The prize has two categories. One awards a writer of speculative fiction for their representation or portrayal of disability in a world of speculative fiction, whatever their health status. The second awards a disabled writer for a work of speculative fiction in general, whatever the focus of the work may be.
THE DISABLED WRITERS CATEGORY
Jaye Viner’s “Cannibalism in the Inhuman Age” in Drabblecast
Christine Lucas’s “Echoes of a Broken Mind” inFuture SF
Marissa Lingen’s “So Your Grandmother Is a Starship Now: A Quick Guide for the Bewildered” in Nature
The winners will be announced in the first quarter of January 2023. You can see more about the award and what it aims to achieve here.
ABOUT THE SELECTED WORKS.
Works By Disabled Writers
Jaye Viner’s “Cannibalism in The Inhuman age” on Drabblecast, is a far future story about a person who steals the identity of his robot supervisor in order to make a better life for himself and his family in a time when the productivity of machines is valued even more than it is now. It’s the story of dehumanization via automation, and the covert re-humanization of automation done by the most desperate.
Christine Lucas’s “Echoes of a Broken Mind” in Future SF is a story of secrets, betrayals and comeuppance, set in a space station around Jupiter.
Dare Segun Falowo’s Sonskins in Baffling Mag is an experimental queer horror from the point of view of mothers who would do anything in their power to see their sons take up conventional, normalized roles in their lives, even if it means playing games with skin.
Seanan McGuire’s Treatment Plan in VITAL: The Future of Healthcare is an attempt at projecting a believable outcome for the modern American medical system. In this fascist, dystopic America, diagnosis of a medical condition or illness will cause a person to be separated from society and condemned to an early death.
The Disability Representing Works Category:
P.H. Low’s “The Loneliness of Former Constellations in Strange Horizons – A cyborg house witch whose body was deeply affected by her stint in battle and her ambitious monster-slaying tenant fall for each other in the aftermath of an intergalactic war.
Tabatha Wood’s “Long Drop” in Seeds – Using an outside toilet is often an unpleasant experience, without finding a monster inside one too. “Long Drop” follows a harried single mother and her capricious daughter as they drive across Aotearoa, and a rest stop that will change their lives.
McKinley Valentine’s “The Code for Everything” in Fantasy Mag – In this story, autistic code-switching gains a new challenge in the fairy realm, with interesting results.
Jennifer Lee Rossman’s “The Steel Magnolia Metaphor” in Escape Pod – The autistic daughter of a sick and dying mother finds the language to bridge their experiential divide.
Justin C Key’s “The Algorithm Will See You Now” in VITAL: The Future of Healthcare. This story features a therapist who suffers from mental illness herself, but is still an effective professional mental health provider.
Award administrator Oghenechovwe Donald Ekpeki thanked those who assisted in reading, recommendations and other tasks, Mazi Nwonwu of Omenana, Lezli Robyn of Galaxy’s Edge, M L Clark, and Ross Showalter.
People writing about the issues they care about is what keeps this community going. It’s a gift and privilege for me to be continually allowed to publish so many entertaining posts rich in creativity, humor, and shared adventures. Thanks to all of you who contributed to File 770 in 2022!
…Thinking about Jules Verne, with the new TV version of Around the World in Eighty Days about to start, I just bought the Wesleyan edition of Five Weeks in a Balloon, translated by Frederick Paul Walter – after researching what the good modern translations of Verne are. Verne has been abysmally translated into English over the years, but there’s been a push to correct that….
… It was on FaceBook where I first saw friends’ posting about Opening Ceremonies. According to what was posted, some of the musical selections performed by students from the Duke Ellington School spotlighted the religious aspects of the Christmas holiday.
My immediate reaction was that this was not an appropriate part of Opening Ceremonies, especially since, as far as I know, the religious aspect of the performance was not contained in the descriptions in any convention publication. The online description of Opening Ceremonies says, in its entirety: “Welcome to the convention. We will present the First Fandom and Big Heart awards, as well as remarks from the Chair.” The December 9, 2021, news release about the choir’s participation did not mention that there would be a religious component to the performance….
Whew! We made it. We made it to Issue 100 of the Grantville Gazette. This is an incredible feat by a large group of stakeholders. Thank you, everyone.
I don’t think Eric Flint had any idea what he’d created when he sent Jim Baen the manuscript for 1632. In the intervening two-plus decades, the book he intended to be a one-shot novel has grown like the marshmallow man in Ghostbusters to encompass books from two publishing houses, a magazine (this one, that you are holding in your metaphorical hands) and allowed over 165 new authors to see their first published story in print. The Ring of Fire Universe, or the 1632 Universe, has more than twelve million words published….
This message was written by a fan in Moscow 48 hours ago. It is unsigned but was relayed by a trustworthy source who confirms the writer is happy for it to be published by File 770. It’s a fan’s perspective, a voice we may not hear much….
Right now, when I’m sitting at my desktop and writing this text, a cannonade nearby doesn’t stop. The previous night was scary in Kyiv. Evidently, Russians are going to start demolishing Ukrainian capital like they are doing with Kharkiv, Sumy, Chernihiv, Mariupol.
The Ukrainian SFF Community joined the efforts to isolate Russia, the nazi-country of the 21st century, to force them to stop the war. The boycott by American authors we asked for is also doing the job. Many leading writers and artists of the great United States already joined the campaign.
We appealed to SFWA to also join the campaign, and here is what they replied…
Fortunately, comic-carrying newspapers are, of course, all (also or only) online these days, but even then, some require subscriptions (fair enough), and to get all the ones you want. For example, online, the Washington Post, has about 90, while the Boston Globe is just shy of a paltry one-score-and-ten. And (at least in Firefox), they don’t seem to be visible in all-on-one-page mode, much less customize-a-page-of.
So, for several years now, I’ve been going to the source — two “syndicates” that sell/redistribute many popular strips to newspapers….
There’s been a lot of excitement about Squid Game. Everybody’s talking about how clever, original, and utterly skiffy it is. I watched it, too, eagerly and faithfully. But I wasn’t as surprised by it as some. I expected it to be good. I’ve been watching Korean video for ten years, and have only grown more addicted every year. And yet I just can’t convince many people to watch it with me….
Let me tell you about my favorite building in Washington, D.C. It’s the staid old Arts and Industries Building, the second-oldest of all the Smithsonian Institution buildings, which dates back to the very early 1880s and owes its existence to the Smithsonian’s then urgent need for a place where parts of its collection could go on public display….
When we last left the Heinleins (“What the Heinleins Told the 1940 Census”), a woman answering the door at 8777 Lookout Mountain – Leslyn Heinlein, presumably — had just finished telling the 1940 census taker a breathtaking raft of misinformation. Including that her name was Sigred, her husband’s was Richard, that the couple had been born in Germany, and they had a young son named Rolf.
Ten years have passed since then, and the archives of the 1950 U.S. Census were opened to the public on April 1. There’s a new Mrs. Heinlein – Virginia. The 8777 Lookout Mountain house in L.A. has been sold. They’re living in Colorado Springs. What did the Heinleins tell the census taker this time?…
“In the future, there was a nuclear war. And because of all the radiation, cats developed the ability to shoot lasers out of their mouths.”
On this dubious premise, Laser Cats was founded. By its seventh and final episode, the great action stars and directors of the day had contributed their considerable talents to this highly entertaining, yet frankly ridiculous enterprise. From James Cameron to Lindsey Lohan, Josh Brolin to Steve Martin, Laser Cats attracted the best in the business.
Being part of Saturday Night Live undoubtedly helped….
The Emeka Walter Dinjos Memorial Award For Disability In Speculative Fiction aims to award disability in speculative fiction in two ways. One, by awarding a writer of speculative fiction for their representation or portrayal of disability in a world of speculative fiction, whatever their health status; and two, by awarding a disabled writer for a work of speculative fiction in general, whatever the focus of the work may be….
Robert Osband, Florida fan, really loves space. All his life he has been learning about spaceflight. And reading stories about spaceflight, in science fiction.
So after NASA’s Apollo program was over, the company that made Apollo space suits held a garage sale, and Ozzie showed up. He bought a “training liner” from ILC Dover, a coverall-like portion of a pressure suit, with rings at the wrists and neck to attach gloves and helmet.
And another time, in 1976, when one of his favorite authors, Robert A. Heinlein, was going to be Guest of Honor at a World Science Fiction Convention, Mr. Osband journeyed to Kansas City.
In his suitcase was his copy of Heinlein’s Have Space Suit, Will Travel—a novel about a teenager who wins a secondhand space suit in a contest—and his ILC Dover suit.
Because if you wanted to get your copy of Have Space Suit, Will Travel autographed, and you happened to own a secondhand space suit, it would be a shame NOT to wear it, right?…
… I’m sure that our first face-to-face meeting was in 1979, when my job in industry took me from Chattanooga all the way out to Los Angeles for some much-needed training in electrochemistry. I didn’t really know anybody in L.A. fandom back then but I did know the address of the LASFS clubhouse, so on my next-to-last evening in town I dropped in on a meeting. And it was there that I found Bruce mostly surrounded by other fans while they all expounded on fandom as it existed back then and what it might be like a few years down the road. It was like a jazz jam session, but all words and no music. I settled back into the periphery, enjoying all the back-and-forth, and when there eventually came a lull in the conversations I took the opportunity to introduce myself. And then Bruce said something to me that I found very surprising: “Dick Lynch! I’ve heard of you!”…
It was back in 2014 that a student filmmaker at Stephen F. Austin State University, Ricky Kennedy, created an extraordinary short movie titled The History of Time Travel. Exploration of “what ifs” is central to good storytelling in the science fiction genre and this little production is one of the better examples of how to do it the right way.
… It is through Joy and Cassimer’s eyes we experience S.A. Tholin’s Iron Truth, a finalist of the Self-Published Science Fiction Competition. If there was ever a case of the cream rising to the top this book is one….
In T. A. Bruno’s In the Orbit of Sirens, a Self-Published Science Fiction Competition finalist, the remnants of the human race have fled the solar system ahead of an alien culture that is assimilating everyone in reach. Loaded aboard a vast colony ship they’re headed for a distant refuge, prepared to pioneer a new world, but unprepared to meet new threats there to human survival that are as great as the ones they left behind.
On the morning of Carmen Grey’s sixth birthday an armed team arrives to take her from her parents and remove her to the underground facility where Clairvoyants — like her — are held captive and trained for years to access their abilities. So begins Monster of the Dark by K. T. Belt, a finalist in the Self-Published Science Fiction Competition….
G.M. Nair begins Duckett and Dyer: Dicks for Hire by making a surprising choice. His introductory scene explicitly reveals to readers the true nature of the mysterious events that the protagonists themselves uncover only very slowly throughout the first half of the book. The introduction might even be the penultimate scene in the book — which would make sense in a story that is partly about time travel loops. Good idea or bad idea?…
… What sounds like Firefly also describes the SPSFC finalist novel Captain Wu: Starship Nameless #1, a space opera by authors Patrice Fitzgerald and Jack Lyster. I love Firefly so it wasn’t a big leap to climb aboard this vessel….
…. It would be exceptionally embarrassing for a Worldcon to have to explain why a finalist would have won the Hugo except for — oops! — this bit of outdated fine print. The best course of action is to eliminate that fine print before such a circumstance arises….
The social media of the 30th century doesn’t seem so different: teenagers anonymously perform acts of civil disobedience and vandalism to score points and raise their ranking in an internet app. That’s where Aster Vale leads a secret life as the Wildflower, a street artist and tagger, in A Star Named Vega by Benjamin J. Roberts, a Self-Published Science Fiction competition finalist…..
R F Kuang’s Babel is an audacious and unrelenting look at colonialism, seen through the lens of an alternate 19th century Britain where translation is the key to magic. Kuang’s novel is as sharp and perceptive as it is well written, deep, and bears reflection upon, after reading, for today’s world….
Paul Weimer went to donate some books at Don Blyly’s new location for Uncle Hugo’s and Uncle Edgar’s bookstores. While he was inside Paul shot these photographs of the bookshelves being stocked and other work in progress.
… Another contributor to the Afrofuturist tradition is Nicole Mitchell, a noted avant-jazz composer and flutist. She chose to take on Octavia Butler’s most challenging works, the Xenogenesis Trilogy, and create the Xenogenesis Suite, a collection of dark and disturbing compositions that reflect the trilogy’s turbulent and complicated spirit….
Anna carefully arranged the necessary objects around her desktop computer into a pentagon: sharpened pencils, a legal pad, a half-empty coffee cup, and a copy of Science Without Sorcery, with the chair at the fifth point. This done, she intoned the spell that would open the channel to her muse for long enough to write the final pages of her work-in-progress. Then she could get ready for the convention….
… In the last five years, the [Hugo Awards Study Committee] [HASC] has changed precisely two words of the Constitution. (Since you asked: adding the words “or Comic” to the title of the “Best Graphic Story” category.) The HASC’s defenders will complain that we had two years of pandemic, and that the committee switched to Discord rather than email only this year, and that there are lots of proposals this year. But the fact remains that so far the practical impact has been slower than I imagined when I first proposed the Committee…..
In Michaele Jordan’s overview, she comments on the novellas by Aliette de Bodard, Becky Chambers, Alix E. Harrow, Seanan McGuire, Adrian Tchaikovsky, and Catherynne M. Valente that are up for the 2022 Hugo.
… Once we had a lot of science fiction, little fantasy; lately we’ve had a lot of fantasy; so Powers’ writing fantasy does not seem particularly defiant.
His fantasy has generally been — to use a word which may provoke defiance — rigorous. Supernatural phenomena occur, may be predicted, aroused, avoided, as meticulously — a word whose root means fear — as we in our world start an automobile engine or put up an umbrella. Some say this has made his writing distinctive….
The day of reckoning is here for E Pluribus Hugo. The change in the way Hugo Awards nominations are counted was passed in 2015 and ratified in 2016 to counter how Sad and Rabid Puppies’ slates dictated most of finalists on the Hugo ballots in those years. It came with a 2022 sunset clause attached, and E Pluribus Hugo must be re-ratified this year in order to remain part of the WSFS Constitution….
… His name is Joel Nydahl, and back about the time of that Chicon he was a 14-year-old neofan who lived with his parents on a farm near Marquette, Michigan. He was an avid science fiction reader and at some point in 1952 decided to publish a fanzine. It was a good one….
… Abigail Kamara, younger cousin of police constable and apprentice wizard Peter Grant, has been left largely unsupervised while he’s off in the sticks on a case. This leaves Abigail making her own decisions when she notices that kids roughly her age are disappearing–but not staying missing long enough for the police to care….
Friends, let me tell you about one of my favorite TV shows. But I must admit to you up front that it’s not SF/F. Extraordinary Attorney Woo is, as I assume you’ve deduced from the title, a lawyer show. But it’s a KOREAN lawyer show, which should indicate that is NOT run of the mill….
… The Phantom Empire, a twelve-chapter Mascot serial, was originally released in February, 1935. A strange concoction for a serial, it is at once science fiction film, a Western, and strangely enough, a musical. It was the first real science fiction sound serial and its popularity soon inspired other serials about fantastic worlds….
… I find myself explaining the changes to membership in the World Science Fiction Society (WSFS) and the conditions for attending the World Science Fiction Convention that were ratified this year in Chicago (and thus are now in effect, because this was the second vote on the changes)…
Chicon 8’s Chicago Worldcon Community Fund (CWCF) program offered both memberships and financial stipends. It was established with the goal of helping defray the expenses of attending Chicon 8 for the following groups of people:
Non-white fans or program participants • LGBTQIA+ fans or program participants • Local Chicago area fans of limited means…
As environmental problems caused by industrialisation and post-industrialisation continue to increase, the public is looking for ecological solutions. As pandemics, economic crises, and wars plague our society in different ways, thoughts turn to the good old times. But were they really all that good? People are escaping increasingly into fantastical stories in order to find a quantum of solace. But at what point was there a utopia in our society. If so, at what or whose cost did it exist? Whether or not we ever experience living in a utopia, the idea of finally finding one drives us to continue seeking ideal living conditions….
… Capclave appeared to be equally star-crossed in its next iteration. It was held over the weekend of October 18-20, 2002, and once again the attendees were brought closer together by an event taking place in the outside world. The word had spread quickly through all the Saturday night room parties: “There’s been another shooting.” Another victim of the D.C. Sniper….
… In Fairy Tale, his newest novel, Stephen King delivers a, cough, grimm contemporary story, explicitly incorporating horror in the, cough, spirit of Lovecraft (King also explicitly namedrops, in the text, August Derleth, and Henry Kuttner), in which high-schooler Charlie Reade becomes involved in things — and challenges — that, as the book and plot progress, stray beyond the mundane….
The idea of an anthology of science fiction and fantasy stories about the Beatles seems like a natural. I’ve been told the two editors, each unbeknownst to the other, both presented the idea to the publisher around the same time…
The Science Museum (that’s the world famous one in Kensington, London) has just launched a new exhibit on what Carl Sagan once mused (though not mentioned in the exhibit itself) science fiction and science’s ‘dance’. SF2 Concatenation reprographic supremo Tony Bailey and I were invited by the Museum to have a look on the exhibition’s first day. (The exhibition runs to Star Wars day 2023, May the Fourth.) Having braved Dalek extermination at the Museum’s entrance, we made our way to the exhibition’s foyer – decorated with adverts to travel to Gallifrey – to board our shuttle….
I was at the 2022 F. Scott Fitzgerald Literary Festival in Rockville, MD today. If you’re wondering why the festival is there, that’s where Fitzgerald and his wife are buried. Now, I’d never read any of Fitzgerald`s writing, so I spent the evening before reading the first three chapters of The Great Gatsby (copyright having expired last year, it’s online). So far, I’ve yet to find anyone in it that I want to spend any time with, including the narrator.
However, the reason I attended was to see Kim Stanley Robinson, who was the special guest at the Festival. The end of the morning’s big event was a conversation between Stan and Richard Powers. Then there was lunch, and a keynote speaker, then Stan introducing Powers to receive an award from the society that throws the annual Festival….
…As a child, I kept a notebook filled with my favorite quotes. (How did I not know I was going to be an author?) The first quote? “Not all who wander are lost.” There was everything from 90s rom com lines to Wordsworth poems in that notebook, but Tolkien filled the most pages….
There is a fundamental implausibility to easy manned interstellar (or even interplanetary) space travel that nonetheless remains a seductive idea even in our wiser and more cynical and weary 21st century. …
Alif is a young man, a “gray hat” hacker, selling his skills to provide cybersecurity to anyone who needs that protection from the government. He lives in an unnamed city-state in the Middle East, referred to throughout simply as the City. He’s nonideological; he’ll sell his services to Islamists, communists, anyone….
Journalist, author, genre historian (and fan, certainly, from the 1940s and on!) Bertil Falk is acclaimed for performing the “impossible” task of translating Finnegans Wake to Swedish, the modernist classic by James Joyce, under the title Finnegans likvaka….
The protagonist of the first short novel in this omnibus — which is in fact Eye of Cat — is William Blackhorse Singer, a Navajo born in the 20th century, and still alive, and fit and healthy, almost two centuries later….
One fine Monday morning, Peter Grant is summoned to Baker Street Station on the London Underground, to assess whether there was anything “odd,” i.e., involving magic, about the death of a young man on the tracks….
…If you’re not a fan, then there’s a real chance you have no idea how much range animé encompasses. And I’m not even talking about the entire range of kid shows, sit-coms and drama. (I’m aware there may be limits to your tolerance. I’m talking about the range within SF/F. Let’s consider just three examples….
While I subscribe to the practice that, as a rule, reviews and review-like write-ups, if not intended as a piece of critical/criticism, should stick to books the reviewer feels are worth the readers reading, sometimes (I) want to, like Jerry Pournelle’s “We makes these mistakes and do this stuff so you dont have to” techno-wrangling Chaos Manor columns, give a maybe-not-your-cup-of-paint-remover head’s-up. This is one of those….
It’s been 30 years since the passing of my friend Roger Weddall. I doubt very many of you reading this had ever met him and I wouldn’t be surprised, actually, if most of you haven’t even heard of him. Thirty years is a long time and the demographics of fandom has changed a lot. So let me tell you a little bit about him….
I expect a lot of File 770’s readers watched, as we did, as the Orion capsule returned to Terra. I’m older than some of you, and it’s been decades since I watched a capsule re-entry and landing in the ocean. What had me in tears is that finally, after fifty years, we’re planning to go back… and stay….
Poul Anderson began writing his own “future history” in the 1950s, with its starting point being that there would be a limited nuclear war at some point in the 1950s. From that point would develop a secret effort to build a new social structure that could permanently prevent war….
…As with Avatar, Avatar: The Way of Water is a visual feast. Unlike the first film, there aren’t long sweeping pans lingering over beautiful, otherworldly vistas. The “beautiful” and the “otherworldly” are still there, but we’re seeing them incorporated into the action and storytelling….
… When I was growing up, children like myself were taught, no, more like indoctrinated, to think the United States was the BEST place to grow up, that our country was ALWAYS in the right and that our institutions were, for the most part, unassailable and impervious to criticism from anyone, especially foreigners.
I grew up in Ohio in the 1960’s and despite what I was being taught in a parochial Catholic grade school (at great expense, I might add, by my hard-working parents), certain things I was experiencing did not add up. News of the violence and casualties during the Vietnam War was inescapable. I remember watching the evening network news broadcasts and being horrified by the number of people (on all sides of the conflict) being wounded or killed on a daily basis.
As the years went on, it became harder to reconcile all of the violence, terrorism, public assassinations and the racism I was experiencing with the education I was receiving. The Pentagon Papers and the Watergate break-ins coincided with my high school years and the beginnings of my political awakening.
When I look back on those formative days of my life, I see myself as a small child, set out upon a sea of prejudice and whiteness, in a boat of hetero-normaltity, destination unknown….
… After I introduced myself to Mr. Weir and Mr. Bell, I said, “You and I have something in common.”
“Oh really? What’s that?”
“You and I are the only 2022 Hugo Award nominees within a hundred-mile radius of this bookstore.” (I stated that because I know that our fellow nominee, Jason Sanford, lives in Columbus, Ohio, hence the reference to the mileage.)…
Despite some very harsh comments from Dmitry Rogozin, the director general of Roscosmos, threatening that “If you block cooperation with us, who will save the ISS from an uncontrolled deorbit and fall into the United States or Europe?” spacefarers seem to have a different perspective and understanding of the importance of international cooperation, respect and solidarity. This appears to have been demonstrated today when three cosmonauts arrived at the International Space Station….
Forty-five years ago or thereabouts, on February 26, 1977, the first ‘prog’ of 2000AD was released by IPC magazines. The second issue dated March 5 a week later saw the debut of Judge Dredd. Since then, Rogue Trooper, Nemesis the Warlock, Halo Jones, Sláine, Judge Anderson, Strontium Dog, Roxy and Skizz, The ABC Warriors, Bad Company and Proteus Vex are just some of the characters and stories that have emanated from the comic that was started by Pat Mills and John Wagner. Some have gone on to be in computer games, especially as the comic was purchased by Rebellion developments in 2000, and Judge Dredd has been brought to the silver screen twice.
Addictive and enjoyable stories of the fantastic, written and drawn by some of the greatest comic creators of the latter part of the 20th century, they often related to the current, utilizing Science Fiction to obscure issues about violence or subversiveness, but reflecting metaphorically about the now of the time….
Traditionally, the start of a new year is a time when film critics begin assembling their lists of the best films, actors, writers, composers, and directors of the past year. What follows, then, while honoring that long-held tradition, is a comprehensive compilation and deeply personal look at the finest film scores of the past nearly one hundred years….
The frenzy of joyous controversy swirling over director Adam McKay’s new film Don’t Look Up has stirred a healthy, if frenetic debate over the meaning and symbology of this bonkers dramedy. On its surface a cautionary satire about the impending destruction of the planet, Don’t Look Up is a deceptively simplistic tale of moronic leadership refusing to accept a grim, unpleasant reality smacking it in its face.
What follows is truly one of the most personally heartfelt, poignant, and heartbreaking remembrances that I’ve ever felt compelled to write.
Veronica Carlson was a dear, close, cherished friend for over thirty years. I learned just now that this dear sweet soul passed away today. I am shocked and saddened beyond words. May God rest her beautiful soul.
After interviewing William Shatner for the British magazine L’Incroyable Cinema during the torrid Summer of 1969 at “The Playhouse In The Park,” just outside of Philadelphia, while Star Trek was still in the final days of its original network run on NBC, my old friend Allan Asherman, who joined my brother Erwin and I for this once-in-a-lifetime meeting with Captain James Tiberius Kirk, astutely commented that I had now met and befriended all three of our legendary boyhood “Captains,” which included Jim Kirk (William Shatner), Flash Gordon/Buck Rogers (Larry “Buster” Crabbe), and Buzz Corry (Edward Kemmer), Commander of the Space Patrol….
… The first of the most important music modernists, however, in the post war era and “Silver Age” of film composers was Elmer Bernstein who would, had he lived, be turning one hundred years old on April 4th, 2022. Although he would subsequently prove himself as able as classic “Golden Age” composers of writing traditional big screen symphonic scores, with his gloriously triumphant music for Cecil B De Mille’s 1956 extravaganza, The Ten Commandments….
… She was just four days into her maiden voyage from Southhampton to New York City when this “Unsinkable” vessel met disaster and finality, sailing into history, unspeakable tragedy, and maritime immortality. May God Rest Her Eternal Soul … the souls of the men, women, and children who sailed and perished during those nightmarish hours, and to all those who go courageously “Down to The Sea in Ships.” This horrifying remembrance remains among the most profoundly significant of my own seventy-six years….
… It is true that Seth MacFarlane, the veteran satirist who both created and stars in the science fiction series, originally envisioned [The Orville] as a semi-comedic tribute to Gene Roddenberry’s venerable Star Trek. However, the show grew more dramatic in its second season on Fox, while it became obvious that MacFarlane wished to grow outside the satirical box and expand his dimensional horizons and ambitions….
… I was born in the closing weeks of 1945, and grasped at my tentative surroundings with uncertain hands. It wasn’t until 1950 when I was four years old that my father purchased a strange magical box that would transform and define my life. The box sat in our living room and waited to come alive. Three letters seemed to identify its persona and bring definition to its existence. Its name appeared to be RCA, and its identity was known as television….
He was a kindly, gentle soul who lived among us for a seeming eternity. But even eternity is finite. He was justifiably numbered among the most influential writers of the twentieth century. Among the limitless vistas of science fiction and fantasy he was, perhaps, second only in literary significance to H.G. Wells who briefly shared the last century with him. Ray Bradbury was, above all else, the poet laureate of speculative fiction….
On June 11, 1982, America and the world received the joyous gift of one of the screen’s most beloved fantasy film classics and, during that memorable Summer, a young aspiring television film critic reviewed a new film from director Steven Spielberg called E.T….
…Before I realized it, tables and chairs were being moved and I felt the hands of paramedics lifting me to the floor of the restaurant. Les was attempting to perform CPR on me, and I was drifting off into unconciousness. I awoke to find myself in an ambulance with assorted paramedics pounding my chest, while attempting to verbally communicate with me. I was aware of their presence, but found myself unable to speak….
After nearly dying a little more than a decade ago during and just after major open heart surgery, I fulfilled one of the major dreams of my life…meeting the man who would become my last living life long hero. I’d adored him as far back as 1959 when first hearing the dramatic strains of the theme from Checkmate on CBS Television. That feeling solidified a year later in 1960 with the rich, sweet strains of ABC Television’s Alcoa Premiere, hosted by Fred Astaire, followed by Wide Country on NBC….
…When Jack Warner was casting the film version of the smash hit, he considered performers such as Cary Grant, James Cagney, or Frank Sinatra for the lead. Meredith Willson, the show’s composer, however, demanded that Robert Preston star in the movie version of his play, or he’d withdraw the contracts and licensing. The film version of The Music Man, produced for Warner Brothers, and starring Robert Preston and Shirley Jones, opened to rave reviews on movie screens across the country in 1962. Robert Preston, like Rex Harrison in Lerner and Lowe’s My Fair Lady, had proven that older, seasoned film stars could propel both Broadway and big screen musicals to enormous artistic success….
On the evening of May 14, 1998, following the airing over NBC Television of the series finale of Seinfeld, the world and I received the terrible news of the passing of the most beloved entertainer of the twentieth century. It has been twenty-four years since he left this mortal realm, but the joy, the music, and the memories are as fresh and as vital today as when they were born….
Very exciting news. The long awaited CD soundtrack release of 12 O’Clock High is now available for purchase through La-La Land Records and is a major restoration of precious original tracks from Quinn Martin’s beloved television series….
That terrible day in Dallas, Texas on November 22, 1963 remains one of the most significantly traumatic days of my life. I was just seventeen years old. I was nearing the end of my high school classes at Northeast High School in Philadelphia when word started spreading through the hallways and corridors that JFK had been shot. I listened in disbelief, praying that it wasn’t true … but it was….
I recently watched a somber new three part documentary by film maker Ken Burns that is among the most sobering, heartbreaking, and horrifying indictments of humanity that I have ever encountered. It was extremely difficult to watch but, as an American Jew, I remain struck by the similarities between the rise in Fascism in the early nineteen thirties, leading to the beginnings of Nazism in Germany, and the attempted decimation of the Jewish people in Europe and throughout the world, with the repellant echoes of both racial and religious intolerance, and the mounting hatred and suspicion of the Jewish communities and population residing presently in my own country of birth, these United States….
I’ve read with interest some of the recent discussions concerning the measure of Hugo Friedhofer’s importance as a composer, and it set my memory sailing back to another time in a musical galaxy long ago and far away. I have always considered Maestro Friedhofer among the most important, if underrated, composers of Hollywood’s golden era….
…Steven Spielberg’s reverent semi-autobiographical story of youthful dreams and aspirations is, for me, the finest, most emotionally enriching film of the year, filled with photographic memories, and indelible recollections shared both by myself and by the film maker….
My friend Adam Spector tells me that when Ernest Lehman was asked to write the script for North by Northwest, he tried to turn out the most “Hotchcocky” script he could, with all of Hitchcock’s obsessions in one great motion picture.
Moonfall is the most “Emmerichian” film Roland Emmerich is made. Like his earlier films, it has flatulent melodrama interlaced with completely daft science. But everything here is much more intense than his earlier work. But the only sense of wonder you’ll get from this film is wondering why the script got greenlit….
… Having a long career in Hollywood is a lot harder than in other forms of publishing; you’ve got to have the relentless drive to pursue your vision and keep making sales. To an outsider, what is astonishing about J. Michael Straczynski’s career is that it has had a third act and may well be in the middle of a fourth. His career could have faded after Babylon 5. The roars that greeted him at the 1996 Los Angeles Worldcon (where, it seemed, every conversation had to include the words, “Where’s JMS?”) would have faded and he could have scratched out a living signing autographs at media conventions….
When I read in the Financial Times about how Britain’s National Theatre was adapting Sir Philip Pullman’s La Belle Sauvage, the first volume of his Book of Dust trilogy, I told myself, “That’s a play for me! I’ll just fly over to London and see it! OGH is made of money, and he’ll happily pay my expenses!”
Fortunately, I didn’t have to go to London, because the theatre came to me, with a screening of the National Theatre Live production playing at the American Film Institute. So, I spent a pleasant Saturday afternoon seeing it….
… Stories matter more in the theatre than in film because far more of a play is in our imagination than in a film. Stripped of CGI and rewrites by multiple people, what plays offer at their best is one person’s offering us something where, if it works, we tell ourselves, “Yes, that was a good evening in the theatre,” and if it doesn’t, we gnash our teeth and feel miserable until we get home…
As Anton Ego told us in Ratatouille, the goal of a critic today is to be the first person to offer praise to a rising artist. It’s not the tenth novel that deserves our attention but the first or second. In the theatre, the people who need the most attention are the ones who are being established, not the ones that build on earlier successes.
So I’m happy to report that Matthew Aldwin McGee, author, star, and chief puppeteer of Under the Sea with Dredgie McGee is a talented guy who has a great deal of potential. You should be watching him….
I once read an article about a guy who was determined to live life in 1912. He lived in a shack in the woods, bought a lot of old clothes, a Victrola, and a slew of old books and magazines. I don’t remember how he made a living, but the article made clear that he was happy….
By Oghenechovwe Donald Ekpeki: The Emeka Walter Dinjos Memorial Award For Disability In Speculative Fiction aims to award disability in speculative fiction in two ways. One, by awarding a writer of speculative fiction for their representation or portrayal of disability in a world of speculative fiction, whatever their health status; and two, by awarding a disabled writer for a work of speculative fiction in general, whatever the focus of the work may be.
Each of the two awards will come with a cash prize of $250USD. For the moment, the awards will be awarded only to writers of short fiction, but in the future may grow to encompass other lengths and forms of speculative writing. These awards were born out of a need to provide assistance for disabled speculative fiction writers struggling with various maladies, and to encourage the representation of disability in speculative fiction.
While not exactly a fortune, the hope is that these funds will assist the winner(s) yearly to be able to cater to small needs that help them manage their ailments (like insulin and other medications) or simply provide self care of any kind they choose.
The awards will be given by Oghenechovwe Donald Ekpeki, the awards administrator, with special recommendations from writers and editors like Mazi Nwonwu of Omenana, Lezli Robyn of Galaxy’s Edge, M L Clark, Ross Showalter and others I will indicate. And there will be a spreadsheet for all to make recommendations of works they would like considered.
The awards will be given to works up to 25,000 words, and there will be a honor list of five works in both categories. The announcement will also come with a promotion of ways for readers to offer financial support to all the finalists in both categories.
Authors or publishers recommending works currently for sale or behind a paywall for consideration can email a copy of the work if they would like to provide a free copy for consideration, to [email protected]
The awards will be given for works published in the previous calendar year. The awards administrator will be taking recommendations from the special recommenders from now until May 31, 11:59PM (West African Time). In that time, anybody can also add works they deem fitting and deserving to the spreadsheet here as well. After this consideration period, the selected winners and shortlist will be announced, and the winnings disbursed accordingly.
Note: the use of “disability” here is loose and includes all ailments and conditions that make it difficult for a writer to pursue their creative tasks, even if their financial or social situation is such that they can cater to that difficulty better than others in different contexts. Historically, self-identification in publishing has been a site of traumatic public contention, which this award will not perpetuate. No candidate will be expected to produce proof of their disability and its impact. We begin the work of dignifying and uplifting each other by acting in good faith, and on the honor principle.
EMEKA WALTER DINJOS
Emeka Walter Dinjos, for whom the award is named, was a disabled Nigerian speculative fiction writer, editor and founder based in Awka, Anambra. He passed away at the age of 34, on Wednesday the 12th of December 2018, due to health complications from diabetes. His short fiction was published in prominent venues like Space & Time, Stupefying Stories, Bourbon Penn, Writers of the Future Volume #33, Beneath Ceaseless Skies, Deep Magic, Galaxy’s Edge, Lamplight Magazine, Abyss & Apex. Dinjos was the first Nigerian to win the Writers of the Future Contest, though he was unable to attend the event due to visa issues. He was the founder of Subsaharan Magazine, a speculative fiction magazine at the time. And he wrote about speculative fiction, literature and pan-African culture and life on his Medium page. You can read more about Dinjos’s works there and on his Goodreads page, and about his passing on Future SF.
FOUNDER’S NOTE ON THE PROJECT: THE “WHY” OF THE AWARD
Emeka Walter Dinjos was an active voice in writing and publishing on the African continent, and his works inspired a great many speculative fiction creatives on the continent, myself included. Being disabled, too, and knowing other disabled speculative fiction writers on the continent, in the course of my editing several anthologies, con running and a host of other pan-African speculative fiction activities I have been involved in, and are privy to the difficulties that persons suffering health maladies in a place with poor to no healthcare can face, especially when limited financially. I have also enjoyed some success in the world of short fiction publishing, having sold works to venues like Galaxy’s Edge, Asimov’s, Apex, and Tordotcom. So, I understand how long a way even these little payments can go in keeping a disabled or ailing writer well, active and even alive. Thus, I saw the need for these awards: not just to give a grant, or assistance, but to celebrate these writers for the herculean efforts I know it takes to create while ailing. It is not enough to aid them. We must celebrate them as well.
Walter was a pioneer. I admired and followed him, and tried to walk in his footsteps, especially as he was ailing. I felt a kinship with him even at a distance, for I was opportuned to interact with him only once, before he passed. And ironically, to empathize at that time, while he was ill. Disability was one of the strong lines that connected us, but not the only one. I have also enjoyed some success with awards and “firsts”: the first African writer to be nominated for the Nebula and Hugo awards in their novelette categories, the first African-born Black writer nominated for the Hugo and Nebula awards at all, and the first writer of colour nominated in both prose and editing categories of the Hugo awards in one year. My climate fiction novelette, “O2 Arena,” which earned me the above nominations and firsts, is also about disability, and dedicated to Walter Dinjos, Voke Omawunmi Stephen and ailing Africans, including artists. I donated the proceeds for the reprint of “O2 Arena” to a charity organizing cancer treatment for Nigerian women. But I wanted to do more for the writers still here. The dreamers still struggling, and excelling.
For me, this award is a dual opportunity: to honour the brilliant and impactful young man who did so much for us in the genre, and to give back to the community and the most vulnerable people in it. This desire impelled me to reach out to Dinjos’s family and ask permission to name this award after him. This is the reason for the Emeka Walter Dinjos Memorial Award for Disability In Speculative Fiction. And I hope that this award will grow in prize money and categories, as we try to institutionalize not only the assistance but also the celebration of disability writing in the genre.