Tag Archives: Fredric Brown

Pixel Scroll 10/4/23 Way Station Deep In The Big Pixel (And The Big Fool Said To Scroll On)

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(1) GOOD NEWS. My mother is back to her usual self and physically has regained enough ground for the doctor to send her home to the skilled nursing facility where she lives. She’ll go back tonight. And it’s hard to break the Scroll habit when I have a couple hours left to work on one!

(2) A LEADER WHO LOOKS TO THE FUTURE. [Item by Danny Sichel.] As a result of the October 3 election, Wab Kinew of Manitoba — winner of the 2022 Aurora Award for Best Young Adult Novel, for his Walking in Two Worlds — has joined the late Julius Vogel of New Zealand in a very exclusive club: SFF authors who are also heads of government. “Wab Kinew becomes Canada’s 1st First Nations premier of a province” CBC Kid News.

(3) FUTURE TENSE. The September entry in the Future Tense Fiction series: is“Little Assistance,” about the first judge on the Moon, by Stephen Harrison, a Slate columnist and lawyer.

The other homesteaders, mostly engineers and technicians, seemed to enjoy outings in the lunar rover. “Joyrides,” they called them. But for Eugene, this was a grinding chore that frayed his nerves. As he trundled across the powdery surface, he recounted a litany of risks: razor-sharp regolith puncturing the tires, a power failure in his EVA suit, a freak meteor hurtling through the chassis …

 It was published along with a response essay, “Space law: The commercialization of space is here. International law isn’t prepared” by space law expert Saskia Vermeylen.

(4) A YANK AT OXFORD. Connie Willis has been across the Pond again: “England 2023 – Oxford, Part 1”.

Just got back from a research trip to England. It was great, even though Oxford was experiencing a terrible heat wave, so hot the tour guides were telling people NOT to take the walking tours but to instead go inside one of the museums (even though those weren’t air-conditioned either).

We spent a lot of time in the History of Science Museum, which is most famous for having Einstein’s blackboard, but also has Lawrence of Arabia’s camera, Lewis Carroll’s photographic equipment, and the actual penicillin specimen that Florey and his team worked with when developing the drug during World War II.

Alexander Fleming was the one who’d originally discovered penicillin, but he’d never been able to do anything with it, and it was Howard Florey, Ernst Chain, Margaret Jennings, and other Oxford scientists who developed it into a practical medicine and the “miracle drug” that saved millions of lives during the war, using bedpans and every other container they could find to grow the vast quantities of penicillin needed….

(5) GENIUS GRANTS. The 2023 MacArthur Fellows were announced to me. The descriptions did not indicate to me that any of them have genre connections. Perhaps you will have better luck spotting some.

(6) CROWDFUNDING APPEAL. Fan and former Worldcon chair (1983) Michael Walsh has started a GoFundMe for “Car repair and storage”.

Over the weekend my car died. Got it to the dealer. New battery, starter, and alternator need to be replaced. Doing that leaves no money until mid month.

(7) MOSLEY AND OATES. Andrew Porter took these photos of Walter Mosley and Joyce Carol Oates being interviewed at St. Ann’s Church, Brooklyn Heights, during last weekend’s Brooklyn Book Festival. (You can also see more photos in the Brownstoner’s article about “Literary Crowds at the Brooklyn Book Festival”.)

Walter Mosley, left. Joyce Carol Oates, right. Moderated by Olivia Rutigliano (Editor, Lit Hub and CrimeReads). Photo by and (c) Andrew Porter
Walter Mosley, left. Joyce Carol Oates, right. Photo by and (c) Andrew Porter

At the Festival, Porter also spotted a copy of this book with its tribute to my friend, the late Fred Patten (1940-2018).

(8) BY KLONO’S BRAZEN BALLS. Did we run this before? Not sure. But no Filer wants to miss a discussion of “How Far Afield Can Sci-Fi and Fantasy ‘Fake Swearing’ Get Before You Feel Uncomfortable?” at The Stopgap.

On the one hand, it is unlikely that three hundred years in the future, a group of space marauders (or six hundred years ago in Ruritania, or on the third 5,000-year resurrection cycle on an alternate Earth that looks suspiciously like the Dalmation Coast) is going to rely on the same profanity as twenty-first-century North Americans. But on the other hand, everything else sounds worse. Unless you’re willing to create an entirely new language with its own complex set of rules, don’t bother coming up with a ten-word vocabulary of invented oaths. The best this can sound is stupid….

(9) MEMORY LANE.

1944 — [Written by Cat Eldridge from a selection by Mike Glyer.]

Fredric Brown is the writer who offers up our Beginning this time. Despite the story that is told of his wife claiming that he hated to write, he would write four novels and somewhere in excess of a hundred short stories and quite a few poems. That really takes dedication to writing, doesn’t it? 

So what  do I like by him? Martians, Go Home which I think is one of the finest comical SF novels ever done, and I realized that I’d read What Mad Universe a long time ago, it’s quite a fun read. And what I’ve read of his short stories are quite excellent indeed. 

So who has read his mysteries? They look like they could be worth an evening or two. I noticed that his first one, The Fabulous Clipjoint, won the Edgar Award for outstanding first mystery novel. Very impressive! 

Our Beginning this time is that of his “Arena” short story published in the June 1944 issue of Astounding Science Fiction. 

The Star Trek episode called “Arena” had similarities to his story.  So who here can tell me what those were? In order to avoid legal entanglements, it was agreed that Brown would receive payment and a story credit.

It is available in the Robert Silverberg edited The Science Fiction Hall of Fame, Volume One, 1929-1964 which is available from the usual suspects. 

Now our Beginning…

CARSON OPENED HIS EYES, and found himself looking upwards into a flickering blue dimness. 

It was hot, and he was lying on sand, and a rock embedded in the sand was hurting his back. He rolled over to his side, off the rock, and then pushed himself up to a sitting position.

‘I’m crazy,’ he thought. ‘Crazy — or dead — or something.’ The sand was blue, bright blue. And there wasn’t any such thing as bright blue sand on Earth or any of the planets. Blue sand under a blue dome that wasn’t the sky nor yet a room, but a circumscribed area — somehow he knew it was circumscribed and finite even though he couldn’t see to the top of it. 

He picked up some of the sand in his hand and let it run through his fingers. It trickled down on to his bare leg. Bare?

He was stark naked, and already his body was dripping perspiration from the enervating heat, coated blue with sand wherever sand had touched it. Elsewhere his body was white. 

He thought: then this sand is really blue. If it seemed blue only because of the blue light, then I’d be blue also. But I’m white, so the sand is blue. Blue sand: there isn’t any blue sand. There isn’t any place like this place I’m in.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born October 4, 1860 — Sidney Edward Paget. British illustrator of the Victorian era,  he’s definitely known for his illustrations that accompanied Arthur Conan Doyle’s Sherlock Holmes stories such as the one in “The Adventure of Silver Blaze” which appeared in The Strand Magazine in December 1892, with the caption “Holmes game me a sketch of the events”. He also illustrated Arthur Morrison’s Martin Hewitt, Investigator, a series of short stories featuring the protagonist, Martin Hewitt, and written down by his good friend, the journalist Brett. These came out after Holmes was killed off, like many similar series. (Died 1908.)
  • Born October 4, 1904 — Earl Binder. Under the pen name of Eando Binder, he and his brother Otto published SF stories. One series was about a robot named Adam Link. The first such story, published in 1939, is titled “I, Robot”. A collection by Asimov called I, Robot would be published in 1950. The name was selected by the publisher, despite Asimov’s wishes. As Eando Binder, they wrote three SF novels — Enslaved Brains, Dawn to Dusk and Lords of Creation. (Died 1966.)
  • Born October 4, 1928 — Alvin Toffler. Author of Future Shock and a number of other works that almost no one will recall now. John Brunner named a most excellent novel, The Shockwave Rider, after the premise of Future Shock. (Died 2016.)
  • Born October 4, 1932 — Ann Thwaite, 91. Author of AA Milne: His Life which won the Whitbread Biography of the Year, as well as The Brilliant Career of Winnie-the Pooh, a scrapbook offshoot of the Milne biography. (And yes, Pooh is genre.) In 2017 she updated her 1990 biography of A.A Milne to coincide with Goodbye Christopher Robin for which she was a consultant. 
  • Born October 4, 1956 — Bill Johnson. His writing was strongly influenced by South Dakota origins. This is particularly true of his “We Will Drink a Fish Together” story which won a Hugo for Best Novelette in 1998. (It got a Nebula nomination as well.) His 1999 collection, Dakota Dreamin, is quite superb. (Died 2022.)
  • Born October 4, 1975 — Saladin Ahmed, 48. His Black Bolt series, with Christian Ward as the artist, won an Eisner Award for Best New Series and the graphic novel collection, Black Bolt, Volume 1: Hard Time, was a finalist at Worldcon 76 for Hugo Award for Best Graphic Story. 

(11) COMICS SECTION.

  • Popeye unexpectedly includes the phrase “pocket dimensions”.
  • Arturo Serrano’s review of the webcomic Strange Planet and the Apple TV+ show adapted from it is titled “Trite Planet”, which is a hint at his opinion. On the other hand, the review includes numerous examples of the comic which you may like more than he does.

With the webcomic Strange Planet, first published on Instagram and then in book format, cartoonist Nathan W. Pyle has become the rare success story where a comedian has proved able to sustain a career based on knowing exactly one joke. His featureless blue aliens lead entirely ordinary lives, doing the same things humans do, but speaking with a degree of technical precision that exposes how abnormal our assumptions of normality truly are. Pyle has discovered how to milk the same gimmick a million times, creating a surprisingly caustic style of humor clothed in pastel. From innocent slice-of-life scenarios, Strange Planet can go into some really dark insights, a remarkable feat of tonal balancing without which it wouldn’t have become so explosively popular….

(12) BREAKTHROUGH UK COMICS LAUREATE. “Bobby Joseph becomes first person of colour appointed UK comics laureate” reports the Guardian.  

The comic book author and graphic novelist Bobby Joseph has become the first person of colour to be appointed the UK’s comics laureate.

Joseph, who was one of the first authors to create a British comic with black characters, was appointed to the role at the Lakes international comic art festival (LICAF) in Bowness-on-Windermere in the Lake District on Saturday.

He is the fifth person to hold the post, which was created in 2014 to raise awareness of the impact comics can have on increasing literacy and creativity. One of the laureate’s key focuses is to increase the acceptance of comics as a tool for learning in schools and libraries.

Joseph, 51, who grew up in south London, told the Guardian he hoped to spend his two-year stint tackling the lack of diversity in the comics industry.

“This award is a huge achievement. I am very honoured to get it. That said, one of the key things I want to do is change things with regards to diversity, representation and the unheard voices of comics. This is my main focus. There is no point being in this role unless I am able to help others,” he said….

(13) ABOUT THAT DAY JOB. Publishers Weekly has the numbers to prove that “Writing Books Remains a Tough Way to Make a Living”.

A new author income study released by the Authors Guild provides a dizzying array of numbers and breakdowns about how all types of authors—traditionally published and self-published, full-time and part-time—fared financially in 2022. With such a deep trove of statistics, the survey offers something for everyone, but the main takeaway is that most authors have a hard time earning a living from their craft.

The survey, which drew responses from 5,699 published authors, found that in 2022, their median gross pre-tax income from their books was $2,000. When combined with other writing-related income, the total annual median income was $5,000. The median book-related income for survey respondents in 2022 was up 9% from 2018, adjusted for inflation, with all the increase coming from full-time authors, whose income was up 20%, compared to a 4% decline for part-time authors….

(14) SNAPPING THE SUSPENDERS OF DISBELIEF. Camestros Felapton does a pretty entertaining review of the movie in “Review: 65”.

…”But…” you might say and sure there is a lot we could nitpick about the setup but that would be a category error. If you are choosing to watch this film, you are choosing to watch Adam Driver shoot dinosaurs with a hi-tech gun. “But why is he flying into this solar system if he is flying these people to a completely different planet somewhere else?” is not a legitimate question. The film comes pre-exempt from such criticism just as you can’t ask a rom-com to not depend so much on random coincidences or misunderstandings, or why cars are so prone to exploding in an action movie, or what the actual murder rate was among wealthy British people in a period murder mystery….

[Thanks to Ersatz Culture, John King Tarpinian, Chris Barkley, Sean Wallace, Lise Andreasen, Daniel Dern, Olav Rokne, Danny SIchel, Bill, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Another Dern Not-Quite-A-Review: Lawrence Block’s “The Burglar Who Met Fredric Brown”

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The Burglar Who Met Fredric Brown by Lawrence Block

By Daniel Dern: As a fan of both Lawrence Block and Fredric Brown (their stories and books, that is), I was intrigued and ready-to-be-excited by an announcement back in August 2022, which I saw I-don’t-remember-where and then here in File770, in Item #2, about Block’s then-upcoming novel, The Burglar Who Met Fredric Brown (which I’ll now refer to as TBWMFB), Block’s thirteenth book about bookseller/burglar (or vice versa) Bernie Rhodenbarr.

(Cavil/Quibble/Note: Thirteenth book but twelfth novel, because Block’s previous Rhodenbarr, The Burglar In Short Order, is a (highly enjoyable) collection of short stories about Bernie.)

This is intended to be a spoilers-free write-up. (If you’ve read or otherwise know the underlying gimmick — I’m not sure it qualifies as a MacGuffin — in Fredric Brown’s What Mad Universe, then you already have a non-unreasonable expectation of what happens early on, but Block takes it in a different tone and direction from Brown, and since it’s the premise, not a spoiler anyway IMHO.)

I’ll start with my opinions/recommendations, rather than leave them to the end. Arguably much of what’s after this list is snakes-hands; it’s definitely more about Lawrence Block (and why and what I recommend reading his stuff) than TBWMFB.

(1) I enjoyed The Burglar Who Met Fredric Brown. I’ve read all the previous Bernie The Burglar books, although, other than …In Short Order, probably none more recently than a decade or more ago. I’ve read lots of Lawrence Block; over half a dozen re-re-read. I’ve read a fair amount of Fredric Brown — lots of the sf stories, in the sf magazines and anthologies and collections as I grew up, some recently.

(2) If you’ve read at least a few of Block’s previous Bernie books, odds are pretty good you’ll like The Burglar Who Met Fredric Brown. This Bernie book is different from previous ones, so if it turns out to not be your cup of tea (or klava, for Steven Brust Vlad Taltos-verse fans), click here for 50% of your time back. (Not responsible for ripple-effect changes.)

(3) If you’ve read other Block but not his Burglar books (though this seems unlikely), ditto — but I suggest you read one or two of those first, to meet the characters first. The Burglar In Short Order should suffice; more won’t hurt.

(4) If you haven’t read any Block, (a) see (3) above and, (b) good news, Block’s got LOTS of great reads. My favorites include the John Keller Hit Man series (five books – note, many parts show up, particularly in e-form, as individual stories. Best read in order. Note to author: More Keller, please!); the Evan Tanner books (in particular, I commend the first, and also the currently-last Tanner On Ice, which has an sf-adjacent not-quite-a-MacGuffin a la Heinlein’s The Door Into Summer (but no cat), in particular); the Ehrengraf for the Defense collection(s?); his other story collections; and his non-fiction collections (his stamp collector columns, and The Crime of Our Lives (essays and anecdotes). (I’m also fond of A Random Walk, which is perhaps arguably sf or adjacentish.)

There are many reasons to enjoy and savor reading Block. The characters, perfect-timing zinger endings, the New York City bits, and the prose itself, including, like Donald Westlake, drop-in bits that may or may not serve the movement or character, but are simply delightful. (The Westlake one that comes to mind is from one of his Dortmunder stories, inventorying the passengers in a goonmobile, including “stately, plump Buck Mulligan.” (Also used, with more context, in Grant Morrison/Frank Quitely’s superb All-Star Superman run.)

Ed Gorman nailed it, in his introduction to the Hard Case edition of Block’s Borderline (although it feels like I read it in some other essay/intro collection: “A long time ago I said that Lawrence Block writes the best sentences in the business. I don’t see any reason to change my mind.” (Possibly I’d read Gorman’s original remark. I’d thought it was said by Stephen King, but the web says it was Ed Gorman; who am I to disagree?) Some of my favorite places are from Block’s John Keller stories; somehow, for example, the beginning of Keller’s Designated Hitter. I can’t explain it, but I know when I’m enjoying prose as it goes.

(4) If you haven’t (yet) read any Fredric Brown, tsk! but that’s not an impediment to reading The Burglar Who Met Fredric Brown. (I subsequently reread Brown’s What Mad Universe, and stand by my opinion.)

Where to get TBWMFG:

I read the paperback, courtesy of my library (also available as an e-book), a belated several months ago. (My fault, I’d gronked my initial library reservation.) So I’m very belatedly getting back to this write-up.)

For serious fans/collectors; Subterranean Press is doing a deluxe signed-and-limited hardcover, scheduled for release October 1, 2023. I can’t see (from listings) whether there are any “extras.” (Note, many of Block’s e-book versions include essays, bio info, photos, etc. — worth checking out via HooplaDigital or Libby library borrows!)

And there’s an audiobook, available through various sources.

This is probably as good a place as any to mention some places to get your Fredric Brown. NESFA Press has two Brown collections (in paper and/or e-book): From These Ashes: The Complete Short SF of Fredric Brown, and Martians and Madness: The Complete SF Novels of Fredric Brown. E-library-wise, Hoopla, Libby, and OverDrive (which has been replaced by Libby, but this search may burp up different results than Libby’s).

Plus there are numerous non-SF reprints/collections, from various publishers, many in your library’s physical stacks, bookstores, and your friends’ shelves.

CLEARING THROAT AGAIN. Before I launch into talking about The Burglar Who Met Fredric Brown one more note (for now), and one disclaimer:

  • Bernie Rhodenbarr doesn’t actually meet Fredric Brown in TBWMFB. (To be fair, while none of the previous titles make similar “met” claims, Bernie doesn’t meet any of the other title-name-dropped people.)
  • This write-up isn’t really a review, by my definition. (In case you haven’t yet figured that out from the title or the text so far.)

BLOCK AND/OR SF: Unlike Fredric Brown, who wrote a fair amount of SF alongside a lot of crime/mystery/detective stuff, Lawrence Block, like Donald Westlake, John D. MacDonald, and others, has only a few excursions into or dalliances with sf.

(I don’t consider Tanner On Ice to be sf in any way, and I’m not sure how to categorize A Random Walk, but IMHO it’s not genre sf. That doesn’t stop me from periodically re-reading either of these books, but it makes me mildly curious where my town’s library — which has separate-from-general-fiction zones for mystery/crime, sf/fantasy, and romance — would file it.)

Conveniently, Janet Rudolph got deets straight from the author’s mouth (or email, in her interview cited in Item #2 of File770’s August 23, 2023 scroll, her “An ‘Impertinent’ Interview with Lawrence Block” at Mystery Fanfare. Talking with Block about TBWMFB:

You ever write any SF?

I had a story in a magazine, Science Fiction Stories, in 1959, and it was chosen for Judith Merril’s best-of-the-year collection. And in 1984 Fantasy & Science Fiction ran “The Boy Who Disappeared Clouds.”

But there’s no doubting that (like Stephen King), Block knows and enjoys sf. Here’s Block’s post about Fredric Brown.

And here’s Block’s comments-and-preview excerpt blog post The Burglar Who Met Fredric Brown—a preview! — enough to help you decide whether to read the book.

Where Brown’s What Mad Universe is a mix of grim plot and cultural satire, TBWMFB is (give or take Bernie The Burglar’s inevitable caper-turning-into-having-to-solve-a-murder-he’s-blamed-for) a romp, where characters and author are clearly having fun. And, hopefully, so will you.

IN SCROLLS TO COME: Block, and Westlake, both have non-fiction collections of various articles, essays, book introductions, correspondence, etc. (including some about each other, they worked in the Scott Meredith Agency contemporaneously or near, and were good friends. I’m brooding about a post on these books; they’re informative, engaging, and entertaining — and it’s interesting to hear them speaking directly, as themselves, rather than through a narrator or character.

Pixel Scroll 3/4/23 This Pixel Will Self-Destruct In Five Minutes Unless Scrolled

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(1) COULD IT BE — THE FORCE? Google “The Mandalorian.” Then look in the bottom right corner and click. (Via Steve Lee.)

(2) SF IN SF. Rebecca Gomez Farrell will be reading with Mia Tsai at the SF in SF reading series on March 25 at 6:30 p.m. Pacific. The series takes place at the American Bookbinders Museum, 355 Clementina Alley, San Francisco, All proceeds from the $10 entry fee and cash bar go to the Museum. No one will be turned away for lack of funds.

(3) EKPEKI GOH STATUS. The international Association for the Fantastic in the Arts issued an ICFA 44 Guest of Honor Update to address the change in circumstances now that their GoH Oghenechovwe Donald Ekpeki can’t be present in person:

The International Association for the Fantastic in the Arts is honored and proud to announce that Oghenechovwe Donald Ekpeki will be Guest of Honor in absentia for the ICFA 44, whose theme is Afrofuturism. His recorded presentations and live-streamed commentary will be available for exclusive viewing by those in attendance at conference events.

(4) NOW IS THE SEASON FOR SPAM. Victoria Strauss sends out a warning in “Spam Alert: 4 Seasons Book Awards” at Writer Beware.

…Spamming via contact form is way more labor intensive than just regular spam, so you’ve got to respect the commitment–though I have to say a bit more time could have been invested in proofreading. Also, is it 4 Seasons Book Awards, as in the solicitation, or Four Seasons Book Awards, as in the little medallions in the typo-ridden image at the top of this post? It’s a bit confusing, brand identity-wise….

(5) CLARION ONLINE CLASSES. Clarion West Online Spring 2023 classes include:

Occupational burnout is a phenomenon which has been only formally studied for the last 50 years, though occupational stress has existed for…longer. Though it is a commonly used term, what is burnout actually? How does it manifest, and what contributes to it? Also, how does being an independent author contribute?

Structure is so much more than a formula to be followed. It’s a set of reader expectations that are emergent from the genre, culture, and the story itself, and understanding those structures not only helps you write but it also helps ensure a satisfying reading experience.

In this workshop, we’ll venture beyond the three-act structure, discussing other established plot structures before moving on to the structures inherent in scenes and character arcs. Then we’ll explore how structure is emergent from story and learn how to identify the points in a story that set trajectories and reader expectations. Finally, we’ll put that analysis to good use with exercises to identify a scene’s structure, pick out missing structural elements, and determine how to end a troublesome scene.

Students will explore how structure works on a plot, scene, and character level, in various structures, and how to identify the moments that define a story, scene, or character arc’s structure.

(6) SFF IN TRIVIA. [Item by David Goldfarb.] Jeopardy! has a Page-a-Day calendar, featuring questions taken from the show. March 2 and 3 this year were from the category “It Takes a Villain”, from the episode airing on October 11, 2019.

March 2: $400 level (easiest tier): He says the movie line “You don’t know the power of the dark side.”

March 3: $1600 level (fourth tier): He’s the non-human villain in “2001: A Space Odyssey”

Meanwhile, LearnedLeague’s match for Friday the 3rd had one question directly about SFF, and one with an association.

Question 3 for the day: The Gunslinger, The Drawing of the Three, and The Waste Lands are the first three novels in what 4300+ page epic fantasy series?

This is Stephen King’s The Dark Tower. 48% of LLamas got this right, with the most common wrong answer being Dune (6% of answers).

Question 4 was this: The keys on older typesetting machines were arranged in columns, which were sorted by the frequency with which their constituent letters were used. The second column was s h r d l u (consisting of the 7th through the 12th most frequently used letters); what six letters comprised the first column and often appeared with “shrdlu” in print due to operator error? (Note, the six letters must be in exact order.)

Answer: ETAOIN. This had only an 8% get rate! But I got it because I remembered a story by Fredric Brown about a sentient Linotype machine titled. “ETAOIN SHRDLU”. 

(7) JOHN D. TEEHAN (1967-2023).  Founder of the Merry Blacksmith Press, John D. Teehan, publisher of numerous science fiction, fantasy, graphic and prose novels, died February 23. From the SFWA Blog tribute —

Michael Capobianco, co-chair of the Estates-Legacy Committee and past SFWA president, remarks, “For a decade and a half, John was a major asset to SFWA. In charge of all typesetting, layout, art, and printing of the SFWA Bulletin, his professionalism helped make the Bulletin a great-looking glossy magazine.”

(8) MEMORY LANE.

1954 – [Compiled by Cat Eldridge.]

Our Beginning this Scroll is Fredric Brown’s Martians, Go Home, which is what I’d call a classic of the genre. (You of course are free to disagree with my claim if you so wish.) 

It was first published in Astounding Science Fiction in September 1954 and then by E. P. Dutton in 1955. It’s still in-print from Bantam, and it’s included in the NESFA published Martians and Madness: The Complete SF Novels of Fredric Brown. 

Ok, what are my thoughts on it? It’s a really, really fun novel that is light-hearted and plays nicely off the long standing trope of little green men. I know it would later be made into a film starting Randy Quaid but I’ve neither seen it nor have any desire to so since I like the novel. 

Now here’s your Beginning full of little green men. Well it should be if it isn’t. 

Prologue 

If the peoples of Earth were not prepared for the coming of the Martians, it was their own fault. Events of the preceding century in general and of the preceding few decades in particular should have prepared them. 

One might say that preparation, in a very general sort of way, had been going on much longer than that, for ever since men had known that Earth was not the center of the Universe but only one of a number of planets circling about the same sun, men had speculated as to whether the other planets might not be, like Earth, inhabited. However, such speculation, for lack of evidence pro or con, remained on a purely philosophical plane, like speculation as to how many angels could dance on the point of a pin and whether Adam had a tnavel. So let’s say that preparation really started with Schiaparelli and Lowell, especially Lowell. 

Schiaparelli was the Italian astronomer who discovered the canali on Mars, but he never claimed that they were artificial constructions. His word canali meant channels. 

It was the American astronomer Lowell who changed the translation. It was Lowell who, after studying and drawing them, set afire first his own imagination and then the imagination of the public by claiming they were canals, definitely artificial. Proof positive that Mars was inhabited. 

True, few other astronomers went along with Lowell; some denied the very existence of the markings or claimed they were only optical illusions, some explained them as natural markings, not canals at all. 

But by and large the public, which always tends to accentuate the positive, eliminated the negative and sided with Lowell. Latching onto the affirmative, they demanded and got millions of words of speculation, popular-science and Sunday-supplement style, about the Martians.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 4, 1905 — Frank Utpatel. Artist who did some interior illustrations for Weird Tales, he’s remembered for his Arkham House book covers that began with Lovecraft’s The Shadow over Innsmouth novel in 1936. He would do covers for Ashton, Howard, Derleth, and Lovecraft. One of my favorite covers by him is for Derleth’s The Casebook of Solar Pons but then I like all of his Solar Pons covers and their obviously Holmesian riff. (Died 1980.)
  • Born March 4, 1914 — Ward Kimball. He was part of Walt Disney’s original team of animators, known as the Nine Old Men. Keep in mind that he did not create characters but animated them, which he did to great ability — Jiminy Cricket, the Mad Hatter, Mickey Mouse, and Tweedledee and Tweedledum. He eventually became an animation director at Disney starting with Fantasia, and he worked on Mary Poppins. (Died 2002.)
  • Born March 4, 1923 — Patrick Moore. He held the record as the presenter of the world’s longest-running television series with the same original presenter, BBC’s The Sky at Night.  He was a genre writer with six such novels to his name, one co-written, and a lot of related non-fiction, one that garnered him a Hugo nomination at Interaction, Futures: 50 Years in Space: The Challenge of the Stars, that was co-written with David A. Hardy. (Died 2012.)
  • Born March 4, 1965 — Paul W. S. Anderson, 58. If there be modern pulp films, he’s the director of them. He’s responsible for the Resident Evil franchise plus Event Horizon, Alien V. Predator, Pandorum and even Monster Hunter. 
  • Born March 4, 1966 — Paul Malmont, 57. Author of the comic strips, The Chinatown Death Cloud Peril and Jack London in Paradise which blends pulp tropes and SF elements including using as protagonists Heinlein and Asimov. He wrote the first four issues of DC Comics’ Doc Savage series with artist Howard Porter.
  • Born March 4, 1973 — Len Wiseman, 50. Producer or Director of the Underworld franchise. Director of the Total Recall remake. Also involved in Stargate, Independence Day, Men in Black and Godzilla in the Property Department end of things. He is the Sleepy Hollow series creator and producer for much of it, wrote the pilot as well. (Is it worth watching? I’ve not seen any of it.) Producer for much of the Lucifer series as well and is the producer for the entire series of the rebooted Swamp Thing. Also produced The Gifted. 

(10) FORTHCOMING SFF ON THE BRITISH STAGE. Two live sff stage productions will open in England later this year.

The Lord of the Rings musical will be revived in an “epic and intimate immersive” production this summer. 

The show, which was first seen in Toronto in 2006 ahead of a West End premiere the subsequent year, is based on the classic trilogy by J R R Tolkien about a group of Hobbits who attempt to destroy a piece of malevolent jewelry.  The series of novels was adapted into three record-breaking films in the early 21st century. 

The stage show has book and lyrics by Shaun McKenna and Matthew Warchus and music by A R Rahman (Bombay Dreams, Slumdog Millionaire), Finnish folk band Värttinä and Tony Award winner and Grammy-nominated Christopher Nightingale (Matilda the Musical). 

In an original production, designed by Simon Kenny, at the Watermill Theatre in Newbury, audiences will follow the story across the venue’s auditorium and garden spaces. The revival will feature an ensemble cast and large-scale puppets, with full company and creative team to be revealed…. 

A stage adaptation of seminal series Stranger Things will officially open in the West End this autumn.

Previously teased by the series’ producer Netflix last year, the new stage production is to be directed by Stephen Daldry (Billy Elliot, The Inheritance) with co-direction by Justin Martin (Prima Facie)….

“You will meet endearing new characters, as well as very familiar ones, on a journey into the past that sets the groundwork for the future of Stranger Things. We’re dying to tell you more about the story but won’t – it’s more fun to discover it for yourself. Can’t wait to see you nerds in London!”

(11) OOPS. [Item by Mike Kennedy.] A new “temporary museum —the Misalignment Museum—has opened in San Francisco. It’s essentially a work of dystoptic science fiction itself, set in a future where AI started to wipe out humanity, but then thought better of it before completing the job. (Especially the bottom floor.) “Welcome to the Museum of the Future AI Apocalypse” in WIRED.

… “It’s weird, because it’s such a terrifying topic, but it makes me happy people are interested,” Kim says from a coffee shop across the street. As we talk, we watch passersby peer into the gallery space—fittingly located eight blocks from the offices of OpenAI—that has a prominent “Sorry for killing most of humanity” sign along one wall.

The project started five months ago, shortly before ChatGPT sparked expectation in the tech industry and beyond that we are on the cusp of a wave of AI disruption and somehow closer to the nebulous concept of artificial general intelligence, or AGI. There’s no consensus about the definition of AGI, but the museum calls it the ability to understand or learn any intellectual task that a human can….

[Thanks to Andrew Porter, SF Concatenation’s Jonathan Cowie, Michael Toman, David Goldfarb, Cat Eldridge, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Mars Geological Features Named for Williamson, Zelazny, C.S. Lewis & Fredric Brown

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Jack Williamson, Roger Zelazny, C.S. Lewis and Fredric Brown recently had features on Mars named after them by officials of NASA’s Jet Propulsion Laboratory’s Mars Rover project.

Patricia Rogers of Albuquerque made the announcement during the 32nd Annual Jack Williamson Lectureship at Eastern New Mexico University. Melinda Snodgrass says that when they heard “the first two were our own Jack Williamson and Roger Zelazny. It had most of us in tears.”

“The features named for Jack and Roger are on Mitchelltree Ridge near the Columbia Hills,” said Rogers. It was her suggestion that led to the naming of craters on Mars after sf writers.

In November 2006, Rogers heard a lecture by Dr. Larry Crumpler at the New Mexico Museum of Natural History. Crumpler is Vulcanologist on the staff of the Museum and also part of JPL’s team for the Mars Rovers.

“He is also one of the folks who get to name features on Mars, especially at the Spirit site,” said Rogers. “During his talk that evening he mentioned a feature named Clovis, then said the Spirit Rover’s next move was to head south. I sat there and thought, ‘Hummm – what is south of Clovis… Portales. And who lived in Portales… Jack Williamson. It sure would be cool if a feature on Mars was named after Jack.'” She spoke to Crumpler after the lecture and he was receptive to the idea.

Whether these names, or any others given to Mars’ features by the JPL scientists, will become permanent remains to be seen. As Dr. Tim Parker, a JPL geologist working on the rover mission, explained in a 2004 interview “We give names to features near the rovers for convenience. But it’s important to remember they’re all unofficial.”

The International Astronomical Union is ultimately responsible for naming land features on planets and their moons. For example, the Gazette of Planetary Names explains, large craters, approximately 60 km and larger, are named for deceased scientists who have contributed to the study of Mars; writers and others who have contributed to the lore of Mars.

JPL previously accorded Williamson and Zelazny a less exclusive honor by including their names among over 1 million placed on a microchip aboard the Stardust spacecraft that visited Comet Wild 2 in 2004.