Pixel Scroll 4/7/24 Pixels En Scrollgalia

(1) HOLMES & WATSON. At Brandon O’Brien’s Afternoon Tea the author takes up the Elementary series: “Lapsang Souchong: Two People Who ‘Love’ Each Other”.

I’ve been thinking about this topic idly in my skull for quite some time, and since there are no real good places to put it—less than an essay, more than a tweet—I figured a good test of my discipline would be drafting it for a newsletter. So here’s me rambling about one of my favourite idle obsessions: the 2010s CBS procedural Elementary, in particular why its portrayal of the relationship between Holmes & Watson is one of my favourites. BIG SPOILERS, of course that goes without saying, but you’re already here, so…

(2) TINGLE Q&A. The Geekiary came back from the con with more proof that love is real! “WonderCon 2024: Interview with the Legendary Chuck Tingle”.

… “You don’t hear this so much anymore, but back in the day, conservatives had this sort of slippery slope dang baloney argument about ‘if we let gay people get married then what’s next? You gotta marry a tree? Are you going to marry a dang dinosaur?’ And I think that I always heard those arguments and I always thought why not? What would be wrong with someone marrying whoever, whatever, how many different people, different combinations. There’s nothing wrong with that. In fact, as long as you’re talking about consenting adults, the world would be a much better place if you took this conservative nightmare to the extreme, it would actually probably be more of a utopia.

“And so the Tingleverse in general, is kind of that conservative nightmare realized in that actually, it would be a really beautiful place full of love, and acceptance. And so, from the very first story, it is an unusual combination of lovers. But you realize if you read the book, ‘Oh, actually, that’s a really wholesome, beautiful, wonderful place that conservatives seem to just be terrified of.’”…

(3) “TRAD PUBLISHING IS LITERALLY FAILING AT DOING ITS JOB”. Lili Saintcrow cuts loose about the current WTF state of traditional publishing — “We Gotta Talk About (Trad) Publishing”. (Saintcrow’s fireworks are inspired by Lorraine Wilson’s analysis, “Is there a book submission arms race”, an article that Saintcrow praises as “perfectly lovely and … a hundred percent accurate”.)

…Publishing has always been an awfully exploitative business. For a long while the level of fuckery in trad pub was low enough for plenty of writers to make a reasonable gamble by submitting by the rules and building a career, but this is no longer the case. Which is not solely or even mostly a function of the pandemic, mind you–the problems were already there well before 2020 rolled around, but conditions since ~2016 have absolutely poured jet fuel on the fire and now we’ve got a multiple-alarm blaze. (You could even trace the problems to Amazon’s strong-arming, or further back to Reagonomics, but that’s a whole ‘nother blog post.)

The Big Five/Four have already offloaded the brute work of marketing onto individual authors, hollowing out their own marketing departments in order to line C-suite pockets. Now the crunch has reached editorial departments, where even salaried folk traditionally protected from a lot of industry bullshit are being ruthlessly overworked, underpaid, and just generally mistreated. (No, this is not a “pity the poor editors” screed, just a fact.) Consequently a lot of folk are leaving, and those who remain–or the shiny new ones coming in, thinking they’re going to score a good job–find it impossible to pick up the slack. The article linked above is absolutely correct that editors at the big houses are now being used as draft-horse project managers, which does not work with novels or nonfiction books. It just…doesn’t….

And there’s a lot more at the link.

(4) IN THE YEAR 2025. The 2025 UK Eastercon – named Reconnect — will be held April 18-21, 2025 in Belfast, co-chaired by James Bacon and Tommy Ferguson, with Deputy Chair Jo Zebedee. Get more information at the Eastercon Belfast website.

(5) GLASGOW 2024 PUBLISHES NEW PROGRESS REPORT. Glasgow 2024 today published Progress Report 4 (their fifth; the first was numbered as Progress Report 0). Anyone can download the PDF file from the Glasgow 2024 website.

The cover for Progress Report 4 (PR4), ‘Badger Finds A Charmawow’ is by Chris Baker (a.k.a. Fangorn), one of the Guests of Honour.

PR4 includes news from all areas including:

PR4 also features a look back at the London Worldcon of 2014, the final entry in their history of British Worldcons.

(6) WILL GLASGOW CAP ATTENDING MEMBERSHIPS? Progress Report #4 includes this information:

… Our current projections are for between 6,500 and 8,000 purchased in-person registrant types (including 1- and 2-day tickets). This upper number, if everyone turns up, is probably above the maximum holding capacity for the site. So, there is a chance we may need to cap in-person attending registrant purchases, if we are not to get overcrowded. So, we are advising folk to join as early as possible to avoid this possibility effecting your enjoyment of the convention….

(7) TEXAS-SIZED COLLECTION. Morgan Dawn recommended Bluesky readers watch a 2022 video about the “Huge Science Fiction and Fantasy Collection”, which explores the sff collection at the Texas A&M Library, and takes viewers back to the early days of the university’s Cepheid Variable club and their annual AggieCon.

(8) A BELFAST BOOK. “Michael Magee: ‘There’s a disbelief at how I’ve ended up’”, so he tells a Guardian interviewer.

Michael Magee, 33, won this year’s Nero debut fiction award for Close to Home, now out in paperback, as well as last year’s Rooney prize for Irish literature (previously awarded to Anne Enright and Claire Keegan). Set in west Belfast, where Magee grew up, the book follows Sean, a working-class graduate who falls foul of the law as he struggles to make a life in the shadow of violence both political and domestic….

What did you read growing up?
In my later teens I had a very good English teacher who gave me Barry Hines’s A Kestrel for a Knave, which was the first instance where I’d read something that reflected my own reality. I didn’t grow up in a bookish house and didn’t start reading in my spare time outside education till I was about 12 or 13. Lord of the Rings was my gateway drug. As a teenager I wrote a ripoff of it, drawing maps that I dabbed with wet teabags and burned at the edges to age them. But I did all this on the shy! You couldn’t be seen reading books in the company I was keeping. As a young man I felt impelled towards toughness, inexpressiveness, which was at odds with who I was, and who I am. It took me a very long time to disentangle myself from that.

You must run into people who knew you back then.
Of course, all the time. There’s a disbelief at how I’ve ended up – I ask myself the same question – and also a kind of piss-taking, which is completely deserved: “Still writing your wee books, Mick, are ye?”…

(9) IF YOU GIVE A MOUSE A BATH. Forbes believes they know “The Real Reason For Disney’s $11 Billion Streaming Losses”.

… For a number of months in 2020, Disney was almost entirely reliant on Disney+ and it came into its own. As people were stuck indoors during lockdown, the popularity of the platform surged and was hailed as Disney’s white knight. It was almost unthinkable that it could actually end up bringing the company to its knees but that is exactly what happened over the following years.

As subscriber numbers soared far beyond Disney’s forecasts, the Mouse got drunk on its own success and ploughed billions of Dollars into exclusive Disney+ content. By the time it was released, there was a vaccine for covid and the pandemic had receded. Consumers were left picking up the tab for blockbuster furlough payments creating a global cost of living crisis that endures to this day. It led to people cutting their streaming subscriptions and left Disney with a loss-making platform….

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born April 7, 1934 Ian Richardson. (Died 2007.) I do these Birthdays by seeing who I recognize and then doing a deep dive to see how interesting a given individual is. It’s not just what they did in our community that interests me but what they’ve done else as well. And Ian Richardson had an interesting career both here and elsewhere.

Ian Richardson

Where to start? He was at the right age, just about fifty, when he played Holmes in The Sign of Four and The Hound of the Baskervilles, a pair of made for television films. He also starred in BBC’s Murder Rooms: The Dark Beginnings of Sherlock Holmes playing Arthur Conan Doyle’s mentor, Dr. Joseph Bell.

What next? How about him being in Brazil? (I had to watch it three times before I liked it.)  He plays Mr. Warren, works in a rabbit-warren style place, a maze of Endless Corridors. A perfect bureaucrat he was.

He’s the Narrator of Dark City which was nominated for the Hugo Award at Aussiecon Three the year The Truman Show won.

In Rosencrantz & Guildenstern Are Dead, he’s Polonius. In the play by Shakespeare, Polonius is a verbose, faltering and pathetic old man whose servile devotion to Claudius renders him untrustworthy in the eyes of Hamlet. Here he portrays that character perfectly. Yes, I do love the film. 

He’s The Wasp in Alice Through The Looking Glass. You really, really need to see the yellow wig that they gave to represent him being a wasp. 

Ian Richardson as the Wasp in a Wig and Kate Beckinsale in Alice Through the Looking Glass (1998).

He’s in From Hell as Sir Charles Warren, an actual historical figure, an Officer in the British Royal Engineers who was one of the first archaeologists. 

Finally he’s in that Midsummer’s Night Dream. You know the one that Ian Holm, Helen Mirren, Diana Rigg, David Warner and Judi Dench in it? He plays Oberon here. 

Wait, though, as I do feel obligated to note his two extraordinary performances outside the genre. He played Tory politician Francis Urquhart in the House of Cards series — oh so magnificently — and he was British spy Bill Haydon in the Tinker Tailor Soldier Spy series. 

(11) COMICS SECTION.

(12) YES, YOU. Steve Lieber shared an unforgettable memo from Jim Shooter to the staff.

(13) THEY MADE THE SHIP THAT MADE THE KESSEL RUN. [Item by Steven French.] Atlas Obscura tells us the genre connection of Wales’ “Pembroke Dock Heritage Centre”.

THERE WAS SOMETHING DIFFERENT ABOUT the last ship to leave Pembrokeshire’s massive dock complex.

Following the success of the original Star Wars film in 1977, director George Lucas wanted a full-scale model of Han Solo’s fabled spaceship, the Millennium Falcon, for the filming of the next installment in the series, The Empire Strikes Back.

The job of constructing the 88-foot vessel fell to a team working out of the historic maritime dock complex at Pembroke Dock, Pembrokeshire…

Sadly, the model was sold for scrap.

(14) MAKE YOUR SPEED WORF FACTOR THREE. [Item by Dann.] “From the Starfighter to the Enterprise NCC-1701-D” in FLYING magazine.

From the late 1980s through the 1990s, Klingon Lt. Cmdr. Worf was one of the most visible characters on the popular TV shows Star Trek: The Next Generation and Star Trek: Deep Space Nine. Actor and pilot Michael Dorn, who was cast as Worf, made the character his own and ended up appearing in 276 episodes, the most of any other cast member in the Star Trek franchise’s history.

To Dorn, morphing into Worf each day was a lengthy process because of the amount of makeup and prosthetics required to bring the character to life. But when the cameras stopped rolling, it wasn’t the starship Enterprise that drew Dorn’s attention, it was a Cessna 172 Skyhawk. But there was a problem.

You see, Michael Dorn likes airplanes that go fast. Really fast. After moving through a few general aviation airplanes, he began buying and flying a long list of former U.S. military fighter jets. This desire to go fast also explains why he drives a Tesla Model X P100D today. “It has ‘Ludicrous’ mode,” Dorn says. “I live for on-ramps!”…

The list of aircraft Michael has owned includes:

Civilian aircraft

  • Cessna 172
  • Cessna 310
  • Cessna 340A
  • Citation 501SP
  • SOCATA Trinidad TB-20
  • Beechcraft Baron 55

Military (or military-grade) aircraft

  • HA200 Saeta  (Spanish and Egyptian Air Forces)
  • Lockheed T-33  (USAF, USN, Japanese Air Self-Defense Force, German Air Force)
  • North American F-86C (USAF, Japan Air Self-Defense Force, Spanish Air Force, Republic of Korea Air Force)
  • North American Sabreliner 40A (USAF, USN, & USMC operated military configurations)
  • Lockheed F-104 Starfighter (USAF, German Air Force, Turkish Air Force, Italian Air Force)

(15) TRUE GRIT. “Life Beyond Earth: What Awaits Humanity on the Moon”Literary Hub makes it sound a lot less fun than Robert A. Heinlein used to.

…Moondust is a huge problem. Apollo astronauts were vexed by the sharp-edged powder, which got under their fingernails and into their noses, lungs, mouths, and eyes. Apollo 12’s Alan Bean said residual dust in the LM cabin “made breathing without the helmet difficult, and enough particles were present… to affect our vision.” The stuff is like “silty sand… [but] sharp and glassy,” according to the Lunar Sourcebook. Coughing and itching are nuisances, but simulated long-term exposure, in one study’s words, revealed “significant cell toxicity in neuronal and lung cell lines in culture, as well as DNA damage.” Mitigating the dust is a significant challenge, but astronauts and their equipment could be protected with invisible electrodes that activate what researcher Carlos Calle calls an “Electrodynamic Dust Shield”—shifting electric fields that keep the dust from sticking to a surface…

(16) NASFiC ECLIPSE. Joseph T. Major reminds us about a previous celestial experience:

 In 2017, too late to do anything about it, Mike Glyer had an interesting thought.  Why not have NASFiC in Nashville, during the August 21 eclipse?  But Ken Moore, the man who could have organized it, had died in 2009.

Nevertheless, there was a possibility.  Bob Embler annually held Outsidecon, where fans got in tent and socialized.  What was so important about that?

Every year, in Kelly, Kentucky, there is Little Green Men Festival, commemorating the close encounter there in 1955.  In 2017, the Festival ran a day over, so the flying saucer people could see the eclipse.  And they stayed in tents, too, because hotel bills were $300 a day and a minimum of three days’ stay.

If Mike and Bob had got together, they could have organized a Kelly Outdoor NASF­iC bid for the 18th through the 21st.  Now that would have been better than the San Juan NASFiC.

(17) VIDEO OF THE DAY. Elle Cordova delivers “Real footage of the #eclipse”.

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Dann, Bruce D. Arthurs, Kathy Sullivan, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 3/31/24 I Shall Name This Clever WordPlay After Myself, Said Tom Eponymously

(1) WHY BARDON DECLINED A 2024 HUGO NOMINATION. Natasha Bardon has posted on Instagram her reasons for declining her Best Editor, Long Form Hugo nomination: 

Learn more about Bardon in this interview from 2020 – “An Interview With… Natasha Bardon” — and this news item from the Bookseller in 2022 – “Bardon promoted to publisher at HarperVoyager and Magpie Books”.

(2) WHAT’S ON THE BALLOT. Cora Buhlert analyzes all the categories in “Some Thoughts on the 2024 Hugo Finalists” which were announced at the UK Eastercon.

Here is Buhlert’s reaction to the voters’ picks for Best Related:

Best Related

I guess everybody knows my strong preference for well-researched non-fiction in this category by now, so I’m pleased that five of six finalists in this category are actually books.

The late Maureen Kincaid Speller was an always insightful critic, so I’m glad to see the collection  A Traveller in Time: The Critical Practice of Maureen Kincaid Speller by Maureen Kincaid Speller, edited by Nina Allan, on the ballot.

Volumes 2 and 3 of Chinese Science Fiction: An Oral History, edited by Yang Feng, are the sequels to the first volume which was nominated in this category last year and most worthy they are, too.

All These Worlds: Reviews & Essays by Niall Harrison does exactly what it says on the tin. I haven’t this collection yet, but it’s exactly the sort of thing I like to see in this category.

A City on Mars by Kelly and Zach Weinersmith is an illustrated popular science book about how feasible it is to colonise Mars. I wasn’t familiar with this book at all, though again it absolutely fits into this category.

The Culture: The Drawings by Iain M. Banks is an art book collecting drawings that the late Iain M. Banks did of spacecraft, locations, etc… of his Culture series. Again, I had no idea that this book existed, but it’s most fitting finalist.

Finally, we have a podcast or rather videocast named Discover X nominated in this category. Discover X appears to be a collection of interviews with various SMOFs and SFF professionaly done by Tina Wong at last year’s Chengdu Worldcon.

Discover X was initially nominated in Best Fancast, but since it is a professional project, it was moved into Best Related. This isn’t the first time a professional podcast was nominated in Best Related. Writing Excuses was nominated in this category several times approx. 10 years ago.  I’m not very happy with podcasts nominated in Best Related, but since there is no professional podcast (procast?) category, there really is no other place to put them. And podcasts are among the less edgy of the many edge finalists we’ve seen in this category in recent years.

There also was a withdrawl is this category, because Bigolas Dickolas Wolfwood was nominated for a viral tweet promoting the Hugo-winning novella This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone, which pushed the book up various bestseller lists due to Bigolas Dickolas Wolfwood’s many Twitter followers. Now the Bigolas Dickolas Wolfwood affair is a perfect example of how word of mouth works and can catapult a work into the stratosphere. Bigolas Dickolas Wolfwood also appears to be a great person and it was very classy of them to decline a nomination. However, this nomination also illustrates why the Best Related Work needs to be reformed and the definition tightened. Because how on Earth can you compare a single tweet, even one which sold thousands of books, with a 400 page non-fiction book?

And even if we limited Best Related to non-fiction books and long essays, we’d still get a wide range of potential finalists as this year’s ballot shows….

(3) TAKEN FROM THE SHELF. Haven’t had enough Eastercon this weekend? Rob Hansen is prepared to immerse you in the 1956 edition — CYTRICON II – at his richly-detailed fanhistory site.

CYTRICON II, the 1956 UK national science fiction convention was held at The George Hotel in the town of Kettering over the Easter weekend, Friday 30th March – Monday 2nd April. Overflow hotel was The Royal, with The Swan Hotel hosting a further seven fans. Parties were held in both The George and The Royal. The con was organised by the London Circle.

Here’s a brief excerpt from a contemporaneous conreport.

ARCHIE MERCER:

At a quarter to four on Good Friday I staggered from the train at Kettering station, adjusted my two slung haversacks, took a tighter grip on my gramophone(in the right hand) and a parcel consisting mainly of records for same (in the left), and set my face firmly towards the George Hotel. About fifty yards ahead of me, Walt Willis stalked his proud and lordly way. About as far again behind me, I could discern the chatter of several more humans – if they too were fen, and if so who, I still don’t know. Besides I can’t say that it’s all that important.

Arriving at the George in good order, I was immediately caught up in a furious burst of misapprehensions by Joyce, the receptionist, who was practically insisting that I must have a car and wanted to know the number of it. I explained patiently that the nearest thing was the train I’d so carelessly abandoned down at the station and I hadn’t a clue as to its number. So she decided to humour me and let me in without it. I signed the book under Peter Reaney, moved within — and the Con was on….

(4) EX MACHINA REWATCH MOVIE REVIEW. [Item by Erin Underwood.] 2023 was AI’s breakthrough year, and as we move into 2024, I wanted to take a look back at one of the best AI films to see how it held up over the last decade. Check out my new rewatch review of Alex Garland’s groundbreaking AI film Ex Machina. Does the story and the technology hold up? Is it still the instant classic everyone thought it was back in 2014? “Ex Machina Movie Review – A groundbreaking AI film in 2014. What’s it like now?”

(5) BOOK PRESERVATION. Via WIRED: “This Woman Deconstructs 100-Year-Old Books To Restore Them”.

Author, educator and book restorer Sophia Bogle has nerves of steel: one slip of the hand and a century-old first edition book could be ruined. Come inside her workshop as she breaks down the amazing deconstruction, revitalization, and reassembly that goes into her history preserving speciality.

(6) READY FOR MY CLOSEUP. Forbes shares a look “Inside The Ambitious Plan To Broadcast The Entire Total Solar Eclipse”.

It’s nature’s most spectacular sight, but during North America’s total solar eclipse on April 8, the sun’s corona will only be visible for a few precious minutes from any one location.

However, totality itself will be viewed for a combined total of 100 minutes from a 115-mile path of totality stretching from Mexico to the Canada, via the U.S. So why not have cameras stationed all along the track and broadcast the entire thing as one continuous livestream?

That’s the thinking behind the Dynamic Eclipse Broadcast Initiative, a nationwide citizen science team armed with a $314,000 NASA grant, hoping to pioneer a unique new way to broadcast a total solar eclipse.

It’s as much about solar science as it is about broadcasting, however, with a new understanding of the solar corona the ultimate prize.

DEB is the brainchild of the team behind the successful Citizen CATE experiment from the 2017 total solar eclipse, the last to cross the U.S, which saw more than 60 identical telescopes equipped with digital cameras positioned from Oregon to South Carolina to image the solar corona.

The resulting images were then spliced together to reveal the plasma dynamics of the inner solar corona, which is 10,000 times hotter and dimmer than our star’s surface—and can only be studied in full during a total solar eclipse….

(7) VFX OSCAR WINNER TIM MCGOVERN DIES. Visual effects artist Tim McGovern died March 30 at the age of 68. He won an Oscar for his work on the 1990 film Total Recall. Deadline’s profile covers his other accomplishments.

…The Visual Effects Society recently recognized McGovern with the 2023 Founders Award for his contributions to the art, science, or business of visual effects and meritorious service to the Society.

McGovern was a founding member of Sony Pictures ImageWorks and ran it as the Senior VFX Supervisor as well as the SVP of Creative and Technical Affairs. After leaving Sony, McGovern continued as an independent VFX artist and filmmaker.

McGovern’s most recent film credits include Shazam! Fury of the Gods (2023), Jungle Cruise (2021), Men in Black: International (2019), First Man (2019), Ant-Man and the Wasp (2018), Dunkirk (2017), The Huntsman: Winter’s War (2016), and Mission: Impossible — Rogue Nation (2015), among many others….

(8) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born March 31, 1960 Ian McDonald, 64. What works by Ian McDonald have I enjoyed so much that I’ve read them over and over, and then when they were available as audioworks listened to them several more times? That’s easy. The Desolation Road series, Desolation Road and Ares Express which I’m holding to be the best story ever set on Mars.

Ian McDonald

A town that develops around an oasis on a terraformed Mars with a cast of characters that are truly fascinating? What’s not to really like? Not to mention the Ares Express running across the desert. Damn I wanted to see that train! 

(I do have a list of other works set on Mars I like — Kage Baker’s The Empress of Mars, Larry Niven’s Rainbow Mars, Arthur Clarke’s The Sands of Mars, Kim Stanley Robinson’s Mars trilogy and Frederik Pohl’s Man Plus.) 

Completely shifting his tone was King of Morning, Queen of Day. Multiple generations of Irish women might have the potential to bring the fey who are obviously quite dangerous into their world. That isn’t the best aspect of the novel — it’s the characters herein. He’s very skilled in his character crafting. 

The Chaga saga set in Africa (Chaga and Kirinya) with its slow moving alien biological invasion is perfectly horrific; I’ve not yet read the short fiction set in the series.

I read both of the future India series, River of Gods and Cyberabad. I throughly enjoyed River of Gods but found Cyberabad less than interesting.

I tried the first of Everness series. No, not my cup of tea. Really not. 

Which was not true of The Dervish House, my last choice. An alternative history of Istanbul set now, well it was twenty years in the future when it was written, though the changes there suggest a history that deviated a lot earlier. Loved the characters. Loved the technology he created. Loved the story. Brilliant all around.

(9) CREDIT GRAB? CBR.com explains why “Marvel’s New Addition to Wolverine’s List of Creators Draws Controversy”.

Marvel’s decision to add a new name among Wolverine’s creators in the upcoming film Deadpool & Wolverine has sparked controversy among fans and comic creators alike.

It has been revealed that Roy Thomas, former editor-in-chief of Marvel Comics, will be credited as one of the four creators of Wolverine. The other creators of the character include the late writer Len Wein, artist Herb Trimpe, and designer John Romita Sr. The news sparked a Facebook post from writer Bobbie Chase, who worked at Marvel in the 1980s and 1990s, asking others to discuss the true creators of the character as well as the implications for editors-in-chief to claim creation over other characters.

Chase also mentioned speaking to Wein’s widow about the changes, saying, “Recently my friend and Len Wein’s widow, Christine Valada, got a call from Marvel executive David Bogart, informing her that in the upcoming Wolverine & Deadpool movie, Roy Thomas will now be credited as the co-creator [of Wolverine], and David said it’s a done deal. […] Of course Christine is seriously concerned about Len’s legacy. Len was profoundly important to the comic book industry, and that legacy is being changed for the worse, six years after his death.”

Chase’s frustrations about this change stemmed from the fact that the other creators of Wolverine have all died, making it hard to dispute the authenticity of Thomas’ addition to the list…. 

(10) CLOWNS AND QUESTION MARKS. 13th Dimension called on fans to “Dig These 13 Great ‘Serious BATMAN’ Moments in BATMAN ’66”. Here’s one example:

The Joker Is Wild. Batman and Robin are nearly unmasked by the Joker after being momentarily grabbed by the villain’s henchmen. The heroes are engaging the villain while he hijacks a live TV performance of the opera Pagliacci – that is why Joker is wearing a white Pierrot clown costume. I think that this image is very much in the dramatic style and spirit of the amazing Norm Saunders paintings used for the 1966 Topps Batman trading card set, inspired by the series.

(11) TAKING IT OUT FOR A SPIN. Gizmodo says “Star Trek: Strange New Worlds’ Incredible Musical Episode Is Getting the Vinyl It Deserves”. It comes out June 7.

Of all the highs Star Trek: Strange New Worlds’ sophomore season pulled off—intense actionVulcan dramafamiliar faces, and plenty more—perhaps one of the most delightful of all was “Subspace Rhapsody,” its earnestly cheesy all-singing, all-dancing musical showstopper. And if you’ve had the soundtrack streaming non-stop since last year, we’ve got great news for you.

io9 can exclusively reveal that Lakeshore Records is going to release the complete 11-track score for the episode on a black vinyl record, with artwork inspired by the poster released for the episode at San Diego Comic-Con last year forming the cover….

(12) VIDEO OF THE DAY. Matt Mitchell says this is how it would sound “If Dune was Southern”. Y’all pay attention now.

(P.S. I’m told one of the references is to Tony Chachere’s spice.)

[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Steven French, Wobbu Palzooza, Mike Kennedy, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Person Refused Membership by UK Eastercon and Escorted Out by Security

Reports circulated Friday that Dave McCarty had been refused admission to the UK Eastercon being held this weekend. McCarty had posted a flight itinerary to the UK on his Facebook page on March 27.

File 770 contacted the Levitation (UK Eastercon 2024) committee asking if they could confirm the story or put it to rest. Today Farah Mendlesohn, Chair, Levitation 2024 issued the following statement:

On Thursday the Levitation (Eastercon 2024) executive committee was informed that a person, whose presence we believed would cause significant interference with the operations of the convention, was intending to join on the door.

The Levitation (Eastercon 2024) executive committee took the decision to refuse membership to this person. 

An email was sent explaining our decision and referencing our code of conduct which states that we may revoke or refuse membership under these circumstances.  

When this person then chose to enter the convention the next day, we told them that they would not be allowed to buy a membership and asked them to leave the site. They repeatedly refused to do so. We explained that if they did not leave we would ask site security to escort them out. They did not leave, and security did therefore escort them from the premises.

A second person of concern who purchased a membership in 2022 was permitted to remain under specified conditions, and has abided by those conditions.

Farah Mendlesohn

Chair, Levitation 2024

N.B. Levitation is an unincorporated members’ society under UK law, and may refuse membership for any reason other than a person belonging to a protected group. 

The “second person of concern” is believed to be Ben Yalow, who is present at the convention.

Pixel Scroll 12/6/23 For The Scroll Is Hollow And I’ve Touched A Pixel

(1) END OF AN ERA. Kristine Kathryn Rusch signed off her influential weekly business blog on November 22. “Business Musings: All Good Things”.

…I wasn’t that desparate in 2009 and I’m certainly not that desperate now. As I noted in some recent blogs, my books are all in print. The books of my traditional friends? Not in print at all. Or if they are in print, my friends aren’t making a dime off of them.

It’s discouraging, but as I’ve seen over the past few years, people have dug in. It doesn’t matter that traditional writers now have to get a “real” job to make a living. Or that the changes in indie have made it possible for those of us who understand business to make a good living while writing what we love.

We’ve changed.

The world has changed.

And honestly, I’m not that interested in writing about the publishing industry weekly. There is no publishing industry anymore. There are different aspects of book publishing, all of which fascinate me, and none of which make me want to pontificate for a few thousand words every single week.

Then there’s my writing itself. In the spring, I made a list of the books clamoring to get out of my brain. The series that need finishing right now, the standalones I’ve been dying to write, the books I’ve intended to write since the turn of the century if not longer, as well as the short stories that rise to the top of my to-do list because I read an inspiring article or saw an amazing play.

I will have time to write all of that if I double down on my fiction writing. Or triple down. When I write fiction, I write a minimum of 1,000 new words per hour. The blog takes a minimum of 10 hours per week from idea to page, including the audio (which is maybe 20 minutes of that 10 hours). I love the audio. It’s fun.

The blog, not so much.

In fact it had become such a drag that I put it off until the last minute, and then have to give up even more fiction writing time to get it down.

And while the blog makes me more money per month than someone would earn making minimum wage (not counting all the nonfiction books I get out of it or the other perks), I could make more money if I write three novellas a year, whether I sell them to traditional markets or not.

The blog is self-sustaining financially, but it’s actively costing me money. My earnings as a fiction writer have gone up dramatically in the past fourteen years….

… Thirty dollars per hour writing a blog post that has little resale value or $1000 per hour writing stories that can sell for decades. It’s really a no brainer….

… Except…I do like noting things about the publishing industry, from time to time. Some things catch my attention and I want to discuss them. I will do that on my Patreon page, which I am not shutting down.    

I’ll be doing mostly short posts pointing out an article that writers might want to pay attention to, or commenting on some major change. I’m not going to do a long essay, unless I feel inspired….

(2) BUMPER CROP. Slashfilm reveals “Syfy Spent Thousands On Leonard Nimoy And William Shatner Star Trek Ads You Probably Missed”.

…Barry Schulman had been with the Sci-Fi Channel since its start, and he remembers the glory days in detail. He was interviewed for the indispensable book “The Fifty-Year Mission: The Next 25 Years: From The Next Generation to J. J. Abrams,” edited by Mark A. Altman and Edward Gross, and he remembered the production of what was to be one of the more ambitious advertising tie-ins the network could have possibly received. It seems that the Sci-Fi Channel wrote and paid for a series of extended “Star Trek”-inspired interview-style infomercials to be hosted by Leonard Nimoy and William Shatner — Spock and Kirk themselves! — to run after individual episodes. 

Sadly, due to poor ratings, the ads were only sparsely seen….

Of course, programming “Star Trek” presented a technical problem. In the late 1960s, when the hour-long “Star Trek” originally aired on NBC, the broadcast ad breaks only totaled about 10 minutes, leaving 50 minutes of show. By the early 1990s, ad time had grown to 16 minutes, leaving only 44 minutes of show. That would mean any new broadcast of “Star Trek” would, by advertisers’ decree, need to be shaved down by six minutes. 

Shulman’s solution was to expand the “Star Trek” time slot from a 60-minute span to a 90-minute span, including all 50 minutes of “Trek” as well as whole ad breaks. He’d then pad out the remainder of the 90-minute slot with Shatner/Nimoy intro/outro segments. Brilliant….

… The good news is that you can actually watch all of these bumpers with Shatner and Nimoy on YouTube.

Here’s the video for the original Star Trek pilot, “The Cage”.

(3) FANAC.ORG ZOOM. The next Fan History Zoom session is scheduled for Saturday, December 9 at 2:00 p.m. Eastern. If you would like to join, drop a note to [email protected].

APAS EVERYWHERE – Fred Lerner, Christina Lake, Amy Thomson and Tom Whitmore.

Since the first FAPA mailing in 1937, APAs have been a part of fannish life. There are topic specific apas, local apas, general interest apas, convention committee apas, letter substitutes and doubtless many more. Our panelists, all long time APA members, talk about their experiences with APA life: Why did you join the APA(s)? Did you APA live up to your expectations and why? Tell us about the APAs you’ve been part of, and tell us what makes them unique. (You can tell us about APAs you weren’t part of too!) Talk about the way the members of the APA related to each other, and the nature of that community. Compare the experience of an online community like LiveJournal or Facebook with your APA experience. The Cult was called the “13 Nastiest Bastards in Fandom”. Was it? What feels different about womens’ APAs? Are APAs now obsolete? Would you join a new APA today?

Future Zoom History sessions: 

  • January 20, 2024 – 2PM EST, 11AM PST and 7PM London GMT – An Interview with Joe Green, fan, s-f writer, NASA spokesman and educator.
  • February 17, 2024 – 7PM EST, 11 AM Feb 18 Melbourne AEDT – Wrong Turns on the Wallaby Track Part 2, with Leigh Edmonds and Perry Middlemiss
  • March 16, 2024 – 3PM EDT, 2PM CDT, 7PM London (GMT) – The Women Fen Don’t See – Claire Brialey, Kate Heffner, and Leah Zeldes Smith

(4) THE DOG IN THE NIGHT. “Arthur Conan Doyle secretly resented his Sherlock Holmes creation, says historian” reports the Guardian.

Arthur Conan Doyle secretly hated his creation Sherlock Holmes and blamed the cerebral detective character for denying him recognition as the author of highbrow historical fiction, according to the historian Lucy Worsley.

Doyle was catapulted from “obscurity to worldwide fame” after his crime stories began appearing in a magazine in 1891, Worsley writes in the Radio Times. Eleven years later he was awarded a knighthood.

Yet “beneath the surface he was a discontented man”, according to Worsley….

(5) MAJOR SFF EVENTS IN EUROPE IN 2024. [Item by Dave Lally.] The year 2024 has a number of major SF+F events, in Europe, approaching (and all dates given herein are inclusive).  And this info is primarily for those from outside the area (and I trust this data is of help).

Here is major SF+F event No 1 (and in the English Midlands of the UK):

EASTERCON 2024 — Fri 29 March – Mon 1 April we have, in the UK,  Eastercon / “Levitation” (the UK’s annual National SF Con:  Telford, just north of Birmingham).  

[And NOTA BENE, post Eastercon on Thu 4 April, there is the very long standing “One Tun” Central London SF fen meeting (Asimov came in 1974). Upstairs (private) bar 1800-> closing. THE BISHOPS FINGER (pub), London EC1A 9JR (for internet maps). Real craft ale/hot food. Order both on Ground floor. Food delivered later up to you. Nearest Tube: Barbican. Nearest Rail : Farringdon. Nearest Elizabeth Line (esp from Heathrow) : Farringdon ( /// Barbican  exit!!/// ). All  welcome: whether local-to-London or non locals just passing thru!! ]  

Nearest UK Rail Station to 2024 Eastercon : Telford {UK Rail Station code:  TFC}. There are Express InterCity trains from London Euston (if first visiting there, pre-Eastercon) but one should then change trains at Birmingham International { Station code: BHI } NOT Birmingham New St (and see below why, esp re TfW trains). 


Nearest Airport : Birmingham UK [ IATA code : BHX ],  then take the free air-rail shuttle from that Airport, to the local, next door train Station : Birmingham International (as above). There, catch a north-bound train to Telford. 

[If esp travelling from the States, it might be useful to fly to Shannon or to Dublin and then transfer onto a more local flight to BHX. Why? Cos on the return journey from either of those 2 Irish airports (and thanks to JFK +60 years ago), one pre-clears US formalities at those departure locations (the only two so far in Europe, which have them) and then one leaves one’s US airport as a standard, domestic passenger!] 


Especially useful, re UK train travel from { BHI } above,  is the long-distance train (run by Transport for Wales: TfW) which always starts from that Rail Station (usual final destination: ABERYSTWYTH, in mid-Wales). So seats to Telford are usually plentily available thereon, at that Station. Other northbound trains from { BHI } may only go to nearby Birmingham New St (in that City’s central area) or onto Wolverhampton, where one may otherwise then have to change trains anyway. And those other trains may get heavily used by Birmingham commuters, who may block seats for longer-journey-travelling passengers. 

And UK rail data (times, fares etc) are available on: nationalrail(dot)co(dot)uk.  The “green” way to travel..!!

[By the way, that TfW train eventually goes, on splitting much further up the line,  past Portmeirion (!), tho that famous SF (Prisoner) site is much, much further away in North West Wales (oh and see LocationCon data I will provide later, re the proposed visit  –on Tue 6 August– to that venue, pre- and on the way to, Glasgow Worldcon 2024).] 

Eastercon 2024’s website :  Levitation 2024 — The 2024 British National Science Fiction Convention.

( And, as always,  non-UK fen are very welcome indeed at all SF+F events in Europe, incl the UK’s annual NatSFCon- Eastercon..)

(6) LIKE SAND THROUGH AN HOURGLASS. Inverse is warming up the audience for the release of the next Dune movie on March 1, 2024. “’Dune 2’s First 10 Minutes Restores a Classic Scene From The Book — With a Twist”. Spoilers at the link.

When Dune: Part One hit in 2021, fans immediately noticed one change from both the original 1965 novel and the 1984 feature film. Instead of an opening narration from Princess Irulan, Dune: Part One began with a voiceover from Chani (Zendaya). This inversion smartly centered the story of Dune: Part One from the perspective of the Fremen, at least partially. And now, with Dune: Part Two hitting in 2024, the opening of the film will honor the opening of the original book. But this time, the content of the narration will be decidedly different.

Minor spoilers ahead for the first 10 minutes of Dune: Part Two.

At CCXP 2023 in São Paulo, Brazil, on December 3, 2023, during a Dune: Part Two panel, audiences were treated to several preview scenes, including the first 10 minutes of the movie. Back in 2021, the first 10 minutes of Part One were also teased in special screenings, so this kind of preview seems to now be a tradition ahead of the launch of a new Dune movie.

(7) MISSING A NUMBER. Guardian critic Peter Bradshaw was there: “The Moonwalkers: A Journey With Tom Hanks review – a gobsmackingly huge space spectacle”.

Tom Hanks is the narrator and co-writer of this colossal and immersive multimedia family entertainment event or next-level school trip, about Nasa’s historic Apollo moon landings and the planned new Artemis missions. It’s taking place at Lightroom, the innovative new digital art performance venue at London’s Kings Cross – recently the site of Bigger And Closer, an immersive show about David Hockney.

With the audience gathered in the darkened arena-type area, seated on little upholstered double-stools dotted about, Tom Hanks’s likably folksy and nerdily enthusiastic voiceover booms out telling us that this floor space is the size of Mission Control, Houston. Soon, gobsmackingly huge photo images of the moon’s surface and our own planet Earth are flashed up around the walls, also great film footage of the astronauts bouncing and floating, and all with the cathedral vastness and crystal clarity that they have probably always deserved but never before got from TV screens or even movie screens….

… But the strangest omission is the lack of any mention of Apollo 13, the near-disaster rescued with magnificent ingenuity and resourcefulness by the astronauts and ground crews, which Tom Hanks himself almost single-handedly turned into a key moment of American history with his performance as astronaut Jim Lovell in Ron Howard’s film.

Apollo 13 is, after all, why Tom Hanks is narrating this….

(8) NORMAN LEAR (1922-2023). The resume of TV’s Norman Lear even included a few items of genre interest. “Norman Lear, Whose Comedies Changed the Face of TV, Is Dead at 101” in the New York Times.

Norman Lear, the television writer and producer who introduced political and social commentary into situation comedy with “All in the Family” and other shows, proving that it was possible to be topical as well as funny while attracting millions of viewers, died on Tuesday at his home in Los Angeles. He was 101.

In 2003, he helped write a few episodes of “South Park,” the taboo-breaking animated series that was the “All in the Family” of its day. (The show’s creators, Matt Stone and Trey Parker, have said that their bile-spewing character Eric Cartman is partly based on Archie Bunker.)

Mr. Lear turned his attention back to movies in 1982, when he, Mr. Yorkin and Jerry Perenchio bought Avco Embassy Pictures. The newly renamed Embassy Communications released films, including … the acclaimed mock documentary “This Is Spinal Tap” (1984), directed by the “All in the Family” alumnus Rob Reiner.

In 1985… Mr. Lear founded Act III Communications, named to signify the third act of his life. Act III’s most notable productions were two other Rob Reiner films, “Stand by Me” (1986) and “The Princess Bride” (1987)….

(9) MEMORY LANE.

[Written by Cat Eldridge.]

1975 –Joe Haldeman’s The Forever War. Anyone here who has not read Joe Haldeman’s The Forever War should now leave. Really should as I’m going to discuss it.

It was published by St. Martin’s Press forty-eight years ago with the cover illustration not being credited by ISFFB. 

It would win a Hugo at MidAmeriCon, plus a Nebula and a Ditmar, and be nominated for a Prometheus Award. 

Haldeman said in a Guardian review of 2011 that “It’s about Vietnam, because that was the war the author was in”.  

It was sixteen years after Starship Troopers came out and I thought that Haldeman said it was written as a reaction to that novel but the Guardian quote contradicts that. The reviewer there thinks that much of the look and feel of the book comes from Heinlein’s novel but I didn’t feel that was true. Do you? 

According to the Authors note to my epub Open Road edition of 2008, “This is the definitive edition of The Forever War.” It looks like a novella titled “You can never go back again” that Bova wouldn’t publish at Analog because he thought it was “too downbeat” and therefore wasn’t in the first edition is now included in the middle section of the novel. 

Now for its excellent Beginning…

‘Tonight we’re going to show you eight silent ways to kill a man.’ The guy who said that was a sergeant who didn’t look five years older than me. So if he’d ever killed a man in combat, silently or otherwise, he’d done it as an infant. 

I already knew eighty ways to kill people, but most of them were pretty noisy. I sat up straight in my chair and assumed a look of polite attention and fell asleep with my eyes open. So did most everybody else. We’d learned that they never scheduled anything important for these after-chop classes. 

The projector woke me up and I sat through a short tape showing the ‘eight silent ways.’ Some of the actors must have been brainwipes, since they were actually killed. After the tape a girl in the front row raised her hand. The sergeant nodded at her and she rose to parade rest. Not bad looking, but kind of chunky about the neck and shoulders. Everybody gets that way after carrying a heavy pack around for a couple of months.

 ‘Sir’—we had to call sergeants ‘sir’ until graduation—‘most of those methods, really, they looked … kind of silly.’

‘For instance?’ ‘Like killing a man with a blow to the kidneys, from an entrenching tool. I mean, when would you actually have only an entrenching tool, and no gun or knife? And why not just bash him over the head with it?’ 

‘He might have a helmet on,’ he said reasonably. 

‘Besides, Taurans probably don’t even have kidneys!’ 

He shrugged. ‘Probably they don’t.’ This was 1997, and nobody had ever seen a Tauran; hadn’t even found any pieces of Taurans bigger than a scorched chromosome. ‘But their body chemistry is similar to ours, and we have to assume they’re similarly complex creatures. They must have weaknesses, vulnerable spots. You have to find out where they are.

‘That’s the important thing.’ He stabbed a finger at the screen. ‘Those eight convicts got caulked for your benefit because you’ve got to find out how to kill Taurans, and be able to do it whether you have a megawatt laser or an emery board.” She sat back down, not looking too convinced.

(10) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born December 6, 1911 Ejler Jakobsson. (Died 1984.) His first publications, edited with his wife, were The Octopus and The Scorpion in 1939 which were definitely of a pulpish nature.

He has responsibility for Astonishing Stories and Super Science Stories briefly before they shut down production due to paper shortages. When Super Science Stories was revived in 1949, Jakobsson was named editor until the magazine again (and finally) ceased publication in 1951.  I’ve never read that magazine. Who here has? 

He was an editor for Graphic Books in the 1950s. Jakobsson returned to editing in 1969, when he took over Galaxy and If, succeeding Frederik Pohl. He worked to make the magazines more up to date according to SFE with the help of Judy-Lynn del Rey and Lester del Rey. He left the magazines in 1974 and was succeeded by Jim Baen.

SFE says that “During Jakobsson’s editorship the following anthologies were published (his name did not appear on their title pages): The Best from Galaxy Vol I (anth 1972) edited by The Editors of Galaxy Magazine; The Best from If (anth 1973) edited anonymously; The Best from Galaxy Vol II (anth 1974) edited by The Editors of Galaxy Magazine; and The Best from If Vol II (anth 1974) edited by The Editors of If Magazine.” None of these are currently in-print. 

He also wrote a handful of short fiction according to ISFDB, all with Edith Jakobsson. The titles, such as “Corpses on Parades”, “Coming of The Unborn Things” and “Satan’s Toy Monsters”, suggest they were horror writers. These were never gathered into a collection. 

(11) COMICS SECTION.

(12) FAN MAIL FOR FLASH GORDON. “1980’s FLASH GORDON: Movie of the (Wonderfully) Impossible!” at 13th Dimension.

…It’s a famous story by now—one of the great What If?s in all of pop culture—that in the early 1970s, George Lucas tried to buy the rights to Flash Gordon. His failure to do so led (indirectly) to the creation of Star Wars, and popular entertainment would never be the same. De Laurentiis had first wanted Federico Fellini(!) to direct, then moved onto Nicolas Roeg(!!), finally settling on journeyman director Mike Hodges and screenwriter Lorenzo Semple Jr. (who, besides helping develop the Batman TV series, wrote the 1976 King Kong remake for De Laurentiis). With a budget of $27 million (around $100 million today), De Laurentiis was, as usual, going big.

He’s a miracle!

After a magnificently exciting opening credits scene (scored to Queens’ iconic, propulsive theme music, and peppered with art from the comic strip), we jump right to the action—by the 20-minute mark we’re already on Mongo.

Every sci-fi/fantasy film post-Star Wars bears its influence, visually and tonally. But De Laurentiis’ personality was still so big and forceful that Flash Gordon hits a sweet spot between what a big budget, modern sci-fi movie was supposed to feel like in 1980, and the more idiosyncratic, phantasmagorical, Pop Art feel of the 1960s. Almost everything in Flash Gordon is a practical effect—the retro-futuristic spaceships and weaponry, the Art Deco sets, and the costumes that look mighty uncomfortable for the actors to wear….

(13) SUBMISSION WINDOW. Chris Barkley wanted to make sure I didn’t miss “The Magazine of Horror” by Oghenechovwe Donald Ekpeki, published in 2020 by Apex Magazine. I’m glad he sent the link.

… PS: as an aside, I was wondering and didn’t want to add something so silly to the main body of my cover letter. It’s silly really. The worries of a newbie writer. I heard that your magazine is the greatest horror magazine and will only publish the greatest horror story at a time, and in the lifetime of the published writer, will publish no other story, until the accepted writer expires. Also, that should a story be accepted, the current story is deleted and the displaced writer dies. What is worse, I heard that all those rejected by your magazine also die. This is of course all just silly rumours. I notice that your magazine only has one story on it, despite its ridiculously high pay rate of a hundred thousand dollars per story…

(14) DAY AND NIGHT, YOU ARE THE ONE. “Chronobiologist and Nobel Laureate in Medicine Michael Rosbash: ‘Lack of sunlight during the day is worse than electric lighting at night’” in El País USA Edition.

Q. One of the things that flies and privileged people have in common is napping and sleeping at night. What is the biological purpose of sleep and of these intermediate pauses during the day?

A. We do not know. Memories are consolidated during sleep and neuronal morphology is modified during sleep. All that happens, but I do not think that is the major purpose of sleep. We do not know what fly and human sleep, for example, have in common. My guess is that it is related to metabolism, such as recharging ATP [adenosine triphosphate, a key energy molecule in cells]. The brain is the largest consumer of ATP; perhaps there is a metabolic need for recharging….

(15) ALL GLORY IS FLEETING. The New York Times tells how “George Santos Uses Cameo Videos to Make, of All Things, an Honest Buck”. (You can view his Cameo videos here: George Santos.) (Though it’s possible Bowen Yang is an even better Santos, as proven by his imitation in Saturday Night Live’s “George Santos Expelled Cold Open” last weekend.)

…Three days after George Santos was expelled from the House of Representatives, he sat in front of a camera to address the American people.

Well, a few American people. The ones willing to pay Mr. Santos — the former congressman who stands accused on federal fraud charges of stealing money from campaign donors for personal expenses — hundreds of dollars a pop on the video app Cameo.

“Hey, Sarah,” Mr. Santos said in one video. “Sometimes work sucks. I mean, let’s talk about bad days, huh? Last Friday wasn’t so great for me, either.”

It was a rare moment of truth for Mr. Santos, who lied to voters and his colleagues about where he went to high school, going to college, being a volleyball star, working on Wall Street, having Jewish ancestry and family ties to the Holocaust and the Sept. 11 attacks, among other things.

There was a time when Mr. Santos expressed regret for some of those falsehoods. His videos on Cameo suggest that time has passed.

“Hey, Harper! I love that you are such a dedicated student at N.Y.U.,” Mr. Santos says in one, before pausing, smirking and chuckling. “You know,” he adds, cocking his eyebrows: “My … not-so-real M.B.A.”

(16) VIDEO OF THE DAY. I don’t think dogs are rules lawyers by nature the way Ryan George makes them out to be in “When Dogs See A Christmas Tree”, but that’s where the humor comes from in this video. Tell the internet to go fetch it for you.

[Thanks to SF Concatenation’s Jonathan Cowie, Mike Kennedy, Andrew Porter, Steven French, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]

Pixel Scroll 5/31/23 What Can You Say About A Twenty-Fifth Century Pixel Scroll Who Filed?

(1) GOLDEN VOICES. AudioFile Magazine’s 2023 Golden Voice Award winners are Nicholas Boulton, Marin Ireland and Kevin R. Free. All three have done some genre books. Narrator Kevin R. Free has done the most:

Tell us about a memorable character you’ve given voice to. And please name a couple of your favorite performances.

This is a difficult question! I really enjoyed creating a first-person narrative for Noa, the main character in A COMPLICATED LOVE STORY SET IN SPACE by Shaun David Hutchinson. He is a scared teenager with a bit of a sardonic edge. I also find myself thinking about THE COST OF KNOWING by Brittney Morris and THE BOOK OF FATAL ERRORS by Dashka Slater a lot, and how grateful I was to record those titles. The reads I have done of Brandon Taylor, F.T. Lukens, and Hilton Als change my life every time. And, of course, I’d be remiss if I didn’t mention Martha Wells’s Murderbot Diaries. Murderbot is the gift that keeps on giving!

(2) MAGNIFICON REPORT. Marcin Klak celebrates “20 years of Magnificon”, a Polish manga and anime con, at Fandom Rover. He comments on two major changes for the early days:

…Magnificon is now run by a company and is a commercial event. The dealer’s hall is one of the most important aspects of it. And in this regard a lot has changed. Firstly I was sad that there were no publishers or book stores selling manga. I would love to browse a bit and buy something interesting. On the other hand there were many booths of artists and I appreciate it a lot. I managed to buy a paper version of Yaoi Market. It is a Polish comic that mocks both cliches in yaoi manga and supermarkets in Poland.

Another big change (when comparing to “ages ago”) is related to guests. For years having a guest from Japan was a dream for M&A cons. At Magnificon there were guests from Japan (plural form!) including Mika Kobayashi. I didn’t listen to any of the concerts but am quite happy that we finally can invite Japanese guests including some very well known artists!…

(3) GIVERS GRANT THANK YOU. Black Science Fiction Society founder and administrator Jarvis Sheffield thanked SFWA in a Facebook post for awarding the organization a 2023 Givers Grant.

…Receiving this grant is a tremendous honor for our organization. It validates the tireless efforts of our members in advocating for underrepresented voices in the speculative fiction genre. With this support, we can continue to foster a thriving community that celebrates and amplifies the narratives of Black creators, nurturing their talents and providing a platform for their imaginative works to shine.

The impact of this grant goes far beyond the financial assistance it provides. It serves as a beacon of encouragement, inspiring us to push boundaries, challenge stereotypes, and explore uncharted territories in the realm of science fiction and fantasy. The recognition from esteemed organizations like yours fuels our determination to break down barriers and ensure that the genre reflects the rich tapestry of human experiences….

(4) EASTERCON BELFAST UPDATE. [Item by James Bacon.] The 2025 Eastercon, which will be held in Belfast, N.I has delayed its membership rate increase until July 2.

Tommy Ferguson, Jo Zebedee and myself met for multiple meetings over the weekend. We are behind, so apologies for that from us as that is on us as chairs.

Tommy hurt his spine, while work has been busy for us all, and so we have fallen behind with some of our tasks that we expected to have had completed by now, the time of our first price rise.

So with that in mind we are going to pause our price rise until the 2nd of July.

Our Accessibility team and Code of Conduct team have signed off on those polices, and we are preparing our website.

We will have these policies up and live soon, and will let you know when they are live, shared on our site.

We are thinking about space allocation, which is important, and have had quotes from a local child minding operation.

We will be at Qcon in Belfast and Enniskillen comic fest to promote the con, and getting members, which is a priority for sure and as both these events are in June, we will take the price rise delay as a sales tactic to those events. Finding the positives as we can.

So once, again, our price rise will occur on the 2nd of July and we will share our website when it is ready, our apologies for the delay, we as chairs fell behind.

As ever welcome queries or questions to [email protected]

(5) LEARNING WHO’S WHO IN FANHISTORICAL PHOTOS. UC Riverside’s Andrew Lippert reports nearly 6,000 digitized images from the Jay Kay Klein photographs collection are now more accessible thanks to new, more descriptive and contextual information in this article from September 2021: “Klein photographs collection now more accessible”. One of the big issues when these photos from Worldcons of the Sixties and Seventies first went online is how few people had been accurately identified.

…“Special acknowledgement is also due to the FANAC Fan History Project and Fancyclopedia 3; they were both invaluable resources for this project,” Lippert said. “It is difficult to say that this work will ever truly be ‘finished,’ as there are always more identifications to make and more contextual information to add. However, this new version of the metadata will certainly make these photographs more accessible by orders of magnitude.”

“Working on this project was a labor of love that immersed me in science fiction fandom and convention culture spanning several decades from the 1950s through the 1970s,” Lippert added. “Engaging with a single large archival collection on a daily basis always creates a sense of familiarity with the individual(s) and the subject matter that make up that collection; it was no different with Klein’s photos.” Lippert came to feel that he was getting to know some of the mainstays of the SF scene of that era as he found them in photo after photo at convention after convention. “My work on this project led me down countless rabbit holes, paths of discovery, and gave me so much invaluable context for the varied materials of the Eaton Collection as a whole,” he added….

(6) THE DEFINITIVE RANKING OF ANIMATED MOVIES. With the premiere of Spider-Man: Across the Spider-Verse, JustWatch offers fans this ranking of all of the animated movies by their popularity and where the Oscar-winning animated film starring Miles Morales fits in. 

It’s not surprising that Spider-Man: Into the Spider-Verse takes the first place, as the movie won Best Animated Feature and was an unexpected box office success. Right after the newcomer ranked the hits of 2001: Shrek and Spirited Away. A small waste-collecting robot WALL-E wins 6th place, scoring twice as many points as the movie Up

(7) MEMORY LANE.

1986[Written by Cat Eldridge from a choice by Mike Glyer.]

Leigh Kennedy’s The Journal of Nicholas the American is the Beginning this Scroll.

American, she moved to Britain where she’s lived for over three decades. She was married to Christopher Priest from 1988 until 2011, they have twins.

She has two Nebula nominations, one for her “Her Furry Face” short story and the other for this novel. She’s written one other genre novel, Saint Hiroshima, and a generous amount of short fiction, most of which is collected in Faces and Wind Angels.

And now our Beginning…

17 February 198—

Papa visited me last night. I am thinking that I may have to hide now. 

Once again, someone has discovered us–he’s looking for the family, looking for the pozhar-golava. When I was small, a man came looking for old scandal. He didn’t know that dealing with Fyodor Nicholaevich was like trying to fool yourself. Grandfather (my Papa told me once) had him figured out in a moment; he knew he could lie to him, and he did. No, the Dais were city people, from Petrograd–oh, no, we must call it Leningrad now, eh? The man was a refugee from the Hungarian Uprising in 1957, still new to America. Grandfather snowed him with political talk, but if he had been from the Soviet Union, all the lies would have been transparent. 

The search for pozhar-golava was forgotten–obviously our family had nothing to do with strange powers and bloody nights. 

When I got home from class yesterday, I knew that Papa was in my apartment, I felt him there as I wheeled my bicycle into the garage. I picked up the vodka bottle that I had tossed down onto the grass from the top of my steps last week when I’d been drinking. My landlady never seemed to notice such things, but I felt guilty. 

As I got out my key–I don’t know why I always pretend ignorance about my father’s presence–he was already saying hello in his way.

“Papa,” I said, and set my texts on the bookshelves inside the door, then carried my package to the kitchen.

“How are you, Kolya?” “

“Fine, fine.” I opened the cupboard in my tiny kitchen and took down two glasses. 

My father stood in the doorway. “Can’t we talk first?”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 31, 1895 George Stewart. Author of Earth Abides which won the first International Fantasy Award in 1951. It’s worth noting that his novel Storm which had as its protagonist a Pacific storm called Maria prompted the National Weather Service to use personal names to designate storms. (Died 1980.)
  • Born May 31, 1897 Christine Hartley, better known as Christine Campbell Thomson. Best known for her horror anthologies published in the 1920s and 1930s. The first, Not at Night gave its name to the whole series, which ran to eleven volumes.  In all, there were 170 stories including ones by Howard and Lovecraft, and, according to bibliographer Mike Ashley, a hundred of these came from Weird Tales. All of the fiction she wrote was done under the pen name of Flavia Richardson. Neither the anthologies or her fiction appear to be in print currently. (Died 1985.)
  • Born May 31, 1907 Peter Fleming. Elder brother of that Fleming. Among his works is a novel written in 1940, The Flying Visit about an unintended visit to Britain by Adolf Hitler. It’s apparently a comedy. The Sixth Column: A Singular Tale of Our Time is also genre. (Died 1971.)
  • Born May 31, 1918 Bryce Walton. Writer on Captain Video and His Video Rangers though I can’t tell you exactly what that means as IMDB lists the numbers of episodes he did as unknown. He also wrote for Alfred Hitchcock Presents including “The Greatest Monster of Them All” which is definitely genre. He wrote one SF novel, Sons of the Ocean Deeps, and has one collection of stories, “Dark of the Moon” and Other Tales. (Died 1988.)
  • Born May 31, 1930 Gary Brandner. He’s  best known for The Howling trilogy. The first book was adapted quite loosely into The Howling. Brandner’s second and third Howling novels have no connection to the movie series, though he was involved with writing the screenplay for the second Howling movie, Howling II: Your Sister Is a Werewolf. Who came up with that title?  Howling IV: The Original Nightmare is actually the most faithful adaptation of his first novel hence the title. (Died 2013.)
  • Born May 31, 1946Melisa C. Michaels. Author of the Skyrider series, which starred hotshot belter pilot Melacha Rendell, and a handful of other books, mostly genre. Her short story, “In the Country of the Blind, No One Can See” was included in Terry Carr’s Best SF of the Year 9 anthology. She was SFWA’s webmaster for several years, and received a SFWA service medal in 2008. She also ran a couple of small presses over the years, including Embiid Publishing, one of the very first small-press e-book publishers. (Died 2019.) (Xtifr)
  • Born May 31, 1968 John Connolly, 55. Best known for his Charlie Parker noir crime series where his character solves mysteries by talking to dead. His Chronicles of the Invaders written with Jennifer Ridyard, his wife, are more traditional SF as is the Samuel Johnson series.
  • Born May 31, 1979 Sophia McDougall, 44. She has a very well crafted alternative history series,  the Romanitas series, In which Rome did not fall and rules the world today. She has two SF novels —Mars Evacuees is sort of YA alien invasion novel; Space Hostages reminds of a Heinlein YA novel. 

(9) COMICS SECTION.

  • Mother Goose and Grimm shows two figures from horror experiencing a moment of unexpected terror.
  • Lio catches a big one.
  • Tom Gauld’s imagination isn’t on strike, but one of his creations is.

(10) FEAR THE INVISIBLE MAN. [Item by SF Concatenation’s Jonathan Cowie.] There’s a behind the scenes short for Fear the Invisible Man.

Looks like that despite some key changes to the novel, they are very much keeping in with the spirit of the novel. There is also a nod to James Whale version with Claude Rains costume near beginning.

(11) EARLY ASIAN-AMERICAN MOVIE SAVED. “A Rare 1914 Silent Film Was Considered Lost Forever. A Professor Rescued It From a Vault” from the Wall Street Journal. Northeastern University professor Denise Khor made the discovery.

…A film studio called the Japanese American Film Company made the movie, Khor said. The film had a mostly Japanese cast, a rarity in an era when white Americans used yellowface in other films. The studio portrayed a respectable Japanese man in the U.S. at a time of growing anti-Japanese sentiment, Khor said.

Japanese-Americans in the 1910s were trying to claim a place in the burgeoning U.S. film industry, Khor said. Anti-Japanese attitudes and small filmmaking and marketing budgets blocked their way.

L’Abbate, from the Eastman Museum, said the surviving 1914 film reels came from an unknown source. A donor gave them to the museum between 1950 and 1975, when the museum began collecting old film reels. They were placed for safekeeping in the museum’s frigid vaults in Chili, N.Y., outside Rochester….

(12) THE LAST MEN ON EARTH. Biosphere comes to theaters and VOD on July 7.

Billy (Mark Duplass) and Ray (Sterling K. Brown) are lifelong best friends, brothers from another mother – and the last two men on earth. Their survival is largely due to Ray, a brilliant scientist who designed a domed structure with all the systems necessary to sustain life on a planet that could no longer support it. Their custom biosphere is outfitted with basic necessities and creature comforts that make it possible to retain a sense of what life used to be like. A hydroponic garden provides fresh vegetables and a carefully managed fishpond supplies essential protein. Recently, however, fish have begun dying at an alarming rate. With a mere three fish remaining, Billy and Ray face an ominous future. But life may yet find a way.

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Rich Lynch, James Bacon, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 5/11/23 This Pixel Scroll Is Bigger On The Inside

(1) TURNING A PAGE IN THE HUGO CALENDAR. Cora Buhlert’s first “Non-Fiction Spotlight” for a 2023 book is about a collection of essays which discusses and reviews every single one of the original Conan stories: Hither Came Conan, edited by Bob Byrne, Bill Ward, Howard Andrew Jones and Jason M. Waltz”.

Tell us about your book.

HITHER CAME CONAN is a compilation of two successful examinations of all of Robert E. Howard’s original Conan the Cimmerian stories (and one story fragment) with about 15 additional essays included. It is also the single most-inclusive repository of REH Conan story data to date. This alone makes this title invaluable; coupled with the almost 60 essays it makes this THE BOOK to shelve alongside your Wandering Star/DelRey Conan trilogy. The majority of essays (and opinions!) come from the Bob Byrne led ‘Hither Came Conan’ series hosted by Black Gate Magazine and the ‘Conan Re-Read’ of Bill Ward and Howard Andrew Jones in conversation on Howard’s blog. Data compiled for each story by Dierk Günther includes tidbits such as the probable age of both Conan and Howard, the location, the major characters, the word count, date and source of first publication, and the first recorded public reaction to be found. HITHER CAME CONAN is a wealth of all the information any reader of Conan could desire.

(2) JOHN MANSFIELD SERVICE ONLINE TOMORROW. Linda Ross-Mansfield has announced the Facebook link for the livestream of the funeral service for Pemmi-Con’s fan guest of honour, John Mansfield. Funeral begins May 12, 2:00 p.m. Central.

Murray Moore adds that at the convention there will be a special display and a memory book for fans who wish to share their memories with the family and others.

(3) BIG CONVENTION. At Galactic Journey, Alison Scott reports about Thirdmancon, the 1968 Eastercon: “[May 8, 1968] A Visit to Thirdmancon, the 1968 British Science Fiction Convention”.

It’s hard to overstate the anticipation I had for Eastercon 1968. It was going to be the largest national convention ever, with over 200 fans expected! In the end I understand that something like 150 people turned up; still the largest British national convention yet….

(4) RETRENCHMENT. Hard to believe there’s something Disney hasn’t figured how to make money from. But that’s their story, and they’re sticking to it: “Disney Pulling Some Content Off Streaming In Strategic Rethink” at Deadline.

… Pulling content off the service goes hand in hand with making less of it, or, as CEO Bob Iger put it on the call, “getting much more surgical about what we make.”

He said the company has spent a lot of time and money producing and marketing content that didn’t move the needle in terms of subscribers.

“When you make a lot of content, everything needs to be marketed. You’re spending a lot of money marketing things that are not going to have an impact on the bottom line, except negatively due to the marketing costs.”

Iger gave a shout-out to theatrical films, especially tentpoles, as great sub drivers. “But we were spreading our marketing costs so thin that we were not allocating enough money to even market them when they came onto the service. Coming up, Avatar, Little Mermaid, Guardians of the Galaxy, Elemental etc.. where we actualy believe we have an opportunity to lean into those more, put the right marketing dollars against it, allocate more basicaly away from programming that was not driving any subs at all.”

He called it “part of the maturation process as we grow into a business that we had never been in. We are learning a lot more about it. Specifically, we are learning a lot more about how our content behaves on the service and what customers want.”

(5) MAKING A COMEBACK. “Borges on Turning Trauma, Misfortune, and Humiliation into Raw Material for Art” in the Marginalian.

“Forget your personal tragedy,” Ernest Hemingway exhorted his dear friend F. Scott Fitzgerald in a tough-love letter of advice“Good writers always come back. Always.” It is an insight as true of writers as it is of all artists and of human beings in general, as true of personal tragedy as it is of collective tragedy — something Toni Morrison articulated in her mobilizing manifesto for the writer’s task in troubled times: “There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

That is what Jorge Luis Borges (August 24, 1899–June 14, 1986) — born the same year as Hemingway, writing two decades before Morrison — conveys with uncommon splendor of sentiment in Twenty-Four Conversations with Borges: Including a Selection of Poems (public library) — the record of his dialogues with the Argentine journalist and poet Roberto Alifano, conducted in the final years of Borges’s life, by which point he had been blind for almost thirty years.

(6) EIGHTEENTH CENTURY TO THE RESCUE. “Sailing boat rescued by the Götheborg” – article and photo gallery on the Götheborg of Sweden blog.

…Imagine losing your rudder out at sea and sending out a distress call. And then the largest ocean-going wooden sailing ship in the world comes to your rescue. Or in the words of the sailors on the sailing boat: “This moment was very strange, and we wondered if we were dreaming. Where were we? What time period was it?”

You can see many more photos of the big ship on the Götheborg’s Instagram account.  

(7) MEMORY LANE.

2012[Compiled by Cat Eldridge.]

Paul Cornell’s “The Copenhagen Interpretation” was published first in Asimov’s in their July 2011 issue. It was nominated for the Best Novelette Hugo at Chicon 7, and also for the Theodore Sturgeon Memorial Award. 

You know that I don’t do spoilers, so I won’t do any for this extraordinary well-written story. Annoyingly, while doing research found a number of descriptions of “The Copenhagen Interpretation” that gave everything away. Idiots.

And for the Beginning…

The best time to see Kastellet is in the evening, when the ancient fortifications are alight with glow worms, a landmark for anyone gazing down on the city as they arrive by carriage. Here stands one of Copenhagen’s great parks, its defence complexes, including the home of the Forsvarets Efterretningstjeneste, and a single windmill, decorative rather than functional. The wind comes in hard over the Langeline, and after the sun goes down, the skeleton of the whale that’s been grown into the ground resonates in sympathy and gives out a howl that can be heard in Sweden. 

Hamilton had arrived on the diplomatic carriage, without papers, and, as etiquette demanded, without weapons or folds, thoroughly out of uniform. He watched the carriage heave itself up into the darkening sky above the park, and bank off to the southwest, swaying in the wind, sliding up the fold it made under its running boards. He was certain every detail was being registered by the FLV. You don’t look into the diplomatic bag, but you damn well know where the bag goes. He left the park through the healed bronze gates and headed down a flight of steps towards the diplomatic quarter, thinking of nothing. He did that when there were urgent questions he couldn’t answer, rather than run them round and round in his head and let them wear away at him.

The streets of Copenhagen. Ladies and gentlemen stepping from carriages, the occasional tricolour of feathers on a hat or, worse, once, tartan over a shoulder. Hamilton found himself reacting, furious. But then he saw it was Campbell. The wearer, a youth in evening wear, was the sort of fool who heard an accent in a bar and took up anything apparently forbidden, in impotent protest against the world. And thus got fleeced by Scotsmen. 

He was annoyed at his anger. He had failed to contain himself. 

He walked past the façade of the British embassy, with the Hanoverian regiment on guard, turned a corner and waited in one of those convenient dark streets that form the second map of diplomatic quarters everywhere in the world. After a moment, a door with no external fittings swung open and someone ushered him inside and took his coat.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 11, 1920 Denver Pyle. His first genre performance is in The Flying Saucer way back in 1950 where he was a character named Turner. Escape to Witch Mountain as Uncle Bené is his best known genre role. He’s also showed up on the Fifties Adventures of SupermanCommando Cody: Sky Marshal of the UniverseMen Into  SpaceTwilight Zone and his final role was apparently in How Bugs Bunny Won the West as the Narrator. (Died 1997.)
  • Born May 11, 1918 Richard Feynman. Ok, not genre as such but certainly genre adjacent. I wholeheartedly recommend Genius: The Life and Science of Richard Feynman by James Gleick for an entertaining look at his life. (Died 1988.)
  • Born May 11, 1935 Doug McClure. He had the doubtful honor of appearing some of the worst Seventies  SF films done (my opinion of course and you’re welcome to challenge that), to wit The Land That Time ForgotThe People That Time ForgotWarlords of the Deep and even Humanoids From The Deep. Genre wise, he also appeared in one-offs in The Twilight ZoneOut of This WorldAirWolfAlfred Hitchcock PresentsFantasy Island and Manimal. Some of which were far better. (Died 1995.)
  • Born May 11, 1952 Shohreh Aghdashloo, 71. Best known genre role is Chrisjen Avasarala on The Expanse series. (I’ve not seen it, but have listened to all of The Expanse series.) She also had a recurring role as Farah Madani on The Punisher. She was also in X-Men: The Last Stand as Dr. Kavita Rao, but her role as The Chairman in The Adjustment Bureau didn’t make it to the final version. She was Commodore Paris in Star Trek Beyond, and she had a recurring role as Nhadra Udaya in FlashForward
  • Born May 11, 1952 Frances Fisher, 71. Angie on Strange Luck and a recurring role as Eva Thorne on Eureka. Have I mentioned how I love the latter series? Well I do! She’s also shown up on MediumX-Files, Outer LimitsResurrectionThe Expanse and has some role in the forthcoming Watchmen series. 
  • Born May 11, 1976 Alter S. Reiss, 47. He’s a scientific editor and field archaeologist. He lives in Jerusalem, he’s written two novels, Sunset Mantel and Recalled to Service. He’s also written an impressive amount of short fiction in the past ten years.

(9) COMICS SECTION.

(10) BREAKING THINGS THAT WORK. Today, via a comment on Seanan McGuire’s discussion of Patreon (thread starts here), I learned about the Trust Thermocline. John Bull’s thread starts here.

(11)  DO YOUR PULP HOMEWORK HERE. The Popular Culture Association’s Pulp Studies area now has a website with links and resources: “Pulp Studies”.

What is a “Pulp”?

Pulp magazines were a series of mostly English-language, predominantly American, magazines printed on rough pulp paper.  They were often illustrated with highly stylized, full-page cover art and numerous line art illustrations of the fictional content.  They were sold for modest sums,  and were targeted at (sometimes specialized) readerships of popular literature, such as western and adventure, detective, fantastic (including the evolving genres of science fiction, fantasy, and horror), romance and sports fiction. The first pulp Argosy, began life as the children’s magazine The Golden Argosy, dated Dec 2, 1882 and the last of the “original” pulps was Ranch Romances and Adventures, Nov 1971.

(12) THE SOURCES OF HORROR. At CrimeReads, Nicholas Binge explains “What Teaching Shakespeare Taught Me About Writing Horror”.

…On the surface, no play epitomizes this more than his first tragedy, the grisly Titus Andronicus. It is the Saw franchise of Elizabethan theatre, filled with as much shock and gore as Shakespeare could possibly have packed into a single play. As well as a full complement of stabbings, hangings, and beheadings, the audience is treated to Aaron being buried up to his neck until he starves to death, seeing Lavinia’s hands removed and tongue cut out, watching on as Alarbus’s arms and legs are cut off and he is thrown into a fire, and finally, Shakespeare delivers the coup-de-grace as Chiron and Demetrius are baked into a pie and then fed to their mother. Let it not be said that gore is a new thing in popular entertainment.

And yet, for all these horrors, this play never quite captures an audience (or a classroom) like some of his later, less graphic, tragedies. Why is that? Seen through the lens of a horror writer, Shakespeare’s progression as an artist is not just in his ability to play with structure, form, and character, but rather that he gains a deeper understanding of how to really scare people. As he grew as a writer, he learned there are better ways to emotionally wound an audience than the surface kills and thrills, and it’s this that ends up really defining him as a playwright….

(13) THE TOWER OF BALLARD. Also at CrimeReads, Andrew F. Sullivan revisits High-Rise by J.G. Ballard: “If You Build It, They Will Profit: Reflecting on J. G. Ballard’s High-Rise 48 Years Later”.

J. G. Ballard’s modern fable High-Rise is almost fifty years old. In the past few decades, its potency has come closer to resembling prophecy, yet Ballard’s obsession with affluence and self-isolating communities isn’t limited to this novel alone. Novels like Super-Cannes, Concrete Island, and Cocaine Nights all invoke similar themes of alienation, isolation, and unrestrained affluence from the depths of his back catalogue, the rich coiling tightly around one another to block out the pressing realities of the wider, poorer world. Yet High-Rise remains a singular invocation, summoning a sturdy mental image with ease, a fraught zoo, a series of stacked cages, a social order imprinted on the quivering skyline in concrete—a book that has shaped its legacy at times with just a title and a stark image on the cover.

(14) DOUR TOWER. The New York Post is quite right about this! “New Brooklyn Tower divides NYC with its ‘evil’ ‘Sauron’ vibes”.

(15) FAILURE MODE. A Nature editorial says, “Space companies should not lose heart when things go wrong. The first Moon missions failed repeatedly — and provided lessons on how to achieve success in space and beyond.” “In space, failure is an option — often the only one”

 “Failure is not an option,” NASA’s legendary flight-operations director Gene Kranz is said to have remarked, as seen in the 1995 film Apollo 13. Actor Ed Harris portrayed Kranz as he guided his team to save a spacecraft that had run into trouble on the way to the Moon. In the movie, as in real life, the three astronauts on the Apollo 13 mission pulled off a spectacular fix and returned safely to Earth.

Not all space ventures have such a tidy ending. A 2019 attempt by Israeli company SpaceIL to land on the Moon crashed. On 20 April this year, a spectacular intentional detonation ended the first major test flight of Starship, the world’s largest rocket, which SpaceX in Hawthorne, California, is building to carry humans back to the Moon and to Mars. The craft had spun out of control four minutes after lifting off its launch pad in Texas. Five days later, a robotic mission from the Japanese company ispace, based in Tokyo, tried and failed to land safely on the Moon

“…The scientists and engineers involved should not be discouraged by these failures. Space is hard. This is a truism trotted out every time there’s an attempt to launch from this planet or land on another. But it is accurate. Those who wish to explore the cosmos should expect to fail — perhaps many times — before they can succeed.”

(16) OCTOTHORPE. In episode 83 of the Octothorpe podcast, John Coxon would like more drawers, Alison Scott uses the floor, and Liz Batty is okay with shelves. They also discuss fan funds briefly, and the 2023 Eastercon (Conversation) at some length. Listen here: “Efffffffff”.

(17) ZELDA KEEPS ROLLING ALONG. EV Grieve has photos of “‘The Legend of Zelda,’ bus edition”. See them at the link.

Nintendo Switch gamers may be excited to see this promo bus for “The Legend of Zelda: Tears of the Kingdom,” the highly anticipated sequel to 2017’s “Breath of the Wild” parked on First Avenue by 12th Street… 

(18) VIDEO OF THE DAY. “Doctor Who drops brand new teaser as fans decode clues” reports Radio Times.

…This appears to confirm that we’ll get another full trailer for the trilogy of specials at some point during the Eurovision Song Contest, as had previously been rumoured….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Lise Andreasen, Hampus Eckerman, Murray Moore, SF Concatenation’s Jonathan Cowie, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Pixel Scroll 4/12/23 What Is It You Plan To Scroll With Your One Filed And Pixelled Life?

(1) COVID OUTBREAK AMONG EASTERCON ATTENDEES. Fans who attended last week’s Eastercon in the UK (“Conversation”) have been self-reporting positive Covid tests and symptoms to the con’s Facebook community group, or to the con’s Discord server, now closed, which reportedly had more than 70 positive tests. Masking is no longer mandatory in the UK, however, the con’s own Covid policy asked people to test before coming, stay home if they tested positive (or had symptoms of an infectious disease), and to wear a mask in program items and crowded areas. There is much discussion of how many people complied with their masking policy, as well as the load on the venue’s ventilation system in places like the bar.

Today one author put it rather dramatically:

(2) FANZINE PILGRIMAGE. Marcin “Alqua” Kłak today published a conreport about “Corflu Craic – my first fanzine convention” at Fandom Rover. The event was held in Belfast the weekend before Eastercon.

…Did I enjoy Corflu? Oh yes! I certainly want to repeat the experience (although next year the con will be held in Nevada so outside of my reach). The atmosphere, the friendliness, the conversations – It was pretty awesome. Eating meals together and discussing fannish topics was memorable.

I got a lot of reading materials. Firstly items I bought at the auction at previous Corflu were given to me. They came with some additional stuff (including the Programme Book from 2022). Then each person coming to Corflu Craic got a random set of fanzines from the chair’s own supplies. Then I got many zines people produced for this year or took them to the con to give away. And at last I bought two publications. The first was 1957 The First UK Worldcon edited by Rob Hansen (which at the end of the con got an award). The second one was a TAFF trip report from Sue Mason. I cannot complain for the lack of fanzines to read this year (and probably next too!). The challenge wiI be to write a few LoCs though (and I don’t have too much experience!).

(3) KSR AT UCSD. On April 19 The School for Global Policy and Strategy and the Arthur C. Clarke Center for Human Imagination at UC San Diego will host an in-person discussion with Kim Stanley Robinson, engaging with several UC San Diego researchers, about the bidirectional patterns of influence between climate research and science fiction narrative, and what both suggest about the Earth’s future, and our own. Free admission, register here.

Earth’s Future: A Discussion with Kim Stanley Robinson. April 19, 2023, 12:30p – 1:50p. Institute of the Americas, Hojel Auditorium, UC San Diego

Internationally renowned writer Kim Stanley Robinson’s science fiction has long been engaged with the tradition of utopian thought: how do we imagine a better society? His most recent novel, The Ministry for the Future, has been hailed as a masterpiece and held up as a roadmap to climate policy and action, and how his characters navigate the next hundred years of climate catastrophe and cascading political and social effects toward a better future have inspired numerous projects that engage with related ideas in political economy, technology and engineering, climatology and ecology, and urban design.

Featuring:

Kim Stanley Robinson: American novelist, widely recognized as one of the foremost living writers of science fiction.

Introduction by Patrick Coleman, Asst. Director, Clarke Center for Human Imagination

Moderated by Jennifer Burney (Professor; Marshall Saunders Chancellor’s Endowed Chair in Global Climate Policy and Research, UC San Diego)

Panelists:

Kate Ricke (Assistant Professor, School of Global Policy and Strategy and Scripps Institution of Oceanography, UC San Diego)

Teevrat Garg (Assistant Professor of Economics, School of Global Policy and Strategy, UC San Diego)

John Ahlquist (Professor and Associate Dean, School of Global Policy and Strategy, UC San Diego)

(4) SECOND GUESS SFF. GameRant’s Kristy Ambrose says these “Sci-Fi Movies That Almost Had Different Endings”.

…It’s not uncommon for sci-fi movies to have several endings before the director and the studio decide on the one that will hit the theatres. The fans can only hope to catch a glimpse of the alternative cuts on DVDs or Blu-rays. As it happens, these highly successful sci-fi films almost ended differently, and if they had been cut today, their stories might have concluded differently….

Here’s an example – beware spoilers. (If you wonder, “how could they spoil an ending that wasn’t made?” – well, they have to compare it to the actual ending, and there you are, spoiled!)

6. LITTLE SHOP OF HORRORS (1986)

Here’s an example of a dark but comical ending that might have been retained had Little Shop of Horrors been made in another era. Instead of successfully defeating Audrey II, the killer plant that fed on human blood, it eats both Seymour, the main character, and his love interest, the original Audrey. It’s then strong enough to replicate, and the final scenes include several giant killer plants tearing apart the city.

Test audiences weren’t too keen on the ending, however, which sees our downtrodden but plucky protagonist turned into plant food. An alternative ending was used instead, in which Seymour manages to electrocute Audry II before it can do any more damage and stop the global carnage before it even starts.

(5) MEMORY LANE.

1975[Compiled by Cat Eldridge.]

Our Beginning this Scroll is that of Gardner Dozois’ “The Visible Man” noveletteHe was a prolific author of short fiction, for which he won two Nebulas, and also wrote four novels. Though his fiction won no Hugos despite five nominations, he won myriads as Professional Editor, Short Fiction.

Now for “The Visible Man” novelette. It was first published in Analog Science Fiction/Science Fact, the December 1975 issue. It got printed as part of The Visible Man collection several years later. Baen has the rights to it now and they last published as an ebook a decade in Strange Days: Fabulous Journeys with Gardner Dozois. It’s a nicely done look at him as a writer. So let’s get to that Beginning… 

GEORGE ROWAN’S ONLY chance of escape came to him like a benediction, sudden and unlooked for, on the road between Newburyport and Boston. 

They were on old Route 1, the Newburyport Turnpike, and there was not another car in sight. The fully automated Route 95 guideway was just a few miles west of here, running almost parallel to Route 1, but for reasons of his own the sheriff had preferred to take the old secondary road, even though he had to drive the car himself and couldn’t possibly get up to guideway speeds. Perhaps he simply enjoyed manual driving. Perhaps it was some old State regulation, now solidified into tradition, that prohibited the transportation of prisoners on automated roads. Perhaps it was just some more of the expected psychological torture, taking the slowest possible route so that Rowan would have time to build up a greater charge of fear and dreadful anticipation for what awaited him in Boston. 

For Rowan, the trip had already become interminable. His memory of the jail in Newburyport, of his crime, of his hasty trial, of his past life—all had become hazy and indistinct. It seemed as if he had been riding forever, on the road, going to Boston for the execution of his sentence. Only that was real and vivid: the slight swaying motion of the car, the seat upholstery sticking uncomfortably to his sweat-soaked back, the ridged rubber mat under his feet. The countryside they drove through was flat and empty, trees, meadows, cultivated fields, little streams, sometimes a boarded-up gas station or a long-abandoned roadside stand. The sky was a flat, washed-out blue, and the sunlight was thick and dusty. Occasionally they would bump over a pothole or a stretch of frost-buckled pavement—the State didn’t spend much anymore to keep up the secondary roads. The car’s electric engine made no sound at all, and the interior of the car was close and hot with the windows rolled up.

Rowan found himself reluctantly watching the little motions of the steering wheel, apparently turning all by itself, driverless. That made him shiver. He knew intellectually, of course, that he was sitting on the front seat between the sheriff and the deputy, but he couldn’t see them. He could hear them breathing, and occasionally the deputy’s arm would brush against his own, but, for Rowan, they were invisible. 

He knew why they were invisible, but that didn’t make it any less spooky. When the State’s analysis computers had gone down into his mind and found the memories that proved him guilty, they had also, as a matter of course, implanted a very deep and very specific hypnotic injunction: from now on, George Rowan would not be able to see any other living creature. Apparently the injunction had not included trees and other kinds of vegetation, but it had covered animals and birds and people. He assumed that when he “saw” through invisible people—as he now “saw” the portions of the car that should have been blocked from sight by the sheriffs body—it was because his subconscious mind was extrapolating, creating a logical extension of the view from other visual data in order to comply with the spirit of the injunction. Nothing must be allowed to spoil the illusion. Nor could Rowan break it, although he knew what it was and how it had been created. It was too strong, and planted too deep. He was “blind” in a special and insidious way….

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born April 12, 1884 Bob Olsen. He wrote stories for Amazing Stories, from 1927 to 1936, many of them said to be of humorous inclination. He was one of the first writers to use the phrase ‘space marine’ in a two-story Captain Brink sequence consisting of “Captain Brink of the Space Marines” (November 1932 Amazing) and “The Space Marines and the Slavers” (December 1936 Amazing). I’m fairly sure that he wrote no novels and less than twenty-four short stories. I do know that severe arthritis curtailed his writing career in 1940. (Died 1956.)
  • Born April 12, 1915 Emil Petaja. An author whose career spanned seven decades who really should be remembered as much for his social circles that included early on as H. P. Lovecraft, Clark Ashton Smith, Robert E. Howard, and August Derleth which later expanded to include Anthony Boucher, Frank M. Robinson, Poul Anderson, Ray Bradbury, Philip K. Dick and Robert A. Heinlein.  It should not be overlooked that he did write seven novels and around forty short stories during his career with the stories appearing in Weird TalesFantasy and Science FictionFantastic AdventuresWorlds of Tomorrow, Future Science Fiction Stories and other venues as well. (Died 2000.)
  • Born April 12, 1921 Carol Emshwiller. I think her short stories are amazing and The Start of the End of It All and Other Stories collection won a World Fantasy Award. She’d later receive a Life Achievement from the group of judges chosen by the World Fantasy Awards Administration. I’ve not read her novels, so which would you recommend I read? (Died 2019.)
  • Born April 12, 1916 Beverly Cleary. One of America’s most successful authors, almost a hundred million copies of her children’s books have been sold worldwide since her first book was published in seventy years ago. Some of her best known characters are Ramona Quimby and Beezus Quimby, Henry Huggins and his dog Ribsy, and Ralph S. Mouse. (Died 2021.)
  • Born April 12, 1958 Elizabeth Klein-Lebbink, 65. An LA-resident con-running fan. She has worked on a variety of conventions, both regionals and Worldcons, frequently in the art shows. She is has been a member of the Dorsai Irregulars. She is married to fellow fan Jerome Scott. Works for NASA where she writes such papers as ‘Measurements of Integration Gain for the Cospas-Sarsat System from Geosynchronous Satellites’.
  • Born April 12, 1936 Charles Napier. Well let’s meet Adam on the Trek episode of “The Way to Eden”. Oh, that’s a horrible outfit he’s wearing. Let’s see if he had better genre roles… well he was on Mission: Impossible twice in truly anonymous roles, likewise he played two minor characters on The Incredible Hulk and he did get a character with a meaningful name (General Denning) on Deep Space 9. I surprised to learn that he was General Hardcastle in Superman and Justice League Unlimited series, and also voiced Agent Zed for the entire run of the Men in Black animated series. (Died 2011.)
  • Born April 12, 1979 Jennifer Morrison, 44. Emma Swan in the Once Upon a Time series, and Winona Kirk, mother of James T. Kirk in Star Trek and Star Trek Into Darkness. She also paid her horror dues in Urban Legends: Final Cut as Amy Mayfield, the student videographer whose film goes terribly wrong. I’m intrigued to see that she’s the voice actor for the role of Selina Kyle / Catwoman in the Batman: Hush, a film that needs a R rating to be told properly and indeed did so.

(7) CAN YOU GUESS? “Russell Crowe doesn’t like horror movies. Why the hell is he playing The Pope’s Exorcist?” asks Entertainment Weekly.

Russell Crowe does not like scary movies.

“No, I’m not really a horror film fella,” the Oscar winner tells EW. “I like to sleep deeply at nighttime.”

Crowe is hoping to give cinemagoers interrupted slumbers with his new film The Pope’s Exorcist (in theaters April 14). In this purportedly inspired-by-real-events horror movie, the actor plays Father Gabriele Amorth, the Diocese of Rome’s chief exorcist who investigated thousands of possession cases starting in the late ’80s. Directed by Julius Avery (Overlord), the film finds Franco Nero’s Pontiff sending Amorth to investigate the strange happenings at a Spanish castle which are tormenting an American family, played by Laurel Marsden, Peter DeSouza-Feighoney, and, as the clan’s matriarch, Doctor Sleep actress Alex Essoe….

(8) HARRY POTTER AND THE REGISTER OF CASH. Variety reports “’Harry Potter’ TV Show Adaptation Ordered at HBO Max”. Each season will be based on one of the books.

A “Harry Potter” TV series is officially moving forward at HBO Max.

The announcement was made during Warner Bros. Discovery’s presentation to press and investors on April 12, during which it was announced that HBO Max and Discovery+ are officially being combined into a new service dubbed simply Max.

News of a show based on the megahit J.K. Rowling book series first leaked on April 3, but details have now been confirmed.

Each season of the show will be based on one of the books in the franchise, with Warner Bros. Discovery describing the show as a “decade-long series.” It will feature an entirely new cast from the films.

(9) OUT OF THE DOGHOUSE. Not without protest, however,“The NYPD is bringing back its robot dog”The Verge has the story.

The New York Police Department is reenlisting Digidog, the four-legged robot that the city faced backlash for deploying a few years back, as reported earlier by The New York Times. NYC Mayor Eric Adams announced the news during a press event on Tuesday, stating that the use of Digidog in the city can “save lives.”

Digidog — also known as Spot — is a remote-controlled robot made by the Hyundai-owned Boston Dynamics. It’s designed to work in situations that may pose a threat to humans, helping to do things like perform inspections in dangerous areas and monitor construction sites. However, Boston Dynamics also touts its use as a public safety tool, which the NYPD has tried in the past.

… City officials say that the NYPD will acquire two robot dogs for a total of $750,000, according to the NYT, and that they will only be used during life-threatening situations, such as bomb threats.

“I believe that technology is here; we cannot be afraid of it,” Mayor Adams said during Tuesday’s press conference. “A few loud people were opposed to it, and we took a step back — that is not how I operate. I operate on looking at what’s best for the city.”…

(10) AL JAFFEE TRIBUTE. Stephen Colbert paid tribute to Al Jaffee on The Late Show last night.

Stephen takes a moment to honor one of the true giants of his childhood, MAD Magazine cartoonist Al Jaffee, who died Monday at the age of 102.

(11) VIDEO OF THE DAY. [Item by SF Concatenation’s Jonathan Cowie.] Appropriate for the Easter season: bunnies… “Is Watership Down Science Fiction?” is a question posed by Moid Moidelhoff over at Media Death Cult. Only touching briefly on actual definitions of SF (it arguably defies precise definition) it is the first Media Death Cult video to take place on location at the real Watership down. Join Moid – who’s occasionally known to be a bit of a wag and a tease – for this nine-minute video….

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day John A Arkansawyer.]

Belfast Wins Eastercon (UK) 2025 Site Selection Vote

Reconnect logo

Belfast, Northern Ireland is the voters’ choice for the site of the 2025 UK Eastercon, the first time the convention will be held in Ireland. Reconnect, will take place April 18-21, 2025.

Reconnect’s venue is within half a mile of the city center: the Belfast International Conference Centre and connected Hilton Lanyon Place.

Deputy Chair Jo Zebedee said “We are delighted to be bringing the Eastercon to Belfast, and look forward to welcoming hundreds of fans to a city full of exciting literary and cultural elements”. 

Two bids for 2025 were submitted, Catastrophe! and Reconnect (Belfast). Catastrophe! was, of course, a spoof bid but very humorous in content says Dave Lally, who reports in the end it did actually receive some votes.

Reconnect’s guests of honour will be Lauren Beukes, Rebecca Roanhorse, Jeannette Ng, Derek Landy, Will Simpson and Bar Friendly Ian McDonald.     

Co-Chair James Bacon said, “We are thrilled to be able to welcome such an illustrious and fabulous range of guests of honour to Reconnect. We hope that we can share our passion for the fantastic as we welcome fans to a new venue for Reconnect and welcome new fans to their first Eastercon.”

A special rate of £60 is available until the end of May with a series of discounted rates available online.

Co-Chair Tommy Ferguson noted: “We have a long history of fandom in Belfast, be it Walt Willis, James White and Bob Shaw with their groundbreaking fanzines in the 40’s and 50’s up to our local convention scene which has been vibrant, and we want to reconnect fandom to Northern Ireland and with one another as we celebrate science fiction, fantasy and horror in all its forms in person.”

Traveling fan Dave Lally also notes that Northern Ireland’s tourist attractions include “the obvious Game of Thrones locations; and there are also C S Lewis (Narnia etc.) connections in Belfast. Already offered on the Easter Friday morning (and just pre-Con opening) is a fan arranged visit to the award-winning Titanic Centre in Belfast. This is right beside where the doomed liner was built, before its tragic end in April 1912 in the cold, still, waters of the Atlantic.” 

And in the neighboring Republic of Ireland, Malin Head, County Donegal (Star Wars), and the charms of Ireland’s capital city, Dublin, (the express Belfast-Dublin train is called “The Enterprise” — 2 hours journey time-between the two Irish cities, and that service leaves from the main Belfast Lanyon Place Station (just ~300m from the Con itself).) 

[NOTE: Eastercon 2024/“Levitation” is already approved. Location: Telford (just north of Birmingham) Dates: March 29-April 1, 2024.]

Pixel Scroll 9/12/22 The Following Scroll Was Taped In Front Of An Audience Of Live People (Plus Some Zombies)

(1) YOU’RE THE TOPS. The Self-Published Science Fiction Competition announced the winner of its 2022 Best Covers poll. Voters said Kirk DouPonce’s cover for Debunked: Volume One was the best among the entries to this year’s edition of the contest.

(2) PROGRESS REPORT. The New York Times says Dragon Con is “Redefining What Nerd Culture Looks Like”.

…Mr. Sherman, who traveled from Lake Charles, La., for Dragon Con, has attended nearly every year since 2008. That first year, Mr. Sherman, a former journalist, took photos of cosplayers he was impressed by. “One of my friends half jokingly asked, ‘Were you the only Black guy there?’” he said. He looked through his pictures and counted about 20 or 30 Black cosplayers. He posted an album on Facebook with all of them and named it: “Proof that I’m not the only one: Black geeks at Dragon Con.”

The Facebook photo album became an annual tradition and eventually morphed into an annual meet-up.

Meet-ups happen at Dragon Con for all types of groups, from Deadpool cosplayers to Trekkies. “If you can imagine it, there’s a photo shoot for it,” Mr. Sherman said. But at the time, there wasn’t one for the Black community, so the Black Geeks of Dragon Con meet-up was born.

The first meet-up in 2015 brought in a little more than 20 people. In the years that followed, Mr. Sherman and his friend and meet-up co-founder David Somuah handed out cards at the con inviting Black cosplayers to join, and word spread.

“We went from 20 to 80, then all of a sudden it just jumped to 200 or 300,” Mr. Sherman said. “In 2019, going through the pictures, we were close to 350 people. You couldn’t see the back of the stairs.”

Angela and Tim Haynes cosplaying as Eddie Munson and a mash-up of LL Cool J and Eleven from “Stranger Things.”Ari Skin for The New York Times

In recent years, Dragon Con has made an effort to broaden its scope. A diversity track has been added to the programming that features panels on cosplay and disability, dealing with hate as a cosplayer, and representation in fantasy media.

(3) AFTER ACTION REPORT. Cora Buhlert delivers her epic analysis of this year’s Hugos in “Some Comments on the 2022 Hugo Award Winners and the Hugo Ceremony in General”.

…There were also no names mispronounced that I noticed – and mine was pronounced correctly, so thank you to Annalee and Charlie Jane – though the hosts forgot to read out Marguerite Kenner, editor of Best Fanzine finalist The Full Lid. There was also some unpleasantness involving Best Semiprozine finalist Strange Horizons, who have a large staff and have long fought for all of them to be listed. The hosts did not read out the entire long list of names, which was agreed upon with Strange Horizons beforehand, but the dramatic pause before “…by the Strange Horizons editorial collective” generated laughter in the auditorium, which may not even have been ill intended, but which nonetheless hurt the Strange Horizons people, especially given the crap they’ve gotten over the years, e.g. last year when many people blamed Strange Horizons for complaining about the (eventually repealed) “only four people plus ones at the Hugo ceremony and reception rule”, even though it was a completely different team that complained. Finally – speaking as someone who’s been there three times now – it is a thrilling feeling to hear your name read out at the Hugo ceremony. Having that thrilling feeling marred by having your name mispronounced, omitted or people laughing about it is not cool. I was still in the finalist Zoom green room with Sonia Sulaiman of Strange Horizons, when Best Semiprozine was announced, and I could tell she was hurt. That said, Annalee and Charlie Jane have apologised by now….

(4) WHAT AM I BID? Heritage is auctioning some of Harlan Ellison’s collection in October: “2022 October 21 Harlan Ellison Comics & Comic Art Signature® Auction #7335”. Thumbnails of the artwork at the link.

(5) 2022 EASTERCON REPORT. [Item by SF Concatenation’s Jonathan Cowie.] The SF2 Concatenation has just released a convention report on the 2022 UK Eastercon by Arthur Chappell ahead of its seasonal edition.

It was for many of us an emotional reunion with dear friends, with moving tributes to the fans who didn’t make it through the maelstrom, especially poignantly referenced during the opening and closing ceremonies. The former included a very moving presentation by Doug S. on the ravages and toll the CoVID virus has had on fandom since the first ripples of the tragic virus started rolling round the world in December 2019…

(6) A COLD APPRAISAL OF FRANKENSTEIN. Scholar Michael Bérubé is interviewed by PennStater Magazine about his work on an edition of Mary Shelley’s Frankstein that gives new emphasis to the polar mission in the story: “He’s (Still) Alive!”

Q: You mentioned that the actual science is somewhat understated in Frankenstein. What’s interesting to you about how Shelley’s approach to this has aged?
Bérubé
: To go back to the Marilyn Butler edition, a lot of her argument relies on the fact that the Shelleys’ personal physician was a leading exponent of materialism—the belief that we’re just matter, there’s nothing that separates humans from animals in that respect. Butler’s reading is that as Shelley got older, she got more conservative—she knew very well the horrified reaction her book produced, and she wanted to take some of the edge off. In some ways I’m just following that: This is about the history of science; this is a question of what life means. Most people treat the polar expedition as basically a framing, just a setup, whereas I think it’s fascinating in its own right.

One of the other questions is, what does it mean to be the first person to achieve something? At the very end of the novel—and this is another thing I love about it—Victor says, “I’ve ruined my life, I should never have opened this Pandora’s box.” He literally gets up off his deathbed on Walton’s ship; the crew is about to mutiny. They know they’re going to die, and some of them already have. And Victor hauls himself up off his deathbed and gives this impassioned speech chastising the crew for being cowards. “Of course this was going to be a dangerous mission—that’s why you took it.” As JFK put it in his 1962 announcement of the Apollo program, “We choose to go to the moon not because it is easy, but because it is hard.” Victor’s pitch is, “You have the chance here to do something glorious. Your names will go down in history.” Well, no they won’t [laughs]. No one’s going to remember the names of the crew.

So I think it’s become clear over the past 200 years that polar exploration is more like space exploration than it is like creating life: It raises questions about the utility and the dangers of boldly going where no one has gone before, but it doesn’t seem to cross any major ethical lines. The creature, by contrast, continues to resonate with us not despite our stunning technological accomplishments since then but because of them: he seems to anticipate debates about in vitro fertilization, about gene editing and genetic engineering … in short, about whether we should be trying to tinker with the stuff we’re made of, and to what end….

(7) SPECIAL INTEREST ADVOCATE. Washingtonian interviews the only lobbyist in Washington dealing with UFOs.“Alien Life: UFO Lobbyist’s Quest to Uncover the Truth”.

On a Tuesday morning in mid-May, Stephen Bassett flipped open his laptop, logged on to YouTube, and watched live-streamed coverage of America’s elected representatives doing something he’d waited years to see. Over the next hour and a half, he stared at his 43-inch LCD monitor and observed stern-faced military officials in a congressional hearing room answer lawmakers’ questions about the unidentified aerial phenomena, or UAPs—another term for UFOs—that service­members had encountered in recent years. As the proceedings got underway, one of the Pentagon higher-­ups played recently declassified footage showing a mysterious object darting across the sky. “For too long, the stigma associated with UAPs has gotten in the way of good intelligence analysis,” André Carson, the Democratic congressman from Indiana who chairs the House Intelligence subcommittee that had organized the event, told the audience. “Today, we know better. UAPs are unexplained, it’s true. But they are real.”

For Bassett, this first public congressional hearing on UFOs in more than 50 years was a milestone. As DC’s first registered UFO lobbyist, he’d spent more than a quarter century pleading for lawmakers and the administration to stop snickering at the issue. Yet as he watched official Washington finally take the topic seriously, an uneasy feeling struck him. “It’s that anxiety that you get when you’re getting close to the finish line,” he says, “but it’s still not clear it’s a done deal.”

Though long dismissed as the delusions of science fiction, UFOs have emerged as a serious subject in the nation’s capital….

(8) MEDIA BIRTHDAY.  

1993 [By Cat Eldridge.] Twenty-nine years ago this night on ABC, Lois & Clark: The New Adventures of Superman premiered. As much romance as SF, it was lasted less time than I thought it did, just four seasons and eighty-eight episodes.

Casting had the perfect couple in Dean Cain as Clark Kent / Kal-El / Superman and Teri Hatcher as Lois Lane. They had perfect chemistry between the two of them. 

It was developed by Deborah Joy LeVine who never developed anything else of a genre nature other the Early Edition series later on. It had six, yes six, Executive Producers including her. All of which got fired after the first season. 

The series focuses on the relationship and romance between Lois and Clark as much as the adventures of Clark’s alter-ego, Superman. The DCU villains that appeared here, as far as I can tell, were Metallo, Weatherman, Lex Luthor, Prankster, Metello and Mr. Mxyzptlk. Most showed up in the second season after the Purge following the ending of the first season.

Ratings kept declining throughout the series and, though it was promised to the producers, a fifth season was never done leaving the series on the cliffhanger. 

SFBC published C. J. Cherryh’s Lois & Clark: A Superman Novel during the third season. DC produced Lois & Clark, The New Adventures of Superman with by John Bryne and others in the same season. 

It carries a bounding eighty-seven percent rating among audience reviewers at Rotten Tomatoes. 

The show streams on Amazon and HBO Max. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 12, 1897 Walter B. Gibson. Writer and professional magician who’s best known for his work creating and being the first and main writer of the pulp character The Shadow. Using the pen-name Maxwell Grant, he wrote 285 of the 325 Shadow stories published by Street & Smith in The Shadow magazine of the Thirties and Forties. He also wrote a Batman prose story which appeared in Detective Comics #500 and was drawn by Thomas Yeates. (Died 1985.)
  • Born September 12, 1914 Desmond Llewelyn. He’s best known for playing Q in 17 of the Bond films over thirty-six years. Truly amazing. Live and Let Die is the only one in the period that Q was not in. He worked with five Bonds, to wit Sean Connery, George Lazenby, Roger Moore, Timothy Dalton and Pierce Brosnan. Other genre appearances include The Adventures of Robin Hood, the Strange Case of Dr Jekyll and Mr HydeThe Curse of the Werewolf and Chitty Chitty Bang Bang. (Died 1999.)
  • Born September 12, 1922 John Chambers. Makeup artist who worked on the original Trek where he created the Vulcans and molded Spock’s pointed ears. He would also be principal designer of the ape makeup for Planet of the Apes and its sequels. In 1969 he received an honorary Academy Award for those designs, though it would be 1981 when a specific award category for Best Makeup would exist.  He also, among other work, was invoked with MunstersLost in Space and Other Limits. (Died 2001.)
  • Born September 12, 1927 Freddie Jones. Though he was best known for his role as the showman Bytes in The Elephant Man, he did have some genre including showing up on the original Dune as Thufir Hawat. Other roles included being in Frankenstein Must Be Destroyed as Professor Richter, two Dracula films, The Satanic Rites of Dracula, one as  Professor Keeley and Son of Dracula as The Baron. He was also in Vampira aka Old Dracula as Gilmore. He was in Krull with a name I refuse to pronounce, Yny. And that’s only up to 1985. Need I say he had a busy career? (Died 2019.)
  • Born September 12, 1931 Bill McKinney. I remember him from voicing a most believable Jonah Hex in the Batman: The Animated Series in the Joe Lansdale penned “Showdown” episode.  He’s got genre one-offs in The Adventures of Young Indiana JonesThe Lazarus Man and Galatica 1980. She was in the third Back to Future film. (Died 2012.)
  • Born September 12, 1942 Charles L. Grant. A writer who said he was best at what he called “dark fantasy” and “quiet horror”. Nightmare Seasons, a collection of novellas, won a World Fantasy Award, while the “A Crowd of Shadows” short garnered a Nebula as did “A Glow of Candles, a Unicorn’s Eye” novella. “Temperature Days on Hawthorne Street” story would become the Tales from the Darkside episode “The Milkman Cometh”. The usual suspects have decent but not outstanding selections of his works including Oxrun Station, his core horror series. (Died 2006.)
  • Born September 12, 1960 Robert John Burke, 62. He played the second incarnation of Robocop after Peter Weller bowed out from playing the character.  He was Donald “Don” Pierce in Limitless, a SF thriller that great reception from everyone, and he was William Anders in From the Earth to the Moon. If you watched Person of Interest, he had the ongoing role of Officer Patrick Simmon. Definitely not genre or genre related, but he played Frank McLaury in Tombstone, one of favorite films of all-time. I’ve only watched it at least a half dozen times. 
  • Born September 12, 1962 Mary Kay Adams, 60. She was Na’Toth, a Narn who was the aide to G’Kar in the second season of Babylon 5, and she would show up as the Klingon Grilka in the episodes “The House of Quark” and “Looking for par’Mach in All the Wrong Places”. 

(10) COMICS SECTION.

  • Macanudo reveals Spider-Man’s occupational hazard.
  • Candorville tries a little experiment with a character newly in the public domain.
  • Tom Gauld as a modest suggestion for librarians:

(11) AGENT MOM.

(12) CAN’T KEEP A LID ON IT. In “Humans and Cockatoos Are in an ‘Arms Race’ Over Trash in Sydney”, Gizmodo covers the research.

…Unfortunately for the humans, cockatoos have learned how to defeat some of the simpler measures. But much as the birds are adapting, people are developing counters right back. As the researchers put it, the parrots and people of Sydney seem to be engaged in a sort of innovation “arms race,” though Klump balked at describing it as a full-on war.

“When cockatoos learn to defeat this protection measure (e.g. by pushing off bricks so that they can then open the bin), people in our survey have reported that they increase the efficacy of their protection measures (e.g. by fixing something heavy to the lid, so that it cannot be pushed off). What we have found is that bin protection (and protection types) are geographically clustered and that people learn about them from their neighbors,” Klump said….

(13) A WEE BIT OF HUGO NEWS. AbeBooks’ list “The Hugo Awards: the best science fiction & fantasy books since 1953” has been updated to include the 2022 novel winner. Go forth and buy!

(14) THEY’RE DEAD, JIM. “I Killed Everyone on My Mission to Mars” is Jennifer Billock’s travel report from Space Camp.

What’s the first thing you would say if you were the very first person to step on Mars? I had mine figured out from the start. And when I stepped onto the Red Planet, I let it out: “Welcome to Mars. Let’s colonize this bitch.” I also quickly followed that up with a comment to my crew. “Sorry I killed all of you on the way here.”

As I’m sure you may have guessed, I wasn’t actually on Mars. I was the commander of a mission to the fictional version of the planet as part of an adult Space Camp day program in Huntsville, Alabama. It had been a particularly wild adventure that day, with me leaping around on the moon’s surface, nearly puking everywhere in the multi-axis trainer (or as I call it, the gyro-chair), and then almost immediately killing my entire Mars crew once we got on our shuttle.

Oh, and the night before, I scraped my head on a space capsule in the on-site beer garden, bled everywhere, and had to go to Sick Bay. Needless to say, I’m an amazing pick for commander. And yes, you read that right: Space Camp has a German oompah bar beer garden. It’s like heaven there, folks. Here’s why you should go to adult Space Camp and what missions to do while you’re there….

(15) DO YOU THINK THAT WILL BE ENOUGH? John King Tarpinian located world Halloween cereal headquarters.

(16) LINKS TO WESTERN AND HISTORICAL FICTION AWARDS. [Item by Todd Mason.]

(17) SO BE GOOD FOR GOODNESS SAKE. Disney revives another franchise for Disney+ — The Santa Clauses.

(18) REINVENTING THE WHEEL. You know that thing people are cautioned against doing? Guess again!Universe Today explains how “Using ‘C-Shaped Wheels,’ This Rover can Climb Over More Challenging Lunar Terrain”.

… To navigate such rugged terrain, the rover uses a unique locomotion system originally designed as the RHex project at the University of Pennsylvania. These wheels allow the rover, which is only the size of an A4 sheet of paper, to traverse much larger obstacles than wheeled rovers in its size class….

[Thanks to Andrew Porter, Chris Barkley, Michael Toman, Alan Baumler, Todd Mason, Michael J. Walsh, Arnie Fenner, Daniel Dern, SF Concatenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Belfast Eastercon Explorations

By Tommy Ferguson: On Friday a group of Norn Iron fans visited The Hilton Lanyon Place and International Conference Centre (ICC) which is next door – (https://www.iccbelfast.com/), to consider the space that is available and whether, costs permitting, a Belfast Eastercon would be viable. 

Norn Iron fans

The venue was the site of the 2019 Eurocon, which ran successfully, but looking at additional space, in the ICC. 

This new group, with experience from a wide selection of Irish and international conventions, is entitled the ‘Preliminary Belfast Eastercon Assessment Team’ and we went to the Pub afterwards to consider what next steps should be taken and it was agreed that another pint would be a good idea. 

Hilton Pub

Following this, and other activities it was agreed we should communicate to Eastercon fans, here, there and elsewhere, that some activity, albeit very initial, is taking place. 

PBEAT would look to see if the venue is indeed suitable, and more importantly if it is affordable.

Initial reckoning is that we could accommodate an 800 to 900 person Eastercon, and given the extra travel is involved, this seems like a reasonable amount. 

By the end of the evening, there was much excitement about the prospect of a Belfast Eastercon, as evidenced in the images.

Further updates will occur.