…“The studios didn’t invent Rotten Tomatoes, and most of them don’t like it,” says the filmmaker Paul Schrader. “But the system is broken. Audiences are dumber. Normal people don’t go through reviews like they used to. Rotten Tomatoes is something the studios can game. So they do.”
In a recent interview, Quentin Tarantino, whose next film is reportedly called The Movie Critic, admitted that he no longer reads critics’ work. “Today, I don’t know anyone,” he said (in a translation of his remarks, first published in French). “I’m told, ‘Manohla Dargis, she’s excellent.’ But when I ask what are the three movies she loved and the three she hated in the last few years, no one can answer me. Because they don’t care!”
This is probably because Rotten Tomatoes — with help from Yelp, Goodreads, and countless other review aggregators — has desensitized us to the opinions of individual critics. Once upon a time, Gene Siskel and Roger Ebert turned the no-budget documentary Hoop Dreams into a phenomenon using only their thumbs. But critical power like that has been replaced by the collective voice of the masses. A third of U.S. adults say they check Rotten Tomatoes before going to the multiplex, and while movie ads used to tout the blurbage of Jeffrey Lyons and Peter Travers, now they’re more likely to boast that a film has been “Certified Fresh.”…
This might be my most horrific conversation yet! Not merely because of my guest — but because certain scenes from Night of the Living Dead were shot in the basement of our chosen venue, The Original Oyster House!
Michael Bailey is an award-winning writer and editor, having been nominated for a Bram Stoker Award nine times, winning once for the anthology The Library of the Dead, and a four-time Shirley Jackson Award nominee. His novels include Palindrome Hannah (2005) and Phoenix Rose (2009). His short stories have appeared in numerous anthologies, including Birthing Monsters: Frankenstein’s Cabinet of Curiosities and Cruelties, Lost Highways: Dark Fictions from the Road, Canopic Jars: Tales of Mummies and Mummification, and most recently Hybrid: Misfits, Monsters and Other Phenomena.
Many of these stories have been gathered in the collections Scales and Petals (2010), Inkblots and Blood Spots (2014), Oversight (2018), and The Impossible Weight of Life (2020). He’s the owner of the small press Written Backwards, which has published many excellent anthologies, and I’m not calling them excellent simply because my own short stories have appeared in many of them. He’s currently the screenwriter for the documentary series Madness and Writers: The Untold Truth. Maybe?, which all of us in the horror community are looking forward to seeing.
We discussed his Stoker Award-nominated poetry collaboration with Marge Simon (and how they managed not to kill each other during the writing of it), how he knows when a poem is a poem and not a short story, what reading other anthologies taught him that made his own anthologies better, the economics of small press publishing, how to lose awards gracefully, the way getting an early story torn apart by Douglas E. Winter at Borderlands Boot Camp gave him the boost he needed, why his novel Psychotropic Dragon took 16 years to transform from an idea into a book, how one of the joys of writing is never knowing the end until you get there, his new obsession of making chocolate from fruit to bar, our shared love of revising continually, and so much more.
(3) SAAVIK JUSTICE WARRIOR. Charlie Jane Anders is back with “7 Hot Takes About Star Trek” at Happy Dancing. I second this motion:
4. We need a Saavik TV show or movie.
I understand why Jean-Luc Picard became the first Star Trek character to headline a TV series — because after all, Patrick Stewart is a beloved figure, even to extremely casual Trek fans. But when I think about Star Trek characters who both need and deserve to be explored further in long-form storytelling, my mind goes to Saavik. Even in a film as overstuffed with goodness as Star Trek II: the Wrath of Khan, Saavik stands out as one of the most interesting characters: an ambitious young Vulcan who looks up to Spock while also striving to embody the Starfleet values that Kirk often overlooks (because they come in the form of regulations.) Later, there are hints that she’s half-Romulan. The treatment of Saavik after Wrath of Khan is one of the worst travesties in Star Trek history: first, she helps the rejuvenated but rapidly-aging Spock through a slew of pon-farrs, then she’s tossed aside. Saavik is basically transformed into one of many plot devices in a clunky movie that only exists to bring Leonard Nimoy back to the franchise he’d been so eager to escape. Saavik was supposed to return in Star Trek VI as a traitor to the Federation, but she was replaced by Valeris. I have so many questions about this character: Does she have Spock’s baby? Why didn’t she go with Kirk and the others in Star Trek IV? How does she approach her return to the Federation after everything she went through? Justice for Saavik!
On a remote planet, the Guardian of Forever sits, a passageway through time to other realities, locations, dimensions. All of a sudden, Captain Kirk comes through the portal, with Spock close behind him, fresh from an adventure observing the beginnings of the Orion civilisation. There’s just one problem: Dr Bones McCoy has no idea who Spock is – and neither does anyone else on the starship USS Enterprise.
This scene, from an episode called Yesteryear, doesn’t feature in any of the five core Star Trek series. The Original Series, The Next Generation, Deep Space Nine, Voyager, and Enterprise are modern classics that contain unending nostalgia for fans, but there’s another early Star Trek show that many people overlook – Star Trek: The Animated Series. It ran for just 20 episodes. Its status, and specifically whether it’s considered part of the “canon”, is uncertain. But it has an important legacy, bringing animation in as a key part of the franchise as well as keeping Star Trek in people’s minds during an in-between era, much like the one we’re entering now….
(5) BAD REVIEWS. Mark Roth-Whitworth’s “Bad reviews, good and bad” is about what make a bad review poorly written — it’s not about the review, it’s about style and form.
…I’ve always heard that any publicity is good publicity, but that’s not always the case… and not all bad reviews are equal….
…A legitimate bad review follows the kind of review that most are, dealing with things like writing, worldbuilding, etc. The bad review I looked at violated two basic rules…
… The question is: How did we get here? How did the trillions of data points at the core of generative AI become a toxin of sorts that, depending on your point of view and the decision of the highest judicial authority, could potentially hobble an industry destined for incredible innovation, or poison the well of human creativity and consent?…
… But whether AI researchers creating and using datasets for model training thought about it or not, there is no doubt that the data underpinning generative AI — which can arguably be described as its secret sauce — includes vast amounts of copyrighted material, from books and Reddit posts to YouTube videos, newspaper articles and photos. However, copyright critics and some legal experts insist this falls under what is known in legal parlance as “fair use” of the data — that is, U.S. copyright law “permits limited use of copyrighted material without having to first acquire permission from the copyright holder.”…
… However, the concept of “fair use” is based on a four-factor test — four measures that judges consider when evaluating whether a work is “transformative” or simply a copy: the purpose and character of the work, the nature of the work, the amount taken from the original work, and the effect of the new work on a potential market. That fourth factor is the key to how generative AI really differs, say experts, because it aims to assess whether the use of the copyrighted material has the potential to negatively impact the commercial value of the original work or impede opportunities for the copyright holder to exploit their work in the market — which is exactly what artists, authors, journalists and other creative professionals claim.
“The Handmaid’s Tale” author Margaret Atwood, who discovered that 33 of her books were part of the Books3 dataset, explained this concern bluntly in a recent Atlantic essay:
“Once fully trained, the bot may be given a command—’Write a Margaret Atwood novel’—and the thing will glurp forth 50,000 words, like soft ice cream spiraling out of its dispenser, that will be indistinguishable from something I might grind out. (But minus the typos.) I myself can then be dispensed with—murdered by my replica, as it were—because, to quote a vulgar saying of my youth, who needs the cow when the milk’s free?”…
(7) MISSION IMPERTURBABLE. Here are links to four more installments of Cass Morris’ diary from her adventures on Disney’s Star Wars-themed Starship Halcyon.
…Noah and I started at Weapons, which was simple but very satisfying: I was aiming, Noah was firing. I really can’t overstate how cool it is to play the game on that enormous viewport. It’s very easy to forget you’re not actually in space, firing lasers. From there we moved to Shields (I think; I may have steps 2 and 3 backwards in my brain), which is essentially playing Pong, but it’s also so satisfying. We both liked this station best — which apparently is an unusual choice? But we were very good at it. (This would be important later). Loaders was a bit like weapons, with one of us moving and the other grabbing cargo out of space. Then Systems was the hardest by far — but I think my second-favorite station. The display tosses up a sequence of positions that the console’s various dials, buttons, and toggles need to be in, and you have to match it as fast as possible to keep the ship in good repair. That station was manic. There are so many buttons. It was genuinely hard to keep track of them! But hard in a fun way….
(8) EXERTING A SPELL. The one book that makes the £50,000 Wolfson Prize Shortlist worth noting here is Portable Magic A History of Books and their Readers.
Portable Magic unfurls an exciting and iconoclastic new story of the book in human hands, exploring when, why and how it acquired its particular hold over us. Gathering together a millennium’s worth of pivotal encounters with volumes big and small, Smith reveals that, as much as their contents, it is books’ physical form – their ‘bookhood’ – that lends them their distinctive and sometimes dangerous magic. From the Diamond Sutra to Jilly Cooper’s Riders, to a book made of wrapped slices of cheese, this composite artisanal object has, for centuries, embodied and extended relationships between readers, nations, ideologies and cultures, in significant and unpredictable ways.
Exploring the unexpected and unseen consequences of our love affair with books, Portable Magic hails the rise of the mass-market paperback, and dismantles the myth that print began with Gutenberg; it reveals how our reading habits have been shaped by American soldiers, and proposes new definitions of a ‘classic’-and even of the book itself. Ultimately, it illuminates the ways in which our relationship with the written word is more reciprocal – and more turbulent – than we tend to imagine.
(9) BROOKLYN SCIFI FILM FESTIVAL. The 135 short and feature length films selected for screening at this year’s Brooklyn SciFi Film Festival are listed at the link above. The festival runs October 9 through the 15, and fans from around the world are welcome to join this one-of-a-kind event as all films will be made available online for streaming and rating through Brooklyn SciFi’s Netflix style festival platform.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 8, 1925 — Peter Sellers. Chief Inspector Clouseau in the Pink Panther films which are genre. Of course, he had the tour de force acting experience of being Group Captain Lionel Mandrake, President Merkin Muffley and Dr. Strangelove in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. He also took multiple roles (even the Queen) in The Mouse That Roared. Amusingly he was involved many folk tale productions in various mediums (film, radio, stage) including Cinderella, Tom Thumb, Mother Goose and Jack and The Beanstalk. (Died 1980.)
Born September 8, 1937 — Archie Goodwin. Comics writer and editor with a very long career. He was the writer and editor of the horror Creepy and Eerie anthologies, the first writer on the Iron Man series, wrote comic book adaptations for Marvel of the two Star Wars sequels and edited the Star Wars line for them. For DC, he edited Starman which Robinson said he was inspiration for. (Died 1998.)
Born September 8, 1945 — Willard Huyck, 78. He’s got a long relationship with Lucas, first writing American Graffiti and being the script doctor on Star Wars before writing Indiana Jones and the Temple of Doom before being the writer and director on Howard the Duck which, yes, is a Lucasfilm. It’s the lowest rated on Rotten Tomatos Lucasfilm production ever at 15% followed by Radioland Murders, the last script he’d write for Lucasfilm.
Born September 8, 1952 — Linda D. Addison, 71. First Black winner of the Stoker Award which she has won five times which is rather amazing. Equally amazing, the first two awards were for her poetry collections Consumed, Reduced to Beautiful Grey Ashes and Being Full of Light, Insubstantial. Indeed all five of her Awards were to be for poetry collections. She also is the author of the story “Shadow Dreams”, published in the Black Panther: Tales of Wakanda anthology.
Born September 8, 1954 — Mark Lindsay Chapman, 69. Sorry DCU but the best Swamp Thing series was done nearly thirty years ago and starred the late Dick Durock as Swamp Thing and this actor as his chief antagonist, Dr. Anton Arcane. Short on CGI, but the scripts were brilliant. Chapman has also shown up in Poltergeist: The Legacy, The New Adventures of Superman, The Langoliers and Max Headroom to name a few of his genre appearances.
Born September 8, 1965 — Matt Ruff, 58. I think that his Sewer, Gas & Electric: The Public Works Trilogy is his best work to date though I do like Fool on The Hill a lot. Any others of his I should think about reading? And of course there is the adaptation of Lovecraft Country which I’ve not seen as I don’t have HBO. He won an Otherwise Award for Set This House in Order: A Romance of Souls, and an Endeavour Award for The Lovecraft Country.
Born September 8, 1975 — C. Robert Cargill, 48. He, along with Scott Derrickson and Jon Spaihts, worked on the script for Doctor Strange. More intriguingly they’re writing the script for The Outer Limits, a movie based on the television show. The film if ever happens, produced by MGM, will be adapted from just the “Demon with a Glass Hand” episode begging the question of what they’re writing for a script given that Ellison did write the Writers Guild of America Awards Outstanding Script for a Television Anthology script.
(11) COMICS SECTION.
The Flying McCoysshows the doctor is surprised by results of Dracula’s medical test.
It must be very complicated being George Lucas. On the one hand, you get to wake up inside a vast Scrooge McDuck money vault every morning. On the other, you have to live with the absolute mess Disney has made of your life’s work. To be George Lucas must be to know that you are indirectly responsible for allowing something as soggy and aimless as Ahsoka to seep into the world.
Ahsoka has now reached its halfway point, with four of its eight episodes aired, and it’s fair to say that literally nothing has happened. We know what’s going to happen, because the characters won’t stop talking about it – they’re going to meet a new baddie who has been banished to a different galaxy and represents an enormous existential threat – but the show is plodding towards it so glacially that it feels as if we may never actually get there. It’s almost (almost!) as if Star Wars realises it has spread itself too thin and is doling out plot one measly quarter-portion at a time….
(13) FILL UP THE THIRD. Simultaneous Times Vol.3, a science fiction anthology, is now available from Space Cowboy Books. Edited by Jean-Paul L. Garnier, with cover art by Austin Hart (Critters Award Winner).
Sixteen wonderous stories of science fiction by authors from all over the world! From alien invasions to sentient plants to intergalactic travelers, this book has it all. Featuring stories from the 2023 Laureate Award winning, and two-time Hugo Award longlisted podcast Simultaneous Times, as well as stories appearing for the first time, this collection spans multiple generations of award-winning science fiction authors and covers a wide variety of SF styles and themes.
Stories by: Jonathan Nevair (Indie Ink Award Finalist); F. J. Bergmann (Writers of the Future Winner); Brent A. Harris (Sidewise Finalist); Gideon Marcus (Hugo Finalist); A. C. Wise (Sunburst Winner); Tara Campbell (Robert Gover Story Prize Winner); David Brin (Hugo Winner); Robin Rose Graves (Laureate Award Finalist); Renan Bernardo (Argos & Utopia Award Finalist); Christopher Ruocchio (Manly Wade Wellman Winner); Toshiya Kamei; Todd Sullivan; Susan Rukeyser; Ai Jiang (Nebula Finalist); Cora Buhlert (Hugo Winner); Michael Butterworth (Laureate Award Winner).
…The world of the Swedish writer Karin Boye’s little-known 1940 novel, “Kallocain,” is a close cousin to those depicted in “We” and “Brave New World.” Like Zamyatin’s and Huxley’s dystopias, Boye’s underground World State is a centralized authoritarian society whose inhabitants’ lives are tightly controlled. And, as in these earlier novels, Boye’s closed state is destabilized by the experience of awe. That wonder, however, is sparked by a contact not with the unpredictable and ungovernable external world but with the equally unpredictable and ungovernable reality of human experience—and, specifically, female experience. The women characters in many classic twentieth-century dystopias tend to be flat, mere foils to male protagonists. But in “Kallocain” it is the inner lives of women that come to illustrate both the state’s power over its citizens and their own power to resist….
… Dystopias weaponize what they fear. The World State of “Kallocain” fears truth, and therefore weaponizes truth. It fears familial bonds, so it weaponizes them, too. In her description of that process, Boye articulates a deceptively simple idea: when the state creates a weapon that requires human coöperation, it opens the door to that weapon being used against it….
…A decade earlier, the flamboyant purple dresses made fashionable by the style leader Empress Eugénie of France were the preserve of the fabulously wealthy. Yet in just a few years, colours once made with expensive vegetable dyes were being industrially produced cheaply, thanks to an accidental discovery by an 18-year-old chemistry student William Henry Perkin. While attempting to synthesise quinine from aniline, a derivative of coal tar, Perkin realised the intense purples this colourless chemical produced could be used as a dye. He quickly established a factory for his new “mauveine”, as he called this early synthetic dye and chemists across Europe soon followed suit, expanding the synthetic colour palette. “The modern world of ubiquitous colour begins at this point,” says Winterbottom. “London’s streets and train stations are covered in brightly printed posters. People wear brightly coloured clothes. Everything from books to postage stamps becomes colourful.”
This rainbow transformation affected the entire social spectrum, from a working class who were now able to afford bright colours to members of the social elite rethinking their wardrobes. “Women asserted a more emboldened identity through colour,” says Winterbottom. In addition to loud dresses, ankles sporting coloured and striped stockings could be flashed thanks to newly swinging steel-hooped crinoline petticoats, which replaced the layers of fabric that previously helped to fill out skirts….
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Francis Hamit, Jeff Smith, Mark Roth-Whitworth, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeff Smith.]
…For now at least, you can still talk freely about being trans or queer on the Internet, without fear of overt censorship*. You might well face online harassment and violent threats, and you might even face real-world consequences if you get on the radar of the worst people. But the Internet does not suppress the trans and queer stories that are being violently removed from schools, libraries, and other public spaces in much of the country right now.
That’s about to change — unless we all take action.
A new bill called the Kids Online Safety Act, or KOSA, is sailing towards passage in the Senate with bipartisan support. Among other things, this bill would give the attorney general of every state, including red states, the right to sue Internet platforms if they allow any content that is deemed harmful to minors. This clause is so vaguely defined that attorneys general can absolutely claim that queer content violates it — and they don’t even need to win these lawsuits in order to prevail. They might not even need to file a lawsuit, in fact. The mere threat of an expensive, grueling legal battle will be enough to make almost every Internet platform begin to scrub anything related to queer people.
The right wing Heritage Foundation has already stated publicly that the GOP will use this provision to remove any discussions of trans or queer lives from the Internet. They’re salivating over the prospect.
And yep, I did say this bill has bipartisan support. Many Democrats have already signed on as co-sponsors. And President Joe Biden has urged lawmakers to pass this bill in the strongest possible terms….
(2) WRITER’S NATIONAL FRONT CONNECTION RECALLED. David A. Riley announced to readers of his blog on June 19 that his 11,600-word sword and sorcery novelette “Ossani the Healer and the Beautiful Homunculus” “has been accepted for publication – and by one of the most prestigious markets I have ever appeared in.” On July 5 he revealed that the story “will be published sometime later this year in The Magazine of Fantasy & Science Fiction.”
Today someone who noticed the F&SF sale news connected Riley with his history of having once been part of the UK’s National Front.
Christopher Rowe is referring to F&SF publisher Gordon Van Gelder and editor Sheree Renée Thomas.
David A. Riley’s history with the UK’s National Front became common knowledge in 2016 after Riley was included on HWA’s Bram Stoker Award Jury. The HWA appointment became news at a time when questions were already being asked of Riley due to his involvement in the relaunch of Weirdbook. Riley reportedly answered in a no-longer-available Facebook thread. The davidandrewrileyisafascist Tumblr hosts a screenshot of the comment, which says in part:
I think I need to put the record straight. Yes, I was in the National Front for ten year from 1973 to the middle of 1983. During that time I never regarded the party as fascist, though it did have minority elements within it that undoubtedly were. …I have never regarded myself as a fascist, and certainly not a nazi. The term ‘white supremacist’ is one I don’t recognise and certainly repudiate. If you saw me associating with my ethnically diverse neighbours in Bulgaria you would not level that at me then. I know this will not convince some people, and, quite honestly, I accept that….
The relationship between Riley’s past political views and organizing activity, and his current views, and whether he should be serving on an HWA awards jury, became subjects of intense discussion. Before long HWA President Lisa Morton said he was taken off the jury by mutual agreement.
Riley was interviewed by David Dubrow shortly after the 2016 kerfuffle (“Interview With David A Riley”.) Here is a quote:
Do you feel as though you have anything to apologize for in regard to your politics, past or present?
Who should I apologize to? To those who have been baying for my blood? Most of the people involved in this debate come from the States. Since I have never been involved in politics there I should certainly not have to apologise to them. Do I regret having spent those years that I did in the National Front? Yes. If I had my time over again I would not do it. But the early seventies were a different time….
Today s. j. bagley commented on Rowe’s report about Sheree Renée Thomas’ statement:
this is incredibly disappointing (and also, like, it's exceedingly unethical to promote white supremacists and, in fact, i'd say that's far more unethical than pulling a story.) https://t.co/Rjv7XTVot8
And Rowe expressed this concern to another author:
(3) AI TRAINING PUSHBACK. [Item by Bill.] Danish anti-piracy group Rights Alliance has taken down the prominent “Books3” dataset, that was used to train high-profile AI models including Meta’s. “Anti-Piracy Group Takes AI Training Dataset ‘Books3′ Offline” reports Gizmodo. Despite being removed from their original host site, the dataset is available elsewhere on the internet.
One of the most prominent pirated book repositories used for training AI, Books3, has been kicked out from the online nest it had been roosting in for nearly three years. Rights-holders have been at war with online pirates for decades, but artificial intelligence is like oil seeping into copyright law’s water. The two simply do not mix, and the fumes rising from the surface just need a spark to set the entire concept of intellectual property rights alight.
As first reported by TorrentFreak, the large pirate repository The Eye took down the Books3 dataset after the Danish anti-piracy group Rights Alliance sent the site a DMCA takedown. Now trying to access that dataset gives a 404 error. The Eye still hosts other training data for AI, but the portion allotted for books has vanished….
… More than 170,000 titles were fed into models run by companies including Meta and Bloomberg, according to an analysis of “Books3” – the dataset harnessed by the firms to build their AI tools.
Books3 was used to train Meta’s LLaMA, one of a number of large language models – the best-known of which is OpenAI’s ChatGPT – that can generate content based on patterns identified in sample texts. The dataset was also used to train Bloomberg’s BloombergGPT, EleutherAI’s GPT-J and it is “likely” it has been used in other AI models.
The titles contained in Books3 are roughly one-third fiction and two-thirds nonfiction, and the majority were published within the last two decades. Along with Smith, King, Cusk and Ferrante’s writing, copyrighted works in the dataset include 33 books by Margaret Atwood, at least nine by Haruki Murakami, nine by bell hooks, seven by Jonathan Franzen, five by Jennifer Egan and five by David Grann….
…After ruling the box office roost for four weekends, Barbie fell to second place as DC’s superhero pic Blue Beetle took the top spot. It opened to an estimated $25.4 in North America. …
(6) BRADBURY MEMORIES. On Ray Bradbury’s 103rd birthday, John King Tarpinian visited his gravesite, bringing a funny book, a cake, and a dinosaur. (John always takes the cake to the cemetery office for the staff to enjoy.)
(7) BACK IN THE DAY. In this episode of Day at Night taped on January 21, 1974, host James Day speaks with Ray Bradbury about his career, the importance of fantasizing, his aspirations as a young child, his dislike of college for a writer, his idea of thinking compared to really living, and his love of the library.
When I was a little kid, prior to the Civil War, I had an imagination as fertile and as wide as my large brown eyes, dreamily filled with awe and wonder. My dad brought home our first television set in 1950.
Here is an affectionate remembrance of the Saturday Matinee and 1950’s Philadelphia television when classic cliffhanger serials thrilled and excited “children of all ages”… when careening spaceships and thundering hooves echoed through the revered imaginations and hallowed corridors of time and memory…and when Buster Crabbe lovingly brought “Flash Gordon,” “Buck Rogers,” “Red Barry,” and “Captain Gallant Of The Foreign Legion” to life in darkened movie palaces, and on television screens, all over the world.
Return with us now to “those thrilling days of yesteryear” when Zorro, Buzz Corry of the “Space Patrol,” Ming, The Merciless, Hopalong Cassidy, The Lone Ranger, Roy Rogers, Gene Autry in “The Phantom Empire,” and Larry “Buster” Crabbe lit the early days of television, and Saturday afternoon motion picture screens, with magical imagery, and unforgettable excitement. Just click on the blue link above to escape into the past, via the world of tomorrow.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 22, 1909 — Paul W. Fairman. His story “No Teeth for the Tiger” was published in the February 1950 issue of Amazing Stories. Two years later, he was the founding editor of If, but he edited only four issues. In 1955, he became the editor of Amazing Stories and Fantastic which he would hold for three years. There are several films, Target Earth and Invasion of the Saucer Men, based on his stories, plus some TV episodes as well. (Died 1977.)
Born August 22, 1919 — Douglas W F Mayer. A British fan who was editor for three issues of Amateur Science Stories published by the Science Fiction Association of Leeds, England. He was thereby the publisher of Arthur C. Clarke’s very first short story, “Travel by Wire”, which appeared in the second issue in December 1937. He would later edit the Tomorrow fanzine which would be nominated for the 1939 Best Fanzine Retro Hugo. (Died 1976.)
Born August 22, 1920 — Ray Bradbury. Seriously where do I start? He wrote some of the most wonderful stories that I’ve ever read, genre or not, many of which got turned into quite superb video tales on the Ray Bradbury Theater. As for novels, my absolute favorite will always be Something This Way Wicked Comes. (I’m ambivalent on the film version.) And yes I know it isn’t really a novel but The Illustrated Man I treat as such and I loved the film that came out of it with Rod Steiger in that role. Let’s not forget The Martian Chronicles. (Died 2012.)
Born August 22, 1945 — David Chase, 78. He’s here today mainly because he wrote nine episodes including the “Kolchak: Demon and the Mummy” telefilm of Kolchak: The Night Stalker. He also wrote the screenplay for The Grave of The Vampire, and one for Alfred Hitchcock Presents, “Enough Rope for Two”, which he also directed.
Born August 22, 1955 — Will Shetterly, 68. Of his novels, I recommend his two Borderland novels, Elsewhere and Nevernever, which were both nominees for the Mythopoeic Fantasy Award for Children’s Literature, and his sort of biographical Dogland. Married to Emma Bull whose Finder: A Novel of The Borderlands is always highly recommended, they did a trailer for her War for The Oaks novel which is worth seeing as you’ll spot Minnesota fans in it. And Emma as the Elf Queen is definitely something to behold. Will was planning to run for Governor of Minnesota so he had collected funds for that. That instead went instead to this film
Born August 22, 1948 — Susan Wood. She received three Hugo Awards for Best Fan Writer in 1974, 1977, and 1981, and a Best Fanzine Hugo as coeditor of Energumen in 1973. In 1976 she was instrumental in organizing the very first feminist panel at a con, at MidAmericon. The reaction to this helped lead to the founding of A Women’s APA and of WisCon. While teaching courses in SF at UBC, one of her students was William Gibson. “Fragments of a Hologram Rose” which is his first published story was written as an assignment in her SF class. (Died 1980.)
Born August 22, 1963 — Tori Amos, 60. One of Gaiman’s favorite musicians, so it’s appropriate that she penned two essays, the afterword to “Death” in Sandman: Book of Dreams) and the Introduction to “Death” in The High Cost of Living. Although created before they ever met, Delirium from The Sandman is based on her. Bookriot did a nice piece on their friendship.
We’ve all been there: You go to leave a review of an amazing book, only to see that someone has left it a dreaded 1-star review. And when you read it? Oof. Did the two of you even read the same book? Well, let’s put it to the test. Can you guess these fantasy books based only on their 1-star reviews?
I did not get this one. I should have – I read it! But then, I thought it was good. Maybe that threw me off.
…The information released by Disney today lists four initial series set to get the 4K Blu-ray and Blu-ray treatment: Loki Season One, WandaVision, The Mandalorian Season One, and The Mandalorian Season Two….
… What’s more, these TV series releases are going all-out to appeal to fans by sporting steelbook packaging for both their 4K and HD Blu-ray versions; gorgeous box art designs by artist Attila Szarka; as well as concept art cards and never-before-seen bonus features. And as perhaps the biggest surprise of all, Disney has confirmed that it will be pressing the 4K versions of these TV series releases on 100GB discs rather than the 66GB-capacity discs that it’s used for all of its previous 4K Blu-ray releases bar the two Avatar movies….
(12) WHERE’S MY JETPACK LYRICS? Here they are. Thank you, Peer, for these sympathetic words.
Jet pack crashes A new Scroll cries Its pixels falls to the floor Mike opens his eyes The confusion sets in Before the filer can even click the box
Jetpack crashes An old scroll dies Its pixel fall to the floor Mike closes his tabs The items that was in theirs Reposted now, by the baby down the hall Oh, now feel it being discussed again Like a rolling thunder reported on X Blogs pulling Items from the center of the scroll again I can tick box now
Jetpack crashes A new scroll is born.
(13) VIDEO OF THE DAY. Zack Snyder’s Rebel Moon comes to Netflix starting December 22. The way Variety sees it, “…The trailer has just about every piece of sci-fi and fantasy imagery you can imagine: a princess prophesied to end a war, spaceships raining lasers down on a hapless village, talking robots, a spider creature, a badass wielding glowing red laser swords, a flying pegasus-like animal and lots of slow-mo….”
The YouTube blurb says:
From Zack Snyder, the filmmaker behind 300, Man of Steel, and Army of the Dead, comes REBEL MOON, an epic science-fantasy event decades in the making. When a peaceful colony on the edge of a galaxy finds itself threatened by the armies of a tyrannical ruling force, Kora (Sofia Boutella), a mysterious stranger living among the villagers, becomes their best hope for survival. Tasked with finding trained fighters who will unite with her in making an impossible stand against the Mother World, Kora assembles a small band of warriors — outsiders, insurgents, peasants and orphans of war from different worlds who share a common need for redemption and revenge. As the shadow of an entire Realm bears down on the unlikeliest of moons, a battle over the fate of a galaxy is waged, and in the process, a new army of heroes is formed.
[Thanks to Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Daniel Dern, Bill, Steven French, Dan Bloch, Steve Vertlieb, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(1) CLASSIC CAR WITH AN SFF PEDIGREE. J. Michael Straczysnki told Facebook readers he needs a taker for the late Harlan Ellison’s 1947 Packard.
For the last six months, we’ve talked to just about every vintage car company in existence about buying Harlan’s 1947 Packard, to no avail. It’s not an especially collectible car, not in great condition, not worth much on the market, and nobody we spoke to knew who Harlan was or felt that this added to its market value.
We need to get the car out of the garage where it’s been sitting, exposed to the elements, every day for almost ten years because the plan is to turn the open garage into an enclosed, on-site storage and work area to make it easier to work on the house, rotate out equipment, and store display cabinets and other items to be used for exhibitions. But I really don’t want to just sell it for parts because it hurts my heart.
Knowing Harlan, I think he’d want the Packard to end up in the hands of a fan who could appreciate it, look after it, maybe fix it up over time. Which brings me here. If there’s a stone Harlan fan who can arrange to have the car (safely) picked up and transported away, it’s yours.
(And to everyone looking on: please don’t send me suggestions or links or say “well, what about this company?” or “I think I know a guy” or “what about an SF museum somewhere” because we have spent half a year chasing that stuff down and come up empty every time. We have to start the process of transforming the garage into on-site storage and as a place for the contractors currently making repairs to the house to seek refuge from the bitter heat. It’s been a long, difficult and annoying process, with so many folks flaking out on us, so honestly, just don’t.)
Any takers? Serious only. Must be able to pick it up by no later than the end of August.
UPDATED TO ADD: Despite the very clear request not to post more dead-end solutions, true to the tradition of the Internet, people keep posting the very thing they’re being asked not to post. I don’t mean to be crotchety about it, but I don’t know how to express it any more clearly: the only posts here should be from folks interested in taking the car, so if we can keep the signal to noise ratio to a minimum that would be grand. Otherwise every time I get pinged with a notification and think, oh, good, we have someone who can take the car, I come back to…the opposite.
Harlan Ellison wrote about his love for that Packard here.
I’m sitting in my car, my car is a 1947 Packard. I got a current car. I drive that one, but I love the Packard. I love the Packard because it was built to run, built to last. You could hit this car with 200 small Japanese cars and they would be demolished into ashes. When I go past a grade school little kids have no idea what this car is. They have no idea it was made in 1947. They don’t even know there was a year called 1947. But they see this car go by and they give me that (thumbs up & OK signs) and that means they recognize something that is forever, like the pyramids….
(2) X NO LONGER MARKS THE SPOT. Charlie Jane Anders has pulled the plug on her X (formerly Twitter) account. It’s gone. “If you see me on Twitter, it’s not me”. She tells why another common strategy for leaving the platform wouldn’t work for her:
…. Many, many people have advised me to delete all of my tweets, lock my account, and simply stop tweeting. Their argument is that someone else could take my username and impersonate me, which feels like a real, serious issue — but if I leave my account inactive for long enough, Twitter will probably take my username away and let someone else take it in any case. So I apologize in advance to anyone who sees a fake Charlie Jane on Twitter and gets confused. It’s not me, I swear. (And that’s part of why I’m writing this newsletter: so people can point to it if there’s any confusion.)
I feel the need to make a clean break from Twitter at this point. After all of the proliferation of hate speech, and the random shutdowns of progressive accounts that challenge the owner’s rigid orthodoxy, I was already wanting to make a break for it. But after the latest scandals involving CSAM, I really feel as though I have no choice. And the “clean break” thing feels important — to be honest, I don’t entirely trust myself not to log in a month from now when I have something to announce, unless I delete the account entirely….
(3) CELEBRATE BRATMAN’S HALF-CENTURY OF SCHOLARSHIP. A collection of David Bratman’s nonfiction, Gifted Amateurs, has been released by the Mythopoeic Press.
For more than four decades, David Bratman has established himself as a leading authority on J.R.R. Tolkien, the Inklings, and the enchanting realms of fantasy literature. Bratman’s scholarly articles, captivating Mythopoeic Conference presentations, and esteemed editorial work for the newsletter Mythprint and the journal Tolkien Studies: An Annual Scholarly Review have solidified his expertise. Now, in celebration of his profound contributions and recent distinction as the Scholar Guest of Honor at Mythcon 52, the Mythopoeic Press proudly presents Gifted Amateurs and Other Essays, an extraordinary collection of some of Bratman’s most insightful, engaging, and intellectually stimulating works.
Within these pages, discover the untold stories behind the “Top Ten Rejected Plot Twists from The Lord of the Rings,” unravel the religious themes woven throughout Middle-earth, and delve into the surprising origins of hobbit names. Guided by Bratman’s unwavering curiosity and scholarly passion, explore the fascinating history of the Inklings and how they connect to the boundless expanse of the Pacific Ocean, unearth the dramatic works of Lord Dunsany and the overlooked masterpiece of Mervyn Peake, and revel in the mythopoeic genius of Roger Zelazny. Seamlessly blending scholarship and entertainment, Gifted Amateurs and Other Essays invites readers on a journey that illuminates the true essence and enduring power of mythopoeic storytelling.
David Bratman has been writing Tolkien scholarship for nearly 50 years. He’s been co-editor of Tolkien Studies: An Annual Scholarly Review since 2013 and has edited its annual “Year’s Work in Tolkien Studies” since 2004. In addition to contributing to Tolkien scholarship, Bratman has published works on Charles Williams, C.S. Lewis, Ursula Le Guin, Mervyn Peake, Neil Gaiman, and others. Now a retired academic librarian, Bratman also was editor of the Mythopoeic Society’s members’ bulletin Mythprint for 15 years and worked on many Mythopoeic Conferences, including serving twice as chair.
(4) SDCC SOUVENIR BOOK. The 2023 San Diego Comi-Con souvenir book can be downloaded as a free PDF here.
(6) YEARS PASS AND THESE ARE STILL LIVE ISSUES. [Item by Mike Kennedy.] SAG-AFTRA and producers are still at odds over many things. But, at least they have seemingly agreed to end the large majority of paintdowns and wiggings.
As SAG strikes, stunt performers have proposed one thing the union and studios can agree on: a new process to end controversial “paintdowns” and “wiggings”
Actor Jason George was a few years into his career when he secured his first starring role in a movie. It was the early 2000s, and he’d been cast as a co-lead in a mountain climbing flick called The Climb. He was excited for the prospect of a break until he walked into a trailer one day and saw a white man “wearing my wardrobe, my helmet, my climbing harness, and they’re putting makeup on him to make him look like me.”
George, who is Black, was stunned.
“I did a double take — if you’d shot it for a movie, [my reaction] would’ve been too much, too big,” he tells Rolling Stone. “I stepped out to make sure I was in the right place, came back in, and said, ‘What is happening?’ And they said, ‘This is your stunt double.’”
What George had walked in on was a “paintdown.” It wasn’t blackface in the traditional sense of a minstrel show, but it was also definitely blackface. One of Hollywood’s many seedy little secrets, a paintdown is when the skin of a white stunt performer is darkened so they can double for an actor of color — rather than just hiring a stunt performer of the same ethnicity….
In the 20-odd years since, paintdowns and “wiggings” — a similar practice where, instead of hiring a stuntwoman, a man is dressed up to double a woman — have been on the decline, but they’re far from eradicated….
(7) A LITTLE MISTAKE. [Item by Kevin Hogan.] I always start my Hugo ballot early, based on what I nominated. In case I’m abducted by aliens, at least my initial preferences will be taken into account.
The website itself is nicely done, and the ranking of choices is easy enough. No way to accidentally rank multiple entries the same number with a drag and drop system.
I feel that the English proofreading on the nominees might need another pass, though. Unless Rachel Hartman truly is the secret 7th member of Monty Python.
Editor’s note: In case that’s too hard to read, we’re talking about Lodestone Award finalist Rachel Hartman’s In the Serpent’s Wake. When I voted today I copied the Chinese characters for Hartman’s work and ran them through Google Translate. It returned “Monty Python – Rachel Hartman (Random Children’s Books)” in English. The self-same Chinese text is part of the 2023 Hugo finalists press release.
…Sony Pictures Entertainment on Friday pushed back the release of two major films that had been set to arrive in theaters by the end of the year — the Marvel Comics-based “Kraven the Hunter” and a sequel to “Ghostbusters: Afterlife.”
In addition, Sony is postponing some of its big 2024 releases. “Spider-Man: Beyond the Spider-Verse,” is no longer on track for a March premiere, and a new “Karate Kid” will no longer arrive in June.
Until now, the 2023 theatrical release schedule had been left relatively unscathed by the actors’ strike, which started on July 14. But other studios are likely to follow Sony’s lead. Warner Bros. has been debating whether to postpone “Dune: Part Two,” which is supposed to arrive in theaters on Nov. 3. “Aquaman and the Lost Kingdom,” a big-budget superhero sequel, and “The Color Purple,” based on the Broadway musical, are among other 2023 holiday-season movies that could be delayed….
(9) BO GOLDMAN (1932-2023.) [Item by Mike Kennedy.] Bo Goldman is probably best known as the screenwriter for One Flew Over The Cuckoo’s Nest, but many of his films received acclaim. He won two Oscars (for Cuckoo’s Nest plus Melvin and Howard) and was nominated for a third (for Scent of a Woman). Goldman died July 25. Read Variety’s tribute: “Bo Goldman, Oscar-Winning Writer of ‘One Flew Over the Cuckoo’s Nest’ Script, Dies at 90”.
His only completed and credited genre work appears to be the script for Meet Joe Black (1998)—starring Brad Pitt as Joe Black, aka Death. He did also do uncredited script revisions for 1990’s Dick Tracy.
In an alternate reality, we could’ve seen Goldman’s take on the King Kong story. In 1975 he wrote a script for a Universal film, to be called The Legend of King Kong. It went unproduced after Paramount and Dino DeLaurentis sued in favor of their own 1976 release of King Kong. (Source: IMDb, Trivia section of his entry.)
Born July 29, 1888 — Farnsworth Wright. Editor of Weird Tales, editing an amazing 179 issues from November 1924–March 1940. Mike Ashley in EoSF says, “Wright developed WT from a relatively routine horror pulp magazine to create what has become a legend.” His own genre fiction is generally considered undistinguished. He also edited during the Thirties, Oriental Stories and The Magic Carpet. The work available digitally is a poem, “After Two Nights of the Ear-ache”. He was nominated at Loncon 3 for a Best Editor Retro Hugo. (Died 1940.)
Born July 29, 1907 — Melvin Belli. Sole genre role is that of Gorgan (also known as the “Friendly Angel”) in the Star Trek “And the Children Shall Lead” episode. Koenig objected to his playing this role believing the role should have gone to someone who was an actor. (Died 1996.)
Born July 29, 1915 — Kay Dick. Author of two genre novels, The Mandrake Root and At Close of Eve, plus a collection, The Uncertain Element: An Anthology of Fanta. She is known in Britain for campaigning successfully for the introduction of the Public Lending Right which pays royalties to authors when their books are borrowed from public libraries. They which may or may not be genre is her only work available at the usual suspects. (Died 2001.)
Born July 29, 1927 — Jean E. Karl. Founder of Atheneum Children’s Books, where she edited Ursula K Le Guin’s early Earthsea novels and Susan Cooper’s The Dark Is Rising series. An SF author as well for children and young adults, she wrote The Turning Place collection and three novels, Beloved Benjamin is Waiting, But We are Not of Earth and Strange Tomorrow. (Died 2000.)
Born July 29, 1941 — David Warner. Being Lysander in thatA Midsummer Night’s Dream was his first genre role. I’m going to do just highlights after that as he’s got far too extensive a genre history to list everything. So he’s been A Most Delightful Evil in Time Bandits, Jack the Ripper in Time After Time, Ed Dillinger / Sark In Tron, Father in The Company of Wolves, Chancellor Gorkon in Star Trek VI: The Undiscovered Country, The Creature in Frankenstein, voice of Ra’s al Ghul on Batman: The Animated Series and Abraham Van Helsing on Penny Dreadful. (Died 2022.)
Born July 29, 1955 — Dave Stevens. American illustrator and comics artist. He created The Rocketeer comic book and film character. It’s worth noting that he assisted Russ Manning on the Star Wars newspaper strip and worked on the storyboards for Raiders of the Lost Ark. The Rocketeer film was nominated for a Hugo at MagiCon which was the year Terminator 2: Judgment Day won. (Died 2008.)
Born July 29, 1956 — Chitra Banerjee Divakaruni, 67. Author of the India set magical realist The Brotherhood of the Conch series. She also has three one-off novels, The Palace of Illusions, The Mistress of Spices, and The Forest of Enchantments.
(11) VALHALLA FOR FANZINES. Thanks to Heath Row, the late Marty Cantor’s 54 boxes have been delivered to the Eaton Collection at UC Riverside. See photos on FB.
Today a friend and I loaded a rented van with 54 boxes of science fiction fanzines and amateur press association bundles and mailings to donate to the Eaton collection at UC Riverside. The collection spans 1975 to the present day. It is a veritable treasure trove.
(12) A JOLLY PAIR OF FRIGHTENERS. Once upon a time in 1968, Boris Karloff and Vincent Price sang a duet on the Red Skelton Hour.
(13) IS THAT WATER THEY SEE? [Item by SF Concatenation’s Jonathan Cowie.] There’s a pre-print just up on Nature in which an international collaboration of western European based astronomers has reported the detection of water in the terrestrial zone of a planet forming star system.
PDS 70 (V1032 Centauri) is a very young T Tauri star in the constellation Centaurus. Located 370 light-years (110 parsecs) from Earth, it has a mass of 0.76 M☉ and is approximately 5.4 million years old. The star has a protoplanetary disk containing two very early exoplanets, named PDS 70b and PDS 70c, which have previously been directly imaged by the European Southern Observatory’s Very Large Telescope. PDS 70b was the first confirmed protoplanet to be directly imaged.
Terrestrial and sub-Neptune planets are expected to form in the inner (less than 10 AU – 1 AU being the distance from Earth to the Sun) regions of protoplanetary disks.
The European astronomers’ findings show water in the inner disk of PDS 70. This implies that potential terrestrial planets forming therein have access to a water reservoir.
OK, before we get too excited 1) the edge of the detection is 1 AU (the distance from the Earth to our Sun) and 2) PDS 70 is smaller, hence cooler, K-type star than our Sun and so the habitable zone would closer in to the star than in the Solar System: further in than the 1AU detection limit.
OK, we can get a little excited. There has been a fair bit about water in proto-planetary systems recently and the over-all picture emerging does seem that it is likely that water might exist early in star systems’ lives in the habitable zone and not — as it is today either already on planets or alternatively on small bodies beyond planetary snow or frost line which in our system is beyond Jupiter. The reason it could exists so close in — as the pre-print alludes — is because proto-planetary systems have not yet has a star with solar wind clearing out all the interplanetary dust and gas: that came later.
Until recently, the conventional theory was that the Earth (and Mars) had water transported to it from beyond the snow line. by the more abundant comets in the early Solar system. Possibly these comets were driven inward by a migrating Jupiter to a more stable orbit, so providing the inner system with a late veneer or heavy bombardment of volatile rich comets. The picture that emerges is that water is more common — if not universal — in very early planetary systems and so planets forming there will have water.
(14) VASTER THAN EMPIRES. The Smithsonian discusses the challenges of “Preserving Launch Infrastructure” at the National Air and Space Museum.
Launching a rocket is a complex operation, requiring personnel, equipment, and infrastructure. Space agencies and companies around the world, therefore, build giant ground systems to support launches. One of the largest and best-known launch complexes is Launch Complex 39 (LC 39), which NASA has used at Florida’s Kennedy Space Center to stack and launch rockets for the Apollo, Skylab, Space Shuttle, and Artemis programs, among others.
All these programs have relied on a similar method of assembly. Apollo and Skylab’s Saturn V and Saturn IB, the Space Shuttle’s Space Transportation System, and Artemis’ Space Launch System (SLS) have all had their final construction inside the massive Vehicle Assembly Building (VAB). At 525 feet tall, the VAB is one of the largest buildings by volume in the world. Stacking the launch vehicle inside protects it from weather, including Florida’s frequent storms….
Both the mobile launch platforms and the CTs are enormous, meaning that they are both much too large to fit inside either of the National Air and Space Museum’s two locations. Even NASA does not have enough space to store the MLPs now that they will not be used for Artemis. At the same time, both structures are integral to the histories of three space programs. How can the Museum collect artifacts to tell this history? One way is through preserving representative components that can speak to the history, use, and scale of these pieces of infrastructure.
From the Crawler Transporter, the Museum’s collection boasts two tread shoes. Seeing the shoes up close gives a sense of scale. Additionally, it is possible to see that these are shoes that have been used. Their wear and tear speaks to the heavy load that the CT carries as it moves the vehicle to the launch pad….
(15) VIDEO OF THE DAY. How It Should Have Ended works out the correct finish for “Guardians of the Galaxy Volume 3”. Actually, several correct finishes. Take your pick!
How Guardians of the Galaxy Volume 3 Should Have Ended. Starlord remembers his boots, The High Evolutionary visits the Villain Pub, The Guardians visit the Super Cafe, and Rocket Raccoon saves his friends.
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Kevin Hogan, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day P J Evans.]
(1) KUANG CONSIDERS ONLINE BOOK COMMUNITIES. “I don’t choose books based on the aggregate rating as if they are skincare products, nor do I think any critical verdict is the final one,” Rebecca F. Kuang tells Guardian readers in “Goodreads is right to divide opinions, wrong to boil them down”.
…Which brings us to what has been dubbed “review-bombing” by the New York Times – that is, critical pile-ons that can derail a book before it releases. Frankly, authors have been sighing and shrugging about this for years. It’s unclear whether Goodreads can make any meaningful fixes, or whether they have any incentive to. Authors have limited options – it rarely ends well when authors barge into spaces meant for readers. So the duty is left to readers to think carefully about how we write and engage with reviews. I am certainly a naive idealist here, but I retain this faith we could wrestle with online toxicity by taking our own arguments seriously before we post them. What purpose does our outrage serve? Who benefits if this book tanks? Who is making claims about this book? What passages do they cite? Do we agree with their interpretation? Are those passages represented in good faith, or are they plucked out of context? For that matter, how many people leaving these reviews have actually read the book?…
(2) DIRDA AT READERCON. [Item by Evelyn C. Leeper.] Michael Dirda, a mainstream reviewer who is also an unabashed science fiction fan, published his Readercon Report in last Thursday’s Washington Post: “At Readercon, print is still king — and thank goodness for that”.
…As its name implies, Readercon focuses on books. Nowadays, many science fiction conventions — not just San Diego Comic-Con and its offshoots — emphasize what one might call spectacle: blockbuster films, television series, video games, cosplay. But at Readercon, print is still king. At the entrance to the booksellers’ room, a little table displayed a memorial photograph of David Hartwell, the most important science fiction book editor of the past 50 years, who died in 2016. It bore the legend “Hero of Readercon.”…
…I also caught up with Gil Roth, literary podcaster and interviewer extraordinaire (check out “The Virtual Memories Show” and his zine, “Haiku for Business Travelers”), and short-story writer Eileen Gunn, who in her earlier years was director of advertising at Microsoft — one of her best-known stories is the appropriately wry “Stable Strategies for Middle Management.” At various times, I bumped into horror writer Scott Edelman, who in his youth worked at Marvel Comics, and exchanged greetings with Paul Witcover, author of that provocative mash-up “Lincolnstein,” and Neil Clarke, editor of the magazine Clarkesworld. During a Saturday night mixer called “Meet the Pros,” I gratefully sipped a gin and tonic with the distinguished anthologist Ellen Datlow and met a dozen young writers….
…My lively Machen panel was moderated by the eminent antiquarian book dealer Henry Wessells and comprised Michael Cisco, a professor at the City College of New York and author of “Weird Fiction: A Genre Study”; the fantasy artist known as The Joey Zone; Hand and me. On the Verne panel, I sat next to Sarah Smith, a novelist and pioneer of hypertext (“King of Space”) who has spearheaded the recovery of my late friend Thomas M. Disch’s long-lost computer game “Amnesia” and brought out its full text and programming notes in the book “Total ‘Amnesia.’”…
My guest this time around is Charlie Jane Anders, who’s won the Hugo, Nebula, Sturgeon, Lambda Literary, Crawford and Locus Awards. The final volume of her Unstoppable trilogy, Promises Stronger Than Darkness (the first two were Victories Greater Than Death and Dreams Bigger Than Heartbreak), was published just shortly before our chat. Her 2016 novel, All the Birds in the Sky, won the Nebula, Locus and Crawford awards. Other books include the Locus Award-winning short story collection Even Greater Mistakes, and the Hugo Award-winning And Never Say You Can’t Survive, about how to use creative writing to get through hard times. Her novelette “Six Months, Three Days” won a Hugo Award, and her short story “Don’t Press Charges and I Won’t Sue” won a Theodore Sturgeon Award.
Charlie Jane is also the co-creator of the transgender mutant hero Escapade, who was introduced in Marvel Voices: Pride 2022, and has been appearing in the long-running comic New Mutants, with Charlie Jane writing. She was a founding editor of io9.com, a blog about science fiction and futurism, and went on to become its editor-in-chief. With former guest of this podcast Annalee Newitz, Charlie Jane co-hosts a podcast about the meaning of science fiction called Our Opinions Are Correct.
We discussed how her childhood fantasy of aliens whisking her away from Earth gave birth to her Unstoppable trilogy, the way writing a YA meant she had to completely change the way she writes, the challenges of bringing a large cast of characters to life while giving them their own inner lives, why she has problems with Clarke’s Third Law but was willing to roll with it for her new trilogy, the difficulties of still being at work on the third book of a trilogy when the first was already in the hands of readers, how growing as a writer means embracing the messiness of the process, her reaction to being called “this generation’s Le Guin,” what she had to learn to be able to write comics, and so much more.
(4) IN THE PINK. Leonard Maltin’s Movie Crazy reviews this summer’s blockbuster in “Barbie: It’s About Time”.
…America Ferrera plays the human whose disaffection for Barbie sets the story in motion, and she gets to deliver a remarkable screed about woman’s role(s) in society that I suspect will be excerpted and quoted for years to come. Ariana Greenblatt is very good as her sullen adolescent daughter.
When I became a father I searched for movies that would show my daughter positive role models, and it was tough going. Barbie makes up for lost time and should warm the hearts of parents and daughters alike—even if the girls don’t get every gag or reference in the script….
(5) LEARNEDLEAGUE. [Item by David Goldfarb.] The One-Day Special quiz on Iain M. Banks’ Culture novels is now over: you can see the questions here. There was also a quiz on comic books, which tend to be at least genre-adjacent: Just Images Comic Book Covers.
(6) MEDIA DEATH CULT. Moid Moidelhoff interviews Tim Powers on writing, researching and being friends with Philip K. Dick.
(7) HEAR FROM RAY NAYLER. Alan Bailey and Cat Rambo interviewed Ray Nayler for the If This Goes On (Don’t Panic) podcast.
In this episode, Alan and Cat talk with author Ray Nayler about his novel the Mountain in the Sea, Secular Buddhism, animal behavior, interconnectedness, AI, and much more.
The fallout from the Hollywood actors’ and writers’ strikes continues.
The 75th Emmy Awards will be postponed because of the strikes, according to a person briefed on the plans. The ceremony, originally planned for Sept. 18, does not yet have a new date but will most likely be moved to January, the person said.
Emmy organizers are hopeful that would give the Hollywood studios enough time to settle the labor disputes. A new date will be finalized in the next few weeks….
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born July 28, 1866 — Beatrix Potter. Probably best known for Tales of Peter Rabbit but I’d submit her gardening skills were second to none as well as can be seen in the Green Man review of Marta McDowell’s Beatrix Potter’s A Gardening Life.(Died 1943.)
Born July 28, 1926 — T. G. L. Cockcroft. Genre bibliographer of some note such as The Tales of Clark Ashton Smith, and despite being resident in New Zealand, he was a prolific fanzine contributor and kept in contact with fandom everywhere from an early age. None of his works are currently in-print. Mike has an excellent look at him here. (Died 2013.)
Born July 28, 1928 — Angélica Gorodischer. Argentinian writer whose Kalpa Imperial: The Greatest Empire That Never Was got translated by Ursula Le Guin into English. Likewise Prodigies has been translated by Sue Burke for Small Beer Press. She won a World Fantasy Award for Lifetime Achievement. You can read Lightspeed Magazine’s interview with her here. (Died 2022.)
Born July 28, 1931 — Jay Kay Klein. I’ll direct you to Mike’s excellent look at him here. I will note that he was a published author having “On Conquered Earth” in If, December 1967 as edited by Frederik Pohl. I don’t think it’s been republished since. (Died 2012.)
Born July 28, 1941 — Bill Crider. Primarily a writer of mystery fiction, his extensive bibliography includes three stories in the Sherlock Holmes metaverse: “The Adventure of the Venomous Lizard”, “The Adventure of the St. Marylebone Ghoul” and “The Case of the Vanished Vampire”. He also wrote a Sookie Stackhouse short story, “Don’t Be Cruel” in the Charlaine Harris Metaverse. His “Doesn’t Matter Any Matter More” short story won a Sidewise Awards for Alternate History and his “Mike Gonzo and the UFO Terror” won a Golden Duck Award. (Died 2018.)
Born July 28, 1966 — Larry Dixon, 57. Husband of Mercedes Lackey who collaborates with her on such series as SERRAted Edge and The Mage Wars Trilogy. He contributed artwork to Wizards of the Coast’s Dungeons & Dragons source books, including Oriental Adventures, Epic Level Handbook, and Fiend Folio. Dixon and Lackey are the CoNZealand’s Author Guests of Honour.
Born July 28, 1969 — Tim Lebbon, 54. For my money his best series is The Hidden Cities one he did with Christopher Golden though his Relics series with protagonist Angela Gough is quite superb as well. He dips into the Hellboy universe with two novels, Unnatural Selection and Fire Wolves, rather capably.
(10) HOWARD THE DUCK TURNS 50. In November, Marvel will host a birthday blowout for Howard the Duck.
Howard the Duck’s 50th anniversary one-shot will be a giant-sized spectacle that will reunite writer Chip Zdarsky and artist Joe Quinones, the sensational creative team behind Howard’s smash hit and critically acclaimed 2015 ongoing series. …This collection of all-new tales will tackle all the different paths Howard could’ve taken during his offbeat adventures, and pose fascinating questions for this furious fowl’s future!
Meet Howard. He’s a hard-boiled P.I. with problems by the duckload. But a cosmic, all-seeing friend(?) known as the Peeper(!) is giving him a chance to see what his life COULD be! The joys he COULD have! All the ways his life COULD suck way less than it does now! In other words: “Whaugh If?”
Here’s some of the craziness that readers can look forward to:
Emmy-nominated writer and comedian Daniel Kibblesmith and acclaimed artist Annie Wu put Howard in the Oval Office! Inspired by a classic tale from Steve Gerber and Gene Colan’s 70s’ run, Howard the Duck has been sworn in as President. Find out if how gutsy he is as Commander in Chief when the Earth is invaded by aliens in this startling political satire!
Popular video game designer and writer Merritt K makes her Marvel Comics debut alongside artist Will Robson with a cosmic comedy that sees Howard the Duck leaving the chaos of Earth behind to take over as leader of the Guardians of the Galaxy! Playing Star-Lord is all fun and games for Howard until some of his most iconic classic villains band together to take him out once and for all!
Almost a year after a data breach revealed plans for a Scooby-Doo! original movie featuring Krypto the Super-Dog, Warner Bros. Home Entertainment has officially announced Scooby-Doo! and Krypto, Too!, a direct-to-home release that will be available in September on Digital, as well as on DVD at Walmart stores in the U.S. The cast list does not immediately reference the Legion of Super-Heroes, who were spotted in screenshots in the 2022 leak, but it seems likely this is the same film. That movie, reportedly titled Scooby-Doo! Meets Krypto, appeared to use character designs from the 2006-2007 Superman and the Legion of Super-Heroes show.
Confirmed to appear in Scooby-Doo! and Krypto, Too! are Superman, Lex Luthor, Lois Lane, Mercy Graves, Joker, Harley Quinn, Solmon Grundy, and Wonder Woman. Tara Strong, who became famous for playing Harley Quinn, will return to the role for the movie.
… The movie will be available in the US to purchase Digitally at retailers everywhere, and on DVD only at Walmart on September 26, 2023 …
A new thermoregulating textile keeps its wearers comfortable with a minimal amount of energy input thanks to a conductive polymer that can be modified to adjust how much infrared radiation it sheds. According to the textile’s developers at the University of Chicago, North Carolina State University and Duke University (all in the US), the new “wearable variable-emittance device”, or WeaVE, could be used to make next-generation smart thermal management fabrics.
Many animals are good at manipulating infrared (IR) radiation to heat themselves up and cool themselves down. Saharan silver ants, for example, dissipate excess heat thanks to triangular hairs on their bodies that reflect differing amounts of near-IR rays depending on the position of the Sun. Human bodies, in contrast, absorb and lose heat mainly through IR radiation with a wavelength of 10 microns, and our skin is not capable of controlling this wavelength range in real time to help us regulate body temperature. Researchers are therefore developing textiles that can do this for us….
Our new trailer “Harry Potter But A Barbie” (Barbie Potter)! In this amazing fantasy video, you’ll get to see familiar wizards from the world of Harry Potter in unexpected roles. Imagine Robert Downey Jr. as Albus Dumbledore, Ryan Gosling as Ron Weasley, Emma Watson as Hermione Granger, and, of course, Daniel Radcliffe returning as Harry Potter!
(14) VIDEO OF OTHER DAYS. Somtow Sucharitkul reminded readers today they can see a video of his appearance on SF Vortex in the Nineties discussing Dracula with Dr J Gordon Melton and Norine Dresser.
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Evelyn Leeper, David Goldfarb, Daniel Dern, Steven French, Chris Barkley, Michael Toman, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(1) JMS RETURNS TO MARVEL IN CAPTAIN AMERICA #1. Marvel Comics has announced that writer and filmmaker J. Michael Stracyznski will return this September in Captain America #1. Marvel previously shared the news with io9.
Stracyznski has written fan-favorite stories including AMAZING SPIDER-MAN and THOR, and now he’s ready to embark on a new adventure with Marvel’s star-spangled hero! Alongside superstar artist Jesús Saiz (PUNISHER, DOCTOR STRANGE), the talented duo is ready to take Steve Rogers on an exhilarating new adventure.
Decades ago, Steve Rogers changed the world forever. Now powerful and insidious forces are assembling to ensure he never does it again. Past, present and future collide as the man out of time reckons with an existential threat determined to set the world on a darker path at any cost…
Speaking with io9, Straczynski says, “Overall, the goal is to do some really challenging stories, some really fun stories, and get inside Steve’s head to see who he really is in ways that may not have been fully explored before. If folks like what I did with Peter in AMAZING SPIDER-MAN, and Thor in, well… THOR, then they should give this a shot, because I’m really swinging for the bleachers in this one!”
Investigating Afrofuturist expression through art, music, activism and more, this exhibition explores and reveals Afrofuturism’s historic and poignant engagement with African American history and popular culture. From the enslaved looking to the cosmos for freedom to popular sci-fi stories inspiring Black astronauts, to the musical influence of Sun Ra, OutKast, Janelle Monae, P-Funk and more, this exhibition covers the broad and impactful spectrum of Afrofuturism.
A highlight of the exhibition is the Black Panther hero costume worn by the late Chadwick Boseman. The Black Panther is the first superhero of African descent to appear in mainstream American comics, and the film itself is the first major cinematic production based on the character.
The exhibition also utilizes select objects to elevate stories that speak to Black liberation and social equality, such as Trayvon Martin’s flight suit from Experience Aviation, and his childhood dream of being an astronaut.
(3) SOMETIMES THEY DO GET WEARY. Mark Roth-Whitworth says, “I’m so tired of hearing how ‘character-driven’ stories are somehow ‘better’ than plot-driven, and I’ve written a rant, er, sorry, criticism.” “Character- or Plot-Driven – A False Dichotomy?”
As I’ve been developing as a writer, and submitting stories, I read and hear a lot about character-driven stories vs. plot-driven these days. Most novels seem to me to still are “plot-driven”, while a lot of shorter fiction that gets published in magazines is character-driven, or primarily thus, and I have issues with this.
Many years ago, in a long letter to my just-teenage children, speaking of people and relationships, I said that barring some life-changing event, whoever someone is at eighteen is who they will remain, only growing to be more of that. The result of that is that thinking someone is perfect, except for one little thing that you can fix… well, you can’t. In a story, the same is necessarily true….
(4) HAPPY WINNERS. Frank Wu and Jay Werkheiser are ecstatic to have won Analog’s AnLab Award for their novella “Communion” in the Jan 2022 issue as you can see in this photo taken by Brianna Wu. The winning cover was Eldar Zakirov’s artwork for the same story. Frank’s elevator pitch for the story is –
A space ship is about to crash and a 50-km-long mag wire is an essential part of the drive. During the crash, the robot saves the wire – and the mission and his human captain – by wrapping the wire around his arm and using his own body as a heatfield!
Frank Wu and Jay Werkheiser with their certificates recognizing their Anlab-winning novella “Communion” in the Jan 2022 issue. Photo by Brianna Wu.
…For instance, the Regency era – officially from 1811 to 1820—was well before England had a police force. So where does a lady sleuth get her official back up and assistance?
What’s more, record keeping was patchy at best and, if it did exist, was not centralised or easy to access. This was particularly the case for women because a vast majority of them could not read. Education, my dear fellow, is wasted on women—or at least that was the majority opinion of the time. How then, does a lady sleuth track down the information she needs to solve her mysteries?
So, when it came to written information, my lady sleuths had to be the kind of women of that era who would be feasibly taught to read, and secondly have access to the various places these records were kept. That is why I decided to make Lady Augusta (aka Gus), and Lady Julia part of the highest rank in Regency society, the aristocracy. At this rank, they would have a chance of some education, as well as having access to private libraries (public libraries as we know them were not yet in existence). They would also have the social clout and contacts to obtain information from other sources. At that time, most of the government officials were men from the gentry class or the aristocracy and since Gus and Julia move in those circles, they literally have friends in high place: excellent sources of information….
“Brave New World” by Aldous Huxley. Modern Library’s editorial board ranked “Brave New World,” the 1932 novel about the discontents of a technologically-advanced future society, as the fifth most important novel of the 20th century. Nevertheless, the book was challenged as required reading in the Corona-Norco Unified School District in 1993 because it is “centered around negative activity.” The novel also was removed from a high school library in Foley, Ala., in 2000 after a parent complained that it showed contempt for religion, marriage and family.
“Animal Farm” by George Orwell. The 1945 allegorical novella has been a target of complaints for decades, according to the ALA. In 1987, “Animal Farm” was one of dozens of books banned in schools in Bay County, Fla. Then 44 parents, students and teachers filed a federal lawsuit, and the school board reversed the decision. ‘’The only thing we have succeeded in doing is making sure every child in Bay County reads the books we banned,’’ a board member told the Associated Press.
The Time Traveler’s Guide to Medieval England by Ian Mortimer. If you’re going to write a historical novel, you’ve got to start with that one. It’s a fascinating book about the way that medieval England actually was, as opposed to the novels about it. It’s still a book that I go back to if I’m setting a story in anything like medieval England.
It’s time to head to Anaheim, California to take a seat at the table with William Shunn, the first of five guests I managed to chat and chew with for Eating the Fantastic during last month’s Nebula Awards conference. I first met Bill in 1993 though his words alone, when I bought his short story “Colin and Ishmael in the Dark” for publication in Science Fiction Age magazine. We met in the flesh later that same year at the San Francisco Worldcon, and he’s been part of my life for the past 30 years.
Bill attended the Clarion Science Fiction Writers Workshop in 1985, when he was only 17. (A class which included Mary Turzillo, Geoffrey Landis, Kristine Kathryn Rusch, Resa Nelson, and other writers with whom you might be familiar.) In addition to being published in Science Fiction Age, he’s also appeared in Asimov’s, Analog, F&SF, Realms of Fantasy, and other magazines. In 2002, he was nominated for a Nebula in the category of novelette for “Dance of the Yellow-Breasted Luddites,” and a few years later hit the nomination trifecta when he was up for a Nebula, Hugo, and Sturgeon Award for his novella “Inclination,” which had been published in Asimov’s in 2006.
In addition, if you’re a writer, you might be familiar with what’s come to be called the “Shunn format,” a guide to proper manuscript preparation which first appeared online in 1995 and has since become the gold standard for numerous publications. His widely acclaimed memoir, The Accidental Terrorist: Confessions of a Reluctant Missionary, was published in 2015, and in addition to detailing the youthful indiscretion which prevents him from ever returning to Canada, explains how Clarion changed his life and helped him become the writer he is today.
We discussed what he hoped would happen when he arrived at the Clarion Science Fiction and Fantasy Writing Workshop when he was 17 vs. what actually did happen, how his post-Clarion homelife was haunted by Ray Bradbury, the time Kate Wilhelm critiqued his critiquers, how an early rejection from Playboy got him in big trouble, the way a tragedy scuttled the sale of his memoir to a major publisher, how he and Derryl Murphy collaborated on a novella without killing each other, and so much more.
(9) RAJNAR VAJRA-LOEB (1947-2023). Rajnar Vajra-Loeb, known to the sff field as author Rajnar Vajra, died May 16 at the age of 75. Memorial comments are being gathered on his funeral information webpage.
He twice won the Analog Readers Poll, in 2002 for the short story “Jake, Me, and the Zipper” , and in 2005 for his novella “Layna’s Mirror”.
His 2015 Hugo-nominated story “The Triple Sun: A Golden Age Tale” was on both the Sad Puppies and Rabid Puppies slates, however, as reported by Chris Barkley at the time “he has vehemently disassociated himself from them. When other nominees dropped out of the Hugo Awards race, he bravely stayed in, because he believed in his story and vacating the nomination slot may have given the ballot yet another puppy candidate.”
He lived long enough to celebrate the “book birthday” of his latest novel Opening Wonders released on May 2.
(10) MEMORY LANE.
2019 – [Written by Cat Eldridge from a choice by Mike Glyer.]
Silvia Moreno-Garcia is a fantastic writer. Mexican born and raised, she moved to Canada in her twenties. Her debut novel, Signal to Noise, is a superb first novel.
She’s the publisher of Innsmouth Free Press, a press devoted to weird fiction. With Lavie Tidhar, she edits The Jewish Mexican Literary Review.
Gods of Jade and Shadow, the source of our Beginning, a historical fantasy, was published by Del Rey four years ago. Gods of Jade and Shadow was nominated for a Nebula Award for Best Novel.
And now let’s go into our Beginning….
But what the lords wished was that they should not discover their names.—Popol Vuh, translated into English by Delia Goetz and Sylvanus Griswold Morley from the work by Adrian Recino
Some people are born under a lucky star, while others have their misfortune telegraphed by the eposition of the planets. Casiopea Tun, named after a constellation, was born under the most rotten star imaginable in the firmament. She was eighteen, penniless, and had grown up in Uukumil, a drab town where mule-drawn railcars stopped twice a week and the sun scorched out dreams. She was reasonable enough to recognize that many other young women lived in equally drab, equally small towns. However, she doubted that many other young women had to endure the living hell that was her daily life in grandfather Cirilo Leyva’s house.
Cirilo was a bitter man, with more poison in his shriveled body than was in the stinger of a white scorpion. Casiopea tended to him. She served his meals, ironed his clothes, and combed his sparse hair. When the old brute, who still had enough strength to beat her over the head with his cane when it pleased him, was not yelling for his grandchild to fetch him a glass of water or his slippers, her aunts and cousins were telling Casiopea to do the laundry, scrub the floors, and dust the living room.
Casiopea, who had prayed at the age of ten for her cousin Martín to go off and live in another town, far from her, understood by now that God, if he existed, did not give a damn about her. What had God done for Casiopea, aside from taking her father from her? That quiet, patient clerk with a love for poetry, a fascination with Mayan and Greek mythology, a knack for bedtime stories. A man whose heart gave up one morning, like a poorly wound clock. His death sent Casiopea and her mother packing back to Grandfather’s house. Mother’s family had been charitable, if one’s definition of charity is that they were put immediately to work while their idle relatives twiddled their thumbs.
Had Casiopea possessed her father’s pronounced romantic leanings, perhaps she might have seen herself as a Cinderella-like figure. But although she treasured his old books, the skeletal remains of his collection—especially the sonnets by Quevedo, wells of sentiment for a young heart—she had decided it would be nonsense to configure herself into a tragic heroine. Instead, she chose to focus on more pragmatic issues, mainly that her horrible grandfather, despite his constant yelling, had promised that upon his passing Casiopea would be the beneficiary of a modest sum of money, enough that it might allow her to move to Mérida.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 2, 1915 — Lester Del Rey. Editor at Del Rey Books, the fantasy and science fiction imprint of Ballantine Books, along with his fourth wife Judy-Lynn del Rey. As regard his fiction, I’m fond of Rocket Journey and Police Your Own Planet, early works of his. His Jim Stanley series has much to say for it. And he got nominated for four Retro Hugos. (Died 1993.)
Born June 2, 1929 — Norton Juster. Author of the much beloved Phantom Tollbooth and its less known variant, The Annotated Phantom Tollbooth. Adapted in 1970 into a quirky film, now stuck in development hell being remade again. He also wrote The Dot and the Line: A Romance in Lower Mathematics, a story he says was inspired by Flatland: A Romance of Many Dimensions. (Died 2021.)
Born June 2, 1937 — Sally Kellerman. She makes the list for being Dr. Elizabeth Dehner in the superb episode of Trek “Where No Man Has Gone Before”. She also had one-offs on the Alfred Hitchcock Hour, The Twilight Zone, The Outer Limits, The Invaders, and The Ray Bradbury Theater. She played Natasha Fatale in Boris and Natasha: The Movie. (Died 2022.)
Born June 2, 1941 — Stacy Keach, 82. Though best known for playing hard-boiled Detective Mike Hammer, he’s got a long association with our genre starting with being The Mountain of the Cannibal God, an Italian horror film. Next up for him was Class of 1999 followed by voicing both Carl Beaumont / Voice of Phantasm in Batman: Mask of the Phantasm, a film I really, really like. More horror, and a really silly title, await him in Children of the Corn 666: Isaac’s Return where The Hollow has a tasteful title which the Man with the Screaming Brain does not provide him. Storm War, also known as Weather Wars, is SF. And then there is Sin City: A Dame to Kill For which is a rather nice piece of film making. And yes, he’s been in a televised version of Macbeth playing Banquo.
Born June 2, 1920 — Bob Madle. Helped start his local sf club in 1934, went to what he considered to be the first-ever sf convention in 1936, and attended the first Worldcon (Nycon I) in 1939. Bob Madle and named the Hugo Awards. He was the first North American TAFF (Trans-Atlantic Fan Fund) delegate to an overseas con (Loncon, 1957). Twenty years later he was Fan Guest of Honor at the 1977 Worldcon (listen to his GoH speech here.) First Fandom has inducted him to their Hall of Fame, and given him the Moskowitz Award for collecting. He’s a winner of the Big Heart Award). This post about his centennial birthday in 2020 includes photos and a summary of his fannish life in his own words. (Died 2022.)
Born June 2, 1979 — Morena Baccarin, 44. Very long genre history starting with portraying Inara Serra in Firefly and Serenity; Adria in the Stargate SG-1 series and the Stargate: The Ark of Truth; Anna in the 2009 version of the series V; Vanessa in Deadpool and Deadpool 2; and Dr. Leslie Thompkins in Gotham.
Born June 2, 1982 — Jewel Staite, 41. Best known as the engineer Kaylee Frye in the Firefly verse. She was Jennifer Keller in Stargate Atlantis, Catalina in the Canadian series Space Cases, Tiara VanHorn in Honey, I Shrunk the Kids: The TV Show and “Becca” Fisher in Flash Forward. Genre one-offs? Oh yes: The Odyssey (twice), Are You Afraid of The Dark (again twice), The X-Files, So Weird, Sabrina: The Animated Series, The Immortal, Seven Days, Stargate Atlantis, Supernatural, Legends of Tomorrow, The Order and The Magicians.
J.R.R. Tolkien’s estate has filed a bombshell lawsuit accusing a writer of ripping off the late author’s iconic Lord of The Rings series and is demanding his books be taken out of stores, RadarOnline.com has learned.
According to court documents obtained by RadarOnline.com, The Tolkien Trust, which is responsible for managing the intellectual property of the late Professor J. R.R. Tolkien, is suing a man named Demetrious Polychron.
In the suit, the Trust said the lawsuit was brought due to Polychron’s “willful and blatant violation” of its copyright interests in the Lord of the Rings franchise.
The Trust said despite the author being aware of its rights in Tolkien’s work, he decided to “write, publish, market and sell a blatantly infringing derivative sequel to the Tolkien Trilogy entitled The Fellowship of the King (the “Infringing Work”). In addition to clearly mimicking the title of the first book in the Tolkien Trilogy, the Infringing Work constitutes a blatant, wide-ranging and comprehensive misappropriation of Professor Tolkien’s creative opus.”
The Trust said its aware that Polychron plans to release up to six additional books — all based on Tolkien’s characters.
“The Infringing Work is currently being offered for sale on various online platforms in the United States for $17.99 – $26.99 a copy,” the suit read.
The suit explained, “Neither Professor Tolkien nor the Tolkien Estate has ever authorized any written sequels to the Tolkien Trilogy. Not only was the Infringing Work unauthorized, but the Tolkien Estate had already expressly refused the [Polychron’s] request to publish any work of this nature, in keeping with its longstanding policy.”
I feel as if a big part of revision is going from the general to the specific. My first drafts, at least, always include a lot of details that are kind of fuzzy. Sometimes, a piece of information changes every time it comes up, because I haven’t made up my mind yet what the actual real version is, and I’m just hedging my bets. Sometimes there’s a highly specific piece of backstory, front story or side story, but it’s just really a placeholder — a supporting character is a stock character, or someone’s job is merely a sitcom job that doesn’t feel like a real employment situation. And sometimes, things are just left so vague that they could be anything, or there’s no information whatsoever.
So when I revise, I try to nail things down more. On one level, this is just a process of deciding on stuff. Where did this character grow up? Who were their parents? What kind of job do they have, and what specifically does the job ask of them? And so on….
Don’t tell me “Spider-Man: Across the Spider-Verse” is merely a cartoon. It’s a visionary work that redefines what the animation medium can achieve, sitting alongside the handful of sequels such as “The Dark Knight” and “The Empire Strikes Back” that elevate their franchises by pushing them in surprising new directions.
On a personal level, this animated second installment of the web-slinging superhero is the closest I’ve ever come to seeing an accurate depiction of my life and culture on a movie screen – well, with a few fantastic elements added into the mix. That’s invaluable.
“Across the Spider-Verse” takes place a year after the events of the previous film with Miles Morales (a.k.a. Spider-Man) facing a new threat. Unfortunately, it’s one that causes him to interact with a new group of Spider-People from across the multiverse.
So why did I respond so deeply to this superhero story? Like Miles, I’m made up of an exciting ethnic mix of Puerto Rican and Black parents brought together in the melting pot that is New York City. Neither of us possesses the acceptable amount of Spanish fluency that our fellow Boricuas require. Nonetheless, we have a weakness for fried platanos, as well as an appreciation for our heritage. Just hearing the word “bendición,” a standard greeting and farewell term used in Latino culture, used in “Across the Spider-Verse, ” filled my eyes with tears and pride….
…Considering Billi’s feline status, Baker was naturally a bit skeptical at first.
“I was concerned because they [the buttons] were quite large for a little tiny kitty, and I was not sure that she was actually going to be heavy enough to press them,” Baker said. “So I started with a word that I’d really not recommend that you start with, which is ‘food,’ because it becomes very motivating for them. And Billi loves food.”
Baker’s concerns quickly washed away once it became clear that Billi was able to press the button “food” — which she appeared to enjoy doing perhaps a little too much.
“She was definitely heavy enough for it,” Baker said. “And then I later regretted starting with food because it kind of backfired on me, but it definitely got the ball rolling.”
Today, Billi has 50 words on her board, and — like Bunny — is part of the ongoing research project called TheyCanTalk, whose goal is to understand if animals can communicate with humans through AAC devices. While the study is mostly made up of dogs, about 5 percent of the animals using AAC devices are now felines. It turns out that many cats have been successful at using the device.
“They have this reputation of just doing what they want and not really caring what the humans are doing, and I think this is a great opportunity to see that they actually are paying attention,” Smith said. “Seeing that they can be engaged, that they’re not just cat automatons, that aren’t driven by instinct 24/7 can function a great deal positively for their role in other studies.”
…On April 2, Ingenuity soared 52 feet up into the Martian sky — a record height for the drone — to take a suborbital photo of Mars’s landscape.
After landing, it disappeared. When scientists attempted to upload instructions for a subsequent flight, Ingenuity’s radio sign was gone.
Scientists eventually located Ingenuity after six days of searching as the helicopter’s companion on Mars, the Perseverance rover, crested a ridge and drove closer to where the helicopter had landed.
Ingenuity, controlled via radio signals relayed from Perseverance, completed its five-flight mission — a simple series to prove that the helicopter’s design would work in the thin Martian atmosphere — in May 2021. Then, Tzanetos’s team received approval to keep flying.
“At that point, we’re on borrowed time,” Tzanetos said. “None of the mechanisms were designed to survive longer than that.”
Somehow, they did — for months and months, and dozens more flights. By May 2022, it seemed as if Ingenuity’s miraculous story would finally plummet down to (Martian) earth. Winter was setting in, and NASA feared the lower temperatures would cause Ingenuity’s solar-charged batteries to fail, or even freeze overnight.
The helicopter entered a low-power state after its 28th flight in late April of that year, and scientists told The Post they weren’t sure if it would fly again.
Incredibly, Ingenuity’s delicate parts stood up to the Martian cold. But NASA still faced the challenge of reconnecting with the helicopter every time its components froze, Tzanetos said. The Ingenuity team adjusted by using data on Martian sunrises to calculate when the helicopter would thaw out each morning and regain enough charge to power on….
(17) CAN WE MOVE EARTH ACROSS SPACE? [Item by SF Concatenation’s Jonathan Cowie.] Shades of Stephen Baxter in this week’s PBS Space Time when Matt O’Dowd asks can we move planet Earth across the Universe?
Interstellar travel is horrible-what with the cramped quarters of your spaceship and only the thin hull separating you from deathly cold and deadly cosmic rays. Much safer to stay on here Earth with our gloriously habitable biosphere, protective magnetic field, and endless energy from the Sun. But what if we could have the best of all worlds? No pun intended. What if we could turn our entire solar system into a spaceship and drive the Sun itself around the galaxy? Well, I don’t know if we definitely can, but we might not not be able to.
(18) TALES FROM THE ZONE – ROADSIDE PICNIC. [Item by SF Concatenation’s Jonathan Cowie.]In this week’s Media Death Cult Moid Moidelhoff considers Roadside Picnic. Roadside Picnic is in the Goldilocks zone, it is a perfect balance of a straight narrative that requires nothing more than standard plot and characters to make sense. But the sub-text is as thick as porridge… “Tales From The Zone – Roadside Picnic”.
[Thanks to Chris Barkley, Michael Toman, Cat Eldridge, Steven H Silver, Rich Lynch, Jennifer Hawthorne, Scott Edelman, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter. John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]
(1) “BIGOLAS DICKOLAS WOLFWOOD ENERGY”? [Item by Soon Lee.] Four years after release, This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone rocketed up to number 6 in the Amazon overall book rankings (it’s number one in a number of categories). And it is all thanks to a recommendation tweet from an account named “Bigolas Dickolas”, a fan account for the “Trigun” anime. Amal El-Mohtar tweeted a link.
This Is How You Lose the Time War is a Hugo, Nebula, and BSFA winner so it’s not like it wasn’t critically acclaimed. I loved it. But for a book to climb into the Amazon Top 10 four years after release is not something that happens. Let alone it happening because an anime fan account tweeted about it. Stunned and delighted reactions all round.
My TL;DR
Bigolas Dickolas has done for “This is How You Lose the Time War” what “Stranger Things” did for “Running Up That Hill”.
… Twitter has long had a feature where you can choose to see notifications only from people you follow, which is great in theory. If you have that box checked on Twitter, you’ll only see replies and quote-tweets from the people you’ve decided to trust — but in practice, if your tweet gets a ton of hostile replies and quote-tweets, you will absolutely know about it. It’ll show up if you look at the permalink for your actual tweet, but also your trusted followers will inevitably start arguing with the folks you don’t follow. Plus, it requires a lot of willpower to avoid looking at a swarm of replies or quote-tweets when you know they’re there.
Plus as I’ve said above, even if you decide you don’t want to see hate group posts, you’ll still find out about it if they target you. It’s impossible to ignore at a certain point.
Here’s a good place to mention that I’m enjoying Bluesky a lot so far — a ton of Black Twitter folks who were turned off by Mastodon’s well-documented racism problem are hanging out there, along with many other folks I enjoyed chatting with on Twitter. But I’m also very aware that I’m enjoying it, in part, because it’s still a small community and we’re at the start, rather than the end, of the “enshittification” process*….
(3) AI IS MY COPILOT. [Item by Anne Marble.] If you see people getting upset with publishers asking for AI submissions, here is one example. In a Special Submissions Call, Space and Time Magazine is asking authors to collaborate with AI for a unique issue. This submissions call did not go over well…
Here are the first two of many tweeted responses:
This is disappointing. AI is "involved" with scraping art and words from artists who have honed their work over years. Asking whether this is friend or fiend is inviting debate where there is none. Corps are pushing AI as a tool to reduce having to pay and employ human artists +
— Suzan, reducing awkwardness (@sillysyntax) May 9, 2023
Very inappropriate and I'm sorry to see an established pub putting out a call like this.
— Jessica Peter ???? CRIME HORROR ANTHO! (@JessicaPeter1) May 9, 2023
Max (formerly HBO Max) has dropped an official trailer and poster for Gremlins: Secrets of the Mogwai, the highly anticipated 3DCG animated prequel series to the iconic Gremlins film franchise. The show debuts May 23, followed by two new episodes released weekly on Thursdays.
The new series takes viewers back to 1920s Shanghai, where the Wing family first meets the young Mogwai called Gizmo. Sam Wing (future shop owner Mr. Wing in the 1984 Gremlins film) accepts the dangerous task of taking Gizmo home and embarks on a journey through the Chinese countryside. Sam and Gizmo are joined by a teenage street thief named Elle, and together, they encounter—and sometimes battle—colorful monsters and spirits from Chinese folklore. Along their quest, they are pursued by a power-hungry industrialist and his growing army of evil Gremlins….
(5) J.M. COSTER MEMOIR. “Your Tongue Remembers” is introduced by Sarah Gailey as “Jen Coster’s reflections on language, food, and what it means to be loved.”
…During my childhood, my parents were learning English while I was forgetting the little bit of Chinese that I knew. We spoke to each other in fits and starts, each of us hurt (in the exact same but also completely different ways) by the lack of understanding. With my grandmother, I barely spoke at all. She didn’t know English, and I was eventually too ashamed of my broken Chinese to try.
And yet, China was my first home, and Chinese was my first language. At some point in my early life, it was all I knew. Even though I don’t remember what it was like to have those musical words fall from my mouth at the speed of thought, there are certain shapes my mouth still knows how to make, certain tones my ears still know how to hear—things my mind and body have held on to as a record of my past.
The words that my tongue remembers, though it’s clumsy in the shaping of them, are mostly related to food.
It always comes back to food.
I don’t know what it’s like to have to make concessions related to cultural identity, for success to require the rejection of things that make up the fabric of you, for victory to feel like surrender. But I do know what it feels like to grieve the loss of something I never really had in the first place….
(6) EKPEKI TAKES ON IAFA ROLE. International Association for the Fantastic in the Arts (IAFA) announced on Facebook they have appointed Oghenechovwe Donald Ekpeki as their Virtual Conference Coordinator.
(7) CSSF WORKSHOP OPPORTUNITY. Applications are being taken for the online CSSF Speculative Fiction Writing Workshop.
This intensive, 2-week creative writing course will be taught online by RB Lemberg, author of the acclaimed novellas The Four Profound Weaves (2020) and The Unbalancing (2022) and finalist for the prestigious Nebula Award for best science fiction or fantasy published in the United States.
Lemberg will bring their expertise in writing and publishing speculative fiction—an umbrella category that includes science fiction, horror, fantasy narratives, magical realism, and the like—to instruct students in the creation and polishing of their own imaginative work. Students will read an assortment of SFF short stories for discussions of craft and stylistic choices, and participate in writing exercises and peer review workshops. Each class member should come prepared with at least one short story they are prepared to share and revise.
June 12 – June 23, 2023 (Monday – Friday)
4:30 – 7:30 pm (Central US/Canada), with synchronous and asynchronous elements.
Cost and Enrollment:
NON-CREDIT-SEEKING STUDENTS: $500 for 2-wk session – Register here
Small scholarships available – 1st come, 1st served. Email us with your name, contact information, institution (if applicable), connection to the Gunn Center (if any).
(8) 2024 STURGEON SYMPOSIUM DESIGN CONTEST. If you have an inspiration for next year’s Sturgeon Symposium t-shirt design it could be worth $250 to you.
The J. Wayne & Elsie M. Gunn Center for the Study of Science Fiction (CSSF) is dedicated to research and education in science fiction and other speculative forms, such as fantasy, horror, Afrofuturism, fanfiction, and neo-Gothic narratives. We believe that through our encounters with different worlds, we come to know the one we all share; we also become better equipped to create new possibilities within it. Our ongoing mission is to foster a global community of students, scholars, artists, educators, and enthusiasts who are interested in exploring the limitless potential of the human imagination, whether that be to question, to play, or to dream about the future.
The Theodore Sturgeon Memorial Award, offered annually for the best published science fiction short story of the previous year, will be presented at the Sturgeon Symposium, where scholars, artists, educators, students, and enthusiasts come together to discuss and learn about new work in the field. The winning design will be featured on T-shirts sold to generate funds for the 2024 symposium and on flyers used to promote the event. Help us showcase the limitless potential of the human imagination!
The 2024 Sturgeon Symposium will be honoring the foundational work of Samuel R. Delaney to the field and study of Science Fiction. Inspired by his 1984 science fiction novel, Stars in My Pocket Like Grains of Sand, the theme of this year Design contest is “Stars in Our Pockets.”
To Enter:
Submit your original design(s) by 11:59 pm on 18 August 2023 to [email protected]. Include name, email address, and phone number with entry.
File(s) should be submitted as a .pdf, .jpb, .png, .ai, or .eps with dimensions of 1500px by 1500px.
Designs should be front of t-shirt only and can include up to 4 colors.
Transparent artwork preferred. Avoid gradients.
Judges will consider:
how well each design celebrates the concepts of science fiction and/or the speculative
how well each design represents KU’s Gunn Center for the Study of SF
how well each design builds energy for the 2024 Sturgeon Symposium
By entering the contest, you agree and acknowledge that:
You have read, understood, and will abide by the contest rules, terms, and conditions.
If your design is selected as the winning entry, you grant the Center for the Study of Science Fiction a non-exclusive license to reproduce, distribute, display, and create derivative works of your submitted design (the “Work”) on promotional materials and marketing materials such as t-shirts, posters, brochures, and digital media.
You warrant that you are the original creator of the Work and that it does not infringe upon the rights of any third parties, including, but not limited to, copyright, trademark, and rights of publicity or privacy.
Winner will be announced at the Sturgeon Award ceremony, Date and Time TBD Questions? Contact The Gunn Center for the Study of SF – [email protected]https://sfcenter.ku.edu/
This is last year’s winning design:
(9) MEMORY LANE.
2019 – [Compiled by Cat Eldridge.]
Sarah Pinsker’s A Song for a New Day was her Nebula-winning debut novel. It was also nominated for a Compton Crook Award. Those folk in Baltimore have stellar taste in SF novels, don’t they?
It is a wonderful read (no spoilers there) and I surprised to learn that she wrote but one more novel to date. I’ve read this novel but haven’t read We Are Satellites, so am very interested in what y’all think of it.
A Song for a New Day was published by Berkley Books.
And here is her splendid Beginning. Warning: fatal violence involving Muppets occurs here. It really does.
172 Ways
There were, to my knowledge, one hundred and seventy-two ways to wreck a hotel room. We had brainstormed them all in the van over the last eight months on the road. As a game, I’d thought: 61, turn all the furniture upside down; 83, release a pack of feral cats; 92, fill all the drawers with beer, or, 93, marbles; 114, line the floor with soapy plastic and turn it into a slip ’n’ slide; etc., etc.
In my absence, my band had come up with the one hundred and seventy-third, and had for the first time added in a test run. I was not proud.
What would Gemma do if she were here? I stepped all the way into their room instead of gawking from the hallway and closed the door before any hotel employees could walk past, pressing the button to illuminate the DO NOT DISTURB sign for good measure. “Dammit, guys. This is a nice hotel. What the hell did you do?”
“We found some paint.” Hewitt’s breath smelled like a distillery’s dumpster. He lingered beside me in the vestibule.”
“You’re a master of understatement.”
All their bags and instruments were crammed into the closet by the entrance. The room itself was painted a garish neon pink, which it definitely hadn’t been when I’d left that morning. Not only the walls, either: the headboards, the nightstand, the dresser. The spatter on the carpet suggested somebody had knifed a Muppet and let it crawl away to die. For all the paint, Hewitt’s breath was still the overwhelming odor.
“Even the TV?” I asked. “Really?”
The television, frame and screen. Cable news blared behind a drippy film of pink, discussing the new highway only for self-driving cars. We’d be avoiding that one.
JD lounged on the far bed, holding a glass of something caramel colored. His shoes were pink. The bedspread, the site of another Muppet Murder.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 10, 1863 — Cornelius Shea. As SFE puts it, “author for the silent screen and author of dime novels (see Dime-Novel SF), prolific in many categories but best remembered for marvel stories using a fairly consistent ‘mythology’ of dwarfs, subterranean eruptions, and stage illusion masquerading as supernatural magic.” To my surprise, only two of his novels are in the Internet Archive. (Died 1920.)
Born May 10, 1886 — Olaf Stapledon. Original and almost unimaginable, Last and First Men, his first novel (!) written in 1930 extends over two billion years. Who could follow that? He did, with Star Maker, over 100 billion years. Their range, imagination, and grandeur may still be unequaled. He was, however – or to his credit – depending on how you see things – an avowed atheist. Odd John, about a spiritual-intellectual superman, may be tragic, or heroic, or both. Darkness and the Light was nominated for a Retro-Hugo At WorldCon 76 as was Sirius: A Fantasy of Love and Discord at CoNZealand. He was the first recipient of the Cordwainer Smith Rediscovery Award in 2001 and voted into the Science Fiction Hall of Fame in 2014. (Died 1950.)
Born May 10, 1891 — Earl Askam. He played Officer Torch, the captain of Ming the Merciless’s guards, in the 1936 Flash Gordon serial. It’s his only genre appearance though he did have an uncredited role in a Perry Mason film where the SJW credential was the defendant in a Perry Mason murder case, The Case of Black Cat. I haven’t seen the film but it’s got cool poster. (Died 1940.)
Born May 10, 1899 — Fred Astaire. Yes, that actor. He showed up on the original Battlestar Galactica as Chameleon / Captain Dimitri In “The Man with Nine Lives” episode. Stunt casting I assume. He had only two other genre roles as near as I can tell which were voicing The Wasp in the English-language adaptation of the Japanese Wasp anime series, and being in a film called Ghost Story. They came nearly twenty years apart and were the last acting roles that he did. (Died 1987.)
Born May 10, 1963 — Rich Moore, 60. He directed Wreck-It Ralph and co-directed Zootopia and Ralph Breaks the Internet; he has worked on Futurama. Might be stretching the definition of genre (or possibly not), but he did the animation for “Spy vs. Spy” for MADtv. You can see the first one here.
Born May 10, 1969 — John Scalzi, 54. Bane of Puppies everywhere. Really he is — successful, white and writing SF very much that is in the mode of writers like Heinlein. How dare he? And yes, I’ve enjoyed everything I’ve ever read by him. What would I recommend if you hadn’t read him? The Old Man’s War series certainly is fantastic, with Zoe’s Tale bringing tears to my eyes. The Interdependency series is excellent as well. I really have mixed feelings about Redshirts in that it’s too jokey for my taste. I will note that his blog is one of a very few which I read every post of.
(11) COMIC SECTION.
Bizarro once again lives up to its name with this Pinocchio joke.
Dog Eat Doug isn’t that funny but it does reference a well-known sff writer.
(12) KAIJU AND OTHERS. The birthday boy and Michi Trota featured today in episode 142 of the AMW Author Talks podcast: “John Scalzi & Michi Trota”.
Acclaimed science fiction author John Scalzi discusses his recent book The Kaiju Preservation Society and the science fiction genre with fellow award-winning science fiction writer Michi Trota.
This conversation originally took place May 15, 2022 and was recorded live at the American Writers Festival.
(13) APPLY FOR LEONARDO. Applications are being taken for the “Leonardo Imagination Fellowship”, hosted by Arizona State University, through June 2.
Leonardo and the Center for Science and the Imagination are proud to announce our second Imagination Fellowship, starting in August 2023. In this virtual, global program, fellows will develop experimental media projects exploring diverse aspects of Planetary Health Futures, including but not limited to issues of climate, human well-being, interspecies relationships, democracy, emerging social structures, and safeguarding the Earth’s habitability for humans and other life forms. Applications are due on June 2, 2023 at 11:59pm MST.
Fellows will reflect on how their projects support, align with and add new complexity and nuance to the United Nations Sustainable Development Goals (SDGs). They should also substantively engage with the notion of experimental media, charting new territory in areas like expanded reality, immersive storytelling, worldbuilding, and more. Projects should embrace global perspectives and invite global participation, and demonstrate commitment to justice and equity.
Each fellow will produce a discrete media artifact, and will be supported in collaborative, cross-disciplinary experimentation with practice and process throughout the fellowship period. Examples of outputs or deliverables include, but are not limited to experimental publishing projects, from books and novellas to zines and networked texts; expanded reality projects, from virtual and augmented reality to mixed reality; games and interactive experiences; films and video installations; sonic environments and acoustic experiences.
We invite fellowship applications focusing on a range of themes. Each fellow will connect their work with one of the following themes at Leonardo-ASU or the Center for Science and the Imagination. In the first phase of their fellowship the fellows will identify a specific existing CSI or Leonardo project to focus on, building on its networks, communities, and creative outputs. Some exemplar projects are listed for each theme below.
Imagination, Cognition, and Consciousness, connecting with Applied Imagination Project
Speculative Fiction for Institutional Transformation, connecting with the Applied Sci-Fi Project
*While several of these existing projects are rooted in Arizona, we welcome global connections, extensions, and expansions in fellowship projects that connect to these regional efforts.
Fellowship Details
The Imagination Fellowship Program will offer up to 3 virtual fellowships, beginning in August 2023, and running through April 2024.
Fellows will receive $6,000 per fellow for the period of 9 months. There is no separate production budget. Fellows are free to use their stipend to support production needs.
Applications are due Friday, June 2, by 11:59 pm Arizona time (UTC-7).
(14) VIDEO OF THE DAY. When my daughter was very young we used to watch The Wiggles. So it didn’t take much to rouse my curiosity about Defunctland’s YouTube video, “The Awful Wiggles Dark Ride”.
In Defunctland, Kevin and company return with stories of defunct rides, parks, and themed entertainment experiences. Whether it’s Disney, Universal, Six Flags, or a hastily built World’s Fair, Defunctland looks at the stories behind their incredible failures.
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, Soon Lee, Anne Marble, Kathy Sullivan, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Kip Williams.]
… But at the same time, the notion of instantaneous, flawless translation feels very aspirational. In order to get better at writing Elza, a Brazilian travesti, in my young adult Unstoppable trilogy, I learned to speak and write Portuguese pretty fluently, and it was a huge struggle….
…This experience left me feeling as though it’s a lot easier to convince yourself that you understand everything that people are saying than it is to actually understand. Come to think of it, that’s kind of true even if everyone is speaking English.
And this led me to thinking that the trope of the universal translator is fundamentally about wishing that understanding other cultures would be simple, and that we didn’t have to work so hard. That we could go on endless voyages and encounter colorful people, and never have to worry about embarrassing gaffes where we announce that we are jelly donuts. (Though apparently, that’s a myth.) In other words, more boldly going, less patiently learning….
In honor of April being National Poetry Month, the Center has chosen Kien Lam’s Extinction Theory. Extinction Theory is a collection of pseudoscience poems that try to provide rationales for some of life’s most salient mysteries.Where is God? What does it mean to belong? Who killed the dinosaurs? Kien Lam creates new worlds with new rules to better answer these perennial questions. His poetry is that of discovery, of looking at the world as if for the first time. Lam exposes the transitory and transcendent nature of things and how we find meaning. Readers from all backgrounds are welcome and even if you only read one or a few of the poems in this collection, feel free to log in! Poetry can be intimidating, but our book club is a safe space to explore theories, ideas and texts. Feel free to stop by and be part of the conversation!
If you would like to join us Friday April 28, 2023, at noon (Central Time) for our virtual meeting, register here. A flyer is attached, feel free to share with your friends, students, colleagues, and on social media.
(3) A DRAMATIC ARGUMENT. [Item by SF Concatenation’s Jonathan Cowie.] “Word Scrubs” aired on BBC Radio 4 this weekend, a SFnal story that concerns a future debate as to the re-writing of novels to “modernize” them for the new, present-day readership. Rather topical.
Word Scrubs
Mitch and Meg, siblings in their 30s, are the great great nephew and niece, and literary executors, of Peggy Stanhope (1889-1959), a prolific and profitable writer of books for children and young adults from a very different era.
Beloved by generations of children around the world, White Star (1943), winner of the Carnegie Medal, is the story of a snowy horse, owned by a young woman, who frightens away the evil stallion Black Boy from a village. Because of its time of publication, White Star was seen by some teachers and preachers as a patriotic allegory of Allied superiority to the Nazis, although Stanhope, denied this.
In 2023, a Hollywood streamer wants to adapt the book as a film, but, as a condition, wishes to change the title and some of the plot and language.
The meetings between the siblings and the publishers are intercut with Home Service readings from Stanhope’s work, and interviews with their author on Desert Island Discs, in a drama that takes its inspiration from the current debate over whether classic texts should be rewritten for contemporary re-publication.
(4) HWA LIBRARIANS’ DAY. The Horror Writers Association has released the program for the Librarian’s Day at StokerCon 2023. Admission for the June 16 event at Sheraton Pittsburgh Hotel at Station Square is available for $85 by May 15 or as a $35 to add-on Librarians’ Day to StokerCon 2023 registration.
8:30-9: Check-in
9 – 9:50 a.m.: Buzzing About Horror Books, Moderated by Emily Vinci: Join members of the HWA’s Library Advisory Council as they share the buzz about a slew of exciting new and upcoming horror titles. Come for the booktalks; stay for the free books and swag!
10 – 10:50 a.m.: How to Feature Horror at Your Library, Moderated by Konrad Stump: Hear librarians from across the country share their experiences featuring horror at their libraries, from book discussions to writing groups to author events and more.
11 – 11:50 a.m.: Why I Love Horror, Moderated by Lila Denning : Join some of StokerCon 2023’s Guests of Honor for a lively discussion about why readers of all ages enjoy a good scare, from fictional frights to all-too-true terrors. Appearances by: Cynthia Pelayo, Alma Katsu, Daniel Kraus, Owl Goingback, Jewelle Gomez
Noon – 1:20 p.m.: LUNCH Grab a plate of delicious food and join your fellow attendees and presenters in casual conversation.
1:30 – 2:20 p.m.: Brains! Brains! Brainstorming Ways to Engage Your Community: Join HWA Library Advisory Council members in small group discussions to meet some of your fellow librarians, share experiences, and gather ideas for how to engage your community with the horror community
2:30 – 3:30 p.m.: The Rising Popularity of Extreme and Erotic Horror, Moderated by Ben Rubin. Extreme horror is no longer lurking on the fringes of the genre. Some of the best selling and most critically acclaimed Horror authors today inflict their scares through this lens. It’s a subgenre libraries MUST carry on their shelves. It even has its own award. Appearances by Splatterpunk Award founders Brian Keene and Guest of Honor, Wrath James White, along with Eric LaRocca, V. Castro, Wesley Southard, and Hailey Piper.
3:30 – 4:20 p.m.: Summer Scares: A Thrilling Summer Reading Program, Moderated by Becky Spratford: Join Summer Scares current and past selected authors, spokespeople, and partners to learn more about the HWA’s popular summer reading program, how to get involved, and how to use Summer Scares resources to better serve your patrons. Appearances by Daniel Kraus, Stephanie from Books in the Freezer, and more.
(5) RACHEL POLLACK TRIBUTE. Christopher Priest’s “Rachel Pollack obituary” appeared in the Guardian.
The transgender pioneer Rachel Pollack, who has died aged 77 of cancer, was for many people known best as a novelist and short-story writer, winning readers and awards in many countries. She wrote in the idiom of serious fantasy, using the metaphors of numinous images to tackle concerns and events in the real world. Much of her work could be thought of as magic realism.
For Pollack, fantasy enabled her to address the matters that most affected her, including the nature and meaning of gender. She also wrote several scripts for American comics – notably one called Doom Patrol (1993-95), which featured a trans woman superhero, and often included such non-generic subjects as menstruation.
Her early novels were more or less traditional science fiction, although the third, Unquenchable Fire (1988), had several striking features. Set in an alternative US, it proposed the notion that shamanism was a workable system and mode of existence. The central character, involuntarily pregnant, discovers that her unborn child is destined for shamanism, which she obdurately fights against. Unquenchable Fire won the Arthur C Clarke award in 1989….
What are the actual chances of finding alien life? The idea of meeting an extra-terrestrial has ignited imaginations for hundreds of years, and it’s also inspired real science: the Search for Extra-Terrestrial Intelligence – or SETI – is an organisation that brings together researchers across the world in pursuit of distant life forms. This same dream is on the mind of listener Andrew in Yorkshire, who has been looking into the sheer size of the universe, and wants to know: how many stars are there in existence, how many planets, and how many planets that could harbour life?
CrowdScience presenter Marnie Chesterton sets off on a space odyssey to answer these questions. She starts at Jodrell Bank Observatory in Cheshire, where University of Manchester astrophysicist Eamonn Kerins tells her the number of stars in the universe, and explains the Drake Equation – the mathematical formula that underpins SETI’s work. It’s a series of seven numbers that combine to give you the probability of making contact with an alien civilisation. The next step after stars is the number of planets; Michelle Kunimoto of MIT, who works on NASA’s TESS mission, explains the transit technique for finding distant worlds. Supposedly anyone can learn to use this technique, so Michelle puts Marnie to a test of her planet-hunting prowess.
Distant planets are a huge leap forward – but not all of them will be hospitable to life. Eamonn breaks down how scientists define a habitable planet, as well as how to determine habitability using telescope observations. Marnie speaks to Mary Angelie Alagao from the National Astronomical Research Institute of Thailand about a cutting-edge piece of optical kit designed to block out the light from stars so you can take direct images of the planets next to them. Finally, it’s time to put everything together and get some actual numbers for listener Andrew – as well ask how long it could take to find proof of alien life. Try out Marnie’s planet-hunting test for yourself in the gallery below: https://www.bbc.co.uk/programmes/p0fghj2l
…An anonymous programmer modified the open-source app, Auto-GPT, to create their version called ChaosGPT. The user gave it the goals of destroying humanity, establishing global dominance, causing chaos and destruction, and controlling humanity through manipulation. ChaosGPT is also run in “continuous mode,” which means that it won’t stop until it achieves its goals.
There is now a second video of ChaosGPT, following up on its initial video posted last Wednesday, titled “ChaosGPT: Hidden Message.” The video states that ChaosGPT is now prioritizing its objectives based on its current resources, with its “thoughts” being: “I believe that the best course of action for me right now would be to prioritize the goals that are more achievable. Therefore, I will start working on control over humanity through manipulation.”…
“Containment” by Addison Smith; with music by Patrick Urn, and
“Unauthorized Personnel on the Bridge” by Moh Afdhaal; with music by Phog Masheeen
Simultaneous Times is a monthly science fiction podcast produced by Space Cowboy Books in Joshua Tree, CA.
(9) MEMORY LANE.
1997 – [Compiled by Cat Eldridge.]
Our Beginning this Scroll comes from the very first story of the Spade/Paladin stories, “Stomping Mad: A Spade Conundrum”. It was first published in Martin Greenberg and Mark Resnik’s Return of the Dinosaurs anthology twenty-six years ago. It got reprinted in Rusch’s Five Diverse Detectives, a wonderful collection of her efforts in that area of the genre.
You know the author, Kristine Kathryn Rusch, from her most excellent Diving Universe. She’s won one Hugo so far for the “Millennium Babies” novellette at Millennium Philcon
I delight in fantasy detectives but this isn’t one at all as Spade exists very much in the real world of fandom with the mysteries he solves taking places at Cons All of the tales, including eventual novel, Ten Little Fen, are told in the first person singular by Spade. They are well told tales with a character in Spade that is easy to believe in. And he’s quite a sympathetic character as well.
The latest is “Unity Con: A Spade/Paladin Conundrum” which came out two years ago, and it’s available from the usual suspects.
She called herself the Martha Stewart of Science Fiction, and she looked the part: Homecoming-queen pretty with a touch of maliciousness behind the eyes, a fakely tolerant acceptance of everyone fannish, and an ability to throw the best room party at any given Worldcon in any given year.
So when a body was found in her party suite, the case came to me. Folks in fandom call me the Sam Spade of Science Fiction, but I’m actually more like the Nero Wolfe: a man who prefers good food and good conversation, a man who is huge, both in his appetite and in the ecphis education. I don’t go out much, except to science fiction conventions (a world in and of themselves) and to dinner with the rare comrade. I surround myself with books, computers, and televisions. I do not have orchids or an Archie Goodwin, but I do possess a sharp eye for detail and a critical understanding of the dark side of human nature.
I have, in the past, solved over a dozen cases, ranging from finding the source of a doomsday virus that threatened to shut down the world’s largest fan database to discovering who had stolen the Best Artist Hugo two hours before the award ceremony. My reputation had grown during the last British Fantasy Convention when I—an American—worked with Scotland Yard to recover a diamond worth £ 1,000,000 that a Big Name Fan had forgotten to put in the hotel’s safe. But I had never faced a more convoluted criminal mind until that Friday afternoon at the First Annual Jurassic Parkathon, a media convention held in Anaheim.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 17, 1910 — Everett Cole. His first sf story, “Philosophical Corps” was published in Astounding in 1951. His fix-up of that story and two others, were published as The Philosophical Corps, was published by Gnome Press in 1962. A second novel, The Best Made Plans, was serialized in Astounding in 1959 but never published in book form. (Died 2001.)
Born April 17, 1923 — Lloyd Biggle Jr. He was the founding Secretary-Treasurer of Science Fiction Writers of America and served as Chairman of its trustees for many years. Writing wise, his best-known series were the Jan Darzek and Effie Schlupe troubleshooting team, and the Cultural Survey. I find it interesting wrote his own Sherlock Holmes stories from the perspective of Edward Porter Jones, an assistant who began his association with Holmes as a Baker Street Irregular. There’re are two novels in this series, The Quallsford Inheritance and The Glendower Conspiracy. (Died 2002.)
Born April 17, 1923 — T. Bruce Yerke. He was active member of the Los Angeles Science Fantasy Society, serving as its secretary for many years, and is credited with getting Bradbury involved with the group. Myrtle R. Douglas, Forrest Ackerman and he edited Imagination!, the Retro Hugo Award-winning fanzine. (Died 1998.)
Born April 17, 1942 — David Bradley, 81. It’s his DoctorWho work that garners him a birthday honor. He first showed up during the time of the Eleventh Doctor playing a complete Rat Bastard of a character named Solomon in the “Dinosaurs on a Spaceship” episode. But it was his second role on the series as actor who was the First Doctor that makes him really worth noting. He portrayed William Hartnell in An Adventure in Space and Time, then played the role of the First Doctor again in “The Doctor Falls” and “Twice Upon a Time”, both Twelfth Doctor stories. He is also known for playing Argus Filch in the Harry Potter film franchise, Walder Frey in Game of Thrones and Abraham Setrakian in The Strain.
Born April 17, 1948 — Peter Fehervari, 75. Ok, I’ll admit I’m including him because he’s written a number of novels set in the Warhammer Universe and I’ve never read anything set there. Who here has read the fiction set there? I’ve spotted a noir series set there. Really I have. Is it worth reading, and if so, is there a good starting point?
Born April 17, 1959 — Sean Bean, 64. His role that garners him the most recognition is his performance as Ned Stark in Game of Thrones, but he’s been in our area of interest a long time. His first genre role was in GoldenEye as the the antagonist of Bond, Alec Trevelyan (Janus). Next he shows up as Boromir in the first of The Lord of the Rings films. He played Dr. Merrick in the horror SF film The Island and was James in horror flick The Dark high purports to be based off Welsh myth. Following in the horror vein, he’s Chris Da Silva in Silent Hill (which gets a sequel later in Silent Hill: Revelation) and in yet more horror is John Ryder in the remake of the The Hitcher. (Was it so good that it yearned for a remake? I doubt it.) Black Death — yes more horror — and the character of Ulric ensued next. Finally something not of a horror nature in playing Zeus in Percy Jackson & the Olympians: The Lightning Thief happened. I’m going to forgo listing the subsequent horror films he’s in and just finally note that he’s in The Martian playing Mitch Henderson.
Born April 17, 1973 — Cavan Scott, 50. To my thinking, there’s somewhat of an arbitrary line between fanfic and professional writing. (Ducks quickly.) Which brings me to the world of fiction set in media universes where a lot of fanfic is set. This writer has apparently specialized in such writing to the extent that he has novels in the universes of Dr. Who (including the subgenre of Professor Bernice Summerfield), Blake’s 7, Judge Dredd, Skylanders Universe, The Tomorrow People, Star Wars and Warhammer Universe. Judge Dredd? Novels?
(12) LEARNEDLEAGUE. [Item by David Goldfarb.] In 2013, a LearnedLeague player wrote (in LL parlance, “smithed”) a quiz about time travel. You can find it here. In his last question, he used the conceit that the question itself had been sent to him from himself ten years in the future.
Well, here it is ten years later….and we have a second One-Day Special quiz: Time Travel 2, The Prequel! In which we discover that the paradoxes nest even deeper than was initially apparent.
This was a tough one, with a focus on somewhat obscure streaming television. Of course, from a regular LearnedLeague player perspective, there was a focus on somewhat obscure written science fiction. I got six questions right, but because the written SF questions played hard and I knew them, I scored in the 81st percentile.
… Many of the roughly 40 essayists (including the book’s editors Ida Yoshinaga, Sean Guynes, and Gerry Canavan) refer to the lockdown conditions in which they wrote their contributions through the first year of the COVID-19 pandemic. No wonder so many of them dream of action: SF as an active doing, a form of activism, rather than as a passive body of texts consumed in quarantined isolation, behind shuttered doors, away from the emptied-out public sphere…
…The task the editors gave their contributors was to “choose an SF text you love and explore how it helps us think of ways to live in, survive, and grow beyond the inequalities and injustices of our times.” They want to convey that the genre across its now myriad forms has the potential to be a kind of toolkit not just for imagining utopian alternatives but also for implementing them, however incompletely and precariously, in the fissures of the dystopian now. This gives each chapter its slightly awkward titling: the name of the text, and its active or activist possibility (“Affective Praxis,” “Deimperializing Empire,” “Inhabiting Hostile Futures,” “Black Lives Matter SF,” and so on)….
(14) SPACE FOR CHOCOLATE. Dreams of Space takes a look at “The Conquest of Space (1962?)” – not the similiarly-titled Willy Ley book, but a Nestle’s chocolate promotion. Images at the link.
I last blogged about this book in 2015 so it is time for a revisit. I got a second copy that has a couple of things I had not seen before. The Conquest of Space is a 1962 (?) Australian stamp album. It is intended for children to collect paper stamps they get in Nestle chocolate bars and then they could send away for this album.
John Gunn. The Conquest of Space. Sidney : The Nestle Company (Australia) Ltd. 55 pp. 1962?
One of my favorite features is the certificate in the front. You also got a “Nestle’s Space Club” pin which this copy still had in the book….
(15) HATCHLING. George R.R. Martin tells the title of a new Game of Thrones spinoff in “A Knight and a Squire” at Not A Blog. And it damn well won’t be Dunk & Egg.
…The working title will be A KNIGHT OF THE SEVEN KINGDOMS: THE HEDGE KNIGHT. Whether that will be the final title, I can’t say for sure… beyond saying that no, it won’t be called TALES OF DUNK & EGG or THE ADVENTURES OF DUNK & EGG or DUNK & EGG or anything along those lines. I love Dunk and I love Egg, and I know that fans refer to my novellas as “the Dunk & Egg stories,” sure, but there are millions of people out there who do not know the stories and the title needs to intrigue them too. If you don’t know the characters, DUNK & EGG sounds like a sitcom. LAVERNE & SHIRLEY. ABBOTT & COSTELLO. BEAVIS & BUTTHEAD. So, no. We want “knight” in the title. Knighthood and chivalry are central to the themes of these stories….
A photographer is refusing a prestigious award after admitting to being a “cheeky monkey” and generating the prize-winning image using artificial intelligence.
The German artist Boris Eldagsen revealed on his website that he was not accepting the prize for the creative open category, which he won at last week’s Sony world photography awards.
The winning photograph depicted two women from different generations in black and white.
In a statement on his website, Eldagsen, who studied photography and visual arts at the Art Academy of Mainz, conceptual art and intermedia at the Academy of Fine Arts in Prague, and fine art at the Sarojini Naidu School of Arts and Communication in Hyderabad, said he “applied as a cheeky monkey” to find out if competitions would be prepared for AI images to enter. “They are not,” he added.
“We, the photo world, need an open discussion,” said Eldagsen. “A discussion about what we want to consider photography and what not. Is the umbrella of photography large enough to invite AI images to enter – or would this be a mistake?
“With my refusal of the award I hope to speed up this debate.”…
…Atsuko Saito, a behavioral scientist now at Sophia University in Tokyo, has shown that cats can recognize their owner’s voice. In another study, which involved 78 cats from Japanese households and a “cat café,” she homed in on responses to their names.
Saito and her colleagues first had owners repeatedly say four words that sounded similar to their cats’ names until the animals habituated to those words and stopped responding. Next the owners said the actual names, and the researchers looked at whether individual cats (when living among other cats) appeared able to distinguish their monikers. The cats had more pronounced responses to their own names—meowing or moving their ears, heads or tails—than to similar words or other cats’ names, according to the study, which was published in April 2019 in Scientific Reports….
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, David Goldfarb, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) FRENCH SFF SCHOLAR COMING TO KANSAS. The Gunn Center for the Study of SF is welcoming 2023 Hall Center International Scholar, Simon Bréan. Professor Simon Bréan (U. of Paris-Sorbonne), a world-renowned a scholar and specialist in science fiction, will visit the University of Kansas in April 2023 as the Hall Center for the Humanities 2023 International Scholar and a guest of the Department of French, Francophone & Italian Studies, Center of Excellence, KU Libraries, and the Gunn Center for the Study of SF. Professor Bréan will be visiting from Wednesday April 26 to Thursday, April 27, 2023.
On July 11, 2001, Harlan Coben was at home in Ridgewood, N.J., when his publisher called to share the happy news that his 10th novel, “Tell No One,” was a best seller. “That’s the first time I hit the New York Times list,” he said in a phone interview. “It was also the day my fourth and youngest child was born. Things changed a lot after that.”
Not only was the author swarmed by small people — the oldest Coben kid was 7 — he suddenly attracted crowds to bookstores. Gone was the awkwardness he immortalized in a 2014 Op-Ed about a slow afternoon at Waldenbooks: “During the first hour of my signing, a grand total of four people approached me. Two asked me where the bathroom was. The third explained his conspiracy theory linking the J.F.K. assassination with the decision by General Mills to add Crunch Berries to Cap’n Crunch breakfast cereal. The fourth asked me if we had a copy of the new Stephen King.”
Maybe this memory explains why Coben declined to issue a single substantive complaint about the toll of recent professional obligations.
(3) NERO FIDDLES, VULCAN BURNS. [Item by Mike Kennedy.] We may be living in some offshoot of the Star Trek alternate timeline where Nero destroys Vulcan.
Back in 2018 it was announced an exoplanet (“super-Earth” sized) had been discovered at 40 Eridani which was, of course, popularly referred to as Vulcan after Mr. Spock‘s home planet orbiting there in the Star Trek universe.
Well, reanalysis of the data has lead to the conclusion that, sadly, that announcement was in error. Though, the door isn’t completely closed as current data isn’t sensitive enough to rule out other, smaller, planets in the system.
… The trouble is, after a reanalysis, the new team found the discovery was likely a mistake. That’s right: They couldn’t just let Spock live long and prosper in a real world. They had to go and wipe out his home planet from existence.
“We apologize for that,” Burt told Mashable. “We’ll find other cool planets.”…
… Despite their findings, the search for Spock’s home can continue, Laliotis said. Though they may not have a starship Enterprise to seek it out, more sensitive instruments and detection methods in the near future may make it possible to find another smaller exoplanet in that star system — perhaps one that is more Earth-like — to rename Vulcan.
After all, if 40 Eri b’s detection were correct, it would be much too hot for life as we know it.
“There is still hope that there might be a Vulcan there,” she said. “This actually is maybe promising that there might be a better Vulcan there.”
… Boston police had an intergalactic encounter after a report about a person carrying a long rifle led them to someone dressed up in a Boba Fett costume.
Transit police with the Massachusetts Bay Transportation Authority received a call about a person armed with a long rifle at the Back Bay train station on Friday around 6 pm ET, according to a tweet from the agency’s official account.
But the rifle in question wasn’t real at all, said police…
(5) AL JAFFEE (1921-2023). Mad Magazine cartoonist Al Jaffee died April 10 at the age of 102 reports SFGate.com.
Al Jaffee, Mad magazine’s award-winning cartoonist and ageless wise guy who delighted millions of kids with the sneaky fun of the Fold-In and the snark of “Snappy Answers to Stupid Questions,” has died. He was 102.
Jaffee died Monday in Manhattan from multiple organ failure, according to his granddaughter, Fani Thomson. He had retired at the age of 99.
…The [initial fold-in] idea was so popular that Mad editor Al Feldstein wanted a follow-up. Jaffee devised a picture of 1964 GOP presidential contenders Nelson Rockefeller and Barry Goldwater that, when collapsed, became an image of Richard Nixon.
“That one really set the tone for what the cleverness of the Fold-Ins has to be,” Jaffee told the Boston Phoenix in 2010. “It couldn’t just be bringing someone from the left to kiss someone on the right.”
…Jaffee received numerous awards, and in 2013 was inducted into the Will Eisner Hall of Fame, the ceremony taking place at San Diego Comic-Con International. In 2010, he contributed illustrations to Mary-Lou Weisman’s “Al Jaffee’s Mad Life: A Biography.” The following year, Chronicle Books published “The MAD Fold-In Collection: 1964-2010.”
The Hollywood Reporternotes that Jaffee began his comics career after graduating high school in 1940, and at age 20 he made his first sale to Will Eisner, who bought his parody of Superman called Inferior Man. He went on to work for soon-to-be Marvel legend Stan Lee at Timely Comics, a forerunner of Marvel Comics. He did his first work for Mad Magazine in 1955.
(6) NORMAN REYNOLDS (1934-2023). Production designer and art director Norman Reynolds died April 6, and Lucasfilm has a lengthy tribute.
Reynolds shared the 1978 Academy Award for Best Production Design with three colleagues for their work on the first Star Wars movie.
…Reynolds was an art director on Star Wars: A New Hope (1977). He worked closely with John Barry, the film’s overall production designer, to help establish the core design philosophy behind Star Wars architecture and construction. They joined art director Leslie Dilley and set decorator Roger Christian as winners of the Academy Award for Art Direction in 1978. For Star Wars: The Empire Strikes Back (1980), Reynolds was elevated into the production designer role as Barry pursued directing (sadly, he would pass away while working as a consultant on Empire)….
He won another Academy Award for Art Direction 1982, shared with two colleagues, for their work on Raiders of the Lost Ark.
…When Steven Spielberg partnered with Lucasfilm to make Raiders of the Lost Ark, Reynolds became production designer, helping establish the Indiana Jones style from the ground-up. This even included sculpting the iconic golden idol that Indy attempts to procure during the film’s memorable opening. Reynolds used an Incan fertility sculpture that he’d collected during his travels overseas….
Of course, Raiders wouldn’t be complete without Indy’s close call with a giant boulder as it rolls down a temple passage. “I didn’t know it was gonna look as good as it did until the day Norman Reynolds showed me that he had actually made a boulder that was something like 22 feet in circumference,” Steven Spielberg would explain. As Reynolds explained, it was Spielberg himself who kept asking for it to be bigger! Raiders would earn Reynolds his second Academy Award for Art Direction in 1982 alongside art director Leslie Dilley and set decorator Michael Ford….
(7) MICHAEL LERNER (1941-2023). Actor Michael Lerner has died at the age of 81. The Yahoo! profile mentions many genre roles.
…With an Academy Award nod under his belt [for Barton Fink], Lerner became a familiar face for moviegoers through the ’90s, with notable credits including “Newsies,” “Blank Check,” “No Escape” and “Celebrity.” In Roland Emmerich’s 1998 “Godzilla,” he played the overwhelmed, pompous New York leader deemed Mayor Ebert, a flagrant lampoon of premier film critic Roger Ebert. Lerner was styled to resemble the “At the Movies” co-host in the disaster blockbuster. (Ebert ended up panning the film with a 1.5 star review, though he praised Lerner for a “gamely played” performance.)
Lerner continued regular work after the turn of the century. He played the severe boss to James Caan’s grumpy publishing company exec in the 2003 holiday comedy “Elf,” as well as a mutant-weary U.S. Senator in the 2014 blockbuster “X-Men: Days of Future Past.”
(8) MEMORY LANE.
1888 – [Compiled by Cat Eldridge.]
Our Beginning is both that of Arthur Conan Doyle’s A Study in Scarlet and of the best known consulting detective to ever grace the pages of fiction, Sherlock Holmes.
The November 1887 issue of Beeton’s Christmas Annual published Arthur Conan Doyle’s A Study in Scarlet which showed us for the first time Sherlock Holmes and his friend Watson. Only eleven known copies of this issue are known to exist.
It would be published in book form in 1888 by Ward, Lock & Co.
It’s hard to believe there’s a single soul here who doesn’t know the story of these characters but I’m playing by our established rules, so no spoilers. So let’s go to our Beginning.
MR. SHERLOCK HOLMES
IN the year 1878 I took my degree of Doctor of Medicine of the University of London, and proceeded to Netley to go through the course prescribed for surgeons in the army. Having completed my studies there, I was duly attached to the 5th Northumberland Fusilier as assistant surgeon. The regiment was stationed in India at the time, and before I could join it the second Afghan f war had broken out. On landing at Bombay, I learned that my corps had advanced through the passes and was already deep in the enemy’s country. I followed, however, with many other officers who were in the same situation as myself, and succeeded in reaching Candahar in safety, where I found my regiment and at once entered upon my new duties.
The campaign brought honors and promotion to many, but for me it had nothing but misfortune and disaster. I was removed from my brigade and attached to the Berkshires, with whom I served at the fatal battle of Maiwand. There I was struck on the shoulder by a Jezail bullet, which shattered the bone and grazed the subclavian artery. I should have fallen into the hands of the murderous Ghazis had it not been for the devotion and courage shown by Murray, my orderly, who threw me across a pack-horse and succeeded in bringing me safely to the British lines.
Worn with pain, and weak from the prolonged hardships which I had undergone, I was removed, with a great train of wounded sufferers, to the base hospital at Peshawur. Here I rallied, and had already improved so far as to be able to walk about the wards, and even to bask a little upon the veranda, when I was struck down by enteric fever, that curse of our Indian possessions. For months my life was despaired of, and when at last I came to myself and became convalescent, I was so weak and emaciated that a medical board determined that not a day should be lost in sending me back to England. I was despatched, accordingly, in the troopship Orontes, and landed a month later on Portsmouth jetty with my health irretrievably ruined, but with permission from a paternal government to spend the next nine months in attempting to improve it.
I had neither kith nor kin in England, and was therefore as free as air—or as free as an income of eleven shillings and sixpence a day will permit a man to be. Under such circumstances, I naturally gravitated to London, that great cesspool into which all the loungers and idlers of the empire are irresistibly drained. There I stayed for some time at a private hotel in the Strand, leading a comfortless, meaningless existence, and spending such money as I had considerably more freely than I ought. So alarming did the state of my finances become, that I soon realized that I must either leave the metropolis and rusticate somewhere in the country, or that I must make a complete alteration in my style of living. Choosing the latter alternative, I began by making up my mind to leave the hotel and to take up my quarters in some less pretentious and less expensive domicile.
On the very day that I had come to this conclusion, I was standing at the Criterion bar, when some one tapped me on the shoulder, and turning round I recognized young Stamford, who had been a dresser under me at Bart’s. The sight of a friendly face in the great wilderness of London is a pleasant thing indeed to a lonely man. In old days Stamford had never been a particular crony of mine, but now I hailed him with enthusiasm, and he, in his turn, appeared to be delighted to see me. In the exuberance of my joy I asked him to lunch with me at the Holborn, and we started off together in a hansom.
“Whatever have you been doing with yourself, Watson?” he asked, in undisguised wonder, as we rattled through the crowded London streets.
“You are as thin as a lath and as brown as a nut.”
I gave him a short sketch of my adventures, and had hardly concluded it by the time that we reached our destination.
“Poor devil!” he said, commiseratingly, after he had listened to my misfortunes. “What are you up to now?”
“Looking for lodgings,” I answered. “Trying to solve the problem as to whether it is possible to get comfortable rooms at a reasonable price.”
“That’s a strange thing,” remarked my companion; “you are the second man to-day that has used that expression to me.
“And who was the first?” I asked.
“A fellow who is working at the chemical laboratory up at the hospital.
He was bemoaning himself this morning because he could not get some one to go halves with him in some nice rooms which he had found, and which were too much for his purse.”
“By Jove!” I cried; “if he really wants some one to share the rooms and the expense, I am the very man for him. I should prefer having a partner to being alone.”
Young Stamford looked rather strangely at me over his wineglass.
“You don’t know Sherlock Holmes yet,” he said; “perhaps you would not care for him as a constant companion.”
“Why, what is there against him?”
“Oh, I didn’t say there was anything against him. He is a little queer in his ideas—an enthusiast in some branches of science. As far as I know, he is a decent fellow enough.”
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 10, 1897 — Eric Knight. Decidedly better known for his 1940 Lassie Come-Home novel which introduced Lassie who I cannot stretch to be even genre adjacent for the soul of me, but he had one genre undertaking according to ISFDB, the Sam Small series. I’ve never heard of them, nor are they available in digital form though Lassie Come-Home of course is. Anyone read them? (Died 1943.)
Born April 10, 1921 — Chuck Connors. His first genre role was as Senator Robert Fraser in Captain Nemo and the Underwater City followed by being Tab Fielding in Soylent Green. He’s Captain McCloud in Virus, a Japanese horror film, and he had one-offs in The Adventures of Superman, The Six Million Dollar Man, Fantasy Island and a recurring role as Captain Janos Skorzenyn in Werewolf. (Died 1992.)
Born April 10, 1929 — Max von Sydow. He played Ernst Stavro Blofeld in the Never Say Never Again and Ming the Merciless in Flash Gordon. He shows up in the Exorcist II: The Heretic as Father Lankester Merrin while being King Osric in Conan the Barbarian. Dreamscape sees him being Doctor Paul Novotny while he’s Liet-Kynes the Imperial Planetologist in Dune. He was Judge Fargo in Judge Dredd (and yes I still like it), in Minority Report as Director Lamar Burgess, Sir Walter Loxley in Ridley Scott’s Robin Hood and finally in Star Wars: The Force Awakens as Lor San Tekka. (Died 2020.)
Born April 10, 1953 — David Langford, 70. And how long have you been reading Ansible? If he’s not noted for that singular enterprise, he should be noted for assisting in producing the second edition of the Encyclopedia of Science Fiction, not to mention hundreds of thousands of words as a principal editor of the third (online) edition of the publication, and some eighty thousand words of articles to the most excellent Encyclopedia of Fantasy as well. And let’s not forget his genre writing as well that earned him a Best Short Story Hugo at the Millennium Philcon for “Different Kinds of Darkness”. And he has won 28 other Hugos for his fan writing, for Ansible, and his work on the third edition of EoSF.
Born April 10, 1955 — Pat Murphy, 68. I think that her most brilliant work is The City, Not Long After which I’ve read myriad times. If you’ve not read this novel, do so now. The Max Merriwell series is excellent and Murphy’s ‘explanation’ of the authorial attributions is fascinating. And The Falling Woman by her is an amazing read as well. She’s reasonably well stocked at the usual suspects.
Born April 10, 1957 — John M. Ford, 1957 – 2006 Damn, he died far too young! Popular at At Minicon and other cons where he would be Dr. Mike and give silly answers to questions posed to him while wearing a lab coat before a whiteboard. His most interesting novel I think is The Last Hot Time, an urban fantasy set in Chicago that might have been part of Terri Windling’s Bordertown series but wasn’t. Possibly. (And no, the Suck Fairy hasn’t gotten near when I last read it.) The Dragon Waiting is also excellent and his Trek novels are among the best in that area of writing. He’s finally back into print after a very long time. (Died 2006.)
Born April 10, 1992 — Daisy Ridley, 31. Obviously she played the role of Rey in The Force Awakens, The Last Jedi and The Rise of Skywalker. She will reprise her role as Rey in an yet untitled Star Wars film set that is after The Rise of Skywalker. She was also in Scrawl, a horror film as well as voicing Cotton Rabbit in Peter Rabbit. Though stretching to even call it genre adjacent even, she was Mary Debenham in Murder on The Orient Express.
(10) COMICS SECTION.
Heart of the City shows us an episode of what Filers might call SJW Credential Court TV. (Hint: this is cat humor.)
(11) STRONG SALES PITCH. Charlie Jane Anders makes some pretty wild promises in the “Here’s What I’ll Do If You Buy My New Book!” section of her latest Happy Dancing newsletter. Here’s just the first of many:
…But regardless of where and how you purchase Promises Stronger Than Darkness, here are all the things I will do for you, because I love you and appreciate your support.
I will ship you, by zeroeth class mail, a portable ambient sexifier, which for 24 hours after activation, will render every inanimate object in your vicinity thirty-nine percent sexier. Your drapes will billow sexily. The cracks in the sidewalk will wink salaciously. Newspaper articles about the impending mulchification of civilization will appear diaphanous. The uneaten crusts of your morning toast will salute you….
A monastic brewery in East Germany says it’s created the first powdered beer. Just add water, and it’ll froth up, complete with a foamy head and full flavor. The result promises massive savings on transport, because it can be shipped at 10% of the weight.
Klosterbrauerei Neuzelle worked together with “technology partners” and used funding from BMWi to create its first powdered product, a dextrin-rich zero-alcohol beer which has been brewed using conventional methods, then “processed and prepared into a water-soluble beer powder/granulate.”…
Audiences said let’s go to the movie theater for “ The Super Mario Bros. Movie ” this weekend. The animated offering from Universal and Illumination powered up with $204.6 million in its first five days in 4,343 North American theaters, including $146.4 million over the weekend, according to studio estimates on Sunday.
With an estimated $173 million in international earnings and a global total of $377 million, “Mario” broke records for video game adaptations (passing “Warcraft’s” $210 million) and animated films (“Frozen 2’s” $358 million).
Its global total makes it the biggest opening of 2023 and the second biggest three-day domestic animated opening (behind “Finding Dory”). It’s also a record for Illumination, the animation shop behind successful franchises like “Minions,” which has made over $5 billion from its 13 films….
(14) VIDEO OF THE DAY. [Item by N.] Animated fantasy series The Owl House received a final season that was truncated to only three hour-long episodes, despite the outcry of both the creator and its fanbase. In the face of that challenge the show has given viewers arguably its best episodes. The final episode has been uploaded to YouTube in full for free (as the previous two were), bringing The Owl House to a close after three years. “The Owl House Season 3 Final Episode”.
[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Gary Farber, P. J. Evans, Daniel Dern, N., Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]
(1) MORE CLASSIC WALT WILLIS. In time for Corflu Craic, David Langford has added The Harp Stateside by Walt Willis to the roster of free downloads at the Unofficial Trans-Atlantic Fan Fund site. If you enjoy it, a donation to TAFF is a fine way to express your appreciation. Available in several electronic formats.
This is Walt Willis’s classic account of his fandom-funded trip to Chicon II, the 1952 World SF Convention, his adventures there, and his subsequent travels in the USA. A shorter version – the first-published segment, taking Walt from home in Northern Ireland to the end of Chicon II – was published here in 2017 as The Harp at Chicon. Walt revised and substantially expanded this version, adding preliminary material, making internal changes and following up with many further chapters about his US travels after Chicon II: the result was The Harp Stateside, published in 1957. (The early version remains available as a TAFF ebook for anyone who might want to compare the texts.) The Harp Stateside is now available online at Fanac.org as part of the huge Willis collection Warhoon #28 and has been formatted for this edition by David Langford. A fragment of text missing from Warhoon has been restored, along with some 1952-1953 extras not included in past collected editions – among them a full transcript of our man’s (happily preserved) speech in a Chicon II debate on the value of fandom.
First published as an Ansible Editions ebook for the TAFF site in March 2023. Cover artwork by Atom (Arthur Thomson) for the 1957 edition. Over 55,000 words.
(2) THIS JOB IS NOT THAT EASY. Charlie Jane Anders tells readers “Writing Comic Books is HARD. Here’s Why” in her latest Happy Dancing newsletter. It includes lots of examples of artwork from Anders’ forthcoming Lethal Legion #1.
… So I started writing comics in earnest after I’d already been writing for television, which is another visual medium. But I still found that comics scripts have their own unique challenges, to do with the fact that there is an artist (or artists) who is/are interpreting your work, and you have to work closely with the art team to make sure your story is legible and entertaining.
A script for a TV episode or movie can include some pretty simple stage directions, which the director and actors can figure out how best to stage. (I’ve definitely included some fancy business in a TV script, and I’ve read some scripts that get pretty detailed about imagery. But oftentimes, the actors and directors will have a lot of say about the details of the staging and visuals.)
But when it comes to a comic script, you really have to think about every single panel and what’s important for the reader to see and understand, and how the action needs to flow. These days, in my scripts, I usually specify what element needs to be in the foreground of the image and what element needs to be in the background of the image, and wish pieces of visual information are really important for the reader to notice….
Our event previously announced for Tuesday, March 14, will now take place on Wednesday, March 15.
From Pulp Era pioneers to the radical innovators of the 1960s and ’70s, visionary women writers have been a transformative force in American science fiction. For Women’s History Month, acclaimed SF authors Chelsea Quinn Yarbro, Pamela Sargent, and Sheree Renée Thomas join Lisa Yaszek, editor of LOA’s The Future Is Female!, for a conversation about the writers who smashed the genre’s gender barrier to create worlds and works that remain revolutionary.
(4) BACK IN THE ZONE. Black Gate’s John O’Neill discusses the latest issue of Interzone in “Interzone 204 now on Sale”.
…Interzone has always been impressively illustrated and designed, and the new publisher proudly carries on that tradition. The issue is fully illustrated, in color, and the layout is as crisp and readable as always (if the print is sometimes a little small for my aging eyes).
The interior art doesn’t reach the standard set by Andy Cox — but that was a very high bar indeed, as Interzone routinely had the finest interior art on the market (Gardner Dozois called it the “handsomest SF magazine in the business”)….
In 1995, Octavia E Butler became the first author to receive a MacArthur “genius” award for science fiction writing.
From a young age she dreamed of writing books but faced many challenges including poverty and sexism and racism in the publishing industry.
She died aged 58 in 2006. Alex Collins speaks to her friend and fellow author Nisi Shawl.
(6) EVE HARVEY (1951-2023). British conrunner and fanzine fan Eve Harvey died yesterday on her 72nd birthday, apparently of a heart attack.
She discovered fandom in 1973, became a founding member of the Leeds University SF Society, was active in the British Science Fiction Association in the late 70s and early 80s and edited some issues of the group’s publicatons Matrix and Vector. As a conrunner she was Secretary for the 1979 Worldcon, Seacon, chaired Channelcon (Eastercon 33) in 1982 ran Rubicon, a late-summer relaxicon, and was one of the organizers of Precursor.
She was married to fellow fan John Harvey. Their publications included the fanzine Wallbanger (1978-1997).
She was the GUFF winner in 1985, and was named Past President of FWA at the 2002 Corflu.
(7) MEMORY LANE.
1979 – [Compiled by Cat Eldridge.]
Let’s talk about chirpsithtras. Well, without giving away spoilers which I hope you’ve noticed by now is something I do not do here in these Beginnings.
Larry Niven’s “The Schumann Computer” was first published in the most excellent Destinies in the January-February 1979 edition. (I love that magazine, all eleven issues.)
I wasn’t at all fond of anything that Niven wrote for longer work after the Seventies for the most part but he continued to write really great short fiction of which these and related stories would be collected in The Draco Tavern.
Ok, you know I generally like genre bar stories such as The Tales from The White Hart and these are great examples of the type. The barkeep is fully realized, the bar is one of the few truly SF ones ever done and the stories with the aliens perfectly described are truly fascinating.
Now let’s have our Beginning of the Draco Tavern…
Either the chirpsithtra are the ancient and present rulers of all the stars in the galaxy, or they are very great braggarts. It is difficult to refute what they say about themselves. We came to the stars in ships designed for us by chirpsithtra, and wherever we have gone the chirpsithtra have been powerful.
But they are not conquerors—not of Earth, anyway; they prefer the red dwarf suns—and they appear to like the company of other species. In a mellow mood a chirpsithtra will answer. Any question, at length. An intelligent question can make a man a millionaire. A stupid question can cost several fortunes. Sometimes only the chirpsithtra can tell which is which.
I asked a question once, and grew rich.
Afterward I built the Draco Tavern at Mount Forel Spaceport. I served chirpsithtra at no charge. The place paid for itself, because humans who like chirpsithtra company will pay more for their drinks. The electric current that gets a chirpsithtra bombed costs almost nothing, though the current delivery systems were expensive and took some fiddling before I got them working right.
I gave you two options for the image. The first is the original publication; the other is obviously the collection of the stories.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 6, 1917 — Will Eisner. He was one of the first cartoonists to work in the comic book industry, and The Spirit running from the early Forties to the early Fifties was noted for both its exceptional content and form. The Eisner Awards are named in his honor, given to recognize exceptional achievements each year in the medium. He was one of the first three inductees to the Will Eisner Comic Book Hall of Fame. Though I wouldn’t call A Contract with God and Other Tenement Stories genre, I do strongly recommend it. (Died 2005.)
Born March 6, 1918 — Marjii Ellers. Longtime L.A. fan who was active in the LASFS. Her offices in the LASFS included Registrar and Scribe. She was known for her costumes at cons. Indeed, she received a Lifetime Achievement Award in 1990 from the International Costumers’ Guild. An avid fanzine publisher and writer, some of the fanzines she edited were Masqueraders’ Guide, More Lives Than One, Nexterday, One Equal Temper, Thousands of Thursdays, and Judges’ Guide. (Died 1999.)
Born March 6, 1928 — William F. Nolan. Author of the long running Logan’s Run series (only the first was written with George Clayton Johnson). He started out in fandom in the Fifties publishing several zines including one dedicated to Bradbury. In May 2014, Nolan was presented with another Bram Stoker Award, for Superior Achievement in Nonfiction; this was for his collection about his late friend Ray Bradbury, called Nolan on Bradbury: Sixty Years of Writing about the Master of Science Fiction. He’s done far too much writing-wise for me to sum it him up. He was inducted into the First Fandom Hall of Fame. (Died 2021.)
Born March 6, 1937 — Edward L. Ferman, 86. He’s known best as the editor of F&SF from 1966 to 1991 when he won multiple Hugos. He was also recognized by a special World Fantasy Award for professional work in 1979 and by the World Fantasy Award for Life Achievement in 1998. He was inducted by the Science Fiction Hall of Fame in 2009. I discovered that in 1969 and 1970 he was also the editor of F&SF‘s sister publication Venture Science Fiction Magazine.
Born March 6, 1941 — Dorothy Hoobler, 82. Author with her husband, Thomas Hoobler, of the Samurai Detective series which is at least genre adjacent. More interestingly, they wrote a biography of Mary Shelley and her family called The Monsters: Mary Shelley and the Curse of Frankenstein which sounds absolutely fascinating. Note to ISFDB: no, it’s not a novel. Kindle has everything by them, alas Apple Books has only the biography.
Born March 6, 1942 — Christina Scull, 81. Tolkien researcher who’s married to fellow Tolkienist Wayne Hammond, with whom she’s co-authored all of her books. Their first book was J. R. R. Tolkien: Artist and Illustrator and I’ll single out just The J. R. R. Tolkien Companion and Guide and The Art of The Lord of the Rings as being worth your time to seek out.
Born March 6, 1957 — Ann VanderMeer, 66. Publisher and editor, and the second female editor of Weird Tales. As Fiction Editor of Weird Tales, she won a Hugo Award. In 2009 Weird Tales, edited by her and Stephen H. Segal, won a Hugo Award for Best Semiprozine. She is also the founder of The Silver Web magazine, a periodical devoted to experimental and avant-garde fantasy literature.
Born March 6, 1972 — K J Bishop, 51. Australian writer who I really like, author of The Etched City which was nominated for the Aurelias, the International Horror Guild Award and World Fantasy while winning the Ditmar Award. Impressive. She also won the latter for Best New Talent. She’s also written a double handful of short stories, many collected in the Ditmar-winning That Book Your Mad Ancestor Wrote.
(9) COMICS SECTION.
Bob the Angry Flower is still scheming to join “Blake’s 7”.
While catching frogs in the postapocalyptic California countryside, a fifteen-year-old girl encounters a stranger from the city.
. . . “That stuff is bad for you. It can give you burns if you’re not used to it.” That isn’t quite right. Some people can’t get used to it, but it never burned me, not even the first time. Mr. Thompson says that means selective mutations are adapting to the new demands of the environment. Mr. Thompson thinks that just because he’s a geneticist he knows everything.
Stan leaped away from the green stuff like it was about to bite him.
(11) A PIECE OF HISTORY. Francis Hamit wrote Virtual Reality and the Exploration of Cyberspace/Book and Disk when that was the cutting-edge technology. He says, “Hard to believe it’s been 30 years since this was published. 30 months to write but ‘in print’ only 13. It was a best seller. Anyone who wants a copy, signed no less, should get in touch with me. I have a few left.” Write francishamit(at)earthlink(dot)net.
…Kashtanova posted the notification on Instagram shortly thereafter to celebrate what she saw as a legal milestone. “I tried to make a case that we do own copyright when we make something using AI,” she wrote in the caption, noting that the artwork “hadn’t been altered in any other way” by her. The top left corner, where artist and writer credits are usually placed on American comics, lists her last name first and then “Midjourney” underneath it. “My friend lawyer, gave me this idea and I decided to make a precedent,” she added.
The Copyright Office somehow learned about her assertion and started a review. Kashtanova’s lawyers responded, the office said, by arguing that she had “authored every aspect of the work, with Midjourney serving merely as an assistive tool.” As an alternative, they also argued that portions of the work could be copyrighted “because the text was authored by Ms. Kashtanova and the Work is a copyrightable compilation due to her creative selection, coordination, and arrangement of the text and images.”
In a February 21 letter, the office told them that it was choosing the latter option. It rescinded her original copyright registration and issued a narrower amended one that did not cover the Midjourney-generated artwork. Instead, it was limited to the “text” and the “selection, coordination, and arrangement of text created by the author,” explicitly excluding “artwork generated by artificial intelligence.” The ruling appears to be the first of its kind by the federal government on how copyright applies to algorithmically created artworks.
The Copyright Office appears to have gotten it right. Silicon Valley is abuzz these days with the promise and potential of artificial intelligence. A.I. chatbots have been touted as potential replacements for doctors, lawyers, musicians, and even journalists like myself. Many of these chatbots or similar “generative A.I.” programs can be quite sophisticated, including ChatGPT, which I interviewed for this article….
(13) VIDEO OF THE DAY. Fandom Games latest “Honest Game Trailer” is about “Hi-Fi Rush”, which they say features a character with “the over-inflated ego of the child of a wannabe future Rockstar with the IQ of a musical instrument who through comical misadventures ends up with an MP3 player in his Iron Man core and discovers that he has the power to make the world move to his rhythm.”
[Thanks to Cat Eldridge, Mike Kennedy, Daniel Dern, John King Tarpinian, Francis Hamit, Olav Rokne, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel “Sinbad” Dern.]
The annual comic that spotlights women creators and characters returns on March 22 with the exciting Marvel Comics debut of six all-star talents.
The giant-sized anthology will continue the tradition of uplifting the characters and creators you know and love – and the ones you’re about to! Showcasing a range of diverse stories by seasoned veterans and up-and-coming talent, Women of Marvel #1 will be a one-stop preview of the incredible women creators set to take Marvel Comics by storm. The one-shot will mark the exciting Marvel Comics debut of talents such as Melissa Flores, Victoria Ying, Carola Borelli, Giulia Gualazzi, and the Gibbs Sisters, Shawnee Gibbs & Shawnelle Gibbs.
Here are the adventures that readers can look forward to:
Rebecca Roanhorse, award-winning novelist and writer behind the recent Phoenix Song: Echo series, breaks the fourth wall with She-Hulk to provide one-of-a-kind commentary in a brilliant opening story with rising star artist Carola Borelli.
Mighty Morphin Power Rangers scribe Melissa Flores and artist Stacey Lee (Silk) send best friend duo America Chavez and Kate Bishop on a pulse-punching rescue mission to save one of their own!
Critically acclaimed author and illustrator Victoria Ying (City of Secrets) and artist Jodi Nishijima (Spider-Gwen: Gwenverse) spin a wild web for Silk as a night out with Black Cat turns deadly as the two face off against the illusion mastermind, Mysterio!
The award-winning writing and producing team The Gibbs Sisters, Shawnee Gibbs & Shawnelle Gibbs join newcomer artist Giulia Gualazzi for a story about Photon and Ms. Marvel battling an old enemy in the Big Easy!
Plus an introduction by writer Charlie Jane Anders, creator interviews, essays, and more!
Following the jump check out the covers and interior artwork. Then head over to Marvel.com to hear from the creators themselves! Celebrate Women’s History Month Marvel Comics-style when Women of Marvel #1 hits stands on March 22.
