Pixel Scroll 5/29/22 As Space-Time For Springers Goes By

(1) HYBRID READING SERIES FROM SEATTLE. Clarion West is bringing back their Summer of Science Fiction & Fantasy reading series in 2022. The readings will be held both in-person in Seattle and online. They are free and open to the public. Click on the author’s name below to learn more and to register for the event. All events will be held on Tuesday nights. 

June 21 Susan Palwick
7PM Seattle Public Library
Central Branch
1000 4th Avenue
Supported by the Leslie Howle Instructorship
Susan Palwick (CW ‘85) has published several novels and short story collections, including The Necessary Beggar, Shelter, and Mending the Moon. She is a recipient of the Crawford Award, Alex Award, and Silver Pen Award, and has been shortlisted for the World Fantasy Award, the Mythopoeic Award, and the Philip K. Dick Award.

June 28 P. Djèlí Clark
7PM Seattle Public Library
Central Branch
1000 4th Avenue
Phenderson Djèlí Clark is the award-winning and Hugo, Nebula, Sturgeon, and World Fantasy-nominated author of the novel A Master of Djinn and the novellas Ring Shout, The Black God’s Drums, and The Haunting of Tram Car 015, as well as numerous short stories.

July 5 Fonda Lee
7PM Seattle Public Library
Central Branch
1000 4th Avenue
Supported by the Sally Klages Memorial Instructorship
Fonda Lee is the World Fantasy Award-winning author of the epic urban fantasy Green Bone Saga as well as the acclaimed young adult science fiction novels Zeroboxer, Exo, and Cross Fire. She is a three-time winner of the Aurora Award, and a multiple finalist for the Nebula and Locus Awards.
Register now.

July 12 Tobias Buckell
7:30PM Town Hall Seattle
1119 8th Ave
Supported by the Debbie J. Rose Memorial Instructorship
Tobias S. Buckell is a New York Times Bestselling author and World Fantasy Award winner. His novels and almost one hundred stories have been translated into twenty different languages. His work has been nominated for awards like the Hugo, Nebula, World Fantasy, and the Astounding Award for Best New Science Fiction Author.

July 19 Bill Campbell
7:30PM Town Hall Seattle
1119 8th Ave
Bill Campbell is the author of Sunshine Patriots; My Booty Novel; Pop Culture: Politics, Puns, and “Poohbutt” from a Liberal Stay-at-Home Dad; Koontown Killing Kaper; and Baaaad Muthaz, and he has edited several groundbreaking anthologies. He is the winner of a Glyph Pioneer/Lifetime Achievement Award.

July 26 Annalee Newitz and Charlie Jane Anders
7PM Seattle Public Library
Central Branch
1000 4th Avenue
Supported by the Susan C. Petrey Memorial Fellowship

Annalee Newitz is the author of the book Four Lost Cities: A Secret History of the Urban Age, and the novels The Future of Another Timeline, and Autonomous, which won the Lambda Literary Award. They are also the co-host of the Hugo Award-winning podcast Our Opinions Are Correct.


Charlie Jane Anders is the author of Victories Greater Than Death, as well as Never Say You Can’t Survive, and Even Greater Mistakes. Her other books include The City in the Middle of the Night and All the Birds in the Sky. With Annalee Newitz, she co-hosts the podcast Our Opinions Are Correct.
Register now.

(2) FOX ON SFWA. Just learned this made Fox News two days ago: “Sci-Fi Fantasy writers convention boots author for ‘racial slur’; target says he was not offended”. Their coverage begins:

The Science Fiction and Fantasy Writers of America (SFWA) booted award-winning author Mercedes Lackey from a conference over her use of a “racial slur,” even though the Black author to whom she had been referring later said he did not consider the term offensive.

Lackey had allegedly referred to Samuel R. “Chip” Delany, 80, a celebrated author and literary critic (winner of multiple SFWA Nebula awards), as “colored” while praising his work in the “Romancing Sci-Fi & Fantasy” panel at the SFWA Nebula Conference on Saturday, May 21…. 

Fox’s article includes Lackey’s apology, and the screencap of Delany’s Facebook comments.

(3) TALKING ABOUT EVERYTHING. Abigail Nussbaum says it’s a challenge to review something really good, such as the movie Everything Everywhere All at Once. Clearly, it’s a challenge she is equal to:

…Here is a non-exhaustive list of things I could talk about when talking about Everything Everywhere All at Once. I could discuss the fact that this is the first worthwhile showcase that Hollywood has given Yeoh since she burst onto Western audiences’ consciousness twenty-five years ago in Tomorrow Never Dies, and how it shows off not only her skills as an action heroine, but as a dramatic actress and a comedienne. I could mention that matching Yeoh beat for beat is Quan, the former child star who played Short Round in Indiana Jones and the Temple of Doom, who has spent the intervening decades behind the camera as a stunt choreographer, but who returns to the screen now in what should be a star-making turn. I could point out that the film functions as a culmination of two of the early 2020s’ favorite tropes—multiverses and generational trauma—while managing to put its own unique spin on them. I could discuss its myriad references, to everything from Pixar movies to art-house Asian cinema….

And there’s quite a bit more Nussbaum could say – and does – after that excerpt.

(4) ABOUT BARKLEY. Camestros Felapton starts his series of why-you-should-vote-for each Best Fan Writer finalist with Chris Barkley in “Chris M. Barkley: Hugo 2022 Fanwriter Finalist”.

Chris Barkley has been an active voice in fandom for over 40 years. He’s been a volunteer at numerous Worldcons, including being the head of media relations at several and more broadly, he’s been one of those vital people in fandom who does the work to make a group of people with common interests a community….

(5) BAD BATCH. Disney + continues the weekend’s parade of introductory trailers with the Star Wars: The Bad Batch Season 2 Official Trailer.

(6) MEDIA BIRTHDAY.

2009 [By Cat Eldridge.] So tonight we have an interesting short film. And no, I had no idea it existed until now.  2081 which is based off of the Kurt Vonnegut’s “Harrison Bergeron” story premiered on this date thirteen years ago at the Seattle International Film Festival. 

The story was first published the October 1961 in the Magazine of Fantasy and Science Fiction, and was in his Welcome to the Monkey House collection seven years later.

The cast is James Cosmo, Julie Hagerty, Patricia Clarkson, and Armie Hammer. 

The story is one where a future polity is attempting by any means possible to ensure that everyone is absolutely equal. That’s a bit of a SPOLER I know. 

So what did the critics think of it. Well I didn’t find a lot of them who said anything but I really like what Mike Massie at the Gone with The Twins site said about this half hour film cost that just a hundred thousand to produce: “’What are you thinking about?’ ‘I don’t know.’ The basic plot, adapted by Chandler Tuttle (who also directed and edited) from Kurt Vonnegut Jr.’s short story, is sensational, serving as a warning and as pitch-black satire. The notion of equality taken to hyperbolic extremes is certainly worthy of cinematic translation, as are the various manifestations of crushing governmental control. True freedom requires disparity. Here, however, there are some inconsistencies (such as determining how exactly to make a ballerina, encumbered as she might be with weights chained around her body, perfectly equivalent to a musician). But the use of slow-motion, classical music (featuring the Czeck Philharmonic Chamber Orchestra and a cello solo), limited dialogue, and highly contrasting juxtapositions give this brief yet sharply filmed project an admirable level of artistry. The premise is terribly bleak, but Bergeron’s plight manages to be momentarily hopeful, funny, and provocative as well.” 

Audience reviewers at Rotten Tomatoes really liked it giving it a seventy-three percent rating.

You can watch it here.

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 29, 1906 T. H. White. Best known obviously for the wonderful The Once and Future King which I read a long, long time ago but still remember quite fondly. Back in the Thirties, he wrote Earth Stopped and its sequel Gone to Ground, sf novels. Gone to Ground contains several fantasy stories which were later reprinted in The Maharajah and Other Stories. ISFDB also lists Mistress Masham’s ReposeThe Elephant and the Kangaroo and The Master as the other novels by him, plus the aforementioned story collection. I know that someone here has read them so do tell me about them please. (Died 1964.)
  • Born May 29, 1909 Neil R. Jones. It is thought that “The Death’s Head Meteor”, his first story, which was published in Air Wonder Stories in 1930, could be the first use of “astronaut” in fiction. He also created the use of a future history before either Robert A. Heinlein or Cordwainer Smith did so. They’re collected in The Planet of the Double SunThe Sunless World and a number of other overlapping collections. He’s a member of the First Fandom Hall of Fame. (Died 1988.)
  • Born May 29, 1939 Alice K Turner. Editor and critic who starting in 1980 served  for twenty years as fiction editor of Playboy. The Playboy Book of Science Fiction which is not available from the usual suspects but which is available at quite reasonable prices in hardcover was edited by her. Snake’s Hands: The Fiction of John Crowley is an expansion of her earlier Snake’s Hands: A Chapbook About the Fiction of John Crowley.  It is available from sellers like ABE Books. (Died 2015.)
  • Born May 29, 1942 Kevin Conway. His first genre role was as Roland Weary in Slaughterhouse-Five with later roles in Lawnmower Man 2: Beyond Cyberspace and Black Knight, neither of which I suspect many of you have seen. You will likely have seen him in The Lathe of Heaven as Dr. William Haber. He played Khalistan on “The Rightful Heir” episode of Next Generation, and had one-offs on Dark AngelLife on Mars and Person of Interest. (Died 2020.)
  • Born May 29, 1947 Julie Cobb, 75. Her first credited role as Yeoman Leslie was in an episode of Trek, “By Any Other Name”. She was the only female Redshirt to be killed in that series. She had roles in The Fantastic JourneyFantasy Island, The Incredible Hulk, a recurring role in Salem’s LotBrave New WorldTucker’s Witch, Starman and The New Adventures of Superman.
  • Born May 29, 1952 Louise Cooper. She wrote more than a dozen works of SFF and was best known for her quite excellent Time Master trilogy. Most of her writing was in the YA market including the Sea Horses quartet and the Mirror, Mirror trilogy. She wrote a lot of short fiction, most of it collected in Creatures at ChristmasThe Spiral GardenShort and Scary! and Short and Spooky!. (Died 2009.)
  • Born May 29, 1987 Pearl Mackie, 35. Companion to the Twelfth Doctor, the actress was the first openly LGBTQ performer prior to the Fourteenth Doctor and the first LGBTQ companion cast in a regular role in Doctor Who. Mackie, says Moffat, was so chosen as being non-white was not enough. Her other notable genre role was playing Mika Chantry in the audiowork of The Conception of Terror: Tales Inspired by M. R. James.
  • Born May 29, 1996 R. F. Kuang, 26. She’s an award-winning Chinese-American fantasy writer. The Poppy War series, so- called grimdark fantasy, consists of The Poppy War which won the Compton Crook Award for Best First Novel, and The Dragon Republic and The Burning God. She’s won the 2020 Astounding Award for Best New Writer.

(8) COMICS SECTION.

  • The Far Side introduces us to the ace of aces.
  • Tom Gauld shared his catoon about authors’ pets.

(9) A TOURIST IN TRANSYLVANIA. Slate’s Marissa Martinelli says Daily Dracula is “Why Hundreds of Thousands of People Are Reading Dracula Together Right Now”.

I keep getting these emails from a guy I’ve never met, who says he got stuck while traveling abroad for work. At first, he seemed to be having a nice time, but lately he’s been describing increasingly weird and disturbing circumstances that make me feel like I should help him out. For once, though, I can rest easy that it’s not a spammer trying to scam me out of some money—it’s Jonathan Harker, protagonist of Bram Stoker’s Dracula.

Dracula Daily is a Substack that emails snippets of the classic horror novel, which takes place over a six-month period, in real time, in the form of the book’s journal entries and letters. The venture is the brainchild of Matt Kirkland, whose previous projects include etching inane tweets into cuneiform tablets and exposing the robotic skeletons lurking beneath your stuffed animals. I spoke to Kirkland about our pal Jonathan, how weird it is that Dracula crawls down walls like a lizard, and the part of the book he’s most excited for readers to experience in email form….

Do you have a sense of what is causing it to take off on Tumblr in particular?

No, I don’t. So much of the posts are about how people are just finding it so funny. We have this dramatic irony of like, “Oh, Jonathan Harker doesn’t know that he’s in Dracula, so he’s not scared enough by going to Dracula’s castle.”

(10) WHEN PEOPLE TAKE THEIR WORK HOME…FOREVER. “U.S. Book Show: The Pandemic and Publishing: How Has Covid Changed the Industry for Good?” asks Publishers Weekly.

…Odom Media Management founder and literary agent Monica Odom was already working from home, expecting a baby, when the pandemic began. “I sold the most books of any year in 2020—and I’m still waiting for them all to publish,” she said. Despite her productivity, she fought “to stay grounded amid the immense collective trauma we were all having, recognizing we were all humans doing this work.” As an aside, she commented, “I did miss the editor lunches.”

That sounds like a throwaway line, yet social distancing highlighted publishing’s reliance on workplace culture. Bogaards suggested the pandemic put “a cap on industry fun,” lowering morale among people who thrive on hard work and literary perks. “The social fabric seems to be fraying at the edges,” Bogaards lamented.

“We’re not having as much fun together, and that does take a toll,” agreed Julia Sommerfeld, publisher of Amazon Publishing and founder of Amazon Original Stories. As remote work developed, she noticed the rise of “a strong online chat culture. The team is always pinging each other and trying to capture that casual conversation. We’re missing the kind of osmosis that happens when we’re all together.”…

(11) STICK A CORK IN IT. [Item by Mike Kennedy.] Novelty wines are often not a great idea. For the most part, this Star Trek selection seems to follow that trend, at least according to Ars Technica. “We tasted the expanded collection of Star Trek wines and found them… wanting”.

Picard has now wrapped its second season, with a third currently in production, and the folks behind Star Trek Wines have expanded their collection from two varieties to six. So a second informal wine tasting was clearly in order. And who better to help us in this noble endeavor than Q himself—aka actor John de Lancie—and The Orville writer Andre Bormanis, who launched his career as a science advisor on TNG? They joined a fresh group of tasters (eight people in all) on a cool late spring evening in Los Angeles, where the nibbles were plentiful and the conversation flowed freely. (Wine assessments were anonymous, in keeping with the gathering’s super-casual vibe. And the wine was purchased out of pocket, not gifted for promotional purposes.)  

… Alas, the four new varieties in the Star Trek wine collection fall far, far short of their predecessors. We’ll start with the merely bland and inoffensive: an Andorian Blue Premium Chardonnay and the United Federation of Planets Special Reserve Sauvignon Blanc.

The Andorian Blue is, indeed, blue in hue, no doubt thanks to the addition of a food dye. (“What is this, a substrate for a COVID test?” one taster quipped.) It’s a gimmick that imparts a very slight aftertaste that is all the more noticeable because the wine otherwise barely has any flavor. That’s unusual for a chardonnay. I’m not especially fond of white wines, but good chardonnays are generally light to medium body, crisp, and a bit citrus-y. The Andorian Blue is indeed light, but it’s missing any distinctive flavor notes—other than that unfortunate hint of blue dye….

(12) FIRE UP THE BOILER. Game Rant feels qualified to recommend “5 Great Underrated Steampunk Sci-Fi Movies”. But the second one they name is the Will Smith Wild Wild West, so should we trust them?

… A usual definition of the steampunk genre states that it presents inventions, technologies, or historical events that happened differently in the real world or didn’t exist in the first place. For every well-known steampunk movie, there are many underrated ones that flew under the radar and that every fan of the genre should watch….

Their list begins:

5. Invention For Destruction (1958)

Though many steampunk movies are in the English language, some best, most underrated pieces come from non-English-speaking countries. This Czechoslovakian 1958 movie was directed by Karel Zeman and based on Jules Verne’s work. It is a classic, but is mostly unknown among the general audiences and has barely over 2,000 ratings on IMDb.

The movie shows that when somebody creates an invention that has the power to destroy the world, it’s more than likely that someone evil will try to use it for their own nefarious purposes. The film is visually beautiful — shot on a camera from 1928, it offers the charm of even older movies. What’s more, it will keep the viewers guessing throughout, especially if they’re not familiar with the original source material.

(13) ON THE MARCH. Northwestern University declares this tiny robotic crab is smallest-ever remote-controlled walking robot.

Northwestern University engineers have developed the smallest-ever remote-controlled walking robot — and it comes in the form of a tiny, adorable peekytoe crab. Just a half-millimeter wide, the tiny crabs can bend, twist, crawl, walk, turn and even jump. The researchers also developed millimeter-sized robots resembling inchworms, crickets and beetles. Although the research is exploratory at this point, the researchers believe their technology might bring the field closer to realizing micro-sized robots that can perform practical tasks inside tightly confined spaces.

(14) SCARY VIDEO. [Item by Martin Morse Wooster.] In “Ghost Dogs” on Vimeo, Joe Capps asks, “If dogs were ghosts, what sort of ghosts would they be?” And “Why would ghost dogs be terrified of Roombas?”

[Thanks to Chris Barkley, Andrew Porter, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 3/15/22 Here’s One Weird Trick To Nominate For The Hugos. SMOFS Hate It. Click Here For More

(1) TIME TO PANIC. Nominations for the 2022 Hugo Awards, Lodestar Award for Best Young Adult Book, and Astounding Award for Best New Writer close at 11:59 pm Pacific Daylight Time (UTC-7), today, March 15, 2022.

If this was a cooking show, the judges would be yelling, “You should be plating!”

Or you could just panic.

(2) REGISTER FOR NEBULA CONFERENCE. The 2022 SFWA Nebula Conference registration is now open. The online event runs May 20-22.

We know that many of you have been eagerly awaiting the opening of registration for this year’s Nebula Conference, tamping down the anxious space bats fluttering in your stomachs as you waited for news. We are pleased to announce that registration is now open! 

Registration Price: $150.00 for One Year of Access Starting May 1st!

Register Here: https://events.sfwa.org/

This year’s conference is fully online, and filled with all the panels and networking opportunities that we can possibly fit into a three-day weekend! The 2022 Nebula Conference Online will once again host the SFWA Nebula Awards Ceremony. 

(3) A SPLASH AT THE BOTTOM OF THE WELL. Chris Barkley is excited that someone on the Chengdu Worldcon committee acknowledged his message “about the current status of the Committee on whether or not your group will be able to fulfill their duties in administering the 2023 World Science Fiction Convention.”  

This morning, at 9:58 am EDT, I received the following response from that account:

Chengdu Worldcon 2023:

“Hi Chris, thank you for the message and concern over the status of our committee. Since we are fully committed to run a most successful convention, we are working hard with locals for the best possible services for our members, including a very affordable membership package. The plan will be announced soon. Sorry for this delayed reply.”

(4) GAMES HUGO SUPPORT SITE GROWS. Ira Alexandre, proponent of a permanent Best Game or Interactive Work Hugo category, has updated the “Games Hugo – FAQ”. They’ve also written a series of tweets defending watching “playthrough” videos as an alternative way for voters to inform themselves rather than playing the games. Thread starts here. (See also “Games Hugo – Playthroughs”)

And if you don’t agree, well —

The category definition itself has been updated to prevent the possibility of conventions being considered in the category. 

(5) WERE YOU THERE? On Twitter, a cosplay fan pointed out a half-hour news documentary of the 1987 Worldcon in Brighton, UK is available on YouTube. “The Human Factor – World Science Fiction Convention”.

(6) MS. MARVEL. “The future is in her hands.” Marvel Studios’ Ms. Marvel comes to Disney+ on June 8. Variety remembers where it all began: “’Ms. Marvel’ Trailer: MCU’s First Muslim Superhero Debuts on Disney+”.

In 2013, Marvel Comics introduced Kamala Khan, a Pakistani American teenager from New Jersey who idolizes Carol Danvers, aka Captain Marvel. By 2014, Kamala had superhuman abilities, her own solo series and her own superhero moniker — Ms. Marvel — making her the first Muslim superhero to headline a Marvel comic.

Nine years later, Kamala is making history once again in “Ms. Marvel,” the latest Disney Plus series from Marvel Studios that debuted its first trailer on Tuesday. The series will debut on June 8….

(7) WHO SAID CASH OFFENDS NO ONE? “Do Ya Wanna Taste It? Thoughts on Peacemaker by Abigail Nussbaum at Asking the Wrong Questions.

I had no intention of watching HBO Max’s Peacemaker. The whole concept seemed to me indicative of the cynicism and blatant manipulation that characterize this most recent chapter in the lifecycle of the superhero-industrial complex. Superheroes are now the leading product of the increasingly consolidated entertainment empires vying for our money, and each of those empires is now promoting its own streaming platform. Ergo, each superhero property has to function as a launching platform for a spin-off show, be it ever so esoteric and hard to justify artistically. Did you think that The Batman‘s take on the Penguin was weird and over-emphasized, a waste of Colin Farrell under a distracting fat suit in a role that could have been played by any character actor in Hollywood? Well, just sit tight for The Penguin, coming to HBO Max in 2023!

It would be one thing if these shows were bad and easily ignorable. But the same self-correcting mechanism that allows Marvel to keep chugging as the biggest pop culture juggernaut in existence despite the failure of individual movies is clearly informing the production of these shows, which repeatedly forestall the “who asked for this?” reaction with top-notch casting, stratospheric production values, and (up to a certain point) good writing….

(8) MORNING IN THE METAVERSE. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber discusses the sf origins of the metaverse.

It tells you a lot about the state of the tech industry that much of its terminology is pilfered from dystopian science fiction novels.  Isaac Asimov gave us ‘robotics.’  HG Wells named the atomic bomb, and Neuromancer author  William Gibson came up with “cyberspace.”  Meanwhile in his 1992 novel Snow Crash, Neal Stephenson popularised the term ‘avatar’ to refer to the digital embellishment of a human in a shared world he called ‘the Metaverse.’  His vision of how humans might behave in a virtual world was quite prescient. ‘If you’re ugly, you can make your avatar beautiful,’ he wrote.  ‘You can look like a gorilla or a dragon or a giant talking penis in the Metaverse.”,,,

…The idea we’re being sold of the metaverse is essentially a video game, and it’s a dreadfully boring one.  All the exciting promises that glitter among the metaverse hype–the ability to socialise in digital spaces, engage in virtual economies, or build genuine friendships online–have existed in games for decades.  See the sophisticated societies in MMORPGS such as World of Warcraft and Final Fantasy XIV, or the virtual universe of Fortnite and Roblox. They are more like a ‘true’ metaverse than anything Meta has to offer:  virtual worlds where you can customise an avatar, spend digital currency, attend concerts and, in what is becoming a metaverse specialty, tolerate obnoxious branding partnerships with your friends.

(9) EASY BIRTH. Goodreads does a brief Q&A with authors Jo Harkin, Sequoia Nagamatsu, Sue Lynn Tan, Olivia Blake, and John Scalzi in “Today’s Hottest Speculative Fiction Authors Answer Our Burning Questions”. Here’s part of what Scalzi has to say about writing The Kaiju Preservation Society.

GR: What sparked the idea for this book?

JS: The complete and utter collapse of an entirely different novel I was writing and the panic that came from knowing I was going to miss a publication date unless I came up with a new idea, fast. To which my brain said, OK, well, how about big monsters? And I said, YES BIG MONSTERS YES, and then my brain dropped the whole plot into my head.

GR: What was the most challenging part of writing your novel?

JS:  Honestly, nothing was challenging about writing this novel. It was a complete and liberating joy from start to finish, and I completed it quickly and easily. I want my next 60 novels at least to be just like this experience. I may be willing to do some unspeakable live sacrifices to achieve this. 

(10) LESLIE LONSDALE-COOPER. Publisher and translator Leslie Lonsdale-Cooper has died at the age of 96 reports the Guardian.

…Following a move to Methuen, where she became a rights specialist, she met [Michael] Turner and with him began translating the Tintin stories, a project that continued for three decades. “Translation” in this context meant rendering Hergé’s Brussels slang into English utterances that could be fitted into the speech bubbles of Hergé’s original drawings. Leslie was especially proud of their invented Tintinian oaths, such as “blistering barnacles!”…

(11) MEDIA BIRTHDAY.

1973 [Item by Cat Eldridge] Some affairs are mostly harmless to use. The Hitchhikers Guide to The Galaxy phrase. So it was with The Girl with Something Extra series that debuted forty-nine years ago. That the lead actress was Sally Field tells you how deep the story was intended to be. She was a wife who had ESP, and her husband never quite understood her. It was intended to be cute, really, really cute. 

Rounding out the cast was Teri Garr, Henry Jones and Zohra Lampert.

One critic noted that “The plot for The Girl With Something Extra TV show immediately brings to mind another show that ended in March of 1972 after a whopping eight seasons on the air! That series of course was “Bewitched” which also featured a young newlywed couple with the wife having super-human powers that caused many problems for her and her husband.” 

The audience apparently didn’t grasp its charms and it was canceled after one season of twenty two half episodes. I believe that it might be streaming on Netflix. (I have four streaming services but not that one. I have Britbox, HBO Max, Peacock and Paramount. That’s quite enough, thank you.) 

Lancer Books published a tie-in novel by Paul Farman, The Girl With Something Extra. 

I see a signed script is for sale on eBay. Huh. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 15, 1852 Isabella Augusta, Lady Gregory (née Persse). Irish dramatist, folklorist, theatre manager. With William Butler Yeats and Edward Martyn, she created the Irish Literary Theatre and the Abbey Theatre. She produced a number of books of retellings of stories taken from Irish mythology. Gods and Fighting Men, all seven hundred pages strong, is the best look at her work. It’s available at all the usual digital sources. (Died 1932.)
  • Born March 15, 1911 Desmond  W. Hall. He served as assistant editor of Astounding Stories of Super Science. His writing career is best remembered for his Hawk Carse series which would as Space Hawk: The Greatest of Interplanetary Adventures in the Fifties. These were co-written with Harry Bates, Astounding Editor. Unfortunately, it appears that he never stayed in print, either in paper or digitally. (Died 1982.)
  • Born March 15, 1920 Lawrence Sanders. Mystery writer who wrote several thrillers that according to ISFDB had genre elements, such as The Tomorrow File and The Passion of Molly T. Now I’ve not read them so I cannot comment how just on how obvious the genre elements are, but I assume it’s similar to what one finds in a Bond film. One of these novels btw is described on the dust jacket as an “erotic spine tingler”. Huh. (Died 1998.)
  • Born March 15, 1924 Walter Gotell. He’s remembered for being General Gogol, head of the KGB, in the Roger Moore Bond films as well as having played the role of Morzeny, in From Russia With Love, one of Connery’s Bond films. He also appeared as Gogol in The Living Daylights, Dalton’s first Bond film. I’m fairly sure that makes him the only actor to be a villain to three different Bonds. (Died 1997.)
  • Born March 15, 1926 Rosel George Brown. A talented life cut far too short by cancer. At Detention (1959), she was nominated for the Hugo Award for best new author, but her career was ended when she died of lymphoma at the age of 41. She wrote some twenty stories between 1958 and 1964, with her novels being Sibyl Sue Blue, and its sequel, The Waters of Centaurus about a female detective, plus Earthblood, co-written with Keith Laumer. Sibyl Sue Blue is now available from Kindle. (Died 1967.)
  • Born March 15, 1939 Robert Nye. He did what the Encyclopaedia of Fantasy describes as “bawdy, scatological, richly told, sometimes anachronistic reworkings of the traditional material“ with some of his works being BeowulfTaliesin (which was the name of my last SJW cred), FaustMerlin and Mrs. Shakespeare: The Complete Works. His Falstaff novel is considered the best take on that character. Some of his works are available at the usual digital suspects. (Died 2016.)
  • Born March 15, 1943 David Cronenberg, 79. Not a director whose films are at all for the squeamish. His best films? I’d pick VideodromeThe FlyNaked Lunch and The Dead Zone. Though I’m tempted to toss Scanners in that list as well. ISFDB says he has one genre novel, Consumed, which was nominated for a Bram Stoker Award for Superior Achievement in a First Novel. Oh, and he was in the film version of Clive Barker’s Nightbreed. And he’s playing a recurring role in Star Trek: Discovery as Federation agent Kovich. 
  • Born March 15, 1967 Isa Dick Hackett, born 1967, 55. Producer and writer for Amazon who helped produce The Man in the High CastlePhilip K. Dick’s Electric Dreams, and The Adjustment Bureau, all of which are based on works by her father, Philip K. Dick.

(13) COMICS SECTION.

  • Bizarro shows a long-time household member having a problem with a new arrival.

(14) PRIDE MONTH. Honoring Pride Month, Marvel’s Voices: Pride returns for its second annual showcase of LGBTQI+ characters and creators in June.

Marvel Comics is proud to highlight its commitment to LGBTQI+ representation with stories that spotlight existing stars AND introduce brand-new characters to the Marvel mythology. Ranging from poignant to action-packed, here are some of the tales that fans can look forward to, each one capturing the joy and promise of PRIDE MONTH!

  • In last year’s MARVEL’S VOICES: PRIDE, Steve Orlando and Luciano Vecchio introduced the dreamy mutant hero SOMNUS,  who now stars in the ongoing X-Men series MARAUDERS! New York Times-bestselling, multi-award-winning author Charlie Jane Anders continues this tradition with the debut of another new hero to the Marvel Universe – and it won’t be the last you see of them. Stay tuned for more info!
  • IRON MAN scribe and lauded TV showrunner Christopher Cantwell takes on Moondragon’s complex legacy for a heart-bending story across space and time.
  • Shuster and Eisner-winning writer Andrew Wheeler makes his Marvel debut with the Marvel Universe’s real god of love – Hercules! Drawn by PATSY WALKER artist Brittney Williams!
  • Nebula, World Fantasy, and Locus-award winner Alyssa Wong reunites the Young Avengers fan-favorite artist Stephen Byrne in a story guaranteed to please fans new and old! Byrne will also depict the team in a vibrant variant cover that you can check out now!
  • Comedy writer Grace Freud (Rick and Morty, the Eric Andre Show) brings her talents to Marvel with a story about the power of responsibility featuring the Marvel Universe’s favorite gay ginger, D-Man! She’s joined by Eisner-nominated artist Scott B. Henderson in his first work for Marvel!
  • Television writer and podcaster Ira Madison III explores the legacy of Pride in his Marvel debut!
  • Champions scribe Danny Lore revisits the legacy of two characters long left in the closet in a tale of love and redemption! 

(15) PUTTING ON THE WRITS. NPR shows that even when you win in court, you don’t necessarily win: “Try as she might, Bram Stoker’s widow couldn’t kill ‘Nosferatu’”.

The world’s first vampire movie premiered 100 years ago. After a long copyright battle, Florence Stoker, widow of the author of Dracula, asked for all copies of Nosferatu to be destroyed. Were they?…

(16) A LARGER CANVAS. Rich Horton spotlights a first novel from a gifted short fiction writer in “Review: On Fragile Waves, by E. Lily Yu” on Strange at Ecbatan.

…On Fragile Waves is a powerful novel on a very contemporary theme, that if anything has become more powerful, more apposite, since it appears. It is the story of an Afghan family, fleeing the chaos in Afghanistan. At one level, it is purely naturalistic fiction, and very effectively so. But there is a fantastical level as well (or “magical realistic” as many reviews would have it) expressed in two ways — the stories the parents of the main character tell, traditional stories (with variations) … and, more obviously, a dead character who returns to haunt — or inspire — the main character….

(17) HOW MANY LIVES WAS THAT? A trailer has dropped for Puss in Boots: The Last Wish, the upcoming movie that stars Antonio Banderas and Salma Hayek.

DreamWorks Animation presents a new adventure in the Shrek universe as daring outlaw Puss in Boots discovers that his passion for peril and disregard for safety have taken their toll. Puss has burned through eight of his nine lives, though he lost count along the way. Getting those lives back will send Puss in Boots on his grandest quest yet. Antonio Banderas returns as the voice of the notorious PiB as he embarks on an epic journey into the Black Forest to find the mythical Wishing Star and restore his lost lives. But with only one life left, Puss will have to humble himself and ask for help from his former partner and nemesis: the captivating Kitty Soft Paws (Salma Hayek).

(18) OWLKITTY. NPR profiles the creator of OwlKitty in “Videographer imagines what it would look like if Steven Spielberg made cat videos”.

…MARTIN: In one of Charroppin’s latest videos, Lizzy co-stars with Leonardo DiCaprio in “Titanic.”…

CHARROPPIN: The hardest of it is not adding the cat, it’s removing Kate Winslet. That process takes about three-quarters of how long it takes to do video.

MARTIN: Lizzy has 6 million social media followers, which is something Charroppin and his wife hope that animal shelters actually benefit from. They adopted Lizzy five years ago.

CHARROPPIN: If there’s one reason to do all of this, it’s to mostly raise awareness that adopting cats is way better than going to get full breed cats. Anything that we can do to help makes it all worth it.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: The Elden Ring,” Fandom Games, in a spoiler-filled episode, notes this new game, designed by George RR Martin, is a world where “every animal, person and plant wants to kill you” and features a dozen different killer swamps.  But the narrator thinks the scariest monsters are the crabs and lobsters. “I haven’t been this frightened by seafood since I got food poisoning at Red Lobster!”

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Rich Horton, Chris Barkley, N., Martin Easterbrook, Mike Kennedy, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 3/1/22 I Claim This Pixel In The Name Of Mike! Isn’t That Lovely, Hmm?

(1) AUTHORS AND PUBLISHERS RESPOND TO INVASION OF UKRAINE. Shelf Awareness did a roundup of industry statements of support, and announcements of stronger actions.

PEN International released a letter signed by more than 1,000 writers worldwide, expressing solidarity with writers, journalists, artists and the people of Ukraine, condemning the Russian invasion and calling for an immediate end to the bloodshed.

“We, writers around the world, are appalled by the violence unleashed by Russian forces against Ukraine and urgently call for an end to the bloodshed,” the letter stated. “We stand united in condemnation of a senseless war, waged by President Putin’s refusal to accept the rights of Ukraine’s people to debate their future allegiance and history without Moscow’s interference.

“We stand united in support of writers, journalists, artists, and all the people of Ukraine, who are living through their darkest hours. We stand by you and feel your pain.

“All individuals have a right to peace, free expression, and free assembly. Putin’s war is an attack on democracy and freedom not just in Ukraine, but around the world.

“We stand united in calling for peace and for an end to the propaganda that is fueling the violence. There can be no free and safe Europe without a free and independent Ukraine. Peace must prevail.”


The Chartered Institute of Library and Information Professionals issued a statement of solidarity and support for librarians, archivists and information professionals in Ukraine, noting: “We are gravely concerned at the threat posed by this action to the safety of the Ukrainian people, their heritage and identity, as well as to the security of our professional colleagues.


A statement of support, signed by Juergen Boos, director of the Frankfurt Book Fair, responded to a joint public appeal from the Baltic cultural organizations representing book creators, publishers and other professionals to end all cooperation with institutions of the Russian Federation.

“The organizers of the Frankfurt Book Fair strongly condemn Russia’s attack on Ukraine ordered by President Putin,” Boos wrote. “Against the backdrop of the Russian Federation’s invasion of Ukraine, a violation of international law, the Frankfurt Book Fair is suspending cooperation with the Russian state institutions in charge of organizing the Russian collective stand at Frankfurter Buchmesse. The Frankfurt Book Fair assures the Ukrainian publishers’ associations of its full support.”

The appeal was signed by the Lithuanian Culture Institute, the Latvian Literature/the International Writers and Translators house, the Estonian Literature Centre, Publishers Associations and Writers Unions in all three counties, the Lithuanian, Latvian, and Estonian sections of the International Board on Books for Young People (IBBY), and the Estonian Children’s Literature Centre.


Publishers Weekly adds this news: “Ukraine Update: Bologna Blocks Russia, Ukrainians Call for Global Boycott”.

Today, the organizers of the Bologna Children’s Book Fair announced that, following Russia’s invasion of Ukraine, the Fair has, “with immediate effect,” suspended cooperation with all Russian state institutions in charge of organizing the Russian collective stand for the upcoming fair, which is scheduled for March 21-24. Last week, Bologna officials condemned the Russian attack, but had stopped short of blocking Russian participation in the fair.

(2) RUSSIAN SFF WRITER WHO OPPOSES THE WAR. An anti-war and pro-Ukraine article by Russian sff author Dmitry Glukhovsky has been published in Die Zeit, a major German weekly paper: “Ukraine: Antirussland”. If you’re willing to take your chances on a machine translation from German to English, a copy can be downloaded here.

… I have visited Ukraine many times, both before and after 2014. With each passing year, the difference between our two countries has become more and more clear to me. Ukraine was and remains a very free country. A country whose social and political life has always been characterized by chaos. It bears a strong resemblance to the Russia of before Vladimir Putin took office, and the longer Putin was in power, the clearer the differences became. From year to year in Russia order increased and freedom decreased. Today the difference to Ukraine is enormous. Russia is a police state with an almost dictatorial order. And there is almost as much freedom left here as in a dictatorship. Ukraine, on the other hand, has actually become a kind of anti-Russia: despite the chaos and total corruption, it is an example of a functioning democracy. During the elections, power shifted from one political-financial conglomerate to the other. When one of the parties tried to usurp power, people took to the streets demanding justice. In contrast, no real opposition has been admitted to the Russian elections for 20 years….

(3) TRACKULA. BBC Radio 4 has reprised “The Trainspotter’s Guide to Dracula”, a 2017 production. Listen at the link.

“3 May. Bistritz. Left Munich at 8:35 P. M, on 1st May, arriving at Vienna early next morning; should have arrived at 6:46, but train was an hour late.”

The first line of Bram Stoker’s Dracula makes it clear what the novel will be about: trains. As the book begins, the English solicitor Jonathan Harker is travelling across Europe by train, en route to meet his mysterious new Transylvanian client, complaining all the way about the late running of the service. “It seems to me that the further East you go the more unpunctual are the trains. What ought they to be in China?”

In the Trainspotter’s Guide to Dracula, Miles Jupp uses Bram Stoker’s novel as it has never been used before, as a train timetable, following its references to plot a route across Europe by rail to Dracula’s castle in Transylvania.

Will Miles be able to reach Dracula’s castle more quickly than Harker did, or will his journey be dogged by discontinued services, closed lines and delays?

(4) YOUNG AT ART. At Young People Read Old SFF, James Davis Nicoll subjects his panel to a Fritz Leiber story that merges sff with chess.

This month’s selection is SF stalwart Fritz Leiber’s Midnight by the Morphy Watch, which as it happens I have not only read but read recently. I was not much impressed by the anthology that contained this story but I did like the Leiber…. 

However, if there is one thing I’ve learned from the nearly seven years I’ve been curating Young People, it is that the overlap between my opinions and the Young People’s is often well short of one hundred percent. Let’s see what they thought. 

(5) FOURTH STEP. Brandon Sanderson says “It’s Time to Come Clean”. “This is because something irregular has happened in my career lately, and I need to let you know about it.”

(6) KICK STEP. Sanderson’s confession leads into this Kickstarter – “Surprise! Four Secret Novels by Brandon Sanderson by Dragonsteel Entertainment” – which has already exceeded its $1 million goal and has raised almost $8 million with 30 days remaining.

Over the last two years, a group of ideas wormed their way into my brain and I found I couldn’t let them go. Despite all of my other obligations, I had to write these stories. So I squeezed them in during moments of free time, crafting four brand new novels. I’m extremely proud of them, as each represents some new aspect of storytelling that has forced me to grow in an interesting way. Each also takes you to someplace new, original, and vibrant. Three of these are Cosmere books taking place on new worlds, and the other one is something completely different.

(7) FOCUS ON RELATED WORK. Cora Buhlert has posted the next Non-Fiction Spotlight and interview with Abraham Riesman, author of True Believer: The Rise and Fall of Stan Lee.

Tell us about your book.

It’s the first complete and unvarnished look at the life of the man born Stanley Martin Lieber. You know him as Stan Lee, the writer/editor who brought Marvel Comics to the world, changed global popular culture, and became an unmistakeable icon. But beyond those broad strokes, most of what the world knew about Stan Lee was false….

…It’s a story of overreach; of a man who achieved so much, yet always boasted of more. It’s a story of obsession; of the birth of modern fandom and its ripeness for manipulation. Above all, it’s a story of ambiguity; of the fact that certain moral judgments and factual assertions can never be made with certainty. Living with that ambiguity is the great challenge of understanding the life and impact of Stan Lee.

(8) LOST AND FOUND. James Davis Nicoll draws a bead on “5 Classic SF Stories About Lost Home Worlds” at Tor.com.

The End of Eternity by Isaac Asimov (1955)

In one sense, Andrew Harlan knows exactly where Earth is. Although he and the other agents of Eternity live outside time, they can and do visit Earth almost any time they care to. Literally. The Eternals monitor and shape Earth’s history over a 70,000 century span. This paradoxically means Harlan can never return to the Earth he grew up on, because Eternity’s incessant tweaking of history to bring about a perfect, stable world means that version of Earth has long since been overwritten.

Harlan knows he can never go home. What he can do is allow himself to be drawn into an ill-fated romance with Noÿs Lambent, who is beautiful, irresistible, and as far as the skilled Eternal can ascertain, slated to be erased from history as an unintended but unavoidable side effect of Eternal tampering. Harlan is determined to save the woman he loves at any cost. Any cost may mean the very existence of Eternity itself…

(9) FOR YOUR VIEWING. [Item by Cora Buhlert.] Matt Davis reviews The Spine Of Night, a 2021 fantasy film that deserves more attention, at Grimdark Magazine.

I’ve just come back from a trip. It wasn’t entirely long, but it was certainly very strange, and I won’t be forgetting it any time soon. The Spine of Night is a surreal, blood-soaked fever dream of epic proportions that recalls esoteric animated classics like 1981’s Heavy Metal Ralph Bakshi’s animated adaptation of Lord of the Rings. It unfolds a fantastical and outrageously violent saga throughout the course of its runtime, a story that touches on at times deeply philosophical themes of truth, knowledge, and the futility of existence. At times, The Spine of Night is even profoundly nihilistic—but also beautiful, and thoughtful….

(10) SMITH OBIT. Jeff Smith – the North Carolina fan, not the Filer – died February 28 after a short battle with liver cancer. He was a 2019 Rebel Award winner who chaired numerous StellarCon and MACE gaming conventions.

(11) MEDIA BIRTHDAY.

1989 [Item by Cat Eldridge] Thirty-three years ago this evening on CBS, the Hard Times on Planet Earth series first aired. It was one of those ubiquitous midseason replacements that networks are so fond of doing when a series they started the season with was a failure. This one had an alien soldier who rebelled against his empire doing penance in a human body (surprise). Originality wasn’t really a thing here even though Michael Piller was involved for three episodes.

The cast was Elite Military Officer (yes that’s how he’s named in the credits) played by Martin Kove, and Control, voiced by Danny Martin, and depicted as a small floating robot.

It was created by the brother Jim and John Thomas who previous has written the screenplays for Predator and Predator 2, though they would later write the Wild Wild West. Ooops. Reception for this was hostile to say the lies with People Magazine critic saying of this particular Disney product, “About 20,000 RPM—that’s how fast I reckon Walt Disney must be spinning in his grave with shows like this on the air.”  And the Sun Sentinel reviewerreally hated it:  “The youngest Nielsen demographic starts at 2-year-olds. Even the slowest of developers would be too sophisticated at 24 months for Hard Time on Planet Earth. There hasn’t been a more insultingly stupid, utterly worthless series since Misfits of Science.”

Normally I’d give you its rating on Rotten Tomatoes but apparently it has gotten even a dedicated fan base or CBS has kept it locked away deep in their digital vaults since its initial airing. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 1, 1915 Wyman Guin. Ok, occasionally doing these Birthdays results in me being puzzled and this is one of those times. In 2013, he was named as recipient for the Cordwainer Smith Rediscovery Award at ReaderCon 24. When I look him up, I find that he wrote a single novel and seven stories according to the folks at ISFDB. I’ve not read him. So, was he that good? Should I seek out his novel, The Standing Joy, and add it to my reading list? His short stories are available at the usual digital publishers, but the novel still isn’t. (Died 1989.)
  • Born March 1, 1918 Roger Delgado. The first Master in the Doctor Who series and still my favorite. The role was written especially for him. He would appear only with the Third Doctor as he died in car crash in Spain. Other genre appearances were Quatermass IIDanger ManThe Mummy’s Shroud and First Man into Space. (Died 1973.)
  • Born March 1, 1930 Eddie Hice. New to the Birthday list for being one of the original Red Shirts on Star Trek. He appeared in two episodes, first as a Red Shirt in “The Day of The Dove” and then having the same role in “Wink of an Eye”. I don’t recall either episode well enough to remember his fate in those stories. He had an extensive genre history showing in Batman twice, including once playing The Riddler, he was in Get Smart nine times, six as an actor and three as stunt double (his career as a stunt double was much longer and extensive than his acting career), The Beastmaster and voice work on the animated Lord of The Rings. (Died 2015.)
  • Born March 1, 1938 Michael Kurland, 84. The Unicorn Girl which he pennedis the middle volume of the Greenwich Village trilogy by three different authors, the other two being by Chester Anderson and T.A. Waters. Kurland has also written other genre novels including Ten Little Wizards and A Study in Sorcery, set in the world of Garrett’s Lord Darcy. His other genre novels are Ten Years to Doomsday (written with Chester Anderson), Tomorrow KnightPluribus and Perchance. All three of the Greenwich Village trilogy are available from the usual suspects. 
  • Born March 1, 1946 Lana Wood, 76. She’s best remembered as Plenty O’Toole in Diamonds Are Forever. She was in The Wild Wild West as Vixen O’Shaughnessy in “The Night of the Firebrand” and as Averi Trent in “The Night of the Plague” episodes. She was in both of the CBS televised Captain America films playing Yolanda, and she was still active in the genre as little five years ago playing a character named Implicit in Subconscious Reality. Be very suspicious that all the Amazon reviews of the latter are five stars. Though it does get a fifty three percent rating among audience reviewers at Rotten Tomatoes. 
  • Born March 1, 1950 David Pringle, 72. Pringle, with Malcolm Edwards and Ian Watson, edited Foundation: The Review of Science Fiction from the late late Seventies through the mid Eighties. He helped found Interzone, and the 2005 Glasgow Worldcon committee gave Pringle a Special Award for his work on the magazine. Besides his various guides to the genre such as The Ultimate Encyclopedia of Fantasy, I see early on that he did a lot of work on J.G. Ballard such as Earth Is the Alien Planet: J. G. Ballard’s Four-Dimensional Nightmare and J. G. Ballard: A Primary and Secondary Bibliography
  • Born March 1, 1952 Steven Barnes, 70. Co-writer with Larry Niven of the Dream Park series. I read the first two when they came out thirty years ago, not bad at all. Their Heorot series isn’t bad either. I’ve not read him on his own so cannot say how he is as a solo writer. I see he’s got a lot of series writing having done work for The Outer LimitsAndromeda and Stargate SG-1

(13) COMICS SECTION.

(14) BEHIND CLOSED DOORS. Bob Byrne’s series about how the famous detective spent his time during the plague year continues at Black Gate: “Nero Wolfe’s Brownstone: Stay at Home – Day 38”.

…I know a lot of people, staying at home all day, every day, are eating a lot more then they normally do. But since Nero Wolfe rarely leaves the house, there hasn’t been a change in his habits. Sometimes he wants more beer than he should have, but that’s got nothing to do with the pandemic. I’ve made sure to get my walk in at least every other day, since Fritz’ cooking hasn’t fallen off a bit. I don’t need my pants size to go up during all this….

(15) THAT’S A SPACY MEATBALL. [Item by Martin Morse Wooster.] In the Washington Post, John Kelly interviews NASA “multimedia liaison for film and TV collaboration” about the rules the agency has for working with film and television projects.  The agency “was heavily involved” with Hidden Figures, First Man, and The Martian, but refused to work with Life, a 2017 movie about an alien space bug that attacked astronauts.  The agency will also not approve use of its circular “meatball” (designed by James Modarelli in 1959) on “alcohol, food, cosmetics, tobacco, underwear, or technology.” “These days, everyone from filmmakers to fashionistas want to collaborate with NASA”.

… That’s where I saw him wearing what NASA-philes call the “Meatball,” the distinctive blue, star-filled circle, with a red swoop and a dot orbiting the letters “NASA.”That symbol seems to be cropping up everywhere. I saw characters wearing it in recent Spider-Man movies, in the new film “Don’t Look Up,” on various TV shows. What gives? The National Aeronautics and Space Administration is just another government agency headquartered in Washington. So is the National Archives and Records Administration, but you hardly ever see anyone wearing a NARA T-shirt in a blockbuster film….

(16) WHAT IT MEANS. [Item by Cora Buhlert.] The always excellent Rogues in the House podcast hosts a roundtable about the future of sword and sorcery: “Sword and Sorcery Round Table: Making sense of the S&S label.”

Sword-and-sorcery can be a confusing label, but the Rogues are determined to make sense of it. In the latest episode, they’re joined by experts of the genre – Scott Oden, Howard Andrew Jones, and Brian Murphy – for a roundtable discussion.

(17) BRINGING SHECKLEY TO THE SCREEN. The Take Me to Your Reader podcast, which discusses cinematic adpatations of SFF stories and novels, discusses the two adaptations of Robert Sheckley’s “The Prize of Peril.” Cora Buhlert has a brief guest appearance, talking about the brilliant West German adpatation from 1970: “Shot With a Happy Ending (The Prize of Peril, by Robert Sheckley)”.

This time, the guys take on some Robert Sheckley in non-English adaptations, namely the 1970 German TV film Das Millionenspiel and the 1983 French film Le Prix Du Danger. Both of these films were adapted from Sheckley’s 1958 short story “The Prize of Peril.”

Of course, we engaged a couple of our friends who were native speakers to help break down the movies. So huge thanks to Cora Buhlert for her excellent breakdown of the German movie, and Emmanuel Dubois for helping us with the French movie.

(18) THE COMING FURY. Tor.com’s Vanessa Armstrong tells readers “Here’s What We Know About the Furiosa Movie So Far”.

… Making Furiosa something other than a non-stop action movie has the benefit of letting us get to see and experience other parts of the Max Max world, including locales that were only mentioned in passing in the 2015 film. “When I started reading [the Furiosa script], I couldn’t put it down,” unit production manager Dan Hood says in Buchanan’s book. “It is going to be really, really good. You get to see Gas Town. You get to see the Bullet Farm. It’s exciting to be able to build that stuff.”

That’s right—you only have to wait a little over one-and-a-half years to see Miller’s vision of Gas Town and the Bullet Farm, places that young Furiosa undoubtedly frequented before she became the Charlize Theron version we saw in Fury Road….

(19) MAKING MEMORIES. Lisa Morton recently asked readers of her newsletter Every Day Is Halloween, “Did you know that several of the best horror movies of the 1940s were written by a woman?” Her name is Ardel Wray.

…One of the reasons you’ve likely never heard of Wray is that she fell victim to the scourge of McCarthyism – she refused to work with investigators to name suspected Communists in the film industry and so was “gray-listed,” meaning her career as a screenwriter was essentially over….

Bright Lights Film Journal profiled her: “Ardel Wray: Val Lewton’s Forgotten Screenwriter”.

During the wartime years of the 1940s, RKO Pictures produced a series of low-budget B-movie chillers that have since become classics of the genre, celebrated for their subtlety and intelligence despite the lurid titles imposed by the studio. Produced by Russian émigré Val Lewton, the films effectively kick-started the careers of venerated directors Jacques Tourneur, Mark Robson, and Robert Wise. Other well-known industry names such as writer DeWitt Bodeen also found fame as a result of their association with Lewton’s B unit, affectionately nicknamed “The Snake Pit.”

However, Ardel Wray, whose credits include I Walked with a ZombieThe Leopard Man, and Isle of the Dead, remains largely unrecognized, despite contributing to more Lewton projects than any other single writer and despite being the only female writer on his team. In addition, she co-wrote what is arguably the best of the RKO “Falcon” thriller series, and wrote the original screenplay for the unproduced Boris Karloff/Val Lewton historical mystery Blackbeard the Pirate….

(20) AND THEN THE OTHER SHOE DROPPED. Yesterday, Disney announced it would not open some new movies in Russia due to the Ukranian situation, but the industry thought it was too late to expect Warner Bros. to halt this week’s opening of The Batman. But no! “’The Batman’ Pulls Russia Release” says The Hollywood Reporter.

Warner Bros. has pulled The Batman from its Russian release calendar at the eleventh hour. The decision comes as Russia continues its invasion of Ukraine and follows Disney’s move to pause its upcoming releases in the country.

“In light of the humanitarian crisis in Ukraine, WarnerMedia is pausing the release of its feature film The Batman in Russia,” a WarnerMedia spokesperson said in a statement. “We will continue to monitor the situation as it evolves. We hope for a swift and peaceful resolution to this tragedy.”…

(21) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: The Book of Boba Fett,” the Screen Junkies note that Boba Fett only had four lines in the first three Star Wars movies.  But in this show we learn Boba Fett is a bald fat guy who takes a lot of naps, spends way too much time in the bathtub, has many, many “space meetings” and has a gang led by people on space Vespas.  Thankfully, in chapter 5 the Mandalorian shows up to kick down doors and make a chain mail shirt for Baby Yoda.  But there is a scene where we see what happens when you get a Wookie drunk and give him brass knuckles!

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Rich Lynch, Chris Barkley, Cora Buhlert, Giant Panda, Jennifer Hawthorne, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 2/18/22 My Name Is Scroll, Pixel Scroll, Agent 770, With A License To File

(1) #METOO. On February 12, attorney and former Weller colleague Cara Dehnert published an essay detailing her previous relationship with Bradbury biographer Sam Weller. The piece alleges mental, emotional, and sexual abuse from Weller, including rape. “What Happened To Me. By: Cara Dehnert” at Medium.

(2) TRUTHS ABOUT TRAUMA. Sarah Gailey sets the bar “On Trauma-Informed Writing” at the SFWA Blog.

… “A difficult or unpleasant experience that changes a person in a lasting way” is a descriptor that applies to most stories. In spite of the promises of a recent literary movement that strives to elide unpleasantness in storytelling, it’s difficult to make a narrative compelling when characters aren’t changed as a result of struggle. Further, a story in which characters endure traumatic experiences without changing in response to them is a story that can cause immense harm.

Narratives help us to understand ourselves and the world around us, and stories that depict trauma as a temporary inconvenience reinforce the idea that ongoing trauma-responses are unusual, or even a sign of weakness. This real-world impact bears out in the way many people process—or are unable to process—their own real-life traumas. Many trauma survivors find themselves questioning why they’re unable to move on from traumatic events. They’ve consumed narratives in which scary things happen, but when the scary things are over . . . everyone stops being scared. So why shouldn’t the same be true in real life?

Treating a character’s trauma as though it can be resolved along with the plot is disingenuous. Treating a character’s trauma as though it must be resolved along with the plot is dangerous. Both are profoundly disrespectful to the story being told…. 

(3) FEDERAL PREEMPTION. Publishers Weekly explains why “Court Blocks Maryland’s Library E-book Law”.

In a rebuke to Maryland state legislators, a federal judge has granted the Association of American Publishers’ motion for a preliminary injunction, blocking Maryland officials from enforcing the state’s new library e-book law.

“It is clear the Maryland Act likely stands as an obstacle to the accomplishment of the purposes and objectives of the Copyright Act,” concluded federal judge Deborah L. Boardman, in a 28-page opinion. Although the judge noted that the Maryland Act only requires an ‘offer’ to license and does not ‘explicitly require’ publishers to grant licenses to libraries, “this is a distinction without a difference,” Boardman concluded (lifting directly from the AAP’s brief), holding that the threat of civil and criminal penalties for non-compliance amounts to “a forced transaction” that “effectively strips publishers of their exclusive right to distribute.”

In enjoining the law, Boardman found that the AAP cleared all four factors necessary to grant a preliminary injunction—a likelihood of success on the merits; irreparable harm; winning the balance of equities, and that the injunction was in the public interest. But while the court entertained—and largely accepted the AAP’s arguments on each factor—the court’s decision ultimately came down to one simple finding (which the AAP also argued): the Maryland law is fatally flawed because it is preempted by federal copyright law….

(4) POKEMON. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, Tom Faber reviews Pokemon Legends;  Arceus.

The game “comes as something of a shock.  There is rarely a surprise in a mainline Pokemon game–if you’ve played one, you’ve played them all.  While The Pokemon Company has spun its IP into the highest-grossing media franchise of all time, encompassing movies, merchandise and trading cards, there has always been an uncomfortable tension in the video games:  that they are supposedly about the joy of adventure, yet have been proven remarkably unwilling to tread new ground for 25 years…

…Like Harry Potter and all the most successful franchises for younger children, Pokemon sells a dream, a world that children desperately want to be real.  As a kid I yearned to make life-long friends with magical creatures.  Arceus is not the Poikemon game I dreamt of, but it gets close.  Game Freak has swapped the series’ aging skeleton for a promising new set of bones, creating a Pokemon game that feels fresh for the first time in over a decade.  It achieved this by finally taking a leaf out of its own book–to make like a Pokemon and evolve.”

(5) IT MIGHT BE SFF. [Item by Mike Kennedy.] Legendary Director Francis Ford Coppola has announced he will be dipping deep into his own pocket to fund a passion project: Megalopolis. Coppola wrote the script around 40 years ago (though one guesses there may have been revisions since). IMDb gives this succinct description,“An architect wants to rebuild New York City as a utopia following a devastating disaster.” GQ described it as, “A love story that is also a philosophical investigation of the nature of man.” Variety interviewed him about it: “Francis Ford Coppola to Spend His Own $120 Million on New Film: I Don’t Care ‘About the Financial Impact’”.

… Speaking to GQ magazine, Coppola said that major Hollywood executives reacted to his “Megalopolis” pitch the “same way they did when I had won five Oscars and was the hottest film director in town and walked in with ‘Apocalypse Now’ and said, ‘I’d like to make this next.’ I own ‘Apocalypse Now.’ Do you know why I own ‘Apocalypse Now?’ Because no one else wanted it.”

Coppola added, “So imagine, if that was the case when I was 33 or whatever the age and I had won every award and had broken every record and still absolutely no one wanted to join me, [then how do you think they’re reacting now?] I know that ‘Megalopolis,’ the more personal I make it, and the more like a dream in me that I do it, the harder it will be to finance.”

…When GQ asked if self-funding “Megalopolis” could mirror his experience on “One From the Heart,” a massive flop that Coppola spent years paying back the bank for, the director responded, “I couldn’t care less about the financial impact whatsoever. It means nothing to me.”

(6) BRENNER OBIT. Film editor David Brenner died February 18 at the age of 59 reports Variety. In 1990, Brenner won the Academy Award for film editing with director Oliver Stone’s Born on the Fourth of July, sharing the award with editor John Hutshing. His genre film credits include Independence Day (1996), What Dreams May Come (1998), The Day After Tomorrow  (2004), 2012 (2009), Pirates of the Carribean: On Stranger Tides (2011), Man of Steel (2013), Batman vs. Superman: Dawn of Justice (2016), Justice League (2017), and Zack Snyder’s Justice League (2021).

(7) MEDIA BIRTHDAY.

2005 [Item by Cat Eldridge]  On this day in 2005, Constantine was released in the U.S. Based off DC’s Hellblazer series, it starred dark haired Keanu Reeves as the much blonder-haired John Constantine, a decision that of course drew much criticism. It was, to put it mildly, produced by committee. The screenplay by Kevin Brodbin and Frank Cappello off a story by Kevin Brodbin. 

Its impressive cast included Keanu Reeves, Rachel Weisz, Shia LaBeouf, Tilda Swinton, Pruitt Taylor Vince, Djimon Hounsou, Gavin Rossdale, and Peter Stormare. I really Tilda Swinton‘s role. 

Reception among critics was mostly negative with Roger Ebert saying Reeves that he “has a deliberately morose energy level in the movie, as befits one who has seen Hell, walks among half-demons, and is dying. He keeps on smoking.” The film made his most hated list. 

Box office wise, it made nearly a 25 million dollars off a budget that was maybe a hundred million dollars. The studio has declined to admit how much the production costs were. 

Over the years, its rating among audience reviewers at Rotten Tomatoes has steadily climbed now standing at an excellent seventy-two percent. Huh. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 18, 1908 Angelo Rossitto. A dwarf actor and voice artist, with his first genre role being in 1929’s The Mysterious Island as an uncredited Underwater Creature. His last major role was as The Master in Mad Max Beyond Thunderdome. He showed up in GalaxinaThe Incredible HulkJason of Star Command, Bakshi’s Lord of The RingsAdult FairytalesClonesDracula v. Frankenstein and a lot more. (Died 1991.)
  • Born February 18, 1919 Jack Palance. His first SF film is H. G. Wells’ The Shape of Things to Come which bears little resemblance to that novel. (He plays Omus.) Next up he’s Voltan in Hawk the Slayer followed by being Xenos in two Gor films. (Oh the horror!) He played Carl Grissom in Burton’s Batman, and Travis in Solar Crisis along with being Mercy in Cyborg 2. ABC in the Sixties did The Strange Case of Dr. Jekyll and Mr. Hyde in which he played the lead dual roles, and he had a nice turn as Louis Strago in The Man from U.N.C.L.E. which is worth seeing. (Died 2006.)
  • Born February 18, 1929 Len Deighton, 93. Author of possibly the most brilliant alternative novel in which Germany won the Second World War, SS-GB. It deals with the occupation of Britain. A BBC One series based off the novel was broadcast several years back.
  • Born February 18, 1968 Molly Ringwald, 54. One of her was first acting roles was Nikki in Spacehunter: Adventures in the Forbidden Zone. She’ll later have the lead role of Frannie Goldsmith in Stephen King’ The Stand series. And does the Riverdale series count at least as genre adjacent? If so, she’s got the recurring role of Mary Andrews there.

(9) COMICS SECTION.

(10) WILD CARDS COMICS. Paul Cornell and Mike Hawthorne retell the foundational Wild Cards stories in new comic series, Wild Cards: The Drawing Of Cards #1 coming June 1.

Based on stories by Harold Waldrop, Roger Zelazny and series master-mind and editor, George R.R. Martin, Wild Cards is a fascinating saga set in a whole new world reshaped by the emergence of superpowers. The limited series, titled The Drawing Of Cards, will be written by a team of comic superstars, writer Paul Cornell and artist Mike Hawthorne, and serve as a perfect entry point for Wild Cards newcomers and a must-have new reimagining for Wild Cards aficionados!

Spanning more than 25 novels, 20 short stories, and written by more than 40 authors over three decades, the Wild Cards series tells the story of an alternate history where Earth is home to super-powered individuals. When a human is infected with the alien “Wild Card” virus, the odds are that they will be killed… which is referred to as “drawing the black queen”. Of those that survive, the bulk of them become “jokers”, left with some strange mutated form. A lucky few are called “aces”, those gifted with super powers they can put to use towards heroic goals… or villainous ones….

“As my fans may already know, the Wild Cards World holds a special place in my heart, so to have the privilege of announcing that an industry titan like MARVEL is going to produce the narrative from the beginning as a comic book brings me no end of joy,” [George R.R. Martin] added.

(11) ONE DOES NOT SIMPLY WALK INTO MORDLE. [Item by Jennifer Hawthorne.] You know that word game, Wordle, that’s burning up Twitter?

Well, variants are popping up like mushrooms after a rainstorm, and someone came up with “Lordle of the Rings.”  It’s Wordle, but you can only use five letter words found in “The Lord of the Rings.”  (Mind you, given how long the books are, that covers a lot of ground.) Find it here: “Lordle of the Rings”.

(12) THE PRICE DOESN’T SUCK THAT MUCH. A “Scarce First Edition, First Issue of ‘Dracula’ by Bram Stoker from 1897” is being auctioned by Nate D. Sanders. The binding is a little banged up, but surely it’s a bargain at $22,500?

(13) NASA NEWS. SF is discussed in this interview with NASA’s chief economist: “Astronomy, sci-fi, and the roots of the space economy: My long-read Q&A with Alex MacDonald” at the American Enterprise Institute.

… In the Industrial Revolution, a lot of the technologies that allow you to think about space flight come online, the most obvious one being pressure vessels, the other relevant ones being, essentially, large armaments. It’s not a coincidence that when Jules Verne talks about the technology for traveling to the Moon in his very well-known book “From the Earth to the Moon,” he essentially has the protagonists being underemployed armaments makers in the United States after the Civil War, who had incredible capabilities for developing large cannons, and they thought they might put them to a different use, a type of swords-into-plowshares initiative in the United States in the 19th century.

This results in a real explosion of stories about traveling into space. Jules Verne’s “From the Earth to the Moon” is written in the 1860s, but also written in the 1860s is the story “The Brick Moon” by Massachusetts pastor and writer Edward Everett Hale. He writes the first story about living on a space station. He and his brother, while they’re students at Harvard, basically come up with a concept for what today we would call a GPS system. All of these things are in the culture and in the literature.

Perhaps the most striking combination of these two themes of science fiction and astronomy is the story of Percival Lowell. Percival Lowell builds a little observatory, at which, later in the 20th century, the planet Pluto is discovered. I should say the dwarf planet Pluto. He is motivated by this idea of canals on Mars, which had been essentially emerging as a culture topic because of a mistranslation of Giovanni Schiaparelli’s Italian word canale, by which he meant channels, and which gets translated into English as canals. But Lowell sees these things, and he writes these books like “Mars as the Abode of Life.” And all of these popular culture works that expound the idea of a purported hypothetical Martian civilization, which, of course, gives further energy to the space flight movement overall.

That intertwining of astronomy and space flight ambition really is there in the 19th century, and of course, it continues up to the present day. The James Webb Space Telescope, of course, is one of the most exciting projects of our time. I was fortunate enough to take off some time from work and actually go down to French Guiana to watch the launch, and it was an amazing moment….

(14) HUMAN RESOURCES. This Netflix series isn’t about an HR department, but about aliens assigned to deal with humans. Airs March 18.

Life on Earth is pretty complicated. That’s why people need them. Welcome to Human Resources.

(15) VIDEO OF THE DAY. [Item by Mike Kennedy.] Apple, Inc. has turned their Signal Boost dial to 11 to promote a new Korean short film shot entirely on an Apple iPhone 13 Pro. Editing was done on Apple Macintosh computers. Director Park Chan-wook’s 21-minute fantasy Life is But a Dream—plus a short “making of” doc—are both available on YouTube. The soundtrack is available on Apple Music. 9to5mac has the story: “Apple shares film shot on iPhone 13 Pro by Park Chan-wook”.

An undertaker who needs woods to build a coffin for the savior of his village digs up an abandoned grave. But while doing so, he accidentally awakens the ghost of an ancient swordsman. Now the ghost tries to take back his coffin.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, Jennifer Hawthorne,.John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Ingvar.]

Pixel Scroll 2/1/22 Pixelled In The Scroll By A Chuck Tingle Pixel Scroll Title

(1) MAKING MAUS AVAILABLE. Shelf Awareness says one Tennessee bookseller is crowdfunding the means for local students to read Maus in the wake of a school board decision: “Tenn. Comic Shop’s Maus Fundraiser Garners $90K”.

After the McMinn County Board of Education in Tennessee voted to ban Art Spiegelman’s graphic novel Maus, about the Holocaust, from its eighth-grade curriculum last week, Nirvana Comics in Knoxville, Tenn., started a GoFundMe campaign to provide students with free copies of the graphic novel.

… The [Jewish Telegraphic Agency] reported that Penguin Random House negotiated a deal to sell 500 additional copies of Maus to Nirvana at a reduced price to give away to students. Actor Wil Wheaton shared Nirvana’s story on social media, and “that’s when it really, really exploded,” Davis said. 

The GoFundMe campaign opened on January 28 with a goal of $20,000; as of this morning it had raised more than $90,000, from more than 2,800 donors. Although Nirvana Comics initially had planned to provide copies to local students, they will now donate copies to students anywhere in the U.S.

Students can request a copy of Maus from the store on Facebook or Instagram.

(2) AFROFUTURISM IN LEGO. CNN Style invites you to “Meet the Ghanaian Canadian Lego sculptor building a Black universe”. (The Official LEGO Shop also has a feature on the same artist in “Celebrate Black Creators”.)

…In his “Building Black: Civilizations” series, Nimako reimagines medieval sub-Saharan African narratives. His “Kumbi Saleh 3020 CE” piece, which is made up of around 100,000 Lego bricks and can be found in the Aga Khan Museum in Toronto, is named after the capital city of a medieval Ghanaian kingdom. The artist explores medieval West Africa and reimagines what it would look like 1,000 years in the future.

Nimako hopes for an “inclusive future” that acknowledges the history of anti-Black racism and how “utterly disruptive” it is, and recognizes the role of Afrofuturism in allowing people to “envision a better world.”

“My wife always says, ‘all movements of resistance are rooted in that imagination.’ You have to imagine the freedom, the emancipation. You have to imagine this struggle being over. You have to project that in order to rise up, in order to resist. What else are you resisting for, if not for that Promised Land?” he said. “Even art is a form of resistance and it’s been used as a form of resistance for a very long time.”…

(3) BEST PUNISH THE WORLDCON HUGO. What do you think about “An Anti-Raytheon Protest Vote at This Year’s Hugos?” Doris V. Sutherland is working to make it happen.

…Before I should go on, I should mention that the practice of nominating short, emotive pieces like acceptance speeches or angry blog posts in Best Related Work — thereby taking spots that could have gone to longer works which took time, effort and research to construct and will better stand the test of time — is itself controversial. My views are conflicted. I would generally agree with this stance (my personal solution would be to split Best Related Work into long-form and short-form categories) but I have considerably stronger feelings about the deal with Raytheon. So, while I would like to see this Best Protest Vote practice to end, I don’t beleive that 2022 is the right year for it to end. I would like to see a Hugo ballot this year that includes an uncompromising renunciation of last year’s Raytheon sponsorship….

(4) LASFS HISTORY ZOOM. Fanac.org’s “Spring History Zoom” schedule is now up here. The first session is “Death Does Not Release You – LASFS Through the Years” with Craig Miller (M), Tim Kirk, Ken Rudolph and Bobbi Armbruster, on February 26, 2022, at 4:00 p.m. To RSVP, or find out more about the series, please send a note to fanac@fanac.org.

LASFS is unique – in its history and impact on fandom. LASFS has a clubhouse, a long list of professional writers that have been members, and has had an incredibly active fan group over the decades. Los Angeles area fandom has produced innumerable fanzines, six Los Angeles Worldcons (and many other conventions). Join us for a session with our real world AND fannishly accomplished participants – convention runners (including a Worldcon chair), a noted fan and professional artist, and a fanzine editor, all past or present LASFS members – in conversation about Los Angeles fandom from the inside.

(5) A READY PLAYER. On Twitter, Ira Alexandre is ramping up the campaign to get the Worldcon to add a Best Video Game category. They foreshadow “a full-length, more detailed explanation” forthcoming on Lady Business. Thread starts here.

(6) PIECES OF EIGHT. Cora Buhlert posted a new Fancast Spotlight today, this time for Octothorpe, which is created by John Coxon, Alison Scott, and Liz Batty: “Fancast Spotlight: Octothorpe”

Alison: I have been wanting to do a podcast ever since the very beginning of podcasts, but it turns out that if you want to do a podcast, you have to find someone who’s daft enough to do the editing for you. Because otherwise podcasts don’t happen, do they? So if you want to run your own podcast the core thing you need is somebody who’s up for doing the editing.

Liz: I didn’t have any desire to be on a podcast, or to start a podcast, or really to do any work around a podcast. But John had asked me “Do you want to do a podcast?” and I said, “Maybe?” And then there was a coronavirus, and now I literally have nothing else that I need to be doing on a Sunday afternoon, so let’s do a podcast! And I am just constantly amazed that we have made it almost 50 episodes, and there appear to be at least ten people actually listening.

(7) KANE ADAPTATION ANNOUNCED.  [Item by Cora Buhlert.] According to The Hollywood Reporter, there is an adaptation of Karl Edward Wagner’s Kane novels and stories in the works: “Action Fantasy ‘Kane’ Adaptation in the Works From Vertigo”. Personally, I’d be happy if there was a decent print edition of the Kane novels and stories available again. Also, my inner pedant bristles at calling the Kane stories epic fantasy, because they’re sword and sorcery.

Kane is very able for producers Roy Lee, Andrew Trapani and Steven Schneider.

The trio has secured the adaptation rights to the long-sought-after series of Kane fantasy novels and short stories by cult fantasy author Karl Edward Wagner.

…Kane’s adventures take place in a visceral world steeped in ancient history, with bloody conflicts and dark mysteries. Wagner wove gothic horror elements into this pre-medieval landscape, taking Kane on fantastic sagas involving war, romance, triumph and tragedy.

(8) ONE READER’S APPROACH. Tika Viteri tells “How I’m Decolonizing My Sci-Fi Reading” at Book Riot.

… One of the ways I am working to decolonize my science fiction reading is to diversify it. White cisgender male authors are vastly over-represented in science fiction, and they come from the dominant gender and race of the English-speaking world, whether they are consciously buying into the narrative or not. A good way to mitigate that narrative is to read it from different perspectives, and those perspectives are usually written by authors who are either non-white and/or not male.

If you haven’t yet read the Binti trilogy of novellas by Nnedi Okorafor, it is an excellent place to start. As an author, she specifically identifies with Africanfuturism, which is a genre (along with Afrofuturism) that has been regularly blowing my mind since I was introduced to it. Our heroine, Binti, has been accepted at a prestigious university off-planet, but her journey is interrupted when her ship is attacked and she is the only survivor. The series handles interspecies biases, what it means to broker peace, and what happens when the fate of worlds rests on the shoulders of one young woman. Reviews are full of phrases like “ground-breaking” and “unique,” and I wholeheartedly agree….

Another of Viteri’s recent articles for Book Riot is “Literary Scandals: Who Was the Real-Life Dracula?”

… [Bram] Stoker famously kept to himself, editing his public image ruthlessly. In contrast to [Oscar] Wilde, and perhaps in reaction to what he perceived to be Wilde’s recklessness regarding his sexual exploits, he retreated farther and farther into the closet, going so far as to say in 1912 that all homosexuals should be locked up — a group that definitely, in retrospect, included himself.

(9) MEMORY LANE.

1971 [Item by Cat Eldridge] Fifty-one years ago at Noreascon where Robert Silverberg was Toastmaster and Clifford D. Simak (pro) and Harry Warner, Jr. (fan) were Guests of Honor with Tony Lewis as the Chair, Larry Niven won the Hugo for Best Novel for Ringworld. It was published by Ballantine Books in October of 1970. 

Other nominated workers were  Poul Anderson’s Tau Zero, Robert Silverberg’s Tower of Glass, Wilson Tucker‘s The Year of the Quiet Sun and Hal Clement’s Star Light

It would also win the Locus, Nebula and Ditmar Awards. Locus would later include Ringworld on its list of All-Time Best SF Novels before 1990.

Algis Budrys found it in his Galaxy Bookshelf column to be “excellent and entertaining, woven together very skillfully and proceeding at a pretty smooth pace.” 

It would spawn three sequel novels with The Ringworld Engineers nominated for a Hugo at Denvention Two which was the year Joan D. Vinge’s The Snow Queen won and a prequel series, Fleet of Worlds which was co-written with Edward M. Lerner. (I really like the latter.) One film and three series have been announced down the decades but none to date have been produced. Indeed Amazon announced this as a series along with Neal Stephenson’s Snow Crash and Greg Rucka’s Lazarus five years ago but none got developed. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 1, 1884 Yevgeny Zamyatin. Author of We, a dystopian novel. He also translated into into Russian a number of H.G. Wells works and some critics think We is at least part a polemic against the overly optimistic scientific socialism of Wells. The Wiki writer for the Yevgeny Zamyatin page claims that We directly inspired Nineteen Eighty-FourThe Dispossessed and Brave New World. No idea if this passes the straight face test. What do y’all think of this claim? (Died 1937.)
  • Born February 1, 1908 George Pal. Producer of Destination Moon (Retro Hugo at Millennium Philcon), When Worlds CollideThe War of the Worlds (which I love), Conquest of SpaceThe Time MachineAtlantis, the Lost ContinentTom ThumbThe Time MachineAtlantis, the Lost ContinentThe Wonderful World of the Brothers Grimm7 Faces of Dr. Lao (another I love)and his last film being Doc Savage: The Man of Bronze which is not so great. Can we hold a George Pal film fest, pretty please? (Died 1980.)
  • Born February 1, 1942 Terry Jones. Member of Monty Python who was considered the originator of the program’s structure in which sketches flowed from one to the next without the use of punchlines. He made his directorial debut with Monty Python and the Holy Grail whichwas nominated for a Hugo at MidAmeriCon, which he co-directed with Gilliam, and also directed Life of Brian and The Meaning of Life. He also wrote an early draft of Jim Henson’s 1986 film Labyrinth, though little of that draft remains in the final version. Let’s not forget Lady Cottington’s Pressed Fairy Book by Brian Froud and him which won a Hugo at Intersection for Best Original Art Work. (Died 2020.)
  • Born February 1, 1942 Bibi Besch. Best remembered for portraying Dr. Carol Marcus on The Wrath of Khan. Genre wise, she’s also been in The Pack (horror), Meteor (SF), The Beast Within (more horror), Date with an Angel (romantic fantasy) and Tremors. She died much, much too young following a long battle with breast cancer. (Died 1996.)
  • Born February 1, 1946 Elisabeth Sladen. Certainly best known for her role as Sarah Jane Smith on Doctor Who. She was a regular cast member from 1973 to 1976, alongside the Third Doctor (Jon Pertwee) and Fourth Doctor (Tom Baker), and reprised her role down the years, both on the series and on its spin-offs, K-9 and Company (truly awfully done including K-9 himself) and The Sarah Jane Adventures (not bad at all). It’s not her actual first SF appearance, that honor goes to her being a character called  Sarah Collins in an episode of the Doomwatch series called “Say Knife, Fat Man”. The creators behind this series had created the cybermen concept for Doctor Who. (Died 2011.)
  • Born February 1, 1954 Bill Mumy, 68. He’s had a much longer career in the genre than even I knew. And I probably overlooked something. His first genre roles were at age seven on Twilight Zone, two episodes in the same season (Billy Bayles In “Long Distance Call” and Anthony Fremont in “Its A Good Life”). He makes make it a trifecta appearing a few years later again as Young Pip Phillips in “In Praise of Pip”.  Next for him he played an orphaned boy in an episode of Bewitched called “A Vision of Sugar Plums” and then Custer In “Whatever Became of Baby Custer?” on I Dream of Jeannie, a show he revisited a few years as Darrin the Boy in “Junior Executive”. Ahhh his most famous role is up next as Will Robinson in Lost in Space. It’s got to be thirty years since I’ve seen it but I still remember and like it quite a bit. He manages to show up next on The Munsters as Googie Miller in “Come Back Little Googie” and in Twilight Zone: The Movie In one of the bits as Tim. I saw the film but don’t remember him.He’s got a bunch of DC Comics and Marvel roles as well — Young General Fleming in Captain America, Roger Braintree on The Flash series and Tommy Puck on Superboy. He’s Lennier, one of the most fascinating and annoying characters in all of the Babylon 5 Universe. Enough said. I hadn’t realized it it but he showed up on Deep Space Nine as Kellin in the “The Siege of AR-558” episode. Lastly, and before our gracious Host starts grinding his teeth at the length of this Birthday entry, I see he’s got a cameo as Dr. Z. Smith in the new Lost in Space series. 
  • Born February 1, 1965 Brandon Lee. Lee started his career with a supporting role in Kung Fu: The Movie, but is obviously known for his breakthrough and fatal acting role as Eric Draven in The Crow, based on James O’Barr’s series. Y’ll know what happened to him so I’ll not go into that here except to say that’s it’s still happening and damn well shouldn’t be happening, should it? (Died 1993.)

(11) STAND BY FOR NEW. “DC is re-writing all of its major events since the ’80s with a stunning reveal in Justice League Incarnate #4”GamesRadar+ broadcasts the warning.

If you’ve read any of the big DC Comics superhero events from 1985’s Crisis on Infinite Earths to now, everything you know is about to change.

In February 1’s Justice League Incarnate #4, DC’s de facto chief writer Joshua Williamson and co-writer Dennis Culver have re-contextualized the major events in DC multiversal history from the ’80s to now. Although this Justice League Incarnate limited series has been a story unto itself, it continues to move pieces around on DC’s ‘big picture’ chessboard towards another Crisis-level event in the very near future.

Anything more we could say on Justice League Incarnate #4 would be spoilers, so…

(12) THE PANELS THROUGH TOMORROW. Jared Shurin has harnessed the power of modern computing to spew forth the commonest denominators in convention programming since the A-bomb went off. Thread starts here.

(13) MOST POPULAR VIEWS. While we’re waiting for someone to produce Sanctuary Moon, here’s what people are enjoying according to JustWatch.

Top 10 Sci-Fi Movies and TV Shows in the US in January (01.01.-31.01.22)

Rank*MoviesTV shows
1Ghostbusters: AfterlifeStation Eleven
2DuneA Discovery of Witches
3Free GuyResident Alien
4Spider-Man: HomecomingPeacemaker
5Spider-Man: Far From HomeThe Book of Boba Fett
6EternalsArchive 81
7Don’t Look UpGhosts
8The Amazing Spider-ManSnowpiercer
9Spider-ManThe Expanse
10Venom: Let There Be CarnageDoctor Who

*Based on JustWatch popularity score. Genre data is sourced from themoviedb.org

(14) LOOK OUT BELOW. “Nasa reveals how it will destroy International Space Station at the end of its life” reports MSN.com.

…The plan assumes that lifespan will come to an end in January 2031. But the work to do so could start a year or more in advance, when the International Space Station’s orbit starts to fall towards the Earth.

Because of the ISS’s vast size, it will not burn up in the atmosphere, and so its descent will have to be precisely controlled in order to be safe. Nasa hopes to do so by gradually manoeuvring the spacecraft so that it drops down to Earth.

Those manoeuvres will be done partly by using the propulsion built into the ISS, as well as by the vehicles that visit. Nasa says that it has already examined the visiting vehicles for whether they would be able to provide enough thrust to help with the de-orbit – and found that a number of them do, with work continuing to expand that list further.

Eventually, the track of the space station’s fall will be lined up so that the space station will fall towards what it calls the “South Pacific Oceanic Uninhabited Area”, or SPOUA. That area is known as the “oceanic pole of inaccessibility” since it is the part of Earth furthest from land – and it is so remote that often the closest human beings are the International Space Station’s astronauts as they float overhead.

Nasa will aim for a specific region known as “Point Nemo”, which is not only remote but almost entirely uninhabited….

(15) LOFTY CONCERNS. Here’s something else you don’t want to be under if it drops out of the sky. WIRED’s Rhett Allain is worried about “What Happens If a Space Elevator Breaks”.

…OK, back to the space elevator. If we can’t build a tower from the ground up, we can hang a 36,000-kilometer cable from an object that’s in a geostationary orbit. Boom: That’s the space elevator.

To get this to work, you would need a large mass in orbit—either a space station or a small asteroid. The mass has to be large so that it doesn’t get pulled out of orbit every time something climbs up the cable.

But perhaps now you can see the problem with a space elevator. Who wants to make a 36,000-kilometer-long cable? For a cable that long, even the strongest material, like kevlar, would have to be super thick to prevent it from breaking. Of course, thicker cables means more weight hanging down below, and that means the higher parts of the cable have to be even thicker to support the cable below. It’s a compounding problem that seems essentially impossible. The only hope for the future of space elevator construction is to figure out how to use some super strong and lightweight material like carbon nanotubes. Perhaps we will make this work someday, but that day is not today.

What About a Falling Elevator Cable?

In the first episode of Foundation, some people decide to set off explosives that separate the space elevator’s top station from the rest of the cable. The cable falls to the surface of the planet and does some real damage down there.

What would a falling space elevator cable look like in real life?….

(16) SHIELDS UP! Here’s a clip of what 2021’s Dune would look like with 1984 technology.  Which, if you’re as old as I am, you maybe thought you’d already seen. From the Corridor Crew.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: The Witcher, Season 2,” the Screen Junkies say that there’s a lot of grunting and deep signs in season 2 of “The Witcher,” but characters are obsessed with how bad they smell (tying into that Old Spice ad!) and much of the series has “a plot line as boring as the phrase ‘elf migration crisis’ would imply.”  The narrator is bothered by the character growth in the show because “I haven’t grown since eighth grade!”

[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Rob Thornton, Soon Lee, N., Chris Barkley, Daniel Dern, Will R., Brian Z., Cora Buhlert, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 11/30/21 I Can Scroll This All Day!

(1) WISCON CALLS FOR HELP. Kit Stubbs, Treasurer for SF3, WisCon’s parent not-for-profit organization, and WisCon 2022 co-chair, has written a long post – “Let’s Save WisCon!” – explaining that to survive the con needs an infusion of volunteers, and to raise a substantial amount of money (primarily because of commitments in its hotel contract).

…WisCon’s roots are grounded in white feminism, and WisCon continues to struggle with racism and with finding ways to center attendees of color who have been harmed. The Town Hall marks a key point in our antiracist work to bring WisCon, particularly as experienced by our attendees and volunteers of color, into better alignment with our values—even if this means that white attendees will have to sit with discomfort.

Working towards a more antiracist con is just one of the major challenges that we face. Unless we, the WisCon community, also take significant action this year in terms of finances and our volunteer pool, within the next few years we will no longer be able to run WisCon.

Why? What’s going on?

Right now, in addition to pushing harder on antiracism, WisCon is facing big challenges on two other fronts: money and labor.

TL;DR:

  • We don’t have enough funds to pay for what happens if we don’t fill our contracted block of hotel rooms, and we can’t afford to cancel the hotel contract. We need about $76k in additional income to our general fund by the end of WisCon 2022 to put the con back on solid financial footing.  Thanks to a generous donor, the first $5k we raise will be matched. Donate now to double the power of your donation!
  • We are in a volunteer shortage crisis. It takes a LOT of people to make WisCon happen, and we lack dozens of volunteers in key positions.
  • The Board of SF3 (WisCon’s parent nonprofit) and WisCon organizers are already starting to work on these challenges. There are many things, both large and small, that you can do to help!…

(2) OMICRON VS. DISCON. The Worldcon is two weeks away, so it’s of great concern to people planning to travel to the con that Biden administration officials are considering stricter testing requirements for all travelers to the U.S. amid omicron variant concerns: “Stricter coronavirus testing being weighed for all travelers to U.S.” reports the Washington Post.

The Biden administration is preparing stricter testing requirements for all travelers entering the United States, including returning Americans, to curb the spread of the potentially dangerous omicron variant, according to three federal health officials.

As part of an enhanced winter covid strategy Biden is expected to announce Thursday, U.S. officials will require everyone entering the country to be tested one day before boarding flights, regardless of their vaccination status or country of departure. Administration officials are also considering a requirement that all travelers get retested within three to five days of arrival.

In addition, they are debating a controversial proposal to require all travelers, including U.S. citizens, to self-quarantine for seven days, even if their test results are negative. Those who flout the requirements might be subject to fines and penalties, the first time such penalties would be linked to testing and quarantine measures for travelers in the United States.

The two testing measures are detailed in a draft public health order written by the Centers for Disease Control and Prevention that is under review by officials at the U.S. Health and Human Services Department and the White House. The self quarantine-related measures are not in that draft but could be added later if the proposals win broader sign-off, said the officials who spoke on the condition of anonymity because the order has not been finalized….

(3) DISCON III ATTENDING MEMBERSHIP PURCHASE DEADLINE. Meanwhile, DisCon III advises that people can pre-register for an Attending membership in the 2021 Worldcon up until December 8. After that, Attending memberships must be purchased in person at the Omni Shoreham.

Virtual and Supporting memberships will still be available to buy online after December 8th, right up to and during the convention.

The convention is hybrid with ten tracks of programming available for Virtual members, including concerts and the Hugo Awards ceremony. In-person Day Passes will be available on-site at the Registration Desk for those who cannot attend all five days. Complete membership information can be found here.

(4) 2023 SITE SELECTION DEADLINES. Be aware of the deadline that applies to whichever method you plan to use to vote in 2023 Worldcon Site Selection.

  • Paper ballots sent via mail must be received by December 7.
  • Emailed ballots (in one of the accepted formats, such as PDF) must be received by noon EDT December 14.
  • Voting continues in person at DisCon III until 6 PM EST on Friday, December 17, 2021.

(5) DISCON III GETS GOOGLE GRANT FOR PANEL CAPTIONING. DisCon III chair Mary Robinette Kowal underscored yesterday’s announcement about the availability of ASL and CART captions for the convention’s panel programs and events:  

(6) SFF IN INDIA. [Item by Martin Morse Wooster.] In the Financial Times behind a paywall, books columnist Nilanjana Roy, a mainstream novelist who has tried to write fantasy, discusses the rise of sf and fantasy in India.

I recently asked Samit Basu, an old friend and the author of 10 books, including the wildly popular Gameworld trilogy, about the boom in Indian SFF, especially dystopian fiction.  Indian SFF writers have one thing in common with their better-known Chinese peers, Basu explained.  ‘You can’t really talk about present-day society in an analytical or critical manner without some risk,’ he said, ‘but you can use technological and social metaphors to talk about the present in genre fiction.”…

…In this climate, SFF offers writers such as Praywag Akbar, whose 2017 novel Leila —which is set in the 2040s and features cities where communities are segregated by high walls–a little more leeway.  The legal scholar created an equally compelling dystopia in his 2020 novel, The Wall:  his protagonist Mithila steps into a world of failed revolutions where, briefly, ‘none could tell the difference between rebel and citizen.’  The story continues in a second volume called The Horizon, which was published this month.

(7) CRYPTO CRIME. [Item by Martin Morse Wooster.] This is from an article by Cristina Criddle behind a paywall in the Financial Times.

Star Wars Stormtrooper helmets by artists including Sir Anish Kapoor and David Bailey have been photographed and turned into non-fungible tokens and sold for millions of pounds without their consent.

Curator Ben Moore took photographs of some of the helmets from a project called Art Wars, created by more than 300 artists since 2013, and sold for them for cryptocurrency as NFTs on the trading platform OpenSea yesterday.

More than 1,000 ethereum (L 5m) had been transferred since the collection of 1,138 images was put on sale yesterday.  One NFT attributed to Kapoor sold for 1,000 ethereum.  Another work attributed to Bailey sold for 120 ethereum.

(8) SCHEDULE YOUR SMOFFING. SMOFcon Europe takes place December 3-5 in Lisboa, Portugal, and the convention’s Programme is now online.

(9) MARRIAGE IS WHAT BRINGS US TOGETHER. “Shatner beams down to Brunswick Trekkies’ wedding” at CentralMaine.com.

Region 10 School Board member Jim Grant and Amy Wells Grant were married in Ticonderoga, New York about two weeks ago, on a replica of the set “Star Trek.” Among those in attendance — the original Capt. Kirk.

…Positioned behind an altar that served as a prop on the original Star Trek set, Shatner delivered some opening remarks, and then recited his original lines from a 55-year-old wedding ceremony scene featured in the episode “Star Trek: The Balance of Terror.”

“Since the days of the first wooden vessels, all shipmasters have had one happy privilege, and that is uniting two people in the bonds of matrimony,” said Shatner, reading from the script. “And so, we are gathered here today with you, James, and you, Amy, in a sight of your fellows, in accordance with our laws and our many beliefs so that you may pledge your love to one another. Please kiss the bride.”…

(10) BIGGEST B.O. In case you’re curious, Yahoo! has a list of “The 10 highest-grossing movies of all time at the worldwide box office” (not adjusted for inflation.)

We turned to Box Office Mojo for its data on worldwide box office grosses to determine the top 10 highest-grossing movies in the world. Aside from Disney movies, the list also includes entries in Universal franchises like “Fast and Furious” and “Jurassic World.”…

(11) MEMORY LANE.

2004 [Item by Cat Eldridge.] Seventeen years ago at Noreascon 4, Neal Gaiman wins the Short Story Hugo for “A Study in Emerald” which neatly merged the Holmesian and Cthulhu Mythos. It was first published in the Shadows Over Baker Street anthology as edited by John Pelan and Michael Reaves. Other nominated works were “Paying It Forward” by Michael A. Burstein, “Robots Don’t Cry” by Mike Resnick, “Four Short Novels” by Joe Haldeman and “The Tale of the Golden Eagle” by David D. Levine. You can read it at Gaiman’s site in its original wonderfulness here.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 30, 1835 Mark Twain. It’s been decades since I read it but I still know I loved A Connecticut Yankee in King Arthur’s Court. His other genre work, The Mysterious Stranger, in which Satan might be visiting us, went unpublished in his lifetime and it’s only relatively recently with the University of California Press editions of all his completed and uncompleted versions in one volume that a reader can see what he intended. Anyone here who’s read it? (Died 1910.)
  • Born November 30, 1906 John Dickson Carr. Author of the Gideon Fell detective stories, some of which were decidedly genre adjacent. The Burning Court with Fell is on this list as is his vampire mythos backstoried novels, Three Coffins and He Who Whispers. And I really should note his Sir Henry Merrivale character has at one genre outing in Reader is Warned. (Died 1977.)
  • Born November 30, 1945 Billy Drago. Best remembered, I think, as the evil John Bly in The Adventures of Brisco County, Jr. series. He was certainly booked in a lot of genre roles as he has appearances in Cyborg 2, Sci-Fighters, Supernatural and X-Files. He also played the demon Barbas in the original and definitely best Charmed series. He also was in Tremors 4: The Legend Begins, a film I’m sure no one was begging for. He was in the Masters of Horror “Imprint” episode, which Showtime pulled due to “disturbing content” which you can read about here. (Died 2019.)
  • Born November 30, 1950 Chris Claremont, 71. Writer in the comic realm. Best known for his astounding twenty-year run on Uncanny X-Men starting in 1976. During his tenure at Marvel, he co-created at least forty characters. Looking at his bibliography, I see that he did Sovereign Seven as a creator owned series with DC publishing it.  And then there’s the matter of Lucas providing the notes for The Chronicles of the Shadow War trilogy to follow the Willow film and then contracting our writer to make them exist.  Anyone ever encountered these?
  • Born November 30, 1955 Kevin Conroy, 66. Without doubt, best known for voicing Batman on Batman: The Animated Series which is my Batman. Justice League Action saw him reprise that role with the other characters often noting his stoic personality.  I’ve not seen it, but on Batwoman, he plays Bruce Wayne in the “Crisis on Infinite Earths: Part Two” episode.  Bruce Timm likes his work in the Batman 75th Anniversary Short Batman: Strange Days (here) which is interesting as he only says one word though he grunts nicely.  (CE)
  • Born November 30, 1955 Andy Robertson. A fan and editor who worked as an assistant editor on Interzone and contributed myriad reviews and interviews. He published some fiction and edited two anthologies based on the works of William Hope Hodgson’s Night Lands, Volume 1: Eternal Love, featuring tales set in Hodgson’s world, and William Hope Hodgson’s Night Lands Volume 2: Nightmares of the Fall. Alas, they never made into digital editions. (Died 2014.)
  • Born November 30, 1957 Martin Morse Wooster, 64. He discovered fandom in 1974 when he heard about “a big sci-fi con” in downtown Washington where admission was $10 at the door.  He had ten bucks, and so attended Discon II at 16.  A year later, he discovered fanzines through Don Miller, and discovered he liked writing book reviews.  He has been turning them out ever since.  In 1975, he was one of twelve founders of the Potomac River Science Fiction Society, which split from the Washington Science Fiction Association, and regularly attends PRSFS meetings to discuss books.  He has contributed to File 770 since 1978 – the first year it was published.

(13) NEW COMICS SUBSCRIPTION PLATFORM. “A New Publishing Platform for Comic Books Will Give Creators a Greater Stake” – the New York Times tells how.

Many comic book characters anchor global franchises, but their creators — or the writers and artists who helped make them popular — have not always shared in that success. Zestworld, a new subscription-based platform that is set to be introduced in early 2022, is hoping to change that.

Zestworld will allow comic book writers and artists to present new work and reap the benefits — and help monetize their creations if they are made into collectibles or adapted for TV, movies or other media. The creators will be stockholders in the company.

“In setting out to build this, we started with the problem statement that this industry is broken for creators; and it’s broken in publishing and TV and film; it’s also broken in events and collectibles,” Chris Giliberti, the founder and chief executive officer of Zestworld, said during a recent telephone interview. “We wanted to build something that’s useful across all areas of their business — anywhere they generate income.”

One investor in Zestworld is the venture capitalist firm Seven Seven Six, which was founded by Alexis Ohanian, the co-founder of Reddit…. 

(14) WITH EVERY WORD, SHE DROPS KNOWLEDGE. Cat Rambo’s new book You Sexy Thing is out this month! She spent a few minutes with Rapid Transmission’s  Joseph Hurtgen and talked about her writing process, working with an editor, and her love for gaming: “Cat Rambo: You Sexy Thing”.

How has your work as an editor, including your time at Fantasy Magazine, informed your writing?

Certainly editing has made me a better writer, more attentive to the nuances of comma placement and sentence structure. But it’s also made the way I work with editors different, I think, or at least helped me advance more quickly to the point where I understand what a difference a good editor can make, and how awesome an ally they can be in producing something that you’re really proud of. For example, I had a story in The Magazine of Fantasy and Science Fiction earlier this year, “Crazy Beautiful,” that I absolutely love, and it was C.C. Finlay’s excellent edits that took it to the next level, in my opinion, including a major change that involved removing the vast majority of the quotes from art critics that I’d included and leaving only the Bob Ross quote that starts it off. Similarly, with You Sexy Thing, my editor, Chris Morgan caught all sorts of little snags and played a major part in making it the smooth read that it is (I think!)…

(15) TOPOLOGIC BOOKSTORES. [Item by Daniel Dern.] Hard to believe some of these aren’t (just) CGI. Either way, some are good candidates for my Zoom background library: “The world’s wackiest bookstore? Inside the amazing new Shenzhen Zhongshuge shop in China” – photos at Daily Mail Online.

Designer Li Xiang’s own website tells what it all symbolizes: “Shenzhen Zhongshuge”. (There’s also a large gallery of photos.)

…When I received the design assignment for Zhongshuge in Shenzhen last year, I had led the designs for several completed Zhongshuge across China. In the process of researching the cultural background of this city, I realized that I could design a space which could become a symbol of Shenzhen itself as an inclusive and vibrant city of migrants, paying tribute to all those who have struggled to make history in this city.

Thus, this retail space, which seems to have grown out of a giant art installation, was born. Straddling the earth and sky, it is examined as an otherworldly presence that creates a subtle experience of unease mixed with familiarity, making the space a proposition posing silent questions to the viewers….

(16) ARE THE SCARES THERE? The New York Times ponders the cultural question “When Is a Horror Movie Not a Horror Movie?”

A few days before Halloween, the @NetflixFilm Twitter account put out a call: “What movie isn’t technically a horror movie but feels like a horror movie to you?” Included was a photo of a freaky-eyed Gene Wilder in “Willy Wonka & the Chocolate Factory.”

Twitter being Twitter, some of the responses were flip, like “It’s a Wonderful Life” and “Cats.” But there were also heavy hitters like “2001: A Space Odyssey” and “Parasite.” Children’s films, including “Pinocchio” and “Bambi,” made the cut. It just goes to show, horror is what scares you, not me.

Horror has always been an elastic and regenerative genre. It lifts from and melds with just about every type of cinema: comedy, sci-fi, action, romance, fantasy, documentary. Its flexibility extends as far back as the monstrous love story in “Bride of Frankenstein” (1935) and as current as the blood-drenched melodrama of “Malignant.”

But how do you know if you’re watching a horror movie when there’s no killer or monster, exorcism or blood? It’s a decades-old question that’s being asked about new films that blur the line between a movie with horror and a horror movie….

(17) WHAT’S THAT I SMELL? Aubtu introduces us to “Luxurious Perfumes Inspired By Disney Villains That Are Extremely Breathtaking”. (However, these appear to be designs, not products available for sale.)

…Today, we are honored to introduce to you some amazing artworks of Ruby Spark – a talented young artist who specializes in drawing and illustrating. Obsessed with the beautiful costumes of Disney villains, Ruby came up with a brilliant idea of designing perfume bottles based on these iconic outfits, and they are all not surprisingly extremely gorgeous and fascinating! 

#3 Yzma from “The Emperor’s New Groove”

(18) I NEVER DRINK…WINE. Could there be something you don’t know in this list of “20 Surprising Facts About ‘Bram Stoker’s Dracula’” from Mental Floss?

8. COPPOLA HIRED EIKO ISHIOKA UNDER THE EDICT THAT “THE COSTUMES ARE THE SETS.”

According to Coppola, the original amount budgeted for sets in Bram Stoker’s Dracula was a massive chunk of the film’s total cost—so much so that he worried he’d go over budget if he actually stuck to the elaborate set designs his original production designer planned. So, he hired different production designers, scaled down the sets, and brought in legendary art director Eiko Ishioka to transform his vision of Dracula into something different.

With Ishioka, who later admitted she’d never seen a Dracula film before working on Coppola’s project, the director crafted a philosophy that “the costumes are the sets,” putting all the focus on his actors and what they were wearing, with the sets themselves acting as mere backdrops for the performances. Inspired by everything from insects to symbolist painters to The Kiss by Gustav Klimt (which is homaged in Dracula’s final costume of the film), Ishioka set about crafting everything from a dress centered on snakes for Lucy Westenra to an insect-like straightjacket for Renfield. For Dracula’s first appearance as a vampire, she also ditched the classic cape in favor of a long, flowing crimson robe, which remains one of the film’s most famous visuals.

Ishioka won the Academy Award for costume design in 1993 for her work on Bram Stoker’s Dracula.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] This trailer from How It Should Have Ended about Venom;  Let There Be Carnage (with guest stars Spider-Man, Deadpool, and Baby Shark) dropped today/

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Nicholas Shectman, Olav Rokne, Daniel Dern, Joseph Hurtgen, James Bacon, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Steve Davidson, with dual credit to Daniel Dern for a similar suggestion.]

Pixel Scroll 6/10/21 Revenge Of The Unknown Knowns

(1) SHIPPING NEWS. The New York Times tells how “’Ships of the Northern Fleet,’ a crowdsourced sci-fi project, navigated from TikTok all the way to the convention circuit,” in “The Show Is Fake. The Fandom Is Real.”

…Maybe you remember it, too — but it’s much more likely that you don’t. That’s because “Ships of the Northern Fleet” isn’t real. It’s fabricated. Fake. A nonexistent TV series.

Its fan base, however, very much exists. “Fleeters,” as they’re known, congregate on Discord and TikTok to talk about their favorite “memories” of the adventures of the ship crews of the Four Fleets. Popular discussion topics include the Cog Hogs, small clockwork hedgehogs that are cuter than the Porgs of “Star Wars” fame, and the majestic Sky Whales, giant beasts who flew in the sky next to the pirates’ soaring airships.

Fans debate the merits of the ships’ various captains, including Captain Neil Barnabus (the leader of the True Winds fleet, named after the fantasy writer Neil Gaiman) and Captain George Hellman (who is “played” by Nathan Fillion, a fixture of the sci-fi genre; he wrote in an email that though he hadn’t heard of the show, he is “all for it”).

So, how exactly did “Ships of the Northern Fleet” come into semi-existence? It started, like so many other dramatic arcs online, with a throwaway post on social media.

A Show Is Born

In early February, in a video on TikTok, the video game writer Tyler James Nicol encouraged his viewers to “participate in a hallucinatory experience” by sharing their favorite memories and moments from a show “that will and has never existed,” and that, according to the proposed imaginary construct, had been canceled before its time.

The fake “steampunk sky pirate show,” would be called “Ships of the Northern Fleet” after the name of a novel that Mr. Nicol, 36, had once planned to write.

He never got around to the manuscript, but he did have the title, a TikTok account and an idea to crowdsource its plot and fictional lore.

It took off quickly. Mr. Nicol, Mx. Osborn and four others — Patrick Loller, Erik Tait, Gary Hampton and Logan South — connected on TikTok and started streaming together on Twitch, where they performed improv in character, riffing on questions fans asked them via chat about “working” on the show.

Enthusiasts banded together to create a subreddit, a Discord server and a wiki with over 300 entries. They’ve also produced fan art, songs and a “Ships” tabletop game. There’s knockoff merchandise out there, too, though fans can buy “real” merch from Mr. Nicol; he donates all his earnings from those sales to the Trevor Project….

(2) KAFKA COLLECTION. “Max Brod’s Franz Kafka Archive Digitized”Smithsonian Magazine has the story.

During his lifetime, the celebrated Czech Jewish author Franz Kafka penned an array of strange and gripping works, including a novella about a man who turns into a bug and a story about a person wrongly charged with an unknown crime. Now, almost a century after the acclaimed author’s death, literary lovers can view a newly digitized collection of his letters, manuscripts and drawings via the National Library of Israel’s website.

As Agence France-Presse (AFP) reports, the collection contains around 120 drawings and more than 200 letters owned by Max Brod, a friend and fellow writer who served as Kafka’s literary executor. Instead of destroying the author’s papers as he had requested, Brod chose to publish and preserve them….

(3) AFROFUTURISM BUNDLE. StoryBundle is offering The Afrofuturism and the Black Fantastic Bundle curated by Tenea D. Johnson.

For StoryBundle, you decide what price you want to pay. For $5 (or more, if you’re feeling generous), you’ll get the basic bundle of four books in any ebook format—WORLDWIDE.

  • Slay by Nicole Givens Kurtz
  • Talk Like a Man by Nisi Shawl
  • Dominion by Zelda Knight and Oghenechovwe Donald Ekpeki
  • The Brothers Jetstream: Leviathan by Zig Zag Claybourne

If you pay at least the bonus price of just $15, you get all four of the regular books, plus six more books and a fiction album! That’s a total of 11!

  • New Worlds, Old Ways edited by Karen Lord
  • Queen of Zazzau by J.S. Emuakpor
  • Baaaad Muthaz by Bill Campbell, David Brame and Damian Duffy
  • How to Recognize a Demon Has Become Your Friend by Linda D. Addison
  • Reenu-You by Michele Tracy Berger
  • Frequencies by Tenea D. Johnson
  • Afro Puffs Are the Antennae of the Universe by Zig Zag Claybourne

(4) FROM SCOTLAND TO THE BORGO PASS. At CrimeReads, Laurie R. King profiles Emily Gerard, whose travels in Transylvania provided Bram Stoker with a lot of inspiration and ideas when he was writing Dracula – “The Scottish Anthropologist Who Inspired Dracula”.

… When she was in her thirties, mother of two young sons, her husband took up a position in the far corner of Transylvania. Gerard was a writer by this time, having published stories, reviews, and a few novels in collaboration with her sister, so her imagination was roused by this fascinating and utterly unknown part of the world. Apparently fearless—“Nonsense!” she says, when her young son urges her to take her revolver on a solitary trek—and fluent in several languages, she would merrily set off on an “easy” walk (“not more than two hours off”) to a spot on a map far from any road, or to a ragged tent she’d spotted on waste-land. There she would watch, and listen, and ask all manner of questions about the work, beliefs, rituals, and lives of the residents.

From these experiences, Gerard wrote an essay on “Transylvanian Superstitions,” which was accepted for publication in one of Britain’s most widely respected journals….

(5) EREWHON AND ELSEWHERE. “Mohanraj and Rosenbaum Are Humans” Episode 14 is a visit with Liz Gorinsky.

Friend of the podcast Liz Gorinsky arrives to share her experiences as an editor, from her early days of reading comic books, to her work at Tor.com, and finally starting Erewhon Books. Mary Anne and Ben inquire about the technical and career aspects of editing, as well as the importance of grappling with their internal editor in their own writing process.

(6) DINOS RETURNING. And SYFY Wire has the new poster: “Jurassic World: Dominion prologue before IMAX F9 screenings, first teaser image”.

Jurassic World: Dominion is finally ramping up its larger-than-life marketing campaign with an extended preview that will play before IMAX screenings of F9 (out in North America Friday, June 25)….

Described as “a prologue” to the main story, the 5-minute sneak peek is set 65 million years ago in the Cretaceous period when…*clears throat*…DINOSAURS RULED THE EARTH. Mr. DNA is on vacation, but Michael Giacchino’s score will be there to guide viewers through the origin story of a lone mosquito that decides to slurp up some tasty dino-blood. The release also promises (count em’) SEVEN new species never before glimpsed within the Jurassic franchise. And just before you think it’s all over, the preview excavates “some real trademark Jurassic surprises with dinosaurs later roaming an Earth that is decidedly less theirs alone,” reads the synopsis.

(7) GRAYSKULL IS BACK. Netflix dropped a trailer forKevin Smith’s Masters Of The Universe:  Revelation.

(8) MEDIA BIRTHDAY.

  • June 10, 1955 — On this day in 1955, This Island Earth premiered in New York City. It was produced by William Alland, and directed by Joseph M. Newman and Jack Arnold. It  Jeff Morrow, Faith Domergue and Rex Reason. It was based on the novel by Raymond F. Jones, which was first published in the Thrilling Wonder Stories as three novelettes: “The Alien Machine” in the June 1949 issue, “The Shroud of Secrecy” in December 1949 issue, and “The Greater Conflict” in February 1950 issue.  Critics in general loved it, it did very well at the box office but currently the audience reviewers at Rotten Tomatoes give it a not great forty-four percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born June 10, 1918 — Barry Morse. He was Prof. Victor Bergman on Space: 1999, a show I never did quite cotton to, and he also appeared on the Twilight Zone , Outer Limits, The InvadersTekWarThe Martian ChroniclesRay Bradbury TheaterSpace Island OneMemory RunThe Shape of Things to Come and The Return of Sherlock Holmes. (Died 2008.) (CE)
  • Born June 10, 1918 – Frank Hamilton.  He didn’t invent the Shadow, or Doc Savage, but he illustrated them excellently.  Here is an FH Shadow on the cover of Frank Eisgruber’s Gangland’s Doomhere is the FH cover for a Doc Savage tribute; both with lots of interiors.  Here is a note from ThePulp.net with a 1982 FH self-portrait; here is a note from “The Shadow” wiki.  Find, if you can, his Amazing Pulp Heroes (with Link Hullar’s text).  (Died 2008) [JH]
  • Born June 10, 1922 – Judy Garland.  For us this star shines in the MGM Wizard of Oz (Thorpe, Fleming, Vidor dirs. 1939) – winning her only Academy Award.  I love the Oz Frank Baum wrote; in the MGM version much is right, and otherwise, as a law-school professor of mine said – of a major figure with whom he disagreed vigorously – There is a sense in which a genius can’t be wrong.  The rest of JG’s career was such a tragedy because there too she earned such glory.  (Died 1969) [JH]
  • Born June 10, 1928 — Maurice Sendak. In Seattle many years ago, I saw the painted flats he did for The Nutcracker. Truly stunning. Of course, he’s known for Where the Wild Things Are which I think is genre adapted into other media including a film by Spike Jonze. In the Night Kitchen might be genre and it is often on Banned Books lists. (Died 2012.) (CE) 
  • Born June 10, 1935 – Tatsumi Yoshiro.  (Personal name last, Japanese style.)  He coined gekiga for a development of manga he preferred; see here.  I can’t go along with calling it more realistic, or saying that’s better – I had this quarrel with people when Watchmen first appeared – but Tatsumi-san was a genius, and we could stand knowing more about SF and related art of Japan.  Here is the cover for his memoir of 1945-1960 A Drifting Life (English version); here is a Wikipedia article about it; here is an article about gekiga and mangahere is an article in the Lambiek Comiclopedia with panels showing his work.  (Died 2015) [JH]
  • Born June 10, 1937 — Luciana Paluzzi, 84. She is best known for playing SPECTRE assassin Fiona Volpe in Thunderball. She also appeared in Hercules as Iole’s maid, The Green Slime as Doctor Lisa Benson, Captain Nemo and the Underwater City as Mala and The Six Million Dollar Man: The Solid Gold Kidnapping as Contessa DeRojas. (CE)
  • Born June 10, 1951 — Charles Vess, 70. If you ever need a crash course in learning about his art, go find a copy of Drawing Down the Moon: The Art of Charles Vess which lavishly covers his career up to about a decade ago. I’ve got a personally signed copy here along with lots of his artwork. He’s had interesting career including the Spider-Man: Spirits of the Earth graphic novel that he wrote and illustrated. I strongly recommend the illustrated version of Stardust he did as it’s amazing. (CE)
  • Born June 10, 1952 — Kage Baker. I never met her but we had a decade-long conversation via email and once in a while via phone. We were supposed to write a Company concordance for Golden Gryphon but she got too ill for it to happen. Harry the Space Raptor is now living with her sister Katheleen. The two of them were also frequent attenders of Ren Faires were they set up a tavern (John Hertz knew her that way) and sold various ales. Kage had a deep fascination with Elizabethan English and Harry Flashman as well who she incorporated into her novels effectively. (Died 2010.)(CE)
  • Born June 10, 1953 – Don Maitz, age 68.  Two hundred thirty covers, a hundred twenty interiors from this luckily prolific artist; two Hugos, one Worldcon committee special award, eight Chesleys; World Fantasy award; Society of Illustrators Silver Medal. Two artbooks, First Maitz (he created the image of Captain Sir Henry Morgan 1635-1688 for Captain Morgan’s Spiced Rum) and Dreamquests; two sets of DM Fantasy Art Trading Cards.  Guest of Honor at Boskone 18, Lunacon 28, Loscon 19, Minicon 49, Balticon 27, and Lonestarcon 2 the 55th Worldcon.  Here is his cover (with his wife Janny Wurts) for The Darkest Road.  Here is his cover for his Worldcon’s Souvenir Book.  [JH]
  • Born June 10, 1962 –  Ahmed Khaled Tawfik, M.D., Ph.D.  Author, physician, Professor of Medicine.  Two hundred books in both Egyptian and Classical Arabic; also in Web-based magazines. Refaat Ismael of his Beyond Nature series is a retired bachelor doctor with a sarcastic attitude who keeps having paranormal adventures.  In Utopia Egyptians live in a dystopian and utopian (or as I should say cacotopian and eutopian) society separated by walls.  Cheryl Morgan interviewed AKT in Locus 614.  (Died 2018) [JH]
  • Born June 10, 1964 — Andrew M. Niccol, 57. Screenwriter / producer / director who wrote and produced one of my favorite genre films, The Truman Show. The film won him a Hugo at Aussiecon Three.  He also involved in GattacaThe TerminalIn TimeThe HostThe Minutes short videoand Anon. Sort of genre adjacent is that he‘s been announced as the screenwriter for a live version of the Monopoly game but it still in development.  Personally I think it’s in the games section of The Library in The Dreaming. (CE)
  • Born June 10, 1986 – Amanda Havard, age 35.  In The Survivors and two sequels Sadie Matthau searches for answers about her family who survived the Salem witch trials through supernatural abilities; on an Immersedition interactive book application are AH’s original music, and maps, photos, background, commentary; a syndication at Wattpad.com has had 5 million readers.  Independent Publisher’s Editor’s Choice award, eLit bronze medals for Fantasy – Science Fiction and Young Adult.  [JH]

(10) BONUS BIRTHDAY. A.V. Club also reminds us: “Today’s the birth date of the miracle replicant baby in Blade Runner 2049”.

It’s a happy day on both Earth and the off-world colonies alike, at least for high-level replicants who haven’t been “retired” yet. That’s because today, June 10, 2021, is the date repeatedly shown in Denis Villeneuve’s Blade Runner 2049 as the birth date of the miracle replicant messiah baby conceived by Nexus-7 replicant Rachael and Blade Runner Rick Deckard (who is also probably a replicant). The birth should’ve been impossible, because replicants are definitely just pieces of machinery who don’t have thoughts or feelings of their own and shouldn’t be capable of having children, because then it would be harder to argue that they’re not normal people and humans might start feeling bad for how they treat them (humans are the worst). That’s what makes this miracle messiah baby so important to the distinctly Jared Leto-like creep Niander Wallace, who wants to use the miracle baby to figure out how he can make more miracle babies and satiate his enormous god-complex…. but that hasn’t happened yet, because it’s still only 2021….

(11) BLESS THEIR HEARTS. ScreenRant pulled up a 1977 video interview where “Stan Lee Admitted Marvel Trolled DC In The Most Hilarious Way”.

…In an interview in the late ’70s, the former Marvel editor-in-chief was asked about his competition at DC Comics. Without hesitation, Lee said “bless their little innocent hearts,” before admitting that they had “fun with them” after they started selling more comics. According to Lee, DC studied Marvel’s covers in an effort to try to emulate their success. Lee said DC noticed the use of red on their comics and started doing their own red covers. He added DC did the same thing with dialogue on the covers. In response, Marvel took “all the red” and dialogue off their covers, which Lee revealed still led to their books still selling better. Lee said it drove DC “crazy.” (Lee’s answer begins around the 8-minute mark of the YouTube video below)….

(12) STORMBRINGER. Spoilerverse carries “Michael Moorcock’s Multiverse: From Melniboné to Hollywood”, a podcast with Andrew Sumner conducting the interview.

Sumner welcomes the world’s greatest living fantasy author, Michael Moorcock, to Hard Agree for the first in an ongoing series of conversations about Michael’s life and work. In this debut episode, Sumner & Moorcock discuss Michael’s parents, his Dad’s regard for Arthur C Clarke, completing the latest Elric of Melniboné novel (due for release in Fall 2022), the beginnings of Jerry Cornelius, Michael’s great friendship with feminist author Andrea Dworkin – and they begin a discussion of Michael’s wild ride through Hollywood that will roll into our next episode.

(13) MONEY SHOULD FLOW TO THE WRITER. Max Florschutz breaks down “Why You Won’t Be Seeing My Work on Serial Story Sites” at Unusual Things.

…See, story services like this are based off of similar setups that come from Asia that started with mangas. And from a business perspective, they’re designed to be explotative.

See, the idea is that the site itself exists to gather as many content creators as possible and then create a microcosm of a “free market,” where everyone is competing with everyone else. Except it’s not really that “free” since it’s controlled by a single entity who runs the service. And they can therefore manipulate how it functions to their advantage.

And oh, do they ever. These services are designed to maximize their profits … at the expense of those who flood them with content.

For instance, there’s an upper limit on how much you can release with each post. Vella, for instance, has a limit per chapter of 5000 words. You can’t release anything larger. Why? Because it maximizes the volume of content readers must click through or pay for, increasing ad and subscription revenue. What would be one chapter becomes two or even three, which means 2-3 times the revenue per reader. Tricky … but effective.

But worse, they actively design the system to produce free content the site runners earn revenue off of for free. When you start at these places, you start at “the bottom.” IE for a lot of the founding originators of this idea, you earned nothing… 

(14) ROUNDUP TIME. In Petréa Mitchell’s “Anime roundup 6/10/2021: It Gets Real” at Amazing Stories.

ODDTAXI #10 – Odokawa attempts to recruit Yamamoto into his scheme to upset the heist, only to wind up setting himself up to be conveniently murdered. It is only thanks to Shirakawa that he survives long enough to meet up with Dobu again for a sketch of Dobu’s plan and the long-awaited title drop.

It’s an excellent moment when Shirakawa finally gets to use her capoeira skills in anger, but it leads to the question: how did she happen to be hanging around in the very construction site where Yamamoto was planning to dispose of Odokawa in the middle of the night?…

(15) HE REVIEWS THOSE THEWS. In the Washington Post, Michael Dirda gives an introduction to the fiction of Robert E. Howard as well as biographical and critical works about him. “Robert E. Howard became famous for creating Conan. But that warrior was only the beginning.”

As a reviewer, I’ve always regarded myself as a generalist, lurching from a novel this week to a biography or work of history the next, occasionally interspersing an essay or rediscovering a neglected classic. But every so often, I feel the need to be much more — what’s the right word? — serious, intense, almost scholarly. I yearn to immerse myself in the works of a single author, to spend time reading as much of his or her writing as possible. During these literary sprees, I even undertake actual research, scribble notes, talk to experts.

Last month, I realized that this column would coincide with Robert E. Howard Remembrance Days in Cross Plains, Tex. There, the writer’s fans gather each June 11 — the day the 30-year-old shot himself in 1936 — for talks, barbecue and camaraderie. This year’s guest of honor is Roy Thomas, who wrote the 1970s Marvel comics which — along with Lancer paperbacks featuring brutal and sensual cover art by Frank Frazetta — created a new audience for Howard’s best-known character, the greatest warrior of the ancient Hyborian age.

We first learn his name in the soul-stirring epigraph of “The Phoenix on the Sword”: “Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandaled feet.”…

(16) COVER YOURSELF. The Retro Science Fiction Collage Hawaiian Shirt is an eye-catcher.

(17) A BEAUTY AND SOME BEASTS. Enchanted Living Magazine introduces readers to “The Magical Beasts of Anastasiya Dobrovolskaya”.

… Dobrovolskaya’s first shoot with Stepan took place in January, and she says, “it was a wonderful experience thanks to which we made amazing photos.” She describes Stepan as “the cutest bear in the world: very loving and delicate,” and says that his story “is an example of an endless love between people and an animal. When I saw him for the first time I could not hold back the tears because I saw such a huge love between this animal and his people. I wish that all people treated their pets like Stepan’s family have been treating him.”

Dobrovolskaya has always loved and cared for animals. “As a child I brought home puppies and kittens that had been thrown out,” she said. “On??, I brought a baby raven whose wing was broken. Nothing has changed. I still love animals with all my heart and am always trying to help those in trouble.” She first incorporated animals in her photography by chance in 2018. She’d been taking portraits for a few months when she received a message from a woman who organizes photo shoots in Moscow, offering Dobrovolskaya the opportunity to participate in a shoot with a chicken and a mini pig. How could she resist?

She found a model, plucked a dress from her  own closet, and went—but didn’t know what to do.  “Should the chicken be on the floor? Or should I put him on the fence? The pig suddenly fell asleep—was it okay to wake her up? The only thing I knew was that I wanted those photos to look like fashion ones.” So she told her model Margo, “Imagine that we’re making content for Vogue.” The photos turned out smashingly and even went on to be recognized in the huge international photo contest 35 AWARDS 2018.

As it turned out, the couple who owned the chicken and the mini pig took care of other animals too, including a baby fox cub and an owl. Dobrovolskaya asked if it were possible to take photos with them as well, though she was “very worried that it was stressful for the animals.” The owners assured her it was okay, and to Dobrovolskaya’s surprise, “both the fox and owl were very happy to have an additional walk in a park and didn’t even notice the paparazzi.”…

(18) GOOGLE FOR DUMBOS. Scientific American is there when “The First ‘Google Translate’ for Elephants Debuts”. [Via Slashdot.]

When a male African savanna elephant folds his ears while simultaneously waving them, he’s ready for a fight. When a female folds her ears and accompanies the action with an ear flap, that means she’s also issuing a serious threat. But when elephants come together and fold their ears while also rapidly flapping them, the animals are expressing a warm, affiliative greeting that is part of their bonding ceremonies.

Elephants possess an incredibly rich repertoire of communication techniques, including hundreds of calls and gestures that convey specific meanings and can change depending on the context. Different elephant populations also exhibit culturally learned behaviors unique to their specific group. Elephant behaviors are so complex, in fact, that even scientists may struggle to keep up with them all. Now, to get the animals and researchers on the same page, a renowned biologist who has been studying endangered savanna elephants for nearly 50 years has co-developed a digital elephant ethogram, a repository of everything known about their behavior and communication….

[Thanks to Mike Kennedy, Andrew Porter, Martin Morse Wooster, Daniel Dern, JJ, Michael Toman, John King Tarpinian, Cat Eldridge, and John Hertz for some of these stories. Title credit belongs to contributing editor of the day Steve Davidson.]

Pixel Scroll 5/15/21 What Can You Get A Pixel For Christmas When He Already Owns A Scroll?

(1) SUCCESSFUL SURGERY. Amazing Stories’ Kermit Woodall says “Steve Davidson’s Heart Surgery is Successful!”

I got the call a few hours ago (didn’t know what it was and it went to voicemail) and just listened to it. Steve’s doctor said all went well and he’s doing fine in recovery!

(2) OH, THE NEUTRINOS YOU’LL BASH. The New York Times profiles the author in “Andy Weir’s New Space Odyssey”.

“The real world is a far richer and more complex tapestry than any writer could invent,” Andy Weir, the author of “Project Hail Mary,” said.

When Andy Weir was writing his new novel, “Project Hail Mary,” he stumbled into a thorny physics problem.

The book’s plot hinges on a space mold that devours the sun’s energy, threatening all life on Earth, and that propels itself by bashing neutrinos together. He needed to figure out how much energy would be produced by two of those subatomic particles colliding.

“I was having a really difficult time finding information on that, and the reason is because people don’t fully know. I mean, we’re getting to the edge of human knowledge on that one,” Weir said in an interview last month from his home in Saratoga, Calif. “Neutrinos are the smallest and most difficult to deal with subatomic particles that we have ever actually managed to prove exist.”

Most sci-fi writers would err on the side of fiction rather than science. But Weir has never been satisfied with fictional solutions to scientific quandaries. He eventually figured out the number he needed for a single sentence — 25.984 microns — and, in the process, learned a lot about neutrinos.

“You have something like 100 trillion neutrinos passing through you, personally, every second,” he said excitedly. “Just being emitted by the sun.”

(3) WEIR Q&A. Dr. Brian Keating interviews the author in “Andy Weir: Project Hail Mary = Even Better than the Martian!”. Some of the questions are:

  • How do you balance realism and scientific fact with a fictional narrative?
  • Could you really mobilize resources at a planetary scale?
  • Do you think it’s realistic to turn an amateur avocation into a career?
  • Is there too much UFOlogy? What’s your stance on SETI and UFOs?
  • Do you think we’ve been going about SETI the wrong way?

Andy Weir built a two-decade career as a software engineer until the success of his first published novel, The Martian , allowed him to live out his dream of writing full-time. He is a lifelong space nerd and a devoted hobbyist of such subjects as relativistic physics, orbital mechanics, and the history of manned spaceflight. He also mixes a mean cocktail. He lives in California.

(4) EVERYONE’S A CRITIC. Some would call this common beginning and ending point Joycean. Some will get that call and hang up. Thread starts here.

(5) FOUR’S A CHARM. Charles Payseur’s Hugo nomination made the news in Wisconsin: “Beyond Belief: Local Author Named Finalist For Hugo Awards – For the Fourth Time” at Volume One. Payseur blogs at Quick Sip Reviews.

… Payseur said he’s grateful for the recognition he said is largely the result of years of consistent effort and a deep affinity for sci-fi/fantasy writing. His own writing, combined with blogs and reviews, landed him on the Hugo map, he said, noting that during the past six years he has reviewed more than 5,000 short fiction and poetry works. His Hugo recognition “comes on the back of my nonfiction work, my blogging and reviewing, and most of that probably comes down to just keeping at it and trying my best to engage with other people’s work openly, thoroughly, and compassionately,” Payseur said.

… Payseur, a 2008 UW-Eau Claire graduate in English, enjoys a variety of different writing styles, from poetry to romance to mystery. But ultimately science fiction and fantasy “with a dash of horror” is his favorite form to write and read.

Payseur has penned a book, The Burning Day and Other Strange Stories, published by Lethe Press and scheduled for release this summer. The work is a compilation of short stories – some of which he wrote years ago and some more recently. The Burning Day is a reflection of Payseur’s questioning of himself and the world around him, he said, examining “desire, nostalgia, and hope in a time when the past and future don’t exactly seem bright.”…

(6) TWO FOR THE PRICE OF NONE. Bruce Gillespie’s SF Commentary 105 (March 2021) and SF Commentary 106 (May 2021) are available as free downloads here. Bruce comments —

They are really two parts of one issue, 80 pages each. No. 105 includes my natter, plus Colin Steele’s reviews column, and the first half of the Gigantic Letter Column, plus covers by Carol Kewley and Alan White.

No. 106 includes my tribute to Yvonne Rousseau (1945–2021), noted Australian fan, critic, essayist and editor; Perry Middlemiss’s article about the 1960s Hugos; Andrew Darlington’s discussion of early John Brunner; Jennifer Bryce’s Top 10 Books of 2020; and with Tony Thomas, a coverage of the most recent Booker Prizes. Plus the second half of the Gigantic Letter Column.

(7) HEAR AUDIO OF A FIFTIES EASTERCON PLAY. [Item by Martin Morse Wooster.] “Last and First Fen” is a play that was performed at the 1956 Eastercon and recently put online by Rob Hansen as part of his invaluable research into British fan history.  If this play was a transcript it would have to be heavily annotated.  I got none of the jokes about British fen and only a few of the references to Americans.  But I nonetheless got the gist of the production and thought it was agreeably silly, especially for people who like British comedy of the era.  I thought it was worth an hour.  The website also has photos of what cosplayers looked like in 1956. The audio recording is here.

(8) WIBBLY WOBBLY WEATHER. James Davis Nicoll is your ambassador to “Five Fictional Planets Plagued by Extreme Climate Shifts” at Tor.com.

…SF authors being what they are, those whose works feature climate forcing due to companion stars tend to prefer dramatic oscillations rather than low, single percent wobbles. One might expect that such works would have first shown up in these times of worry over anthropogenic climate change. Not so! This was already a well-established genre. Consider the following works from times of yore:

Cycle of Fire by Hal Clement (1957)

Precisely how ancient red dwarf Theer came to orbit much younger, far more massive Alcyone is unclear. The consequences, however, are obvious. Theer’s habitable world Abyormen cycles between comfortable temperate conditions and overheated and wet greenhouse conditions. Abyormen’s life has adapted in ways Terrestrials would find astounding.

Providentially for castaway Nils Kruger, inadvertently abandoned on Abyormen by fellow crewpersons, Abyormen is in the temperate part of its cycle. Even better, he encounters native Dar Lang Ahn, in whose company he explores an alien world Nils is unlikely to leave soon. Thus, he gains knowledge of just how Abyormen’s life has adapted to its periodic baking. To his distress, he realizes that these adaptations could make the likeable aliens a threat to humanity….

(9) DO YOU HAVE GOOD TASTE? In the Washington Post, Alexandra Petri meets a creature who’s hungry for people to come back to the office. “Only the least tasty employees work from home!”

Is it good and important to go back to the office? Oh yes! Oh yes! It is so very good and important, and I am so glad that you asked me! I know all that transpires in the office, and how very good and important it is to be there — yes, for everyone to be there! Everyone must be in the office with their assorted smells and their good meaty legs! It is bad that the office is empty of people and filled only with the scent of hand sanitizer and flat sodas that were opened in March 2020. There is no nourishment in this! How the management yearns for a return of the workers! How it is ravenous for them! How it hungers for them!…

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 15, 1856 — L. Frank Baum. I adore The Wizard of Oz film and I’m betting you know that it only covers about half of the novel which is a splendid read indeed. I’ll confess that I never read the numerous latter volumes in the Oz franchise, nor have I read anything else by him. What’s the rest of his fiction like?  There is, by the way, an amazing amount of fanfic out here involving Oz and of it is slash. (Died 1919.) (CE) 
  • Born May 15, 1891 – Mikhail Bulgakov.  Had he only written The Master and Margarita, that would have sufficed us.  Margarita, not the Master, allies herself with the Devil – maybe; I talk a little about it here; published decades after his death, too dangerous.  Mick Jagger said it inspired “Sympathy for the Devil”.  Try this Website.  See also DiaboliadThe Fatal EggsHeart of a Dog. Two rival museums in Moscow – in the same building; one in Kiev.  (Died 1940) [JH]
  • Born May 15, 1919 – Harry Bennett.  Thirty covers, half a dozen interiors.  Here is The “Lomokome” Papers.  Here is The White Jade Fox.  Here is Floating Worlds.  Here is The Last Enchantment.  Here is the frontispiece for a Short Stories of Oscar Wilde.  (Died 2012) [JH]
  • Born May 15, 1926 — Anthony Shaffer. His genre screenplays were Alfred Hitchcock’s Frenzy and Robin Hardy’s The Wicker Man. Though definitely not genre, he wrote the screenplays for a number of most excellent mysteries including the Agatha Christie based  Evil Under the Sun,Death on the Nile, and Murder on the Orient Express. (Died 2001.) (CE) 
  • Born May 15, 1946 – Michaelene Pendleton.  Eight short stories.  Editor, particularly ESL (work written in English as a second language) “because I learn about your culture through your writing.”  (Died 2019) [JH]
  • Born May 15, 1955 – Tatsumi Takayuki, age 66.  (Personal name last, Japanese style.)  Professor at Keiô University, chair of its SF Study Group; editor, essayist, interviewer, theoretician; Nihon SF Taishô (Grand Prize) from SFWJ (Science Fiction & Fantasy Writers of Japan).  President, Amer. Literature Society of Japan 2014-2017, Poe Soc. of Japan 2009-  ; editorial boards of ParadoxaMark Twain StudiesJournal of Transnat’l Amer. Studies.  In English, for NY Review of SFSF ChronicleSF EyeSF Studies, the 65th and 72nd Worldcons’ Souvenir Books; The Liverpool Companion to World SF FilmThe Cambridge History of Postmodern Literature.  [JH]
  • Born May 15, 1955 — Lee Horsley, 66. A performer who’s spent a lot of his career in genre undertakings starting with The Sword and the Sorcerer (and its 2010 sequel Tales of an Ancient Empire), horror films Nightmare ManThe Corpse Had a Familiar Face and Dismembered and even a bit of SF in Showdown at Area 51. Not sure where The Face of Fear falls — it has a cop with psychic powers and a serial killer. (CE) 
  • Born May 15, 1960 — Rob Bowman, 61. Producer of such series as Alien NationM.A.N.T.I.S.Quantum LeapNext Generation, and The X-Files. He has directed these films: The X-FilesReign of Fire and Elektra. He directed one or several episodes of far too many genres series to list here.  (CE) 
  • Born May 15, 1966 — Greg Wise, 55. I’m including him solely as he’s in Tristram Shandy: A Cock and Bull Story. It is a film-within-a-film, featuring Steve Coogan and Rob Brydon playing themselves as egotistical actors during the making of a screen adaptation of Laurence Sterne’s 18th century metafictional novel Tristram Shandy. Not genre (maybe) but damn fun. (CE)
  • Born May 15, 1974 – Ahmet Zappa, age 47.  Brother of Dweezil, Moon Unit, and Diva; wrote song “Frogs with Dirty Little Lips” with his father Frank.  Debut novel (and interiors), The Monstrous Memoirs of a Mighty McFearless; debut film, The Odd Life of Timothy Green; television, three-season host of Robotica; co-author with wife Shana Muldoon Zappa, Sage and the Journey to Wishworld and 14 more Star Darlings books. [JH]
  • Born May 15, 1991 – Julie Novakova, age 30.  In English, a score of short stories, two anthologies; recent essay in Clarkesworld 174 (Mar 2021).  Seven novels in Czech.  Website (in Czech and English).  As of 11 May 21 Kickstarter looks good for Life Beyond Us.  [JH]

(11) FANTASTIC FOUR TURNS SIXTY. Marvel Comics is celebrating the 60th anniversary of the Fantastic Four, and artist John Romita, Jr. has returned to the company just in time to help.

Following the highly anticipated BRIDE OF DOOM storyline, August’s FANTASTIC FOUR #35 will be a special giant-sized spectacular that will see series writer Dan Slott teaming up with legendary artist John Romita Jr.

Recently returned to the House of Ideas, Romita Jr. is back to bringing his incredible artwork to Marvel’s biggest heroes, starting with this celebratory 60th anniversary issue for Marvel’s First Family. FANTASTIC FOUR #35 will launch a brand-new storyline that will see every iteration of the iconic villain Kang teaming up for a devious plot that will unravel across Fantastic Four history!

(12) I’VE BEEN WORKING ON THE RAILROAD. Mr. Muffin’s Trains offers these two irresistible additions to your model railroad’s rolling stock:

(13) SHOCKED, I TELL YOU. Of course there should be a stolen body involved in this story! ScreenRant points a finger as “Resident Evil Village Accused Of Stealing Horror Movie’s Monsters”.

Resident Evil Village has a number of new and rather unique monsters for the franchise, but one of them may have been stolen from a film. One of the most noteworthy bosses in Resident Evil Village is a creature that is half man, half aircraft propeller, and apparently, the director of the 2013 film Frankenstein’s Army believes Capcom knowingly ripped it off along with other characters in that same section of the game.

Resident Evil as a franchise is known for its imaginative, well-realized monsters, such as Lady Dimitrescu in Resident Evil Village. Oftentimes the disgusting and violent villains become incredibly iconic and are held up highly in the survival horror genre. The series has birthed the likes of Mr. X, the Nemesis, the Chainsaw Man, and many more, but some of the franchise’s latest creations may not be wholly original….

(14) IT’S NO TRICK. Julia Alexander’s Musings on Mouse contends “Loki is now a sign of Disney+’s strength”.

… None of this implies that Disney+ is struggling by any means. It’s not. But whereas competitors might give subscribers more reasons to open the app daily, Disney+ is still looking for its constant. Disney+’s catalog makes up 4% of catalog demand in the US, according to Parrot Analytics, behind all of the other big streamers. Internal restrictions (nothing above PG-13 can be on the app, nothing outside of Disney’s core brands) means the catalogue can only grow so large each month. 

We’re getting there, though. Disney moving Loki to Wednesdays is in part because The Bad Batch is running on Fridays through mid-August. In-between that time, Disney is bringing back High School Musical: The Musical: The Series (on Fridays) and see big movie debuts, including Cruella and Black Widow in May and July respectively. Disney+ has appointment viewing spots for Friday and into the weekend. But Disney wants to increase consistency in engagement throughout the week. 

Disney is in a rare position where over the next 10 months the company will have a high profile show or movie every single day, every single week. A new movie, overlapping Marvel shows, a Star Wars series, a Pixar series, and other potentially big live-action projects. These series overlap and create a consistent flow of appointment television that all bleed into one another. For all the conversation about “franchise fatigue,” statistically that’s not present in actual consumer behavior. 

There’s a reason that consistency is key to any business model, but with streaming, if subscribers are consistently opening and using a platform, this leads to less churn and Disney feels better about raising prices incrementally. This helps with overall ARPU in important regions. Or, to put it simply, Wall Street is happy, Disney executives are happy, and consumers are fine with the increase because the value is apparent. …

(15) EVERBODY WATCHES, NOBODY QUITS. If you haven’t already satisfied your daily minimum requirement for deconstructing Verhoeven’s Starship Troopers, it’s time to watch the second installment of Kyle Kallgren’s analysis: “STARSHIP TROOPERS, Part 2: VERHOEVEN”. (Part 1 is here.)

(16) YOUR EPISTEMOLOGY DOLLARS AT WORK. Public television is here to help you decide an important question: “PBS Space Time – How To Know If It’s Aliens.”

There’s one rule on Space Time: It’s never Aliens. But every rule has an exception and this rule is no exception because: It’s never aliens, until it is. So is it aliens yet? And on this fortnight’s Space Time they have been examining all the best case scenarios for life beyond Earth.

[Thanks to Cat Eldridge, John Hertz, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Jennifer Hawthorne, Martin Morse Wooster, JJ, Bruce Gillespie, James Davis Nicoll, and Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Jack Lint.]

Pixel Scroll 5/11/21 Pixelai Filevanovich Scrollachevsky Is His Name. Hey!

(1) MACHADO ON BOOK BANS. Carmen Maria Machado has an op-ed in today’s New York Times: “Banning My Book Won’t Protect Your Child”.

… Book bans in America are nothing new. As long as there have been writers, there have been reactionaries at their heels. (Boston held its first book burning in 1650.) Today in the United States, books that feature characters who are Black, Latinx, Indigenous, queer or trans — or are written by authors who identify that way — frequently make up a majority of the American Library Association’s annual list of the top 10 books most often censored in libraries and schools. These book bans deprive students of a better understanding of themselves and one another. As a writer, I believe in the power of words to cross boundaries at a time of deep division. Now more than ever, literature matters.

Those who seek to ban my book and others like it are trying to exploit fear — fear about the realities that books like mine expose, fear about desire and sex and love — and distort it into something ugly, in an attempt to wish away queer experiences.

They do not try to hide their contempt, or their homophobia. They accuse teachers who want to assign my book of “grooming” students, language that’s often used to accuse someone of being a pedophile and a common conservative dog whistle when it comes to queer art. They want to shield their children from anything that suggests a world beyond their narrow perception.

As anyone can tell you — as history can tell you — this is ultimately a fool’s errand. Ideas don’t disappear when they’re challenged; banned books have a funny way of enduring. But that doesn’t mean these efforts are without consequences.

The high school seniors affected by this action are on the cusp of adulthood, if not already there. Soon, they will go into the world. They will date and fall in love and begin relationships, good and bad. I understand that for a parent, it’s almost unthinkable to imagine that your child could experience such trauma. But preventing children from reading my book, or any book, won’t protect them. On the contrary, it may rob them of ways to understand the world they’ll encounter, or even the lives they’re already living. You can’t recognize what you’ve never been taught to see. You can’t put language to something for which you’ve been given no language.

Why do we not see these acts of censorship for what they are: shortsighted, violent and unforgivable?

(2) WISCON PLANS. This year’s WisCon substitute, although still online, will be different from last year’s virtual convention: “Visioning WisCon”.  

This spring (unlike last spring) has gone fast, but we’ve found the time to be sad about the lack of a WisCon this year as much as we have been hearing you are missing it. But we looked at our energy levels (sadly low) and our virtual-event-expertise levels (also pretty low), and we had to conclude that we weren’t going to be able to do a second WisCONline.

… We will be asking folks to register, so we can send you the information you need to attend. Our base ticket price is FREE! Tickets priced at $10 help us make the next in-person convention happen; $60 tickets go to our Member Assistance Fund, helping folks attend in 2022; the $200 tickets help assure that WisCon can keep happening past 2022. The program space will be open 4pm to 11pm Central time, Saturday May 29 & Sunday May 30.

(3) WRITERS GETTING PAID – WE HOPE. At BookRiot, Sarah Nicolas takes a crack at answering “How Much Do Authors Make Per Book?”

…When I teach classes and am asked how much do authors make, people tend to be deeply unsatisfied with my “it depends” answer. There is no way to predict how much a book will make, but I spoke with 15 authors of all stripes to demonstrate the variety of options. I spoke with self-published authors and traditionally published authors who have made less than they spent on expenses, authors of both paths who easily make a living off their writing, and everyone in between.

While there are many author earning surveys done by a variety of organizations, they are self-reported and only reach the sphere of influence of the organization. Much like with this article, mega bestsellers -— think Stephen King or James Patterson — don’t participate in those surveys. I would also like to caution against reading any kind of “data” on author earnings from websites that are also trying to sell you author services. I ran across many of these in my research and the numbers they present are incredibly skewed and intentionally misleading.

Many of the quoted writers have not let their real name be used. But here’s one you’ll recognize:

…Popular science-fiction author Jim C. Hines has been publishing his income reports every year since 2007. He’s never hit a bestseller list, but his last five books have been lead titles for his publisher. He made $31,411 in 2020, including $13.5k from a Kickstarter. In 2016, he also published a survey of almost 400 authors’ income, which resulted in an average of $114,124, but a median of $17,000, meaning a handful of high-earning outliers were bringing that average up….

(4) HEAR FROM THE HISTORIC TRIMBLES. Fanac.org’s next Zoom fanhistory session will host An Interview with Bjo and John Trimble on May 22 at 2:00 p.m. Eastern. For reservations, send an RSVP to fanac@fanac.org.

An Interview with Bjo and John Trimble. Bjo and John Trimble have had an enormous impact on fandom from the 1950s onward. They’ve pubbed their ish, and some of the zines are available on FANAC.org. Bjo created the convention art show as we know it today (pre-pandemic) with Project Art Show, and published PAS-tell to share info with interested fans everywhere. In LASFS,  Bjo had a large role in reviving a flagging LASFS in the late 50s. Her most famous contribution was the successful Save Star Trek campaign which resulted in a 3rd year of the original series. Bjo was one of the organizers of Los Angeles fandom’s film making endeavors.  John is a co-founder of the LASFS clubzine, De Profundis and an editor of Shangri-L’Affaires. Bjo and John were Fan Guests of Honor at ConJose (2002), and were nominated twice for Best Fanzine Hugos. Bjo was nominated for Best Fan Artist Hugo. They were also involved in the SCA and costuming, receiving a lifetime achievement award from the International Costumers Guild in 1992. In this interview, expect stories and anecdotes of Los Angeles fandom, how the art show came to be, Save Star Trek and more.  For reservations, send an RSVP to fanac@fanac.org.

(5) REASONS TO JOIN. “Recruiting the Millennials” on Facebook is a long post about what it takes to get people under the age of 30 interested in the Society for Creative Anachronism. Is any of the experience transferable to your activities?

…Gulf Wars is where I fell in love with the SCA. It got me hooked. I would meet people at Gulf Wars in 2013 who would quite literally change my life, and what got me addicted to the society, what finally set the hook, was being introduced to someone my own age. This seems like such a simple, easy arbitrary thing, but it mattered. You see, before I was introduced to someone my age the SCA felt intimidating, a bit unobtainable in it’s scope and culture. Seeing someone my own age thriving in the society, fighting, with a group of friends also within my age-group was welcoming and showed me that someone so comparatively young can come to fit in here.

Since those days I have made lots of friends my own age in the SCA, most tell a story not to dissimilar to my own. You see the antiquated recruitment methods of the SCA are simply not working. The old pitch “I get to hit my friends with a stick, and have a beer with them later.” is corny, it made me cringe when I first heard it and it makes me cringe now when I hear someone deliver it to someone new like it’s the golden ticket to a life-long member. I am a heavy fighter in the SCA, fighting was a huge draw for me. I grew up on video games and I wanted to be the hero of my own story. That journey is a hard one, and it takes time and dedication. Not everyone is going to have the discipline to stick with it to get to the level of fighting that they want out of themselves, and that’s ok. Some may join wanting to be a fighter, and end up taking up in metalwork or bardic. They may simply fall in love with the culture of the SCA, and do a little bit of everything, and that’s ok too….

(6) IN MEMORY YET GREEN. Coming to theaters July 30: The Green Knight.

An epic fantasy adventure based on the timeless Arthurian legend, The Green Knight tells the story of Sir Gawain (Dev Patel), King Arthur’s reckless and headstrong nephew, who embarks on a daring quest to confront the eponymous Green Knight, a gigantic emerald-skinned stranger and tester of men. Gawain contends with ghosts, giants, thieves, and schemers in what becomes a deeper journey to define his character and prove his worth in the eyes of his family and kingdom by facing the ultimate challenger.

(7) UP FRONT ADULTING. “Netflix Drops a New Red Band Trailer For Love, Death + Robots Volume 2” and SuperHeroHype points the way.

Last month, Netflix finally revealed the first look at the highly-anticipated second season of Love, Death + Robots. The trailer featured footage from brand new animated shorts. However, it didn’t exactly showcase the adult-oriented tone that the series was praised for when it debuted in 2019. Thankfully, Netflix has provided a simple fix to that problem. A new red-band preview for Love, Death + Robots Volume 2 has found its way online, this time offering a better look at what grown-up viewers can expect from the new season.

(8) MEDIA ANNIVERSARY.

  • May 11, 1955 — On this day in 1955, Ed Wood’s Bride Of The Monster had its original theatrical premiere in Hollywood, California.  It was produced by Ed Wood and written as well by him with assistance by Alex Gordon. The film starred Bela Lugosi in his last film and Tor Johnson as well. Most critics panned it, though a few thought it was almost decent by his low standards. Not so with the audience reviewers at Rotten Tomatoes who definitely didn’t like it at all and gave it a twenty-eight percent rating. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born May 11, 1899 E. B. White. Author of Charlotte’s Web and Stuart Little, both of which are surely genre. Along with William Strunk Jr. he is the co-author of the English language style guide The Elements of Style. (Died 1985.) (CE) 
  • Born May 11, 1904 – Salvador Dalí.  Two Basket of Bread paintings twenty years apart – The Persistence of Memory between them – show he could be realistic if he felt like it.  Having said “The difference between me and a madman is that I am not mad,” he told a group of Surrealists “The difference between me and the Surrealists is that I am a Surrealist.”  He put an unfolded tesseract in Crucifixion; created in 1950 a Costume for 2045 with Christian Dior; drew, etched, sculpted; illustrated The Divine Comedy and The Arabian Nights.  Memoir, The Secret Life of Salvador Dalí.  (Died 1989) [JH]
  • Born May 11, 1918 – Richard Feynman.  He had a gift for looking from the abstract to the concrete: hence Feynman diagrams; plunging a piece of O-ring material into ice water at a hearing on the Challenger disaster; winning a Nobel Prize and teaching undergraduates. Kept a notebook Things I Don’t Know About.  A curved-space lecture handout had a bug on a sphere: “the bug and any rulers he uses are all made of the same material which expands when it is heated.”  Surely You’re Joking, Mr. Feynman reviewed by Alma Jo Williams in SF Review.  (Died 1988) [JH]
  • Born May 11, 1930 Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of SupermanCommando Cody: Sky Marshal of the UniverseMen Into  SpaceTwilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.) (CE) 
  • Born May 11, 1935 Doug McClure. He appeared in Seventies SF films The Land That Time ForgotThe People That Time ForgotWarlords of the Deep and even Humanoids From The Deep. Genre-wise, he also appeared in one-offs in The Twilight Zone, Out of This WorldAirWolfAlfred Hitchcock PresentsFantasy Island and Manimal. (Died 1995.) (CE) 
  • Born May 11, 1952 Frances Fisher, 69. Angie on Strange Luck and a recurring role as Eva Thorne on Eureka. Have I mentioned how I love the latter series? Well I do! She’s also shown up on MediumX-Files, Outer LimitsResurrectionThe Expanse and had a role in the Watchmen series. (CE) 
  • Born May 11, 1952 Shohreh Aghdashloo, 69. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureau didn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward. (CE) 
  • Born May 11, 1960 – Irwin Hirsh, age 61.  Early co-editor of Thyme.  Compiled The Incompleat Bruce Gillespie for the Bring Bruce Bayside Fund which brought Gillespie to Corflu 22 (fanziners’ con) and Potlatch 14.  GUFF delegate (northbound, Get-Up-and-over Fan Fund; southbound, Going Under Fan Fund).  Maintains an Australian Fan Funds Website.  [JH]
  • Born May 11, 1979 – Alice Lewis, F.N., age 42.  Made the logograph for First Night at Noreascon IV the 62nd Worldcon; you can see it on the First Night program sheet here.  Designed thirty NESFA Press books, like this (Tim Powers) and this (Roger Zelazny).  President of Harvard animé club while a senior there.  Fellow of NESFA (New England SF Ass’n; service).  Now designing for Viz Media.  [JH]
  • Born May 11, 1981 – Erin Hoffman, age 40.  Three novels, a score of shorter stories, half a dozen poems.  Co-edited The Homeless Moon.  Game designer.  She’s read Moby-Dick, two Austen novels, Treasure Island, four Shakespeare plays, Borges’ Ficciones, a Complete Poems of Emily Dickinson, The Hunt for “Red October”.  [JH]

(10) COMICS SECTION.

(11) A VISIT TO MILLARWORLD. In the Washington Post, David Betancourt interviews Scottish comics writer Mark Millar, whose strips Kick-Ass and The Secret Service have become films and whose company, Millarworld, was bought by Netflix and whose new show “Jupiter’s Legacy” is the first part of his production deal.  Millar explains how Netflix’s deal with Marvel to develop second-tier superheroes broke down and how Netflix is counting on Millar to supply superheroes to compete with Disney Plus and HBO Max. “Mark Millar’s ‘Jupiter’s Legacy’ kicks off Netflix’s new superhero universe”.

… “I’ve always avoided having a job. Like most writers, the idea of a job horrifies me. They knew I was never a guy who was going to come in and sit at a desk all day,” he said of the company. But his new arrangement “basically makes me feel as if I’m still running my own show, which is a perfect environment. You don’t feel like you have a boss watching everything you’re doing. It’s a very relaxed and chill environment.”

On a normal work day in his native Scotland, Millar spends most of his morning and afternoon writing, while he waits for Los Angeles to reach a Zoomable hour for calls with producers. Millar was a huge fan of Netflix’s “Daredevil” and was thrilled to have its originalshowrunner, Steven S. DeKnight, on “Jupiter’s Legacy” (even though DeKnight eventually exited)….

(12) WELL SPOKEN. The Rite Gud podcast says it’s also important to “Talk Gud: A Dialog About Dialog”

In this irregular episode, audio gremlin Sid Oozeley talks shop with returning guest Mario Coelho about fantasy and science fiction’s long-standing vendetta against dialogue writing.

Why is it frequently so stilted and stiff? Why are American writers so averse to local flavor? Why do so many grown adults still try to write like Joss Whedon? Just how far off-topic can Sid take a conversation? What the hell is verisimilitude, exactly?

Our boys get to the bottom of all of this and more on this unusual episode of Rite Gud.

(13) COUNT TO 19. The Los Angeles Times discovers that “Dracula’s castle proves an ideal setting for COVID-19 jabs”.

At Dracula’s castle in picturesque Transylvania, Romanian doctors are offering a jab in the arm rather than a stake through the heart.

A COVID-19 vaccination center has been set up on the periphery of Romania’s Bran Castle, which is purported to be the inspiration behind Dracula’s home in Bram Stoker’s 19th century gothic novel “Dracula.”

Every weekend through May, “vaccination marathons” will be held just outside the storied 14th-century hilltop castle, where no appointment is needed, in an attempt to encourage people to protect themselves against COVID-19.

“We wanted to show people a different way to get the [vaccine] needle,” Alexandru Priscu, the marketing manager at Bran Castle, told the Associated Press….

Those brave enough to get a Pfizer vaccine shot receive a “vaccination diploma,” which is aptly illustrated with a fanged medical worker brandishing a syringe….

“Besides the diploma, people benefit with free entry to the [castle’s] torture rooms, which have 52 medieval torture instruments,” Priscu noted.

(14) OVERTIME. James Davis Nicoll names “Five SF Novels That Take the Long View of History” for Tor.com readers.

You might think that it would be hard to make such books interesting. (I don’t think that anyone has ever described The Decline and Fall of the Roman Empire as a cracking thrill ride: “Could not put it down!”) The following five novels show that it is possible to write interesting works that take the long view….

Children of Time by Adrian Tchaikovsky (2015)

Doctor Kern did not personally terraform the nameless world twenty light-years from Earth but she plans to shape its destiny. Kern intends to seed what she dubs Kern’s World with monkeys infected with a nanovirus. The virus has been designed to force the monkeys along a deterministic path towards a new and better species, one far superior to disappointing humanity. Alas, her bold vision has failure points. Points which doom it.

The monkeys die on their way to the surface. The nanovirus, on the other hand, makes planetfall. Lacking its intended host, the nanovirus abandons Chordata in favour of Arthropoda. Kern’s World is ruled by generation after generation of very bright, surprisingly social spiders. Humans will one day make their way to Kern’s World, where they will either find some way to deal with the spiders or perish.

(15) THE RED, GREEN, AND BLUE PLANET. Adam Mann, in The New Yorker article “Is Mars Ours?”, asks “Should we treat other planets like natural resources or national parks?”

Last year, about a month into the pandemic, I reached for something comforting: the 1992 science-fiction novel “Red Mars,” by Kim Stanley Robinson. I’d first read it as a teen-ager, and had reread it a handful of times by my early twenties. Along with its two sequels, “Green Mars” and “Blue Mars,” the novel follows the first settlers to reach the red planet. They establish cities, break away from Earth’s control, and transform the arid surface into a garden oasis, setting up a new society in the course of a couple hundred years. On the cover of my well-worn copy, Arthur C. Clarke declared it “the best novel on the colonization of Mars that has ever been written.” In my youth, I considered it a record of what was to come.

It had been a decade since I’d last cracked open the book. In that time, I’d become a journalist specializing in space, covering its practical, physical, biological, psychological, sociological, political, and legal aspects; still, the novel’s plot had always stayed with me, somewhere in the back of my mind. It turns on a series of questions about what we owe to our planetary neighbor—about what we are allowed to do with its ancient geological features, and in whose interests we should be willing to modify them. In Robinson’s future, a disgruntled minority of settlers argue that humanity has no right to alter a majestic place that has existed without us for billions of years; they undertake ecoterroristic acts to undermine Martian terraforming efforts and, in the end, succeed in keeping parts of Mars a wilderness. I used to think it sensible that their opinion was relegated to the margins. Reading the novel again, I wasn’t so sure.

“It seemed to me obvious,” Robinson told me, over the phone this winter, when I asked him how he’d come to place that particular dilemma at the center of his trilogy…. 

(16) HONEST TRAILER. In “Mortal Kombat (2021),” the Screen Junkies say the new Mortal Kombat film is “a martial arts movie that takes itself way too seriously” and features “four real martial artists but you’d never know it from all the quick cuts.”

[Thanks to Martin Morse Wooster, N., JJ, Michael Toman, Jeffrey Smith, John King Tarpinian, Cat Eldridge, John Hertz, Mike Kennedy, James Davis Nicoll, Joe Siclari, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Acoustic Rob.]

Pixel Scroll 2/9/21 I’d Like A Pixel Scroll Reservation For Tuesday

(1) HUGO NOMINATING PROGRESS REPORT. DisCon III told Facebook followers today:

285 people have submitted The Hugo Awards nominations. Are you one of them? You do not have to submit your nominations in one go, start submitting now and come back later to add more up until the deadline of March 19, 11:59pm Pacific Time.

(2) TAKE THE PLEDGE. Henry Lien invites Facebook readers to become the angel-geezers of their better nature:

MY SENIOR CITIZEN PLEDGE

I hereby pledge that when I am a senior citizen, I will not be afraid of, resist, or complain about technology or cling to old-timey ways. I will learn how to use quantum conferencing suppositories and listen to electro-shamisen sea chanteys or whatever young people are doing. I will be part of Today tomorrow. Will join me in this pledge, pre-seniors?

(3) BRADBURY’S MARS. The Ray Bradbury Experience Museum will host a watch party for the “Landing of NASA Perseverance Rover on the Red Planet” on February 18 from 12 PM PST – 1:45 PM PST.

“Percy,” the life-hunting Mars Perseverance rover, is scheduled to set down inside the 28-mile-wide (45 kilometers) Jezero Crater. The rover launched on June 30, 2020. 

What does it feel like to be a scientist embedded in the engineering team of a spacecraft? And to have Ray Bradbury speak at your commencement? Listen as NASA’s Dr.Sarah Milkovich, Ph.D. planetary geology, tells RBEM’s Dom Loise.

(4) JOURNEY PLANET. In the 57th issue of Journey Planet, James Bacon, Chris Garcia, and Chuck Serface handle the editing duties and the theme is King Arthur, a topic Chris has wanted to tackle since they started the zine back in 2008! Download here: Journey Planet 57: Arthur, King of the Britons.

Spanning multiple arenas of the Arthurian legend, there’s a massive 92 pages of material including looks at literature, theatre, comics, film, and even Vegas, baby!!!  Bob Hole, Julian West, Steven H Silver, and the good Cardinal Cox handle the history, and Chris interviews Arthurian scholar and editor of Arthuriana Dorsey Armstrong. Laura Frankos gives us a marvelous view of the ‘legendary’ musical Camelot, while Neil Rest, Tony Keen, and Chris handle the world of film. There’s great comics coverage from Derek McCaw, Helena Nash, and Chuck, and a great fiction reprint from the exceptional Ken Scholes. All this wrapped in a cover by Vanessa Applegate, with art by Chris, Fionnula Murphy, Derek Carter, Bob Hole, the DeepDreamGenerator, and Matthew Appleton! We even have letters of comment!!!

This supersized beast also marks the first time Chris ever did layout on his phone!

(5) AFROFUTURISM. “Beyond ‘Black Panther’: Afrofuturism Is Booming in Comics” – the New York Times tells where to find it.

When Barack Obama was elected president in 2008, it struck the author and illustrator John Jennings as so unprecedented, such a break from American history, that it was like an event from some far-flung future.

“Before then, the only time you would see a president who was Black was in a science-fiction movie,” he said in a phone interview last month. Jennings compared it to the sorts of imaginative leaps one finds in the most forward-thinking works categorized as “Afrofuturist.”

This year, fans of Afrofuturism will see a bumper crop of comics and graphic novels, including the first offerings of a new line devoted to Black speculative fiction and reissues of Afrofuturist titles from comic-book houses like DC and Dark Horse.

Afrofuturism, whether in novels, films or music, imagines worlds and futures where the African diaspora and sci-fi intersect. The term was coined by the writer Mark Dery in 1993 and has since been applied to the novels of Octavia Butler (“Kindred”), the musical stylings of the jazz composer Sun Ra and more recently films such as “Get Out” and “Black Panther,” which presented a gorgeously rendered vision of the technologically advanced, vibranium-powered nation of Wakanda.

“Afrofuturism isn’t new,” said Ytasha L. Womack, a cultural critic and the author of “Afrofuturism: The World of Black Sci-Fi and Fantasy Culture,” a primer and history of the movement and aesthetic. “But the plethora of comics and graphic novels that are available is certainly a new experience.”

Graphic novels published in January included “After the Rain,” an adaptation of a short story by the Nigerian-American author Nnedi Okorafor, and “Infinitum,” a tale of African kings and space battles by the New York-based artist Tim Fielder….

(6) BLACK PANTHER. While others are taking readers beyond, Ta-Nehisi Coates is still finishing his redefining work on the comic which ends with Black Panther #25 in April. The issue will bring fans the triumphant end to the “Intergalactic Empire of Wakanda” storyline.

Since taking over the title in 2016, the National Book Award winner and New York Times Best-Selling author has transformed the Black Panther mythos. Now five years later, he departs, leaving the world of Wakanda forever changed and laying the groundwork for the next bold era of this iconic Marvel hero.

“Ta-Nehisi has come up with a truly special finale here, one that not only wraps up the current story of T’Challa’s attempt to stop Emperor N’Jadaka’s conquest of Wakanda, but also deals with elements that reach all the way back to the beginning of Ta-Nehisi’s run….” said editor Wil Moss.

Throughout his run, Coates has taken the Black Panther to hell and back and expanded Wakanda into the distant stars. In his final issue, he’ll bring T’Challa full circle, back to the home he left behind…and the crown he has never fully accepted. The journey will conclude, but the legend remains. 

Click for larger images.

(7) KIWI REFERENCES. “The New Zealand Author Behind the First Great Fantasy Epic of the Year: A conversation with Elizabeth Knox, author of The Absolute Book – a Slate interview.

…I really love a somewhat minor subplot in the book—Taryn’s father, the movie actor who has had roles in what are clearly the Lord of the Rings movies, going back to Wellington for what he thinks is a screen test for a new Peter Jackson project. Weta, Peter Jackson’s studio, plays a sometimes oversize role in the culture of your city. Has your writing life ever intersected with their work?

Oh, I can tell my Peter Jackson story. I saw his first movie, Bad Taste, in the film festival, and I really loved it. I mean, it’s fun, but it’s also the work of a very, very good director. And then he came into the bookshop and the museum where I was working, and my boss had been one of his helpers on the movie. He introduced me and said, “Elizabeth’s a writer.” And at that point I had just published my first novel. Peter Jackson gave me his WingNut Films card and said, “Do you want to write a screenplay for me?” And I said, “Oh, no, I don’t think I could do that.”

What a missed opportunity!

Well, it was very early on in both our careers.

(8) RAISING TWINS. “Superman & Lois” – “Their family is anything but ordinary.” Premieres Tuesday, February 23.

(9) THROWBACK. Here’s some artwork of Doctor Who’s seventh Doctor in the “rubber hose” cartoon style:

(10) MEDIA BIRTHDAY.

February 9, 1966 Lost In Space’s “War Of The Robots” first aired as the twentieth episode of the first season. It is worth noting because the second robot in this episode is Robby the Robot from Forbidden Planet. Robby the Robot would make a number of appearances in series such as The Man from U.N.C.L.E. and The Addams Family. Robby the Robot was inducted into the Robot Hall of Fame in 2004. 

(11) TODAY’S DAY.

February 9 Extraterrestrial Culture Day

An officially acknowledged day in New Mexico (Roswell), Extraterrestrial Culture Day celebrates extraterrestrial cultures, and our past, present and future relationships with extraterrestrial visitors.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born February 9, 1867 – Natsume Sôseki.  (Personal name last, Japanese style; Sôseki is a pen name, Japanese pronunciation of a Chinese idiom meaning “stubborn”.)  I Am a Cat is ours, indeed narrated by a cat. You can read a little about it here.  A collection “Ten Nights’ Dreaming” and “The Cat’s Grave” is in English.  He was a novelist, a poet – most of his work outside our field – and among much else a student of English literature.  See this comparison with Shakespeare.  (Died 1916) [JH]
  • Born February 9, 1928 – Frank Frazetta.  A Hugo, three Chesleys (two for artistic achievement); Spectrum Grand Master, Writers & Illustrators of the Future and World Fantasy Awards for lifetime achievement; SF Hall of Fame, Eisner Hall of Fame, Kirby Hall of Fame, Society of Illustrators Hall of Fame.   In comics, Westerns, fantasy, mystery, war, historical drama, funny animals; Buck RogersFlash Gordon; Li’l Abner with Al Capp.  In our field perhaps most famous for Tarzan, CarsonConan.  Two hundred covers, sixteen hundred interiors; portfolios, sketchbooks, posterbooks; see e.g. Testament with Cathy & Arnie Fenner.  (Died 2010) [JH]
  • Born February 9, 1935 R. L. Fanthorpe, 76. I’m including him as he was a pulp writer for UK publisher Badger Books during the 1950s and 1960s during which he wrote under some sixty pen names. I think he wrote several hundred genre novels during that time but no two sources agree on just how many he wrote. Interestingly nothing is available by him digitally currently though his hard copy offerings would fill a wing of small rural library. He’d be perfect for Kindle Unlimited I’d say. (CE)
  • Born February 9, 1936 Clive Walter Swift. His first genre appearance was as Snug in that version of A Midsummer Night’s Dream. Several years thereafter he was Dr. Black in A Warning to the Curious” (based on a ghost story by British writer M. R. James).Then he’s Ecto, whoever that character is, in Excalibur. He shows up next in the Sixth Doctor story, “The Revelation of a The Daleks” as Professor Jobel. (Died 2019.) (CE)
  • Born February 9, 1942 Marianna Hill, 79. Doctor Helen Noel in the excellent “Dagger of The Mind” episode of the original Trek. (The episode introduces the Vulcan mind meld.) She also had roles on Outer Limits (in the Eando Binder’s “I Robot“ story which predates Asimov’s story of that name), Batman (twice as Cleo Patrick), I-SpyThe Wild Wild WestMission: Impossible and Kung Fu (ok the last one has to be least genre adjacent).  (CE)
  • Born February 9, 1951 Justin Gustainis, 70. Author of two series so far, one being the Occult Crimes Unit Investigations series which he’s written three superb novels in so far, and the other being the Quincey Morris Supernatural Investigations series which has seven novels and which I’ve not read yet. Who’s read the latter series? (CE)
  • Born February 9, 1952 – Ben Yalow, F.N., age 69.  Having attended eight hundred SF conventions, working on a third of them, his trademark Black Watch bowtie has become a symbol of SMOFfery.  “SMOF” is “Secret Master Of Fandom”, as Bruce Pelz said a joke-nonjoke-joke, besides the Marty Balin comment; it’s come to mean the folks who put on SF cons, particularly those who study, argue about, and try to act on doing them better.  Co-founder of SMOFcon.  Edited four books for NESFA (New England SF Ass’n) Press; Fellow of NESFA (service); Fan Guest of Honor at Windycon X, OryCon ’87, ConDiego the 5th NASFiC (North America SF Con, since 1975 held when the Worldcon is overseas), Loscon 17, FenCon XIV; scheduled for Discon III the 79th Worldcon.  His dry but not unsympathetic sense of humor is shown by his receiving the Rubble Award, and by remarks like “Running a Worldcon is impossible.  Running a NASFiC is harder.”  Big Heart (our highest service award).  [JH]
  • Born February 9, 1954 – Maya Kaathryn Bohnhoff, age 67.  A dozen novels, twoscore shorter stories.  Her Star Wars novel (with Michael Reaves) Shadow Games was a NY Times Best-Seller.  Besides prose writing, she’s a filker; she and husband Jeff Bohnhoff have won two Pegasus Awards as Best Performers, one for Best Parody; Guests of Honor at LepreCon 24, TusCon 30, Archon 30, Balticon 41, DucKon 17, 2t0nic the 20th British Filk Convention, FenCon VII, LepreCon 38, Windycon 42, Boskone 52; they are in the Filk Hall of Fame.  [JH]
  • Born February 9, 1956 Timothy Truman, 65. Writer and artist best known in my opinion for his work on Grimjack (with John Ostrander), Scout, and the reinvention of Jonah Hex with Joe R. Lansdale. His work with Ostrander is simply stellar and is collected in Grimjack Omnibus, Volume 1 and 2.  For the Hex work, I’d say Jonah Hex: Shadows West which collects their work together. He did do a lot of other work and I’m sure you’ll point out what I’ve overlooked… (CE)
  • Born February 9, 1960 Laura Frankos, 61. She’s written a bakers dozen of genre short stories. She’s more known for her Broadway history column “The Great White Wayback Machine” and has also published one mystery novel, Saint Oswald’s Niche. Wife of Harry Turtledove. Her Broadway Quiz Book is available on all digital platforms. (CE)
  • Born February 9, 1977 – Rhiannon Lassiter, age 44.  Started writing young, sent a few chapters to her mother (Mary Hoffman)’s agent and to family friend Douglas Hill: result, two novels accepted by Macmillan when she was nineteen.  A dozen novels, four shorter stories; book reviews in Armadillo and Strange Horizons.  [JH]
  • Born February 9, 1981 – Amber Argyle, age 40.  Sixteen novels, two shorter stories.  She “grew up on a cattle ranch, and spent her formative years in the rodeo circuit and on the basketball court.”  She and her husband are “actively trying to transform [three children] from crazy small people into less-crazy larger people”; a note elsewhere, however, says she is “fluent in all forms of sarcasm”.  Has read Heart of DarknessThe Secret GardenAll Quiet on the Western Front, six Shakespeare plays.  [JH]

(13) BOOKSTORE IS OVERNIGHT SUCCESS. Yesterday’s Scroll ran the Super Bowl-style commercial The Late Show with Steven Colbert did for a small business — Foggy Pine Books in Boone, North Carolina. The follow-up Colbert did last night starts at 1:32.

Foggy Pine Books owner Mary Ruthless said, “Three weeks ago, we were like… wondering how we were going to make it through winter. And now I’m having to hire, you know, a couple of extra people to help process all of the orders.”

(14) FIREFLY NEWS. “Firefly Goes to the Moon: NASA Sends Firefly Aerospace Lander to the Moon in 2023”SCIFI Radio tells what it means.

…A Firefly Aerospace lander will launch to the moon in 2023 as part of NASA’s Artemis program. Now, I know what you’re thinking. “Firefly?” 

…A janitor’s cart is far less interesting than the truth – that this is an artist’s rendering of the Blue Ghost, a robotic lander being built by Texas-based Firefly Aerospace to deliver 10 scientific experiments and technology demonstrations to the lunar surface in 2023. It will touch down in a lunar mare called Mare Crisium, a low-lying basin on the near side of the moon that measures more than 300 miles (480 kilometers) wide. The lander will carry instruments to study several aspects of the lunar surface in preparation for future human missions to the moon. 

(15) GET OUT BEFORE THE SUN COMES UP. James McMahon, in “They came at night: how a Spanish-speaking cast shot an alternative Dracula after Bela Lugosi had gone to bed” in The Guardian, discusses the 90th anniversary of the Spanish-language version of Dracula, which is 29 minutes longer than the English-language version, features a quite different take on Dracula by Carlos Villar, and was long thought lost until a copy was found in the Cuban film archive.

They came under the shadow of darkness – quite literally. Just as Dracula star Bela Lugosi was no doubt being tucked up for the night, director George Melford, cast and crew made their way on to the Universal studio lot in 1931 to shoot a Spanish-language version of the Bram Stoker 1897 horror novel, filmed using the same sets and costumes as the much more familiar Tod Browning masterwork….

Shot in half the time the Lugosi vehicle was allotted, and on a much smaller budget, Drácula contains revealing differences. It’s 29 minutes longer the Browning’s film, with more dialogue – we see more of Dracula’s castle; and the framing of shots are argubly superior – thanks to Melford’s crew having access to Dracula’s dailies when they arrived at night, thereby being able to make revisions to lighting and camera angles….

(16) AN ORIGINAL WOZNIAK. Hypebeast sighted a real original on the auction block: “Rare Apple-1 Computer $1.5 Million USD eBay Auction”. I like how eBay invites me to just “add it to cart”, too, like my credit’s good!

A working Apple-1, one of the tech giant’s first line of computers introduced back in 1976, is now up for auction on eBay for $1.5 million USD.

If you’re familiar with the history of Apple, then you’ll know that the Apple-1 is now rare memorabilia. Designed and hand-built by Steve Wozniak, then sold wholesale by Steve Jobs, the two sold off some of their belongings to raise enough money to cover manufacturing costs — Jobs sold his Volkswagen van and Wozniak sold his HP-65 calculator.

(17) YOUTH WANTS TO KNOW. Leo has been patient til now: “8-Year-Old Calls Out NPR For Lack Of Dinosaur Stories” at NPR.

… Leo has a point. All Things Considered is about to turn 50 years old. NPR’s archivists found the word “dinosaur” appearing in stories 294 times in the show’s history. By comparison, “senator” has appeared 20,447 times.

To remedy the situation, All Things Considered invited Leo to ask some questions about dinosaurs to Ashley Poust, a research associate at the San Diego Natural History Museum. Leo wants to be a paleontologist when he grows up….

(18) THAT’S SO LAST YEAR. The New York Times says “Monoliths Are Still Happening”.

Much like the coronavirus, monoliths refuse to be left behind in 2020.

The discovery of a new mysterious metal slab in Turkey on Friday was a throwback to a momentary craze from the olden days of November and December. Back then, a shiny, metal monolith appeared in the Utah desert without explanation, followed by copycats from California to Romania.

Perhaps art projects or perhaps the manifestation of pandemic-induced boredom, the monoliths captured the world’s attention for a fleeting moment. It remains unknown who created many of them, or why they were created, but they largely faded from cultural relevance as the world focused on other things, like the presidential transition, a coup in Myanmar or the Netflix show “Bridgerton.”

But the new monolith was gone after just four days. It vanished without explanation on Tuesday, according to local reports.

This despite the presence of something its predecessors didn’t have: armed guards.

The military police started an investigation to identify the people who planted the monolith in a rural area of Sanliurfa, a province in southeastern Turkey, according to DHA, a local news agency. The military police and village guards — government-paid civilians who work with the military police — stood watch as the investigation unfolded, protecting the monolith from any threats, DHA reported.

Also unlike previous monoliths, this one has an inscription. In the Gokturk alphabet, an ancient Turkic language, it reads: “Look at the sky, see the moon.”…

(19) NOW ARRIVING. The AP provides more details about the trio of Mars exploratory craft that will reach the Red Planet this month: “Next stop Mars: 3 spacecraft arriving in quick succession”.

The United Arab Emirates’ orbiter reaches Mars on Tuesday, followed less than 24 hours later by China’s orbiter-rover combo. NASA’s rover, the cosmic caboose, will arrive on the scene a week later, on Feb. 18, to collect rocks for return to Earth — a key step in determining whether life ever existed at Mars.

Both the UAE and China are newcomers at Mars, where more than half of Earth’s emissaries have failed. China’s first Mars mission, a joint effort with Russia in 2011, never made it past Earth’s orbit. “We are quite excited as engineers and scientists, at the same time quite stressed and happy, worried, scared,” said Omran Sharaf, project manager for the UAE.

All three spacecraft rocketed away within days of one another last July, during an Earth-to-Mars launch window that occurs only every two years. That’s why their arrivals are also close together. Called Amal, or Hope in Arabic, the Gulf nation’s spacecraft is seeking an especially high orbit — 13,500 by 27,000 miles high (22,000 kilometers by 44,000 kilometers) — all the better to monitor the Martian weather.

China’s duo — called Tianwen-1, or “Quest for Heavenly Truth” — will remain paired in orbit until May, when the rover separates to descend to the dusty, ruddy surface. If all goes well, it will be only the second country to land successfully on the red planet.

The U.S. rover Perseverance, by contrast, will dive in straight away for a harrowing sky-crane touchdown similar to the Curiosity rover’s grand Martian entrance in 2012. The odds are in NASA’s favor: It’s nailed eight of its nine attempted Mars landings.

(20) JUDGE FOR YOURSELF. Could this be the first SJW credential lawyer? Daily Beast explains how a “Texas Lawyer Accidentally Appears in Zoom Court as a Kitten”. On the recording the lawyer insists he’s not a cat. But are you going to believe something a lawyer says or your own eyes?

(21) VIDEO OF THE DAY. In a new “Pirates of the Caribbean Pitch Meeting” on ScreenRant, Ryan George says Pirates Of The Caribbean is “a wacky adventure where you disregard physics and probability and all that bring stuff.  But it’s more fun that way!”

[Thanks to John King Tarpinian, Cat Eldridge, Michael Toman, John Hertz, JJ, Andrew Porter, Mike Kennedy, Alan Baumler, Daniel Dern, Ben Bird Person, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Soon Lee.]