Tag Archives: Future Science Fiction Digest

Pixel Scroll 3/21/23 Is This The Real File? Is This Just Fan Activity? Caught In A Pixel, No Escape From 770

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(1) FUTURE SF’S ONLINE “ANTHOZINE”. UFO Publishing and Future Affairs Administration has launched a new project they term an “anthozine”.  

These stories will appear in The Digital Aesthete: Human Musings on the Intersection of Art and AI hybrid anthology/zine project. They will be published as a book on November 14, 2023, and gradually posted to the Future SF website over the course of the following months.

The antho’s preview story was posted today, Adrian Tchaikovsky’s “Silicon Hearts”.

“Next up is Johnny Zepter.” Steve called up the figures. At her own screen, Kate opened the spreadsheet and readied herself to make notes.

“This week, our good buddy Zee submitted four hundred and seventy-three stories to eight different outlets, of which four were accepted.” Steve nodded in appreciation. “Nice work Jay-Zee. That’s another forty quid in the kitty.”

“One percent takeup,” Kate noted. “We’re hitting the mark nicely there.”

“People’s tastes don’t change, right?” Steve said. Johnny Zepter wrote space adventure. He had a stable of half a dozen two-fisted, square-jawed action types who encountered alien planets or artifacts, defeated the locals with human ingenuity or just by punching them in what they had for faces, discovered something superficially revelatory and made a witty quip about it. Four hundred times this week alone….

Preorder the book via the links at the bottom of the story, or support them via Patreon.

(2) IN THE RUNNING. In the SFWA officer elections, Oghenechovwe Donald Ekpeki is a write-in candidate for director-at-large he told Facebook readers today.

SFWA members have until April 11 to vote in the 2023 Officer Elections.

(3) SO WHAT HAPPENED? Very early Sunday morning during last weekend’s Furnal Equinox convention the committee sent this tweet:

And later that day this update was posted to the convention’s website which only added to the mystery: “March 19, 2023 – Early Morning Disturbance”.

Update:  What we know so far..

Early this morning there was an incident near the south tower elevators that created a disturbance which spread throughout the convention level at approximately 2 am.

The events occurred as follows:

• Attendees moved down the escalators away from the south tower

• They moved across the lobby and then back upstairs towards the sky bridge to the convention center 

• Hotel security called Toronto Police Services (TPS) immediately following the incident

• The Nightingales responded shortly after hearing the attendees

• Together with the Toronto Police Service, they secured the area

• They then performed a sweep of the area

• A lockdown was initiated, and the gaming lounge was evacuated

• An “all clear” was called within two hours after no immediate threats were located.

The investigation is still ongoing. At this time we do not have more details, but will provide updates as we investigate further. Please allow us to continue to gather information and avoid spreading rumours. 

We have been assured that the convention area is safe and Furnal Equinox attendees may enjoy the final day of the event as planned.  If you have any concerns now or in the future, please feel free to contact there Nightingales in person or via email at [email protected]. Your health and safety is our top priority.

We would also like to thank the Westin Hotel security team and Toronto Police Service for their quick response and assistance on this matter. And a thank you to all attendees for your cooperation and patience.

So what happened? “Sir Tillfred Laurier” knows, having had some too-personal experience with the offender. Twitter thread starts here.

Now have you figured out the answer? There’s video of Nakedman in action on Twitter here. Or there’s a version with “censored” blocks over the peccant parts, plus furry Odin Wolf’s commentary, here.

(4) INDUSTRY PRAISE. Publishing Perspectives reports the “British Book Awards: Trade and ‘Book of the Year’ Shortlists”. Fiction and children’s fiction are strong on genre nominations. The shortlists for those categories are shown below.

…British Book Awards—sometimes called the Nibbies, as the logo reminds us—are a brand of The Bookseller, the United Kingdom’s news medium of record for the publishing industry. There are 29 award categories. …

Fiction

  • Love Marriage by Monica Ali (Virago, Little, Brown)
  • Stone Blind by Natalie Haynes (Mantle, Pan Macmillan)
  • Fairy Tale by Stephen King (Hodder & Stoughton, Hachette)
  • Babel by R.F. Kuang (Harper Voyager, HarperCollins)
  • The Marriage Portrait by Maggie O’Farrell (Tinder Press, Headline Publishing Group)
  • Young Mungo by Douglas Stuart (Picador, Pan Macmillan)

Children’s Fiction

  • Diary of a Wimpy Kid: Diper Överlöde by Jeff Kinney (Puffin, Penguin Random House Children’s)
  • Onyeka and the Academy of the Sun by Tọlá Okogwu (Simon & Schuster Children’s Books UK)
  • Tyger by SF Said, illustrated by Dave McKean (David Fickling Books)
  • The First to Die at the End by Adam Silvera (Simon & Schuster Children’s Books UK)
  • Skandar and the Unicorn Thief by A.F. Steadman (Simon & Schuster Children’s Books UK)
  • Loki: A Bad God’s Guide to Being Good by Louie Stowell (Walker Books)

(5) SWIPER, NO SWIPING.  Publishers Weekly reports that “At Hearing, Judge Appears Skeptical of Internet Archive’s Scanning and Lending Program”. He does sound dubious.

After nearly three years of legal wrangling, the Internet Archive’s scanning and lending program finally got its day in court on Monday, March 20. And if Judge John G. Koeltl’s questions are any indication, the Internet Archive is facing an uphill battle.

Over the course of a 90-minute hearing on the parties’ cross motions for summary judgment, Koeltl appeared skeptical that there was sufficient basis in law to support the Internet Archive’s scanning and lending of print library books under a legally untested protocol known as controlled digital lending, and unconvinced that the case is fundamentally about the future of library lending, as Internet Archive attorneys have argued.

“To say that this case is about the ability of a library to lend a book that it owns ignores whether the library has a right to copy wholesale the book,” Koeltl offered at one point during an extended exchange with IA attorney Joseph Gratz. “Does a library have the right to lend a book that it owns? Of course,” the judge conceded. But the question at the heart of this case, he added, is “whether a library has the right to make a digital copy of a book that it owns and then lend that digital copy, which it has made without a license and without permission” to patrons. “To formulate the issue in this case as simply ‘does the library have a right to lend a book that it owns’ belies the issue in the case,” Koeltl said….

… But Koeltl peppered [the Internet Archive’s attorney] Gratz with questions throughout the hearing, appearing deeply skeptical that the Internet Archive’s fair use case was properly supported by case law, and unconvinced that the publishers’ market for library e-books was not impacted by libraries choosing to scan print books under CDL protocols.

“A library whether they hold a physical copy or not, has the ability to license an e-book from a publisher. Rather than pay that licensing fee to the publisher some libraries choose to make their own copy and to lend that copy. Why isn’t it self-evident that that deprives the publisher of the fees that the publisher could otherwise obtain from licensing an e-book to that library?” Koeltl asked.

“It is because with respect to the copies at issue in the CDL situation the question is not between OverDrive and nothing. The question is between physically lending a book to a particular patron, for which no payment would be due to a publisher, or digitally lending that book to the patron,” Gratz replied, adding that to find harm “there would need to be a reason to think that the publishers were worse off than the situation in which in which the fair use did not occur at all.” In fact, library e-book lending has grown throughout the existence of the IA’s scanning program, and actually surged during the height of the pandemic….

(6) GOING PAPERLESS? This news item seems like a parallel issue: “Students speak out about one university’s plans to have a digital-only library” at NPR.

STEVE INSKEEP, HOST:

What’s a library like without books? My kid’s school library removed most of the books, creating a space to use in other ways. And apparently, the university system in Vermont wanted this, too. They proposed taking library books off the shelves of at least three campus libraries and offering digital copies instead. That would save money, but…

ROSIE PHELAN: I was shocked. I was really taken aback when I heard that that was happening.

LEILA FADEL, HOST:

Rosie Phelan is an English major who works in the library at Castleton University. That’s one of three colleges merging to create a new Vermont State University.

PHELAN: You go to a college and you expect to have these resources, and the next thing you know, they’re just taken away.

INSKEEP: Phelan insists students still use physical books….

(7) JEOPARDY! Tonight’s episode of Jeopardy! devoted an entire category to science fiction books. Andrew Porter noted these two entries gave contestants problems.

Category: Books: The Future is Now

Answer: He saw 2024 as a Hellish wasteland in his 1969 short story “A Boy & His Dog”

No one could ask, “Who is Harlan Ellison?”

***

In 2025, game shows are to the death in “The Running Man”, written by Stephen King under this pseudonym

No one could ask, “Who is Richard Bachman?”

(8) TAX SEASON. Lincoln Michel encourages authors to “Write-Off What You Know” at Counter Craft.

Business Income Means Business Deductions

On the one hand, 1099 income seems like a raw deal. You don’t get taxes taken out for you like at a standard job, meaning you owe more at tax time. And you even pay higher taxes in the FICA category. (FICA taxes include Social Security and Medicare. These are paid 50% by your employer and 50% by you. But if you’re a self-employed business, then you pay both halves.)

OTOH, you can and should lower your freelance tax bill with business deductions. Just as a regular company takes deductions, you get to take them as a solo business. The money you can write off lowers the income that is taxed, thus lowering your tax bill….

And from there he goes into more tax return issues.

(9) MEMORY LANE.

1965 – [Compiled by Cat Eldridge.]

Heinlein’s The Moon Is a Harsh Mistress is one of my favorite SF works. I knew it had won a well deserved Hugo at NyCon 3 but I hadn’t realized it was nominated the previous year at Tricon. Isn’t that a tad unusual?

It had been first published in If magazine in five parts starting in the December 1965 issue. It was then published in hardcover by G. P. Putnam’s Sons in 1966.  The Penguin Publishing Group has it for sale at the usual suspects as does what I suspect is one pirate publisher as it has no copyright information. 

Now I really think that everyone here has read this novel but keeping with our very firm policy of absolutely no spoilers, I won’t say anything beyond the fact that I think that this is one of his best novels and I’ve throughly enjoyed it each and every time I’ve experienced it. Characters, stetting and story — what’s not to really like here? 

So now to our most superb Beginning…

I SEE IN Lunaya Pravda that Luna City Council has passed on first reading a bill to examine, license, inspect—and tax—public food vendors operating inside municipal pressure. I see also is to be mass meeting tonight to organize “Sons of Revolution” talk-talk. 

My old man taught me two things: “Mind own business” and “Always cut cards.” Politics never tempted me. But on Monday 13 May 2075 I was in computer room of Lunar Authority Complex, visiting with computer boss Mike while other machines whispered among themselves. Mike was not official name; I had nicknamed him for Mycroft Holmes, in a story written by Dr. Watson before he founded IBM. This story character would just sit and think—and that’s what Mike did. Mike was a fair dinkum thinkum, sharpest computer you’ll ever meet. 

Not fastest. At Bell Labs, Buenos Aires, down Earthside, they’ve got a thinkum a tenth his size which can answer almost before you ask. But matters whether you get answer in microsecond rather than millisecond as long as correct? 

Not that Mike would necessarily give right answer; he wasn’t completely honest. 

When Mike was installed in Luna, he was pure thinkum, a flexible logic—“High-Optional, Logical, Multi-Evaluating Supervisor, Mark IV, Mod. L”—a HOLMES FOUR. He computed ballistics for pilotless freighters and controlled their catapult. This kept him busy less than one percent of time and Luna Authority never believed in idle hands. They kept hooking hardware into him—decision-action boxes to let him boss other computers, bank on bank of additional memories, more banks of associational neural nets, another tubful of twelve-digit random numbers, a greatly augmented temporary memory. Human brain has around ten-to-the-tenth neurons. By third year Mike had better than one and a half times that number of neuristors. 

And woke up.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 21, 1915 — Ian Stuart Black. British screenplay writer best known for scripting two First Doctor stories, “The Savages” and “The War Machines” (with Kit Pedler and Pat Dunlop) and a Third Doctor story, “The Macra Terror”. He wrote thirteen episodes of The Invisible Man as well as episodes of One Step Beyond, The Saint, Star Maidens and Danger Man. (Died 1997.)
  • Born March 21, 1931 — Al Williamson. Cartoonist who was best known for his work for EC Comics in the ’50s, including titles like Weird Science and Weird Fantasy, and for his work on Flash Gordon in the Sixties. He won eight Harvey Awards, and an Eisner Hall of Fame Award. (Died 2010.)
  • Born March 21, 1936 — Margaret Mahy. New Zealand author of over a hundred children’s and YA books, some with a strong supernatural bent. She won the Carnegie Medal twice for two of her fantasy novels, The Haunting and for The Changeover, something only seven authors have done in total. (Died 2012.)
  • Born March 21, 1947 — Terry Dowling, 76. I was trying to remember exactly what it was by him that I read and it turned out to be Amberjack: Tales of Fear and Wonder, an offering from Subterranean Press a decade ago. Oh, it was tasty! If it’s at all representative of his other short stories, he’s a master at them. And I see he’s got just one novel, Clowns at Minnight which I’ve not read. He’s not at all deeply stocked at the usual digital suspects but Kindle has this plus several story collections. 
  • Born March 21, 1947 — Don Markstein. He was the creator and sole maintainer of Don Markstein’s Toonpedia which is subtitled “A Vast Repository of Toonological Knowledge”. It is an encyclopedia of print cartoons, comic strips and animation started in 2001. He said, “The basic idea is to cover the entire spectrum of American cartoonery.” (Died 2012.)
  • Born March 21, 1956 — Teresa Nielsen Hayden, 67. She is a consulting editor for Tor and is best known for Making Light, a blog she shares with her husband Patrick and which may yet resume activity. She is also one of the regular instructors for the Martha’s Vineyard writing workshop Viable Paradise.
  • Born March 21, 1970 — Chris Chibnall, 53. A showrunner for Doctor Who and the head writer for the first two (and I think) best series of Torchwood. He first showed up in the Whoverse when he penned the Tenth Doctor story, “42”.  He also wrote several episodes of Life on Mars. He’s been nominated for a Hugo three times for work on Doctor Who, “Rosa” at Dublin 2019, “Resolution” CoNZealand and for “Fugitive of the Judoon” at DisCon III.

(11) COMICS SECTION.

  • Pickles has an unexpected Star Wars reference.

(12) EVANGELIZING FOR SUPERGIRL. [Item by Olav Rokne.] Some of the comic book nerds in the book club with me have all been quite impressed with Tom King’s latest work Supergirl: Woman of Tomorrow, which James Gunn has listed as the direct inspiration for the upcoming Supergirl movie. It’s eligible for the Hugo this year — and I think it’s something a lot of Worldcon folks would love. Smart, fun, serious, high adventure. “Kara Zor-El Unbound” at the Hugo Book Club Blog.

… These aren’t stories about saving the universe, defeating galactic tyrants, or challenges with world-shattering consequences. But the fact that the stakes are more personal shows what matters to Supergirl, and the human scale of the story makes it highly engaging.

On a technical level, this is a superhero comic book, but the writing takes much of its inspiration from heroic fantasy. This is a story about a sword-wielding hero and sidekick traveling across distant landscapes on a quest and getting pulled into side adventures. Given that it takes cues from the heroic fantasy work of Fritz Leiber, Woman of Tomorrow seems like something that would appeal to many Worldcon attendees….

(13) THEY’VE BEEN HAD. “These Painters Regret Their Dealings With Scam Artists” – and the New York Times introduces them to us.

… It seemed too good to be true — and it was.

What happened next followed a pattern seen in nearly a dozen attempts at defrauding artists of their paintings and money that were reviewed by The New York Times. In each case, young artists were offered an attractive price for artworks by “collectors” who sent them checks to cover the price of the work and the cost of shipping it. Each of them was then asked to forward the shipping fee by money order to a person who was arranging the delivery.

Ginsberg sent $2,060 to the aptly named Linda Shady, who was supposed to be a shipping agent based in Fond du Lac, Wis. That name turned out to be fictitious and the person apparently used fake identification to cash the money order before Ginsberg was told by his bank that the $6,210 check he had received — more than he asked for — had not cleared.

“That was when I realized it was fraud,” Ginsberg said.

Cybercrime experts said fake check scams were growing. Though it did not study art scams per se, a study published in February by the Federal Trade Commission’s Consumer Sentinel Network tallied more than $124 million in damages from more than 40,000 cases involving fraudulent foreign money offers or fake checks.

Most of the cases start with an email from a fictitious person, a subset of the surge in phishing that has greatly increased the vulnerability of communications online. A study by the tech security company SlashNext projected that there were more than 255 million phishing attacks in 2022 through email, mobile and other online channels. That was 61 percent higher than the rate of phishing attacks the company tallied a year before….

(14) BE THE MAN WHO BOUGHT THE MOON (NECKLACE). [Item by Mike Kennedy.] Christie’s is having an online-only auction (closing 28 March) of meteorites & meteorite-related objects. Several of the items have had their origin traced to the Moon, Mars, or a specific asteroid. “Deep Impact: Lunar, Martian, and Other Rare Meteorites”.

Perhaps the crown jewel (so to speak) of the auction is Lot #1—an 18 inch single-strand necklace, consisting of 48 8.25 mm beads derived from Lunar material. One particular asteroid, NWA 12691, has been sectioned for display and sale. Apparently some of the smaller bits from that were formed into these beads.

The estimated price for the necklace is $140,000-$200,000, though the top bid as I write this is a mere $10,000. There are a scant few items in the auction with a higher estimate, but none of those is likely to make as fine a red carpet display.

The catalog description notes:

Fastened with a white gold clasp and knotted when strung, each of these lunar beads are of the highest quality. As is the case with any other lunar feldspathic breccia, each bead is composed of fragments of olivine, pigeonite, augite, ilmenite and signature white anorthite — which is rare on Earth but common on the Moon. The different minerals and lithologies were naturally bound together by a melt of lunar regolith, the result of repeated impacts on the lunar surface prior to the collision responsible for launching NWA 12691 to Earth. 

(15) VIDEO OF THE DAY. Honest Trailers does “Everything Everywhere All At Once”, delivering its on-brand snark:

…Stephanie Shu co-stars as their daughter Joy, a character whose complex journey takes her to the edge of madness and back, playing both a teenager struggling to connect with her mom and an omnipotent nihilist seeking to destroy the universe. So of course she lost the Oscar to Jamie Lee Curtis as a mean lady with a funny voice… Let’s just pretend this was a makeup for True Lies….

[Thanks to Chris Barkley, Andrew Porter, Olav Rokne, Kathy Sullivan, Rich Lynch, Alex Shvartsman, Michael Toman, Cat Eldridge, Mike Kennedy, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Tom Becker.]

Pixel Scroll 2/28/22 The Long and Winding Scroll

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(1) SCHOOL NAMED FOR BUTLER. They were thinking about renaming the school library – in the end, they decided to rename the whole school for her: “Pasadena Unified Renames Washington Middle School As Octavia E. Butler Magnet” — ColoradoBoulevard.net has the story.

…Dr Shannon Malone stated that “Octavia’s love of science research combined with her love of writing is exactly what STEAM integration is about at our school. We don’t teach things in isolation we show that all things can come together such as a love of Science Fiction and a love of writing.” The school will be hosting the 2nd Octavia Butler Writing and Art Contest with novels and poetry. The Pasadena Library will feature a virtual tour about Octavia Butler and proudly showcase the school’s mural….

The district announced the decision with this statement:

In appreciation of Octavia E. Butler for her outstanding achievements in literary science-fiction and for representing the qualities of a PUSD graduate that will inspire our youth and greater community, Washington Middle School shall be known henceforth as the Octavia E. Butler Magnet. Board President Elizabeth Pomeroy declared “let’s all pledge to read a book by Octavia Butler!” The motion was passed, approved, and adopted on February 24, 2022, at a special meeting of the Pasadena Unified School District Board of Education.

(2) PRAISE FOR BARKLEY. At the Hugo Book Club Blog: “So Glad We Asked: an appreciation of Chris M. Barkley”.

… In retrospect, Barkley has shown a remarkable amount of foresight. He warned in 2004 (a full decade before it happened) that there was the possibility that a slate of politically motivated malcontents might attempt to disrupt the Hugos. This was followed by his urging in 2013 that “The only way traditions like the Worldcon and Hugos will have any future is if the people who are interested and feel frozen out of the process continue to provide civil and constructive criticism and stay involved in fandom … What we need is MORE dissent, MORE thinking outside the box and MORE diversity in fandom, not less.”

The first time the editors of this blog encountered Chris M. Barkley, we were volunteering as photographers for the 2015 Hugo Awards ceremony. For years after, we assumed that he had received a Hugo Award nomination for his blogging, and this seemed like a reasonable assumption to make: his work is consistently good, he writes about fannish activities, and he’s well known in the community.

It was to our great surprise when we learned that he has never been on the Hugo Award ballot as a fan writer. It’s time to rectify that oversight, and 2022 should be his year….

(3) WHEN EUROCON WAS IN KYIV. SF Concatenation’s Jonathan Cowie reports, “Currently thoughts elsewhere. Just heard that one of our team members, Boris Sidyuk, is alive. (A little scared — I think suffers from British understatement —  but alive.) Some might know him from the 2006 Eurocon on which he was a senior committee member organising the international dimension.”

Jonathan attended the Eurocon held in Ukraine in 2006. Read his account of making fannish connections there in “The 2006 Eurocon, Ukraine”.

…The need for an outlet for Ukrainian SF is not a trivial point. Though the Ukraine is the latest country to break close ties with Russia (meaning that up to recently Russia dominated most activities including publishing), it is effectively a bilingual nation with nearly all the population speaking both Ukrainian and Russian. So getting SF professionally published actually in the Ukrainian language within the Ukraine has in the past been difficult, though matters are now slowly getting a little better. Prior to 1990 and the fall of the Berlin wall, if you wanted to write professionally you had to belong to the Writers Association of the Ukraine. However the Association did not consider SF as a serious genre, furthermore the Association was closely tied to the communist party. So potential writers had to be inventive, such as trying to get published in popular science/propaganda magazines. Needless to say SF conventions also were few prior to 1990 and that did not help. Today Ukrainian writers still have problems. For example, the Ukranian writer Sergey Slyusarenko has had several short stories published but only recently his first novel [Tactile Senesations]. However this was through a Russian publishing house that distributed his book in Russia in Russian. No bulk copies were sent to the Ukraine. Fortunately though, this year Slyusarenko was one of those to receive a Eurocon Encouragement Award and it is hoped that this will prompt an Ukrainian publishing house to produce an Ukrainian edition….

(4) WHERE TO READ UKRANIAN SFF WRITERS IN ENGLISH. Alex Shvartsman has compiled “A List of Ukrainian-born SF/F Authors Whose Fiction is Available in English” and posted it at Future Science Fiction Digest. He will continue to update it as he finds more qualifying works.

Are you curious about science fiction and fantasy works written by authors who either currently reside or were born in Ukraine? There are a number of such works available in English. Interestingly. the authors I was able to come up with for this list lean heavily toward fantasy over science fiction. And they tend to write excellent stuff–I’m a long-time fan of many of these authors, though I did find several short story writers in the course of researching this post who are new to me as well.

(5) LESSER CONSEQUENCES OF INVASION. “Disney to Pause Theatrical Releases in Russia, Including ‘Turning Red’” reports Variety.

The Walt Disney Company announced on Monday that it will be pausing all theatrical releases in Russia, including that of “Turning Red,” which was previously set to premiere in the country March 10.

“Given the unprovoked invasion of Ukraine and the tragic humanitarian crisis, we are pausing the release of theatrical films in Russia, including the upcoming ‘Turning Red’ from Pixar,” a company spokesperson said in a statement. “We will make future business decisions based on the evolving situation. In the meantime, given the scale of the emerging refugee crisis, we are working with our NGO partners to provide urgent aid and other humanitarian assistance to refugees.”

Disney is the first of the major film distributors to pause its theatrical releases in the region, which will likely cause others to follow suit. However, it seems that Warner Bros.’ “The Batman” will still have a Russia release for now, with the film set for a worldwide premiere on March 3.

(6) CHERNOBYL IN THE NEWS AGAIN. The Guardian’s Stuart Heritage discusses “Chernobyl: The Lost Tapes – stunning TV that is suddenly unmissable” with filmmaker James Jones.

Had it been released at any point in the past few years, Chernobyl: The Lost Tapes would have been an important documentary; a feature-length blend of audio interviews and largely unseen archive footage that puts the 1986 disaster into horrifying new perspective. That it comes out now – just days after Russia launched a full-scale invasion of Ukraine, including an attack on the Chernobyl site itself – makes it as unmissable as it is harrowing.

…One contained a footnote that caught his eye. “It referenced footage that was shot in Pripyat [in northern Ukraine] the weekend after the accident,” he says. Despite the fact that the worst nuclear disaster in history had happened down the road hours earlier, releasing 400 times more radioactive material into the atmosphere than the Hiroshima bomb, the footage showed residents milling about as if nothing had happened.

“You can see mothers pushing babies around and kids playing football in the sand,” says Jones. “Then you start to see these white flashes on the film because of the insanely high level of radiation. It was so chilling.” Nevertheless, the existence of this footage spurred him to seek out more. Via a wealth of sources – national archives, propaganda films, collapsed Soviet documentary studios, western news reports, children and soldiers who happened to have video cameras at the time – he began to piece together a blistering documentary that draws a straight line from the USSR’s attempts to play down the disaster to the fall of the Soviet Union itself.

Although Chernobyl is one of those historical punctuation points on which everyone thinks they have a decent overview, not least due to Sky’s recent drama series, The Lost Tapes is studded with moments of footage so extraordinary that you are unlikely to forget them. A clean-up helicopter crashing to the ground over the explosion site. Searing footage of injuries and mutations to humans and animals. Wooden grave markers in an irradiated forest.

(7) AT THE TOP OF HER GAME. Congratulations to Cat Rambo for being named a guest at Origins Game Fair.

(8) FREE TAFF BOOK. The Harrison Saga: The Extraordinary Exploits of Sir William Makepeace Harrison by  “Harry Hurstmonceaux and Cyril Faversham”, ripping yarns written from 1957 to 1975 by the UK fans John Owen and Stanley Nuttall, is the latest addition to TAFF’s library of free downloads. The collection is available in multiple formats at the Trans-Atlantic Fan Fund’s website, where they also hope you’ll make a little donation to the fund. 

In these ripping yarns written from 1957 to 1975 by the UK fans John Owen and Stanley Nuttall (writing as Hurstmonceaux and Faversham), the awesome figure of Sir William Makepeace Harrison bestrides the world like a Roman-nosed colossus. The British Empire’s last unflinching bulwark against Nazis, Commies and duplicitous foreigners in general, Harrison upheld the banner of Civilization – or at least the Union Jack – o’er palm and pine. His magnificently silly adventures are threaded with tongue-in-cheek echoes of Rudyard Kipling, Sir Arthur Conan Doyle, John Buchan, “Sapper” of Bulldog Drummond fame, Dornford Yates, Ian Fleming, Raymond Chandler, Frank Hampson and a million Victorian/Edwardian boys’ adventure stories. It would be wrong to giggle at such unstinting heroism, swordsmanship, gunplay, gourmandizing, fine-wine-bibbing and deus ex machina escapes, but nevertheless one does.

For The Harrison Saga, Rob Hansen has assembled all Owen’s and Nuttall’s tales of Sir William Makepeace Harrison with an explanatory Foreword, an Afterword and (assisted by David Langford) some learned notes on literary references and in-jokes. For readers who crave something “a little stronger”, there is also a bibliography.

(9) MEDIA BIRTHDAY.

2002 — [Item by Cat Eldridge] Twenty years ago, Altered Carbon was published in the UK. Written by Richard Morgan, it would be followed by two sequels, Broken Angels and Woken Furies. It’s a series that I really, really liked and I thought was wrapped well. 

It would win the Philip K. Dick Award. Other nominated works for the Award that year were Mark Buds’ Clade, M.M. Buckner’s Hyperthought, Chris Moriarty‘s Spin State and Ann Tonsor Zeddies‘ Steel Helix. 

The novels would become the basis of the Netflix Altered Carbon series which ran for eighteen episodes over two seasons before being canceled plus an anime prequel film. Originally the first novel was going to be a film and those rights were sold for a million dollars which allowed Morgan to become a full-time writer but it never went anywhere which is how Netflix ended up with it. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 28, 1913 — John Coleman Burroughs. An illustrator known for his illustrations of the works of his father, Edgar Rice Burroughs. At age 23, he was given the chance to illustrate his father’s book, The Oakdale Affair and the Rider which was published in 1937. He went on to illustrate all of his father’s books published during the author’s lifetime — a total of over 125 illustrations.  He also illustrated the John Carter Sunday newspaper strip, a David Innes of Pellucidar comic book feature and myriad Big Little Book covers. I remember the latter books — they were always to be found about the house during my childhood. (Died 1979.)
  • Born February 28, 1928 — Walter Tevis. Author of The Man Who Fell to Earth which became the basis of the film of the same name starring David Bowie. There’s apparently a Showtime series planned off it. He also wrote two other SF novels, The Steps of The Sun and Mockingbird. All off his work is available from the usual digital sources. Though far from being genre, The Queen’s Gambit is most excellent. (Died 1984.)
  • Born February 28, 1947 — Stephen Goldin, 75. Author of the Family d’Alembert series which is based on a novella by E.E. “Doc” Smith. I think the novella is “Imperial Stars” but that’s unclear from the way the series is referred to. Has anyone read this series? How does it match up to the source material?
  • Born February 28, 1948 — Bernadette Peters, 74. Performer, stage, film and television, so this is selected look at her. She was A Witch in Into the Woods on Broadway and reprised the role in a tv film. It is a Stephen Sondheim musical based on the Brothers Grimm and Charles Perrault. She’s in The Martian Chronicles as Genevieve Seltzer. She does a lot of voice acting, to wit in Beauty and the Beast: The Enchanted Christmas, Wakko’s Wish, Legends of Oz: Dorothy’s Return, Rita, a recurring role on the Animaniacs and Rodgers & Hammerstein’s Cinderella. The most recent genre role I see her doing is Circe on The Odyssey series several back. 
  • Born February 28, 1966 — Philip Reeve, 56. He is primarily known for the Mortal Engines and its sequels. I read the first three novels before deciding that was enough of that series. Not that it’s not a fine series, it just wasn’t developing interestingly enough to warrant me reading any more of it. 
  • Born February 28, 1958 — John Barnes, 64. I read and really liked all of the novels in his Thousand Cultures series which are a sort of updated Heinleinian take on the spread of humanity across the Galaxy. (My take on it. Yours may well differ.) What else by him do y’all like? I see he’s not put out a novel in a decade now, a pity that. Some of his fiction is available at the usual suspects though not the Thousand Cultures series.
  • Born February 28, 1977 — Chris Wooding, 45. If you read nothing else by him, do read the four novel series that is the steampunkish Tales of the Ketty Jay. Simply wonderful. The Haunting of Alaizabel Cray plays off the Cthulhu Mythos that certain folk don’t think exists and does a damn fine job of doing so. 

(11) COMICS SECTION.

  • Blondie finds the key to selling books.  

(12) STONED. Atlas Obscura knows where to find the “Pop Culture Gargoyles Hidden in Gothic Architecture” (published in 2018).

…If you’re curious enough for a gargoyle safari, stay around the edifice! You will not be disappointed, as Darth Vader is just one of many pretty unusual creations conceived to adorn the National Cathedral. The 112 sculpted gargoyles include those by Walter S. Arnold, who envisioned gargoyles as portraying the specific hopes and fears of their era. Arnold’s sculptures have name like “The Crooked Politician,” “The Fly holding Raid Spray,” or the “High Tech Pair,” representing a stylized robot and surveillance camera….

(13) WALK ON THE WILD SIDE. Can these be “The 10 Goofiest Sci-Fi Movies Ever”? Screen Rant thinks so.

Idiocracy (2006)

While the movie could be considered a gruelingly accurate prediction of a dystopian future, Idiocracy is actually a satirical and hilarious sci-fi flick. The film is about a man with a below-average IQ who is frozen in a government experiment, but he’s then thawed out in the future and is treated like a genius.

It’s a silly concept, but Idiocracy also attempts to tackle so many subjects, such as people’s obsession with celebrities, entertainment and media consumption, and politics. Based in a world where the President of the United States wears an American flag as a cape and carries a machine gun at all times, the 2006 movie is so over the top.

(14) THE OLD TICKER. “Edgar Allan Poe’s pocket watch among donations to museum” reports the Guardian.

The pocket watch owned by Edgar Allan Poe while he was writing his famous short story The Tell-Tale Heart, in which the murderous narrator compares the thumping of his victim’s heart to the tick of a clock, has been donated to the Poe Museum in Richmond, Virginia.

Literary collector Susan Jaffe Tane gave the watch along with almost 60 other artefacts, including letters and rare first editions. Curator Chris Semtner said Poe’s timepiece was “especially important” because the author owned it while writing the story…

(15) APPRENTICED TO A PIRATE. [Item by Martin Morse Wooster.] This Korean pirate movie sounds like fantasy to me! The Pirates: The Last Royal Treasure comes to Netflix on March 2.

Lured by the promise of fortune and riches, a band of pirates set off in the hopes of uncovering hidden treasure. But when the elements turn against them and the lines between folklore and reality wear thin, they soon realize that some quests are better left unconquered.

(16) VIDEO OF THE DAY. Saturday Night Live’s “Subway Churro skit” with John Mulvaney covers most Broadway musical bases.

[Thanks to JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Alex Shvartsman, SF Concatenation’s Jonathan Cowie, David Langford, Daniel Dern, Michael Toman, Cat Eldridge, Mike Kennedy, Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Chris.]

Pixel Scroll 12/12/19 You Ain’t Nothin’ But A Time Lord

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(1) MONSTER PRICE. Bernie Wrightson’s original wrap-around cover artwork for Frankenstein by Mary Wollstonecraft Shelley sold at auction today for $1 million dollars. The catalog description at the link claims —

…It can also easily be said that the 1983 Marvel publication of Mary Wollstonecraft Shelley’s Frankenstein is arguably the finest illustrated book of the second half of the 20th century. Originally written in 1818, the novel was later painstakingly illustrated over the course of nearly a decade by pen and ink master Bernie Wrightson. We are proud to offer here, what we consider the finest fantasy ink drawing of the 20th century, if not of all time….

(2) UNCERTAIN FUTURE. Editor Alex Shvartsman’s foreword in Future Science Fiction Digest issue 5 explains why it contains only about 20% of the wordage of previous issues – the launch funding from its Chinese partner has run out.

As Future SF enters its second year, we do so without a safety net.

Our first year’s run was sponsored by the Future Affairs Administration. Together we were able to publish a considerable amount of excellent international fiction, and we thank FAA for their help and support as the magazine launched and found its footing. While FAA is still considering their options regarding any future partnerships with us, at this moment they’re not affiliated with the magazine.

So, what does it mean for Future SF going forward? We aren’t going away, but we have to considerably scale back until we secure alternate funding, or follow the path of many other e-zines in our field and slowly build up a subscription and patron base.

I’m currently talking to the FAA, as well as to a couple of other companies, to see if we can work out another sponsorship or partnership. But even if that proves successful, it is a temporary solution. Only a substantial base of subscribers can ensure stable funding in the long term….

(3) IN TIMES THAT CAME. The Bookseller points to a realm of publishing where change is happening almost quicker than it can be predicted: “Voicing a revolution”.

“Voice tech” will be the next revolution. It’s hard to imagine in today’s text- and screen-based society, but voice recognition apps such as search, device control, shopping and social media will replace screens. It’s already here: only five years after inception, half of citizens in the developed world (47%) owns a smart speaker. How odd we were, the next generation will think, for our incessant tapping on little screens. Wearable tech such as Amazon’s Echo Loop (a small ring enabling you to whisper demands into your palm, and cup your ear for Alexa’s answer) gives a glimpse of the shape our future, with virtual assistants always at our disposal. No need to pull out your phone, even for a phone call. Audiobooks will be a beneficiary of the new generation of voice apps as spheres of our lives transition and we get used to the ease and convenience of voice, and brands have to offer aligned products. Audiobooks are part of the fabric of a healthier technology on the go, where screens play a small role. 

Every book published will be available as an audiobook. AI-driven Text-to-Speech apps for audiobook production will leap forward. The AI narrator could be a sampled actor, or a “designer voice” to match the book or brand….

(4) DOUBLE YOUR READING PLEASURE. Cora Buhlert suggests great holiday gifts for the sff readers of 1964 at Galactic Journey: “[December 11, 1964] December GalactoscopE”.

Personally, I think that books are the best gifts. And so I gave myself Margaret St. Clair’s latest, when I spotted it in the spinner rack at my local import bookstore, since I enjoyed last year’s Sign of the Labrys a lot. Even better, this book is an Ace Double, which means I get two new tales for the price of one. Or rather, I get six, because one half is a collection of five short stories.

First on her list —

Message from the Eocene by Margaret St. Clair (Ace Double M-105)….

 (5) FOR 10 YEARS WE’VE BEEN ON OUR OWN. At Nerds of a Feather, Adri Joy and Joe Sherry find nine books worthy of listing as the best of the past 10 years – plus six honorable mentions: “Adri and Joe Talk About Books: The Best of the Decade”. First up —

Range of Ghosts, by Elizabeth Bear (2012): Elizabeth Bear is something of a chameleon of a writer. Whether it is near future cyberpunk thrillers, urban fantasy, alternate historical vampire fiction, espionage, space opera, steampunk, a Criminal Minds meets the X-Files mashup, or epic fantasy – Bear can write it all.

Eschewing the trappings of the stereotypical European setting, Range of Ghosts is silk road epic fantasy – meaning that the novel has a more Mongolian flavor and has an entirely different cultural grounding than what is so often considered “traditional epic fantasy”. Bear pulls no punches in delivering a full realized and top notch epic with rich characterization and incredible worldbuilding. The magic and religion and battles of Range of Ghosts is handled with a deft touch and the best thing is that all of this is set up for something far larger. Range of Ghosts is Elizabeth Bear at the height of her considerable powers. (G’s Review) (Joe)

(6) THOSE OLD FAMILIAR HAUNTS. Emily Littlejohn, in “The Elements of the Haunted House: A Primer” on CrimeReads, says that haunted house mysteries work if they’re in the right place and have ghosts who are appealing but who didn’t die too young or too old.

…Of course, not all ghost stories feature a malevolent spirit intent on wreaking havoc on the living; there are some lovely novels that feature ghosts that are sad rather than mad, more unsettled than vengeful. Those books can be enjoyed in the bright light of day, perhaps with a nice sandwich and a glass of lemonade. But if you like your haunted houses a bit darker, a little less safe, read on for this writer’s perspective.

If I were to write a haunted house novel, I know where I would start: the setting. The canon practically demands a stately manor from the pages of a historical register or an architectural study, all turrets and gables and perhaps a few strange windows that seem a little too much like eyes. Long hallways, flickering light from an early electric bulb or a candle, rooms with furniture shrouded in sheets . . . and nooks, so many nooks, to hide in.

(7) ANCIENT ART. “44,000-Year-Old Indonesian Cave Painting Is Rewriting The History Of Art” – NPR says they know because they analyzed the calcite “popcorn” on a pig. (Say that three times fast.)

Scientists say they have found the oldest known figurative painting, in a cave in Indonesia. And the stunning scene of a hunting party, painted some 44,000 years ago, is helping to rewrite the history of the origins of art.

Until recently, the long-held story was that humans started painting in caves in Europe. For example, art from the Chauvet Cave in France is dated as old as 37,000 years.

But several years ago, a group of scientists started dating cave paintings in Indonesia — and found that they are thousands of years older.

“They are at least 40,000 years old, which was a very, very surprising discovery,” says Adam Brumm, an archaeologist at Australia’s Griffith University. He and his colleagues used a technique called uranium-series analysis to determine the paintings’ age. The oldest figurative painting in those analyses was a striking image of a wild cow.

These works had been known for years by locals on the island of Sulawesi — but Brumm adds that “it was assumed they couldn’t be that old.”

Since that big reveal, Brumm’s team — which he led with archaeologists Maxime Aubert and Adhi Agus Oktaviana — has been searching for more art in these caves. In 2017, they found something breathtaking — the massive hunting scene, stretching across about 16 feet of a cave wall. And after testing it, they say it’s the oldest known figurative art attributed to early modern humans. They published their findings in the journal Nature.

The BBC adds details: “Sulawesi art: Animal painting found in cave is 44,000 years old”.

The Indonesian drawing is not the oldest in the world. Last year, scientists said they found “humanity’s oldest drawing” on a fragment of rock in South Africa, dated at 73,000 years old.

…It may not be the oldest drawing, but researchers say it could be the oldest story ever found.

“Previously, rock art found in European sites dated to around 14,000 to 21,000 years old were considered to be the world’s oldest clearly narrative artworks,” said the paper in Nature.

(8) TODAY IN HISTORY.

  • December 12, 2014 — Bill The Galactic Hero premiered. Directed by Cox and a lot of friends, it likewise had a cast that was rather large. Yes it’s based on Harrison’s novel. Cox got the rights just after Repo Man came out. Costing just over a hundred thousand to produce, it got generally positive reviews and currently is not available anywhere for viewing. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 12, 1893 — Edward G. Robinson. His very last film was Soylent Green in which was he was Sol Roth. He shortly before that played Abraham Goldman in “The Messiah on Mott Street” on Night Gallery, and he shows up uncredited as himself in the “Batman’s Satisfaction” episode of Batman. (Died 1973.)
  • Born December 12, 1944 — Ginjer Buchanan, 75. Longtime Editor-in-Chief at Ace Books and Roc Books where she worked for three decades until recently. She received a Hugo for Best Editor, Long Form at Loncon 3. She has a novel, White Silence, in the Highlander metaverse, and three short stories in anthologies edited by Mike Resnick. And she’s a Browncoat as she has an essay, “Who Killed Firefly?” in the Jane Espenson edited Finding Serenity: Anti-Heroes, Lost Shepherds and Space Hookers in Joss Whedon’s Firefly.
  • Born December 12, 1945 — Karl Edward Wagner. As an editor, he created a three-volume set of Robert E. Howard’s Conan the Barbarian fiction restored to its original form as it was originally written by Howard.  He is possibly best-known for his creation of Kane, the Mystic Swordsman.  (Died 1994.)
  • Born December 12, 1946 — Josepha Sherman. Writer and folklorist who was a Compton Crook Award winner for The Shining Falcon which was based on the Russian fairy tale “The Feather of Finist the Falcon”. She was a prolific writer both on her own and with other other writer such as Mecedes Lackey with whom she wrote A Cast of Corbies and two Buffyverse novels with Laura Anne Gilman. I knew her personally as a folklorist first and that she was without peer writing such works as Rachel the Clever: And Other Jewish Folktales and  Greasy Grimy Gopher Guts: The Subversive Folklore of Childhood that she wrote with T K F Weisskopf.  Neat lady who died far too soon. Let me leave you with an essay she wrote on Winter for Green Man twenty years ago. (Died 2012.)
  • Born December 12, 1949 — Bill Nighy, 70. Yes he shows up as Dr. Black on Who in an Eleventh Doctor story, “ Vincent and the Doctor”. He’d make a fine Doctor, I’d say. He’s done a lot of other genre performances from the well-known Davy Jones in Pirates of the Caribbean franchise and Slartibartfast in The Hitchhiker’s Guide to the Galaxy, to the blink and he’s gone as he was as the ENT Doc in Curse of the Pink Panther.
  • Born December 12, 1961 — Sarah Sutton, 58. She’s best known for her role as Nyssa who was a Companion to both the Fourth and Fifth Doctors.  She reprised the role of Nyssa in the 1993 Children in Need special Dimensions in Time, and of course in the Big Finish audio dramas. She’s in The Five(ish) Doctors Reboot.
  • Born December 12, 1966 — Hiromi Goto, 53. Winner of the Otherwise Award for The Kappa Child. She followed that with two more SFF novels, The Water of Possibility and Half World, though it’s been a decade since the latter came out. Systems Fail, the 2014 WisCon Guest of Honor publication, highlighted her work and that of .K. Jemisin. Hopeful Monsters, her collection of early genre short fiction, is the only such work available digitally from her.
  • Born December 12, 1970 — Jennifer Connelly, 49. Her first genre outing wasn’t as Sarah Williams in Labyrinth, but rather in the decidedly more low-budget Italian horror film Phenomena.  She goes to be in The Rocketeer as Jenny Blake, and Dark City as Emma Murdoch / Anna, both great roles for her. I’m giving a pass to the remake of The Day the Earth Stood Still which she was involved in and not saying anything about it. Alita: Battle Angel in which she’s Dr. Chiren scores decently with audiences. 
  • Born December 12, 1976 — Tim Pratt, 43. I think his best work was his very first novel which was The Strange Adventures of Rangergirl but there’s no doubt that later work such as The Constantine Affliction, Bone Shop and The Stormglass Protocol are equally superb. That’s not to overlook his short fiction which if you’ve not tried it you should, and I’d recommend Little Gods as a good place to start. 
  • Born December 12, 1981 — C.S. E. Cooney, 38. She won the Rhysling Award for “The Sea King’s Second Bride” and a World Fantasy Award for her Bone Swans collection. She has what appears to be a very short novel out, Desdemona and the Deep, published by Tor.com. The latter and her collection are available digitally on Apple Books, Kindle and Kobo. 

(10) COMICS SECTION.

(11) WATCHMEN. In the LA Times, Lorraine Ali and Robert Lloyd dissent from praise the show has generally received: “Commentary: More manipulative than meaningful, ‘Watchmen’ has a ‘Lost’ problem”.

LLOYD: Lorraine, you steal thoughts from my head. (Are you Dr. Manhattan?) Yes, “Lost” is what I thought of too, though the apparent randomness of a polar bear on a tropical island was much more interesting than when they got around to an explanation. There’s an effective trickery when it comes to coincidence — they’re always spooky on some level — and “Lost” got a lot of mileage from repeating the same essentially meaningless sequences of numbers all over the damn place. (Fans spent an enormous amount of time puzzling the show out, even as, fundamentally, there was no puzzle.) In “Watchmen” it’s clocks and eggs and such, and a narrative that leans heavily on dark secrets and (not always) amazing reveals for its dramatic effects: X is the Y of Z!

It works on some primal level, yet it still feels more manipulative than meaningful to me. “Watchmen” is a lot tighter than “Lost” was, though; the circular systems have been obviously worked through in advance, where “Lost” was a festival of retconning.

(12) SEEKING TOMORROW. Steven Cave says, “The Futurium needs a bolder vision to show that we, technology and nature are one,” in his Nature review, “Lost in the house of tomorrow: Berlin’s newest museum”.

Thirty years ago, the future became passé. When the Berlin Wall fell in late 1989 and the communist regimes that hid behind it collapsed, political scientist Francis Fukuyama called the event “the end of history”. But he also cast it as the finale of the future: the end of imagining how things might be different. The utopian visions driving both communism and fascism had been discredited and defeated. They were to be replaced by an eternal ‘now’ that, in Fukuyama’s words, saw “Western liberal democracy as the final form of human government”.

… Overall, the Futurium succeeds best as a showcase for the shiniest aspects of the present. In this way, it resembles other tech-engagement centres, such as Science Gallery Dublin and its six sister venues around the world, or Tokyo’s National Museum of Emerging Science and Innovation. But it claims to be something more: a place for co-imagining alternative futures. To succeed, it will need to be bolder. Even though the Berlin landscape is dotted with monuments to failed ideologies, such as the Stasi Museum, history did not end when the wall fell. To imagine new futures, this museum must free itself from the conceptual frameworks of the past.

(13) STARBEGOTTEN. The Parker Probe’s investigation of the Sun takes scientists “A step closer to the Sun’s secrets”.

Although the Sun is quite near to us compared with other stars, it has always kept intriguing and fundamental scientific secrets from us. For instance, we still don’t know how the solar corona — the Sun’s outermost atmosphere — maintains temperatures in excess of one million kelvin, whereas the visible surface has temperatures of just below 6,000?K 

(14) AN OLD SELFIE. “Stonehenge 1875 family photo may be earliest at monument” – see that and many more photos shot at the ancient monument.

An 1875 photograph of a family dressed in finery enjoying a day out at Stonehenge may be the earliest such snap taken at the monument.

English Heritage asked people to send in their pictures to mark 100 years of public ownership of the stones.

After sifting through more than 1,000 images historians said they believed the photograph of Isabel, Maud and Robert Routh was the oldest.

It will be part of a new exhibition of personal photos titled Your Stonehenge.

…The exhibition shows how photography has changed – illustrated by “the way that people pose” and how “their faces have got closer to the camera until they are taking a picture of themselves more than they are of Stonehenge”, said Ms Greaney.

(15) WAY DOWN YONDER. Lots of juicy detail in BBC’s report — “Denman Glacier: Deepest point on land found in Antarctica”.

The deepest point on continental Earth has been identified in East Antarctica, under Denman Glacier.

This ice-filled canyon reaches 3.5km (11,500ft) below sea level. Only the great ocean trenches go deeper.

The discovery is illustrated in a new map of the White Continent that reveals the shape of the bedrock under the ice sheet in unprecedented detail.

Its features will be critical to our understanding of how the polar south might change in the future.

It shows, for example, previously unrecognised ridges that will impede the retreat of melting glaciers in a warming world; and, alternatively, a number of smooth, sloping terrains that could accelerate withdrawals.

“This is undoubtedly the most accurate portrait yet of what lies beneath Antarctica’s ice sheet,” said Dr Mathieu Morlighem, who’s worked on the project for six years.

(16) STEAL ME. Plagiarism Today tells how artists are “Battling the Copyright-Infringing T-Shirt Bots”.

…The exploit was actually very simple. Many of these unethical shops use automated bots to scour Twitter and other social media looking for users saying they want a particular image on the t-shirt and then they simply grab the image and produce the t-shirt, site unseen.

The artists exploited this by basically poisoning the well. They created artwork that no reasonable person would want on a shirt sold on their store and convinced the bots to do exactly that.

(17) OPENING A GOOD VINTAGE. Joe Sherry does a fine retrospective of this Connie Willis book at Nerds of a Feather: “The Hugo Initiative: Doomsday Book (1993, Best Novel)”. It tied for the Hugo, but Joe, by not saying which of the two books was really the best, avoids the mistake Your Good Host once made that launched a thousand ships Jo Walton into orbit. Sherry’s conclusion is:

…The thing about Doomsday Book is that it works. It is a masterful piece of storytelling that perhaps shouldn’t work as well as it does almost three decades later. It’s good enough that I want to read Fire Watch and the other three Oxford Time Travel novels sooner rather than later(though perhaps not specifically for The Hugo Initiative). The novel is a softer form of science fiction that uses time travel in a way that makes sense. No paradoxes, there is risk, and maybe don’t visit a time and place with bubonic plague. And really, who doesn’t want to read a novel where the protagonist is surrounded by bubonic plague and renders as much aid as she can?

(18) VIDEO OF THE DAY. In Vacation on Vimeo, Andrey Kasay looks at vacations that went out of control.

(19) VIDEO OF SOME OTHER DAY. The Mandalorian CHiPs intro. Think of Ponch and Jon long ago, in a galaxy far, far away.

[Thanks to JJ, Cat Eldridge, Daniel Dern, Martin Morse Wooster, John King Tarpinian, Mike Kennedy, Contrarius, SF Concatenation’s Jonathan Cowie, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Daniel “Houndog” Dern.]

Pixel Scroll 3/15/19 Pixelflay Hraka, Scroll Embleer Rah!

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(1) THE NEW NUMBER TWO. Future Science Fiction Digest’s second issue was released today. The contents are available for immediate purchase, or you can read the stories when they become available as free reads on the site between now and May 15.

From the time of the dinosaurs to the heat death of the universe, from thinking and feeling androids to human consciousness spanning multiple bodies, from cats on the Moon to alien salad dressing that makes plastic digestible and delicious, these tales have something for everyone.

Table of contents

  • “Tideline Treasures, or Growing Up Along the Mile-High Dyke” by Tais Teng and Jaap Boekestein
  • “The Roost of Ash and Fire” by David Walton
  • “The Lord of Rivers” by Wanxiang Fengnian (translated by Nathan Faries)
  • “No Body Enough” by Dantzel Cherry
  • “An Actual Fish” by Natalia Theodoridou
  • “The Peculiar Gravity of Home” by Beth Cato
  • “The Zest for Life” by N. R. M. Roshak
  • “The Token” by Mike Resnick
  • “To Save a Human” by Svyatoslav Loginov (translated by Max Hrabrov)

Future Science Fiction Digest, edited by Alex Shvartsman, is a collaboration between Future Affairs Administration and UFO Publishing.

(2) OOPS REPAIR. “Marvel Fixes ‘Avengers: Endgame’ Poster Snubbing Danai Gurira After Fan Backlash” – Yahoo! covers the kerfuffle:

Nothing — not spoilers, Easter eggs or even mistakes — gets past eagle-eyed Marvel fans.

When the new trailer and poster for the highly anticipated “Avengers: Endgame” arrived on Thursday, superhero devotees pored over every last detail only to discover a glaring omission. 

The top credits feature every actor on the poster, including Josh Brolin who plays big bad Thanos and Bradley Cooper who voices a souped-up raccoon, except actress Danai Gurira.

(3) COPING STRATEGY. At Ink and Bourbon, Patrick LeClerc offers his advice for surviving a bad review: “Everybody Has a Plan Until They Get Punched in the Mouth”.

…It’s going to happen. If you put your work out there, it’s going to get reviewed, and some people aren’t going to like it. We may love the good reviews, and I’ve been very fortunate that most of mine have been positive, but sooner or later, somebody’s gonna land a glove on you.

So how do you take it?

Ideally, you need to do three things. Most people don’t. Many people can get through one or maybe two. But to be great, you need to do all three.

First of all, you need to get back up.

These things happen. And they hurt and they suck, but it’s part of the game. It’s a part that you agreed to, tacitly at least, when you put your work out there. It’s not unfair. It hurts, because when we write, we basically stand naked on a stage, and that’s a very vulnerable place to be. But you decided to be there. So the first test is: Can you get back up? Can you write another book?

(4) SEMIOTIC BAGGAGE. Christopher Maverick’s post “Call For Comments: The (super)Power of Fashion and Symbols” at Vox Populorum follows this excerpt with analysis of the reaction to Alt-Hero comics. (The coincidental resemblance of the blog’s name to that of Vox Day’s appears to involve nothing more than taking inspiration from the same Latin term.)

…One of the most interesting thing about communication through symbols is that the meaning inherent in them isn’t just built by the person using the symbol. It has as much to do with the person viewing the symbol as well. I once got into a political argument with a cop on Facebook about #BlackLivesMatter vs. #BlueLivesMatter where he was trying to argue that cops don’t disproportionately kill black men and that they needed to have the discretion to discharge their weapons whenever they felt their safety was threatened. My counterargument was that it was hard to take his sense of professional discretion even remotely seriously when he had chosen a #BlueLivesMatter Punisher logo as his Facebook avatar, because no matter what he says, it’s always going to come across as “and also, I want to set myself up as judges jury and executioner, because I like to kill people for funsies!” He tried defend the icon by saying that it just meant that he was a fan of the character and implied nothing about his personal values. I retorted that it implied EVERYTHING about his personal values, because that is the image that he has chosen to announce himself and associate his identity with and therefore he bears all the semiotic baggage associated with it by anyone who comes into contact with him and sees it. Also, I’m kind of a dick….

(5) WEARIN’ O’THE GREEN. Speaking of semiotic baggage, the Beverly Cinema in LA made a fascinating decision to pair these two films on a St. Patrick’s Day double bill.

(6) NOT A CLOSE ADAPTATION. BBC’s Nicholas Barber asks “Is Jodorowsky’s Dune the greatest film never made?”

…As bamboozling as they were, El Topo and The Holy Mountain were so profitable that a French producer, Michel Seydoux, contacted Jodorowsky in 1974 and offered to fund whichever film he fancied making next. Jodorowsky chose a science-fiction novel, Dune. When Seydoux agreed, Jodorowsky realised that he’d now have to sit down and read it.

Published in 1965, Herbert’s novel chronicles the battle for control of a desert planet called Arrakis – or Dune. Its teenage hero, Paul Atreides, leads armies and rides giant worms, and so, in the days before digital effects, putting Herbert’s sprawling interstellar saga on screen would have been a colossal feat. But Jodorowsky didn’t just want to adapt a book, he wanted to “change the public’s perceptions… change the young minds of all the world”. He wouldn’t be making a mere film, he recalls in a 2014 documentary, Jodorowsky’s Dune. He’d be making an “artistical, cinematographical god”.

This grandly mystical tone was typical of the project. Seydoux rented a castle for Jodorowsky to write in, and when his screenplay was finished, the auteur set about recruiting collaborators – or, as he put it, fellow ‘spiritual warriors’. The first of these was Jean ‘Moebius’ Giraud, one of France’s most acclaimed comic artists. Working at what Jodorowsky has called a ‘superhuman’ pace, Giraud broke down the entire film into a storyboard of 3000 drawings. He began with a long, unbroken shot inspired by the opening of Orson Welles’ Touch of Evil, the difference being that the camera doesn’t just rove around a town, it crosses the universe. And he ended with pictures of Paul being murdered and then transforming into a sentient planet, before flying off to spread good vibes throughout the galaxy. Needless to say, none of this happens in Herbert’s novel….

(7) WALKING CARPET WEAVER. Michael Heilemann seeks the real origin story of “Chewbacca” at Kitbashed. Did Ralph McQuarrie or John Schoenherr have more to do with the character’s look? You decide!

The creation of Star Wars is a comprehensive mythology onto itself, populated by rarely documented anecdotes, like how The Millenium Falcon was inspired by a hamburger, with the cockpit being an olive off to the side” [1] (took me years, but I finally disproved that one) or “My original inspiration for Chewbacca was my dog Indiana.” [2], compelling enough to be repeated until they’re so prevalent that they must be true, and are accepted even by hardcore fans and Lucasfilm itself. Unfortunately sometimes they’re embellished truths or half-truths, sometimes entirely false and in pretty much all cases oversimplifying a truly interesting, and luckily exceptionally well documented creative process….

But while the official sources are often great, compiling from many different sources to dispel myths about Boba Fett’s ship, Slave 1 or tell in staggering detail the creation of the film from beginning till end as in the case of books like The Making of Star Wars, there are still plenty of dim, and in some cases even seemingly purposefully blacked out areas in the development of Star Wars.

The story of how Chewbacca came to be is one of these. A fascinating look at what happens in the space between idea, page and screen….

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 15, 1935 — Judd Hirsch, 84. Best known in genre circles for playing Julius Levinson on Independence Day and Independence Day: Resurgence. Other than anappearance on Warehouse 13 in the amazing “Secret Santa” episode as Isadore Weisfelt, he’s done virtually no genre acting other than a cameo on The Muppets and The Halloween That Almost Wasn’t where he was Count Dracula.
  • Born March 15, 1939 — Joseph D. Olander, 80. Anthologists aiming for works that we’re to be, I’d guess, within the University market in the Eighties, as American Government Through Science Fiction  co-authored with Martin H. Greenberg and Patricia S. Warrick, or Run to Starlight, Sports Through Science Fiction, with the same co-authors.
  • Born March 15, 1943 — David Cronenberg, 75. In him, there’s something to make anyone horrified from such as Scanners and Videodrome to the later Existenz. Me I’ll take The Fly for pure grossness. 
  • Born March 15, 1946 — Chris Morris, 73. First genre writing was in the exemplary Thieves’ World shared universe, such as “What Women Do Best” with Janet Morris, and “Red Light, Love Light”.  He’s also written in the Merovingen Nights, Heroes in Hell and Sacred Band of Stepsons saga series.
  • Born March 15, 1967 — Isa Dick Hackett, 52. An Amazon producer and writer for and helped produce The Man in the High Castle, Philip K. Dick’s Electric Dreams, and The Adjustment Bureau, all of which are based as you know on works by her father. 
  • Born March 15, 1985 — Kellan Lutz, 34. He’s best known for playing Emmett Cullen in the Twilight Saga franchise. He has since played Poseidon in Immortals, Tarzan in the animated film of the same name and Hercules in The Legend of Hercules. He also was Ridley in the Chinese fantasy Guardians of the Tomb, and appeared in A Nightmare on Elm Street as Dean Russell. 
  • Born March 15, 1986 — Jai Courtney, 33. He portrayed hero Kyle Reese in Terminator Genisys and villain Captain Boomerang in Suicide Squad. Other genre roles portraying Eric in Divergent and in the sequel, Insurgent. He was Macbeth in a 2017 production of the Scottish Play at Melbourne Theatre Company. 

(9) HE’S BACK. Deadline can only report it happened, they can’t explain why: “Disney Reinstates Director James Gunn For ‘Guardians Of The Galaxy 3’”.

…The decision to rehire Gunn –he was fired last July by Disney after alt-right journalists made public a fusillade of decade old social media missives that made light of pedophilia and rape — was one that was mulled and actually made months ago, following conversations with Disney studio leadership and the team at Marvel Studios. Why the change of heart? After the firing, Walt Disney Studios chairman Alan Horn met with Gunn on multiple occasions to discuss the situation. Persuaded by Gunn’s public apology and his handling of the situation after, Horn decided to reverse course and reinstate Gunn.

… There will be an inevitable chorus of those who will gripe about Gunn’s return, but creatively, Guardians will benefit from his return. The entire cast of the film was outspoken in its desire to have Gunn back, saying that those satiric tweets did not match his personal actions.

(10) A DIFFERENT WAY. Charlie Jane Anders salutes “The Left Hand of Darkness at Fifty” in The Paris Review.

When I first read The Left Hand of Darkness, it struck me as a guidebook to a place I desperately wanted to visit but had never known how to reach. This novel showed me a reality where storytelling could help me question the ideas about gender and sexuality that had been handed down to all of us, take-it-or-leave-it style, from childhood. But also, Ursula K. Le Guin’s classic novel felt like an invitation to a different kind of storytelling, one based on understanding the inner workings of societies as well as individual people.

Of course, The Left Hand of Darkness is literally a guidebook to the fictional world of Gethen, also known as Winter. The book takes the form of a travelogue, roaming around the nations of Karhide and Orgoreyn. And by the time you finish reading, you might actually feel like you’ve been to these places, to the point where you kind of know what their food tastes like and how the people act. But for me, and for a lot of other people, The Left Hand of Darkness also left us with a map that leads to another way of telling stories.

(11) SIGNED UP FOR THE DURATION. Gary Tognetti kicks off a collection of “Novel Reviews – March 2019” at The 1000 Year Plan with a look at Elizabeth Bear’s new novel. Other authors reviewed: Zen Cho, John Scalzi, Brad Torgersen, and Brian Trent.

…An early moment in Elizabeth Bear’s expansive new space opera Ancestral Night has narrator Haimey Dz offer a meta-commentary on the ancient, 19th century novels she reads during the long hours spent drifting through space: “They’re great for space travel because they were designed for people with time on their hands. Middlemarch. Gorgeous, but it just goes on and on.” Ancestral Night is a busy and boisterous novel, complex and beautifully composed, but also with a tendency to labor its points.

(12) TEMPORARILY HAPPY. Paul Weimer finds things to admire about this romance space opera novel — “Microreview [book]: Polaris Rising by Jessie Mihalik” at Nerds of a Feather.

The novel does play the genre conventions of romance more than it does the conventions of science fiction. The plot and character beats fall into a relatively conventional pattern, but they are well executed and they mesh well with both the characters and the space opera universe. Readers who come to the novel for the romance plotline between Ada and Loch should be well satisfied with the storyline. Since this is a first novel set in a greater universe, I suspect this would be classified as a HFN (Happy for now) rather than strictly a HEA (Happily ever after) conclusion.

(13) PAPA REPLACEMENT THEORY. BBC reports on science showing an “Ancient migration transformed Spain’s DNA”.

A migration from Central Europe transformed the genetic make-up of people in Spain during the Bronze Age, a study reveals.

DNA evidence shows the migrants streamed over the Pyrenees, replacing existing male lineages across the region within a space of 400 years.

It remains unclear whether violence played a role or whether a male-centric social structure was more important.

The result comes from the most extensive study of its kind.

Researchers reconstructed the population history of Iberia (modern Spain, Portugal, Gibraltar and Andorra) over 8,000 years – the biggest slice of time tackled by a single ancient DNA study. The region has been a crossroads for different cultures over time.

(14) SSTO? Prepare to launch: “UK’s air-breathing rocket engine set for key tests”.

The UK project to develop a hypersonic engine that could take a plane from London to Sydney in about four hours is set for a key demonstration.

The Sabre engine is part jet, part rocket, and relies on a novel pre-cooler heat-exchanger technology.

This pre-cooler system will begin a new phase of testing in the next month or so in Colorado, US.

Meanwhile, the core part of the engine has just gone through its preliminary design review.

Signed off by experts at the European Space Agency, the review sets the stage for this central section of Sabre to begin its own demonstration campaign at Wescott Space Cluster in Buckinghamshire next year.

The company behind the project, Reaction Engines Ltd (REL), says it is making good progress.

Not only would Sabre power units enable rapid, point-to-point transport inside the atmosphere, but they would also allow reusable vehicles to make the jump straight to orbit without the need for multiple propellant stages – as is the case now with conventional rockets.

(15) ARE WE THERE YET? They’re on the way: “Astronauts who survived Soyuz breakdown blast off to ISS”.

Two astronauts who survived a failed Soyuz launch last year are now on their way to the International Space Station.

Nasa’s Nick Hague and his Russian colleague Alexey Ovchinin were on the rocket when it malfunctioned in mid-air on 11 October.

The two men are now flying with US astronaut Christina Koch after a successful lift-off from the Russian Baikonur cosmodrome in Kazakhstan.

The Soyuz MS-12 launched at 01:14 on Friday local time (19:14 GMT Thursday).

This is Mr Hague and Mr Ovchinin’s first flight since the aborted launch last October.

That time, the rocket was forced to make an emergency landing two minutes after take-off because a sensor had been damaged while it was being built.

[Thanks to Bill, JJ, Mike Kennedy, StephenfromOttawa, Cat Eldridge, John King Tarpinian, Chip Hitchcock, Martin Morse Wooster, Alex Shvartsman, Carl Slaughter, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Brian Z.]

Pixel Scroll 12/8/18 Science Fiction Is What I Yell “ZAP!” For When I Throw At People

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(1) WHITTAKER SHALL RETURN.The Hollywood Reporter quashes rumors to the contrary: “Jodie Whittaker Confirms Return for ‘Doctor Who’ Season 12”. Shame on rumor-spreading clickbait sites that got fans all stirred up about this, like, uh — let’s go right to the story, shall we?

The first female Doctor Who, Jodie Whittaker, will be returning for another season. 

While it was largely presumed that Whittaker wouldn’t be handing over her sonic screwdriver anytime soon, the typically tight-tipped BBC hadn’t yet confirmed who would be playing Doctor Who for season 12 of the cult sci-fi series, and there was always the chance that she could go the way of Christopher Eccleston, who managed just one stint as the Time Lord. 

“I really can’t wait to step back in and get to work again,” Whittaker told The Hollywood Reporter.”It’s such an incredible role. It’s been an extraordinary journey so far and I’m not quite ready to hand it over yet.”

(2) NEW SFF ZINE DEBUTES NEXT WEEKEND. Future Science Fiction Digest, a new quarterly publication with a strong focus on translation and international fiction, will be available December 15, with the stories to be posted on the web over the next several months

It is a collaboration between Future Affairs Administration (a media and technology brand in China) and UFO Publishing (a small press from Brooklyn, NY) and is edited by Alex Shvartsman.

Our first issue features fiction from the United States, China, Nigeria, Italy, and the Ukraine, as well as several articles, totaling 65,000 words. It will be published on December 15, with stories posted on the web over the course of several months. The next issue will be published on March 15.

(3) TODAY’S BRADBURY REFERENCE. Dennis Howard got permission to share this image with File 770 readers:

My ex emailed me this photo she took at Walmart and asked if I remembered Alfred Hitchcock’s “The Jar”. Of course, I remembered that creepy episode based on a Ray Bradbury story. I wonder if the manufacturer of this thing remembers.

(4) KGB. The hosts of the Fantastic Fiction at KGB reading series, Ellen Datlow and Matthew Kressel, present Maria Dahvana Headley & Nicole Kornher-Stace on December 19.

Maria Dahvana Headley

Maria Dahvana Headley is a New York Times-bestselling author of seven books, most recently The Mere Wife,a contemporary retelling of Beowulf for the McD imprint at Farrar, Straus& Giroux, which will be followed in 2019 by a new translation of Beowulf, for the same publisher. She’s also the author of the young adult novels Magonia and Aerie. With Neil Gaiman, she edited Unnatural Creatures, and with Kat Howard, she wrote The End of the Sentence. Her short fiction has been nominated for the Nebula, World Fantasy and Shirley Jackson Awards, and included in many Year’s Bests, including Best American Fantasy & Science Fiction, in which, this year, she has two stories. @MariaDahvana on Twitter, or www.mariadahvanaheadley.com

Nicole Kornher-Stace

Nicole Kornher-Stace is the author of Desideria, The Winter Triptych, the Norton Award finalist Archivist Wasp, and its sequel, Latchkey. Her short fiction has appeared in Clarkesworld, Apex, and Fantasy, as well as many anthologies. She lives in New Paltz, NY with her family. She can be found online at www.nicolekornherstace.com, on Facebook, or onTwitter @wirewalking.

Things begin Wednesday, December 19, 2018, 7 p.m. at the KGB Bar, 85 East 4th Street (just off 2nd Ave, upstairs), New York, NY.

(5) PRATCHETT REFERENCE. Quoting an article by Simon Ings in the December 1 Financial Times about artists who have residencies at the CERN particle physics laboratory —

In The Science of Discworld 4: Judgment Day, mathematician Ian Stewart and reproductive biologist Jack Cohen have fun at the expense of the particle physics community.  Imagine, they say, a group of blind sages at a hotel, poking at a foyer piano.  After some hours, they arrive at an elegant theory about what a piano is–one that involves sound, frequency, harmony, and the material properties of piano strings.

Then one of their number, still not satisfied, suggests that they carry the piano upstairs and drop it from the roof. This they do–and spend the rest of the day dreaming up and knocking over countless ugly hypotheses  involving hypothetical ‘trangons’ and ‘thudons’ and, oh I don’t know, ‘crash bosons.’

(6) BUTLER. Samuel Delany encourages sff readers to get familiar with this Octavia Butler story and a parallel case of injustice.

Three years before she died, Octavia E. Butler wrote her last two science fiction stories: One of them, “Amnesty,” was published in 2003. Though it received no awards, it is arguably the most important SF story written in this the last quarter of a century. It is the penultimate story in the revised and expanded edition of this book (2005). You should have read it but if, for some reason, you haven’t; then you should learn who the models for the alien “Communities” were and the story’s general political inspiration. It is one of the last two story in the second edition of this book.
Wikipedia is a good start. <https://en.wikipedia.org/wiki/Wen_Ho_Lee> After you familiarize yourself with this frightening case of injustice, probably you should read the story again.

(7) IMAGINING TECH. Brian Merchant covers the sci-fi/industrial complex for Medium: “Nike and Boeing Are Paying Sci-Fi Writers to Predict Their Futures”.

One of the most influential product prototypes of the 21st century wasn’t dreamed up in Cupertino or Mountain View. Its development began around a half-century ago, in the pages of a monthly pulp fiction mag.

In 1956, Philip K. Dick published a short story that follows the tribulations of a police chief in a future marked by predictive computers, humans wired to machines, and screen-based video communications. Dick’s work inspired a generation of scientists and engineers to think deeply about that kind of future. To adapt that same story into a $100 million Hollywood film 50 years later, Steven Spielberg sent his production designer, Alex McDowell, to MIT. There, a pioneering researcher?—?and lifelong Dickfan?—?named John Underkoffler was experimenting with ways to let people manipulate data with gloved hands. In 2002, a version of his prototype was featured in the film, where it quickly became one of the most important fictional user interfaces since the heyday of Star Trek. Bas Ording, one of the chief UI designers of the original iPhone, told me his work was inspired directly by the gesture-based system showcased in Minority Report.

For the past century, this messy, looping process?—?in which science fiction writers imagine the fabric of various futures, then the generation reared on those visions sets about bringing them into being?—?has yielded some of our most enduring technologies and products. The late sci-fi author Thomas Disch called it “creative visualization” and noted there was no more persuasive example of its power “than the way the rocket-ship daydreams of the early twentieth century evolved into NASA’s hardware.” Submarines, cellphones, and e-readers all evolved along these lines.

Minority Report produced a hundred patents and helped rapidly mainstream the concept of gesture-based computing?—?not just the iPhone but all touchscreen tablets, the Kinect, the Wii?—?and became cultural shorthand for anyone looking to point their ventures toward the future.

(8) SEIDEL OBIT. Myla Seidel, who more fans would have known as Anne Cox, died December 7 reports her son Kevin. Ed and Anne Cox were among the first fans I met in person in the Seventies. They later divorced. Ed died in 1997, and the last time I saw Anne was at a memorial gathering for him.

Ed Cox and Anne Cox (Myla Seidel).

(9) TODAY IN HISTORY

  • December 8, 1954 — Atomic Kid, starring Mickey Rooney, was released on this day.

(10) TODAY’S BIRTHDAYS

[Compiled by Cat Eldridge.]

  • Born December 8, 1861 — Georges Méliès. Director of A Trip To The Moon which I know was one of Kage Baker’s most-liked films. It surely must be one of the earliest genre films and also one of the most visually iconic with the rocket ship stuck in the face of the moon. He did some other other genre shorts such as Baron Munchausen’s Dream and The Legend of Rip Van Winkle. (Died 1938.)
  • Born December 8, 1894 – E.C.Segar. Creator of Popeye who of course is genre.Who could not watch Altman’s film and not know that? Segar created the character who first appeared in 1929 in Segar’s comic strip Thimble Theatre. Fantagraphics has published a six-volume book set reprinting all Thimble Theatre daily and Sunday strips from 1928–38. (Died 1938.)
  • Born December 8, 1950 – Rick Baker,68. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the first award given for An American Werewolf in London. So what else is he know for? Oh I’m not listing everything but his first was The Thing with Two Heads and I’ll single out The Exorcist, Star Wars, The Howling which I love, Starman for the Starman transformation, Beast design on the Beauty and the Beast series and Hellboy. 
  • Born December 8, 1951—Brian Attebery, 67. If I was putting together a library of reference works right now, Attebery would be high on the list of authors at the center of my shopping list. I think The Fantasy Tradition in American Literature: From Irving to Le Guin is still essential reading and his Parabolas of Science Fiction recently published with Veronica Hollinger is very close to a Grand Unification Theory of the Genre. 
  • Born December 8, 1965 – David Harewood, 53. First genre appearance is the BBC adaptation of Philip Pullman’s The Ruby in the Smoke and The Shadow in the North (Billie Piper plays the lead). He played Tuck in the BBC’s Robin Hood series and showed up as Joshua Naismith in Doctor Who’s ‘The End of Time ‘ episode. Currently he plays two separate characters on Supergirl, J’onnJ’onzz/Martian Manhunter / Hank Henshaw and Cyborg Superman. 
  • Born December 8, 1976 – Dominic Monaghan, 42. He  played Meriadoc “Merry” Brandybuck in Peter Jackson’s version of the Lord of the Rings.He’s also the narrator of Ringers: Lord of the Fans, a look at the early days of the Tolkien fandom when it was part of the hippie culture. He has a role as Maverick in X-Men Origins: Wolverine, and will be appearing in the forthcoming Star Wars: Episode IX.

(11) COMICS SECTION.

  • Shoe questions the constant recycling of familiar movie franchises. Sort of.
  • Incidental Comics has a book lover’s holiday wish list.

(12) KEY INGREDIENTS. [Item by Mike Kennedy.] Have you ever felt the need to spend $250 on a set of replacement keycaps for your computer keyboard? If so, Novel Keys has you covered with this set captioned in Aurebesh characters. SYFY Wire has the full story (“Star Wars keyboard senses a great disturbance in your command of Aurebesh”). The keycaps are expected to ship“late April 2019” for preorders through 5 January. Two models are available,with only Aurebesh or with English legends added.

Alright, C-3PO, it’s time to break out those awesome translating skills you’re always humblebragging about — and while you’re at it, break out your wallet, too. Star Wars has just licensed its first-ever official computer keyboard replacement set, coded in Aurebesh, the written version of the official language spoken throughout the Galactic Empire.

This new key replacement set is color-themed to appeal more to the Death Star crowd than to supporters of the gauzy-hued Rebellion. That means don’t even bother looking for X-Wing symbols and Yoda silhouettes here; rather, the Galactic Empire DSA Set sports the cool iconography of the galactic alphabet, plus some killer stand-in Dark Side symbols (like TIE Fighters, AT-ATs, and Darth Vader helmets) for commonly used commands. A red lightsaber in place of an enter/return key? Swish, swish.

(13) THOSE WERE THE DAYS. An article in the December 1 Financial Times by David McWilliams about the possibility that Brexit would lead to the unification of Northern Ireland with Ireland includes this ST:TNGreference:

In 2990 an episode in the third series of Star Trek:  The Next Generation was deemed so incendiary that it was censored in Britain and Ireland.  In that Episode, “The High Ground,’the Starship Enterprise’s android officer data, musing on terrorism, noted from the vantage point of the year 2364 that Ireland had been unified in 2024. The episode was pulled for fear it might encourage more political violence; 1990 was the year the IRA bombed the London Stock Exchange, assassinated Conservative political Ian Gow and when 81 people on both sides of the conflict were murdered in Northern Ireland.

(14) EVEN OLDER DAYS. At theinferor4, Paul Di Filippo shared an antique poem he rediscovered: “Lament for 1999 from the Year 1911”.

…Think of the thrill to him who first took flight,

When all the vast familiar continent

Of air was unexplored….

(15) PLASTIC RAPS. A character who debuted in 1941 might be getting his own movie. The Hollywood Reporter thinks “‘Plastic Man’ Could Be DC’s Answer to ‘Deadpool'”.

And not just because both characters are dressed in red, have criminal backgrounds and smart mouths that don’t know when to shut up. That Warner Bros. is developing a Plastic Man movie perhaps shouldn’t come as quite the surprise that it does; after all, not only did the DC superhero headline his own ABC animated series for a couple of years, but he’s also the perfect choice to give Warners something that it never even knew it needed: A comedic foil to the rest of the DC cinematic universe.

This wouldn’t be a new role for Plas, as the character’s often called for short. Unusually for a superhero — and especially one whose origin involves having been a criminal who was left for dead by his gang after being exposed to some mysterious chemicals— Plastic Man has traditionally been a comedy character throughout his 75-plus year career. Indeed, his 1970s animated series underscored this appeal by being called The Plastic Man Comedy/Adventure Show. (The series ran from 1979 through 1981; he’s also appeared in other DC animated shows, including Batman:The Brave and the Bold and Justice League Action.)

(16) HIGH SCHOOL MUSICAL HAGGIS. NPR interviews the star of “‘Anna And The Apocalypse’: The Scottish Zombie Christmas High School Musical”.

Anna and the Apocalypse is a [checks notes] Scottish zombie Christmas high school musical.

It drew raves in Great Britain, and has now been released in the United States. It’s based on a short film by the writer-director Ryan McHenry, who died of bone cancer at age 27, and did not get to complete this feature-length production.

Anna and the Apocalypse is directed by John McPhail. Ella Hunt (who is English) stars as the young Scottish teen who’s about to graduate from school, but first has to contend with the zombie takeover of her village and perhaps the world — with a little help from her friends.

“I love that this film glorifies teenage friendship and not teenage romance,” Hunt says in an interview. “To me, it’s a much truer thing to glorify.”

(17) BONDING. In the Weekly Standard, Tony Mecia visits the James Bond museum in Murren, Switzerland, which was built to be Blofeld’s lair in On Her Majesty’s Secret Service and which gives visitors the chance to pick up a red phone to hear instructions from M and “graft a photo of your face onto (George) Lazenby’s face as he aims a pistol.” —“High-Altitude Hideout”

In real life, the filming location called Piz Gloria was not destroyed. For decades, it was merely an observation point and restaurant. In 2013, its owners decided it needed more. They added a small museum, known as“Bond World 007,” and have been adding Bond-related features ever since.

Among serious Bond fans, the site “is the Holy Grail of Bond film locations,” says Martijn Mulder, a Dutch journalist who leads occasional Bond tours and coauthored On the Tracks of 007: A Field Guide to the Exotic James Bond Filming Locations Around the World. That’s because filmmakers bankrolled construction of Piz Gloria, which looks just as it did in the late 1960s.

Bond enthusiasts list other prime destinations, too, such as a site near Phuket, Thailand, that has come to be called “James Bond Island” after appearing in 1974’s The Man with the Golden Gun. Last year, Mulder led 40 people on a two-week tour of Japan to visit locations used in 1967’s You Only Live Twice. He was forced to scrap a two-hour hike to a volcano crater that was an earlier Blofeld hideout because the volcano showed signs of erupting.

(18) MAN’S BEST FIEND. Doctor Strangemind’s Kim Huett begins “Bad Mad Vlad” with this unusual comparison —

Vampires are a lot like dogs, you know.

No. Don’t scoff. They really are if you think about it in just the wrong way (that’s always been the Doctor Strangemind way of course).

Here, let me explain.

So what is the single most noticeable feature of the animal known as dog? That’s right, the seemingly endless plasticity of the species.The fact is humanity has been able to twist and turn and breed dogs into a startling wide array of forms from poodles to corgis to dobermans. If the average Martian visited our planet what are the chances that this visitor from space would guess right off that all dogs are of the same species? Not likely is it? Instead the average Martian would probably decide that dogs make no sense to them. Which is probably why they don’t visit Earth all that often,they find this planet too weird and confusing to be a satisfactory holiday destination.

So what has this to do with vampires I’ve no doubt you’re wondering. Well, the answer to that is to point out how humanity has been able to twist and turn and write vampires into a startling wide array of types and situations, far more than any other supernatural creature….

(19) FIGHT TO THE FINNISH. NPR hopes “World’s First Insect Vaccine Could Help Bees Fight Off Deadly Disease”.

Bees may soon get an ally in their fight against bacterial disease — one of the most serious threats the pollinators face — in the form of an edible vaccine. That’s the promise held out by researchers in Finland, who say they’ve made the first-ever vaccine for insects, aimed at helping struggling honeybee populations.

The scientists are targeting one of bees’ most deadly enemies:American foulbrood, or AFB, an infectious disease that devastates hives and can spread at a calamitous rate. Often introduced by nurse bees, the disease works by bacteria feeding on larvae — and then generating more spores, to spread further.

(20) BREAKING MARTIAN WIND. BBC shares a sound clip: “Nasa’s InSight probe listens to Martian winds”.

The British seismometer package carried on Nasa’s InSight lander detected the vibrations from Martian air as it rushed over the probe’s solar panels.

“The solar panels on the lander’s sides are perfect acoustic receivers,” said Prof Tom Pike, who leads the seismometer experiment from Imperial College London.

“It’s like InSight is cupping its ears.”

Prof Pike compares the effect to a flag in the wind.As a flag breaks up the wind, it creates oscillations in frequency that the human ear perceives as flapping.

(21) DRAGONS HAVE GAS. Space flatulence is a real problem closer to home. Wired lays out the story: “A SpaceX Delivery Capsule May Be Contaminating the ISS”. Evidence is accumulating that the Dragon capsule is outgassing and the contaminants are, well, accumulating on the outside of the International Space Station.

In February 2017, a SpaceX Falcon 9 rocket lifted through low clouds, pushing a Dragon capsule toward orbit. Among the spare parts and food, an important piece of scientific cargo, called SAGE III  rumbled upward. Once installed on the International Space Station, SAGE would peer back and measure ozone molecules and aerosols in Earth’s atmosphere. Its older siblings (SAGEs I and II) had revealed both the growth of the gaping ozone hole and,after humans decided to stop spraying Freon everywhere, its subsequent recovery.

This third kid, then, had a lot to live up to. Like its environmentally conscious predecessors, SAGE III is super sensitive. Because it needs unpolluted conditions to operate optimally, it includes contamination sensors that keep an eye on whether and how its environment might be messing up its measurements. Those sensors soon came in handy: When the next three Dragons docked at the Space Station, over the following months, SAGE experienced unexplained spikes in contamination. Something on these Dragons was outgassing—releasing molecules beyond the expected, and perhaps the acceptable, levels. And those molecules were sticking to SAGE.

(22) VIDEO OF THE DAY. In “The Artificial Intelligence That Deleted a Century” on YouTube, Tom Scott shows what happened when a program released in 2028 to hunt down copyright violators on YouTube achieves artificial general intelligence.

[Thanks to Kevin Cox, Chip Hitchcock, John King Tarpinian, Mike Kennedy, JJ, Martin Morse Wooster, Cat Eldridge, Carl Slaughter, Dennis Howard, Alan Baumler, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Kip Williams.]

Pixel Scroll 5/14/18 They Took Some Pixels, And Plenty Of Scrolls, Wrapped Up In A Five Pound Note

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(1) SUDDENLY THERE CAME A TAPPING. Seattle Times headline: “Ripples in space-time or 3-pound bird? Ravens at Hanford foul test of Einstein’s theory”. Ravens are interfering with measurements at LIGO (Laser Interferometer Gravitational-Wave Observatory) which helped find the first confirmed gravitational waves.

For the LIGO observatory on Washington’s Hanford site, noise is a real buzz killer.

Any earthly sound — a truck rumbling past, the humming of a refrigerator in a nearby building, or the distant flutter of a plane’s propellers — can drown out the faint whispers from the cosmos that the Nobel Prize-winning project was designed to detect.

So when strange blips in the data started cropping up on summer afternoons, researchers were anxious to find the source and eliminate it.

“Any other noise makes it harder to hear the thing you’re listening for,” said University of Oregon physicist Robert Schofield, whose job is to ferret out racket from the environment and reduce its impact on some of the most sensitive instruments ever built.

…The glitches at Hanford corresponded to sounds recorded by a microphone installed by Schofield and his colleagues as part of their endless quest to detect and stamp out noise.

…It didn’t take long for Schofield to identify the prime suspect once he listened to the recordings. “It sounded like pecks to me,” he said. “I immediately thought it must be ravens.”

(2) DOCTOR NEW. What she told Radio Times: “Jodie Whittaker on filming Doctor Who: ‘I smile every single morning going to work’”.

“It’s like nothing I’ve ever done before, it’s absolutely incredible,” she said. “I must smile every single morning knowing I’m going to work to do it, I’m very lucky – it’s brilliant.”

We’re still in the dark as to what form the new series will take following Chris Chibnall taking over from Steven Moffat as showrunner, but the star assures us that it’s likely to be even bigger and bolder than what has come before it. Whittaker and Walsh will also be joined by new stars Tosin Cole and Mandip Gill. The ten-episode series is expected to air this autumn on the BBC.

“It feels incredibly epic,” Whittaker said. “The ambition is wonderful, and something we’re fighting every day to have the energy to back it up with.”

(3) FUTURE IS ON THE WAY. Alex Shvartsman will launch a new sf magazine tomorrow: “Announcing Future Science Fiction Digest”. It will be free to read online.

This bit of news has been six months in the making, but I can finally announce that I will be editing a science fiction magazine, to be published in collaboration by UFO Publishing and the Future Affairs Administration. The magazine will focus on various science fiction sub-genres (hard SF, space opera, cli-fi) but will not include fantasy or horror. There will be a strong focus on international fiction. I’ll be looking to fill about half of each issue with translations and stories written by authors from non-anglophone countries.

Although the magazine will feature original (to anglophone readers, anyway) fiction, I’ve put together a sample “issue zero,” to be released in time for the Nebulas and the Asia Pacific SF Con organized by the FAA. This issue features all-reprint stories with different takes/visions of the future, which also happen to be representative of the sort of material I hope to acquire and publish in the future.

The magazine’s website goes live Tuesday, May 15 at www.future-sf.com.

(4) MEET HENRY LIEN. Juliette Wade hosted a video hangout with Henry Lien about his new fantasy novel: “Henry Lien and Peasprout Chen, Future Legend of Skate and Sword“. You can read a summary on her blog, and/or watch the conversation on YouTube. (I was excited to hear more about his writing, having already become a fan through his composition “Radio SFWA.”)

…Henry explained that he loves rules. School is an environment girdled all around with rules to keep people from misbehaving, so it’s a setting he loves to work in. Students at the wu liu school are not allowed to do any moves outside of class, or they will forfeit their next examination. This is a key element of the plot of Peasprout Chen.

In particular, he says he wanted a fantasy world with no magic. George R. R. Martin consulted with him on aspects of it. Everything is grounded in real world experience, including the constant threat of injury that has grave consequences for the students. Even a bad wrist can knock you out. Henry himself got injured at one point during his training because he had become frustrated when another student did a kick the first time. Henry tried the same jump and tore his hamstring; he said it looked like someone had cut him.

Danger creates good stories. Ambition is a characteristic required by the sport.

Henry quoted a line from Susanna Clarke’s Jonathan Strange and Mr. Norell: “Don’t talk to me about magic. It’s like everything else: full of setbacks and disappointments.” If this is the way your work seems, then whenever you achieve something, it feels like a huge accomplishment! Peasprout Chen’s life is full of cultural landmines and danger, but when she does something cool, we cheer….

(5) BEYOND BECHDEL. IndieWire covered this story in December: “Lena Waithe, Kimberly Peirce, and More Women Introduce 12 New Bechdel Tests to Measure Gender Imbalance”.

FiveThirtyEight recently asked 12 women to come up with new gender imbalance tests, including actress and Emmy-winning writer Lena Waithe, filmmaker Kimberly Peirce, cinematographer Jen White, and actress Naomi Ko. The new tests demand more gender equality from film and television, both in front the camera and behind the scenes.

In order to pass the Waithe Test, for instance, a movie or show must feature a black woman who’s in a position of power and is in a healthy relationship with her partner. Only five of the top 50 films of 2016 pass the Waithe Test: “Bad Moms,” “Central Intelligence,” “Hidden Figures,” “Boo! A Madea Halloween,” and “Independence Day: Resurgence.”

Here’s more direct from FiveThirtyEight: “The Next Bechdel Test” – “We pitted 50 movies against 12 new ways of measuring Hollywood’s gender imbalance.”

Another example: The Feldman Test

Rachel Feldman: director; former chair of the Directors Guild of America’s Women’s Steering Committee

A movie passes with a score of five or higher:

  • 2 points for a female writer or director
  • 1 point for a female composer or director of photography
  • 1 point for three female producers or three female department heads
  • 1 point for a crew that’s 50 percent women
  • 2 points if there’s a female protagonist who determines story outcomes
  • 2 points if no female characters were victimized, stereotyped or sexualized
  • And 1 point if a sex scene shows foreplay before consummation, or if the female characters initiate or reciprocate sexual advances

(6) NICHELLE NICHOLS. A TMZ story about Nichelle Nichols reports “Judge Grants Conservatorship After Dementia Claims”

‘Star Trek’ actress Nichelle Nichols will have a new team handling her financial affairs in response to her son’s claims she’s battling dementia … TMZ has learned.

According to court docs, an L.A. County judge signed off on Kyle Johnson’s request to have 4 fiduciaries be his mom’s conservators until mid-August, when there will be a court hearing. The hope is Nichelle will be able to attend that hearing.

As we first reported … Kyle says his mother, who famously played Lt. Uhura, suffers from severe short-term memory loss, and needs court-ordered protection to block people from taking advantage of her.

In the docs, obtained by TMZ, the judge said Nichelle consents to the appointment of her conservators. The judge also noted Nichelle is currently out of state.

(7) KIDDER OBIT. CNN reports “Margot Kidder, ‘Superman’ actress, dead at 69”:

Kidder starred opposite Christopher Reeve’s Clark Kent and his alter ego Superman in the original [1978] film as well as the three sequels: “Superman II” in 1980, “Superman III” in 1983 and “Superman IV: The Quest for Peace” in 1987.

She also starred in “The Amityville Horror” in 1979 and worked steadily in television and on stage.

After three marriages and thousands of dollars in medical bills, Kidder found herself homeless in 1996 as she struggled with bipolar disorder.

Her story grabbed the hearts of fans and Hollywood with many reaching out to help Kidder, who eventually got back on her feet and went on to become a mental health advocate.

(8) TODAY’S BIRTHDAY MOGULS

  • Born May 14, 1944 – George Lucas
  • Born May 14, 1951 – Robert Zemeckis

(9) REMEDIAL CLASSWORK. Alexandra Erin is refreshing the recollection of some Twitter users who proved unfamiliar with the Sad Puppies events as they really occurred in this timeline. Jump on the thread here:

(10) SPACE SPRITZ. Analysts are catching up with the data collected by space probe Galileo: “Icy Moon Of Jupiter Spews Water Plumes Into Space”.

Scientists have new evidence that there are plumes of water erupting from the surface of Jupiter’s icy moon Europa — plumes that could, maybe, possibly contain signs of life.

The evidence comes from data collected by the now-defunct Galileo spacecraft. Although the data has been available since it was collected in 1997, it’s only now that an analysis confirms the existence of water plumes.

For more than two decades, scientists have been convinced Europa has a liquid water ocean sloshing around beneath its icy outer crust. In the past six years, two teams of researchers using the Hubble Space Telescope reported the possible existence of plumes. But as powerful as Hubble is, seeing something as small as a plume on a moon more than 380-million miles away is difficult.

(11) DROP BY ANYTIME. NPR has the story: “Tardis Optional: Time Travelers Invited To Stephen Hawking Service” — repeat of an old Hawking test/gag?

Stephen Hawking’s ashes will be interred at Westminster Abbey this June. He’ll take his place among giants — between Sir Isaac Newton and Charles Darwin. Applications to attend a Service of Thanksgiving are open to the public, and anyone — including people born in 2038, can apply. A thousand spaces are available.

…The time warp in the memorial service application was first spotted by London blogger IanVisits. He writes on his blog that Hawking had once thrown a party for time travelers, sending out invitations after the fete, to see if anyone would show up. Spoiler: no one did, yet.

CATCHING UP WITH SOME EXCELLENT BLACK PANTHER THEMED LINKS COURTESY OF ROBIN A. REID:

(12) AWESOME TECHNOLOGY. In May 2016, Popular Science did an “Entertainment” feature on the technology of Black Panther. Xavier Harding interviewed artist Brian Stelfreeze in “‘Black Panther’ Has The Coolest Tech In The Marvel Universe”.

Popular Science: There’s a lot of great tech in the world of Wakanda. Where does your inspiration for it come from?

Brian Stelfreeze: I think when you’re being creative, you still attach it to reality somehow. I grew up in a small town in coastal South Carolina. Where I’m from, the people are known as Gullah people. They’re some of the first freed slaves that lived on their own, without being attached to the rest of the U.S.

They kind of developed their own culture, so they do things a little bit different. Growing up in that area and going to the rest of the world, I noticed things were just slightly different. Seeing my first pile driver in real life I thought, “Oh, that’s like what my uncle built out of tree stumps to dig wells.” So I thought, “what if that happened over thousands of years? How could technology evolve?”

Popular Science: So how does that compare to T’Challa and the people of Wakanda?

Brian Stelfreeze: I think of Wakandan technology as organic technology. Most of their tech mimics nature because it comes from nature. Wakanda was a tremendously warring nation, with a very feudal time early on. But after a while proper borders were established, which ushered in a time of peace. Peace time shifted concerns from war to agriculture, from agriculture to early days of knife and spear-building to developing exotic materials. Rather than coming from industry, Wakandan tech came from agricultural needs—using organic tech to build machines.

But a lot of this stuff is in the background. Like the flying vehicles you see in Wakanda designed like a flying animal. And even when readers may not directly see it, I want them to feel it.

(13) SIX GOOD REASONS Cherokee Washington explains “Why The Black Panther is So Important To The Black Community”  for Odyssey in June 2016.

In 2002, Marvel studios graced the world with the first superhero blockbuster film; “Spiderman.” Following suit with “Spiderman 2,” “Spiderman 3,” and two spin-offs of the series, Marvel went on to create one of the largest Hollywood franchises in the world, telling the stories of a hand full of the comic book company’s most popular heroes. Today, amongst the many Iron Man and Avenger films, one hero in particular has recently been added to the mix; the Black Panther. It may not sound that exciting or important to the general public, but the introduction of the Black Panther is a momentous event for the Black (and comic-lover) community. Not only is he a bad ass superhero, but he’s one of 10 or so major Marvel characters who identifies as Black, something that would’ve been unheard of back in the day. Making his first appearance in the 52nd issue of the Fantastic Four comic books, Black Panther has shifted back and forth in the limelight, falling behind other heroes such as Captain America and the X-Men. Fortunately, Marvel has decided to push Black Panther more into the centerfold with the rest of his comrades by giving him a cameo in the newest “Avengers: Civil War” film and announcing the “Black Panther” film’s release in 2018. With that said, I thought it appropriate to list a few reasons as to why the Black Panther character is so important not only to me, but to my community. He’s a symbol of more than justice; he’s a symbol of pride, hope, and so much more. Here it goes…

(14) BREAKDOWN! You’ve seen the trailers, but have you seen the trailer breakdown by Jacob Hall: “Black Panther Trailer Breakdown: Welcome to Wakanda”. Posted in June 2017 on Slashfilm.

The Black Panther trailer feels like a breath of fresh air in an environment crowded with superhero movies – no comic book adaptation has ever looked like this. Heck, no movie has ever looked like this. Even with a few familiar Marvel Studios trappings on display, Ryan Coogler’s movie looks to blend superheroes and afrofuturism and all kinds of intrigue into something…well, new.

And if you’re new to this corner of the Marvel universe (or just want to take a closer look), we went through the trailer frame-by-frame for an extended breakdown. Join us, won’t you?

Frame by lovely frame!

And, if you want to look at the trailer again after the breakdown, here you go:

(15) CRYING EYES. Alan Jenkins gets geeky and weepy and happy about Wonder Woman and Black Panther in this piece published in Ebony in July 2017: “Black Panther, Wonder Woman and the Power of Representation”.

My theory is that audiences are being moved by the overwhelming power of symbolism.  We are not used to seeing people of color and women on the big screen who are powerful, triumphant, and heroes of their own story.  The most emotionally powerful moments in each film are those that use the power of symbols to break away from social stereotypes.

As in the Black Panther comic book, the film’s characters are everything that a century of cinematic Black and African characters have not been.  They are regal.  They are brilliant.  They are gorgeous.  They are the future as well as the past.

(16)  REVOLUTIONARY!  “Black Superheroes Matter: Why a ‘Black Panther’ Movie Is Revolutionary”, by Tre Johnson, in Rolling Stone, October 2017, puts the upcoming film in the historical context of American film and comics representations of heroes.

The novelist Chimamanda Ngozi Adichie talks about “the danger of a single story” – about Africa, about black brilliance, our humanity and the black experience for too long. There would never be a time when this movie’s creation wouldn’t mean something to black people in particular, and the inevitable backlash that this movie will receive for its celebration, existence and confidence in blackness will be a reminder that there are no new conversations, merely new opportunities to remind us of who we collectively are. Yet that won’t matter because the people this movie will speak most deeply to – a rainbow-coalition cross-section of black comic book readers, African-American movie audiences, Boseman/ Jordan/ Bassett/ Nyong’o fans, black-culture connoisseurs and pop-culture nerds – will see something of themselves in this movie. They will also likely be both familiar and resistant to the disdain it will receive for merely existing. Like anything black in America, Black Panther will be politicized for being black, which is to say for being and for announcing itself as a having a right to be here and to be heard.

(17) AFROFUTURISM. Mic, a digital news media site, discussed the revolutionary Afrofuturistic elements of Black Panther in December 2017 in  “‘Black Panther’ isn’t just another Marvel movie–it’s a vision of a future led by blackness”.

Wakanda is more than just a fun spectacle; it represents something much more magnificent and powerful — a version of Africa unaffected by the external world, one that was allowed to pursue its own march toward spectacular progress.

When the most recent trailer for the movie was released in October, people weren’t just excited, they were jubilant. Now, it’s an event pretty much every time there’s a new Marvel movie but — no disrespect to Spider-Man: Homecoming, Thor: Ragnarok, etc. — those blockbusters don’t normally have an entire culture of people impatiently awaiting their release. So what makes Black Panther especially noteworthy?

The secret sauce of Marvel’s Black Panther is Afrofuturism — an arts form that combines science fiction with black culture to create a future informed by blackness. On its face, Black Panther masquerades as Marvel’s latest superhero flick. Dig deeper and you’ll find the movie’s true identity: an Africa-set, Afrofuturist film — made for black people, by black people — powered by a Disney budget.

(18)  WRIGHT AND NYONG’O INTERVIEW. TeenVogue‘s Lynette Nylander interviewed Letitia Wright and Lupita Nyong’o on film diversity and superheroes in December 2017: “Letitia Wright and Lupita Nyong’o on “Black Panther” Film and Diversity in Hollywood”.

When he debuted in 1966 as the first black superhero in mainstream American comics, Black Panther broke boundaries. Naturally, next year’s silver-screen rendition of his story, featuring a nearly all-black cast, isn’t going to be just a box-office blockbuster — it’s going to be history in the making. The film is set in the fictional African country of Wakanda, where Black Panther (also known as T’Challa) serves as a leader at a time when the nation’s safety is under threat. And at the core of the story: Oscar winner Lupita Nyong’o and ingénue Letitia Wright as Nakia and Shuri, who play two of the strongest women in Wakanda. Their characters do away with the usual damsel-in-distress narrative associated with many classic superhero movies and create a new normal. Here, they discuss what making Black Panther meant to them and what the movie will hopefully mean for others.

(19) THE WOMEN OF WAKANDA. Cameron Glover looks at the women heroes in “Here’s What Black Panther Is Doing Differently For Its Female Heroes” posted in January 2018 at Refinery29.

The expansion of what a woman’s role in film looks like speaks directly to how the female action heroes of Black Panther are able to balance their fight scenes with embodying these expansive personal themes. Giving women, especially Black women, such public roles in the film not only speaks volumes to how women are regarded within Wakanda, but also shows the shifting attitudes of women’s roles in action films. The way that female action stars are celebrated and centered within the film is just another reason to snag a ticket to see Black Panther once it’s released next month.

[Thanks to Carl Slaughter, Cat Eldridge, JJ, Martin Morse Wooster, Robin A. Reid, John King Tarpinian, Jonathan Cowie, Mike Kennedy, Chip Hitchcock, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day Vicki Rosenzweig.]