…Now, you might not think that’s a big deal, because who is reading those types of clickbait articles anyway? But there used to be a human writer churning out those things. And now that writer is just a little bit more financially insecure and scrambling to find another gig to replace it.
But stick around, because it gets worse. It is one miniscule step from A.I. writing that sort of content to then writing an article for a magazine or a newspaper. And indeed, I know of magazines and newspapers whose owners are already looking into this possibility. As one person at a fairly decent-sized outlet told me, “From a cost-cutting perspective, it costs as much to pay an editor to look over a machine’s writing as it does to have them look over a human’s writing. But the difference is we don’t have to pay the human who wrote it. Just the editor. It’s a game-changer.”
That’s not the only place you’re reading A.I. generated content. I personally know of three companies that now use A.I. to write their posts for LinkedIn and Facebook. And because that sort of content is usually dry as a Saltine cracker anyway, it’s impossible to tell that a machine wrote it rather than a human….
(2) FIGHTING FIRE WITH FIRE. Meanwhile, Camestros Felapton finds services are being developed to detect AI-generated text, and uses his own writing to evaluate the results delivered by one of them in “The robot arms race”.
… With the text-generating services, the need to detect the role of these services in academic contexts has become an immediate issue. How does a teacher know that an essay is written by a student or by some GPT-fuelled website?
New online services intended to detect machine-learning generated text are appearing. I tried this one https://gptzero.me/…
(3) THE GUNN SF CENTER’S BOOK CLUB. For the month of January, the Center has chosen Rivers Solomon’s The Deep, winner of the 2020 Lambda Literary Award. Join them on Friday, January 27 at Noon (Central Time). Register for the virtual meeting here.
Set in an underwater society built in the horror of the slave trade, the mermaids of this story must rely on their collective memories of the past in order to reimagine their futures. This novel, inspired by a rap song of the same name, is sure to captivate folks interested in the forthcoming live-action The Little Mermaid and other fantastical tales.
On upcoming Avatar sequels and what exactly makes a good sequel
The shooting scripts are all written. We’ve already fully captured and fully photographed movie three. So, it’s essentially in post-production.
We’ve done the first act of Movie four, and all we have to do is, you know, kind of add water, so to speak.
The audience want some degree of familiarity. They want to be grounded in that which they liked from the first film. And some sequels change too much. The trick is to find ways to make it pleasantly surprising, unexpected. You know, I feel like I was able to do that with a completely unexpected direction.
(5) MEMORY LANE.
1960 — [Compiled by Cat Eldridge.] An excerpt from Dr Seuss’ Green Eggs and Ham
As you know by now, you know that I have an inordinate fondness for all thing things Seuss. Indeed in my bedroom on the nightstand sits Horton, Cat in the Hat and The Fish in His Teapot.
I have also watched the original How the Grinch Stole Christmas so many times that I’m sure I’ve memorized the entire delightful affair.
I thoroughly despised the twenty minutes I saw of the Jim Carey fronted How the Grinch Stole Christmas crap. But I am told that I should check out the newer Grinch animated film in which Benedict Cumberbatch voiced The Grinch. Any opinions here concerning it?
Did you know that on the twentieth of September 1991 following Geisel’s death earlier that week, Jesse Jackson read an excerpt of Green Eggs and Ham on Saturday Night Live? Well he did. And here it is.
Now let’s have the pleasure of an excerpt from it.
Do you like green eggs and ham? I do not like them, Sam-I-am. I do not like green eggs and ham.
Would you like them here or there? I would not like them here or there. I would not like them anywhere. I do not like green eggs and ham. I do not like them, Sam-I-am.
Would you like them in a house? Would you like them with a mouse? I do not like them in a house. I do not like them with a mouse. I do not like them here or there. I do not like them anywhere. I do not like green eggs and ham. I do not like them, Sam-I-am.
(6) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born January 16, 1887 — John Hamilton. He’s no doubt remembered best for his role as Perry White in the Fifties Adventures of Superman series. He also was in the Flash Gordon Conquers the Universe serial as Professor Gordon, and I see he played G.F. Hillman in the Forties Captain America serial film. (Died 1958.)
Born January 16, 1903 — Harold A. Davis. Notable as another writer of the Doc Savage novels under the pseudonym Kenneth Robeson. He was the first ghostwriter to fill in for Lester Dent on Doc Savage. Davis would create the character of Ham’s pet ape Chemistry in Dust of Death. (Died 1955.)
Born January 16, 1905 — Festus Pragnell. Ok, he’s here not because he had all that a distinguished a career as a writer or illustrator, but because of the charming story one fan left us of his encounter with him which you can read here. Festus himself wrote but three novels (The Green Man of Kilsona, The Green Man of Graypec, and The Terror from Timorkal), plus the wrote a series of stories about Don Hargreaves’ adventures on Mars. Be prepared to pay dearly if you want to read him as he’s not made it into the digital age and exists mostly in the original Amazing Stories only. (Died 1977.)
Born January 16, 1943 — Michael Atwell. He appeared in Doctor Who twice, first in a Second Doctor story, “The Ice Warriors”, and later in the in the Sixth Doctor story, “Attack of the Cybermen “. He also voiced Goblin in the Labyrinth film, and had a recurring role in Dinotopia. (Died 2006.)
Born January 16, 1948 — John Carpenter, 75. My favorite films by him? Big Trouble in Little China and Escape from New York. His gems include the Halloween franchise, The Thing, Starman (simply wonderful), The Philadelphia Experiment, Ghosts of Mars and many other films. What do you consider him to have done that you like, or don’t like for that matter? I’m not fond of Escape from L.A. as I keep comparing to the stellar popcorn film that the previous Escape film is.
Born January 16, 1970 — Garth Ennis, 53 . Comic writer who’s no doubt best known for Preacher which he did with illustrator Steve Dillon, and his stellar nine-year run on the Punisher franchise. I’m very fond of his work on Judge Dredd which is extensive, and his time spent scripting Etrigan the Demon For DC back in the mid Nineties.
Born January 16, 1974 — Kate Moss, 49. Yes she’s done SF. To be precise Black Adder which we discussed a bit earlier. She played Maid Marian in “Blackadder Back & Forth” in which as IMDB puts it “At a New Millennium Eve party, Blackadder and Baldrick test their new time machine and ping pong through history encountering famous characters and changing events rather alarmingly.” You can watch it here.
Born January 16, 1976 — Eva Habermann, 47. She is best known for playing the role of Zev Bellringer on Lexx. She was succeeded in her role by Xenia Seeberg. Ok I’ll confess that I’ve never seen the series which I know exists in both R and not so R versions. Who here has seen it in either form? She was also Ens. Johanna Pressler in Star Command, a pilot that wasn’t to be a series that was written by Melinda Snodgrass. And she had a role in the Code Name: Eternity series as Dr. Rosalind Steiner.
(8) THE HELICON SOCIETY. The 2023 “Helicon Awards” were announced January 14. It’s time again for Richard Paolinelli to give awards to people he publishes through his Tuscany Bay Books imprint, such as his fellow Scrappy-Doo Declan Finn, which now has a distribution deal with Baen, plus a couple of real bestselling sff writers he hopes will pay him attention.
Paolinelli and Finn still relentlessly advertise their Dragon Awards Finalist status, from the first years when the Puppies cornered the market, but they have solved the subsequent problem with the Dragon Awards being voted to other people by starting an award where – the public doesn’t have a vote!
(9) VIDEO OF THE DAY. Linoleum comes to theaters February 24.
Cameron Edwin (Jim Gaffigan), the host of a failing children’s science TV show called “Above & Beyond”, has always had aspirations of being an astronaut. After a mysterious space-race era satellite coincidentally falls from space and lands in his backyard, his midlife crisis manifests in a plan to rebuild the machine into his dream rocket. As his relationship with his wife (Rhea Seehorn) and daughter (Katelyn Nacon) start to strain, surreal events begin unfolding around him — a doppelgänger moving into the house next door, a car falling from the sky, and an unusual teenage boy forging a friendship with him. He slowly starts to piece these events together to ultimately reveal that there’s more to his life story than he once thought.
[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
And WhoCulture will be happy to tell you the meaning of every scene. They take 13 times longer than the trailer itself, but to be fair a picture is worth a thousand words only if you already know the words.
Sure, there are other “must-read” lists. The Hugos. The Nebulas. But no other list is as comprehensive, so thoroughly vetted, so absolutely certain to be filled with excellent material than the Galactic Stars.
Thus, without further ado, here are the Galactic Stars for 1967! Results are in order of voting for the winners, alphabetical order by author for the honorable mentions.
Here’s the result in one prestigious category:
Samuel R. Delany
The winner is the prince of the New Wave, while the runner ups include a scion of the new hard sf and a distinguished gentleman of the genre. A nice balance, I think!
(3) HEAR THE DARK. BBC Radio 4’s 12-part adaptation of Susan Cooper’s cult novel had its world premiere on December 19, 2022, and drops daily from December 21. When the dark comes rising, who will hold it back?
Fighting against evil in a time-travelling midwinter family drama. A gripping journey through a frozen landscape… and an unending epic battle against the forces of “the Dark”. On midwinter’s eve, 11-year-old Will Stanton discovers he is an ancient being and guardian of “the Light”. This eerie drama is best experienced on headphones for a unique, immersive ‘binaural’ experience.
A boy’s 11th birthday and an unusual gift mark the beginning of a great test of character, as young Will Stanton is drawn into an ancient struggle between Light and Dark. He is told his task: to find the six Signs of the Light before the Dark destroys them. Realising he has supernatural powers, Will learns he is an ‘Old One’, whose duty is to fight the rising strength of the Dark across the centuries. #TheDarkIsRising
This version, edited for BBC Radio 4, of the BBC World Service serialisation of Susan Cooper’s classic, written and recorded to take place across the Christmas holidays.
… As an indie author, you may have a way to get a librarian’s attention that is not available to the traditionally published author—letting the library acquire the book in the way that suits them best. If they would like a library hardback edition, you can do that. If they buy from a certain eBook or audiobook catalog, you can make sure your book is available there.
Key phrase: get the librarian’s attention. Librarians, like most readers, want more books that they can afford to buy, so they have to prioritize according to their patrons’ desires and interests….
…In the initial draft of the script, before Chadwick’s death, how were you looking at the story? What were the challenges?
COOGLER It was, “What are we going to do about the Blip?” [In Marvel’s “Avengers: Infinity War,” T’Challa is one of billions of people who suddenly vanish, only to be brought back by the Avengers five years later.] That was the challenge. It was absolutely nothing like what we made. It was going to be a father-son story from the perspective of a father, because the first movie had been a father-son story from the perspective of the sons.
In the script, T’Challa was a dad who’d had this forced five-year absence from his son’s life…
(7) DREDDING CHANGE.[Item by SF Concatenation’s Jonathan Cowie.] The Judge Dredd Megazine has just changed its format. For some years now, this monthly comic came in a bag together with a mini-graphic novel of old strips and had a saddle stitch (staples). From this month on it will now be perfect bound with a flat spine and the min-graphic novel will be incorporated into the Megazine proper.
And while your attention is here, if you are not familiar with the Galaxy’s greatest comic then there is a new graphic anthology now out, The Best of 2000AD volume 1 (£14.99 / US$22.99 ISBN 978-1-786-18706-2). It is the ultimate 2000AD mix tape and an excellent introductory taster for those not yet familiar with the comic which remains the only guaranteed cure for lesser spotted thrill-sucker infections. Zarjaz. Available from all good thrill merchants on both sides of the Pond (but not Russia or China).
In this volume: Judge Dredd battles Mutie Block anarchy; Halo Jones escapes in Alan Moore’s first masterpiece; humanity is on the Brink in the space murder mystery from Dan Abnett and INJ Culbard; Judge Anderson takes centre stage in the search for Sham.
(8) STEPHEN GREIF (1944-2022). Actor Stephen Greif, whose genre resume includes Blake’s 7 and Doctor Who, died at age 78 on December 23.
… After starring in numerous stage productions throughout the 1960s and early 1970s, he made the transition to screen – landing the role of space commander Travis in Blake’s 7.
The show ran from 1978 to 1981, with Greif starring alongside Gareth Thomas, Paul Darrow, Michael Keating and Sally Knyvette….
(9) MEMORY LANE.
[By Cat Eldridge.] Dr. Seuss and Cat in the Hat sculpture at UCSD
Who doesn’t love Dr. Seuss’ Cat in the Hat? Or Dr. Seuss himself? Well if you don’t, you can leave right now as we are going to look at a very stellar sculpture of both of them that is located the University of California at San Diego. It was in 2004, the 100th anniversary of the birth of Dr. Seuss, that the Theodor Seuss Geisel Memorial statue made its debut outside the Geisel Library at UC San Diego.
Geisel lived over forty years in La Jolla and died there, in a home not far from that university. Indeed, University of California San Diego’s main library, the Geisel Library, is now home of the Dr. Seuss Collection, as he dedicated all of his papers and other memorabilia there.
The sculpture on the plaza outside the library is by Lark Grey Dimond-Cates. The Cat in the Hat stands at Dr. Seuss’ shoulder holding an umbrella.
This is not the original casting as that is to be found at the Dr. Seuss National Memorial Sculpture Garden at the Springfield Museums’ Quadrangle in Springfield, Massachusetts, the birthplace of Theodor Seuss Geisel, which we’ve discussed here previously.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 26, 1791 — Charles Babbage. Y’ll likely best know him as creator of the Babbage Machine which shows up in Perdido Street Station, The Peshawar Lancers, The Thrilling Adventures of Lovelace and Babbage webcomic, and there’s “Georgia on My Mind”, a novelette by Charles Sheffield which involves a search for a lost Babbage device. The latter won both a Nebula and a Hugo Award for Best Novelette. (Died 1871.)
Born December 26, 1903 — Elisha Cook, Jr. On the Trek side, he shows up as playing lawyer Samuel T. Cogley in the “Court Martial” episode. Elsewhere he had long association with the genre starting with Voodoo Island and including House on a Haunted Hill, Rosemary’s Baby, Wild Wild West, The Night Stalker and Twilight Zone. (Died 1995.)
Born December 26, 1911 — Milton Luros. Illustrator during the Golden Age of pulp magazines from 1942 to 1954 (yes I’m expansive on what I consider to be to the Golden Age). His work graced Science Fiction Quarterly, Astounding Stories, Future Combined with Science Fiction Stories, Future Science Fiction Stories, Dynamic Science Fiction and Science Fiction Quarterly. He had an amazing ability to illustrate women in outfits in hostile environments that simply were impractical such as one for Science Fiction Quarterly (UK), October 1952 cover had a cut out in her spacesuit so her décolletage was bare. (Died 1999.)
Born December 26, 1951 — Priscilla Olson, 71. She and her husband have been involved with NESFA Press’s efforts to put neglected SF writers back into print and she has edited myriad works by such as Chad Oliver and Charles Harness, plus better-known ones like Jane Yolen. She’s chaired a number of Boskones.
Born December 26, 1953 — Clayton Emery, 69. Somewhere there’s a bookstore with nothing but the novels and collections that exist within a given franchise. This author has novels in the Forgotten Realms, Magic: The Gathering and Runesworld franchise, plus several genre works including surprisingly Tales of Robin Hood on Baen Books. Must not be your granddaddy’s Hood.
Born December 26, 1970 — Danielle Cormack, 52. If it’s fantasy and it was produced in New Zealand, she might have been in it. Performer of New Zealander status so you can guess what that means — Ephiny on Xena: Warrior Princess, a one shot as Lady Marie DeValle on Hercules: The Legendary Journeys and Ephiny on the same series, Katherine on Jack of All Trades (which I’ve mentioned before was one of Kage Baker’s fav shows) as, well, Bruce was the lead. She was Raina on Cleopatra 2525 and Shota on the Legend of the Seeker. Genre television has been very, very good for the New Zealand economy!
The first thing that Dr. Seuss and I did, therefore, was to endeavor to trace Santa Claus’s beard back through the ages to the dawn of history. In order to accomplish this effectively, we each seized a separate strand of beard, and followed it independently to its source. The strand that Dr. Seuss chose led him a merry chase, up hill and down dale, all the way back to ancient Greek mythology, where he discovered a fabulous creature known as the Santaur (see illustration), which he claims is the origin of the whole legend of Kris Kringle. On the other hand, my own strand eventually brought me to a source known as the chin of Frank J. Swartfigure, of Council Bluffs, Iowa, who claimed he had come to New York as a boy to make his fortune, and had been standing ever since on the corner of Fifth Avenue and 47th Street, waiting for the lights to change. …
(12) A NOSE WHERE IT DOESN’T BELONG. If you think of Die Hard as Christmastime entertainment – which my nephew Bradley does – you will appreciate the nuanced humor of Eize Basa’s Twitter thread (which starts here.)
(13) GETTING WISER AS THEY GO. Tom Gauld has his own version of the wisdom of the Magi.
(14) VIDEO OF THE PREVIOUS DAY. Santa Claus appeared on Batman in 1966.
In a window cameo that makes their encounter with Col. Klink seem plausible, Batman and Robin meet Ol’ Saint Nick (played by the great character actor Andy Devine.) The Caped Crusader even directly addresses the audience
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Peer, Alexander Case, SF Concatenation’s Jonathan Cowie, Fiona Moore, Mike Kennedy, John King Tarpinian, Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Iphinome.]
(1) NOMINATIONS OPEN FOR 58TH NEBULA AWARDS. Full, Associate, and Senior members of SFWA are eligible to submit a nomination ballot for the Nebula Awards. Nominations may be cast online or by post. Ballots must be received by February 28, 2023 at 11:59 p.m. Pacific.
For debut author Chelsea Banning, an ill-attended book signing may have turned out to be a big break.
Banning, whose debut book is titled “Of Crowns and Legends” – a fantasy novel following two of King Arthur’s twins as war looms – vented on Twitter yesterday about her first-ever signing event. She shared that while 37 people had RSVP’d, only two showed up. “Kind of upset, honestly,” the Ohio-based librarian tweeted, “and a little embarrassed.”
It was a sentiment that resonated with writers of all sizes and genres, inspiring some of literature’s most prominent names – including Neil Gaiman, Jodi Picoult, Cheryl Strayed, and Margaret Atwood – to share their own humbling experiences of book signings gone awry.
“Terry Pratchett and I did a signing in Manhattan for ‘Good Omens’ that nobody came to at all,” wrote Gaiman. “So you are two up on us.”
“I have sat lonely at a signing table many times only to have someone approach…and ask me where the bathroom is,” added Picoult.
“Join the club,” said Atwood. “I did a signing to which nobody came, except a guy who wanted to buy some Scotch tape and thought I was the help.”…
Some of you might find the concept of hostility between different modes of government (such as those of, say, the US and Russia) as outdated as Ottoman and Hapsburg rivalries. But back in the day, the Cold War was a source of inspiration to many SF authors. A number of authors speculated as to what would happen if the US government were subverted or overturned by conquest. Too bizarre to contemplate? Not so, as these five Cold War classics show.
First on his list is this most ingenious choice –
The Mouse That Roared by Leonard Wibberley (1955)
The Grand Duchy of Fenwick is an unlikely world power, being as it is a low-population, land-locked pocket kingdom whose meagre economy is dependent on the export of a single luxury product, Pinot Grand Fenwick. The Grand Duchy’s bold scheme depends on their weakness….
(5) RELEASE PARTY FOR APEX 2021. Space Cowboy Books will host an online interview with Apex Magazine editors Jason Sizemore and Lesley Conner on Tuesday, December 6, 2022, 6:00 p.m. – 7:00 p.m. Pacific. Register for free here.
With stories by Alix E. Harrow, Sam J. Miller, Sheree Renée Thomas, Cassandra Khaw, and many more, Apex Magazine 2021 is a collection of darkly beautiful tales appearing originally in Apex Magazine January-December 2021. From a spaceship in the far-flung reaches of space to a cozy living room where a detective interviews a killer, this anthology explores the good and the ugly. It dissects what makes us human versus what makes us monsters.
Within these pages, you will meet a golem that doesn’t know how to save its family, a group of robots debating whether they are alive, and a woman striving for that social media-perfect life. From parasitic twins to a hospital dreamscape, to a town full of people wearing masks, this anthology will take you on journeys you never could have expected.
Come with us and discover the 48 surreal, strange, shocking, and beautiful stories in Apex Magazine 2021.
tl;dr: You can use OpenAI’s ChatGPT to bounce ideas around and write story outlines
Since I got into the field of AI and started working at OpenAI, it’s been interesting to see how things have accelerated. As an author, I’m frequently asked if AI will replace writers altogether. My personal take is that while AI may begin to do more creative writing and produce content on par with humans, it can never replace the fact that we often like what we like, not because of some objective measure, but because of the story of the person who wrote it. A lot of the things we like are because the person who created them is interesting. I like reading Stephen King books because they’re quite good and I find Stephen King fascinating. While an AI might be able to produce a song on the same level as Billie Eillish, it won’t have the same compelling personal journey as she does.
The future looks like it’s going to be a mixture of human and AI content. Some of it will be created by AI and where we care only about its objective value, some by humans where their personal narrative adds meaning and then content that’s collaboratively produced by creative humans and clever AI – which will mix together the best of both worlds….
Join Armin Shimerman on January 21, 2023, as he delves into Shakespeare’s style and the different literary devices and strategies used in Shakespeare’s plays. Students will leave the two and a half hour Masterclass with a better understanding of England as Shakespeare knew it. This Masterclass is intended for actors, directors, students, theater-lovers, and anyone who has ever wanted to learn more about Shakespeare!
Armin Shimerman is a highly regarded actor and is best known to television audiences as Quark, on Star Trek: Deep Space Nine. Plus 80 different Guest Star roles, including Antaeus the Nox on Stargate, Principal Snyder on Buffy the Vampire Slayer, Judge Hooper on Boston Legal. On Broadway: Threepenny Opera; St. Joan; I Remember Mama, and Broadway. Selected Regional Theater: King Lear (Fool), Road to Mecca (Marius),The Seafarer (Blind Irishman -San Diego Critics Circle Award for Best Actor: San Diego Repertory); Richard III, Love’s Labour’s Lost, Merry Wives of Windsor (San Diego Old Globe);Henry V (American Shakespeare Festival) and recently Polonius (Hamlet) and the Porter ( Macbeth) at the Utah Shakespeare festival. For Antaeus, he has taught, acted, and co-directed both the “Crucible” and last year’s production of “Measure for Measure. ”He is an adjunct professor at the University of Southern California (USC) where he teaches Shakespeare to Theater BFAs. In addition, he has two novels about the early days of William Shakespeare entitled “Illyria” published and currently on sale with a third due next year. He has given lectures on Shakespeare to thousands of people.
…But how far does Ruis, who’s also said “the days of just browsing bookshelves are behind us,” plan to go? I realized my city would soon get a test case when this sign appeared, at the end of September, in a window of the old Chapters downtown Ottawa flagship store at Rideau and Sussex, now shuttered:
…This sign inspired the excited/doomed feel I’ve come to associate with life in the 21st century. Who wouldn’t want “a brand-new state of the art Indigo store” a stone’s throw from the office? I’m definitely in favour of “everything you love and more,” and I’m not, per se, against “lifestyle products and inspiring displays.” I’ve been spotted inside the odd Williams-Sonoma too, you know. The reference to “a curated assortment of books” did made me wonder. Did that mean, like, six books?
Last night I saw that the brand-new state of the art Indigo store at the Rideau Centre shopping mall, across from the old Chapters, is open. I popped in. Here’s what I found.
… Whew. I don’t know about you, but I’m a bit winded after seeing two displays of books in a bookstore. Fortunately, I came upon this oasis, the section where there’s paper without anything written on it….
(9) MEMORY LANE.
2002 — [By Cat Eldridge.] Dr. Seuss National Memorial Sculpture Garden
Today we are going Seussian. The Dr. Seuss National Memorial Sculpture Garden is a sculpture garden in Springfield, Massachusetts that honors Theodor Seuss Geisel, better known to the world as Dr. Seuss. Located at the Quadrangle, a group of cultural buildings in that city.
The Spring Seuss Organisation notes, “Opened in 2002, the Dr. Seuss National Memorial Sculpture Garden was first envisioned when Ted Geisel visited Springfield in 1986. After his death in 1991, his wife Audrey authorized the creation of the memorial and provided major support for the project. In 1996, Ted’s stepdaughter, noted sculptor Lark Grey Dimond-Cates, was selected to make over 30 bronze statues for the Museums’ grounds.”
I of course am going, with the indulgence of Mike, to show you all of them, as they are quite, well, Seussian. We have life-sized bronze statues of the Horton, Grinch and Max, Cat in the Hat, Yertle the Turtle, Thing 1 and Thing 2 and the Lorax—and the author himself.
The first is Dr. Seuss and the Cat in the Hat, titled Dr. Seuss and the Cat in the Hat: The title character of The Cat in the Hat standing alongside Dr. Seuss at his desk.
The Storyteller: A chair placed in front of a 10-foot-tall book with the text of Oh, the Places You’ll Go!, the title character from Gertrude McFuzz, and beside it, the Grinch and his dog, Max.
This one is called Horton Court with Horton the Elephant from Horton Hears a Who! steps out of an open book accompanied by various ancillary characters from other Dr. Seuss stories, including Thing 1 and Thing 2 from The Cat in the Hat.
The Lorax: The title character from The Lorax stands on a tree stump with the book’s refrain: Unless… Unlike the rest of these, this statue is located in front of the Springfield Science Museum.
And finally, Yertle the Turtle: a 10-foot-tall tower of turtles, from Yertle the Turtle, which introduces visitors to the Quadrangle from the arch on Chestnut Street. The troll from my previous post would be proud of these I think as I think they look like troll companions.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 5, 1890 — Fritz Lang. Metropolis of course, but also Woman in the Moon (German Frau im Mond) considered to be one of the first “serious” SF films. I saw Metropolis in one of those art cinemas in Seattle in the late Seventies. It’s most excellent I think. (Died 1976.)
Born December 5, 1901 — Walt Disney. With Ub Iwerks, he developed the character Mickey Mouse in 1928; he also provided the voice for his creation in the early years. During Disney’s lifetime his studio produced features such as Snow White and the Seven Dwarfs, Pinocchio, Fantasia, Dumbo, and Bambi, Cinderella and Mary Poppins, the latter of which received five Academy Awards. In 1955 he opened Disneyland. In the Fifties he also launched television programs, such as Walt Disney’s Disneyland and The Mickey Mouse Club. In 1965, he began development of another theme park, Disney World, and the “Experimental Prototype Community of Tomorrow” (EPCOT). I’ll pick Fantasia as my favorite film that he’s responsible for though I’m also very fond of Cinderella and Mary Poppins. (Died 1966.)
Born December 5, 1921 — Alvy Moore. He shows up first in a genre role uncredited as Zippy in The War of the Worlds. (He was also uncredited in The Girls of Pleasure Island that same year.) He’s again uncredited, as a scientist this time, in The Invisible Boy (aka S.O.S Spaceship) and The Gnome-Mobile saw his continue that streak as a Gas Mechanic. The Brotherhood of Satan saw him get a credit role as did The Witchmaker, both all budget horror films. He’s listed as having co-written and produced, along with LQ Jones, A Boy and His Dog, the Ellison originated film. (Died 1997.)
Born December 5, 1951 — Susan Palermo-Piscatello. SF Site in its obit said that she was “was active in fandom in the early 1970s, taking pictures that appeared in The Monster Times and working for the company that brought Japanese monster films, including Battle for the Planets and Time of the Apes to the US. She was among the first bartenders at CBGB and was in the band Cheap Perfume. She had recently returned to fandom after several years of gafiation.” (Died 2011.)
Born December 5, 1951 — Betsy Wollheim, 71. President, co-Publisher and co-Editor-in-Chief of DAW Books. Winner, along with her co-Publisher and co-Editor-in-Chief Sheila E. Gilbert, of a Hugo Award at Chicon 7 for Long Form Editing. In the early Nineties, they won two Chesley Awards for best art direction.
Born December 5, 1961 — Nicholas Jainschigg, 61. Teacher, Artist and Illustrator. He began his career by doing covers and interior art for Asimov’s and Analog magazines, then progressed to covers for books and other magazines, eventually providing art for Wizards of the Coast gaming materials and for Marvel and DC Comics. As an Associate Professor for the Rhode Island School of Design, his private work these days is mainly in animations, interactive illustration, painting in oils, and paleontological reconstructions in murals and dioramas.
Born December 5, 1973 — Christine Stephen-Daly, 49. Her unpleasant fate as Lt. Teeg on Farscape literally at the hands of her commanding officer Crais was proof if you still need it that this series wasn’t afraid to push boundaries of such things of cringe-causing violence. She was also Miss Meyers in the two part “Sky” story on The Sarah Jane Adventures.
(11) LANGUAGE TRUE OR FALSE. Would you say these verb choices are consistent American English idioms? When telling about a movie — “I saw The Fabelmans”. But about a TV show – “I watched Saturday Night Live”. Saw a movie versus watched something on TV.
One day in 1992, near the northern pole of a planet hurtling around the Milky Way at roughly 500,000 miles per hour, Kelly Drew was busy examining some salmon brains in a lab. Her concentration was broken when Brian Barnes, a zoophysiology professor from down the hall at the University of Alaska Fairbanks, popped by her bench for a visit. With a mischievous grin, he asked Drew—a neuropharmacologist early in her career—to hold out her hands and prepare for a surprise. A moment later, she felt a hard, furry lump deposited in her palms. It was some sort of brown rodent with dagger-like claws, curled up into a tight ball and so cold to the touch that Drew assumed it was dead. To her astonishment, Barnes gleefully explained that it was actually in perfect health.
An Arctic ground squirrel—the most extreme hibernator on the planet—can spend up to eight months a year in a torpid state.
The creature, an Arctic ground squirrel, was just hibernating, as it does for up to eight months of the year. During that span, the animal’s internal temperature falls to below 27 degrees Fahrenheit, literally as cold as ice. Its brain waves become so faint that they’re nearly impossible to detect, and its heart beats as little as once per minute. Yet the squirrel remains very much alive. And when spring comes, it can elevate its temperature back to 98.6 degrees in a couple of hours.
Drew cradled the unresponsive critter in her hands, unable to detect even the faintest signs of life. What’s going on inside this animal’s brain that allows it to survive like this? she wondered. And with that question, she began to burrow into a mystery that would carry her decades into the future….
(13) SFWA INDIE AUTHOR TOWN HALL. SFWA’s Independent Authors Committee held a town hall on November 10. Video of the event is now online.
Kelly McClymer and John Wilker, members of the SFWA Independent Authors Committee, were joined by Emily Mah, SFWA Editorial Director, to take the temperature of the attending indie author community on hurdles they deal with regarding online retailers. The feedback provided during this town hall will be used by the committee to help direct future advocacy work for SFF independent authors.
…For I do love moons, they are so pretty and so romantic. I wish we had five or six; I would never go to bed; I should never get tired lying on the moss-bank and looking up at them.
Stars are good, too. I wish I could get some to put in my hair. But I suppose I never can. You would be surprised to find how far off they are, for they do not look it. When they first showed, last night, I tried to knock some down with a pole, but it didn’t reach, which astonished me; then I tried clods till I was all tired out, but I never got one. It was because I am left-handed and cannot throw good. Even when I aimed at the one I wasn’t after I couldn’t hit the other one, though I did make some close shots, for I saw the black blot of the clod sail right into the midst of the golden clusters forty or fifty times, just barely missing them, and if I could have held out a little longer maybe I could have got one….
Construction of the world’s largest radio astronomy observatory, the Square Kilometre Array, has officially begun in Australia after three decades in development.
A huge intergovernmental effort, the SKA has been hailed as one of the biggest scientific projects of this century. It will enable scientists to look back to early in the history of the universe when the first stars and galaxies were formed. It will also be used to investigate dark energy and why the universe is expanding, and to potentially search for extraterrestrial life.
The SKA will initially involve two telescope arrays – one on Wajarri country in remote Western Australia, called SKA-Low, comprising 131,072 tree-like antennas.
SKA-Low is so named for its sensitivity to low-frequency radio signals. It will be eight times as sensitive than existing comparable telescopes and will map the sky 135 times faster.
A second array of 197 traditional dishes, SKA-Mid, will be built in South Africa’s Karoo region….
(16) VERTICAL TAKEOFF. Has somebody been watching too many Marvel movies? “Flying Aircraft Carrier: The U.S. Navy’s Next Game Changer?” at MSN.com. Perhaps not. As you’ll discover when you read the article, the author doesn’t really think they’re feasible at all. Still, it’s an entertaining thought experiment with lots of lovely photos of aircraft carriers if that kind of thing floats your boat.
…. Let’s simply assume a flying aircraft carrier could be built. Would such a platform actually serve any purpose? First, it would be extremely dangerous. Even if it weren’t nuclear-powered, it is doubtful most nations would want it to fly overhead. A vessel the size of even a light carrier crashing down on a population center would result in the deaths of tens and even hundreds of thousands of people. Moreover, it would require not only the aforementioned purpose-built construction facility but specialized bases able to accommodate it. It is doubtful even if it were nuclear powered that it could remain aloft indefinitely so there would need to be special landing strips and the ground infrastructure to support/reequip it….
(17) VIDEO OF THE DAY. Fandom Games brutally begins “Honest Game Trailers: Marvel Snap” — “If you’re too dumb for Magic the Gathering too good for Hearthstone and not insane enough for Yu-Gi-Oh now there’s a collectible card game for you.”
[Thanks to Cat Eldridge, Mike Kennedy, JJ, John King Tarpinian, Daniel Dern, StephenfromOttawa, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) THE REALLY FINAL FRONTIER. This is where the ashes of Nichelle Nichols, Gene Roddenberry, and Douglas Trumbull are going: “Enterprise Flight | Memorial Spaceflights” offered by Celestis. For $12,500 you can send your late loved one along. “Remaining space aboard this Voyager Flight is limited. Reservations close on: August 31, 2022.”
The Celestis Enterprise Flight ™ will launch from planet Earth and travel beyond the Earth-Moon system, beyond the James Webb telescope, and into interplanetary deep space – where it will join the other planets, moons, comets, and asteroids in our solar system on a never-ending journey through the cosmos.
Upon completion of its powered burn and coast phase, the Enterprise Flight will become Enterprise Station™ – the most distant permanent human repository outpost and a pathfinder for the continuing human exploration of space.
The Enterprise Flight, carrying specially manufactured and inscribed individual flight capsules containing cremated remains, complete human genome individual DNA samples, and names and messages of well-wishers from around the globe will be launched aboard a United Launch Alliance Vulcan Centaur rocket from Cape Canaveral, Florida.
Aboard Enterprise, fittingly, will be the creator and several cast members of the original Star Trek television series, as well as an Apollo-era astronaut, together with people from all walks of life, interests, and vocations. Enterprise is truly a once-in-a-lifetime, exclusive opportunity for you or your loved ones – or both – to join an incredible mission of purpose alongside the most recognizable personas in space exploration, real or imagined.
The history-making Enterprise Flight is expected to be sold out well in advance. Contact us today to ensure your or your loved one’s participation in this mission!
(2) LABOR INTENSIVE. Kameron Hurley’s latest Get To Work Hurley podcast — a monthly rant about the hustle of making a living as a writer of All of the Things – is Episode 23, in which —
Ursula Vernon (aka T. Kingfisher) joins us for questions from Twitter and a game of “Name of a Plant OR Name of a Britpop musician.”
(3) IMAGINARY PAPERS DELIVERED. Issue 11 of Imaginary Papers from ASU’s Center for Science and the Imagination features an essay by the urban planner and futurist Lafayette Cruise on the 2002 animated film Treasure Planet, and another on the fiction and films of Colombian writer and philosopher René Rebetez, by Azucena Castro. There’s also a writeup on the new Ursula K. Le Guin Prize for Fiction. If you missed previous issues, read them here.
(4) IN SCANDINAVIA. Rudy Rucker shares photos of a trip he took with his wife to Finland: “Helsinki Math & Art”.
…Sylvia is from Hungary, and the Finnish and Hungarian languages are said to be related. These Finno-Ugric languages are not at all like any of the familiar European languages which are in the Indo-European group, which include the Romance, Slavic, Germanic and other categories. Finnish and Hungarian are total outliers. And, as Sylvia’s expression testifies here, the two are not very much like each other after all. It was fun to see such incomprehensible signs….
(5) TURN UP THAT DIAL. Classical music radio host Dr. Laura Brodian returns to the air August 29 on KMOZART FM-AM in Los Angeles she announced on Facebook today. Her show will run Monday thru Friday between 12 noon and 5pm.
Doctor Laura Brodian Freas was a voiceover artist and classical music personality on radio station KMZT in Los Angeles, and was also the voice of Delta Symphony and Delta Jazz for Delta Airlines. A past President of the Southern California Early Music Society, she earned a doctoral degree in Music, but also attended art classes at Indiana University’s School of Fine Arts and at the California Art Institute. Her cover and interior artwork has been published by, among others, TSR, The Easton Press, Analog Magazine of Science Fiction/Fact, Weird Tales, and Marion Zimmer Bradley’s Fantasy Magazine. Laura was a co-recipient [with Frank Kelly Freas] of The Association of Science Fiction and Fantasy Artists [ASFA]’s Chesley Award for Best Cover of the Year. Laura has also served as ASFA’s Western Regional Director. Laura is a Judge in the L. Ron Hubbard “Illustrators of the Future Contest.”
One of her passions is costuming. She is a former Directorat-Large of Costumer’s Guild West and a WesterCon Masquerade winner and a WorldCon Masquerade Judge. She also founded the Collinsport Players performing troupe the when she was the MC at the first annual Dark Shadows Festival. Another of her passions is English Regency Dancing, which she also teaches. Laura founded the San Francisco Bay Area English Regency Society and the San Fernando Valley Area English Regency Society. A member of the International Association of Astronomical Artists, Laura is the widow of science fiction’s favorite illustrator, Frank Kelly Freas, with whom she co-edited the fourth volume of his collected works, FRANK KELLY FREAS: AS HE SEES IT in 2000. A new comprehensive Kelly Freas artbook is in development with artist Bob Eggleton. In 2012 she married school teacher Steven Beraha.
Dr. Seuss Enterprises and Netflix are in development on five Seuss titles, planned for preschool-audience animated series and specials….
The new Dr. Seuss line-up is to anchor Netflix’s expanded focus on preschool, the estate says. “Introducing concepts of foundational learning, this new slate of programming will explore themes of diversity and respect for others,” the company says, clearly looking to counter the less felicitous impressions left when it took those six titles out of circulation.
Middle-earth has seen more than its share of trials and challenges, but perhaps none more pressing today than a lack of mechanical keyboards that any of its various peoples can actually read. For ages, everyone from elves to dwarves had to make do with keyboards carrying legends of unknown languages. Today, keyboard and audio brand Drop released two prebuilt mechanical keyboards to rule them all—or at least speakers of Elvish and Dwarvish.
2007 – [By Cat Eldridge.] Let’s us converse of Djinn, specifically, those G. Willow Wilson wrote of in two vastly different works, Cairo, a graphic novel she did with M.K. Perker for Vertigo and the later Alif the Unseen novel.
G. Willow Wilson is Islamic which she first converted to and practiced in Cairo according to The Butterfly Mosque, her autobiography. So it’s not at all surprising that she has a fascination with the djinn.
Cairo is set in version of contemporary Cairo, and follows a number of characters, human and really not human, as they are drawn into a complex tale surrounding a stolen hookah of great importance, and a box that looks simple but actually contains something of mythical status. I like the story because the characters are drawn from myth, (Djinn; the Devil Himself; A spirit inhabiting the city’s ruins) all feel very real. See I’ve given nothing away, have I?
The artwork by Perker is stellar. His full name is Mustafa Kutlukhan Perker and he’s from Istanbul. He would later do the absolutely impressive Air series with her.
Dealing with the djinn once was not enough, so six years after Cairo, her first novel Alif the Unseen was released in 2007. It was, I think, a much more intimate novel. It is also a very political novel that likely caused many a leader in the Middle East not to be very happy.
Alif the hacker discovers that his love interest Intisar is entering an arranged marriage with another man. That man is head of the State in a repressive government in an unnamed Middle Eastern state. Alif gets in deep crap with said Bad Person person but, this being a fantasy, is along with his neighbor rescued by two djinn: Vikram and his sister Azalel.
(Ok, she likes djinn a lot. And she treats them as just existing within the framework of everyday life. Now she needs to do an opera with them as the central characters.)
Eventually the Very Bad Person is assassinated, and all is well. Some really odd science involving djinn coding and quantum tech ensues before that.)
END OF SPOILERS
It won a much-deserved World Fantasy Award.
I’m going to quote but one review and you’ll see why I’m quoting that review. Salon led off its review this way: “Arthur C. Clarke famously said that “any sufficiently advanced technology is indistinguishable from magic,” which may explain why fantasy narratives have enjoyed a resurgence of popularity in this age of wondrous gadgets. In G. Willow Wilson’s equally wondrous ‘Alif the Unseen,’ the connection between the two is more than just metaphor, although as far as this book is concerned, metaphor itself is a kind of technology.”
Everything I’ve read by her is stellar from these books to her run on the Vixen series — not to overlook the Ms. Marvel work. May she continue to write for a very long time.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 26, 1911 — Otto Oscar Binder. He’s best remembered as the co-creator with Al Plastino of Supergirl and for his many scripts for Captain Marvel Adventures and other stories involving the entire Marvel Family. He was extremely prolific in the comic book industry and is credited with writing over four thousand stories across a variety of publishers under his own name. He also wrote novels, one of which was The Avengers Battle the Earth Wrecker, one of a series created by writer-editor Stan Lee and artist and co-plotter Jack Kirby. (Died 1974.)
Born August 26, 1912 — Gerald Kersh. He wrote but one genre novel, The Secret Masters, and two genre stories in his Henry the Ghost series. So why’s he here, you ask? Because Harlan Ellison declared “you will find yourself in the presence of a talent so immense and compelling, that you will understand how grateful and humble I felt merely to have been permitted to associate myself with his name as editor.” (Died 1968.)
Born August 26, 1938 — Francine York. Her last genre performance was on Star Trek: Progeny. Never heard of it? Of course not, as it was yet another fan project. It’s amazing how many of these there are. Or were before the lawyers at Paramount and their Hell Hounds descended upon them and ate their ability to create anything. Before that, she appeared in Mutiny in Outer Space, Space Probe Taurus and Astro Zombies: M3 – Cloned. (Died 2017.)
Born August 26, 1949 — Sheila E Gilbert, 73. Co-editor-in-chief and publisher of DAW Books with Elizabeth R (Betsy) Wollheim. For her work there, she has also shared the Chesley Awards for best art director with Wollheim twice, and received at MidAmeriCon II and Worldcon 76, Hugo Awards for Best Professional Editor — Long Form.
Born August 26, 1950 — Annette Badland, 72. She is best known for her role as Margaret Blaine on Doctor Who where she was taken over by Blon Fel-Fotch Pasameer-Day, a Slitheen. This happened during “Aliens of London” and “World War Three” during the Era of the Ninth Doctor. Her story would conclude in “Boom Town”.
Born August 26, 1970 — Melissa McCarthy, 52. Yes, I know she was in the rebooted Ghostbusters. I’m more interested in Super Intelligence in which she plays a character that has an AI who has decided to take over her life. It reminds me somewhat of Kritzer’s “Cat Pictures Please” premise except a lot darker. (And we are not talking about her The Happytime Murders. Really we are not.)
Born August 26, 1980 — Chris Pine, 42. James T. Kirk in the Star Trek reboot series. He also plays Steve Trevor in both Wonder Woman films and Dr. Alexander Murry in A Wrinkle in Time. He’s also Cinderella’s Prince in Into the Woods. Finally, he voices Peter Parker / Ultimate Spider-Man in Spider-Man: Into the Spider-Verse which won a Hugo at Dublin 2019: An Irish Worldcon.
(11) COMICS SECTION.
Brewster Rockithas a strange idea about the relationship between books and bookshelves.
(12) CREATING TOGETHER. Tim Griffin shared a photo on Facebook of Steven Barnes, Larry Niven, and Jerry Pournelle from the Seventies demonstrating their collaborative writing process. Guess which one is wielding the ax?
This Korean film starts in the 14th century with an alien creature trying to escape from the human body inside which it has been imprisoned. Thankfully, a hole in the sky opens and an SUV materializes, carrying the interstellar lawman Guard (Kim Woo-bin) and his robot sidekick.
And that’s just the first five minutes: The rest of Choi Dong-hoon’s movie then escalates into even more bananas territory.
Hopscotching between the present day and 1391, “Alienoid” somehow works a crystal thingumajig called the Divine Blade into its narrative, as well as car chases, aerial wire-aided fights, medieval gunslinging, time travel, magic battles and Transformers-like mayhem, with dashes of comedy and romance for good measure.
(14) CRICKETS. A trailer for the Walt Disney Studios version of Pinocchiocoming to Disney+ on September 8.
Academy Award® winner Robert Zemeckis directs this live action retelling of the beloved tale of a wooden puppet who embarks on a thrilling adventure to become a real boy. Tom Hanks stars as Geppetto, the wood carver who builds and treats Pinocchio (Benjamin Evan Ainsworth) as if he were his own son.
Scientists have discovered a beautiful ocean world that looks like it was ripped out of the Star Wars prequels. The exoplanet TOI-1452 b was discovered just 100 light-years from Earth. A new paper on the discovery says that the entire planet is covered by a thick layer of water and that it’s located far enough from its star to possibly support life.
The ocean world was discovered by a team of researchers at the Université de Montréal. Charles Cadieux, the team leader, announced the discovery this week. Cadieux is also a member of the Institute for Research on Exoplanets (iREx)….
The world’s newest and biggest space telescope is showing Jupiter as never before, auroras and all.
Scientists released the shots on Monday of the solar system’s biggest planet.
The James Webb space telescope took the photos in July, capturing unprecedented views of Jupiter’s northern and southern lights, and swirling polar haze.
Jupiter’s Great Red Spot, a storm big enough to swallow Earth, stands out brightly alongside countless smaller storms. One wide-field picture is particularly dramatic, showing the faint rings around the planet, as well as two tiny moons against a glittering background of galaxies….
(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: The Mortuary Assistant,” Fandom Games says you shouldn’t be hired by this mortuary because “You come in for an interview–and come out a demon” and the game is the fictional equivalent of “having a mindless job so you can keep your crappy apartment.” No matter how bad your job is, it has to be better than purging demons form corpses with “demon Drano.” Content warning for suicide or self-harm. Click the link to view on YouTube.
[Thanks to John King Tarpinian, Andrew Porter, Chris Barkley, Jeffrey Smith, Joey Eschrich, SF Concatenation’s Jonathan Cowie, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]
…In Old English, the monster Grendel was an “aglæca,” a word related to “aglæc”: “calamity, terror, distress, oppression.” A few centuries later, the Middle English word “monstre”—used as a noun and derived from Anglo-French, and the Latin “monstrum”—came into use, referring to an aberrant occurrence, usually biological, that was taken as a sign that something was wrong within the natural order. So abnormal animals or humans were regarded as signs or omens of impending evil. Then, in the 1550s, the definition began to include a “person of inhuman cruelty or wickedness, person regarded with horror because of moral deformity.” At the same time, the term began to be used as an adjective to describe something of vast size.
The usage has evolved over time and the concept has become less subtle and more extreme, so that today most people consider a monster something inhuman, ugly and repulsive and intent on the destruction of everything around it. Or a human who commits atrocities. The word also usually connotes something wrong or evil; a monster is generally morally objectionable, in addition to being physically or psychologically hideous, and/or a freak of nature, and sometimes the term is applied figuratively to a person with an overwhelming appetite (sexual in addition to culinary) or a person who does horrible things….
(2) PAYDAY. Rachel Swirsky’s novella January Fifteenth will be released by Tordotcom Publishing on June 14. January Fifteenth tracks four points of view, each in a different part of the United States of America, on the day when the government disburses Universal Basic Income.
January Fifteenth—the day all Americans receive their annual Universal Basic Income payment.
For Hannah, a middle-aged mother, today is the anniversary of the day she took her two children and fled her abusive ex-wife.
For Janelle, a young, broke journalist, today is another mind-numbing day interviewing passersby about the very policy she once opposed.
For Olivia, a wealthy college freshman, today is “Waste Day”, when rich kids across the country compete to see who can most obscenely squander the government’s money.
For Sarah, a pregnant teen, today is the day she’ll journey alongside her sister-wives to pick up the payments that undergird their community—and perhaps embark on a new journey altogether.
In this near-future science fiction novella by Nebula Award-winning author Rachel Swirsky, the fifteenth of January is another day of the status quo, and another chance at making lasting change.
(3) DO HUGO WINNERS LOSE THEIR FLAVOR ON THE BEDPOST OVERNIGHT? James Davis Nicoll asked the Young People Read Old SFF panel what they think of “Eyes of Amber” by Joan D. Vinge.
This month’s Young People Read Old Hugo Finalists focuses on Joan D. Vinge’s 1977 Hugo-winning Eyes of Amber. Initially giving the impression of high fantasy1, the story is in fact primarily set on a pre-Voyager Titan, imaged as a life bearing world whose intelligent inhabitants while inhuman in form struggle with issues familiar to humans. Interaction is limited to messages relayed via robot probe, but this is sufficient to raise intriguing moral issues for the humans monitoring the probe.
Readers of a certain vintage may have first encountered the story in 1979’s Eyes of Amber and Other Stories. Readers of a slightly older vintage — readers like me, for example — might have encountered it in Analog’s remarkable Women’s Issue. Younger readers might never have encountered the story at all because in the grand tradition of Hugo finalists by women Eyes of Amber appears to have been out of print in English since 1987. The Young Readers therefore are likely to be engaging Vinge’s Novelette with fresh eyes: will they like it as much as readers did 45 years ago?…
“No one wanted to be on that project because it ate people. It destroyed people,” one former developer on Fallout 76 told Kotaku. “The amount of people who would go to that project, and then they would quit [Bethesda] was quite high.”
Kotaku spoke to 10 former employees of Bethesda and its parent company ZeniMax Media who were familiar with Fallout 76’s development, all of whom shared their accounts only under the condition of anonymity. Some sources said that they signed non-disparagement agreements upon leaving the company, and feared that ZeniMax’s influence in the industry would prevent them from being hired elsewhere.
Testers who worked during the months leading up to the original launch said that they crunched 10-hour days for six days a week as the game trudged toward the beta’s optimistic launch date of November 14, 2018.
Some testers would only find reprieve when they finally left the Fallout 76 team. Two former testers recounted that one of their colleagues said in a QA group chat after leaving the project: “I didn’t cry last night when I was taking a shower.” Another said in the same chat: “I pulled into work today, and I sat in my car for a second, and my chest didn’t feel heavy like it normally does.”…
…In 1972, at the Los Angeles World Science Fiction Convention, Ellison told a large audience that his 1970 novella “The Region Between” would form the middle third of a novel, The Prince of Sleep. Ellison made the story sound exciting (the published novella ends with the destruction of the universe), which somewhat made up for his other announcement: that he had broken with Doubleday and The Last Dangerous Visions would soon be with another publisher. Not long after this, Locus announced the sale of the novel to Ballantine. The novel, which was never completed, would in time be sold to at least two subsequent publishers….
…Now in its third season, For All Mankind started with a simple question: What if the Americans weren’t first to put a man on the moon? From that premise, though, it has built something far more complex: a show that combines political intrigue, military brinkmanship (aka a lunar standoff between American and Russian forces), and a space race that eventually lands on the surface of Mars.
But as much as the show, unsurprisingly cocreated by Battlestar Galactica and Trek producer Ronald D. Moore, can get wonky and gleefully trope-y, its success doesn’t lie in the verisimilitude of the faux NASA hardware or brilliance of its space scenes. Instead, it’s the fact that Moore and his cohort opted to treat the entire show like a grand workplace drama; Mad Men, but for NASA….
In science-fiction, aliens don’t typically “come in peace.” Instead, they tend to be invaders or monsters — think War of the Worlds, Independence Day, Alien, or countless other examples of threats from Mars or beyond. However, there are some pop culture aliens who mean well, the most famous of which is undoubtedly E.T….
5. “THEODORE ARROWAY,” CONTACT (1997)
No, Jodi Foster’s dad is not an alien — that’s just the form the actual alien takes to make Dr. “Ellie” Ann Arroway comfortable when she (and by extension, humanity) encounters a being from another world for the first time. The aliens in Contact are extremely friendly, wanting nothing more than to welcome a new space-faring race… in due time, of course. They are patient, thoughtful, and kind — and they believe in humanity enough to trust that we’ll be able to figure out how to contact them and join them in the stars. They will be happy to have us there when we’re ready. Extremely friendly of them, especially seeing as their first encounter with our species was a video of, uh, Adolf Hitler….
One of my toddler’s favorite books is Dr. Seuss’s ABC. I like the narcotic effect of the sing-song rhymes, she likes getting praised whenever she correctly screams a letter, and we both like the goofy little drawings. Every time I get to H, though—”Hungry Horse. Hen in hat. H…h…H”—I ask myself the same question. Not “What begins with H?” but: did Dr. Seuss go his entire life without seeing a horse? Or a photograph of a horse? Or an oil painting of a horse, standing next to Napoleon or Tony Soprano? Because, according to his rendering in Dr. Seuss’s ABC, this is what Dr. Seuss thought a horse looked like…
Bidding on a special, fireproof copy of Margaret Atwood’s The Handmaid’s Tale ended on Tuesday afternoon, when the book was auctioned by Sotheby’s for $130,000. Proceeds from the auction will go to PEN America’s efforts to fight book banning.
In a promotional video for the auction, the 82-year-old Atwood tries, unsuccessfully, to burn the book with a flamethrower.
The Handmaid’s Tale seems to be a favorite among those who fear the written word. The dystopian novel about misogyny and other dangers of oppression became a bestselling novel, an Emmy-winning TV show and a regular on banned book lists.
“I never thought I’d be trying to burn one of my own books… and failing,” says Margaret Atwood in a statement. “The Handmaid’s Tale has been banned many times—sometimes by whole countries, such as Portugal and Spain in the days of Salazar and the Francoists, sometimes by school boards, sometimes by libraries.”…
(10) OCTOTHORPE. Episode 59 of Octothorpe is up: “Chickens”. Art by Alison Scott.
John Coxon is roast beef, Alison Scott is pickled onion, and Liz Batty is flamin’ hot. We get excited about the Fanzine Lounge at Chicon 8 before talking Hugo Voter Packets and discussing Kevin Standlee’s wisdom on NASFiC voting. Listen here!
(11) A FAN’S APPRECIATION: CLIFFORD D. SIMAK’S WAY STATION
1963 – [By Cat Eldridge.]
Not an anniversary, though June was cover date on the magazine that published Clifford D. Simak’s Way Station, this is intended as my appreciation of that stellar novel. It was originally published as Here Gather the Stars in the June and August 1963 issues of Galaxy Magazine, with the book publication coming in November of that year from Doubleday.
I don’t think that there’s a lot of outstanding fiction by this writer. This is along with City, A Choice Of Gods and All Flesh is Grass are great but a lot of his writing is just OK. This and City are stellar.
I like the novel because Enoch isn’t perfect nor are the aliens who pass through it perfect but both are fully realized so that they feel quite real. The setting is interesting too — an interstellar way station that hadn’t changed in a century manned by a Civil War veteran, and I don’t think it says which side of the War he fought on, not allowed to live in his own house.
Having read it more times than I remember, I’m not surprised that it won the Hugo Award at Pacificon II. I should listen to it to see how it works that way. Simak is blessed as having a lot of his works done as audio narratives including City.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born June 9, 1925 — Keith Laumer. I remember his Bolo series fondly and read quite a bit of it. Can’t say which novels at this point though Bolo definitely and Last Command almost certainly. The Imperium and Retief series were also very enjoyable though the latter is the only one I’d re-read at this point. He has two Hugo nominations, first at Noreascon for his “In the Queue” short story and then at IguanaCon II for his “The Wonderful Secret”. The usual suspects have decent though not complete ebooks listings for him, heavy on the Imperium and Retief series and they’ve just added a decent though not complete Bolo collection too. (Died 1993.)
Born June 9, 1930 — Lin Carter. He is best known for his work in the 1970s as editor of the Ballantine Adult Fantasy series. As a writer, His first professional publication was the short story “Masters of the Metropolis”, co-written with Randall Garrett, in The Magazine of Fantasy and Science Fiction, April 1957. He would be a prolific writer, average as much as six novels a year. In addition, he was influential as a critic of the fantasy genre and an early historian of the genre. He wrote far too much to me to say I’ve sampled everything he did but I’m fond of his Castillo, Great Imperium and Zarkon series. All great popcorn literature! (Died 1988.)
Born June 9, 1943 — Joe Haldeman, 79. Whether or not, it was written as a response to Starship Troopers as some critics thought at time, The Forever War is a damn great novel which I’ve read at least a half dozen times. No surprise that it won the Hugo at MidAmeriCon and the Nebula Award.
Born June 9, 1954 — Gregory Maguire, 68. He is the author of Wicked: The Life and Times of the Wicked Witch of the West based off of course the Oz Mythos, Confessions of an Ugly Stepsister retelling the tale of Cinderella and Mirror, Mirror, a revisionist retelling of the Snow White tale which is really excellent. Well you get the idea. He’s damn good at this revisionist storytelling.
Born June 9, 1956 — Patricia Cornwell, 66. You’ll know her better as the author of the medical examiner Kay Scarpetta mystery series, now some twenty-six novels deep and soon to be a series with Jamie Lee Curtis as the producer. She is here, well in part as I do like that series a lot, because she wrote two SF novels in the Captain Chase series, Quantum and Spin.
Born June 9, 1961 — Michael J. Fox, 61. The Back to The Future trilogy stands as one of the best SF series ever done and his acting was brilliant. Since 1999 due to his Parkinson’s Disease, he’s has mainly worked as a voice-over actor in films such as Stuart Little and Atlantis: The Lost Empire. Prior to his diagnosis, he performed on Tales from the Crypt and directed “The Trap” episode. He would return to live action performing in 2014, bless him, with The Michael J. Fox Show series.
Born June 9, 1981 — Natalie Portman, 41. Surprisingly her first genre role was as Taffy Dale in Mars Attacks!, not as Padme in The Phantom Menace for which the fanboys gave her far too much hatred which is what they do when they do not have a real life. She’d repeat that role in Attack of The Clones and Revenge of The Sith and of course get fresh grief from them. She’d next play Evey in V for Vendetta. And she played Jane Foster, a role she played oh magnificently — and got more grief for — first in Thor, then in Thor: The Dark World and then in Avengers: Endgame. She’ll reprise the role in Thor: Love and Thunder in which she’ll play both Jane Foster and Thor. That I’ve got to see.
(13) COMICS SECTION.
Bizarro shows superhero roommates have their own way of sharing housework.
The Far Side shows who wishes the Creator had rested even earlier.
…On their late-April Zoom call, Neil, Dern and Goldblum were eager to catch up, engage in some light teasing and ponder how their lasting chemistry as a trio has proved as potent a selling point as all those special effects. “These ‘Jurassic’ films, they’re often known as dinosaur films, but if you’re not interested in the people, the films don’t work,” Neill said. “Dinosaurs are the bit players, albeit awesome ones.”
Here are edited excerpts from our conversation.
How long has it been since you’ve seen the original “Jurassic Park”?
SAM NEILL The last time I watched it in its totality was sitting beside Princess Di at Leicester Square at the London opening. On the other side of me was my son Tim — he was 11 and completely swept away by it, but about the time the T-Rex turns up, Tim started to fart. And the draft was drifting across me to royalty! I spent the whole film in a muck sweat, thinking, “Princess Di is being exposed to the horrors of a little boy’s fart, but she’s going to think it’s me. I am going to be subliminally blamed for my son’s crimes, and I don’t think she’ll talk to me afterwards.” But she was well brought up and never mentioned it.
JEFF GOLDBLUM I love that story, Sam. I’ve heard him tell that a couple of times, and it’s just amazing the lengths that he will go to still blame the boy.
Two people were rescued from a tank full of chocolate at a Mars plant in Lancaster County, Pennsylvania, according to emergency dispatchers.
Crews were called around 2 p.m. to Mars Wrigley Confectionery in Elizabethtown after two workers became trapped in the tank and couldn’t get out on their own.
“Fire crews have eliminated pulling them straight out of a tank,” Brad Wolfe, communications supervisor for Lancaster County 911 dispatch, told CNN. “They have to cut a hole in the side of the tank to get them out,” he said.
Wolfe said that it’s unclear how the people fell into the chocolate tank.
(16) ON PARADE. SF Concatenation’s Jonathan Cowie sent an even better photo of a Dalek in Queen’s Jubilee regalia.
(17) YOU’LL BE AN OLD ONE BY THE TIME THEY ARRIVE. Steve Jackson Games would love to sell you a Cthulhu D6 Dice Set. Pre-order for shipping in September. I hope your luck holds out til then!
(18) DARKNESS FALLS. Hell’s army just got stronger. We’re gonna need some backup. Marvel’s Midnight Suns, a tactical RPG from Firaxis Games and 2K, launches worldwide October 7, 2022.
…Universal Pictures released the final trailer for “Nope,” Jordan Peele’s third feature film. It teases much of the movie’s previously-unknown plot, in which Keke Palmer and Daniel Kaluuya star as the duo behind a horse training ranch for Hollywood productions, who, thanks to the aliens hovering over their property, hatch a scheme to capture and sell the first authentic footage of UFOs…
[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, N., SF Concatenation’s Jonathan Cowie, John Coxon, John King Tarpinian, Chris Barkley, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]
Today Paramount released a “Wesley Crusher’s Return” video feature that was also included in The Ready Room. The video features executive producers Akiva Goldsman and Alex Kurtzman discussing the fact that after the idea of Wesley returning on Picard was brought up, it started a sort of Crusher conflict with at least one other series…
I had no idea that the showrunners of the different Star Trek shows were fighting over who could write Wesley into their story.
This just feels like such a huge validation and such a huge win for Wesley, for me, and for all the other kids who were weird, unseen, awkward, or any of the other qualities we all had in common that made him important to us.
And as long as I have your attention: I feel seen and celebrated right now, in a way I never have before. I feel like it’s personal in a way that is brand new, that *belongs* to me, because it is a gift that was given to me.
I don’t know who all the people were, at every step of the way, who made Wesley’s return to Star Trek canon happen, but I am so grateful to all of them for making this happen.
And I’m so grateful to everyone who has celebrated me, and Wesley. It feels really good and it means a lot to me.
Raw version of an email interview I did for a college student for her history thesis paper. I was rather bemused to have my teen fannish enthusiasms viewed as history; my parents would have been quite surprised…
When it comes to Star Trek zines, you are featured in Spockanalia 2 (issued 1968) for your short piece The Free Enterprise. Could you talk more about that, especially since fanzine culture is so different (practically nonexistent) today? What were fanzines like during the ‘60s and ‘70s? The first documented fanzines began in the 1930s, but were they extremely popular among SF fans when Star Trek: TOS was airing or were they still an emerging medium?
LMB: Fanzine culture is thriving today, its content just moved online. It’s just called blogs and websites. It may not know its own history in some cases, true.
One commenter described the internet hitting fanfic as like throwing a gasoline tanker truck onto a campfire, which sounds about right to me….
Less than a year after settling a lawsuit with Dr. Seuss Enterprises, ComicMix is launching a Kickstarter campaign to fund the publication of The Zaks and Other Lost Stories by Theodor Geisel, aka Dr. Seuss, to be released in July. The stories, which are in the public domain and available digitally on the Seussville website, include the titular story The Zaks, and The Sneetches, among others. ComicMix plans to release the titles of the other stories in the compilation as successive crowdfunding goals are met.
Between 1950 and 1956, Geisel published 23 stories in Redbook, including the seven that will be published in this compilation…. The ComicMix edition of the stories was created with high-quality scans from the original Redbook stories, tracked down from collectors of the magazine. Redbook reverted the copyright to these stories to Geisel, but the copyright was not renewed, so the versions that appeared in the magazines are now in public domain.
ComicMix issued an official comment about the publication, stating, “This book is not associated with, nor approved by, nor even particularly liked by Dr. Seuss Enterprises L.P., a California limited partnership, which owns some of the copyrights of the works of Theodor Seuss Geisel, the author and illustrator who created many works under the pseudonym ‘Dr. Seuss.’ ” Hauman, who preferred to comment about the upcoming book in Seuss-like rhyme, had this to say:
“We found Dr. Seuss stories, once thought to be lost, that we’re bringing to you at a reasonable cost. Some tales are familiar, though not quite this way, but all fine examples of Seuss’s wordplay! We spruced them all up, and now are good times to rediscover his artwork and rhymes. We filled up a book to put on your shelf So that you can at last read them for yourself!” OY
Dr. Seuss Enterprises declined to comment on the story.
Wait, what? I’ve read almost all of Tolkien. I’ve watched every Star Trek series. I’ve read some of Ringworld, and in general, I devoured science fiction. What on Earth are these fans so upset about? What am I missing here? I decided last night to do a little bit of looking, and I regret some of the time I sacrificed but it certainly left me with some thoughts. I can always tell things are going wrong when people use terms like “woke” which is just one of those right-wing slurs that they use to replace “compassionate” or “reasonable” it seems….
(5) FREE READ. The “Unofficial Hugo Book Club Blog,” a Best Fanzine Hugo finalist, has made their submission to the Hugo Voter Packet available as a free read at the link. And a very nice job they did, picking the material and creating the design.
(6) JDA SNEAKS BACK ONTO TWITTER. You knew that wouldn’t take long. Jon Del Arroz after being ousted from Twitter on May 6 simply opened another account and immediately resumed tweeting the usual links to his crowdfunding appeals, comics, and books. And misogynistic BS. (The last image below wasn’t posted by JDA, but I bet he wishes he’d thought of it.)
(7) LYNN HARRIS DIES. [Item by Joel Zakem.] Long-time Midwestern and Southern fan Lynn Harris passed away on May 10, 2022. She was 70 years old. Lynn was an artist who was known for running and/or working on many convention art shows, including at the late lamented Rivercon and Kubla Khan. She received the Rebel Award at the 2000 Deep South Con.
(8) PATRICIA MCKILLIP (1948-2022). World Fantasy Award for Lifetime Achievement honoree Patricia A. McKillip died May 6 at the age of 74. Her best-known works included the books in the Riddle-Master trilogy, The Riddle-Master of Hed (1976), Heir of Sea and Fire (1977), and Harpist in the Wind (1979) — the latter her only Hugo finalist, also a finalist for the World Fantasy Award, British Fantasy Award, and winner of a Locus Award.
Four of her books won the Mythopoeic Award for Adult Literature or Adult Fantasy, Something Rich and Strange (1995), Ombria in Shadow (2003, which also won the World Fantasy Award), Solstice Wood (2007), and Kingfisher (2017). Her other World Fantasy Award winning book was The Forgotten Beasts of Eld (1975), which was published in 1974, the year after the appearance of her first published work, The Throme of the Erril of Sherrill (1973), a novella.
McKillip’s Encyclopedia of Science Fiction entry written prior to her death summed up her career: “Over the past two decades, eschewing the use of fantasy backgrounds for inherently mundane epics, McKillip has become perhaps the most impressive author of fantasy story still active.”
(9) MEMORY LANE.
1999 – [By Cat Eldridge.] The considerable joy of doing these anniversaries is finding these weird little shows that I’ve never heard of. So it is with a Disney series called So Weird whichran for sixty-five episodes. So Weird could best be described as a younger version of the X-Files and it far darker than anything which was on Disney when it debuted in 1999. It lasted for just three seasons.
It was centered around teen Fiona “Fi” Phillips (played by Cara DeLizia) who toured with her rocker mom Molly Phillips (played by Mackenzie Phillips). They kept running into strange and very unworldly things. For the third and final season, she was replaced by Alexz Johnson playing Annie Thelen after the other actress gets the jones to see if she could make in Hollywood. (Well she didn’t.)
The story is that one of the characters, Annie, while visiting an Egyptian museum encounters a cat who once belonged to Egyptian queen that now wants her very much missed companion back. Yes, both the cat and the princess are either immortal or of the undead.
The writer of this episode, Eleah Horwitz, had little genre background having written just three Slider episodes and a previous one in this series. He’d later be a production assistant on ALF.
Now if you went looking to watch So Weird’s “Meow” on Disney + after it’s debuted, the streaming service pulled the second season within days of adding the series but returned it a month later within any reason for having pulled it. The show has never been released on DVD.
However the first five episodes in the first season of the series were novelized and published by Disney Press as mass-market paperbacks, beginning with Family Reunion by Cathy East Dubowski. (I know the Wiki page says Parke Godwin wrote it but the Amazon illustration of the novel cover shows her name. So unless this is one of his pen names, it is not by him.) You can find the other four that were novelized in the Amazon app by simply doing So Weird + the episode name. No they are not available at the usual suspects.
I didn’t find any critics who reviewed it, hardly surprising given it was on the Disney channel but a lot of folks really liked including John Dougherty at America: The Jesuit Review: “As a kid, my favorite show was about death. Well, not just death: it was also about faith, sacrifice and trying to make sense of life’s ineffable mysteries. Strangest of all, I watched it on the Disney Channel. ‘So Weird’ ran for three seasons from 1999 to 2001. It was Disney’s attempt to create a kid-friendly version of ‘The X-Files,’ tapping into an in-vogue fascination with ghosts, alien encounters and other paranormal phenomena. In practice, it became something more: a meditation on mystery and mortality.”
I think I’ll leave it there.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born May 11, 1930 — Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of Superman, Commando Cody: Sky Marshal of the Universe, Men Into Space, Twilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.)
Born May 11, 1935 — Doug McClure. He had the doubtful honor of appearing some of the worst Seventies SF films done (my opinion of course and you’re welcome to challenge that), to wit The Land That Time Forgot, The People That Time Forgot, Warlords of the Deep and even Humanoids From The Deep. Genre wise, he also appeared in one-offs in The Twilight Zone, Out of This World, AirWolf, Alfred Hitchcock Presents, Fantasy Island and Manimal. Some of which were far better. (Died 1995.)
Born May 11, 1936 — Gordon Benson Jr. Publisher and bibliographer who released the first of his many SF bibliographies around the early Eighties. Writers such as Anderson, Lieber and Wellman were covered. Early bibliographies written solo were revised for the Galactic Central Bibliographies for the Avid Reader series, are listed jointly with Phil Stephensen-Payne as later ones. (Died 1996.)
Born May 11, 1952 — Shohreh Aghdashloo, 70. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureaudidn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward.
Born May 11, 1976 — Alter S. Reiss, 46. He’s a scientific editor and field archaeologist. He lives in Jerusalem, and has written two novels, Sunset Mantel and Recalled to Service. He’s also written an impressive amount of short fiction in the past ten years, which has appeared in Strange Horizons, F&SF, and elsewhere.
(11) DISNEY, PAY THE WRITER. LA Times business columnist Michael Hiltzik reports at length about #DisneyMustPay in “Disney’s unpaid artists”.
Given its immense appetite for entertainment content to keep its movie and television pipelines filled, you would think that Walt Disney Co. would do its best to treat its creative talent fairly.
You would be wrong.
For years, Disney has been cheating the writers and artists of tie-in products — novelizations and graphic novels based on some of its most important franchises — of the royalties they’re due for their works. That’s the conclusion of a task force formed by the Science Fiction and Fantasy Writers of America and joined by the Writers Guild East and West and several other creator advocacy organizations.
…[Mary Robinette Kowal] and others say that Disney has refused to take a proactive approach to identifying the creative artists who are owed money and paying what it owes. The company has ignored pleas by the task force and individual agents to post a portal on its website and a FAQ page to inform writers how to file claims and to whom their claims should be addressed.
The company has also refused to accept names and contact information from the SFWA for writers and artists who have reached out to the organization. “Disney gets away with this by using the exhaustion tactic,” Kowal told me. “They wear people down.”
The tactic works, she says: “Some authors have just given up because Disney puts up roadblocks and makes people jump through hurdles.”
The company, according to Kowal, has told some authors who stopped receiving royalties or royalty statements that this happened because it didn’t have their addresses. “They tell that to authors they’ve sent author copies of books to,” Kowal says, “so clearly they have their mailing addresses.”…
(12) FLASHBACK. [Item by SF Concatenation’s Jonathan Cowie.] BECCON’s 40th anniversary reunion has been held – a year late due to CoVID.
BECCON was a series of biennial conventions in the 1980s: 1981; 1983; 1985; and the 1987 UK Eastercon. BECCON standing for the Basildon Essex Centre CONvention with ‘Centre’ becoming ‘Crest’ when the hotel changed its name. The 40th anniversary reunion would have taken place last year but was postponed due to CoVID. The gathering took place in Arlesey, Bedfordshire, where previous reunions had taken place so as to give one of BECCON’s film projectionists, Graham Connor, a fan experience (Graham had severe mobility issues several years prior to his passing and could not get to conventions). BECCON may be a thing of the past but those involved with it, for the most part, are still very active in fandom and BECCON did spawn two spin-out ventures still going today: Beccon Publications (a number of whose books have been short-listed for Hugos) and the SF² Concatenation (the winner of a number of Eurocon Awards).
Despite the refreshing shift in visual style brought into the MCU by director Sam Raimi, Doctor Strange in the Multiverse of Madness is far from the milestone it was expected to be. The ongoing saga of the Avengers was supposed to expand into a wealth of possibilities with the addition of alternate realities, character variants, and reclaimed franchises just acquired by Disney from Fox. But what this movie delivers is smaller than the sum of its parts….
Season 2 of Star Trek: Picard bites more than it can chew. In the span of ten episodes, it tries to explore xenophobia, eugenicism, the weight of self-blame, repressed trauma, the tragedy of finitude, the tension between open and closed societies, the human yearning for intimate connection, the fear of loneliness, the responsibilities that come with parenthood, immigration policy, the purpose of life in old age, the narcissism inherent to the search for a legacy, authoritarianism, temporal paradoxes, suicide, and the uncertainty about the turbulent direction of humankind in the 2020s. Unfortunately, the show doesn’t manage to say anything insightful about any one of its myriad themes….
These time-defying contraptions fill us with wonder because, while we’re innately curious with a desire to explore, we also love fawning over shiny screens and elaborate gadgetry. Humans are hardwired to push any button we see. No matter the ramifications….
6. DOCTOR WHO’S TARDIS
WHAT IT DOES: It takes you to another realm that enables you to move through time (the time vortex).
Everyone we spoke to mentioned this iconic machine, which looks like an old, blue, British police box.
“What other time machine gets a decorating job every few years, keeps updating its canon, and has an Olympic-sized swimming pool? Or even a personality?” Šiljak says. “The way the TARDIS operates and interacts with the Doctor is also a great suspension of disbelief catalyst that allows me to enjoy a plot that has holes.”
Its properties are bizarre, but its time-travel abilities are appealing to real scientists.
“The core of the TARDIS is a tesseract, which is a four-dimensional cube,” says Dr. Erin Macdonald, an astrophysicist, writer, producer, and Star Trek science advisor. “The reason this is great scientifically is our universe is four-dimensional, but we can only control three of those dimensions (space, not time). It logically makes sense that if we had an object that had four dimensions, that extra dimension could be time and could have more control than just space.”
Jan J. Eldridge, a theoretical astrophysicist and associate professor in the physics department at the University of Auckland, New Zealand, adds that the TARDIS’ ability to travel freely through both space and time also helps explain another of its key features: the interior doesn’t match the exterior.
“Any technology that allows you to bend space-time to travel through time would also leave you with the ability to stretch and square space-time itself,” she says.
(16) JEOPARDY! A whole category about sci-fi trilogies on tonight’s Jeopardy!, and Andrew Porter was tuned in. Unfortunately, the contestants weren’t!
Category: Sci-Fi Trilogies
Answer: This Alphanumeric book series follows up on the “Judgment Day” film, telling more of the story of Skynet & John Connor.
No one could ask, What is T-2?
Answer: The first in a Cixin Liu trilogy, this numerical novel is partially set during China’s Cultural Revolution.
No one could ask, What is ‘The 3-Body Problem”?
(17) SPACE EXTRICATION. “I hate that MS Word considers this an error,” says John King Tarpinian. “Double Space” at Nerdy Tees.
Tropicana Crunch Honey Almond Cereal is a limited-edition offering for the “cereal curious” released to honor National Orange Juice Day on May 4. It’s the first cereal made specifically for pairing with OJ, and the company claims it’s “crispy and ready to get citrusy.” It comes thoughtfully packaged with one of Tropicana’s famous red-striped straws, so you can finish the cereal … juice … with class instead of lapping it from the bowl like a dehydrated Labrador….
It’s hard to swallow, I’ll grant you, but hear me out: It might be a sound concept. I often talk to clients who either don’t like milk or are allergic to it, and just like the box says, many times they tell me that they have tried orange juice on cereal.…
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: The Batman,” the Screen Junkies say Robert Pattinson is the first Gen-Z Batman, because the “villains are influencers, he’s worse off than his parents, and his home town will very soon be under water.” Also, the Riddler “talks a big game abou cleaning up the city while dressed like a garbage bag.”
[Thanks to JJ, John King Tarpinian, Cora Buhlert, Cat Rambo, Joel Zakem, Michael J. Walsh, Rich Lynch, SF Concatenation’s Jonathan Cowie, Adam Rakunas, Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]
(1) CASTAWAY. BBC Radio 4’s Desert Island Discs hosted “Neil Gaiman, writer” who shared the eight tracks, book and luxury item he would take with him if cast away to a desert island. Listen to the program at the link.
Neil Gaiman is a multi-award winning author whose work includes the novels Stardust, American Gods and The Graveyard Book and the comic book series The Sandman. His first novel, Good Omens, written with Terry Pratchett, was published in 1990, and Neil recently adapted it as a TV series starring David Tennant and Michael Sheen. He specialises in creating fantastic alternative realities which exist under the nose of the world as we know it. He recently told his 2.8 million Twitter followers that he wore his ‘lucky Batman underpants’ for his Desert Island Discs recording – and here are nine things we learned from the programme…
5. A furious child inspired his first book for younger readers
Neil published The Day I Swapped My Dad for Two Goldfish in 1997.
“The idea, like most of my children’s books, was stolen from one of my children,” explains Neil. “In this case from my son, Mike, and he would have been four, maybe five years old. I’d said something to him that he didn’t like, like possibly suggesting to him that it was actually his bedtime.”
“And he looked up at me with a fury that only a small boy can generate, a special kind of fury and he just said, ‘I wish I didn’t have a dad’. He said, ‘I wish I had….’ And then he paused because he hadn’t thought that through and, and then he said, ‘I wish I had goldfish!’ And he stomped off while I just thought ‘That is brilliant!’”
(2) HISTORICAL DOCUMENTS, DISCON 1. Andrew Porter received this postcard after reserving his room for Discon, the 1963 Worldcon in Washington DC. “Back when I was still Andy Silverberg…” – his name at the time.
(3) QANTAS PHYSICS. Fanac.org’s next “FanHistory Project Zoom Session” will be “Wrong Turns on the Wallaby Track: Australian Science Fiction Fandom to Aussiecon – Part 1, 1936 to 1960” featuring Leigh Edmonds and Perry Middlemiss. According to your time zone, it starts December 4 at 7PM Dec 4 EST, 4PM Dec 4 PST, or December 5 at 11AM in Melbourne AU. RSVP to [email protected] to get the Zoom link.
From the 1930s to the 1950s sf fandom in Australia was active and buoyant. Centred mainly around the city of Sydney their activities included fanzine production, club meetings and feuding. Yet by the beginning of the 1960s it had nearly all withered away. How did this vibrant community survive the Second World War and yet somehow fail to make it through peacetime? This, and many other questions, will be addressed by Dr Leigh Edmonds, sf fan and professional historian, in his FANAC talk titled “Wrong Turns on the Wallaby Track: Australian Science Fiction Fandom to Aussiecon – Part 1, 1936 to 1960.”
They say not all superheroes wear capes. But they do all now wear masks.
This weekend, thousands of people flocked to San Diego for the city’s first in-person Comic-Con — the beloved geekfest for all things science fiction, superhero and fantasy — in two and a half years.
The cosplayers squeezed into their spandex, strapped on their plastic weapons and secured their brightly colored wigs.
But with great power comes great responsibility. So, in a pandemic twist, they all donned face masks and red wristbands after proving they had either been vaccinated against or had recently tested negative for the greatest villain of all: COVID-19….
…Local dignitaries, Comic-Con officials and volunteers were the first to see the 250,000 square feet of exhibits as a “special edition” San Diego Comic Convention opened Friday at the San Diego Convention Center.
The former San Diego Hall of Champions sports museum will be a destination for Comic-Con attendees, who can take a free shuttle between to the venue. The shuttle goes every 30 minutes….
This is the link to the Museum website where these six theme exhibits are now on display:
Gene Roddenberry: Sci-Fi Visionary as creator of “Star Trek.”
Chas Addams…Family and Friends as cartoonist of darkly humorous and macabre characters.
Eight Decades of Archie: a new pop-up exhibition that explores the storied history of America’s typical teenagers
Cardboard Superheroes: the art of teenage brothers Connor (17) and Bauer (14) Lee, this exhibit features life-size cardboard models of superheroes such as Hulkbuster, Groot, C-3PO, and Baby Yoda.
Out of the Darkness: Comics in the Times of COVID featuring artwork by San Diego young people.
The PAC-MAN Arcade on the 2020 Museum Character Hall of Fame Inductee.
…Stephen A. Geppi opened the Geppi Entertainment Museum in Baltimore, Maryland, in 2006, with the intent of showing how artistic creations from the pages of newspaper comic strips and comic books permeated popular culture. Over time, he expanded his collecting interests to reflect such comic book themes as superheroes, westerns, science fiction, horror, sports, music and entertainment. When the Geppi Entertainment Museum closed its doors in 2018, Mr. Geppi generously donated a large portion of its contents to the Library of Congress, with a desire that thousands of people share his excitement for comic books….
There’s also an online version of the exhibit: “Geppi Gems”.
(7) MEDIA BIRTHDAY.
1972 — [Item by Cat Eldridge.] Forty-nine years ago this evening, Via Galactica, a SF rock musical, premiered on Broadway. Critics all hated it. Audiences really weren’t fond of it either. It lasted but seven shows before being cancelled. Yes, it was that bad. The story by Christopher Gore and Judith Ross, lyrics by Gore, and music by Galt MacDermot. It marked the Broadway debut of actor Mark Baker who went on to far better things. (Raul Julia was in the cast.) The storyline was so difficult to follow that at the very last moment producers inserted a plot synopsis in Playbill, but audiences still had no idea what they were witnessing unfolding on stage which involved, among other things, a clamshell-shaped garbage ship called the Helen of Troy. No, I’m not kidding. It would be one of the very first Broadway plays to lose a million dollars. That’s over six million dollars today.
Jennifer George, daughter of the producer George W. George, has a look at it here.
(8) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 28, 1930 — William Sargent, 91. He played Dr. Leighton in “The Conscience of the King”, a first season episode of Star Trek. He also shows up in Night Slaves (really don’t ask), Mission: Impossible, Shazam!, Voyage to the Bottom of the Sea, The Twilight Zone, Alfred Hitchcock Presents and The Invaders. He was in the pilot for The Immortal series but wasn’t in the regular cast.
Born November 28, 1939 — Walter Velez. His agent and fellow artist Jill Bauman wrote, “Walter created illustrations for most of the major book and gaming companies. He has been long known for his cover art for such popular books such as the Thieves World series and the Myth Adventures series, both edited by Robert Asprin; and the Ebenezum, Wuntor, and Cineverse Cycle series, all by Craig Shaw Gardner. Walter illustrated for TSR games extensively. He applied his multi-faceted talents to trading cards for the Goosebumps series for the Topps Company, and a series of Dune trading cards. In the early 80’s he worked with Random House to create art for several Star Wars books that were licensed from George Lucas.” (Died 2018.)
Born November 28, 1944 — Rita Mae Brown, 76. Author of the Sister Jane mysteries which features foxes, hounds and cats as characters with voices which in my mind makes them genre novels. Not to mention her creation of Sneaky Pie Brown who “is a New York Times best-selling writer and cat who co-authors the Mrs. Murphy series of mystery novels with her owner, Rita Mae Brown.” And who she has an entire series devoted to.
Born November 28, 1946 — Joe Dante, 75. Warning, this is a personal list of Dante’s works that I’ve really, really enjoyed starting off with The Howling then adding in Innnerspace, both of the Gremlins films though I think only the first is a masterpiece even if the second has its moments, Small Soldiers and The Hole. For television work, he’s done a lot but the only one I can say that I recall and was impressed by was his Legends of Tomorrow’s “Night of the Hawk” episode. That’s his work as Director. As a Producer, I see he’s responsible for The Phantom proving everyone has a horrible day.
Born November 28, 1952 — S. Epatha Merkerson, 69. Best remembered as Lieutenant Anita Van Buren on Law & Order appearing in 395 episodes of the series. Since Dick Wolf also is responsible for Chicago Med, she’s now playing Sharon Goodwin there. Both of her major SF roles involve robots. The first was in Terminator 2: Judgment Day as Tarissa Dyson; a year later, she had a recurring role as Capt. Margaret Claghorn in Mann & Machine. And she had a recurring role as Reba on Pee-wee’s Playhouse which I believe the consensus here is that it’s genre.
Born November 28, 1962 — Mark Hodder, 59. Best known for his Burton & Swinburne alternate Victorian steampunk novels starting off with The Strange Affair of Spring-Heeled Jack that deservedly garnered a Philip K. Dick Award. He also wrote A Red Sun Also Rises which recreates sort of Victorian London on a far distant alien world. Emphasis on sort of. And then there’s Consulting Detective Macalister Fogg which appears to be his riff off of Sherlock Holmes only decidedly weirder.
Born November 28, 1981 — Louise Bourgoin, 40. Her main SFF film is as the title character of Adèle Blanc-Sec in The Extraordinary Adventures of Adèle Blanc-Sec as directed by Luc Besson. Anybody watched the uncensored English version that came out on Blu-ray? It’s on my list To Be Watched list. She also played Audrey in Black Heaven (L’Autre monde), and she’s the voice heard in the Angélique’s Day for Night animation short.
Born November 28, 1987 — Karen Gillan, 34. Amy Pond, companion to the Eleventh Doctor. Nebula in the Guardians of The Galaxy and in the later MCU films, Ruby Roundhouse in Jumanji: Welcome to the Jungle. Two episodes of Who she was in did win Hugos, “The Pandorica Opens/The Big Bang” and “The Doctor’s Wife”, the first at Renovation and the latter at Chicon 7.
In 1989, the year that Iran’s Ayatollah Ruhollah Khomeini issued a fatwa calling for the death of Salman Rushdie, for writing “The Satanic Verses,” American parents in Laytonville, a small town in Northern California, demanded that their children’s elementary school take Dr. Seuss’s 1971 book, “The Lorax,” off its list of required reading for second graders. The book is “Silent Spring” for the under-ten set. “I speak for the trees,” the Lorax says, attempting to defend a soon to be blighted forest, its tufted Truffula trees chopped down and knit into hideous thneeds—“a Fine-Something-That-All-People-Need”—until there is nothing left but one single seed.
…“I drew a Lorax and he was obviously a Lorax,” Geisel said. “Doesn’t he look like a Lorax to you?” But, in 1989, to Bill and Judith Bailey, the founders of a logging-equipment business in Laytonville, the Lorax looked like an environmental activist. “Papa, we can’t cut trees down,” their eight-year-old son, Sammy, said after reading the book, in which a “Super-Axe-Hacker” whacks “four Truffula Trees at one smacker.” Townspeople were caught up in the so-called “timber wars,” when environmentalists camped out in trees and loggers wore T-shirts that read “Spotted Owl Tastes Like Chicken.” Logging families took out ads in the local newspaper. One said, “To teach our children that harvesting redwood trees is bad is not the education we need.”…
Which subjects do you wish more authors would write about?
I don’t know — how about the world’s largest beaver dam? It’s in northern Alberta, Canada, and very hard to get to. Supposedly it’s the largest animal-made structure visible from space. I would like to write about it myself, but no editors are interested. (Write about it, that is, without actually going there.)
(11) ELON MUSK NEWS. [Item by Martin Morse Wooster.] In the Washington Post. Isabelle Khurshudyan and Mary Ilyushina discuss the popularity of Elon Musk in Russia. Among his fans is Pavel Antonov, who wants to be the first bartender in space, with his role model being the android Michael Sheen played in Passengers. “Why Russia’s mania for Elon Musk just keeps on growing”.
…Pavel Antonov’s life goal can be traced back to the 2016 movie “Passengers,” a sci-fi romance that takes place on a luxury spaceship. One character in the movie is Arthur, an android bartender played by Michael Sheen. Arthur provides smiling relief amid the chaos.
“I immediately thought Musk will definitely need such a person who would distract from all problems,” Antonov said. “For at least one hour, you can sit at the bar, forget about everything and talk about neutral topics. From then on, I decided that I want to be the first bartender on Mars.”…
He’s developed “a signature cocktail for Mars” which is bright blue and a red cherry for the Red Planet…
[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Alan Baumler, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Joe H.]
(1) SEVERANCE PAY. On The Last Leg, Jodie Whittaker tells the host about her emotional final day on Doctor Who, and the souvenir she stole from the set.
(2) NANOWRIMO DEADLINE APPROACHES. November is National Novel Writing Month (NaNoWriMo) – and guess which month is almost over? Mad Genius Club’s Amanda S. Green hit the goal, but knows from experience what can happen when “NaNoWriMo meets real life”.
… But the real problem for me and for a number of other writers is NaNo is a complete deviation from our normal way of writing. To push through and finish “the book”, most of us have to turn off the internal editor. We have to give ourselves permission not to write in all the details we usually put in during the first draft. We have to remember that what comes out is not the final product but is, at best, an expanded outline which will need another month or two to get ready for publication….
On a chilly day in 2010 I stood on the steps of City Hall to hold a press conference. Equipped with a proclamation from the Manhattan Borough President and an enlarged clipping from the NY Times, I was there to announce the First Annual Alligator in the Sewer Day, a pseudo-holiday I have been celebrating every year since.
Exactly 75 years earlier, on February 9th 1935, New York City’s greatest urban legend was born, and the NYT story, which ran the following day, proved that legend was true.
“Alligator Found in Uptown Sewer,” read the headline. The piece recounted how some East Harlem teens were shoveling snow down a storm sewer when one of them noticed movement below. He peered into the darkness and was stunned by what he saw. “Honest, it’s an alligator!” he proclaimed to his buddies….
… Overall, I think so far it has been pretty good. Like previous Chibnall seasons, there’s no stand-out 100% future-classic episode but he is leaning into his strengths. Those strengths include a good sense of the aesthetics of “good” Doctor Who episodes (but not the substance of it) and longer story arcs. Rehashing classic villains isn’t a great way of moving the series forward but Chibnall’s attempts at new ideas previously have largely fallen flat, so…I think I prefer him playing it safe….
“Very few suspect the existence of this city. It is as if not only the media but the laws of perspective themselves have redesigned knowledge and perception to pass it by. Rumor says there is practically no power here. Neither television cameras nor on-the-spot broadcasts function: that such a catastrophe as this should be opaque, and therefore dull, to the electric nation! It is a city of inner discordances and retinal distortions.” – Samuel R. Delany, Dhalgren
“Dhalgren is a tragic failure,” howled science fiction heavyweight Harlan Ellison in his February 1975 review for the Los Angeles Times. “An unrelenting bore of a literary exercise afflicted with elephantiasis, anemia of ideas, and malnutrition of plot.”
“I have just read the very best ever to come out of the science fiction field,” countered Theodore Sturgeon, another SF heavyweight who, in my opinion, was a tad heavier. “Having experienced it, you will stand taller, understand more, and press your horizons back a little further away than you ever knew they could go.” Galaxy Magazine published his take on Dhalgren after Ellison weighed in.
Critic Darrell Schweitzer, writing for the fanzine Outworld (October 1975), threw in with Ellison, calling Dhalgren “shockingly bad.” “It is a dreary, dead book,” he went on to say, “about as devoid of content as any piece of writing can be and still have the words arranged in any coherent order.”
That seems a pretty definitive judgment, and yet forty-five years later Schweitzer repented: “I have to admit that Dhalgren seems well on its way to fulfilling the definition of ‘great literature’ I give here, i.e., that it means something different to readers and different points in their lives, and they keep coming back to it.”…
(8) LOVES A CHALLENGE. [Item by Martin Morse Wooster.] In the Washington Post, Michael Cavna interviews Lin-Manuel Miranda, who wrote seven songs for the new Disney animated film Encanto and who will write new songs with Alan Menken for the live-action The Little Mermaid remake scheduled to be released in 2023. “’Encanto’’s Lin-Manuel Miranda has become a go-to songwriter for Disney”.
…But it was while working together on Disney’s 2016 animated hit “Moana” — which yielded Miranda’s Oscar-nominated “How Far I’ll Go” — that the composer vocalized an “I Want” wish to screenwriter Bush, who recalls: “He told me he wanted to write the definitive Latin American Disney musical.”
Soon the two were talking with Bush’s “Zootopia” collaborator and fellow brass musician Byron Howard,who would also become a writer-director on “Encanto” (as would Charise Castro Smith). They shared the experience of coming from large extended families. Out of that grew an “Encanto” story that spotlights a dozen main characters — “unheard of in Disney animation,” says Bush….
…One of the most common misconceptions about The Jetsons is that the cartoon never shows the ground beneath Orbit City. The Jetson family lives in the Skypad Apartments. George works at Spacely Space Sprockets. Both cylindrical buildings project into the sky like birdhouses on long poles. It is a world of flying cars.
This optimistic vision of the 21st century often left viewers wondering — what is on the ground? Well, the answer is… hobos, walking birds, concrete and parks.
One of the best views of the surface level comes in the seventh episode, “The Flying Suit.” Remember, The Jetsons originally aired for a single season in 1962–63, as reruns kept it on Saturday mornings for years. Anyway, this particular episode revolves around W.C. Cogswell and Mr. Spacely both developing a red jumpsuit that allows people to fly. Meanwhile, Elroy had concocted pills that allow people to fly. A mix-up at the dry cleaners swaps the suits, and in the end, both companies think their flying suit is a dud. Besides, who wants to slip on a special unitard when you can just pop a pill? The episode closes with Cogswell tossing his X-1500 flying suit out the window, believing it to be worthless….
(10) SONDHEIM OBIT. Stephen Sondheim, whose works includes Company, A Funny Thing Happened on the Way to the Forum, Sunday in the Park with George, Sweeney Todd, Follies, Into the Woods, Assassins and lyrics for West Side Story and Gypsy, died November 26 at the age of 91. The New York Times obituary is here cites one of his lesser-known genre creations:
…Mr. Sondheim’s first professional show business job was not in the theater at all; through the agency representing Hammerstein, he was hired to write for a 1950s television comedy, “Topper,” about a fussbudget banker haunted by a pair of urbane ghosts. (Much later, Mr. Sondheim wrote a whodunit film script, “The Last of Sheila,” with the actor Anthony Perkins; it was produced in 1973 and directed by Herbert Ross.)
Sondheim coauthored this episode of the fantasy sitcom Topper in 1954 when he was 24.
(11) MEMORY LANE.
[By Cat Eldridge.]
1995 — Twenty-six years ago this evening, the writers of Deep Space Nine decided to riff off of James Bond with the “Our Man Bashir” episode. It was directed by Winrich Kolbe from a story that originated with a pitch from Assistant Script Coordinator Robert Gillan which was turned into a script by Producer Ronald D. Moore.
Although the episode takes its title from Our Man Flint, a major inspiration for the story was the James Bond films. This obvious influence resulted in Metro-Goldwyn-Mayer complaining to Paramount about it as they had GoldenEye coming out. Though why they thought it would affect the success of the film is a mystery as it was the best Pierce Brosnan Bond film and the most successful of his films.
It was well-received at the time and has not been visited by the Suck Fairy which I hold is true of the entire series. Charlie Jane Anders at io9 considers it one of goofiest Deep Space Nine episodes, and Keith DeCandido at Tor.com says “holy crap is it fun”. The trailer is here.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born November 27, 1907 — L. Sprague de Camp. The Tales from Gavagan’s Bar he wrote with Fletcher Pratt are my favorite works by him. Best novel by him? I’d say that’s Lest Darkness Fall. His only Hugo was awarded at LoneStarCon2 for Time & Chance: An Autobiography. He got voted into the First Fandom Hall of Fame Award, and he got World Fantasy Award for Lifetime Achievement. His very first Award was an IFA for Lands Beyond that he wrote with Willie Ley. (Died 2000.)
Born November 27, 1935 — Verity Lambert. Founding Producer of Doctor Who. (When she was appointed to Who in 1963, she was BBC Television’s only female drama producer, as well as the youngest.) After leaving BBC, she’d oversee the Quatermass series at Thames. She’d return to BBC to Executive Produce three seasons of So Haunt Me, a supernatural series. Wiki has her producing an episode of Doctor Who called “A Happy Ending” in 2006 which it tuns out is one of this fannish productions notable for the presence of Susan, played by Carole Ann Ford, the daughter of the First Doctor. (Died 2007.)
Born November 27, 1940 — Bruce Lee. His only genre role was as Kato in The Green Hornet which to my utter surprise only lasted for twenty-six episodes between 1966 and 1967. He also appeared on Batman in three episodes, “The Spell of Tut”, “Batman’s Satisfaction”, and “A Piece of The Action”. Despite the various weird rumors, including Triad induced curses about his death, it was quite mundane. Donald Teare, an experienced forensic scientist who had been recommended by Scotland Yard was assigned to the Lee case. His conclusion was “death by misadventure” caused by cerebral edema due to a reaction to compounds present in the combination Equagesic medication. (Died 1973.)
Born November 27, 1951 — Melinda Snodgrass, 70. She wrote several episodes of Next Gen while being the series’ story editor during its second and third seasons. She has also contributed produced scripts for the series Odyssey 5, Outer Limits,Beyond Reality, and SeaQuest DSV. She’s contributed a lot of stories of the Wild Cards series of which she is co-editor, and I’m very fond of her Imperials Saga which is what that promo blurb referring to Bridgerton was about.
Born November 27, 1957 — Michael A. Stackpole, 64. Best known for his myriad Star Wars and BattleTech books, but I’m going to single him out for the excellent Once a Hero which was nominated for a Nebula, his Conan the Barbarian novel, and the two Crown Colonies novels.
Born November 27, 1961 — Samantha Bond, 60. Best known for playing Miss Moneypenny in four James Bond films during the series’ Pierce Brosnan years. She was also Mrs Wormwood in three episodes of The Sarah Jane Adventures, the spin-off of Doctor Who, and played Helga in Erik the Viking which written and directed by Terry Jones.
Born November 27, 1963 — Fisher Stevens, 58. He’s best remembered as Ben Jabituya in Short Circuit (and renamed Ben Jahveri in the sequel), Chuck Fishman on Early Edition, and Eugene “The Plague” Belford in Hackers. He’s also had roles on The Hunger, Lost, The Mentalist, Medium and Elementary.
Born November 27, 1974 — Jennifer O’Dell, 47. Her only meaningful role to date, genre or otherwise, has been that of Veronica on SirArthur Conan Doyle’s The Lost World but what a pulp heroine she made there . She’s had some minor roles such on Charmed and Bones, and appearances on films such as Alien Battlefield and Dr. Laurie Williams on Vampire flick Slayer but nothing major to date.
Famed anime director Hayao Miyazaki revealed he is coming out of retirement once again to make a feature length animated film.
In an interview with the New York Times, Miyazaki didn’t give much detail about the film, but mentioned its based on Genzaburo Yoshino’s 1937 book How Do You Live? The story follows a teenage boy in Tokyo who moves in with his uncle after his father dies. The novel is reportedly one of the director’s favorites.
Miyazaki didn’t confirm if the film would have the same name as the book, but when asked why he was returning to direct the film, he simply answered “Because I wanted to.” Studio Ghibli co-founder and producer Toshio Suzuki described the new film as “fantasy on a grand scale.”…
Hailee Steinfeld had no idea how much one color was about to take over her new superhero life.
Purple has become her second skin during the production and promotion of her highly anticipated series “Hawkeye.” Steinfeld kept seeing the color splashed across the “thousands” of pages she read of the Hawkeye comics, which she enjoyed so much she keeps them on display at her home. Both her character, Kate Bishop, and Clint Barton, played by Jeremy Renner, have purple suits — and it was obvious her chats with the wardrobe department on “Hawkeye” would have a singular focus.
“It’s so funny because, I of course obviously knew about the purple walking into this … but I guess maybe I didn’t. Because it has become my world,” Steinfeld told The Washington Post. “But I’m not mad about it. I do love the color purple.”…
… Books follow you home and pry open your head and rearrange the things inside. They make you feel things, sometimes, hope and grief and shame and confusion; they tell you that you’re not alone, or that you are, that you shouldn’t feel ashamed, or that you should; replace your answers with questions or questions with answers. This feels dangerous to do, a strange operation to perform on yourself, especially late at night when everyone else in the house is sleeping….
Robots have histories that extend far back into the past. Artificial servants, autonomous killing machines, surveillance systems, and sex robots all find expression from the human imagination in works and contexts beyond Ovid (43 BCE to 17 CE) and the story of Pygmalion in cultures across Eurasia and North Africa. This long history of our human-machine relationships also reminds us that our aspirations, fears, and fantasies about emergent technologies are not new, even as the circumstances in which they appear differ widely. Situating these objects, and the desires that create them, within deeper and broader contexts of time and space reveals continuities and divergences that, in turn, provide opportunities to critique and question contemporary ideas and desires about robots and artificial intelligence (AI)….
“The Book of Boba Fett,” a thrilling Star Wars adventure teased in a surprise end-credit sequence following the Season 2 finale of “The Mandalorian,” finds legendary bounty hunter Boba Fett and mercenary Fennec Shand navigating the galaxy’s underworld when they return to the sands of Tatooine to stake their claim on the territory once ruled by Jabba the Hutt and his crime syndicate.
[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Alan Baumler, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
[ComicMix VP Glenn Hauman today provided closure for those who have followed the Dr. Seuss Enterprises vs. ComicMix et al. case since it began in 2016. His article is reblogged here from ComicMix with his permission.]
By Glenn Hauman: The Dr. Seuss Enterprises lawsuit against us is finally over.
In August 2016, we put up a Kickstarter for Oh, The Places You’ll Boldly Go!, a mash-up of Star Trek and Dr. Seuss to be written by David Gerrold, drawn by Ty Templeton, edited by Glenn Hauman, and published by ComicMix LLC later that year. DSE sent us a cease and desist letter on September 27, 2016. (Yes, the legal wrangling lasted longer than the Enterprise’s original five-year mission.) DSE filed a DMCA motion to take down the Kickstarter campaign on October 7, and filed suit against us on November 10, 2016, alleging copyright infringement, trademark infringement, and unfair competition.
And yet, today we’re announcing that we and DSE submitted a proposed consent judgment for the suit, and that the Honorable Judge Janis L. Sammartino granted it on Friday, October 8, 2021 and closed the case.
Why? The simple truth is— we ran out of time.
This past year, Ty was diagnosed with Stage 3 colorectal cancer. This has required him to undergo months of chemotherapy and radiation treatment, just to prepare him for the needed surgery—which will then require weeks of recuperation until he recovers enough to go through six MORE months of chemo and radiation, and then MORE surgery after that. This has affected his ability to work, to draw, and to do any of the things an immunocompromised person shouldn’t do, especially in the middle of a global pandemic.
And the trial schedule would have been smack in the middle of all of that. After five years of sometimes ridiculous litigation and with the pre-trial deadlines looming, as Ty’s collaborators and friends, we refused to put him through any additional stress that could in any way impinge on his health and recovery. To the credit of the people at DSE, they didn’t want to put Ty through that either. So we joined in a motion to end the suit the day before Ty’s surgery, in order to alleviate the less serious pain in his ass so he can deal with the far more lethal and literal pain in his ass.
In the consent judgment, DSE concedes some of our defenses and we concede some of their claims. Unfortunately, the terms stipulate that even though the book is complete, we won’t be able to present Oh, The Places You’ll Boldly Go! to you for another forty years, when the Dr. Seuss copyrights are set to expire and his books enter the public domain. (We can start taking preorders in January 2062, so set your calendar reminders now.)
We still passionately believe in and stand for creators’ rights, including fair use, and we still maintain that Boldly is a fair use that could not have harmed DSE in any way, now, five years ago, or in forty years. Unfortunately, the Ninth Circuit Court of Appeals’s view of fair use makes it very difficult to overcome a well-heeled copyright holding corporation if it wants to stand in the way (anyone who thinks “corporations are people” has never seen a corporation in a cancer ward) and they decided that the book was over the line. We’re looking forward to the day when you can finally see the full book for yourself and make your own determination about it—until then, it’s like writing a book report by just looking at the cover, never seeing what’s inside.
It has been a long five-year mission filled with many absurdities. At one point, Universal Pictures asked us to help promote “The Grinch” DVD release, so DSE could make more money to bash over our heads. At another point, DSE paid an “expert witness” who got an artist to redraw our book in the most dreadful way imaginable, and then did a trademark survey asking shopping mall customers to compare Ty’s artful mix of Seuss and Trek with that hack job. We’re still wondering how our book referencing a single illustration from How The Grinch Stole Christmas could have taken “the heart of the work,” as the Ninth Circuit Court of Appeals thought, when the illustration in question shows neither the Grinch, Christmas, or anything being stolen. And less than thirty-six hours after the Ninth Circuit reversed the fair use ruling, we got to watch Saturday Night Live air a sketch about the Grinch in a Whoville three-way, with nary a peep from DSE.
We’re also grimly amused about how we had to fight a fair use case while DSE’s own publisher, Penguin Random House, put out their own unauthorized parody, Oh, The Meetings You’ll Go To! (Although there is some question as to whether or not Meetings is officially sanctioned by Dr. Seuss Enterprises, as the copyright page of Meetings makes no mention of a DSE license, yet this since deleted tweet from Eric Nelson on August 4th, 2020 says otherwise…)
But when we were sued two days after Election Day 2016, we knew that letting anyone with lots of money, name recognition, and power have the ability to shut down even the gentlest of parodies and mildest of commentaries about them unchallenged was an extremely bad precedent to set for the future—if for no other reason that we make up for one another’s biases by being able to criticize each other, whether we are children’s book authors or circuit court judges.
We can take satisfaction in many of the victories and precedents this case has set, including:
The Ninth Circuit made it explicit that mash-ups can be fair use. (Just not, apparently, ours.)
The District Court’s summary judgment ruling held that there are no exclusive trademark rights in an artistic style, or a distinctive font or typeface.
In fact, the trademark infringement and unfair competition claims wound up a total rout. They were dismissed based on nominative fair use in 2017. DSE renewed them, and we won judgment on the pleadings over its claims about the book’s title based on the Rogers/First Amendment test in 2018. We won the “that’s not even a thing” issue over the Seussian art style and typeface in 2019. And in 2020 the Ninth Circuit affirmed everything under Rogers and the First Amendment.
While we’re not entirely pleased with the case’s outcome, we remember the words of historian Richard Hofstadter, who observed that sometimes people must “endure error in the interest of social peace.” If we were ultimately unable to persuade the Ninth Circuit to reduce the amount of error involved in determining fair use for creators, we’ve done what we can to forge a path for future fair use activists.
There are many people we’d like to thank for helping us go boldly, as we believe that, as our book says, no one goes forward alone. First and foremost: our lead attorney Dan Booth of Dan Booth Law, who fought the good fight with the strength of a hundred lawyers against a firm with four thousand lawyers. We also give thanks to Michael Licari, now in-house counsel at Veteran Benefits Guide, Dan Halimi, now at Halimi Law Firm, T.C. Johnston at Internet Law, Joanna Ardalan of OneLLP, who appealed our case to the Supreme Court, and Ken White of Brown White & Osborn LLP, who sent up the Popehat signal that brought us much needed assistance in the first place. And we thank Dr. Joshua Gans, our expert witness, who generously donated his time and testimony and worked under ridiculous constraints.
We’d also like to thank the people who filed amici briefs taking our side:
Francesca Coppa, Stacey L. Dogan, Deborah R. Gerhardt, Leah Chan Grinvald, Michael Grynberg, Mark A. Lemley, Jessica Litman, Lydia Loren, David Mack, William McGeveran, Mark P. McKenna, Lisa P. Ramsey, Pamela Samuelson, Jessica Silbey, Rebecca Tushnet, Magdalene Visaggio, the Electronic Frontier Foundation, the Organization For Transformative Works, Public Knowledge, and their counsel Chris Bavitz, Mason Kortz, Phillip R. Malone, Meredith Rose, Eric Stallman, and Kit Walsh.
And we’d like to also thank Mike Gold, Martha Thomases, Brandy Hauman, Keiren Smith, Pam Hauman, Shann Dornhecker, Mark Treitel, Joshua Masur, Katherine Trendacosta, Heidi Tandy, Meredith Rose, Brian Jay Jones, Mike Godwin, Margot Atwell, Camilla Zhang, Oriana Leckert, Allison Adler, Michael C. Donaldson, Film Independent, the International Documentary Association, and Steve Saffel.
We’d very much like to thank United States District Judge Janis L. Sammartino, who presided over our case with patience, fairness, wisdom, and thoughtfulness, and all of the staff that supported her.
And finally, we’d like to thank all of the Kickstarter backers who wanted to make this book a reality, all the supporters who helped cover (the start of) our legal expenses, and all of the journalists and scholars who followed and reported on our case. We are grateful for your generosity and faith, and are very disappointed that we can’t show you what you’ve been waiting years to see. At least not yet.
For those interested, the case is Dr. Seuss Enterprises LP v. ComicMix LLC et al.,; case number 3:16-cv-02779 in the United States District Court for the Southern District of California, and case number 19-55348, in the United States Court of Appeals for the Ninth Circuit.
P.S.: There’s two more last minute “thank yous.” The proposed consent judgment was submitted this past Tuesday, October 5. On Wednesday, October 6, Ty had his surgery, which went well. And on Thursday, October 7, two guys joined David and Glenn in sending get-well notes to Ty—a Mr. Shatner and a Mr. Takei.
In a joint motion filed by the parties on October 5, ComicMix has agreed to a permanent injunction on further distribution of Oh, the Places You’ll Boldly Go! while Dr. Seuss Enterprises will abandon its efforts to collect damages.
Federal District Court Judge Janis L. Sammartino’s decision denying summary judgement filed August 9 can be read here.
The litigation began in November 2016 when, during a Kickstarter campaign to fund Oh, The Places You’ll Boldly Go! featuring the writing of David Gerrold, the art of Ty Templeton, and the editorial skills of ComicMix’s Glenn Hauman, Dr. Seuss Enterprises (DSE) filed suit for damages claiming the project infringed their copyright and trademark on Dr. Seuss’ Oh the Places You’ll Go!