Tag Archives: Foundation

Pixel Scroll 9/19/23 In Pixelated Ink Which Glows Under Starlight

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(1) OPEN LETTER AGAINST BOOK BANS. “Ariana Grande, Garbage, Natasha Lyonne Sign Open Letter Against Book Bans” – The Hollywood Reporter has the story.

Ariana Grande, Guillermo del Toro, Padma Lakshmi, Roxane Gay, Gabrielle Union, Sandra Cisneros, Amanda Gorman, Margaret Cho and Ron Perlman are among the signatories of an open letter calling on creative communities in Hollywood and beyond to leverage their voices to stop book bans.

Upwards of 175 actors, musicians, authors, comedians, reality stars, models, media personalities, academics, activists and more have signed the open letter spearheaded by Reading Rainbow host LeVar Burton and published Tuesday via public advocacy organization and political action committee MoveOn Political Action….

The letter’s release coincides with National Banned Books Month and comes amid a corresponding public petition from MoveOn, which will connect signatories with future advocacy opportunities around book bans. Such opportunities include methods of support or events related to MoveOn’s Banned Bookmobile, which launched a multicity tour this summer after measures touted and supported by Gov. Ron DeSantis resulted in an increase in banned and restricted books in Florida schools, according to The Associated Press.

In October, the bookmobile will once again distribute free banned books, in addition to hosting events held in conjunction with Crooked Media’s live Pod Save America and Lovett or Leave It podcasts, and author readings in Georgia, Virginia and South Carolina as part of a broader “Read Banned Books” initiative….

Here is the full text of the letter from Moveon.org.

As artists, creators, entertainers, and activists, we recognize and are horrified by the threat of censorship in the form of book bans.

This restrictive behavior is not just antithetical to free speech and expression but has a chilling effect on the broader creative field. The government cannot and should not create any interference or dictate what people can produce, write, generate, read, listen to, or consume.

We cannot stress enough how these censorious efforts will not end with book bans. It’s only a matter of time before regressive, suppressive ideologues will shift their focus toward other forms of art and entertainment, to further their attacks and efforts to scapegoat marginalized communities, particularly BIPOC and LGBTQ+ folks. 

We refuse to remain silent as one creative field is subjected to oppressive bans. As artists, we must band together, because a threat to one form of art is a threat to us all.

We are calling on everyone to join us in pushing back against these book bans, support free and open creative industries—regardless of personal or ideological disagreements—and use their voice at the local level to stop these bans in their school districts. There is power in artistic freedom, and we refuse to allow draconian politicians to take that from us.

(2) CHENGDU VENUE PROGRESS PHOTOS. [Item by Ersatz Culture.] Here from a Weibo post are a couple more photos of the interior of the Chengdu Worldcon venue.  It looks quite different to my eyes from the earlier images, not sure if it’s the lighting, angle, or if they’ve applied some coating – the Google Translated hashtags include “#金molstone# #石 CrystalWallboard#”, whatever those might be.

(3) CORA FINDS A CRACK IN THE FOUNDATION. Cora Buhlert is doing episode reviews of Apple+ series Foundation. (Access all of them here.) The latest is “Foundation travels ‘Long Ago, Not Far Away’ and blows up its own premise” – beware spoilers.

…Warning! There will be spoilers under the cut!

“Long Ago, Not Far Away” was a really good episode of Foundation. Well, at least ninety-five percent of it were really good. Unfortunately, the last five minutes or so not only ruined the episode, but the entire series….

(4) TEXAS BOOK RATING LAW BLOCKED. Publishers Weekly tells how “In a Blistering Opinion, Judge Officially Blocks Texas Book Rating Law”.

After nearly three weeks of waiting, federal judge Alan D. Albright delivered a major victory for freedom to read advocates, issuing a substantive 59-page written opinion and order officially blocking Texas’s controversial book rating law, HB 900, from taking effect. The decision comes after Albright orally enjoined the law at an August 31 hearing and signaled his intent to block the law in its entirety.

Signed by Texas governor Greg Abbott on June 12, HB 900 would have required book vendors to review and rate books for sexual content under a vaguely articulated standard as a condition of doing business with Texas public schools. Under the law, books rated “sexually explicit” (if the book includes material deemed “patently offensive” by unspecified community standards) would be banned from Texas schools. Books rated “sexually relevant” (books with any representation of sexual conduct) would have required written parental permission for students to access them. Furthermore, the law would have given the state the ultimate power to change the rating on any book, and would have forced vendors to accept the state’s designated rating as their own, or be barred from selling to Texas public schools….

…“The Court does not dispute that the state has a strong interest in what children are able to learn and access in schools. And the Court surely agrees that children should be protected from obscene content in the school setting,” Albright concluded. “That said, [the law] misses the mark on obscenity with a web of unconstitutionally vague requirements. And the state, in abdicating its responsibility to protect children, forces private individuals and corporations into compliance with an unconstitutional law that violates the First Amendment.”

In defending the law, Texas attorneys had moved to dismiss the suit, arguing that the plaintiffs lacked standing to challenge the law, and that the state has the right to regulate vendors who wish to do business with Texas public schools—essentially asserting that rating books would simply be part of the cost of doing business in Texas. Albright demolished those arguments in his opinion, and harshly criticized the ill-conceived law in denying the motion to dismiss.

At one point, Albright observed that the burden placed on vendors by the law are “so numerous and onerous as to call into question whether the legislature believed any third party could possibly comply.” And he called out state attorneys for their inability to answer basic questions over the course of two hearings. “Generally, the government was confused and unaware of how the law would actually function in practice,” Albright observed, citing “approximately 40 instances during the August 18th hearing (‘Hearing 1’) where the government either did not know how the law would function or did not have an answer as to what the effects of certain provisions were.”…

(5) PREVIEW GREG JEIN COLLECTION. Heritage Auctions takes you “Inside the Sensational Sci-Fi Collection of Model-Making Legend Greg Jein” in this post for The Intelligent Collector.

Greg Jein was a giant among the Hollywood illusionists who created small things to fill big screens. The model- and miniature-maker never left his hometown of Los Angeles. Yet he was never earthbound: Jein spent decades introducing us to aliens who brought their motherships to Earth, and he sent us soaring time and again into space, the final frontier.

Jein, who died at 76 last year, was nominated for Academy Awards and Emmys, hailed as a magician and beloved as a mentor. Among Hollywood’s special effects wizards, Jein was heartbeat and historian, craftsman and custodian. His life’s story might have made the perfect film.

A fan first, foremost and forever, he made models when he was little. By the time Jein reached his mid-30s, he was a twice-Oscar-nominated maker of motherships, airplanes, city blocks and other models for Close Encounters of the Third Kind and 1941, both directed by Steven Spielberg.

“Greg loved what he did, creating things with his hands,” says Jerry Chang, Jein’s first cousin. “He could see in his mind things other people couldn’t.”

On October 14-15, Heritage Auctions is honored to offer the entirety of Greg Jein’s vast and unparalleled assemblage, which includes his prized trove of models and memorabilia and the cherished miniatures he made. The landmark Greg Jein Collection Hollywood Platinum Signature® Auction…

There’s also a gallery of “The Most Revealing Behind-the-Scenes Photos From the Greg Jein Collection” at the link.

(6) NEW SOPHIE BURNHAM TRILOGY. DAW Books has acquired Sargassa, the first book in a trilogy from debut author Sophie Burnham. Set in an alternate North America called Roma Sargassa, where the Roman Empire never fell, readers will plunge into a landscape of political intrigue, queer romance, and impending revolution. The acquisition encompassed three books with World English rights and was agented by Maria Napolitano at the Jane Rotrosen Agency.

Sophie Burnham

…Executive Editor Navah Wolfe expressed immense enthusiasm about the acquisition, stating, “Sophie’s impressive worldbuilding, compelling characters, and insightful social commentary make Sargassa an exceptional addition to DAW’s repertoire. We are immensely excited to introduce their work to the world.”

In the book, North America has always been under Roman rule, and the death of the Imperial Historian thrusts his children, Selah and Arran, into the heart of a conspiracy. An underground rebel faction seeks to obtain the Iveroa Stone and use its secrets to reveal the empire’s obscured past and dethrone its dominion. As Selah works to unlock the Stone’s enigmas, she faces a monumental decision: to uphold or challenge the historical narratives of the Roman rule in Sargassa…

Sophie Burnham is a queer nonbinary novelist and screenwriter, backed by an Acting BFA and a concentration in Playwriting from Syracuse University. Honored with a We Need Diverse Books writing grant and a placement in ScreenCraft’s 2020 Sci-Fi & Fantasy Screenplay competition, Burnham’s debut novel promises to enthrall and enlighten readers. Follow them on Twitter at @sophielburnham.

(7) CON OR BUST FUNDRAISER. The Con or Bust Prize Sweepstakes is selling entries.

Dream Foundry’s Con or Bust program issues cash grants to fans and creatives of color to help connect them with SFFH genre events and resources. Con or Bust sends folks to conventions, workshops, classes, and other networking or professional opportunities. Grants can be used toward travel, registration, food, equipment, and other expenses associated with attending the event.

Con or Bust’s fall fundraiser is in full swing! We have lots of bookish prizes, including a 1 year subscription to Apex Magazine, two $50 Weightless Books gift certificates, libro.fm credits, and more. Oh yeah, and there’s a PS5, too.

Fine print:

The Sweepstakes is open only to the following individuals (each, an “Eligible Participant”):

Individual legal residents of, and physically located within, the United States or Canada, and who are 18 (except 19 in Alabama and Nebraska and 21 in Mississippi) years of age as of the date of entry or of legal age of majority or older in their country of residence…

(8) DOING TIE-IN RESEARCH. David Mack gives a detailed example of the kind of research he needed to do for a Star Trek media tie-in novel. Thread begins here.

(9) FREE READ. The 2023 Baen Fantasy Adventure Award-winning story, “The Hitchhiker on Souls’ Road” by A. A. Nour, is currently available to read at the Baen website.

A. A. Nour with award

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 19, 1922 — Damon Knight. Author, editor, critic. Kate Wilhelm who was his wife is also regrettably no longer with us. His 1950 short story, “To Serve Man” was adapted for The Twilight Zone. His first story, “The Itching Hour,” appeared in the Summer 1940 number of Futuria Fantasia which was edited and published by Ray Bradbury.  It’s hard to briefly sum up his amazing genre career but let me note he was a member of the Futurians and a reviewer as well as a writer. Novels of his I’ll single out are Hell’s Pavement, The Observers and Special Delivery but don’t think I’m overlooking his brilliant short stories. The Encyclopedia of SF notes that “In 1995, he was granted the SFWA Grand Master Award – which from 2002 became formally known, in his honour, as the Damon Knight Grand Master Award. He was posthumously inducted into the Science Fiction Hall of Fame in 2003.” (Died 2002.)
  • Born September 19, 1928 — Adam West. Best known as Batman on that classic Sixties series, he also had a short role in 1964’s Robinson Crusoe on Mars as Colonel Dan McReady. He last played the role of Batman by voicing him in two animated films, Batman: Return of the Caped Crusaders and Batman vs. Two-Face. He also most excellently voiced The Gray Ghost in an episode of the Kevin Conroy voiced B:TAS, “Beware the Gray Ghost”. (Died 2017.)
  • Born September 19, 1928 — Robin Scott Wilson. Founder, with Damon Knight and others, of the Clarion Science Fiction Writers’ Workshop. He edited Clarion: An Anthology of Speculative Fiction and Criticism from the Clarion Writers’ Workshop, Clarion II and Clarion III. He wrote one genre novel, To the Sound of Freedom (with Richard W. Shryock) and a lot of short fiction. He’s not in stock at all at the usual suspects. (Died 2013.)
  • Born September 19, 1933 — David McCallum, 90. His longest running, though not genre, role is pathologist Dr. Donald “Ducky” Mallard on NCIS where he appeared in every episode of the first fifteen seasons.  (With series lead Mark Harmon’s departure from the show in the fall of 2021 (Season 19), McCallum became the last remaining member of the original NCIS cast.) Genre wise, he was Illya Nickovitch Kuryakin on The Man from U.N.C.L.E., and the British series Sapphire & Steel where he was Steel and Joanna Lumley was Sapphire. He played the lead in a short-lived U.S. version of The Invisible Man. He was Dr. Vance Hendricks on Babylon 5’s “Infection” episode.
  • Born September 19, 1947 — Tanith Lee. I hadn’t realized that she wrote more than ninety novels and three hundred short stories in her career. Ninety novels! She even wrote two of the Blake’s 7 episodes as well. I am more fond of her work for children such as The Dragon Hoard and The Unicorn Series than I am of her adult work. She has garnered well-deserved Stoker and World Fantasy Awards for Lifetime Achievement. (Died 2015.)
  • Born September 19, 1952 — Laurie R. King, 71. She’s on the Birthday Honors list for the Mary Russell series of historical mysteries, featuring Sherlock Holmes as her mentor and later partner. Hey it’s at least genre adjacent.  She’s also written at least one genre novel, Califia’s Daughters.
  • Born September 19, 1972 — N. K. Jemisin, 51. Her most excellent Broken Earth series has made her the only author to have won the Hugo for Best Novel in three consecutive years. Her “Non-Zero Probabilities” was nominated for the Best Short Story losing out to Will McIntosh‘s “Bridesicle” at Aussiecon 4. “Emergency Skin” I’m pleased to note won the Best Novelette Hugo at CoNZealand. Yeah I voted for it. And at Chicon 8 she won a Best Graphic Story or Comic Hugo for Far Sector, written by her, with art by Jamal Campbell.

(11) FANHISTORY ZOOM. The next FANAC Fan History Zoom session will be about “Boston Fandom in the 60s” with Tony Lewis, Leslie Turek and Mike Ward, moderated by Mark Olson. It will happen September 23,2023 at Time: 4PM EDT, 1PM PDT, 9PM BST (UK), Sept 24 at 6AM Melbourne, AU. If you want access, please send a note to [email protected]

(12) COVER REVEAL. [Item by Ben Bird Person.] Theory podcast Acid Horizon announced on Twitter/X the new cover for the upcoming Zer0 Books release Against the Vortex: Degrowth Utopias in the Seventies and Today by Anthony Galluzzo.

(13) LIVE ACTION, NOT ANIMATED. “Disney World forced to close rides after finding wild bear in park” reports Entertainment Weekly.

Disney World guests were just treated to a new kind of Country Bear Jamboree.

EW can confirm that a wild bear was found inside the park Monday morning, prompting the closure of at least 10 attractions inside the Frontierland, Adventureland, and Liberty Square areas. The Florida Fish and Wildlife Conservation Commission tells EW that biologists with FWC’s Bear Management Program, as well as FWC Law Enforcement officers, are “working on capturing and relocating the bear,” who they say was likely moving through the park in search of food….

(14) CHANGE THE TITLE, CHANGE THE GENRE. Lincoln Michel had fun with this idea – you can too.

(15) ON THEIR OWN TWO FEET. [Item by Nina Shepardson.] Slate has a list of “The 40 best stand-alone TV episodes that can be watched on their own.” Several are from genre TV shows, including Star Trek, The X-Files, and The Twilight Zone. I’d be interested to hear whether other Filers think Slate picked the right episodes…

Whether we’re living in the age of Peak TV or Trough TV, one thing is clear: There’s too much TV. Thankfully, not every show has to be watched in its entirety. One of the best things about television is its serialized nature, the continuous thread that strings viewers along from one episode to the next. It’s a cliché that prestige television is the new novel precisely because of the way that many dramas develop their characters and plots over many hours of storytelling. But an older virtue of TV is its brevity—the way a scenario can be introduced and resolved within the space of an hour, or half that—and some of the best episodes are less like chapters in a long-running novel than like short stories or short films. These are stand-alone episodes….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Ersatz Culture, Ben Bird Person, Nina Shepardson, Joe Siclari, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 7/15/23 I Went Looking For A Scroll And All I Found Was This Lousy Jetpack

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(1) IT WON’T BE FREE. “Steven Soderbergh is releasing a surprise sci-fi series starring Michael Cera next week” and EW tries to find out why.

Steven Soderbergh is no stranger to experimentation. In 2006, he released Bubble simultaneously on cable and in theaters before that was commonplace. He shot Unsane and High Flying Bird using an iPhone. Now, he’s dropping a sci-fi series starring Michael Cera and Roy Wood Jr. on his own website, Extension765. 

The mysterious project, which follows his new Max series Full Circle, is called Command Z, and EW can confirm Soderbergh directed the series in addition to producing. He shot the comedy — the name of which is the computer keystroke for undo — “in secret,” according to an announcement from his Extension765 website. Command Z will stream via the site on July 17, though EW can confirm it won’t be available for free.

“This very morning, our fearful leader explained that in three days (July 17th for those who don’t want to do the math) we will be ‘dropping’ a series of some sort called Command Z,” reads a letter on Soderbergh’s website, written by a possibly fictional figure named Fabrizia del Dongo. “If I seem hedgy, it’s because A) None of us have seen it; and B) It’s apparently about ninety minutes long, but there are eight episodes of varying length, so is it an actual series or just a movie cut up into pieces?”…

(2) ON STRIKE. Variety reports that SAG and the AMPTP even dispute what some of their disagreements are. This article tries to identify all the sticking points: “SAG Actor Strike: Talks Stalled Over AI, Streaming and Pay Hikes”.

SAG-AFTRA and the major studios remain at odds on a dizzying array of issues, as film and TV actors hit the picket lines Friday for the first time since 1980.

According to sources on both sides, the biggest sticking point is the union’s demand for 2% of the revenue generated by streaming shows. The two sides also remain far apart on basic increases in minimum rates, with the studios offering 5%, 4% and 3.5% across the three years of the contract, while the union is demanding 11%, 4% and 4%.

But that only scratches the surface. The parties are at odds on dozens of issues, only a handful of which have been publicly reported.

In some cases, the two sides don’t even agree on what the disagreements are. They engaged in a rare public back-and-forth Thursday over the use of artificial intelligence to replicate background actors.

Duncan Crabtree-Ireland, the union’s executive director, alleged that the studios want to pay an extra for one day of work to be scanned, and then reuse that likeness forever. The Alliance of Motion Picture and Television Producers hotly disputed that, saying that its proposal explicitly limits the reuse to the project for which the extra was hired….

(3) SIMULTANEOUS TIMES. Space Cowboy Books has released Simultaneous Times episode 65. Listen to the episode here.

Simultaneous Times Episode 65

Stories featured in this episode:

  • “The Sport of Snails” by F.J. Bergmann; with music by Phog Masheeen
  • “Hollow Hearts” by Eric Fomley; with music by Fall Precauxions

Theme music by Dain Luscombe

(4) DEVELOPMENT HELLIONS. JoBlo asks “WTF Happened to Johnny Mnemonic?” “We take a look at the making of one of the biggest flops of the 1990s, the Keanu Reeves cyberpunk adaptation Johnny Mnemonic.”

…One of the early challenges had been expanding Gibson’s original 1981 story, which was a mere 22 pages, to a satisfying feature film length. The story’s broad strokes would remain – a courier carrying crucial encrypted data in a cranial hard drive, a double-crossing handler, a monowire-twirling Yakuza assassin, a cyborg dolphin, an outcast group called Lo-Teks. 

To stretch the story, Gibson borrowed liberally from his own work like VIRTUAL LIGHT and introduced new plot points and “cinematic pacing”, with the data in Johnny’s overloaded brain storage now both a proverbial ticking time bomb and the invaluable cure to a global pandemic called Nerve Attenuation Syndrome. This mysterious disease, also known as the “black shakes”, is a result of constant exposure to the omnipresent technology that has become the world’s addiction. PharmaKom, the corporate owner of the sensitive data wants it returned so they can maximize profits, and they dispatch assassins to literally collect Johnny’s head.

There was one story complication arising from Gibson’s own prominence, however. The film rights to Neuromancer were already held by another studio, which meant the shared character of capable razor-fingered mercenary Molly Millions was off-limits for his own adaptation of Johnny Mnemonic. In her place would be a desperate bodyguard wannabe named Jane, who suffers from the “black shakes”.

But the movie would linger in development hell under Carolco, until the company ultimately imploded for a number of reasons, not the least of which was the notorious flop Cutthroat Island. One former Carolco executive still wanted to make Johnny Mnemonic and pitched it to various studios, but to no avail. The project would eventually find support through Canadian company Alliance… and around 20 different international financiers. Sony’s Tristar Pictures entered the mix and would distribute the movie in America, and the studio would invariably make creative demands and revisions that proved maddening for the writer and director….

(5) MEMORY LANE.

1988 – [Written by Cat Eldridge from a choice by Mike Glyer.]

A writer I really enjoy is Jane Yolen. Indeed, she’s on the chocolate gifting list, preferring no more that no more than seventy percent dark. And I’ve got a personally signed copy of The Wild Hunt here. 

Now eighty-four, she’s been both an author and editor who is responsible for close to four hundred books existing.  Short stories? Well, she’d fill dozens of collections if publishers were so willing. Not One Damsel In Distress: World Folktales for Strong Girls shows you her strong feminist bent and Meow: Cat Stories from Around the World gives you a look at her love of our companions. 

She has garnered three Mythopoeic Awards, another three World Fantasy Awards, and a hat trick was completed with three Nebulas. She also won a Skylark, and a bunch of Awards for her poetry. 

So, Mike selected the Beginning of Sister Light, Sister Dark, the first novel of the Great Alta saga, for this Scroll. It was published thirty-five years ago by Tor with the cover art by Dennis Nolan. It was nominated for a Nebula. It was followed by White Jenna and The One-Armed Queen. 

And now her Beginning of this Saga…

THE MYTH: 

Then Great Alta plaited the left side of her hair, the golden side, and let it fall into the sinkhole of night. And there she drew up the queen of shadows and set her upon the earth. Next she plaited the right side of her hair, the dark side, and with it she caught the queen of light. And she set her next to the black queen.RN

“And you two shall be sisters,” quoth Great Alta. “You shall be as images in a glass, the one reflecting the other. As I have bound you in my hair, so it shall be.” Then she twined her living braids around and about them and they were as one. 

THE LEGEND: 

It happened in the town of Slipskin on a day far into the winter’s rind that a strange and wonderful child was born. As her mother, who was but a girl herself, knelt between the piles of skins, straddling the shallow hole in the earth floor, the birth cord descended between her legs like a rope. The child emerged, feet first, climbing down the cord. When her tiny toes touched the ground, she bent down and cut the cord with her teeth, saluted the astonished midwife, and walked out the door. 

The midwife fainted dead away, but when she came to and discovered the child gone and the mother dead of blood-loss, she told her eldest daughter what had happened. At first they thought to hide what had occurred. But miracles have a way of announcing themselves. The daughter told a sister who told a friend and, in that way, the story was uncovered.

The tale of that rare birthing is still recounted in Slipskin—now called New Moulting—to this very day. They say the child was the White Babe, Jenna, Sister Light of the Dark Riding, the Anna.

(6) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born July 15, 1918 — Dennis Feltham Jones. His first novel Colossus was made into Colossus: The Forbin Project. He went on to write two more novels in the series, The Fall of Colossus and Colossus and the Crab, which in my opinion became increasingly weird. iBooks and Kindle have the Colossus trilogy plus a smattering of his other works available. (Died 1981.)
  • Born July 15, 1931 — Clive Cussler. Pulp author. If I had to pick his best novels, I’d say that would be Night Probe and Raise the Titanic, possibly also Vixen 03. His real-life National Underwater and Marine Agency, a private maritime archaeological group found several important wrecks including the Manassas, the first ironclad of the Civil War. (Died 2020.)
  • Born July 15, 1944 — Jan-Michael Vincent. First Lieutenant Jake Tanner in the film version of Roger Zelazny’s Damnation Alley which somehow I’ve avoided seeing so far. Is it worth seeing? Commander in Alienator and Dr. Ron Shepherd in, and yes this is the name, Xtro II: The Second Encounter. Not to mention Zepp in Jurassic Women. (Don’t ask.) If Airwolf counts as genre, he was helicopter pilot and aviator Stringfellow Hawke in it. (Died 2019.)
  • Born July 15, 1951 — Jesse Ventura, 72. He’s actually been in far more genre films that I thought. His first film was Abraxas, Guardian of the Universe which audience reviewers at Rotten Tomatoes give a rating of twenty percent. After that, he’s been in Predator, Running Man, Demolition Man and Batman & Robin. 
  • Born July 15, 1961 — Forest Whitaker, 62. His best-known genre roles are Rogue One: A Star Wars Story as Saw Gerrera and in The Black Panther as Zuri. He’s had other genre appearances including Major Collins in Body Snatchers, Nate Pope in Phenomenon, Ker in Battlefield Earth for which he was nominated for a Golden Raspberry Award for Worst Supporting Actor, Ira in Where the Wild Things Are, Jake Freivald In Repo Men (anyone see this?) and he was, and Host of Twilight Zone. 
  • Born July 15, 1963 — Brigitte Nielsen, 60. Red Sonja! What a way to launch your film career. Her next genre roles were 976-Evil II and Galaxis… Oh well… She starred as the Black Witch in the Nineties Italian film series Fantaghiro, and played the Amazon Queen in the Danish Ronal the Barbarian. 
  • Born July 15, 1967 — Christopher Golden, 56. Where to start? The Veil trilogy was excellent as was The Hidden Cities series co-authored with Tim Lebbon. The Menagerie series co-authored with Thomas E. Sniegoski annoyed me because it never got concluded. Straight On ‘Til Morning is one damn scary novel.

(7) COMICS SECTION.

  • Off the Mark has a sarcastic playlist for Storm Troopers.
  • Bliss will be twice as funny if you’ve been around long enough to recognize the graffiti artist.

(8) FIRST ENCOUNTERS OF THE CLOSE KIND. DC’s Joshua Lapin-Bertone tells us about the first time “When Superman Met Lois Lane” – a story which really has no consistent beginning!

I don’t know about you, but I love hearing about how a couple first met….

So how did Lois and Clark first meet, really? Let’s start from the beginning…

Their first encounter in Action Comics #1 was replayed in the Superman comic strip.

1939 – Superman Newspaper Strips

Clark Kent notices Lois Lane for the first time when he enters the Daily Star looking for a job. He hears Lois arguing with her editor, and remarks that she has spunk. Lois meets Superman for the first time when he rescues her from some thugs.

The sequence is almost identical to the one in Action Comics #1, but since it’s running in a daily newspaper it’s dragged out. For example, the thugs throw Lois from a plane, where Superman catches her. Then she winds up in quicksand, where he has to save her again. You can’t say he’s not devoted to her.

(9) INFO DUMPER. “Foundation’s showrunner explains why big book adaptations start so dang slow” in The Verge.

Adaptations of big, complex books tend to start slow — and that’s usually because there’s just so much to explain. It was true of Game of Thrones and The Rings of Power, and it was especially true of Foundation on Apple TV Plus, which took Isaac Asimov’s novels and turned them into prestige television. With unusual concepts like psychohistory (a kind of math that can predict the future) and a genetic dynasty (a never-ending line of clone emperors who rule the galaxy), the first few episodes of season 1 were bogged down by exposition.

According to David S. Goyer, showrunner on Foundation, there really wasn’t a way to avoid that. “I felt like the first three episodes of season 1 were so exposition heavy, but — trust me — we tormented ourselves trying to figure out a way around it,” he explains. “We just decided, screw it, we have to explain this stuff and hope the audience is still around.” He believes that might just be a necessary evil of this kind of adaptation, though. “A lot of the really worthwhile shows that I ended up loving took a while to get going,” Goyer says. “Maybe that’s just what one has to do when you’re doing a big ambitious, novelistic show.”…

(10) JEOPARDY! [Item by David Goldfarb.] On Friday’s Jeopardy! episode, the first round of the game had a full category of “Modern Fantasy Lit”. The contestants took the questions in reverse order, so that’s how I’ll present them.

$1000: This “Remains of the Day” author wrote fantasy with “The Buried Giant”, set years after the death of King Arthur

Challenger Alison Madson knew it was Kazuo Ishiguro.

$800: In P. Djéli (sic) Clark’s “Ring Shout”, Klansmen summon demons during a viewing of this 1915 D.W. Griffith film

Returning champion Ittai Sopher: “What is ‘Birth of a Nation’?”

(Checked this with Google’s help: it should be Djèlí.)

$600: S.A. Chakraborty’s “City of Brass” has Nahri team up with Dara, one of these mystical creatures whose name starts with a silent “D”

Alison responded correctly.

$400: In a book by Gail Carson Levine, obedience is the curse of this title girl, “Enchanted”; she also pines for Prince Charmont

Daniel Moore said, “Who is Ella?”

$200, last clue of the round: Monza Murcatto, thrown from a great height & left for dead, later gets revenge in Joe Abercrombie’s “Best Served” this

Daniel: “What is cold?”

(11) FINAL JEOPARDY! And Andrew Porter noted the night’s last stage also included something of genre interest.

Final Jeopardy: category: Books & Authors

Answer: In 1930 this author wrote “Murder at Full Moon”, a horror-mystery novel set in a fictional town in central California.

Wrong question: Who is Jack London?

Correct question: Who is Steinbeck?

(12) SIDE EFFECTS. FirstShowing.net sets up the official trailer for Aporia:

…Since losing her husband, Sophie has struggled to manage her grief, her job, and parenting her devastated daughter, but when a former physicist reveals a secret time-bending machine, Sophie will be faced with an impossible choice. He offers her a chance to restore her previous life, but of course, this kind of attempt to change history always comes with other dangerous consequences….

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Kathy Sullivan, Steven French, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Ken Richards.]

Pixel Scroll 5/14/23 Pixelberry Jam On Filer Buttered Scrolls

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(1) BAFTA TV AWARDS. The genre cupboard was practically bare when the winners of the BAFTA TV Awards 2023 were revealed tonight. “Memorable Moment” — the only publicly-voted category – proved the exception, won by “’Platinum Jubilee – Party at the Palace’ – Paddington meets Queen Elizabeth II”. 

…Ben Whishaw was a part of Queen Elizabeth II’s Paddington Bear skit – as the voice of Paddington – which won an 2023 BAFTA TV award for most memorable moment, the only prize voted on by the public. The skit beat out Nick and Charlie’s first kiss in “Heartstopper” and the “Running Up That Hill” moment in “Stranger Things,” among other nominees…

(2) CRUISING. [Item by Cora Buhlert.] I took my Masters of the Universe figures out into the garden and posted another photo story: “Masters-of-the-Universe-Piece Theatre: ‘Adam’s Day Out’”.

“I just love getting out of the palace and enjoying the peace and quiet of the Eternian wilderness in springtime. And the Road Ripper really packs a punch. Too bad it’s only a one-seater, so I can’t take Cringer along. Or Teela…”

“Still, nothing beats racing across the plains of Eternia. No Prince Adam, no royal duties, no He-Man, just me and the unspoiled wilderness and… – Oh, raptor crossing!”

SCREECH!

(3) EUROVISION BOOK CONTEST. [Item by Cora Buhlert.] The finalists for the Eurovision Book Contest (like the Eurovision Song Contest, only with books) have been announced and there is at least one genre finalist, the German entry The Perfume by Patrick Süsskind, which won the 1987 World Fantasy Award: “Elena Ferrante and Marian Keyes among authors competing in Eurovision book contest” in the Guardian.

In March, the literary festival asked the public to submit their favourite fiction from any of the 37 countries that take part in the music competition each year. Suggestions could be of any genre and language but they had to have been published in the years since Eurovision began in 1956.

The final selection of one book from each country was chosen by an expert panel, who were aiming to come up with “an ambitious reading list” of books that will “inspire, examine and entertain”.

This also illustrates IMO the issue with that contest. The Perfume was released in 1985, i.e. it’s almost forty years old. The Irish contestant Rachel’s Holiday by Marian Keyes came out in 1998. That Georgian contestant is a novel written in German by a Georgian expat. Two finalists are graphic novels. The selection is just weird.

(4) A CROWNING ACHIEVEMENT. Connie Willis shared her delight in Charles’ coronation with Facebook readers.  

“What is the finest sight in the world? A Coronation. What do people talk most about? A Coronation. What is delightful to have passed? A Coronation.” — Horace Walpole

Saturday I got up early to watch Charles III’s coronation. It was the second one I’d seen. The first was Elizabeth II’s which I watched seventy years ago on someone else’s TV because we didn’t own one yet. It was an impossibly grainy image on a tiny screen of a Cinderella-looking carriage drawn by four horses. I was only seven years old, but I have a vivid memory of it, probably because I was so fascinated by fairy tales and princesses and queens and golden coaches made out of pumpkins.

This time my husband and I watched it in color on a much larger screen while talking on the phone to our daughter in California the whole time as she kept us updated with texts from her friends and comments on Tumblr. Now, seventy years later, I am no longer all that fascinated by princess and carriages, but I am fascinated by history, and in terms of historical events, a coronation simply can’t be beat….

(5) ROBOTIC ROBBERY. Lincoln Michel knows “The Endgame for A.I. Is Clear: Rip Off Everyone”.

…But let’s talk about the more specific ways companies plan to rip off writers with “A.I.” as the excuse.

A strong hint can be found in the current Writers Guild of America strike. A key sticking point is the use of A.I. writing. The writers aren’t asking for Hollywood to ban the use of A.I., rather they are asking that A.I writing not count as “literary material” or “source material.” This is technical Hollywood language related to the realities of how contracts work and how much money writers get. With the hard realities of capitalism and how corporations look to rip off writers.

The concern isn’t that ChatGPT can replace writers, but that studios will get chatbots to produce a crappy script then hire a writer at a lower rate to fix up the script into something usable. Fixing up a mess of ChatGPT vomit could take more work than writing a script from scratch, but cost the corporation less money.

I think this fear is completely justified and one that writers everywhere should take note of. Will websites and magazines start hiring writers or editors to “fix” chatbot outputs for less pay and no credit? Will book publishers decide they can feed an idea into ChatGPT then hire a novelist as a ghostwriter to rewrite it?

Again, the chatbots don’t have to produce good or even usable writing for this to be a threat. The threat is A.I being an excuse to rip off writers. If you hire a screenwriter to rewrite a chatbot script, you can pay them less. If you hire an author to rewrite a chatbot draft, you can avoid royalties. Etc ….

(6) FOUNDATION. GeekTyrant walks viewers through a “Thrilling New Trailer for Apple Adaptation of Isaac Asimov’s FOUNDATION Season 2”.

…Season 2 is set more than a century after the finale of the first season, “tension mounts throughout the galaxy in Foundation season two. As the Cleons unravel, a vengeful queen plots to destroy Empire from within. Hari, Gaal, and Salvor discover a colony of Mentalics with psionic abilities that threaten to alter psychohistory itself. The Foundation has entered its religious phase, promulgating the Church of Seldon throughout the Outer Reach and inciting the Second Crisis: war with Empire. Foundation chronicles the stories of four crucial individuals transcending space and time as they overcome deadly crises, shifting loyalties, and complicated relationships that will ultimately determine the fate of humanity.”…

(7) TAKING CARE OF BUSINESS AND WORKING OVERTIME. New Amazing Stories editor Lloyd Penney has been interviewed by Angelique Fawns for The Horror Tree, a website for horror writers and markets.

AF: What personal projects are you working on? What do you do in your spare time?

LP: Spare time? What is this ‘spare time’ you speak of? These days, I go into a publications office in Toronto’s east end twice a week to do the proofreader/copyeditor thing for one print magazine and two e-magazines. Then, I am the occasional editor for a British author’s long-time series of books, D.J. Holmes and his Empire Rising series of space adventures. And, for the past 40 years, I have been a regular correspondent and writer in the Letters Column for a long series of fannish publications, fanzines. I try my best to juggle all of this, and I hope not to drop anything. I have been an editor/copyeditor/proofreader for most of my working life, and I have always been an SF reader, so this is the first time I’ve been able to combine the two, and I have tried my best to run with it. I was told it should be fun, and it has been.

(8) PRO TIP. “Tim Dowling: my wife is gardening. I’m in my shed writing. It’s a risky situation”. The author is quoted in the Guardian saying —

“A long time ago I read a quotation in a book of advice, which held that the hardest thing about being a writer is convincing your spouse that looking out of the window is part of your job. I have never been able to track down the exact wording or the author of that quotation; when I look online the only source I can find for it is me, because I cite it so regularly. This is perhaps fitting, since my wife thinks I made it up.”

(9) ONE SUMMER TO A CUSTOMER. Jonathan Clarke investigates “Rod Serling’s Enduring Appeal” for City Journal.

…You might have guessed by now that in “Walking Distance,” Serling was telling his own story. He was 35 when the episode appeared, and he had come a long way from a charmed boyhood in Binghamton, New York. Like Martin Sloan, he had good reason to be tired, and good reason, despite his considerable success, to want to go home again. As his success grew, that desire would grow stronger, too.

It’s easy to forget now that television was once regarded as a creative nullity, good only for selling product. In the medium’s early decades, the programming was mostly quiz shows, Westerns, and police procedurals. Corporate sponsors had considerable creative control, and in tone and style, the industry was not unlike Madison Avenue, slick and a bit shameless. At the same time, because the medium was so new, conventions hadn’t yet hardened, and barriers to entry were lower, especially for writers. Serling, with his early work for two important live series, Kraft Television Theatre and Playhouse 90, became one of a handful of creators pushing television forward. Even so, he accepted that it was a second-rate form, inherently inferior to theater and film. Interviewed by Mike Wallace in 1959, shortly before The Twilight Zone debuted, Serling argued that he was writing “serious, adult” scripts, but he didn’t claim the privileges of an artist. “I’m a dramatist for television,” he said, by way of apology. “This is the medium I know.”

By then, Serling was the most recognizable writer in the country. The face he showed to the public was an appealing one, and very much an American face—principled but modest, industrious, courageous. Beneath that there was a different man: vain, self-indulgent, needy. And underneath that there was a sensitive artist, and a traumatized war veteran, and a young man who lost his father too early. The inmost Serling was perhaps ever that eager boy in Binghamton, standing on his tiptoes to be seen. (As an adult, he stood just 5’5”.) As a writer, he sought to integrate these different selves, to find the sense of coherence that evaded him in life. He would never quite feel that he had done so….

(10) GERALD ROSE (1935-2023). Illustrator and teacher Gerald Rose died May 5 at the age of 87 reports the Guardian. He was the youngest winner of the Kate Greenaway medal for children’s book illustration, in 1960.

…As well as the books with [his wife] Elizabeth, Gerald illustrated the work of many other authors, including Ted Hughes’s Nessie the Mannerless Monster (1964), James Joyce’s The Cat and the Devil (1965), Paul Jennings’ The Hopping Basket (1965) and The Great Jelly of London (1967), Lewis Carroll’s Jabberwocky and Other Poems (1968) and a number of Norman Hunter’s Professor Branestawm titles (1981-83). His own later picturebooks included the award-winning Ahhh! Said Stork (1986) and The Tiger Skin Rug (2011)….

(11) LAST FAREWELL. “RIP John Mansfield”, Kevin Standlee’s tribute to our friend, includes a link to the video of the service.

As most of you who follow me may know, John Mansfield, chair of the 1994 Winnipeg Worldcon and an important figure in Canadian fandom, passed away a few days ago after a long period of decline. His funeral service in Winnipeg was today, and was live streamed and recorded so that people (including me) who could not come to Winnipeg could attend virtually….

(12) MEMORY LANE.

1990 – [Compiled by Cat Eldridge.]

Charles de Lint’s Drink Down the Moon which is where this Beginning comes from is one of my favorite novels by him. Published by Ace Books in 1990, it is the second novel of his Jack of Kinrowan series, one of his Ottawa set novels. 

I like them because they are tighter, less sprawling than the later Newford novels are. They have a simplicity that sometimes gets lost in those novels.

And here’s our beginning, complete with fey music…

He slipped through the darkness in the 4/ 4 tempo of a slow reel, startled an owl in its perch, and crept through the trees to join the quiet murmur of the Rideau River as it quickened by Carleton University. At length, he came to the ears of a young woman who was sitting on the flat stones on the south bank of the river. 

The fiddle playing that tune had a mute on its bridge, substantially reducing the volume of the music, but it was still loud enough for the woman to lift her head and smile when she heard it. She knew that tune, if not the fiddler, and yet she had a sense of the fiddler as well. There was something–an echo of familiarity–that let her guess who it was, because she knew from whom he’d learned to play. 

Every good fiddler has a distinctive sound. No matter how many play the same tune, each can’t help but play it differently. Some might use an up stroke where another would a down. One might bow a series of quick single notes where another would play them all with one long draw of the bow. Some might play a double stop where others would a single string. If the listener’s ear was good enough, she could tell the difference. But you had to know the tunes, and the players, for the differences were minute.

“There’s still a bit of you plays on, Old Tom,” she whispered to the night as she stood up to follow the music to its source. 

She was a small woman with brown hair cropped short to her scalp and a heart-shaped face. Her build was more wiry than slender; her features striking rather than handsome. She wore faded jeans, frayed at the back of the hems, sneakers, and a dark blue sweatshirt that was a size or so too big for her. Slipping through the trees, she moved so quietly that she found the fiddler and stood watching him for some time before he was aware of her presence. 

She knew him by sight as soon as she saw him, confirming her earlier guess. It was Old Tom’s grandson, Johnny Faw. He was a head taller than her own four foot eleven, the fiddle tucked under his clean-shaven chin, his head bent down over it as he drew the music from its strings. His hair was a darker brown than her own, an unruly thatch that hung over his shirt collar in back and covered his ears to just above his lobes. He wore a light blue shirt, brown corduroys, and black Chinese rubber-soled slippers. The multi-coloured scarf around his neck and the gold loops glinting in each earlobe gave him the air of a Gypsy. His beat-up black fiddle case lay beside him with a brown quilted-cotton jacket lying next to it. 

She waited until the tune was done–”The King of the Fairies” having made way for a Scots reel called “Miss Shepherd’s”–and then stepped out into the little clearing where he sat playing. He looked up, startled at her soft hello and sudden appearance. As she sat down facing him, he took the fiddle from under his chin and held it and the bow on his lap.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born May 14, 1929 — Kay Elliot. The actress who shows up in “I, Mudd” as the android form of Harry Mudd’s wife Stella Mudd. SPOILER ALERT (I promised our OGH I’d put these in. It’s possible someone here hasn’t seen “I, Mudd”.) Need I say she ends getting the upper hand in the end? She also had appearances in The Man from U.N.C.L.E. as Miss Prendergast in “The It’s All Greek to Me Affair” episode and multiple roles on Bewitched. That’s it, but she died young. (Died 1982.)
  • Born May 14, 1935 — Peter J. Reed. A Vonnegut specialist with a long history starting with Kurt Vonnegut, Jr.: The Vonnegut Chronicles: Interviews and Essays that he wrote with Marc Leeds, and Kurt Vonnegut: Images and Representations with Leeds again. He also wrote a handful of essays such as “Hurting ’til It Laughs: The Painful-Comic Science Fiction Stories of Kurt Vonnegut” and “Kurt Vonnegut’s Bitter Fool: Kilgore Trout”. (Died 2018.)
  • Born May 14, 1944 — George Lucas, 79. For better and worse I suppose, he created the Star Wars and Indiana Jones franchises. (Raiders of the Lost Ark and Indiana Jones and the Last Crusade are fine. I adore the original Trilogy.) And let’s not forget THX 1138. My fav works that he was involved in? Labyrinth, Raiders of the Lost Ark, The Empire Strikes Back and Willow. Oh, and and The Young Indiana Jones series. 
  • Born May 14, 1945 — Francesca Annis, 78. Lady Jessica in David Lynch’s Dune, Lady Macbeth in Roman Polanski’s Macbeth. I know only two roles, but what a pair of roles they were! She also appeared in Krull as The Widow of The Web but I’ll be damned if I can remember her in that role. 
  • Born May 14, 1947 — Edward James, 76. Winner at Interaction of Best Related Non-Fiction Book for The Cambridge Companion to Science Fiction which he did with Farah Mendlesohn. A companion volume, The Cambridge Companion to Fantasy Literature, was also edited with Mendlesohn. He was the editor of Foundation: The International Review of Science Fiction from 1986 to 2001.
  • Born May 14, 1952 — Robert Zemeckis, 71. He’s responsible for some of my favorite films including the Back to the Future trilogy, The Muppet Christmas Carol, The Witches, Who Framed Roger Rabbit and the savagely funny in a twisted sort of way Death Becomes Her. So what’s your favorite films that’s he had a hand in? 
  • Born May 14, 1952 — Kathleen Ann Goonan. Her Nanotech Quartet is most excellent, particularly the first novel, Queen City Jazz. Her only Award was given for In War Times which garnered a John W. Campbell Memorial Award. She’s wrote an interesting essay on the relationship between sf and music,  “Science Fiction and All That Jazz”. (Died 2021.)
  • Born May 14, 1955 — Rob Tapert, 68. I’d say he’s best known for co-creating Xena: Warrior Princess. He also produced and/or wrote several other television series including Hercules: The Legendary Journeys, M.A.N.T.I.S. and American Gothic. Tapert also co-created the prequel series Young Hercules which I loved more than the adult series. He’s married to actress Lucy Lawless. 

(14) COMICS SECTION.

  • Tom Gauld says this job is not that easy!

(15) KEEP A SHARP EAR OUT. You’ve still got 18 days to bid on some prime Star Trek: The Original Series collectibles available in “The Comisar Collection Platinum Signature® Auction” at Heritage Auctions.

(16) HUANG’S OUTLAWS. At Nerds of a Feather, Paul Weimer starts with history — “Review: The Water Outlaws by S. L. Huang”.

… In Classic Chinese literature, there are a number of canonical novels, core books that are the backbone of a strand of Chinese history, culture and society….

…The Water Margin is set in the Song Dynasty, the last native Chinese Dynasty before the invasion of the Mongols. The Water Margin is a story that in its 50000 foot level will be familiar to Western readers. A group of diversely outlaws in an inaccessible area, fighting against corrupt officials who are oppressing the people? Yes, in the most broad of senses, The Water Margin is the Chinese parallel to the story of Robin Hood. It’s bigger scale, (108 outlaws in all, much larger than Robin’s band), larger stakes–fighting against full imperial armies, and, sadly, ends in a tragedy, the heroism of the outlaws ending not quite in a happily ever after.

And it is The Water Margin that is the story that S. L. Huang retells in The Water Outlaws.

S. L. Huang puts us in a slightly different China right from the get go by giving it a more feminist approach, starting with genderflipping the main character, Lin Chong. In Huang’s slightly alternate China, women have a significantly better role and place in society, but not so much that sexism and oppression of women are still not huge obstacles. But as a guard captain, Lin Chong is certainly in a position she would have not had in our own history. In this way, The Water Outlaws invites for me, comparisons to Shelley Parker-Chan’s She Who Became the Sun, which has a genderflipped protagonist, but she is a character who hides her gender. And her story is at the end of the Yuan dynasty, a century or more after the events of The Water Margin. But the queer, feminist lens of Chinese history and the perspective that it brings is strong in both works.

(17) LUNAR ORDERS. Also at Nerds of a Feather, Alex Wallace’s hook “Murder, Monks, and the Moon! What’s not to like?” gets readers started: “Review: Poor Man’s Sky by Wil McCarthy”.

There’s something about the great black void above us that attracts a wide variety of peculiar people. In our world, we have the likes of Elon Musk (who promises settlements on Mars when not driving Twitter to implosion) and other billionaires with god complexes and more money than sense. This is a theme that runs through Poor Man’s Sky Wil McCarthy’s most recent novel, a sequel to 2021’s Rich Man’s Sky….

(18) TINY DANCERS. The New York Times takes readers “Inside the Big World of Small Objects” — “For over 40 years, Tom Bishop’s dollhouse miniatures show has been the gold standard for serious collectors and hobbyists alike.”

Moments before 10 a.m., a security guard thanked the crowd for being cooperative.

When the clock struck the hour, it became clear why: The doors of the Marriott Chicago O’Hare conference center opened, and hundreds of attendees, a majority of whom were over the age of 60, bee-lined as fast as they could to the booths.

Many had studied the color-coded map ahead of time listing each booth’s location and came prepared with a shopping plan — a scene that could easily be mistaken for a Black Friday sale. Instead, it was the Chicago International Miniatures Show.

Despite the gathering touting itself as “the World’s No. 1 Dollhouse Miniatures Show,” there aren’t many actual dollhouses. Attendees instead sift through thousands of tiny objects that fill these tiny homes: miniature sponges, chocolate fondue fountains, rocking chairs, barbecue sets, Tupperware containers or fly swatters.

“The largest miniature dollhouse convention” may sound like a silly distinction to some, but it is no joking matter for the sellers. For many, the Tom Bishop show is where they hope to make the bulk of their annual sales.

The Tom Bishop show, as many attendees call it, is considered by its founder, Mr. Bishop, to be the largest dollhouse miniatures event in the world. Numbers appear to support that claim. This year, over 250 vendors traveled from 21 countries and 35 states.

More than 3,000 people attended, filling three large conference rooms, with hallway spillover. The weeklong event, from April 24 to April 30, included ticketed workshops with themes like “Lobsterfest” (focused on making miniature lobster boil accouterments); trade shows; and three days of ticketed shopping for the public….

(19) FULL GROWN DANCERS. Boris Karloff narrated “The Peppermint Twist” on Shindig 1965.

[Thanks to Chris Barkley, Michael Toman, SF Concatenation’s Jonathan Cowie, Cora Buhlert, Steven French, John Hertz, Cat Eldridge, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 2/2/22 The Fay Wray Home Companion

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(1) GAMES HUGO RESOURCES. If hard work makes a difference – and the example of Jared Dashoff’s efforts leading to the Best Series Hugo is already before us – Ira Alexandre is going to change some minds with the content of their ever-evolving Games Hugo website.

Here are a couple of excerpts from the exhaustive discussion on the “Games Hugo – FAQ”.

Would a medium-neutral award create such a broad spread that nominees cannot effectively be compared or get enough votes?

There are two parts to address: Comparing disparate works and having such a broad field that no productive consensus can be reached in terms of too wide a spread of votes.

…In terms of a lack of consensus, our research has shown that within each most common genre of games (video, analog, and interactive fiction) there is a strong drive towards consensus on what the “best games” of any given year are. Each year, across the five most major video game awards, about two dozen games are finalists in at least 5 categories (out of over 100 titles that are finalists in just one or more categories). These top two dozen games consistently take home 60% of the total possible honours every year….

How can Hugo voters evaluate games they can’t or don’t want to play?

For reasons of financial or logistical accessibility; lack of co-players; player ability/game difficulty; or frank preference, many WSFS voters will not want to or be able to play every finalist title. This is indeed a notable barrier in many ways unique to games.

While this is not an ideal solution, watching someone else play is a time-honoured means of experiencing video games, especially if one can influence the choices or gameplay….

(2) SCAN, SHRED, OR WHAT? Stuff gets a status report from New Zealand’s National Librarian about an unresolved hot-button issue: “’Help us’: The National Library’s unsolvable dilemma”. (See background in earlier post, “National Library of New Zealand Reconsiders Agreement with Internet Archive”.)

Rachel Esson has run out of ideas. “We’ve tried book fairs. We’ve tried donating.”

After plans to ship 600,000 rarely-used books overseas were halted after months of pushback from the book sector, the National Librarian has a plea to save the books from the pulping machine: “We really don’t want to recycle them… help us.”

Esson will not waver? on her view that the books from the Overseas Published Collection will be officially removed from the library – she just doesn’t know what to do with them after that.

… Esson says she’s in the process of setting up a dialogue with stakeholders after pressing pause on the ongoing saga at the end of last year.

She plans to ask the sector about their main concerns, and for their ideas, after the library was met with major resistance on plans to donate the books to the offshore Internet Archive, which is embroiled in a copyright lawsuit.

Esson will not reconsider keeping the rarely-used overseas books, which will make way for a larger Maori and Pacific collect. But sending them to the recycling bin is the library’s “absolute last resort”.

“People care so passionately. But the world’s moved on, and we don’t need to keep these,” she says. “It’s not good for New Zealand, and for us, to keep them. And they’re not being used. And they’re available elsewhere. All those arguments. We’ll find a way through, but I’m not sure that we can please everyone.”

(3) BUTLER IS CONSTANTLY RELEVANT. The Atlantic’s Lovia Gyarkye says “Octavia Butler’s Final Novel Shows Us How to Coexist”.

Octavia E. Butler spent most of her life excavating the past and observing the present to construct stories attuned to society’s woes and grim futures. She wrote about a Black woman in 1970s Los Angeles repeatedly transported to the antebellum South; about a teenage girl who establishes a religion to save her community from climate destruction; and about the alien colonization of Earth. She was obsessed with broad, gnarly themes: intimacy and sex, hierarchy and power, the link between ancestral knowledge and eventual survival. There is always, it seems, a Butler book for our times. And as the world plods through the third year of the pandemic, one of her most peculiar works might be the most resonant today.

Fledgling, the last novel Butler published before her death in 2006, is a propulsive story about Shori, an amnesiac 53-year-old Black vampire who must reconstruct her past after she wakes up shrouded in darkness, alone and with no memories….

(4) STEALTH ON THE SHELF. “An 8-Year-Old Wrote a Book and Hid It on a Library Shelf. It’s a Hit.” The New York Times interviews a trailblazer in self-published sff.

During his Christmas break, Dillon Helbig, an 8-year-old boy from Boise, Idaho, wrote a book that he wanted everyone to read.

He had spent a long time on it — four days to be exact — and filled 81 pages of an empty journal with a richly illustrated tale about how he gets transported back in time after a star atop his Christmas tree explodes.

But he did not have a book deal. (He’s only in second grade, after all.) So when his grandmother took him to the Lake Hazel branch of the Ada Community Library in Boise at the end of December, he slipped the sole copy of his book onto a shelf containing fiction titles….

…In his “Crismis” tale, Dillon, the protagonist and the author, goes on a time-traveling adventure after the star on the tree explodes.

“Santa comes,” he said, explaining the next part of the plot. After that, Dillon comes across five trees, and one of them “was like a tree portal.”

The portal takes him back in time to the “first Thanksgiving” in 1621, a date that he had to confirm with his mother, Ms. Helbig said.

“His imagination is just incredible,” she said.

Dillon has been writing “comic-style books” since he was 5, his mother said, but this one is certainly his most successful. The library gave him its first-ever “Whoodini Award” for best young novelist, an award they created for him….

(5) PULP EPICENTER. PulpFest 50 will be held in Pittsburgh from Thursday, August 4 through Sunday, August 7. The theme will be “Action for a Dime!” As for “Why PulpFest?” – let Sara Light-Waller explain it to you.

…Why PulpFest? It’s an immersion. As with any niche convention, you’re surrounded by people speaking the same language. There’s no need to explain about a popular author or artist when talking to vendors. They already know! And probably know much more about the subject than you do. You’re rubbing elbows with professionals in all fields, very bright and interesting people. The presentations are always inspiring and I learn a lot from them. And the chance to see original artwork is simply outstanding. There are things you can see in the original art that you just can’t make out in reproductions….

(6) WHAT’S NEXT AFTER WORDLE (WHICH I DON’T DO). [Item by Daniel Dern.] Dunno if I’m the first to come up with this. As just posted to my FB page:

I’m working on a math-oriented sequel to Wordle: Gödle.

(Probably a good home for it would be Amazon Prime?)

* With a tip of the hat to Fred Pohl’s The Gold At The Starbow’s End

(7) SLYTHERIN TO BEAM UP. “Starfleet Academy Series In Works For Expanded Star Trek Universe” – Deadline has the story.

…A new offshoot, Star Trek: Starfleet Academy, is in development at CBS Studios and Alex Kurtzman’s studio-based Secret Hideout for the ViacomCBS streamer, sources said. Sharing a name with the late 1990s video game, the series is set among the college of cadets mentored for leadership roles in the United Federation of Planets space force.

We hear Absentia co-creator Gaia Violo is currently working on a take for the project. With the long-gestating Star Trek spinoff Section 31 starring Michelle Yeoh expected to get a pickup soon, Starfleet Academy is believed to be next in the Star Trek development pipeline behind it. It will be pitched to Paramount+ shortly, and the hope is to get it going in the next year, sources said….

(8) ONE TO SADDLE UP. And much sooner than that, you can view Star Trek: Strange New Worlds, which begins airing on Paramount+ beginning May 5.

(9) GO AHEAD AND TOUCH THAT DIAL. “Foundation TV Series Season 2 New Characters Announced” and Gizmodo’s Rob Bricken is grumpy.

Apple TV+’s loose adaptation of the classic Foundation sci-fi novels has just gotten a little looser. Ten new actors have been added to the cast to play 10 new characters on the show—and six of them appear to be very new, having not appeared in any of Isaac Asimov’s seven Foundation novels.

I’ve written off the TV series and thus refuse to get further upset about how it mangles the source material, but I think it is… interesting to see how much further Foundation is willing to deviate from its infamously difficult-to-adapt source material. Here are the actors, characters, and quick bios, all courtesy of Apple TV+…

(10) MOSES J. MOSELEY (1990-2022). Actor Moses J. Moseley died last week reports Deadline. The 31-year-old was best known for his appearances in six episodes of The Walking Dead. His other genre roles included The Hunger Games: Catching Fire (uncredited), Volumes of Blood: Horror Stories, Southern Fried Zombies, and an episode of TV’s Watchmen.

(11) RICHARD L. TIERNEY (1936-2022). Writer, poet and scholar of H. P. Lovecraft, Richard L. Tierney died February 1. Wikipedia finds him notable for his heroic fantasy, including a series of Red Sonja novels co-authored with David C. Smith. Some of his standalone novels utilize the mythology of Lovecraft’s Cthulhu Mythos. He is also known for his Simon of Gitta series (which cross historical Gnosticism with Lovecraft’s Cthulhu Mythos), his Robert E. Howard completions, and fiction utilizing such Howard-invented characters as Cormac Mac Art, Bran Mak Morn and Cormac Fitzgeoffrey.

(12) MEMORY LANE.

1939 — [Item by Cat Eldridge] Eighty-three years ago on this date, the Buck Rogers serial, produced by Universal Pictures, first aired. It starred Buster Crabbe (who had previously played the title character in two Flash Gordon serials and would return for a third.) Buster was sometimes billed as Larry Crabbe as well as you will note in the poster below. 

I don’t think I need to say that it’s is based on the Buck Rogers character as y’all know that as created by Philip Francis Nowlan but for the sake of the few Filers who will nitpick if I don’t I will. 

It was directed by Ford Beebe was Saul A. Goodkind as written by Norman S. Hall, Ray Trampe  and Dick Calkins. It would run for twelve chapters of roughly twenty minutes each. 

As I said Buck Roger was Larry “Buster” Crabbe with  Constance Moore was Wilma Deering, and Jackie Moran was “Buddy” Wade, an original character who was based on the Sunday strip character Buddy Deering.

It had a really small budget and re-used film footage from the futuristic Thirties musical Just Imagine. 

In 1953, it was edited into the film Planet Outlaws and twelve years it was edited again into Destination Saturn, not to stop there, the late Seventies saw the latter release of the latter as Buck Rogers. All three were feature films. 

Not surprisingly, you can watch it online — here is the first chapter. 

Buster Crabbe, Constance Moore, and Jackie Moran in Buck Rogers (1939)

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 2, 1933 — Tony Jay. Oh, I most remember him as Paracelcus in the superb Beauty and the Beast series even it turns out he was only in for a handful of episodes. Other genre endeavors include — and this is lest OGH strangle me only the Choice Bits — included voicing The Supreme Being In Time Bandits, an appearance on Star Trek: The Next Generation as Third Minister Campio In “Cost of Living”, being in The Adventures of Brisco County, Jr. (and yes, I loved the series) as Judge Silot Gato in ”Brisco for the Defense.” (Died 2006.)
  • Born February 2, 1940 — Thomas M. Disch. Camp Concentration, The Genocides, 334 and On Wings of Song are among the best New Wave novels ever done.  He was a superb poet as well, though I don’t think any of it was germane to our community. He won the Nonfiction Hugo for The Dreams Our Stuff Is Made Of at Aussiecon 3, a critical but loving look on the impact of SF on our culture, and was nominated for a number of other Hugos for his short fiction. (Died 2008.)
  • Born February 2, 1944 — Geoffrey Hughes. He played Popplewick aka The Valeyard in the Fifth Doctor story, “The Trial of The Time Lord”. Intriguingly he was also the voice of Paul McCartney in Yellow Submarine which surely is genre. (Died 2012.)
  • Born February 2, 1947 — Farrah Fawcett. She has a reasonably good SFF resume and she‘s been in Logan’s Run as Holly 13, and Saturn 3 as Alex. (Does anyone like that film?) She was also Mary Ann Pringle in Myra Breckinridge which might I suppose be considered at least genre adjacent. Or not.  Series wise, she shows up on I Dream of Jeanie as Cindy Tina, has three different roles on The Six Million Man, and was Miss Preem Lila on two episodes of The Flying Nun. (Died 2009.)
  • Born February 2, 1949 — Jack McGee, 73. Ok, so how many of us remember him as Doc Kreuger on the Space Rangers series we were just discussing not long ago? I’ve also got him as Bronto Crane Examiner in The Flintstones in Viva Rock Vegas, as a Deputy in Stardust, Mike Lutz in seaQuest, Doug Perren in Buffy the Vampire Slayer and a Police Officer on Person of Interest, to name some of his genre roles.
  • Born February 2, 1949 — Brent Spiner, 73. Data on more Trek shows and films than I’ll bother listing here. I’ll leave it up to all of you to list your favorite movements of him as Data. He also played Dr. Brackish Okun in Independence Day, a role he reprised in Independence Day: Resurgence, a film I’ve not seen yet. He also played Dr. Arik Soong/Lt. Commander Data in four episodes of Enterprise.  Over the years, he’s had roles in Twilight Zone, Outer Limits, Tales from the Darkside, Gargoyles, Young Justice, The Avengers: Earth’s Mightiest Heroes and Warehouse 13. 
  • Born February 2, 1986 — Gemma Arterton, 36. She’s best known for playing Io in Clash of the Titans, Princess Tamina in Prince of Persia: The Sands of Time, Strawberry Fields in Quantum of Solace, and as Gretel in Hansel and Gretel: Witch Hunters. She also voiced Clover in the current Watership Down series. 

(14) COMIC SECTION.

  • Frank and Ernest work out their own Variety cliché headline.
  • Speed Bump has a “ripped from the headlines” version of “The Three Little Pigs.”

(15) THE PROOF IS IN THE READING. Ursula Vernon couldn’t stand it any longer. Thread starts here.

(16) TODAY’S BURRITO FILLING. There’s a review here with an award campaign wrapped around it: “Please give the German android gigolo movie a Hugo nod” urges the Hugo Book Club Blog.

…Despite an initial clinical detachment, Dr. Felser begins to be enticed by the android’s meticulous focus on being the ideal romantic partner. But she can’t fully buy into the experience because she knows that every perfect moment is the product of research, psychology, and algorithms. Simultaneously, she’s challenged emotionally by her ex-husband and his new girlfriend’s decision to have a baby together. This is all, of course, standard plot tension for a romance film.

What’s refreshing, for both AI and romance films, is that I’m Your Man feels like a deeply personal movie, comfortable both with its own awkwardness, and with tackling the difficulties of relationships and the contradictory desires of humans. This is not a movie that follows standard Hollywood narrative patterns, or focus-grouped easy satisfaction conclusions, but rather tells a story that one person wanted to tell. And it’s stronger for that. Writer-director Maria Schrader is probably best-known in North America for directing the Netflix drama Unorthodox, for which she won an Emmy…

(17) ARRIVAL. The New York Times’ Dennis Overbye philosophizes about “The James Webb Space Telescope and a Quest Every Human Shares”.

On Monday, NASA announced that the James Webb Space Telescope had reached the perch from which it could spend as much as 20 years in surveillance of the cosmos. It traveled about a million miles since launching on Dec. 25, and what a journey that has been.

The telescope was launched from French Guiana as a tightly wrapped package of wires, plastic and slabs of gold-plated beryllium. As it journeyed toward its destination, it had to unfold like a robot from the “Transformers” movies and shape-shift into, well, a telescope with a golden 21-foot-wide mirror gliding atop a silver sunshield.

There were 344 things that could have gone wrong during that month — what NASA calls “single point failures” — that would have doomed the mission.

The astronomers were on the edge of their seats.

And so were I and my colleagues. We knew that at any moment a call or a tweet saying something on the telescope had snagged or ripped or frozen, gone offline or just started sending gibberish would plunge us into a heartbroken crisis investigation: Interviewing disappointed and baffled astrophysicists, begging engineers for better explanations about tiny bits of metal or computer algorithms we’d never heard of, covering rounds of commissions, tiger team reports, congressional hearings and outside critics.

Everything about the Webb would be up for grabs: What shortcuts were taken during the decades of effort, by whom? Who had an idea or a suspicion that was ignored? What was the road not taken?

At the risk of jinxing the whole thing, not to mention my journalistic objectivity, I have to say I’m glad it didn’t happen that way. NASA did what it had to do.

And we as humans, temporary inhabitants of a dust mote, as Carl Sagan said, did what we had to do. The Webb telescope is designed to ferret out the very first stars and galaxies that lit up the foggy aftermath of the Big Bang and initiated the grand crescendo of evolution that produced us, among other things, as well as to search for clues to whether the conditions might be right for other creatures’ emergence, on nearby exoplanets….

(18) SYNCH OR SWING. A Boston Dynamics Robot dances to “BTS’ IONIQ: I’m On It” on the Tonight Show with Jimmy Fallon.

(19) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Deep Rock Galactic,” Fandom Games says this game lets you dig into the earth with your fellow dwarfs to fight bug monsters for a soulless corporation.  But make sure you’re playing this with friends, because there are “much cheaper and less sad ways to have a good time” than playing this game alone.

[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Daniel Dern, Olav Rokne, Cora Buhlert, Bill, Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern, with an assist from a big monkey.]

Pixel Scroll 12/3/21 Galaxies In My Trousers Like A Scroll In My Pixel!

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(1) INTRUDER ALERT. A week ago, Canadian sff writer Candas Jane Dorsey came home and discovered a break-in in progress. The police were called. All of what happened next is in this Facebook post.

Last Thursday we had a lovely dinner out with our friend Jane B., and came home to do some more work, and just as I was getting ready for bed I heard some thumping and then the alarm went off, saying there was an issue in the basement. Timothy went outside to look through the windows and there was indeed an intruder, who turned and pointed something black at him. Was it a gun? In Canada, that’s not common, though the police have been finding more guns among the criminals in town, so… Anyway, it looked like maybe…

Police were already being called, but adding the words “he might have a gun” rather sharpened the response time–and the scale of the response. Soon we were waiting up on the second floor while SWAT tactical vehicles and people with guns (I was going to say “guys with guns” but there was no way of knowing if they were guy-guys or generic-guys so I’m going with people, or police officers) and Colt Carbines and other people in squad cars and other people in unmarked white SUVs blocked streets and surrounded our house, and the police helicopter looked down on us with infrared scopes, and it was Uncle Tom Cobbley and all around here for the next nine hours, as the intruder hunkered down and refused to come out….

(2) DIAGRAM PRIZE WINNER. The Guardian reports “Is Superman Circumcised? wins oddest book title of the year award”

The Diagram prize, which is run by The Bookseller magazine and voted for by the public, pitted six titles against each other this year, from Curves for the Mathematically Curious to Hats: A Very Unnatural History. Despite competition from second-placed The Life Cycle of Russian Things: From Fish Guts to Fabergé, Is Superman Circumcised? took 51% of the public vote to win the award. More than 11,000 people cast a vote in this year’s competition.

The title, which follows in the footsteps of former winners including How to Avoid Huge Ships and The Big Book of Lesbian Horse Stories, sees author Roy Schwartz explore the creation of the “Mensch of Steel” by Jewish immigrants Jerry Siegel and Joe Shuster. Schwartz argues that Superman’s origin story is based “on Moses, his strength on Samson, his mission on the golem, and his nebbish secret identity on themselves”, and that Krypton’s society is based on Jewish culture.

(3) FIVE BEST. Adam Roberts picks “Five of the best science fiction and fantasy books of 2021” in the Guardian. First on the list:

Far from the Light of Heaven
by Tade Thompson (Orbit)
Space is vast but spaceships are by nature claustrophobic: Thompson plays cannily on that contrast. Passengers aboard the starship Ragtime are in suspended animation on their way to the distant planet Bloodroot, but 30 people have been murdered in their sleep. Thompson’s tale is cleverly plotted and tensely told as the investigating captain must work against her own crew, bio-contagion, violent robots and a demonic AI to uncover the murderer’s identity. The book does more than the description “locked-room mystery in space” suggests: not only wrong-footing the reader as its mystery unfolds, but creating a series of believable, compelling worlds with some genuinely alien aliens.

(4) BEAR MEDICAL UPDATE. Elizabeth Bear posted a public “cancer stuff update” on her Livejournal.

Just wanted to check in and let you all know that things are finally moving again here. I got some good news on Monday, which is to say that my oncotype came back and there’s no indication that chemo will reduce the chances of a recurrence, so I am off the hook for that (and enormously relieved, honestly). And the Infamous Seroma has healed enough that unless there’s some kind of additional complication, I will FINALLY be having my radiation setup, CT, and simulation on Monday morning….

(5) PRIME TIME FOR KIWI SFF. The Aotearoa New Zealand Festival of the Arts, happening in Wellington next February/March, has numerous items of genre interest. SFFANZ News compiled this list of links:  

(6) NFT ABUSE OVERWHELMS ARTISTS. Artists are burdened by having to generate DMCA takedown notices to keep their work from being thieved by NFT creators.

(7) ASIMOV RARITIES. Heritage Auctions has a set of the Gnome Press edition of the Foundation Trilogy on the block right now (Lot #45145). These books were published in 1951-1953. The bidding is up to $6,250.

(8) FIRST FANDOM ANNUAL 2021. Now available is the fanhistory tribute volume Remembering Erle M. Korshak (1923-2021) edited by John L. Coker III and Jon D. Swartz.

This is a tribute to legendary SF enthusiast Erle Melvin Korshak, remembered as a renowned book-seller, conventioneer, art collector and publisher. In several conversations, Erle recalls the early days of fandom, the first two worldcons, publishing articles in fanzines and the pulps, and some friends he made along the way. A new article about the history of Shasta Publishers is accompanied by Erle’s reflections on his days as a pioneering specialty press book publisher.

Other highlights include appreciations by several of Erle’s long-time friends, a gallery of First Fandom photos and an 8-page bibliography prepared by SF historian Christopher M. O’Brien.

60 pages, limited ed. (50 #’d copies) Laser printed on 28# quality paper Photographs and interior illustrations Gloss covers, 81?2 x 11, saddle-stitched. To order, send a check for $35 payable to John L. Coker III (includes packing, USPS Priority Mail, insurance, and tracking) to John at 4813 Lighthouse Road, Orlando, FL – 32808.

(9) ELIGIBILITY, YOU KNOW. Tor.com would not want you to overlook “All of Tor.com’s Original Short Fiction Published in 2021” which is linked from this post.

Since launching in 2008, Tor.com’s short fiction program has been producing touching, funny, and thought-provoking stories, and this year was no different! In 2021, we published 15 original short stories, another 15 novelettes, plus one novella. These ran the gamut from hard science fiction to epic fantasy, from horror to dystopia, from fairy tales to space opera. We’ve rounded them all up below…

(10) RETELLINGS CONSIDERED. In the Rite Gud podcast, Raquel S. Benedict contends a popular story form has some shortcomings: “#Girlboss: The Problem With ‘Feminist’ Fairytale Adaptations”.

We like folklore, and we like feminism. So why not combine them? A lot of writers do. Feminist retellings of old fairy tales are very popular. We have girlboss Cinderella starting her own business, rebellious Belle teaching girls to read in Beauty and the Beast, Snow White leading an army into battle. And why not? What’s wrong with updating folklore for a more enlightened age? We all like to see strong women kicking ass, don’t we?

But sometimes, despite our good intentions, these updates lose something in translation.

(11) MEMORY LANE.

2007 — [Item by Cat Eldridge.] Fourteen years ago, The Demon Barber of Fleet Street premiered. It was directed by Tim Burton. It is an adaptation of Stephen Sondheim and Hugh Wheeler’s Tony Award-winning 1979 musical of the same name. In turn it is obviously based off of the Victorian Penny dreadful Sweeney Todd, the Demon Barber of Fleet Street. It starred Johnny Depp, Helena Bonham Carter, Alan Rickman, Timothy Spall and Sacha Baron Cohen. Critics really like it with the Christian Science Monitor saying “A considerable achievement even if, on balance, it’s more of a Tim Burton phantasmagoria than a Sondheim fantasia.” And the Independent declared that “Relentlessly morose and courageously just, Tim Burton’s “Sweeney Todd” is a maniacal near masterpiece.” It was a box office success making two hundred million on a budget of fifty million. And audience reviewers at Rotten Tomatoes currently give it a superb eighty-one percent. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 3, 1918 — Polly Freas. Fan and wife of SFF artist Frank Kelly Freas with whom she had three children; she was much loved in fandom. She and Kelly co-edited Wonderworks: Science Fiction and Fantasy Art by Michael Whalen, which was a Hugo finalist for Best Nonfiction Book. She was Guest of Honor at numerous conventions, and was given a Special Award by Southern Fandom. (Died 1987.)
  • Born December 3, 1922 — Donald H. Tuck. Engineer, Writer, Editor, and Fan from Tasmania, Australia who discovered SF very young. By the time he was 18, he had co-edited three issues of the fanzine Profan, which included author bios and bibliographies. Considering the logistical difficulties of the time in terms of communication by snail mail – especially given the added difficulty due to WWII and the distance of Australia from the U.S. – his feat in amassing a huge collection, and a file of index cards with the details of hundreds of SFF works, was impressive. In 1954, he collected those index cards into A Handbook of Science Fiction and Fantasy, a 151-page bibliography of the field; in 1959 he released a greatly-expanded and updated version, at 396 pages. He was given a Worldcon Special Award for this work. He continued to refine this over the years, and in 1974 produced the first volume of The Encyclopedia of Science Fiction and Fantasy through 1968: Who’s Who, for surnames starting A to L, followed four years later by Volume 2, for M to Z, and was recognized for this work with a World Fantasy Special Award. The third volume, a bibliography to accompany the two-volume encyclopedia of authors, editors, and artists, won a Hugo Award. He was to be Guest of Honor at the first Australian Worldcon; when he couldn’t attend, a group of fans went to visit him at his home. In 1985, he was given Fandom’s Big Heart Award. (Died 2010.)
  • Born December 3, 1937 — Morgan Llywelyn, 84. Writer and Equestrian born in the U.S. who, after missing out on the Olympic dressage team by a minuscule fraction of a percentage point, turned to researching her Irish roots, and began to write historical fantasy, fiction, and nonfiction based on Celtic history and traditions. After her husband’s untimely early death, she moved to Ireland and is now a citizen residing near Dublin. Her first genre novel, Lion of Ireland, was nominated for a Mythopoeic Award. Her short genre fiction has been published in the collection The Earth Is Made of Stardust.
  • Born December 3, 1949 — Malcolm Edwards, 72. Writer, Editor, and Critic from England who is considered one of the field’s great editors. Early in his career, he joined the British Science Fiction Association, and served as editor of its journal Vector. He was extremely active in British fandom in the 60s and 70s, producing several fanzines, and was one of the co-founders of the semiprozine Interzone. In the 80s, he co-wrote several SFF nonfiction reference works. His work has influenced many fans’ reading: as SF editor for Gollancz, he launched the SF Masterworks series. He was Deputy CEO of the Orion Publishing Group until 2019. Although he is best known as an editor, his short story “After-Images” won a British Science Fiction Award, and has been included in five different anthologies. He was Guest of Honor at Worldcon in London in 2014.
  • Born December 3, 1958 — Terri Windling, 63. Author of The Wood Wife, winner of the Mythopoeic Award for Novel of the Year. She has deservedly won has won nine World Fantasy Awards, the Mythopoeic Fantasy Award, and the Bram Stoker Award. The Armless Maiden collection was on the short-list for the then-named James Tiptree, Jr. Award. Along with Ellen Datlow, Windling edited sixteen volumes of the Year’s Best Fantasy and Horror  from 1986–2003. (Yes, the first volume is actually called Year’s Best Fantasy. I do have a full set here so I know that.) She is one of the core creative forces behind the mythic fiction emergence that began in the early Eighties through her work as an editor for the Ace and Tor Books fantasy lines, and they also edited a number of anthologies such as the superb Snow White, Blood Red series which collected the very best in contemporary fantasy. These are available at the usual suspects at very reasonable prices. I’m very fond of her work with Illustrator Wendy Froud, wife of Brian Froud, on the Old Oak Wood series about faeries living in the Old Oak Wood.  She interviewed one of them, Sneezlewort Rootmuster Rowanberry Boggs the Seventh, for Green Man here.
  • Born December 3, 1960 — Daryl Hannah, 61. She made her genre debut in Brian De Palma’s The Fury, though she’s better known as Pris in Blade Runner. And she was the mermaid Madison in Splash. In a decidedly unfashionable role, she was Ayala in The Clan of The Cave Bear before being Mary Plunkett Brogan in High Spirits where she was nominated for a Golden Raspberry Award for Worst Supporting Actress. Was she really that bad in it? Her last genre role I think was in the Sense8 series as Angelica Turing, though she had a cameo as herself in this year’s Cosmic Radio.
  • Born December 3, 1968 — Brendan Fraser, 53. The Mummy and The Mummy Returns are enough to get him Birthday Honors. (Let’s not mention the third Mummy film.) Though he’s been in Monkeybone based on Kaja Blackley’s graphic novel Dark Town, Sinbad: Beyond the Veil of Mists, Looney Tunes: Back in Action, Journey to the Center of the Earth, G.I. Joe: The Rise of Cobra and being Robotman on the Doom Patrol series that now airs on HBO Max.
  • Born December 3, 1985 — Amanda Seyfried, 36. She play Ed Zoe, the lead Megan’s best friend in Solstice, a horror film. Another horror film, Jennifer’s Body, shortly thereafter, finds here playing Anita “Needy” Lesnicki. Red Riding Hood, yes, another horror film, had her cast has as Valerie. She plays Sylvia Weis, a role within In Time in a dystopian SF film next and voices Mary Katherine, Professor Bomba’s 17-year-old daughter in Epic which is at genre adjacent. She’s Mary in an animated Pan, a prequel to Peter Pan which sounds delightful. Lastly, she has a recurring role as Becky Burnett on Twin Peaks. And did we decide Veronica Mars was at least genre adjacent? If so, she has a recurring role as Mary on it. 

(13) COMICS SECTION.

  • Bizarro shows why you don’t let psychiatrists interview your favorite cartoon characters.

(14) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present N.K. Jemisin and David Leo Rice at the KGB Bar on Wednesday, December 15 at 7:00 p.m. EDT. (Proof of COVID-19 vaccination is required to enter the KGB Bar. Face masks required when not seated.)

N. K. Jemisin

N. K. Jemisin is a New York Times-bestselling author of speculative fiction short stories and novels. In 2018, she became the first author to win three Best Novel Hugos in a row, for the Broken Earth trilogy, currently in film development. She has also won a Nebula Award, two Locus Awards, and is a recipient of the MacArthur “Genius” Fellowship.

David Leo Rice

David Leo Rice is an author from Northampton, MA, currently living in NYC. His books include A Room in Dodge City, A Room in Dodge City: Vol. 2, Angel House, and Drifter: Stories. His novels The New House and A Room in Dodge City: Vol. 3 are forthcoming in 2022. He currently teaches at Parsons School of Design and FIT.

(15) MIGHT NEED A SPIN DOCTOR. Fantasy Literature’s reviewer Bill Capossere finds the series all too familiar: “The Wheel of Time: The wheel spins a little too slowly”.

…The show also isn’t helped, at least early on, by its characterization or its dialogue. The younger main characters have been aged up (if I’m remembering correctly — it’s been a long time), mostly it seems so they can have (undepicted) sex, which seems an odd reason. Otherwise, they feel at this point bland, unformed, and indistinguishable beyond their stock type (roguish irresponsible one, brooding pining one, grieving simmering one, bitter angry one, etc.). Honestly, they look and feel like they could have accidentally walked off the set of any CW show and into this one while the cameras were rolling. The older characters, Moiraine and the “gleeman” Thom fare better as characters, but Moiraine is saddled with a lot of expository and/or portentous monologuing (and not in a good, fun way)….

(16) COVID FRONT LINES. “Violence Against Australian Booksellers” is Shelf Awareness’ report about an incident that occurred when employees tried to get customer compliance with local Covid rules.

In Australia, the Dymocks bookstore on Collins St. in the CBD in Melbourne has been forced to hire security guards “after employees were attacked by customers refusing to follow Victoria’s Covid-19 rules, with one worker being pushed down an escalator,” the Age reported. The store’s owners said the move would cost hundreds of dollars a day, but safety of staff was paramount. The incidents are being investigated by police.

“We, as small business owners never thought that making our staff do this Covid marshaling checking would result in this kind of violence,” co-owner Melissa Traverso said, adding that just hours before one employee was assaulted, another staff member had been slapped by a woman who refused to give her personal details. The Age noted that “later on Friday, a third worker was tackled by an angry customer who did not provide a valid proof of vaccination, but managed to steady himself and avoid falling down the escalator.”…

(17) RO-MAN. [Item by Ben Bird Person.] Artist/illustrator Jacob Paik did this piece based on the 1953 movie Robot Monster:

(18) IT’S A THEORY. “Returned asteroid samples suggest missing source of Earth’s water: the solar wind” – Daily Kos tells why.

One puzzle about Earth’s formation is that our planet shouldn’t have nearly as much water as it does.  Asteroids that formed closer to the Sun, such as those in the inner asteroid belt between Mars and Jupiter, have very little water, while those that formed farther out have much more.  So that implies that Earth, which formed even closer to the Sun than those asteroids, started out pretty dry and must have gotten its water from some far-out source.  But what could that source be?

Much of Earth’s water could very well have come from carbonaceous chondrite meteorites, flung to Earth from asteroids that formed far from the Sun, out around Jupiter/Saturn and beyond.  Those weren’t exposed to much heat when they formed, and so their volatile components like water could stay put.  Carbonaceous chondrite meteorites can contain up to 20% water. 

It would take a whole lot of hits by these kinds of meteorites to produce our oceans, but even if we grant that possibility, when you take them as a whole, their water doesn’t quite match Earth’s water in one important way: it’s too heavy.

“Heavy” water is not H2O but rather D2O.  Its hydrogen atoms are replaced by deuterium atoms.  A hydrogen atom is simply a proton and an electron, but a deuterium atom is that plus a neutron, so it’s heavier. 

On Earth we’ve got water with about 150 parts per million deuterium, but the average for those asteroids is more like 190.  So we seem to be missing a significant source of lighter water to make all of this add up.

Enter the solar wind!…

[Thanks to Martin Morse Wooster, JJ, John King Tarpinian, Ben Bird Person, Olav Rokne, StephenfromOttawa, Daniel Dern, Andrew Porter, Michael Toman, Cat Eldridge, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day Bonnie McDaniel.]

Pixel Scroll 11/19/21 Now We Know How Many Holes It Takes To Fill A Pixel Scroll

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(1) REFUTING FOUNDATION. Who cares if a brutal autocracy is destroyed? Why would anyone want to make another one? The Atlantic’s Zachary D. Carter says “’Foundation’ Has an Imperialism Problem”. Beware spoilers.

… Foundation is a grand sci-fi adventure, sure, but it’s better understood as a work of political theory—a young American’s dialogue with the Enlightenment historian Edward Gibbon about the promise and peril of empire. To its credit, Apple’s new series embraces the philosophical ambition of Asimov’s masterpiece. But in updating Foundation for the 21st century, Goyer has produced a near-comprehensive repudiation of his source material. This is a show not about space or science, but rather the limits of liberal politics….

(2) WITH A SENSE OF LOSS. David Drake told his newsletter readers he’s giving up writing new novels, but will keep writing short stories. In his own words: “Newsletter #123 – the last one”.

Karen suggested I title this newsletter last, so I’m doing that. My health problems continue, whatever they are. I can’t concentrate enough to write a novel and I even had to give up my project with Ryan Asleben, (who couldn’t have been nicer).

I just couldn’t keep my texts straight. I’m still able to write stories and I think they’re pretty good. One on military robots is coming out in what’s now called Robosoldiers: Thank you for your Servos, edited by Stephen Lawson (Baen June 2022). The later story I did as a whim has been accepted for Weird world War III: China, edited by Sean Patrick Hazlett.

I can’t tell you how much I regret retiring. I’m okay for money and the anger I came back from Nam with has settled down to the point I’m no longer dangerous to other people, but I would certainly be happier if I were able to write….

(3) THE INTERSTELLAR JEWISH DIASPORA. [Item by Olav Rokne.] In his article “The Incredible True Story Behind TV’s Strangest Space Jew,” Yair Rosenberg meditates on representation of his culture in SFF, on the relationship between mainstream Christianity and Judaism, and on the life (and death) of a little-known character actor. It’s an interesting bit of research, and a reminder about the importance of cultural details in fiction. “The Incredible True Story Behind TV’s Strangest Space Jew” in The Atlantic.

…But for my money, with apologies to Mel Brooks, the most remarkable and utterly unexpected space Jew is this guy from the cult classic Firefly:

Created by Joss Whedon, Firefly lasted only one season, but it sold so many DVDs after it was canceled that the studio revived it for a full theatrical film. The yarmulke-clad figure is Amnon, the space mailman [played by character actor Al Pugliese] who runs a post office frequented by the show’s heroes. He appears in only one episode, and his Jewishness is so fascinating because it goes entirely unremarked. The show’s characters never discuss it, and it plays no role in the plot. It’s just there.

So how did this happen—and in one of the most celebrated single seasons of television ever created, no less? And what explains the incredible attention to detail? Observant viewers will note that Amnon is even wearing tzitzit, the ritual fringes typically but not exclusively donned by Orthodox Jewish men, an impressively deft touch. Why so much effort for something so seemingly incidental?…

(4) PUGLIESE DEATH NOTICE. Incidentally, Steven H Silver reported today that Al Pugliese (December 24, 1946) died from complications from COVID on July 24, 2021. His genre roles included episodes of Firefly, American Horror Story, and Brisco County, Jr., and the films Annihilator and Philadelphia Experiment II. Pugliese was not, in fact, Jewish, though as he told the writer of The Atlantic article above: “Even some of the Jews on set—actors and crew members—mistook him for a religious authority. ‘I’d say, “Wait a minute guys, I’m not a rabbi, I’m an actor.”’”

(5) PEEVED IN TEXAS. This is the lede of a column by Karen Attiah in the Washington Post about librarians battling book banners. “Texas librarians are on the front lines in a battle for the right to read”.

“Librarians are the secret masters of the world,’ wrote American Canadian author Spider Robinson.  “They control information.  Don’t ever piss one off.”

(6) IN DIALOG. “Explicit Queerness: A Conversation with Charlie Jane Anders by Arley Sorg” is a feature in the November Clarkesworld.

What is the key to writing a coming-of-age story that really speaks to readers?

What I love in a coming-of-age story is a character who is discovering their identity at the same time that they’re learning how the world works. There’s something super powerful and also heartbreaking about realizing that the world wasn’t what you thought, while also claiming your own selfhood and your own power. I sort of think of Empire Strikes Back as the great coming-of-age story, alongside the Earthsea books. And more recently, Binti by Nnedi Okorafor.

(7) YOUTH WANTS TO KNOW. Dominic Monaghan and Billy Boyd recently sat down for Wired‘s online series where celebrities answer the web’s most searched questions.

Dominic Monaghan and Billy Boyd answer the web’s most searched questions about themselves and ‘The Lord of the Rings.’ What is Dominic Monaghan doing right now? How tall is Billy Boyd? Why is Peregrin Took called Pippin? What kinds of accents do Merry and Pippin have? Dominic and Billy Boyd answer all these questions and much more!

(8) THIS IS NOT FOR YOU, PADAWAN. “Star Wars’ Real Lightsaber Is the Only Thing Without a Price at Disney’s Galactic Starcruiser” – Gizmodo has the story.

Hey, you remember that awesome lightsaber Disney revealed that looked like the laser blade was actually igniting and extending? Like a parent to a small child reaching for a pair of sharp scissors, Disney has said, “Only Daddy touch.” Meaning the company is not going to offer them to the public, even if you’re going to the stupid-expensive Galactic Starcruiser Star Wars LARP hotel.

In fact, the only way you’ll ever be able to get your hands on one is to get hired as an actor at the Galaxy’s Edge section of Walt Disney World in Orlando, Florida—specifically as a Jedi—since they’ll be the only ones allowed to carry them…

(9) OH WHAT FUN. Elves is a Danish horror series picked up by Netflix.

(10) S&S PODCAST. [Item by Cora Buhlert.] The Rogues in the House podcast interviews Philip Gelatt and Morgan King, creators of the animated sword and sorcery film The Spine of Night. This is exactly the sort of project — both movie and podcast — that deserves more attention.  “’Spine of Night’ with Creators Morgan King and Phil Gelatt”.

 (11) THEY NAMED YOU AFTER THE DOG? Olivia Rutigliano talks about fatherhood as portrayed in Indiana Jones and the Last Crusade: “’Don’t Call Me Junior’: Indiana Jones & the Last Crusade (1989)” at Bright Wall / Dark Room.

… Furthermore, this man’s whole outfit is the one Indy will later wear on his adventures—the button-down and khakis, the leather jacket and shoulder bag. The grown-up Indy has fashioned himself in the image of this man, emulating the look and even the occupational stylings of this nameless stranger for his whole adult life. That this man means so much to him suggests firmly that he has rejected his own father—the man who sits in such close proximity, yet has no time, patience, or interest to listen to his son and understand what is wrong. This man, this bandit he has just met, offers the young Indy admiration and pride—fond paternal regard which, it is implied, he has long been denied…. 

…Indy’s name is Henry Jones, Jr., but he never goes by it …

For Indiana Jones, everyone is a formative father figure—random criminals, animals—except his own father.

(12) MEDIA BIRTHDAY.

1999 — Twenty-two years ago, Tim Burton’s Sleepy Hollow premiered. You know what’s it’s rather loosely based with the story here being scripted by Kevin Yagher and Andrew Kevin Walker. The former is notable for being known as responsible for Freddy Krueger’s makeup and the Crypt Keeper creature. They met when the Walker was working on the latter series. It starred Christina Ricci, Miranda Richardson, Michael Gambon, Casper Van Dien and Jeffrey Jones. 

Generally critics loved it with Roger Ebert praising both Johnny Depp’s performance and Tim Burton’s visual look.  And Doug Walker said the “clever casting” gave it the feel of a classic Hammer film, high praise indeed.  It was a reasonable box success making two hundred million against the rather high costs of a hundred million. Remember the studio doesn’t get all of a ticket sale. Audience reviewers currently at Rotten Tomatoes give it a rather exemplary eighty percent rating. 

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 19, 1936 — Suzette Haden Elgin. She founded the Science Fiction Poetry Association and is considered an important figure in the field of SFF constructed languages. Both her Coyote Jones and Ozark Trilogy are most excellent. Wiki lists songs by her that seem to indicate she might’ve been a filker as well. Mike of course has a post on her passing and life here. (Died 2015.)
  • Born November 19, 1953 — Robert Beltran, 68. Best known for his role as Commander Chakotay on Voyager. Actually only known for that role. Like so many Trek actors, he’ll later get involved in Trek video fanfic but Paramount has gotten legalistic so it’s called Renegades and is set in the Confederation, not the Federation. And it’s shorn of anything that identifies it as Trek related.
  • Born November 19, 1955 — Sam Hamm, 66. He’s best known for the original screenplay (note the emphasis) with Warren Skaaren for Burton’s Batman and a story for Batman Returns that was very much not used. He also wrote the script for Monkeybone. Sources, without any attribution, say he also wrote unused drafts for the Fantastic Four, Planet of the Apes and Watchmen films. And he co-wrote and executive produced the M.A.N.T.I.S.series with Sam Raimi. 
  • Born November 19, 1958 — Charles Stewart Kaufman, 63. He wrote Being John Malkovich and Eternal Sunshine of the Spotless Mind, both definitely genre. The former was nominated for a Hugo at Chicon 2000, the year Galaxy Quest won. Eternal Sunshine of the Spotless Mind was also a Hugo nominee, losing to The Incredibles at Interaction. 
  • Born November 19, 1962 — Jodie Foster, 59. Oscar-winning Actor, Director, and Producer who played the lead in the Hugo-winning film version of Carl Sagan’s Contact, for which she received a Saturn nomination. She has also received Saturn noms for her roles in horror films The Silence of The Lambs, Flightplan, and Panic Room, and she won a well-deserved Saturn trophy for her early horror role at the age of thirteen in The Little Girl Who Lives Down the Lane. Other roles include Elysium, the recently-released Hotel Artemis, and voice parts in The X-Files series and the animated Addams Family.
  • Born November 19, 1963 — Terry Farrell, 58. She’s best known for her role as Jadzia Dax on Deep Space Nine. She, too, shows up as cast on Renegades video Trek fanfic that Beltran is listed as being part of. She’s got some other genre roles such as Joanne ‘Joey’ Summerskill in Hellraiser III: Hell on Earth, and Allison Saunders in Deep Core. Interestingly she played the character Cat in the American pilot of Red Dwarf. Anyone seen this? 
  • Born November 19, 1965 — Douglas Henshall, 56. Best known for his role as Professor Nick Cutter on Primeval. He played T.E. Lawrence in two stories of the Young Indiana Jones Chronicles series, and the lead in The Strange Case of Sherlock Holmes and Arthur Conan Doyle. He showed up on Sea of Souls, a BBC paranormal series. Finally he had a recurring role as Taran MacQuarrie on Outlander.
  • Born November 19, 1975 — Alex Shvartsman, 46. Author of the delightfully pulpy H. G. Wells: Secret Agent series. A very proficient short story writer, many of which are collected in Explaining Cthulhu to Grandma and Other Stories and The Golem of Deneb Seven and Other Stories.

(14) FAMOUS TUBES. “The Wonderful World of Disney Neon” will be a Zoom artist talk hosted by the Museum of Neon Art on December 9 – cost $10.

Zoom Artist Talk
Thursday, December 9, 7pm PST

The Museum of Neon Art and Steve Spiegel, Story Editor Executive for Walt Disney Imagineering will present a one-night-only Zoom event on December 9th at 7pm showcasing the history of luminous tubing in Disney Parks. Disney theme parks are known for their rigorous attention to historic and aesthetic detail and the “Imagineers,” Disney’s team of artists, writers, engineers and technicians use neon and other forms of lighting in multiple ways, from perfectly replicating Golden Age movie houses of Hollywood to transporting audiences into hyper-realistic future worlds. This illustrated lecture draws from the Disney archives as well as Steve’s own photographs. Through images, the presentation details both the history of neon and of Disney. Audiences will learn when neon first appeared in Disney parks, and how the medium influenced park architecture, visitor experience, and storytelling. Audiences will be wowed by the levels of narratives presented through light at Disney theme parks worldwide, such as the dazzling neon collection at Cars Land in Disney California Adventure Park.

Presenter Steve Spiegel is the Story Editor Executive for Walt Disney Imagineering, the theme park design and development division of The Walt Disney Company.

(15) 5-7-5, OR WHATEVER TICKLES YOUR FANCY. Fantasy Literature is taking submissions to its “Eighth Annual Speculative Fiction Haiku Contest”. In addition to receiving the glory, “We’ll choose one haiku author to win a book from our stacks or a FanLit t-shirt (depends on size availability). If you’re outside of the U.S.A., we’ll send a $5 Amazon gift card.” Here are two of their “inspirations from previous years.”

We fear the new plague.
Still, we come together at
Station Eleven.

When they realize
that I’m there to rescue them–
I don’t hate that part.

(Murderbot, paraphrased)

(16) PLAY IT AGAIN. “’A Voyage to Arcturus’ may have sold 596 copies in its first printing, but it deserves a wider audience” Michael Dirda advocates for the David Lindsay novel in the Washington Post.

…Of course, fantasy and science fiction have long welcomed and celebrated books that require serious effort from a reader. Samuel R. Delany’s “Dhalgren” is perhaps the most famous recent example, but the locus classicus remains David Lindsay’s “A Voyage to Arcturus.” Its pages are crowded with strangely named beings, most of them bizarre and off-putting; each stage of the hero’s extraterrestrial “Pilgrim’s Progress” generally ends with a murder or two; and the reader closes the book puzzled about what it has all meant.And yet “A Voyage to Arcturus” is deservedly regarded as titanic, the depiction of a spiritual rite of passage that interlaces death and renewal with a quest for transcendence….

(17) SFF ON SIXTIES TELEVISION. Cora Buhlert has reviewed two more episodes of the German TV show Space Patrol Orion at Galactic Journey. 

…While the streets of West Germany were shaken by anti-war protests, “Deserters”, the latest episode of Raumpatrouille: Die phantastischen Abenteuer des Raumschiffs Orion (Space Patrol: The Fantastic Adventures of the Spaceship Orion) showed us what warfare might look like in space. Because humanity is fighting the mysterious aliens known only as the Frogs, and that war is not going well: the Frogs have developed a shield that repels energy weapons, rendering them useless….

.. However, West German science fiction fans were a lot more excited about the day after St. Martin’s Day, because the latest episode of Raumpatrouille: Die phantastischen Abenteuer des Raumschiffs Orion (Space Patrol: The Fantastic Adventures of the Spaceship Orion) aired.

“Der Kampf um die Sonne” (Battle for the Sun) plunges us right in medias res, when the Orion makes a remarkable discovery. The planetoid N116a has uncommonly high temperatures, a breathable atmosphere and lower forms of plant life, all of which should be impossible, since N116a is supposed to be a dead rock in space….

(18) ADMIRE ALAN WHITE’S NEFFY CERTIFICATE. Lovely!

(19) VORTEX BLASTERS. “Microwave observations reveal the deep extent and structure of Jupiter’s atmospheric vortices” – an article in Science.

Jupiter’s atmosphere has a system of zones and belts punctuated by small and large vortices, the largest being the Great Red Spot. How these features change with depth is unknown, with theories of their structure ranging from shallow meteorological features to surface expressions of deep-seated convection. Researchers present observations of atmospheric vortices using the Juno spacecraft’s Microwave Radiometer. They found vortex roots that extend deeper than the altitude at which water is expected to condense, and they identified density inversion layers. Their results provide the three-dimensional structure of Jupiter’s vortices and their extension below the top cloud layers. They detected a perturbation in the planet’s gravitational field caused by the storm, finding that it was no more than 300 miles (500 kilometres) deep….

 (20) DUNE WHAT COMES NATURALLY. Just how early does this training start?

(21) MY FAIR OMNIVORE. This sketch from The Ed Sullivan Show in 1967, which dropped last week, has Kermit the Frog in a blond wig!  (Thanks to Mark Evanier for the link.)

(22) VIDEO OF THE DAY. Morgan Matyjasik asks, “What if there was a two-lane blacktop you could take your motorcycle to the Moon on?”

[Thanks to JJ, John King Tarpinian, Andrew Porter, Rob Thornton, Olav Rokne, Steven H Silver, Jennifer Hawthorne, SF Concatenation’s Jonathan Cowie, Karl-Johan Norén, Cora Buhlert, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jeffrey Jones.]

Pixel Scroll 11/10/21 Pixel-Heroes Battle Pixel-Gorillas

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(1) THE SIX-BODY PROBLEM. There’s a new trailer out for China company Tencent’s production of The Three-Body Problem, which is fueling comparisons with another adaptation forthcoming from Netflix. Will Netflix’ Benioff and Weiss, veterans of Game of Thrones, overlook Chinese cultural subtleties? Will China’s censors allow Tencent to address all of them? Variety begins with a gloss of the trailer: “Tencent’s First ‘Three-Body Problem’ Trailer Sparks Netflix Rivalry”:

…The new Tencent trailer opens with an exchange between two off-screen male voices.

“Have significant accidents ever happened to you in your life?” one asks. “No,” the other replies. “Then your life is a sort of accident,” the first continues. “But isn’t that the case for most people?” the second voice asks, and the first responds, to a backdrop of ominous music with deep foghorn-type blasts that would feel at home on the “Tenet” soundtrack: “Then most people’s lives are all accidents.”

In a final line, a woman’s voice says: “This is the end of humanity.”

Several companies have been trying to produce adaptations of Liu Cixin’s novel.

Tencent nabbed the rights to adapt the story into a TV series way back in 2008. Now, its version is entering a crowded playing field.

There are at least two other “Three-Body Problem” adaptations in the works in China, including a film backed by IP rights holder Yoozoo Group that may have fallen permanently to the wayside and an animated take from Gen Z- and anime-leaning platform Bilibili.

Netflix struck its own deal with Yoozoo to create an English-language adaptation, announcing the project last September. The American version is being co-created by “Game of Thrones” big shots David Benioff and Dan Weiss alongside Alexander Woo (“True Blood”), and will be directed by Hong Kong’s Derek Tsang (“Better Days”).

Chinese social media is pressuring Tencent to do a good job:

“‘Three-Body’ is a story full of Chinese elements told by we Chinese from our Chinese perspective and ways of thinking …to express Chinese people’s values, worldview and view of the universe. These things are very hard for foreigners to express — only we are able to do it,” wrote one popular comment in response to Tencent’s Weibo recent post about the new trailer.

It was outranked by the top comment, liked 27,000 times. It read: “Buck up — you better not lose to Netflix’s nonsense version.”

While nationalist users maintained that only a Chinese production could capture the essence of the story, the novel is set during the Cultural Revolution, which could pose a problem for censors in a Chinese retelling.

Incidentally, here is the trailer Bilibili released in 2019 for its anime adaptation of The Three-Body Problem.

(2) CHIP IN. M.C.A. Hogarth is closing in on the $10K stretch goal of a Kickstarter launched to fund a collection of MilSF short stories set in her Peltedverse: To Discover and Preserve by M.C.A. Hogarth. Two days left – you might want to get in on this.

Alysha Forrest, my oldest Peltedverse character, needs some love, aletsen. Not only does she need some, she deserves it. Though fewer in number than the books comprising the Eldritch canon, the Stardancer/light milsf books of the Peltedverse sell well and without nearly the advertising the Eldritch canon has. I have a bunch of short stories that belong to this side of the timeline, but they’re all Patreon extras or newsletter gifts… and I get questions about where new readers can find them all the time! That means it’s time to collect them for retail. And while I have five stories (enough to credibly issue a single volume), they’re pretty short and could use some friends. 

Hogarth has given fans this incentive to push the Kickstarter past $10K:

…if we do, rather than continuing to pad the collection indefinitely, I will promise to finish writing the latest Alysha novel. This is the only way to guarantee you see it within the next year, since it’s otherwise indefinitely backburnered…. 

(3) CLI-FI. The Arizona State University Center for Science and the Imagination today premiered a prerecorded video event, “Cli-Mates: Climate Futures Conversations from Scotland,” in collaboration with the Scottish SF magazine Shoreline of Infinity. The event features the SF authors Kim Stanley Robinson, Ken MacLeod, Xia Jia, Libia Brenda, Gabriela Damián Miravete, Tendai Huchu, and Hannah Onoguwe, along with several scholars and editors.

During the UN Climate Change Conference, or COP26 (1-12 November, 2021), the eyes of the world are on Glasgow, Scotland, where nations, civil-society groups and activists are meeting to determine the shape of global action in the face of the climate crisis. At this moment, perhaps more than any other, we need creatively expansive thinking about possible futures—stories that help us chart a path towards a just, equitable, sustainable global civilization.

(4) FOUNDATION FX. Apple TV+ shows how it’s done in “Foundation — Bringing Visions To Life Featurette”.

From the start, the world’s most dedicated visual effects artists and costume designers established that Foundation would be a show unlike any other on TV.

(5) ONE-TIME OPPORTUNITY. [Item by Bruce D. Arthurs.] I came across this interesting-sounding item on Twitter: On November 18, the Smithsonian Archives department presents Yesterday’s Tomorrows: Visions of the Future on Film, a 1984 film that was part of a NMAH exhibit on “how past visions of the future continue to impact our present and inspire even further futures”, plus commentary from current conservator William Bennett. This is part of the Smithsonian 175th Film Fest, presenting films from the Smithsonian archives.

Due to copyright restrictions, viewers will need to register for a Zoom webinar; the presentation won’t be streamed or saved on YouTube.

(6) FROM AREA 57. “Heinz Debuts ‘Marz Edition’ Ketchup Made With Tomatoes Grown in Mars-Like Conditions” reports Smithsonian Magazine.

On Monday, Heinz revealed its first bottle of “Marz Edition” ketchup, a special recipe made with tomatoes grown in extreme temperature and soil conditions similar to the Red Planet. The team of scientists behind the celestial sauce, which is the product of two years of research and development, says the delicious achievement also advances the possibility of long-term food production on Mars.

“We’re so excited that our team of experts have been able to grow tomatoes in conditions found on another planet and share our creation with the world,” Cristina Kenz of Kraft Heinz said in a statement. “From analyzing the soil from Martian conditions two years ago to harvesting now, it’s been a journey that’s proved wherever we end up, Heinz Tomato Ketchup will still be enjoyed for generations to come.”…

Also note that The Late Show with Stephen Colbert last night included a “cold open” of Hunt’s trying to one-up Heinz with Uranus catsup—“The best tasting thing to come out of Uranus.” 

(7) MEDIA BIRTHDAY.

1966 — Fifty-five years on NBC, Star Trek’s “The Corbomite Maneuver” first aired. It was the tenth episode of the first season, and it was written by Jerry Sohl who had previously written for Alfred Hitchcock Presents, The Outer Limits, The Invaders, and The Twilight Zone. (His other Trek scripts were “Whom Gods Destroy” and “This Side of Paradise”.) It was the first episode that was filmed in which Kelley played Dr. Leonard McCoy, Nichols played Lt. Uhura and Whitney played Yeoman Rand, though we first saw them in “The Man Trap”.  Clint Howard, brother of Ron Howard, played Balok, and Ted Cassidy, who was Gorn in “Arena” and the android Ruk in “What Are Little Girls Made Of?”, voiced the Balok puppet here. So did critics like it? No idea as I can’t find any contemporary reviews of it though media critics now love it. Most put it in their top twenty of all the Trek series episodes. It was nominated for a Hugo at NyCon 3, the year that “The Menagerie” won. “The Naked Time” was also nominated that year. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 10, 1924 — Russell Johnson. Best known in what is surely genre for being Professor Roy Hinkley in Gilligan’s Island. His genre career started off with four Fifties films, It Came from Outer Space, This Island Earth, Attack of the Crab Monsters and The Space Children. He would later appear in both the Twilight Zone and Outer Limits. On ALF, he would appear as Professor Roy Hinkley in “Somewhere Over the Rerun”.  (Died 2014.)
  • Born November 10, 1932 — Roy Scheider. First genre role was as Dr. Heywood R. Floyd in 2010, the sequel to 2001: A Space Odyssey. His other major genre performance was as Captain Nathan Bridger in the SeaQuest DSV series. He also has roles in The Curse of the Living Corpse (his first acting role, a very low budget horror film), one of The Punisher films, Dracula III: Legacy and Naked Lunch which may or may not be genre.  I do not consider the Jaws films to be genre, but you may do so. (Died 2008.)
  • Born November 10, 1943 — Milt Stevens. Today is indeed his Birthday. On the day that OGH announced his unexpected passing did a wonderful post and y’all did splendid commentary about him, so I’ll just send you over there. (Died 2017.)
  • Born November 10, 1950 — Dean Wesley Smith, 71. Editor of Pulphouse magazine which fortunately Black Gate magazine has provided us with a fascinating history which you can read here. Pulphouse I first encountered when I collected the works of Charles de Lint who was in issue number eight way back in the summer issue of 1990. As a writer, he is known for his use of licensed properties such as StarTrek, Smallville, Aliens, Men in Black, and Quantum Leap. He is also known for a number of his original novels, such as the Tenth Planet series written in collaboration with his wife, Kristine Kathryn Rusch. 
  • Born November 10, 1955 — Roland Emmerich, 66. Usually I don’t touch upon SJW affairs here (well I do when I want to) but he’s very strong campaigner for the LGBT community, and is openly gay so bravo for him!  Now back to his genre credits.  The Noah’s Ark Principle was in ‘84 by him written and directed by him as his thesis after seeing Star Wars at the Hochschule für Fernsehen und Film München. Moon 44 followed which likely most of you haven’t seen but now we get to his Hollywood films, to wit Universal Soldier, The High Crusade (yes, the Poul Anderson novel — who’s seen it?), Stargate, Independence Day… no, I’m going to stop there. Suffice it to say he’s created a lot of genre film. And oh, he directed Stonewall, the 2015 look at that historic event which I know isn’t genre or genre adjacent but is worth noting. 
  • Born November 10, 1960 — Neil Gaiman, 61. Where to start? By far, Neverwhere is my favorite work by him followed by the Sandman series and Stardust. And I sort of liked American Gods. Coraline is just creepy. By far, I think his best script is Babylon 5’s “Day of The Dead” though his Doctor Who episodes, “The Doctor’s Wife” and “Nightmare in Silver” are interesting, particularly the former. 
  • Born November 10, 1971 — Holly Black, 50. Best known for her Spiderwick Chronicles, which were created with fellow writer and illustrator Tony DiTerlizzi, and for the Modern Faerie Tales YA trilogy.  Her first novel was Tithe: A Modern Faerie Tale. (It’s very, very good.) There have been two sequels set in the same universe. The first, Valiant, won the first Andre Norton Award for Young Adult Science Fiction and Fantasy.  Doll Bones which is really, really creepy was awarded a Newbery Honor and a Mythopoeic Fantasy Award.  Suffice it to say if you like horror, you’ll love her. 
  • Born November 10, 1982 — Aliette de Bodard, 39. Author of the oh-so-excellent Xuya Universe series. Her Xuya Universe novella “The Tea Master and the Detective” won a Nebula Award and a British Fantasy Award, and was nominated for the Hugo and World Fantasy Award. “The Shipmaker”, also set herein, won a BSFA Award for Best Short Fiction. Her other major series is The Dominion of the Fallen which is equally lauded. She’s nominated for a Hugo this year for her “The Inaccessibility of Heaven” novelette. 

(9) COMICS SECTION.

(10) TAKE THE CASH AND THE CREDIT, TOO. [Item by David Doering.] I caught a reference on Cracked about writer credits and comics. A fan asserted that comic writers only starting get credit regularly thanks to Marv Wolfman. I thought, hmmm… Really?

What do you know? It’s true. The Comics Code Authority in the 60s banned mention of “wolfman” in comics, BUT  “In DC Comics’ House of Secrets #83, the book’s host said that the story was told to him by ‘a wandering wolfman.’” Comically [pun intended], DC then credited the story to “Marv Wolfman”, making the reference OK by the CCA. 

After that, writers asking and getting credit for their stories. See full details and scans of the comics at CBR.com: “Comic Book Urban Legends Revealed #119”.

(11) FALSE GRIT. Joel Haver assures us “You’ll never find a more sandy planet of sand.” So this is a Dune parody, you assume? Hell no, it’s a Star Wars parody – go figure.

(12) TAKING THE MICK OUT. “Guardians of the Galaxy: Cosmic Rewind Blueprints Leaked Online” – and Blog Mickey has a bucket full of what leaked.

A set of blueprints reportedly belonging to the Guardians of the Galaxy: Cosmic Rewind attraction have leaked online. The attraction, which has been under construction for more than 4 years, will open sometime in 2022 at EPCOT. The blueprints pull the curtain back a bit on a project that Disney has only slowly revealed information about. It’s unclear how accurate the blueprints are to the final product, but lets take a look….

…As we saw in early construction photos, roller coaster track weaves throughout the building, but the blueprints show just how much track is inside.

It’s unclear how much of the roller coaster track is for the actual attraction, and how much is for the storage, but the majority of the attraction will take place in the large gravity building that was built from scratch for this attraction….

(13) THE GALACTIC HERO BILL. John Scalzi revealed his true net worth today. Don’t you agree that “Billions and billions” is a phrase that suits an sf writer very well?

(14) SHOW NO MERCY. James Davis Nicoll’s latest Young People Read Old SFF introduces the panel to Ursula K. Le Guin’s 1971 “Vaster Than Empires and More Slow.”

“Vaster” takes place in Le Guin’s Hainish setting, where for the most part other worlds are inhabited by variant humans seeded in the ancient past by the Hainish. “Vaster” is an exception: first contact here is not between two branches of humanity but between humans and something very alien. Let’s see what the Young People make of it! 

Sort of like a Beat Bobby Flay episode, the young judges record a split decision.

(15) LOST IN SPACE TRAILER. Official trailer for the third and final season of Lost in Space. All episodes drop December 1 on Netflix.

(16) UNHOBBLING THE HUBBLE. [Item by Mike Kennedy.] This latest problem started 23 October. NASA seems cautiously optimistic that the Hubble can make a full recovery. WIRED has the story: “NASA Tries to Save Hubble, Again”.

THE HUBBLE SPACE telescope, one of the most famous telescopes of the 20th and 21st centuries, has faltered once again. After a computer hardware problem arose in late October, NASA engineers put Hubble into a coma, suspending its science operations as they carefully attempt to bring its systems back online.

Engineers managed to revive one of its instruments earlier this week, offering hope that they will end the telescope’s convalescence as they restart its other systems, one at a time. “I think we are on a path to recovery,” says Jim Jeletic, Hubble’s deputy project manager.

The problem began on October 23, when the school bus-sized space probe’s instruments didn’t receive a standard synchronization message generated by its control unit. Two days later, NASA engineers saw that the instruments missed multiple such messages, so they put them in “safe mode,” powering down some systems and shuttering the cameras.

Some problems are fairly easy to fix, like when a random high-energy particle hits the probe and flips a bit on a switch. But when engineers encounter an unknown problem, they’re meticulous. The slow process is designed to protect Hubble’s systems and make sure the spacecraft continues to thrive and enable scientific discovery for as long as possible. “You don’t want to continually put the instruments in and out of safe mode. You’re powering things on and off, you’re changing the temperature of things over and over again, and we try to minimize that,” Jeletic says.

In this case, they successfully brought the Advanced Camera for Surveys back online on November 7. It’s one of the newer cameras, installed in 2002, and it’s designed for imaging large areas of the sky at once and in great detail. Now they’re watching closely as it collects data again this week, checking to see whether the error returns. If the camera continues working smoothly, the engineers will proceed to testing Hubble’s other instruments….

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Eternals Pitch Meeting” on Screen Rant, Ryan George, in a spoiler-filled episode, has the writer say he has characters including “a speedster, a lady with ancient weapons, and a super-strong guy who shoots beams from his eyes.” The producer asks, “Yeah, yeah, and Batman and Aquaman. Are you sure you’re in the right office?”  The writer also can’t explain why introducing 10 superheroes we’ve never seen before can’t be done in an eight-hour Disney Plus show instead of a single movie.

After Avengers Endgame, Marvel has the massive task of not only continuing their surviving heroes’ stories, but also making audiences care about all new characters and all-new universe-threatening events. Their latest movie Eternals takes on the gargantuan challenge of introducing ten new superheroes AND explaining why they’re only showing up now. This thing’s getting complicated. Eternals definitely raises some questions. Like should this have been a Disney Plus show? Why do the Eternals only have important conversations at Golden Hour? Why is introducing humans to weapons not considered interfering in their affairs? Wouldn’t the Celestials be interested in stopping Thanos if they need a massive population to birth celestials? Why didn’t Kumail have a shirtless scene after all that work!? What have these post-credit scenes become?! To answer all these questions and more, step inside the Pitch Meeting that led to Eternals! It’ll be super easy, barely an inconvenience.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, N., Chris Barkley, Lise Andreasen, David Doering, Joey Eschrich, Bruce D. Arthurs, M.C. Hogarth, Andrew Porter, Michael Toman, and Cat Eldridge  for some of these stories. Title credit belongs to File 770 contributing editor of the day Jon Meltzer.]

Pixel Scroll 11/3/21 The Pixel: No Different File

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(1) OSFCI ANNOUNCEMENT. OryCon, the annual Portland, OR convention, is returning from a year away due to the pandemic.  However, after this year’s event is held on November 12-14, the con will be going on another hiatus for an indefinite period. Thread starts here.

(2) DISCON III PRESSER. Video of yesterday’s DisCon III media briefing with chair Mary Robinette Kowal and vice-chairs Marguerite Smith and Lauren Raye Snow has been posted to Facebook.com.  

(3) AN AMERICAN ORIGINAL. “America’s first vampire was Black and revolutionary – it’s time to remember him” urges The Conversation’s Sam George.

In April of 1819, a London periodical, the New Monthly Magazine, published The Vampyre: A Tale by Lord Byron. Notice of its publication quickly appeared in papers in the United States.

Byron was at the time enjoying remarkable popularity and this new tale, supposedly by the famous poet, caused a sensation as did its reprintings in Boston’s Atheneum (15 June) and Baltimore’s Robinson’s Magazine (26 June).

The Vampyre did away with the East European peasant vampire of old. It took this monster out of the forests, gave him an aristocratic lineage and placed him into the drawing rooms of Romantic-era England. It was the first sustained fictional treatment of the vampire and completely recast the folklore and mythology on which it drew.

By July, Byron’s denial of authorship was being reported and by August the true author was discovered, John Polidori.

In the meantime, an American response, The Black Vampyre: A Legend of St. Domingo, by one Uriah Derick D’Arcy, appeared. D’Arcy explicitly parodies The Vampyre and even suggests that Lord Ruthven, Polidori’s British vampire aristocrat, had his origins in the Carribean. A later reprinting in 1845 attributed The Black Vampyre to a Robert C Sands; however, many believe the author was more likely a Richard Varick Dey (1801–1837), a near anagram of the named author.

What is so remarkable about this story is that it is an anti-slavery narrative from the early 1800s which also contains America’s first vampire who is Black…. 

(4) CORA’S NEW FANCAST Q&A. Cora Buhlert has another Fancast Spotlight up today since the replies seem to be coming in all at once. The latest is a Foundation podcast called Seldon Crisis: “Fancast Spotlight: Seldon Crisis”.

Why did you decide to start your podcast or channel?

I read the full Foundation series for the first time last summer during lockdown. I had read the trilogy in my youth but had forgotten most of it and it was pure joy to re-read it. I had that common feeling after reading a great work of literature of wanting to share it with others, and decided the easiest way to share it with the world was in podcast form. I had no knowledge of the AppleTV series until after I’d written the first several scripts.

(5) ANATHEMA’S FUNDING APPEAL. Anathema: Spec From the Margins, a semiprozine featuring SFF by people from marginalized backgrounds, is looking for funding for its year six: Anathema: Spec from the Margins Year Six” at Indiegogo.

Anathema is an Ignyte Award-nominated online tri-annual magazine of speculative fiction (SF/F/H, the weird, slipstream, fabulism, and more). We exclusively publish the work of people of colour (POC)/Indigenous/Aboriginal creators on every range of the LGBTQIA spectrum….

…We’ve had the chance to be a home to stories that have a hard time getting picked up elsewhere – some for being too unusual, others too nakedly queer, others just not fitting the expected mold a primarily white publishing establishment wants from QBIPOC creators. Anathema, by intent, occupies a radical socialist queer space in the larger genre conversation. And in so doing we walk in the footsteps of giants, our own path fleeting and hope that the work we do can leave some lasting mark. But that takes funds. And we are not yet a self-sustaining entity. We earn some revenue through our website store, but most of our operating funds come from informal subscription drives and more formalized fundraising campaigns like this one….

(6) S&S KICKSTARTER. Tales from the Magician’s Skull, a magazine publishing good modern sword and sorcery, is also running a Kickstarter for its next issues. They have already passed their goal, Cora Buhlert calls them “A good magazine that deserves to be better known” — “More Tales From The Magician’s Skull by Goodman Games” at Kickstarter. No wonder they’re raking in the money – look at this special incentive if you pledge at the highest level.

(7) ORIGINAL EQUIPMENT. “A Beloved William Shatner Star Trek Prop Is Selling For Half A Million Dollars” – GiantFreakinRobot has the story. (Click for larger image.)

In the vast world of Star Trek lore, there are plenty of iconic pieces to collect. From communicators and uniforms, phasers and tribbles, and even blaster rifles, the Star Trek fandom puts significant meaning to collectible items, some of which can be difficult to come by. Now, eager Trekkie collectors can gush over the recently announced auction of the one-of-a-kind phaser used by Captain James T. Kirk in his pilot episode. The rifle is being sold by a private collector with Heritage Auctions in Dallas, Texas; and it can be yours for just half a million dollars (no energy credits accepted).

The phaser rifle made its Star Trek appearance during the original series second pilot episode, Where No Man Has Gone Before…. 

Get your bid down on this item here at Heritage Auctions.

(8) A FACE TO MEET THE FACES. For this installment of Building Beyond, “Mask On, Mask Off”, the premise is: “Over the course of every person’s life, they grow a mask.”

Sarah Gailey is joined by Greg Kasavin and Nome to develop worlds around this idea.

(9) MEMORY LANE.

1976 – Forty-five years ago, one of the better pieces of horror got released in Carrie. It was based on the Stephen King novel of the same name, and it was directed by Brian de Palma being his first hit. Lawrence D. Cohen wrote this screenplay as he would the third version thirty seven years later. It had a stellar cast of Sissy Spacek, Amy Irving, William Katt, Nancy Allen. and John Travolta. 

Like most horror films of the time and particularly King films, it had a truly minuscule budget of under two million dollars which is why it was a box office success when it made just thirty four million. 

So what did the critics think of it? One and all they loved it madly with Roger Ebert saying that it was an “absolutely spellbinding horror movie” and Pauline Kael calling it the “best scary-funny movie since Jaws”. 

Audience reviewers at Rotten Tomatoes give it a rather scary seventy-seven percent rating. As I noted above, there are three more films made off the novel, one in 2002 and one in 2013. Neither, not surprisingly to me, fares particularly well at Rotten Tomatoes. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 3, 1929 — Neal Barrett, Jr. He was nominated for a Hugo at Noreascon 3 for his “Ginny Sweethips’ Flying Circus” short story. He was Toastmaster at LoneStarCon 2.  He was prolific writing over two dozen novels and some fifty pieces of short fiction including a novelization of the first Dredd film. As good as much of his genre work was, I think his finest, best over the top work was the Wiley Moss series which led off with Pink Vodka Blues. He’s generously available at usual suspects. (Died 2015.)
  • Born November 3, 1933 — Jeremy Brett. Still my favorite Holmes of all time. He played him in four Granada TV series from 1984 to 1994 in a total of 41 episodes. One source said he was cast as Bond at one point, but turned the part down, feeling that playing 007 would harm his career. Lazenby was cast instead. (Died 1995.)
  • Born November 3, 1942 — Martin Cruz Smith, 79. Best remembered for Gorky Park, the Russian political thriller, but he’s also done a number of  genre novels in The Indians Won (alternate history), Gypsy in Amber and Canto for a Gypsy (PI with psychic powers) and two wonderful pulpish novels, The Inca Death Squad and Code Name: Werewolf. 
  • Born November 3, 1952 — Eileen Wilks, 69. Her principal genre series is the World of Lupi, a FBI procedural intertwined with shapeshifters, dragons and the multiverse. Highly entertaining, sometimes considered romance novels though I don’t consider them so. The audiobooks are amazing as well! 
  • Born November 3, 1953 — Kate Capshaw, 68. Best known as Willie Scott in Indiana Jones and the Temple of Doom (which I’ll confess I’ve watched but a few times unlike the first film which I’ve watched way too much), and she was in Dreamscape as well. She retired from acting several decades ago.
  • Born November 3, 1960 — Kevin Murphy, 61. American actor and writer best known as the voice and puppeteer of Tom Servo on the Mystery Science Theater 3000. He also does RiffTrax which are humorous audio commentary tracks intended to be played along with various television programs and films. 
  • Born November 3, 1963 — Brian Henson, 58. Can we all agree that The Happytime Murders should never have been done? Thought so. Wash it out of your consciousness with Muppet Treasure Island or perhaps The Muppet Christmas Carol. Or Muppets from Space. If you want something darker, he was a puppeteer on The Witches, and the chief puppeteer on Teenage Mutant Ninja Turtles. And he voices Hoggle in Labyrinth.
  • Born November 3, 1977 — Belén Fabra, 44. Here for her recurring role in the Spanish-language SF series El ministerio del tiempo (The Department Of Time). She also appeared as Captain Sanchez in Origin, a YouTube SF series that lasted but one season. 

(11) COMICS SECTION.

(12) ICON OF RACISM. Witness History’s episode “The enduring legend of Fu Manchu” is available for the coming year at BBC Sounds.

The evil criminal mastermind Fu Manchu was a recurring character in Hollywood films for decades. He epitomised racist stereotypes about China and the Chinese which shaped popular thinking in the West. Vincent Dowd has been talking to writer Sir Christopher Frayling and academic Amy Matthewson about his long-lasting influence.

(13) MOVE OVER PLUTO. Galactic Journey’s Jessica Holmes covers the latest (in 1966) episode of Doctor Who: “[November 2, 1966] An Ending? (Doctor Who: The Tenth Planet)”. Notice how in this future there is still a ninth planet!

EPISODE ONE

The Doctor arrives at the Antarctic base of International Space Command in the year 1986. The men inside (and yes, even in 1986 it seems rocket science is a bit of a boys’ club) take notice of the new arrivals, but there’s no time to worry about them. The latest launch has run into trouble, reporting the sudden appearance of a new planet in the sky. Worse still, their ship is losing power….

(14) THE FIFTY-EIGHTH VARIETY. “’Christmas dinner in a can’ promises answer to supermarket shortages” the Guardian reported, but since Heinz only made 500 cans of Christmas Dinner Big Soup this year it’s already sold out, so how was that supposed to work?

If you’re still amused by the idea, see the Heinz web page for the product, which also offered an optional gift box for it.

(15) LOWERING YOUR RESISTANCE. One of the major comic book websites takes readers on a tour of the Borg Cube Advent Calendar mentioned in a recent Scroll: “Star Trek: A Closer Look at the Borg Cube Advent Calendar From Hero Collector”.

Hero Collector sent ComicBook.com one of these advent calendars to take a closer and share our impressions of it with our readers.

We’ve taken a few photos of the product and opened up a few of the gifts to give you an idea of what is inside. Don’t worry. We only opened the first four, so we’re not putting out spoilers for anyone’s holiday fun. You can take a look at what we found in the photos included below….

(16) NEWS TO ME. I hadn’t previously heard of Philip K. Dick’s novel Humpty Dumpty In Oakland til I saw the first edition being offered by L.W. Currey.

Set in San Francisco in the late 1950s, Humpty Dumpty in Oakland is a tragicomedy of misunderstandings among used car dealers and real-estate salesmen: the small-time, struggling individuals for whom Philip K. Dick always reserved his greatest sympathy.

It is one of Dick’s realistic fiction novels, and was published posthumously. Many reviewers say they find the way he tells this story has a lot in common with his science fiction.

(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Game Trailers: Metroid Dread is the latest version of a Nintendo character so ancient she has ’80s shoulder pads.  But don’t call the new game Metroidmania, the narrator warns, “or I will personally come to your house and slap you!”

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John Lorentz, Chris Barkley, Daniel Dern, Lise Andreasen, John King Tarpinian, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 11/1/21 Have Stillsuit, Will Travel

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(1) IMAGINARY PAPERS. Now available to read online is the latest issue of Imaginary Papers, the ASU Center for Science and the Imagination’s quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination.

The issue features an essay by science fiction author Lena Nguyen (We Have Always Been Here) on the video game Detroit: Become Human —  

…From her separate menu, Chloe serves as a witness and judge of the player’s actions in the main campaign, visibly reacting to their choices. Detroit tells the branching stories of three androids who are beginning to achieve sentience; they all experience “deviancy,” a divergence in their programming that allows them to experience emotion and join a burgeoning synthetic rebellion. The player’s choices are the guiding force determining whether these characters live, love, die, revert to their programming, or achieve true sentience….

Also featured are SF scholar Dagmar Van Engen on the unfinished 1910s Black science fiction serial “Punta, Revolutionist,” and a writeup about Imagine 2200, a climate fiction contest and series of stories from the environmental magazine Grist.

(2) AFRICAN SPECULATIVE FICTION. Omenana Speculative Fiction Magazine Issue 19 is out. The tri-monthly magazine publishes speculative fiction writers from across Africa and the African Diaspora.

(3) DISABILITY STUDIES. Jose L. Garcia analyzes sff’s cyborg subgenre with its tendency to presume “something of the original human is lost through the process of prosthesis implementation, even if is portrayed as ‘enhancement.’” “At My Most Beautiful: the Politics of Body Prostheses, Disability, and Replacement in Arryn Diaz’s Dresden Codak” at Vector.

…While a number of stories complicate the idea of the cyborg, there has been (comparatively) little critical exploration of cyborg bodies in disability studies until relatively recently.  Yet, such analyses are of critical importance for understanding how the visual language of prosthesis has evolved.  At this juncture of the cyborg and disability sits Kimiko Ross, the protagonist of Arryn Diaz’s webcomic, Dresden Codak.  Ross prominently features prosthetic body parts, and the ways in which Diaz sets up scenes with Ross grab from the spectrum of cyborg subjecthood.  These range from frank dealings with images of disability, images of power and “augmentation,” and even sexuality (the latter not overt, but noticeable enough to be said to sit within that tradition of sexualized cyborg subjecthood, similar to the opening sequence to the 1995 Ghost in the Shell film, which lingers on images of the naked cyborg body at several points).  The specific frames that centre on Ross’ body create a network of significations that both reifies and frustrates three aspects of a representation: the cyborg, the traumatised body, and the disabled body.  

Consciously or not, Diaz’s comic trades in the existing visual language of cyborg bodies and its adjacent fields: disability, femininity, and political alienation…. 

(4) A BIG STATE HAS A LITTLE LIST. [Item by Jennifer Hawthorne.] A Texas legislator has put together a list of 850 books and is demanding that schools in the state tell him if they have these books in their libraries and how much they have spent on them. Exactly what he plans to do with this list is unclear. “Texas lawmaker wants to know what books on race, sexuality are in schools” in the Texas Tribune.

A Republican state lawmaker has launched an investigation into Texas school districts over the type of books they have, particularly if they pertain to race or sexuality or “make students feel discomfort.”

State Rep. Matt Krause, in his role as chair of the House Committee on General Investigating, notified the Texas Education Agency that he is “initiating an inquiry into Texas school district content,” according to an Oct. 25 letter obtained by The Texas Tribune.

Krause’s letter provides a 16-page list of about 850 book titles and asks the districts if they have these books, how many copies they have and how much money they spent on the books.

A PDF of the entire list is here, Unfortunately, the list is not put together in any kind of easy-to-read order, but a quick glance immediately revealed four SFF works: The Handmaid’s Tale by Margaret Atwood (graphic novel version), V for Vendetta by Alan Moore, The Last Man by Brian Vaughn, and When We Were Magic by Sarah Gailey. And it includes non-genre works by figures whose names will be familiar to sff readers – Carmen Maria Machado, Mark Oshiro, Mikki Kendall, and Ta-Nehisi Coates. I’m sure there must be more on there and thought maybe the Filers would find it interesting to see how many more they could find….

(5) FANHISTORY ZOOM. Fanac.org has added their latest Fan History Zoom Session to YouTube:

Keith Freeman and British fan historian Rob Hansen provide a first-hand look at some of the landmark moments of British fandom. Keith found fandom in the 1950s, while still enlisted in the RAF, and became part of the Cheltenham Circle. Over the next decades, he was heavily involved in science fiction fandom. There are wonderful stories here of the origins of St. Fantony (and the associated jousting), the role of the Liverpool group in fannish marriages, the British Science Fiction Association (BSFA), and well known fans such as Eric Jones and Dave Kyle. In addition to fannish tales, Keith relates a chilling first person account of an H-bomb explosion on Christmas Island… Rob Hansen, author of “Then: Science Fiction Fandom in the UK: 1930-1980” is both interviewer and participant, eliciting an absorbing hour of fannish history.

(6) DANGER FAN. Camestros Felpaton prefaces “Review: Foundation Episode 7” with irresistible hooks and a spoiler warning. Will you be reeled in anyway?

Spoilers below! Also Jurrasic Park and Karl Marx guest-star in this review.

In many ways, this is a key episode for the series as the show is now only very lightly tethered to the books. As Cora points out in her review of the episode, the departure from the plot has led one of Foundation’s most notable fans, economist Paul Krugman, to stop watching. I think he’s missing out on a fun show but without knowing the plot connections from the previous episodes, the only obvious connections with the books in this episode are the character names.

All four plots of the show get an airing and each of the characters central to those plots are each heading towards a crisis…

(7) SHOOTING ARROWS IN THE BIG APPLE. Daniel Dern says Marvel Studios’ Hawkeye trailer “Looks like strongly based on Matt Fraction’s great run on the Hawkeye comic.” Here’s a HooplaDigital search, though there may be other relevant issues/collections — Hoopladigital.com.

(8) WHERE TO HAVE A DRINK WITH A BLADERUNNER. “A Gorgeous New Cocktail Bar Opens Inside Historic LA Bradbury Building” – Eater LA has the story.

…Perhaps most interestingly, the new Wyman Bar (named for the architect of the famed building, which was built in 1893) will pay homage to its starring role as a backdrop to the film Blade Runner by showing set images from the movie taken by late photographer Stephen Vaughan. Other activations of the space will follow in the coming months. As for the space itself, expect a long marble bar, plush stools, and lots of rich, dark woods inside the warm, brick-touched space designed by DesignAgency….

(9) WILLIAMS OBIT. Charlotte Williams – known in Tennessee fandom as “the third Charlie Williams” — died October 26 at the age of 68 reports the Daily Times of Blount County, Tennessee. The family obituary recalls that “She enjoyed reading science fiction, fantasy, and mysteries, and attending and organizing science fiction conventions,” and Fancyclopedia 3 records that Williams was the first woman to chair Chattacon – which she did in both 1994 and 1995.

(10) MEDIA BIRTHDAY.

2000 – Twenty-one years ago, the Starhunter series (renamed Starhunter 2300 in its final second season) premiered on The Movie Network in Canada. (This is not the same as The Movie Channel in the States in case you were wondering.) It was created by G. Philip Jackson, Daniel D’or and Nelu Ghiran. The principal cast for season one was Michael Paré of Streets of Fire fame along with Tanya Allen and Claudette Roche. It was executive produced by Elaine Steinbeck who was the wife of John Steinbeck. It had better than decent ratings for its two seasons of forty-four episodes but died over some of worst relations between investors and the producers of a series that you can imagine. (They even got Paré fired after one season.) If you’re interested in watching it, it is available in two separate DVD sets in the States. Starhunter ReduX Is the producer’s edition with censored scenes, better SFX and such that came four years ago. That is available on Amazon Prime. 

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born November 1, 1882 — Edward Van Sloan. He’s best remembered for his roles in three Thirties Universal Studios films of Dracula, Frankenstein and The Mummy. He was Abraham Van Helsing in The Dracula, a role he’d done in touring production of Dracula by Hamilton Deane and John L. Balderston. He would be in a number of other horror films though none remembered as well as these. (Died 1964.)
  • Born November 1, 1917 — Zenna Henderson. Her first story was published in The Magazine of Fantasy & Science Fiction in 1951. The People series appeared in magazines and anthologies, as well as the stitched together Pilgrimage: The Book of the People and The People: No Different Flesh. Other volumes include The People Collection and Ingathering: The Complete People Stories. She was nominated for a Hugo Award at Detention for her novelette “Captivity.” Her story “Pottage” was made into the 1972 ABC-TV Movie, The People.  “Hush” became an episode of George A. Romero’s Tales from the Darkside which first aired in 1988. (Died 1983.)
  • Born November 1, 1923 — Gordon R. Dickson. Truly one of the best writers in the genre. I’m not going to fully detail his stellar career as that would require a skald to do so. His first published genre fiction was the short story “Trespass!” written with Poul Anderson, in the Spring 1950 issue of Fantastic Stories. Childe Cycle involving the Dorsai is his best known series and the Hoka are certainly his silliest creation. I’m very, very fond of his Dragon Knight series which I think really reflects his interest in that history. He’s got three Hugos, first at Loncon II for the “Soldier, Ask Not” story, next at Denvention Two for  the “Lost Dorsai” novella and “The Cloak and The Staff” novelette.  (Died 2001.)
  • Born November 1, 1941 — Robert Foxworth, 80, He’s been on quite a number of genre shows including The Questor Tapes,seaQuest DSV, Deep Space Nine, Outer Limits, Enterprise, Stargate SG-1 and Babylon 5. His first genre role was as Dr. Victor Frankenstein in Frankenstein where Bo Swenson played the monster. 
  • Born November 1, 1942 — Michael Fleisher. Comics writer best known for his DC Comics work of in the Seventies and Eighties on Spectre and Jonah Hex. He also has had long runs on Ghost Rider and Spider-Woman early on. I’ve read them in the Marvel Unlimited app and it shows that he is a rather good writer. (Died 2018.)
  • Born November 1, 1959 — Susanna Clarke, 62. Author of Jonathan Strange & Mr Norrell which I think wins my award for the most footnoted work in genre literature. It won the World Fantasy, Locus, and Mythopoeic Awards, and a Hugo at Interaction. It was adapted into a BBC series and optioned for a film. The Ladies of Grace Adieu and Other Stories collects her short works and is splendid indeed. Her latest novel, Piranesi, is getting good reviews here. It’s been nominated for a Hugo this year. 
  • Born November 1, 1973 — Aishwarya Rai, 48. Indian actress who’s done two SF films in India, the Tamil language Enthiran (translates as Robot) in which she’s Sana, the protagonist’s medical student girlfriend, and Mala in Action Replayy, a Hindi-language SF romantic comedy. She was also Sonia in The Pink Panther 2.

(12) COMICS SECTION.

(13) TODAY’S QUESTION. Sent to us by young John King Tarpinian:

Why wasn’t “Iron Man” called “Fe Male?”

(14) THEY SET THE TONE. In the Washington Post, Stacey Henley uses the 25th anniversary of the first Lara Croft video game to interview voice actors who have voiced the character over the years. “Meet the women who brought ‘Tomb Raider’s’ Lara Croft to life”.

When Shelley Blond first stepped into a recording studio in 1996, she had no idea her performance would become a foundational element in the legacy of one of gaming’s most iconic female characters. Lara Croft is one of the most glamorous video game leads of all time. But Blond, the first voice actor to play Croft, remembers the role as anything but.“I remember going into a London studio for five hours and recording all the lines and sound effects like grunts, dying and fighting noises,” Blond told The Post via email. “These days, it’s all a much lengthier process with mo-cap [motion-capture] and all the physicalities that go with that. For me it was just go in, read the lines as directed and leave. I didn’t think about it again until I saw the game advertised and her image on the front of the Face magazine.”…

(15) THAT’S A WRAP. When it comes to burrito references in literature, John Scalzi modestly declines credit except where it is given:

(16) BOBA TIME. This trailer for the Boba Fett project dropped today.

(17) FAMILY HEIRLOOM. Parade interviews Ghostbusters: Afterlife director Jason Reitman and his father, Ivan Reitman: “Ghostbusters: Afterlife Director Jason Reitman Says He Was ‘Scared of This Project’ and Carrying on His Father’s Legacy”.

Jason, what are your memories of seeing the original get made?

Jason: I remember when they dumped marshmallow on [actor] William Atherton [EPA inspector Walter Peck]. I remember some of the special effects tests, and I was there for the recording of the original score. It was one of the first moments where I fell in love with the movies.

Ivan: Weren’t you also there for the test on the cards?

Jason: Yes, the index cards in the library. The ones that fly out of the drawer! What was that called again?

(18) STILL LOOKING FOR THE SMILEY. The article “FCC Commissioner Says He’s Afraid of Robodogs and We Can’t Tell If He’s Joking” is behind a paywall at Futurism, however, the tweet that inspired it is below.

FCC commissioner Brendan Carr went on a Twitter rant this week about robodogs, citing apocalyptic science fiction movies and television before ultimately implying — though we’re honestly still not sure — that maybe he had just been joking about the whole thing….

(19) A SLIPPERY SLOPE. The first episode of BBC Radio 4’s Slime: A Natural History by Susanne Wedlich is “The Cosmic Horror of Slime”. All five episodes are available to listen to here.

Slime is an ambiguous thing. It exists somewhere between a solid and a liquid. It inspires revulsion even while it compels our fascination in fiction and on the screen. It is both a vehicle for pathogens and the strongest weapon in our immune system. Many of us know little about it, yet it is the substance on which our world turns. 

Sirine Saba reads from Susanne Wedlich’s ground-breaking new book which leads us on a journey through the 3-billion-year history of slime, from the part it played in the evolution of life on Earth to its potential role in climate change and life beyond our planet. 

There is probably no single living creature that does not depend on slime in some way. Most organisms use slime for a number of functions: as a structural material, as jellyfish do; for propagation, as plants do; to catch prey, as frogs do; for defence, like the hagfish; or for movement, like snails. 

In this first episode, the story of how slime continues to fascinate and terrify us on the page and on the screen. From Dr Who to Ghostbusters, from the disturbing stories of HP Lovecraft to the horror of Stephen King, there is a slime for every time, guaranteed to ooze into our deepest fears. 

(20) FOLLOW THE BOUNCING BALL. “When dinosaurs ruled the earth.” Yeah, that’s about how long ago I used to waste sacks of quarters playing pinball – but back then they hadn’t yet dug up this machine! “Jurassic Park Pinball Machine Takes You on a Prehistoric Adventure” – Yahoo! has the story.

Archaeologists have yet to find any evidence dinosaurs had their own arcades. Probably because the T.Rexes got upset that they couldn’t play with their little arms. But Stern Pinball is now bringing Steven Spielberg’s big screen classic to mankind’s own gaming rooms. The company calls its newest game “a pinball adventure 65 million years in the making.” Welcome to the new Jurassic Park Pin….

(21) VIDEO OF THE DAY. Green Life presents a questionable explanation of how animated films are made.

[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Joey Eschrich, Rich Lynch, Jennifer Hawthorne, Martin Morse Wooster, JJ, John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/22/21 I Must Not Scroll, Scroll Is The Pixel-Killer

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(1) MCINTYRE FILM ADAPTATION COMING TO THEATERS. Moviegoers at last will be able to see the film based on the late Vonda McIntyre’s 1997 Nebula-winning novel The Moon and the Sun: “A Fantasy Blockbuster Shot In 2014 Is Finally Being Released” reports Looper. It arrives in theaters in January.

The Moon and The Sun actors Kaya Scodelario and Pierce Brosnan.

… However, one fantasy blockbuster’s release problems predate the worldwide pandemic by over half a decade. It’s a film that has been mysteriously missing ever since its production finished in 2014. That film was originally known as “The Moon and the Sun,” before it dropped off the radar ahead of its planned 2015 release date. The vanishing movie is based on the 1997 Nebula Award-winning novel of the same name by Vonda N. McIntyre (via Deadline). The family-friendly fantasy epic features Pierce Bronson in a lead role, and — had the film arrived on schedule — it would have been the realization of nearly two decades worth of effort to get the story to the big screen.

Obviously, “The Moon and the Sun” didn’t make its release date and lost the attention of both the media and moviegoers as it went into a lengthy post-production limbo. However, it seems that the film, which has been rebranded and renamed, is finally ready for a wide release and will be headed to theaters in early 2022. Here is everything fans need to know about “The King’s Daughter,” and why they’ve had to wait nearly six years to finally see it….

McIntyre got to see production shooting in France (“Vonda Visits Versailles”). A print reportedly was shown during her GoH slot at Sasquan in 2015.

(2) SAND THROUGH THE HOURGLASS. Alissa Wilkinson dissects “Dune’s expansive, enduring appeal” at Vox.

Harkonnens. Messiahs. Deadly, insect-like hunter-seekers. A secretive all-women order of spies, nuns, scientists, and theologians that’s bending history to its will. A spice harvested from an arid desert that enables space travel. ’Thopters. Interstellar war. Giant sand worms.

The world of Dune is a wild one, a tale spun by Frank Herbert in the tumultuous 1960s that mixes fear of authoritarian rule and environmental collapse with fascism, racism, and hallucinatory imagery. The 1965 novel, which eventually garnered widespread acclaim, was followed by a universe of sequels for its rabidly devoted fans. The trappings of its imagined, distant-future world feel wondrous, unfamiliar, and strange.

Or they would, if we hadn’t been steeped in Dune fever for so many years, even prior to the recent arrival of Denis Villeneuve’s extraordinary and resolutely abstruse film adaptation. Even the most Dune-averse person can hardly avoid the long tail of Herbert’s saga, whether they realize it or not.

The story has been referenced by pop stars like Lady Gaga, who made a sly nod to Dune in the “Telephone” music video, and Grimes, whose debut studio album, Geidi Primes, is a concept album based on Dune. Fatboy Slim’s song “Weapon of Choice,” the one with the music video starring Christopher Walken, is one big reference to the book (“Walk without rhythm / It won’t attract the worm”). Video games like Fallout and World of Warcraft contain references to Dune, as do plenty of TV shows from Scooby-Doo to Rick & Morty to SpongeBob SquarePants. There’s a crater on the moon officially named Dune, and some of the features on Saturn’s moon Titan have been named for planets from the series….

(3) A HOUSE DIVIDED. In the Washington Post, Michael Dirda offers his assessment of the book and film of DUNE and recalls his meeting with Frank Herbert in 1984. “’Dune’ has long divided the science fiction world. The new film won’t change that.”

… Unlike “Star Wars,” though, Villeneuve’s “Dune” isn’t a sparky, upbeat space opera. It’s more like a Wagnerian music-drama, a somber story built around intimations of doom and orchestrated with a soundtrack of pounding drums and high-pitched wailings and ululations. It is, however, packed with eye-popping visual spectacle, notably speedy little aircraft that resemble mechanical dragonflies and enormous space cruisers as sleek as any on the cover of an old issue of Thrilling Wonder Stories. Like Herbert’s book, the film is also deliberately majestic in its pacing and virtually without humor. Life is real, life is earnest and nobody has much fun. Instead, characters nobly pontificate or murmur gnomically about whether the young hero, Paul Atreides, is or isn’t the Kwisatz Haderach, the promised warrior prophet who will lead the tough and fiercely independent Fremen to victory over their brutal oppressors. Their cruelest enemy, the consummately evil Baron Harkonnen, symbolically dwells in darkness, surrounding himself with swirling smoke and completely hairless attendants. He is a grotesque vision of rampant, unbridled capitalism….

(4) DUNE VS. TATTOOINE. On This Day in Science Fiction delivers an assessment of this week’s cinematic history by comparing two sf epics with grit in “Stardate 10.22.2021.B: 2021’s ‘Dune’ Needed More Spice”.

… Paul means little to me.  Luke?  I get Luke.  I want to be Luke.  I’ll fly the Death Star trench with him, and I’ll gladly join him on Dagobah for secret Jedi training, or I’d even stand shoulder-to-shoulder in a blazing lightsaber battle with Emperor Palpatine if Luke asked me to.
 
But … Paul?
 
He’s Christlike … so what does he need me for?
 
Now, categorically, none of this lessens the strengths of what director Villeneuve accomplishes visually.  Clearly, he’s immersed himself in these worlds, and he’s spared no investor’s expense to bring them to life on the screen.  He’s taken the wide, open, endless desert seas of Arrakis and made them visual poetry – certainly real enough for fans of this franchise to enjoy again and again, much like Marvel fans flock to their superhero yarns for endless repeats.  He’s given breath to the political machinations of a galaxy that really only existed before in Herbert’s series of books in such a way that I’m sure folks will be reminded of Peter Jackson’s The Lord Of The Rings and HBO’s Game Of Thrones adaptations.  These ships and vehicles are unlike anything many have ever seen before, and I’m convinced these production designs will become influential in the years and decades ahead for other filmmakers who want to tackle similar challenges with the kind of scale employed here….

(5) A CHALLENGE FACED BY INTERNATIONAL WRITERS. Jason Sanford has posted a public Genre Grapevine column on his Patreon about the issues that international authors in Africa, parts of Asia and Latin America, etc… face to get paid for their work:  “Genre Grapevine Special Report: A Truly Global SF/F Genre Must Recognize the Financial Barriers Faced by Many International Authors and Creatives”.

…3. A fear that many people in the U.S.A., Canada and Europe don’t understand the financial barriers faced by those in other countries and that the hassles of arranging payments could cause some international authors and creatives to not have their works considered for publication in the first place.

That last point is a critical one to emerge from my interviews with more than a dozen authors, artists and creative people in countries such as Colombia, Australia, India, Nigeria, Brazil, South Korea, and Mexico, all of whom have experienced issues with receiving payments.

None of the people I spoke with knew of a single technical solution to the problems they’ve encountered with receiving payments. Instead, they spoke of worries about how the editors, publishers, and clients they’ve worked with in the U.S.A., Canada and Europe perceive these difficulties in receiving payments. It’s likely even their fellow authors and creatives in the U.S.A., Canada and Europe don’t generally understand these concerns.

In fact, most of the people I interviewed asked to remain anonymous because they feared harm to their career if they spoke publicly about the issue….

(6) REMEMBERING TRAGIC ACCIDENT VICTIM. [Item by Cora Buhlert.] Everybody is talking about Alec Baldwin, but the Guardian has a profile/obituary of Halyna Hutchins, the cinematographer Baldwin accidentally shot. Some of the films she worked on were genre. Plus, I think she deserves to be remembered as more than just a footnote: “Halyna Hutchins profile: a talented and passionate cinematographer”.

Halyna Hutchins was a talented and passionate cinematographer who was clearly enjoying her job as director of photography on Alec Baldwin’s latest cowboy movie.

Over the past three weeks, she posted photos on her Instagram account from the film’s rugged set in the foothills of New Mexico. They included vivid sunsets and a cast and crew picture in which Hutchins is standing next to Baldwin against the backdrop a log cabin.

There is also a short video clip taken on Wednesday in which Hutchins – wearing a grey scarf and wide-brimmed hat – sets off on horseback with colleagues. “One of the perks of shooting a western is you get to ride horses on your day off,” she wrote….

(7) FRIGHTENING ADVICE. Will Maclean shares some tips in writing scary ghost stories: “How to write scary ghost stories” at Writers Online.

The first and most important thing to remember when writing a ghost story is the difference between scariness and creepiness. You will need to deploy both moods, so it’s well worth giving the matter some thought.

The part of us concerned with pure scariness is indescribably ancient, concerned only with fight or flight, with survival. As such, we are only truly, properly terrified when we’re confronted with those same primal terrors that threatened us a million years ago – being alone, being watched, being hunted or chased or otherwise pursued, with deadly intent… that small stock of evergreen human nightmares is where the pure, visceral scares will always come from….

(8) ANATOMY OF A SUBGENRE. [Item by Cora Buhlert.] Bill Ward has an article about the intersection of cosmic horror and sword and sorcery at Goodman Games, who are a remarkably good source of SFF related articles: “The Cosmic Horror of Sword & Sorcery”.

… The bones of sword & sorcery lie close to the skin, and one sure blade-stroke is enough to lay them bare for all to see. There is plot-driven pulp action there, at the core, but supporting that is a foundation of swashbuckling historical adventure, and expectations of encounters of the picaresque and the exotic kind. To be sure we can also see the unsentimentality of the hardboiled, the individualism of the American experience, and a surprising dose of literary realism for a genre concerned with fantastic monsters, haunted crypts, and vampiric blades….

(9) FOUNDATION REVIEW. Camestros Felapton weighs in on “Foundation Episode 6”. As he says, spoilers follow.

The show has been taking its time by introducing the background and a broader plot about the fall of the Galactic Empire. However, if the pace was slow it was still moving. Episode 6 was a case of the show spinning its wheels without really going anywhere. There are some good bits but what momentum the story had in the previous episodes got caught up in dithering. Spoilers follow….

(10) YAKKO, WAKKO AND DOT. Hulu dropped this trailer for season 2 of Animaniacs yesterday.

“We’re so meta the shark jumped us!”

(11) SAME MOTIVE AS EVER, GETTING PAID. The Digital Antiquarian’s article about “I Have No Mouth, and I Must Scream” begins with an expansive biography of author Harlan Ellison before turning to the game based on one of his stories.

… Ellison’s attitude toward computers in general was no more nuanced. Asked what he thought about computer entertainment in 1987, he pronounced the phrase “an oxymoron.” Thus it came as quite a surprise to everyone five years later when it was announced that Harlan Ellison had agreed to collaborate on a computer game.

The source of the announcement was a Southern California publisher and developer called Cyberdreams, which had been founded by Pat Ketchum and Rolf Klug in 1990. Ketchum was a grizzled veteran of the home-computer wars, having entered the market with the founding of his first software publisher DataSoft on June 12, 1980. After a couple of years of spinning their wheels, DataSoft found traction when they released a product called Text Wizard, for a time the most popular word processor for Atari’s 8-bit home-computer line. (Its teenage programmer had started on the path to making it when he began experimenting with ways to subtly expand margins and increase line spacings in order to make his two-page school papers look like three…)

(12) ANGEL OBIT. Legacy.com covers the career of the late “Jack Angel (1930–2021), voice actor in ‘Super Friends,’ ‘Transformers’” – who I remember listening to on KFI at the beginning of his career.

Angel got his start in the entertainment industry as a radio disc jockey in California. He worked in radio for almost 20 years before beginning his voice acting career on the popular Saturday morning cartoon “Super Friends.” Angel provided the voices of Hawkman, the Flash, and Super Samurai. He went on to perform in beloved cartoons including “The Smurfs,” “Scooby-Doo and Scrappy-Doo,” and “Spider-Man.” In 1985, Angel began voicing a number of characters for “The Transformers,” including Ramjet, Smokescreen, and Omega Supreme. He was the voice of Wetsuit in “G.I. Joe: A Real American Hero” and Dr. Zachary Darrett in “Pole Position” as well as providing a number of voices in “Voltron: Defender of the Universe.” Angel also worked in animated feature films, providing voices for many movies including “Beauty and the Beast,” “Aladdin,” “A Bug’s Life,” “The Iron Giant,” “Spirited Away,” and “Monsters Inc.” Angel was a U.S. Army veteran who served in Korea.

(13) MEDIA BIRTHDAY.

  • 2006 – On this evening in 2006, Torchwood first aired on BBC Three before moving to BBC Two and finally to the level BBC One. A spin-off of Doctor Who which returned the previous year after a long hiatus, it was created by Russell T. Davies, the first Showrunner for the new Doctor Who. Its principal cast was John Barrowman, Eve Myles, Gareth David-Lloyd, Burn Gorman and Naoko Mori. Over five years, it would run for four series and forty-one episodes. I personally liked the first two series much better than the last two series. Audience reviewers at Rotten Tomatoes currently give it a most excellent seventy-four percent rating. Both BBC and Big Finish have continued the series in audio dramas. 

(14) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 22, 1919 — Doris Lessing. The five novels collectively known as Canopus in Argos: Archives certainly established her genre creds. I personally would add her Cat Tales, three volumes of stories and nonfiction (Particularly Cats, Rufus the Survivor and The Old Age of El Magnifico) to your reading list.  (Died 2013.)
  • Born October 22, 1938 — Derek Jacobi, 83. He played a rather nicely nasty Master in “Utopia”, a Tenth Doctor story. He’s played Metatron on Good Omens. And he was Magisterial Emissary in The Golden Compass. I’ll single out that he’s played Macbeth at Barbican Theatre in London as part of the Royal Shakespeare Theatre ensemble.
  • Born October 22, 1938 — Christopher Lloyd, 83. He has starred as Commander Kruge in The Search for Spock, Emmett “Doc” Brown in the Back to the Future trilogy, Judge Doom in the most excellent Who Framed Roger Rabbit, and played a wonderful Uncle Fester in The Addams Family and the Addams Family Values. (Though I admit didn’t spot him in that makeup.) Let’s not forget that he was in The Adventures of Buckaroo Banzai Across the 8th Dimension as John Bigbooté, and he played Dr. Cletus Poffenberger in a recurring role on Tremors.
  • Born October 22, 1939 — Suzy McKee Charnas, 82. I’d say The Holdfast Chronicles are her best work to date. “Boobs” won the Best Story Hugo at ConFiction. Her Beauty and the Opéra or The Phantom Beast novelette was a nominee at LoneStarCon 2. She’s also won the Otherwise, Mythopoeic Fantasy Award for Children’s Literature, Nebula, Gaylactic Spectrum, and Lambda Literary Awards. Any of you read her Sorcery Hall series? 
  • Born October 22, 1943 — Jim Baen. Editor of Galaxy and If for three years. In late 1999, he started Webscriptions, now called Baen Ebooks, which is considered to be the first profitable e-book service. He also was the editor of Destinies and New Destinies which I remember fondly.  He was nominated for Best Editor Hugo five times between 1975 and 1981 but never won. At Nippon 2007, he’d be nominated for Best Editor, Long Form. (Died 2006.)
  • Born October 22, 1952 — Jeff Goldblum, 69. The Wiki page gushes over him for being in Jurassic Park and Independence Day (as well as their sequels, The Lost World: Jurassic Park and Jurassic World: Fallen Kingdom and Independence Day: Resurgence), but neglects my favorite film with him in it, The Adventures of Buckaroo Banzai Across the 8th Dimension, not to mention the  Invasion of the Body Snatchers remake he was in. Well, I do really like Independence Day. Though not even genre adjacent, he’s got a nice run on Law and Order: Criminal Intent as Zack Nichols.
  • Born October 22, 1954 — Graham Joyce. Selecting his best novel is a futile exercise as everything is fantastically good but I’ll single out Some Kind of Fairy Tale and The Tooth Fairy as the ones I found the most interesting reads. No Hugos not even a short list nomination but he’s won quite a few BFAs and one WFA for The Facts of Life novel. (Died 2014.)

(15) TANANARIVE DUE PROFILE. “Afrofuturist and horror writer Tananarive Due: ‘Invite more Black creators to the table’”. So she tells interviewer Roxane Gay at Inverse.

RG: You have this seemingly idyllic upbringing with both of your parents, loving family, surrounded by books. How do you develop an interest in writing horror?

TD: That’s also my mother. She was a huge horror fan. It’s only in recent years really since her loss, ironically, which has been the biggest trauma of my life that I’m thinking, “Ah, I wonder if her love of horror had a lot to do with the trauma she suffered, first growing up under Jim Crow then being subjected to state violence as a civil rights activist?” That monster on a screen, whether it’s Frankenstein or the Wolf Man, can represent the real-life trauma you have to stand up to. And you watch characters stand up to it even when they don’t understand it, even when they don’t know how to fight it.

(16) VONNEGUT ON FILM. Thom Dunn gets us ready to “Watch the trailer for the new Kurt Vonnegut documentary ‘Unstuck In Time’” at Boing Boing.

The upcoming documentary Kurt Vonnegut: Unstuck In Time looks pretty interesting if you (like me) are a fan of the late author. Filmmaker Robert Weide first approached Vonnegut in 1988 to propose the idea of a documentary, and they filmed on and off until Vonnegut’s death in 2007. As a result, the movie not only documents Vonnegut’s life and career, but also the evolution of the relationship between the two men. 

(17) SOURCES OF DUNE. Haris Durrani analyzes Herbert’s drawing on Islam in “The Muslimness of Dune: A Close Reading of ‘Appendix II: The Religion of Dune’” at Tor.com.

… I find the books’ engagement with Islam to transcend linguistic wordplay and obscure intertextuality. After all, Herbert was fascinated by linguistics and believed words shape substantive meaning. The use of “Voice” by the Bene Gesserit, an order of imperialist superhuman female breeders, is a prime example of this, as is the saga’s running obsession with symbols and myths. As these semiotic tools wield tremendous power within the Dune universe, Herbert’s references likewise generate a profound “Muslimness” that goes beyond mere orientalist aesthetics. (This is not to say that the Dune novels are not orientalist in other ways, which I have detailed elsewhere.) Dune does not cheaply plagiarize from Muslim histories, ideas, and practices, but actively engages with them….

(18) NOT THE EXPANSE. Astronomy Picture of the Day: “Lucy Launches to Eight Asteroids.”

(19) VERSATILE AARDVARK. Cat discovered recordings of six episodes of “Cerebus: The Radio Show” at the Internet Archive.

Comic book series created by Canadian cartoonist Dave Sim, which ran from December 1977 until March 2004. The title character of the 300-issue series is an anthropomorphic aardvark who takes on a number of roles throughout the series-barbarian, prime minister and Pope among them. The series stands out for its experimentation in form and content, and for the dexterity of its artwork, especially after background artist Gerhard joined with the 65th issue. As the series progressed, it increasingly became a platform for Sim’s controversial beliefs.

(20) VIDEO OF THE DAY. [Item by Martin Morse Wooster.]

“A Crewneck for Pete” on Vimeo, directed by Andy Mills, is about how you know it’s fall in New England, when the leaves turn and you drink cider straight from the jug.  But where is Pete going to find a cozy crewneck sweatshirt?

[Thanks to  JJ, John King Tarpinian, Andrew Porter, Michael Toman, Rob Thornton, Will R., Cora Buhlert, Jason Sanford, Michael J. Walsh, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton.]