The 2022 Rhysling Chairs are F. J. Bergmann and Brian U. Garrison.
The Rhysling Award is given in two categories. “Best Long Poem” is for poems of 50+ lines, or for prose poems, of 500+ words. “Best Short Poem” is limited to poems of no more than 49 lines, or prose poems of no more than 499 words. Voting continues on the Long Poem category until November 1.
SFPA will hold an official award ceremony and reading at LosCon in November 2022.
The 2022 Rhysling Anthology edited by F.J. Bergmann and Brian U. Garrison, with cover Image by Michal Kvác, can be purchased at the SFPA site.
… If the past is any indication, however, these big Kickstarters increase the people who watch the category and, to use the cliched phrase, they will become the rising tide that will lift all boats.
That’s the small picture.
The larger one? Smart traditionally published bestsellers should be looking closely at this. Smart unpublished writers should use this as a wake-up call.
Traditional publishing will never pay its writers tens of millions for unnamed projects. Traditional publishing can barely afford the million-dollar advances these days.
And please, remember, the Kickstarter numbers are only the beginning of the earnings on these books. These books will live for decades. Brandon will earn money on them for decades—without licensing any of the copyright to some gigantic corporate entity that does not have his best interest at heart.
Also, remember that this Kickstarter is advertising. It’s introducing millions of readers to Brandon Sanderson. These new readers are asking Who is this guy and why is he getting so much money? What are these new readers going to do? Why, they’re going to buy a backlist book and try to read it before the Kickstarter ends.
His published book sales are going to increase dramatically. So the tens of millions he’s earning on the Kickstarter does not count the other ways this Kickstarter is benefitting him financially. Nor is it counting the promotion value that he’s getting from projects that he felt inspired to write.
There’s a lot more to unpack—from some of the innovations he’s doing to the impact on the fantasy and science fiction field. But for the moment, I’m stopping here.
If you’re one of the sour grapes people, perhaps you should ask yourself why you’re being so very negative. Are you jealous? Or scared?
The rest of you should watch what happens next. This is a very big deal. For all of us.
(2) KDP WTF. Philip Beaufoy, author of the Lochwood Series, is another casualty of a sudden and unexplained Kindle Direct Publishing account closure.
… I see romance everywhere, on all levels, and it makes me love the books I read even more. There are books without romance, that don’t need romance, and readers that are perfectly happy without it. But borrowing from the romance genre can strengthen a story and the readers’ connection to the characters.
We all want to craft memorable characters, and the strong ones can become more enduring with a partner—two are stronger than one, as the adage goes. Princess Leia and Han Solo from Star Wars—closely followed by Ben and Rey. Paul and Chani from Dune. Nahri and Ali from S.A. Chakraborty’s Daevabad Trilogy. K and Chloe from Terry Miles’s Rabbits. Euthalia and Conrí from Jeffe Kennedy’s Forgotten Empires series. Niko and Petalia from Cat Rambo’s You Sexy Thing. Some of those names may strike a romantic chord within you?…
Shortly after Disney CEO Bob Chapek spoke out publicly against Florida’s so-called “Don’t Say Gay” bill today, a very pointed response began circulating internally at the studio. A letter signed by “The LGBTQIA+ employees of Pixar, and their allies” took Chapek to task. It refuted, point by point, an internal memo Chapek sent to employees on Monday and also criticized the fact that the company “did not take a hard stance in support of the LGBTQIA+” at the shareholder meeting.
“Monday’s email, ‘Our Unwavering Commitment to the LGBTQ+ Community,’ rang hollow,” read the LGBTQIA+ letter. It said Chapek’s communication “began with the claim that Disney has a long history of supporting the LGBT community, but Disney Parks did not officially host Pride until 2019, in Paris alone. Disney has a history of shutting down fan-created Pride events in the parks, even removing same-sex couples for dancing together in the 1980’s.”
The letter goes on to say the corporation is “capitalizing on Pride” through merchandising, specifically The Rainbow Mickey Collection.
“It feels terrible to be a part of a company that makes money from Pride merch when it chooses to ‘step back’ in times of our greatest need, when our rights are at risk,” the letter asserts.
The “step back” bit is likely a reference to Chapek’s assertion at a shareholders’ annual meeting today that “we chose not to take a public position on [the bill] because we felt we could be more effective working behind the scenes, engaging directly with lawmakers on both sides of the aisle.” It later came out that Chapek had only reached out to Florida Gov. Ron DeSantis very recently….
… Finally, the letter damningly addresses Chapek’s repeated insistence that the best way for Disney to make change is through creating “powerful content that changes hearts and minds.”
It reads [in part]:
“We at Pixar have personally witnessed beautiful stories, full of diverse characters, come back from Disney corporate reviews shaved down to crumbs of what they once were. Nearly every moment of overtly gay affection is cut at Disney’s behest, regardless of when there is protest from both the creative teams and executive leadership at Pixar. Even if creating LGBTQIA+ content was the answer to fixing the discriminatory legislation in the world, we are being barred from creating it.”
(5) CALL TO REMOVE A 2023 WORLDCON GOH. SF² Concatenation has tweeted the link to an editorial comment ahead of its next seasonal edition (slated for April). Read it here.
Science fiction is far more than a genre, it enthuses science and warns of possible futures, among much else. More, many of its aficionados are part of a community: a community that crosses nations. Sometimes that community needs to nail its colours to the mast. Now, at this moment in time, due to circumstances up-to-now unthought-of in the early 21st century, those colours are blue and yellow….
On Wednesday, 2nd March (2022), the UN moved to condemn Russia’s war on Ukraine. 141 nations supported that call: only Belarus, Syria, North Korea and Eritrea supported Russia, while China, Cuba and Venezuela abstained. And here’s the thing, if China is abstaining then arguably the 2023 SF Worldcon should dis-invite Sergei Lukyanenko as a Guest of Honour: Lukyanenko has repeatedly and publicly proclaimed his support for his nation’s war against Ukraine…
In particular, there is one person in the west who is currently due to share the platform at the 2023 Worldcon with Lukyanenko. Is that something he really wants to do?…
Christoper Priest: Before I wrote and published my first novel I had already written several amateurish book reviews. I was young and inexperienced, unguided, learning slowly as I went along. I was writing for fanzines published by Peter Weston and Charles Platt, and others. It was a way of writing something and seeing it in print—or at least, typed out by someone else, which at the time felt almost as good because after the process of being retyped, with bits cut out or changed or just got wrong, it looked different. By looking different it made me read it again and look at it with some objectivity. Overall, it was much easier and quicker to write an opinion piece on a new book by Brian N. Ball or Ken Bulmer than write a novel of my own. None of this counted in the long run, of course, although I still think for a beginning writer it was a good way to learn.
Paul Kincaid: Personally, I can’t remember a time when I didn’t read reviews. This goes back to a time when newspapers used to publish things like book reviews and film reviews. But I never thought about writing them until I started getting involved in fandom….
The panelists for the titular panel were: Ada Palmer, Aparna Verma, Elle E. Ire, Nancy Kress, and Patricia A. Jackson, with Delia Sherman as moderator.
The panel description was as follows:
Do you even need chapters? How long should they be? Should you title your chapters or just number them? Where do you break a chapter, and how do you write a good cliffhanger? How do you write chapters with multiple character points of view? So much to discuss for such a small topic!
While the panelists didn’t address all of these, they shared some valuable tips.
… News of Hitchcock’s sci-fi project broke in October 1926, a month after The Lodger was first shown to the press. P.L. Mannock of the Kinematograph Weekly, who had spoken to Hitchcock about his “film laid in the future”, wrote that “If we except ‘Metropolis,’ it will be the first screen forecast of days to come,” the last words being a deliberate reference to a novella by one of Lang’s inspirations, H.G. Wells. “Television will be used dramatically, and Sir Alan Cobham will probably be consultant on big episodes of the air.”…
(9) MEDIA BIRTHDAY.
1964 — [Item by Cat Eldridge]
“My specialty is wisdom. Do you know what wisdom is?””- Dr. Lao
“No sir.” – Mike
“Wise answer.” – Dr. Lao
Fifty-eight years ago, 7 Faces of Dr. Lao premiered. It was George Pal’s last directorial effort. As you well know, it’s based off of Charles G. Finney’s The Circus of Dr. Lao. (There is now a Kindle edition of The Circus of Dr. Lao though it won’t be mistaken for a Meredith Moment.) It was nominated for a Hugo at Loncon II, the year Dr. Strangelove won.
The screenplay was by Beaumont, who wrote twenty-two Twilight Zone episodes which given he died at 38 is quite astonishing, and Ben Hecht (originally uncredited), whose most notable work was Alfred Hitchcock’s Spellbound and Notorious, though he did have a genre credit writing The Thing from Outer Space, an early Fifties film. He also did uncredited work on Casino Royale.
Tony Randall played myriad roles in the 7 Faces of Dr. Lao including of course Dr. Lao, the Mysterious Visitor. And if you look carefully, you spot Randall simply as himself sans any makeup as a silent audience member. He also voices the Serpent, a stop-motion animated snake which has the face of another actor. Quite a performance indeed.
Pal originally wanted Peter Sellers for the role of Dr. Lao and Sellers very much wanted to do the role. However, MGM had Randall under contract who was far cheaper than Sellers would’ve been.
Pal also saved quite a bit of money here by reusing footage from Atlantis, the Lost Continent and The Time Machine. The Woldercan spectacular that Dr. Lao does as his grand finale of his circus is drawn entirely from the former.
Pal has stated that it’s only film that he lost money on. It made just one million and I can’t find any mention of how much the production costs were but they were obviously higher than the very small box office was.
So how was it received? The Hollywood Reporter at the time said Randall’s performance was “a dazzling display of virtuosity, in some stunning makeup created by Bill Tuttle.” Audience reviewers at Rotten Tomatoes give a very strong rating of seventy-eight percent.
I don’t believe it’s streaming anywhere but you can rent it pretty much everywhere. Or you can buy it for little more than a Meredith Moment.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born March 10, 1891 — Sam Jaffe, His first role was in Lost Horizon as the High Lama and much later in The Day the Earth Stood Still playing Professor Jacob Barnhardt. Later on we find him in The Dunwich Horror as Old Whateley, voicing Bookman in Bedknobs and Broomsticks, playing The Old-Man in The Tell-Tale Heart, and in his last film, appearing in Battle Beyond the Stars as Dr. Hephaestus. John Sayles wrote the script for the latter surprisingly enough. (Died 1984.)
Born March 10, 1905 — Richard Haydn. Actor who appeared in a number of genre undertakings including voicing the Caterpillar in the early Fifties Alice in Wonderland, Professor Summerlee in the early Sixties version of The Lost World and Herr Falkstein in Young Frankenstein. I’d be very remiss not to note his appearance on The Twilight Zone as Bartlett Finchley in the chilling “A Thing About Machines”. And he had one offs on Bewitched, Shirley Temple’s Storybook and The Man from U.N.C.L.E., in the “The Mad, Mad Tea Party Affair” an unusual episode as it takes place almost entirely within U.N.C.L.E headquarters. (Died 1985.)
Born March 10, 1918 — Theodore Cogswell. He wrote almost forty science fiction stories, most of them humorous, and was the co-author of a Trek novel, Spock, Messiah!, with Joe Spano Jr. He’s perhaps best remembered as the editor of the Proceedings of the Institute for Twenty-First Century Studies in which writers and editors discussed theirs and each other’s works. A full collection of which was published during 1993 except, as EoSF notes “for one issue dealing with a particularly ugly controversy involving Walter M Miller.” Having not read these, I’ve no idea, what this details, but I’m betting one of y’all know. (Died 1987.)
Born March 10, 1921 — Cec Linder. He’s best remembered for playing Dr. Matthew Roney in the BBC produced Quatermass and the Pit series in the later Fifties, and for his role as James Bond’s friend, CIA agent Felix Leiter, in Goldfinger. He also appeared on Alfred Hitchcock Presents, Voyage to the Bottom of the Sea, the Amerika series, The Ray Bradbury Theatre and The New Avengers. (Died 1992.)
Born March 10, 1938 — Marvin Kaye. Editor of Weird Tales, he also edited magazines such as H. P. Lovecraft’s Magazine of Horror and Sherlock Holmes Mystery Magazine. His Cold Blue Light novels with Parke Godwin are quite superb. The Fair Folk anthology which is most excellent and which he edited won a World Fantasy Award. He wrote the “Marvin Kaye’s Nth Dimension” for the Space and Time website. (Died 2021.)
Born March 10, 1938 — Ken Sobol. New to our Birthday honors list. I will single him out for having personally received Astrid Lindgren’s personal blessing to write the Pippi Longstocking series which he worked on with puppeteer Noreen Young. He also contributed scripts to Batman, Curious George, G.I. Joe, George of the Jungle, Hardy Boys, Highlander, Superman, and Wizard of Id, and that’s hardly a complete listing. He also wrote one of the best works done on baseball, Babe Ruth and the American Dream. (Died 2010.)
Born March 10, 1951 — Christopher Hinz, 71. His Liege Killer novel, the first in his most excellent Paratwa Saga, won the Compton Crook Award, the BSFS Award for the Best First Novel. (And yes, there is a prequel, Binary Storm, which was written much later.) He was nominated for an Astounding Award for Best New Writer.
Born March 10, 1956 — Robert Llewellyn, 66. He plays the mechanoid Kryten in the Red Dwarf series. His It2i2 which was a television show about AI depicting fictional events but presented as a documentary. And he played a gryphon in the oh-so-superb MirrorMask.
The Black Feminist Futures Series features programs highlighting the powerful and long-standing relationship between Afrofuturism and Black feminism in genres ranging from literature, film, art, fashion, and community organizing. Planting for the Future, a virtual conversation on Black women’s participation in Afrofuturism through literature, film, art, fashion, and community organizing. The program features Dr. Andrea Hairston (author of Master of Poisons), Sheree Renee Thomas (author of Nine Bar Blues), Tananarive Due (author of The Between: A Novel), and Tanaya Denise Fields (founder of Black Feminist Project & Black Joy Farm, and author of “Dirty Business: The Messy Affair of Rejecting Shame” in the book You Are Your Best Thing). Moderated by Dr. Chesya Burke.
(12) GAIMAN MIRACLEMAN REPRINT. Following the herald of his return in Timeless #1 and the announcement of an all-new omnibus, Marvel Comics continues to mark the 40th anniversary of Miracleman’s modern era with a new printing of award-winning writer Neil Gaiman and artist Mark Buckingham’s redefining work on the character.
Arriving in October, Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB will collect the first six issues of Gaiman and Buckingham’s groundwork to give a legendary super hero a fascinating future —a future that will now come to pass! Available for the first time in paperback, the Miracleman By Gaiman & Buckingham Book 1: The Golden Age TPB will give fans a chance to revisit this beloved era of Miracleman ahead of the exciting plans Marvel has in store for the iconic character later this year.
Atop Olympus, Miracleman presides over a brave new world forged from London’s destruction. It is a world free of war, of famine, of poverty. A world of countless wonders. A world where pilgrims scale Olympus’ peak to petition their living god, while miles below the dead return in fantastic android bodies. It is an Age of Miracles — but is humankind ready for it? Do we even want it? Is there a place for humanity in a world of gods? Gaiman and Buckingham delve into the lives of lonely idealists, rebellious schoolchildren and fracturing families, exploring the human constant in a changing world of gods and miracles.
…Fans of the Star Wars franchise can relate to Padmé Amidala, a character from the Star Wars prequel trilogy played by Natalie Portman, for a multitude of reasons, from her troubled romance with Anakin Skywalker to her desire to do her best to protect her people.
“We, the undersigned, are 77 fan content creators, podcasters, YouTubers, TikTokers, artists, writers and cosplayers who have joined together to use our limited platforms to stand in solidarity with our trans siblings and their families in Texas,” a GoFundMe site for the Amidala Initiative states. “No child should fear that their teachers will report their parents to the government for allowing them to live as their true gender. No parent should fear criminal charges for supporting their transgender child and helping them seek therapeutic and medical support to treat their gender dysphoria … this is something we refuse to stand by silently for.”…
…However, according to the latest comments from The A Word star, there’s seemingly no chance he would return for a 60th anniversary team-up special currently rumoured for 2023.
He told crowds at Australian convention Supanova: “I’ve never been a fan of multi-Doctor stories. When I worked on the series, I had really strong ideas about what works and what doesn’t, and I always think that multi-Doctor stories are a bit of a cash-in, and a bit of exploitation.
“Creatively, they never worked for me. I looked at the script for the 50th anniversary and I felt as soon as I said I wasn’t doing it it got better because, well, if I’m not in it, it’s better. The creation of the War Doctor introduced a whole new facet to the canon.”
Interestingly though, a later comment from Eccleston suggested he would consider returning to Doctor Who in live-action for a solo storyline following the Ninth Doctor.
He added: “The Ninth Doctor, in particular, is a one-man band. Definitely. So he doesn’t work with other Doctors. If you want me back, you’d get me on my own.”
(15) HEAR FROM EDITORS. Space Cowboy Books will host an online panel discussion “Beyond the Submission Guidelines” on March 29 at 6:00 p.m. Pacific. Register for free here.
Join us for an online panel discussion with editors of SF/F magazines. Learn about the behind the scenes of running science fiction and fantasy magazines with editors: Arley Sorg (Locus & Fantasy Magazines), F.J. Bergmann (Mobius & Weird House), Rob Carroll (Dark Matter Magazine), and JW Stebner (Hexagon Magazine)
(16) PREDICTING THE PAST. [Item by SF Concatenation’s Jonathan Cowie.] Inscriptions provide an invaluable insight into the ancient world. But over the centuries, many inscriptions have been damaged and exist in fragmented or semi-legible forms, making the job of reading and interpreting them extremely difficult. In this week’s issue of Nature, “Restoring and attributing ancient texts using deep neural networks”, Yannis Assael, Thea Sommerschield and their team introduce Ithaca, a deep neural network designed to help historians restore and understand ancient Greek inscriptions. Working alone, Ithaca is able to restore damaged texts with a 62% accuracy, but when historians use Ithaca, their accuracy on the same task rises to 72%. Ithaca can also determine the original geographical location of inscriptions with 71% accuracy, and can date them to within 30 years from the date ranges proposed by historians. The researchers say that such cooperation between artificial intelligence and historians could help transform studies of the ancient world.
(17) SOUNDTRACK OF SPACE. NASA’s Chandra X-Ray Observatory page hosts a “Sonification Collection” – maybe there is a “music of the spheres.”
…By translating the inherently digital data (in the form of ones and zeroes) captured by telescopes in space into images, astronomers create visual representations that would otherwise be invisible to us.
But what about experiencing these data with other senses like hearing? Sonification is the process that translates data into sound, and a new project brings the center of the Milky Way to listeners for the first time. The translation begins on the left side of the image and moves to the right, with the sounds representing the position and brightness of the sources. The light of objects located towards the top of the image are heard as higher pitches while the intensity of the light controls the volume. Stars and compact sources are converted to individual notes while extended clouds of gas and dust produce an evolving drone….
English science-fiction writer Arthur C. Clarke discusses the on-going research in astronomy into discovering new planets and how he believes there is life on other planets, although we don’t know it yet.
[Thanks to Michael Toman, Cat Eldridge, rcade, Phil Nichols, mlex, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]
… In 2020, a Sea Lion Press story won a Sidewise Award for the first time. Most Sidewise winners are paper novels by major book publishers which sell in the thousands so it was exciting to us that an ebook by a minor publisher with more modest sales could win it. You’re obviously not the only judge but do you consider popularity or legitimacy at all or would you be happy to vote for a self published ebook with barely any sales if you felt the work was good enough?
I try to read each story or novel for the Sidewise Award pretending I know nothing of its provenance. I try to ignore who the author is, who published it, or the way it got to press. To me, it is about the story being told and the way it is told. I try to judge each book on two levels. Is it a good/interesting alternate history and is it a well written book. I’ve voted down books I like because they were strong in one of those two categories, but weak in the other. If the writing isn’t good, the concept doesn’t matter and if the writing is good but the alternate history is weak, it is hard to consider it a contender….
(3) WHO CAN RESIST CETACEANS? [Item by Ben Bird Person.] Artist JohannesVIII (@ViiiJohannes) did this piece of two humpback whales assimilated as Borg from Star Trek.
(4) FANHISTORY ZOOM. Fanac.org’s next Fan History Project Zoom Series presentation is happening on February 26. To RSVP, or find out more about the series, please send a note to email@example.com.
Death Does Not Release You – LASFS Through the Years with Craig Miller (M), Tim Kirk, Ken Rudolph and Bobbi Armbruster
Date: February 26, 2022 Time: 4pm EST, 1pm PST, 9PM London, 8AM Sunday AEDT (Melbourne)
LASFS is unique – in its history and impact on fandom. LASFS has a clubhouse, a long list of professional writers that have been members, and has had an incredibly active fan group over the decades. Los Angeles area fandom has produced innumerable fanzines, six Los Angeles Worldcons (and many other conventions). Join us for a session with our real world AND fannishly accomplished participants – convention runners (including a Worldcon chair), a noted fan and professional artist, and a fanzine editor, all past or present LASFS members – in conversation about Los Angeles fandom from the inside.
Upcoming Fanac.org fanhistory Zooms are:
March 19 —Traveling Ghiants, Fan Funds from the Days of Mimeo to the Days of Zoom
Geri Sullivan (m), Lesleigh Luttrell (DUFF), Justin Ackroyd (GUFF) and Suzle Tompkins (TAFF)
…According to convention rules, attendees were required to have received at least one COVID-19 vaccine dose and wear masks indoors.
The first case was reported to the CDC by the Minnesota Department of Health on Dec. 2 in a man — called Patient A — who had flown to New York City for the convention, the report said.
For the report, the CDC teamed up with the MDH and state and local departments across the country interviewing Patient A, and 23 of his 29 close contacts from 13 states who also attended the convention.
Patient A had traveled to New York City on November 18. He was fully vaccinated and received a booster shot earlier in November, according to the authors.
However, he developed symptoms on Nov. 22 and subsequently tested positive for COVID-19, after which he notified all his close contacts, the report said.
Of the 23 attendees contacted, 16 tested positive for the virus, equating to an attack rate of 70%.
All the contacts were fully vaccinated, but only 11 had received a booster dose before going to the convention, according to the report. The authors indicate that having a booster dose lowered the odds of testing positive for COVID-19.
Ten of the 12 people, or 83%, who didn’t receive a booster tested positive for the virus while six of the 11 people, 55%, who tested positive were boosted, meaning there were 1.5 times fewer infections in boosted individuals….
In 2022, Signum University’s Annual Texas Language and Literature Symposium (TexMoot) invites you to join us as we consider the ethical turn in speculative fiction: How do imaginary worlds teach us to care for this one?
From ecological concerns to social commentary, science fiction and fantasy offer readers a mirror through which to view our own world. For example, the struggles of a terraforming planet may remind us how precious and fragile is the one we live on. The real-world conflict between nature and technology comes to life on the page when trees march to war. We may find insights into how to interact with people around us by spending time with characters in a fellowship—or on a starship.
At TexMoot 2022, you will explore questions like: How do we relate to the Other—the “monsters” and “aliens” beyond the bulkhead door? What roles can technology play in preserving nature or reinforcing what makes us human? Do humans change the nonhuman environment, or are they inevitably changed by it? Is there really a clear line between the human and the nonhuman, anyway? And whose responsibility is it to preserve “civilization” and transmit its legacy to future generations?
TexMoot 2022 will also investigate the ways authors convey these commentaries. What literary techniques best serve the message; at what point does a work cross the line into propaganda? When does the message serve the story, and when does the story serve the message?
The TexMoot Team is looking for both traditional academic papers (of about 15 minutes) and shorter discussion prompts in which the presenter talks for 5 minutes and ends with a provocative question to start a roundtable discussion. Presentations and discussion topics can be more academic or popular, according to your preference and experience.
Stranger Things, a signature show for Netflix since its premiere in 2016, has been renewed for a fifth and final season.
In addition to the climactic renewal, the company said the long-awaited Season 4 of the show will premiere in two “volumes,” the first on May 27 and the second on July 1. In an open letter to fans (read it in full below), co-creators Matt and Ross Duffer said the split season resulted from the season’s nine episodes having a total running time twice as long as that of any previous season.
The Duffer Bros noted that the full arc was expected to be “four or five” seasons when they first envisioned the show, so the end is not a surprise. Plus, it won’t be the end of the franchise, they promised.
“There are still many more exciting stories to tell within the world of Stranger Things: new mysteries, new adventures, new unexpected heroes,” they wrote. “But first we hope you stay with us as we finish this tale.”
While movie studios like Marvel like to keep all details about their films under complete wraps, there’s one truth they simply cannot get around: It takes a long time to make merchandise, especially action figures. That’s why they’re often the first looks at movie outfits and characters, and it’s why we’re getting this first look at Natalie Portman as Jane Foster as the Mighty Thor in the upcoming Thor: Love and Thunder. In related news, she’s awesome—as regular Thor’s new movie outfit, which you can also see here!…
(9) RIDE WITH THE SPACE COWBOY. Simultaneous Times science fiction podcast episode 48 is live, featuring short stories by F.J. Bergmann and Toshiya Kamei with original soundtracks by Phog Masheen and RedBlueBlackSilver. “Simultaneous Times Ep.48 – F.J. Bergmann & Toshiya Kamei”. Simultaneous Times is a monthly science fiction podcast produced by Space Cowboy Books in Joshua Tree, CA.
(10) FAREN MILLER (1950-2022). Faren Miller, a Locus staffer and contributor for 37 years, died February 15 at the age of 71 reports Locus Online. Miller was hired by Locus in 1981, and her last review column for the magazine was in 2018. Her only published novel, The Illusionists (1991), was a finalist for the William Crawford – IAFA Fantasy Award for first fantasy book.
(11) MEDIA BIRTHDAY.
1989 — [Item by Cat Eldridge] Thirty-three years ago, the first film of what would become the Bill & Ted franchise, Bill & Ted’s Excellent Adventure, premiered on this day. It was directed by Stephen Herek as written by Chris Matheson, son of author Richard Matheson, and Ed Solomon, writer of the first Men in Black film, who would write all three of these films.
Bill & Ted’s Excellent Adventure, of course, stars Keanu Reeves, Alex Winter and George Carlin. (I met the latter many years ago. A rather nice gentleman he was.) Two out of the three had successful careers after this, one really didn’t.
It was a box office triumph earning back forty million against a modest budget of just ten million.
Critics generally hated it. The New York Times in reviewing it flatly stated that it was a “painfully inept comedy”. And the Los Angeles Times said that it was an “unabashed glorification of dumbness for dumbness’ sake”. Dissenting from this unrelenting hostility, the Radio Times cheerfully said ir was a “flawless, purpose-built junk movie”.
So how do audience reviewers at Rotten Tomatoes view it now? Well, they give it a most bodacious seventy-five percent rating.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 17, 1912 — Andre Norton. She penned well over a dozen series, but her major series was Witch World which began rather appropriately with Witch World in 1963. The first six novels in that series were Ace Books paperback originals published in the Sixties. I remember them with fondness quite some decades after reading them. (Died 2005.)
Born February 17, 1913 — David Duncan. A screenwriter and novelist who was nominated twice for Hugos, first for being writing the screenplay for The Time Machine at Seacon, and for the same work on Fantastic Voyage at NyCon 3. He also wrote Time Machine: The Journey Back sequel to The Time Machine. And he wrote The Outer Limits’ “The Human Factor” episode. (Died 1999.)
Born February 17, 1939 — Kathy Keeton. Founder and publisher of the now defunct Omni. It was founded by her and her partner and future husband Bob Guccione, the publisher of the also defunct Penthouse. It would publish a number of stories that have become genre classics, such as Card’s “Unaccompanied Sonata”, Gibson’s “Burning Chrome” and “Johnny Mnemonic” and George R. R. Martin’s “Sandkings” to name a few of the stories that appeared there. (Died 1997.)
Born February 17, 1954 — Don Coscarelli, 68. A film director, producer, and screenwriter best known for horror films. His credits include the Phantasm series, The Beastmaster, and Bubba Ho-Tep, the latter based a novella by Joe R. Lansdale whom I’ve met and who is a really nice person.
Born February 17, 1971 — Denise Richards, 51. Her first genre role was as Tammy in Tammy and the T-Rex (really don’t ask). Her next role was the one she’s known for as Carmen Ibañez in Starship Troopers. A few years later she’ll be Dr. Christmas Jones in The World Is Not Enough, the eighteenth Bond film. She played Victoria Dare in Timecrafters: The Treasure of Pirate’s Cove.
Born February 17, 1975 — Jerry O’Connell, 47. Quinn Mallory on Sliders, a series whose behind-the-broadcast politics is too tangled to detail here. His first SF role was on Mission to Mars as Phil Ohlmyer with the SF dark comedy Space Space Station 76 with him as Steve being his next role. He’s done a lot of of DCU voice work, Captain Marvel in Superman/Shazam!: The Return of Black Adam, Clark Kent / Superman in Justice League vs. Teen Titans and Justice League: Throne of Atlantis, Justice League Dark, The Death of Superman and Reign of the Supermen where he also plays Cyborg Superman to great, chilling effect. The latter film is kickass excellent.
This week Amazon, launched a new app for its digital comics platform, Comixology, and a new Amazon-native online storefront that will eventually replace Comixology’s browser-based store and reader. But the new changes have alarmed both users and creators.
Long-time Comixology users have taken to social media to list all the ways the new web and app user experience represents a step backward from what they’re used to. Chief among the many complaints is a new web reader that doesn’t display double page spreads correctly, has removed creator credits from book listings on the storefront, and lacks both panel-by-panel and zoom functions, rendering most comics in illegibly small images….
(14) MISSING A PART OF THE FUTURE. Voice acting veterans Mark Hamill, Tara Strong, Kari Wahlgren, and Charlie Adler call out Hulu, which is reviving Futurama but hasn’t been willing to meet the terms of Bender’s voice John DiMaggio: “Futurama Hulu revival: Actors supporting John DiMaggio” at SYFY Wire.
A number of established Hollywood veterans have come to the side of John DiMaggio as the actor continues to clash with Hulu and 20th Century Studios over proper compensation for the streamer’s upcoming revival of Futurama.
The official announcement of the beloved series’ return from co-creators Matt Groening and David X. Cohen was slightly marred by the fact that DiMaggio (who voices foul-mouthed robot Bender and a plethora of supporting characters) was the only member of the original cast who had not signed on for the revival. It was soon reported that the show would recast Bender in the wake of contract negotiations stalling out. If talks have ended for good between both parties, some fans say they won’t be tuning in if DiMaggio isn’t brought back for the 20 additional episodes slated to premiere sometime next year (production kicks off this month)….
Disney has launched a new business for fans who can’t bear to leave the pristine, family-friendly world the corporation has nurtured through its theme parks and media ventures.
“Storyliving by Disney” will operate as part of the company’s theme parks division, developing a series of master-planned communities for residential living, designed by Disney’s creative staff and offering the same pampered tranquility found in its resorts.
“Picture an energetic community with the warmth and charm of a small town and the beauty of a resort,” said Disney Parks, Experiences and Products exec Helen Pak in a promotional video.
Only one location has been announced so far: a community of 1,900 housing units named Cotino that will be built in the city of Rancho Mirage in California’s Coachella Valley (a location where Walt Disney himself once lived)….
(16) SPLISH SPLASH, YOU’LL BE TAKIN’ A BATH. [Item by Michael Toman.] I can’t be the only Filer who would be interested in reading this Kim Stanley Robinson nightmare scenario, with or without fires and earthquakes. What will California’s coast look like in 100 years? “We’re Kind of Built on This Knife’s Edge” at Alta.
Eighteen thousand years ago, give or take, the continental shelf 30 miles off the coast of San Francisco was exposed as a wide, flat coastal plain with an extensive system of dunes and river valleys connecting the Farallon Islands to the continental United States, which didn’t go by that name. Farther north, salt waters from the Pacific Ocean stretched all the way inland to present-day Sacramento.
Rising sea levels have continued to erode the shoreline ever since, as human beings established a society they would eventually call California. Some of our biggest cities were built in this 10 miles of dynamic coastline.
“We often think of the California coast as this high-relief terrain with active tectonics, which it is, but we’ve put millions of people in the lowest parts of the entire state, like the San Diego Bay, the San Francisco Bay, and the Los Angeles Basin,” says Patrick Barnard, the research director of the climate impacts and coastal processes team at USGS Pacific Coastal and Marine Science Center in Santa Cruz….
Chinese engineers are developing a large, four-legged robotic “yak,” supposedly capable of hauling as much cargo as two real yaks. The unnamed robot—which seems destined for military use—is similar to the robo-dog concept that Waltham, Massachusetts-based Boston Dynamics has popularized over the last decade. But a careful reading of the video shows that it may just be a bunch of Chinese Communist Party propaganda.
Supported by its four spindly legs and barrel-shaped body, the robot is topped off with a cargo-carrying metal rack. Global Times, a Chinese tabloid with links to the Chinese government, claims it can carry up to 160 kilograms (352 pounds) and travel at up to 6.21 miles per hour. It cites the Chinese Communist Party news site People’s Daily as saying the robot was “the world’s largest, heaviest and most off-road-capable of its kind.”…
…. Robo-yak isn’t going anywhere anytime soon for the same reasons the Marines never pursued LS3: robots run on batteries and once the batteries run down, it takes hours—at a place with abundant power to spare, which is not exactly the desert—to recharge them.
Set within the same universe as its parent series, The Boys: Diabolical acts as an eight-part collection of animated short films exploring a range of stories related to the corrupt superhero world that fans of The Boys have come to know and love. Each episode will run between 12 and 14 minutes and feature a unique animation style.
(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: It Takes Two,” Fandom Games says the gimmick of this game is that you’re supposed to play it with your partner and preserve your marriage. But the narrator says a better test is to “Play Cuphead with your wife, because if your marriage can survive that, it can survive anything!”
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Steven H Silver, Chris Barkley, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Randall M.]
…AMPAS announced Monday that beginning now through March 3, audiences can vote on Twitter for their favorite movie of 2021 using the #OscarsFanFavorite hashtag or by casting a ballot on the Oscars Fan Favorite website. The winning fan-favorite film of the year will then be announced live during the 2022 Oscars ceremony….
In addition to the fan-favorite vote, the Academy is asking audiences to use Twitter to vote for an #OscarsCheerMoment spotlighting moments that made them “erupt into cheers in theaters” while watching. Five winners selected from the pool of participants will win a package, including tickets to a full year of free movies in a theater of their choice, streaming subscriptions, and exclusive items from the Academy Museum shop.
… The passionate fanbase surrounding Zack Snyder’s Justice League is back at it again, this time calling for the Academy of Motion Picture Arts and Sciences to give an Oscar to Snyder’s film.
… Following the film’s release, Justice League formed a wide and vocal fanbase, who spent years demanding Warner Bros. to allow Snyder to complete his version of the film. Some of the film’s stars joined in on the #ReleasetheSnyderCut movement, confirming that his version was already near completion and only needed visual effects work to be completed.
(3) 2022 RHYSLING AWARD CHAIR UPDATE: The Science Fiction & Fantasy Poetry Association today announced that due to unexpected medical reasons, Kimberly Nugent has had to step down from serving as the 2022 Rhysling Award Chair.
In her absence, SFPA President Bryan Thao Worra has appointed Webmaster F.J. Bergmann and Secretary Brian Garrison to finish out the Chair duties this year.
(4) BATTLING AMAZON KDP. Oghenechovwe Donald Ekpeki has written a long catch-up post for Facebook readers, published yesterday, which covers many topics, including news that Amazon Kindle Direct Publishing restored his royalties, and that The Year’s Best African Speculative Fiction (2021) anthology has consequently been turned into a free download. Here is a brief excerpt:
…Amazon KDP did eventually pay my complete royalties, about $1500 which I got using Suyi Davies Okungbowa’s US account. Jason Sanford helped send the Gofundme money & I finished paying all the authors with it & donated all the Amazon royalties to the African Speculative Fiction Society as I promised. The money is being used to help set up a fund that will help African writers navigate institutional barriers to entry & participating in international SFF activities like the ones Amazon & other bodies have thrown up.
I withdrew the book from Amazon completely cuz the evil they’ve done is enough. & I just can’t trust em as a platform anymore.
…I have made the anthology, which is the first ever Year’s Best African Speculative Fiction anthology entirely free in all formats as I promised.
(5) ERIC FLINT MEDICAL UPDATE. Eric Flint told his Facebook followers yesterday that he’s in the midst of a long hospital stay for a staph infection.
It’s been a while since I’ve posted anything and the reason is simple: I’ve been in the hospital for the past three weeks, sicker than the proverbial dog. I came down with a staph infection that caused me to collapse getting out of bed — and then I couldn’t get up, I was so weak. (Trust me, this is a a really scary experience.)
I’d always known staph infections could be rough, but I had no idea just how bad they could be. Happily, I’m over the worst of it and my recovery is coining along well. I’ll probably be released from the hospital in ten days, although I’ll still have to do home rehab for a while longer.
During Black History month, Book of the Day is bringing you some interviews from the archives, including this one with author Octavia Butler. Butler wrote many sci-fi classics, like the Parable series and Kindred, so she’s accustomed to imagining different worlds. NPR’s Scott Simon asked her back in 2001 to imagine a world without racism. Butler believed that in racism’s place we would have to have absolute empathy. But she told Simon that this would most certainly present its own challenges – and we would probably just find something else to fight about.
I’ve always been a writer. One of my earliest memories is folding white paper in half, drawing stick figures and captions, and titling the book “Baby Bobby.” On the back, I wrote “Baby Bobby is a book about a baby. The author is Tananarive Due.” I spelled a bunch of the words wrong, but BOOM. I came into this world understanding that I was a writer.
Do you make a conscious effort to include African diaspora characters and themes in your writing and if so, what do you want to portray?
I do. I have several projects with my agent and every one of them has an African American protagonist. Each character has obstacles to overcome, which they do despite the deck being stacked against them. All of these are based on real life people. My intent is to put forth to the African American Community, especially the younger generation, that it is possible to overcome obstacles and not to be deterred from their final objective, goals, and dreams in life.
What has writing horror taught you about the world and yourself?
You know, I didn’t tend to think of a lot of it has horror going in, but certainly see how the label fits. I believe that we get through things, not over them. Sometimes the way through involves terror and tribulation—also that hope can be a twisted thing and at times you find flecks of it in the most unexpected places.
Hands down, it was my father, Chris Acemandese Hall. He was a songwriter, artist, activist and author. As a songwriter, he penned the jazz classics, “So What” and “Bitches Brew” sung by vocalese great, Eddie Jefferson. As an artist, you may have seen his works from Let’s Celebrate Kwanza, Melanin and Me, the Lost Books of the Bible and Budweiser’s Great Kings of Africa promo where he did the Hannibal poster, the Ethiopian who led a Carthaginian army and a team of elephants against Rome in the Second Punic War. As an author, he was responsible for creating Little Zeng, a character I’m now developing in my new horror novel. Little Zeng was the first published African Griot superhero. He was published three years before Black Panther who Marvel introduced in July, 1966.
Dad also co-founded an activist group called AJASS (African Jazz Art Society & Studio), along with Elombe Brath and others. Among starting the Black is Beautiful ideology with the Black Arts Movement, featuring the Grandassa Models, AJASS’s influence in the African-American diaspora not only affected civil rights leaders, as well as poets, musicians, photographers, models, artists and singers, it influenced every cell in my body.
What is one piece of advice you would give horror authors today?
Bring your personal brand of weirdness to the page. I want to meet your demons. I want to be made to feel uncomfortable about how much you love vampires and werewolves. I want to see the monsters that frightened your great grandparents and the cultural superstitions that haven’t been white washed by American society. Tell me about the thing that scared you the most when you were a kid and why it still haunts you to this day. Write about race and sex and class and trauma and politics and religion and don’t pull any punches. I want to laugh, cry and clutch my pearls while you’re trying to scare me.
(8) HWA ON MAUS. The Horror Writer Association’s Officers and Board of Trustees issued a statement on a Tennessee school district’s decision about Maus.
The Horror Writers Association condemns banning books in no uncertain terms. We believe authors need to be able to tell their stories without fear of reprisal.
The banning of “Maus” in a Tennessee school district, which was done on the eve of International Holocaust Remembrance Day, is nothing less than censorship and anti-Semitism.
“Maus” is not the first text to be excluded from school libraries. Recently, LGBTQ+ texts have been banned in a Washington state school district, and many other books by authors of color have been censored in districts across America. These are chilling examples of censorship, racism, anti-Semitism, and white washing. We all need to be more vocal each and every time this happens.
These actions set a dangerous precedent in a free society. They cannot and should not be tolerated. The HWA condemns all attempts at censorship, particularly these obvious attempts of the establishment to silence marginalized voices. We urge you to speak out in your local communities against such autocratic tactics that not only threaten our creative community but also make our world less safe.
I remember clearly the first time someone else referred to Claire Kovalik, the main character in Dead Silence, as an unreliable narrator. My emotional response took me aback—first, surprise and then a sudden surge of defensiveness.
She’s doing the best she can, I wanted to say. I mean, come on, she’s locked up in what amounts to a mental institution at the start of the story, after a head injury and a traumatic incident that she doesn’t quite remember involving her crew and a mysterious ghost ship. What do you want from her???
The funny thing is, the statement wasn’t meant as a critique, not at all. It was simply a fact—Claire Kovalik is an unreliable narrator. Of course she is. She must be, for all the reasons listed above and more. And I’d done those things very intentionally, so why the strange and powerful reaction?
It took me a bit to step back from that moment and deconstruct what was going on in my mind….
(10) SF AUTHORS ANTICIPATE GENE EDITING. Fanac.org has posted video of the Tropicon 6 (1987) panel “Future Evolution” with Joe Green, Jack Haldeman II, Vincent Miranda and Tom Maddox.
Tropicon 6 was a small local convention, held in Ft. Lauderdale, Florida in 1987. This panel discussion about gene editing and the Future of Future Evolution is worth watching for several reasons. Thanks to author Joe Green, the panel focuses in very quickly on gene editing, and the issues it brings to confront humanity, both technically and ethically. The insightful comments by the panelists, and the issues and choices discussed are still very much with us, despite the panel having been recorded in 1987. One warning – there is loud background air conditioning noise for the first 15 minutes or so, but the sound is perfect for the remainder of the recording. The recording also provides a view into the dynamics of small, local conventions, where the writers are part of the community, know each other, and are not adverse to arguing with the audience. Everyone knows everyone, and no one is shy about asking questions. This panel was held at 10PM on Friday night, and there is silliness in the beginning. Some of the audience questions have been cut due to sound issues. Joe Siclari, now Chairman of the Fan History project, introduces the panel and the panel ending is signalled by me, Edie Stern, now FANAC.org webmaster.
(11) EASTERCON MEMBERSHIPS. Reclamation 2022 is this year’s Eastercon, the annual British national science fiction convention, being held April 15-18 at Radisson London Heathrow.
Membership is £70 until the end of February, after which it will £80. (And it will cost more on the door). Book here.
(12) HORROR WORKSHOPS. HWA’s Horror University Online is offering a series of workshops. Registration is $65 for non-HWA-members, $55 for HWA members, and four- and ten-course bundles are available. Here are the next few —
Jason Henderson, host of the Castle of Horror Podcast, publisher at Castle Bridge Media and best-selling writer of Night of the Book Man and the Alex Van Helsing and Young Captain Nemo series gives you a two-hour course in getting from idea to launchable manuscript in six weeks, covering: Choosing your sub-genre; Making Your Familiar Monsters Different; Outlining your novel; Forcing Yourself to Draft; Editing; and The Basics of Publishing- Traditional and Non-Traditional.
March 7:A Writer Prepares: Techniques for Character Development for Fiction Writing with John Palisano.
How does one develop compelling characters? What happens when you hit a wall in a scene and you’re not sure what to do or where to go? What if you just can’t hear the character’s voice? How do you create several characters within a story that all seem to be distinct and memorable?
In my class A Writer Prepares: Character development for fiction writing attendees will gain several useful tools as well as handouts they can use into the future for developing characters for their stories.
Using experience I gained while in Acting and Drama school, as well as real world experience in putting on plays, working on big Hollywood feature films with A-level talent, as well as in multi-award winning fiction of my own, this class A Writer Prepares: Character development for fiction writing is a riff on the famous Konstantin Stanislavsky book and method … but taken into the here and now! Get ready to have some fun!
What makes an agent, editor, or publisher interested in a pitch and how do you prepare to give one? What are the things a pitch should cover and how can you avoid basic mistakes in the process? This workshop is all about the pitches (two verbal, two written) you will need as a writer and the different times when you will use them. This workshop will include hands-on verbal and written pitching of stories with immediate feedback in a safe environment.
(13) FORBES OBIT. Author Lani Forbes died February 3 at the age of 35 reports Rediscovered Books, which invites fans to join them for Lani’s Book Birthday and a Celebration of Life and Literature on February 17. Full details and registration here.
Young adult author Lani Forbes, whose critically acclaimed Age of the Seventh Sun series won multiple Realm Awards, died on February 3, 2022, in Boise, Idaho, after a nine-month battle with neuroendocrine cancer. She was 35….
Lani Forbes was the daughter of a librarian and a surfer, which explained her passionate love of the ocean and books. Forbes was born May 6, 1987, in Huntington Beach, California. She grew up in California, and attended high school at Huntington Beach High School. In 2009, Forbes received her Bachelor’s Degree in Psychology from Hope International University. She then received her teaching credentials from Cal State University. After 10 years of teaching, Forbes went on to become a trauma counselor, serving women who had been abused by their spouses through addiction.
Her young adult book series, the Age of the Seventh Sun, premiered in 2020 with the release of The Seventh Sun, followed by The Jade Bones in 2021 and The Obsidian Butterfly in 2022. The Seventh Sun was a finalist for the Realm Awards Book of the Year and won Best Debut, Best Young Adult, and Best Epic Fantasy. Forbes’s passion was showing readers the transformative and encouraging power of story on the human experience….
(14) MEDIA BIRTHDAY.
1988 — [Item by Cat Eldridge] Thirty-four years ago, the Red Dwarf series first aired on BBC Two. It was created by Doug Grant and Rob Naylor who based it off their Dave Hollins: Space Cadet that aired in the BBC Radio 4 series Son of Cliché show also produced by them.
As of two years ago, seventy-four episodes of the series have aired, including one special, concluding the twelfth series. The cost has had myriad changes with only Chris Barrie as Rimmer, Craig Charles as Lister, Danny John-Julesas as Cat and Robert Llewellyn as Kryten being there for the entire series.
Because Grant and Naylor not only directed the series but wrote the material and frequently changed everything as the series went along, critics came to be sharply divided on the series. The changes often caused them to loathe Grant and Naylor. Or love them. No middle ground at all. Grant and Naylor didn’t care one fuck. That’s a direct quote.
BBC gave them two hundred fifty thousand pounds per episode, about three hundred thirty thousand dollars currently. Not a big budget but enough. It’s now broadcasting on Dave which is a British free-to-air television channel owned by UKTV, a joint venture of the BBC and Thames TV.
(15) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 15, 1883 — Sax Rohmer. Though doubtless best remembered for his series of novels featuring the arch-fiend Fu Manchu, I’ll also single out The Romance of Sorcery, as he based his mystery-solving magician character Bazarada on Houdini who he was friends with. The Fourth Doctor story, “The Talons of Weng-Chiang” had a lead villain who looked a lot like most depictions of Fu Manchu. (Died 1959.)
Born February 15, 1907 — Cesar Romero. Joker in the classic Sixties Batman TV series and film. I think that Lost Continent as Major Joe Nolan was his first SF film, with Around the World in 80 Days as Abdullah’s henchman being his other one. He had assorted genre series appearances on series such as The Man from U.N.C.L.E., Get Smart, Fantasy Island and Buck Rogers in the 25th Century. (Died 1994.)
Born February 15, 1939 — Jo Clayton. Best remembered for the Diadem universe saga which I’m reasonably sure spanned twenty novels before it wrapped up. Damned good reading there. Actually all of her fiction in my opinion is well worth reading. Her only award is the Phoenix Award given annually to a Lifetime achievement award for a science fiction professional who has done a great deal for Southern Fandom. (Died 1998.)
Born February 15, 1945 — Douglas Hofstadter, 77. Author of Gödel, Escher, Bach: An Eternal Golden Braid. Though it’s not genre, ISFDB notes he wrote “The Tale of Happiton “, a short story included in the Rudy Rucker-edited Mathenauts: Tales of Mathematical Wonder.
Born February 15, 1945 — Jack Dann, 77. Dreaming Down-Under which he co-edited with Janeen Webb is an amazing anthology of Australian genre fiction. It won a Ditmar Award and was the first Australian fiction book ever to win the World Fantasy Award. If you’ve not read it, go do so. As for his novels, I’m fond of High Steel written with Jack C. Haldeman II, and The Man Who Melted. He’s not that well-stocked digitally speaking though Dreaming Down-Under is available at the usual suspects.
Born February 15, 1948 — Art Spiegelman, 74. Author and illustrator of Maus which if you’ve not read, you really should. He also wrote MetaMaus which goes into great detail how he created that work. (Discussed here at Green Man Review.) And yes, I know he had a long and interesting career in underground comics but I’ll be damned if I can find any that are either genre or genre adjacent. I know if I’m wrong that you’ll correct me.
Born February 15, 1958 — Cat Eldridge, 64. He’s the publisher of Green Man Review. He’s retconned into Jane Yolen’s The One-Armed Queen as an enthomusicologist in exchange for finding her a rare volume of fairy tales.
Born February 15, 1971 — Renee O’Connor, 51. Gabrielle on Hercules: The Legendary Journeys and Xena: Warrior Princess. I’m reasonably sure that I watched every damn episode of both series when they aired originally. Quite fun stuff. Her first genre role was first as a waitress in Tales from the Crypt and she’s had some genre film work such as Monster Ark and Alien Apocalypse. She’s also played Lady Macbeth in the Shakespeare by the Sea’s production of Macbeth
(16) FROM DEEP POCKETS TO DEEP SPACE. [Item by Martin Morse Wooster.] In the Washington Post, Christian Davenport interviews billionaire Jared Isaacman, who went into space last year on the first private spaceflight. Isaacman says he is launching another four-person private spacelight later this year, and the Polaris Dawn mission will have the first private astronaut performing a spacewalk. “Jared Isaacman to fund 3 SpaceX flights, including first crewed launch of Starship”.
…In addition to the first commercial spacewalk, Isaacman said the first Polaris mission would endeavor “to go farther than anyone’s gone since we last walked on the moon — in the highest Earth orbit that anyone’s ever flown.” The record was set in 1966 by the Gemini 11 crew, which flew to 853 miles, the highest altitude for any non-lunar crewed mission, according to NASA.
The flight, which would take off from the Kennedy Space Center in Florida, would require a license from the Federal Aviation Administration. But the FAA considers only the safety of people and property on the ground in granting such approval and not the risks their activities in space might pose to the crew.
Well folks, The Book of Boba Fett Season 1 is in the books. One of its unquestionable highlights was Black Krrsantan leaping from the comic book page to live-action. Carey Jones perfectly brought the gladiator-turned-bounty-hunter to life, ably joining the late Peter Mayhew and Joonas Suotamo as Star Wars Wookiee mainstays. Hasbro, of course, is now looking to seize on Krrsantan’s popularity. The toy maker just announced a Black Series figure for the character, and frankly, it couldn’t be a bigger fail.
… Sorry, Hasbro, but the “new” Black Series Krrsantan is, in a word, awful. As many across social media have pointed out, the figure is nothing more than a repainted retread of an old Chewbacca figure from almost a decade ago. The only difference is the head sculpt. That, at least, features the Wookiee’s braids and scars. Unfortunately, the differences pretty much end there. Even the bowcaster weapon is the same. You can’t look at the Black Series figure and not think “black Chewbacca.” Plus, the monochrome accessories (while true to the comics) just look, well, cheap….
…The streaming giant [Netflix] has partnered with Take-Two Interactive, the game’s parent company, to develop a potential cinematic universe. Vertigo Entertainment and Take-Two will serve as producers.
No writer or filmmaker is on board at this time. The partnership deal has been in the works for almost a year.
Released in 2007 from 2K Games, a subsidiary of Take-Two, the first-person shooter game featured a crumbling underwater city named Rapture, its society fragmented in a civil war with many inhabitants addicted or using a genetically enhancing serum that gives people powers while also living in fear of Big Daddies, mutated humans who have been merged with diving suits. Into this world is dropped the game’s protagonist, Jack, a survivor of a mysterious plane crash in the Atlantic Ocean….
The developer of astronomy software who said that Elon Musk’s company would cause a new crater on the moon says that he “had really gotten it wrong.”
…Part of a rocket is expected to crash into the far side of the moon on March 4. Initially thought to be a SpaceX rocket stage, the object may actually be part of a Long March 3C rocket that launched in 2014….
Legacy of the Sith will send players to the darkest depths and farthest reaches of the galaxy and unlock the ability to choose your personal combat style.
(22) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Ghostbusters: Afterlife,” the Screen Junkies say that the newest Ghostbusters movie “invites you to remember how great the original was and — that’s it. That’s the whole movie.” The film “gives the loudest people what they want…Easter eggs the size of Denver omelets.”
[Thanks to John King Tarpinian, Andrew Porter, Michael Toman, Ed Fortune, Rob Thornton, Chris Barkley, Ben Bird Person, Cat Eldridge, Mike Kennedy, Martin Morse Wooster, and JJ for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
Voting continues as Science Fiction & Fantasy Poetry Association (SFPA) members decide who will be honored as Grand Master this year. Four candidates are under consideration: Linda Addison, F.J. Bergmann, Geoffrey A. Landis, and John Grey. SFPA members have until December 1 to cast their ballots.
Linda D. Addison is the award-winning author of five collections, including The Place of Broken Things, written with Alessandro Manzetti, & How To Recognize A Demon Has Become Your Friend, and a recipient of the HWA Lifetime Achievement Award. She is the first African-American recipient of the HWA Bram Stoker Award®, co-editor of Sycorax’s Daughters, an anthology of horror fiction & poetry by African- American women, poetry editor of Space & Time Magazine since 2000, and editor of the 2018 Rhysling Anthology and the HWA StokerCon Anthology 2019. Her work has made frequent appearances over the years on the honorable mention list for Year’s Best anthology. She has a B.S. in Mathematics from Carnegie-Mellon University and currently lives in Arizona. Addison is a founding member of the writer’s group Circles in the Hair (CITH), and a member of HWA, SFWA and SFPA. For further information please see Linda’s website.
F. J. Bergmann
F. J. Bergmann has a distinguished body of speculative poetry from the last 20 years, winning the Rhysling (Short and Long), the Elgin Chapbook (twice), the SFPA Poetry Contest (several), and other contests. Her service to SFPA includes editing Star*Line, designing publications, and serving as webmaster and VP. Nor is her service to poetry limited to the SFPA.
Geoffrey A. Landis
Geoffrey A. Landis has had a strong body of work published over the last thirty-plus years, noted by his winning the Rhysling Long twice, the Asimov’s Reader’s Award for best poem four times, and the Dwarf Stars Award. In addition to his excellence in writing poetry, he has contributed to the SFPA by editing Eye to the Telescope and co-editing the 2012 Dwarf Stars anthology. He is active in the Cleveland poetry community, and for many years has run the Clevelandpoetics blog, which distributes news and information about poetry in the Cleveland area; he has also been active in the Ohio Poetry Day celebrations. He has published two collections of poetry, Iron Angels (Van Zeno, 2009) and The Book of Whimsy (Night Ballet, 2015). For more for more about Geoffrey visit his website.
John Grey is Australian-born, U.S. resident, poet, short story writer, musician and playwright. He has had over 16,000 poems published throughout the world in magazines as diverse as Christian Science Monitor, Relix, Poetry East, Agni, Rhino, Rattle, Poet Lore and JAMA as well as numerous anthologies and books, including his latest, Leaves On Pages. A good percentage of those poems have been in genre magazines, (both sci-fi and horror, with the occasional fantasy) having grown up devouring the classic horror writers such as Blackwood, James, Bierce, Poe, etc. Publications in this field include work in Weird Tales, Space & Time, Dreams and Nightmares, The Pedestal, The Magazine Of Speculative Poetry, The Fifth Di, Leading Edge, Andromeda Spaceways, Not One Of Us, Strange Horizons, Chrome Baby and many many many more. Winner of the Rhysling Award (Short) in 1998. Was theater critic and poetry columnist for a local Providence, RI, weekly arts magazine and has had plays produced off-off Broadway and in Los Angeles.
(1) WORLDCON ENDS: FILM AT ELEVEN. Watching CoNZealand’s Closing Ceremonies brought back a memory —
When Winnipeg started its bid for the 1994 Worldcon, chair John Mansfield had everybody on the committee fill out a questionnaire about their interests. On the last day of the convention he returned these forms to everyone saying, “Okay. Here’s your life back.”
At today’s Closing Ceremonies the gavel passed to DisCon III’s Bill Lawhorn and Colette H. Fozard.
(2) TABLE SERVICE. Camestros Felapton illustrates an aspect of the 2020 Hugo Award nomination process in “EPH Fan Writer”.
… As each person is eliminated, the points get redistributed. By looking at the change in points for each surviving nominee, you can calculate the proportion of points that the survivor gets from the eliminated.
(3) THE PAST THROUGH TOMORROW. There are several good rundowns on the problems with last night’s Hugo Awards ceremony, including this one from Sean Reads Sci-Fi, “Uh-Oh, the Hugos Were a Hot Mess!”, which includes some good excerpts from the acceptance speeches.
…Some of the history was admittedly interesting, but I kept waiting for Martin to catch up to the present day, to illustrate how the long arc of the Hugos has bent toward justice, how the field continues to evolve to this day. He never did. He stayed rooted firmly in the past, and as the night wore on his stubborn refusal to acknowledge current movements in SF/F began to feel pointedly exclusionary rather than just incidentally so.
And I haven’t even mentioned the names! To mispronounce someone’s name live is one thing. As a teacher, I can attest to the fact that you will occasionally get someone’s name wrong on the first day. But (a) they had plenty of time to practice, (b) they almost certainly were given pronunciation guides by most authors, and (c) this doesn’t excuse the constant mispronunciations during pre-recoded segments, unless, of course, Martin refused to re-record them, which is its own set of problems. The folks behind the scenes should have done more to vet these segments, and should have pushed back harder when it became clear what Martin was doing.
What’s fascinating to me, though, is how the awards themselves drew such a sharp contrast to the nostalgic navel-gazing of the toastmaster. It really felt like the past and the future colliding – and the future won. Literally! The winners often talked about systemic problems within the industry, about the fights that we still have to fight, about the hard work that women, people of color, queer folks, and others have to do in order to even be considered alongside the white/cis/het fuddy-duddies running last night’s show. It was such a welcome breath of fresh air, for instance, when R.F. Kuang, one of the first winners, emphasized the barriers that she faced getting into the field:
If I were talking to a new writer coming to the genre in 2020, I would tell them, well, if you are an author of color, you will very likely be paid only a fraction of the advance that white writers are getting. You will be pigeon-holed, you will be miscategorized, you will be lumped in with other authors of color whose work doesn’t remotely resemble yours. Chances are very high that you will be sexually harassed at conventions or the target of racist micro-aggressions or very often just overt racism. People will mispronounce your name, repeatedly, and in public, even people who are on your publishing team. Your cover art will be racist, and the way people talk about you and your literature will be tied to identity and your personal trauma instead of the stories you are actually trying to tell. If I had known all of that when I went into the industry, I don’t know if I would have done it, so I think that the best way we can celebrate new writers is to make this industry more welcoming for everyone.
R.F. KUANG, ASTOUNDING AWARD FOR THE BEST NEW SF WRITER
This was refreshing precisely because it’s an aspect of the history of the awards and of the fandom in general that George R.R. Martin, in his endless panegyrics to days gone by, refused to even acknowledge. Pointing out the deep-rooted, structural, and personal racism and sexism at the heart of the industry isn’t a sign of ingratitude – it’s a sign of strength and resolve in the face of tough barriers. As Ng put it in her speech:
Pulling down memorials to dead racists is not the erasing of history, it is how we make history … It would be irresponsible for me to stand here and congratulate us as a community without reminding us that the fight isn’t over and that it extends well beyond the pages of our books … Let us be better than the legacies that have been left us. Let them not be prophecies. Let there be a revolution in our time.
JEANNETTE NG, BEST RELATED WORK
That revolution was in strong form last night, as most winners took the time to celebrate marginalized voices and denounce the forces that marginalized them in the first place. I keep coming back to Martine’s speech, as well – to the knife that hurts all the more because you loved it before it cut you. A trenchant description of an industry and a genre that many loved but were excluded from for so long. That is, thankfully, changing. Not fast enough to prevent last night’s debacle – but fast enough to allow for last night’s inspiring wins
Whoever is circulating the story that I was asked to re-record portions of my Hugo hosting to correct mispronounced names, and that I refused, is (1) mistaken, or (2) lying. Never happened.
CoNZealand did ask me to re-record three of my videos, all for reasons for quality control: poor lighting, poor sound, wobbly camera. I complied with their request on two of the videos, the two that opened the evening; I re-did those live from the JCC. (The originals had been done in my cabin on an iPhone, when we were just trying to get the hang of this thing). The third segment they wanted re-recorded was the bit about the Hugo trophy, where I had some fun with the juicer, the Alfie, and the like. In that case, we decided to stay with the first take, since I no longer had the props on hand and could not easily have reproduced what I’d done at the cabin, which everyone seemed to like.
There is also a story out there that I was provided with the correct phonetic pronunciations of all the names. That too is completely untrue….
(5) YOUR NEW HUGO LOSERS HOSTS. Who wouldn’t sign up for that?
(6) GROWING PAINS. Scott Edelman stirred up some memories that were called out by his sister-in-law in service of an anti-Vietnam War protest.
…You wouldn’t think that the 4-foot-wide by 8-foot-tall space, approximately the same shape as an iPhone screen, would be big enough for a play, let alone an avant-garde company. Yet the closet, only 2 feet deep, is one of the stars of Gelb’s Theater in Quarantine series, which since late March has produced, on a biweekly schedule, some of the new medium’s most imaginative work from some of its simplest materials. As in silent movies, clowning, movement and mime are usually part of the mix.
Lem’s story is a satire of the infinite human capacity for self-defeat, with the various Egon incarnations bickering and undermining one another as the gyrations of space-time bend them into conflict. When “a meteor no bigger than a pea” pierces the ship’s hull, destroying the rudder, everyone has ideas about fixing it — but since it’s a two-man job, making cooperation essential, nothing actually gets done.
Science fiction was once a niche TV commodity, but March brought three major live-action genre projects. Star Trek: Picard finished its debut season on CBS All Access. FX shared Devs with Hulu, pitching the miniseries as prestige bait for the chattering class. Season 3 of Westworld was HBO’s new hope for a buzzy, sexy-violent epic. And they were all terrible….
I get it: We are all scared of phones, and bots, and the Algorithm. Yet by demonizing technology, these projects oddly exonerate the people behind that technology. CEOs with tragic origin stories in Westworld or Devs are puppets for machines they can’t control. Higher-tech powers in Brave New World and “You May Also Like” control whole civilizations comprised of unaware humans.
[Intro] Editors Note: In a nearly 3,000 word opinion piece published on July 25 in ‘The Globe and Mail’ Kenneth Whyte, publisher of Toronto-based indie Sutherland House Books, pinned the troubles of Canada’s independent bookstores and publishers on the work of public libraries….
Publishers Weekly reprinted the Canadian Urban Libraries Council’s response:
… It is otherwise hard to understand why public libraries are to blame when bookstores and libraries have coexisted harmoniously and supported each other for decades.
August 1, 1986 — Howard The Duck premiered. Directed by Water Huyck and produced by Gloria Katz who were also the screenplay writers. George Lucas was executive producer. Its human stars were Lea Thompson, Jeffrey Jones and Tim Robbins. Howard The Duck was Ed Gale in the suit with the voice being Chip Zien. Critics almost unanimously hated it, it bombed at the box office, and audience reviewers at Rotten Tomatoes currently give it a 38% rating. It would be the last Marvel Film until Captain American twenty-one years later. (CE)
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born August 1, 1819 – Herman Melville. Without debating – though some do – how far Moby-Dick is fantasy, we can claim some more clearly – hmm, maybe not the best word with this writer – anyway, “Bartleby”, “The Tartarus of Maids”, “The Encantadas”, let’s say nine or ten. John Clute would includeThe Confidence-Man. (Died 1891) [JH]
Born August 1, 1898 – William Ziff. I mean Ziff Sr., though Ziff Jr. is noteworthy too. The elder was the Ziff in Ziff-Davis Publishing, which took over Amazing from Hugo Gernsback, added Fantastic Adventures, comics with art director Jerry Siegel and e.g. John Buscema. I happen to think this cover for Weird Adventures 10 is feminist – look how the man is fascinated while the woman with him knows they should fear – but then I think Glory Road is feminist, and how many see that? (Died 1953) [JH]
Born August 1, 1910 — Raymond A. Palmer. Editor of Amazing Stories from 1938 through 1949. He’s credited, along with Walter Dennis, with editing the first fanzine, The Comet, in May, 1930. The secret identity of DC character the Atom as created by genre writer Gardner Fox is named after Palmer. Very little of his fiction is available in digital form. (Died 1977.) (CE)
Born August 1, 1914 – Edd Cartier. Oh, how great he was. Eventually we put him on two Retrospective Hugo ballots. We think of him as a comedian; true enough, but see this cover for Foundation and Empire. Vince Di Fate knew; see his treatment of EC in Infinite Worlds. World Fantasy Lifetime Achievement Award. (Died 2008) [JH]
Born August 1, 1923 — Alan Yates. Though better known under the Carter Brown name where he wrote some one hundred and fifty mystery novels, I’m noting him here for Booty for a Babe, a Fifties mystery novel published under that name as it’s was set at a SF Convention. (Available from the Kindle store.) And as Paul Valdez, he wrote a baker’s dozen genre stories. (Died 1985.) (CE)
Born August 1, 1930 — Geoffrey Holder. Best-remembered for his performance as Baron Samedi in Live and Let Die but he’s also the narrator in Tim Burton’s Charlie and The Chocolate Factory. He was also Willie Shakespeare in Doctor Doolittle but it’s been so long since I saw the film that I can’t picture his character. And he was The Cheshire Cat in the Alice in Wonderland that had Richard Burton as The White Knight. (Died 2014.) (CE)
Born August 1, 1945 – Yvonne Rousseau, 75. Author, editor, critic, long-time fan. Australian SF Review, 2nd Series with J. & R. Blackford, Foyster, Sussex, Webb. Three short stories and a novelette. Contributor to Banana Wings, Chunga, Flag, Foundation, Journey Planet, The Metaphysical Review, Riverside Quarterly, SF Commentary, SF Eye. Fan Guest of Honour at ConFictionary, where the fire alarm went off and the hotel actually was on fire. [JH]
Born August 1, 1954 — James Gleick, 66. Author of, among many other books, Genius: The Life and Science of Richard Feynman and What Just Happened: A Chronicle from the Electronic Frontier, and he is one of us in that he writes genre reviews which are collected in Time Travel: A History. Among the works he’s reviewed are Le Guin’s “Another Story or A Fisherman of the Inland Sea” and Heinlein ‘s “By His Bootstraps”. (CE)
Born August 1, 1955 — Annabel Jankel, 65. Director who was first a music video director and then the co-creator and director of Max Headroom. She and her partner Rocky Morton first created and directed The Max Talking Headroom Show, a mix of interviews and music vids which aired on Channel 4 and HBO. Jankel and Morton would go on to direct Super Mario Bros. And they’re both responsible for the Max Headroom movie and series. (CE)
Born August 1, 1969 – Dirk Berger, 51. Five dozen covers, a score of interiors. Here is Sucker Punch. Here is Empire Dreams. Here is Nova 23. Here is his Website. [JH]
Born August 1, 1979 — Jason Momoa, 41. I knew I’d seen him before he showed up as Aquaman in the DC film franchise and I was right as he was Ronon Dex on Stargate Atlantis for its entire run. He was also Khal Drogo in the first season of A Game of Thrones. And not surprisingly, he was the title character in Conan the Barbarian. (CE)
Born August 1, 1993 – Tomi Adeyemi, 27. Children of Blood and Bone, Children of Virtue and Vengeance, both NY Times Best Sellers. Norton Award, Waterstones Book Prize, Lodestar Award. Parents thought she’d be better off if they didn’t teach her their native tongue (they’re Yoruba), so with an honors degree from Harvard she got a fellowship to study it in Brazil. Website here. [JH]
(12) COMICS SECTION.
Non Sequitur offers a suggestion on how to get started on that post-apocalyptic novel.
(13) BE PREPARED. A Public Service Announcement from the Dread Pirate Roberts channeling Inigo Montoya.
(14) ADVICE FOR SFF POETS. Veteran editor of Star*Line and Mobius: A Journal for Social Change “gives some surprising insights on submissions” in this interview conducted by Melane Stormm at SPECPO.
A must watch for any writer, but especially if you identify as female or if you’re feeling hesitant to submit your work someplace.
(15) ON BRADBURY’S SHELVES. The second installment of Phil Nichols’ Bradbury 100 podcast had dropped.
My guest is Jason Aukerman, Managing Director of the Center for Ray Bradbury Studies. The “Bradbury Center”, as it’s known for short, is the place where Ray’s working papers are held in archive, along with the contents of Ray’s personal library, and many of his professional and personal artefacts such as awards, videotapes and film prints.
A library curator at the University of Iowa will join “Star Trek” actor William Shatner and a list of other celebrities, authors and science fiction experts in a Ray Bradbury Read-a-thon next month. The event on August 22nd will mark what would have been the famed author’s 100th birthday.
Peter Balestrieri, curator of science fiction and popular culture collections at the UI Libraries, says he’s thrilled to be taking part.
“The Read-a-thon will be about 40 people reading segments of Ray Bradbury’s famous novel, ‘Fahrenheit 451,’” Balestrieri says. “All of the clips from all of the different readers will be put together into one seamless audio-visual book.”
Balestrieri will read a six-minute portion of the book as part of the roughly-four-hour event. Top sci-fi authors who will also read aloud include Neil Gaiman, Marjorie Liu and Steven Barnes, as well as former NASA administrator Charles Bolden.
Nasa‘s Marsspacecraft is experiencing technical problems and has sent itself into hibernation, the space agency has said.
The spacecraft was sent to space Thursday in a launch that had no technical problems – even despite an earthquake that struck just before liftoff, and a preparation period that came during the coronavirus outbreak. Shortly after it was launched, Nasa announced that it had received its first signal from the spacecraft.
But soon after it was in space and headed towards Mars, it became apparent that something had gone wrong with the craft. After that initial signal, mission controllers received more detailed telemetry or spacecraft data that showed there had been a problem.
The signal, which arrived on Thursday afternoon, showed that the spacecraft had entered a state known as “safe mode”. That shuts down all but its essential systems, until it receives new messages from ission control.
The hibernation state is intended to allow the spacecraft to protect itself in the case of unexpected conditions, and will be triggered when the onboard computer receives data that shows something is not as expected.
Nasa’s engineers think that the state was triggered because part of the spacecraft was colder than expected while it was still in Earth’s shadow. The spacecraft has now left that shadow and temperatures are now normal, Nasa said in an update.
Mission controllers will now conduct a “full health assessment”, the space agency said, and are “working to return the spacecraft to a nominal configuration for its journey to Mars”.
“‘I wish it need not have happened in my time,’ said Frodo. ‘So do I,’ said Gandalf, ‘and so do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.’” —The Fellowship of the Ring
(19) NAVIGATING ON VIRTUAL SEAS. Mlex reports on the Cyberpunk Culture Con (July 9-10), with some commentary on other virtual cons (BaltiCon, ConZealand, Fantastikon): “Cyberpunk Culture Conference”.
…I want to report on the recent virtual con, the Cyberpunk Culture Conference (Jul 9-10, 2020), which managed to swim perfectly through the fantastic milieu of the future that has already become the past, and floated out from the wreckage on that frenzied ouroboros of possibility waves as easily as a swimmer takes to an inflated tire inner tube on a summer pond.
The conference sprang up around recent books published by Routledge, which are quite excellent, I should add…
The Belgian racing team Heli had an engine problem. Specifically, under race conditions, the manifold of the four-cylinder turbo diesel in its BMW 1-series exploded, bursting along an ultrasonically welded seam that held together the manifold’s two halves.
…In 2018 Heli took the problem to ZiggZagg, a Belgian company that fabricates parts using an HP 3-D printer. ZiggZagg made a digital scan of the two-piece manifold and after 10 hours had a digital blueprint for a stronger, lighter, one-piece manifold. In its first race with the new manifold, printed using what is known as PA 12 nylon, the part held up and Heli took third. That same manifold lasted until the car was retired earlier this year.
The two astronauts that blasted off in the first private space vehicle to take people to the International Space Station are about to return to Earth — by splashing down in the waters around Florida.
This will be the first planned splashdown for space travelers since 1975, although a Russian Soyuz capsule did have to do an emergency lake landing in 1976.
NASA astronaut Douglas Hurley says that he and his crewmate Robert Behnken are prepared for the possibility of seasickness.
“Just like on an airliner, there are bags if you need them. And we’ll have those handy,” Hurley said in a press conference held on Friday, while on board the station. “And if that needs to happen, it certainly wouldn’t be the first time that that’s happened in a space vehicle. It will be the first time in this particular vehicle, if we do.”
The astronauts will come home in the same SpaceX Dragon capsule that took them up on May 30. Their flight marked the first time people had been launched to orbit from U. S. soil since NASA retired its space shuttles in 2011.
The success of their trip in the SpaceX vehicle has been a major milestone for commercial space travel, and a vindication of NASA’s long-term plan to rely on space taxis for routine flights to and from the orbiting outpost—while the government agency focuses on developing vehicles for a return to the moon.
The current plan is for the Dragon “Endeavour” capsule to undock from the International Space Station on Saturday at 7:34 p.m. ET, with scheduled splashdown at 2:42 p.m. ET on Sunday. There are potential splashdown zones both in the Atlantic and the Gulf of Mexico. With a hurricane headed towards Florida, however, it’s unclear if the weather will cooperate with the plan.
(22) VIDEO OF THE DAY. “Virtual Viewing: Disney’s Cruise Line’s Tangled, The Musical” on YouTube is an hour-long musical, with three songs composed by Alan Menken, that was performed on Disney’s Cruise Line and is worth seeing for people who need a Disney musical fix. (Hat tip to Mark Evanier.)
[Thanks to Darrah Chavey, Mike Kennedy, John King Tarpinian, Martin Morse Wooster, Michael Toman, John Hertz, Chip Hitchcock, Daniel Dern, Mlex, Cat Eldridge, JJ, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]
There are the really obvious ways to torch your career — rudeness to editors, for instance. And then there are the hidden trap doors. The one I am going to reveal today is truly obscure. It could be broadly described as meddling with the publication process. More specifically, you can enrage the publisher’s sales reps. Kill your book dead in one easy step! …
(2) AND DON’T BE THAT POET. F.J. Bergmann wrote and Melanie Stormm designed “How To Piss Off A Poetry Editor” for readers of SPECPO, the blog of the Science Fiction and Fantasy Poetry Association. Here’s the header —
(3) KGB READINGS ONLINE. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Benjamin Rosenbaum and Mike Allen Wednesday, July 15 in a YouTube livestream event. Starts at 7 p.m. Eastern.
Benjamin Rosenbaum’s short fiction has been nominated for the Nebula, Hugo, BSFA, Sturgeon, Locus, and World Fantasy Awards, and collected in The Ant King and Other Stories. His first novel, The Unraveling, a far-future comedy of manners and social unrest, comes out this October from Erewhon Books. His tabletop roleplaying game of Jewish historical fantasy in the shtetl, Dream Apart, was nominated for an Ennie Award. He lives near Basel, Switzerland with his family.
Mike Allen has twice been a finalist for the World Fantasy Award. His horror tales are gathered in the Shirley Jackson Award-nominated collection Unseaming, and in his newest book, Aftermath of an Industrial Accident. His novella The Comforter, sequel to his Nebula Award-nominated story “The Button Bin,” just appeared in the anthology A Sinister Quartet. By day, he writes the arts column for The Roanoke (Va.) Times.
Transmitted herewith are excerpts from statements provided by members of the Barsky family regarding the incident with Hayden Barsky, age 11.
The true origins of KHAOS remain unknown….
It was published along with a response essay, “How Not to Optimize Parenthood” by Brigid Schulte, director of the Better Life Lab and author of the book Overwhelmed: Work, Love, & Play When No One Has the Time.
Most parents are well-intentioned. We try to do the right thing, hoping to spare our children at least a measure of the pain or heartache we muddled through, to smooth the rough edges of life and give them every advantage to make it in an uncertain and often cruel world.
That’s at least the hope. In practice, no one really knows how to do that. So, particularly in America, where “winning” and the self-improvement dictate to “beat yesterday” are akin to sacred commandments, we have always turned to the experts for help. What does the science say? What are the neighbors doing? What book or podcast or shiny gadget will instantly make my child’s life easier? More joyful? Miraculous? And, perhaps most importantly, better than your kid’s?…
(5) LOCKDOWN MOVIE. “Quarantine Without Ever Meeting” – Vanity Fair profiles the filmmakers. Tagline: “The actors set up lights, did their own makeup, and ran the cameras. The filmmakers advised on Zoom. Somehow…it worked.”
…While Hollywood is struggling to figure out if it’s possible to make a feature-length movie in the grip of the coronavirus pandemic, this group of independent filmmakers and actors have already done it. “The whole movie has been written, produced, packaged, shot within quarantine. Now we’re in postproduction, and I had a first cut of the whole film done on Friday,” said director and cowriter Simon. As The Untitled Horror Movie nears completion, its producers are finally announcing the secret project and seeking a distributor. It appears to be the first movie created entirely within the parameters of the lockdown.
The horror comedy is about a group of needy and desperate young stars from a once-popular TV series who learn, via video conference, that their show has just been canceled. Fearing obscurity, they decide to stay in the spotlight by making a quickie horror film—but while shooting it, they perform a ritual that accidentally invokes an actual demonic spirit. Mayhem follows. “We kind of described it going into it as Scream meets For Your Consideration,” Simon said.
The card had been around since 1994, tagged “Invoke Prejudice” by the world’s most popular trading card game. It showed figures in white robes and pointed hoods — an image that evoked the Ku Klux Klan for many people.This month, the company behind “Magic: The Gathering” permanently banned that card and six others carrying labels like “Jihad” and “Pradesh Gypsies.” Wizards of the Coast, a subsidiary of toy giant Hasbro, acknowledged the images were “racist or culturally offensive.”
“There’s no place for racism in our game, nor anywhere else,” the company said in a statement announcing its action.
With the country roiled by tensions and protests over African Americans’ deaths at the hands of police, the issues entangling Magic and its creators are unlikely to subside soon. The fantasy game of goblins, elves, spells and more boasts some 20 million players, and in pre-pandemic times, thousands flocked to elite international tournaments with hefty prizes. Players of color say they have long felt excluded in the white- and male-dominated community from the game’s top echelons, as well as employment at the company….
(7) WHAT MIGHT HAVE BEEN. “A Better World ?” seems to be a kind of text-based game letting players choose among “Uchronies,” a French term that partakes of alternate history but is more fantastic in nature. I racked up a lot of karma in a hurry, sad to say.
I am monolingual, which limits me to reading works in English. One of the joys of this modern, interconnected world in which we’re living is that any speculative fiction work written in another language could (in theory) be translated into English. One of my frustrations is that, generally speaking, they haven’t been. Here are five works about which I know enough to know that I’d read them if only they were translated….
(9) I’M READY FOR MY CLOSE-UP. Olav Rokne says, “Sometimes, you just want to ask the question nobody wants.” He passed along some of the hilarious responses.
(10) CARL REINER OBIT. The creator of The Dick Van Dyke Show and straight man to Mel Brooks’ “2000 Year Old Man,” died June 29 at the age of 98. The duo won a Grammy in 1998 for their The 2000 Year Old Man in the Year 2000. (The New York Times eulogy is here.)
He shared the lead in The Russians Are Coming, the Russians Are Coming and appeared in It’s a Mad, Mad, Mad, Mad World. He directed numerous movies, including several starring Steve Martin. In recent years he voiced characters in several genre animated TV shows — and Carl Reineroceros in Toy Story 4.
John King Tarpinian remembers:
He is not genre but his passing reminds me of the good old days. Back in the 80s, I was president of the largest Atari club consortium in the US. One of the members owned the Vine Street Bar & Grill. It was between Hollywood & Sunset. The first Wednesday of the month the guest jazz singer was Estelle Reiner. Ron Berinstein, club member and club owner invited me to come on Estelle’s nights to make sure the club was always full. The first time I went her husband, Carl, was also there. I learned that he always came…and that he’d have friends join them. Over the years everybody from Sid Caesar, Buck Henry, Neil Simon, Dick Van Dyke, Mel Brooks & more.
During Estelle’s break between sets Carl & whomever was also there would get up and entertain. Carl & Mel would do their 2000 Year Old Man routine but not the Ed Sullivan version but the version they’d do a parties. My ribs would be sore the next morning from laughing so hard.
Sid Caesar would come to Ray Bradbury’s plays. Imagine somebody being able to upstage Ray…who also would be laughing so hard.
(11) MEDIA BIRTHDAY.
June 30, 1971 — Willy Wonka & the Chocolate Factory premiered. Based on Roald Dahl’s Charlie and the Chocolate Factory novel, it was directed by Mel Stuart, and produced by Stan Margulies and David L. Wolper. The screenplay was by Roald Dahl and David Seltzer. It featured Gene Wilder as Willie Wonka with a supporting cast of Jack Albertson, Peter Ostrum, Roy Kinnear, Julie Dawn Cole, Leonard Stone and Denise Nickerson. Some critics truly loved it while others loathed it. It currently holds an 87% rating among audience reviewers at Rotten Tomatoes. (CE)
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge and John Hertz.]
Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Adamms Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.) (CE)
Born June 30, 1920 — Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con in what was later called the Great Exclusion Act. In the Fifties, he edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. (Died 1997.) (CE)
Born June 30, 1929 – Anie Linard, 91. Active from France, herself and with Jean Linard, in the 1950s and 1960s; fanzines Innavigable Mouth, Meuh, Vintkat, X-trap. Voted in the 1958 TAFF (Trans-Atlantic Fan Fund) campaign. She was, like many of us, a correspondent of Ned Brooks. I have not traced her more recently than June 1962. Anie, if you see this, salut! [JH]
Born June 30, 1935 – Jon Stopa, 85. Active with Advent publishing house, half a dozen covers including In Search of Wonder, The Eighth Stage of Fandom, and The Issue at Hand. Three stories in Astounding. Program Book for Chicon III the 20th Worldcon, and cover for its Proceedings; with wife Joni, Fan Guests of Honor at Chicon V the 49th, where I think they were in some of the Madeira tastings I assembled when I found four or five D’Oliveiras in the hotel bar. The Stopas were (Joni has left the stage) also great costumers, both as entrants and judges; there’s a YouTube of their work here. [JH]
Born June 30, 1959 — Vincent D’Onofrio, 61. Kingpin in that not terribly good or bad Daredevil film, Edgar the Bug in the only truly great Men in Black film and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye. (CE)
Born June 30, 1961 — Diane Purkiss, 59. I’ve not read her Corydon Trilogy she wrote with Michael Dowling, her son, but I can say that At the Bottom of the Garden: A Dark History of Fairies, Hobgoblins, Nymphs, and Other Troublesome Things is as splendid as the title suggests it is. She’s also written Fairies and Fairy Stories: A History. (CE)
Born June 30, 1961 – Nigel Rowe, 59. Published Timeless Sands history of New Zealand fandom, then moved to Chicago. Here is a 1994 photo of him with Russell Chauvenet (who coined the word fanzine) at Corflu 11 in Virginia. A 2019 photo of him is on p. 47 of Random Jottings 20 (PDF), the Proceedings of Corflu 36 in Maryland; he’s also on the cover (back right; you may be able to make out his badge “Nigel”). Very helpful relaying paper fanzines across the seas. [JH]
Born June 30, 1961 – carl juarez, 59. No capital letters in his name. Co-edited the fanzine Apparatchik with Andy Hooper (from Apak 62), later Chunga with Hooper and Randy Byers. Here is his cover for Chunga 8. He’s on the right of the cover for Chunga 17 (PDF). Chunga credited cj as designer, the results being indeed fine. He, Byers, and Hooper were such a tripod that with Byers’ death, Chunga tottered; should it fall, may cj find his feet. [JH]
Born June 30, 1963 — Rupert S. Graves, 57. Here because he played Inspector G. Lestrade on that Sherlock series. He also appeared on Doctor Who as Riddell in the Eleventh Doctor story, “Dinosaurs on a Spaceship”. He had one-offs in The Nightmare Worlds of H. G. Wells: The Moth, Twelve Monkeys, Krypton and Return of the Saint. (CE)
Born June 30, 1966 – Penny Watson, 54. Degrees in plant taxonomy, horticultural science, biology, and floral design; “there is nothing better than getting up in the morning, heading out to your garden and picking fresh basil, cherry tomatoes, cukes, and arugula greens for breakfast.” Obsessed with dachshunds. Has trained dolphins, coached field hockey and lacrosse. Nat’l Excellence in Romance Fiction Award. Eight novels, five of them and a novella for us. [JH]
Born June 30, 1966 — Peter Outerbridge, 54. Dr. David Sandström in what I think is the underrated ReGenesis series as well as being Henrik “Hank” Johanssen in Orphan Black anda recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series. (CE)
Born June 30, 1972 — Molly Parker, 48. Maureen Robinson on the current Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The Sentinel, Highlander: The Series, Poltergeist: The Legacy, Human Target and she appeared in The Wicker Man asSister Rose / Sister Thorn. (CE)
Born June 30, 1974 – Juli Zeh, 46. A dozen novels so far, three for us. Deutscher Bücherpreis, Solothurner Literaturpreis; doctorate in international law, honorary judge at the Brandenburg constitutional court. About Schilf (“reed”, name of a character – likewise an English surname), translated into English as Dark Matter (London) and In Free Fall (New York), when a Boston Globe interviewer asked “Are you asking the reader to reconsider the nature of reality?” JZ answered “Yes, I want to take the reader on an intellectual journey”; to “Can a novel of ideas be written today, without irony?” JZ answered “As long as mankind doesn’t lose its curiosity to think about the miracles of being.” [JH]
(13) COMICS SECTION.
Non Sequitur shows us the first science fiction writer — and true Hard SF, even as to the medium it’s composed on.
Today’s Bizarro is not an SF comic, but one with good advice for the privileged rich kid starting a literary career.
…With that said, there’s another aspect of it, too, which I think I’ve been minimizing: it’s not just time on social media, it’s engagement when I am on it, and how social media is making me feel when I use it. The term “doomscrolling” refers to how people basically suck down fountains of bad news on their social media thanks to friends (and others) posting things they’re outraged about. It’s gotten to the point for me where, particularly on Twitter, it feels like it’s almost all doomscrolling, all the time, whether I want it to be or not.
…The BLM movement are not terrorists. They are not thugs. They are peaceful protesters, marching against industrial discrimination and system-entrenched bigotry. The demonstrators have actually caught looters and rioters and delivered them to the police.
It doesn’t matter how much the limousine-liberals preach equality if there are no serious efforts to redress the grievances of the disadvantaged.
If we truly are all in this together, then it behooves all of us to reach out to each other and create partnerships and opportunities. This isn’t preferential treatment. It’s a necessary bit of repair work to a damaged genre.
If we don’t talk about it, if we don’t take steps, if we don’t address it, then we are guilty of complicity. If the racism of the past was a product of its time, then let our attempts to redress the situation be a product of our time.
… These sets are up for preorder now from Lego at $59.99 and are set to ship on April 19.
Stormtrooper Buildable Model Helmet ($59.99; lego.com)
Boba Fett Buildable Model Helmet ($59.99; lego.com)
TIE Fighter Pilot Buildable Model Helmet ($59.99; lego.com)
With the Stormtrooper, you’re getting a 647-piece helmet-building set, complete with the blacked-out visor, two nodes on the bottom for speaking and stickers to complete the look. Similarly, the Boba Fett helmet will let you pay homage to the original Mandalorian. This set is 21 centimeters tall (a little over 8 inches) and has 625 pieces. You’ll be constructing each detail of the helmet, including the fold-down viewfinder that lets Boba easily track down his targets. (He is a bounty hunter, after all.)
This in turn reminded me of one of my favorite songs by Chris Smither, “Henry David Thoreau” riffing on (same tune) Berry’s song. Oddly, even incomprehensibly, I find NO mention of it anywhere via DuckDuckGo nor Google, even though I’ve heard Smither sing it numerous times. (I also checked his discography.
It turns out that, while I have heard Chris Smither sing this song, he wasn’t the author. That was Paul Geremia, one of Boston/Cambridge’s wonderful acoustic blues musicians.
The song is on his Self Portrait In Blues album. (And on my ~2,800-song Spotify playlist, which is how, when it came around again this morning on the guitar, as it were, I realized my mistake.)
Flying snakes like Chrysopelea paradisi, the paradise tree snake, normally live in the trees of South and Southeast Asia. There, they cruise along tree branches and, sometimes, to get to the ground or another tree, they’ll launch themselves into the air and glide down at an angle.
They undulate their serpentine bodies as they glide through the air, and it turns out that these special movements are what let these limbless creatures make such remarkable flights.
That’s according to some new research in the journal Nature Physics that involved putting motion-capture tags on seven snakes and then filming them with high-speed cameras as the snakes flew across a giant four-story-high theater.
How far they can go really depends on how high up they are when they jump, says Jake Socha at Virginia Tech, who has studied these snakes for almost a quarter-century. He recalls that one time he watched a snake start from about 30 feet up and then land nearly 70 feet away. “It was really a spectacular glide,” Socha recalls.
Part of the way the snakes do this is by flattening out their bodies, he says. But the snakes’ bodies also make wavelike movements. “The snake looks like it’s swimming in the air,” he says. “And when it’s swimming, it’s undulating.”
The nation’s largest movie theater chain is delaying its U.S. reopening until the end of July because film companies have postponed release dates of two anticipated blockbusters.
AMC Theatres announced that a first round of approximately 450 locations will resume operations two weeks later than initially planned, to coincide with the updated August release dates of Warner Brothers’ Tenet and Disney’s Mulan.
“Our theatre general managers across the U.S. started working full time again today and are back in their theatres gearing up to get their buildings fully ready just a few weeks from now for moviegoers,” CEO Adam Aron said in a June 29 statement. “That happy day, when we can welcome guests back into most of our U.S. theatres, will be Thursday, July 30.”
The company said it expects its more than 600 U.S. theaters to be “essentially to full operation” by early August.
AMC Theatres made headlines earlier this month when it announced patrons will be required to wear masks, reversing course on a controversial reopening plan that had only encouraged them to do so.
For the first time, the familiar marble faces outside the New York Public Library will be obscured by masks.
Patience and Fortitude, the iconic lion sculptures guarding the 42nd Street library, are wearing face coverings to remind New Yorkers to stay safe and stop the spread of COVID-19.
The masks arrived on June 29, and measure three feet wide by two feet tall, according to a library statement.
New York Public Library President Anthony Marx emphasized the symbolism of the aptly named lions, and said New Yorkers are similarly strong and resilient.
(22) NEVERENDING SENDUP. The Screen Junkies continue their look at oldies with an “Honest Trailer” for The Neverending Story, where they show that gloomy Germans created “a world of neverending misery.” They discovered that star Noah Hathaway subsequently played Harry Potter Jr. in Troll (1986) with Michael Moriarty playing Harry Potter Sr.
[Thanks to John King Tarpinian, John Hertz, JJ, Joey Eschrich, Rich Horton, Mike Kennedy, Martin Morse Wooster, Michael Toman, Chip Hitchcock, Cat Eldridge, Daniel Dern, Darrah Chavey, Olav Rokne, and Andrew Porter for some of these stories. Title credit goes to wandering minstrel of the day Cliff.]
The Science Fiction & Fantasy Poetry Association (SFPA) has announced the winners of the 2018 Elgin Awards for best collections of speculative poetry published in the previous two years. Named after SFPA founder Suzette Haden Elgin, awards are given in two categories: best chapbook and best full-length book.
2018 Elgin Award Results:
Full-Length Book Category
First Place:Liberating the Astronauts • Christina M. Rau (Aqueduct Press, 2017)
Second Place:Satan’s Sweethearts • Marge Simon & Mary Turzillo (Weasel Press, 2017)
Third Place:Love Robot • Margaret Rhee (The Operating System, 2017)
First Place:A Catalogue of the Further Suns • F. J. Bergmann (Gold Line Press, 2017)
Second Place:Astropoetry • Christina Sng (Alban Lake, 2017)
Third Place:The Terraformers • Dan Hoy (Third Man Books, 2017)
This year’s Elgin Awards had 22 nominees in the chapbook category and 30 nominees in the full-length category, one of the largest years since the awards were first established in 2013.
The Science Fiction and Fantasy Poetry Association was established in 1978 and has an international membership representing over 19 nations and cultures including United States, Italy, Canada, Brazil, United Kingdom, Ireland, Romania, Poland, Denmark, Germany, France, Spain, Israel, South Africa, Singapore, Thailand, Laos, the Hmong, South Korea, Australia, and New Zealand.
[Thanks to Josh Brown, 2018 Elgin Award chair, for the story.]
The 2018 Rhysling Anthology can be ordered through the SFPA website. The editor and 2018 contest chair is Linda D. Addison. The book design is by F.J. Bergmann, Cover image is “Dark Mermaid” by Rowena Morrill.