(1) LISTEN UP, BUCKAROOS. Dan Berger has served for the last nineteen years as the editor-in-chief of World Watch One, the Buckaroo Banzai fan newsletter/zine. Dan sent the link to their latest issue with a note, “I’m not sure you absolutely need to be a Buckaroo fan to find something fun in this issue, but it doesn’t hurt either.” The theme of World Watch One August 2023 is “Afrocentric”.
(2) UKRAINE BENEFIT ANTHOLOGY. [Item by Marc Criley.] Over 30 writers contributed stories to To Ukraine, With Love, a “benefit anthology of Science Fiction, Fantasy, Myths, Legends, Fairy Tales, and Eldritch Stories, Poems, and Art.” Just released and available via all the usual bookseller outlets.
100% of profits from all forms — print, epub, and audiobook — will be donated to charities for Ukraine.
The anthology was spearheaded and edited by Fran Eisemann, the editor of Cosmic Roots & Eldritch Shores magazine.
Cosmic Roots & Eldritch Shores presents To Ukraine, With Love benefit anthology, with 100% of the profits to be donated to causes for Ukraine, including World Central Kitchen and similar charities which will earmark 100% of a contribution to a specified cause.
All the science fiction, fantasy, myths, legends, fairy tales, and eldritch stories and poems, and the artwork, have been donated. Contributors include Geoffrey Landis, David Brin, Terri Windling, Andrew Burt, George Guthridge, and Oghenechovwe Donald Ekpeki. Artists include Scott Gustafson, Stephanie Law, and Howard David Johnson.
Not only is there more and more work being done on what I call the “Tolkien phenomenon” (meaning, not only his legendarium, including the posthumous publications Christopher Tolkien gave us, but also the multiple adaptations and the fandoms all around the world), but more and more the people doing the scholarship are making their work more freely available online. And while I will always cheerlead for open-access scholarly journals like Mythlore and The Journal of Tolkien Research, I also want to recommend scholars who make work available on their blogs/newsletters/etc.!
The three recommendations below also show the wide range of topics in Tolkien studies!…
I asked ChatGPT to write a college admission essay in the voice of a squirrel. The total result is a bit too long to post, here are some excerpts: —
“As a squirrel, I have learned to adapt to different environments and challenges. I have lived in various habitats, from urban parks to rural forests, and have encountered many predators, such as hawks, cats, and humans. I have developed a keen sense of awareness, agility, and resilience that help me survive and thrive in any situation.”
“In addition, I have shown a remarkable leadership and community involvement. I have led many groups of squirrels in various activities, such as organizing food storage, defending our territory, and planning migrations. I have also collaborated with other animals, such as birds, rabbits, and dogs, to promote peace and harmony in our ecosystem. I have volunteered to help humans in need, such as feeding the homeless, cleaning the parks, and planting trees.
“I am confident that I can bring a unique and valuable perspective to your campus. I am eager to learn from your distinguished faculty and diverse student body. I am also excited to contribute to your academic excellence and social impact. I hope you will give me the opportunity to fulfill my dream of becoming a college-educated squirrel. Thank you for your consideration.
(5) EVEN IF IT’S YOUR JAM. Catherynne M. Valente learned something.
(6) FRANNE LEE (1941-2023). Costume and set designer Franne Lee, who created iconic outfits for several Saturday Night Live sketches, died August 27. The New York Times obituary recalled:
Franne Lee, a costume and set designer who while doing Tony Award-winning work on Broadway in the 1970s also made killer-bee suits and cone-shaped headwear for early “Saturday Night Live” sketches, helping to create some of that era’s most memorable comic moments, died on Sunday in Atlantis, Fla. She was 81.
The original “S.N.L.” cast quickly made its mark with outlandish sketches, and Ms. Lee was integral to the look of those now famous bits — dressing John Belushi and Dan Aykroyd in black when they became the Blues Brothers, turning cut-up long johns into the yellow-striped Killer Bee costumes, and more.
It was costume designing on the cheap. Ms. Lee’s father, a tool-and-die maker, came up with the bouncy springs that were the Killer Bees’ antennae, which she finished off by sticking Ping-Pong balls on the ends. John Storyk, who first met Ms. Lee in 1968 when both worked at the short-lived Manhattan club Cerebrum, recalled in a phone interview dropping by the Lees’ apartment and seeing on her work table the beginnings of the cones that became the defining feature of the Coneheads, the extraterrestrials who were a recurring presence on the show in the late 1970s and later got their own feature film….
(7) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 2, 1899 — Martin Miller. One of his mod remembered roles was as Kublai Khan in Doctor Who‘s first season. Later genre performances the first Pink Panther film, a bevy of ITC Entertainment such as Danger Man, The Avengers, Department S and The Prisoner. He was in Children of the Damned and The Gamma People to name but two of his genre films. (Died 1978.)
Born September 2, 1925 — Meinhardt Raabe. The actor best known as the Munchkin coroner in The Wizard of Oz. He certified the death of the Wicked Witch of the East. (Died 2000.)
As coroner, I must aver I thoroughly examined her And she’s not only merely dead She’s really, most sincerely dead!
Born September 2, 1944 — Roland Green. His most prominent works are his military SF series —Starcruiser Shenandoah, the Peace Company, and Voyage to Eneh, but he also did a lot of Conan novels, and co-authored two Janissaries novels with Pournelle. (Died 2021.)
Born September 2, 1946 — Walter Simonson, 77. Comic artist and writer who’s best known I think for his run on Thor during the Eighties in which he created the character Beta Ray Bill. An odd character that one is if ever there was one. He’s worked for DC and Marvel, and a number of independent companies as well. He did this cover for Michael Moorcock’s Count Brass. And he did the interior artwork as well.
Born September 2, 1950 — Mel Odom, 73. Not that Mel Odom. This is another Mel Odom. His illustrations have graced many a cover of the works of Guy Gavriel Kay including A Song for Arbonne, the Fionavar Tapestry trilogy, The Lions of Al-Rassan and Tigana. I’ll single out the cover of the Penguin Books edition of Tigana as as Ireally l ike his work here.
Born September 2, 1951 — Mark Harmon, 72. Much better known for his work on NCIS and yes, I’m a fan, though not of the last five years of the series. He’s done some genre work down the decades. An early role was as Gacel Sayah in Tuareg: Il guerriero del deserto, a Spanish-Italian pulp film. He was Jack Black in Magic in the Water, and voiced Clark Kent/Superman on Justice League: Crisis on Two Earths. He was in the Wally Schirra in the genre adjacent From the Earth to the Moon miniseries, and shows as Bob Markham in the “Tarzan and The Outbreak” episode of The Legend of Tarzan.
Born September 2, 1964 — Keanu Reeves, 59. Obviously in The Matrix films which so far I’ve avoided watching. So should I go forth now and watch them? Now I have seen the first two Bill & Ted’s films and like then quite a bit, but not the third. Should I? Finally I’ll confess that I have seen Johnny Mnemonic. So i must ask what were they thinking? Really?
Brain-reading implants enhanced using artificial intelligence (AI) have enabled two people with paralysis to communicate with unprecedented accuracy and speed.
In separate studies, both published on 23 August in Nature1,2, two teams of researchers describe brain–computer interfaces (BCIs) that translate neural signals into text or words spoken by a synthetic voice. The BCIs can decode speech at 62 words per minute and 78 words per minute, respectively. Natural conversation happens at around 160 words per minute, but the new technologies are both faster than any previous attempts.
“It is now possible to imagine a future where we can restore fluid conversation to someone with paralysis, enabling them to freely say whatever they want to say with an accuracy high enough to be understood reliably,” said Francis Willett, a neuroscientist at Stanford University in California who co-authored one of the papers1, in a press conference on 22 August.
These devices “could be products in the very near future”, says Christian Herff, a computational neuroscientist at Maastricht University, the Netherlands.
A comet recently discovered by Japanese amateur astronomer Hideo Nishimura is garnering attention from NASA and skywatchers alike.
Using a standard digital camera, Nishimura detected the celestial body on August 11 during a series of 30-second exposures, according to NASA. Though currently not visible to the naked eye, this status may soon change. NASA has noted the comet’s steady increase in brightness since its discovery. Furthermore, astronomers have now charted the comet’s future trajectory through the inner solar system.
“As the comet dives toward the Sun, it will surely continue to intensify and possibly become a naked-eye object in early September,” stated NASA. However, there’s a caveat for potential observers: the comet’s proximity to the Sun will mean it is best visible during the times of sunset or sunrise when the Sun’s glare is least obtrusive….
(11) GUARDING AGAINST ANOTHER PANDEMIC. I can’t help hearing the voice of Bill Murray when I read this headline. “Cats With Bird Flu? The Threat Grows.” The New York Times’ Zeynep Tufekci has the story.
The global H5N1 avian flu outbreak, already devastating wild birds and poultry, keeps spreading to mammals, bringing it one step closer to a potential human outbreak.
Of course, since the coronavirus pandemic taught us the importance of responding early and aggressively to outbreaks …
Sorry, I’m joking. We don’t seem to have learned much from the Covid outbreak, and it’s not funny.
Not enough has been done about an out-of-control H5N1 outbreak at fur farms in Finland or a mystery outbreak among domestic cats in Poland.
Finland, one of Europe’s biggest fur producers, is battling outbreaks among its captive minks, foxes and raccoon dogs — species that scientists warn have been identified as more likely to evolve a variant that can infect people, leading to a human outbreak.
Even the Finnish Food Authority, in its announcement of animals being culled, noted that minks are susceptible to both human and avian influenza. If one animal is infected by both, the viruses can mix genes and give rise to an avian flu that can infect humans. Fur farms in Finland, however, aren’t being closed. Instead the Finnish Wildlife Agency allowed fur breeders to kill wild birds near their farms in large numbers. The Agency told me the killings were authorized “to prevent contacts between infected birds and animals at fur farms,” but scientists point out this is the wrong approach and likely futile — and more fur farms in Finland have since announced further outbreaks.
Meanwhile, officials said a sizable outbreak of H5N1 among pet cats in Poland this summer killed at least 29 animals, though cat owners have compiled lists with as many as 89 sick animals. The outbreak has many unusual features that make it especially concerning, and yet there still hasn’t been an explanation of how exactly it happened or a vigorous investigation….
(12) VIDEO OF THE DAY. Time to revisit this “Constellation WorldCon Baltimore” video first posted to YouTube 13 years ago. It’s amazing that I recognize most of these people.
[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Michael J. Walsh, Marc Criley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]
DECLASSIFIED! Seven Secret and Untold Stories From the Worldcon Press Office
By Chris M. Barkley:
For many, many years, I have wanted to write a manual specifically to pass along my knowledge, feeling and opinions about working in and operating the Worldcon Press office.
For most people who attend any convention, they only see a fraction of what is going on behind the scenes, much like the tip of an iceberg. If those who complain about the things they see going wrong had any idea of the complex goings on that happens behind the scenes, it would certainly turn more than a few of their hairs white from shock.
And believe me, I’ve earned my share over the years but fortunately, I shave every other day so I’m not reminded of how I earned them.
From the 1983 Worldcon in Baltimore (ConStellation) to Kansas City in 2016 (MidAmericon II), I worked in the Press/Media Relation offices for the World Science Fiction convention a total of nineteen times; fourteen as a staff member, five as the head of the office — three of those times I was asked on a last minute, emergency basis.
After MidAmericon II in 2016, I loudly announced (and not for the first time, mind you) that I was permanently retiring from the position.
I might as well have been shouting into the winds of Arrakis because I seriously considered taking the Press Office position this year at DisCon III at the request of a senior concom member.
After discussions with the members of my MidAmericon II (whom, I might add, was the BEST team of con-workers I had ever assembled), I quickly found that none of them could attend the convention during the alternate date in December.
I declined the offer and felt some considerable remorse, since it would leave the convention without anyone to handle media relations. Conversely, seeing that there was still an enormous amount of time until the start of the convention, I realized that this would be an excellent opportunity to impart and pass along a considerable amount of my knowledge and wisdom and still help the convention. (In addition, I also offered my services as a consultant to whomever took the Press Office position.)
So, for the past five months I have been hard at work, remembering, compiling, writing and editing a concise manual that could be utilized for practically any convention, regardless of the genre or fan base.
In doing so, I also chronicled several incidents, humorous anecdotes and near apocalyptic stories that happened along the way. I have NEVER shared many of these stories publicly before due to the privacy issues and the delicate nature of some of these encounters. But, I feel as though enough time has passed that discussing them now will not cause too much embarrassment or shock to anyone in particular. Even so, in some cases, I have omitted the names of the participants for the sake of privacy.
The entire Press Relations manual, sans some of these stories, will be made available by Our Gracious Host on a separate link at the end of the column, and at the conrunner.net website in the very near future.
1) The One Where I Nearly Caused An INTERNATIONAL INCIDENT With the Soviet Union (ConStellation,1983)
My career in the Press Office began at the 1983 Worldcon in Baltimore, ConStellation. YES, the very last Worldcon to hold a full dinner banquet with the Hugo Awards Ceremony. Here’s the late Steve Stiles take on the dinner: Beautiful Steamers at Fanac.org.
And somewhere, I STILL have my crab mallet from that evening. But, I digress…
It was my fifth Worldcon and I was bored. Up until then, I had been content with going to panels, shopping in hucksters room, perusing the Art Show and partying with my friends. The only other time I had volunteered at a Worldcon was a brief stint working a shift for a friend at the IguanaCon II Art Show in 1978.
So, midway through the first day of the convention, I made my way to the ConStellation Gopher Hole, filled out the appropriate paperwork and presented it to a woman at the desk.
I was rather perplexed when she asked where I would like to be stationed because I hadn’t really given it any thought. Then, she wisely asked what sort of background I had. I replied that I had been an English major in college, a reporter and film reviewer for my college newspaper and, until recently, had been a sf radio talk show host at a public access station.
“Well,” she said, “I’m going to send you down to the Press Office. They could use some help there.”
So, I reported to the Press Office, which was nearby. I have no recollection of who was in charge. But I do remember that one of my first assignments as a staff member was to escort several reporters to a special reception taking place later that day.
The future Academy Award winning film (and future Hugo nominee as well) The Right Stuff was premiering later that year. Fan writer Evelyn C. Leeper’s convention report noted:
Chuck Yeager (who flew the X-1) and Gordon Cooper (one of the original Mercury astronauts) were there to help Warner Brothers promote the film The Right Stuff (about the early space program), and they were both very interesting. (By the way, I recommend the book The Right Stuff by Tom Wolfe.) There were also several other noted scientists and even a congressman to talk about the space program, etc.
I decided to hang out for a few minutes to watch the spectacle unfold before going back to the office. I was just about to leave when I noticed a tall, thin gentleman speaking with a distinctive accent I thought might have been Russian.
When I inquired who the man was, I was told by one of the hosts that he was one an envoy from the Russian Embassy who had driven up from D.C. to take in the convention for the day. He was standing about six feet away, laughing with another participant about something.
For a moment, my blood ran a little cold. Then I began to get angry.
Just two days before, Korean Air Lines Flight 007, a 747 aircraft headed to Seoul, South Korea with 246 passengers and a flight crew of 23, had been shot out of the sky by a Soviet interceptor. The crew committed a navigational error which resulted in the plane drifting too far off course to an area inside a restricted Soviet airspace, resulting in the destruction of the plane. There were no survivors. Among the dead was Lawrence P. McDonald, a conservative member of the US House of Representatives from Georgia.
At the time, very little information was available on exactly how and why this had happened. With the denials,suspicions, recriminations and military mobilizations occurring on an hourly basis between the Soviet and NATO forces, it was one of the most tense moments of the Cold War.
So, there I was, in the same room with a citizen of the Soviet Union.
Three feet away from me was a metal folding chair.
It would be a simple thing to grasp it in my hands, smoothly fold it together and smash it into the diplomat’s head.
And if I did what I was thinking, I would probably have served a lengthy prison sentence and brought infamy and shame to my family, my newborn daughter, Laura, my friends and fandom.
So I turned my back to the Soviet diplomat and left the room.
In my heart of hearts, I hope someone expressed their displeasure with that fellow’s government and what happened just off the northern coast of Japan.
But that day, I knew it could not be me.
2) The One Where I Found Out Who Won The Hugo Awards For the First Time (LACon II,1984)
I was VERY uneasy the very first time when I found out who was going to win the Hugo Awards in advance of the Ceremony. Usually, the Hugo Awards Ceremony Staff handles both the Hugo Awards results, nomination and voting statistics and the short press release that comes with them.
Needless to say, when I was working for the L.A.con II Press office in 1984, seeing the results of the Hugo Awards was not on my bingo card.
The convention was held at the incredibly impressive venue; the Anaheim Hilton and Convention Center, which were located right across street from Disneyland. My second tour of duty in the Press Office coincided with the largest attendance ever recorded at a Worldcon up until then, with almost 6400 members pre-registered in advance. With a strong marketing campaign by the convention committee, another 2000+ fans were walk ups.
Among the highlights (and by far biggest draw) was the first official showing of all three Star Wars films in an all-night marathon. (I was there and stayed awake through the middle of Empire Strikes Back and woke up in the middle of Return of the Jedi. I also remember staggering back to my hotel room as the sun peeked over the horizon to catch a few hours of sleep before I reported back at the Press Office.)
The biggest brouhaha I had to deal with came a few hours before; someone came in and said that a commercial LA radio station had announced that the Trilogy showing that evening was FREE to the public! I quickly got on the phone with the station and DEMANDED that whomever made that announcement should rescind immediately before the convention was overrun with people.
To this day I don’t know whether they did it or not. I do know that the showing was not mobbed, so there’s that.
Fast forward to the Hugo Awards Ceremony; that afternoon, manila envelopes the voting and nomination results were delivered to the Press Office. They were to be embargoed and kept in the office until after the Ceremony, when they would be distributed to the fannish and other news media outlets.
My boss, Fred Harris, looked in the envelope and noticed that the packet was missing a one-sheet press release with a summation of the winners. I remember that there were only three people on the team; Fred, myself and a woman I will call Linda for reasons of privacy (and I because I can’t remember her actual name).
Because Fred had to go to the auditorium and see to the seating of the press, Linda and I were charged with typing up a brief summation of the winners, xeroxing multiple copies and stuffing the envelopes.
Linda and I locked the door behind Fred and got to work. We looked, incredulously, at the winners in all of the categories and wrote up the summary in short order. Linda then went out, made the copies and returned to the office in short order.
When Linda and I finished, we sat down and just sat down and stared at each other. Beyond the Hugo Award administrators, we were the only people on the planet who knew who was going to win a Hugo that night. We were full of nervous energy and literally nowhere to go. Although Fred didn’t explicitly say so, we both felt as though we were going to be in the office until the end of the Ceremony.
After a while, I suggested we open the door for a little while so we wouldn’t feel so confined and Linda agreed.
The Press Office was located on one of the main hallways to the auditorium where the Hugo Ceremony. When I opened the door, there was a steady stream of people headed in that direction.
And then, something very improbable happened. As I was watching the crowd streaming by, I saw a very familiar face.
During the course of the convention, I made a lot of new friends, including one Glen David Brin, electrical engineer, astronomer and one of the emerging acclaimed authors of hard science fiction. His second novel in the Uplift series, Startide Rising, had already won the Nebula and Locus Awards for Best Novel and was heavily favored to win the Hugo as well.
Check that; it was GOING TO WIN THE HUGO AWARD that evening.
Once he saw Linda and I standing in the doorway, he made a beeline straight to us. Linda had never met him before and once he got close enough to read his con badge, her eyes got a bit wider and she looked as though she was going to go into shock.
“Hey Chris, good to see you! I’m on my way in right now. Are you guys coming too?”
I quickly explained that we had to watch the Press Office and that we might catch up with him later.
“That’s fantastic! Boy, I can’t tell you how excited I am about tonight. Wish me luck, huh?”
Both Linda and I sagely nodded and wished him well. With that, David Brin fairly bounded down the hall to his destiny.
When he was out of sight, both Linda and I looked at each other, went into the office and locked the door. We laughed hysterically for a minute just to throw off our nervousness. We stayed there until Fred came knocking on the door later.
So, your office may be asked to take custody of copies of the results before the Hugo Ceremony, to be embargoed and distributed to the press afterwards. Needless to say, it is vital that you, as the head of the Press Office, take full responsibility to keep the results safely under wraps.
They should be held strictly on a need-to-know basis: and you, personally, don’t need to know. As someone who has been privy to those results (on several RARE occasions) I cannot tell you how nerve-racking it is to walk around with that knowledge rattling around your noggin.
If you are offered the opportunity to know in advance, my advice to you is to try and avoid that situation or turn it down altogether.
DON’T DO IT! Enough Said…
3) The One Where I Took Over the Worldcon Press Office on Six Days Notice AND The Infamous Neil Gaiman and Rebecca Eckler Incidents (Torcon 3, 2003)
Another important thing to remember is that you cannot do this job alone. If you are lucky, as I have been over the many years, to have a number of trusted associates working closely with you at your convention, your chances of succeeding are quite good.
In 2003, the Toronto Worldcon (Torcon 3) faced a big crisis; it turned out that the person they had appointed to run their Press Relations office had done absolutely nothing regarding press contacts or registration in advance of the convention. Once I found out about the situation, I and my wife at the time, Naomi, volunteered to take over. I had headed up the Press Office previously at LoneStarCon II in 1997 on very short notice and I had a pretty good idea of how to set up an office in a hurry.
I immediately started calling and emailing all of the local media outlets to let them know that there would be a Press Office to help them with any of their inquiries. I also put a call out for volunteers on the Torcon 3 website and asked a few people in fandom I knew who could handle the job.
By the time we arrived in Toronto, I had done as much preparation as I could and hoped for the best.
One of the best examples of having the right person at exactly the right time came on the very first morning of the convention.
Anne Pinzow was a walk-on to the Press Office. She was (and still is, to the best of my knowledge) a writer and editor for a local New England newspaper and volunteered to help out at the convention as a change of pace. Needless to say, her skills and experience were put to the test almost immediately…
On the morning of the second day of Torcon III, our morning staff meeting was rocked by a headline in the Arts Section of the Toronto Star. Hugo Award Winning Fan Writer and Fan Editor Cheryl Morgan (who also served on the Press Room staff) chronicled what happened next and published her account in her fanzine, Emerald City (http://www.emcit.com/emcit097.shtml#Wheels):
The first major embarrassment that we suffered was on Thursday morning when an article appeared in The Star, a local newspaper, announcing that Neil Gaiman had won a Hugo for “Coraline”. This sounded terribly like a leak from the convention, but although we often give out the results under an embargo just before the ceremony, there was no way that the paper could have gotten word of the results that early. So we phoned them.
Here I must give credit to my colleague, Anne Pinzow, who handled the call, firstly for her patience in working through The Star’s automated call handling system, and secondly for the magnificent way in which she laid the law down. A Hugo, she explained, can make or break an author’s career. Winning it can be worth millions of dollars. And by suggesting that the results were known beforehand The Star was casting doubt on the validity and integrity of the voting process, and therefore on the awards themselves. It was a wonderful performance.
As it turned out, however, the editor in question was already duly contrite. Murray Whyte, the journalist who had interviewed Neil and written the piece in question had already phoned up and complained bitterly about his article being butchered. It turned out that what had happened was that an enthusiastic sub-editor had not understood the difference between being nominated and winning, and had “sexed-up” the article to make it sound better. There were red faces all round at The Star. They printed an apology on page 2 on Friday, and on Sunday they devoted half of page 2 to a report of the Hugos.
So, an utter disaster was averted, but just barely. And thankfully, Neil Gaiman, being a prince among writers, was a good sport about the imbroglio and did not hold up the scurrilous headline above his head as Harry Truman had infamously done back in 1948 (“DEWEY DEFEATS TRUMAN”) after winning the Hugo award for Coraline.
On the day of the Hugo Awards Ceremonies, I received a phone call from a reporter named Rebecca Eckler, a “lifestyle” writer from the National Post. She wanted a press pass plus one to attend the Hugo Awards. When I asked for the name of the other person she replied “Gollum” (which should have set off an alarm bell right then and there).
I told her that I would be in the press office with the badges and gave her instructions on how to find me. I had decided to skip going to the Hugo Awards and stay in the office to distribute the results of the Hugo Awards (with the stipulation that they were to be embargoed until the end of the ceremony) via individual email to newspapers and other media outlets. I released the staff to attend without any instructions other than seeing that any journalists were properly seated in a designated area.
In hindsight, those were not the best decisions. Here’s why:
Rebecca Eckler never showed up at the Press Office as she had promised. She and her companion turned up at the Hugo Awards pre-ceremony reception unannounced and were refused entry. Ms. Eckler, who was well along in her pregnancy at the time, decided to make a fuss at the entrance of reception, citing that she was a journalist and entitled to be admitted. None of my staff were there to ameliorate the situation or to alert me to Ms. Eckler’s presence.
When it came time for the nominees and their guests to be escorted into the hall at the beginning of the Hugo Ceremony, Ms. Eckler and her companion joined the line and were seated with the nominees! According to reports I heard afterwards (and her account that was eventually published in the National Post the next day), she eventually became bored and the two of them left before the end of the ceremonies.
The bottom line is that I, or someone on my staff, should have been present at the reception and at the Hugo Awards ceremony to mitigate what happened. While there was a high likelihood that a negative story about Torcon III could have been prevented, some prompt action could have stopped her disruptive behavior.
As a reminder of what happened, I kept Ms. Eckler’s press pass after all this time, pictured below:
There are several things that you, as the head of the press relations for your convention, should remember:
You are responsible for what happens on your watch, whether it’s your fault or not.
Someone with authority must be present at ALL of the important public events and functions of the convention.
4) The One Where I Won a Kentucky Derby Bet, ROYALLY PISSED OFF J. K. Rowling, Her Publisher and Solicitors, But Lived To Tell About It. Barely. (Interaction, 2005)
When I was attending Noreascon IV in Boston, I was asked by Vincent Docherty, one of the organizers of Interaction (the 63rd Worldcon) whether I would be interested in helping run the Interaction Press Office. Vincent, and apparently others on the convention committee, were very impressed with how I handled the office at Torcon III.
(Also, although my memory may be a bit fuzzy on the details; back in 1995, I had heard secondhand that that year’s Scottish Worldcon, Intersection, had no Press Office. And foolishly (if it’s true), had not allowed any reporters to cover the convention at all. Naturally, at the time, I assumed that they did not want a repeat of that situation. I tried to find any mention of this online but I was unable to confirm whether this actually happened or not. In any event, I am quite sure that someone reading this will either acknowledge as a fact or take great pleasure in correcting me at length that this is some sort of fever dream fairy tale. And so it goes.)
In any event, I accepted the position of being a deputy to a very nice fellow named David Stewart. Little did he know what sort of trouble I was going to cause for him…
One of the first things I did after accepting was to send in my paperwork for my first passport ever, which was issued out of the State Department’s New Orleans processing facility. (It holds a special place in my heart because I received it before Hurricane Katrina devastated the area in late August of that year. It has since expired but I still carry it with me as an alternate photo ID.)
But here’s how the 2005 Kentucky Derby factored into what happened:
That spring, I started making plans in earnest to make the trip to Scotland, which would have been my very first trip outside of North America. I was working a steady job back then but I wasn’t able to save up enough for airfare and expenses. But as March melded into April, I was still far short of what I needed to go.
When the first of May rolled around, I had a crazy idea; I could get enough cash for the trip by achieving a big win at the Kentucky Derby. It was a family affair; my then wife, my daughter, Laura and I ambled over the Lebanon Raceway just east of where we were living to enjoy the day.
About a half an hour before the race, we started making our selections. Naomi and Laura made several relatively small bets on the three of the favorites, Alex Afleet, Wilko and Bellamy Road. I had allocated fifty dollars for myself and spread out most of it on other horses. When I was down to my last ten dollars, my gaze fell upon a 50-1 shot, a horse named Giacamo. (And, unbeknownst to me at the time, had finished fourth in the Santa Anita Derby in his previous start.) I sighed, went with my gut and placed the bet.
You can imagine dead reader, my utter astonishment when Giacamo, in 18th place after three-quarters of a mile, made a jaw dropping move to make up ground while moving six wide around the backstretch turn. He then turned up the jets, closed on and muscled past the leaders and WON by half a length!
I was speechless! I now had at least enough for my airfare and all I had to worry about was saving up for food, transport and lodging. Things were finally looking up. What could possibly go wrong now?
Until, that is, things went terribly wrong.
About a week or so before the Derby, I was feeling a little perturbed towards J. K. Rowling. Harry Potter and the Half-Blood Prince was due to be published in July of that year. At that point in time, Ms. Rowling, who won a 2001 Hugo Award for Best Novel for Harry Potter and the Goblet of Fire, had NEVER publicly acknowledged winning it. I couldn’t even find it even mentioned on any US copy of the paperback edition.
So, being the volatile, hotheaded type fan that I was back then, I was determined to do something about it.
Since this was before the advent of Twitter and Facebook, I wrote an actual, physical letter to Ms. Rowling, lamenting the fact that there was no mention of the Hugo Award on The Goblet of Fire. I also pointed out that the World Science Fiction Convention was being held in Glasgow, just a stone throw away (relatively speaking) from Edinburgh and it would be awfully nice if she were to send the convention some sort of greeting.
Somewhere, there is a copy of that letter sitting in the files of Scholastic Books.
And at Bloomsbury’s headquarters in the United Kingdom.
And her solicitors in London.
And her literary agent in London.
Because I wanted to be SURE that my letter would make it past her gatekeepers, mind you.
Well, kids, my message got through all right. And the gatekeepers were not pleased.
So a week or so after my triumph at Lebanon Raceway, I received several anxious emails from David Stewart and members of the convention committee, demanding an explanation of my actions.
You see, dear reader, I sent those letters signed with my name along with my official designation as the Deputy Head of the Intersection Press Office, a HUGE faux pas that tied my perceived diatribe with the convention itself!
Needless to say the letter made everyone angry (especially the solicitors, I was told) that some cheeky Yank was telling them what they ought to do.
Once I gauged the gravity of what was going on, I felt I had no choice whatsoever but to offer my resignation from the Press Office. My would-be boss David had a different and slightly sardonic reaction. He still wanted me to work in the office. Because, as I remember him writing in an email, “You mean he doesn’t have to work but I still have to deal with this? That’s not very fair, is it?” (I am sorry to report that David Stewart and I never had a chance to meet in person; he died after a short illness in 2006. I definitely owed him a pint or two. Ad Astra, David…)
Alas, things also unraveled at home as well; I was laid off from my job, my wife moved out to go the graduate school at the University of Dayton and the five hundred dollars was quickly consumed by bills. So I had to stay home that summer, much to my chagrin.
During all of this turmoil, I never heard (either directly or indirectly) about any reaction from Ms. Rowling herself. And yes, In hindsight, I think everyone would have been better off if I had just signed my name but I doubt that it would have had the same impact if I had not.
Because two things happened in the wake of this international incident; in July, J.K. Rowling did issue a brief statement welcoming the World Science Fiction convention to Glasgow and the next year, the designation “Hugo Award Winning Novel” started appearing on the paperback edition of The Goblet of Fire.
So, for what it’s worth, I am quite satisfied with that…
5) The One With Michael Chabon (Denvention 3, 2008)
In 2008, I was back in the Captain’s chair of the Press Office and I was hoping for a nice, quiet convention with very few annoyances or controversies.
And for a majority of the Denvention, my wish was granted.
On the day before the Hugo Awards Ceremony, I received a call from a producer from National Public Radio’s Weekend All Things Considered (whose name is lost to history). He wanted to know if I could arrange an interview with the winner of the Best Novel category with their then current host, Andrea Seabrook.
Checking the programming schedule, I told the producer that four of the five nominees for Best Novel, John Scalzi (The Last Colony), Ian MacDonald (Brasyl), Charles Stross (Halting State) and Robert J. Sawyer (Rollback) were there. The ONLY author who was absent was Michael Chabon, whose World War II alternate history epic, The Yiddish Policemen’s Union, was a heavy favorite to win. (Historical note: by the time of Denvention 3, it had already won the Nebula Award, the Locus Award, the Sidewise Award and the California Book Award Gold Medal AND had been shortlisted for the Edgar (from the Mystery Writers of America) and the British Science Fiction Association award.
I told the producer that I would contact all of the nominees, including Michael Chabon, and have them contact NPR directly after the Hugo Awards Ceremony.
Consulting the sprocket program, I spent some time out of the office Friday afternoon tracking down Scalzi, Sawyer and MacDonald and they all readily agreed to be on the air if (or when) they won.
Charlie Stross was the only one I couldn’t find that day. I looked up any contact information I could scrounge up on Chabon’s whereabouts online but I came up empty. I left several messages with HarperCollins in New York and sent an email to his agent and hoped someone would get the message by the next day.
I was feeling quite chuffed that NPR, a network that I had been an ardent fanboy of since 1973 was taking some serious interest in the Worldcon. I told any friend or acquaintance who wandered by the office that I was setting up this fabulous interview with NPR that day.
That evening, I was at a bid party, minding my own business and enjoying myself when a very good friend (who shall remain nameless for reasons that will become very obvious) came in, spotted me, grabbed me by the arm and literally dragged me into a nearby vacant bathroom and closed and locked the door.
When I asked them what that was all about, they explained in a very excited tone that they had heard about the impending NPR interview and wanted to help. And before I could ask what sort of help, they blurted out that Michael Chabon was going to win Best Novel!
Now at that point in time I was a little crestfallen because I fervently try NOT to know who will win any of the Hugo Awards in advance but it seems as though every time I have tried to evade knowing, I’m cursed to find out. (I am truly grateful that they didn’t spill the beans about the rest of the rest of the categories, though.)
I thanked my “confidential source” and we returned to the party before anyone ( I had hoped) noticed that the two of us were conferring in a locked bathroom.
So now, even though I knew who was going to win Best Novel, I still had to contact Charlie Stross and Michael Chabon, just in case any of the nominees caught up with each other and compared notes at some later date.
I finally caught up with Mr. Stross Saturday morning and imparted NPR’s request, feeling very badly about playing my part in this elaborate charade. That afternoon I finally heard back from Michael Chabon’s publicist, who informed me that he and his family were vacationing in Maine that weekend. I gave him the NPR producer’s contact information and told him to expect an announcement on who won later that evening.
After the ceremony, I sent the publicist an email with an official list of the Hugo Award results and hoped for the best.
Here is the most pertinent slice of this interview:
SEABROOK: Can I ask you, what do you think of other work that’s going on in science fiction right now? Do you read science fiction?
Mr. CHABON: Yes I do. I still read science fiction, and I see all kinds of diversity. I think – I find a very intense ongoing kind of intellectual and aesthetic debate in the world of science fiction. The people who are reading it and the people who are writing it seem to me to be engaged in an ongoing conversation about the fiction that they love on a level that I think is enviable, that would be a credit to the world of mainstream fiction.
6) The One About George R.R. Martin (Chicon 7, 2012)
Chicon 7 was decidedly challenging for Juli and I on many fronts. For one, the Press Office was nowhere near the Information Desk or Registration; it was located near one of the main auditorium stages and a cluster of meeting rooms being used for panels. I had requested a meeting room for office space but was really disappointed when I found out that the “office” was actually a coat check booth. Fortunately, there was a small furnished room adjacent to the booth that was more than adequate to serve as the main interview room.
My partner Juli and I arrived without anyone else set to staff the office so we were trusting that we were going to attract some good volunteers out of the Gopher Hole. We were rewarded twice over when local Chicago fans Belma Torres and Dan Berger reported for duty. They were fantastic in the office and handled themselves very well during the convention. (Belma eventually moved to Australia a few years ago and subsequently got married there, Dan, his wife Terry and his two sons Alec and Ryan remain good friends with us to this day.)
We made do with the coat room as a base of operations and the Information Desk sent us a steady stream of registered and walk up journalists to cover Chicon 7.
Our one big hiccup occurred on the first day when several people from Logistics came by with several hand carts and requested that we surrender all the furniture in our interview room so it could be used on stage for several bits that had been planned for Opening Ceremonies.
Since the stage was not very far away from the office, I readily agreed. But I made them swear on a stack of fanzines that they would return the large couch and the three easy chairs as soon as the event was over because we needed it for several big interviews, among them a sit down with George R.R. Martin that was scheduled for the next day.
As the day progressed and Opening Ceremonies started, I began to feel a little uneasy about the arrangement. At one point I strolled over to the hall where it was under way and saw people lounging and having a good time with the audience. That was the last time I would see our furniture for the next 20 hours.
Because two hours after the Opening Ceremonies, our furniture had not been returned to us. I sent Dan Berger out to the Logistics to find out what happened. He returned a short while later and reported that no one in Logistics had any idea of what he was talking about.
Livid, I went to Logistics and demanded, in an usually loud voice, that we REALLY needed to find our goddamn furniture, immediately! The poor woman manning the desk promised to look into it and I fumed all the way back to the Press Room.
By the end of the day, the furniture had not been returned.
When we opened the office the next morning, there was STILL no furniture.
That’s when I decided we were going full vigilante on this situation.
Leaving Dan in charge of the office, Juli, I and another volunteer went to Logistics, borrowed several handcarts and started canvassing the convention hall rooms and hallways to find our furniture. We didn’t have to search long.
After checking the hallways and the Exhibits display, Juli spotted our couch in the Fan Lounge. Very quickly afterwards, we found the other lounge chairs nearby. We quickly loaded everything up and trucked it all back to the Press Office, just an hour before the start of George R.R. Martin’s interview.
The moral of the story is quite clear; if you loan out ANYTHING at a Worldcon, get it in writing and keep close track of it until it’s returned.
By the way, the Press Office staff returned the hand carts promptly to Logistics, because that’s how we roll…
7) The One With The VERY SAD Puppy (Sasquan, 2015)
Sasquan was a very strange, tense and ultimately uplifting affair from start to finish.
The original co-Chair of the convention, Bobbie DuFault, died suddenly on the morning of September 14, 2013. Sally Woehrle, the other co-chair, took over in her stead. In hindsight, it was a portent of the terrible events that followed in the wake of this terrible news…
An arch conservative author, Lou Antonelli, made a scurrilous and false police report to the Spokane Police Department, claiming that Author Guest of Honor and Hugo Award Ceremony co-host David Gerrold was “insane and a public danger and needs to be watched when the convention is going on”.
On August 11th, 2015, the following message was posted on the Sasquan Facebook Page:
“The Executive Committee of Sasquan, the 73rd World Science Fiction Convention, would like to address the matter of actions taken by Mr. Lou Antonelli with regards to one of our Guests of Honor, Mr. David Gerrold. On August 1st, Mr. Antonelli participated in a podcast in which he stated that he had written a letter to the Spokane Police Department, in which he stated to them that Mr. Gerrold was “insane and a public danger and needs to be watched when the convention is going on”.
Normally, online communications between members is not something in Sasquan’s purview to referee. However, Mr. Antonelli’s letter, which requested police action against Mr. Gerrold during the time of the convention, is within our purview. As such, we found that there was a strong possibility this act was a violation of our posted harassment policy, particularly if the letter had, in fact, been sent.’
Well, a long story shortened…
‘However, after the recommendation was made, Mr. Gerrold, as the aggrieved party, specifically requested that the Executive Committee set aside this recommendation on the grounds that Mr. Antonelli did apologize, is sending a retraction to the Spokane Police Department and because, as a Hugo Nominee, he deserves to attend the ceremony.
The Executive Committee has chosen to accept Mr. Gerrold’s request, and considers the matter closed as of this time. Ms. Bourget has spoken and corresponded with the Spokane Police Department, and they also consider the matter closed. We would like to thank Ms. Bourget for the calm professionalism she lent to the proceedings, and Mr. Antonelli and Mr. Gerrold for coming to a settlement that benefits not just them, but the Worldcon and its members.”
There were lots of right wing, racist and sexist authors who had themselves slated onto the nomination ballot and a majority of fans who regularly vote on and or attend the Worldcon were in no mood for such shenanigans. In response to the Puppies chicanery, an incredible number of people joined the convention; an astounding 5,748 fans bought Supporting memberships (ostensibly to outvote the Puppy coalition), bringing the total number to a whopping 10,350 total members.
But now, small, brief, editorial aside:
Here’s the thing, as far as I’m concerned; the Sad/Angry/Rabid Puppy affair accomplished nothing for the usurpers who wanted to disrupt and/or destroy the Hugo Awards. Looking back over the past eight years it is quite evident that they utterly failed in style, substance and in an overall way, had very little significant societal impact. There has always been some generational tension between fans, editors, writers and artists in fandom. But in the days before social media, it played out more like a slow motion riot with the participants trading shots through frequently published fanzines or in person at conventions (with and without fisticuffs in some cases).
These reactionaries wanted to stop something that has always been inevitable in literature, change. When these elements of the so-called conservative end of sf fandom thought that their brand of warping spaceships, alien wars and far flung empires were being ignored by the Hugo Awards electorate, they decided to cheat by nominating slates with their own nominees. But by doing so, they just mobilized and galvanized what was already happening, that women, people of color, indigeonous peoples from all of the world and the LGBTAQ community and other marginalized folks were becoming the emerging voices of this generation. The Puppies were driven by the fear of being replaced or, even worse, erased from our collective history. Their fears were expressed in some very unflattering ways; racism, sexism, homophobia and transphobia and a decided lack of empathy for people who pushed back against their narrative.
Those of us who were actively opposing them, were portrayed as being out of control radicals, unpatriotic, socialists and traitors. It became so turbulent that even the mere mention or promotion of a disenfranchised person was labeled as racist by them. And while they promoted themselves with a great amount of hubris as the tree and roots of modern sf fandom and literature, in fact they are just merely a branch of a much larger tree. To this day, they remain so dogmatic about their own importance, their false sense of privilege and so devoted to their own myopic point of view that they still don’t realize that they have done themselves and fandom as a whole, a great disservice by acting like an unruly mob without any sense decency or of cognitive dissonance. And yes, they did manage to make a big fuss and draw some attention to themselves but in the long run, their actions will be judged by history to be abhorrent.
If anyone wants to read a fairly comprehensive history of what went down may do so here: The Puppy Kerfuffle Timeline at Camestros Felapton.
And, if that weren’t enough, a series of forest fires completely surrounded the city, enshrouding the entire region in a haze of smoke and ash and casting the convention into something akin to a hellish, eco-disaster film.
Juli and I were called in to head up the Press Office in emergency mode (again) because the convention’s original choice had to drop out for personal reasons. Although this time, unlike many of the other times, we had a full six weeks notice to get the office up and operational.
In addition to all of this, I got personally involved. I stepped up and volunteered to be a Hugo Award acceptor for Analog author Rajnar Vajra whose slyly aware John W. Campbell-ish pastiche, “The Triple Sun: A Golden Age Tale” (published in Analog, 07/08-2014), had been slated onto the Hugo ballot by both the Sad and Rabid Puppy groups..
I made Mr. Vajar’s acquaintance in April 2015, right after the nominations were announced. He had posted on sf/horror writer Adam-Troy Castro’s Facebook page, vehemently condemning both camps and I quoted him (with his permission) in a File 770 column. I also offhandedly offered to pick up his Hugo and deliver his acceptance speech, too.
You can imagine how flabbergasted I was when Mr. Vajra emailed me in July asking if I would do exactly that. In a File 770 post soon after, I wrote:
Several months ago, after the nominations came out, I made the acquaintance of Rajnar Vajra, author of the Hugo nominated novelette, The Triple Sun: A Golden Age Story. Although nominated on the Sad/Rabid Puppy slate, he has vehemently disassociated himself from them. When other nominees dropped out of the Hugo Awards race, he bravely stayed in, because he believed in his story and vacating the nomination slot may have given the ballot yet another puppy candidate.
I half jokingly told Rajnar that I would be happy to accept the Hugo Award on his behalf if it became necessary. He laughed it off at the time but a month ago, he found out that he could not attend. I was slightly aghast when he emailed me but I accepted because I knew what he had in mind.
I believe that Rajnar’s only loyalty is to his craft and to his readers. In his absence, he chose a person of color to represent him at the Hugo Ceremony as a pointed reminder of fandom’s diversity. Mr. Vajra has emailed his eloquent acceptance speech and if needed, I will proudly deliver it verbatim.
When Juli and I arrived at the Press Office, we were ably assisted by a well known Seattle fan, Margaret Organ-Kean, who agreed to serve as the Deputy Press Officer. I cannot begin to tell you how gracious and helpful she was in the office, especially during my prolonged absences because of my obligations to attend the Business Meeting and the Hugo Award Ceremonies.
On that Saturday afternoon, a very peculiar thing happened.
I was standing near the entrance of the Press Office when a middle aged man entered the office. He was white, middle-aged and looked as though he might need some help.
“Hello, how can I help you?”, I said in a pleasant voice.
He just stared at me.
I waited. He kept staring.
After about 20 seconds, I gave up, went back to my desk and sat down to keep an eye on him.
My partner Juli, who is white, witnessed this and decided to make a run at him while I watched warily from a distance.
He immediately perked up and said that he was looking for a reporter to give an interview. When Juli inquired why, he said that he was a John W. Campbell Award nominee for Best New Writer. (I am not identifying the writer because I don’t want to give this person any more publicity than he deserves. His fifteen minutes in the limelight has expired.)
Since this fellow was definitely NOT Wesley Chu, it verified my gut feeling that this guy was part of the Puppy delegation.
In overhearing some of his remarks to Juli, it was fairly evident that while he knew the Campbell Award was somewhat prestigious, he had no fucking idea who he was, his place his in the history of sf literature or, most importantly, what he stood for politically or on social issues.
The most amusing part of the conversation happened when Juli asked him about “The Tiara”.
His eyes blinked with confusion. “Tiara? What about a Tiara? I don’t know anything about that.”
“Well,” Juli said with some enthusiasm, “if you win, you get to wear the Ceremonial Tiara that comes with the Campbell Award.”
(For those of you who may have forgotten, The Ceremonial JWC Tiara was created in 2005 by the late sf writer Jay Lake and author Elizabeth Bear and, until recently, was handed down from winner to winner. Among the distinguished alumni who have proudly worn it have been DisCon III Chair Mary Robinette Kowal, Caribbean-American fantasy author David Anthony Durham and one John Scalzi, a frequent target and perceived arch-enemy of the Puppy crowd.)
“Uh, are you kidding?”
“Oh no,it’s a real thing. And you have to wear it if you win.”
I swear, his face actually blanched when he heard that he might actually be required to wear such an item on his precious, masculine head.
“No, no, no, I can’t do THAT!” he insisted. Juli turned her head slightly and could see the look of approval on my face. I winked.
But, no matter what his own political views, I had no objection to helping him. Our role in the Press Office is to provide journalists the opportunity to talk to and write about what was happening at Sasquan and that included any Puppy who wanted to talk to the media.
He left soon afterwards after Juli took his name and cell phone number and had promised to call if any reporter wanted to talk to him. Eventually, we arranged for him to talk to someone. I think it was Wired magazine, but I could be misremembering exactly who did. In any event, it’s lost to the mists of history as far as I’m concerned.
At the Hugo Awards Ceremony, the Puppies slate of nominees went unrewarded (including, unfortunately, Mr. Vajra, who finished third behind No Award). The only tangential thing they could claim as a victory was the Best Dramatic Presentation-Long Form win for Marvel’s Guardians of the Galaxy, which was a HUGE consensus winner among all of the voters.
There was some good news that evening; for the first time ever, translated fiction won Hugos: The Three-Body Problem by Cixin Liu (translated by Ken Liu) in the novel category and the novelette “The Day The World Turned Upside Down” by Thomas Olde Heuvelt (translated by Lia Belt). Marvel Comics’s first volume of Ms. Marvel (written by G. Willow Wilson, illustrated by Adrian Alphona and Jake Wyatt), the feminist minded sf thriller Orphan Black (“By Means Which Have Never Been Tried” by Graeme Manson and John Fawcett) and the aforementioned Wesley Chu won the Campbell Award (which was recently re-christened the Astounding Award for Best New Writer).
The Hugo Award results were delivered to the office AFTER the Ceremony for distribution to the press at my expressed request.
The cherry on top of all of these proceedings came at Closing Ceremonies, where I was presented with a Hero of Sasquan medal for taking over the Press Office on short notice.
When I accepted before a standing room only crowd, I told them that I was not the only person in the Press Office; I was only as good as the team of people I was working with. I profusely thanked them for all of their hard work and dedication.
Then I praised the person I called the TRUE MVP of the Press Office, my partner Juli. I held up a black stainless steel ring she had given me for my birthday. The interior of the ring has an inscription that is a quote from Amy Pond (a Doctor Who companion) to her husband, Rory; “I Love Your Stupid Face”.
I told the crowd what the inscription said and they laughed and cheered. And then I shouted, “I LOVE YOU, JULI MARR!!!!!” and the crowd went crazy!
When I returned to my seat, I asked Juli whether or not she had gotten any pictures of my speech.
“I’m sorry’, she said, “I was too stunned to take any.” I smiled and gave her a kiss.
I STILL LOVE YOU JULI MARR!!!!!
Download Chris Barkley’s Fantasy & Science Fiction Media Relations – Press Room Guide here:
The YouTube Fanhistory Channel has added a selection of videos from Worldcons of the 1970s and 1980s.
Ms Marian’s Bedtime Story
11 minute video. MidAmeriCon, the 34th World SF Convention, was held in Kansas City in 1976. This entertaining video, framed as a children’s story, is full of references to the fannish lifestyle and how fans live Fandom as a Way of Life. It was created in the summer of ’76 to be used as filler on the convention’s closed circuit channel. The material is part of the Video Archeology project coordinated by Geri Sullivan.
Constellation (1983) Worldcon: Masquerade
1 hour, 48 minute video. This video of the masquerade shows the wide variety of costumes and skill levels that were shown. At around 1:42, there is information on how the masquerade was judged and the winners are announced and shown again at the end.
Panel: Women in SF: Their Right and Proper Place
1 hour video. MidAmeriCon (1976) Worldcon Panel: Women in SF: Their Right and Proper Place. This video of the panel “Women in SF” features Susan Wood, Kate Wilhelm, Marta Randall, Amanda Bankier and Suzy McKee Charnas. Includes an interesting description by Suzy McKee Charnas of her evolutionary networking of female SF writers. This video will give you good insight on where the discussion regarding women writers in SF was in the mid 70s as well as a few choice editor anecdotes. Note: there are a few sound problems. Part of the Video Archeology project coordinated by Geri Sullivan, with technical work by David Dyer-Bennet.
MidAmeriCon (1976) Worldcon – George Barr and Robert Heinlein, Guests of Honor
One hour 15 minute video. MidAmeriCon (1976) Worldcon – Speech by George Barr (Fan Guest of Honor) plus tributes to Robert Heinlein (Pro Guest of Honor) along with his response. This video of the Guest of Honor Banquet includes tributes to Robert A. Heinlein from Wilson “Bob” Tucker, Alfred Bester, Frederik Pohl, George Scithers, Jerry Pournelle, L. Sprague de Camp, Larry Niven and others. There’s a lot of respect and love evident in these tributes, and not a little humor. Part of the Video Archeology project coordinated by Geri Sullivan, with technical work by David Dyer-Bennet.
One of Marty’s earliest fannish experiences, when he was 14, was traveling from Columbus, Ohio to Philadelphia for the 1953 Worldcon. Marty was unprepared for what he found there, felt overwhelmed and said he would have gone back to his hotel room to hide but for “a tall, white-haired man [who] came over and began to talk to me about what I liked to read. I had just bought a copy of Skylark of Valeron in the dealers’ room… and began enthusing about this ‘new’ writer that I had just discovered, E.E. Smith, Ph.D.” He soon discovered it was Smith himself he was telling this to, and Doc and his wife took Marty in tow, introducing him to other authors and artists. “For the remainder of the weekend, whenever either of them saw me alone they made a point of checking to see if I was enjoying myself, and of somehow including me in whatever was going on.”
Despite this friendly encounter with one of the field’s most loved writers, Marty did not attend another SF con until 1977 when Page Cuddy and David Hartwell “conned” him into going to a Balticon in order to meet Philip Jose Farmer.
He held major committee posts on 4 Worldcons. Michael J. Walsh, chair of the 1983 Baltimore Worldcon where Marty ran the masquerade, likes to tell the story – “In 1981 when I called him from Denvention to let him know we had won: ‘Marty, bad news!’ [He answered] ‘We won?’”
Marty was famous for presiding over masquerades in costume as Count Dracula. And he was infamous for filling time with terrible vampire jokes such as —
What do you get when you cross a snowman with a vampire?
One of his most challenging moments came while directing the 1998 Worldcon (Bucconeer) masquerade — at the start he stumbled against a table of awards and took a four-foot fall off the stage. Quite the trouper, Marty got right back up and did his job without visible problems. He even looked in pretty good shape the morning after at the masquerade critique where he had nothing to say about his mishap except an apology for detracting from the costumers. He did use a cane for awhile afterwards, though.
Marty was a fiery advocate for his beloved event. Even at a Worldcon he refused to concede first place to the Hugo Ceremony, protesting during the Bucconeer masquerade post-mortem, “To the Worldcon committee the Masquerade is not the most important event…. It’s just the best-attended, and has the most people involved, but to the committee it’s a secondary event.”
When he was feeling more mellow he’d deliver the message humorously, saying things like, “Costuming is the second oldest tradition in sci-fi fandom. The first is drinking beer.”
Marty remained an active member of the Baltimore Science Fiction Society, and at the time of his death was parliamentarian of the BSFS Board of Directors, coordinator of the Jack L. Chalker Young Writers’ Contest, and liaison to the school for the BSFS Books for Kids program.
Over the years he was a guest of honor at Unicon 87, Disclave 34, Sci-Con 8, Genericon 2, Arisia 9, and Balticon 30.
Professionally, Marty managed his own company Martin Gear Consulting Ltd.
Other than dressing as a vampire, Marty said one of his favorite costumes was “Cohen the Barbarian” a prize-winner at the 2004 Worldcon as “Best DiscWorld Entry.” His Cohen wore a fur diaper, a very long white beard and an eyepatch — and not much else. In one hand he carried a sword and in the other a walking cane.
To the end Marty continually mentored costumers and passed on his enthusiasm for the costuming arts. He told an interviewer, “I probably won’t stop costuming until I am dead, and maybe not even then.”
See Marty in his Dracula garb start the 2008 Balticon masquerade with a horrible joke.
In this interview at Anime USA 2012 Marty explained how he judges anime and reproduction costumes in terms that would be at home on Project Runway — “Clothes have to fit.”
Anne Devereaux Wilson Jordan Crouse, founder of the Children’s Literature Association and a former editor for F&SF, died February 2 of lung cancer at the age of 69.
She worked for The Magazine of Fantasy & Science Fiction from 1979-1989, both on the magazine and some of its hardcover story collections where she was credited as Anne Jordan.
Jordan wrote 11 books under her own name and as a ghost writer on 10 other nonfiction books. She published poetry in The Magazine of Fantasy and Science Fiction, Isaac Asimov’s Science Fiction Magazine, and Star*Line, the magazine of the Science Fiction Poetry Association. Crouse also contributed to the New York Review of Science Fiction.
She founded the Children’s Literature Association in 1973 and served as its executive Secretary/Treasurer as well as Director of the Annual Conference in Children’s Literature until 1976. In 1992, she was the first recipient of the “Anne Devereaux Jordan Award,” an award established in her honor and now given annually by The Children’s Literature Association for outstanding contributions to the field of children’s literature. From 1994 to 1998, she was a senior editor of TALL (Teaching and Learning Literature for Children and Young Adults) for which she also wrote two bimonthly columns.
Anne Jordan also had a long teaching career teaching, variously at Eastern Connecticut State University, Wesleyan University, Central Connecticut State University, the University of Connecticut, the University of Hartford and Western Michigan University.
[Thanks to Andrew Porter for the story. This post largely draws on the obit posted by the funeral home.]
So what do I think will win? No question that the smart money bets with AVATAR. I think it is already the most financially successful film since at least the fall of the Hittite Empire.
I don’t expect that kind of concession from a fan who personally witnessed Bladerunner win the Hugo. All through the summer of 1983 fans were publicly predicting a Hugo for box office smash E.T. while privately casting their solitary votes for the film they really liked — Bladerunner. And guess what happens when people don’t actually vote for the supposed front-runner?
So, if Avatar isn’t the fan favorite this year then which film is? I’d have thought from the buzz surrounding it that the answer is Moon. Mark Leeper has a different idea:
What deserves to win? 60% of the films have strong anti-Establishment themes. That is a bad sign. I would rule out the two “My-Life-As-An-Alien” twins. If I look at the remaining three, UP would be the first to go, reluctantly. I am very ambivalent about STAR TREK. MOON is a nice uniformly good science fiction story. I think I would go with STAR TREK for the high points and try to forget Scotty getting jammed in the plumbing.
Update 05/07/2010: Corrected link, thanks to Petrea!
How many cheerleaders can cram into an elevator? Apparently not 26. A group of teenage girls attending cheerleading camp on the University of Texas got stuck and had to be rescued after trying to squeeze into an elevator at a residence hall Tuesday night.
And so we are reminded why some Worldcons assign people to limit the number of fans trying to board hotel elevators at peak hours.
Before that idea was adopted, I remember being at the Sheraton during the 1983 Worldcon in Baltimore. Stuffed elevators hauled fans to the big parties on the top floors all Saturday night long. This literally stretched the elevator cables: by Sunday morning they no longer opened even with the floor. Fans had to step up to exit the cars.