23 “What Is The Use Of A Scroll,” Thought Alice, “Without Pixels Or Conversation?”

Posted on June 30, 2023 by Mike Glyer

(1) A FINE IDEA. “Fake reviews are illegal and subject to big fines under new FTC rules” says the Washington Post’s article about a Federal Trade Commission notice of proposed rulemaking.

Fake reviews are ruining the web. But there’s some new hope to fight them.

The Federal Trade Commission on Friday proposed new rules to take aim at businesses that buy, sell and manipulate online reviews. If the rules are approved, they’ll carry a big stick: a fine of up to $50,000 for each fake review, for each time a consumer sees it.

That could add up fast.

It’s the biggest step to date by the federal government to deter the insidious market for buying and selling fake reviews, though the FTC’s rules don’t do as much to hold big review sites like Yelp, Google, Tripadvisor and Amazon directly accountable. (Amazon founder Jeff Bezos owns The Washington Post. Interim chief executive Patty Stonesifer sits on Amazon’s board.)…

Here’s the FTC press release: “Federal Trade Commission Announces Proposed Rule Banning Fake Reviews and Testimonials”.

…In its notice of proposed rulemaking, the Commission cited examples of clearly deceptive practices involving consumer reviews and testimonials from its past cases, and noted the widespread emergence of generative AI, which is likely to make it easier for bad actors to write fake reviews.

The Commission is seeking comments on proposed measures that would fight these clearly deceptive practices. For example, the proposed rule would prohibit:

Selling or Obtaining Fake Consumer Reviews and Testimonials: The proposed rule would prohibit businesses from writing or selling consumer reviews or testimonials by someone who does not exist, who did not have experience with the product or service, or who misrepresented their experiences. It also would prohibit businesses from procuring such reviews or disseminating such testimonials if the businesses knew or should have known that they were fake or false.
Review Hijacking: Businesses would be prohibited from using or repurposing a consumer review written for one product so that it appears to have been written for a substantially different product. The FTC recently brought its first review hijacking enforcement action.
Buying Positive or Negative Reviews: Businesses would be prohibited from providing compensation or other incentives conditioned on the writing of consumer reviews expressing a particular sentiment, either positive or negative.
Insider Reviews and Consumer Testimonials: The proposed rule would prohibit a company’s officers and managers from writing reviews or testimonials of its products or services, without clearly disclosing their relationships. It also would prohibit businesses from disseminating testimonials by insiders without clear disclosures of their relationships, and it would prohibit certain solicitations by officers or managers of reviews from company employees or their relatives, depending on whether the businesses knew or should have known of these relationships.
Company Controlled Review Websites: Businesses would be prohibited from creating or controlling a website that claims to provide independent opinions about a category of products or services that includes its own products or services.
Illegal Review Suppression: Businesses would be prohibited from using unjustified legal threats, other intimidation, or false accusations to prevent or remove a negative consumer review. The proposed rule also would bar a business from misrepresenting that the reviews on its website represent all reviews submitted when negative reviews have been suppressed.
Selling Fake Social Media Indicators: Businesses would be prohibited from selling false indicators of social media influence, like fake followers or views. The proposed rule also would bar anyone from buying such indicators to misrepresent their importance for a commercial purpose.

(2) NICOLA GRIFFITH WINS FIRST ADCI LITERARY PRIZE. The inaugural ADCI (Authors with Disabilities and Chronic Illnesses) Literary Prize went to Nicola Griffith for Spear (Tordotcom Publishing), “a lyrical, queer reimagining of Arthurian legend, in which ‘those usually airbrushed from history take centre stage’” (Via Ansible.)

The prize, launched in 2022 to encourage greater positive representation of disability in literature, was announced alongside ten other prizes which make up the annual Society of Authors’ Awards. The SoA Awards is the UK’s biggest literary prize fund, worth over £100,000, this year shared between 30 writers, poets and illustrators.

The ADCI Literary Prize. Sponsored by Arts Council England, ALCS, the Drusilla Harvey Memorial Fund, and the Professional Writing Academy, the ADCI Literary Prize is awarded to a disabled or chronically ill writer, for an outstanding novel containing a disabled or chronically ill character or characters. Judged by Penny Batchelor, Rowan Hisayo Buchanan, Nydia Hebden, Karl Knights, Julia Lund, Nii Ayikwei Parkes, Vikki Patis and Chloe Timms.

(3) CON OR BUST GRANT OPPORTUNITIES. Dream Foundry’s Con or Bust program for creators and fans of color makes direct cash grants to assist with travel, food, registration, and other expenses associated with attending industry events.

If you’re a person of color planning to go to a convention this year and need support, our Con or Bust program is here for you. Right now we have memberships to the following conventions for any Con or Bust qualifying application.

Readercon (July 13-16, 2023)
Pemmi-con, aka Nasfic (July 20-23, 2023)
Capricon (February 1-4, 2024)

If you want one of these memberships, or need other support from this program, you can apply on the Con or Bust page.

(4) DIAL OF DESTINY. Los Angeles Times’ Mary McNamara joins Harrison Ford on a lap of his marathon promotional tour: “’Indiana Jones’: There will never be another Harrison Ford”.

…That said, his desire for “Dial of Destiny” to succeed feels quite personal.

“I wanted to be ambitious, for those things we have not necessarily done in such measure,” he said. When asked what he means by “those things,” he explains in that instantly recognizable, back-straightening “take this seriously” tone. “I mean take a chance on telling the story of an older character, take a chance on introducing your character in present day in a totally anti-iconic way, reducing him to his underwear and a La-Z-Boy with a glass in his hand.

“That moment in film,” he says, relaxing into a laugh, “may be one of my favorite things I’ve ever done in a movie. That and grabbing a baseball bat and going out to the neighbors’.”

… Mostly, he said, he wanted to see Indy “inveigled into one last adventure. I wanted to see him at the nadir, where we could pick him up and kick him in the ass. I know what age is about. I wanted to bring that into the story. If I was going to be the actor playing this guy, I wanted the reality of my age.”

But first, in the film’s opening scene, he had to play a younger Indy, which made the contrast of past and present more striking. Ford’s face was de-aged through the miracle of artificial intelligence and Lucasfilm’s trove of images from the earlier films, but “the mouth is my mouth, the eyes are my eyes,” he said. “The voice is me talking in a higher register because age lowers the voice, and the body language I had to act. But he moves like I move and I remembered.”…

(5) EATING THE FANTASTIC. Scott Edelman invites listeners to bite into a baconless BLT with Jordan Kurella in Episode 201 of the Eating the Fantastic podcast.

This episode’s guest is Jordan Kurella, who was a Nebula Award nominee this year in the category of Best Novella for I Never Liked You Anyway, which was also longlisted for the BSFA award. His stories have appeared in Beneath Ceaseless Skies, Apex, Mermaid Monthly, Glitter + Ashes, Strange Horizons, and many other magazines and anthologies. Some of these were gathered in his short story collection, When I Was Lost, published by Trepidatio in December. In his past lives, he was a photographer, radio DJ, and social worker, and he has also taught at Iowa State University and Rambo Academy.

We discussed which ice cream flavor he chose to celebrate his Nebula Award nomination, the way readers can tell which stories writers had the most fun writing, how all he needs to pants a story is the first line, what caused him to say “it’s not write what you know, it’s write what you’re embarrassed about,” why he doesn’t like to reread his own published work unless he has to, how to avoid getting stuck in rabbit holes of research, the ways writing a book can be like spending time with your best friends, his rule about story titles, why we’re both so attracted to writing love stories, how playing the violin in public prepared him for surviving rejection, why he published only a single piece of literary fiction before realizing the fantastic was where he belonged, and so much more.

(6) SWATTING. NBC News’ report “The FBI has formed a national database to track and prevent ‘swatting’” includes a long Q&A with Patrick Tomlinson.

Author Patrick Tomlinson and his wife, business owner Niki Robinson, have been “swatted” at their home in Milwaukee more than 40 times, often resulting in police pointing guns at their heads. Their tormentors have also called in false bomb threats to venues using their names in three states. Yet law enforcement hasn’t been able to stop the calls.

The couple’s terror comes as these incidents appear to be on the rise in the U.S., at least on college campuses. In less than a single week in April, universities including Clemson, Florida, Boston, Harvard, Cornell, Pittsburgh, Rutgers and Oklahoma, as well as Middlebury College, were targeted by swatters.

To combat the growing problem, the FBI has begun taking formal measures to get a comprehensive picture of the problem on a national level.

Chief Scott Schubert with the bureau’s Criminal Justice Information Services headquarters in Clarksburg, West Virginia, told NBC News that the agency formed a national online database in May to facilitate information sharing between hundreds of police departments and law enforcement agencies across the country pertaining to swatting incidents.

… Security expert Lauren R. Shapiro, who is an associate professor at John Jay College of Criminal Justice, said: “Swatting involves people making fraudulent 911 calls reporting serious-level criminal threats or violent situations like bomb threats, hostages, killing, etc. to fool the police into raiding the house or business of somebody who is not actually committing a crime.”…

… Tomlinson’s troubles began after he posted a casual remark on Twitter in 2018 saying he’d never personally found the comedian Norm Macdonald very funny. As The Daily Beast reported, the tweet caught the attention of online trolls who soon began to harass, stalk, impersonate and defame Tomlinson and his wife, using a website of their own along with social media accounts on Reddit, Twitter and YouTube to target the couple and invite others to pile on.

Their harassers mostly converge on a website that’s cloned elsewhere so participants can migrate rapidly if their forum is ever banned by a service provider.

Since The Daily Beast report, the harassment escalated both online and offline.

The couple was mostly recently swatted at their home on Tuesday, bringing the total of swatting incidents to 43. Tomlinson’s parents, who are senior citizens, also suffered swatting at their home about 2 hours outside of Milwaukee this year…

Whether the FBI’s database will lead to any results is open to question based on past performance.

… At a federal level, Tomlinson filed a complaint with the Internet Crime Complaint Center in November 2020. He never saw a reply to that, so in early May 2022, he went to the Milwaukee branch of the FBI in person to file a new one.

An FBI special agent was assigned to evaluate his case. He says the agency already had a file on Tomlinson because of a false bomb threat that swatters had called into a hotel outside of Detroit in April 2022, a few weeks prior to a presentation he was scheduled to give. The presentation, part of PenguiCon, was titled,”Elon Musk is Full of S—.”

Since then, “There has been nearly zero communication by the FBI,” Tomlinson said.

One agent has requested more evidence from his family by email on rare occasions. But the agency has not brought him or his wife in for an interview, and have not arrested people who the couple identified as participants in their harassment and swatting…

(7) CALIFORNIA AVENGERS. Critic Todd Martens tells how “Broadway-style ‘Rogers: The Musical’ charms at Disney’s California Adventure” in the Los Angeles Times.

“Rogers: The Musical” started as a joke in the Disney+ series “Hawkeye,” which presented a challenge for the Disneyland Resort’s live-entertainment team. How, in a 30-minute, heavily condensed Broadway-style show, do you bring a little heft to a production in which fans will be clamoring for cheese? Sure, there’s Captain America, Iron Man, Black Widow and the Hulk, among others, but these are superheroes who spend more time flexing jazz hands than muscle.

In the show opening today, directed by Disney’s Jordan Peterson with a book from Hunter Bell, known best for Broadway’s “[title of show],” the answer was simple: heartbreak.

The story of Steve Rogers’ transformation into Captain America is framed by longing — for better days, for acceptance and for love. It allows the production, which veers close to overt patriotism in its opening moments, to find a sense of personal grounding. When an actor playing a young Rogers is framed by an Uncle Sam military recruitment poster, he gets all wistful and rejected: “What’s a guy to do when ‘I want you’ doesn’t mean you?”

Don’t worry, the production doesn’t stay down for long. “Hawkeye” introduced fans to the over-the-top corniness of the song “Save the City,” a work written by Broadway vets Marc Shaiman and Scott Wittman, and it pops up multiple times, each one leaning into the showtune parody that it is. When it wants to, “Rogers: The Musical” embraces its silliness….

…The musical features five original songs, not counting the previously heard “Save the City” and “Star Spangled Man,” which dates to the film “Captain America: The First Avenger.” The new works are credited to composer Christopher Lennertz, with lyrics by Peterson, Lennertz and Alex Karukas. None quite reach the heights of “Save the City,” which went all out in its showtune glitz. “Rogers: The Musical” comes off as a series of puzzle pieces constructed around that signature number.

Lennertz, a composer with a lengthy résumé of film and television credits, including Marvel’s “Agent Carter,” plays it more low-key. The new works largely attempt to take “Rogers” out of parody mode, a decision that accounts for a series of tonal shifts and results in a theatrical mood that’s not quite serious yet not fully goofy.

(8) CSI SKILL TREE. The latest episode in the ASU Center for Science and Imagination’s Skill Tree series on video games, possible futures, and worldbuilding is out, featuring the award-winning science fiction roleplaying game Citizen Sleeper (2022). This episode’s guests are Gareth Damian Martin, the game’s developer, and Phoebe Wagner, a speculative fiction author, researcher, and editor of three solarpunk anthologies, including Sunvault. Here’s a link to the entire Skill Tree playlist, with 12 episodes so far.

(9) ALAN ARKIN (1934-2023). Four-time Oscar nominee Alan Arkin, who won Best Supporting Actor for Little Miss Sunshine (2007), died June 30 at the age of 89. He was perhaps best known for playing Yossarian in Catch-22 but his other three Oscar nominations honored his portrayals of deaf-mute Singer in The Heart Is a Lonely Hunter, Russian Lt. Rozanov in one of my favorite movies, The Russians Are Coming, the Russians Are Coming, and the has-been producer Lester Siegel in the genre-adjacent Argo.

In Argo (2012), Arkin played the fictional producer of a fake sff movie that provided cover for a CIA operation to rescue Americans caught up in the Iranian Revolution of 1979. He acted in collaboration with a character based on real-life Planet of the Apes makeup man John Chambers, played by John Goodman.

Within the sff genre Arkin did a lot of voice work late in his career – including Dumbo (2019) and Minions: Rise of Gru (2022), but early on voiced Schmendrick in The Last Unicorn (1982).

He’s been in a Muppets movie, in The Monitors (1969), in the film adaptation of Kurt Vonnegut’s Mother Night (1996), played Detective Hugo in Gattaca (1997), The Chief in the movie Get Smart (2008). He had parts in The Seven Percent Solution (Dr. Sigmund Freud — 1976) Edward Scissorhands (1990), and The Rocketeer (1991).

Arkin also won a Tony for his Broadway debut in 1963’s Enter Laughing.

(10) MEMORY LANE.

1989 – [Written by Cat Eldridge from a choice by Mike Glyer.]

This time Mike picked one of my favorite writers, Sheri S. Tepper. Her series have too many exemplary books to list them all and her standalone novels such as Singer from the Sea and The Companions are excellent as well.

She’s been nominated for a lot of Awards but garnered only two, one of which is the World Fantasy Award for Life Achievement. Grass, the source of our Beginning this time, was published by the Doubleday Foundation in 1989 (one of their first books was Asimov’s Prelude to Foundation), and was a Hugo finalist at ConFiction.

And it has an absolutely stunning Beginning as you can read here…

Millions of square miles of it; numberless wind-whipped tsunamis of grass, a thousand sun-lulled caribbeans of grass, a hundred rippling oceans, every ripple a gleam of scarlet or amber, emerald or turquoise, multicolored as rainbows, the colors shivering over the prairies in stripes and blotches, the grasses—some high, some low, some feathered, some straight—making their own geography as they grow. There are grass hills where the great plumes tower in masses the height of ten tall men; grass valleys where the turf is like moss, soft under the feet, where maidens pillow their heads thinking of their lovers, where husbands lie down and think of their mistresses; grass groves where old men and women sit quiet at the end of the day, dreaming of things that might have been, perhaps once were. Commoners all, of course. No aristocrat would sit in the wild grass to dream. Aristocrats have gardens for that, if they dream at all.

Grass. Ruby ridges, blood-colored highlands, wine-shaded glades. Sapphire seas of grass with dark islands of grass bearing great plumy green trees which are grass again. Interminable meadows of silver hay where the great grazing beasts move in slanted lines like mowing machines, leaving the stubble behind them to spring up again in trackless wildernesses of rippling argent.

Orange highlands burning against the sunsets. Apricot ranges glowing in the dawns. Seed plumes sparkling like sequin stars. Blossom heads like the fragile lace old women take out of trunks to show their granddaughters.

(11) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born June 30, 1902 — Lovat Dickson. Australian-born publisher and author who wrote a biography of H G Wells, H G Wells: His Turbulent Life and Times. He was the first Canadian to have a major publishing role in Britain. (Died 1982.)
Born June 30, 1905 — Nestor Paiva. Sometimes it only takes one film or series for a performer to get a Birthday write-up from me. Paiva makes it for Lucas the boat captain in The Creature from the Black Lagoon and its oft-forgotten sequel Revenge of the Creature. Though that was hardly his only genre role as his first role was in the early Forties as an uncredited prison guard in Tarzan’s Desert Mystery and he’d be in many a genre film and series over the decades as Prof. Etienne Lafarge in The Mole People, as the saloon owner in (I kid you not!) Jesse James Meets Frankenstein’s Daughter, Felicity’s Father in The Spirit Is Willing, Captain Grimby in “The Great Treasure Hunt” of The Adams Family and a Doorman in the “Our Man in Leotards” episode of Get Smart. (Died 1966.)
Born June 30, 1920 — Sam Moskowitz. SF writer, critic, and historian. Chair of the very first World Science Fiction Convention held in NYC in 1939. He barred several Futurians from the con because they threatened to disrupt it in which was later called the Great Exclusion Act. In the Fifties, He edited Science-Fiction Plus, a short-lived genre magazine owned by Hugo Gernsback, and would edit several dozen anthologies, and a few single-author collections, most published in the Sixties and early Seventies. His most enduring legacy was as a historian of the genre with such works as Under the Moons of Mars: A History and Anthology of “The Scientific Romance” in the Munsey Magazines, 1912–1920 and Hugo Gernsback: Father of Science Fiction. (Died 1997.)
Born June 30, 1959 — Vincent D’Onofrio, 64. His long running-role is Detective Goren on Law and Order: Criminal Intent which is in no way genre. He was Kingpin in Wilson Fisk / Kingpin in four television series of the Marvel Cinematic Universe, Edgar the Bug in the only truly great Men in Black film to date and Vic Hoskins in Jurassic World. He also was Jason Whitney / Jerry Ashton in The Thirteenth Floor, loosely based upon Simulacron-3, a early Sixties novel by Daniel F. Galouye.
Born June 30, 1963 — Rupert S. Graves, 60. Here because he played Inspector G. Lestrade on that Sherlock series. He also appeared on Doctor Who as Riddell in the Eleventh Doctor story, “Dinosaurs on a Spaceship”. He had one-offs in The Nightmare Worlds of H. G. Wells: The Moth, Twelve Monkeys, Krypton and Return of the Saint.
Born June 30, 1966 — Peter Outerbridge, 57. Dr. David Sandström in what I think is the terribly underrated ReGenesis series as well as being Henrik “Hank” Johanssen in Orphan Black and a recurring role on Millennium as Special Agent Barry Baldwin. He’s currently in two series, The Umbrella Academy with a recurring role as The Conductor, and as Calix Niklosin in V-Wars, yet another Netflix SF series.
Born June 30, 1972 — Molly Parker, 51. Maureen Robinson on the Lost in Space series. One-offs in Nightmare Cafe, The Outer Limits, The Sentinel, Highlander: The Series, Poltergeist: The Legacy, Human Target and she appeared in The Wicker Man as Sister Rose / Sister Thorn. She also was Alma Garret on Deadwood. No, not genre but Emma and Will love the series.

(12) COMICS SECTION.

The Far Side shows a marriage that is no longer super…

(13) WIDOWMAKER. Sarah Gailey will be writing Marvel’s White Widow comic reports The Mary Sue: “Yelena Belova Fans, Our Time Is Now With This New ‘White Widow’ Comic!”

Being a fan of Yelena Belova keeps getting better and better. The younger sister of Natasha Romanoff, Yelena is also a widow and is everything that a sassy younger sister could be. And now she’s getting her very own time in the spotlight with a new comic series! First appearing in 1998, Belova quickly became a popular character for fans of Nat but she gained a new level of fame when Florence Pugh took on the role in the Marvel Cinematic Universe.

Getting her own comic storyline is just exciting evidence of how popular Yelena Belova has grown throughout the last twenty-five years. As someone who relates to Yelena Belova a lot (and she’s one of my all-time favorite Marvel characters), this comic makes me incredibly excited for the future of her character!

Called White Widow, the series is created by writer Sarah Gailey and they worked along side artist Alessandro Miracolo to bring her to life. David Marquez gave us a perfectly Yelena cover and the entire reveal is a dream come true for fans. Sometimes, you wait a long time to see a character you love get their time in the spotlight and that’s exactly what is happening with White Widow. She’s not the little sister in Nat’s shadow anymore with this series!

(14) AI IN CINEMA. [Item by Steven French.] The Guardian seems to be having a bit of a bout of listmania these days but this one contains some interesting recommendations: “The best films about AI – ranked!”

16. Avengers: Age of Ultron (2015)

The first Avengers sequel isn’t particularly good, but at least it introduced cinema to the AI lifeform Ultron. Tasked with sparing the Avengers from having to suit up whenever a new baddie rolls into town, Ultron quickly realises that the greatest threat to world peace is humanity and – in time-honoured AI fashion – attempts to eradicate it himself. The moral of Age of Ultron is clear: trust AI less than the irresponsible billionaires who invented it.

(15) FUTURE TENSE. The June story in the Future Tense Fiction monthly series is “The Big Four v. ORWELL,” by Jeff Hewitt, about a copyright lawsuit against a prolific AI author.

The response essay is by sff novelist Ken Liu, “The Imitation Game”.

… But what about ChatGPT-5, ChatGPT-15, or ChatGPT-55? Assuming this goes on, in classic science fiction fashion, the LLMs will surely continue to blur the lines between artificial and “real” authors. That blurriness is the setup for Jeff Hewitt’s “The Big Four v. ORWELL,” a courtroom drama in which a group of publishers sue ORWELL, an A.I. that has become a prolific author, for copyright infringement.

I have my doubts that the current approach to building LLMs, essentially an exercise in statistically predicting the most likely next “token” given a string of tokens, can lead to the holy grail of artificial general intelligence, an imagined state of crafted cognition capable of accomplishing any intellectual task a human can. (ORWELL definitely appears to be an AGI.) Symbol manipulation alone, without more, must plateau at some point short of “true” intelligence—or so I tell myself (using strings of symbols, of course, smug with irony). To be sure, there is reason to be humble here. Decades ago, when I was studying A.I. in college, the idea that anything resembling the current brute-force approach could construct a virtual entity that could tutor you on any subject you liked, compose college essays, and even answer personal ads would have seemed like handwavium sci-fi. And yet, here we are. So, maybe I’m wrong about the future this time too….

(16) SERVING KAIJU CHOW. “Taiwan restaurant launches ‘Godzilla’ crocodile ramen” reports Taiwan News. These days there’s always a suspicion that such a photo is produced with AI, but the ingredient seems plausible.

A restaurant in Douliu City, Yunlin County debuted its “Godzilla” ramen featuring crocodile meat as its main ingredient.

Nu Wu Mao Kuei (女巫貓葵) announced on Facebook the launch of its “Godzilla” ramen, which is prepared by steaming or braising the front leg of a crocodile. In a clip, a young female customer samples both flavors and describes the dish as surprisingly delicious.

She says the steamed version of the dish resembles chicken, while the braised meat has a taste similar to pork feet. The soup contains over 40 spices, and the owner reportedly learned how to make the spicy “witch soup” during a trip to Thailand, SETN reported

The crocodiles used for this dish are sourced from a farm in Taitung. The owner was inspired by the giant isopods ramen, which went viral at another restaurant.

(17) TYPECASTING. [Item by Tom Becker.] Womprat is a bold font, inspired by the classic “STAR WARS” text on the movie poster. But that is just the beginning. There are alternate character sets, ligatures, symbols, and special glyphs galore. It is clearly the work of obsessive font geeks who are also massive Star Wars fans. It is a delight just to browse the glyphs or the free desktop background at http://womprat.xyz

(18) VIDEO OF THE DAY. From Good Omens’ second season: “What’s The Point Of It All? – Season 2 Sneak Peek”.

A brand new Good Omens Season 2 clip from the upcoming return of Amazon Studios’ fantasy comedy series has been released, featuring David Tennant as Crowley. The next installment will be available for streaming on July 28 on Prime Video.

The video confirms Crowley’s current status in Hell as persona non grata, as the fan-favorite demon continues to question the point of Heaven and Hell. It also features Miranda Richardson’s newest character, who has now assumed the role of Hell’s representative in London after previously playing the role of Madame Tracy in Season 1.

[Thanks to John King Tarpinian, Chris Barkley, Steven French, Juli Marr, Tom Becker, Lise Andreasen, Joey Eschrich, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jayn.]

Pixel Scroll 6/29/23 Every Pixel In The Room Was Scrolling At Me

Posted on June 29, 2023 by Mike Glyer

(1) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present Michael Cisco and Farah Rose Smith on Wednesday, July 12, beginning at 7 Eastern.

MICHAEL CISCO

Michael Cisco is the author of several novels, including The Divinity Student, The Great Lover, The Narrator, and Pest, as well as the Stoker-nominated nonfiction book Weird Fiction: A Genre Study. His short fiction has appeared in numerous anthologies, and his most recent collection is Antisoc. He is the author of two novellas: ETHICS, and Do You Mind If We Dance With Your Legs? He lives in New York City.

FARAH ROSE SMITH

Farah Rose Smith is the author of the horror and dark fantasy novellas Eviscerator, The Almanac of Dust, Anonyma, and Lavinia Rising. She has also written two collections of short supernatural fiction, Of One Pure Will and The Witch is the Body. Smith recently completed a master’s degree in English Literature, Language, and Theory and is writing her third collection. Born and raised in Rhode Island, Smith currently lives in New York City with her husband, weird fiction author Michael Cisco, and their three cats.

Location: The KGB Bar, 85 East 4th Street, New York, NY 10003 (Just off 2nd Ave, upstairs).

(2) BANKS ACCOUNT. On the 10th anniversary of the author’s death, the Guardian’s Steven Poole helps readers decide “Where to start with: Iain Banks”. The second book he considers is Consider Phlebas:

The billionaires’ favourite

Banks originally wanted to be a science-fiction author, but after several unsuccessful drafts in the 1970s decided to write something “normal” instead, thus rocket-boosting his literary career with The Wasp Factory. He then started publishing science fiction as Iain M Banks, beginning with Consider Phlebas, a phrase taken from Eliot’s The Waste Land. It’s a cosmos-spanning romp that introduces the Culture, a post-human galactic civilisation in which AI does all the work and no one wants for food or other resources. (Fully automated luxury communism – in space.)

In this first story, the smug liberal Culture is at war with the Idirans – AI refuseniks who are waging a jihad against them. Through this backdrop wanders sympathetic mercenary Bora Horza Gobuchul, a Mandalorian-style drifter with a very particular set of skills. Banks’s vision of a starfaring, post-scarcity civilisation run by AIs, in which people can change their DNA at will and live for 400 years, is publicly admired by tech giants such as Jeff Bezos and Elon Musk – even as they toil along with us in the capitalist present. Unfortunately for Bezos, a planned Amazon TV series based on the novel was cancelled in 2020 after Banks’s estate withdrew permission.

(3) APOCALYPSE, THE NEXT GENERATION. The New York Times magazine looks at media to probe the question “Will Children Save Us at the End of the World?”

…There’s “Station Eleven,” the 2014 novel by Emily St. John Mandel about the aftermath of a swine flu, which was turned into a much-discussed 2021 HBO Max series, in which an 8-year-old girl manages to survive with the help of a stranger turned surrogate parent. “The Last of Us,” HBO’s video game adaptation, which debuted in January, features a zombie-fungus pandemic; a seemingly immune teenage girl is humanity’s one hope. “Leave the World Behind,” Rumaan Alam’s 2020 novel — soon to be a movie — about a bourgeois family vacation gone very bad, features a vague but menacing threat of apocalypse. Also loosely belonging to this category are the shows “Yellowjackets” (2021-present) — a girls’ soccer team turns to cannibalism after a plane crash — and “Class of ’07” (2023) — a school reunion coincides with a climate apocalypse — and the new-to-Netflix 2019 Icelandic movie “Woman at War” (a renegade activist tries to stop the destruction of the environment and adopt a child).

These stories are, in various ways, about how and whether our children can survive the mess that we’ve left them — and what it will cost them to do so. In “Station Eleven,” post-pans (children who were born after the pandemic) are both beacons of optimism and conscripted killers deployed by a self-styled prophet who hopes to erase anyone who holds on to the trauma of the past. And in “The Last of Us,” Ellie, the young girl with possible immunity (played by the actor Bella Ramsey), is forced to kill to survive, and to grapple with whether it’s worth sacrificing her own life in the search for a cure….

The anxieties that these works explore — about planetary destruction and what we did to enable it — are, evidence suggests, affecting the desire of some to have children at all, either because of fear for their future or a belief that not procreating will help stave off the worst. But following the children in these fictions, who didn’t create the conditions of their suffering, isn’t just a devastating guilt trip. Almost all these stories also frame children as our best hope, as we so often do in real life. Children, we need to believe, are resilient and ingenious in ways that adults aren’t. In these stories, when the phones stop working and Amazon stops delivering, it’s children, less set in their ways, who can rebuild and imagine something different. They’re our victims but also our saviors….

(4) SALVAGE RIGHT NEWS. Salvage Right by Sharon Lee and Steve Miller, the 25th Liaden Universe® novel (and their 100th collaborative work), will be officially released in paper and ebook editions July 4, 2023. Some stores already have the hardback on the shelves; signed copies are available from Uncle Hugo’s bookstore in Minneapolis.

Sample chapters from Salvage Right are available online at Baen Books

In honor of Salvage Right Lee and Miller are taking part in a number of podcasts and special events:

Annies Bookstore: Selina Lovett at Annie’s Bookstore did a Zoom interview with the authors, which can be found here
Watch for Griffin Barber’s interview with them at the Baen Free Radio Hour
Upcoming: An interview with fyyd: CultureScape with Peter PischkeCultureScape with Peter Pischke with release date TBA
Another interview with Under The Radar SFF Books is due later in July
The authors will be doing a virtual book signing at Pandemonium Books, Wednesday July 26, details TBA

(5) MANNERS, PLEASE. Oghenechovwe Donald Ekpeki thought a timely reminder was in order about the awards etiquette published by the Unofficial Hugo Book Club Blog a couple of months ago, so he retweeted it today. Thread begins here. Here’s an excerpt:

4) Especially avoid being dismissive of first-time awards finalists. This is their moment. Let them bask in the glory, even if you didn't like their work.
— H Book Club blog (@Hugo_Book_Club) April 21, 2023

(6) AMY WISNIEWSKI (1947-2023). Mythopoeic Society member Amy Wisniewski died June 20 at the age of 76. She is survived by her wife, Edith Crowe. David Bratman has written a tribute on Kalimac’s corner, “Amy Wisniewski”, which says in part:

…Amy was already in the Society when I arrived. The first meeting I attended was at the small house that she and her partner (and later wife) Edith Crowe were living at in the flatlands of Redwood City. 48 years later, in a larger house further up in the hills, they were still hosting meetings. Almost every year, except during pandemics, they hosted the annual Reading and Eating Meeting. We would gather for a potluck meal and then take turns reading short selections around the (once real, later theoretical) fire.

For a few years, Amy was our discussion group’s moderator, and she actually directed meetings with a skill and knowledge surpassing that of anyone else who had that title. Amy wasn’t a Tolkien scholar; she didn’t give papers at Mythcon; but she had read and absorbed his books and did the same for the books we were discussing, and consequently always had intelligent things to say….

(7) MEMORY LANE.

2002 – [Written by Cat Eldridge from a choice by Mike Glyer.]

Tonight we have a Beginning by Carol Emshwiller. She was prolific as a short fiction writer with more stories than I can comfortably count. The two volume collection of The Collected Stories of Carol Emshwiller that Nonstop Press did a decade back collects nearly twelve hundred pages of her stories.

She did just six novels of which four were genre and two were in the cowboy genre, Ledoyt and Leaping Man Hill. No, I didn’t know she’d written the latter. All four of her genre novels are quite excellent. The Mount which is where our Beginning comes from garnered a Philip K. Dick Award.

And now from stage left comes our Beginning…

We’re not against you, we’re for. In fact we’re built for you and you for us – we, so our weak little legs will dangle on your chest and our tail down the back. Exactly as you so often transport your own young when they are weak and small. It’s a joy. Just like mother-walk.

You’ll be free. You’ll have a pillow. You’ll have a water faucet and a bookcase. We’ll pat you if you do things fast enough and don’t play hard to catch. We’ll rub your legs and soak your feet. Sams and Sues, and you Sams had better behave yourselves.

You still call us aliens in spite of the fact that we’ve been on your world for generations. And why call aliens exactly those who have brought health and happiness to you? And look how well we fit, you and us. As if born for each other even though we come from different worlds.

We mate the stock with the stocky, the thin with the thin, the pygmy with the pygmy. You’ve done a fairly good job of that yourselves before we came. As to skin, we like a color a little on the reddish side. Freckles are third best.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born June 29, 1919 — Slim Pickens. Surely you remember his memorable scene as Major T. J. “King” Kong in Dr. Strangelove? I certainly do. Simply astounding. And, of course, he shows up in Blazing Saddles as Taggart. He’s the uncredited voice of B.O.B in The Black Hole and he’s Sam Newfield in The Howling. He’s got some series genre work including several appearances on Alfred Hitchcock Presents, plus work on The Man from U.N.C.L.E. and Night Gallery. (Died 1983.)
Born June 29, 1920 — Ray Harryhausen. All-around film genius who created stop-motion model Dynamation animation. His work can be seen in The 7th Voyage of Sinbad (his first color film) which was nominated for a Hugo at Detention, Jason and the Argonauts, Mighty Joe Young and Clash of the Titans. (Died 2013.)
Born June 29, 1943 — Maureen O’Brien, 80. Vicki, companion of the First Doctor. Some 40 years later, she reprised the role for several Big Finish Productions Doctor Who audio works. She had a recurring role as Morgan in The Legend of King Arthur, a late Seventies BBC series. Her Detective Inspector John Bright series has been well received.
Born June 29, 1947 — Michael Carter, 76. Best remembered for being Gerald Bringsley in An American Werewolf in London, Von Thurnburg in The Illusionist and Bib Fortuna in the Return of the Jedi. He plays two roles as a prisoner and as UNIT soldier in the Third Doctor story, “The Mind of Evil”.
Born June 29, 1950 — Michael Whelan, 73. I’m reasonably sure that most of the Del Rey editions of McCaffrey’s Dragonriders of Pern series was where I first noticed his artwork but I’ve certainly seen it elsewhere since. He did Heinlein’s The Cat Who Walks Through Walls cover which I love and many more I can’t recall right now. And there’s a wonderful collection of work available, Beyond Science Fiction: The Alternative Realism of Michael Whelan.
Born June 29, 1956 — David Burroughs Mattingly, 67. He’s an American illustrator and painter, best known for his numerous book covers of genre literature. Earlier in his career, he worked at Disney Studio on the production of The Black Hole, Tron, Dick Tracy and Stephen King’s The Stand. His main cover work was at Ballantine Books where he did such work as the 1982 cover of Herbert’s Under Pressure (superb novel), 2006 Anderson’s Time Patrol and the 1986 Berkley Books publication of E. E. ‘Doc’ Smith Triplanetary.
Born June 29, 1957 — Fred Duarte, Jr. His Birthday is today and this long-time Texas fan is eulogized by Mike here upon his passing almost a decade back. (Died 2015.)

(9) COMICS SECTION.

Catching up with Tom Gauld —

A recent cartoon for @newscientist pic.twitter.com/gchovhXhY9
— Tom Gauld (@tomgauld) June 26, 2023

#summer #books (my cartoon for this weekend’s @GuardianBooks / @GdnSaturday) pic.twitter.com/9T2a9OrHFh
— Tom Gauld (@tomgauld) June 25, 2023

My cartoon for this weekend’s @GuardianBooks / @GdnSaturday
p.s. my book ‘Revenge of the Librarians’ is out now: https://t.co/IJW2wqyVfg pic.twitter.com/W8acFz8qRF
— Tom Gauld (@tomgauld) June 17, 2023

(10) JEOPARDY! [Item by David Goldfarb.] From the June 28 episode, three clues in the single Jeopardy round.

Open Door, $1000: Gandalf initially struggles to open the door to this place, but after speaking the Elvish word for “friend” he gets it right

This was a triple stumper.

Google Easter eggs, $400: A Google search for what’s the answer to life, the universe, & everything gives you this number

Bryan White (whose score was $4200!): “What is 37?”

Neither of the other two could respond correctly. Douglas Adams is spinning in his grave.

$800: Google this HBO show with Pedro Pascal & keep clicking the mushroom icon for your screen to be enveloped by some humongous fungus

Bryan knew “The Last of Us”.

(11) ALL KAIJU ALL THE TIME. “24-Hour Godzilla Channel Coming to Pluto TV With Exclusive Films” promises Comicbook.com.

Godzilla is coming to Pluto TV with a huge new channel dedicated to showing off tons of Godzilla movies and shows 24 hours a day with some exclusive films to boot! TOHO’s famous Kaiju has been stomping through many eras since the giant monster was first introduced back in the 1950s, and has since amassed a massive library of TV shows and movies that fans still enjoy to this day. Now Pluto TV has made checking out your favorite Godzilla projects easier than ever before with a new streaming channel with the platform highlighting all of the biggest and best Godzilla outings over the years!

Pluto TV has announced a new Godzilla channel filled with not only classics such as the original 1954 Godzilla debut film, Godzilla vs. Megalon, and more but even left-field additions such as the animated Godzilla: The Series from the late ’90s and early ’00s. But the biggest surprise is that this new Godzilla channel will also offer up seven Godzilla films that are exclusive to Pluto TV as fans won’t be able to find them streaming anywhere else. Read on to see the massive list of movies and TV shows coming to Pluto TV’s new Godzilla channel launching on July 1st….

(12) HERE’S MY NUMBER AND A DIME, DIAL ANYTIME. “The Real History Behind the Archimedes Dial in ‘Indiana Jones and the Dial of Destiny’” in Smithsonian Magazine.

Off the coast of the Greek island of Antikythera in 1900, sponge divers came across a shipwreck filled with ancient treasures. Hidden among flashier finds like marble statues and jewelry was a mysterious device known today as the Antikythera mechanism.

Dated to more than 2,000 years ago, the device “is probably the most exciting artifact that we have from the ancient world,” says Jo Marchant, author of the 2008 book Decoding the Heavens: Solving the Mystery of the World’s First Computer. More than a millennium before 13th-century Europeans invented the first mechanical clocks, the Antikythera mechanism employed similarly complex technology—including gear wheels, dials and pointers—to chart the cosmos. The ancients used it to predict eclipses, track the movement of the sun and the moon, and even see when sporting events like the Olympics were scheduled to take place.

Contrary to what Indiana Jones and the Dial of Destiny, the latest installment in the epic franchise, suggests, the Antikythera mechanism won’t transport you back in time—not literally, at least. Every Indiana Jones adventure needs an exotic MacGuffin; in the new outing, which arrives in theaters this week, the hero chases after the Archimedes Dial, a fictionalized version of the Antikythera mechanism that predicts the location of naturally occurring fissures in time.

…In the film’s 1944-set prologue, Indy (Harrison Ford) captures a train loaded with Nazi plunder, including the titular Dial of Destiny. The movie then jumps ahead to 1969. Indy is set to retire from teaching archaeology, and the world is celebrating the safe return of the Apollo 11 crew. One of the men most responsible for the United States’ victory in the space race is Jürgen Voller (Mads Mikkelsen), a former Nazi who was given sanctuary by the Allies in exchange for his expertise, much like the real-life NASA engineer Wernher von Braun. When Indy learns that Voller wants to use the Archimedes Dial to travel for nefarious purposes, he reluctantly dusts off his old hat and bullwhip to (again) keep a potentially devastating weapon out of Nazi hands….

(13) NATURE EDITORIAL WARNS ABOUT AI. [Item by SF Concatenation’s Jonathan Cowie.] You know, I simply love the end of the world. You can’t beat it. Of course, as long as it is firmly in SF. (Wouldn’t like it in reality: it’d get in the way of afternoon tea and evening real ale down the pub…)

Today’s Nature editorial once more tackles doomsday. Beware of tech companies achieving their goals through obsfucation… “Stop talking about tomorrow’s AI doomsday when AI poses risks today”.

Talk of artificial intelligence destroying humanity plays into the tech companies’ agenda, and hinders effective regulation of the societal harms AI is causing right now.

The idea that AI could lead to human extinction has been discussed on the fringes of the technology community for years. The excitement about the tool ChatGPT and generative AI has now propelled it into the mainstream. But, like a magician’s sleight of hand, it draws attention away from the real issue: the societal harms that AI systems and tools are causing now, or risk causing in future. Governments and regulators in particular should not be distracted by this narrative and must act decisively to curb potential harms. And although their work should be informed by the tech industry, it should not be beholden to the tech agenda.

Many AI researchers and ethicists to whom Nature has spoken are frustrated by the doomsday talk dominating debates about AI. It is problematic in at least two ways. First, the spectre of AI as an all-powerful machine fuels competition between nations to develop AI so that they can benefit from and control it. This works to the advantage of tech firms: it encourages investment and weakens arguments for regulating the industry. An actual arms race to produce next-generation AI-powered military technology is already under way, increasing the risk of catastrophic conflict — doomsday, perhaps, but not of the sort much discussed in the dominant ‘AI threatens human extinction’ narrative.

Second, it allows a homogeneous group of company executives and technologists to dominate the conversation about AI risks and regulation, while other communities are left out. Letters written by tech-industry leaders are “essentially drawing boundaries around who counts as an expert in this conversation”, says Amba Kak, director of the AI Now Institute in New York City, which focuses on the social consequences of AI.

To all of which the SF fan might ask how the genre might contribute…?

[Thanks to Andrew Porter, John King Tarpinian, Chris Barkley, Steven French, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, and Mike Kennedy for some of these stories. Title credit belongs to File 770 contributing editor of the day –dsr-.]

Pixel Scroll 5/19/23 I’m Still Big; It’s The Pixels That Got Small

Posted on May 19, 2023 by Mike Glyer

(1) EXPECT HUGO BALLOT IN “EARLY JUNE”. The Chengdu Worldcon committee today told Facebook readers when to look for the 2023 Hugo ballot:

The 2023 Chengdu Worldcon Hugo Awards nomination was officially closed on April 30th, and the shortlist will be out early June. Big thank you to all members who spent your valuable time to make the nominations.

(2) TAKE TWO. Cass Morris was very sorry to hear that Disney is closing the Galactic Starcruiser. And not for any abstract reasons – she was planning to go next year. However, the attraction’s inability to stay in business prompted Morris to embark on a vast thought experiment about the kind of Disney Star Wars immersive hotel experience which could work, and her results are quite entertaining. “Galactic Travels” at Scribendi.

…Unfortunately, while this news is terribly sad, it’s also not wholly unexpected. The Starcruiser has had trouble ever since it opened. The high price point, unusual conceit, and level of fannish commitment required for full enjoyment seem to have kept it operating at low capacity.

So, last night as I was nursing my sadness about probably never getting to go, I started thinking…

If I were going to design a Star Wars hotel for Disney World, one that might stand a better chance of succeeding… what would I do?…

(3) MINDFULNESS ABOUT VIRTUAL GOHS. Oghenechovwe Donald Ekpeki has an idea for using virtual cons in a progressive way – involving international, disabled, and otherwise nontraveling creators — which he has shared with Facebook readers:

…Something I learnt along the way, from my first con I participated in, was that virtual cons are important. Having people of diverse backgrounds & voices be able to attend, contribute to the general pool of knowledge & discussions. I believe diversity, multiple viewpoints and experiences taking into account, people working together, will solve many world problems, including the recent AI scourge of the arts. twitter.com/Penprince_/sta…

Sure, running virtual components isnt always possible. Funding, the tech issues, etc. It’s understandable when cons can’t have them. But when they do have them, it’s imperative, almost compulsory they have both virtual attendees and guests of honour like CanConSF & ICFA did. It gives a platform to allow people with the experience and expertise to contribute on a larger scale to genre development and history, the change to. As ICFA guest of honour, the first ever African born, Black writer to be, I created the genre #Afropantheology, which I believe hope, & plan will contribute and richly influence genre & storytelling generally. The GoH platform was very helpful in that. …

(4) IT’S BIG. Max Gladstone tells how his vacation was interrupted by word about the apotheosis of his writing career in “Big Bigolas Energy” at The Third Place.

…It unfolded for me in fits and starts, and almost out of order, as one would expect of a book about time travel.

While we were in transit, a friend who often texts us about Time War sitings in the wilds of social media sent my partner a screenshot of The Bigolas Tweet, which at that time had 12,000 likes.

I thought, how wonderful! Nice note to start the vacation. And also: what a great screen name. My brain was in vacation mode already, so I didn’t think about the numbers too much. As I’ve been told many times, Twitter Doesn’t Sell Books.

Later that evening, Amal (that’s my New York Times Bestselling co-author Amal El-Mohtar, to be clear, though at this point we were neither of us New York Times Bestselling co-authors) sent me a screenshot of the same tweet; the numbers were much bigger (Bigolas-er?). I thought: wow! It’s really taking off. But still: Twitter Doesn’t Sell Books.

As they say: lol….

(5) INNOCENT BYSTANDER. Google Bard, another of these AI language models, has somehow managed to pull Nnedi Okorafor into the latest row about BasedCon.

What is this person talking about?? Can anyone enlighten me? Because in all my life, I have NEVER felt threatened by white people and I don’t know what “basedcon” even is. https://t.co/CqeXXiyYgT
— Nnedi Okorafor, PhD????? (@Nnedi) May 19, 2023

What in God’s name is “based on”???
— Nnedi Okorafor, PhD????? (@Nnedi) May 19, 2023

(6) EATING THE FANTASTIC. Scott Edelman invites listeners to munch on mahi mahi with L. Marie Wood in Episode 198 of the Eating the Fantastic podcast.

I knew L. Marie Wood for a decade or more before I learned at the last in-person Balticon before the pandemic that we’re basically neighbors, but never knew it. So after an earlier lunch during which we tried to figure out how we’ve somehow managed to avoid each other all these years, we got together at Brix 27 in downtown Martinsburg, West Virginia so I could learn more about who she is and how she came to be.

L. Marie Wood is a writer of psychological horror, supernatural suspense, and dark fiction of all kinds who’s been a professionally published writer for 20 years, ever since her first novel Crescendo and first short story “The Dance” were published in 2003. Her novels since then include The Promise Keeper, Cacophony, Accursed, and others, plus multiple short story collections, including Anathema and Phantasma. She’s also a screenwriter who’s a three-time winner of Best Horror Screenplay at the NOVA International Film Festival, Best Psychological Horror Short Script at Hollywood Horrorfest, and on and on. Her most recent publications are the novel The Open Book, accompanied by the related short story collection The Tales of Time, which contains the short stories being read by — and feared by — the characters in that first book.

We discussed the way she began her writing career selling poetry in parking lots, our differing experiences with hand selling our own books, the fears which keep horror writers up at night, the many misconceptions she had about the writing life back when he began, the uncomfortable novella she wrote when she was five, what our parents made of our horrific scribblings, the ever-present problem of dealing with rejection, our mutual love of pantsing, what should become of our papers, and much more.

(7) WHEN THEY WERE THE FUTURE. Fanac.org has posted video of a panel from this year’s Eastercon: “Conversation 2023 – The Third Row w/ John Coxon, Niall Harrison, Emily January & Abigail Nussbaum”.

At the 2023 Eastercon (Conversation), Guest of Honor Niall Harrison, and fellow “Third Row” fans John Coxon, Emily January and Abigail Nussbaum sat down for a discussion on the future of fandom (circa 2004).

Moderated by Meg MacDonald, the panel hilariously tells the story of Third Row Fandom, named and brought into being accidentally by Greg Pickersgill during a “Future of Fandom” panel at the 2004 Eastercon.

Themselves dubbed “the future of fandom” by Greg, the fans seated in the third row at that panel have made good on the title, pulling others into their orbit and having an outsized influence on science fiction and science fiction fandom over the last 20 years.

Illustrated with powerpoint slides to map out their impact, this fascinating panel tells the story of a cohort of young fans maturing into movers and shakers in the field, as writers, reviewers, editors, award judges and convention organizers.

Many thanks to Conversation 2023 for providing this recording, and particularly to Alison Scott for her assistance.

(8) WORRA Q&A. The Horror Writers Association blog continues its series: “Asian Heritage in Horror: Interview with Bryan Thao Worra”.

What inspired you to start writing?

These days I think a poet has a thousand beginnings. Sometimes I trace it back to an old encyclopedia with gorgons and dinosaurs, another, a 3rd-grade role-playing game almost no one remembers. Others it feels like an unrequited crush on a classmate, a fortune teller’s prediction about me shared to my grandmother, a ghost in an attic, or just the absence of seeing stories like my own in the news, in movies and novels, and especially poetry. Each moment was liberating in its own way….

(9) KNOW YOUR CONTRACT. “Editing Clauses in Publishing Contracts: What to Watch For” — Victoria Strauss issues warnings at Writer Beware.

Editing Clauses of Concern

Here’s an example of an editing clause that should be a dealbreaker (this and other clauses quoted below are taken from actual contracts in my possession):

“Publisher shall have the right to edit and revise the Work for any and all uses contemplated under this Agreement.”

What’s missing here? Any obligation on the publisher’s part to seek your approval before making the edits and revisions–or even allow you to see them before publication. A clause like this enables the publisher to edit at will without consulting or even informing you, and, if you do have the opportunity to see the edits, to unilaterally reject your concerns. If you sign a contract with this kind of language, you are at the mercy of the publisher and its editors. You shouldn’t be surprised if the publisher takes advantage of it.

(10) SPFBO 9. Right now Mark Lawrence’s Self-Published Fantasy Blog-Off judges are picking their favorite covers from among the 300 entrants. See them here: “SPFBO 9 – The Cover Contest!”

(11) MEMORY LANE.

1996 – [Compiled by Cat Eldridge.]

Mary Doria Russell’s The Sparrow is one of those novels that treats the Catholic Church with respect and is also a true SF novel at the same time, a very neat trick indeed.

It was published by Villard twenty seven years ago, and was honored with an Arthur C. Clarke Award, the Otherwise Award, and a BSFA Award. It has a sequel, Children of God, published two years afterwards.

The Sparrow has one of the most perfect Beginnings I’ve ever read which you can see below if by any slim chance you’ve not read it yet.

It was predictable, in hindsight. Everything about the history of the Society of Jesus bespoke deft and efficient action, exploration and research. During what Europeans were pleased to call the Age of Discovery, Jesuit priests were never more than a year or two behind the men who made initial contact with previously unknown peoples; indeed, Jesuits were often the vanguard of exploration.

The United Nations required years to come to a decision that the Society of Jesus reached in ten days. In New York, diplomats debated long and hard, with many recesses and tablings of the issue, whether and why human resources should be expended in an attempt to contact the world that would become known as Rakhat when there were so many pressing needs on Earth. In Rome, the questions were not whether or why but how soon the mission could be attempted and whom to send.

The Society asked leave of no temporal government. It acted on its own principles, with its own assets, on Papal authority. The mission to Rakhat was undertaken not so much secretly as privately—a fine distinction but one that the Society felt no compulsion to explain or justify when the news broke several years later.

The Jesuit scientists went to learn, not to proselytize. They went so that they might come to know and love God’s other children. They went for the reason Jesuits have always gone to the farthest frontiers of human exploration. They went ad majorem Dei gloriam: for the greater glory of God.

They meant no harm.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born May 19, 1937 — Pat Roach. He was cast in the first three Indy Jones films as a decided Bad Person though he never had a name. His first genre appearance was in A Clockwork Orange as a Milkbar bouncer but his first named role was being Hephaestus in Clash of Titans. He was of an unusually stocky nature, so he got cast as a Man Ape in Conan the Destroyer, and as Bretagne the Barbarian in Red Sonja. And of course he had such a role as Zulcki in Kull the Desttoyer. Oh, and he played a very large and mostly naked Executioner in the George MacDonald Fraser scripted The Return of The Musketeers. (Died 2004.)
Born May 19, 1944 — Peter Mayhew. Chewbacca from the beginning to The Force Awakens before his retirement from the role. The same year he first did Chewy, he had an uncredited role as the Minotaur in Sinbad and the Eye of the Tiger. He also shows in the Dark Towers series as The Tall Knight. Can we say he earned a Hugo at IguanaCon II? I know I’m stretching it there. (Died 2019.)
Born May 19, 1946 — Andre the Giant. Fezzik in The Princess Bride, one of my all-time favorite films. Also, an uncredited role as Dagoth in Conan the Destroyer. He’s actually did a number of genre roles such as The Greatest American Hero with his American acting debut playing a Bigfoot in a two-part episode aired in 1976 on The Six Million Dollar Man titled “The Secret of Bigfoot”. He died of cardiac arrest, not at all surprising given his size and weight of over five hundred pounds. (Died 1993.)
Born May 19, 1948 — Grace Jones, 75. First genre appearance was as Stryx in Rumstryx, an Italian TV series. Her next was Zulu in Conan the Destroyer followed by being May Day in A View to Kill and Katrina in Vamp. She was Masako Yokohama in Cyber Bandits which also starred Adam Ant. Her last several genre roles to date were Christoph/Christine in Wolf Girl, and Death aka The Devil in Gutterdammerung, a film that also featured Henry Rollins, Slash and Iggy Pop!
Born May 19, 1966 — Jodi Picoult, 57. Her Wonder Women work is exemplary (collected in Wonder Women, Volume 3 and Wonder Woman: Love and Murder). She also has a most excellent two-volume YA series called the Between the Lines Universe which she wrote with Samantha van Leer. ISFDB lists her Second Glance novel as genre but I’d say it’s genre adjacent at best. Her latest work though marketed as a mainstream novel, Between the Lines Musical, is actually genre.
Born May 19, 1966 — Polly Walker, 57. She appeared in Syfy’s Caprica, Sanctuary and Warehouse 13, as well as performing voice work in John Carter.
Born May 19, 1996 — Sarah Grey, 27. Before DC Universe cast the present Stargirl in Brec Bassinger for that series, Legends of Tomorrow cast their Stargirl as this actress for a run of three episodes. The episodes (“Out of Time”, “Justice Society of America” and “Camelot 3000”) are superb. I’ve not seen her as Alyssa Drake in The Order but I’ve heard Good Things about that series.

(13) COMICS SECTION.

Speed Bump shows even the ultimate Creator needs prompts.
The Far Side, on the other hand, shares an idea about Hell.
The Far Side also imagined how this Star Trek personality would spend his time in Hell.

(14) KAIJU IN TRANSLATION. Never before available in English it says here. Now’s your chance to read the original Godzilla stories: “Godzilla and Godzilla Raids Again” coming from the University of Minnesota Press in October 2023.

The first English translations of the original novellas about the iconic kaijū Godzilla

Although the Godzilla films have been analyzed in detail by cultural historians, film scholars, and generations of fans, Shigeru Kayama’s two Godzilla novellas—both classics of Japanese young-adult science fiction—have never been available in English. This book finally provides English-speaking fans and critics the original texts with these first-ever English-language translations of Godzilla and Godzilla Raids Again. As human activity continues to cause mass extinctions and rapid climatic change, Godzilla provides a fable for the Anthropocene, powerfully reminding us that nature will fight back against humanity’s onslaught in unpredictable and devastating ways.

(15) IMAGINARY PAPERS. ASU’s Center for Science and the Imagination has published Imaginary Papers, Issue 14, their latest quarterly newsletter on science fiction worldbuilding, futures thinking, and imagination.

In this issue, medievalist and SF writer Erin K. Wagner writes about C. S. Lewis’ science fiction novel That Hideous Strength, communication studies scholar and SF writer Jenna N. Hanchey considers the Africanfuturist film Neptune Frost, and we offer a brief reflection on the new essay collection Ex Marginalia, edited by Chinelo Onwualu.

(16) WHERE THE SKELETONS ARE. Ranker takes up “The Story of Theodore Rex, The Bizarre Whoopi Goldberg Dinosaur Film”.

Theodore Rex, the weirdest of weird ’90s movies, is a $33 million direct-to-video buddy cop movie starring Whoopi Goldberg and a wisecracking dinosaur. (Take as much time as you need to wrap your brain around that sentence. We understand.)

Theodore Rex wasn’t an attempt to tie into the dino-fever that swept the nation’s youth in the early ’90s; it was a genuine attempt at making a gritty sci-fi film about a detective and her dinosaur partner. That’s right. Legendary EGOT-winner Whoopi Goldberg and a Talking Man-Sized Dinosaur teamed up for a cop film and they demanded to be taken seriously. (The 90s were a very strange time.)

Even though the film is a complete nightmare, things behind the scenes of Theodore Rex were much worse. As weird as it sounds, we can’t stress this enough: nobody had fun on this Whoopi Goldberg/Dinosaur joint.

Ranker’s first little-known fact is –

Whoopi Goldberg Was Forced By Law To Be In This Movie

Whoopi Goldberg did, at one time, want to be in Theodore Rex and agreed to play the lead for $5 million and a share of the profits, but she quickly changed her mind and tried to back out (good instincts, Whoopi!). Goldberg had to learn the hard way that it’s just not that easy to simply walk away from expensive movies starring talking dinosaurs (a lesson we all could learn from). Because she had agreed to do the movie, the producers sued her for $20 million when she tried to back out. After an answering machine recording of Goldberg surfaced where she said she was “100% committed” to the project, she was forced to choose between appearing in the film or paying out the nose for a dinosaur detective movie that she agreed to appear in. There’s a famous saying in Hollywood: “The only thing worse than appearing in a terrible dinosaur movie is paying $20 million NOT to appear in a terrible dinosaur movie,” so Whoopi opted to appear in the terrible dinosaur movie.

(17) CASE SOLVED? “Who Stole Dorothy’s Ruby Slippers? A Minnesota Man Is Charged.” reports the New York Times.

A Minnesota man has been indicted on charges that he stole a pair of the famed ruby slippers worn by Judy Garland in “The Wizard of Oz” from the Judy Garland Museum in Grand Rapids, Minn., the actress’s hometown, nearly 18 years ago.

The red-sequined pumps were recovered in a sting operation that ended in Minneapolis in 2018, but the authorities said at the time that their investigation was continuing and they did not name any suspects.

On Tuesday, a federal indictment in U.S. District Court for the District of Minnesota charged Terry Jon Martin of Minnesota with stealing an authentic pair of the slippers, which officials estimated have a market value of $3.5 million, from the museum sometime between Aug. 27 and Aug. 28 of 2005. Mr. Martin was indicted on one count of theft of a major artwork….

Interesting – I recently corresponded with someone from this museum. They’re always looking for things related to cousin Judy, and I’m told some of my other cousins may be making donations. (I have nothing, myself, and never met her.)

(18) AU REVOIR. Deadline has posted a list of what’s being pulled: “Disney To Remove Dozens Of Series, Including ‘Big Shot’, ‘Willow’, ‘Y’ & ‘Dollface’”.

Big Shot [Disney+]
Turner & Hooch [Disney+]
The Mysterious Benedict Society [Disney+]
The Mighty Ducks: Game Changers [Disney+]
Willow [Disney+]
The Making Of Willow [Disney+]
Diary of a Future President [Disney+]
Just Beyond [Disney+]
The World According to Jeff Goldblum [Disney+]
Marvel’s Project Hero [Disney+]
Marvel’s MPower [Disney+]
Marvel’s Voices Rising: The Music of Wakanda Forever [Disney+]
Cheaper by the Dozen remake [Disney+]
The One and Only Ivan [Disney+]
Stargirl [Disney+]
Artemis Fowl [Disney+]
The Princess [Disney+]
Encore! [Disney+]
A Spark Story [Disney+]
Black Beauty [Disney+]
Clouds [Disney+]
America the Beautiful [Disney+]
Better Nate Than Ever [Disney+]
Weird but True! [Disney+]
Timmy Failure [Disney+]
Be Our Chef [Disney+]
Magic Camp [Disney+]
Howard [Disney+]
Earth to Ned [Disney+]
Foodtastic [Disney+]
Stuntman [Disney+]
Disney Fairy Tale Weddings [Disney+]
Wolfgang [Disney+]
It’s a Dog’s Life with Bill Farmer [Disney+]
The Real Right Stuff [Disney+]
The Big Fib [Disney+]
Rogue Trip [Disney+]
More Than Robots [Disney+]
Shop Class [Disney+]
Pick the Litter [Disney+]
Own the Room [Disney+]
Among the Stars [Disney+]
Harmonious Live! [Disney+]
Pentatonix: Around the World for the Holidays [Disney+]
Y: The Last Man [FX/Hulu]
Pistol [FX/Hulu]
Little Demon [FX/Hulu]
Maggie [Hulu]
Dollface [Hulu]
The Hot Zone [Nat Geo/Hulu]
The Premise [Hulu]
Love in the Time of Corona [Hulu]
Everything’s Trash [Hulu]
Best in Snow [Hulu]
Best in Dough [Hulu]
Darby and the Dead [Hulu]
The Quest [Hulu]
Rosaline [Hulu]

(19) DISORIENTING. Steven Heller interviews Hungarian artist István Orosz in “Illusions From a Visual Magician” at Print Magazine. Includes a gallery of images like the one below.

What you see is never what you really see. It is neither real nor surreal, it is art—the result of precision drafting and intricate mathematical logic. Hungarian illustrator, animated film director and poster artist István Orosz basks in the mystique of his ambitious visual contortions, implausible objects and incredible optical illusions. He is a visual punster on the highest plane who is happiest when making confounding images and anamorphoses relying on forced perspective that echo, not coincidentally, his famous mathematics teacher (and inventor of the Rubik’s cube) Ernő Rubif….

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Joey Eschrich, Cat Eldridge, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]

Pixel Scroll 3/19/23 It’s Tribbles All The Way Down (Except Level 47, Which Is Selbbirts)

Posted on March 19, 2023 by Mike Glyer

(1) PICS AND IT STILL NEVER HAPPENED. David Brin stares into the abyss, discussing “All those ‘chat’ programs… and the End of Photography as Proof of Anything At All” at Contrary Brin.

One of the scariest predictions now circulating is that we are about to leave the era of photographic proof.  For generations we relied on cameras to be the fairest of fair witnesses.  Images of the Earth from space helped millions become more devoted to its care.  Images from Vietnam made countless Americans less gullible and more cynical.  Miles of footage taken at Nazi concentration camps confirmed history’s greatest crimes.  A few seconds of film shot in Dallas, in November of 1963, set the boundary conditions for a nation’s masochistic habit of scratching a wound that never heals.

Although there have been infamous photo-fakes — such as trick pictures that convinced Arthur Conan Doyle there were real “fairies” and Mary Todd Lincoln that her husband’s ghost hovered over her, or the ham-handedly doctored images that Soviet leaders used to erase “non-persons” from official history — for the most part scientists and technicians have been able to expose forgeries by magnifying and revealing the inevitable traces that meddling left behind.

But not anymore, say some experts.  We are fast reaching the point where expertly controlled computers can adjust an image, pixel by microscopic pixel, and not leave a clue behind.  Much of the impetus comes from Hollywood, where perfect verisimilitude is demanded for fantastic onscreen fabulations like Forrest Gump and Jurassic Park.  Yet some thoughtful film wizards worry how these technologies will be used outside the theaters….

…The new technologies of photo-deception have gone commercial. For instance, a new business called “Out Takes” set up shop next to Universal Studios, in Los Angeles, promising to “put you in the movies.” For a small fee they will insert your visage in a tete-a-tete with Humphrey Bogart or Marilyn Monroe, exchanging either tense dialogue or a romantic moment.  This may seem harmless on the surface, but the long range possibilities disturb Ken Burns, innovative director of the famed Public Broadcasting series The Civil War.  “If everything is possible, then nothing is true. And that, to me, is the abyss we stare into. The only weapon we might have, besides some internal restraint, is skepticism.”

Skepticism may then further transmute into cynicism — Burns worries — or else, in the arts, decadence….

(2) NO LONGER BEING OVERLOOKED. Lila Shapiro spends time “In Northampton with Kelly Link and her community of like-minded writers”.

….In the stories of Kelly Link, strange things happen in otherwise ordinary settings. A teenage girl from Iowa travels to New York to find an older guy she met online and ends up at a hotel hosting a pair of conventions: one for dentists and one for superheroes. A girl from the Boston area discovers a lost world preserved inside her grandmother’s old handbag (which is made from the skin of a dog that lives inside it). Her stories do not abide by the rules of conflict and resolution — they make sense in the way that dreams make sense. Pressed to explain these phenomena, Link’s characters tend to change the subject. “The mechanics of how I can speak are really of no great interest, and I’m afraid I don’t really understand it myself, in any case,” a talking cat insists in a story from Link’s new collection, White Cat, Black Dog. Since 2001, Link has published four books of short stories, with the fifth — a series of unsettling retellings of classic fairy tales — out this month. For much of that time, she has worked in relative obscurity. Early reviewers were impressed by her originality, but she remained largely unknown outside of M.F.A. programs and fantasy circles. When her first book was published more than 20 years ago, serious literature, for the most part, meant one-pound tomes of psychological realism.

That has changed as Link’s stature has grown. In 2016, she was a finalist for the Pulitzer Prize; a few years later, the MacArthur Foundation awarded her a “genius” grant for “pushing the boundaries of literary fiction.”…

… After getting an M.F.A. at the University of North Carolina at Greensboro, Link enrolled in the Clarion Science Fiction and Fantasy Writers’ Workshop. “I thought, This will be a group of people who are doing the same kind of work. But in fact, the feedback I got from many of the people was, Well, I don’t know what this is.” While she and her fellow students admired some of the same authors — Heinlein, Asimov, Tolkien — Link’s indifference to genre conventions was apparent. If her heroines start an epic quest, they’re likely to get distracted or lost or turn into someone else entirely. “I remember thinking she already wrote better than I did and there was really no point in her coming to this workshop,” said Karen Joy Fowler, one of Link’s professors at Clarion…..

(3) TIME IN A BOTTLE. Dorothy Grant persuasively explains why people should listen to Neil Gaiman’s entire advice about the freelance life in “Saying No” at Mad Genius Club.

…He [Neil Gaiman] went on, though, to warn about the problems of success… and that’s what gets dropped out of a lot of the advice. He noted the problems of success are harder, in part because nobody warns you about them… and what do people do? Not listen to the warning, and drop it out of their quotes. They include:

“The point where you stop saying yes to everything, because now the bottles you threw in the ocean are all coming back, and have to learn to say no.”

(4) PLUS ÇA CHANGE, PLUS C’EST LA MÊME CHOSE. “50 Best Short Stories for High School Students” at We Are Teachers is surprisingly chock full of sff – Bradbury, Le Guin, Poe, Dahl – though I’m a little more surprised at how many of these stories were already part of the canon when I was in high school and are still on a list like this.

If there is one thing that my students and I share, it’s our love for short stories. High school kids may not choose to read short stories on their own time, but they get very excited when the story I choose to teach a concept is short. I find that short stories pack a stronger emotional punch. They elicit real reactions, especially if the author manages to surprise them. In fact, short stories are the thing I use most often in my high school lessons to teach literary devices, act as mentor texts for our writing, and get students excited about reading. Here is a collection of 50 of my favorite short stories for high school students….

(5) GIRARDI Q&A. The Horror Writers Association blog has a new “Women in Horror” entry: “Women in Horror: Interview with Jill Girardi”.

Jill Girardi is the internationally best-selling, award-nominated author of Hantu Macabre, a novel which was optioned for a film starring MMA Fighter Ann Osman and directed by Aaron Cowan (a senior member of the Visual Effects team that won four Oscars for Avatar and Lord of the Rings.)…

What was it about the horror genre that drew you to it?

This is something I’ve found difficult to explain over the years. Going back to the subject of du Maurier’s work, I found her simple, direct form of writing to be both beautiful and haunting, evoking so many emotions in the reader. The symbolism of it struck such a deep chord with me. For example, in one of my favorite stories, The Apple Tree, a mere tree takes on the qualities of a deceased woman, one who withered from neglect and lack of love all her life. The image was one that stayed with me long after I first finished reading the story. Many people believe that horror is all about shock value, that there’s no emotion or any deep meaning in it. Those of us who read or write horror know otherwise. We know that something as simple as a tree can haunt you, and bring you close to your own pain. This is what I adore about horror. There is so much more lurking under its surface….

(6) GODZILLA NOVELIZATIONS. [Item by Ben Bird Person.] Since its publication nearly 70 years ago, there is finally an English translation by Jeffrey Angles to the Shigeru Kayama’s novelizations for Godzilla (1954) and Godzilla Raids Again (1955). According to its Amazon listing, it’ll be published by University of Minnesota Press and released October 3, 2023.

(7) MEMORY LANE.

2003 – [Compiled by Cat Eldridge.]

Sharyn McCrumb’s Ghost Riders is the seventh of her Ballad Novels, her mystery series set in the Appalachian Mountains. It features a strong dash of magic realism as you’ll see in the Beginning from this novel which was published twenty years ago by Dutton Adult.

I like the novels because they feel authentic which reflects McCrumb’s being born and raised in the Appalachian region. The novels are richly detailed, the characters are fully developed, particularly the continuing ones such as Rattler, and the stories are certainly some of the better ones set in the Appalachian region.

And if her name sounds familiar, that’s because of Bimbos of the Death Sun and Zombies of the Gene Pool which she wrote.

And now our Beginning…

Prologue: Rattler

The boy stood still in the moonlight watching the riders approach. The chill of the night air had shaken the last bit of sleep-stupor from him, and he shivered, feeling the wind on his legs and the sensation of his bare feet touching the rough boards of the porch, and knowing that he was not dreaming. He had stumbled outside to make his way to the privy, but now something–not a sound, more like a feeling–made him stop a few feet from the door, and for long minutes as he stood there he would forget the push in his bladder that had sent him out into the cold darkness of an October night.

Night riders.

Horses were not an every day sight in the mountains nowadays, as they had been in his daddy’s time. Now that the Great War had ended in Europe, the world had changed. People talked about aeroplanes and automobiles and store-bought clothes. Every year brought more Model A’s into the county, and those folks that didn’t run an automobile could take the train into Johnson City or Asheville if they needed to go. You sent money to the mail-order catalogue, and the postman would bring you the goods, all parceled up in brown paper, whatever you’d asked for. They called it “the wish book.” But nobody ever wished for the old days, not in these mountains. They all wanted the future to get here double quick.

But tonight was an echo of the old days… there were horsemen at the edge of the woods.

The boy wondered who these riders were, out on the ridge past midnight, far from a road and miles from the next farm. He could make out three of them just this side of the trees beyond the smokehouse, but in the faint light of the crescent moon their features were indistinguishable. They carried no lantern, and they rode in silence. It took the boy three heartbeats longer to register the fact that the horses made no sound either. He heard no rustle of grass, no snapping of twigs beneath their hooves.

One of the riders detached himself from the group by the woods and trotted toward the porch where the boy stood. He was a tall, gaunt man in a long greatcoat and scuffed leather boots, and he had a calculating way of looking through narrowed eyes that froze the boy to the spot like a snake-charmed bird. The rider looked to be in his twenties, with dark hair and black whiskers outlining his chin, as if he were growing a beard by default and not by design. The boy stared at the face, a pale oval in the moonlight, and he forgot to move or cry out.

The man smiled down at him as if he had trouble remembering how. “Evenin’, Boy,” he said in a soft mountain drawl. “What’s your name then?”

“Rat–they called me Rattler, mister.” It took him two tries to get the sound to come out of his throat.

The rider grinned. “Rattler, huh? Mean as a snake, are you, boy?”

The boy lifted his chin. Even if he was shivering in his nightshirt, he was on his own porch and he would not cower before a stranger. “I don’t reckon I’m mean,” he said. “But I give salt for salt.”

“Fair enough.” The dark man looked amused. “I guess I do the same.” He glanced back at the woods where his companions waited, motionless, shadows in moonlight. “And you’d be–what? About twelve?”

“About,” said the boy. He would be eleven in January.

“Well, snake-boy, what do you say? You want to ride with us?”

The boy shrugged. “Got no horse.”

“Reckon we could rustle you up one.”

The smile again, cold as a moonbeam. The boy hesitated. “You never said who you are, Mister.”

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born March 19, 1821 — Sir Richard Francis Burton KCMG FRGS. He was a geographer, translator, writer, soldier, cartographer, ethnologist, spy, linguist, poet, fencer and diplomat. He worked on the translation of an unexpurgated version of One Thousand and One Nights. Also, Vikram and the Vampire or Tales of Hindu Devilry. Mind you, he was also the publisher of both Kama Sutra and The Perfume Garden. Philip Jose Farmer made him a primary character of the Riverworld series. (Died 1890.)
Born March 19, 1926 — Joe L. Hensley. Long-time fan and writer who was a First Fandom “Dinosaur” (which meant he had been active in fandom prior to July 4, 1939), and received the First Fandom Hall of Fame Award in 2006. Very impressive! His first genre fiction sale was the short story “And Not Quite Human,” published in the September 1953 issue of Beyond Fantasy Fiction. His co-authors included Alexei Panshin and Harlan Ellison. Though he wrote nearly fifty pieces of short fiction, and much of that is not genre, he wrote just one genre novel, The Black Roads. (Died 2007.)
Born March 19, 1928 — Patrick McGoohan. Creator along with George Markstein of The Prisoner series in which he played the main role of Number Six. (The one and only Prisoner. I know it’s been remade but I refuse to admit it exists.) I’ve watched it at least several times down the years. It never gets any clearer but it’s always interesting and always weird. Other genre credits do not include Danger Man but comprise a short list of The Phantom where he played The Phantom’s father, Treasure Planet where he voiced Billy Bones and Journey into Darkness where he was The Host of. (Died 2009.)
Born March 19, 1932 — Gail Kobe. She has genre appearances with the more prominent being as Jessica Connelly in Twilight Zone’s “In His Image”, in another Twilight Zone episode as Leah Maitland in “The Self-Improvement of Salvadore Ross”, and two Outer Limits episodes, first as Janet Doweling in “Specimen, Unknown” and then as Janet in “The Keeper of the Purple Twilight”. (Died 2019.)
Born March 19, 1936 — Ursula Andress, 87. I’m sure I’ve seen all of the original Bond films though I’ll be damned I remember where or when I saw them. Which is my way of leading up to saying that I don’t remember her in her roles as either as Honey Ryder in the very first Bond film, Dr. No, or as as Vesper Lynd in Casino Royale. Bond girls aren’t that memorable to me it seems. Hmmm… let’s see if she’s done any other genre work… well her first was The Tenth Victim based on Sheckley’s 1953 short story “Seventh Victim”. She also appeared in L’Infermiera, oops wrong genre, The Mountain of the Cannibal God, The Fifth Musketeer, Clash of the Titans where she played of course Aphrodite, on the Manimal series, The Love Boat series and the two Fantaghirò films.
Born March 19, 1945 — Jim Turner. Turner was editor for Arkham House after the death of August Derleth, founder of that press. After leaving Arkham House for reasons that are not at all clear, he founded Golden Gryphon Press which published really lovely books until it went out of existence. (Died 1999.)
Born March 19, 1947 — Glenn Close, 76. I had not a clue that she’d done genre-friendly acting. Indeed she has, with two of the most recent being Nova Prime in Guardians of The Galaxy, Topsy in Mary Poppins Returns and voicing Felicity Fox in the animated film adaptation of Roald Dahl’s Fantastic Mr. Fox. Before those roles, she was Aunt Josephine in Lemony Snicket’s A Series of Unfortunate Events, Blue Mecha in A.I. Artificial Intelligence and Madeline Ashton in Death Becomes Her. Oh the latter is almost too weird in what it is.
Born March 19, 1955 — Bruce Willis, 68. (It’s very sad what’s happening to him.) So do any of the Die Hard franchise count as genre? Even setting them aside, he has a very long genre list, to wit Death Becomes Her (yes another actor in it), 12 Monkeys (weird shit), The Fifth Element (damn great), Armageddon (eight tentacles down), The Sixth Sense (not at all bad), Sin City (typical Miller overkill) and Sin City: A Dame to Kill For (yet more Miller overkill).

(9) COMICS SECTION.

Saturday Morning Breakfast Cereal asks the question: should we always go for the antiques?
Tom Gauld imparts a publishing industry spin to the Cinderella story.

My cartoon for yesterday’s @GdnSaturday / @GuardianBooks pic.twitter.com/lWJS2C4mWS
— Tom Gauld (@tomgauld) March 19, 2023

(10) PLUNKING TOGETHER. In “Krissy and I Have a Band: Introducing OEMAA and ‘Parking Space’”, John Scalzi lets fans hear a driver’s overflowing white-hot rage when supply exceeds demand.

…We agreed that we would form a punk band, whose musical theme would be venting furiously about the minor annoyances that beset ones such as ourselves, which is to say, comfortable middle-aged folks.

Fast forward to 2023, and right now, and I’m happy to announce that Krissy and I do, in fact, have a punk band in which we bemoan the inconveniences of the hugely privileged. We call ourselves OEMAA (pronounced “wee-ma”), which is an acronym for Outrageously Entitled Middle-Aged Assholes, and our first song, “Parking Space,” is the sonic blast of aggrievement emanating from the soul of a man in an SUV who sees the parking space he’s been hovering over get snapped up by another equally entitled jerk in a Lexus. Hell hath no fury like a dude in an SUV, missing out on a parking opportunity…

(11) INEXPLICABLE WRITING. Ryan George takes viewers inside the Harry Potter and the Chamber of Secrets Pitch Meeting.

With the first movie as well as the book series being massive international successes, Warner Bros was fast to get to work on adapting the second book in the Harry Potter series: The Chamber of Secrets. What adventures lay ahead for Harry Potter at his death trap of a magical high school?! People were anxious to see it play out on the big screen. Harry Potter and the Chamber of Secrets definitely raises some questions though. Like why would Hogwarts hire Lockhart and why would he accept, knowing full well that he’s a fraud? Was the Whomping Willow really the best thing they could think of to put on school grounds? Why does the car have a mind of its own? Why did Hagrid send children off to speak to man-eating spiders in the most dangerous forest there is? How did Nearly Headless Nick get unpetrified? Is Fawkes the secret star of this movie?! To answer all these questions and more, step inside the Pitch Meeting that led to Harry Potter and the Chamber of Secrets! It’ll be super easy, barely an inconvenience.

(12) VIDEO OF THE DAY. Colonials debuts in select theaters on April 7 and on digital platforms on April 11.

On his mission from Mars, a space colonist’s ship is attacked by a Moon-based civilization and crash lands on Earth. Having lost his memory, he joins forces with a Resistance to save the galaxy from human extinction.

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Lise Andreasen, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 1/22/23 Look At My Fingers: Four Pixels, Four Scrolls. Zero Pixels, Zero Scrolls!

Posted on January 22, 2023 by Mike Glyer

(1) SPLATTERPUNK AWARDS DEADLINE RESET. Brian Keene and Wrath James White announced on Facebook that they have extended until January 29 the last date that readers can recommend eligible works at [email protected].

…Given that readers sent in recommendations ALL YEAR LONG, we assumed the community was aware.

Obviously, we were wrong about that. And we apologize for that. We would like to assure authors who expressed disappointment about this that there were indeed recommendations already made. And that is a very good thing. Six years into this process, that’s exactly what the community needs to see — that readers are recommending your work without you reminding them or drawing it to their attention.

To further address the communities concerns, Wrath and I have decided to pause the tallying process and reopen the nominations for another 7 days. We will accept recommendations for WORKS PUBLISHED IN 2022 until midnight on Sunday, January 29th. That way, everyone who has expressed concerns has the opportunity to inform their readers and fans.

So, again… the process has been extended to next Sunday. Email your recommendations to [email protected]. After next Sunday, we will then again be accepting recs for works published in 2023.

Our apologies for any stress or duress this may have caused, and our appreciation to those who expressed their concerns in good faith….

(2) MERRIL CENTENARY. [Item by Olav Rokne.] Toronto Public Library (which IIRC is actually the largest library system in North America?) posted a celebration of Judith Merril yesterday to mark her centennial. “100 Years of Judith Merril, Science Fiction Writer and Editor” at The Buzz…About Books.

… At the same time that Merril was publishing novels, she was getting more involved in editorial and review work. This book collects and reflects upon Merril’s editorial and non-fiction work. In particular, “her twelve Year’s Best anthologies, her thirty-eight ‘Books’ columns from F&SF, and three particularly important essays.” These works were originally published between 1956 and 1969. This period marks Merril’s shift from authorship to her editorial career.

To support her daughter Ann, who created artwork and posters in support of Eugene McCarthy, Judith Merril attended the Democratic National Convention in Chicago in 1968. Tensions were high due to the Vietnam War. After Merril witnessed the police response to the anti-Vietnam War protestors, she decided that she and her family needed to leave the United States. At the convention, a copy of the Toronto Anti-Draft Manual caught Merril’s attention. She had a friend in Toronto, a mathematics professor, and with their aid moved to Canada. She legally changed her name to Judith Merril when she become a Canadian citizen….

(3) SF ON SNL. Last night’s Saturday Night Live had two genre related segments:

M3GAN 2.0 – SNL – YouTube

Avatar – SNL – YouTube

(4) LOTS TO MEND. [Item by Mike Kennedy.] Jeremy Renner, the MCU‘s Hawkeye, is back home after his snowplow accident. The latest pic and information released by the actor shows him undergoing PT at home and letting it be known that over 30 bones were broken in the incident. “Jeremy Renner Says His ’30 Plus Broken Bones’ Will ‘Mend’ After Accident” reports People.

…The actor, 52, shared a post on Instagram Saturday morning of himself in a bed receiving what appeared to be physical therapy.

In the caption of his post, Renner wrote, “Morning workouts, resolutions all changed this particular new years …. Spawned from tragedy for my entire family, and quickly focused into uniting actionable love.”

The Mayor of Kingstown star then said that he wanted “to thank EVERYONE for their messages and thoughtfulness for my family and I …. Much love and appreciation to you all.”

“These 30 plus broken bones will mend , grow stronger, just like the love and bond with family and friends deepens,” Renner concluded. “Love and blessings to you all…”

(5) NOVELIST SEEN FROM THE INSIDE. [Item by Steven French.] Co-screen writer of Matrix Resurrections revealed to be a massive Liverpool fan! “Aleksandar Hemon: ‘A book isn’t a car – not everything has to work’” in The Guardian.

…Tell us about your work as a screenwriter.
The sovereignty of being in my head as a novelist is enjoyable but gets burdensome. Lana and David are good friends with brilliant minds different from mine and there’s relief in that: whenever I watch The Matrix Resurrections, at no point do I think: “That’s mine, I did this,” because I never did it alone. So what I get out of screenwriting – apart from the money, which is nice – is doing something with others. The traditional bourgeois concept of literature is that it’s a way to be alone; there’s a Jonathan Franzen book of essays called How to Be Alone. But I don’t want to be alone. I want to be with people….

(6) FREE READ. Sunday Morning Transport encourages subscriptions with a sample by Benjamin C. Kinney: “The Work-Clock”.

(7) SFF PUPPETRY. “‘The Immortal Jellyfish Girl’ Review: A 26th-Century Love Story” in the New York Times.

The first time Bug and Aurelia kiss is as romantic as can be, even if Bug has to get past his initial reaction. “That really hurts,” he says. “That stings so much!” Which is what you get when smooching a part-jellyfish humanoid.

Aurelia is the title character of “The Immortal Jellyfish Girl,” though if 23andMe still exists in her postapocalyptic world, it might locate traces of kangaroo, frog, naked mole rat and other beasties in her makeup. Above all, “she is also 100 percent puppet,” as the narrator, a mischievous masked fox in shorts and red tails, informs us.

Kirjan Waage and Gwendolyn Warnock’s play, devised with help from the ensemble and presented by Wakka Wakka Productions and the Norwegian company Nordland Visual Theater at 59E59 Theaters, is indeed a puppet show, and an ambitious one at that….

(8) MEMORY LANE.

2014 — [Compiled by Cat Eldridge.]

One of my absolutely favorite works is Seanan McGuire’s Ghost Roads series. It’s a perfect example of how excellent McGuire is as a writer with splendid, believable characters, especially Rose Marshall, the hitchhiking ghost who was a sixteen-year old prom date who never actually made it to her prom but was killed on her way there and now hitchhikes forever on America’s highways, both the real ones and the ghosts ones, a absolutely fascinating setting and a compelling story that McGuire has developed oh so very well across three novels.

(There is also three shorter pieces set here, “Good Girls go to Heaven”, “Train Yard Blues” and “The Ghosts of Bourbon Street”.)

One of those settings is the Last Dance Diner that exists on the Ghost Roads. Of it Rose says that, “When you die on the road, if you’re lucky, a phantom rider or a hitchhiking ghost will be there, waiting, to offer you directions to the Last Dance Diner. Best malts this side of the 1950s, pie to die for, and best of all, a chance to rest, for just a little while, before moving on . . . and everyone moves on, in the end.”

So the quote I’ve chosen is from the first novel of the series, Sparrow Hill Road, and concerns that Diner:

They have good beer here, these routewitches do, and their grill is properly aged, old grease caught in the corners, the drippings of a hundred thousand steaks and bacon breakfasts and cheeseburgers scraped from a can and used to slick it down before anything starts cooking. The plate they bring me groans under a triple-decker cheeseburger and a pile of golden fries that smell like summer nights and stolen kisses—and they smell, even before the platter hits the table.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born January 22, 1858 — Charles H. M. Kerr. He’s best remembered for illustrating the pulp novels of H. Rider Haggard. Some of his other genre-specific work includes the Andrew Lang-edited The True Story Book, Robert Louis Stevenson’s The Wrong Boxand Arthur Conan Doyle‘s “The Sign of the Four”. You can see the one of the H. Rider Haggard novels he did here. (Died 1907.)
Born January 22, 1906 — Robert E. Howard. He’s best remembered for his characters Conan the Barbarian and Solomon Kane, less so for Kull, and is widely regarded as the father of the sword and sorcery subgenre. His Cthulhu mythos stories are quite good. I believe all of these were publish in Weird Tales. If you’re interested in reading him on your slate, you’re in luck as all the usual suspects are deep stockers of him at very reasonable prices. (Died 1936.)
Born January 22, 1925 — Katherine MacLean. She received a Nebula Award for “The Missing Man” novella originally published in Analog in 1971. She was a Professional Guest of Honor at the first WisCon. Short fiction was her forte and her two collections, The Diploids and Other Flights of Fancy and The Trouble with You Earth People, are brilliant. I can’t speak to her three novels, all written in the Seventies and now out of print, only Missing Man is available from the usual suspects, and I’ve not read it. (Died 2019.)
Born January 22, 1934 — Bill Bixby. Principal casting in several genre series, first in My Favorite Martian as Tim O’Hara, a young newspaper reporter for the LA Sun who discovers that alien, and then as Dr. David Banner in The Incredible Hulk series, and in both The Incredible Hulk Returns and The Death of the Incredible Hulk films. He shows up in a number of other genre series including Fantasy Island, Tales of the Unexpected, Night Gallery, The Ghost & Mrs. Muir and The Twilight Zone (original version). He also had the lead as Anthony Blake / Anthony Dorian in The Magician series but as he was a stage illusionist, I couldn’t count it as genre… (Died 1993.)
Born January 22, 1940 — John Hurt. I rarely grieve over the death of one individual, but damn it I really liked him. It’s rare that someone comes along like Hurt who is both talented and is genuinely good person that’s easy to like. If we count his role as Tom Rawlings in The Ghoul, Hurt had an almost fifty-year span in genre films and series. He next did voice work in The Lord of the Rings (1978) as the voice of Aragorn, and later voiced General Woundwort in seven episodes of the Watership Down TV series.. He appeared as Kane, the first victim, in Alien (and had a cameo in Spaceballs parodying that performance.) Though not genre, I must comment his role as Joseph Merrick in The Elephant Man — simply remarkable. He had the lead as Winston Smith in 1984. He narrates Roger Corman’s Frankenstein Unbound and will later be one of two of the narrators of Jim Henson’s The Storyteller. That role is simply magnificent. Ok, I’m just at 1994. He’s about to be S.R. Hadden in Contact. Did you remember he played Garrick Ollivander in Harry Potter films? You certainly remember him as Trevor Bruttenholm in the Hellboy films, all four of them in total. He’s in Indiana Jones and the Kingdom of the Crystal Skull asDr. Harold Oxley, one of the few decent things about that film. Series wise, he’s been around. I’ve got him in Spectre, a Roddenberry occult detective pilot that I’ve not seen. On the Merlin live action series, he provides the voice of the Great Dragon. It’s an amazing role for him. And fitting that he’s a dragon, isn’t it? And of course, he played The War Doctor. It, despite the brevity of the screen time, was a role that he seemed destined to play. Oh, for an entire series of stories about his Doctor! Big Finish, the audiobook company, had the singular honor of having him flesh out his character in a series of stories that he did with them just before his death. I’ve heard some, they’re quite remarkable. If I’ve missed anything about him that you feel I should’ve touched upon, do tell me. (Died 2017.)

Born January 22, 1965 — Diane Lane, 58. I’ve got her as Ellen Aim in Streets of Fire which I count as genre. She’s Chief Judge Barbara Hershey in Judge Dredd, a film I’ll freely admit that I actually like because it catches the pop culture feel of the 2000 A.D. comics in a way the second film doesn’t. Next up for her is playing Mary Rice in Jumper. She’s been playing Martha Kent in the DC Universe films as of late.
Born January 22, 1969 — Olivia d’Abo, 54. She makes the Birthday Honors list for being Amanda Rogers, a female Q, in the “True Q” episode on Next Generation. Setting that gig aside, she’s got a long and extensive SFF series history. Conan the Destroyer, Beyond the Stars, Asterix Conquers America, Tarzan & Jane and Justice League Doom are some of her film work, while her series work includes Fantasy Island, Batman Beyond, Twilight Zone, Eureka and Star Wars: The Clone Wars.

(10) COMICS SECTION.

The Argyle Sweater was recommended by Rich Lynch because he thinks John Hertz will love it. Maybe you will, too?
Marmaduke keeps watching the skies – and it pays off!

(11) I’M SORRY, I’LL READ THAT AGAIN. Brian Keene says the says in his weekly Substack he’s been sorting through his and J.F. Gonzalez’s archives for things that will go to the University of Pittsburgh. In the middle of a paragraph this line caught my eye:

…There are some gems among the correspondence — letters between Richard Laymon and myself, letters between Robert Bloch and Jesus….

Well, Jesus was Gonzalez’s first name. But I knew Robert Bloch and for a moment I flashed on what seemed an unexpected discovery from his fertile imagination.

(12) DISNEY’S STAR WARS PLANS IN TROUBLE? [Item by Mike Kennedy.] Some aspects of Disney’s acquisition of Star Wars IP are working out great for them; others not so much. Because of underwhelming box office for several films, the concept of theatrical release for a movie a year has faltered. Partially counterbalancing that, the small screen Star Wars series on Disney+ have proved a buffer.

Star Wars theme park attractions seem to be doing great business, but it now develops that the Star Wars: Galactic Starcruiser theme hotel—where 2-night immersive experiences start at mid-four-figures—will be sitting empty part of the time. Disney has canceled several “voyages“ in July, August, and September. People who had already booked for those dates have been offered a 50% discount if they will accept a different date.

TheStreet.com has the full story. “Disney’s Huge Star Wars Bet May Be in Big Trouble”.

… “A number of our readers have also noticed Facebook posts which advertise the Star Wars: Galactic Starcruiser and include lesser known characters. There appear to be quite a few “absolutely loved this” posts from people claiming they were guests on the Star Wars: Galactic Starcruiser which if you look at their profiles have no info at all, no town, school, or jobs. This leads us to question their authenticity,” Theme Park Tourist alleged.

Overall, the cancellations are more troubling than potential fake reviews. It’s possible that Disney built an attraction with tremendous appeal, but a limited audience due to price and little reason for people to visit more than once. You can take your family on a Disney Cruise for 7 nights for less than what Galactic Starcruiser costs and that’s a lot easier to justify than a two-day trip.

(13) CLEANING UP AROUND THE HOUSE. Get your Digital Dishcloth: “May Godzilla Destroy This Home Last”.

PROTECTION FROM A GIANT LIZARD – This house blessing towel will definitely keep Godzilla from destroying your or your friend’s house! And not only that, it is also the perfect home decor for all lo

(14) VIDEO OF THE DAY. [Item by Mike Kennedy.] The genie makes it genre. The cat makes it perfect (???) for File 770. “Ryan George Compilation Part 1”.

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, Steven French, Rich Lynch, Olav Rokne, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Jamoche.]

2022 Seiun Award Winners

Posted on August 27, 2022 by Mike Glyer

The 2022 Seiun Awards were presented on August 27 at the 59th Japan Science Fiction Convention (F-CON) in Fukushima Prefecture.

Thanks to N. for providing the translations, who credits Terrie Hashmoto with tips and some of the translations. All titles are in English, with Romanji in the Long Work and Short Story categories. English titles, in the event of no existing English title, are translated.

BEST JAPANESE LONG WORK

[TIE]

Irina: The Vampire Cosmonaut (Tsuki to Raika to Nosferatu), by Keisuke Makino (Gagaga Bunko, 10/19, 7 volumes)
Man Kind, by Taiyo Fujii (S-F Magazine, serialization ended in August 2021 issue)

BEST JAPANESE SHORT STORY

“How to Defeat Science Fiction Writers” (SF Sakka no Taoshikata), by Satoshi Ogawa (Anomalous Papers, Kyosuke Higuchi, ed. Hayakawa, 10/19)

BEST TRANSLATED LONG WORK

Project Hail Mary, by Andy Weir (translated by Kazuko Onoda)

BEST TRANSLATED SHORT STORY

“The One With the Interstellar Group Consciousnesses” by James Alan Gardner (translated by Chiori Sada)

BEST DRAMATIC PRESENTATION

Godzilla Singular Point (TV anime)

BEST COMIC

Psychic Squad (Zettai Karen Children), by Takashi Shiina (63 volumes)

BEST ARTIST

Naoyuki Kato

BEST NONFICTION

Super Sentai (Illustrated Gakken Book), edited by Dai Matsui (Gakken)

FREE NOMINATION

The completion of Evangelion’s story in “Evangelion: 3.0+1.0” (1/23)

“The new movie version, which spanned almost 15 years since 2007, has finally come to an end. Starting from the TV series, it has been about 25 years. Many people did not live to see the end, and the conclusion of the event literally embodied the curse of Eva. We would like to pay tribute not only to the movie as a stand-alone product, but also to the completion of the series over the years.”

TWEETED ACCEPTANCE REMARKS

Best Long Work [Tie]:

“Man Kind,” which ended its serialization last year, has been selected for the 53rd Nebula Award in the Novel category.
Thank you to all of you who have been following my long serialization.

?????????????????????53????????????????????
???????????????????????????????
— ?? ??, Taiyo Fujii (@t_trace) August 27, 2022

The “Irina: The Vampire Cosmonaut” series has won the “Nebula Award, Japanese Novel Category”! (Simultaneously awarded with Mr. Taiyo Fujii)
We are very grateful for this wonderful honor and for all of you who supported us. Thank you so much!

????????????
????????????????????????????????????????????????????
??????????????????????????????????????????????????#????? pic.twitter.com/bm0qShV7vF
— ??????????????????? (@mkn_kei) August 27, 2022

Illustration celebrating “Irina: The Vampire Cosmonaut’s win by the character designer Hiromi Katou

Best Dramatic Presentation: Here is the award for Godzilla.

“Godzilla Singular Point” has won the 53rd Nebula Award in the media category!
Director Atsushi Takahashi took the stage at today’s award ceremony at the 59th Japan Science Fiction Convention F-CON.

Please enjoy #Godzilla SP on Blu-ray & DVD and Netflix!

?#???SP<?????????>????53??????????????????
?????59???SF?? F-CON?????????????????????

Blu-ray&DVD?Netflix?? #???SP ???????????? pic.twitter.com/wdVUn9Redu
— ???S.P??????????? ?? #???SP (@GODZILLA_SP) August 27, 2022

Best Comic:

“Zettai Karen Children” won the Nebula Award in the comic category. Thank you! Finally, I was recognized as a science fiction writer! From now on, it is now safe to call myself a “science fiction writer!” (How about that?)

????????????????????????????????????????????SF????????!!?????SF???????????????????(????????)
— ???? (@Takashi_Shiina) August 27, 2022

Best Nonfiction:

“#GAKKEN’s Illustrated Book: Super Sentai” won the Nebula Award!

We are very honored to announce that we have won the 53rd #Nebula Award for Nonfiction! Thank you very much for this very prestigious award! We would like to express my heartfelt thanks to all those who recommended and voted for this book!

?
???#??????????????????!!
?
?????53? #??? ?????????????????????????????????????????????????????????????????????????????????????? #?????? @sentai_official pic.twitter.com/LzMnvOScmM
— ???Gakken ?????? (@gkp_koho) August 27, 2022

Pixel Scroll 6/26/22 You Read 16 Scrolls, What Do You Get?

Posted on June 26, 2022 by Mike Glyer

(1) SURVIVAL THROUGH STORIES. John Wiswell’s Locus Award acceptance speech is well worth a moment to read: “’That Story Isn’t The Story’ wins the Locus Award for Best Novelette! Plus, my acceptance speech.” at Patreon.

…“That Story Isn’t The Story” is about growing while our trauma lives on inside of us, and while the sources of our trauma continue to live on around us, and often pursue us and belittle us. It’s about surviving by controlling our own stories, and the breath of life that comes from someone believing in you.
I’m certainly sitting here in part because of such believers….

(2) NOT SOMETHING SHE CONSIDERED A PREDICTION. In “Margaret Atwood: The Court Is Making Gilead Real “ the author comments on the draft decision of the ruling that was released this week.

…In the early years of the 1980s, I was fooling around with a novel that explored a future in which the United States had become disunited. Part of it had turned into a theocratic dictatorship based on 17th-century New England Puritan religious tenets and jurisprudence. I set this novel in and around Harvard University—an institution that in the 1980s was renowned for its liberalism, but that had begun three centuries earlier chiefly as a training college for Puritan clergy.
In the fictional theocracy of Gilead, women had very few rights, as in 17th-century New England. The Bible was cherry-picked, with the cherries being interpreted literally. Based on the reproductive arrangements in Genesis—specifically, those of the family of Jacob—the wives of high-ranking patriarchs could have female slaves, or “handmaids,” and those wives could tell their husbands to have children by the handmaids and then claim the children as theirs.
Although I eventually completed this novel and called it The Handmaid’s Tale, I stopped writing it several times, because I considered it too far-fetched. Silly me. Theocratic dictatorships do not lie only in the distant past: There are a number of them on the planet today. What is to prevent the United States from becoming one of them?
For instance: It is now the middle of 2022, and we have just been shown a leaked opinion of the Supreme Court of the United States that would overthrow settled law of 50 years on the grounds that abortion is not mentioned in the Constitution, and is not “deeply rooted” in our “history and tradition.” True enough. The Constitution has nothing to say about women’s reproductive health. But the original document does not mention women at all….

(3) STAKING A CLAIM. Emily Temple offers “A Close Reading of the Best Opening Paragraph of All Time” at Literary Hub. Surprise: it isn’t the first paragraph of Pride and Prejudice.

One hundred and one years ago today, Shirley Jackson was born. During her lifetime, she wrote “The Lottery,” and The Haunting of Hill House, and We Have Always Lived in the Castle, the latter of which features what I consider to be the best first paragraph of all time, or at least of any novel that I have ever read. Here it is:
“My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cup mushroom. Everyone else in my family is dead.”
It almost seems like overkill to explain why this paragraph is so wonderful….

(4) PRESENT AT THE CREATION. Here’s Rich Horton’s latest look at potential Hugo winners and nominees from the 1950s — this time, stories published in 1952 (first eligibility year of the Hugos): “Hugo Nomination Recommendations, 1953” from Strange at Ectbatan.

Continuing my project of suggesting potential Hugo nominees (and winners) for the early years of the Hugo — basically, pre-1958. Here’s a look at 1952. This is the year covered by the very first Hugos, from the 11th Worldcon, Philcon II, in Philadelphia, in September 1953. The only Fiction Hugo actually awarded went to Alfred Bester’s novel The Demolished Man. Apparently there were plans to name a Short Fiction winner, but there were insufficient votes….

(5) FANZINES ARCHIVED AT HARVARD. The article doesn’t have that much to say, but that it appears in Harvard Magazine might interest you: “The Geeky Underground”.

BEFORE HE WAS the acclaimed author of The Martian Chronicles and Fahrenheit 451, Ray Bradbury was just another teenage boy with a science-fiction zine. Pronounced “zeen,” these self-published, often-low-budget magazines are staples in subcultures and underground movements—including punk-rock devotees, palindrome-writers, and the riot grrrl feminists of the 1990s—but the medium first got its start in the 1930s, in the bedrooms and basements of devout sci-fi fans. Their zines, which helped launch genre legends like Bradbury and Robert A. Heinlein, were handmade, wacky, and delightful. A single issue might house a hand-drawn comic titled “The Return of the Space Boggle,” a poem about a ghost with dry skin, and an epistle from a teenaged sci-fi author on “the various problems connected with space travel that make it difficult to write up sex properly.”…

(6) SFF NONFICTION. Cora Buhlert’s new Non-Fiction Spotlight introduces us to By Your Side: The First 100 Years of Yuri Anime and Manga by Erica Friedman: “Non-Fiction Spotlight: By Your Side: The First 100 Years of Yuri Anime and Manga by Erica Friedman”.

Some people claim that the reason that SFF-related non-fiction books have increasingly been crowded out of the Best Related Work category at the Hugos is that there are not enough non-fiction books published every year to fill the Hugo ballot. This is wrong, since there is a wide spectrum of non-fiction books covering every SFF-related subject imaginable released every year. Today’s featured non-fiction book proves how wide that spectrum truly is, because it is a book about the history of lesbian relationships as portrayed in manga and anime.
Therefore I’m thrilled to welcome Erica Friedman, author of By Your Side: The First 100 Years of Yuri Anime and Manga to my blog today.
Tell us about your book.
My book is By Your Side: The First 100 Years of Yuri Anime and Manga.
Lesbian-themed animation and comics (and related media), known as “Yuri,” is the newest genre of Japanese pop culture. Even though it’s only been acknowledged as a separate genre for a little over a decade, Yuri has a literary and artistic history that can be traced back to the early 20^th century. My book is a series of interlocking lectures and essays that trace that history and bring the story of Yuri to the present. I cover key series and creators, as well as the efforts by creators and fans to carve out a space for ourselves in the larger Japanese pop culture fandom.

(7) CROMCAST PODCAST COVERAGE OF HOWARD DAYS. The good folks of The Cromcast have posted yet more recordings of the 2022 Robert E. Howard Days.

“Howard Days 2022 – Part 3 – The Glenn Lord Symposium!”

This recording from Friday, June 10th includes academic papers delivered by Drs. Dierk Guenther, Gabriel Mamola, and James McGlothlin. The panel is moderated by Dr. Jason Ray Carney.

The Robert E. Howard Celebration Banquet: “Howard Days 2022 – Part 4 – The Robert E. Howard Celebration Banquet!”

This recording is from Friday, June 10th, and is from the Robert E. Howard Celebration Banquet. The guest of honor is Fred Malmberg, who shares comments and stories about his years in the gaming industry, as well as the influence of Robert E Howard on the history of gaming. The guest of honor is introduced by Rusty Burke.

Interviews with Howard Days attendants: “Howard Days 2022 – Part 5 – Late Night Conversation at the Pavilion!”

For this recording, Josh and Luke are joined by various attendees for afterhours conversations on Friday, June 10th.

(8) BEYOND GAME OF THRONES. [Item by Cora Buhlert.] The Guardian has a very extensive interview with Emilia Clarke, which is easy to miss, because it was posted in the theatre section rather than the film or TV sections: “Emilia Clarke: ‘The best place in the world is backstage at a theatre’”.

…The actor is no stranger to the divisive power of art – on which more later – but the spare and lean production marks a pronounced change from the jobs she has done since being catapulted into superstardom by Game of Thrones in 2011. Following the phenomenally successful HBO series, in which she portrayed Daenerys Targaryen, Clarke has starred alongside Arnold Schwarzenegger in Terminator Genisys, played Han Solo’s love interest in Solo: A Star Wars Story and dressed as an elf in Paul Feig’s Emma Thompson-scripted romcom Last Christmas. She has won a Bafta Britannia award and been nominated for numerous Emmy, Screen Actors Guild and Critics’ Choice awards; in 2019, she was one of Time’s 100 most influential people….

(9) WOULD THAT BE A TOTAL OF SIX BODIES? Two adaptations of The Three Body Problem are moving forward.

“The Three-Body Problem: New Chinese Trailer, Key Art Poster Released”. Bleeding Cool covers new publicity for the Chinese adapation – see the poster at the link.

The Three-Body Problem by Chinese author Liu Cixin is the Science Fiction trilogy that’s made the biggest splash in the 21st Century, and a TV series adaptation is highly anticipated by fans. Just this week, Chinese studio Tencent released a poster and the second trailer for the Chinese TV adaptation.
…The first trailer for the Chinese version of The Three-Body Problem was released back in November 2021. So far, no premiere date for the series has been announced. Reports on Chinese social media suggest that the series is currently being re-edited to get approval from government censors before a release date can be determined. That means the whole series has been shot….

In the U.S., The Hollywood Reporter named new members of the cast: “Netflix’s ‘3 Body Problem’ Casts Another ‘Game of Thrones’ Alum”.

The drama series adapted from Liu Cixin’s Hugo Award-winning trilogy has added four more actors to its sprawling ensemble, The Hollywood Reporter has learned.
Jonathan Pryce (The Crown), Rosalind Chao (Better Things), Ben Schnetzer (Y: The Last Man) and Eve Ridley (Peppa Pig) have joined the show….

(10) THIS FILM HAS NO DICK. Den of Geek’s Ryan Britt and the headline writer did not have a meeting of the minds about his post “Blade Runner Became a Sci-fi Classic by Being a Terrible Philip K. Dick Adaptation”.

The title of the 1982 film Blade Runner is taken directly from a book. Well, from two books: the 1979 novella Blade Runner (a movie) by William S. Burroughs, which, in turn, was based on the 1974 novel The Bladerunner by Alan E. Nourse. Both of those books are science fiction stories set in the near future, but have nothing to do with escaped androids. Instead, the movie’s plot is based on the 1968 novel by Philip K. Dick called Do Androids Dream of Electric Sheep? It’s tempting to say that Ridley Scott’s science fiction masterpiece took the name Blade Runner and slapped it on a Philip K. Dick story, but the truth is, Blade Runner succeeds because it’s not really an adaptation of anything….

(11) MEMORY LANE.

1963 – [By Cat Eldridge.] So fifty-nine years ago on this evening, like peanut butter and chocolate two great monsters united when King Kong Vs. Godzilla premiered. Really would I kid you? (Well I would and you well know it, but that’s why for a different discussion, isn’t it?)

Not at all surprisingly, this Japanese kaiju film was directed by Ishirō Honda, with the special effects by Eiji Tsuburaya. Nine years previously, Honda directed and co-wrote Godzilla of which Tsuburaya is considered the co-creator.

The script was Shinichi Sekizawa, mostly known, again not surprisingly, for his work on the Godzilla films but he did some other genre work such as Gulliver’s Travels Beyond the Moon and Jack and the Witch.

It started out as a story outline written by King Kong stop motion animator Willis O’Brien in the early Sixties in which Kong battles a giant Frankenstein Monster. The idea was given to the Tojo film company without his permission and they decided Godzilla would be a bigger draw.

An individual by the name of Merian C. Cooper filed a lawsuit against the film showing here claiming he had exclusive right to the King Kong character in the United States, a claim that the film distributor quickly refuted as it turned out many individuals did.

It had already been the single most popular Godzilla film in Japan before it showed here and remains so to date. It made nearly three million here, not bad considering its tiny budget of four hundred thousand— two men in suits don’t cost much, do they? — so the film made twenty times that in its first run. Monsters rock!

The Hollywood Reporter liked it: “A funny monster picture? That’s what Universal has in “King Kong Versus Godzilla.” Though the New York Times noted “The one real surprise of this cheap reprise of earlier Hollywood and Japanese horror films is the ineptitude of its fakery. When the pair of prehistoric monsters finally get together for their battle royal, the effect is nothing more than a couple of dressed-up stuntmen throwing cardboard rocks at each other.”

Audience reviewers at Rotten Tomatoes give a so-so rating of fifty six percent.

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

Born June 26, 1904 — Peter Lorre. I think his first foray into genre was in the Voyage to the Bottom of the Sea film as Comm. Lucius Emery though he was in an Americanized version of Casino Royale as Le Chiffre which was an early Fifties episode of the Climax! series. (James Bond was called Jimmy. Ooh the horror!) Other genre roles were in Tales of Terror as Montresor in “The Black Cat” story, The Raven as Dr. Adolphus Bedlo and The Comedy of Terrors as Felix Grille. (Died 1964.)
Born June 26, 1910 — Elsie Wollheim. She was one of the original Futurians of New York, and assisted them in their publishing efforts, and even published Highpoints, her own one-off fanzine. She married Donald A. Wollheim in 1943. When he started DAW Books in 1972, she was the co-founder, and inherited the company when he died. Their daughter Elizabeth (Betsy) now runs the company along with co-publisher and Sheila E. Gilbert. (Died 1996.)
Born June 26, 1950 — Tom DeFalco, 72. Comic book writer and editor, mainly known for his work at Marvel Comics and in particular on the Spider-Man line. He designed the Spider-Girl character which was his last work at Marvel as he thought he was being typecast as just a Spider-Man line writer. He’s since been working at DC and Archie Comics.
Born June 26, 1965 — Daryl Gregory, 57. He won a Crawford Award for his Pandemonium novel. And his novella We Are All Completely Fine won the World Fantasy Award and a Shirley Jackson Award. It was also a finalist for the Sturgeon Award. I’m also fond of his writing on the Planet of The Apes series that IDW published.
Born June 26, 1969 — Lev Grossman, 53. Most noted as the author of The Magicians trilogy — The Magicians, The Magician King and The Magician’s Land. Winner of the Astounding Award for Best New Writer. He wrote the screenplay for The Map of Tiny Perfect Things film which was based off his short story of that name. I hear his Magicians trilogy has been made into a series — who’s seen it?
Born June 26, 1969 — Austin Grossman, 53. Twin brother of Lev. And no, he’s not here just because he’s Lev’s twin brother. He’s the author of Soon I Will Be Invincible which is decidedly SF as well as You: A Novel (also called YOU) which was heavily influenced for better or worse by TRON and Crooked, a novel involving the supernatural and Nixon. He’s also a video games designer, some of which such as Clive Barker’s Undying and Tomb Raider: Legend are definitely genre.
Born June 26, 1980 — Jason Schwartzman, 42. He first shows up in The Hitchhiker’s Guide to the Galaxy as Gag Halfrunt, Zaphod Beeblebrox’s personal brain care specialist. (Uncredited initially.) He was Ritchie in Bewitched, and voiced Simon Lee in Scott Pilgrim vs. the Animation. He co-wrote Isle of Dogs alongwith Wes Anderson, Roman Coppola, and Kunichi Nomura. I think his best work was voicing Ash Fox in Fantastic Mr. Fox.
Born June 26, 1984 — Aubrey Plaza, 38. April Ludgate on Parks and Recreation which at least one Filer has insisted is genre. She voiced Eska in recurring role on The Legend of Korra which is a sequel to Avatar: The Last Airbender. She was in Scott Pilgrim vs. the World as Julie Powers. And she was Lenny Busker on Legion.

(13) COMICS SECTION.

Shoe today is about a cat, so of course it belongs in the Scroll.
Funky Winkerbean is about vows from a sacred text – of sorts.

(14) BELLE REVISIONED. “For the Most Complex Heroines in Animation, Look to Japan” says the New York Times.

At a time of widespread debate over the depiction of women in film, the top Japanese animators have long been creating heroines who are more layered and complex than many of their American counterparts. They have faults and weaknesses and tempers as well as strengths and talents. They’re not properties or franchises; they’re characters the filmmakers believe in.
… Because Japanese animated features are made by smaller crews and on smaller budgets than those of major American films, directors can present more personal visions. American studios employ story crews; Hosoda, Hayao Miyazaki, Makoto Shinkai and other auteurs storyboard entire films themselves. Their work isn’t subjected to a gantlet of test audiences, executive approvals or advisory committees….

(15) BOTTOM OF THE BARREL. Slashfilm curates the worst times to come: “Dystopian Sci-Fi Movie Worlds Ranked By How Horrible They’d Be To Live In”.

We love dystopias. There’s something shuddery and intriguing about exploring a world that’s a lot like ours, but there’s something wrong with it. We fall to the allure of it. Sure, this brave new world is terrible, but how cool would it be to survive? Maybe even become a hero? And for many of our favorite dystopian stories, survivability feels possible — at least for a while. These scenarios borrow from today and hold warnings about what tomorrow could be unless we act. We feel prepared by watching them. We feel, for a little while, empowered.
… These stories are about people’s extraordinary efforts to thrive, and sometimes they fail. Let’s explore some of our favorite dystopias and imagine what it would be like to try and live in them.
5. Snowpiercer
Stylistically similar to Terry Gilliam’s “Brazil,” “Snowpiercer,” directed by Bong Joon-ho, is an adaptation of a French comic that foretells a world of few survivors on a frozen Earth. Society is packed into trains that run ceaselessly across the world. Classism allows the elite to feast on the plight of the poor. If you were trapped in a world like this one, imagine the smell. Even in the forward cars, people smell in closed quarters. Water is at a premium. The stink of the train’s oils and electricity will always be in the air.
As in “Elysium,” there’s a chance you might find yourself among the privileged, but it’s far likelier you’ll be in the cattle cars. Sure, there’s a guy that looks like Chris Evans, but your fate could be as simple as winding up an awful-tasting protein bar for your friends to eat. It’s life, of a sort, but it’s not desirable. The end of the film suggests that the world beyond the train is healing, and someone with a gift for survivalism and the right gear to keep warm might make it — but to do what? It’s going to be decades of hard living and starvation before the first villages thrive.

(16) UP AGAINST THE WALL-E. Proving that sf has plenty of painful futures to go around, this Inverse article is about one film that didn’t even make Slashfilm’s list: “The best post-apocalypse movie of the century reveals a dark debate over humanity’s future”.

… Released by Pixar in 2008, Wall-E was ahead of its time on AI sentience, automation of the workforce, and interstellar travel. But perhaps the movie’s most timely theme is its complicated environmental message.
While the climate crisis isn’t overtly mentioned, it’s probably safe to assume it had a role in turning our planet teeming with life into a barren wasteland devoid of sentient life — save for the garbage-collecting robot known as “Wall-E.” And in the years since, this kind of lifeless apocalyptic setting has become far more common in Hollywood sci-fi movies, reflecting the growing trend of “climate doom” in real life.
But what is “climate doom” and are we really doomed to the future seen in the movie. Or can climate optimism win out and save our planet before we turn it into a gloomy garbage heap a la Wall-E?…

(17) SPLAT. NASA spotted a couple new holes in the Moon, and they know what made them, but not who: “Rocket Impact Site on Moon Seen by NASA’s Lunar Reconnaissance Orbiter”. Photo at the link.

Astronomers discovered a rocket body heading toward a lunar collision late last year. Impact occurred March 4, with NASA’s Lunar Reconnaissance Orbiter later spotting the resulting crater. Surprisingly the crater is actually two craters, an eastern crater (18-meter diameter, about 19.5 yards) superimposed on a western crater (16-meter diameter, about 17.5 yards).
The double crater was unexpected and may indicate that the rocket body had large masses at each end. Typically a spent rocket has mass concentrated at the motor end; the rest of the rocket stage mainly consists of an empty fuel tank. Since the origin of the rocket body remains uncertain, the double nature of the crater may indicate its identity.

[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Cora Buhlert, Daniel Dern, Michael J. Walsh, Chris Barkley, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Cora Buhlert.]

Pixel Scroll 4/7/21 Pixels Who Need Pixels Are The Luckiest Pixels In The Scroll

Posted on April 7, 2021 by Mike Glyer

(1) AN APPEAL. [Item by rcade.] In a series of tweets Tuesday, Astounding Award winner Jeannette Ng asks for more nuanced takes on problematic elements of literary works and less pat conclusions about what they reveal about the author. Thread starts here.

The point of literary analysis shouldn't be to separate out works into the Elect and the Damned. It's not a quest to find the one pure and unproblematic work. Nor should it be all about ferreting out secret bad people through their opaque word codes.
— Jeannette Ng ??? (@jeannette_ng) April 6, 2021

It's a very limiting lens to view art. Sometimes we write ourselves as the bad guys because we are sick of handwringing moral guardians. Sometimes we write about tragedy not to punish or to romanticise, but as a memorial. Sometimes we write a power fantasy because it's just fun.
— Jeannette Ng ??? (@jeannette_ng) April 6, 2021

One of the commenters references the literary critic F. R. Leavis.

https://twitter.com/wim_owe/status/1379500086917357568

Leavis was an influential British critic who took the position that a great work must be a demonstration of the author’s intense moral seriousness and that by reading it “the reader would acquire moral sensibility — a sense of what was true and good — which transcended social differences,” according to the Cambridge History of Literary Criticism.

(2) HE HAS THE ANSWER – DO THEY HAVE THE RIGHT QUESTION? “Fans campaign for LeVar Burton to host ‘Jeopardy!’” reports the New York Post.

… “Leaving this here in the event that the powers that be are listening,” Burton, 64, tweeted Monday alongside a petition started by a fan of the beloved “Star Trek” actor. The document boasted over 130,000 signatures as of Tuesday morning.
The petition comes amid a feverish push on Twitter for the wholesome television icon to host the gameshow.

(3) NEXT ON NETFLIX. Yahoo! assures fans “Jupiter’s Legacy Trailer Packs Superpowered Family Drama”.

…We also get brief snippets about the origin of Sheldon (a.k.a. The Utopian) and his cohort’s powers; the trailer ominously teases the long-ago events “on the island” that turned a group of mere mortals into superhuman beings. (This group would then bear the name The Union). More will reveal as the series approaches, and we’re looking forward to unwrapping some of these mysteries once it hits Netflix on May 7.

(4) BUSTED. In “Cracking the Case of London’s Elusive, Acrobatic Rare-Book Thieves”, Marc Wortman tells Vanity Fair readers

Impossible,” said David Ward. The London Metropolitan Police constable looked up. Some 50 feet above him, he saw that someone had carved a gaping hole through a skylight. Standing in the Frontier Forwarding warehouse in Feltham, West London, he could hear the howl of jets from neighboring Heathrow Airport as they roared overhead.
At Ward’s feet lay three open trunks, heavy-duty steel cases. They were empty. A few books lay strewn about. Those trunks had previously been full of books. Not just any books. The missing ones, 240 in all, included early versions of some of the most significant printed works of European history.
Gone was Albert Einstein’s own 1621 copy of astronomer Johannes Kepler’s The Cosmic Mystery, in which he lays out his theory of planetary motion. Also missing was an important 1777 edition of Isaac Newton’s Mathematical Principles of Natural Philosophy, his book describing gravity and the laws of physics. Among other rarities stolen: a 1497 update of the first book written about women, Concerning Famous Women; a 1569 version of Dante’s Divine Comedy; and a sheath with 80 celebrated prints by Goya. The most valuable book in the haul was a 1566 Latin edition of On the Revolutions of the Heavenly Spheres, by Copernicus, in which he posits his world-changing theory that Earth and the other planets revolve around the sun. That copy alone had a price tag of $293,000. All together, the missing books—stolen on the night of January 29, 2017, into early the next day—were valued at more than $3.4 million. Given their unique historical significance and the fact that many contained handwritten notes by past owners, most were irreplaceable.
Scotland Yard’s Ward was stunned. He couldn’t recall a burglary like this anywhere. The thieves, as if undertaking a special-ops raid, had climbed up the sheer face of the building. From there, they scaled its pitched metal roof on a cold, wet night, cut open a fiberglass skylight, and descended inside—without tripping alarms or getting picked up by cameras.…

(5) BOOKS FOR PRISONERS ASKED. [Item by rcade.] The shelves of the Appalachian Prison Book Project are running low on science fiction and fantasy, the charity revealed recently in a tweet:

We are almost out of science fiction books and running low on fantasy books, two of our most requested genres! Can you help?

If you’ve got any gently used paperback science fiction or fantasy books, we love to have them. pic.twitter.com/QXXBYO1qaf
— Appalachian Prison Book Project (@AppalachianPBP) March 25, 2021

The project sends free books to people imprisoned in Kentucky, Maryland, Ohio, Tennessee, Virginia and West Virginia.

They seek new and used paperbacks only and have more detailed donation guidelines on their website.

“We receive about 200 letters every week from people incarcerated in our region,” a project coordinator told File 770 in email. “It’s a wide range of requests. Generally, people choose a few genres they are interested in to ask about in their letter. We have sci-fi and fantasy as two separate categories on our genre list, and we don’t include subgenres, so people choose whatever genres they want to read.”

Asked if there are particular preferences within SFF, the coordinator replied, “We occasionally get requests for specific authors, but unless they have a specific title in mind, most people list themes and topics. For example, thay may want to read books about time travel or vampires or wizards or interstellar exploration. It’s our volunteers who search through our donated books to find the best fit for them.”

The charity’s Voices from the Inside page shares testimonials from grateful prisoners about the books they’ve received.

A prisoner in Whiteville, Tennessee, praised a 2002 vampire novel by Simon Clark: “Thank you so much for my copy of Vampyrrhic! I loved it! As I have said before not many people want to fool with us old convicts.”

Donations of books should fill no more than two medium-sized boxes and be sent using the U.S. Postal Service to this address:

Appalachian Prison Book Project
PO Box 601
Morgantown, WV 26507

(6) CALLING 1984. Not that 1984. I mean the year that gave us Ghostbusters and the line “I tried to think of the most harmless thing. Something I loved from my childhood. Something that could never ever possibly destroy us. Mr. Stay Puft!” “Ghostbusters: Afterlife unleashes a mini Stay Puft army in first clip” – SYFY Wire sets the scene.

The iconic Stay Puft Marshmallow Man is coming back in Ghostbusters: Afterlife, but he’s a lot smaller and more numerous than you remember. In the first official clip from director Jason Reitman’s long-delayed film, seismologist Mr. Grooberson (Ant-Man‘s Paul Rudd) comes across a army of mini Stay Puft men while shopping for ice cream.
They’re wreaking absolute havoc in the store, riding around on Roombas and roasting each other on BBQs (their chaotic antics bringing to mind Joe Dante’s Gremlins and composer Rob Simonsen subtly pays homage to Elmer Bernstein’s eerie score from 1984). Don’t be fooled by their cuteness, though — Grooberson attempts to poke one of the Stay Puft men in the stomach — à la the Pillsbury Doughboy — with painful results.

(7) MEDIA BIRTHDAY.

April 7, 1933 — On this day in 1933, King Kong premiered. It was directed and produced by Merian C. Cooper and Ernest B. Schoedsack. The screenplay was written by James Ashmore Creelman and Ruth Rose from an idea by Merian C. Cooper and Edgar Wallace. It stars Fay Wray, Bruce Cabot and Robert Armstrong. Critics mostly loved it, the box office was quite amazing and the audience reviewers at Rotten Tomatoes currently give it an astonishing ninety eighty percent approval rating. It has been ranked by Rotten Tomatoes as the fourth greatest horror film of all time. You can watch it here as it’s very much in the public domain.

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born April 7, 1882 – Ogawa Mimei. (Personal name last, Japanese style.) Called the founder of Japanese fairy tales. The 2018 collection under that name has “The Mermaid and the Red Candles”, five more. See another story here – I mean that, do see it. (Died 1961) [JH]
Born April 7, 1915 — Stanley Adams. He’s best known for playing Cyrano Jones in “The Trouble with Tribbles” Trek episode. He reprised his role in the Star Trek: The Animated Series episode “More Tribbles, More Troubles” and archival footage of him was later featured in the Deep Space Nine “Trials and Tribble-ations” episode. He also appeared in two episodes of the Batman series (“Catwoman Goes to College” and “Batman Displays his Knowledge”) as Captain Courageous. (Died 1977.) (CE)
Born April 7, 1915 — Henry Kuttner. While he was working for the d’Orsay agency, he found Leigh Brackett’s early manuscripts in the slush pile; it was under his guidance that she sold her first story to Campbell at Astounding Stories. His own work was done in close collaboration with C. L. Moore, his wife, and much of what they would publish was under pseudonyms. During the Forties, he also contributed numerous scripts to the Green Lantern series. He’s won two Retro Hugos, the first at Worldcon 76 for “The Twonky” short story, the second at Dublin 2019 for “Mimsy Were the Borogoves”. (Died 1958.) (CE)
Born April 7, 1928 — James White. Certainly the Sector General series which ran to twelve books and ran over thirty years of publication was his best known work. I’ve no idea how many I read but I’m certain that it was quite a few. I’m not sure what else by him I’ve read but I’m equally sure there was other novels down the years. It appears that only a handful of the novels are available from the usual suspects. (Died 1999.) (CE)
Born April 7, 1930 – Ronald Mackelworth. Five novels “usually involving complex but rarely jumbled plotting” (John Clute), a score of shorter stories. Here is a Barbara Walton cover for Firemantle. (Died 2000) [JH]
Born April 7, 1935 – Marty Cantor, age 86. Long-time fanziner; self-knowledge entitled his Hugo-finalist (as we must now say) fanzine Holier Than Thou; with another, No Award, I could tell him “You are worthy of No Award, and No Award is worthy of you.” While he & Robbie Bourget were married they were elected DUFF (Down Under Fan Fund) delegates together, publishing two reports, one each, bound head-to-tail like an Ace Double; they were Fan Guests of Honor at Alternacon. MC later chaired Corflu 34 (fanziners’ con; corflu = mimeograph correction fluid, once indispensable), published Phil Castora’s memoir Who Knows What Ether Lurks in the Minds of Fen? Arrived among us in his forties, an exception to yet another theory. Earned LASFS’ Evans-Freehafer Award Los Angeles Science Fantasy Soc.; service). [JH]
Born April 7, 1939 — Francis Ford Coppola, 82. Director / Writer / Producer. THX 1138 was produced by him and directed by George Lucas in his feature film directorial debut in 1971. Saw it late at night after some serious drug ingestion with a red head into Morrison — strange experience that was. Other genre works of note include Bram Stoker’s Dracula, a episode of Faerie Tale Theatre entitled Rip Van Winkle, Twixt (a horror film that I’m betting almost no one has heard of), Captain EO which featured Michael Jackson, Mary Shelley’s Frankenstein, Jeepers Creepers and Jeepers Creepers 2. (CE)
Born April 7, 1945 – Susan Petrey. Six novels, nine shorter stories. Her vampires are non-supernatural. Interviewed in Lightspeed. Good writing and an early death prompted a Clarion scholarship in her name. (Died 1980) [JH]
Born April 7, 1946 — Stan Winston. He’s best known for his work in Aliens, the Terminator franchise, the first three Jurassic Park films, the first two Predator films, Batman Returns and Iron Man. (He also did the Inspector Gadget film which I still haven’t seem.) He was unusual in having expertise in makeup, puppets and practical effects, and was just starting to get in digital effects as well upon the time of his passing. I think we sum up his talent by noting that he won an Oscars for Best Visual Effects and Best Makeup for his work on Terminator 2: Judgment Day. (Died 2008.) (CE)
Born April 7, 1951 — Yvonne Gilbert, 70. Though best remembered for her controversial cover design of Frankie Goes To Hollywood’s 1983 single “Relax”, she did a number of great genre covers including Le Guin’s A Wizard of Earthsea for Bantam in 1991 and Beagle’s A Dance for Emilia for Roc in 2000. (CE)
Born April 7, 1981 – Lili Wilkinson, Ph.D., age 40. A novel and two shorter stories for us; many others (I’m not counting e.g. Joan of Arc). Won a stopwatch in a Readathon. Established Inky Awards at the Centre for Youth Literature, State Library of Victoria. [JH]
Born April 7, 1982 – Zoë Marriott, age 39. Nine novels. Sasakawa Prize. Two cats, one named Hero after the Shakespearian character (hurrah! she’s so cool! – JH), and the other Echo after the nymph in Greek myth. Finishes a list of favorite songs with Spem in alium (hurrah! hurrah!). [JH]

(9) COMICS SECTION.

Shoe’s answer to a science question might qualify as science fantasy.

(10) SO THE ONE THING CAPTAIN AMERICA AND VOX DAY HAVE IN COMMON IS THEY BOTH DISLIKE THIS GUY? The Captain America comic portrays Red Skull as suspiciously close to Jordan Peterson…and Peterson decided to lean into it. Which is kind of hilarious. “Captain America supervillain the Red Skull has been behaving a lot like Jordan Peterson lately, thanks to Ta-Nehisi Coates” at Slate.

Jordan Peterson is a Canadian professor of psychology who was embraced by right-wingers in 2016 after refusing to honor his students’ requests to use their preferred pronouns, then leveraged his YouTube channel and fear of political correctness to build a career as a self-help guru to the alt-right. He also appears to be the basis for the current incarnation of Marvel’s Nazi supervillain the Red Skull, who has returned to the comic book universe courtesy of Between the World and Me writer Ta-Nehisi Coates. Coates is currently wrapping up a 2½-year run on Captain America, and in Captain America No. 28, which was released on March 31, the Red Skull has a YouTube channel that looked very familiar to Peterson, except for the red skull part…

Contributors to the Atlantic like Ta-Nehisi Coates are moving on to comics.@jordanbpeterson let me know if any of this looks familiar. pic.twitter.com/93hiH0UPER
— Seth (@DidymusSeth) April 5, 2021

Do I really live in a universe where Ta-Nehisi Coates has written a Captain America comic featuring a parody of my ideas as part of the philosophy of the arch villain Red Skull? https://t.co/waFsAvWlfd
— Dr Jordan B Peterson (@jordanbpeterson) April 6, 2021

If for some inexplicable reason you want a more serious look at the topic, there’s Camestros Felapton’s “A short Twitter diversion on Jordan Peterson” and The Mary Sue’s “Jordan Peterson Mad He Inspired Ta-Nehisi Coates’ Red Skull”.

(11) LATE NIGHT. In Stephen Colbert’s “Quarantinewhile…” segment a University of Illinois gymnast sticks his vault and then brandishes his COVID-19 vaccine certificate, immediately followed by a reference to our favorite AI researcher, Dr. Janelle Shane, who taught AI to generate pickup lines. (For the background, see Vice’s article “A Scientist Taught AI to Generate Pickup Lines. The Results are Chaotic”.

(12) CHINA’S ANSWER TO SPOT? [Item by Mike Kennedy.] IFL Science introduces a “Video Showing ‘Robot Army’ Released By Chinese Robotics Company”. The story includes two tweets with embedded videos. The one with a large number of robot dogs where they just stand up then lay back down appears to me to be real. The other one, where they do tricks together, is pretty clearly CGI layered over the real world.

Unitree Robotics appears to be China’s answer to Boston Dynamics, designing and manufacturing mobile, autonomous four-legged robots that are able to handle obstacles and right themselves after a stumble.

Their products are all variants of a similar dog-like design, including BenBen, Aliengo, Laikago, and A1….

(13) A TIDY PROFIT. AP’s story entitled “Man, a steal! Rare Superman comic sells for record $3.25 million” says that Comicconnect.com sold a copy of Action Comics #1 yesterday for $3.25 million, beating the old record of $3.2 million.

One of the few copies of the comic book that introduced Superman to the world has sold for a super-size, record-setting price.
The issue of Action Comics #1 went for $3.25 million in a private sale, ComicConnect.com, an online auction and consignment company, announced Tuesday.
It narrowly bested the previous record for the comic, set in the auction of another copy in 2014 for slightly over $3.2 million.
The comic, published in 1938, “really is the beginning of the superhero genre,” said ComicConnect.com COO Vincent Zurzolo, who brokered the sale.
It told readers about the origins of Superman, how he came to Earth from another planet and went by Clark Kent.
The seller of this particular issue bought the comic in 2018 for slightly more than $2 million.

(14) DISCOVERY’S NEW SEASON. “Star Trek: Discovery Season 4 Trailer Faces an Unknown Threat” promises Coming Soon.

Paramount+ has released the first trailer for the upcoming fourth season of Star Trek: Discovery, which is set to premiere later this year. The video features Sonequa Martin-Green’s Captain Burnham as she leads the crew against an unknown threat that could possibly destroy all of them without any warning.

"We are not in this alone."

Star Trek: Discovery season four, coming soon ? #StarTrekDiscovery #FirstContactDay pic.twitter.com/ZRoI2QRNqp
— Star Trek (@StarTrek) April 5, 2021

(15) BURGER COSPLAY. [Item by Daniel Dern. Except for tasteless quote selected by OGH.] Given Kevin Smith’s sf activities, e.g., writing comics like the (wonderful) Green Arrow Quiver series (plot arc?), some involvement with the semi-recent WB “Crisis” episodes (or at least one of the aftershows) and other stuff i can’t remember – let’s mention “Kevin Smith talks fast food ahead of his Boston pop-up restaurant ribbon-cutting”. (I saw this info as an article in today’s Boston Globe, but I know the MSN link isn’t paywalled..)

Boston’s House of Blues will transform into a pop-up Mooby’s, the fictional burger chain that appears in various Kevin Smith movies, April 8-16.

Fans will remember the mascot, Mooby the golden calf, that enrages Matt Damon and Ben Affleck’s characters in “Dogma.” Chris Rock’s character eats at a Mooby’s in the same film. Mooby’s also appears in “Jay and Silent Bob Strike Back” and “Clerks II.”…

Q. So why Boston?
A. House of Blues reached out, and said: We’d do that. We never pressure anybody. We just wait for folks to reach out. The good thing about Mooby’s is it’s fake, so [no matter what building you dress up] people can’t say: ‘Well this don’t look like Mooby’s!’ Well what does? How many Mooby’s you been to exactly? Give us a day, and Derek will make it a Mooby’s.
Q. What’s your favorite menu item?
A. There’s a chicken sandwich in ‘Jay and Silent Bob Reboot’ called ‘Cock Smoker.’ We have that on our menu. It’s awesome to watch people try to order it in person. Generally everything is done on the reservation system in advance, but in LA, toward the end of the run, we opened it up [to walk-ins] and had four older ladies, each of giggling harder than the next when they ordered ‘Cock Smokers.’ I won’t get rich off restaurants, but that is wealth that you can’t measure.

(16) VIDEO OF THE DAY. In “Godzilla Vs. Kong” on Honest Trailers, the Screen Junkies say the film has such poor continuity with its two predecessors that it has “characters who forgot to mention they were related,” “characters they forgot to mention entirely” and a major plot point that didn’t appear in the two earlier films. And watch out for Brian Tyree Henry as an annoying exposition-spouting podcaster! BEWARE SPOILERS.

[Thanks to Mike Kennedy, Michael Toman, Jennifer Hawthorne, John King Tarpinian, Martin Morse Wooster, JJ, Cat Eldridge, Daniel Dern, John Hertz, Alan Baumler, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of the day rcade.]

Pixel Scroll 4/5/21 You Say Pixels Go, I Say Here We Scroll

Posted on April 5, 2021 by Mike Glyer

(1) IS CLI-FI PART OF THE PROBLEM? BBC World Service’s The Climate Question asks a panel including Ken Liu “Is science fiction holding back climate action?” (23 minute audio.)

For centuries, we’ve been reading, watching and listening to science fiction. And all too often, it’s pretty pessimistic about our future, especially when it touches on the topic of climate change.

This is leading some to ask whether these doom and gloom stories are doing the climate fight more harm than good – causing us to feel so anxious and powerless that we don’t take action.

So for this week’s climate question, we’re asking: Is sci-fi holding us back?

Graihagh Jackson is joined by:
Amy Brady, editor-in-chief of the Chicago Review of Books, where she writes a monthly column called Burning Worlds. In it she explores how fiction addresses climate change.

Cheryl Slean is a playwright, filmmaker and educator working with the National Resource Defense Council’s Re-write the Future campaign to increase accurate climate stories in film and television.

Ken Liu is a futurist and author of speculative fiction. He has won the Nebula, Hugo, and World Fantasy awards. His debut novel, The Grace of Kings, is the first volume in a silkpunk epic fantasy series.

(2) LAWSUIT EVAPORATES. The case has now been dismissed: “Guillermo del Toro named ‘true creator’ of The Shape of Water as plagiarism suit ends” reports Entertainment Weekly. Del Toro had won the lower court decision, which the plaintiff appealed in the federal Ninth Circuit.

Guillermo del Toro and his Oscar-winning Shape of Water team have emerged unscathed from the depths of a copyright lawsuit claiming that the Best Picture winner plagiarized the work of the late playwright Paul Zindel.
In a statement provided to EW, film distributor and production company Searchlight Pictures (formerly Fox Searchlight) indicated that the legal action against del Toro and associate producer Daniel Kraus had been dismissed after the Zindel estate’s attorney, Marc Toberoff, previously cited 69 points of alleged similarities between the 1969 stage play Let Me Hear You Whisper (about a woman who bonds with a lab dolphin) and del Toro’s movie (about a woman, played by Sally Hawkins, who bonds with a humanoid sea creature, played by Doug Jones, in a research facility).
“David Zindel, the son of Paul Zindel, author of Let Me Hear You Whisper, acknowledges, based on confidential information obtained during the litigation process, that his claims of plagiarism are unfounded,” the statement said. “He acknowledges Guillermo del Toro as the true creator of The Shape of Water. Any similarity between the two works is coincidental.”
… Both sides were reportedly slated to present additional information this year, and a trial had been set for July before the case was dropped.

(3) HOMETOWN PAPER SALUTES NEW F&SF EDITOR. The Daily Memphian profiles Sheree Renée Thomas: “Memphis writer emerges as a major player in the sci-fi world”.

… She says her family’s gathering and bonding time was spent watching movies and television, and they were big horror fans. And then she would realize that movies that she watched had sometimes been classic books. Then she would read those.
“That’s what I remember getting really excited about early on,” she said. “And then I started reading more science fiction work. And the writer that stood out the most for me, that I enjoyed consistently, was Ray Bradbury.”
Bradbury told stories in clear, sometimes lyrical prose, she said. And he had a great sense for characterization.
“People came alive in his writing,” Thomas said.
She can’t pinpoint when she moved from reading to writing, too. “I don’t know if it was a conscious thing. I felt like, ‘I’m consuming these other stories, whether it was a movie or I’m reading it, someone sat down to write those and my head was full of thoughts.’”
Thomas recalls that her interest in science fiction waned for a time because of the way Black people were depicted in the stories: “Either we weren’t in the future, or if we were present in the storytelling it wasn’t in a very complimentary light or wasn’t in a way which characters had agency, or operated or moved in ways that you could recognize as having been a person that is part of the Black community or a community at all.”
So she started reading mostly Black literature, specifically Black women writers, from her mother’s shelves and the public library. Reading work by Alice Walker, Gayle Jones, Gloria Naylor and Toni Morrison was formative to her….

(4) SECOND SEASON OF PICARD. Paramount + dropped a trailer for Star Trek: Picard, Season 2 which includes the return of Q.

(5) IS IT A PEARL? In the latest Young People Read Old SFF, James Davis Nicoll turns his readers loose on “All the Seas with Oysters,” a 1958 story that won a Hugo the same year (because those wacky LA fans running Solacon set the eligibility period from July 1957 to July 1958.)

Avram Davidson (April 23, 1923 – May 8, 1993) was (as so often true for authors of his vintage) prolific across an expanse of genres, including fantasy, science fiction, and mysteries, to name a few. His SFF awards include a World Fantasy Life Achievement award, World Fantasy Awards for The Enquiries of Doctor Eszterhazy, and ?“Naples”, and the Hugo Award for ?“All the Seas with Oysters”, not coincidentally the subject of this month’s Young People Read Old SFF.
… Young readers encountering the tale for the first time do so without the rosy patina of uncritical nostalgia concealing whatever issues the story might have. Still, this is a widely loved classic. What are the odds generations of SF readers overlooked something? Let’s find out!

(6) SECOND LOKI TRAILER. [Item by Daniel Dern.] Not that I wasn’t already psyched to watch this…

Loki’s time has come. Watch the brand-new trailer for “Loki,” and start streaming the Marvel Studios Original Series June 11 on Disney+.

And the first trailer, I believe.

BTW, the TVA (Time Variance Authority) is an established Marvel Comics organization. My main memories are from Walt Simonson’s fabulous run in Fantastic Four with the TVA. (Simonson also brought us Beta Ray Bill, and Thor as Frog, among many, many other delightful creations)

Wikipedia: The Time Variance Authority

The Time Variance Authority (or TVA) is a fictional organization, a group of timeline monitors appearing in American comic books published by Marvel Comics. They first appeared in Thor vol. 1 #372 (October 1986). Created by Walt Simonson and Sal Buscema, the TVA originally paid homage to long-time Marvel writer/editor, and continuity expert, Mark Gruenwald: the TVA staff were all clones of Gruenwald.

Other resources:

CBR.com: “Loki: 10 Things You Didn’t Know About The Time Variance Authority”
Marvunapp.com: “Time Variance Authority (TVA, Fantastic Four characters)”
Marvel.com: “Time Variance Authority Members, Enemies, Powers”

(7) NYRSF READINGS. Ilana C. Myer will read from the third book in her Harp and Ring Sequence, The Poet King, and will talk will host Amy Goldschlager at the next NYRSF Readings on Facebook on Tuesday, April 6, 2021 at 7 p.m. Eastern. Viewers can ask questions and comment via the chat channel. Will be available later on YouTube.

Ilana C. Myer has worked as a journalist in Jerusalem and a cultural critic for various publications. As Ilana Teitelbaum she has written book reviews and critical essays for The Globe and Mail, the Los Angeles Review of Books, Salon, and the Huffington Post. Last Song Before Night was her first novel, followed by Fire Dance and The Poet King. A native New Yorker and longtime Jerusalem resident, she now lives in the mountains of Pennsylvania.

(8) CONFUSION AFTER ACTION REPORT. Farah Mendlesohn’s writeup about last weekend’s virtual Eastercon (UK) — “ConFusion FM’s con report” [PDF file] – covers the positive and negative con experiences, including how it was to use the Gather Town app, and delivers a withering comments about accessibility issues.

… I am not going to pretend here. I felt utterly betrayed. My sneaking feeling at other conventions that ‘only wheelchair users really mattered’, a feeling for which I’d berated myself, was utterly confirmed. Hearing, sight, neurodivergence, hand or co-ordination issues…. None of these things apparently mattered, yet all of them could have been addressed with good design, a careful choice of discussion platforms, and over and above all with conversation.
I didn’t go to the Feedback meetings because for much of the convention I was too angry. What would I have asked after all; “will the convention chair make a full and unqualified apology for the utter disregard of issues of accessibility in the planning and delivery of this convention?”
In future I will not vote for any bid that does not have a clear statement on access and inclusion. I will not go to a convention that does not support access and inclusion (I began declining conferences for this reason some time ago).

(9) KGB. Fantastic Fiction at KGB reading series hosts Ellen Datlow and Matthew Kressel present via livestream Nalo Hopkinson and Bruce McAllister on April 21 at 7 p.m. Eastern. Check back for the link here.

Bruce McAllister

Bruce McAllister has been writing science fiction, fantasy and horror for some decades. He began as an sf writer but these days writes more fantasy of the uncanny kind. His most recent novel is a little thing called The Village Sang to the Sea: A Memoir of Magic. His Hugo-nominee short story “Kin” launched the new podcast Levar Burton Reads.

Nalo Hopkinson

Nalo Hopkinson is a Jamaican-born Canadian author and maker of objects. She has won the World Fantasy Award, the Andre Norton Nebula Award, and the Sunburst Award for Canadian Literature of the Fantastic. She authored and co-authored the series “House of Whispers” for DC Comics, set in Neil Gaiman’s “Sandman” universe. SFWA recently honored her with the “Grand Master” award for lifetime achievement.

(10) SOVIET LOTR VIDEO AVAILABLE. Ars Technica surprises with news that a“30-year-old Soviet TV adaptation of The Lord of the Rings surfaces on YouTube”.

After 30 years, a TV adaptation of J.R.R. Tolkien’s The Lord of the Rings long thought lost has resurfaced. The 1991 Soviet television adaptation has been uploaded to YouTube in two one-hour videos.
The film focuses on the events of the first book in the trilogy, The Fellowship of the Ring, and features many elements that were excluded from the popular global theatrical release by director Peter Jackson, including an extended sequence featuring the character Tom Bombadil—one of the biggest omissions by the bigger-budget 2001 film far more of us have seen.
Originally broadcast on TV in 1991 (and then never aired again), the film was thought lost to time by those who had seen it. But as reported in The Guardian, Leningrad Television successor Channel 5 uploaded the film to its YouTube page with little fanfare, surprising fans who had given up on seeing the production again. It is believed to be the only adaptation of these books produced in the Soviet Union….

(11) TODAY’S DAY.

(12) MEDIA BIRTHDAY.

April 5, 1992 — On this day in 1992, Mann & Machine premiered on 1992. It would last for only nine episodes. Starring David Andrews, Yancy Butler and S. Epatha Merkerson, it was a Dick Wolf production, he of the eventually myriad Law & Order series. Yancy Butler would go on to be the lead a decade late in Witchblade. It has no audience rating at Rotten Tomatoes but the critic rating there is 20%. NBC has the pilot available here for your viewing.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born April 5, 1526 – Giuseppe Arcimboldo. More than his work as a court painter, like this, his portraits composed of pertinent objects appeal to our fantasy. Here is the Emperor Rudolf II portrayed as Vertumnus, the god of plant growth and fruit trees. Here is a librarian. Here is a waiter. (Died 1593) [JH]
Born April 5, 1867 – Helen Stratton. Illustrator in monochrome and color. Three editions of H.C. Andersen, three of The Arabian Nights, three of Grimm, The Princess and the Goblin (G. MacDonald), Marie of Romania’s Lily of Life, many more. Here is The Wild Swans. This is from “The Tinderbox”. This is from “The Snow Queen”. (Died 1961) [JH]
Born April 5, 1917 — Robert Bloch. His Wiki Page says he’s best known as the writer of Psycho, but I’ll guarantee that only film geeks and many of y’all know that. I know him best as the writer of the Trek “Wolf in the Fold” episode. His Night of the Ripper novel is highly recommended by me. And I know that “That Hellbound Train” which won the Hugo Award for Best Short Story is the piece of fiction by him that I’ve read the most. He’s not well represented at the usual digital suspects. (Died 1994.) (CE)
Born April 5, 1926 — Roger Corman, 95. Ahhhh, popcorn films! (See popcorn literature for I mean.) Monster from the Ocean Floor in the early Fifties was his first such film and Sharktopus vs. Whalewolf on Syfy just a few years back was another such film. He’s a man who even produced such a film called, errr, Munchies. A Worldcon guest of honor in 1996. (CE)
Born April 5, 1931 – Al haLevy, age 90. Chaired Westercon 16 (2nd appearance of B. Trimble’s Project Art Show! rumor – false – that F. Pohl lost Galaxy to B. Bernard at late-night poker!), co-chaired Pacificon II the 22nd Worldcon. Revived Rhodomagnetic Digest awhile. [JH]
Born April 5, 1935 – Helen M. Hoover. A dozen novels for us, two others. Golden Duck Award. Two American Lib’y Ass’n Best Books. Alas, Children of Morrow and Treasures of Morrow are about a person, not a place, although come to think of it one could still tell people “Go to Morrow.” (Died 2018) [JH]
Born April 5, 1950 — A.C. Crispin. She wrote several Trek and Star Wars novelizations and created her own series called Starbridge which was heavily influenced by Trek. She also co-wrote several Witch World novels, Gryphon’s Eyrie and Songsmith, with Andre Norton. Pirates of the Caribbean: The Price of Freedom was her last novel prior to her death from bladder cancer while in hospice care. (Died 2013.) (CE)
Born April 5, 1955 – Toriyama Akira, age 66. (Personal name last, Japanese style.) So successful in manga and animé that he won not only Shogakukan Publishing’s Manga Award, but also the 40th Anniversary Festival Award at the Angoulême Int’l Comics Festival, and was made a Chevalier of the Ordre des Arts et des Lettres. Dragon Ball has sold 300 million copies worldwide, plus animé, video games. See more here. [JH]
Born April 5, 1963 – Arthur Adams, age 58. Artist and writer for Marvel, Legend (Monkeyman and O’Brien still appears here and there), DC, Wildstorm. Diana Schutz got him to draw Gumby Summer Fun Special 1, so of course he drew this – and won an Eisner. Front and back covers for Ron Goulart’s Great Comic Book Artists vol. 2. Frequently in Spectrum. Inkpot Award. Here is Wolverine. Here is Phoenix. [JH]
Born April 5, 1965 — Deborah Harkness, 56. She’s the author of the All Souls Trilogy, which consists of A Discovery of Witches and its sequels Shadow of Night and The Book of Life. I listened to the Jennifer Ikeda-narrated audiobooks which are an amazing experience. Highly recommended as Harkness tells a remarkable story here. I’m not even fond ’tall of vampires in any form and hers actually are both appealing and make sense. I’ve not seen the series made from the novels. (CE)
Born April 5, 1982 — Hayley Atwell, 39. Agent Carter with her as Peggy Carter I’ll freely admit has been the only series or film in the MCU repertoire save the first Iron Man and Avengers films being the ones that I’ve flat out enjoyed so far. Even the misogyny of the males though irritating in that setting made sense. Oh and I’m interested to see her in Christopher Robin as Evelyn Robin. (CE)

(14) COMICS SECTION.

The Far Side has a different opinion about what really happened to Godzilla. (OK, you’re right. That’s not really what it’s about.)

(15) LIVING UNDER A CLOUD. [Item by rcade.] A Brazilian science fiction film that presciently anticipated the Covid-19 pandemic has won the top prize at the Sofia International Film Festival. “Brazil’s ‘The Pink Cloud’ wins top prize at lockdown-hit Sofia film festival” at Screen Daily.

The Pink Cloud, written and directed by Iuli Gerbase, is about a couple whose one-night stand becomes a permanent arrangement when a killer cloud drifts into cities across the globe and forces people to shut their windows and quarantine at home. A film that seems like a painfully obvious metaphor for the pandemic was written in 2017 and filmed in 2019, according to a disclaimer that precedes the opening credits.

Guy Lodge writes in Variety (“’The Pink Cloud’ Review: Brazil’s Effective, Accidental Lockdown Drama”:

It’s not often one sees a film arguing against its own topicality, but that’s what happens at the outset of The Pink Cloud, a subtly fevered quarantine drama that is so of the moment, you all but wonder how they had time to shoot and cut it just last week. But they didn’t …
Not even sure they like each other to begin with, Giovana and Yago try things out as platonic roommates, friends with benefits and eventually lovers, never comfortable settling into any of those modes. Early in the lockdown, Giovana jokes that their setup is akin to an arranged marriage: It’s a comparison that seems less amusing as weeks turn to months, and months to years.

Public screenings at the film festival were stopped by a new pandemic lockdown caused by surging cases in Bulgaria.

(16) THE WAIT IS OVER. A.V. Club introduces readers to a Korean sff author: “I’m Waiting For You by Kim Bo-Young review: Cosmic tales of love, loss”.

In the title story of I’m Waiting For You, the first of Korean science fiction writer Kim Bo-Young’s works to be translated into English, the unnamed protagonist says he felt he was prepared for solo space travel because he’d once spent a few months without leaving his home. After a year in which so much of the world has experienced an even more extreme version of such isolation, that idea might seem trite. But then the character goes on to explain how wrong he was:
That wasn’t actually living alone. I have never once really lived alone. Someone cleared away the trash I left out for collection, and emptied the septic tank… In another place they boiled noodles and put them in a dish and delivered them… I had never lived alone, not once. How would really living alone even be possible?
“I’m Waiting For You” was originally written in 2015 at the request of a fan who wanted Kim to write a story he could use to propose to his girlfriend. The tale of a man journeying through time and space in an increasingly desperate and unlikely attempt to reunite with his fiancée has taken on new power as we look toward the end of more than a year of isolation that has also produced a newfound understanding of how connected we are to the communities around us….

(17) HISTORIC WARNING. “Ghosts of the Future: A Conversation with Larry Achiampong” is a Critierion Channel Q&A with the maker of the Relic film series.

The London-based, British Ghanaian artist and filmmaker Larry Achiampong explores race, class, and history in a multidisciplinary practice that, as described in the biography on his website, seeks to “examine his communal and personal heritage—in particular, the intersection between pop culture and the postcolonial position.” First devised in 2016, partially as a response to the sociopolitical shock of Brexit, Achiampong’s Relic Traveller is an ambitious project that has manifested as performance, sound installation, moving image, prose, and a remarkable public commission in which Achiampong reimagined London Underground’s iconic roundel in Pan-African colors—green, black, and red—that spoke symbolically to various African diasporic identities.
A central pillar of the project is a suite of four science fiction–inflected short films—Relic 0, Relic 1, Relic 2, and Relic 3—now streaming on the Criterion Channel.
… Clearly, these films engage deeply with long, painful histories and would be resonant at any time. But in the past few years, particularly in the UK, there’s been a real resurgence of empire fetishism, and seemingly more reluctance than ever among the media and ruling classes to address the reality of this history. To what extent are the films a reaction to that context?
For me, the films represent a warning to the West about its negligence, ignorance, mythical approach to history, omission of the histories and legacies of empire, slavery and colonization, and how those things affect the way that we live today: the way that Black people are still disenfranchised. They’re a stark warning that the West will undo itself as a result of the lies it has celebrated, taught, and disseminated for a while. It’s almost as if it will eat itself unless an understanding of the truth—or what has not been allowed to be revealed as the truth—is opened up….

(18) CURB APPEAL. SYFY Wire says “We might need to see the Earth like aliens would if we intend to find them”.

Suppose there really are aliens out there who are creeping around on the surface of some faraway planet and have managed to survive everything space has thrown at them so far. How could we find out they exist?
The answer might lie in how they would (hypothetically) see us. We may never know whether there really are intelligent beings who have spotted our planet as it passed by the sun, but observing it from their perspective could help us see through extraterrestrial eyes. This is the objective of the Earth Transit Observer (ETO) mission concept. Led by a research team from the Johns Hopkins Applied Physics Laboratory (APL), ETO will watch Earth in transit as if it was a spacecraft sent out here by other intelligent beings.
Researchers Noam Izenberg and Kevin Stevenson, who will be the project leads if this mission becomes reality, and co-led a study recently presented at the 52nd Lunar and Planetary Science Conference, and Laura Mayorga, who also co-led the study, believe that observing Earth from the perspective of a being who never knew it existed could give us new insight on how to look for habitable—and possibly inhabited—planets….

(19) VIDEO OF THE DAY. In “Godzilla vs. Kong Pitch Meeting” on Screen Rant, Ryan George’s screenwriter tells the producer, “We’re just going to keep cutting to monsters punching each other so that no one has time to digest the mumbo-jumbo we use as explanation” for why Godzilla and King Kong fight each other. SPOILER WARNING.

[Thanks to Michael Toman, Lise Andreasen, N., Martin Morse Wooster, JJ, Mike Kennedy, rcade, Daniel Dern, Nicholas Whyte, Andrew Porter, John Hertz,John King Tarpinian, Rich Lynch, Nina Shepardson, and Cat Eldridge for some of these stories. Title credit goes to File 770 contributing editor of the day Bruce Baugh.]

Pixel Scroll 4/3/21 Oh, Dear, One Of My Cats Just Brought Me Half A Pixel

Posted on April 3, 2021 by Mike Glyer

(1) BSFA AWARDS LINK CHANGE. Use this link instead of the one posted yesterday to view the BSFA Awards ceremony on April 4.

BSFA chair Allen Stroud says, “Apologies for the alteration. Owing to a case of deleting a scheduled event (totally my fault), the url for the awards has changed.”

(2) WFC PROGRESS REPORT. World Fantasy Convention 2021 – which still plans an in-person con in Montreal this November – has released Progress Report #2. Chair Diane Lacey says:

…In the midst of these difficult times, we want to assure everyone that we are actively monitoring the COVID-19 situation. We’re working hard to ascertain every contingency that may have an impact on WFC 2021. We will make modifications to our plans accordingly to keep our membership safe. We sincerely hope there will be progress in controlling and conquering the virus long before our convention, and we are quite confident we will be able to hold an in person convention. We look forward to welcoming you all to Montréal. Please feel free to contact us at any time with your concerns or questions….

(3) 2024 WORLDCON BID NEWS. The UK in 2024 bid committee aired this video update during the virtual Eastercon:

(4) SLF PODCAST LAUNCHES. The Speculative Literature Foundation has started a new podcast, “Mohanraj and Rosenbaum Are Humans”, hosted by Mary Anne Mohanraj and Benjamin Rosenbaum.

Join two old friends as they talk about science fiction, community, the writing life, teaching, parenting, and a whole lot more. Does Ben really think you should let your kids touch the stove, and did he really burn his son’s homework? Why did he write a novel with no men or women in it? What exactly did a young Mary Anne do to appall her aunts in college, and how did it lead circuitously to her founding science fiction’s longest-running webzine? Mohanraj and Rosenbaum… Are Humans? Yes, yes they are.

Episodes of the Spring 2021 season are being released on Mondays and Thursdays, starting March 22. They’re available on major podcast platforms including Spotify, Apple Podcasts, YouTube, etc. Or tune into the “Mohanraj and Rosenbaum Are Humans” website. Episodes available so far are –

Episode 1: “Introductions” (Published 22 March 2021)
Bonus Episode 1: “The Capitol and the Cafe” (Published 25 March 2021)
Episode 2: “The Toilet Seat Con Hook-Up” (Published 29 March 2021)

Mohanraj is the author of A Feast of Serendib, Bodies in Motion, The Stars Change, and twelve other titles. Mohanraj founded Hugo-nominated and World Fantasy Award-winning speculative literature magazine Strange Horizons, and serves as Executive Director of both DesiLit (desilit.org) and the Speculative Literature Foundation (speclit.org). Rosenbaum’s short stories have been nominated for the Hugo, Nebula, Sturgeon, Locus, BSFA, and World Fantasy Awards. He designed the Ennie-nominated Jewish historical fantasy tabletop roleplaying game Dream Apart, and serves on the board of Basel’s liberal Jewish congregation, Migwan. He lives in Switzerland with his wife Esther and a gradually emptying nest of children. His first SF novel, The Unravelling, is forthcoming from Erewhon Books.

(5) DC PROJECTS SHELVED. Two DC movies, Ava DuVernay’s New Gods and James Wan’s Aquaman spinoff The Trench, are “not moving forward” Warner Bros. and DC told The Hollywood Reporter.

…New Gods, which DuVernay has been developing as a directing vehicle with acclaimed comic book writer Tom King since 2018, would have brought to the screen the comic book characters created by the late and legendary artist Jack Kirby. DuVernay, however, remains in the DC fold and is currently working on the DC series Naomi for The CW.
The Trench, meanwhile, was to have been a horror-tinged project spinning out of Aquaman and focused on the group of deadly amphibious creatures seen in the $1 billion-grossing 2018 film. Noah Gardner and Aidan Fitzgerald had written the script, which Wan was developing as a producer with collaborator Peter Safran. Wan, too, remains in the DC fold as he is prepping to shoot Aquaman 2 for the studio later this year….

https://twitter.com/ava/status/1377725452228431873

(6) THESE SPUDS WON’T PEEL THEMSELVES. Ted Chiang tells New Yorker readers “Why Computers Won’t Make Themselves Smarter”.

…The idea of an intelligence explosion was revived in 1993, by the author and computer scientist Vernor Vinge, who called it “the singularity,” and the idea has since achieved some popularity among technologists and philosophers. Books such as Nick Bostrom’s “Superintelligence: Paths, Dangers, Strategies,” Max Tegmark’s “Life 3.0: Being Human in the age of Artificial Intelligence,” and Stuart Russell’s “Human Compatible: Artificial Intelligence and the Problem of Control” all describe scenarios of “recursive self-improvement,” in which an artificial-intelligence program designs an improved version of itself repeatedly.
I believe that Good’s and Anselm’s arguments have something in common, which is that, in both cases, a lot of the work is being done by the initial definitions. These definitions seem superficially reasonable, which is why they are generally accepted at face value, but they deserve closer examination. I think that the more we scrutinize the implicit assumptions of Good’s argument, the less plausible the idea of an intelligence explosion becomes.
… Some proponents of an intelligence explosion argue that it’s possible to increase a system’s intelligence without fully understanding how the system works. They imply that intelligent systems, such as the human brain or an A.I. program, have one or more hidden “intelligence knobs,” and that we only need to be smart enough to find the knobs. I’m not sure that we currently have many good candidates for these knobs, so it’s hard to evaluate the reasonableness of this idea. Perhaps the most commonly suggested way to “turn up” artificial intelligence is to increase the speed of the hardware on which a program runs. Some have said that, once we create software that is as intelligent as a human being, running the software on a faster computer will effectively create superhuman intelligence. Would this lead to an intelligence explosion?…

(7) BLACK WIDOW SPINNING YOUR WAY. “We have unfinished business” is the keynote of Marvel Studios’ Black Widow trailer dropped today. The movie comes to theaters or Disney+ with Premier Access on July 9.

(8) PENNY FRIERSON OBIT. Penny Frierson (1941-2021), co-chair of the 1986 Atlanta Worldcon, has died reports Guy H. Lillian III, who received the news through Charlotte Proctor.

Frierson joined fandom in 1968. She chaired DeepSouthCon 15 in Birmingham, AL in 1977 and helped found the Birmingham Science Fiction Club in 1978.

Penny also was a member of the Southern Fandom Press Alliance. She won the Rebel Award in 1986.

She was married to Meade Frierson III, who predeceased her in 2001.

1992 Worldcon: Charlotte Proctor, Penny Frierson, Nicki Lynch, Rich Lynch.

(9) MEDIA BIRTHDAY.

April 3, 1953 — In London sixty-eight years ago, The War Of The Worlds based on the H.G. wells novel had its very first theatrical showing. It was the recipient of a 1954 Retro-Hugo Award at Noreascon 4 in 2004. It was produced by George Pal, and directed by Byron Haskin. It starred Gene Barry and Ann Robinson. It was deemed culturally, historically, or aesthetically significant in 2011 by the United States Library of Congress and was selected for preservation in the National Film Registry.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

Born April 3, 1783 — Washington Irving. Best remembered for his short stories “Rip Van Winkle” and “The Legend of Sleepy Hollow”, both of which appear in The Sketch Book of Geoffrey Crayon, Gent. collection. The latter in particular has been endlessly reworked downed the centuries into genre fiction including the recent Sleepy Hollow series. (Died 1859.) (CE)
Born April 3, 1905 – Noel Loomis. Two novels, three dozen shorter stories for us (five at Project Gutenberg); also detective fiction; Westerns (including film, television) and related nonfiction: two Spur Awards, President of Western Writers of America. Also printing; he edited this. (Died 1969) [JH]
Born April 3, 1927 — Donald M. Grant. He was responsible for the creation of several genre small press publishers. He co-founded Grant-Hadley Enterprises in 1945, Buffalo Book Company in 1946, Centaur Press in 1970 and Donald M. Grant, Publisher, Inc. in 1964. Between 1976 and 2003, he won five World Fantasy Awards and a Balrog Award as well. (Died 2009.) (CE)
Born April 3, 1928 – Colin Kapp. A dozen novels, three dozen shorter stories; perhaps best known for the Unorthodox Engineers: collection recently republished for Kindle. CK was an engineer himself, though art doesn’t always work that way. Guest of Honour at Eastercon 31. (Died 2007) [JH]
Born April 3, 1929 — Ernest Callenbach. Ecotopia: The Notebooks and Reports of William Weston was rejected by every major publisher so Callenbach initially self-published it. Ecotopia Emerging is a prequel and sequel as well was published later. Yes, I read both. As such fiction goes, they’re just ok. If you can find a copy, Christopher Swan’s YV 88: An Eco-Fiction of Tomorrow which depicts the rewilded Yosemite Valley is a much more interesting read. (Died 2012.) (CE)
Born April 3, 1936 — Reginald Hill. Now this surprised me. He’s the author of the most excellent Dalziel and Pascoe copper series centered on profane, often piggish Andrew Dalziel, and his long suffering, more by the book partner Peter Pascoe solving traditional Yorkshire crimes. Well there’s a SF mystery in there set in 2010, many years after the other Dalziel and Pascoe stories, and involves them investigating the first Luna murder. I’ll need to read this one. There’s another with Peter Pascoe as a future European Pan Police Commissioner. (Died 2012.) (CE)
Born April 3, 1946 — Lyn McConchie, 75. New Zealand author who has written three sequels in the Beast Master series that Andre Norton created and four novels in Norton’s Witch World as well. She has written a lot of Holmesian fiction, so I’ll just recommend her collection of short stories, Sherlock Holmes: Familar Crimes: New Tales of The Great Detective. She’s deeply stocked at the usual digital suspects. (CE)
Born April 3, 1950 – Mark Linneman, age 61. Helpful reliable fan often found where such are needed and even the non-monetary compensation we can grant is scant, e.g. tallying Worldcon Site Selection ballots, which ML has done four times I can think of. Often seen at Midwestcons, SMOFcons (Secret Masters Of Fandom, as Bruce Pelz said a joke-nonjoke-joke; con for studying, trying to improve, SF cons and like that). North America agent for Aussiecon 4 the 68th Worldcon. Guest of Honor at Concave 33. [JH]
Born April 3, 1950 – Tony Parker, age 71. Co-chaired TropiCon VIII-IX (with wife Judy Bemis). Guest of Honor at Concave 16 (with JB). Thoughtful and even (sorry, Tony) wise. [JH]
Born April 3, 1958 – Vanna Bonta. One novel, three collections of poetry. Voice actress in Beauty and the Beast (1991). She, her husband, and the zero-gravity suit she invented were in The Universe (2008); she designed a pressure-release device for high-combustion engines in NASA (U.S. Nat’l Aeronautics & Space Adm’n) and Northrop Grumman’s Lunar Lander Challenge. Among twelve thousand haiku submitted to NASA for inclusion with the Mars explorer MAVEN (Mars Atmosphere & Volatile EvolutioN), hers made the top five: “Thirty-six million / miles of whispering welcome. / Mars, you called us home.” You’ll see its alliteration; do attend to its ambiguity. (Died 2014) [JH]
Born April 3, 1958 — Alec Baldwin, 63. I’ve no idea how many times I’ve seen him in Beetlejuice as Adam Maitland since it’s one of my favorite films, period. Despite those who don’t like The Shadow and him in his dual role of Lamont Cranston and The Shadow, I’m quite fond of it. Let’s just skip past any mention of The Cat in the Hat… Ahhhh Rise of the Guardians where he voices Nicholas St. North is quite fantastic. Another go to, feel good film for me. He’s Alan Hunley in some of the Mission: Impossible franchise, a series I think I’ve only seen the first two films of. And here’s a weird one — the US. run of Thomas The Tank Engine & Friends replaced the U.K. narrator, some minor musician no one had ever heard of by the name of Ringo Starr, with him. (CE)
Born April 3, 1962 — James R. Black, 59. I’d like to say he’s best known for his leading role as Agent Michael Hailey on The Burning Zone but since it was short-lived and I’m not sure anyone actually watched it on UPN that might be stretching reality a bit. If you like great popcorn viewing, The Burning Zone is certainly worth seeing. Prior to his run on that series, he’s got a number of one-offs including Babylon 5, Deep Space 9, The Sentinel, Space: Above and Beyond with his first genre role being Doctor Death in Zombie Cop. (CE)
Born April 3, 1989 – Elaine Vilar Madruga, age 32. Two novels, fifty shorter stories, some in English: last year “Elsinore Revolution”, see the Jan/Feb Magazine of Fantasy & Science Fiction; her poem “The Apocalypse According to My Name” in Spanish and English, see the Spring Star*Line; four more. [JH]

(11) COMICS SECTION.

The Argyle Sweater shows a horror movie villain’s disastrous attempt to change jobs.

(12) THE SOUND OF MUSIC? Puppeteer and space aficionado Mary Robinette Kowal told Twitter followers, “I giggled all the way through this puppet music video ‘Everybody Poops In Space’ from @AdlerPlanet There’s a SINGING FECAL CONTAINMENT BAG”. Consider yourself warned.

Poopina—the very talented singing fecal collection bag—taught us that space toilets can cost upwards of $23M!! ???????? pic.twitter.com/NLN5ykO1uL
— AdlerPlanet (@AdlerPlanet) April 3, 2021

(13) FROM THE BOTTOM TO THE TOP. Variety’s Matthew Chernov puts 33 films in order in “Godzilla: All the Movies Ranked Including ‘Godzilla vs. Kong’”.

He’s been dissolved at the bottom of the ocean, frozen solid in an iceberg, blown up in a volcano, disintegrated in an atomic meltdown, and killed by missiles on the Brooklyn Bridge, but thanks to the millions of fans who love him, Godzilla will never die. Japan’s biggest star returns again in “Godzilla vs. Kong,” the latest entry in the Big G’s ever-expanding filmography. Pitted against his hairy rival for the second time in history, “Godzilla vs. Kong” is the fourth movie in Legendary Pictures popular MonsterVerse saga, which launched in 2014 with Gareth Edwards’ stylish reboot.
Like many long-running franchises, the Godzilla series has gone through a number of distinct phrases since its introduction. The first phrase, which covers the 15 titles released between 1954 and 1975, is commonly known by fans as the Showa era. These kaiju films (kaiju is the Japanese term for giant monster) are marked by their dramatic shift in tone, from the somber and haunting original classic to the wonderfully ludicrous “Godzilla vs. Hedorah.”
The second phase is often referred to as the Heisei era, and it includes the seven titles released between 1984 and 1995. These Godzilla films feature a greater sense of narrative continuity, and they ask complex philosophical questions about science and humanity. The third phase is the Millennium era, which covers the six titles released between 1999 and 2004. The majority of these Godzilla films are self-contained stories, much like an anthology series. There have also been a number of standalone reboots, both Japanese and American, that put their own unique spin on the character.
To help you program the ultimate monster marathon, here’s our Godzilla movie ranking, listed from wretched worst to bestial best. Long live the lizard king!

(14) WAS THE GRINCH AN ASTRONAUT? [Item by rcade.] Spaceflight can cause the heart to shrink, according to a study in the journal Circulation led by Dr. Benjamin Levine of University of Texas Southwestern Medical Center. “Long spaceflights and endurance swimming can ‘shrink the heart’” at BBC News.

The study examined astronaut Scott Kelly, who spent 340 days about the International Space Station, and endurance swimmer Benoît Lecomte. Swimming for extended periods of time is a useful model for time spent in orbit. Lecomte trained over five hours a day for five months preparing to swim the Pacific Ocean.

Both Kelly and Lecomte showed signs of heart atrophy and lost mass in the organ — 19 to 27 percent loss in Kelly.

Levine said:

One of the things we’ve learned over many years of study, is that the heart is remarkably plastic. So the heart adapts to the load that’s placed on it. …
In spaceflight, one of the things that happens, is you no longer have to pump blood uphill, because you’re not pumping against gravity….

(15) WITCHER WRAP. Netflix dropped a behind-the-scenes trailer for season 2 of The Witcher.

15 locations, 89 cast members, and 1,200 crew members later, The Witcher has officially wrapped production on Season 2! Here’s a look behind-the-scenes at some of the excitement among the cast and crew – led by showrunner Lauren Schmidt Hissrich.

(16) WHAT’S BUGGING YOU? In the Washington Post, Alexandra Petri offers a “handy quiz” to determine whether you’re someone who is emerging from a year of pandemic lockdown or if you are a Brood X cicada!

Check all that apply:

You haven’t had any contact with friends or other members of your generation in what feels like 17 years….

(17) FAKE OLDS TO GO WITH FAKE NEWS. Gizmodo surveys research showing how “Scientists Implant and Then Reverse False Memories in People”.

Researchers have demonstrated just how easy it is to trick the mind into remembering something that didn’t happen. They also used two very simple techniques to reverse those false memories, in a feat that paves the way for a deeper understanding of how memory works….
“When people describe a memory, they will say that they are ‘absolutely certain’ of it. But this certainty can be an illusion. We suffer from the illusion of believing that our memories are accurate and pure,” Lisa Son, professor of Psychology at Barnard College of Columbia University, told Gizmodo. “This is despite the fact that we, in fact, forget all the time.”
Indeed, our minds are able to fabricate memories of entire events just by piecing together bits of stories, photographs, and anecdotes somebody else shares. These so-called false memories have been a hot topic of research for a while now, and there’s growing evidence that they could be a widespread phenomenon, according to a 2016 analysis of the field.
Building off of that, Oeberst’s lab recently implanted false memories in 52 people by using suggestive interviewing techniques. First, they had the participants’ parents privately answer a questionnaire and come up with some real childhood memories and two plausible, but fake, ones—all negative in nature, such as how their pet died or when they lost their toy. Then they had researchers ask the participants to recall these made-up events in a detailed manner, including specifics about what happened. For example, “Your parents told us that when you were 12 years old during a holiday in Italy with your family you got lost. Can you tell me more about it?”
The test subjects met their interviewer three times, once every two weeks, and by the third session most participants believed these anecdotes were true, and over half (56%) developed and recollected actual false memories—a significantly higher percentage than most studies in this area of research….

(18) REMEMBER THE DEAN DRIVE. “Latest EmDrive tests at Dresden University shows “impossible Engine” does not develop any thrust”.

… After tests in NASA laboratories had initially stirred up hope that the so-called EmDrive could represent a revolutionary, fuel-free alternative to space propulsion, the sobering final reports on the results of intensive tests and analyzes of three EmDrive variants by physicists at the Dresden University of Technology (TU Dresden) are now available. Grenzwissenschaft-Aktuell.de (GreWi) has exclusively interviewed the head of studies Prof. Dr. Martin Tajmar about the results….

(19) DOUBLE DUTCH LUNAR EXCURSION MODULE. [Item by Andrew Porter.] Live Science asks “How long would it take to walk around the moon?” Depends whether you go with the wind before or behind you, right?

…A total of 12 humans have stepped foot on the lunar surface, all of whom were part of the Apollo missions between 1969 and 1972, according to NASA. The footage that was beamed back to Earth showed how challenging (and, apparently, fun) it was to walk — or more accurately, bounce — around in the moon’s low gravity, which is one-sixth the gravity of Earth.
However, research from NASA has since suggested that it is possible for humans to maneuver much faster on the moon than the Apollo astronauts did. Theoretically, walking the circumference of the moon could be done faster than previously predicted.
Picking up the pace
During the Apollo missions, astronauts bounced around the surface at a casual 1.4 mph (2.2 km/h), according to NASA. This slow speed was mainly due to their clunky, pressurized spacesuits that were not designed with mobility in mind. If the “moonwalkers” had sported sleeker suits, they might have found it a lot easier to move and, as a result, picked up the pace.

(20) VIDEO OF THE DAY. In “Honest Game Trailers: Persona 5 Strikers” on YouTube, Fandom Games says that this game combines the happy joys of teenagers vacationing in Japan with the thrill of ‘spending 80 hours slaughtering one billion people,” a combination that’s like “peanut butter and methamphetamines.”

[Thanks to Alan Baumler, Cat Eldridge, Guy H. Lillian III, JJ, John Hertz, Lorien Gray, Rob Thornton, JeffWarner, Andrew Porter, rcade, Michael Toman, Mike Kennedy, James Davis Nicoll, Martin Morse Wooster, and John King Tarpinian for some of these stories. Title credit goes to File 770 contributing editor of the day Patrick Morris Miller.]

File 770

Mike Glyer's news of science fiction fandom

Tag Archives: Godzilla

Pixel Scroll 6/30/23 “What Is The Use Of A Scroll,” Thought Alice, “Without Pixels Or Conversation?”

Pixel Scroll 6/29/23 Every Pixel In The Room Was Scrolling At Me

Pixel Scroll 5/19/23 I’m Still Big; It’s The Pixels That Got Small

Pixel Scroll 3/19/23 It’s Tribbles All The Way Down (Except Level 47, Which Is Selbbirts)

Pixel Scroll 1/22/23 Look At My Fingers: Four Pixels, Four Scrolls. Zero Pixels, Zero Scrolls!

2022 Seiun Award Winners

Pixel Scroll 6/26/22 You Read 16 Scrolls, What Do You Get?

Pixel Scroll 4/7/21 Pixels Who Need Pixels Are The Luckiest Pixels In The Scroll

Pixel Scroll 4/5/21 You Say Pixels Go, I Say Here We Scroll

Pixel Scroll 4/3/21 Oh, Dear, One Of My Cats Just Brought Me Half A Pixel