette category.

… “It was unexpected – I was pleased to be nominated because I was attending Worldcon this year anyway, and I was keen to go to the Hugo Losers party hosted each year by Martin.

“But I had my bets about who would win and it wasn’t me!” she was quoted as saying….

(6) GONE FROM THE VERGE. Bad news for Andrew Liptak and those of us who like to read his coverage of the sff field: Reading List: Well, that was unexpected.

So, last week didn’t turn out as I’d expected it to. I was let go from The Verge: my last day was Wednesday. The reasons are both simple and complicated, and I’m not going to go into a whole lot of detail, other than to say that I’m bummed to be out, will miss a bunch of my former co-workers, and being able to talk about some of the things that I really love to a big audience. I began work there three years ago, after applying on a complete whim. My time there has made me a much better writer from where I started, so that’s a plus. 

(7) BOND FILM GETS NAME. Esquire, in “‘No Time To Die’: Bond 25 Title And Release Date Are Finally Confirmed” says we know what the new Bond movie is and when it will be released.

At last – at long, long, long last – the next James Bond film has its title. Bond 25 can officially nestle in the bin with Shatterhand, Eclipse, A Reason To Die and however many other mooted titles which came and went….

It’s officially titled No Time To Die. It’s got a very punchy logo, and it’s out in the UK on 3 April 2020 and 8 April 2020 in the US.

(8) TODAY IN HISTORY.

  • August 20, 1973 — George Lucas signed the contract to shoot a movie called Star Wars.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 20, 1883 Austin Tappan Wright. Did you know that Islandia wasn’t published when he was alive? His widow edited his fifteen hundred page manuscript for publication, and following her own death in 1937 their daughter Sylvia further edited and cut the text; the resulting novel, shorn of Wright’s appendices, was published in 1942, along with a pamphlet by Basil Davenport, An introduction to Islandia; its history, customs, laws, language, and geography, based on the original supplementary material. (Died 1931.)
  • Born August 20, 1890 Howard P. Lovecraft. Virtually unknown during his lifetime, he was published only in pulp magazines before he died in poverty. He’s regarded now as one of our most important authors of horror and weird fiction. He is not the originator of the term Cthulhu mythos, that honor goes to August Derleth. (Died 1937.)
  • Born August 20, 1932 Anthony Ainley. He was the fourth actor to play the role of the Master, and the first actor to portray the Master as a recurring role since the death of Roger Delgado in 1973. He appeared in eleven stories with the Fourth through Seventh Doctors.  It is noted that enjoyed the role so much that sources note he even stayed in character when not portraying The Master by using both the voice and laugh in social situations. (Died 2004.)
  • Born August 20, 1943 Sylvester McCoy, 76. The Seventh Doctor and the last until the modern era of the official BBC Doctors. He also played Radagast in Peter Jackson’s Hobbit films, he’s The Old Man of Hoy in Sense8 and he voices Aezethril the Wizard in the “Endgame” episode of Thunderbirds Are Go
  • Born August 20, 1947 Alan Lee, 72. Book illustration and film conceptual designer. I think one of his most impressive works is the Tolkien centenary edition of The Lord of the Rings which he did all the art for. Though his first edition cover of Holdstock’s Lavondyss: Journey to an Unknown Region s damn impressive too. Though I don’t  like the storytelling of The Hobbit films, his and John Howe ‘s conceptual design is fantastic.
  • Born August 20, 1948 John Noble, 71. He’s best known as Dr. Walter Bishop on Fringe, and Henry Parrish on Sleepy Hollow. He’s also played Denethor in Peter Jackson’s The Lord of the Rings trilogy. And he voiced Brainiac in Superman: Unbound, a superb film. 
  • Born August 20, 1951 Greg Bear, 68. Blood Music which won both a Nebula Award for Best Novelette and a Hugo Award for Best Novelette is an amazing read. I’m also very fond of the Songs of Earth and Power duology, The Infinity Concerto and The Serpent Mage, and found his Queen of Angels a fascinating mystery.
  • Born August 20, 1957 Mary Stävin, 62. It’s not often we get someone in two Bond films, both of them Roger Moore affairs. In Octopussy, she played an Octopussy girl, and in A View to a Kill, she played agent Kimberley Jones. In the low budget Italian SF film Alien Terminator, she’s Maureen De Havilland, and in Howling V: The Rebirth, she’s Anna. 
  • Born August 20, 1962 Sophie Aldred, 57. She’s Ace, the Seventh Doctor’s Companion. (By the way Doctor Who Magazine: Costume Design: Dressing the Doctor from William Hartnell to Jodie Whittaker is a brilliant read and has a nice look at her costuming.) She’s reprised the role in the Big Finish audio adventures. 
  • Born August 20, 1962 James Marsters, 57. Spike in Buffyverse. He’s also played Brainiac on Smallville, Captain John Hart on Torchwood, Barnabas Greeley on Caprica, and Victor Stein on the Runaways. Oh and he voiced Lex Luthor in Superman: Doomsday.
  • Born August 20, 1963 Justina Vail Evans, 56. Olga Vukavitch in Seven Days, a series I thought was extremely well crafted. She shows up in other genre series such as Super ForceThe Adventures of SuperboyThe X-Files, Conan and Highlander: The Series

(10) COMICS SECTION.

  • Today’s Speed Bump is about a disappointing turnout for an author’s event.

(11) UNDER THE LID. This week Alasdair Stuart’s The Full Lid dives into the heady, deadly romance of This is How You Lose The Time War and explores what happens to aging when we live…Longer. Rounded out by an early review of the wonderful Moonbase Theta, and Out’s second season, click here to read it: “The Full Lid 16th August 2019”. Excerpt from the Time War review —

A duel is a romance with different syncopation. A game is a conversation with rules. A dance is a fight you both get to win. A waltz between the seconds, a volta across parallel timelines. All of it driven by tempo and need, the percussion of war, the brass of ideologies clashing. The Hans Zimmer siren of massive concepts crashing against each other, of miniature disasters and minor catastrophes stitching themselves into the quilt of the world.

In the midst of all of this, Red and Blue. Soldiers. Assassins, Gardeners (Although only one would think of themselves as such), rivals and slowly, surely, something much, much more.

(12) ARE THE LIGHTS STILL ON? Camestros Felapton surmises that Vox Day’s “Castalia House has stopped publishing new science fiction”.

…The last blog post at Castalia’s blog leading with “Castalia New Release” was in November 2018 and was Day’s non-fiction riposte to Jordan Peterson. ISFDB has only one entry for Castalia in 2018 (Nick Cole’s republished Soda Pop Soldier) and while I know they are missing some titles (e.g. Cole’s sequel to that book from 2018), it is a sharp contrast from 2014-2017.

John C Wright’s “Nowither: The Drowned World” was published in 2019 but the series has shifted from Castalia to Superversive Press. Newer writer Kai Weah Cheah published a sequel with Castalia early in 2018 but his more recent books have been with Russell Newquist’s Silver Empire….

(13) BOOTH OBIT. [Item by Chip Hitchcock.] “Richard Booth: Bookshop owner and ‘king of Hay-on-Wye’ dies”. “I made the pilgrimage there before Conspiracy; If I recall, Jo Walton got married there.”

Richard Booth, who turned Hay-on-Wye into a second-hand bookshop capital, has died aged 80.

He was responsible for transforming the market town in Powys into the world’s foremost home for books.

Mr Booth – who dubbed himself “king of Hay” opened his first bookshop in the town’s former fire station in 1961 and was honoured with an MBE in 2004.

Anne Addyman, from Addyman’s Books, said: “This town has become what it is because of him.”

(14) PORTALESS FANTASY? A BBC writer takes “A bizarre journey beyond Earth’s borders”.

The Kcymaerxthaere is our global link to a ‘parallel universe’. So why don’t more people know it exists?

There’s a well-known saying from Ralph Waldo Emerson that goes: ‘It’s not the destination, it’s the journey’.

That’s kind of how I was feeling, standing in the middle of the Malzfabrik – an enormous art and design centre that began as a malting plant more than a century ago – in Berlin’s Tempelhof neighbourhood. I’d walked 20 minutes from the closest U-Bahn station, along wide, tree-lined streets almost vacant of other pedestrians to reach these towering red-brick buildings and their main square.

I was well off the city’s typical tourist routes, and since my phone’s wi-fi kept cutting out (and the lovely woman at the Malzfabrik’s front desk had never heard of the ‘Kcymaerxthaere’), I’d been wandering around this massive industrial property for over half an hour, searching for signs to a parallel universe. Finding the first one – a pillar-mounted plaque describing Sentrists, a people so self-absorbed that the centre of the universe shifts a bit when more than a few of them get together – was fairly easy, but the others (including a marker tucked within the Malzfabrik’s entry garden) took a bit more sleuthing.

“You’re looking for what?” asked my friend Maria, with whom I was staying in Berlin’s Kreuzberg neighbourhood, when I told her about the Kcymaerxthaere, or ‘Kcy’ – an ongoing, global, three-dimensional storytelling experience that has 140 installations, including a series of mostly square bronze plaques (or ‘markers’) and more complex ‘historic sites’, spread over six continents and 29 countries. Each installation pays tribute to a conceived ‘parallel universe’ called the Kcymaerxthaere, and shares bits of larger stories that are said to have taken place at or around corresponding locations in our own ‘linear’ world, but within an alternate dimension. It can be a heady thing to wrap your mind around.

(15) MACROPROCESSOR. [Item by Chip Hitchcock.] Not quite what Bill Higgins and Barry Gehm wrote of 40 years ago (*), but big enough: “Cerebras reveals world’s ‘largest computer chip’ for AI tasks”.

A Californian-based start-up has unveiled what it says is the world’s largest computer chip.

The Wafer Scale Engine, designed by Cerebras Systems, is slightly bigger than a standard iPad.

The firm says a single chip can drive complex artificial intelligence (AI) systems in everything from driverless cars to surveillance software.

…Cerebras’ new chip has 400,000 cores, all linked to each other by high-bandwidth connections.

The firm suggests this gives it an advantage at handling complex machine learning challenges with less lag and lower power requirements than combinations of the other options.

Cerebras claims the Wafer Scale Engine will reduce the time it takes to process some complex data from months to minutes.

(*) from “Home on Lagrange” (with respect to the advertised possibility of growing huge crystals in orbit): “It had 392 pins, drew fifty-seven amps of current, had a heat sink the size of a Cadillac. They called it … Macroprocessor”. (Per The NESFA Hymnal — the addition does not appear on the permitted onlining at http://www.jamesoberg.com/humor.html, so I’m not sure whether it’s original or part of the filk process.)

(16) INDIA CRAFT ARRIVES IN LUNAR ORBIT. BBC reports“Chandrayaan-2: India spacecraft begins orbiting Moon”.

India’s second lunar exploration mission has entered the Moon’s orbit, nearly a month after blasting off, officials have said.

Chandrayaan-2 began its orbit of the Moon at 09:02 local time (04:32 GMT) on Tuesday.

The craft completed the manoeuvre in around 30 minutes, the Indian Space Research Organisation (Isro) said.

India’s Prime Minister Narendra Modi hailed the mission as “an important step in the landmark journey”.

K Sivan, head of Isro, said he was confident Chandrayaan-2 would land on the Moon as planned on 7 September.

…Chandrayaan-2 (Moon vehicle 2) will try to land near the little-explored south pole of the Moon.

The mission will focus on the lunar surface, searching for water and minerals and measuring moonquakes, among other things.

See near the end of this BBC article for the orbital reason it took most of a month after launch to reach the moon.

(17) SHOW’S OVER. “‘World’s oldest webcam’ to be switched off” – BBC has the story.

The world’s oldest continuously working webcam is being switched off after 25 years.

The Fogcam was set up in 1994 to watch how the weather changed on the San Francisco State University campus.

It has broadcast almost continuously since then barring regular maintenance and the occasional need for it to be re-sited to maintain its view.

Its creators said it was being shut down because there were now no good places to put the webcam.

[Thanks to Nicholas Whyte, Trey Palmer, Mike Kennedy, JJ, Martin Morse Wooster, Cat Eldridge, Chip Hitchcock, John King Tarpinian, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar.]

Amazon Reopens Castalia House’s KDP Account

Castalia House’s Amazon Kindle Digital Publishing account was restored yesterday within hours after Vox Day told readers it had been taken down (see “Amazon Terminates Vox Day’s Castalia House Account”.) The problems were caused by Castalia’s Collapsing Empire parody Corrosion by “Johan Kalsi” with the look-alike cover, which has brought Day’s business into conflict with Amazon’s rules many times since the book came out in 2017.

Collapsing Empire author John Scalzi seems to have had this news in mind when he tweeted on Thursday —

Although the Amazon account was reopened, Markku Koponen of Finland, where the Castalia House entity is based, told readers of Vox Day’s blog that the “Kalsi” book will no longer be sold on Amazon.

But the sales had dropped so low on it (because people seem to connect it only with the Scalzi events, which isn’t really fair. Again, it’s an actual, serious book) that removing that tool from them had more value than having the title there. And it’s still available on our own site, from which we keep 100% of the revenue instead of 70%.

And he said they have asked Audible to take down the audiobook.

Vox Day also contacted File 770 “to set the record straight,” saying —

  1. CORROSION by Johan Kalsi was cleared of being “misleading” no less than 7 times by the highest-level managers at KDP. The previous time it was depublished by the Quality Assurance employee, in September 2018, it was republished before we even received the email telling us it had been depublished.
  2. The reason we were given for our account was terminated was a claim of copyright infringement. This claim was incorrect and was subsequently acknowledged to have been incorrect when our account was restored.
  3. What Amazon did yesterday affected more than 60 authors, and any author who was feeling schadenfreude would do well to keep in mind that not every employee at Amazon with access to their account is fully in agreement with them either. We are very far from the first to have our account terminated, even if it was only for 20 hours in our case.
  4. We sold more copies of Corrosion via our direct store yesterday than we had sold in the previous three months on Amazon. We’ve sold even more copies of it today. That is why we decided not to republish it on KDP and why we will remove it from Audible as well. It’s simply not worth the potential conflict.

When one of his fans encouraged him to initiate legal action against Amazon. Vox Day replied —

No. We’re already in a significant legal battle with Indiegogo. We will not take on any additional conflict unless it is forced on us. Nor are we interested in going to war against our own distribution channel.

Day was referring IndieGoGo’s action last October, shutting down Arkhaven’s current fundraiser for Alt-Hero: Q, and refunding backers’ money (see “After Bleeding Cool Interviews Vox Day, IndieGoGo Axes Latest Alt-Hero Comic Campaign”.) Arkhaven is Castalia’s comics imprint.

Amazon Terminates Vox Day’s Castalia House Account

Update: Vox Day says his Amazon KDP account is now “Reinstated” [Internet Archive link.]


Amazon told Vox Day they have shut down his Castalia House Kindle Direct Publishing (KDP) account because of the latest issues about its goon book Corrosion (The Corroding Empire Book 1), a parody of John Scalzi’s The Collapsing Empire which Castalia markets with a look-alike cover.

Castalia House’s efforts to sell the book have repeatedly brought it into conflict with Amazon rules since the work first appeared in March 2017 (see “Amazon Yanks Castalia House’s ‘The Corroding Empire’”). According to Vox Day (“Amazon Takes Down Castalia House” [Internet Archive link]): “This is the second attack on that book this month, as ten days ago, they pulled the book itself down for the sixth or seventh time due to claims that it was ‘misleading’.”

Day says he received the following message from Amazon on January 21. At that time they only removed the one book from sale on Amazon.

From: Amazon.com [[email protected]]
Sent: 21 January 2019 21:59
Subject: Notification from Amazon KDP

While reviewing the following books we found the title, cover image, descriptions and/or authors of the following book(s) are misleading to our customers:

Title: Corrosion (The Corroding Empire Book 1)
ASIN: B06XFQ24QC

As a result, the book(s) have been removed from sale from Amazon.

However, today Amazon shut down the Castalia House KDP account and banned Day from opening any others. Not only that, Day was told he will not receive any unpaid royalities that he may be owed on sales.

As last communicated in the message on January 21, 2019, we have identified the submission of content for which you did not have the necessary rights. Due to this and previous violations, we are terminating your account and your Agreement effective immediately.

As part of the termination process, we will close your KDP account and remove the books you have uploaded through our channels from sale on Amazon. Note that you are no longer eligible to receive unpaid royalties for sales that occurred prior to this termination.

Additionally, as per our Terms and Conditions, you are not permitted to open any new KDP accounts.

Despite the message, Day sounded confident the account would be reopened.

Of course, there were no previous violations that internal SJWs did not invent as we’ve been repeatedly cleared of the “misleading” charge for that book. Needless to say, we will not be taking this latest SJW attack lying down. I won’t be surprised if the account is rapidly restored once we contact the manager who has been repeatedly dealing with this issue, especially since we were promised that it would never happen again after the last time.

Or he did before he updated the post with this calamitous discovery —

UPDATE: Amazon can’t even find the account information. It looks like whoever was responsible actually wiped all the data.

[Thanks to rcade for the story.]

After Bleeding Cool Interviews Vox Day, IndieGoGo Axes Latest Alt-Hero Comic Campaign

Bleeding Cool interviewed Vox Day about his nascent comics publishing business in “Vox Day: Altered States of America” [Internet Archive link — but see Update] . Day’s Castalia House imprint Arkhaven Comics has published 22 comic books and graphic novels in the past year, using crowdfunding to generate capital and create sales.

Mark Seifert precedes his interview with a multi-thousand word apologetic seeking to manage fan reaction to Bleeding Cool’s platforming of the controversial figure, the kind of response Vox Day anticipated (see “Interview with Bleeding Cool” [Internet Archive link]) when he promoted it on Vox Popoli

I expect a fair number of SJWs will be outraged by the fact that Bleeding Cool acknowledged my existence at all, and when they did, failed to devote the entire interview to angrily denouncing NAZICOMICSHATE, but then, birds will fly and fish will swim too.

And, indeed, there was a hostile reaction on Twitter —

Throughout Bleeding Cool’s interview Matt Seifert delivers plenty of pitches right into Vox’s wheelhouse. For example —

BC: Now let’s talk about the other part of your response there — your assertion that major publishers are restricting who they will hire to produce comics based on their political beliefs. One of the elephants in the room there is that Ike Perlmutter, chairman of Marvel Entertainment, is one of the Republican Party’s largest donors. He’s a man who has President Trump’s ear. He is also legendary for his attention to the details, and for the level of control he exerts over those details. There’s little doubt that if he thought an ideological course correction in Marvel’s output was necessary and/or more profitable, he would be bringing that about with speed. Why hasn’t he been doing that?

VD: Mr. Perlmutter’s mysterious inaction notwithstanding, it is an absolute fact that major publishers, in both comics and science fiction, restrict who they will hire and who they will publish based on their political beliefs. Two of the writers I publish, Chuck Dixon and Nick Cole, were directly told by editors at Marvel and HarperCollins that they would never be permitted to work with them again. I am a novelist myself and I have been personally told by people who work for Tor Books as well as authors published by Tor Books, the largest science fiction publisher, that I would never be published by Tor due to my ideological beliefs. I also know several illustrators and colorists who have been blackballed by either Marvel or DC. Why do you think it’s so easy for Arkhaven to find excellent, experienced artists who are excited to work with us? They understand we aren’t interested in policing their thoughts or opinions.

An unexpected consequence of the interview is that IndieGoGo shut down Arkhaven’s current fundraiser for Alt-Hero: Q, refunded backers’ money, and posted this banner over the webpage —

This campaign has been closed by Trust and Safety due to a violation of our Terms of Use. The campaign will no longer be accepting contributions, and the Campaign Owners no longer have access to the campaign.

The comic had been advertised to be “an incendiary 150-page graphic novel in six parts that explores the mysterious phenomenon of QAnon. The story is written by the legendary Chuck Dixon, who is backed by a first-rate professional art-and-production team.”

In a video commentary posted this afternoon, Vox Day said he believes Bleeding Cool readers lobbied IndieGoGo to get the Alt-Hero: Q book pulled from the crowdfunding site.

And he told readers of his blog (“Indiegogo cancels AH:Q” [Internet Archive link]) —

Needless to say, we’re looking into this. We’ve got everyone’s email addresses and so forth, so if we have to set up our own crowdfunding platform, we will do so. However, in light of the fact that Indiegogo has done this retroactively, we are already looking into the legal aspects of their actions. I am not yet aware of any reason, in fact, I do not even know if the scheduled payment for the campaign was delivered on schedule or not two weeks ago. I assume not, but I won’t be able to confirm that until tomorrow.

Update: Bleeding Cool Removes Interview and Apologizes: Seifert’s interview didn’t last to the end of the first day before public reaction prompted Bleeding Cool to remove it and issue “An Apology Concerning Vox Day: We Made a Mistake” —

Today one of our writers made an error in judgement resulting in giving exposure to viewpoints that we abhor. We will do better, going forward, and that is a promise. The author admits that this was an extreme error of judgement that never should have been made and that other members of the Bleeding Cool writing staff were unaware of the contents of this article.

Seifert has been Bleeding Cool’s managing editor, however, Kaitlyn Booth, who wrote the apology, announced —

In a first step towards that end we are announcing, effective immediately, I am stepping into the role of Editor-in-Chief and will be implementing new review policies across the Bleeding Cool teams.

Update 10/11/2018: Soon after this post went online Bleeding Cool yanked the Seifert interview. I then changed the link to the Wayback Machine’s capture of the page, which worked when I first searched it, however, that link isn’t working now. No idea what’s making it impossible to retrieve. Subsequently Jon Del Arroz posted a different archive link which is working and looks like a valid copy, so I have changed to that.

Pixel Scroll 10/5/18 The Curious Incident Of The Scroll In The Night-Time

(1) LOOKING BACK ON HORROR. From Rocket Stack Rank, here’s a new (perhaps the first annual) selection of “Outstanding SF/F Horror” of 2016-2017.

Although horror isn’t our focus, we do review horror stories that turn up in our regular magazines, so in honor of Halloween, here are 26 outstanding science fiction & fantasy horror stories from 2016-2017 that were either finalists for major SF/F awards, included in “year’s best” SF/F anthologies, or recommended by prolific reviewers in short fiction (see Q&A).

Observations:

(2) WRITING PROCESS. Jonathan LaForce notes it would be a waste to take the popular phrase literally — “Killing off the Darlings” at Mad Genius Club.

Perhaps “killing our darlings” is too much the wrong verbiage.  Let us say, instead, “putting them on ice.”  That’s really all we’re doing- setting them aside till we can use them again later.  In this age of incredible digital technology, why worry about where you’ll save those scenes, those stories, those parts and pieces?  Anybody take a look at how much space is available to use on cloud servers?  My goodness!

(3) VENOM. NPR’s Chris Klimek reports “Tom Hardy Gets His Teeth Into ‘Venom,’ Though The Film Lacks Bite”.

Eddie’s struggles to find a new gig while oily tentacles are shooting out of his body in response to even minor discomforts are the most diverting section part of the film, if only because Hardy is fully committed in a way no other actor here is. Had this thing been greenlit at the 1990s apex of Venom’s popularity as a comic book character, it almost certainly would’ve starred Jim Carrey. So we all dodged a bullet there.

(4) SOUND NUTRITION. While in San Jose, Scott Edelman nibbled naan with K. Tempest Bradford and recorded the results for Episode 78 of Eating the Fantastic.

K. Tempest Bradford

…I also went out to dinner with K. Tempest Bradford for one of the best meals of that extended weekend in the Santana Row neighborhood at Amber India.

K. Tempest Bradford’s short stories have been published in such magazines as Abyss & Apex, Sybil’s Garage, Electric Velocipede, and Farthing, and anthologies like Clockwork Cairo, Diverse Energies, Federations, and Shadow of the Towers: Speculative Stories of a Post 9/11 World. Her non-fiction has appeared at NPR, io9, xoJane, plus the Angry Black Woman blog, sometimes — as you’ll hear us discuss — going viral. Along with Nisi Shawl and Cynthia Ward, she teaches the Writing the Other workshop, and is on the board of the Carl Brandon Society. She also happens to be one of the funniest people I know. Whenever I’m with Tempest, I can be assured there will be laughter.

We discussed how her Egyptian Afro-retro-futurism idea grew from a short story into a series of novels, the way she used crowdfunding to complete the research she needed, why her discovery of my Science Fiction Age magazine means I bear the responsibility for all she’s done since, how an online writing community gave her the confidence to be a writer, the advice from Samuel R. Delany she embraces the most, why she set aside her goal of becoming an opera singer and decided to become a writer instead, the reason there are so many female monsters in Greek mythology, how she blew up the Internet with her “Stop Reading White, Straight, Cis Male Authors for One Year” challenge, her extremely strong opinions about Steven Moffat’s version of Doctor Who, and much more.

(5) NOT RAINBOWLED OVER. Bowlestrek snarks about that Doctor Who costume, asking which is worse, the 6th Doctor Who costume or the 13th Doctor Who costume?

—  “Hipster, Wesley Crusher, Rainbow Brite, Mork & Mindy thrown into a blender abomination.”

—  “Like somebody was trolling Doctor Who fans.”

—  “I’ve shown this picture to people who are fashion conscious and the response almost across the board has been, “What the hell is that?”

—  “What’s with the earrings, the suspenders, the rainbow shirt, what appears to be Tardis socks, and the old man pants?”

— “She looks like an elf.”

(The references to Wesley Crusher and Mork and Mindy are about the rainbow across the shirt.)

(6) FIRST, THE BAD NEWS. This just in from James Davis Nicoll – “Sorry to Crush Your Dreams, But We’re Not Colonizing Space Anytime Soon”.

Perhaps because some of the early space hype was unconvincing when regarded with any attitude other than fanboy enthusiasm. And perhaps because there weren’t any compelling reasons (political, economic, scientific) for significant human presence beyond low Earth Orbit. We don’t need to send up squishy frail humans when we can send probes and remote-controlled vehicles .

Some readers might even now be making squinchy faces, maybe even pondering which unflattering cartoon of me to post in protest.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and JJ.]

  • Born October 5, 1862 – Edward Stratemeyer, Writer and Publisher. Creator of the Stratemeyer Syndicate, which pioneered the book-packaging technique of producing a consistent, long-running series of books using a team of freelance writers, which sold millions of copies, some series of which are still in publication today. He himself wrote more than 1,300 juvenile novels, including the Nancy Drew, Hardy Boys, Tom Swift, and Bobbsey Twins series, Tom Swift being the main character of a series of more than a hundred juvenile science fiction and adventure novels.
  • Born October 5, 1917 – Allen Ludden, Actor who became well-known for decades of hosting TV game shows, but who surprisingly had a part in an episode of Adam West’s Batman, played Perry White in the TV movie It’s a Bird… It’s a Plane… It’s Superman!, and had a cameo – as a game show host – in Hugo finalist Futureworld.
  • Born October 5, 1919 – Donald Pleasence, Actor and Writer who famously played the doctor in the Halloween movies and the President in Escape from New York. He also had a plethora of parts in other genre properties, a few of which include the main role in the Hugo finalist movie Fantastic Voyage which was novelized by Isaac Asimov, roles in episodes of the The Twilight Zone, The Outer Limits, and The Ray Bradbury Theater, a part in George Lucas’ first foray into filmmaking, THX 1138, John Carpenter’s The Prince of Darkness, and the role of Merlin in the TV movie Guinivere.
  • Born October 5, 1949 – Peter Ackroyd, 69, Writer, Biographer, and Critic known for his interest in the history and culture of London. His best-known genre work is likely the Whitbread Award-winning Hawksmoor, the story of an 18th-century London architect building a church interwoven with the narrative of a contemporary detective investigating horrific murders involving that church, and is highly recommended. His novel Dan Leno and the Limehouse Golem was recently made into a movie, and he produced a TV miniseries documentary entitled Peter Ackroyd’s London.
  • Born October 5, 1951 – Karen Allen, 67, Actor and Director known to genre fans as Marion in the Hugo finalist Raiders of the Lost Ark and Indiana Jones and the Kingdom of the Crystal Skull, as well as roles in Starman, Ghost in the Machine, and Scrooged. She also played Christa McAuliffe in the TV movie Challenger.
  • Born October 5, 1952 – Clive Barker, 66, Writer, Director, Artist and Videogame Designer, famous for his horror novels. His series include Hellraiser, Book of the Art, and Books of Blood, as well as The Abarat Quintet which is quite superb. Though not recent, The Essential Clive Barker: Selected Fiction, published some twenty years ago, contains more than seventy excerpts from novels and plays and four full-length short stories. His Imaginer series collects his decidedly strange art. My personal favorite work by him is the Weaveworld novel. His works have received many World Fantasy, British Fantasy, Stoker, Locus and International Horror Guild Award nominations and wins, and have been made into movies, videogames, and comic books. He was the Toastmaster at the 1988 World Fantasy Convention, and Guest of Honor at Albacon III in 1986 and FantasyCon 2006.
  • Born October 5, 1952 – Duncan Regehr, 66, Actor from Canada probably best known to genre fans for his recurring role as a Bajoran resistance leader on Star Trek: Deep Space Nine, but who also had guest roles on The Greatest American Hero, Star Trek: The Next Generation, V, and appeared in the film Timemaster.
  • Born October 5, 1958 – Neil DeGrasse Tyson, 60, Astrophysicist, Cosmologist, and Writer whose nonfiction work Reflections on Carl Sagan’s Cosmos is considered genre. He has had cameos in several genre TV shows and films, including Stargate: Atlantis, Ice Age: Collision Course, Bojack Horseman, The Simpsons, and The Big Bang Theory. Tyson is known for tweeting about inconsistencies and bad science in science fiction films, and Andy Weir famously posted “Someday, Neil deGrasse Tyson is going to either read The Martian or see the film adaptation of it. When he does, he’s going to immediately know that the sandstorm part at the beginning isn’t accurate to physics. He’ll point out that the inertia of a Martian storm isn’t enough to do damage to anything… The knowledge that this is going to happen haunts me.”
  • Born October 5, 1959 – Rich Horton, 59, Writer, Critic, and Editor. He is best known as an anthology editor – and a damn superb one at that – who has been putting out Year’s Best Science Fiction & Fantasy anthologies since 2006, as well as one-off anthologies Space Opera, Robots: The Recent A. I., and War & Space: Recent Combat. He started out writing reviews for SF Site in the late 90s, and has been reviewing books and short fiction for Locus Magazine since 2002.
  • Born October 5, 1967 – Guy Pearce, 51, Actor and Director from Australia who is known for genre works Memento, the remake of The Time Machine, Prometheus, and the Hugo finalist Iron Man 3.
  • Born October 5, 1974 – Colin Meloy, 44, Musician, Singer, Songwriter, and Writer. Front man of the indie folk rock band The Decemberists, and author of the juvenile fantasy novels The Wildwood Chronicles.
  • Born October 5, 1975 – Carson Ellis, 43, Writer, Artist, and Illustrator whose work graces genre works The Wildwood Chronicles written by her husband Colin Meloy, The Mysterious Benedict Society series, a Lemony Snicket book, and The Decemberists albums. Birthday celebrations must be an intimate affair.
  • Born October 5, 1975 – Kate Winslet, 43, Actor from England whose genre credits include the TV series Dark Season and the films A Kid in King Arthur’s Court, the Hugo finalist Eternal Sunshine of the Spotless Mind, Finding Neverland, Contagion, the Divergent series, and the upcoming Avatar 2.
  • Born October 5, 1975 – Parminder Nagra, 43, Actor from England who appeared in Ella Enchanted, had a recurring role on Agents of S.H.I.E.L.D., a guest part on TRON Uprising, and a voice part in Batman: Gotham Knight.
  • Born October 5 – Paul Weimer, Writer, Reviewer, and Podcaster, also known as @PrinceJvstin. An ex-pat New Yorker living in Minnesota, he has been reading science fiction and fantasy for over 30 years and exploring the world of roleplaying games for more than 25 years. An avid blogger, he also contributes to the Hugo-nominated fancast The Skiffy and Fanty Show and the SFF Audio podcast. He was the 2017 Down Under Fan Fund delegate to the Australia and New Zealand National Conventions, and his e-book DUFF trip report, consisting of more than 300 pages of travel stories and stunning photographs, is still available here.

(8) WAY OUT WEST. LiveScience passes the word from the USAF — “US Air Force: Don’t Worry About Those Weird Lights and Booms Sunday, It’s Just a Space Ship”.

Sunday (October 7) SpaceX will try (for the first time) to land a Falcon 9 rocket on the West Coast.

If you’re in the vicinity of Vandenberg Air Force Base in California Sunday evening (Oct. 7), you might hear some strange booming and see some weird lights in the sky. But the Air Force would like you to know that there’s no need to worry; something entirely normal is going on — a rocket that heaved its way up into space will be falling back to Earth, correcting its trajectory with “multiple engine burns,” and then (if all goes well) settling comfortably back on its landing struts in the vicinity of its launch site.

(9) OVERSERVED. These avians have found a natural high: “Minnesota Residents Call Police On Rowdy Drunk Birds”.

Life lately in the tiny northern Minnesota town of Gilbert has resembled a scene out of an Alfred Hitchcock film. Birds, lots of birds, have been “flying into windows, cars and acting confused,” according to the city police department, which has been fielding reports from anxious residents.

But these birds aren’t out for human blood. They’ve just had a few too many — a few too many overripe berries, that is.

“Certain berries we have in our area have fermented earlier than usual due to an early frost, which in turn has expedited the fermenting process,” Gilbert Police Chief Ty Techar explained in a statement. “It appears that some birds are getting a little more ‘tipsy’ than normal.”

Yes, having a boozy lark is nothing abnormal among the feathered set.

(10) CASTALIA HOUSE CHANGING STRATEGY. Vox Day will be pulling most of his imprint’s books from Kindle Unlimited, and will reduce the number of new fiction authors he publishes — “Why KU is killing ebooks” [Internet Archive link]

I did an analysis of our ebook sales and was surprised to discover that with 7 exceptions, Kindle Unlimited is simply not worth it even without taking potential non-Amazon sales into account. So, we’re going to be removing most of our books from KU and returning them to the Castalia House store over the next three months. By the start of the new year, most of our books will be available from all the major ebook platforms as well as our online store.

Remember, every dollar in the KU pool represents about THREE dollars removed from the ebook sales pool. And because the overall market is not growing, it is a zero-sum game.

We’re also going to reduce the number of new fiction authors we publish. Because repeated experiments have demonstrated that even the very best-selling KU novelists don’t sell very well in print, and because the success of KU puts us in a catch-22 situation with them regardless of whether they sell well through us or not, we are going to focus our efforts on strategic properties that we create, own and develop rather than those that we merely publish.

Because non-fiction a) sells well in print and b) is not popular on KU, our non-fiction publishing will continue without any change in focus or strategy.

(11) NOT THAT VOX, THE OTHER VOX. At Vox, Todd VanDerWerff asks why this had such an impact: “Russian trolls used Star Wars to sow discord online. The fact that it worked is telling.”

Maybe the Russian bots that Bay identified are all extra-governmental, built by trolls with spare time on their hands and a grudge against Lucasfilm. Or maybe Bay’s findings are yet another example of how thoroughly Russian intelligence has zeroed in on the idea that white nationalism is central to driving a wedge into American society.

If the latter is true, then what’s most unnerving about Russia’s intelligence strategy and its connection to Star Wars isn’t what that strategy says about Russia, but what it says about us.

Whomever you believe is behind movements like Gamergate and the pushback against The Last Jedi, what they reveal about America in the 2010s feels a little hard to swallow at first: At this point in history, a lot of us — and especially a lot of young, white men — are centering their identities and their senses of right and wrong on pop culture artifacts, sometimes with a near-religious zealotry. Call it “fandamentalism.”

(12) CREEPY PHONE. In this BBC video, “Feely finger phone crawls across desk”.

A touch-sensitive robotic finger that can be attached to smartphones has been developed by a researcher in France.

The MobiLimb finger can crawl across the desk, waggle for attention when messages arrive and be used as an interface to control apps and games.

It can also stroke its owner on the hand, which developer Marc Teyssier said could create more personal connections.

He told the BBC people generally found the finger creepy or weird because it was so unusual, but hoped it would be “accepted” in time.

(13) KEEPING IT OFF THE TIP OF THEIR TONGUE. French language body urges alternative phrase for “fake news”. Somehow information fallacieuse doesn’t have the same je ne sais quoi; the Commission offers “infox” among the alternatives, possibly not knowing how “Fox” is Frenched in the US.

Or if that is too long-winded, CELF suggested the abbreviation “infox”, formed from the words “information” and “intoxication”.

“The Anglo-Saxon expression ‘fake news’, which refers to a range of behaviour contributing to the misinformation of the public, has rapidly prospered in French,” the commission rued.

“This is an occasion to draw on the resources of the language to find French equivalents.”

(14) DRAWN THAT WAY. Comic artist Alex Ross appeared on Late Night with Seth Meyers promoting his latest book, Marvelocity.

Comic book writer and artist Alex Ross talks about his artistic process, what drew him to the idea of drawing realistic versions of superheroes and explains why he doesn’t have an email.

 

(15) SIGN UP FOR THE ZONE. Rod Serling pitches The Twilight Zone to advertisers back in the day.

[Thanks to John King Tarpinian, Eric Wong, JJ, Alan Baumler, Chip Hitchcock, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, James Davis Nicoll, Scott Edelman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Edd Vick.]

Pixel Scroll 11/6/17 All Of The True Pixels I Am About To Tell You Are Shameless Scrolls

(1) MORE MAPS. Ursula K. Le Guin shares the Hainish Endpapers from new editions of her books:

  • Gethen Map by UKL Colorization by Donna G. Brown

  • List of Known Hainish Worlds by Donna G. Brown, LoA.

(2) IT’S BEGINNINNG TO LOOK A LOT LIKE ADVENT. Hingston and Olsen have included stories by several sff authors in the 2017 “Short Story Advent Calendar”.

For the third straight year, the Short Story Advent Calendar is here to be the spice in your eggnog, the rum in your fruitcake—another collection of 24 brilliant stories to be opened, one by one, on the mornings leading up to Christmas.

These stories once again come from some of the best and brightest writers across North America, and beyond. Plus, this year featuring more all-new material than ever before!

Contributors to the 2017 calendar include:

  • Kelly Link (Get in TroubleMagic for Beginners)
  • Jim Gavin (Middle Men, AMC’s forthcoming Lodge 49)
  • Carmen Maria Machado (Her Body and Other Parties)
  • Ken Liu (The Paper MenagerieThe Grace of Kings)
  • Maggie Shipstead (Astonish MeSeating Arrangements)
  • and [REDACTED x 19]!

As always, each booklet is sealed, so you won’t know what story you’re getting until the morning you open it.

(3) WSFS PAPERS. Kevin Standlee announced more documentation from the 2017 Worldcon Business Meeting has been posted:

The 2018 WSFS Constitution (including all of the amendments ratified in Helsinki), Standing Rules for the 2018 WSFS Business Meeting, and Business Passed On to the 2018 WSFS Business Meeting are now online at the “WSFS Rules page”.

The Resolutions & Rulings of Continuing Effect are being reviewed by the WSFS Nitpicking & Flyspecking Committee, and I expect them to be online at the same page within a week or so.

Thanks again to Linda Deneroff for pulling this all together and putting up with me futzing around with the documents.

(4) I CHING, YOU CHING. At Galactic Journey, The Traveler has just gotten his hands on PKD’s brand new novel! “[November 6, 1962] The road not taken… (Philip K. Dick’s The Man in the High Castle)”.

Philip K. Dick has returned to us after a long hiatus with a novel, The Man in the High Castle.  It is an ambitious book, longer than most science fiction novels.  Castle‘s setting is an alternate history, one in which the Axis powers managed to defeat the Allies…somehow (it is never explained).  Dick explores this universe through five disparate viewpoint protagonists, whose paths intertwine in complex, often surprising ways…

Surprisingly, The Traveler scoffs at the alternate history premise.

There are significant problems with Castle, however.  For one, it suffers from lazy worldbuilding.  The book is an opportunity for Dick to draw a wide cast of characters and depict their complex web of interactions.  But the underpinnings of the world they inhabit are implausible.  First and foremost, it would have been impossible, logistically, for the United States to have fallen to the Axis Powers.  For that matter, I have doubts that the Soviet Union was ever in existential danger.  Certainly the Reich never came close to making The Bomb – their racial theory-tinged science wouldn’t have allowed it.  It is sobering when you realize that the Allies managed to fight two world wars and develop the most expensive and powerful weapon ever known all at the same time.  An Axis victory in World War 2 resulting in the conquest of the United States is simply a nonstarter.

(5) EATING THE FANTASTIC. Scott Edelman invites everyone to “Sink your teeth into samosa with Karin Tidbeck” in episode 51 of the Eating the Fantastic podcast.

Karin Tidbeck

This time around, you get to listen in on my lunch at Mero-Himal Nepalese Restaurant with Karin Tidbeck during the penultimate day of the con. Tidbeck writes fiction in both Swedish and English, and debuted in 2010 with the Swedish short story collection Vem är Arvid Pekon? Her English debut, the 2012 collection Jagannath, was awarded the International Association for the Fantastic in the Arts William L. Crawford Fantasy Award in 2013 and was shortlisted for the World Fantasy Award. Her novel debut, Amatka, was recently released in English.

We discussed the serious nature of Live Action Role-Playing games in Nordic countries, the way pretending to be a 150-year-old vampire changed her life, how discovering Neil Gaiman’s Sandman comics made her forget time and space, the most important lesson she learned from the Clarion Science Fiction & Fantasy Writing Workshop, how she uses improvisational exercises to teach beginning writers, why Amatka grew from a poetry collection into a novel, what made her say, “I’m not here to answer questions, I’m here to ask them,” and more.

(6) CAN YOU EXPLAIN THAT AGAIN? Scholars contend: “Science Fiction Makes You Stupid” in a post at The Patron Saint of Superheroes.

That is a scientifically grounded claim.

Cognitive psychologist Dan Johnson and I make a version of it in our paper “The Genre Effect: A Science Fiction (vs. Realism) Manipulation Decreases Inference Effort, Reading Comprehension, and Perceptions of Literary Merit,” forthcoming from Scientific Study of Literature.

Dan and I are both professors at Washington and Lee University, and our collaboration grew out of my annoyance at another study, “Reading Literary Fiction Improves Theory of Mind,” published in Science in 2013. Boiled down, the authors claimed reading literary fiction makes you smart. And, who knows, maybe it does, but if so, their study gets no closer to understanding why–or even what anyone means by the term “literary fiction” as opposed to, say, “science fiction.”

Our study defines those terms, creates two texts that differ accordingly, and then studies how readers respond to them. The results surprised us. Readers read science fiction badly. If you’d like all the details why, head over to Scientific Study of Literature.

Arinn Dembo says about the article:

This is an interesting study. It strongly suggests that years of internalized stereotyping might influence the way you read and are *able* to read, in and out of the pulp genres you might favor. I said years ago, in my first published review, “If you don’t read outside the genre… soon you won’t be able to.”

But it might just be that if you listen too long to what arrogant, dismissive people think of your genre, you’ll stop being able to read it intelligently.

(7) VERSE WARRIORS. E. Catherine Tobler (Shimmer editor), Rachael K. Jones (recently nominated for World Fantasy Award for short fiction) and Aidan Doyle have launched a Kickstarter appeal to fund  “Sword and Sonnet” an anthology of genre stories about battle poets.

“Sword and Sonnet” will be an anthology featuring genre stories about women and non-binary battle poets. Lyrical, shimmery sonnet-slingers. Grizzled, gritty poetpunks. Word nerds battling eldritch evil. Haiku-wielding heroines.

We have a wonderful group of writers who have agreed to write stories for us: Alex Acks, C. S. E. Cooney, Malon Edwards, Spencer Ellsworth, Samantha Henderson, S. L. Huang, Cassandra Khaw, Margo Lanagan, Khaalidah Muhammad-Ali, Tony Pi, A. Merc Rustad and A. C. Wise. We’ll also be holding an open submission period.

The cover art is by Vlada Monakhova. The project is live on Kickstarter throughout November. At this writing they have raised $1,982 of their $7,654 goal.

(8) IN PASSING. Here’s a photo of the late Ben Solon, a Chicago fan whose death was reported the other day.

L to R: John D. Berry, Ray Fisher and Ben Solon at a party at late Sixties Worldcon. Photo copyright © Andrew Porter

(9) COMICS SECTION.

  • Darrah Chavey found the reason for the season in Cul de Sac.
  • John King Tarpinian noted The Argyle Sweater getting its laughs at the pharmacy.

(10) TEMPLE TALK. Kim Huett writes to say he has updated his William F. Temple article with corrected information supplied by Rob Hansen in a comment.

Meantime, Bill Burns says he was “Surprised to see that when you posted Kim’s piece on Bill Temple the other day you didn’t also mention Rob Hansen’s excellent new compilation of Bill’s fan writing, Temple at the Bar – free in promotion of TAFF!”

It’s one of the free ebooks at Dave Langford’s TAFF site.

(11) MOO SIXTY-NINE. NASA’s New Horizons team is looking for help naming their next target — “Help us Nickname a Distant World”.

On January 1, 2019, NASA’s New Horizons spacecraft will fly past a small, distant, and cold world at the outer frontier of our solar system. The spacecraft is about to set the record for visiting the most remote world ever explored by humankind.

For now, our destination goes by the unexciting name “(486958) 2014 MU69“, or “MU69” for short. We would like to use a more memorable nickname when we talk about our target body.

At this site, we are asking you—the public—to suggest your ideas for the nickname to assign to MU69, and to vote for your favorites. The New Horizons team and NASA will review your best ideas and announce our selection soon—in early January, 2018.

… From here you can:

  • Read about the nicknames we are already considering.
  • Vote for your favorite names on the ballot (so far).
  • Nominate names that you think we should add to the ballot.
  • Check out the top-ranked names on the vote tally.

Would you believe — right now, Mjölnir is leading the poll.

(12) TRAD PIZZA. In “Papa John’s condemns new customers: White supremacists” the alt-right rationale that a business is “failing” – because it didn’t grow as fast as predicted (mind you, it still grew) – sounds like the same criticism recently levied against a sff writer who said his productivity was down.

Papa John’s pizza has a new customer, the alt-right.

In the days following a rant by Papa John’s CEO and Louisville resident John Schnatter where he blamed the NFL and anthem protests for low sales, a white-supremacist publication claimed it as their official pizza.

In a blog post at the Daily Stormer, a photo of pizza with pepperonis arranged in a swastika has a caption that reads “Papa John: Official pizza of the alt-right?”

“This might be the first time ever in modern history that a major institution is going to be completely destroyed explicitly because of public outrage over their anti-White agenda,” Daily Stormer writer Adrian Sol said.

Peter Collins, the senior director of public relations at Papa John’s, said the company was taken off-guard by the endorsement.

“We condemn racism in all forms and any and all hate groups that support it,” Collins told Courier Journal. “We do not want these individuals or groups to buy our pizza.”

Papa John’s released third-quarter sales figures last week that show diminished rates of growth at established North American locations: 1.5 percent this year as opposed to a projected 2- to 4-percent increase. In 2016, North American sales increased 5.5 percent during the same period.

(13) TWO-LEGGED SYLLOGISM OF THE DAY. In a piece mainly devoted to slandering David Gerrold, Dr. Mauser informs the sff community “The Science Fiction is Settled”, indulging in the fallacious logic that if any member of a group wrote sff in the early days of the genre, by that date the field was wide open to writers from that group.

And then, tragedy strikes. Because to Gerrold, Change has an Arrow on it, with a single destination, and it’s pointing to the left. He launches into a paean about Immigrants and diversity and the global village because Diversity is Strength! And then:

So, yes, it is inevitable that science fiction authors will explore that diversity — expanded roles for women, new definitions of gender and sexuality, the contributions of People of Color and other non-white ethnicities. We’ve discovered the overlooked skills of the aged and the disabled, the unusual and extraordinary ratiocinations of people who are neuro-atypical. The next generation of authors are exploring vast new landscapes of possibility — places to explore and discover ways of being human previously unconsidered.

It’s not that SF CAN explore those things, but that SF SHOULD explore those things he seems to think. Forget exploring the stars or asking “What if we’re not alone in the universe?” Nah, we’re alone, so let’s spend all our speculative energies on exploring our own bad selves. He grudgingly admits that while we have probes going past Pluto, “some of our most ambitious authors are turning their attention to a different frontier —exploring the workings of the human soul.” I suppose our navels give us much more instantaneous gratification than the stars. But really, that kind of narcissism is only interesting to the narcissist.

And at this point, we can see where the train leaves the tracks, because he switches from talking about science fiction, to the science fiction community, while trying to carry the same points. He talks about the changes in the SF Community from all these new folks of diverse backgrounds showing up. The only problem with this theory is that they have always been here. There’s a case of DoubleThink going on here when the same folks who like to claim Mary Shelley as one of the first female authors of Science Fiction, and then set it out there as if women are something new, and even more patronizing when they act as if their side’s genuflecting to Feminism is somehow responsible for their appearance. No, this is not a change. Try reading some C.L. Moore and realize that not only have women been in SF all along, they have been awesome.

Likewise with minority writers. The publishing world is, or at least was, the ultimate meritocracy. Since most of the business was conducted by mail, a publisher had no clue about the racial background of an author. Bias was eliminated through the medium of the Manila envelope. It takes very little research to find out that Black authors have been writing science fiction since the turn of the century. No, not this century, the previous one. Likewise for Gay authors, an obvious example being from the previous list, Samuel R. Delany. He was first published in 1962. That’s FIFTY FIVE years ago. This “change” Gerrold is touting really is nothing new.

Do you think there’s much chance that David Gerrold will be stunned to learn a gay author wrote sf in the Sixties?

(14) TURNOVER AT CASTALIA HOUSE BLOG. Jeffro Johnson is leaving the Castalia House blog. Contributor Morgan Holmes will take charge. Culture warrior Johnson said in his farewell post —

I remember when Sad Puppies first came to my attention. Upon reading the most vilified author of the whole crop– Vox Day, of course– I saw a nominated story that’s worst fault could only be that it was explicitly Christian. Looking up the publishing house it was produced at, I found a manifesto stating their goal to restore fantasy and science fiction to more what it was like when it was written by Tolkien and Howard. (And yeah, I had no idea how the person that wrote that could possibly think that a pulp writer like Robert E. Howard could be anywhere on par with J. R. R. Tolkien. And even more ironically, I couldn’t imagine how a “Campbellian Revolution” they claimed to want could be anything other than good.)

…So much is happening in the wider scene today that I can barely keep up with even a portion of it. Along with that, I find that areas of my life outside of gaming and fiction have increasingly laid greater and greater claims to my time. And while I wish I could do all the things that I can think of that could really capitalize on everything that’s developed here… I’m afraid I instead have to admit that I’ve run with all of this about as far as I can.

It’s a tough thing to do, but I think it’s the right thing for me at this time. So I’m handing over editorship of Castalia House blog to Morgan Holmes, who has been writing about classic fantasy and science fiction here almost as long as I have. (Good luck, man!)

(15) ONE THING PEOPLE SEEM TO AGREE ABOUT. On National Review Online, Heather Wilhelm, in “The Surprising Joy of Stranger Things”. praises the show for being “a good, non-angry, non-political TV show.”

The show features “a prelapsarian world of walkie-talkies, landlines, and suburban kids left free to roam wherever they want on their bicycles,” wrote Emily Nussbaum in The New Yorker last year. Or, as Ross Duffer told Rolling Stone: “We were the last generation to have the experience of going out with our friends to the woods or the train tracks and the only way our parents could connect with us was to say, ‘It’s time for dinner.’” That world is largely gone, and with it, many childhood adventures. The image of a freewheeling kid on a bicycle, so integral to iconic films such as E.T. — Matt and Ross Duffer make no secret of drawing inspiration from classic ’80s blockbusters — is also integral to Stranger Things. Tooling around town or in the local woods on a bike is almost diametrically opposed to most widely approved childhood activities today, which tend to involve hyper-organized and ludicrously time-consuming team sports that seem purposely designed to torture kids and parents alike. Tooling around town or in the local woods on a bike is almost diametrically opposed to most widely approved childhood activities today. But given free rein on their bikes in and around the town of Hawkins, the kids of Stranger Things can meet up, explore, barrel through the forest, investigate baffling occurrences, and evade a posse of bad guys from a sinister government agency gone awry. That would be the Hawkins National Laboratory, a hulking structure nestled deep in the midwestern woods, packed to the gills with mysteries. According to the Duffer brothers, it was inspired mostly by “bizarre experiments we had read about taking place in the Cold War.”

(16) HERDING CATS. Camestros Felapton expanded his survey of animals in sff blogs (“Blogstrology”) to include one more —

Rocket Stack Rank www.rocketstackrank.com is interesting because the animals mentioned would be more determined by their incidence in short fiction. Overall low frequencies and RSR has no presence on the otter or goose dimensions. Wolf-Rabbit-Cat blog – “Cat” strongly assisted by reviews of the works of Cat Rambo.

Goat has a presence but is just shy of the top 3.

(17) GLASGOWROK. Apparently he’s a riot pronouncing the word “bairn” — “Jeff Goldblum Answers Scottish Themed Questions About the End of the World Posed by Wee Claire”.

While promoting his new film Thor: Ragnarok, the wonderfully affable Jeff Goldblum sat down with Wee Claire of the BBC Scotland show The Social to answer a few Scottish-themed questions about the end of the world.

 

(18) VIDEO OF THE DAY. “Time Travel in Fiction Rundown” on YouTube is a look at how lots of movies and Ender’s Game and Harry Potter and the Prisomer of Azkaban handle the time travel theme.

[Thanks to John King Tarpinian, JJ, James Davis Nicoll, Bill Burns, Kim Huett, Martin Morse Wooster, Cat Eldridge, Mike Kennedy, Carl Slaughter, and Scott Edelman for some of these stories. Title credit goes to File 770 contributing editor of the day Xtifr.]

Pixel Scroll 10/30/17 Cast Your Scrolls upon the Pixels, And They Will Return Tenfold

(1) THE REASON FOR THE SEASON. Always a big part of my spirituality — the LEGO Star Wars Advent Calendar.

Open a door of this super-fun advent calendar each day in December to discover a LEGO® Star Wars themed minifigure, starship, vehicle or other collectible. There’s even a foldout playmat featuring images from Jakku, Starkiller Base and deep space for epic Star Wars encounters. This holiday gift is perfect for rebels, Sith Lords, Scavengers and any other life form, and includes 7 minifigures and a BB-8 figure.

  • Vehicles include The Ghost, The Phantom, Stormtrooper transport, Rey’s speeder, Millennium Falcon, Snowspeeder, Kylo Ren’s Command Shuttle, Y-wing, TIE Striker, Hovertank, AT-ST, blaster cannon, snow blower and a sled with boosters!
  • Weapons include 3 blaster pistols and 2 blasters

(2) HANS DUO. He was in The Shootist. Now he’s the Reshootist. ScreenRant reports “Ron Howard Reshot ‘Nearly All’ Of Solo For ‘Twice The Budget’”.

During his time filming, Howard served as the damage control department by posting fun pictures from behind-the-scenes, offering his social media followers a small taste of what was going on. While these were successful in changing the conversation to the content of the film itself (rather than the drama surrounding it), some couldn’t help but realize Howard wasn’t simply finishing what Lord and Miller started. As filming went on for a while, it became apparent there was considerable retooling going on. Now, any issues about who will receive director credit are a thing of the past.

(3) CAT LOVER. From Unbound, Farah Mendlesohn on romance in Robert A. Heinlein — “Q&A with Julie Bozza”.

  1. How important were the romance subplots in Heinlein’s novels and stories?

In Heinlein’s Juveniles romantic subplots are notable mostly by their absence. If there is a lesson in them for smart girls and boys it’s that romance is to be avoided at all cost when you are young because it will restrict your ambitions. Heinlein of course had made this mistake himself with what we’d now call a “starter marriage” in the early 1930s, but in those days it was the only legitimate way for a nice boy to get sex. There is a hint of it in Starman Jones, but it doesn’t work out, in Between Planets the hero doesn’t notice he is being romanced, and in The Star Beast, both female protagonists have it all worked out, but the hero hasn’t noticed yet.

By the 1960s his boys approach girls with awe: Johnny Rico in Starship Troopers likes having women in charge of the space ships because it’s a reminder what he’s fighting for, but there is not a whisper of sex, which is one reason I suggest in the book that we really do need to see this one as a juvenile.

But from Stranger in a Strange Land onwards, it’s not that romance is a subplot so much as that one of the things Heinlein clearly wants to think seriously about is what love is. Stranger is all about how you love someone, how you love without jealousy, and how true love should be expansive, encompassing and generous. Glory Road is this magnificent medieval Romance, intensely performative and playful and a bit silly, but by the end separating the game of romance from the real thing. And of course the Lazarus Long sequence, particularly the tellingly titled Time Enough for Love, and the last novel, To Sail Beyond the Sunset are all about what love means and what we will do for love. But the true masterpiece of Heinlein’s romances is The Door Into Summer which for all the sub plot about Dan’s relationship with Ricky, is truly about a man and his love for his cat.

(4) TERRORWEEN. Yes, this is precisely what we groundlings are always looking for — “McEdifice Returns: Goosebumpy Halloween Special”.

Welcome boils and ghouls to this, your McEdifice Returns Halloween Special. I am your host Tyranny The Torturing Cat-O-Nine-Tails and this is my hideous assistance Straw ‘Wicker man’ Puppy.

We submit for your consideration the strange case of one Chiseled McEdifice. A lowly photocopy repairman or so he says. But what is this? His attempts to prevent paper supplies going missing has brought him to the SPOOKIEST part of any office building!

And there, amid the dust, and the spiders, and the rat-droppings and the incessant drip-drip-drip of leaking pipes, he discovered that all along, the paper was being stolen by…

A HUMANOID ALIEN INFLUENCED PHOTOCOPY MACHINE MAN TRYING TO COPY HIS OWN BUTT!!!!!!!!!!!!!!!!!!!!!!!!!

Hmmm, you think that’s NOT scary?…

(5) BACK TO THE STARGATE. The Verge’s Andrew Liptak invites readers to “Watch the first behind-the-scenes glimpse for MGM’s digital-only Stargate prequel”.

At Stan Lee’s Los Angeles Comic Con, the studio teased our first look at the upcoming show.

Stargate Origins will be a prequel to the original film and followup television franchise. This two-minute featurette shows off the first week of production, with a small tent city and offices for a young Catherine Langford (played by Ellie Gall).

 

(6) CHUCK TINGLE IN LA. A certain someone else was also at Stan Lee’s Los Angeles Comic Con, or as he calls it…

Since Chuck attended with his head in a bag, the mystery lingers on….

(7) PLAN AHEAD. Taos Toolbox (June 17-30) is a two-week Master Class in Science Fiction and Fantasy taught by Walter Jon Williams and Nancy Kress, with special guest George R.R. Martin, and special lecturers Carrie Vaughn and E.M. Tippets. Applications for the 2018 workshop will be accepted beginning December 1, 2017.

Taos Toolbox is a workshop designed to bring your science fiction and fantasy writing to the next level. If you’ve sold a few stories and then stalled out, or if you’ve been to Clarion or Odyssey and want to re-connect with the workshop community, this is the workshop for you!

Taos Toolbox has only been in existence for ten years, and already graduates have been nominated for eight Hugo awards.

 

(8) FICTION BROUGHT TO LIFE. Amazing Stories goes “Behind the Scenes with a Voice Actor” in an interview with Brad Wills.

  1. How do you determine what kind of voice to use for different characters? Do you impersonate different actors that you’ve seen? I’m really curious as to the process. Can you explain it?

Usually I’ll apply one of my stock voices to a character based on their personality traits. For instance in the character breakdown of An Unconventional Mr. Peadlebody, you had described Gerald as a bit of a prudish dandy, and a total failure as a vampire. So I used a more nasal, reedy, affected tone to portray those characteristics. It’s a voice I typically use for grousers and malcontents. So with an added bit of cheekiness and fey pomposity, it seemed to suit Gerald well. As for the character of Gainsworthy, yes I did pay a calculated tribute to a certain actor/director and a notorious character he once played. To tell people why would spoil the mystery of the book, though! I’ve also taken inspiration from numerous old character actors from Hollywood’s Golden Era. Turner Classic Movies has been invaluable.

(9) ROYAL MANTICORAN NAVAL MANUVER. Fans of the Honorverse will be interested to know about SphinxCon 2018. I’m a little curious whether David Gerrold fits into the theme somehow, or is simply a good idea as a GoH people want to see,

(10) CHECK YOUR CLOSETS. Definition remembers “20 Older Toys With Insane Value”. Note: This is a click-through article.

  1. Vinyl Caped Jawa

This version specifically will get you at least $5,000. When this version of Caped Jawa was released in 1978, its cape was made of vinyl, before Kenner Company felt the cape looked too cheap and changed the vinyl to cloth. The vinyl caped Jawa is incredibly rare, very valuable, and worth a minimum of $5,000.

(11) SOLON OBIT. SF Site News reports the death of longtime Chicago fan Ben Solon.

Chicago Fan Ben Solon (b.c.1950) died on October 26. In addition to attending Chicago area conventions, Solon published the fanzine Nyarlathotep.

(12) LUPPI OBIT. Federico Luppi, an Argentine actor who gained fame in the dark fantasy films of Guillermo del Toro, died October 20 at the age of 83. The New York Times obituary adds:

Mr. Luppi’s career, which began in the mid-1960s, included dozens of film and television roles, often in Argentine productions. Slim and stately with a shock of white hair, he endowed his characters with a sense of gravity.

One of those characters was Jesus Gris, the protagonist of the Mexican horror film “Cronos” (1993), Mr. del Toro’s directorial debut. In that film, which also starred Ron Perlman, Gris, an antiques dealer, finds a clockwork device that turns him into a vampire.

Mr. Luppi played the monstrous Gris with touches of weakness — at one point in the film he sinks to a bathroom floor to lap up a spot of blood.

Mr. Luppi appeared in two more of Mr. del Toro’s films, both set in Franco’s Spain. He was a leftist sympathizer who ran a haunted orphanage in “The Devil’s Backbone” (2001), and the monarch of a fairy kingdom in “Pan’s Labyrinth” (2006), which won three Academy Awards in 2007.

After Mr. Luppi’s death was reported, Mr. del Toro, writing in Spanish on Twitter, called him “Our Olivier, our Day Lewis, our genius, my dear friend.”

(13) TODAY IN HISTORY

  • October 30, 1938 The War of the Worlds radio play scared a lot of people.

(14) LISTEN IN. Recordings of the play are available at the Internet Archive, including “War Of The Worlds 1938 Radio Broadcast with Orson Welles”.

The War of the Worlds is an episode of the American radio drama anthology series The Mercury Theatre on the Air. It was performed as a Halloween episode of the series on October 30, 1938, and aired over theColumbia Broadcasting System radio network. Directed and narrated by actor and future filmmaker Orson Welles, the episode was an adaptation of H. G. Wells‘s novel The War of the Worlds (1898).

(15) COMICS SECTION

(16) POTTERMANIA, The Washington Post’s Karla Adam says “London is going all butterbeer over 20th anniversary of Harry Potter”. Her survey of news about the 20th anniversary of the publication of Harry Potter and the Philosopher’s Stone includes a British Library exhibit and various fan activities that are taking place all over London.

Not that it takes much to motivate Potter enthusiasts. Last month, for instance, thousands of Muggles descended on Platform 9¾ at King’s Cross station to mark the day that Harry Potter’s son Albus left for Hogwarts. For those truly potty about Potter, there is the “Making of Harry Potter” studio tour, next to the film studios where all eight films were made, which in the lead-up to Halloween is hosting feasts in the “Great Hall” with pumpkins and cauldrons full of lollipops.

(17) SOFTWARE. The New York Times Magazine tackles the question, “Does Your Language Shape How You Think?” After taking an ax to Benjamin Lee Whorf, the author moves into ancillary matters…

SINCE THERE IS NO EVIDENCE that any language forbids its speakers to think anything, we must look in an entirely different direction to discover how our mother tongue really does shape our experience of the world. Some 50 years ago, the renowned linguist Roman Jakobson pointed out a crucial fact about differences between languages in a pithy maxim: “Languages differ essentially in what they must convey and not in what they may convey.” This maxim offers us the key to unlocking the real force of the mother tongue: if different languages influence our minds in different ways, this is not because of what our language allows us to think but rather because of what it habitually obliges us to think about.

Consider this example. Suppose I say to you in English that “I spent yesterday evening with a neighbor.” You may well wonder whether my companion was male or female, but I have the right to tell you politely that it’s none of your business. But if we were speaking French or German, I wouldn’t have the privilege to equivocate in this way, because I would be obliged by the grammar of language to choose between voisin or voisine; Nachbar or Nachbarin. These languages compel me to inform you about the sex of my companion whether or not I feel it is remotely your concern. This does not mean, of course, that English speakers are unable to understand the differences between evenings spent with male or female neighbors, but it does mean that they do not have to consider the sexes of neighbors, friends, teachers and a host of other persons each time they come up in a conversation, whereas speakers of some languages are obliged to do so.

(18) PLUTO’S REPLACEMENT. The Planetary Society’s vlog does a seasonal installment: “It Came From Planet 9 – The Planetary Post with Robert Picardo”.

Picardo is the Phantom of the Orbit in this terrifying episode of The Planetary Post. Enjoy a special guest visit from Dr. Konstantin Batygin, one of the members of the team which has theorized a big, ninth planet way out beyond Neptune.

Watch the extended interview footage here

 

(19) LEST YOU DISCOVER TOO MUCH. Camestros Felapton warns that spoilers abound in his “Review: Star Trek Discovery – Episode 7”.

Aaarrrrgghhhh what a frustrating show this thing is! It can get so much right and then fall flat on its face. Spoilers abound below the fold.

But that’s good for those of us who haven’t subscribed to CBS All Access yet.

(20) BEWARE MORE SPOILERS. Whereas Standback’s retrospective of the first several episodes is on Medium: “ST:Discovery, Five Weeks Deep: Burnham and Lorca”.

Alas. We deserve more. True story: for a brief 24 hours, I was really hoping “Lethe” would be the perfect name for an episode where due to [TECHNOBABBLE], everybody mysteriously forgets Burnham’s mutiny, and she suddenly needs to live amongst a crew who thinks she never did anything wrong. (Sorry, y’all, I don’t watch teasers 😛 ) It could have been glorious. Straight talk: I would x100 rather see Burnham try to go to a book club meeting, then pull off another Daring Impossible Foolhardy Mission. She’s got the chops; what she doesn’t have is the writing.

(21) KEEPING THE WOW IN BOW WOW. Save space on your Hugo ballot for this editor.

(22) ALT MONEY. Is comics such a rich field? Vox Day’s new right-wing comics series, Alt*Hero, intended to “wage cultural war on the social justice-converged comic duopoly of Marvel and DC Comics,” finished among the most lucrative crowdfunding campaigns ever.

Alt*Hero features unconventional villains such as Captain Europa of the Global Justice Initiative and controversial heroes such as Michael Martel, a vigilante who drops off criminal undocumented immigrants at the local Immigration and Customs Enforcement office, and Rebel, an Southern girl whose superhero outfit incorporates the Confederate battle flag.

Vox Day looked over Kickstarter’s records of Comics – Most Funded campaigns and determined:

There have been 10,552 comics-related campaigns. The #21 most-funded Anatomy of Melancholy: The Best of A Softer World came in at $251,062 with 3,923 backers. We will probably pass that up when all is said and done later today since backers are apparently still emailing and adding a few things on, but we come in right behind them at $245,825 at present. Probably won’t be enough to get to the $260,942 required to catch #20, though.

So, it’s definitely the 22nd most-funded of the 10,553 comics-related crowdfunding campaigns, which is not bad. Also, if you look at the other 21, you can see that all of them were established comics prior to the kickstarter. So, we are also the #1 most-funded new comics series.

(23) THE SILENCERS. Not genre, but too strange to ignore: “A weird solution for noodle slurpers in Japan”. A BBC video about a noise-canceling fork — and other strange utensils.

A Japanese noodle maker Nissin Foods is trying to reinvent the way we eat ramen by creating a noise cancelling fork that covers up slurping.

It’s the latest in string of bizarre cutlery inventions. Is it insanely clever or just insanity?

(24) SOUND ADVICE. And it’s also a good time of year to remind people about the availability of X Minus One radio episodes at the Internet Archive:

X Minus One aired on NBC from 24 April 55 until 9 January 58 for a total of 124 episodes with one pilot or audition story. There was a revival of the series in 1973 when radio was attempting to bring back radio drama and it lasted until 1975. The show occupied numerous time slots through out its run in the 50’s and thus was never able to generate a large following. X Minus One was an extension of Dimension X which aired on NBC from 1950-51. The first fifteen scripts used for X Minus One were scripts used in the airing of Dimension X; however, it soon found its own little niche. The stories for the show came from two of the most popular science fiction magazines at the time; Astounding and Galaxy. Adaptations of these stories were performed by Ernest Kinoy and George Lefferts. They even wrote a few original stories of their own. The writers of the magazine stories were not well known then but now are the giants of today. These stories came from the minds of Ray Bradbury, Isaac Asimov, and Poul Anderson to name a few. This series has survived from its original airing in high quality to be enjoyed today.

(25) ASGARDIAN SNEAK PEEK. Two minutes from Thor: Ragnarok.

(26) PUMPKINS IN CHORUS. Here’s a Halloween light show sure to bring down the house.

[Thanks to JJ, Martin Morse Wooster, Cat Eldridge, John King Tarpinian, Andrew Porter, and Carl Slaughter for some of these stories. Title credit goes to File 770 contributing editor of the day Greg Hullender.]

Pixel Scroll 9/19/17 These Are A Few Of My Favorite Seven Impossible Things Before Breakfast

(1) DARMOK AND JALAD AT THE TIKI BAR. ThinkGeek invites you to get your “Star Trek The Next Generation Geeki Tikis”.

La Forge, Picard, Worf, Cardassian, Borg, Ferengi

Allow us to raise a toast to your taste in housewares with these Star Trek The Next Generation Geeki Tikis. A set of six, these tiki mugs let you drink with Captain Picard, Geordi La Forge, Worf, a Cardassian, a Ferengi, and the Borg. Yes, all of the Borg since they’re a collective consciousness. Best not to play trivia against that one. These tiki mugs hold around 14 oz. each, and they’ll look great next to your Horga’hn fertility statue.

 

(2) BOOK DONATIONS REQUESTED. John Joseph Adams posts:

Got any books you’d like to donate to a good home? My sister’s looking for donations for her school’s library:

In “Nothing to Read”, teacher Becky Sasala explains the need.

I recently assigned my juniors to independently read a book every nine weeks. We took part of a class period and visited the media center to ensure that every student had access to a variety of books. I was absolutely floored by the emptiness of the building. I guess I shouldn’t have been surprised; the county that I work (and live) in is a poor rural county. The average wage in Hoke County is $18,421. Most households’ combined income is less than $50,000. Less than 15% of adult residents hold a degree beyond high school. I also discovered that the library has not had any money to purchase new books since 2009. 2009!

Books appropriate for high school students can be sent to the following address:

  • Hoke County High School
  • c/o Rebecca Sasala
  • 505 Bethel Rd.
  • Raeford, NC 28376

More information at the linked post. There’s also a related Amazon wish list.

(3) HEINLEIN UNBOUND. Farah Mendlesohn, a historian, critic and fan who is a Hugo, BSFA, and BFA winner, and WFA, Mythopoeic, and Locus Award finalist for her scholarly non-fiction works on science fiction and fantasy, is crowdfunding the publication (by Unbound) of her critical study of the writings of a giant of the SF genre.

Dear Friends,

As you all know, I had to withdraw my book on Heinlein from the original publisher due to length. As I explored other options it became clear that no academic publisher could take it without substantial cuts, and no one who read it, could suggest any. So I am utterly delighted to be able to say that Unbound, a crowdsourcing press, have agreed to take the book.

Robert A. Heinlein began publishing in the 1940s at the dawn of the Golden Age of science fiction and carried on writing until his death in 1988. His short stories contributed immensely to the development of science fiction’s structure and rhetoric, while his novels (for both the juvenile and adult markets) demonstrated that you could write hard SF with strong political argument. His vision of the future was sometimes radical, sometimes crosswise, and towards the end in retrenchment. He continues to influence many writers whether in emulation or reaction. Recent controversies in science fiction have involved fighting over Heinlein’s reputation and arguing about what his legacy is and to whom he belongs…

The key thesis of the book is a challenge to the idea of Heinlein as a libertarian and resituating him as a classical Liberal in the terms he understood; a man who prized the individual highly but understood the individual as at their best when enmeshed in the complex structure of a nurturing society.

Support levels start at £12 for the e-book, and higher levels include hardback copies, critiques of supporters’ non-fiction, workshops, and afternoon tea plus a tour of the personal library of Mendlesohn and SF critic Edward James.

(4) THE STORIES YOU WANT. Like everyone, Liz Bourke has her own specific set of interests, however, most readers have privately asked themselves the question in the title of her latest column, Sleeps With Monsters: Why Can’t More Books Pander To Me?” at Tor.com.

I’m a queer woman (bisexual, and to a degree genderqueer, if precision matters). Much of my reading experience, particularly with new-to-me authors, and even more so with male authors, involves bracing for things that are tiresome, wearying, and/or hurtful. Whether it’s active misogyny, background sexist assumptions, gratuitous sexual assault of women (which may or may not be used to motivate the character arc or development of male protagonists), Smurfettes, women without communities that include other women, transphobia, Buried Gays, or just the general sense that the world the author’s created has no room for people like me in it, there’s frequently a level of alienation that I need to overcome in order to be able to enjoy a new book—or film, or television show, or videogame, etc.—and constantly being braced for that alienation is exhausting.

And that’s even before we get to books that are outright badly done, alienating in ways that aren’t aimed at me (but fuck racism), or just aren’t to my tastes (a lot of comedy, most horror, certain themes that need to be really well done to work for me).

But I’m so used to experiencing this alienation, or to expecting it, that it’s a wrenching shock when I find books that just… welcome me in. That don’t place any barriers in my way. I don’t notice the amount of effort overcoming this alienation requires until I don’t have to make that effort—like not really knowing how much pain you were in until it stops.

(5) THE HOME STRETCH. Artist Gary Gianni’s Kickstarter to publish Hellboy: Into the Silent Sea, Gianni’s book with Mike Mignola, has gotten a great reception – in fact, they’ve just added their FOURTH stretch goal reward –

FOURTH STRETCH GOAL ANNOUNCED! Free all-new fully illustrated The Call of Cthulhu book by Gianni with 100 pencil drawings to all Kickstarter supporters who pledge $50 or more if we reach our Stretch Goal #4, 80K goal!

Gianni’s many credits include illustrating George R.R. Martin’s A Knight of the Seven Kingdoms.

(6) 21ST CENTURY AIR TRAVEL. The title promises “WorldCon 2017, aka The Best, Most Tedious Disaster Story Ever” and Anaea Lay delivers. And yet I read it all. Highly illogical!

When that broke up and it was time to head home, several of the people I’d been hanging out with very kindly and English-ly refused to go on to their hotel before making sure I could find where I was staying, despite my insistence that this was unnecessary.  The joke was on them, though, because I managed to have a fail-tastic adventure anyway.  You see, I knew the address of where I was staying, and I had the keys for getting in.  What I didn’t have was the apartment number.  In a building with eight floors.

(7) MARKETING TECHNIQUE. RedWombat explains a new piece to her agent:

(8) HE LOOKS BEFORE HE LEAPS. Arnie Fenner interviewed John Fleskes at Muddy Colors earlier this week. How many bungee-jumping publishers do you know?

People don’t normally equate daredevils with art books: how does doing death-defying stunts segue into becoming a publisher?

Well, the risk of doing a stunt and that of running a business is very similar, really. So, people have the tendency to call us “extreme” or “daredevils” but in reality each stunt is very calculated and planned far in advance. It’s not like we would just hook up a random bungee cord to anything and just jump off. I worked for a pair of brilliant engineers who would include us in the planning stages and I really learned to appreciate the analytical process of working for those who set up highly complicated stunts where peoples lives were on the line. By the time the actual stunt would happen, sure, if you went off script you could die, but there really wasn’t anything to seriously worry about. Oh, man, jumping out of a hot air balloon at 500 feet and falling 300 feet, now that is a feeling of absolute freedom to fly like that!

But, my real point is that it is a calculated risk when doing a stunt. Days, or weeks, or months of planning can go into what we did. It’s exactly the same with Flesk. Everything that I do is a risk. Instead of risking my life, I’m risking all of my finances, my company, and my livelihood.

The Call For Entries for Spectrum 25 will go out in a few weeks: can you share some of your perspective after having led the competition, judging, and annual for the past 4-going-on-5 years?

The greatest part of Spectrum, without a doubt, has been its community. It’s the people that make it worthwhile year after year. We’re all in it together, it’s here because of the generosity, the support and the downright goodwill of everyone involved. It’s so much bigger than me, it’s not about me whatsoever, but like I’ve mentioned before, it lets me play a role in doing for others. If I do things right, my name never comes to the front or is in the spotlight. I want it to be about the artists. That’s the part at the end of the day that satisfies me the most. That’s my drive. I prefer to work in the background as much as possible, only coming out when absolutely necessary and only when it is to serve others. This community, these artists, it’s one of the greatest things I’ve ever been a part of. That you and Cathy would tap me on the shoulder, that they would see something in me, I’m forever grateful. You’ve treated me like family. I’m truly blessed to know you both and be a part of Spectrum. You know, I’m still a bit shocked by where I am today? I never would have expected any of this.

(9) TODAY’S DAY

Talk Like A Pirate Day

(10) TODAY IN ALLEGED HISTORY

September 19, 1961 – Betty and Barney Hill were abducted for two hours by a UFO.

(11) TODAY IN REGULAR OLD HISTORY

  • September 19, 2000 – Michael Chabon’s Amazing Adventures of Kavalier & Clay, a novel about the glory years of the American comic book, was published. It won the 2001 Pulitzer Prize for fiction.

(12) TODAY’S BIRTHDAY WIZARD

  • Born September 19, 1979 — Hermione Jean Granger

(13) TODAY’S BIRTHDAY CAPED CRUSADER

  • Born September 19, 1928 – Adam West

(14) TODAY’S BIRTHDAY U.N.C.L.E. AGENT

  • Born September 19, 1933 – David McCallum

(15) LIVING PROOF. Remember when the Worldcon’s new YA Award couldn’t be called the Tesseract out of courtesy to an existing Canadian anthology series? If you weren’t already acquainted with it, now’s your chance. Compostela (Tesseracts Twenty) edited by Spider Robinson and James Alan Gardner will be released in the U.S. on October 9. (It’s already available in Canada.)

Compostela (Tesseracts Twenty) is an anthology of hard and soft science fiction stories that best represent a futuristic view of the sciences and how humanity might be affected (for better or worse) by a reliance in all things technological.

The stories contained within the pages of Compostela are a reflection of the world we live in today; where science produces both wonders and horrors; and will leave us with a future that undoubtedly will contain both. Journeys to the stars may be exhilarating and mind-expanding, but they can also be dangerous or even tragic. SF has always reflected that wide range of possibilities.

Featuring works by these Canadian visionaries:

Alan Bao, John Bell, Chantal Boudreau, Leslie Brown, Tanya Bryan, J. R. Campbell, Eric Choi, David Clink, paulo da costa, Miki Dare, Robert Dawson, Linda DeMeulemeester, Steve Fahnestalk, Jacob Fletcher, Catherine Girczyc, R. Gregory, Mary-Jean Harris, Geoffrey Hart, Michaela Hiebert, Matthew Hughes, Guy Immega, Garnet Johnson-Koehn, Michael Johnstone, Cate McBride, Lisa Ann McLean, Rati Mehrotra, Derryl Murphy, Brent Nichols, Susan Pieters, Alexandra Renwick, Rhea Rose, Robert J. Sawyer, Thea van Diepen, Nancy SM Waldman.

(16) THE EIGHTIES WERE STRANGER. Adweek is enthusiastic: “Netflix Is Making Stranger Things Versions of Classic ’80s Movie Posters, and They’re Amazing”.

Netflix is pulling out all the stops on social media in the weeks leading up to Season 2. Last month, the show’s official Twitter account began giving fans more of what they want by launching a weekly recap of each episode of the first season under the hashtag #StrangerThursdays, and tying each episode to a classic ’80s film.

Even more impressive, the art team at the show has paid homage to each film’s original poster art while placing the Stranger Things cast members in its universe. The tweets also include copy referencing the movies that inspired them.

The post has all of them, but here’s one example.

A fan has been inspired to make another —

(17) UHHH. A comic linked from File 770 prompted Steve J. Wright to refer to his Lego-playing days as “Grotesque Sexual Deviancy”.

At least, we thought we were just having fun.  It turns out, though, that we were transgressing the boundaries of gender as laid down by God and marketing departments.  We should never have engaged in the heinous perversion of unsegregated Lego.  Our Lego should have been sorted into strong, potent, manly Lego (mine) and soft, gentle, feminine Lego (my sister’s), and the division should have been rigorously maintained.  All these years I thought we were just playing with Lego, and instead we were promoting an insidious non-binary genderqueer agenda that subverts all the established notions of masculinity and femininity, that causes confusion and actual harm to children who are too young to handle the idea of boys playing with girls’ Lego, that will probably pollute our precious bodily fluids and hasten the downfall of Western civilization.

thought we’d just got a sensible arrangement, so that if, say, my sister wanted to hold a state funeral for one of the Crater Critters, she could grab a bunch of black Legos and build a hearse without any arguments.  Now I know that we were, in fact, undermining the very foundations of all that is good and decent and true.

(18) FRESH OUTBREAK OF TROLLS. Gwynne Watkins of Yahoo! Movies, in “‘Star Wars’ fan petition seeking removal of J.J. Abrams from ‘Episode IX’ picks up steam”, writes that 3,000 people have signed a petition demanding that J.J. Abrams be removed as director of Episode IX because they feel that Disney promised a fresh director for every installment.

The petition at Change.org begins:

Star Wars fans abroad were upset with the result of J.J. Abrams’ directing of Star Wars Episode VII: The Force Awakens. Although not reflected in the box office sales, most fans agree that Abrams’ vision for Episode VII resulted in a rehash of Star Wars Episode IV: A New Hope. There was virtually no creativity, and no risks taken. Such complacency cannot be the trajectory of this sequel trilogy. More specifically, the metric for success in a Star Wars movie cannot be box office sales. Lucasfilm and Disney *need* to listen to fan criticism. Star Wars fans deserve better. They demand better.

Almost 3,500 people have signed it so far.

(19) BONES. New books by the late Michael Crichton continue to appear. Fantasy Literature’s Ryan Skardal renders a verdict on one that came out this past May in Dragon Teeth: Palaeontologist wars”

Johnson is stranded in Deadwood with his bones, which everyone assumes is a cover for gold. Some readers may be pleased to learn that the Bone Wars between Cope and Marsh are drawn from history. Robert Louis Stevenson and Wyatt Earp also appear.

I did not find very much information on how finished Dragon Teeth was before publication, but, unlike Micro, there is no mention of another author who finished this work. It’s tempting to point out that this novel about fossils seems more skeletal than most of Crichton’s novels. The characters are flat, their interactions seem rushed, and every chapter is very short. There are moments of historical detail that are a bit more developed, such as when devout Christians express doubt about fossils and whether a perfect god could create something flawed — let alone something so flawed that it might go extinct. Even these details, however, feel like sketches.

(20) CON CEASES FOR SAFETY REASONS. The staff has put an end to an Ohio convention in the wake of the chair’s criminal conviction. Nerd & Tie has the story: “Anime Punch Disbands After Con Chair Michael Beuerlein Pleads Guilty to Sexual Battery”.

Columbus, OH based convention Anime Punch has been disbanded and will no longer hold any more events. The convention staff announced that they would be ceasing all future operations on in a statement on their official Facebook page on September 14…

The crime was prosecuted in Virginia, so probably was not committed at the convention.

(21) A SPECIALIZED NEED. Erika Satifka, in “Difference of Mind” at the SFWA Blog, points to a problem with most fictional treatments of mental illness.

According to the World Health Organization, one out of every four people will be affected by mental illness at some point in their lives. Considering this, it’s important that when characters with mental illness are featured in one’s writing, the subject is treated with sensitivity and accuracy. Novels that portray such disorders well can make a huge difference.

Em Kalberg, the protagonist of my debut novel Stay Crazy, has paranoid schizophrenia. As I researched the novel, I found that there were very few positive representations of people with schizophrenia, and not just in speculative fiction, but everywhere. The vast majority of the time, characters with psychotic disorders are monsters or killers….

Besides her own Stay Crazy, Satifka recommends fourteen other novels, novellas, and short story collections that prominently feature characters with mental illnesses or trauma.

(22) TIS THE SEASON. Time to be reminded about “The REAL Legend Behind the Halloween Tree at Disneyland”:

Learning about Disneyland’s storied history is as fun as spending a day getting your thrills on at all of the attractions. From true tragic stories inspiring haunting legends to secrets and facts only the biggest park fans know, there’s always something else to discover about the Happiest Place on Earth – the legend of the Halloween Tree included.

Now, fans are probably familiar with the tree. The oak is located in front of the Golden Horseshoe Saloon in Frontierland. Every Halloween since 2007, the tree is decorated in a special way with jack-o’-lanterns hanging from its branches – but have you ever wondered why? The story goes that author Ray Bradbury, famous for Fahrenheit 451 and countless other fantasy, science fiction, mystery, and horror works, loved Halloween – and had a long history with Disney. Bradbury was a huge proponent of the Walt Disney Company and made his support for it clear throughout the years.

(23) SETTING THEM STRAIGHT. Camestros Felapton has been dismantling “Vlad James’” attack on the science in an Ursula Le Guin novel The Lathe of Heaven.

James wrote:

Unfortunately, she was less self-aware than [Harry Harrison], and injected phenomenally idiotic, pseudo-scientific explanations in her stories constantly.

Also:

She also claims that it would take the atmosphere “several hundred years to get rid of the CO2”. While I understand Le Guin found math difficult, if humans completely stopped producing CO2, it would take 9-12 days for the atmosphere to rid itself of the amount presently there. Or, if you believe global warm…err “climate change” hysterics, it will take…several years. A few hundred years is baseless ignorance.

But young Felapton, in “Science and Le Guin Part 2”, shows —

The quote from Le Guin is genuine and from The Lathe of Heaven published in 1970. It is also scientifically correct (more or less) whereas the criticism is scientific nonsense – indeed it is error piled on error….

A thorough takedown follows.

(24) THE SMELL IS OUT THERE. This is pretty damn funny – Anime Conventions: An Honest Guide.

(25) A MAGICAL TIME. IMDB says Andy the Talking Hedgehog is up 778% in popularity this week. Articles like The Guardian’s are the reason.

When Reid tweeted the Andy the Talking Hedgehog poster on Friday, the internet went nuts. That was partly because the poster featured a hedgehog, two cats, Dean Cain, Tara Reid’s Twitter profile pic manipulated to look slightly more wholesome and an unattributed quote calling it “a magical good time”. But it was also because the IMDb plot summary for the film read “Tara Reid brings her Oscar award-winning prowess to this documentary about a hedgehog that Dean Cain farted on giving it the ability to talk. It’s a fun-loving family movie that will for sure make you say “WOWZA. That’s a stinky fart!”’ That summary, incidentally, was attributed to Scott Baio.

Obviously, like the rest of the world, I desperately wanted to know the story behind Andy the Talking Hedgehog. Although we can rule out the summary as nothing more than internet high jinks, it would appear that the film is real. Back in November actress Maria Wasikowski tweeted a photo from the Andy the Talking Hedgehog set, alongside Dean Cain and, one month later, Tara Reid Instagrammed a shot of her character, Fairy BFF.

[Thanks to John King Tarpinian, Hampus Eckerman, JJ, Arnie Fenner, Martin Morse Wooster, Andrew Porter, Karl-Johan Norén, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 5/16/17 Will No One Pixel Me This Troublesome Scroll?

(1) CLOSE THE GAP. David Dean Bottrell, Producer, Sci-Fest LA, is asking people to help support The Tomorrow Prize, due to be presented this weekend:

Although Sci-Fest LA has been temporarily side-lined our amazing short story competitions continue!! Unfortunately, a grant we were depending on, has fallen through at the last second, and the awards are this coming weekend! We need your help to make up a $500.00 gap IMMEDIATELY needed to award the prizes to our winners!

Donate at:  http://www.lightbringerproject.org/support/

You can make a donation via our new non-profit sponsor, LIGHTBRINGER PROJECT. Please add a note during the payment process for what the donation’s for — You can mention Sci-Fest, Tomorrow Prize or Roswell Award.

(2) INDIGENOUS VOICES. Silvia Moreno-Garcia has posted an update about her efforts to fund and launch an Emerging Indigenous Voices Award. (This would not be an sff award, but was prompted by the Canadian literary controversy reported here last week.)

I’ve gathered $4355 in pledges from people who wish to make this a reality. I’ve also e-mailed Robin Parker, who has also obtained pledges for a similar drive. We could be talking about more than $7,000 if we pool those resources together.

I have sent an e-mail to folks at the UBC Longhouse asking for some guidance.

I feel that if an award does become a reality, it must be managed by an Indigenous organization. I aim merely to help funnel money to them.

It may take some time to sort things out. I am putting together documentation tracking who pledged, how much, etc.

In the meantime, you can fund or support local organizations which represent Indigenous people in your community.

We should not turn to Indigenous and marginalized groups only when bad stuff happens and there are ways to support them that don’t involve donations. Read and review Indigenous literature. Suggest Indigenous artists as guests of honor at conventions. If you have access to a platform, invite them to write op-eds, guest posts, etc….

(3) ESCHEW CHRONOLOGICAL SNOBBERY. L. Jagi Lamplighter Wright raised her voice in defense of Anne McCaffrey at Superversive SF — “When New Is (Not) Best–The Degradation of Grand Master Anne McCaffrey”.

People talk about strong female characters today. Sometimes they mean kickbutt fighters. But when the term first got started, it meant females who held their own, who acted and achieved and accomplished, female characters who were smart.

Lessa was all that. To me, she was the sole female character in SF who really had the qualities I wanted to have. I adored her.

Recently, I was in a store and I picked up a copy of Dragonflight, the original Pern book. I remember thinking, Huh, it probably wasn’t that good. I’ve just glamorized it. Let me see… After all, some of her later books were a bit fluffy. Maybe this early book was just fluff, too, and I had just not noticed. I started flipping through it.

I read an astonishing amount of it before I realized I was standing in a bookstore and embarrassedly put it down.

It was still that good.

(4) THEY KNOW WHEN YOU’RE AWAKE. An author tells about eavesdropping on fan sites in “The Big Idea: Megan Whalen Turner” at Whatever.

As a newbie author, I was self-Googling like mad and just before The King of Attolia was published. I found a livejournal site dedicated to my books. I lurked. I did tell them I was lurking, but I knew right from the start that having authors around is a great, wonderful, exciting thing—right up until they make it impossible to have an honest conversation about their books, so I was careful not too lurk too often. In return, I got to watch these smart, funny people pick through everything I’d written and I became more and more convinced that they didn’t need my input, anyway. Everything in my books that I hoped they’d see, they were pointing out to one another. Watching them, I decided I should probably probably keep my mouth shut and leave readers to figure things out for themselves. That’s why when they got around to sending me a community fan letter, I’m afraid that my answer to most of their questions was, “I’m not telling.” Over the years, it’s hardened into a pretty firm policy.

(5) SPACE OPERA WEEK. Tor.com has declared: It’s Space Opera Week on Tor.com!

Alan Brown has a handle on the history of the term: “Explore the Cosmos in 10 Classic Space Opera Universes”.

During the Golden Age of Science Fiction, there was a lot of concern about the amount of apparent dross being mixed in with the gold. The term “space opera” was originally coined to describe some of the more formulaic stories, a term used in the same derisive manner as “soap opera” or “horse opera.” But, like many other negative terms over the years, the term space opera has gradually taken on more positive qualities. Now, it is used to describe stories that deal with huge cosmic mysteries, grand adventure, the long sweep of history, and giant battles. If stories have a large scope and a boundless sense of wonder, along with setting adventure front and center, they now proudly wear the space opera name.

Ellen Cheeseman-Meyer discusses why she embarked on her Vorkosigan Saga reread series for Tor.com in Space Opera and the Underrated Importance of Ordinary, Everyday Life

The Vorkosigan series is space opera in the really classic style. There are big ships that fight each other with weapons so massive and powerful that they don’t even have to be explained. The most dramatic conflicts take place across huge distances, and involve moving people, ideas, and technology through wormholes that span the Galactic Nexus, and watching how that changes everything. So it’s also about incredibly ordinary things—falling in love, raising children, finding peace, facing death.

And Cheeseman-Meyer’s latest entry “Rereading the Vorkosigan Saga: Borders of Infinity covers a lot of ground, but I must applaud this comment in particular —

At this point, I suddenly realize how little time we really get to spend with the Dendarii Mercenaries, who have now appeared as a fighting force in only two of the seven books in the reread.

Liz Bourke, in “Sleeps With Monsters: Space Opera and the Politics of Domesticity”, reminds readers that relationships are the web that connect the infinite spaces of this subgenre.

Let’s look at three potential examples of this genre of… let’s call it domestic space opera? Or perhaps intimate space opera is a better term. I’m thinking here of C.J. Cherryh’s Foreigner series, now up to twenty volumes, which are (in large part) set on a planet shared by the (native) atevi and the (alien, incoming) humans, and which focus on the personal and political relationships of Bren Cameron, who is the link between these very different cultures; of Aliette de Bodard’s pair of novellas in her Xuya continuity, On A Red Station, Drifting and Citadel of Weeping Pearls, which each in their separate ways focus on politics, and relationships, and family, and family relationships; and Becky Chambers’ (slightly) more traditionally shaped The Long Way to a Small Angry Planet and A Closed and Common Orbit, which each concentrate in their own ways on found families, built families, communities, and the importance of compassion, empathy, and respect for other people’s autonomy and choices in moving through the world.

But lest we forget the reason Tor.com exists, Renay Williams plugs the franchise in “A Plethora of Space Operas: Where to Start With the Work of John Scalzi”.

101: Beginner Scalzi

If you’re brand-new to Scalzi’s work, there a few possible starting places. If you want a comedic space opera adventure, you’ll want to start with Old Man’s War and its companion and sequel novels, The Ghost Brigades and The Last Colony. If you’re in the mood for straight up comedy SF, then Agent to the Stars is your entry point. And if you want some comedy but also kind of want to watch a political thriller in your underwear while eating snack food and don’t know what book could possibly meet all those qualifications at once, there’s The Android’s Dream, which is the funniest/darkest book about sheep I’ve ever read.

(6) AMEN CORNER. The celebration also includes a reminder from Judith Tarr: “From Dark to Dark: Yes, Women Have Always Written Space Opera”.

Every year or two, someone writes another article about a genre that women have just now entered, which used to be the province of male writers. Usually it’s some form of science fiction. Lately it’s been fantasy, especially epic fantasy (which strikes me with fierce irony, because I remember when fantasy was pink and squishy and comfy and for girls). And in keeping with this week’s theme, space opera gets its regular turn in the barrel.

Women have always written space opera.

Ever heard of Leigh Brackett? C.L. Moore? Andre Norton, surely?

So why doesn’t everyone remember them?

Because that second X chromosome carries magical powers of invisibility.

And having read that, who would you be looking to for an “Amen!” Would you believe, Jeffro Johnson at the Castalia House Blog? Not from any feminist impulse, but because it fits his own narrative about the Pulp Revolution — “The Truth About Women and Science Fiction”:

…Yes, the “Hard SF” revolution did turn the field into something of a boy’s club. The critical frame that emerged from it has unfairly excluded the work of a great many top tier creators that happened to be female. And much as it pains me to admit it, feminist critics do have a point when they complained about women being arbitrarily excluded.

However… when they treat the Campbellian Revolution as the de facto dawn of science fiction, they are perpetuating and reinforcing the real problem. If you want creators like Leigh Brackett and C. L. Moore to get the sort of attention they deserve, you have to recover not only the true history of fantasy and science fiction. You have to revive and defend the sort of classical virtues that are the root cause of why they have been snubbed in the first place.

(7) TODAY’S DAY

Sea Monkey Day

The history of sea monkeys starts, oddly enough, with ant farms. Milton Levine had popularized the idea of Ant-farm kits in 1956 and, presumably inspired by the success of his idea, Harold von Braunhut invented the aquatic equivalent with brine-shrimp. It was really ingenious looking back on it, and ultimately he had to work with a marine biologist to really bring it all together. With just a small packet of minerals and an aquarium you’d suddenly have a place rich with everything your brine-shrimp needed to survive. So why sea monkeys? Because who was going to buy brine-shrimp? It was all a good bit of marketing, though the name didn’t come about for nearly 5 years. They were originally called “instant life”, referencing their ‘just add water’ nature. But when the resemblance of their tails to monkeys tails was noted by fans, he changed it to ‘Sea-Monkeys’ and so it’s been ever since! The marketing was amazing too! 3.2 million pages of comic book advertising a year, and the money just flowed in the door. So what are Sea Monkeys exactly? They’re clever mad science really. Sea Monkeys don’t (or didn’t) exist in nature before they were created in a lab by hybridization. They’re known as Artemia NYOS (New York Ocean Science) and go through anhydrobiosis, or hibernation when they are dried out. Then, with the right mixture of water and nutrients they can spring right back into life! Amazing!

Wait a minute, that sounds a lot like Trisolarians!

(8) TODAY’S BIRTHDAY BOY

(9) COMIC SECTION. Daniel Dern recommends today’s Candorville: “We already knew the creator’s a Star Trek geek, clearly he’s also a (DC) comic book fan…”

(10) DOCTOROW. This is the book Cory Doctorow was promoting at Vromans Bookstore when Tarpinian and I attended his joint appearance with John Scalzi a couple weeks ago. Carl Slaughter prepared a summary:

WALKAWAY
Cory Doctorow
Tor
April 25, 2017

Hubert was too old to be at that Communist party.

But after watching the breakdown of modern society, he really has no where left to be?except amongst the dregs of disaffected youth who party all night and heap scorn on the sheep they see on the morning commute. After falling in with Natalie, an ultra-rich heiress trying to escape the clutches of her repressive father, the two decide to give up fully on formal society?and walk away.

After all, now that anyone can design and print the basic necessities of life?food, clothing, shelter?from a computer, there seems to be little reason to toil within the system.

It’s still a dangerous world out there, the empty lands wrecked by climate change, dead cities hollowed out by industrial flight, shadows hiding predators animal and human alike. Still, when the initial pioneer walkaways flourish, more people join them. Then the walkaways discover the one thing the ultra-rich have never been able to buy: how to beat death. Now it’s war – a war that will turn the world upside down.

Fascinating, moving, and darkly humorous, Walkaway is a multi-generation SF thriller about the wrenching changes of the next hundred years…and the very human people who will live their consequences.

PRAISE FOR WALKAWAY

  • “Thrilling and unexpected….A truly visionary techno-thriller that not only depicts how we might live tomorrow, but asks why we don’t already.” Kirkus
  • “Doctorow has envisioned a fascinating world…This intriguing take on a future that might be right around the corner is bound to please.” ?Library Journal
  • “Memorable and engaging. …Ultimately suffused with hope.” ?Booklist
  • “The darker the hour, the better the moment for a rigorously-imagined utopian fiction. Walkaway is now the best contemporary example I know of, its utopia glimpsed after fascinatingly-extrapolated revolutionary struggle. A wonderful novel: everything we’ve come to expect from Cory Doctorow and more.”?William Gibson
  • “Cory Doctorow is one of our most important science fiction writers, because he’s also a public intellectual in the old style: he brings the news and explains it, making clearer the confusions of our wild current moment. His fiction is always the heart of his work, and this is his best book yet, describing vividly the revolutionary beginnings of a new way of being. In a world full of easy dystopias, he writes the hard utopia, and what do you know, his utopia is both more thought-provoking and more fun.”?Kim Stanley Robinson
  • “Is Doctorow’s fictional utopia bravely idealistic or bitterly ironic? The answer is in our own hands. A dystopian future is in no way inevitable; Walkaway reminds us that the world we choose to build is the one we’ll inhabit. Technology empowers both the powerful and the powerless, and if we want a world with more liberty and less control, we’re going to have to fight for it.”?Edward Snowden

(11) LITFEST PASADENA. In addition to the Roswell Award  and Tomorrow Award readings, this weekend’s LitFest Pasadena includes these items of genre interest:

Saturday

Famed afro-futurist writer Nalo Hopkinson (The Chaos) joins the Shades & Shadows Reading Series for an evening of dark fiction from noir mystery to sci-fi.

Sunday

Popular comic book and TV writer Brandon Easton (Agent Carter), joins fellow comic book writers to discuss “Manga Influences on American Culture.”

(12) SPEAKING PARTS. Pornokitsch shows why someone could argue “Middle Earth Has Fewer Women Than Space”.

This research is from April 2016. The folks at The Pudding analysed thousands of screenplays and did a word count of male and female dialogue.

Unsurprisingly: Hollywood skews heavily in favour of dudes talking.

Naturally, I looked for all the nerdiest films I could find. This was a lot of fun, although the results were… pretty bleak. …..

There follows a whole chart about genre films.

2001 is literally a film about two dudes floating in space, and it has a higher percentage of female dialogue than two of the Lord of the Rings films.

(13) IOU. Jon Del Arroz thinks I should be paying him when I put him in the news. Now there’s an innovative marketing mind at work.

(14) PANTHER UNPLUGGED. Ernie Estrella at Blastr demands — “So why did Marvel pull the plug on Black Panther & The Crew after just two issues?”

How long should a comic book aimed at reaching a more socially aware audience be given latitude before it’s canceled? According to Marvel Comics, just two. Marvel is canceling one of two monthly titles that Ta-Nehisi Coates writes, Black Panther & The Crew. After two issues have underperformed in sales, the title has been abruptly put on notice. Marvel had seen enough and was not satisfied by the early numbers to stick with a title while it finds its audience. Coates told Verge that issue #6 will be the series’ finale, wrapping up the storyline that was introduced in the debut issue, which came out in this past March.

Coates co-writes the series with Yona Harvey, and together they crafted a story starring Black Panther, Storm, Misty Knight and Luke Cage investigating the murder of a civil rights activist who died while in police custody, Ezra Keith. Relevant to America’s current societal problems facing inherent racism, Coates and Harvey’s story also dives into the main four heroes and tries to look deeper at their varied experiences as black people in the Marvel Universe….

(15) NEW GRRM ADAPTATION. George R.R. Martin gives fans the background on developments they’ve been reading about in the Hollywood trade papers — “Here’s the Scoop on NIGHTFLYERS”.

In 1984 I sold the film and television rights to “Nightflyers” to a writer/ producer named Robert Jaffe and his father Herb….

This new NIGHTFLYERS television series — actually, it is just a pilot script at present, still several steps short of going on-air, but I am told that SyFy likes the script a lot — was developed based on the 1987 movie, and the television rights conveyed in that old 1984 contract. Robert Jaffe is one of the producers, I see, but the pilot script is by Jeff Buhler. I haven’t had the chance to meet him yet, but hope to do so in the near future.

Since I have an overall deal that makes me exclusive to HBO, I can’t provide any writing or producing series to NIGHTFLYERS should it go to series… but of course, I wish Jaffe and Buhler and their team the best of luck. “Nightflyers” was one of my best SF stories, I always felt, and I’d love to see it succeed as a TV series (fingers crossed that it looks as good as THE EXPANSE).

[Thanks to Greg Hullender, Carl Slaughter, John King Tarpinian, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Ingvar, with an assist from Camestros Felapton.]