By Mark L. Blackman: On the evening of Monday, December 12, 2016, the New York Review of Science Fiction Readings Series continued its tradition of celebrating the December Holidays Season with “Family Night,” featuring one of its favorite families, Ellen Kushner and Delia Sherman (in their eighth, by my count, December appearance). Also traditional was the December guest host. (Her anonymity here is due to her outside professional concerns.)
The event, held at the Series’ venue, the Brooklyn Commons Café (in the outskirts of Downtown Brooklyn – dare we call it “Bordertown?”), opened with a welcome from its Executive Curator, Jim Freund, who is otherwise the longtime host of WBAI-FM’s Hour of the Wolf radio program on sf and fantasy (the show broadcasts and streams every Wednesday night/Thursday morning from 1:30-3:00 a.m.) He cautioned the gathering that the readings were being Livestreamed (this later surprised Kushner, who’d expected only to be “seen” on radio), and thanked those who had donated (the readings are nominally free, with a suggested donation of $7) as they help the Series continue (there is a rental fee for the space).
Moving into 2017, upcoming readers will be:
Tuesday, January 10th, Phenderson Djeli Clark and Shan Chakraborty, with guest curator Rob Cameron (who was running the cameras and whose nom de video-wiz is Cam Rob);
Friday, February 10th, James Morrow and Jack Womack;
Tuesday, March 7th, we’ll all be getting Older, siblings Malka Older and (the elder Older) Daniel José Older (also getting older, these jokes; guest curator Amy Goldschlager had earlier called it Family Night II);
Saturday, April 1st (despite the date, not an April Fool’s joke), the Series will host a 75th birthday gathering for Samuel R. (Chip) Delany
May 2nd, Goldschlager returns as host for an evening with the Serial Box podcasters (Max Gladstone, et al.).
Family Night came about, said the evening’s guest host, because December is traditionally a family time; since then, the theme has grown from the readers to encompass the audience regulars, who have become a family of sorts (Kushner soon after referred to “the NYRSF Holiday Reading family”), and stated that it was “an honor to be part of it.” Tonight’s readers, she concluded, were “a very special pair of writers, spouses and people,” and introduced the first reader.
Delia Sherman
Delia Sherman is the author of, among other works, the Prometheus and Andre Norton Award-winning The Freedom Maze, The Evil Wizard Smallbone and The Fall of the Kings (written with Kushner). Prefacing her reading, she promised a selection that wouldn’t “bring blushes to young cheeks.” (Ellen’s offering, however, “will bring blushes to many cheeks.”) With that caveat, she read from Chapter 2 of The Evil Wizard Smallbone. On a cold December night in Maine, Nick, a runaway lost in the woods, stumbles into the Victorian mansion of the titular evil wizard – it even says “Evil Wizard” on his business card, and moreover he is the proprietor of Evil Wizard Books. Smallbone declares that Nick (whom he calls Foxkin) is his apprentice and promptly puts him to work around his house, farm and shop. The boy finds it magically impossible to run off, and, when he talks back, discovers to his dismay that he has, it seems, spent most of a week (and missed Christmas) turned into a spider. The evil wizard’s brusqueness was a source of much humor.
During the intermission, a raffle was held (for those who’d donated), with the prizes being a “rare” set of press-on tattoos from the online serial program Tremontaine (pronounced, we learned, “Trem-on-ten,” not “-taine”), a “Live, Laugh and Love” mug, and the copy of The Evil Wizard Smallbone from which Sherman had just read; all raffle winners also received a pencil commemorating Ellen’s and Delia’s 20th anniversary. (That the tickets drawn were consecutive, and one winner was the guest curator, might have prompted cries of “rigged” from someone who shall not be named.)
Ellen Kushner
The second reader of the evening, Ellen Kushner, is the author of the World Fantasy Award-winning Thomas the Rhymer, the children’s book The Golden Dreydl (adapted by her) as The Klezmer Nutcracker), and the much-loved novels and related short stories in the Riverside series, which has been called a “fantasy of manners” and “mannerpunk,” alternating wit, intrigue, sex, swordplay and chocolate. Swordspoint (an audiobook of which won an Audie Award) introduced readers to the setting, and was visited again in The Privilege of the Sword, The Fall of the Kings (written with Sherman), and an online collaborative prequel to Swordspoint, called Tremontaine, with the e-publisher Serial Box (SerialBox.com; season two premiered this past October). In addition, Kushner co-edited (with Holly Black) Welcome to Bordertown, a revival of the original urban fantasy shared world series created by Terri Windling.
The story from which she read, “When I was a Highwayman,” is brand new and slated to appear in The Book of Swords, edited by Gardner Dozois. Set in Riverside, 4-5 years before Swordspoint and 12 years after Tremontaine, it is a standalone that she hoped is comprehensible to non-readers of the Riverside series. (The series is not written in order, and Kushner has gone back to prequels and sequels to fill in and expand on incidents; at times this may be limiting.) Here the young swordsman-for-hire Richard St. Vier (who serves as narrator) is in partnership with the grifter Jessamyn. When work for them dries up – she’s recovering from a terminated pregnancy and the nobles for whom he performs in demonstration bouts of swordplay or as a bodyguard at weddings are in the country for the summer – and they’re running out of things to pawn or sell, he’s talked into accompanying two lowlife acquaintances as they waylay traveling nobles. (His sword is to be the incentive to “stand and deliver.”) Unfortunately, he foregoes a mask and their very first robbery victim turns out to be a young nobleman with whom he’s quite intimately acquainted. Laughter was frequent and out loud (I’m uncertain about occurrences of cheeks blushing).
As traditional at these Readings, the Jenna Felice Freebie Table offered giveaway books, while at another table, books by Sherman and Kushner were for sale and autograph.
The capacity crowd of about 60 included Melissa C. Beckman, Richard Bowes, Rob Cameron (running tech), Randee Dawn (whose Christmas lights skirt was appropriate as well for the Festival of Lights), Amy Goldschlager, Lynn Cohen Koehler, Barbara Krasnoff (managing the door), Josh Kronengold, Lisa Padol, James Ryan, Terence Taylor, Gay Terry, Leah Withers and Claire Wolf Smith. Afterward, people milled around, socialized and grabbed a bite at the Café.
David was a fashion junkie. I know– I know exactly what you’re thinking. That a man who would wear paisley and pinstripes is not an example of sartorial sense. But wait. He collected haute couture pieces. Those jackets, terrifying ties, shirts, and trousers had been the height of fashion when it was produced.
He might spend years tracking one down. Often, he was wearing them in combinations that the designer had actually intended. When I saw him at conventions after that, we didn’t talk fiction. He would tell me the story behind whatever pieces he was wearing and talk about the designer and the theory behind why this particular combination had been fashionable in its day. He wasn’t buying clothes because they were tacky; he was buying them because he was enjoying this whole meta-conversation about fashion and taste.
(2) YOUR OWN SPACESHIP. SF Signal’s new Mind Meld, curated by Paul Weimer, poses these questions —
Q: Congratulations. You can take a trip on, or if you prefer, captaincy of, the spacecraft of your own choice from genre literature. The only catch is–it can’t be the Millennium Falcon or the Firefly. Rey and Mal refused to give up their ships. What spacecraft would you want to own, or travel on? Why?
The movie stars John Goodman, whose character is living in a bunker with what appears to be his family. There’s a nostalgic sheen to the setting, and it’s reminiscent of the hatch in the Abrams co-created TV show Lost. It’s unclear whether they’re stuck in the bunker because of what happens in Cloverfield, when a giant monster wreaks havoc on New York City. The movie is told through what is said to be found footage of the disaster.
A possible suggested solution? My suggestion actually would not impact on Hugo nominators and voters in any way! As far as they would be concerned they would carry on nominating and voting on the short-list in the usual way as if nothing had changed. But what would change would be the way the nominations were treated: both the series and the episode titles would be counted differently.
Here, with nominations, a nominator could nominated episodes from five separate series or, at the other end of the extreme, for five episodes from the same series, or any mix in-between just as nominators can do now. (And ‘yes’, I know that the nominating rules are about to change but for now I want to keep this simple.) The change would be in the way these nominations were counted. Nominators would get just one vote perseries they nominate. This means that if you voted for four episodes of Star Trek and one of Tripped then that would only count for one vote each for Star Trek and Tripped (two series votes — one for Star Trek and one for Tripped — even though four episodes of Star Trek were nominated). At this first nomination stage we would only be considering series (not episodes). In this specific way the series with the most votes would get on the short-list ballot with nominators effectively getting just one vote per series they nominate. Ignoring episode titles at this stage, and considering only series (be they TV or web series or even short films), would ensure that the ballot had on it a list of different series with no duplicates. In other words all the series on the ballot would reflect the numbers of people nominating series (and not, as is now, the numbers nominating different episodes of the same series).
Then, with the next stage of finalising the shortlist would come the individual episode part. At this stage we have just a list of series and an episode title needs to be associated with each. However some series may have had more than one episode nominated. Here, all those that nominated for series on the short-list would have their nominations for all their individual episode titles counted: again, one vote perepisode title. And so, to continue with our example, all our nominator’s four Star Trek episodes would all be counted and each episode title get one vote. Of all the nomination forms submitted, the individual episode with the most nominations for any single series is the one that gets on the ballot.
This would mean that the Hugo for Dramatic Presentation Short Form nominations would better reflect the diversity of televisual SF that exists with a range of different series always ending up being on the short-list final ballot and then with the most popular episode at the nomination stage associated with each one.
(5) KUSHNER REMEMBERS. So many fine reminiscences about David Hartwell are being posted. Here is an excerpt from Ellen Kushner’s:
I quit that job to write my first novel. When I finished Swordspoint, no one in the field would touch it but David. While my agent tried selling it mainstream, David said he would be there waiting (then at Arbor House) if that failed. I joked that it was just his revenge on me for quitting on him – to get me back in his clutches – but they were fine clutches to be in. He made sure my little ms. was read by the likes of Samuel R. Delany, and he proudly told me he was getting me a Thomas Canty cover, knowing that was my ultimate dream…
(6) DONATIONS REQUESTED. Kathryn Cramer, grateful for the care David Hartwell was given at a local hospital, asks people to make a contribution —
Though David was on a respirator for an extended period of time, Elizabethtown Community Hospital in Elizabethtown, NY does not have a mechanical respirator of its own. A wonderful nurse whose name I didn’t catch or have forgotten spent FIVE HOURS, yes FIVE FUCKING HOURS, compressing a blue rubber bulb that substituted for the action of David’s diaphragm. They took wonderful, compassionate care of him, and this is not a complaint about the service.
Rather, if you are thinking of David tonight and wish you could have done something, please follow THIS LINK http://www.ech.org/make-a-contribution.html and make a donation earmarked to buy ECH its own mechanical respirator.
ECH is a small, rural hospital. They do not own their own respirator. Rather, there is a shared one that travels from one facility to another.
David did not die for lack of a respirator. Nothing could have saved him. But please, as you think of him this evening, think not just of David, but of the matter of the nurse who was his lungs Tuesday night. I am deeply grateful to her. But what she did should not have been needed.
Based on my experience of the past few days, it is my considered opinion that NO HOSPITAL IN AMERICA SHOULD BE WITHOUT ITS OWN RESPIRATOR.
This is the 21st century. We can do this.
(7) IS COSPLAY IMPERILED? The lawsuit is about copyright protection for cheerleading uniforms, however, Public Knowledge in “Cosplay Goes to the Supreme Court”says the decision could have consequences for recreation costumers. Truth or clickbait?
Yes, you read that right: the Supreme Court of the United States may get to decide the legal status of all those Jedi robes you’ve got squirreled away. The Supreme Court is considering a case that will set the standard for when clothing and costume designs can be covered by copyright—and when people who mimic them (such as costumers) can be sued for potentially enormous damages.
The parties to the case, Star Athletica and Varsity Brands, both design cheerleading uniforms. Varsity claims that major portions of their designs are entitled to copyright protection, while Star Athletica points out (and is backed up by a long line of caselaw) that clothing designs are explicitly exempted from copyright. Their arguments rest on different interpretations of a legal concept known as “separability”—a topic so abstract and murky that even seasoned copyright lawyers avoid it.
To understand the case and its impact, you need to keep in mind two things. First, copyright protects creative works. It does not protect what it calls “useful articles,” or items which are designed purely for utility. Copyright protects a statue; it does not protect the chisel….
All of which brings us back to cosplay. If the Supreme Court decides on a test that gives a lot of leeway for “original” designers to sue others for infringing on the “look” of their clothing, costumers are left right in the crosshairs. And copyright damages can be positively massive, running up thousands of dollars per infringement. Public Knowledge will be filing in support of Star Athletica’s petition before the Supreme Court, highlighting the scope of hobbyists and consumers that the ruling could impact.
Hollywood loves reboots and prequels so much right now that they want them to make love and create preboots. Yes, preboots. Something to kickstart cash cows back into delivering that sweet sweet franchise milk. Prometheus is kind of a good preboot, X-Men: First Class was great, but Terminator: Genisys was the motion picture equivalent of Budnick holding onto your waist and spending your arcade cash (except more confusing). That’s probably why the sequel to the prequel reboot (presequeboot?) that was unfathomably titled Terminator 2, has been removed from Paramount’s release calendar.
Based around the Harlan Ellison short story of the same name, I Have no Mouth, and I Must Scream is set in a post-apocalyptic world where the last five humans are immortal and forever tortured by a supercomputer that wiped out humanity 109 years ago. You play as all five survivors as they confront the various psychological and physical tortures bestowed upon them by their sadistic, sentient captor.
You can play each chapter in any order and there are multiple endings available. You can also change the graphics and sound by choosing different audio and visual filters and new touch-based control inputs are available as well….
This time out Night Dive, who now owns the rights to the game, joined forces with mobile porting company DotEmu, who previously ported Another World: 20th Anniversary Edition, The Last Express and Double Dragon Trilogy.
I Have no Mouth, and I Must Scream costs £2.99 / $3.99 on iOS and Android.
Game play is reviewed in this video from Monsters of the Week by RagnarRox.
Trump, on the other hand, is so anomalous a figure that the GOP establishment can console themselves with the knowledge that he leads no faction. Even if he wins the nomination, Trump can be safely relegated to the category of a one-off, a freak mutation, never to be repeated. Trump would be like the character The Mule, in Isaac Asimov’s Foundation novels. In the schema of Asimov’s far future science-fiction series, The Mule is a galactic conquerer who throws history off the course that it was expected to take, but the changes he introduces are ultimately minor because he has no successor.
(11) TODAY IN HISTORY
January 21, 1789 – The first American novel, The Power of Sympathy, is published in Boston. (Apparently it wasn’t banned in Boston – think how much that would have helped sales.)
(12) TODAY’S BIRTHDAY BOY
Born January 21, 1938 – Robert “Wolfman Jack” Smith. My friend, “Imponderables” author David Feldman, ran Wolfman Jack’s campaign for president, once upon a time.
(13) LOCAL FOSSIL MAKES GOOD. I’m a bit skeptical about the idea of a “Welsh dinosaur” – especially one that avoided being turned into coal. But the BBC feels perfectly comfortable writing headlines like “Welsh dinosaur named ‘dragon thief’”.
A 201-million-year-old dinosaur that fell out of a cliff face at Penarth in South Wales in 2014 has been formally named as Dracoraptor hanigani.
Loosely translated, the Dracoraptor part means “dragon thief”; hanigani honours Rob and Nick Hanigan – the two fossil-hunting brothers who found it.
In a new analysis, scientists say the specimen is possibly the oldest known Jurassic dinosaur from the UK.
(15) OTHER MONKEY BUSINESS. The very last thing in Eric Robert Nolan’s “Throwback Thursday: Weird 1970’s ‘Planet of the Apes’ merchandise” is a book cover identifying Jerry Pournelle as the author of the novelization Escape From The Planet of the Apes. How did we forget that?
Finally, pictured below is a novelization of one of the movie’s sequels, “Escape From the Planet of the Apes” (1971). I think I saw this among the disheveled paperback library that always occupied the back seat and back floor of my Dad’s car. I saw Boulle’s source novel in that back seat once, with a weird minimalist art cover. My Dad explained that it was “very different from the movie.” Or I might have seen it on the floor of the closet I shared with my brother. (That closet functioned according to trickle-down economics — the really cool stuff occasionally fell from his top shelf to the floor where I could grab it.)
(16) A LITTLE LIST. No, I am not going to be linking to many more of these, or really, any more of these, but I laughed when I saw Luther M. Siler’s headline – “Oh, why not: #Hugo awards eligibility post”.
Rumor has it that Hugo nominations are going to open up next week, and I have two– count ’em, two! different works that will be eligible for nomination.
(Yes, indie authors are eligible. I checked.)
(17) ASPIRING SPACE TAILOR. Adam Savage has been talking recently about his desire to make one of the spacesuits from The Martian to add to his costume collection. And he convinced Fox to loan him one to take a look at first.
At the men’s shows in Milan last week, astronauts appeared almost as often on the catwalk as the inevitable Bowie tributes. Versace produced a show dedicated, as Donatella said, to the future. The mood – all shiny white plastic – felt very 2001 (the film, not the year), especially when the show began with models running around the darkened catwalk in bright fibre-optic outfits, like those training for a mission. When the lights went up, Versace’s idea of an astronaut was earthbound, slick and boardroom-ready, probably with important financial reports rather than space food in his backpack-cum-jetpack. He wore a silver mac, or chunky bright white trousers and matching biker jackets, a bit like the fashion version of Buzz Lightyear’s outfit. A cropped leather jacket with Versace’s version of Nasa badges was another highlight of haute astronaut style.
One outfit in the accompanying photos has enough decorative pins on it to be Radch haut-couture.
And after you read the comic, you’ll understand why it makes me think of this routine by Lily Singh –
[Thanks to Alan Baumler, Will R., Glenn Hauman, Lorcan Nagle, James H. Burns, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day IanP.]
By Mark L. Blackman: On the evening of Tuesday, December 8 the New York Review of Science Fiction Readings Series continued its tradition of celebrating the December Holidays Season with “Family Night,” featuring one of its favorite families, Ellen Kushner and Delia Sherman (for their seventh December happening).
On the Series’ Facebook page, in response to a query, producer/executive curator Jim Freund explained what makes it Family Night. “Delia and Ellen are family to each other – a married couple. Also virtual family to so many of us at the Reading Series and the sf community. And further the fiction is family-friendly – no disclaimers necessary for sensitive ears.” Also in keeping with custom, their reading was guest-hosted once more by the Reading Series’ third curator (1994-96; longtime attendees know who), its “Jon Pertwee,” as it were. (Her anonymity here is due to her outside professional concerns.
The festive event, held at the Series’ current venue, the Brooklyn Commons Café (in Downtownish Brooklyn and “located near more public transportation than Times Square”), kicked off as usual with a welcome from Jim Freund, who is otherwise the longtime host of WBAI-FM’s Hour of the Wolf radio program on sf and fantasy (the show broadcasts and streams every Wednesday night/Thursday morning from 1:30-3:00 am and worldwide at wbai.org, and for a time afterwards may be heard on-demand as well as an RSS feed for podcasts) and Podcast Editor and Host for the Hugo Award-winning Lightspeed Magazine. The Kickstarter campaign to fund the Series, he reported, has not yet gotten under way (stand by, as broadcasters say), and he relayed news of the recent death of his WBAI colleague Simon Loekle (who had participated in the Series, including a memorably chilling rendition of Poe’s “The Cask of Amontillado” – and yes, the “l” is pronounced).
Continuing, he trumpeted upcoming readings in the Series’ 25th season: on Tuesday, January 5, 2016 the readers will be Terence Taylor (sf/fantasy writer as well as the Series’ video producer – and no, he won’t run an extension cord from the booth – Freund will handle the equipment) and Maria Dahvana Headley; and on Groundhog Day (Tuesday, 2 February), Barbara Krasnoff and Richard Bowes. Jumping ahead, April’s event will be a launch for Clockwork Phoenix 5, and May’s a play by Andrea Hairston. Finally, Jim invited the audience to grab dinner during the intermission or after the readings at the Café, which has added hot items to its menu, then turned hosting duties over to the guest-curator (this place was, she declared, the Series’ “nicest home venue”), who introduced the evening’s first reader.
In Swordspoint, Ellen Kushner introduced readers to the much-honored and much-loved Riverside series, which has been called a “fantasy of manners” and “mannerpunk,” alternating wit, intrigue, swordplay and chocolate. The audiobook, which she narrated, won both an Audie and Audiofile Earphones Award, but, she confessed, she felt a bit odd reading, having heard professionals perform her work. She did, though, have to invent an accent for one character, then coach one actor in it. (Later, in conversation, she revealed how instead of attempting an accent during this reading, she achieved the effect with syntax, intonation and consonant emphasis.)
Tremontaine, from which she read selections of its first chapter, “Arrivals,” is a prequel to Swordspoint, set some 15 years earlier. One “arrival” is literal, discussion between the Duke and Duchess Tremontaine about the birth of the baby who will be the future Alec Campion, the Mad Duke Tremontaine. Another is farmgirl Micah, who, on family advice, has cut her hair and is passing as a boy, and has, we see, hidden talents as a geometer. A third viewpoint character, Ixkaab Balam (aka Kaab), a trader, has just come to Riverside, a place full of thieves, “very bad women,” swordsmen, and poor people who like a bit of flash and dazzle (and singing – Ellen sang a few bars of a woman’s song), and almost immediately challenges a local who has insulted her people, her mother and her outfit. (The reading was inadvertently enlivened further by Kushner’s pages getting dropped and scattered.)
In a Q&A, Kushner clarified that Tremontaine was a 13-weekly episode (in the current season) serial released Wednesday mornings (the seventh ran the next day) in text and audio (she recommended getting both) from SerialBox.com. (The serial would not break for Christmas or New Year’s, leading Ellen to proclaim that it was a perfect escape from dull holiday family gatherings – “Tremontaine is even more fucked-up than your family.”) Chapter 1 is available online for free, the rest cost money. Episodes have been written also by Alaya Dawn Johnson, Malinda Lo, Joel Derfner, Racheline Maltese (who was present) and Patty Bryant. Freund noted that Riverside has always been sort of a shared universe; The Fall of the Kings was written with Delia Sherman. Well, said Kushner, it’s not wide-open, but “curated,” a collaborative serial. She also noted that her dress and the host’s were based on the Riverside cityscape, the latter a design by Kathleen Jennings.
During the intermission, a raffle was held for a bottle of the exceedingly rare Tremontaine Pale Ale (shhh, another label had been soaked off and replaced by one with one of Jennings’ cover designs), a copy of Kushner’s The Golden Dreydl, a Jewish take on The Nutcracker (appropriate as it was Chanukah), and an inscribed (and kissed) copy of the manuscript from which Delia Sherman would be reading. In a true Chanukah miracle (topping that extra-burning oil), I won the third prize. Then, speaking of which, as it was the third night of the Festival of Lights, Ellen presided over the ceremonial lighting of a Chanukah menorah (three candles plus the “servant” candle) and a brief blessing. The host then introduced the second reader of the evening.
Delia Sherman is the author of, among other works, the Prometheus and Andre Norton Award-winning The Freedom Maze (from which she has read at previous NYRSF Readings), a time-travel historical set in antebellum Louisiana. This time she read excerpts from Chapters 3-5 of The Evil Wizard Smallbone (which, she announced to the crowd’s disappointment, won’t be out until November 2016), appropriately (and giving equal time to the other December holiday) scenes set at Christmas. We are first introduced to the eponymous 300-year-old proprietor of Evil Wizard Books and founder of the idyllic (at least on the surface), coastal town of Smallbone Cove in adults’ (“Covers”) uncomfortable answers to a young girl’s awkward questions about Zachariah Smallbone’s evil and magic. Then we meet the (evil) wizard as he puts a boy, Nick, a runaway who had sought refuge, to work around his house and shop. Nick (whom Smallbone calls Foxkin), having spent part of a week (and missing Christmas) turned into a spider (he’s better now), and finding it magically impossible to run off, undertakes a succession of chores. (Is The Sorcerer’s Apprentice in his future?)
As traditional at these Readings, the Jenna Felice Freebie Table offered giveaway books, while at an adjoining table, books by Sherman and Kushner were for sale and autograph. The capacity crowd of about 65 included Melissa C. Beckman, Richard Bowes, Chris Claremont, Randee Dawn, Beth Fleisher, Barbara Krasnoff, Josh Kronengold, John Kwok, Lissanne Lake, Gordon Linzner, Racheline Maltese, Lisa Padol, Max Schmid, Terence Taylor, Leah Withers, and, of course, Claire Wolf Smith. Afterward, people milled around, socialized and grabbed a bite.
The Audio Publishers Association (APA) has announced the 2015 Audie Awards finalists. The Audies are given in 30 categories for spoken word entertainment.
Here follow the genre category finalists, and other categories containing names of interest to genre fans.
AUDIO DRAMA
Anne Manx and the Blood Chase; by Larry Weiner; Narrated by Claudia Christian, Moira Kelly, Patricia Tallman, with full cast; RRCA
The Hound of the Baskervilles; by Sir Arthur Conan Doyle adapted by David Pichette and R. Hamilton Wright; Narrated by Geoffrey Arend, Wilson Bethel, Seamus Dever, Sarah Drew, Henri Lubatti, James Marsters, Christopher Neame, Moira Quirk, Darren Richardson; L.A. Theatre Works
Mistborn: The Final Empire; by Brandon Sanderson; Narrated by Terence Aselford, Kimberly Gilbert, David Jourdan and a full cast; Graphic Audio® A Movie in Your Mind®
The Swords of Riverside; by Ellen Kushner and Delia Sherman; Narrated by Ellen Kushner, Barbara Rosenblat, Katherine Kellgren, Dion Graham, Simon Jones, et al.; SueMedia Productions for Neil Gaiman / ACX
Under Drake’s Flag; by G.A. Henty; Narrated by Brian Blessed; Heirloom Audio Productions
CHILDREN’S TITLES FOR AGES 8-12
The Graveyard Book; by Neil Gaiman; Narrated by Derek Jacobi, Neil Gaiman, Robert Madge, Clare Corbett, Miriam Margolyes, Andrew Scott, and Julian Rhind-Tutt; HarperAudio
The Hero’s Guide to Being an Outlaw; by Christopher Healy; Narrated by Bronson Pinchot; HarperAudio
How to Catch a Bogle; by Catherine Jinks; Narrated by Mandy Williams; Listening Library
A Snicker of Magic; by Natalie Lloyd; Narrated by Cassandra Morris; Scholastic Audio
Unstoppable Octobia May; by Sharon G. Flake; Narrated by Bahni Turpin; Scholastic Audio
CHILDREN’S TITLES FOR AGES UP TO 8
Deep in the Swamp; by Donna M. Bateman; Narrated by Tom Chapin; Live Oak Media
Follow, Follow; by Marilyn Singer; Narrated by Marilyn Singer & Joe Morton; Live Oak Media
H.O.R.S.E.; by Christopher Myers; Narrated by Christopher Myers and Dion Graham; Live Oak Media
Josephine: The Dazzling Life of Josephine Baker; by Patricia Hruby Powell; Narrated by Lizan Mitchell; Recorded Books
This Is Not My Hat; by Jon Klassen; Narrated by John Keating; Weston Woods
Timeless Tales of Beatrix Potter; by Beatrix Potter; Narrated by Katherine Kellgren; Tantor Media
FANTASY
Cress; by Marissa Meyer; Narrated by Rebecca Soler; Macmillan Audio
The Emperor’s Blades; by Brian Staveley; Narrated by Simon Vance; Brilliance Publishing
Hawk; by Steven Brust; Narrated by Bernard Setaro Clark; Audible, Inc.
The Queen of the Tearling; by Erika Johansen; Narrated by Katherine Kellgren; HarperAudio
Words of Radiance; by Brandon Sanderson; Narrated by Kate Reading and Michael Kramer; Macmillan Audio
MULTI–VOICED PERFORMANCE
The Anatomy Lesson; by Nina Siegal; Narrated by Adam Alexi-Malle, Peter Altschuler, Emma Jayne Appleyard, Hannah Curtis, Gildart Jackson, Bruce Mann, Steve West; Penguin Random House Audio
The Graveyard Book; by Neil Gaiman; Narrated by Derek Jacobi, Neil Gaiman, Robert Madge, Clare Corbett, Miriam Margolyes, Andrew Scott, and Julian Rhind-Tutt; HarperAudio
Land of Love and Drowning; by Tiphanie Yanique; Narrated by Cherise Boothe, Korey Jackson, Rachel Leslie, Myra Lucretia Taylor; Recorded Books
A Long Time Gone; by Karen White; Narrated by Susan Bennett, Jennifer Ikeda, and Pilar Witherspoon; Recorded Books
The Sixteenth of June; by Maya Lang; Narrated by Julia Whelan, Will Damron, and MacLeod Andrews; Brilliance Publishing
Stars: Original Stories Based on the Songs of Janis Ian; by Janis Ian (editor), Mike Resnick; Narrated by Janis Ian, Emily Rankin, Gabrielle du Cuir, John Rubinstein, Kathe Mazur, Kristoffer Tabori, Paul Boehmer, Sile Bermingham, Stefan Rudnicki and Susan Hanfield; Audible, Inc.
PARANORMAL
Damoren; by Seth Skorkowsky; Narrated by R.C. Bray; Audible, Inc.
The Girl with All the Gifts; by M.R. Carey; Narrated by Finty Williams; Hachette Audio
Pleasure of a Dark Prince; by Kresley Cole; Narrated by Robert Petkoff; Simon & Schuster
A Second Chance; by Jodi Taylor; Narrated by Zara Ramm; Audible, Inc.
Suffer the Children; by Craig Dilouie; Narrated by R.C. Bray; Tantor Media
Yesterday’s Gone, Season One; by Sean Platt, David Wright; Narrated by R.C. Bray, Chris Patton, Brian Holsopple, Ray Chase, Maxwell Glick, Tamara Marston; Podium Publishing
SCIENCE FICTION
The Beam: Season 1; by Sean Platt and Johnny B. Truant; Narrated by Johnny Heller, Tara Sands, Ralph Lister, Ray Chase, R.C. Bray, Jeffrey Kafer, Chris Patton, Eric Martin, Brian Holsopple, Rachel Fulginiti, Stephen Bowlby, and Emily Woo Zeller; Podium Publishing
Dark Eden; by Chris Beckett; Narrated by Matthew Frow, Jayne Entwistle, Ione Butler, Hannah Curtis, Robert Hook, Bruce Mann, Nicholas Guy Smith, and Heather Wilds; Penguin Random House Audio
The First Fifteen Lives of Harry August; by Claire North; Narrated by Peter Kenny; Hachette Audio
Lock In; by John Scalzi; Narrated by Wil Wheaton, Amber Benson, and a full cast; Audible, Inc.
The Martian; by Andy Weir; Narrated by R.C. Bray; Podium Publishing
SHORT STORIES/COLLECTIONS
The Assassination of Margaret Thatcher; by Hilary Mantel; Narrated by Jane Carr; Macmillan Audio
Dangerous Women; by George R.R. Martin and Gardner Dozois; Narrated by Claudia Black, Scott Brick, Karen Dotrice, Jonathan Frakes, Iain Glen, Janis Ian, Stana Katic, Inna Korobkina, Jenna Lamia, Lee Meriwether, Emily Rankin, Maggi-Meg Reed, Fred Sanders, Allan Scott-Douglas, Sophie Turner, Harriet Walter, Jake Weber; Penguin Random House Audio
Faceoff; Edited by David Baldacci. Written by Linwood Barclay, Steve Berry, Lee Child, Lincoln Child, Michael Connelly, Jeffery Deaver, Linda Fairstein, Joseph Finder, Lisa Gardner, Heather Graham, Peter James, Raymond Khoury, Dennis Lehane, John Lescroart, Steve Martini, T. Jefferson Parker, Douglas Preston, Ian Rankin, James Rollins, M. J. Rose, John Sandford, R.L. Stine, F. Paul Wilson; Narrated by Dylan Baker, Dennis Boutsikaris, Jeremy Bobb, Daniel Gerroll, January LaVoy, with David Baldacci; Simon & Schuster
Heroes, Gods and Monsters of the Greek Myths; by Bernard Evslin; Narrated by Todd Haberkorn; Graymalkin Media
The Legend of Drizzt: The Collected Stories; by R. A. Salvatore; Narrated by Dan Harmon, Danny Pudi, Al Yankovic, Felicia Day, Greg Gurnberg, Melissa Rauch, Michael Chiklis, Sean Astin, Tom Felton, David Duchovny, Ice T, and Wil Wheaton; Audible, Inc.
The Wily O’Reilly: Irish Country Stories; by Patrick Taylor; Narrated by John Keating; Macmillan Audio
SOLO NARRATION — MALE
Hamlet, Prince of Denmark; by A.J. Hartley and David Hewson; Narrated by Richard Armitage; Audible, Inc.
The Hero’s Guide to Being an Outlaw; by Christopher Healy; Narrated by Bronson Pinchot; HarperAudio
The Martian; by Andy Weir; Narrated by R.C. Bray; Podium Publishing
Mr. Mercedes; by Stephen King; Narrated by Will Patton; Simon & Schuster
The Other Story; by Tatiana de Rosnay; Narrated by Simon Vance; Macmillan Audio
Radiance of Tomorrow; by Ishmael Beah; Narrated by Dion Graham; Macmillan Audio
THRILLER/SUSPENSE
The Avengers, Lost Episodes Vol 1: Hot Snow; Adapted by John Dorney; Narrated by Various; Big Finish Productions
Dead Six; by Larry Correia and Mike Kupari; Narrated by Bronson Pinchot; Audible, Inc.
In the Morning I’ll Be Gone; by Adrian McKinty; Narrated by Gerard Doyle; Blackstone Audio Inc.
The Lost Key; by Catherine Coulter and J.T. Ellison; Narrated by Renee Raudman and MacLeod Andrews; Brilliance Publishing
Those Who Wish Me Dead; by Michael Koryta; Narrated by Robert Petkoff; Hachette Audio
Wayfaring Stranger; by James Lee Burke; Narrated by Will Patton; Simon & Schuster
Finalists for two special awards, Distinguished Achievement in Production and Audiobook of the Year will be announced in April. The winners will be announced May 28.
By Mark L. Blackman: On the evening of Tuesday, December 2 the New York Review of Science Fiction Readings Series celebrated the December Holidays Season by continuing its tradition (its seventh commemoration) of “Family Night” with one of its favorite families, Ellen Kushner and Delia Sherman (for their sixth December happening). Also in keeping with custom, their reading was guest-hosted once more by the NYRSF Reading Series’ third curator (longtime attendees know who). In a departure, though, the event was held for the second time at the Commons Brooklyn, an event-hosting space a manageable hike from the Barclays Center, rather than at its usual venue, the SoHo Gallery for Digital Art. (At least one attendee showed up instead at the Gallery.)
The Reading Series’ executive curator Jim Freund, host of WBAI-FM’s Hour of the Wolf radio program on sf and fantasy (which broadcasts and streams every Wednesday night/Thursday morning from 1:30-3:00 am), as well as host of the Hugo-winning Lightspeed Magazine Podcast, welcomed all and announced that the Series will return to the SGDA on Tuesday, January 6, 2015, presenting Sarah Pinsker and Daniel José Older. Future readings are likely to revisit the Commons; the building, incidentally, houses the management of WBAI and is expected to become the broadcast space early next year. Freund turned hosting duties over to the guest-curator, who introduced the evening’s first reader.
Delia Sherman
Delia Sherman is author of the Prometheus and Andre Norton Award-winning The Freedom Maze (from which she has read at previous NYRSF Readings), a time-travel historical set in antebellum Louisiana, as well as other stories and novels for both younger readers and adults, including Through a Brazen Mirror, The Porcelain Dove, The Fall of the Kings (with Ellen Kushner), Changeling and The Magic Mirror of the Mermaid Queen. The selection she shared, “Sacred Harp,” originally was published in Horns of Elfland (which she co-edited) and appears in her recent collection of short fiction, Young Woman in a Garden (despite the title it is decidedly not Young Adult), which made Publishers Weekly’s list of Best SF of 2014. The story is about a sacred harp or shape note choir, centering on Gretchen, an unsympathetic narrator (not usual for Sherman) who, frustratingly and increasingly pissed-off, leads her singers in hymns until, miraculously, the earthly meets the heavenly. The reading evoked a number of chuckles and made the audience want to hear the music. For those unfamiliar with shape note singing, Kushner stepped in to lead a chorus of “Babylon Has Fallen.” In a question-and-answer, Sherman replied that she does not write while listening to music, though ambient noise is ok and she has written in cafés. In contrast, Kushner writes in silence, or to listening to music whose words she doesn’t understand, and “she does not like to write in cafés.” Sherman noted that she had to teach herself how to write YA (Young Adult). “I don’t have an inner teenager. I have an inner 10-year-old and an inner 25-year-old.”
After a short recess, during which a raffle was held for a copy of the audiobook of The Freedom Maze and the manuscript from which Ellen Kushner would be reading, Wolf Smith introduced the second reader of the evening.
Ellen Kushner
Ellen Kushner is an award-winning novelist (Thomas the Rhymer), editor (she recently co-edited Welcome to Bordertown), audiobook performer (her audiobook of Swordspoint, which she narrated, won both a 2012 Audie and Audiofile Earphones Award), klezmer devotee (The Golden Dreydl: a Klezmer “Nutcracker”), co-writer of the historical/feminist/magic realist/shtetl radio musical drama The Witches of Lublin, and public radio personality (longtime host of the public radio show Sound & Spirit); additionally, she recently served as guest host for Fantasy Magazine‘s Women Destroy Fantasy podcasts.
Notably, she is also the creator of the “mannerpunk” cult novel Swordspoint, and its follow-ups the Nebula Award-nominated The Privilege of the Sword, The Fall of the Kings (as noted, written with Delia Sherman) and related short stories; her offering was from the next novel in the series, still a work in progress, tentatively titled City Year. (The term refers to a ritual of highborn young ladies, and, she revealed, a source was a guide for debutantes written a century ago; also, some “flavor” of their interplay was inspired by Little Women.)
Ellen Kushner
She read several charming and entertaining scenes featuring 15-year-old Jessica Campion, the bastard daughter of the Mad Duke Tremontaine by the actress known as the Black Rose, and Lily Martin, a girl of the same age who works in a Riverside tavern and wants to be a stage actress (plus ça change), who form a relationship, along with a scene with Alec Campion, the Mad Duke, and his swordsman Richard St Vier. In response to a question, Kushner said that she had no plans to write the oft-cited, legendary play The Swordsman Whose Name Was Not Death.
The guest-host returned to the front of the room to close out the evening.
As traditional at these Readings, the Jenna Felice Freebie Table offered giveaway books, and refreshments (cider, cheese and crackers, and tangerines). At another table, books by Sherman and Kushner were for sale and autograph.
The capacity crowd, exceeding 50, included Randee Dawn, Karen Heuler, Barbara Krasnoff, Josh Kronengold, John Kwok, Lissanne Lake, Lisa Padol, Robert Rodriquez, James Ryan and Susan Ratisher Ryan. Following the stacking of the chairs, the guests and about 20 members of the audience adjourned to a nearby bar and grill.
The New York Review of SF Readings continues its annual tradition of Family Night with Delia Sherman and Ellen Kushner on December 2.
Delia Sherman
Delia Sherman’s most recent short stories have appeared in the young adult anthology Steampunk! and in Ellen Datlow’s Naked City. She’s written three novels for adults: Through a Brazen Mirror, The Porcelain Dove, and The Fall of the Kings (with Ellen Kushner).She’s now turned her hand to novels for younger readers. Changeling and The Magic Mirror of the Mermaid Queen are both set in the magical world of New York Between. The Freedom Maze is a time-travel historical about antebellum Louisiana which won the 2012 Prometheus Award and the Andre Norton Award. Her recent collection of short fiction, Young Woman in a Garden, has appeared on PW’s list of Best SF of 2014.
She has worked as a contributing editor for Tor Books and has co-edited the fantasy anthology The Horns of Elfland with Ellen Kushner and Donald G. Keller, as well as The Essential Bordertown with Terri Windling, as well as two anthologies of interstitial fiction, Interfictions 1, with Theodora Goss and Interfictions 2, with Christopher Barzak. When she’s not writing, Sherman is teaching, editing, knitting, and cooking. Although she’s frequently on the road, she actually lives in a rambling apartment in New York City with partner Ellen Kushner and far too many pieces of paper.
Ellen Kushner
Ellen Kushner’s cult classic novel Swordspoint introduced readers to the setting to which she has since returned in The Privilege of the Sword (Locus Award, Nebula nominee), The Fall of the Kings (written with Delia Sherman), and a growing handful of related short stories. She recently recorded all three novels in audiobook form for Neil Gaiman Presents/Audible.com, and Swordspoint won both a 2012 Audie and Audiofile Earphones Award. With Holly Black, she co-edited Welcome to Bordertown, a revival of the original urban fantasy shared world series created by Terri Windling, and oversaw the 2013 Brilliance Audio audiobook production with original music by Drew Miller of Boiled in Lead.
A co-founder of the Interstitial Arts Foundation, Ellen Kushner was also the longtime host of the national public radio show Sound & Spirit, and created several one-woman shows for it, including The Klezmer Nutcracker, which she then adapted for New York’s Vital Theater. She is currently working on a new novel in the Swordspoint?series. She recently served as guest host for Fantasy Magazine’s Women Destroy Fantasy podcasts. She lives in New York City with Delia Sherman. They have no cats, and she does not like to write in cafes. She loves to read aloud.
The NYRSF Readings will take place Tuesday, December 2 at The Brooklyn Commons, 388 Atlantic Avenue. Doors open at 6:30 — event begins at 7
The New York Review of SF Readings continues its annual tradition of Family Night with Delia Sherman and Ellen Kushner on December 2, made all the more irresistible by live performances of selections from all three audiobooks in the Riverside series. [Name removed by request of author] will guest host.
The evening will include some of the original score to the series by Nathanael Tronerud, plus SFX from SueMedia. Kushner and Sherman will narrate their own work, accompanied by some of the original cast of the “illuminated” audiobooks.
Delia Sherman
Delia Sherman’s most recent short stories appeared in the young adult anthology Steampunk! and in Ellen Datlow’s Naked City. Her novels for younger readers, Changeling and The Magic Mirror of the Mermaid Queen are set in the magical world of New York Between. And her time-travel historical novel The Freedom Maze about antebellum Louisiana won the 2012 Prometheus Award and Andre Norton Award. When she’s not writing, Sherman is teaching, editing, knitting, and cooking. When not on the road (one of her favorite places to be), she lives in a rambling apartment in New York City with partner Ellen Kushner and far too many pieces of paper.
Ellen Kushner
Ellen Kushner is a novelist, performer and public radio personality. Her award-winning novels include the “mannerpunk” cult classic Swordspoint and Thomas the Rhymer. Kushner’s The Golden Dreydl: a Klezmer ‘Nutcracker’ has been produced as a CD (with the Shirim Klezmer Orchestra), a picture book, and onstage by New York’s Vital Theatre. She is the longtime host of the public radio show “Sound & Spirit.”
[Name removed by request of author] served as the third curator of the New York Review of Science Fiction Reading Series from 1994 to 1996. Besides spending time in the science fiction publishing world, she has worked in a few different law-related fields, currently specializing in international reinsurance contracts at a large insurance company. She lives in New York City with her husband and son.
Sue Zizza
Sue Zizza is the owner of SueMedia. In 2012, Sue created the ‘illuminated style’ of audiobooks for the novel Swordspoint, which won the 2013 Audie Award for Audio Drama and is featured as part of Neil Gaiman Presents at Audible.com. She also teaches audio arts and sound production at New York University’s Kanbar Institute for Film and Television at the Tisch School of the Arts and is a Radio Producer for CUNY-TV and Radio in New York City where she is developing new plays for the radio.
David Shinn
David Shinn is a sound designer/engineer and foley (SFX) artist for stage and studio productions. His most recent projects have all received Audie Nominations and numerous other awards. From 1998 until 2006 he co-produced the nationally syndicated Radio Works series that was heard on more than 70 stations coast-to-coast.
Barbara Rosenblat
Barbara Rosenblat has been described as “the Meryl Streep of audiobooks” by the NY Times. She is a multi-Audie Award winning and Golden Voice narrator whose extraordinary range of accents and characterizations in a distinguished body of work (more than 400 titles to date) makes her one of the most sought after and beloved narrators of audiobooks in the country. In the gaming world her voice can be heard in Grand Theft Auto. Currently she is a featured cast member on Netflix’s Orange is the New Black.
Katherine Kellgren
Katherine Kellgren is a multi-Audie Award winning Golden Voice Narrator who is an audiobook fan favorite because of her no-holds-barred portrayals of characters like the irrepressible Jacky Faber (and motley company) in adventures like The Wake of the Lorelei Lee and The Mark of the Golden Dragon.
The New York Review of Science Fiction Reading Series on December 2 opens its doors at 6:30 p.m. Suggested donation $7. Location and other details in the full press release which follows the jump.
The New York Review of SF readings for December 4 continue an annual tradition of having a family reading with Ellen Kushner and Delia Sherman, and [Name removed by request of author] as host.
Delia Sherman writes stories and novels for younger readers and adults. Her most recent short stories have appeared in the young adult anthology Steampunk! and in Ellen Datlow’s Naked City.
Ellen Kushner is a novelist, performer and public radio personality. Her award-winning novels include the “mannerpunk” cult classic Swordspoint and Thomas the Rhymer. With Holly Black, she recently co-edited Welcome to Bordertown, a revival of the original urban fantasy shared world series created by Terri Windling. Kushner is the longtime host of the public radio show “Sound & Spirit.” Audiobook recordings of her first two “Riverside” novels, Swordspoint and The Privilege of the Sword, featuring Kushner as narrator, were released this year by Neil Gaiman Presents for Audible.com.
Delia Sherman and Ellen Kushner will help celebrate the season at the NYRSF Reading on December 6.
Delia Sherman’s most recent short stories have appeared in the young adult anthology Steampunk! and in Ellen Datlow’s Naked City. She’s written three novels for adults: Through a Brazen Mirror, The Porcelain Dove, and The Fall of the Kings (with Ellen Kushner). Her newest novel, The Freedom Maze, is a time-travel historical about antebellum Louisiana. When not on the road (one of her favorite places to be), she lives in a rambling apartment in New York City with partner Ellen Kushner.
Ellen Kushner’s first novel, Swordspoint, introduced readers to the city to which she has since returned in The Privilege of the Sword (Locus Award & Nebula nominee), The Fall of the Kings (written with Delia Sherman), and a handful of short stories, most recently “The Duke of Riverside” in Ellen Datlow’s Naked Cities. She has just finished recording Swordspoint as an audiobook for Audible.com/ACX’s new “Neil Gaiman Presents” list. Her second novel, Thomas the Rhymer, won the Mythopoeic and World Fantasy Awards. Kushner is also the longtime host of the public radio show Sound & Spirit.
