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Pixel Scroll 9/7/23 Like Pixels Through The Hourglass, So Are The Scrolls Of Our Lives

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(1) NECESSITY IS THE MOTHER OF INVENTION – AND UNOFFICIAL HUGO FANZINE AND FAN WRITER PACKETS. There is less than one month until the Hugo Awards voting deadline and yet the Hugo Voter Packet is still missing the content for the Fanzine and Fan Writer categories without any explanation or progress. Chinese fans are taking their own initiative to make them available.  

Two days ago Arthur Liu (“Heaven Dule”) posted a compilation of fan Hugo finalist packet material currently accessible from public links: “Worldcon Special | Hugo Award Fan Magazine & Fan Author Vote Reading Pack”. He says in his introduction [machine translated from Chinese to English]:

On August 2023, 8, the Hugo Awards Voting Reading Pack (Issue 17) was released, which did not include voting references for the three categories of Best Fan Magazine, Best Fan Author and Best Dramatic Performance. As of September 9, less than a full month before the voting deadline, there is no follow-up announcement. In this connection, we have compiled a list of public reading reference materials for voters to compile the Best Fan Magazine and Fan Author Winners. Let the official belong to the official, and the fans to the fans.

Note: that intro was also quoted in a Weibo post by Kehuan Guang Nian/SF Light Year, who occasionally comments on File 770 under a handle. He has over a third of a million followers, so the concerns being voiced by some people in China are being widely heard.

Ersatz Culture has updated their own comprehensive index to 2023 Hugo Award Voter Packet Contents. (The direct link to the Fanzine and Fan Writer categories is here.)  Here is a screencap from that website.

(2) JOURNEY PLANET VOTER PACKET CONTENTS. Journey Planet has taken their own steps to remedy the Hugo Voter Packet’s failure (so far) to distribute their  material, which is now available at this website. 

(3) CHENGDU WORLDCON VENUE UPDATE. The Chengdu urban blogger skyxiang1991 posted some photos from the convention center construction, which have been tweeted by Ersatz Culture.

(4) YOU CONTROL THE VERTICAL. Ursula Vernon is running a choose-your-own-adventure game on Tumblr: “The Book Of The Gear”, with audience polls used to pick which alternative is pursued.

Long, long ago, before Twitter descended into its end-stage hellscape, I ran a few iterations of a weird little choose-your-own-adventure game there, where I used the poll functions to offer options as we traversed a strange concrete labyrinth. I’d like to do that again. But as the shortest poll I can run is one day, this is more like a play-by-mail than a real-time on-the-fly. Fewer choices, but hey, you do get much longer descriptions!…

Here’s an excerpt from the first installment.

Let’s begin, shall we?

You, friend, are the latest graduate of the Wentworth School Of Exploration and Adventure (Goooo Fighting Codfish!) the second-best explorer’s school in the city. You left behind your grandmother’s cabbage farm in pursuit of higher, better, possibly more fatal things.

It was at Wentworth that you first came across a reference to the works of Eland the Younger, that wandering naturalist, historian…okay, occasionally out-and-out liar…and his great fragmentary work, the Book of the Gear. It detailed his descent into a great clockwork labyrinth, filled with strange creatures and stone gears. Even for Eland, it’s a bit weird. Most scholars dismiss it outright as a fabrication, and the few professors who would talk to you about it strongly suggested that it was dangerous and you should ignore any rumors about its location and do something else. (Possibly on one of their projects! For course credit, obviously, not money.)

You didn’t listen….

(5) FRANK TALK ABOUT A TOXIC HISTORY. Kristine Kathryn Rusch doesn’t just talk about the latest F&SF kerfuffle, but surveys decades of issues in “Business Musings: My Magazine. My Voice. My Rules”.

…I have been quite reluctant to weigh in on the F&SF mess for personal reasons. I believe that rescinding that contract was the absolute right thing to do, and I will get to that in a moment.

But let me say this first:

I try very hard not to discuss The Magazine of Fantasy & Science Fiction. I think Sheree Renée Thomas is a fantastic editor. She’s done a spectacular job at F&SF. I think she’s managed to honor the magazine’s traditions and bring it solidly into the 21st century.

I wish she had a better boss. But I have remained mostly quiet about Gordon Van Gelder. The transition between my editorship and his was ugly, with him sending a form letter to everyone with a story in inventory, telling them that the editing on their stories was poor and the stories needed to be re-edited. That was but one thing that he did when he came on board. The microaggressions continued for decades, including leaving me out of as much of the history of the magazine as possible (including the Wikipedia page, except as a name, until people complained).

The behind-the-scenes stuff got so ugly that a friend of mine, a big-name corporate lawyer, wanted to take my case for free because he said it was a textbook case of tortious interference. I did not let my friend or, later, another lawyer who offered, take the case because I was not going to edit any longer. I didn’t need editing work. If I had, I would have had to take them up on going to court.

But I was no longer interested in editing. I was more concerned with my fiction career. If Gordon and his friends managed to destroy my reputation under the Rusch name, I could—and did—write under pen names. I didn’t want to spend time in court, even though a few other lawyers (and one appellate court judge) who learned the story agreed that the case was a slam dunk.

But let’s just say that I have very little good to say about Gordon, and the lack of respect he showed, not just me, but most women in his orbit….

…Sheree has to walk a tight line between her boss and her own voice. She’s been doing so for three years now. But this conflict spilled into the open, and Gordon, acting in a typically insensitive manner (at best), left her out to dry for nearly six weeks.

That’s the problem here.

Not rescinding the acceptance.

No magazine should ever be forced to buy something from anyone they find abhorrent. Or from anyone who espouses different views than the magazine itself.

Every magazine has a voice and a perspective. Sheree’s assignment is to maintain the voice of a seventy-three year-old magazine while making that magazine relevant to 2023. She has brought in new voices while keeping some of the old ones. She has maintained the reading experience for long-time subscribers and has managed to bring in new ones along the way.

She’s doing an amazing job.

It’s a balancing act that all editors face….

(6) IN THE TRENCHES. And if you can take it, here’s some more publishing truth. On the Publishing Rodeo Podcast, Sunyi Dean and Scott Drakeford interview Kameron Hurley: “Why Don’t We Just Quit?”. Transcript at the link.

…Kameron
I couldn’t quit my job. There was no way that that was going to happen. We actually got married because his health insurance is this is before Obamacare. His health insurance was going to went out. We were going to be screwed. He was like, I’m going to die. For me, I needed to realize, I wanted to be transparent that just because someone seems to be successful, quote-unquote, there are some years I’ll make $5,000 writing that year, right? With patron now, I make much more, but that’s because of patron. I make way more than I do in book advances every year, let me tell you, especially because I’m way behind this current book. Because let me tell you, you get behind because of a pandemic or something like that. You don’t get paid until you send them the rest of the book. So you’re just sitting there going, Crap, I need to finish a book or I’m not going to get paid. So it’s understanding the way that those economics actually work. And just because someone has written a seminal novel or has written 25 novels does not mean that they’re not waking up at 06:00 a.m. And going to be a marketing strategist and getting yelled at by clients all day.

Kameron
That’s what I did today. So it’s understanding that there’s a lot more going on the background than a lot of people will present. And I think that it gives, especially newer writers, this really warped view of what success means, of what that trajectory is. Martha Wells was putting out book after book after book since I was a teenager. And not really like it was… She was just this reliable, wonderful storyteller and nothing broke out until Murderbot. And she even said at one point, she’s just like, I didn’t realize it until I looked up one day that my career was almost over. And she ended up signing with one of the publishers that I did that went bankrupt, just how I met her. But I think that people forget that sometimes you can go, Victoria Schwab talks about this. She refers to what? Eleven books were midlist books that was out of print within two years, her first book. And I like those stories because they are much more typical of the actual experience that the vast majority of writers have….

 (7) BOUCHERCON COVID INFECTION REPORT. Lee Goldberg has been tracking Covid infection reports among people who attended last weekend’s Bouchercon. “My informal tally is up to 20 #Bouchercon2023 attendees announcing their infection on Twitter. I wouldn’t be surprised if the actual total of infected attendees is at least 3 times as many…”

(8) THE WRONG KIND OF GREEN. [Item by Bruce D. Arthurs.] Lauren Panepinto’s essay, “The Envy of Non-Creatives” on Muddy Colors addresses an important aspect of AI art generation and why some people are in favor of it.

…. Some of you will read this and say, duh, I have experienced this first hand. It’s very common for artists and authors to lose friends when they make the jump to “going pro” and finding success. I work with so many authors, and it’s a given that when you publish your first book you lose a good number of friends. And it’s almost always the friends who also wanted to become an author. It’s because those friends were fine encouraging you when you were all amateurs together…but if you put the work in and level up, then it can be a harsh wake-up call to the folks in your life who haven’t put the same work and time into their own dreams. And many of hem would rather project that self-hatred onto someone else. I know many professional artists have experienced this as well. If you haven’t experienced this, then I think it is still important to think about. It’s been disheartening to see how many non-artists have leaped to defend the AI platforms, and I struggled to understand why. Put aside the businesses who want to save money — I’m talking about individuals who have nothing to gain financially from these platforms. It’s also something important to keep in mind when people try to convince us of that pesky myth that an artist must starve, must suffer, must be partially insane to make good art. That that’s the price we pay for creativity. It’s not true. Yes, there can be a correlation between mental illness and creativity (I’ve written on that before) but it’s not a causation. There’s deeper meaning there and it’s important for us as artists to see that clearly, not fall into the self-defeating traps society can often set for us….

(9) IT’S GREAT TO BEAT YOUR FEET. Cory Doctorow, in a New York Times opinion piece, says “Burning Man Is Always a Challenge, but Burners Like Me Know This Time Is Different”.

… Obviously, the weather at the ending was also one for the history books — for very different reasons. Not only did we get more heavy rains, compounding rarity upon rarity, but they arrived at the worst possible time, near the end of the event, when everyone’s supplies of food, water and fuel were low.

The storm turned the playa’s microscopic dust into a bedeviling clay that mired everything in clinging mud. Just walking was a challenge: The mud stuck to your shoes and turned your feet into tragicomic irregular spheres that grew heavier with each step. Worse, all this movement churned up the playa, marring the surface and creating pockmarks that retained water, slowing the drying out and stranding attendees for longer.

Though such rainstorms are all but unheard-of, harsh weather at Burning Man is absolutely normal. I’ve been caught in at least one white-out dust storm every year. This is how the playa teaches patience. Whatever pleasurable thing you find yourself doing is every bit as fun as the thing you were planning to do, so enjoy it.

This is how the playa teaches solidarity. The ultrafine dust infiltrates every bearing of every machine. The gusting winds blow over shelters and tear reinforced grommets. Your goggles break and the blowing, burning dust gets into your eyes. You help your neighbors. Your neighbors help you. The “radical self-reliance” of Burning Man isn’t the final word — it is counterpart to the event’s “radical inclusion.”…

(10) GOOGLE TWEAKS POLITICAL AD RULES. BBC News reports a new policy: “Google: Political adverts must disclose use of AI”.

Google will soon require that political ads on its platforms let people know when images and audio have been created using artificial intelligence (AI).

The rules have been created as a response to the “growing prevalence of tools that produce synthetic content”, a Google spokesperson told the BBC.

The change is scheduled for November, about a year ahead of the next US presidential election.

There are fears AI will supercharge disinformation around the campaigns.

Google’s existing ad policies already ban manipulating digital media to deceive or mislead people about politics, social issues, or matters of public concern.

But this update will require election-related ads to “prominently disclose” if they contain “synthetic content” that depicts real or realistic-looking people or events.

Google suggested labels such as “this image does not depict real events” or “this video content was synthetically generated” will work as flags….

(11) POPULAR MARYLAND SFF CON HOTEL CLOSING. [Item by Dale Arnold.] The Delta Hunt Valley Hotel (Formerly the Hunt Valley Inn) which was the location of many past Balticons, once a World Fantasy Con, and present convention hotel for the SF genre media cons Shoreleave, Farpoint and Mid-Atlantic Nostalgia Convention will be closing permanently at the end of October 2023. Once upon a time the Hunt Valley Inn was considered the best hotel for SF cons in the area with a sea of free parking that the fans loved. Unfortunately, that sea of free parking on 29 acres in a desirable spot right off an interstate interchange proved so attractive that a development group bought the hotel in 2018 and although they were guarded about future plans it is now confirmed they have created a plan for mixed use office, retail etc. and will now demolish the hotel and rebuild. Many fans noticed the hotel was not being invested in since 2018, but we all hoped the grand old facility would bounce back, but alas it is not to be. 

(12) IT’S A THEORY. Electoral-vote.com took note of a sff reference in coverage of Texas Attorney General Ken Paxton’s impeachment trial:

…state senator Angela Paxton, Ken Paxton’s wife, whom he cheated on, and is required to attend the proceedings by the state constitution, showed up in a red dress. I’ll suggest that this is not to show support for Republicans, but rather a reference to the Wheel of Time‘s Red Aja, the notoriously misandrist faction, and whose TV series just launched its second season. She’s out for blood.

(13) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 7, 1795 — John William Polidori. His most remembered work was “The Vampyre”, the first modern vampire story published in 1819. Although originally and erroneously accredited to Lord Byron, both Byron and Polidori affirmed that the story was his. Because of this work, he is credited by several as the creator of the vampire genre of fantasy fiction. (Died 1821.)
  • Born September 7, 1921 — Donald William Heiney. Under the pseudonym of MacDonald Harris, which he used for all of his fiction, wrote one of the better modern set novels using the Minotaur myth, Bull Fever. His time travel novel, Screenplay, where the protagonist ends up in a film noir 1920s Hollywood is also well crafted. Most of his work is available from the usual digital suspects.  (Died 1993.)
  • Born September 7, 1924 — Gerry de la Ree. He published fanzines such as Sun Spots which ran for 29 issues from the Thirties through the Forties, and as editor, he published such work as The Book of Virgil Finlay, A Hannes Bok Sketchbook, and Clark Ashton Smith – Artist. He was inducted into the First Fandom Hall of Fame. (Died 1993.)
  • Born September 7, 1955 — Mira Furlan. She’s best known for her role as the Minbari Ambassador Delenn on entire run of Babylon 5, and also as Danielle Rousseau on Lost, a series I did not watch. She’s reunited with Bill Mumy and Bruce Boxleitner at least## briefly in Marc Zicree’s Space Command. She died of the West Nile virus. Damn. (Died 2021.)
  • Born September 7, 1956 — Mark Dawidziak, 67. A Kolchak: Night Stalker fan of the first degree. He has written The Night Stalker Companion: A 30th Anniversary Tribute, Kolchak: The Night Stalker Chronicles, Kolchak: The Night Stalker Casebook and The Kolchak Papers: Grave Secret. And more additional works than I care to note here. To my knowledge, he’s not written a word about the rebooted Night Stalker series. Proving he’s a man of discriminating taste. 
  • Born September 7, 1961 — Susan Palwick,  62. She won the Rhysling Award for “The Neighbor’s Wife,” the Crawford Award for best first novel with Her Flying in Place, and the Alex Award for her second novel, The Necessary Beggar. Impressive as she’s not at all prolific. All Worlds are Real, her latest collection, was nominated for the 2020 Philip K. Dick Award. She was one of the editors of New York Review of Science Fiction which was nominated for the Best Semiprozine Hugo at Noreascon 3. 
  • Born September 7, 1960 — Christopher Villiers, 63. He was Professor Moorhouse in “Mummy on the Orient Express”, a Twelfth Doctor story. It’s one of the better tales of the very uneven Calpadi run. He’s also Sir Kay in First Knight and is an unnamed officer in From Time to Time which based on Lucy M. Boston’s The Chimneys of Green Knowe.
  • Born September 7, 1973 — Alex Kurtzman, 50. Ok, a number of sites claim he single-handedly destroyed Trek as the fanboys knew it. So why their hatred for him? Mind you I’m more interested that he and Roberto Orci created the superb Fringe series, and that alone redeems him for me. And I’m fascinated that he was Executive Producer on Hercules: The Legendary Journeys and Xena: Warrior Princess!

(14) COMICS SECTION.

  • Thatababy gets a media tie-in gift that even surprises Mom.

(15) MARVEL AT NY COMIC CON. “Marvel Announces 2023 New York Comic Con Panel Line-Up”. See details at the link.

This October, Marvel is returning to New York Comic Con with a line-up of fan-favorite panels, can’t-miss activations, exciting announcements, New York Comic Con convention-exclusive merchandise, all-star talent signings, and countless fan experiences at the Marvel booth from Thursday, October 12 through Sunday, October 15.

Marvel will be on the ground to host the exciting events in the Marvel Booth and fans at home can experience it all by watching the exclusive livestream broadcast hosted by Ryan Penagos, Josh Saleh, Langston Belton, Ray Lowe, and Mikey Trujillo. Fans can stay up to date on the biggest stories and breaking news by tuning in on Marvel.com, YouTube, X (formerly Twitter), Facebook and Twitch….

(16) ALIEN BREAKTHROUGH. The Guardian profiles “Jewelle Gomez: the Black lesbian writer who changed vampire fiction – and the world”.

Ridley Scott’s Alien holds a special place in the heart of Jewelle Gomez, but not simply because Sigourney Weaver’s Ellen Ripley was just her type. “If you were going to come out, that was the movie to come out to,” she says with a chuckle over video call from her home office in San Francisco. The year was 1979, Gomez was 31, and her mother, Dolores, and grandmother, Lydia, were in New York City for a visit when they went to see the sci-fi horror at a cinema near Times Square. “We were in the bathroom after and my mother started reading graffiti on the bathroom stall,” Gomez says. “My mother says: ‘Oh, here’s one. It says Dykes unite!’ And I was like, should I speak? Should I not speak? What do I say?” Her grandmother didn’t give her a chance to answer: “She says: ‘Oh, that’s nothing. Jewelle has an ink stamp on her desk at home and it says Lesbian money!’ All three of us cracked up and I breathed a sigh of relief. It was lovely.”

(17) FRESH INTERPRETATION OF DRACULA. “New blood: Scotland to stage all-woman and non-binary Dracula play” – the Guardian has the story.

The first major staging of Dracula with an all-woman and non-binary cast aims to “reclaim and subvert” gothic tropes of fragile and corruptible females by retelling the genre classic through the eyes of Mina Murray.

In Bram Stoker’s 1897 novel, Murray’s fiance, the solicitor Jonathan Harker, clumsily embroils Mina and her friend Lucy in Dracula’s bloodlust when he travels to Transylvania to assist the count in a property purchase. However, the new National Theatre of Scotland production puts Mina at the centre of the action.

Set in a psychiatric hospital in Aberdeenshire in 1897, Dracula: Mina’s Reckoning is a unique Scottish adaptation that tells the familiar story through her eyes, assisted by an ensemble of asylum inmates led by a non-binary Renfield, the Count’s devoted servant.

“The novel is wonderful,” says director Sally Cookson, Olivier award-winner and associate artist at Bristol Old Vic. “But I was always very aware of how the male characters had all the power.”

Bram Stoker hinted at Mina’s fascination with the New Woman, the feminist ideal of independence embodied in the suffragette movement, Cookson explains, “but he never really allows her to become one; she’s not allowed to join in the vampire hunt, he continually locks her up for her own safety, and then tidily marries her off [to Harker] at the end of the story”.

“What would happen if Mina’s ambition was not to get married and have children?”…

(18) FREDDIE MERCURY AUCTION. [Item by Lis Riba.] This week, Sotheby’s is auctioning off Freddie Mercury’s estate. In addition to his music memorabilia, wardrobe, and truly gorgeous works art and furniture, I noticed several lots the File 770 readership might find interesting.

(19) AT HOME IN A TESSERACT. Did we cover this in 2021? Well, let’s link to it again just in case: “Jonathan Lethem on Robert Heinlein and Other Influences” in the New Yorker.

…The story’s protagonist, Mull, has found himself living in a once spectacular tesseract house—an architect’s grandiose solution to L.A.’s housing crisis—which has collapsed yet is still habitable. The structure keeps shifting and Mull struggles to find his way around. A corridor he used one day may have vanished the next. When did you first imagine this building? Do you see it as a three-dimensional space in your mind’s eye? Do you know it better than Mull? Or as well as Mull?

The idea of a tesseract as building comes from Robert Heinlein’s famous 1941 short story, “—And He Built a Crooked House—” (an influence my story wears on the sleeve of its title). It was one of my favorite stories growing up, and, for a lot of readers my age, it might be as responsible for the introduction of the idea of a tesseract as Madeleine L’Engle’s “A Wrinkle in Time.” It’s also an L.A. story, and Heinlein was a resident when he wrote it. The house in the story is across the street from his own address, if I’m remembering right.

That people in Los Angeles live outside right now, in tents and under overpasses, is such a cruel and overwhelming reality that it may be atrocious to make reference to it in passing (though it probably isn’t better to leave it unmentioned at all, which is what happens constantly). I’ll try saying simply that I sometimes find it easiest to let certain realities express themselves in my thinking when I give them a surreal or allegorical expression. I grew up reading Stanisław Lem and the Brothers Strugatsky, and also Kafka and Anna Kavan and Kōbō Abe, so I may be predisposed to place the severest subjects into this kind of indeterminate fictional space….

(20) ALL STACKED UP AND NOWHERE TO GO. [Item by Mike Kennedy.] After their April “rapid, unplanned disassembly,“ SpaceX is ready for its next Starship launch attempt. The vehicle is stacked on top of one of their super heavy boosters, and they’re raring to roar. There’s one teeny tiny problem. The FAA has not given permission for another attempt nor publicly said when it might. Could Elon Musk be suffering from failure to launch? “Starship is stacked and ready to make its second launch attempt” at Ars Technica.

…”The SpaceX Starship mishap investigation remains open,” the agency stated. “The FAA will not authorize another Starship launch until SpaceX implements the corrective actions identified during the mishap investigation and demonstrates compliance with all the regulatory requirements of the license modification process.”…

(21) VIDEO OF THE DAY. Marc Scott Zicree invites everyone to enjoy video of the “Space Command Creature Test”.

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Ersatz Culture, Lis Riba, Bruce D. Arthurs, Dale Arnold, Kathy Sullivan, Steven French, Michael J. “Orange Mike” Lowrey, Chris Barkley, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Lou.]

Pixel Scroll 8/20/23 But Can He Put A Brick To Sleep Through Hypnosis?

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(1) MAINE PAPER INTERVIEWS LIADEN CREATORS. “Waterville authors’ marriage has stood the test of time – and deadlines”, in the Portland, ME Press-Herald.

In the days when they were trying to build their careers as science fiction writers, Sharon Lee and Steve Miller had multiple jobs to pay the bills, and a shared typewriter.

Lee remembers going off to work at the paper mill in Skowhegan during the day and leaving whatever she had written in the typewriter for Miller, so he could pick up where she left off when he came home from his overnight shift at a Cumberland Farms.

“We just left the paper in the typewriter for whoever was home to work on the book,” said Lee, 70. “We had a deadline to meet, it was a necessity.”

Some 35 years later, Lee and Miller still write science fiction novels together, but with the luxury of time and space. Both write full-time and each have their own writing office, at opposite ends of their ranch house in Waterville. Nowadays, they sometimes leave finished pages on the dining room table for the other to read over. They’ve collaborated on some 100 stories and books over the years, including 25 novels in the popular Liaden Universe series.

The most recent book in the series, “Salvage Right,” went on sale in July and debuted at No. 2 on book publishing industry data provider BookScan’s science fiction list. It was published by Baen Books and distributed by Simon & Schuster. Their first book came out in 1988, the year they moved to Maine from Baltimore. The couple has been married since 1980.

“They are two very intelligent, creative people playing off each other, and there’s a huge element of trust in the way they work. You can’t tell which ones Sharon took the lead on or which ones Steve did,” said Toni Weisskopf, the publisher at Baen Books. “There have been some husband-and-wife collaborations in science fiction, but for a couple to work together this long and for their marriage to remain successful is probably unique.”…

(2) CHENGDU WORLDCON TAKING APPLICATIONS FOR FAN TABLES. The Chengdu Worldcon (October 18-22) is now accepting requests from those who want to run Fan Tables. The deadline to apply is August 31 at 5:00 p.m. (Beijing Time). Detailed information is in the 2023 Chengdu Worldcon Exhibition Brochure. The contact email is [email protected].

…As one of the most important parts of a Worldcon, the exhibition is an excellent platform for global fannish groups to experience science fiction culture from various community and communicate and exchange science fiction ideas and perspectives. This year, we have set up an area of over 5,000 sqm exhibition space which composed with industries and fannish groups related to science fiction genre. You can find exhibitors featuring the content of science fiction lifestyle, arts, films, publishing, games, popular science and culture and tourism along with Fan Table, Dealer’s Room and the Future Worldcons. Now we are pleased to announce the open of application for the exhibition, however, due to the limited space and table, we have to approve the application in a manner of first come first get.

(3) ALL BRADBURY, ALL THE TIME. The Library of America interviewed Jonathan Eller, editor of  The Illustrated Man, The October Country, Other Stories, which gathers two of Ray Bradbury’s celebrated collections and twenty-seven other stories. Eller is the author of the definitive, three-volume Ray Bradbury biography (Becoming Ray Bradbury, Ray Bradbury Unbound, Bradbury Beyond Apollo) and the general editor of the Collected Stories of Ray Bradbury and The New Bradbury Review. “Jonathan R. Eller on Ray Bradbury’s journey from the pulps to the slicks”.

Jonathan R. Eller: Throughout World War II, Ray Bradbury published in the genre pulps by way of his first New York agent, Julius Schwartz. His success with off-trail stories in the pages of Weird Tales came first, as he slowly developed a style to match his tales of strange children and eccentric supernatural creatures that bore little resemblance to the conventional vampires, ghosts, and werewolves usually featured in the supernatural pulps.

By 1945 he had found another reading audience through the crime fiction pulps, again creating unconventional characters who blurred the boundaries between rational, neurotic, and psychotic behavior. All along he had also been publishing in the science fiction magazines with limited success, hampered to some degree by an anxiety of influence and the virtual lack of any background in the sciences or technologies that stimulated many other writers in the field.

Nevertheless, Bradbury was already developing his own distinctive, metaphor-rich style, and genre mentors such as Leigh Brackett, Edmond Hamilton, and Henry Kuttner helped him discover his true strengths as a writer. Bradbury always believed that his subconscious was the key to original ideas, and by the mid-1940s he realized, on some level, that his strengths were not in imagining the experiences of others, but in telling stories that came from the emotional responses to life found in the mind of a child, and the mind of the adult that the child would become. These subjects he knew well….

(4) I’VE HEARD THAT SONG BEFORE. “Rod Serling Committed Plagiarism In The Twilight Zone – By Accident” – Slashfilm explains what they mean by that.

The pilot episode for Rod Serling’s seminal sci-fi TV series “The Twilight Zone” was called “Where Is Everybody?,” and it aired on October 2, 1959. It was directed by Robert Stevens and, like most episodes of “The Twilight Zone,” was written by Serling himself…

Bradbury was unambiguous when addressing Serling’s “inspiration.” He explained:

“The first program of ‘The Twilight Zone’ is based on a story from ‘The Martian Chronicles.’ He invited me to a screening with my friend Bill Nolan and the other boys in the gang, you know, and when we came out we all looked at each other and said, ‘God, that looks a little bit like a story from “The Martian Chronicles.”‘ I didn’t say anything because I was embarrassed. And a month or so later, Rod called me on the phone and said, ‘Why didn’t you tell me?’ I said, ‘Tell you what?’ He said, ‘Well, my pilot script is based partially on a story of yours from “The Martian Chronicles?”‘”

It seemed that Serling didn’t know that Ray Bradbury had beaten him to a “lone soul wanders a human-free landscape” story by about nine years. Serling then told Bradbury that it took his wife, Carol, to point out the similarities to him. Luckily, she happened to be readying Bradbury’s book at the time. The author recalled:

“[Serling] said ‘I was in bed reading with my wife and Carol turned over, she was reading “The Martian Chronicles” and she said, “Rod, read this, it’s like your pilot.”‘ And he said, ‘My God, I realized that inadvertently I’d stolen part of your idea.'”

Luckily, Serling wanted to do the honorable thing, and give credit where credit was due; it seems that Rod didn’t want to rip off any ideas or claim credit for himself. He offered to pay Bradbury to appropriate amount to purchase the rights to his story. Bradbury refused, saying that the acknowledgment was enough, offering him vindication….

(5) SCOREBOARD, BABY! “Another judge agrees: AI-Created art isn’t copyrightable” reports Mashable.

…There has been a debate raging over whether or not work created by generative artificial intelligence can be copyrighted. Some judges have ruled no, of course not, that would be absurd; others have argued the opposite. On Friday, the computers took another L.

A federal judge ruled to uphold a finding from the U.S. Copyright Office that states that pieces of art that are created by AI are not protected by copyright law. As the Hollywood Reporter found, U.S. District Judge Beryl Howell, who delivered the ruling, said copyright law hasn’t ever protected “works generated by new forms of technology operating absent any guiding human hand.”

Stephen Thaler, the chief executive of the neural network firm Imagination Engines, has been leading the charge in hopes of copywriting AI works, according to the Hollywood Reporter. In his lawsuit, he argued that AI should be acknowledged “as an author where it otherwise meets authorship criteria” and that works generated completely and solely by artificial intelligence should be protected by copyright law.

“In the absence of any human involvement in the creation of the work, the clear and straightforward answer is the one given by the Register: No,” Howell wrote, adding that copyright law “protects only works of human creation.”…

(6) GRABBING WITH BOTH ROBOTIC HANDS. [Item by Bill.] Meanwhile, Google wants Australian copyright (and presumably other countries as well) to explicitly allow AI/LLM systems to scrape copyrighted material as “fair use”. “Google Wants AI Scraping to Be ‘Fair Use.’ Will Courts Agree?” at Tom’s Hardware.

What do you think would happen if I tried this? I stroll into a bank and see a wad of cash within arm’s reach behind an unoccupied teller window. I grab the dough and start walking out the door with it when a police officer, very rudely, stops me. “I’m entitled to take this money,” I say. “Because nobody at the bank told me not to.”

If you think my defense is implausible, then you don’t work for Google. This week, the search giant said that it wants to change copyright laws so that it can grab any content it wants from the Internet, use it as training data for its AI products, and argue “fair use” if anyone objects to the plagiarism stew Google’s cooking up. Google’s figleaf to copyright holders: they’ll find a way to let you opt-out.

In a recent statement to the Australian government, which is considering new AI laws, Google wrote that it wants “copyright systems that enable appropriate and fair use of copyrighted content to enable the training of AI models in Australia on a broad and diverse range of data while supporting workable opt-outs for entities that prefer their data not to be trained in using AI systems.”…

(7) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 20, 1883 — Austin Tappan Wright. Did you know that Islandia wasn’t published when he was alive? His widow edited his fifteen hundred page manuscript for publication, and following her own death in 1937 their daughter Sylvia further edited and cut the text; the resulting novel, shorn of Wright’s appendices, was published in 1942, along with a pamphlet by Basil Davenport, An introduction to Islandia; its history, customs, laws, language, and geography, based on the original supplementary material. (Died 1931.)
  • Born August 20, 1890 — Howard P. Lovecraft. Virtually unknown during his lifetime, he was published only in pulp magazines before he died in poverty. He’s regarded now as one of our most important authors of horror and weird fiction. He is not the originator of the term Cthulhu mythos, that honor goes to August Derleth. (Died 1937.)
  • Born August 20, 1932 — Anthony Ainley. He was the fourth actor to play the role of the Master, and the first actor to portray the Master as a recurring role since the death of Roger Delgado in 1973. He appeared in eleven stories with the Fourth through Seventh Doctors.  It is noted that he enjoyed the role so much that sources note he even stayed in character when not portraying The Master by using both the voice and laugh in social situations. (Died 2004.)
  • Born August 20, 1943 — Sylvester McCoy, 80. The Seventh Doctor (my second favorite of the classic Who Doctors after Baker) and the last canon Doctor until the modern era of the official BBC Doctors when they revised canon. He also played Radagast in Peter Jackson’s Hobbit films, he’s The Old Man of Hoy in Sense8 and he voices Aezethril the Wizard in the “Endgame” episode of Thunderbirds Are Go. 
  • Born August 20, 1951 — Greg Bear. Blood Music which won both a Nebula and a Hugo for Best Novelette is an amazing read. I’m also very fond of the Songs of Earth and Power duology, The Infinity Concerto and The Serpent Mage, and found his Queen of Angels a fascinating mystery. (Died 2022.)
  • Born August 20, 1961 — Greg Egan, 62. Australian writer who exists though he does his damnedest to avoid a digital footprint. His excellent Permutation City won the John W. Campbell Memorial Award  and “Oceanic” garnered a Best Novella Hugo at Ausiecon Three. I assume he wasn’t there given his stance against attending Worldcons?
  • Born August 20, 1962 — Sophie Aldred, 61. She’s Ace, the Seventh Doctor’s Companion. (By the way Doctor Who Magazine: Costume Design: Dressing the Doctor from William Hartnell to Jodie Whittaker is a brilliant read and has a nice look at her costuming.) She’s reprised the role in the Big Finish audio adventures, and she’s recently written Doctor Who: At Childhood’s End where Ace meets the Thirteenth Doctor. 

(8) COMICS SECTION.

  • Shoe shows an alternative “next generation” idea.
  • Tom Gauld finds a case of scholarly overkill.

(9) RUSSIAN MOON LANDER FAILS. [Item by Mike Kennedy.] Well, it looks like the anomaly in Luna 25’s orbit was of the “we attempted a negative altitude maneuver” type.  “Luna-25 crashes into moon after orbit maneuver” at Space.com.

Russia’s Luna-25 mission ended in failure after crashing into the moon, space agency Roscosmos has announced.

A statement posted to the agency’s Telegram social media channel early Aug. 20 confirmed that an anomaly during an Aug. 19 maneuver to lower Luna-25’s orbit resulted in the spacecraft impacting the lunar surface.

The spacecraft was scheduled to attempt a soft lunar landing Aug. 21, near Boguslawsky crater, located approximately 70 degrees south latitude in the vicinity of the south polar region of the moon.

Roscosmos announced Aug. 19 that at 7:10 a.m. Eastern that day Luna-25 was instructed to fire its engines to send the spacecraft into a “pre-landing” orbit around the moon. The planned maneuver was anomalous, however. 

“An emergency situation occurred on board the automatic station, which did not allow the maneuver to be performed with the specified parameters,” according to a translation of the Roscosmos statement. 

The agency clarified Sunday that contact was lost with the spacecraft around 7:57 a.m. Eastern. Measures taken Aug. 19 and 20 to reestablish contact with Luna-25 were not successful, according to the Aug. 20 statement.

A preliminary analysis revealed that a deviation of the actual parameters of the impulse from those calculated resulted in the spacecraft colliding with the lunar surface, according to a machine translation of the statement….

(10) ICONIC ARCHITECTURE NO MORE. The Guardian listens to the “Outcry over loss of features on Bangkok’s landmark ‘robot building’”.

A Bangkok landmark known as the “robot building” has been stripped of its identity, heritage campaigners have said, as they called for the city’s distinctive architecture to preserved.

The building – in the form of a giant robot made up of stacks of cubes and inspired by the architect watching his son play with a toy – has loomed over one of Bangkok’s busiest commercial districts for decades. Its design included oversized bolts and antenna, and windows shaped like cartoonish eyes.

The building’s owner, the Thai arm of the Singaporean multinational United Overseas Bank (UOB), is renovating the structure, however, and its distinctive features have been altered or removed.

The building, which is mentioned in many guides of the city, was completed in 1986 and was previously the headquarters of Bank of Asia. The architect, Dr Sumet Jumsai na Ayudhya, who sought to reflect the computerisation of banking, wanted to create a building that was futuristic….

(11) WWII FLIGHT PHOTOS. The Guardian reports that the Historic England website has made available for the first time large numbers of photos indexed under “Baseball and Bombers: USAAF Reconnaissance Photography During the Second World War”.

The United States Army Air Forces (USAAF) reconnaissance aircraft flew hundreds of sorties over England during the Second World War. The Historic England Archive holds a USAAF collection of over 20,000 photographs that records airfields, military bases, towns, and countryside in England between 1943 and 1944.

… The photographs also show incidental details, including Second World War anti-invasion defences. Traces of earlier times can also be seen, from prehistoric archaeological features to the remains of First World War camps. Others record busy townscapes or the relative tranquillity of the natural landscape and cloud formations….

(12) VIDEO OF THE DAY. Ryan George convinces himself to make a sequel in “Meg 2: The Trench Pitch Meeting”.

Jason Statham fighting giant prehistoric sharks. That’s maybe the easiest pitch that’s ever been made, and first Meg movie made over half a billion dollars thanks to that awesome sounding premise. And when something makes half a billion dollars, you can bet we’re going to see some more of it. Meg 2: The Trench definitely raises some questions. Like why is this shark movie mostly about humans running around doing sketchy stuff? How did Jason Statham free dive at 25,000 feet? Wait, these movies are based on books? Where did that Kraken come from and why isn’t anyone talking about it? To answer all these questions, check out the pitch meeting that led to Meg 2: The Trench!

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Jim Janney.]

Pixel Scroll 6/15/23 Where Do Pixels Come From? They Are Born Of Scrolls. Where Do Scrolls Originate? Go Ask Mike

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(1) BLACK MIRROR CREATOR. [Item by SF Concatenation’s Jonathan Cowie.] BBC Radio 4’s The Media Show yesterday was devoted to Charlie Brooker. You can download the episode here.

Brooker in SF terms is best known for being the writer behind the Black Mirror whose first two seasons were on Britain’s publicly-owned but self-financed Channel 4 before it migrated behind Netflix’s pay wall. (Netflix could afford the show a bigger budget.)

Charlie Brooker is one of the most influential satirists working today. Having started out as a cartoonist, his razor sharp writing on culture and the media made his TV columns for The Guardian, begun in 2000, essential reading for many. It wasn’t long until his acerbic and frequently absurd world view found a home on BBC Four in the form of the TV review show, Screenwipe. He’s also behind acclaimed comedies like Nathan Barley. But he’s found global fame with the series Black Mirror, which has entered the lexicon for a singular form of technology-enhanced dread. In the week that the new season launches, Charlie Brooker joins</I> The Media Show <I>to look back at his career.

(2) WOMEN’S PRIZE FOR FICTION. The 2023 winner of the Women’s Prize for Fiction is Barbara Kingsolver’s Demon Copperhead, which despite the thrilling sound of its title is a non-genre work.

(3) 2023 KAYMAR AWARDS. The National Fantasy Fan Federation has named Will Mayo and Justin E. A. Busch the winners of the 2023 Kaymar Awards. Each is a posthumous award, a first for the N3F.

The Kaymar Award recipient is selected by a committee consisting of previous winners who are still in the N3F, from nominations submitted by members.

The award, unlike many other awards in fandom, can be awarded only once. It is not given for talent or for popularity, but for work — work for the benefit of the club and its members. The award is a memorial to K. Martin Carlson [1904-1986], who originated, maintained, and financed it for 25 years. Carlson was a long-time N3F member who held many positions in the club, including club Historian. He went by the fan name of Kaymar.

(4) ELIO. Here’s a teaser for next year’s Pixar release, Elio.

Disney and Pixar’s 28th feature film is “Elio”. Jameela Jamil and Brad Garrett join previously announced America Ferrera and Yonas Kibreab in the intergalactic misadventure that is scheduled to take off next spring—March 1, 2024.   For centuries, people have called out to the universe looking for answers—in Disney and Pixar’s all-new movie “Elio,” the universe calls back! The original feature film introduces Elio, an underdog with an active imagination who finds himself inadvertently beamed up to the Communiverse, an interplanetary organization with representatives from galaxies far and wide. Mistakenly identified as Earth’s ambassador to the rest of the universe, and completely unprepared for that kind of pressure, Elio must form new bonds with eccentric alien lifeforms, survive a series of formidable trials and somehow discover who he is truly meant to be. 

(5) UPLIFTER. Steven Barnes showed Facebook readers his latest recognition, The Uplifter Ghost of Honor Award.

(6) ANOTHER COMPANION. “Doctor Who’ Casts BAFTA-Winner Lenny Rush As Morris” reports Deadline.

…Lenny Rush, the BAFTA-winning star of BBC comedy Am I Being Unreasonable?, has joined the iconic sci-fi series as Time Lord companion Morris. No further details were given about his role.

Rush, 14, won Best Male Performance for Daisy May Cooper’s Am I Being Unreasonable? last month. He has previously appeared in shows including A Christmas Carol and Dodger.

Showrunner Russell T Davies said: “This is what Doctor Who‘s all about, brand new talent from the next generation, and no one’s more talented than Lenny. He joins the TARDIS team just in time for the Doctor’s greatest nightmare, so hold on tight.”

(7) IT’S A GAS. [Item by Steven French.] “Blending science and the supernatural, high art and gothic horror, Hamad Butt made work that was literally dangerous, in one case sparking fears of a gas leak. He is one of the stars of Tate Britain’s rehang”. “’Dicing with death’: the lethal, terrifying art of Hamad Butt – and the evacuation it once caused” in the Guardian.

But where’s the genre interest, you ask? The work being showcased at the art gallery is Transmission which features a circle of glass books displaying etchings of John Wyndham’s triffids.

…One particularly exciting addition is the little-known Pakistani-born artist Hamad Butt, whose striking 1990 installation Transmission has been given a whole room.

Created at the height of the Aids epidemic in Europe and the US, Transmission evokes multiple terrors. Donning safety goggles at the entrance, you encounter a darkened space with nine open glass books, lit by UV lamps, arranged in a circle on the floor as if for some cabalistic ritual. Through the eerie glow, an etching looms on each book of a triffid, the giant carnivorous plants that overrun Earth after a blinding meteor shower in John Wyndham’s 1951 sci-fi novel The Day of the Triffids. On the wall, nine cryptic statements pronounce things like: “We have the eruption of the Triffid that obscures sex with death” and “We have the blindness of fear and the books of fear”. The piece explores fears of the foreign invader, of deadly desire (through the distinctly phallic-looking triffid), of literal blindness as well as blind faith, the open tomes recalling a madrasa or a witch’s coven….

(8) ROBERT GOTTLIEB (1931-2023). Robert Gottlieb, an influential editor who worked at Simon & Schuster, Alfred A. Knopf and The New Yorker during his career, died June 14 reports the New York Times. He was 92. He edited many successful books “by, among many others, John le Carré, Toni Morrison, John Cheever, Joseph Heller, Doris Lessing and Chaim Potok; science fiction by Michael Crichton and Ray Bradbury; histories by Antonia Fraser and Barbara Tuchman; memoirs by former President Bill Clinton and Katharine Graham, the former publisher of The Washington Post; and works by Jessica Mitford and Anthony Burgess.”

(9) MEMORY LANE.

2001 – [Written by Cat Eldridge from a choice by Mike Glyer.]

If memory serves me right, the first thing that I read by  Kelly Link was something in an early issue of Lady Churchill’s Rosebud Wristlet that she and Gavin Grant sent to Green Man of Small Beer Press for review.

They also edited the last four years of The Year’s Best Fantasy and Horror that Datlow and Windling founded. Same anthology, different tastes under their editorship. 

Our Beginning this Scroll comes from the Nebula-winning “Louise’s Ghost” novelette which is in the Stranger Things Happen collection which is where it was originally published twenty-two years ago. The entire collection being her writing is wonderful. 

And now for her Beginning here…

Two women and a small child meet in a restaurant. The restaurant is nice—there are windows everywhere. The women have been here before. It’s all that light that makes the food taste so good. The small child—a girl dressed all in green, hairy green sweater, green T-shirt, green corduroys and dirty sneakers with green-black laces—sniffs. She’s a small child but she has a big nose. She might be smelling the food that people are eating. She might be smelling the warm light that lies on top of everything. 

Hit

None of her greens match except of course they are all green.

“Louise,” one woman says to the other.

 “Louise,” the other woman says. 

They kiss.

The maitre d’ comes up to them. He says to the first woman, “Louise, how nice to see you. And look at Anna! You’re so big. Last time I saw you, you were so small. This small.” He holds his index finger and his thumb together as if pinching salt. He looks at the other woman. 

Louise says, “This is my friend, Louise. My best friend. Since Girl Scout camp. Louise.” The maitre d’ smiles. “Yes, Louise. 

Of course. How could I forget?

Louise sits across from Louise. Anna sits between them. She has a notebook full of green paper, and a green crayon. She’s drawing something, only it’s difficult to see what, exactly. Maybe it’s a house. 

Louise says, “Sorry about you know who. Teacher’s day. The sitter canceled at the last minute. And I had such a lot to tell you, too! About you know, number eight. Oh boy, I think I’m in love. Well, not in love.” 

She is sitting opposite a window, and all that rich soft light falls on her. She looks creamy with happiness, as if she’s carved out of butter. The light loves Louise, the other Louise thinks. Of course it loves Louise. Who doesn’t?

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born June 15, 1942 — Sondra Marshak, 81. Author of multiple Trek novels including The Price of the Phoenix and The Fate of the Phoenix, both co-written with Myrna Culbreath. She also wrote, again with Myrna Culbreath, Shatner: Where No Man …: The Authorized Biography of William Shatner which of course naturally lists Shatner as the third co-author. Finally she’s co-writer with Jacqueline Lichtenberg, and television producer Joan Winston of Star Trek Lives!
  • Born June 15, 1947 — David S Garnett, 76. Not to be confused with the David Garnett without an S. Author of the Bikini Planet novels (Stargonauts, Bikini Planet and Space Wasters) which should be taken as seriously as the names suggests. Revived with the blessing of Michael Moorcock a new version of New Worlds as an anthology. Last work was writing Warhammer novels.
  • Born June 15, 1960 — William Snow, 63. He is best remembered as Lord John Roxton on Sir Arthur Conan Doyle’s The Lost World. (Yes, that’s its official title.) He also had the lead as David Grief on the Australian series Tales of the South Seas which had Rachel Blakey from Sir Arthur Conan Doyle’s The Lost World as Isabelle Reed. It was definitely genre. 
  • Born June 15, 1960 — Sabrina Vourvoulias, 63. Thai-born author, an American citizen from birth brought up in Guatemala, but here since her teens. Her novel, Ink, deals with immigrants who are tattooed with biometric implants that are used to keep track of them no matter where they are. I’m assuming that the “Skin in the Game” story which appeared first on Tor.com is set in the future. Fair guess that “The Ways of Walls and Words” which also appeared on Tor.com is also set there.
  • Born June 15, 1963 — Mark Morris, 60. English author known for his horror novels, although he has also written several novels based on Doctor Who and Torchwood. Given his horror background, these tend to be darker than many similar novels are, I recommend Forever Autumn and Bay of the Dead if you like a good chill. 
  • Born June 15, 1973 — Neil Patrick Harris, 50. His first genre role was not Carl Jenkins in Starship Troopers, but rather Billy Johnson in Purple People Eater, an SF comedy best forgotten I suspect. Post-Starship Troopers, I’ve got him voicing Barry Allen / The Flash in Justice League: The New Frontier and Dick Grayson / Nightwing in Batman: Under the Red Hood. He also voiced Peter Parker and his superhero alias in Spider-Man: The New Animated Series. Finally he’s Count Olaf in A Series of Unfortunate Events which he also produces. 

(11) COMICS SECTION.

  • Eek! reveals something about smartphones and the undead.

(12) SIMULTANEOUS TIMES. Space Cowboy Books in Joshua Tree, CA has released episode 64 of its monthly science fiction podcast Simultaneous Times. The stories featured in this episode are:

  • “The Runner” by Jonathan Nevair (with music by Phog Masheeen)
  • “The Last AI Editor on Planet Earth” by Toshiya Kamei (with music by Patrick Urn)

(13) DOES SOMEBODY OWE YOU $7.70? From the New York Times: “Google Might Owe You Money. Here’s How to Get It.” “As part of a legal settlement, Google agreed to pay $23 million to users who clicked on a search link from 2006 to 2013. Individual payments are estimated to be less than $8.”

Anyone who clicked on a Google search result link from October 2006 to September 2013 is entitled to a piece — however small — of a $23 million settlement that the tech giant has agreed to pay to resolve a class-action lawsuit.

The settlement’s administrators set up a website for people to submit claims. According to the site, the estimated individual payout stands at $7.70. But that figure can fluctuate based on the number of people who make valid claims.

Google, which is owned by Alphabet Inc., agreed to the settlement in August. The consolidated class-action lawsuit filed in 2013 accused the company of “storing and intentionally, systematically and repeatedly divulging” users’ search queries and histories to third-party websites and companies….

(14) ROCKS AROUND THE CLOCK. Smithsonian Magazine can help you find “Seven Ways to Explore Space Without Leaving Earth”.

…Just up the road from the Cinder Hills is Sunset Crater Volcano National Monument, another astronaut training site. In the early 1970s, commander Gene Cernan and geologist Jack Schmitt trained here before Apollo 17. The mission for this final lunar landing was to find evidence of volcanism on the moon. The two astronauts used the jagged Bonito lava flow, along with surrounding cinder fields and cones, to test equipment and practice geological survey techniques.

In December 1972, Cernan and Schmitt landed in a valley of the Taurus mountain range in the Sea of Serenity. Satellite imagery had suggested these lunar highlands might be volcanic in nature. The pair’s first extravehicular activity—as astronauts call such trips outside their spacecraft—turned up mostly breccias, conglomerate rocks created by the meteorite impacts that actually formed most lunar mountains. But halfway through their second excursion, Schmitt became ecstatic when he spotted something unusual: orange soil. Analysis back on Earth proved the mission a success. They had found remnants of volcanic glass. The eventual theory was that billions of years ago, the moon was a magmatically turbulent place, where lava explosively burst from the low-gravity surface to great heights before raining down as tiny grains of orange glass.

Today, the 3,138-acre Sunset Crater Volcano National Monument offers an excellent way to experience the Arizona landscape that once simulated the lunar environment. A series of short trails allow you to explore some of the volcanic processes that Artemis astronauts may search for when they return to the moon in coming years….

(15) QUANTUM COMPUTER HITS THE MARK. “IBM quantum computer passes calculation milestone” – Nature explains the significance.

‘Benchmark’ experiment suggests quantum computers could have useful real-world applications within two years.

“Four years ago, physicists at Google claimed their quantum computer could outperform classical machines — although only at a niche calculation with no practical applications. Now their counterparts at IBM say they have evidence that quantum computers will soon beat ordinary ones at useful tasks, such as calculating properties of materials or the interactions of elementary particles.”…

(16) WHAT IS A SAFE DISTANCE FROM A SUPERNOVA? [Item by SF Concatenation’s Jonathan Cowie.] You know me… I do worry so.  So much so that it is a wonder I get any sleep.

Among many troubling concerns is the end of the world.  Now, I have to admit liking the end of the world: it is great fun, but with the firm proviso that is that it is firmly in science fiction.  The real deal is the thing that gets me.

So Matt O’Dowd (he’s a physicist but don’t let that put you off) in this week’s PBS Space Time is sort of re-assuring (only sort of) as to one way the world might end… being caught in the blast of a supernova…

(Best make a calming cup of tea before viewing.)

The deaths of massive stars results in one of the most beautiful and violent events in the universe: the supernova. They are so luminous we can see them here on Earth and historical records show that we can even see them into the day. But supernovas release deadly and violent radiation that could destroy our atmosphere. So how far away do these supernova have to be for humanity to be safe? And when will the next supernova occur…

Nobody panic…

[Thanks to John King Tarpinian, Chris Barkley, Michael Toman, Cat Eldridge, Cliff, Steven French, SF Concatenation’s Jonathan Cowie, Mike Kennedy, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Cat Eldridge.]

Pixel Scroll 1/28/23 But Oh, Saberish Padawan, Beware Of The Day, If Your Scroll Be A Pixel

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(1) COLUMBIA SHUTTLE TRAGEDY ANNIVERSARY. NPR is “Remembering the Space Shuttle Columbia tragedy 20 years on”.

…SIMON: Twenty years later, what have we learned about that day? What happened there in the sky? And what might have prevented it?

DUGGINS: Well, you know, it’s funny. I mean, if you talk to historians, who are much better at this than I am, they’ll say, you know, the Titanic, it can’t sink. Challenger – routine launch and landing, no problems there. And that hubris always seems to catch up with us. And with Columbia, it was the piece of falling foam that hit the vehicle. And NASA asked the engineers, do you know it’s a problem? And they said, well, we can’t be sure. And so the manager said, fine, we’ll just keep going with the mission and not tell anybody about it. And it wasn’t until the very end that they informed the astronauts ’cause they figured it was going to come up in a press conference. And that was what ultimately doomed the crew….

(2) LE GUIN POETRY VOLUME COMING. The Library of America edition of Ursula K. Le Guin: Collected Poems will be released April 23.  See a PDF of the Table of Contents.

Throughout a celebrated career that spanned five decades and multiple genres, Ursula K. Le Guin was first and last a poet. This sixth volume in the definitive Library of America edition of Le Guin’s work presents for the first time an authoritative gathering of her poetry—from the earliest collection, 1974’s Wild Angels, through her final publication, So Far So Good, which she delivered to her editor a week before her death in 2018. It reveals the full formal range and visionary breadth of a major American poet.

Le Guin’s poems engage with themes that resonate throughout her fiction but find their most refined expression here: exploration as a metaphor for both human bravery and creativity, the mystery and fragility of nature and the impact of humankind on the environment, the Tao Te Ching, marriage, aging, and womanhood. Often traditional in form but never in style, her verse is earthy and playful, surprising and lyrical.

This volume features a new introduction by editor Harold Bloom, written shortly before his own death in 2019, in which he reflects on his late-in-life friendship with Le Guin and the power of her poetic gift. “For many years I have wondered why her poetry is relatively neglected,” he writes. “Her lyrics and reflections are American originals. Sometimes I hear in them the accent of William Butler Yeats and occasionally a touch of Robinson Jeffers, yet her voicing is inimitably individual.” The book also presents sixty-eight uncollected poems, a generous selection of Le Guin’s introductions to and reflections on her poetry, including a rare interview, and a chronology of her life and career.

(3) OH GOODY. Futurism assures readers, “By 2030, You’ll Be Living in a World That’s Run by Google”.

…By 2030, Google will have that World Brain in existence, and it will look after all of us. And that’s quite possibly both the best and worst thing that could happen to humanity.

To explain that claim, let me tell you a story of how your day is going to unfold in 2030.

You wake up in the morning, January 1st, 2030. It’s freezing outside, but you’re warm in your room. Why? Because Nest – your AI-based air conditioner – knows exactly when you need to wake up, and warms the room you’re in so that you enjoy the perfect temperature for waking up.

And who acquired Nest three years ago for $3.2 billion USD? Google did.

You go out to the street and order an autonomous taxi to take you to your workplace. Who programmed that autonomous car? Google did. Who acquired Waze – a crowdsourcing navigation app? That’s right: Google did….

(4) WISH WE COULD BE THERE. Dr. Phil Nichols will speak about “Literacy, Censorship and Burning Books: Ray Bradbury’s Fahrenheit 451” at the Wolverhampton Literature Festival on February 3.

Ray Bradbury’s Fahrenheit 451, the classic dystopian novel of book-burning firemen, is as relevant today as when it debuted seventy years ago. Its insights into censorship, television, drug abuse and the fall and rise of civilisation retain a freshness and plausibility rarely seen in other science fiction of that era.

Fahrenheit 451 is Ray Bradbury’s most successful novel. Ironically for a book which rages against censorship, it frequently shows up on lists of “banned books”. Adapted for the stage by Bradbury himself and twice filmed, it somehow doesn’t date, despite being seventy years old in 2023.

Phil Nichols is the editor of The New Ray Bradbury Review and Senior Consultant to the Ray Bradbury Centre at Indiana University. In this extensively illustrated talk, he explains the curious history of this classic science fiction dystopia. It’s a tale of diverse influences (Huxley and Koestler; but surprisingly not Orwell) and extensive re-writing, resulting in a work which Neil Gaiman calls “a love letter to books . . . a love letter to people.”

(5) DEFINITELY BELONGS TO THE SCIENCE FICTION CANNON. ScreenRant celebrates that “The First Science Fiction Movie Is Over 120 Years Old” and they’ll fight anyone who says it isn’t genre.

…A Trip to the Moon is considered the first science fiction movie by most – but some say it is not science fiction, because it is not based on any realistic form of science, classing it more as a space fantasy. A Trip to the Moon features classic elements of the current sci-fi genre, such as aliens and sleek rockets, that would now be considered sci-fi because of how the genre has developed. However, some people do not classify films such as Star Wars as sci-fi because the science in it lacks plausibility, the same way A Trip to the Moon is not realistic with its science – highlighting how differently the genre is considered amongst audiences, as many would consider it a quintessential sci-fi series….

(6) QUITE A BUNCH OF CHARACTERS. Fonts In Use unravels “The Mystery of the Dune Font” and how devotees are keeping it alive.

… The liaison between Dune and Davison Art Nouveau started in September 1975, when the typeface was used by Berkley Medallion for a paperback edition of the first two novels. At the time, the Berkley imprint was owned by New York-based publisher G.P. Putnam’s Sons. When Berkley Putnam published the first hardcover edition of the third novel, Children of Dune, in 1976, the new typographic identity was applied there, too. Later on, Putnam used the typeface on the jackets for hardback editions of other, unrelated books authored (or coauthored) by Frank Herbert…

 … In 2009, a Dune aficionado who goes by the moniker DuneFish (DFUK) and/or MEP made a digital font called Orthodox Herbertarian, “painstakingly traced from scans of the typeface that was used on the American Ace editions […] of Dune and many other Frank Herbert books”. This amateur digitization is freely available at kullwahad.com. The font is caps only (A–Z), with a basic set of punctuation characters and scaled-down caps in the lowercase. Because it’s based on the book covers (as opposed to the original typeface), it naturally adopts the narrowed proportions. Orthodox Herbertarian is a laudable effort, but it doesn’t include any of the alternates or the numerals. In 2020, Reddit user purgruv added lowercase letters and numerals to this freebie and offered it for download as Extended Herbertarian. The additions aren’t faithful to the original and unfortunately aren’t well drawn, either….

(7) MEMORY LANE.

1923 — [Compiled by Cat Eldridge.]

Following up on my essay yesterday, the quote tonight is from Agatha Christie’s “The Disappearance of Mr. Davenheim”.  

It was first published in March of 1923 in Britain in the Sketch. The story was published in the States in the Blue Book Magazine in December of 1923 as “Mr Davenby Disappears”.  In 1924, the story appeared as part of the Poirot Investigates anthology. 

And yes, David Suchet got to perform the story here in which is Poirot wagers Chief Inspector Japp that he can solve the mystery of a missing banker without leaving his flat. 

And here’s the quote now…

Poirot and I were expecting our old friend Inspector Japp of Scotland Yard to tea. We were sitting round the tea-table awaiting his arrival. Poirot had just finished carefully straightening the cups and saucers which our landlady was in the habit of throwing, rather than placing, on the table. He had also breathed heavily on the metal teapot, and polished it with a silk handkerchief. The kettle was on the boil, and a small enamel saucepan beside it contained some thick, sweet chocolate which was more to Poirot’s palate than what he described as ‘your English poison’. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born January 28, 1910 — Arnold Moss. Anton Karidian a.k.a. Kodos the Executioner in the most excellent “The Conscience of the King” episode of Trek. It wasn’t his only SFF role as he’d show up in Tales of Tomorrow, The Man from U.N.C.L.E. and The Girl from U.N.C.L.E., The Alfred Hitchcock Hour, Time Tunnel and Fantasy Island. (Died 1989.)
  • Born January 28, 1920 — Lewis Wilson. Genre wise, he’s remembered for being the first actor to play Batman on screen in the 1943 Batman, a 15-chapter theatrical serial from Columbia Pictures. A sequel to the serial was made in 1949, but Robert Lowery replaced Wilson as Batman. (Died 2000.)
  • Born January 28, 1929 — Parke Godwin. I’ve read a number of his novels and I fondly remember in particular Sherwood and Robin and the King. If you’ve not read his excellent Firelord series, I do recommend you do so. So who has read his Beowulf series? (Died 2013.)
  • Born January 28, 1965 — Lynda Boyd, 58. Let’s start off with she’s a singer who starred in productions The Little Shop of Horrors and The Rocky Horror Picture Show. Film-wise, she had roles in Final Destination 2, The Invader, Mission to Mars and Hot Tub Time Machine. She’s had one-offs in X-Files, Highlander, Strange Luck, Millennium, The Sentinel, The Crow: Stairway to Heaven (where she had a recurring role as Darla Mohr), Outer Limits, Twilight Zone and Smallville.
  • Born January 28, 1981 — Elijah Wood, 42. His first genre role was Video-Game Boy #2 in Back to the Future Part II. He next shows up as Nat Cooper in Forever Young followed by playing Leo Biederman in Deep Impact. Up next was his performance as Frodo Baggins In The Lord of The Rings and The Hobbit films. Confession time: I watched the very first of these. Wasn’t impressed. He’s done some other genre work as well including playing Todd Brotzman in the Beeb superb production of Dirk Gently’s Holistic Detective Agency
  • Born January 28, 1986 — Shruti Haasan, 37. Indian film actress known for the Telugu fantasy film Anaganaga O Dheerudu, and the Tamil science fiction thriller 7aum Arivu. She voiced Queen Elsa in the Tamil-dubbed version of Frozen II.
  • Born January 28, 1998 — Ariel Winter, 25. Voice actress who’s shown up in such productions as Mr. Peabody & Sherman as Penny Peterson, Horton Hears a Who!, DC Showcase: Green Arrow as Princess Perdita and Batman: The Dark Knight Returns as Carrie Kelly (Robin). She’s got several one-off live performances on genre series, The Haunting Hour: The Series and Ghost Whisperer.

(9) COMICS SECTION.

  • Six Chix shows how hardcover books have learned to play rough at the airport.

(10) CATZILLAS. “The Army Corps of Engineers Made a Glorious 2023 Cat Calendar” and Gizmodo has a slideshow of the whole thing.

It’s hard to believe that the mighty, stone-faced U.S. Army would ever adapt adorable cat babies as its representatives, but this is the internet in the year of our lord 2023. Anything is possible.

That’s certainly what I thought when I stumbled upon this glorious 2023 cat calendar made by the Portland District of U.S. Army Corps of Engineers. While it’s not the product of a Photoshop wizard, the calendar earnestly features gigantic cats being their amazing furry selves. They play, they scratch, they think about life, and they stretch—all the while interacting with the Army Corps’ various dams, jetties, and heavy machinery….

(11) PLAUDITS FOR NEWITZ. Paul Di Filippo reviews The Terraformers by Annalee Newitz in the Washington Post [Archive.is link].

… This generously overstuffed tale has enough ideas and incidents to populate half a dozen lesser science fiction books. But the reading experience is never clotted or tedious, never plagued by extraneous detours. The story — which begins nearly 60,000 years in the future and unfolds over more than a millennium — rollicks along at a brisk clip while allowing Newitz space to dig into characters and milieu, and pile on startling speculative elements….

(12) NUKE THE MOON. In the New York Times: “‘The Wandering Earth II’ Review: It Wanders Too Far”

Upon its release, “The Wandering Earth,” Frant Gwo’s 2019 film about a dystopia in which Earth is perilously pushed through space, was minted as China’s first substantial, domestic sci-fi blockbuster, with the box office returns to prove it.

The film was entertaining enough, but its ambitious scope had something of an empty gloss to it, partly because the story’s drama wasn’t grounded in anything beyond the showy cataclysm. Its audaciously messy sequel, “The Wandering Earth II,” seems to have taken note and sprinted, aimlessly, entirely in the other direction. Losing all of the glee of its predecessor, the movie instead offers nearly three hours of convoluted story lines, undercooked themes and a tangle of confused, glaringly state-approved political subtext….

(13) KEEP YOUR DRAWERS ON. The Takeout tells how “Fox News Fell for an A&W Joke About Its Pantsless Mascot”.

…As you can see, the A&W tweet is simply parroting M&M’s tweet closely (the internet age is weird, everyone) and riding the same jokey wave. Rooty, typically pantsless, will wear jeans now. Funny gag! However, Fox News took A&W’s post as an opportunity to wage a culture war.

At first the outlet reported A&W’s Rooty announcement as a serious matter….

“First it was an M&M’s, now a bear has to wear [pants],” noted Fox Business anchor Cheryl Casone. “This is the woke police. Cancel culture has gone—ridiculous.”

Later, however, after all that lamentation, Fox realized the error, clarifying that A&W followed up its original tweet with another one that said, “Is now a good time to mention that this is a joke?”

(14) IT COULD HAPPEN ANYWHERE. [Item by SF Concatenation’s Jonathan Cowie.] It’s Saturday, I’m up early, had croissant and coffee and done work chores for today already 10.20. (I’m so hot it’s untrue…) So here is an extra from today’s Science. “Earth-like planets should readily form around other stars, meteorites suggest”.

Samples from space rocks suggest water and light elements are present in warm inner part of planet-forming disks

How hard is it to give birth to an Earth? To assemble the right mix of rock, metal, and water, in a balmy spot not too far from a star? For a long time, planetary scientists have thought Earth was a lucky accident, enriched with water and lighter “volatile” elements—such as nitrogen and carbon—by asteroids that had strayed in from the outer edges of the early Solar System, where those materials were abundant. But a series of new studies, including two published today in Science, suggests all the ingredients were much closer at hand when Earth was born…

Also Matt over at PBS Space Time contemplates Silicon based aliens

(15) VIDEO OF THE DAY. Everything’s up to date on Ukraine’s farms.

[Thanks to Mike Kennedy, John King Tarpinian, Chris Barkley, SF Concatenation’s Jonathan Cowie, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editors of the day Andrew (not Werdna).]

Pixel Scroll 9/27/22 You’re Telling Me A Pixel Filed This Scroll?

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(1) UP ALL NIGHT. Sarah Gailey hosts an “Exclusive Interview with Victor Manibo” about his novel, The Sleepless.

…One aspect of The Sleepless that fascinates me is the way society in the book reacts to what some call a superpower, and what could also be framed as a hypercapitalist disability. Sleeplessness offers a fundamental change to human form and function as it’s typically understood, but it’s a change that allows people to engage more with capitalist productivity culture, consumption, and work. What made you want to explore this particular tension?

This story grew out of a what-if question I asked myself during a particularly busy time in my life. What if I didn’t need to sleep? Would I get more stuff done? How would such a change impact me, personally? The thought experiment was hard to contain to the individual level, and when I expanded the what-if to the world at large, it really raised some interesting questions. That’s when I felt like I needed to write it all out.

We’re living in an interesting time where more and more people are taking more control regarding their place in our capitalistic society. People are “quiet quitting”; it’s the age of “The Great Resignation”; there’s an increasing frequency of success stories in labor organizing, and there’s a record number of socialists in Congress. I wanted this story to be in conversation with what’s going on in the world, to interrogate why and how we participate in capitalism….

(2) A LITTLE SURPRISE. Google Double Asteroid Redirection Test, then wait a moment. [Via Tom Galloway.]

(3) HE’S GOT NOTHING. BUT SOMEBODY ELSE HAS SOMETHING. This teaser for Deadpool 3 dropped today. Ryan Reynolds apologizes for missing D23. Oh, and there’s a little casting surprised revealed at the end. “Deadpool Update”.

Or if you want to skip the video and go straight to the surprise, read this article in The Hollywood Reporter.

(4) MAKING CONTACT. Vulture has assembled an oral history of the movie Contact. “‘No Aliens, No Spaceships, No Invasion of Earth’”.

Ahead of Contact’s 25th anniversary, we spoke to nearly two dozen people involved in its making, including Zemeckis, Foster, McConaughey, Druyan, Sasha Sagan, and veteran producer Lynda Obst. They disagreed on several aspects of Contact’s development saga, but settled on some consensus: Contact was a lightning-in-a-bottle project, the kind of thing big movie studios barely made before and would probably never make again — intellectually challenging, emotionally messy, heavy with metaphor, wherein nobody shoots an alien in the face in front of an American flag. “We used to do that,” said Foster. “We used to make movies that were resonant and were entertaining.”…

Ann Druyan: This is 1978. Carl and I are still working on Cosmos. At the time, it was popular to say things like, “Well, if men are as smart as women, then how come there are no female Leonardos? No female Einsteins?” This made both of us furious. I had just co-written the part of Cosmos about the Great Library of Alexandria and the fact that Hypatia, who was the leader of the library, was a mathematician focusing on the Diophantine equations that Newton would later become interested in. Her reward for being the great intellectual light of the library in 415 AD was to be ripped from her chariot that she was driving herself and carved to bits with abalone shells.

People were throwing everything at Carl then. He was such a phenomenon in the culture, and everybody wanted to do something with him. So we knew we could get a book and a movie contract. We agreed one night, sitting in the pool at our little rented house in West Hollywood, that we were going to tell a story in which not only would a woman be the intellectual hero but, in the great tradition of Gilgamesh, she was going to go on the voyage and the guys would stay home.

(5) UNIONIZING PUBLISHING. UAW Local 2110 (2110uaw.org) – HarperCollins is the only unionized Big 4 publisher. HarperCollins workers are pushing for better compensation, diversity protections, and union security.

(6) KSR TO SPEAK IN MARYLAND.  At the 2022 F. Scott Fitzgerald Festival, with the theme “Stories and the More-Than-Human”, will be held over several dates. The main date events are on October 15, 2022 at the Unitarian Universalist Congregation of Rockville, MD.  The keynote speaker Kim Stanley Robinson will participate in the “Tribute to Richard Powers” at the Writer’s Center on Friday evening, October 14, and will engage with Richard Powers in a “Conversation about the Art of Fiction” and introduce Richard Powers for the Fitzgerald Award on Saturday, October 15. Festival registration is here.

(7) CRAFTING WITCHES. Leanna Renee Hieber and Andrea Janes admire “The Unstoppable, Fearsome, Delicious Allure of the Witch” at CrimeReads.

Witches are powerful women. Like all powerful women, they have been maligned, persecuted, hated, desired, feared. They are eternal, mythical subjects, a source of endless fascination. In American history, they occupy a unique place where folklore blurs the lines of reality; we remember the “witches” of Salem, Massachusetts, who were not actually witches. They have become totemic figures in television, movies, books, and pop culture, and their appeal shows no signs of waning: as of this writing, the Peabody Essex Museum in Salem is devoting a full-scale exhibit to the power and imagery of the witch…

(8) INVESTING TIME. Camestros Felapton is inspired to think about “Time travel and energy” after reading Sheila Jenne’s “Theories of time travel”. (His post was published on September 28, which is only appropriate, too…)

I was reading this neat summary of time travel rules in fiction and thinking about a couple of things basically angles and effort. The idea that a small change at one point leads to a big change in the future (aka two different kinds of things both known as a butterfly effect) predates modern science fiction. The proverb of consequences that typically starts with “for want of a nail” dates back to at least the 13th century and describes a causal chain of circumstances where a small issue (the nail in a horseshoe) leads to a major outcome.

Put another way: a small amount of effort in the past can lead to a result that would require a huge amount of effort if you were to attempt the same outcome in the present. I think that gives a neat rationale for fiction where you want time travel that allows changes to the future but where you don’t want an oops-I-stepped-on-a-butterfly-now-Donald-Trump-is-president situation….

(9) HOLDING HANDS WITH DEATH. “Terry Pratchett: A Life With Footnotes by Rob Wilkins review – anecdotes, elephants and ‘an embuggerance’” – the Guardian’s Frank Cottrell-Boyce comes away wondering why Pratchett was “so underestimated”.

…Caring for someone who has dementia is an overwhelmingly vivid experience, full of pain and comedy. There are heartbreaking and funny stories in A Life With Footnotes – started by Pratchett himself but written and completed by his longtime assistant Rob Wilkins – about the things that Pratchett’s shrinking brain made him do. He once accidentally donated £50,000 to Bath Postal Museum, for instance. Moments like that can supplant your memories of what a person was like before; here, Wilkins, who started working for the author in 2000, attempts to recover Pratchett pre-dementia. His closeness to the subject means that the book is sometimes joyfully, sometimes painfully, intimate. The description of the day Pratchett’s daughter, Rhianna, was born, for example, is so animated by love, it’s as if this treasured moment was a jewel that Pratchett placed in Wilkins’s care, to ensure it would not be stolen away by the embuggerance….

(10) CHAN DAVIS (1926-2022). Author Chandler Davis died September 24 reports Olav Rokne, who tweeted an extensive tribute that begins here.

SIDE NOTE: (I became aware of Chandler Davis as a science fiction author only a couple of years ago because of @gautambhatia88. But by an odd coincidence it turns out I met him several times in the 1980s as he worked on some math papers with my godfather Dr. Peter Lancaster)

(11) MEDIA BIRTHDAY.  

1968 – [By Cat Eldridge.] This, I believe, was truly one of the the classic episodes of the original Star Trek series. Airing fifty-four years ago on NBC, it scripted by D.C. Fontana, one of eleven episodes that she would write including “Catspaw” that I dearly love, and directed by John Meredyth Lucas as the second episode of the final season.

If you’ve forgotten, the story is Kirk violated the neutral zone. The Romulans have a new bit of technology called a “cloaking device” (just go with the idea please). Kirk pretends to be crazy, then pretends to be a Romulan to get to it. Meanwhile, Spock pretends to be in love. But is he pretending? Who knows. 

D. C. Fontana says she based her script very loosely upon the Pueblo incident but I’ll be damned I can see this. It’s a Cold War espionage thriller at heart and most excellently played out. You did note the Romulnan commander never gets named? Later novels including Vulcan’s Heart by Josepha Sherman and Susan Shwartz gave her the name of Liviana Charvanek. 

Speaking of Vulcans, Fontana deliberately kept the romance between her and Spock low key to the finger games they did. And then there’s Roddenberry’s idea, never done, Spock “raining kisses” on the bare shoulders of the Romulan commander. Oh awful.

Season three had no budget, I repeat, no budget for frills, so this episode suffered several times from that. Kirk was supposed to have surgery done on him after dying but that got deep sixed, and McCoy was supposed to accompany him back to the Romulan ship but my, oh my ears are expensive, aren’t they? 

Fontana would co-write with Derek Chester a sequel: Star Trek: Year Four—The Enterprise Experiment, a graphic novel published by IDW Publishing in 2008.

Critics then and now love it.

It’s airing on Paramount + as is everything else in the Trek universe. 

(12) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born September 27, 1927 — Roberta Gellis. Though she wrote nearly a dozen novels of her own, you most likely know her writing within the Elves on the Road Universe created by Mercedes Lackey. She co-wrote Serrated Edge Prequels with Lackey, two of which were full novels — Ill Met by Moonlight and And Less Than Kind. (Died 2016.)
  • Born September 27, 1932 — Roger Charles Carmel. The original Harcourt Fenton “Harry” Mudd who appeared in two episodes of the original Star Trek, “Mudd’s Women” and “I, Mudd”” and one episode of the animated series as well, “Mudd’s Passion”. I say original because Discovery has decided that they have a Harry Mudd. He also had one-offs on I-Spy, Munsters, The Man from U.N.C.L.E., Voyage to the Bottom of the Sea and Batman. It is rumored but at all not confirmed he was going to reprise his role as Harry Mudd in a first-season episode of Next Gen but died before filming could start. (Died 1986.)
  • Born September 27, 1934 — Wilford Brimley. His first genre role was as Dr. Blair in John Carpenter’s The Thing. He’s Benjamin ‘Ben’ Luckett in the Cacoon films, and Agency Director Harold Smith in Remo Williams: The Adventure Begins. He made a rather splendid President Grover Cleveland in The Wild Wild West Revisted. And finally I note that he was Noa in Ewoks: The Battle for Endor. (Died 2020.)
  • Born September 27, 1947 — Meat Loaf. He has a tasty role as Eddie in The Rocky Horror Picture Show. And I’d argue some of his music videos are genre stories in their own right including “I’d Do Anything for Love (But I Won’t Do That)”. He also has film roles in Wishcraft (horror), Stage Fright (horror) and Urban Decay (yes, more horror). He’s also in BloodRayne which is yes, horror. He’s had one-offs on Tales from the Crypt, The Outer Limits, Monsters, Masters of Horror and was Doug Rennie, a main cast member of Ghost Wars. (Died 2022.)
  • Born September 27, 1950 — Cary-Hiroyuki Tagawa, 72. He’d be on the Birthday Honors list if he’d only been Zylyn in Space Rangers which lasted just six episodes. Damn. But he’s also shown up on Babylon 5, the premier of Star Trek: The Next Generation, Superboy, Alien Nation, the Australian version of Mission: Impossible, Sabrina the Teenage Witch, Stargate SG-1, Poltergeist: The Legacy, The Librarians, voicing characters on Teenage Mutant Ninja Turtles and Star Wars Rebels. More recently he played Nobusuke Tagomi in The Man in The High Castle (2015-2018), and Hiroki Watanabe in Lost in Space 2018-2021). 
  • Born September 27, 1956 — Sheila Williams, 66. Editor, Asimov’s Science Fiction the last fifteen years. She won the Hugo Award for Best Short Form Editor at Renovation and Chicon 7. With the late Gardner Dozois, she co-edited a bonnie bunch of anthologies such as Isaac Asimov’s Robots, Isaac Asimov’s Christmas and Isaac Asimov’s Cyberdreams. She was also responsible for the Isaac Asimov Award for Undergraduate Excellence in Science Fiction and Fantasy writing being renamed the Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing. 
  • Born September 27, 1972 — Gwyneth Paltrow, 50. Yes, she is Pepper Potts in the Marvel Universe film franchise but her first genre role was as a young Wendy Darling in Hook. And she shows up in Sky Captain and the World of Tomorrow as Polly Perkins, a reporter for The Chronicle. And let’s not forget she was in Shakespeare in Love as Viola de Lesseps. Yes, it’s most decidedly and deliciously genre, isn’t it? 
  • Born September 27, 1972 — Andy Briggs, 50. He started out as an uncredited writer working on story developer on the Highlander Series. I’m going to single out his writing of The Tarzan Trilogy which consists of Tarzan: The Greystoke Legacy, Tarzan the Jungle Warrior and Tarzan: The Savage Lands. Most excellent pulp. He’s written eleven scripts including a remake of The Philadelphia Experiment. 

(13) COMICS SECTION.

Lio is rejected for UFO abduction – find out why.

(14) MEANWHILE, BACK AT THE RANCH. The Penelopiad by Margaret Atwood will be staged at City Garage Theatre in Santa Monica, CA from November 11 – December 18, 2022. Get tickets here.

City Garage presents the “The Penelopiad” by feminist icon Margaret Atwood, author of “The Handmaid’s Tale.” In this remarkable retelling of “The Odyssey,” Atwood transforms both the power and the politics of the classic tale by shifting the point of view to Penelope, Odysseus’s wife, and of her twelve faithful maids unjustly hanged by the returning “hero.” It takes place in Hades, where these thirteen spirits are trapped for all eternity, telling and retelling their story like angry furies, unable to find redress for what they suffered at male hands.

While her husband Odysseus is off fighting pointless wars—for the sake of her beautiful, shameless, aggravating cousin Helen—dallying with nymphs and sirens, and playing the hero, Penelope is holding the kingdom together. All alone, with nothing but her wits, toughness, and strength to rely on, she has to raise her rebellious son, face down dangerous rumors, and keep more than a hundred lustful, brutal suitors at bay. When twenty years later the “hero” finally returns there is indeed hell to pay—but it is Penelope and her twelve faithful maids who pay the tragic price.

Atwood gives Penelope a modern voice, witty, pragmatic, yet still filled with pain as she gets to tell her own story at last, and set the record straight. 

(15) I NEVER DRINK…WELL, ON SECOND THOUGHT. Vampire Vineyards in Ventura, CA has all kinds of amusing marketing ideas. How about wine bottles with Dracula capes? Or Vampire Gummies?

(16) LAURIE STRODE RIDES AGAIN. “Jamie Lee Curtis in ‘Halloween Ends’ final trailer” – SYFY Wire cues it up:

…Universal Pictures dropped the final trailer for Halloween Ends Tuesday, giving us one last look at the concluding chapter of this legacy sequel saga ahead of its October 14 premiere, and the stakes of the film are now clearer than ever. It’s been four years since the events of Halloween Kills, which left the town of Haddonfield deeply scarred and left Laurie’s own daughter (Judy Greer) dead at Michael’s hands. After that night, Michael Myers vanished, but of course Laurie’s not convinced he’s gone for good. The boogeyman is coming back for one last night of terror, and this time, Laurie thinks she finally knows how to kill him. The catch, of course, is that she might have to die too…. 

(17) RED GULCH. “China’s Mars rover finds new evidence of an ancient waterway on the Red Planet” Inverse covers a study published in Nature.

CHINA landed its first rover on the surface of Mars, called Zhurong, on May 15, 2021. Just ten days later, it began a series of observations that ancient flows of water on the Red Planet could explain.

A new study published Monday in the journal Nature details how Zhurong collected data on Mars’ subterranean sediments with an instrument called the Rover Penetrating Radar (RoPeR). Chinese scientists looked at the radar results Zhurong obtained as it traveled across more than 1,100 meters of flat landscape in a place called Utopia Planitia from May 25 to September 6, 2021. That’s about 102 Mars days, or sols. In the new work, Chinese researchers announced that Mars’ subsurface sediments were organized in a way that could be explained by ancient water flow on Mars….

(18) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: The Sandman,” the Screen Junkies say that Neil Gaiman may “look like a hobbit,” but The Sandman was “one of the greatest comics ever” and the high quality of this $160 million production shows the merits of “creators owning the rights to their creations.”  The show is about the power of dreams, “but the concrete linear kind, not the ones where you’re mowing the lawn with your naked dad.” And does Patton Oswalt’s casting mean he “sounds like a talking bird?”

[Thanks to  JJ, John King Tarpinian, Andrew Porter, Chris Barkley, Justin E. A. Busch, Rich Lynch, Michael Toman, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Jake.]

Pixel Scroll 8/13/22 Never Mind The Shoggoth, Here’s The Pixel Scroll

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(1) RUSHDIE MEDICAL UPDATE. “Agent: Rushdie off ventilator and talking, day after attack” reports SFGate.

“The Satanic Verses” author Salman Rushdie was taken off a ventilator and able to talk Saturday, a day after he was stabbed as he prepared to give a lecture in upstate New York.

Rushdie remained hospitalized with serious injuries, but fellow author Aatish Taseer tweeted in the evening that he was “off the ventilator and talking (and joking).” Rushdie’s agent, Andrew Wylie, confirmed that information without offering further details.

Earlier in the day, the man accused of attacking him Friday at the Chautauqua Institution, a nonprofit education and retreat center, pleaded not guilty to attempted murder and assault charges in what a prosecutor called a “preplanned” crime.

An attorney for Hadi Matar entered the plea on his behalf during an arraignment in western New York…. 

(2) THAT TODDLING TOWN. “Neil’s Native Guide, Chicon 8 Edition” is Neil Rest’s updated array of suggestions about how everyone coming to year’s Worldcon can enjoy the city it’s in.

This compendium is for members of Chicon, who are only in town for a few days, with hours or half-days (or empty stomachs!) to fill, so “here” is the Hyatt Regency on East Wacker (city center map  We’re part of Illinois Center on the south side of the mouth of the river.). Except for Hyde Park (Museum of Science and Industry, University of Chicago, site of the first nuclear “pile”, site of 1893 Columbian Exposition), marked with the Ferris Wheel, I’ve tried to restrain myself from things more than a couple of miles from the Loop….

(3) A “PARADE OF HORRIBLES.” At Discourse Magazine, Adam Thierer discusses “How Science Fiction Dystopianism Shapes the Debate over AI & Robotics”.

… AI, machine learning, robotics and the power of computational science hold the potential to drive explosive economic growth and profoundly transform a diverse array of sectors, while providing humanity with countless technological improvements in medicine and healthcare, financial services, transportation, retail, agriculture, entertainment, energy, aviation, the automotive industry and many others. Indeed, these technologies are already deeply embedded in these and other industries and making a huge difference.

But that progress could be slowed and in many cases even halted if public policy is shaped by a precautionary-principle-based mindset that imposes heavy-handed regulation based on hypothetical worst-case scenarios. Unfortunately, the persistent dystopianism found in science fiction portrayals of AI and robotics conditions the ground for public policy debates, while also directing attention away from some of the more real and immediate issues surrounding these technologies….

(4) ABOUT THE BLURB. At the Guardian, Louise Willder talks about “Killer crabs and bad leprechauns: how the best book blurbs excite our brains”.

…Part compression, part come-on, blurbs can also, as I found when I wrote a book about them, open up a world of literary history and wordy joy. Here are some things I discovered….

5 Old blurbs are unhinged

Most blurbs written more than 30 years ago now sound highly eccentric. Many don’t want to be liked: the anti-blurb on an elderly paperback of Graham Greene’s The Power and the Glory informs us that: “A baleful vulture of doom hovers over this modern crucifixion story.” Some bear little or no resemblance to the books they describe, such as the gloriously tin-eared 1990s Tor editions of Jane Austen’s novels. “Mom’s fishing for husbands – but the girls are hunting for love” is the sell on Pride and Prejudice.

Horror blurbs, especially those on the night-black Pan paperbacks found in holiday cottages, are their own special brand of nonsense, whether summoning up killer crabs (“A bloody carnage of human flesh on an island beachhead!”) or psychotic leprechauns (“They speak German. They carry whips…”).

(5) SPSFC 2022. Book Invasion has a shiny new video promoting Year Two of the Self Published Science Fiction Competition and introducing their judging team.

(6) INDEX OF LGBT RIGHTS IN COUNTRIES CURRENTLY BIDDING FOR WORLDCON. Equaldex publishes the Equality Index, which measures the current status of LGBT rights, laws, and freedoms as well as public attitudes towards LGBT people. [Tammy Coxen pointed out this site.]

2025

2026

2027

2028

2029

2031

(7) HOW TECHNOLOGY HELPS HUMANS CONNECT. The National Air and Space Museum’s “One World Connected” exhibition opens October 14.

One World Connected will tell the story of how flight fostered two momentous changes in everyday life: the ease in making connections across vast distances and a new perspective of Earth as humanity’s home. Featuring an array of satellites and other tools that have increased human connection, the exhibition will ask visitors to consider how global interconnection touches their lives and to imagine how advances in technology might impact our near-future.

Here are two examples of what will be included.

Artifact Spotlight: Sirius FM-4 Satellite

Sirius Radio (later Sirius XM Radio) developed the first generation of space-based, commercial radio service, launching in 2001 with three satellites. The stowed solar panels on the first-generation Sirius satellites would span 78 feet once opened in space and provided service to North America with access to more than 150 channels. The Sirius FM-4 Communications Satellite pictured above was built as a flight-ready backup for the system but was never used and will be on display in One World Connected.

Person Spotlight: Vikram Sarabhai

As one of the primary architects of the Indian rocket and space program, Vikram Sarabhai believed that science and technology could transform his country. He felt that an Indian space program promised both self-reliance and economic benefits. Sarabhai’s efforts led to the creation of the Indian Space Research Organization (ISRO). In the 1970s, ISRO collaborated with NASA on the Satellite Instructional Television Experiment, which provided educational programming to 24,000 Indian villages and led to the development of India’s own satellites.

(8) MEMORY LANE.  

1974 – [By Cat Eldridge.] It was five o’clock on a winter’s morning in Syria. Alongside the platform at Aleppo stood the train grandly designated in railway guides as the Taurus Express. It consisted of a kitchen and dining car, a sleeping car and two local coaches. — Agatha Christie’s Murder on the Orient Express

Murder on the Orient Express has been adapted several times into films and into film versions, all rather successful. 

The first, and I have the film poster (not a reproduction) on the wall behind as I write this up as it is by far my favorite version, was the 1974 version directed by Sidney Lumet, starring Albert Finney as the Belgian detective who no, he didn’t resemble at all. The screenplay was written by Paul Dean which did a marvelous job. The casting of the suspects was amazing: Jacqueline Bisset, Lauren Bacall, Ingrid Bergman, Sean Connery, John Gielgud, Vanessa Redgrave, Michael York, Rachel Roberts, Anthony Perkins, Richard Widmark and Wendy Hiller.

Though the train exteriors were shot throughout Europe, alas interiors were filmed at Elstree Studios. 

Critics loved it, audiences loved it and it made far than it cost retuning thirty-five million against one point four million. Audience reviewers at Rotten Tomatoes give it a seventy-eight rating. 

The next film version of Murder on the Orient Express was almost fifty years later.  It would be 2017 when Kenneth Branagh decided to take a turn portraying Hercule Poirot. And no, like Finney, he’s not even remotely close to Christie’s description of her detective (Short, somewhat vain, with brilliantined hair and a waxed moustache, the aging bachelor) as only the television actor really is him. And we will get to him in a minute.

Liket the first version, it had an all-star cast: Penélope Cruz, Willem Dafoe, Judi Dench, Johnny Depp, Josh Gad, Leslie Odom Jr., Michelle Pfeiffer and Daisy Ridley. I still prefer the first version as this one seemed to do a lot of stunt casting. 

It did well at the box office making back six times its fifty-five million production cost. But critics noted, and I’ll only quote two of them, that “it never quite builds up to its classic predecessor’s illustrious head of steam” and another echoed what several noted this Poirot was “less distinct and, ultimately, less interesting”. 

It gets a sixty rating among audience reviewers at Rotten Tomatoes.

I’m skipping the 2001 Murder on the Orient Express film directed by Carl Schenkel as it is set in the present day, and I refuse to watch it as I’ve absolutely no interest in that premise.  If you’re interested, and I have no idea why you’d be, Alfred Molina plays the Belgian detective. 

And we finally get to the only performer who actually looks and acts like Christie described her fussy little man in the form of David Suchet. It aired on Agatha Christie’s Poirot on the 11th of July 2010 first in the States and it was a ninety-minute film length production in which everything was done just right.  It was directed by Philip Martin with screenplay by Stewart Harcourt.  

It’s a wonderful production but then than the entire run of that series was stellar, wasn’t it?

The interior of the Orient Express was reproduced at Pinewood Studios in London. Other locations include the Freemason Hall, Nene Valley Railway, and a street in Malta which was shot to represent Istanbul as it wasn’t modern like most of present-day Istanbul.

So there are two versions I really like: the 1974 version for the setting more than for the Detective and the latter for the David Suchet performance of Poirot. Branagh’s version just feels like play by the numbers. 

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 13, 1895 — Bert Lahr.  Best remembered and certainly beloved as The Cowardly Lion in The Wizard of Oz, as well as his counterpart who was a Kansas farmworker. It’s his only genre role, though in the film Meet the People, he would say “Heavens to Murgatroyd!” which was later popularized by a cartoon character named Snagglepuss. (Died 1967.)
  • Born August 13, 1899 — Alfred Hitchcock. If he’d only done his two Alfred Hitchcock series which for the most part were awesome, that’d be enough to get him Birthday Honors. But he did some fifty films of which a number are genre such as The Birds and Psycho. Though I’ve not read it, I’ve heard good things about Peter Ackroyd’s Alfred Hitchcock. (Died 1980.)
  • Born August 13, 1909 — Tristram Coffin. He’s best remembered for being Jeff King in King of the Rocket Men, a Forties SF serial, the first of three serials featuring this character. He showed up on the Fifties Superman series in different roles, sometimes on the side of Good, sometimes not. He played The Ambassador twice on Batman in “When the Rat’s Away the Mice Will Play” and “A Riddle a Day Keeps the Riddler Away”. (Died 1990.)
  • Born August 13, 1922 — Willard Sage. He showed up on Trek as Thann, one of the Empaths in, errr, “Empath”. He was Dr. Blake in Colossus: The Forbin Project, and had roles in The Land of Giants, Invaders, The Man from U.N.C.L.E., The Outer Limits and The Sixth Sense. (Died 1974.)
  • Born August 13, 1965 — Michael De Luca, 57. Producer, second Suicide Squad film, Childhood’s End, Ghost Rider and Ghost Rider: Spirit of Vengeance, Dracula Untold, Lost in Space, Blade and Blade II, Pleasantville and Zathura: A Space Adventure which is not a complete listing. Also writer for an episode of Star Trek: Voyager, the first Dredd film (oh well), the Freddy’s Nightmares series and the Dark Justice series which though not quite genre was rather fun. Anyone remember the latter?
  • Born August 13, 1990 — Sara Serraiocco, 32. She plays the complex role of Baldwin on the Counterpart series which I finally got around to watching and it’s absolutely fascinating. I will also admit it’s nice to see a SF series that’s truly adult in nature. 

(10) WEIRD AND WONDERFUL. Let CBR.com introduce you to “The Most Obscure DC Superheroes With The Weirdest Powers”.

8. Danny The Street Is Only Just Starting To Get Their Due

Danny The Street’s inclusion in the TV series Doom Patrol (2019-) has raised the character’s profile a bit but they’re still wonderfully obscure and notably less recognizable than their allies, Robotman and Elasti-Girl. Since they regularly rearrange their molecules and appearance, they don’t have a single, signature “look,” though they enjoy playing with historically gendered imagery.

Being a teleporting sentient street is as weird as any superpower but Danny knows how to use their abilities to their advantage. Their flexibility actually makes them all the more effective not just at fighting evildoers but at providing a haven for the world’s outcasts and oddities.

(11) FEELING THE FORCE. [Item by SF Concatenation’s Jonathan Cowie.] You know how it is. You are with a couple of friends minding your own business when the forces of the dark side collar you…  Actually, this was Northumberland Heath SF Society member Kel Sweeny’s (centre) 50th. Fellow N.Heath SF member, Mark (left) and myself (right). (Yes, those knees are his own and rumoured to be bionic: well, they’ve lasted half a century but mysteriously haven’t aged much! It’s either that or there is a portrait of them in his attic.)

No surprise, Kel is into Star Wars and even has his own, screen-ready storm-trooper kit. He belongs to UK Garrison, a nation-wide group of storm troopers who occasionally hire themselves out, or volunteer if it’s for what they consider is a charity/good cause, to events. This being his birthday, Kel came as himself, but a couple of his local storm-trooper comrades were in the mix to give his 50th added colour.

(12) ROUND FOUR. On the way – more Love, more Death, and more Robots. And will John Scalzi be involved again? He told Whatever readers:

Seriously, the answer to any question you might have at this point for LD+R (including any possible involvement by me) is: I don’t know, and if I did know, I couldn’t tell you. I swear I’m not being obstinate. I just don’t have anything to share at this point. When or if I do have something to share, obviously I will share it at the appropriate time.

(13) DECREASING SNAPPY DUMBACKS. “‘Data void’: Google to stop giving answers to silly questions”  explains the Guardian.

Google will stop giving snappy answers to stupid questions, the company has announced, as it seeks to improve its search engine’s “featured snippets” service.

That means users should see fewer answers to questions such as “When did Snoopy assassinate Abraham Lincoln?”, to which the service would once merrily respond with “1865” – the right date, but very much the wrong assassin.

“This clearly isn’t the most helpful way to display this result,” said the company’s head of search, Pandu Nayak, in a blogpost announcing the changes. “We’ve trained our systems to get better at detecting these sorts of false premises, which are not very common, but there are cases where it’s not helpful to show a featured snippet. We’ve reduced the triggering of featured snippets in these cases by 40% with this update.”…

More examples of false premise questions at the link.

(14) NOT QUITE THE GRAIL, BUT CLOSE. [Item by Martin Morse Wooster.] Tested’s Adam Savage explains some of his favorite replica props from sf and fantasy movies in this video: “Ask Adam Savage: Props That Have NEVER Been Properly Replicated”.

In this livestream excerpt, Tested Members Thomas Esson and King Sponge & Leech ask Adam about a prop that he feels has eluded accurate replication and if Adam ever considered making Hellboy’s Big Baby.

(15) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] Vicki Bennett explains how to trap a golem in this 2013 piece for Britain’s Channel 4. “The Golem – An Inanimate Matter.”

[Thanks to Michael Toman, Cat Eldridge, P J Evans, SF Concatenation’s Jonathan Cowie, Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Andrew Porter, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Ken Richards.]

Vox Day’s Blog Offline

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Blogger has blocked user access to Vox Day’s Vox Popoli blog, telling readers it is “under review due to possible Blogger Terms of Service violations.” Blogger is owned by Google.

Vox Day immediately restored availability of Vox Popoli’s posts at a new URL, “milobookclub.com”, and commented on the situation in “Conflict is the air we breathe” [Internet Archive link.] He begins:

As you’ve almost certainly noticed if you’re here, Google has decided to roll the dice and take its chances with the Legal Legion of Evil. As with YouTube, Blogger hasn’t entirely deplatformed the account, but instead elected to block access to the blog while publicly issuing false and defamatory statements about it.

This is not a surprise. This day has been a long time in coming, and we have been prepared for it on every front. You may wish to note that this post was made barely an hour after Google took action. Special thanks to the dev team, who were ready for instant action and whose rapid response time allowed such an easy and seamless transformation….

He does not reveal Blogger’s stated reason for the action. It might be his anti-vaccination posts, or advocacy of racism, or even his anti-corporate posts targeting Marvel – but since these things have been his regular drumbeats for some time, one can only speculate why Blogger took action today.

Comments have not been turned on at the new URL, nor are past comments available there. Vox Day says his SocialGalactic platform is hosting parallel discussions of each post.

[Via Camestros Felapton.]

Schrödinger’s Vox

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Schrödinger’s Vox is a thought experiment that illustrates an apparent paradox of social media access. In the thought experiment, a hypothetical Vox Day may be considered simultaneously both active with and banned from his YouTube account.

Vox Day/Theodore Beale was expelled by SFWA in 2013 and followers of his blog supplied the numbers that allowed his Rabid Puppies slates to dominate the Hugo Awards ballots of 2015 and 2016. He identifies himself as an original Gamergater. His blog appeals to the many causes of the alt-right, and to followers of “the God Emperor Trump.”

On January 25 Vox Day posted “Google Wants To Fight” [Internet Archive link] displaying a copy of a notice Google sent him saying his channel has been removed from YouTube.

Hi Vox Day,

We have reviewed your content and found severe or repeated violations of our Community Guidelines. Because of this, we have removed your channel from YouTube.

We know this is probably very upsetting news, but it’s our job to make sure that YouTube is a safe place for all. If we think a channel severely violates our policies, we take it down to protect other users on the platform – but if you believe we’ve made the wrong call, you can appeal this decision. You’ll find more information about the policy in question and how to submit an appeal below.

What our policy says

 Spam, scams or commercially deceptive content are not allowed on YouTube.

We have permanently removed your channel from YouTube. Going forward, you won’t be able to access, possess, or create any other YouTube channels. …

And yet his Darkstream YouTube channel and his videos are still available to view, as several mystified readers helpfully pointed out.

Today he posted that his appeal has been rejected — “Google doubles down” [Internet Archive link]  

Hello,

Thank you for your account suspension appeal. We have decided to keep your account suspended based on our Community Guidelines and Terms of Service.…

And by now Vox is exasperated that people from the far corners of the world keep telling him they can see his content the same as before:

UPDATE: Please to stop with the retardery. I am completely aware that the channels are still up. That is not the point. It is the account access to them has been blocked by YouTube due to its false and defamatory accusation of “spam, scams or commercially deceptive content” having been previously broadcast. I am fairly confident that I know their grounds for the accusation, which is too monstrously stupid to even mention publicly because you would probably not believe it, but which you should be able to ascertain if you watch the most recent video.

So don’t you understand? He’s banned from accessing his account, not us.

But should we have to suffer, too? Remember what Rorschach said —

None of you seem to understand. I’m not locked in here with you. You’re locked in here with *ME*!

Pixel Scroll 1/22/21 Enzyme Summer

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(1) KEEP YOUR EYE ON THAT PALANTIR. An insurrectionist wants a federal District Court to force the U.S. to adopt an interim government from the history of Middle-Earth: “Paul Davis Cites ‘Lord of the Rings’ in Lawsuit, Declares ‘Gondor Has No King’” – the case is briefed by Law and Crime.

Paul M. Davis, the Texas lawyer who was fired from his in-house counsel job after he recorded himself among a mob at the U.S. Capitol Complex on Jan. 6, has filed legal documents which set a new floor for legal embarrassment in U.S. jurisprudence. The documents employ a series of awkward references to — and ideas from — the temporary government of the Kingdom of Gondor in The Lord of the Rings.

Davis’s lawsuit bombastically attempts to assert that Joe Biden is not a legitimate president and that a rightful heir to that office will someday return. Until then, the case foolishly argues that a federal judge might be able to appoint a group of “stewards” from the cabinet of former President Donald Trump to run most of the government from the White House. That should occur, the lawsuit lawlessly speculates, after the Secret Service escorts Biden and his wife out of the executive residence at the order of a federal judge.

…After a few lines of formalities, a six-page Amended Motion filed Thursday argued yet again for a restraining order.

“Gondor has no King,” the document says in its second paragraph, “to invoke a very appropriate quote from the J.R.R. Tolkien epic classic, ‘Lord of the Rings.’”

A footnote explains the analogy:

During the course of the epic trilogy, the rightful King of Gondor had abandoned the throne. Since only the rightful king could sit on the throne of Gondor, a steward was appointed to manage Gondor until the return of the King, known as “Aragorn,” occurred at the end of the story. This analogy is applicable since there is now in Washington, D.C., a group of individuals calling themselves the President, Vice President, and Congress who have no rightful claim to govern the American People. Accordingly, as set forth in the Proposed Temporary Restraining Order, as a remedy the Court should appoint a group of special masters (the “Stewards”) to provide a check the power of the illegitimate President until this Constitutional Crisis can be resolved through a peaceful legal process of a Preliminary Injunction Hearing and a jury trial on the merits.

(2) INAUGURATION DAY PRESENTS. More examples of the Bernie Sanders meme. First, where he’s dropped into fine art: “Bernie Sanders Stars in Art History’s Greatest Works in New Viral Meme” at ARTnews.

…A cascade of similar images soon followed. The art historian Michael Lobel made a version in which Sanders inside a moody café from Edward Hopper’s Nighthawks—itself the subject of one of the more memorable Covid-era memes—and others placed the senator within iconic works by Sandro Botticelli, Vincent van Gogh, ASCO, Joseph Beuys, and Georges Seurat. (A Sunday Afternoon on the Island of Grand Jatte with Bernie, anyone?) There was even a version where Sanders appeared seated atop a stylite column that appeared first in a 5th century Byzantine manuscript.

But no version of the newest Sanders joke proved more memorable than one created by the writer R. Eric Thomas, who inset him facing Marina Abramovi? for one famous performance that appeared at the Museum of Modern Art in 2010. MoMA picked it up, tweeting, “Bernie is present.” Something about Thomas’s rendition may help explain its charm. In most pictures of The Artist Is Present, Abramovi?’s steely eyes meet her viewer, almost daring anyone who sits before to look away. But in the meme version, Sanders looks away from her, his eyes cast toward the floor. In this meme, there seems to be a willful disregard of something that was construed by many as being great—an anti-establishment spirit that befits Sanders’s own views.

Then, StarTrek.com also ginned up some silly ones: “#BernieBeams into the Captain’s Chair”.

(3) COURT DECIDES AGAINST PARLER. “Amazon can keep Parler offline, judge rules” – the Seattle Times has the story.

… On Thursday, U.S. District Judge Barbara Rothstein said that forcing Amazon to get Parler back online goes against the public interest, given “the kind of abusive, violent content at issue in this case, particularly in light of the recent riots at the U.S. Capitol.”

“That event was a tragic reminder that inflammatory rhetoric can — more swiftly and easily than many of us would have hoped — turn a lawful protest into a violent insurrection,” she wrote. “The Court rejects any suggestion that the public interest favors requiring AWS to host the incendiary speech that the record shows some of Parler’s users have engaged in.”

Amazon welcomed the judge’s ruling. In a statement, the company issued a rejoinder to critics who have said Amazon infringed on Parler’s First Amendment rights when it suspended Parler’s account.

“This was not a case about free speech,” the statement said. “It was about a customer that consistently violated our terms of service by allowing content to be published on their website that actively encouraged violence (and without an effective plan to moderate it).” …

(4) WILL GOOGLE GO? “Google threatens to leave Australia because of new media law” reports the Washington Post.

… The threat is the latest and most intense in a long-running battle that has pitted Australian lawmakers and news organizations against U.S.-based tech giants Google and Facebook. For years, news organizations in Australia have argued they should be paid when Internet companies aggregate news stories on their websites. Google and Facebook say their sites help people find news, and the resulting traffic to news websites is valuable on its own.The proposed media law would force the tech companies to negotiate with media companies on payments for previewing and linking to their content. If they can’t reach a deal, a government regulator would step in to set the rates. That arrangement is untenable, Mel Silva, the head of Google in Australia and New Zealand, said in prepared testimony released ahead of the hearing Friday. …The idea that Google should pay for showing news in its search results is not new. In Spain, Google shut down its news aggregation website in 2014 after the country passed a law requiring online platforms that profit off news links to share their revenue with media companies. Just this week, Google agreed to negotiate payments to French publishers.

In the United States, Google is facing multiple federal and state antitrust lawsuits that allege the company has used its domination of online search to benefit its other businesses and push out competitors.

“It seems very peculiar to me that effectively Google wants to blackmail Australian consumers and policymakers with threats to go ahead and leave this jurisdiction when these discussions are happening all around the world, including in the U.S. itself,” Australian Sen. Andrew Bragg said during the Senate hearing, which was broadcast remotely.

(5) WOTC LITIGATION ENDS. The lawsuit creators Margaret Weis and Tracy Hickman filed against Wizards of the Coast last fall was settled without trial in December. “Dragonlance Writers End Lawsuit Against Dungeons & Dragons Maker” reported Comicbook.com.

A surprising lawsuit involving the seminal writers of the Dragonlance novels and the parent company of Dungeons & Dragons has seemingly ended. Last week, Margaret Weis and Tracy Hickman, the primary authors behind the popular Dragonlance novels, filed to voluntarily dismiss their lawsuit against Wizards of the Coast. Weis and Hickman filed the lawsuit in US District Court earlier this year, alleging that Wizards of the Coast breached a licensing contract to write a trilogy of new Dragonlance books by informing the pair’s publisher that they were no longer moving forward with the books without explanation. The duo, who claimed that a Dragonlance novel was already completed and that substantial work had begun on a second book, sought up to $10 million in damages in the initial lawsuit.

The filing noted that Wizards of the Coast had not formally answered their lawsuit, nor had they filed for a summary judgement. As Weis and Hickman filed for a dismissal without prejudice, the duo could hypothetically re-file their lawsuit at a later date.

(6) QUESTION TIME. Octothorpe is a podcast from John Coxon, Alison Scott, and Liz Batty about science fiction and SF fandom. In episode 23, “A Lot of Foreshadowing”, the three “discuss the recent debate over the Hugo Awards and DisCon III’s approach to the same, before touching on some upcoming fannish events.” One segment is provocatively titled, “Are the Hugos a massive cankerous boil on the Worldcon that just needs to be completely purged?”

(7) FURLAN OBIT. Actress Mira Furlan, who gained fame playing Delenn on Babylon 5 and Danielle Rousseau on Lost, died January 20 at the age of 65. The Variety tribute is here.

Babylon 5 creator J. Michael Straczynski gave a deeply emotional eulogy:  

… We’ve known for some time now that Mira’s health was failing…I’m not sure that this is the right time or place to discuss the sheer randomness of what happened…and have all been dreading this day. We kept hoping that she would improve. In a group email sent to the cast a while back, I heard that she might be improving.

Then came the call from Peter Jurasik. “I wanted you to know that Goran’s bringing Mira home,” he said.

“Do you mean, he’s bringing her home as in she’s better now, or is he bringing her home as in he’s bringing her home?”

“He’s bringing her home, Joe,” Peter said, and I could hear the catch in his voice as he said it.

And as a family, we held our counsel, and began the long wait, which has now ended.

Mira was a good and kind woman, a stunningly talented performer, and a friend to everyone in the cast and crew of Babylon 5, and we are all devastated by the news. The cast members with whom she was especially close since the show’s end will need room to process this moment, so please be gentle if they are unresponsive for a time. We have been down this road too often, and it only gets harder.

Bruce Boxleitner also mourned on Facebook:

…We have lost a light in our galaxy, but another has gained one. I will miss our talks, our laughs, our deep discussions about Hollywood and life. I will miss our dinners and trips abroad. I will miss the way her eyes sparkled when she smiled. I will miss her captivating voice and contagious laughter. I will miss sharing with her one of the most gratifying experiences of my life: the relationship between Sheridan and Delenn.

(8) SAUNDERS APPRECIATION. The New York Times obituary of the famous fantasy writer has appeared: “A Black Literary Trailblazer’s Solitary Death: Charles Saunders, 73”. He died last May, and as reported here on January 1, had been buried in an unmarked grave until friends raised money for a headstone. The Times has an extensive obituary with photos and book covers.

(9) MEDIA BIRTHDAYS.

  • January 22, 1984 — Airwolf premiered on CBS where it would run for three seasons before moving to USA for a fourth season. Airwolf was created by Donald P. Bellisario who also created Quantum Leap and Tales of The Golden Monkey, two other great genre series. It starred Jan-Michael Vincent, Jean Bruce Scott. Ernest Borgnine, Alex Cord and Jean Bruce Scott. It airs sporadically in syndication and apparently has not developed enough of a following to get a Rotten Tomatoes rating.
  • January 22, 2000 — Cleopatra 2525 first aired in syndication. It was created by R.J. Stewart and Robert G. Tapert. Many who aired it do so as part of the Back2Back Action Hour, along with Jack of All Trades. The primary cast of this SF with chicks not wearing much series was Gina Torres of later Firefly fame, Victoria Pratt and Jennifer Sky. (A sexist statement? We think you should take a look at the show.)  it would last two seasons and twenty episodes, six episodes longer than Jack of All Trades. (Chicks rule?) it gets a 100% rating by its audience reviewers at a Rotten Tomatoes though the aggregate critics score is a much lower 40%. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born January 22, 1788 – George Gordon, 6th Baron Byron.  Mad, bad, and dangerous to know; but, as George Szell said of Glenn Gould, “that nut is a genius”.  Wrote fantasy among much else, e.g. “Darkness”, The Giaour, Manfred.  It could be said that his rhymes were fantastic – “And sell you, mixed with western sentimentalism, / Some samples of the finest Orientalism” (Beppo, Stanza LI).  (Died 1824) [JH]
  • Born January 22, 1906 — Robert E. Howard. He’s best remembered for his characters Conan the Barbarian and Solomon Kane, less so for Kull, and is widely regarded as the father of the sword and sorcery subgenre. His Cthulhu mythos stories are quite good. I believe all of these were published in Weird Tales.  If you’re interested in reading him on your slate, you’re in luck as all the usual suspects are deep stockers of him at very reasonable prices. (Died 1936.) (CE) 
  • Born January 22, 1925 – Katherine MacLean.  Five novels, fifty shorter stories.  One Nebula.  Guest of Honor at WisCon 1. Cordwainer Smith Rediscovery Award.  Interviewed in NY Review of SF.  (Died 2019) [JH] 
  • Born January 22, 1934 — Bill Bixby. Principal casting in several genre series, first in My Favorite Martian as Tim O’Hara, a young newspaper reporter for the LA Sun who discovers that alien, and then as Dr. David Banner in The Incredible Hulk series, and in both The Incredible Hulk Returns and The Death of the Incredible Hulk films.  He shows up in a number of other genre series including Fantasy Island, Tales of the Unexpected, Night Gallery, The Ghost & Mrs. Muir and The Twilight Zone (original version). He also had the lead as Anthony Blake / Anthony Dorian in The Magician series but as he was a stage illusionist, I couldn’t count it as genre… (Died 1993.) (CE)
  • Born January 22, 1940 — John Hurt.  I rarely grieve over the death of one individual but his death really hurt. I liked him. It’s rare that someone comes along like Hurt who is both talented and is genuinely good person that’s easy to like.  If we count his role as Tom Rawlings in The Ghoul, Hurt had an almost fifty year span in genre films and series. He next did voice work in Watership Down where he voiced Hazel and The Lord of the Rings as the voice of Aragon before appearing as Kane, the first victim, in Alien. Though not genre, I must comment his role as Joseph Merrick in The Elephant Man — simply remarkable. He had the lead as Winston Smith in Nineteen Eighty-Four and had a cameo as that character in Spaceballs. He narrates Roger Corman’s Frankenstein Unbound and will later be one of two of the narrators of Jim Henson’s The Storyteller. That role is simply magnificent. Ok, I’m just at 1994. He’s about to be S.R. Hadden in Contact. Did you remember he played Garrick Ollivander In Harry Potter films? You certainly remember him as Trevor Bruttenholm in the Hellboy films, all four of them in total. He’s in Indiana Jones and the Kingdom of the Crystal Skull as Dr. Harold Oxley, one of the few decent things about that film. Series wise, he’s been around. I’ve got him in Spectre, a Roddenberry occult detective pilot that I’ve not seen. On the Merlin live action series, he provides the voice of the Great Dragon. It’s an amazing role for him. And fitting that he’s a dragon, isn’t it? And of course he played The War Doctor. It, despite the brevity of the screen time, was a role that he seemed destined to play. Oh for an entire series of stories about His Doctor! Big Finish, the audiobook company, had the singular honor of having him flesh out his character in a series of stories that he did with them just before his death. I’ve heard some, they’re quite remarkable. If I’ve missed anything about him that you feel I should’ve touched upon, do tell me. (Died 2017.) (CE)
  • Born January 22, 1951 – Donna Ball, age 70.  Eight novels for us as D. Boyd, Rebecca Flanders; ninety all told, with other pen names too.  Award-winning dog trainer.  [JH]
  • Born January 22, 1962 – Alison Spedding, Ph.D., age 59.  Author and anthropologist.  Three historical-fantasy novels; one science fiction in Spanish; three other novels in Spanish; shorter stories, a play, nonfiction.  While living in Bolivia criticized the government; imprisoned, many fellow academics thinking it political; released on a surety.  [JH]
  • Born January 22, 1972 – Stephen Graham Jones, Ph.D., age 49.  Nine novels for us (about The Only Good Indians last year, which caught the attention of the NY Times Book Review, note that SGJ is himself Blackfeet), a dozen others; ninety shorter stories for us, two hundred others.  Texas Institute of Letters Award.  Stoker Award.  Professor of English at Univ. Colorado, Boulder.  See this from the ReaderCon 30 Program Book.  Special Guest at World Fantasy Con 2020.  [JH]
  • Born January 22, 1982 – Janci Patterson, age 39.  A dozen novels for us, a score of others; some with co-authors including Brandon Sanderson.  Customizes Barbie dolls, watches “reality” television.  [JH]

(11) SUPER AUCTION ITEM. You have until January 28 to bid on a “Fantastic 1941 Letter Signed by Jerry Siegel, Thanking Sheldon Mayer for Promoting ’Superman’’’. Current bid is $783.

Excellent letter by Jerry Siegel, creator of ”Superman”, thanking comic pioneer Sheldon Mayer for promoting the comic before it was published in ”Action Comics #1” in 1938. Dated 18 September 1941, letter reads in part, ”Dear Sheldon: I may be coming to New York inside a few weeks and I hope we can get together at that time and curse the comic business to our heart’s content.

Again I want to thank you for all you’ve done to help make SUPERMAN what it is. I’m very much afraid that if it weren’t for a chap named Sheldon Mayer, as far as syndication is concerned SUPERMAN might still be gathering dust, and Joe [Shuster] and I would be working for a living…[signed] Jerry”.

Sheldon Mayer was one of the first employees of the McClure Syndicate, headed by comics pioneer Maxwell Gaines. Although many have taken credit for discovering ”Superman”, this letter serves as ultimate confirmation that it was Mayer’s championing of the comic which led to its inclusion in ”Action Comics #1”.

(12) GUNN APPRECIATION. John Kessel has posted some of his correspondence with the late sf author and scholar James Gunn from 2018 on Facebook: showing the advice he gave about a recently published novella.

In the wake of sf writer James Gunn’s death in December, I’ve been thinking of him and what he meant to me. The publication of my novella “The Dark Ride” in this month’s F&SF reminded me that I had sent him a draft of the story and we had this correspondence about it, which helped me to shape the final version.

I thought I’d post these emails just to show how generous and engaged he was even in his late 90s. I’m so glad that I knew him….

(13) CHUCKED OUT THE AIRLOCK.  [Item by James Davis Nicoll.] “The queen’s rep in Canada calls it quits after probe into toxic workplace” in Politico. If the Queen is not in Canada, the Governor General is our head of state. Not SFnal in itself but what makes this SF-adjacent is Payette is getting the heave ho over permitting a culture of harassment that included —

Allegations [dating] to the earliest days of her tenure when she would reportedly put staff on the spot to quiz them on outer space, demanding they name every planet or correctly state the distance between the sun and the moon….

Payette was an astronaut before being appointed GG.

…And last year, CBC News reported that Trudeau’s office failed to check with Payette’s former employees during its vetting process. As it turned out, Payette had resigned from the Montreal Science Centre in 2016 following complaints of mistreatment of employees, according to the news outlet. She also left the Canadian Olympic Committee in 2017, the year she became governor general, after two internal probes into claims she had verbally harassed staff members.

(14) FINN DE SIECLE. MEL Magazine joins its voice to the continuing uproar: “Finn Deserved Better — And So Did Black ‘Star Wars’ Fans”.

…Later on, in perhaps the most exciting shot of the trailer (at least for me), we see Finn standing in a frozen forest. His eyes are steely, determined. He looks every inch the hero — defiant, ready. He turns on his lightsaber. Its blue glow leaps to life just as we see the villain Kylo Ren and his red lightsaber spitting hot energy from its hilt. All of that tension, all of that conflict, absolutely crackling with dramatic potential. Only for all of it to fizzle away in the three films that followed.

We started with a Black stormtrooper who becomes a conscientious objector, follows his moral compass and joins the rebels to risk his life in order to save the galaxy. Somewhere along the way, though, the filmmakers made that character boring. That’s why Star Wars fans are still so pissed at the great betrayal of Finn. It’s why his name was trending on Twitter on Tuesday, a full year after the final film of the newest trilogy was released in theaters.

That last point is key: Finn deserved better. Hell, we all deserved better. The “we” in this instance is Black sci-fi fans. We’ve had to live on some thin soup from Hollywood for far too long. (Although we do have to give a shout out to Star Trek for Capt. Sisko.) For Blerds like me, we held out a small hope that it might be different this time. That Star Wars might finally move on from its Victorian-Nazi melodrama past and embrace the diversity of our moment. Specifically, by creating a credible Black hero.

The first time Star Wars added a Black character, we got a space pimp. Lando Calrissian felt like he’d escaped from a Blaxploitation film or a 1970s malt liquor commercial. But at least he was cool — paper thin, but undeniably cool….

(15) DRAGON APATHY. Declan Finn complains that no one wants to talk about the Dragon Awards on his blog, in “Emerging Dragons”.  

…But I am no longer going to ask for more suggestions. I’m not even going to try for a discussion this year. Why? Because every time I’ve done this, no one WANTS a discussion. Almost everyone who comes by drops a link in the comments going ME ME ME, and disappears.

With the exception of three or four people who are genuinely trying to have a conversation, the authors don’t even read the post. Literally. Two years ago, when I last tried this, I had people who came by, asking me to to add them to the list … and they didn’t realize they were already on it.

It was worse last year when I said “We’re not playing this game,” and people made the same request– proving that they didn’t bother to read the post.

(16) BENEFIT FROM EXPERIENCE. More encouragement to get the vaccine from the Governator. Followed on FB by comments from a legion of anti-vaxxers, naturally.  

(17) VIDEO OF THE DAY. The monologue on last night’s The Late Show With Stephen Colbert, starting around the 10:15 mark, has Colbert telling disillusioned Q-anon conspiracy theorists how to fill the void by taking up his own enthusiasm for the works of J.R.R. Tolkien.

(18) VIDEO OF A MUCH EARLIER DAY. “Steve Martin and Kermit The Frog In Dueling Banjos” on YouTube is a Funny or Die sketch from 2013, and come on, who doesn’t like Kermit The Frog or Steve Martin?

[Thanks to John King Tarpinian, Chris Rose, Martin Morse Wooster, Michael J. Walsh, Mike Kennedy, Michael Toman, John Hertz, Cat Eldridge, JJ, Jennifer Hawthorne, James Davis Nicoll, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]

Pixel Scroll 10/28/20 No Mr. Bond, I Expect You To Scroll Pixels!

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(1) FRENCH LOCKDOWN. Utopiales, the International Science Fiction Festival of Nantes (France), scheduled for this weekend, was cancelled following today’s announcement by the French president of a new nationwide lockdown.

BBC explains:

French President Emmanuel Macron has announced a second national lockdown until at least the end of November.

Mr Macron said that under the new measures, starting on Friday, people would only be allowed to leave home for essential work or medical reasons.

Non-essential businesses, such as restaurants and bars, will close, but schools and factories will remain open.

Covid daily deaths in France are at the highest level since April. On Tuesday, 33,000 new cases were confirmed.

Mr Macron said the country risked being “overwhelmed by a second wave that no doubt will be harder than the first”.

The Utopiales committee said:

…Maintaining a cultural offering is essential. That’s why we made a commitment to the end and if we had it do over we would do it again. However, everyone’s health is at the moment a top priority we must implement the decisions of the authorities.

(2) EXPLICATE!  Camestros Felapton created a photo gallery of “Some buildings that look like Daleks”. 

…So is it worth pointing out that the NZ parliament building has a distinct resemblance to a Dalek and surely that tells you a lot about that nation? 

(3) REVERSE THE POLARITY. Fast Company explains how “This incredible Google experiment lets you time travel to your hometown 200 years ago” – always assuming there was a there there two hundred years ago. Quite likely in 1820 there was nothing but bushes in my California neighborhood.

In the 20 years he’d lived in New York, Raimondas Kiveris had seen the city change immensely. “It was a completely different place, a different town,” says Kiveris, a software engineer at Google Research. This got him wondering what his neighborhood looked like even before that—before he’d lived there, before he’d even been born. “There’s really no easy way to find that information in any organized way,” he says. “So I was starting to think, can we somehow enable this kind of virtual time travel?”

Three years later, his attempt at virtual time travel is taking shape as an open-source map that can show, in both a bird’s-eye view and a pedestrian-level view, the changes that happen to city streetscapes over time. With a slider to control the year, the map displays a historically accurate representation of development in almost any U.S. city dating back to 1800. Automatically generated 3D models of buildings rise from the landscape as the slider moves forward through time. It can even show a rough estimation of what a city would have looked like from the pedestrian’s view, like a low-res Google Street View.

… The map was created using historical fire insurance maps, a rich source of information for the built environment that includes precise information about building ages, sizes, heights, roof shapes, and even materials. The map creates simplified 3D models of these buildings, and the time slider allows a user to see, for example, Washington, D.C.’s Dupont Circle nearly devoid of buildings in the 1870s and almost fully developed in the 1920s….

(4) CAMPAIGNING IN A SWING SHIRE. At McSweeney’s, Keith Rubin serves up a stack of “Political Fundraising Emails From Middle-Earth”.

Hi Bungo,

Have you heard the good news??? Will Whitfoot is SURGING in the latest polls! This is our chance to FINALLY elect a hobbit who TRULY loves banquets as Mayor of the Shire…. 

(5) HORROR TO TAKE YOUR MIND OFF THE ELECTION. The Washington Post’s Michael Dirda suggests some things to read over the next few days: “For Halloween: a critic’s pick of macabre treats for your library” .

…Consider, for example, “British Weird: Selected Short Fiction, 1893-1937,” edited by James Machin, which features not only classic stories — including Algernon Blackwood’s “The Willows” and E.F. Benson “Caterpillars”— but also less familiar ones such as Mary Butts’s “Mappa Mundi.” As an extra treat Machin reprints Butts’s four-part 1933 essay, “Ghosties and Ghoulies: Uses of the Supernatural in English Fiction,” likening it to H.P. Lovecraft’s pioneering monograph, “Supernatural Horror in Literature.”

(6) DEATH WILL NOT RELEASE YOU. Despite the title, “Richard Lupoff: A Remembrance”, Ted White’s piece for the Comics Journal is mainly about his own place in fanhistory, and a chance to rehearse his unhealed wounds.

… Dick had typed up the stencils for the first issue of his new fanzine, Xero. At his request, I took the subway to Pacific Avenue in Brooklyn, to a warehouse business called Pace Paper, and bought the required reams of mimeo paper for Xero. The first issue of Xero was thin, compared to subsequent issues, and memory tells me that the Lupoffs wrote most of it. Certainly the centerpiece of the issue was Dick’s piece of comic-book nostalgia about “The Big Red Cheese,” the original Captain Marvel.

No one then realized the subsequent impact of that piece. It didn’t create comics fandom – which already existed – but it helped galvanize it. It sparked a wave of nostalgic interest in comics, mostly as relics of childhood, now fondly remembered, in SF fandom. SF fans had broad interests. Music was one, and comics turned out to be another.

In 1960, some of us had been comics fans for years. My friend Bhob Stewart created EC fandom with his fanzine, The EC Fan Bulletin. Bhob joined forces with Larry Stark and me to publish Potrzebie during the latter days of EC. EC fandom overlapped a lot with SF fandom, with some EC fans like Mike May becoming SF fans. Don and Maggie Thompson were SF fans who became comics fans around 1960.

This was the pot that Dick Lupoff stirred up.

I wrote the comics piece for Xero #2, “The Spawn of M.C. Gaines,” an overly broad overview of the creation of comic books and superheroes. (I totally rewrote it for its book publication, focusing only on Superman and Batman.) The comics pieces in Xero were published under the running head, “All In Color For a Dime” and the series took off, with many fans clamoring to write pieces about their childhood favorite comics. One of them was Harlan Ellison, who was living just up my block at the time.

I mimeographed at least the first three issues of Xero, and had at Dick’s request purchased the paper for the next issue when Dick did something I have never understood. Covertly, secretly, he arranged with friends living on Staten Island to mimeograph that and subsequent issues. I found out only when presented with a copy of the new issue.…

(7) MEDIA BIRTHDAY.

October 28, 1994 — Stargate premiered. It’d be a runner-up at Intersection to Star Trek: The Next Generation’s  “All Good Things…” which won the Hugo for Best Dramatic Presentation, Long Form. It was directed by Roland Emmerich and produced by Dean Devlin, Oliver Eberle and Joel B. Michaels. It was written by Roland Emmerich and Dean Devlin.  Principal cast was Kurt Russell, James Spader, Jaye Davidson and Viveca Lindfors.  It was a box office success despite the critics generally not being overly fond of it. Currently it holds a rating among audience reviewers at Rotten Tomatoes of an excellent 73%. 

(8) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge ad John Hertz]

  • Born October 28, 1818 – Ivan Turgenev.  This great Russian master (most noted for Fathers and Sons) left a dozen short stories for us.  Even Tolstoy – who once challenged IT to a duel, but withdrew – left five.  See e.g. The Mysterious Tales of IT (R. Dessaix tr. 1979).  (Died 1883) [JH]
  • Born October 28, 1903 – Evelyn Waugh.  Two novels, a dozen shorter stories for us, by another author famous otherwise, possibly great.  Here is his own cover for Vile Bodies.  Here is his cover for a chapbook of “Love Among the Ruins”.  Was his best the biographies of Helena (248-330) and Ronald Knox (1888-1957)?  (Died 1966) [JH]
  • Born October 28, 1939 — Jane Alexander, 81. She’s resistance fighter Virginia in Terminator Salvation, and has shown up in a number of genre series including playing C. on Elementary, Nora Morgan in an episode of Forever, and a recurring role as Klara on the intriguing sounding Tales from the Loop web series. She has several horror creds to her name as well, including Dr. Grasnik in The Ring and Sofi Kozma in The Unborn. (CE) 
  • Born October 28, 1951 — Joe Lansdale, 69. Writer and screenwriter whose DCU Jonah Hex animated screenplays are far superior to the live action Hex film. Bubba Ho-Tep, an American comedy horror film starring Bruce Campbell, is his best known genre work though he has done a number of another works including The God of The Razor and Reverend Jedidiah Mercer series which are definitely Weird Westerns.  (CE)
  • Born October 28, 1952 — Anne Potts, 68. Janine Melnitz in the still best Ghostbusters and in Ghostbusters II as well. She has a cameo as Vanessa the hotel clerk in the Ghostbusters reboot. She listed as reprising her original role in the forthcoming Ghostbusters Afterlife which I’ll freely admit I know nothing about but which apparently has most of the original cast. (CE) 
  • Born October 28, 1958 — Amy Thomson, 62. Writer of four novels over a decade some twenty years ago including Virtual Girl. She won the Astounding Award for Best New Writer. She published one piece of short fiction, “The Ransom of Princess Starshine”, in 2017 in Stupefying Stories edited by Bruce Bethke. (CE)
  • Born October 28, 1962 – Jean-Jacques Chaubin, 58.  Jewelry stylist with Van Cleef & Arpels; then comics, video games (including the 1992 Dune), computer graphics; fifty book covers.  Here is The End of Time, and After.  Here is A Hint of Nothingness.  Here is Galaxies 5.  Here is The Armies of Daylight.  [JH]
  • Born October 28, 1967 – Christopher Ecker, 53.  Author, translator, teacher, critic.  For us two novels, ninety shorter stories, a hundred sixty poems.  Friedrich Hebbel Prize, Saarland Art Prize.  His thousand-page novel Fahlmann (not “the pale man”, it’s the protagonist’s name) is “one of the most excessive reading adventures that contemporary German literature has to offer” – the Hebbel jury really said exzessivsten, I can’t help it.  Ulrich Commerçon, Saarland Minister of Education & Culture, said Ecker wonderfully combines fantasy and a philosophical world view, not forgetting wit.  [JH]
  • Born October 28, 1967 — Julia Roberts, 53. How can I resist giving Birthday Honors to Tinker Bell in Hook? Not to mention she was in the seriously weird Flatliners that I saw at a virtually empty theater. Of course, there’s the ever weirder Mary Reilly with her in the title role. For something more charming, she voiced Charlotte the Spider in Charlotte‘s Web. I’m going to skip her as a Smurf I think… (CE)
  • Born October 28, 1974 – Ruth Ann Nordin, 46.  Almost a hundred books by now.  “One day, while browsing through the library, it suddenly occurred to me that if I wanted to read the book I had in mind, I was going to have to write it.  I’ve been writing ever since.”  Mostly romances, Western, Regency, modern.  Ann’s Quest to Be Queen and sequels (she becomes queen of the distant planet Raz), and five others, are ours.  When RAN apologized “I did not do as thorough a job of editing as I do today with my editor and three proofreaders.  I can’t go back and edit those books … I lost control of them,” she drew a comment “As always, you underestimate your talent.”  [JH]
  • Born October 28, 1982 — Matt Smith, 38. The Eleventh Doctor, my third favorite of the modern Doctors, and he’s also Alex in Terminator Genisys, a film I’ve not seen. He’s also Jim in the quite excellent Sally Lockhart Mysteries: The Ruby in the Smoke based off the Philip Pullman novels.(CE) 
  • Born October 28, 1989 – Heather Frost, 31.  Her Seers and two sequels are for us, plus a prequel in her collection Asides.  She owns two typewriters and holds Lord of the Rings movie marathons.  Mansfield Park and Harold and the Purple Crayon are two of her favorite books, so we agree there (not meaning the typewriters).  [JH]

(9) COMICS SECTION.

  • The Far Side witnesses an alien spacecraft’s distress call.

(10) WHO’D HAVE THOUGHT? Leading off AbeBooks’ “Most Expensive Sales from July to September 2020” is a copy of Michael Crichton’s The Lost World – which went for $25,000!

An unread, as new first edition complete with its dust jacket. The book is signed by Steven Spielberg, special effects director Stan Winston, and 10 actors from the film adaption of this novel – Jeff Goldblum, Julianne Moore, Vince Vaughn, Pete Postlethwaite, Peter Stormare, Harvey Jason, Richard Schiff, Arliss Howard, Vanessa Chester, and Thomas F. Duffy. Published in 1995, the novel was the sequel to Crichton’s 1990 bestseller Jurassic Park. The Lost World was adapted for cinema in 1997.

(11) WINNING THE PLANET SERIES. I’m a lifelong Dodger fan (I remember hearing “We’re going to Milwaukee!” on TV in 1959) yet I never knew ‘til this morning that pitcher Clayton Kershaw’s Uncle Clyde discovered Pluto: “Clayton Kershaw Still Isn’t As Cool As His Great-Uncle” at Central Track.

…It was a hell of a moment for sure — a coronation fit for a king, and an accomplishment Kershaw’s extended family will surely brag on for generations to come.

On the other hand: Kershaw’s great-uncle Clyde Tombaugh is the astronomer who discovered Pluto in 1930, so maybe a World Series win isn’t such a huge deal in the great scheme of things for the Kershaw family tree?

For his part, and to his credit, Kershaw is quite proud of his ancestor’s achievement. After Tombaugh passed in 1997, Kershaw has used his considerable platform to celebrate his great-uncle’s discovery — and to keep championing Pluto’s designation as a full-on planet despite its 2006 downgrading to a “dwarf planet.”

Kershaw first publicly touted his familial connection to Pluto — and his dedication to its former status — in a 2009 online fan Q&A with ESPNLosAngeles. Then, in 2015, he discussed it during an interview on Jimmy Kimmel Live!, doubling down on his stance and even sharing a little insight into his family’s thoughts on the matter.

“It’s something that’s been a huge problem in the Kershaw/Tombaugh family for a couple of years now,” he said when Kimmel broached the subject. “My great uncle discovered Pluto. I know that sounds like a joke when it comes out, but it’s true. Clyde Tombaugh, [my] great uncle, discovered Pluto. And they took it away from us — said it’s a dwarf planet now. What scientists just decide to just get in a room one day and say, ‘Oh, you know, we’re out with Pluto’?”

(12) AIN’T EASY BEING MRS. GREEN. The Nerdist shows examples as “Artist Turns THE MUPPETS Into Famous Horror Movie Characters”.

The collection includes:

–Gonzo as Jason Voorhees, with Camilla as Mrs. Voorhees
–Fozzie as Freddy Krueger
–Miss Piggy as Carrie White
–Kermit as Norman Bates
–Beaker as Michael Myers, with Dr. Bunson Honeydew as Dr. Loomis
–Swedish Chef as Leatherface
–Animal as Buffalo Bill
–Rowlf as Hannibal Lecter
–Sam the Eagle as Pinhead
–Scooter as Chucky
–Electric Mayhem as Capt. Spaulding and the Firefly Family
–Statler and Waldorf as The Grady Twins

(13) GROAN UPS. Polygon’s Emily Heller knows what these books are about: “A Series of Unfortunate Events and the horror of adults being absolute dummies”.

…A Series of Unfortunate Events is often described as surreal and absurdist. Handler has listed Roald Dahl, another children’s author with a darkly whimsical style, as an influence on his work. But while the novels’ world is certainly weird, it’s important that it makes sense within kid logic.

When I was a kid, there were plenty of things that mattered so much to me, but adults just didn’t get it. There were also things that adults seemed to understand implicitly, but didn’t make any sense to me. I was fortunate to grow up in a comfortable, loving home, so those things were very low stakes, but they were very real — and frustrating and anxiety-inducing — in the moment.

A Series of Unfortunate Events reflects that dichotomy back to its young readers. The Baudelaires don’t understand why Justice Strauss can’t just adopt them and are frustrated when no one else seems to recognize Count Olaf under his obvious disguises. It’s an exaggerated version of the truth that every child eventually starts to suspect: adults may not always know what they’re doing.

Lemony Snicket lets children feel like they’re in on a secret. That allows A Series of Unfortunate Events to do what so much good horror fiction does — explore and validate our deepest fears. It also gives readers the tools to deal with that horrifying reality….

(14) UNSATISFIED CUSTOMER. “Kellogg’s Minecraft Creeper Crunch Cereal, Reviewed” at Serious Eats.

…For today’s video, I tried Kellogg’s Minecraft Creeper Crunch cereal. Not only am I old enough to have never played Minecraft, but I had no idea there was this much Minecraft merchandise and branded content. It appears, however, that kids are still crazy about the property, enough so that they’ll want to have a little Minecraft iconography with their breakfast.

The problem is that this cereal, cinnamon-flavored with marshmallows, is not good. It barely tastes like cinnamon, and the marshmallows are flavorless. If Minecraft is a video game about building with digital blocks, then this cereal is like eating those blocks except, I imagine, far less satisfying. These aren’t good as a snack, and the milk isn’t particularly good either. They are, as far as cereal goes, a total failure.

[Thanks to Martin Morse Wooster, Rich Lynch, Michael Toman, John King Tarpinian, Cat Eldridge, JJ, N., Andrew Porter, Mike Kennedy, Contrarius, Michael J. Walsh, and John Hertz for some of these stories. Title credit goes to File 770 contributing editor of the day Olav Rokne.]