Pixel Scroll 1/28/24 Intergalactic Antiques Road Show

(1) GALAXY QUEST FUNKOS. Slashfilm rejoices: “Cool Stuff: By Grabthar’s Hammer, Galaxy Quest Funko POPs Have Arrived!”

… Funko has revealed three new POP vinyl figures of Jason Nesmith (Tim Allen) as Commander Peter Quincy Taggart, Sir Alexander (Alan Rickman) as Dr. Lazarus, and Fred Kwan (Tony Shalhoub) as Tech Sergeant Chen. They’re all given the classic look from the original “Galaxy Quest” TV series, though they’re not intended to be the classic versions of their characters. If they were, Tim Allen’s hair mold would probably look more retro. However, they did depict Fred Kwan with that semi-squinted expression in his eyes, which only really happened when he was fully in character on the show. Personally, I’d like to have a series of “Galaxy Quest” Funko POPs with them looking disheveled, such as Sir Alexander with hair poking out of his torn alien headpiece.

What’s a little disappointing is the lack of the rest of the original crew, with no figures for Gwen DiMarco (Sigourney Weaver) as Lt. Tawny Madison and Tommy Webber (Daryl Mitchell) as Laredo in sight. Seems like quite an oversight to exclude both the woman and the Black cast members from the movie/series, especially since the packaging for the other figures indicates that there are two other “Galaxy Quest” Funko POPs on the way…

(2) AFTER ACTION REPORT PART II. {By Steven French.] [Part I was in a previous Scroll.] It wouldn’t be a fantasy exhibition in Leeds without *some* mention of JRR! Leeds Central Library’s Fantasy: Realms of Imagination included a couple of displays with Tolkien-related material including one with a photo of his and Edith’s house in West Park, out on the edge of the city, as well as two of his poems that were published in the university student magazine The Gryphon. One, ‘Iumonna Gold Galdre Bewunden’ not only features a dragon on its hoard but also makes mention of a ring (!). The other, ‘Light as Leaf on Lindentree’ , from 1925, eventually became the Song of Beren and Lúthien which Strider recited to the hobbits on Weathertop. 

(3) AFTER ACTION REPORT PART III. [By Steven French.] And finally (honest!), no fantasy exhibition would be complete without a dragon or two and Fantasy: Realms of Imagination at Leeds Central Library had its fair share, including this fine example:

Plus an egg or two:

But my favourite was this little fellow, made by the Bermantofts Pottery of east Leeds:

(Bermantofts Pottery also made the ox-blood faïence (glazed terracotta tiles) for the facades of such London Underground stations as Covent Garden and Russell Square)

Even the reading room, with its magnificent ceiling, took part in the spot-the-dragon competition (can you see it?!):

Fun for kids of all ages!

(4) ABOUT THOSE SMOFCON VIDEOS. Ersatz Culture advanced this “Modest Proposal” about the Chengdu panels at SMOFcon:

He’s also posted this at Mastodon, where Cheryl Morgan gave a response that can be read at the link.

(5) TIANWEN. The “Tianwen” project was announced in Chengdu last October with the cooperation of representatives of several professional writers groups and Hugo Award Administrator Dave McCarty. This puff piece encompasses what we know so far: “Tianwen: Unveiling China’s Diverse Science Fiction to the World” at News Directory 3. While the publicity seeks to associate a new literature prize with the Hugo brand, it does not appear to claim a formal connection to the WSFS award.

The announcement and unveiling of the “Tianwen” project at the first Industrial Development Summit of the World Science Fiction Conference is set to revolutionize the Chinese science fiction scene. This global project, launched by the Chinese Authors Association and the Organizing Committee of the World Science Fiction Conference, aims to discover new talents, support science fiction works, and promote the integrated development of the industry.

The project was unveiled by Alai, Vice Chairman of the Chinese Writers Association, Hiroshi Osawa, Chairman of the Japan Science Fiction Writers Association, and Dave McCarty, head of the Hugo Award Selection Committee. Alai expressed his hope that “Qu Yuan’s romanticism and idealism will be better publicized in ‘Tianwen’”, while Osawa emphasized the impact of the project on shaping the future generation.

The “Tianwen” plan includes the establishment of the Tianwen Global Science Fiction Literature Prize, which will be awarded annually from 2024. This prize aims to encourage new and young writers, focusing on their innovative literary works and expression of new cultural fields. It will serve as an important supplement to the prestigious Hugo Awards and contribute to the diversity of the Hugo culture.

Additionally, the “Tianwen” project will host various activities to promote the integrated development of the global science fiction industry. These include sub-forums, award ceremonies, promotion conferences, creation salons, exhibitions, and industry roadshows.

Liang Xiaolan, the chairman of the World Science Fiction Conference Chengdu 2023, emphasized that “Tianwen” is not only an award and program, but also a platform for the industrial development of national science fiction culture. This initiative aims to elevate Chinese science fiction to a global level and promote exchange and collaboration between China and foreign countries.

With the inclusion of Chinese works in the selection process of the Hugo Awards for the first time, “Tianwen” will play a crucial role in showcasing Chinese science fiction to a wider audience. Dave McCarty views “Tianwen” as a valuable platform for international science fiction exchange, leading the way for the global science fiction industry….

(6) LESS PAIN, MORE GAIN. [Item by Mike Kennedy.] The Directors Guild of America–the most prominent Hollywood Guild that did not strike last year—has now gotten a bump in several contract areas to more closely match their sibling guilds. You know, the siblings who did walk the picket lines. “DGA, the Guild That Didn’t Strike, Gets Improved Contract Terms” in Variety.

The Directors Guild of America, the Hollywood union that did not strike last year, told members Thursday that it has won additional gains, including a viewership bonus for streaming shows.

DGA members will get a 50% residual bump for work on the most-watched shows on streaming platforms, matching the terms won by the Writers Guild of America.

The DGA also got increases in several other areas, including a .5% increase in pension and health contributions in both the second and third year of the contract.

The DGA agreed to a three-year deal with the major studios on June 3, about a month into the WGA strike. At the time, DGA negotiators did not seek a viewership-based bonus, instead choosing to focus on a 21% increase in streaming residuals to account for the growth in foreign subscribers.

The Alliance of Motion Picture and Television Producers was not obligated to reopen the terms of that deal, which was ratified by 87% of the members. But by doing so, and matching the streaming residual terms obtained by the WGA, the AMPTP helps DGA leadership make the case to its members that they were not disadvantaged by refusing to strike….

(7) BACK TO THE MOON. Maya St. Clair praises Samantha Harvey’s novel in ORBITAL Review: the stars look very different today” at News from the Orb.

…When literary authors cross over into science fiction, they often do so as enlightened homesteaders, equipped with notions of the field’s backwardness and confidence that their own innovative ideas will reform the backwaters of tropey sci-fi for the better. (Remember when Ian McEwan — in A. D. 2019 — told sci-fi writers that they’d better start “actually looking at the human dilemmas” that would arise with high-level AI?)

Samantha Harvey falls into a different camp, in that she’s not attempting what we might consider “science fiction” — not exactly. I initially found Orbital (2022) because it was displayed the sci-fi section of my library; however, Harvey has described it as “space realism”: a rendering of life in space as humans currently experience it. Orbital takes place in the near future, on an international space station (the ISS in all but name), wherein six astronauts live and work, sheltered from the black void by its narrow walls. Their daily tasks are structured and mundane, and nothing happens in the novel (spacewalks, toilet repairs, floating dinners served in bags) that hasn’t happened in real life. No speculative elements, except a new manned mission to the moon, are introduced.

That being said, sci-fi fans would do themselves a disservice in skipping Orbital. Although it has no aliens or new technology, it’s one of the most inventive and immersive novels I’ve read in a long time.

(8) A HIGH WIRE ACT. That’s what Paul Weimer says readers are witnessing in his review of the final volume of a trilogy by Kevin Hearne, A Curse of Krakens: “Seven Kennings Trilogy and the Power of Story” at Nerds of a Feather.

…Right at the start, we find that this novel, and this trilogy is about the telling of story. A bard with the power of a Kenning, in particular the magical ability to project his voice, begins to tell the war-weary city of the war that they themselves are suffering privation under.  We are in medias res of the Giant’s War, and the bard, we soon learn, has been sent to tell the story of the Giants War and prepare the populace for what is to come next.

But it’s not a simple linear narrative. This is not a simple recitation of facts. The bard has collected and (with his flawless memory) organized a raft of stories from, ultimately, twenty or so points of view. This sounds absolutely unwieldy and unsustainable and it is a high wire act that Hearne works at through the books. Hearne manages it by telling the stories of these characters through the bard in a narratively interesting and engaging order, which is not a straight up order by dates. And by having the bard tell the stories, we can use present day events in Pelemyn itself as a breather and a buffer from the stories he tells. 

What’s more, this ambitious three volume out of order narrative drives plot right up to the “present”…

(9) TODAY’S BIRTHDAY.

[Written by Cat Eldridge.]

Born January 28, 1981 Elijah Wood, 43. In Elijah Wood, we’ve an actor that I always enjoy watching. Best known here and in the greater film community for being Frodo Baggins in The Lord of the Rings trilogy and The Hobbit: An Unexpected Journey, he has a much more extensive film career.

Elijah Wood in 2011. Photo by Gage Skidmore.

He makes his debut in a blink and you’ll miss it performance as Video Game Boy #2 in Back to the Future Part II; he next has a significant genre role as Nat Cooper in Forever Young, the screenplay being written by J. J. Abram from his story named “The Rest of Daniel”. 

He next shows up as the young Mike Marshall (primary version) in Radio Flyer with Tom Hanks playing, uncredited the older version and the film narrator.  Fantastic film that. 

Then he’s Huck in, well, The Adventures of Huck Finn. Haven’t seen it, but the usual suspects at Rotten Tomatoes who did see this Disney Production did like it and gave it a seventy-three rating.  I know it’s not genre, but I like the story. A lot. 

Elijah Wood in 2019. Photo by Gage Skidmore.

Next is SF in Deep Impact where he plays, let me see my notes, Leo Biederman, a teenage astronomer who discovers the Wolf–Biederman comet . Oh look they cast a teenager as a teenager!

Now we have an adult role for him in one of my favorite films — he’s Patrick Wertz in Eternal Sunshine of the Spotless Mind. Good role, wonderfully executed by him. 

Can we skip Sin City pretty please? Yes, I know, and do forgive me here.

He’s got a minor role in, depending in how you frame it, the reboot or new version or remake of The Toxic Avenger. I personally see no reason for such a perfectly trashy film to be made again, do you?

To quote Porky Pig, that’s it folks. 

(10) COMICS SECTION.

  • Frazz has a question about lunch.
  • Candorville shares an interesting collection of filk lullabies.
  • Tom Gauld has more about the life of books.

(11) GRAND PRIX. “Graphic novelist Posy Simmonds wins prestigious French comics award” reports the Guardian.

The graphic novelist Posy Simmonds has won the Grand Prix at France’s Angoulême International Comics festival – the first time a British artist and author has been awarded the world’s most prestigious prize for lifetime achievement in comics.

Simmonds’s satirical observations on modern British society, interweaving detailed illustration with long literary texts, are held to have redefined the graphic novel genre.

She said of the award: “I was gobsmacked – époustouflée, as you would say in French … It’s extraordinary because if you’re writing or drawing, you work in a room on your own, and it’s then very extraordinary when the book, or your work, or you are given a lot of exposure.”…

(12) FREE READ. Sunday Morning Transport has another free story – “The Empty Throne” by Benjamin C. Kinney – to encourage new subscribers.

For the final free-to-read story of January, Benjamin C. Kinney takes us to 19th century Budapest, where a young woman wrestles with her father’s angels. Note: Should you be inclined towards tremendous footnotes, the author has linked one at the end of the story for you to peruse.

(13) SQUISHMALLOWS. [Item by Mike Kennedy.] This Entertainment Weekly article recommends these as Valentine’s Day gifts. Hmpf. Perhaps for one’s young nephew, or niece, but it might be just a little bit ick (or EW) to give an adult love interest a squishy pillow-shaped plush styled after an underage tween/teen. “Harry Potter Squishmallows are available at Amazon just in time for Valentine’s Day”.

… Your wish has been granted with no wand-waving needed, as Harry Potter Squishmallows now exist. The lovable main character has been reimagined into a poofy, cozy plush toy that will delight any HP fan come Valentine’s Day. The Gryffindor legend has his glasses, Hogwarts house robe, and trademark lightning bolt scar all in an ultra-huggable material. 

If you’re interested in snapping up the OG trio, Ron Weasley is also available, and Hermione Granger can be preordered now, too, with the official launch date set for February 13….

(14) THUNDERBOLT FANTASY. A new episode of the Anime Explorations Podcast is up today, where they discuss the second season of the Taiwanese Wuxia Puppet series Thunderbolt Fantasy, with special guest Tom Merritt of the Daily Tech News Show and Sword & Laser Podcast. “Anime Explorations Podcast: Episode 16: Thunderbolt Fantasy Season 2”.

(15) BASKETBALL MOANS. I don’t know. Maybe you can figure it out: “Tyra Banks Nets, Furries Clip Goes Viral” at Buzzfeed.

…The clip that began picking up steam was Tyra on the Jumbotron, covering her eyes with her hands as the two furries leaned over her to caress one another….

[Thanks to SF Concatenation’s Jonathan Cowie, Steven French, Mike Kennedy, Daniel Dern, Lis Carey, Kathy Sullivan, Alexander Case, Andrew Porter, John King Tarpinian, Chris Barkley, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/2/21 Pixel Down, Scrollsocki, Pixel Down

(1) STOP THAT IMMEDIATELY! Richard Marpole writes one of those delectably sweeping accusations with the got-to-click-on-it title of “You Are Writing Medieval Fantasy Wrong” at Fantasy-Faction. Here is one segment:

TRAVEL WAS RELATIVELY COMMON

It’s quite possible that many Medieval people spent most of their lives in or near the place where they were born. But travel was far from unknown. Going back at least as far as the Celts, Europe was part of a vast trading network which could bring people from Africa to Asia to the British Isles and back.

Some countries specialised in particular kinds of warfare such as artillery or the use of crossbows. Regiments of mercenaries from these lands could see service all over the continent. Then there were the pilgrimages. Medieval Europeans of all social classes travelled hundreds or thousands of miles to the supposed resting places of saints all over the continent, and beyond, to Jerusalem, for example. They shared stories, made business deals, and brought back souvenirs. Some stuck to the Church-approved pilgrim badges, others stole stones, bits of fabric and entire bones from the shrines of saints.

(The alleged skeleton of one saint, Alban, was supposedly taken from its original resting place in England and placed in a monastery in Denmark. Years later, the story goes, a Saxon monk infiltrated the Danish order, gained enough trust to be given custody of its relics, secretly cut a hole in Alban’s coffin, stole his bones, hid them in a chest, and gave the chest to a merchant who was headed to England, ultimately sending them back home.)

So, your protagonist grew up in an isolated village. But an elder of the village could have travelled across the continent and beyond on a religious pilgrimage or to fight in a war, bringing back stories of wonders and monsters, and even artefacts that could help your hero in their own journeys. (Or perhaps the skeleton of a saint, which now longs to go home and may even return of its own accord.)

(2) SWEET FIFTEEN. Congratulations to Neil Clarke and staff on Clarkesworld’s fifteenth anniversary. Clarke looks back on the magazine’s history in his editorial for the October 2021 issue:

We were told we wouldn’t last a year, but here we are at our fifteenth anniversary issue and I have to say that it feels really good. To be fair to our early critics, the landscape for online fiction was more like a slaughterhouse back in 2006. While a lot of that was simply poor planning, a significant part of the problem was the lack of infrastructure to support such activities. Digital subscriptions, Patreon, Kickstarter, membership software, and most of the mechanisms that fund online fiction today simply didn’t exist and there were far fewer people reading online. Advertising? You’d be lucky to get pennies. That’s not to say that no one succeeded. Corporate funding, wealthy patrons (sometimes the editor/publisher), and other charity models existed, but had problems of their own. In fact, if it were not for the collapse of one corporate-funded publication, SciFictionClarkesworld may never have existed.

At the time, I ran Clarkesworld Books, an online bookstore. My passion for short fiction manifested itself there as a very large magazine section of over a hundred titles. Sometime in 2005, I started offering publishers the opportunity to include free sample stories on our website as a means of promoting magazines to our customers. In July 2006, I met up with Sean Wallace (then editor of Fantasy Magazine, one of the publications I was working with) at Readercon and we started discussing the impact of that experiment, the recent demise of SciFiction, and a post-mortem on several of the other recent losses in online publishing. A few hours later and sleep-deprived, we had a business model in mind and we decided to go for it…. 

Our in-house anniversary was in July and I thanked our staff in that issue, but I’m compelled to acknowledge their work once again. I’d also like to call out the two people who have been with me the longest: Sean Wallace and Kate Baker. They are like brother and sister to me and have been there for me through the best and worst. I am truly surrounded by amazing people.

(3) JUANITA COULSON Q&A. Fanac.org’s Fan History Zoom session with Juanita Coulson is now available to watch on YouTube.

PART 1 – Juanita Coulson has been an active science fiction fan for 70 years. She’s a marathon fanzine publisher, a mainstay of the filk community and a professional writer. Among her honors: Hugo winner (Yandro, 1965), Worldcon Fan Guest of Honor (1972), Filk Hall of Fame inductee (1998) and she famously outsang a steamboat whistle (NASFiC, 1979).

In this fascinating interview, Juanita provides personal recollections of some of the legendary fans of science fiction, of whom she is one. Juanita starts with her entry into fandom, her experiences at Chicon II (1952 Worldcon) and recalls how racism affected her friend Bev Bowles as she tried to check into a convention hotel. Juanita tells of her first meeting with Harlan Ellison, the origin of Bob Tucker’s “smooth” gesture, the first all night filksing and how she lost her job during the McCarthy era for being “different”. This interview is a rare and enlightening look into science fiction fandom in 50s, 60s and onward. Part 1 ends with Juanita’s rendition of one of the filksongs she made famous, Reminder, written by husband Buck Coulson.

IN PART 2, Juanita talks more about fandom in the 60s and beyond There are stories of filk and its evolution, Filthy Pierre, her appearance as General Jinjur of Oz, and the quirky story of Gene Wolfe and the jacket shot. She recounts the start of her professional writing career, with the mentorship and encouragement of Marion Zimmer Bradley. On breaking into the ranks as a professional writer, Juanita received this note from first reader Terry Carr: “In the immortal words of Lee Hoffman, you have lost your return postage” – meaning that a contract was coming. She speaks about women in science fiction fandom, the difference that Star Trek made, and tells the story of Harlan Ellison and the movie screen at St. Louiscon (1969). After 70 years, she’s still a fan, and why? “It’s home.” Fandom is home.

(4) KINKY BOOTS. “Elijah Wood: ‘I still have a pair of Hobbit feet in my house’” – so he told The Guardian.

…Nothing can prepare you for the magnitude of what the Lord of the Rings films became, and the world stage that it propelled all of us on to virtually overnight. I’d been acting for 10 years by then, and we collectively helped each other deal with the attention, which was intense. I remember the day that I saw us all plastered over the side of plane. At that point I compartmentalised it. I put it in its own universe.

I’ve had encounters with people who are a little unsettling. There was a woman who flew to Wellington airport in New Zealand to declare her love for me. It was clear her sense of reality may not have been intact. I’ve also had people show up at my door who weren’t entirely stable.

I try to be kind and listen, then move on.

I still have a pair of Hobbit feet in my house, but I don’t wear them any more. They’re made of latex. They were given to me by the makeup department. I did wear them at one stage. Now they’re in a box, tucked away. And, no, I don’t recreate Frodo at fancy dress parties.///

(5) PASSING FANCY. The European Space Agency shared a fly-by photo of the craters of Mercury: “Hello Mercury”.

The joint European-Japanese BepiColombo mission captured this view of Mercury on 1 October 2021 as the spacecraft flew past the planet for a gravity assist manoeuvre.

The image was taken at 23:44:12 UTC by the Mercury Transfer Module’s Monitoring Camera 2, when the spacecraft was about 2418 km from Mercury. Closest approach of about 199 km took place shortly before, at 23:34 UTC. In this view, north is towards the lower right.

(6) MEMORY LANE

  • 1959 – Sixty-two years this evening on CBS, the Twilight Zone as created, largely written by and presented by Rod Serling, premiered on CBS with the “Where is Everybody?” episode. An earlier pilot was developed but it ended up airing on a different show, Westinghouse Desilu Playhouse, and was later adapted as a radio play. Serling served as executive producer and head writer; he wrote or co-wrote ninety two of the show’s one hundred fifty-six episodes. The series would run four seasons in total. It would win the Hugo at Pittcon and then again the next year at Seacon for Best Dramatic Presentation repeating that for a third year straight at Chicon III. It didn’t do that for a fourth year running at DisCon I as no Best Dramatic Presentation Hugo was awarded. 

There is a fifth dimension, beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call The Twilight Zone. —?Rod Serling

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 2, 1909 Alex Raymond. Cartoonist who was best remembered for creating the Flash Gordon strip for King Features Syndicate in 1934.  He actually started for them by illustrating Secret Agent X-9 scripted by Dashiell Hammett. George Lucas has often cited Raymond as a strong influence on the look and feel of Star Wars. (Died 1956.)
  • Born October 2, 1911 Jack Finney. Author of many novels but only a limited number of them genre, to wit The Body SnatchersTime and Again and From Time to Time. He would publish About Time, a short story collection which has the time stories, “The Third Level” and “I Love Galesburg in the Springtime”. The film version of The Body Snatchers was nominated for a Hugo at Seacon ‘79. He has a World Fantasy Award for Lifetime Achievement. (Died 1995.)
  • Born October 2, 1944 Vernor Vinge, 77. Winner of five Hugo Awards, though what I consider his best series, the Realtime/Bobble series, was not one of them. I’m also very fond of his short fiction, much of which is collected in The Collected Stories of Vernor Vinge, though the last eighteen years worth of his work remain uncollected as far as I can tell. 
  • Born October 2, 1948 Avery Brooks, 73. Obviously he’s got his Birthday write-up for being Benjamin Sisko on Deep Space Nine, but I’m going to note his superb work also as Hawk on Spenser: For Hire and its spinoff A Man Called Hawk which are aren’t even tangentially genre adjacent. He retired from acting after DS9 but is an active tenured theater professor at Rutgers. 
  • Born October 2, 1950 Ian McNeice, 71. Prime Minister Churchill / Emperor Winston Churchill on Doctor Who in “The Beast Below”, “Victory of the Daleks”,  “The Pandorica Opens” and “The Wedding of River Song”, all Eleventh Doctor stories. He was an absolutely perfect Baron Vladimir Harkonnen in Frank Herbert’s Dune and Frank Herbert’s Children of Dune series which is far better than the original Dune film ever was. And he voiced Kwaltz in The Hitchhiker’s Guide to the Galaxy. 
  • Born October 2, 1953 Walter Jon Williams, 68. The last thing I read by him was his most excellent Dagmar Shaw series which I highly recommend. I also like his Metropolitan novels, be that SF or fantasy, as well as his Hardwired series. I’m surprised how few Awards that he’s won, just three with two Nebulas, both for shorter works, “Daddy’s World” and “The Green Leopard Plaque”, plus a Sidewise Award for “Foreign Devils”.  
  • Born October 2, 1972 Graham Sleight, 49. He’s The Managing Editor of the third edition of the Encyclopedia of Science Fiction which won the Hugo for Best Related Work at Chicon 7. He’s also a critic whose work can be found in LocusStrange HorizonsThe New York Review Of Science Fiction, and Vector. And he’s a Whovian who edited The Unsilent Library, a book of writings about the Russell Davies era of the show, and The Doctor’s Monsters: Meanings of the Monstrous in Doctor Who.

(8) COMICS SECTION.

  • Bizarro shows why slow downloads are a crime.

(9) HARI HARI SELDON SELDON. Camestros Felapton has a good discussion of the third episode of Foundation, but no excerpt here because I don’t want to spoil his spoilers. “Review: Foundation Episode 3”. But did I make that clear enough? Spoiler Warning.

(10) SMOOTH SEGUE. Paul Weimer finds a lot to like about this sequel: “Microreview [book]: In the Deep by Kelly Jennings” at Nerds of a Feather.

… One thing I did appreciate right from the get go is the synopsis of the previous book, Fault Lines. While I personally had read the book not long before picking up this second volume, it was good to have this here for those readers who want to start with this novel to start here. For readers who have read Fault lines, the key takeaway is that this tells the reader right off that this new novel is set three years later. The glossary at the beginning of the book also helps the reader get grounded in what is definitely a complex and complicated space opera universe.

That complex and complicated space opera universe seen here, with the aid of the Glossary, does not prevent new readers to Jennings’ verse from picking it up, because we are in a new and different area than the previous novel. The ground rules are different, both the planet Durbin as well as the Pirian ship Sungai…. 

(11) TODAY’S THING TO WORRY ABOUT. WIRED is concerned that “As SpaceX’s Starlink Ramps Up, So Could Light Pollution”. It’s a specific problem for astronomers.

WITH SOME 1,800 satellites already orbiting Earth, providing internet access to about 100,000 households, SpaceX’s Starlink broadband service is poised to emerge from the beta testing phase this month, according to a recent tweet from Elon Musk, the company’s founder and CEO.

Just a decade ago, there were only a few thousand spacecraft orbiting Earth. Now Starlink engineers aim to build up to 12,000 satellites, and SpaceX launches scores more on its Falcon 9 rockets almost every month. (A recent FCC report states that the company applied for authorization for 30,000 more.) The massive network of satellites, known as a “mega-constellation,” currently dominates the satellite internet industry, but other players, like Amazon and OneWeb, have plans to launch thousands of satellites of their own.

As the Starlink fleet grows, SpaceX and its competitors will have to address some potential problems. One is that more orbiting bodies means that, eventually, there will be more space junk, creating more chances for collisions. And astronomers, environmentalists, and indigenous groups, among others, express concern that Starlink will irrevocably light up the night sky, thanks to the sunlight reflected off its satellites….

(12) KEEP THEM DOGGIES ROLLING. “It’s man’s best friend’s worst enemy.” From The Late Show With Stephen Colbert: “Amazon Astro Wants To Haunt Your Dog’s Dreams”.

[Thanks to Michael Toman, Mike Kennedy, Martin Morse Wooster, JJ, Chris Barkley, Cat Eldridge, Andrew Porter, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Bruce Arthurs.]