The Science Fiction and Fantasy Rosetta Awards for works translated into English were unveiled today. The award will spotlight “the great but underrated efforts of translators and those who endeavor to make the translation works come true.”
The juried award will have three categories:
Long-form. 40K English words or above.
Short-form. Under 40K words.
A Special Service Award will be awarded to the author, editor, translator, activist or publisher who makes great contribution to promotion of non-English SFF internationally.
Earlier this year I was approached by the lovely people at the Future Affairs Administration in China. They were interested in starting up a new set of SF&F translation awards and they wanted me to be part of the jury. Gary Wolfe was also involved, and I still very much believe in having such awards, so I said yes.
Some of the key eligibility requirements for the new SFFRA award are:
Must be a translation from Non-English to English, and published either in print or electronically through publisher/magazine. The eligibility is based on the year the translation is published, not the year the work was published in its original language.
Self-published work posted on the web or social media will not be considered.
Self-translated work will not be considered.
The inaugural jury will be: Chairperson: Cheryl Morgan (Wales, UK); Deputy chairperson Gary K. Wolfe (US); Jurors: Alex Shvartsman (US), Ana Rüsche (Brazil), Artiom Zheltov (Russia), Yingying Wu (China), and Alex “SFRabbit” Li (China)
The SFFRA website ends its introduction with this invitation:
It won’t be easy, for this new Awards, to grow and mature and keep alive for years and years. This Awards welcomes all supports in any direct or indirect way possible. Together, we contribute to the global SFF communism and to make this world a little more understandable.
(1) MONSTER PRICE. Bernie Wrightson’s original wrap-around cover artwork for
Frankenstein by Mary Wollstonecraft Shelley sold
at auction today for $1 million dollars. The catalog description at the
link claims —
…It can also easily be said that the 1983 Marvel publication of Mary Wollstonecraft Shelley’s Frankenstein is arguably the finest illustrated book of the second half of the 20th century. Originally written in 1818, the novel was later painstakingly illustrated over the course of nearly a decade by pen and ink master Bernie Wrightson. We are proud to offer here, what we consider the finest fantasy ink drawing of the 20th century, if not of all time….
(2) UNCERTAIN FUTURE. Editor Alex Shvartsman’s foreword in Future
Science Fiction Digest issue 5 explains why it contains only about 20% of
the wordage of previous issues – the launch funding from its Chinese partner has
run out.
As Future SF enters its second year, we do so without a safety net.
Our first year’s run was sponsored by the Future Affairs Administration. Together we were able to publish a considerable amount of excellent international fiction, and we thank FAA for their help and support as the magazine launched and found its footing. While FAA is still considering their options regarding any future partnerships with us, at this moment they’re not affiliated with the magazine.
So, what does it mean for Future SF going forward? We aren’t going away, but we have to considerably scale back until we secure alternate funding, or follow the path of many other e-zines in our field and slowly build up a subscription and patron base.
I’m currently talking to the FAA, as well as to a couple of other companies, to see if we can work out another sponsorship or partnership. But even if that proves successful, it is a temporary solution. Only a substantial base of subscribers can ensure stable funding in the long term….
(3) IN TIMES THAT CAME. The Bookseller points to a realm of publishing where change is happening almost quicker than it can be predicted: “Voicing a revolution”.
“Voice tech” will be the next revolution. It’s hard to imagine in today’s text- and screen-based society, but voice recognition apps such as search, device control, shopping and social media will replace screens. It’s already here: only five years after inception, half of citizens in the developed world (47%) owns a smart speaker. How odd we were, the next generation will think, for our incessant tapping on little screens. Wearable tech such as Amazon’s Echo Loop (a small ring enabling you to whisper demands into your palm, and cup your ear for Alexa’s answer) gives a glimpse of the shape our future, with virtual assistants always at our disposal. No need to pull out your phone, even for a phone call. Audiobooks will be a beneficiary of the new generation of voice apps as spheres of our lives transition and we get used to the ease and convenience of voice, and brands have to offer aligned products. Audiobooks are part of the fabric of a healthier technology on the go, where screens play a small role.
Every book published will be available as an audiobook. AI-driven Text-to-Speech apps for audiobook production will leap forward. The AI narrator could be a sampled actor, or a “designer voice” to match the book or brand….
Personally, I think that books are the best gifts. And so I gave myself Margaret St. Clair’s latest, when I spotted it in the spinner rack at my local import bookstore, since I enjoyed last year’s Sign of the Labrys a lot. Even better, this book is an Ace Double, which means I get two new tales for the price of one. Or rather, I get six, because one half is a collection of five short stories.
(5) FOR 10 YEARS WE’VE
BEEN ON OUR OWN. At Nerds of a Feather, Adri Joy and Joe Sherry find
nine books worthy of listing as the best of the past 10 years – plus six
honorable mentions: “Adri and Joe Talk About Books: The Best of the Decade”.
First up —
Range of Ghosts, by Elizabeth Bear (2012): Elizabeth Bear is something of a chameleon of a writer. Whether it is near future cyberpunk thrillers, urban fantasy, alternate historical vampire fiction, espionage, space opera, steampunk, a Criminal Minds meets the X-Files mashup, or epic fantasy – Bear can write it all.
Eschewing the trappings of the stereotypical European setting, Range of Ghosts is silk road epic fantasy – meaning that the novel has a more Mongolian flavor and has an entirely different cultural grounding than what is so often considered “traditional epic fantasy”. Bear pulls no punches in delivering a full realized and top notch epic with rich characterization and incredible worldbuilding. The magic and religion and battles of Range of Ghosts is handled with a deft touch and the best thing is that all of this is set up for something far larger. Range of Ghosts is Elizabeth Bear at the height of her considerable powers. (G’s Review) (Joe)
(6) THOSE OLD FAMILIAR HAUNTS. Emily Littlejohn, in “The
Elements of the Haunted House: A Primer” on CrimeReads, says
that haunted house mysteries work if they’re in the right place and have ghosts
who are appealing but who didn’t die too young or too old.
…Of course, not all ghost stories feature a malevolent spirit intent on wreaking havoc on the living; there are some lovely novels that feature ghosts that are sad rather than mad, more unsettled than vengeful. Those books can be enjoyed in the bright light of day, perhaps with a nice sandwich and a glass of lemonade. But if you like your haunted houses a bit darker, a little less safe, read on for this writer’s perspective.
If I were to write a haunted house novel, I know where I would start: the setting. The canon practically demands a stately manor from the pages of a historical register or an architectural study, all turrets and gables and perhaps a few strange windows that seem a little too much like eyes. Long hallways, flickering light from an early electric bulb or a candle, rooms with furniture shrouded in sheets . . . and nooks, so many nooks, to hide in.
Scientists say they have found the oldest known figurative painting, in a cave in Indonesia. And the stunning scene of a hunting party, painted some 44,000 years ago, is helping to rewrite the history of the origins of art.
Until recently, the long-held story was that humans started painting in caves in Europe. For example, art from the Chauvet Cave in France is dated as old as 37,000 years.
But several years ago, a group of scientists started dating cave paintings in Indonesia — and found that they are thousands of years older.
“They are at least 40,000 years old, which was a very, very surprising discovery,” says Adam Brumm, an archaeologist at Australia’s Griffith University. He and his colleagues used a technique called uranium-series analysis to determine the paintings’ age. The oldest figurative painting in those analyses was a striking image of a wild cow.
These works had been known for years by locals on the island of Sulawesi — but Brumm adds that “it was assumed they couldn’t be that old.”
Since that big reveal, Brumm’s team — which he led with archaeologists Maxime Aubert and Adhi Agus Oktaviana — has been searching for more art in these caves. In 2017, they found something breathtaking — the massive hunting scene, stretching across about 16 feet of a cave wall. And after testing it, they say it’s the oldest known figurative art attributed to early modern humans. They published their findings in the journal Nature.
The Indonesian drawing is not the oldest in the world. Last year, scientists said they found “humanity’s oldest drawing” on a fragment of rock in South Africa, dated at 73,000 years old.
…It may not be the oldest drawing, but researchers say it could be the oldest story ever found.
“Previously, rock art found in European sites dated to around 14,000 to 21,000 years old were considered to be the world’s oldest clearly narrative artworks,” said the paper in Nature.
(8) TODAY IN HISTORY.
December 12, 2014 — Bill The Galactic Hero premiered. Directed by Cox and a lot of friends, it likewise had a cast that was rather large. Yes it’s based on Harrison’s novel. Cox got the rights just after Repo Man came out. Costing just over a hundred thousand to produce, it got generally positive reviews and currently is not available anywhere for viewing.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 12, 1893 — Edward G. Robinson. His very last film was Soylent Green in which was he was Sol Roth. He shortly before that played Abraham Goldman in “The Messiah on Mott Street” on Night Gallery, and he shows up uncredited as himself in the “Batman’s Satisfaction” episode of Batman. (Died 1973.)
Born December 12, 1944 — Ginjer Buchanan, 75. Longtime Editor-in-Chief at Ace Books and Roc Books where she worked for three decades until recently. She received a Hugo for Best Editor, Long Form at Loncon 3. She has a novel, White Silence, in the Highlander metaverse, and three short stories in anthologies edited by Mike Resnick. And she’s a Browncoat as she has an essay, “Who Killed Firefly?” in the Jane Espenson edited Finding Serenity: Anti-Heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly.
Born December 12, 1945 — Karl Edward Wagner. As an editor, he created a three-volume set of Robert E. Howard’s Conan the Barbarian fiction restored to its original form as it was originally written by Howard. He is possibly best-known for his creation of Kane, the Mystic Swordsman. (Died 1994.)
Born December 12, 1946 — Josepha Sherman. Writer and folklorist who was a Compton Crook Award winner for The Shining Falcon which was based on the Russian fairy tale “The Feather of Finist the Falcon”. She was a prolific writer both on her own and with other other writer such as Mecedes Lackey with whom she wrote A Cast of Corbies and two Buffyverse novels with Laura Anne Gilman. I knew her personally as a folklorist first and that she was without peer writing such works as Rachel the Clever: And Other Jewish Folktales and Greasy Grimy Gopher Guts: The Subversive Folklore of Childhood that she wrote with T K F Weisskopf. Neat lady who died far too soon. Let me leave you with an essay she wrote on Winter for Green Man twenty years ago. (Died 2012.)
Born December 12, 1949 — Bill Nighy, 70. Yes he shows up as Dr. Black on Who in an Eleventh Doctor story, “ Vincent and the Doctor”. He’d make a fine Doctor, I’d say. He’s done a lot of other genre performances from the well-known Davy Jones in Pirates of the Caribbean franchise and Slartibartfast in The Hitchhiker’s Guide to the Galaxy, to the blink and he’s gone as he was as the ENT Doc in Curse of the Pink Panther.
Born December 12, 1961 — Sarah Sutton, 58. She’s best known for her role as Nyssa who was a Companion to both the Fourth and Fifth Doctors. She reprised the role of Nyssa in the 1993 Children in Need special Dimensions in Time, and of course in the Big Finish audio dramas. She’s in The Five(ish) Doctors Reboot.
Born December 12, 1966 — Hiromi Goto, 53. Winner of the Otherwise Award for The Kappa Child. She followed that with two more SFF novels, The Water of Possibility and Half World, though it’s been a decade since the latter came out. Systems Fail, the 2014 WisCon Guest of Honor publication, highlighted her work and that of .K. Jemisin. Hopeful Monsters, her collection of early genre short fiction, is the only such work available digitally from her.
Born December 12, 1970 — Jennifer Connelly, 49. Her first genre outing wasn’t as Sarah Williams in Labyrinth, but rather in the decidedly more low-budget Italian horror film Phenomena. She goes to be in The Rocketeer as Jenny Blake, and Dark City as Emma Murdoch / Anna, both great roles for her. I’m giving a pass to the remake of The Day the Earth Stood Still which she was involved in and not saying anything about it. Alita: Battle Angel in which she’s Dr. Chiren scores decently with audiences.
Born December 12, 1976 — Tim Pratt, 43. I think his best work was his very first novel which was The Strange Adventures of Rangergirl but there’s no doubt that later work such as The Constantine Affliction, Bone Shop and The Stormglass Protocol are equally superb. That’s not to overlook his short fiction which if you’ve not tried it you should, and I’d recommend Little Gods as a good place to start.
Born December 12, 1981 — C.S. E. Cooney, 38. She won the Rhysling Award for “The Sea King’s Second Bride” and a World Fantasy Award for her Bone Swans collection. She has what appears to be a very short novel out, Desdemona and the Deep, published by Tor.com. The latter and her collection are available digitally on Apple Books, Kindle and Kobo.
(10) COMICS SECTION.
Gocomics.com, which runs myriad daily funnies, has been posting classic Little Nemo strips, Here’s today’s. And here’s “from the start” (in October 2014).
LLOYD: Lorraine, you steal thoughts from my head. (Are you Dr. Manhattan?) Yes, “Lost” is what I thought of too, though the apparent randomness of a polar bear on a tropical island was much more interesting than when they got around to an explanation. There’s an effective trickery when it comes to coincidence — they’re always spooky on some level — and “Lost” got a lot of mileage from repeating the same essentially meaningless sequences of numbers all over the damn place. (Fans spent an enormous amount of time puzzling the show out, even as, fundamentally, there was no puzzle.) In “Watchmen” it’s clocks and eggs and such, and a narrative that leans heavily on dark secrets and (not always) amazing reveals for its dramatic effects: X is the Y of Z!
It works on some primal level, yet it still feels more manipulative than meaningful to me. “Watchmen” is a lot tighter than “Lost” was, though; the circular systems have been obviously worked through in advance, where “Lost” was a festival of retconning.
Thirty years ago, the future became passé. When the Berlin Wall fell in late 1989 and the communist regimes that hid behind it collapsed, political scientist Francis Fukuyama called the event “the end of history”. But he also cast it as the finale of the future: the end of imagining how things might be different. The utopian visions driving both communism and fascism had been discredited and defeated. They were to be replaced by an eternal ‘now’ that, in Fukuyama’s words, saw “Western liberal democracy as the final form of human government”.
… Overall, the Futurium succeeds best as a showcase for the shiniest aspects of the present. In this way, it resembles other tech-engagement centres, such as Science Gallery Dublin and its six sister venues around the world, or Tokyo’s National Museum of Emerging Science and Innovation. But it claims to be something more: a place for co-imagining alternative futures. To succeed, it will need to be bolder. Even though the Berlin landscape is dotted with monuments to failed ideologies, such as the Stasi Museum, history did not end when the wall fell. To imagine new futures, this museum must free itself from the conceptual frameworks of the past.
Although the Sun is quite near to us compared with other stars, it has always kept intriguing and fundamental scientific secrets from us. For instance, we still don’t know how the solar corona — the Sun’s outermost atmosphere — maintains temperatures in excess of one million kelvin, whereas the visible surface has temperatures of just below 6,000?K
An 1875 photograph of a family dressed in finery enjoying a day out at Stonehenge may be the earliest such snap taken at the monument.
English Heritage asked people to send in their pictures to mark 100 years of public ownership of the stones.
After sifting through more than 1,000 images historians said they believed the photograph of Isabel, Maud and Robert Routh was the oldest.
It will be part of a new exhibition of personal photos titled Your Stonehenge.
…The exhibition shows how photography has changed – illustrated by “the way that people pose” and how “their faces have got closer to the camera until they are taking a picture of themselves more than they are of Stonehenge”, said Ms Greaney.
The deepest point on continental Earth has been identified in East Antarctica, under Denman Glacier.
This ice-filled canyon reaches 3.5km (11,500ft) below sea level. Only the great ocean trenches go deeper.
The discovery is illustrated in a new map of the White Continent that reveals the shape of the bedrock under the ice sheet in unprecedented detail.
Its features will be critical to our understanding of how the polar south might change in the future.
It shows, for example, previously unrecognised ridges that will impede the retreat of melting glaciers in a warming world; and, alternatively, a number of smooth, sloping terrains that could accelerate withdrawals.
“This is undoubtedly the most accurate portrait yet of what lies beneath Antarctica’s ice sheet,” said Dr Mathieu Morlighem, who’s worked on the project for six years.
…The exploit was actually very simple. Many of these unethical shops use automated bots to scour Twitter and other social media looking for users saying they want a particular image on the t-shirt and then they simply grab the image and produce the t-shirt, site unseen.
The artists exploited this by basically poisoning the well. They created artwork that no reasonable person would want on a shirt sold on their store and convinced the bots to do exactly that.
(17) OPENING A GOOD VINTAGE. Joe Sherry does a fine
retrospective of this Connie Willis book at Nerds of a Feather: “The Hugo Initiative: Doomsday Book (1993, Best Novel)”.
It tied for the Hugo, but Joe, by not saying which of the two books was really
the best, avoids the mistake Your Good Host once made that launched a
thousand ships Jo Walton into orbit. Sherry’s conclusion is:
…The thing about Doomsday Book is that it works. It is a masterful piece of storytelling that perhaps shouldn’t work as well as it does almost three decades later. It’s good enough that I want to read Fire Watch and the other three Oxford Time Travel novels sooner rather than later(though perhaps not specifically for The Hugo Initiative). The novel is a softer form of science fiction that uses time travel in a way that makes sense. No paradoxes, there is risk, and maybe don’t visit a time and place with bubonic plague. And really, who doesn’t want to read a novel where the protagonist is surrounded by bubonic plague and renders as much aid as she can?
(18) VIDEO OF THE DAY. In Vacation on Vimeo, Andrey Kasay looks at vacations that
went out of control.
(19) VIDEO OF SOME OTHER DAY. The Mandalorian CHiPs intro. Think of Ponch and Jon long ago, in a galaxy far, far away.
[Thanks to JJ, Cat Eldridge, Daniel Dern, Martin Morse Wooster,
John King Tarpinian, Mike Kennedy, Contrarius, SF Concatenation’s Jonathan Cowie,
Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes
to File 770 contributing editor of the day Daniel “Houndog” Dern.]
(1) WHITTAKER SHALL RETURN.The Hollywood Reporter quashes rumors to the contrary: “Jodie Whittaker Confirms Return for ‘Doctor Who’ Season 12”. Shame on rumor-spreading clickbait sites that got fans all stirred up about this, like, uh — let’s go right to the story, shall we?
The first female Doctor Who, Jodie Whittaker, will be returning for another season.
While it was largely presumed that Whittaker wouldn’t be handing over her sonic screwdriver anytime soon, the typically tight-tipped BBC hadn’t yet confirmed who would be playing Doctor Who for season 12 of the cult sci-fi series, and there was always the chance that she could go the way of Christopher Eccleston, who managed just one stint as the Time Lord.
“I really can’t wait to step back in and get to work again,” Whittaker told The Hollywood Reporter.”It’s such an incredible role. It’s been an extraordinary journey so far and I’m not quite ready to hand it over yet.”
(2) NEW SFF ZINE DEBUTES NEXT WEEKEND. Future Science Fiction Digest, a new quarterly publication with a strong focus on translation and international fiction, will be available December 15, with the stories to be posted on the web over the next several months
It is a collaboration between Future Affairs Administration (a media and technology brand in China) and UFO Publishing (a small press from Brooklyn, NY) and is edited by Alex Shvartsman.
Our first issue features fiction from the United States, China, Nigeria, Italy, and the Ukraine, as well as several articles, totaling 65,000 words. It will be published on December 15, with stories posted on the web over the course of several months. The next issue will be published on March 15.
(3) TODAY’S BRADBURY REFERENCE. Dennis Howard got permission to share this image with File 770 readers:
My ex emailed me this photo she took at Walmart and asked if I remembered Alfred Hitchcock’s “The Jar”. Of course, I remembered that creepy episode based on a Ray Bradbury story. I wonder if the manufacturer of this thing remembers.
(4) KGB. The hosts of the Fantastic Fiction at KGB reading series, Ellen Datlow and Matthew Kressel, present Maria Dahvana Headley & Nicole Kornher-Stace on December 19.
Maria Dahvana Headley
Maria Dahvana Headley is a New York Times-bestselling author of seven books, most recentlyThe Mere Wife,a contemporary retelling of Beowulf for the McD imprint at Farrar, Straus& Giroux, which will be followed in 2019 by a new translation of Beowulf, for the same publisher. She’s also the author of the young adult novels Magonia and Aerie. With Neil Gaiman, she edited Unnatural Creatures, and with Kat Howard, she wrote The End of the Sentence. Her short fiction has been nominated for the Nebula, World Fantasy and Shirley Jackson Awards, and included in many Year’s Bests, including Best American Fantasy & Science Fiction, in which, this year, she has two stories. @MariaDahvana on Twitter, or www.mariadahvanaheadley.com
Nicole Kornher-Stace
Nicole Kornher-Stace is the author of Desideria, The Winter Triptych, the Norton Award finalist Archivist Wasp, and its sequel, Latchkey. Her short fiction has appeared in Clarkesworld, Apex, and Fantasy, as well as many anthologies. She lives in New Paltz, NY with her family. She can be found online at www.nicolekornherstace.com, on Facebook, or onTwitter @wirewalking.
Things begin Wednesday, December 19, 2018, 7 p.m. at the KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs), New
York, NY.
(5) PRATCHETT REFERENCE. Quoting an article by Simon Ings in the December 1 Financial Times about artists who have residencies at the CERN particle physics laboratory —
In The Science of Discworld 4: Judgment Day, mathematician Ian Stewart and reproductive biologist Jack Cohen have fun at the expense of the particle physics community. Imagine, they say, a group of blind sages at a hotel, poking at a foyer piano. After some hours, they arrive at an elegant theory about what a piano is–one that involves sound, frequency, harmony, and the material properties of piano strings.
Then one of their number, still not satisfied, suggests that they carry the piano upstairs and drop it from the roof. This they do–and spend the rest of the day dreaming up and knocking over countless ugly hypotheses involving hypothetical ‘trangons’ and ‘thudons’ and, oh I don’t know, ‘crash bosons.’
Three years before she died, Octavia E. Butler wrote her last two science fiction stories: One of them, “Amnesty,” was published in 2003. Though it received no awards, it is arguably the most important SF story written in this the last quarter of a century. It is the penultimate story in the revised and expanded edition of this book (2005). You should have read it but if, for some reason, you haven’t; then you should learn who the models for the alien “Communities” were and the story’s general political inspiration. It is one of the last two story in the second edition of this book. Wikipedia is a good start. <https://en.wikipedia.org/wiki/Wen_Ho_Lee> After you familiarize yourself with this frightening case of injustice, probably you should read the story again.
One of the most influential product prototypes of the 21st century wasn’t dreamed up in Cupertino or Mountain View. Its development began around a half-century ago, in the pages of a monthly pulp fiction mag.
In 1956, Philip K. Dick published a short story that follows the tribulations of a police chief in a future marked by predictive computers, humans wired to machines, and screen-based video communications. Dick’s work inspired a generation of scientists and engineers to think deeply about that kind of future. To adapt that same story into a $100 million Hollywood film 50 years later, Steven Spielberg sent his production designer, Alex McDowell, to MIT. There, a pioneering researcher?—?and lifelong Dickfan?—?named John Underkoffler was experimenting with ways to let people manipulate data with gloved hands. In 2002, a version of his prototype was featured in the film, where it quickly became one of the most important fictional user interfaces since the heyday of Star Trek. Bas Ording, one of the chief UI designers of the original iPhone, told me his work was inspired directly by the gesture-based system showcased in Minority Report.
For the past century, this messy, looping process?—?in which science fiction writers imagine the fabric of various futures, then the generation reared on those visions sets about bringing them into being?—?has yielded some of our most enduring technologies and products. The late sci-fi author Thomas Disch called it “creative visualization” and noted there was no more persuasive example of its power “than the way the rocket-ship daydreams of the early twentieth century evolved into NASA’s hardware.” Submarines, cellphones, and e-readers all evolved along these lines.
Minority Report produced a hundred patents and helped rapidly mainstream the concept of gesture-based computing?—?not just the iPhone but all touchscreen tablets, the Kinect, the Wii?—?and became cultural shorthand for anyone looking to point their ventures toward the future.
(8) SEIDEL OBIT. Myla Seidel, who more fans would have known as Anne Cox, died December 7 reports her son Kevin. Ed and Anne Cox were among the first fans I met in person in the Seventies. They later divorced. Ed died in 1997, and the last time I saw Anne was at a memorial gathering for him.
Ed Cox and Anne Cox (Myla Seidel).
(9) TODAY IN HISTORY
December 8, 1954 — Atomic Kid, starring Mickey Rooney, was released on this day.
(10) TODAY’S BIRTHDAYS
[Compiled
by Cat Eldridge.]
Born December 8, 1861 — Georges Méliès. Director of A Trip To The Moon which I know was one of Kage Baker’s most-liked films. It surely must be one of the earliest genre films and also one of the most visually iconic with the rocket ship stuck in the face of the moon. He did some other other genre shorts such as Baron Munchausen’s Dream and The Legend of Rip Van Winkle. (Died 1938.)
Born December 8, 1894 – E.C.Segar. Creator of Popeye who of course is genre.Who could not watch Altman’s film and not know that? Segar created the character who first appeared in 1929 in Segar’s comic strip Thimble Theatre. Fantagraphics has published a six-volume book set reprinting all Thimble Theatre daily and Sunday strips from 1928–38. (Died 1938.)
Born December 8, 1950 – Rick Baker,68. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London. So what else is he know for? Oh I’m not listing everything but his first was The Thing with Two Heads and I’ll single out The Exorcist, Star Wars, The Howling which I love, Starman for the Starman transformation, Beast design on the Beauty and the Beast series and Hellboy.
Born December 8, 1951—Brian Attebery, 67. If I was putting together a library of reference works right now, Attebery would be high on the list of authors at the center of my shopping list. I think The Fantasy Tradition in American Literature: From Irving to Le Guin is still essential reading and his Parabolas of Science Fiction recently published with Veronica Hollinger is very close to a Grand Unification Theory of the Genre.
Born December 8, 1965 – David Harewood, 53. First genre appearance is the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in the North (Billie Piper plays the lead). He played Tuck in the BBC’s Robin Hood series and showed up as Joshua Naismith in Doctor Who’s ‘The End of Time ‘ episode. Currently he plays two separate characters on Supergirl, J’onnJ’onzz/Martian Manhunter / Hank Henshaw and Cyborg Superman.
Born December 8, 1976 – Dominic Monaghan, 42. He played Meriadoc “Merry” Brandybuck in Peter Jackson’s version of the Lord of the Rings.He’s also the narrator of Ringers: Lord of the Fans, a look at the early days of the Tolkien fandom when it was part of the hippie culture. He has a role as Maverick in X-Men Origins: Wolverine, and will be appearing in the forthcoming Star Wars: Episode IX.
(11) COMICS SECTION.
Shoe questions the constant recycling of familiar movie franchises. Sort of.
(12) KEY INGREDIENTS. [Item by Mike Kennedy.] Have you ever felt the need to spend $250 on a set of replacement keycaps for your computer keyboard? If so, Novel Keys has you covered with this set captioned in Aurebesh characters. SYFY Wire has the full story (“Star Wars keyboard senses a great disturbance in your command of Aurebesh”). The keycaps are expected to ship“late April 2019” for preorders through 5 January. Two models are available,with only Aurebesh or with English legends added.
Alright, C-3PO, it’s time to break out those awesome translating skills you’re always humblebragging about — and while you’re at it, break out your wallet, too. Star Wars has just licensed its first-ever official computer keyboard replacement set, coded in Aurebesh, the written version of the official language spoken throughout the Galactic Empire.
This new key replacement set is color-themed to appeal more to the Death Star crowd than to supporters of the gauzy-hued Rebellion. That means don’t even bother looking for X-Wing symbols and Yoda silhouettes here; rather, the Galactic Empire DSA Set sports the cool iconography of the galactic alphabet, plus some killer stand-in Dark Side symbols (like TIE Fighters, AT-ATs, and Darth Vader helmets) for commonly used commands. A red lightsaber in place of an enter/return key? Swish, swish.
(13) THOSE WERE THE DAYS. An article in the December 1 Financial Times by David McWilliams about the possibility that Brexit would lead to the unification of Northern Ireland with Ireland includes this ST:TNGreference:
In 2990 an episode in the third series of Star Trek: The Next Generation was deemed so incendiary that it was censored in Britain and Ireland. In that Episode, “The High Ground,’the Starship Enterprise’s android officer data, musing on terrorism, noted from the vantage point of the year 2364 that Ireland had been unified in 2024. The episode was pulled for fear it might encourage more political violence; 1990 was the year the IRA bombed the London Stock Exchange, assassinated Conservative political Ian Gow and when 81 people on both sides of the conflict were murdered in Northern Ireland.
And not just because both characters are dressed in red, have criminal backgrounds and smart mouths that don’t know when to shut up. That Warner Bros. is developing a Plastic Man movie perhaps shouldn’t come as quite the surprise that it does; after all, not only did the DC superhero headline his own ABC animated series for a couple of years, but he’s also the perfect choice to give Warners something that it never even knew it needed: A comedic foil to the rest of the DC cinematic universe.
This wouldn’t be a new role for Plas, as the character’s often called for short. Unusually for a superhero — and especially one whose origin involves having been a criminal who was left for dead by his gang after being exposed to some mysterious chemicals— Plastic Man has traditionally been a comedy character throughout his 75-plus year career. Indeed, his 1970s animated series underscored this appeal by being called The Plastic Man Comedy/Adventure Show. (The series ran from 1979 through 1981; he’s also appeared in other DC animated shows, including Batman:The Brave and the Bold and Justice League Action.)
Anna and the Apocalypse is a [checks notes] Scottish zombie Christmas high school musical.
It drew raves in Great Britain, and has now been released in the United States. It’s based on a short film by the writer-director Ryan McHenry, who died of bone cancer at age 27, and did not get to complete this feature-length production.
Anna and the Apocalypse is directed by John McPhail. Ella Hunt (who is English) stars as the young Scottish teen who’s about to graduate from school, but first has to contend with the zombie takeover of her village and perhaps the world — with a little help from her friends.
“I love that this film glorifies teenage friendship and not teenage romance,” Hunt says in an interview. “To me, it’s a much truer thing to glorify.”
(17) BONDING. In the Weekly Standard, Tony Mecia visits the James Bond museum in Murren, Switzerland, which was built to be Blofeld’s lair in On Her Majesty’s Secret Service and which gives visitors the chance to pick up a red phone to hear instructions from M and “graft a photo of your face onto (George) Lazenby’s face as he aims a pistol.” —“High-Altitude Hideout”
In real life, the filming location called Piz Gloria was not destroyed. For decades, it was merely an observation point and restaurant. In 2013, its owners decided it needed more. They added a small museum, known as“Bond World 007,” and have been adding Bond-related features ever since.
Bond enthusiasts list other prime destinations, too, such as a site near Phuket, Thailand, that has come to be called “James Bond Island” after appearing in 1974’s The Man with the Golden Gun. Last year, Mulder led 40 people on a two-week tour of Japan to visit locations used in 1967’s You Only Live Twice. He was forced to scrap a two-hour hike to a volcano crater that was an earlier Blofeld hideout because the volcano showed signs of erupting.
(18) MAN’S BEST FIEND. Doctor Strangemind’s Kim Huett begins “Bad Mad
Vlad” with this unusual comparison —
Vampires are a lot like dogs, you know.
No. Don’t scoff. They really are if you think about it in just the wrong way (that’s always been the Doctor Strangemind way of course).
Here, let me explain.
So what is the single most noticeable feature of the animal known as dog? That’s right, the seemingly endless plasticity of the species.The fact is humanity has been able to twist and turn and breed dogs into a startling wide array of forms from poodles to corgis to dobermans. If the average Martian visited our planet what are the chances that this visitor from space would guess right off that all dogs are of the same species? Not likely is it? Instead the average Martian would probably decide that dogs make no sense to them. Which is probably why they don’t visit Earth all that often,they find this planet too weird and confusing to be a satisfactory holiday destination.
So what has this to do with vampires I’ve no doubt you’re wondering. Well, the answer to that is to point out how humanity has been able to twist and turn and write vampires into a startling wide array of types and situations, far more than any other supernatural creature….
Bees may soon get an ally in their fight against bacterial disease — one of the most serious threats the pollinators face — in the form of an edible vaccine. That’s the promise held out by researchers in Finland, who say they’ve made the first-ever vaccine for insects, aimed at helping struggling honeybee populations.
The scientists are targeting one of bees’ most deadly enemies:American foulbrood, or AFB, an infectious disease that devastates hives and can spread at a calamitous rate. Often introduced by nurse bees, the disease works by bacteria feeding on larvae — and then generating more spores, to spread further.
The British seismometer package carried on Nasa’s InSight lander detected the vibrations from Martian air as it rushed over the probe’s solar panels.
“The solar panels on the lander’s sides are perfect acoustic receivers,” said Prof Tom Pike, who leads the seismometer experiment from Imperial College London.
“It’s like InSight is cupping its ears.”
Prof Pike compares the effect to a flag in the wind.As a flag breaks up the wind, it creates oscillations in frequency that the human ear perceives as flapping.
(21) DRAGONS HAVE GAS. Space flatulence is a real problem closer to home. Wired lays out the story: “A SpaceX Delivery Capsule May Be Contaminating the ISS”. Evidence is accumulating that the Dragon capsule is outgassing and the contaminants are, well, accumulating on the outside of the International Space Station.
In February 2017, a SpaceX Falcon 9 rocket lifted through low clouds, pushing a Dragon capsule toward orbit. Among the spare parts and food, an important piece of scientific cargo, called SAGE III rumbled upward. Once installed on the International Space Station, SAGE would peer back and measure ozone molecules and aerosols in Earth’s atmosphere. Its older siblings (SAGEs I and II) had revealed both the growth of the gaping ozone hole and,after humans decided to stop spraying Freon everywhere, its subsequent recovery.
This third kid, then, had a lot to live up to. Like its environmentally conscious predecessors, SAGE III is super sensitive. Because it needs unpolluted conditions to operate optimally, it includes contamination sensors that keep an eye on whether and how its environment might be messing up its measurements. Those sensors soon came in handy: When the next three Dragons docked at the Space Station, over the following months, SAGE experienced unexplained spikes in contamination. Something on these Dragons was outgassing—releasing molecules beyond the expected, and perhaps the acceptable, levels. And those molecules were sticking to SAGE.
(22) VIDEO OF THE DAY. In “The Artificial Intelligence That Deleted a Century” on YouTube, Tom Scott shows what happened when a program released in 2028 to hunt down copyright violators on YouTube achieves artificial general intelligence.
[Thanks to Kevin Cox, Chip Hitchcock, John King Tarpinian, Mike Kennedy, JJ, Martin Morse Wooster, Cat Eldridge, Carl Slaughter, Dennis Howard, Alan Baumler, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]
