(1) LONGEST EVER 1-HOUR EPISODE. A Kickstarter is raising $15,000 to produce “A Skyboat Audiobook of Harlan Ellison’s Star Trek Teleplay”.
On the occasion of the 50th Anniversary of the launching of Star Trek – the Original Series, we want to make the FIRST-TIME-EVER, 6-hour AUDIOBOOK, full-cast version of Harlan Ellison’s book THE CITY ON THE EDGE OF FOREVER.
To clarify, this book contains Harlan Ellison’s original teleplay; NOT the one eventually filmed. This is the episode which won the Writers’ Guild Award for best dramatic hour-long script. The filmed teleplay also won Harlan a Hugo Award. The book also contains Harlan’s Essay on the controversy backstory, and several tributes from his colleagues.
Roles will be voiced by LeVar Burton, John Rubinstein (a Tony Award winner, as Captain Kirk), Scott Brick, Jean Smart (Emmy Award winner as Edith Keeler), Harlan Ellison, Stefan Rudnicki, J. Paul Boehmer, Richard McGonagle, David Gerrold, D.C. Fontana, Richard Gilliland, Jim Meskimen, Orson Scott Card, and Robert Forster.
In addition, Harlan Ellison has narrated his essay describing the before, during, and after of the controversy surrounding the episode, which has been voted as the most beloved episode of the Star Trek® series. It also includes:
- Harlan’s rewrite of the Prologue and Act One to eliminate the controversial “Jewels of Sound” drug-dealing elements that the censors and powers-that-were objected to at the time,
- plus two screenplay treatments written by Harlan,
- and tribute essays from authors and colleagues who-were-there.
Gabrielle de Cuir also has an article on the Kickstarter page detailing the many differences between Ellison’s original script and the aired episode which include —
The original opening sequences contain the “Jewels of Sound” subplot that was so controversial at the time, and eventually was eradicated from the teleplay altogether. We have several characters in this version that did not appear in the final: the villains Beckwith and LeBeque, the iconic Trooper (the Verdun veteran) and a delightfully surly Cook.
(2) CLAGS WORKSHOP. CLAGS: Center for LGBTQ Studies in New York City will host “Sci-Fi Alien(ation): Diversity Under Attack, Racism, Homophobia, & Sexism at Hugo Awards & Beyond” on April 8, 2016.
A panel discussion of scholars and science fiction authors including André Carrington, Jennifer Marie Brissett, Craig Laurance Gidney dissect racism, homophobia, and sexism in the world of sci-fi publishing and fandom in general, and the highly-publicized hate campaign at the 2015 Hugo Awards. A group calling itself the “Sad Puppies” gamed the voting system to assure that most award nominees were white, male, and straight, voicing public statements about gay, black, and women’s themes and authors ruining the genre. Many non-white, queer, and women authors have received rape threats and death threats in association with this campaign. This episode mirrors “gamer-gate,” where similar rape and death threats against women in the video game industry who have complained about sexism.
In contrast to GamerGate, which had all of the following things, during last year’s Hugo controversy I did not hear about: people fleeing their homes in response to threats, calling the police for protection (Crazy Uncle Lou, though, did try to get the police to screw Sasquan), filing for restraining orders, and being stalked at con panels by hostile bloggers. The things that happened were bad enough – and some Puppies assuredly tried to interest GamerGaters in getting involved. Hopefully the actual workshop will stick to valid parallels between the two controversies.
(3) BUILDING A RABBIT HOLE. Publishers Weekly tells why the owners of Kansas City’s The Reading Reptile are leaving that business in “Kansas City Booksellers Launching ‘World’s First Explorastorium”.
Kansas City booksellers Pete Cowdin and Deb Pettid, who have owned The Reading Reptile for more than 25 years, intend to close the bookstore Pettid founded in 1988 by the end of March so that they can develop “the world’s first explorastorium,” a project that they have been conceptualizing for the past year. The proposed museum, modeled upon San Francisco’s Exploratorium and St. Louis’s City Museum, and called The Rabbit Hole in homage to Alice in Wonderland, will allow visitors to physically immerse themselves in the narratives of beloved children’s books through interactive exhibits and galleries. There will also be regularly scheduled presentations and workshops led by touring authors and illustrators to complement the full-scale 3-D installations, which will change every three or four months.
The mission of The Rabbit Hole, which is being set up as a nonprofit, is to “create new readers on an unprecedented scale” in a world where “only around 50% of parents read aloud to their kids on a regular basis.”
A prototype of one component of The Rabbit Hole has been installed in a temporary leased space in Kansas City’s Crossroads neighborhood. The prototype is a full-scale, walk-through exhibit bringing to life The Incredible Painting of Felix Clousseau by Jon Agee, who has assisted the Rabbit Hole team in creating it. The grand opening of this Rabbit Hole prototype will be held on April 9.
(4) THOSE BRONZE AGE SOPHISTICATES. Photos and a videos accompany the BBC article “Bronze Age wheel at ‘British Pompeii’ Must Farm an ‘unprecedented find’”.
“The existence of this wheel expands our understanding of Late Bronze Age technology, and the level of sophistication of the lives of people living on the edge of the Fens 3,000 years ago.”
(5) THE ICELAND CON COMETH. Fans in Iceland have plans to launch a new convention this year.
Icecon 2016 is a science fiction and fantasy fan convention that will be held in the heart of Reykjavík, Iceland, this fall. On the 28th to the 30th of October, Iðnó theatre ( idno.is) will be filled with the fantastic.
There will be panels, readings, a Halloween masquerade and other events.
Information on registration, membership fee, guests of honour, program and accommodation coming soon. All information will be posted on this event-page and a forthcoming homepage. Any interested parties can also email us at icecon2016(at) gmail.com
Icecon 2016 is supported by Reykjavik UNESCO City of Literature ( bokmenntaborgin.is/en/)
— IceCon (@icecon16) February 17, 2016
(6) DREAM DESTINATIONS. I mentioned the NASA space travel posters before, however, this particular webpage displays the entire collection as large thumbnails, and also has a link to the JPL store if you want to order a literal printed poster.
(7) UNDERGROUND REVOLUTION. The Society of Illustrators in New York City will exhibit “The ZAP Show: A Cultural Revolution” from March 2-May 7 on the main floor.
No one could have known that when struggling illustrator R. Crumb self-published Zap Comix #1 in 1968 and began hawking copies in San Francisco’s Haight-Ashbury district, history would be made. By the arrival of issue #4 (1969) and Crumb’s Zap collective (S. Clay Wilson, Victor Moscoso, Rick Griffiin, Gilbert Shelton, Robert Williams, and Spain Rodriguez) fully formed, the artists had broken every Comics Code taboo imaginable — and then some. Zap spawned an entire underground comix industry, establishing an adult market for the comics medium that, in turn, set new standards for creators’ rights and ownership that one day would liberate mainstream comic books from the tyrannical grip of corporate publishers, paving the way for literary work by the likes of Art Spiegelman, Lynda Barry, Chris Ware, and Daniel Clowes, among others.
(8) MEYEROWITZ ART DISPLAY. About the same time, the Society of Illustrators will exhibit on the third floor “Rick Meyerowitz in the National Lampoon” from March 1-April 23.
Rick Meyerowitz was a prolific contributor of both artwork and written pieces for National Lampoon from its first issue in 1970 until close to its last in 1991. He collaborated with many of the magazine’s writers on an astonishing variety of topics and themes. Among his most notable works were the “Mona Gorilla” (Mona Lisa as a gorilla); “DODOSAURS: The Dinosaurs That Didn’t Make It” (which he and Henry Beard turned into a 1983 book); the widely recognized poster for the movie Animal House; and most recently, “DRUNK STONED BRILLIANT DEAD: The Writers and Artists Who Made The National Lampoon Insanely Great,” published by Abrams as a coffee table size visual history of the Lampoon. A documentary film of the same name was released last year.
(9) NURTURING TALENT. Gregory N. Hullender says Rocket Stack Rank “has a new article comparing the Campbell-eligible writers with the stories we reviewed in 2015 with an eye towards figuring out which editors were the most supporting of new writers in 2015” – “Nurturing New SF Short-Fiction Talent in 2015”.
(10) PLAQUE FOR TONI WEISSKOPF. The National Fantasy Fan Federation has circulated a picture of Toni Weisskopf’s Neffy Award.
(11) HARPER LEE OBIT. Harper Lee, author of To Kill A Mockingbird, died February 19 at the age of 89.
“This is a sad day for our family. America and the world knew Harper Lee as one of the last century’s most beloved authors,” Hank Conner, Lee’s nephew and a spokesman for the family, said in a statement Friday morning.
“We knew her as Nelle Harper Lee, a loving member of our family, a devoted friend to the many good people who touched her life, and a generous soul in our community and our state. We will miss her dearly.”
Conner’s statement indicated that “Ms. Lee passed away in her sleep early this morning. Her passing was unexpected. She remained in good basic health until her passing.”
(12) A REALLY BIG SANDBOX. The B&N Sci-Fi & Fantasy Blog knows “How One Mashup Artist Got Legal Permission to Pair Calvin & Hobbes with Dune”.
Calvin & Muad’Dib picked up international attention after a shout-out from io9 in September of 2014, and this attention led to an immediate DMC takedown. But unlike most bloggers, Joe lawyered up.
“I did this because it was clear that I wasn’t profiting in any way from Calvin and Hobbes,” Joe says. “There were no advertisements on my blog, nor did I sell or intend to sell any merchandise or even ask for donations. I felt I had a solid ground to defend myself, and I also happen to believe that most DMCA takedowns are inherently unjust due to the ‘guilty until proven innocent’ nature of DMCA.”
Joe entered into talks with the lawyers of Calvin & Hobbes’ publisher. Though he never spoke directly to Watterson, he did succeed in his goal: Calvin & Muad’Dib went back up six months later, in February of 2014.
“We worked out a licensing deal where I could continue to make comics in the way I intended, and the Calvin & Hobbes lawyers could be ensured that abuse of Bill Watterson’s original works would not occur,” Joe says of the discussion. Every comic on his site now comes with a reminder that the mash-up is legit: “Calvin and Hobbes: © and ™ Bill Watterson, used with permission.”
(15) TWENTIETH CENTURY FANAC. At Amazing Stories, R. Graeme Cameron opens his time capsule: the script of his 1989 talk about fanzines to the Vancouver Public Library.
There exist people who have never earned a penny writing, yet have published thousands, tens of thousands, even hundreds of thousands of words. They belong to FANDOM. Fandom is something more than merely fans of Science Fiction in its various forms: books, magazines, movies, comic books, etc. Fandom is a mode of behaviour, of attitude, an approach to organized appreciation of Science Fiction which is universal among fans, so that fans as far apart as America and Soviet Russia have enough in common as to establish an immediate rapport should they meet.
People writing for no money! That’ll never catch on… And look who’s one of the people doing it –
FILE 770 is quite a renowned perzine. Mike Glyer has been producing it for a longtime. This is the 77th issue. It’s a kind of NEWSZINE really, reporting on conventions, writers, fan activities, fan feuds, and other fanzines. But it is a one-man operation, so I classify it as a perzine.
(14) ROAD WARRIOR. Someday soon Larry Correia will live at the end of Yard Moose Mountain Road. First he has to build the road. The mountain came built-in….
When we built our current house it was all open fields around us. There were houses near, but we had a little room to breathe. I’m a country boy at heart. I don’t like people all up in my business. We even had a moose come and live in our yard. That’s why we started calling it Yard Moose Mountain. He just kind of camped out under my son’s bedroom window, then he’d wander out and eat our neighbor’s trees, but he never messed with my trees. Good moose.
It was really nice.
Over the last five years our area slowly filled in, until one day I woke up, and realized that rather than living in the country anymore, we were living in a small neighborhood. Sure, it was a nice commuter neighborhood (I’ve got 12 doctors in my ward, no joke) and the people are about as nice as you could possibly ask for, but it was still a neighborhood. We landscaped and put in a fence for privacy, but it has lost its charm. Add to that, I’d retired from my finance manager job a few years ago to just be a full time author, so I no longer needed to be close enough to the city to commute.
Being a failed D List nobody hack pulp writer with an irreparably damaged career who will never be a *real* author and who can’t even manage to get measly five hundred people to a book signing, my income had still somehow gone up dramatically, but we’d not really changed our standard of living (well, except for more guns and minis, but those don’t count). Plus, because I have a pathological hatred of debt I had been making lots of extra house payments, to the point that I’d knocked 27 years worth of our 30 year mortgage payments out in 5. Because screw debt.
So last year we decided we wanted to move, and this time we were going to move someplace where we’d never have to move again….
(15) TODAY IN HISTORY
- February 19, 1985 – The movie Brazil premieres in France, 10 months before opening in the USA.
(16) YOUR SCIENCE QUOTE OF THE DAY. From CNN: “Hubble image: Dormant black hole, in a word, is gargantuan”.
“Black holes don’t suck,” van der Marel said. “That’s a common misconception. Material that happens to be moving in the direction of the black hole falls in because gas has friction that gets eaten [by the black hole]. Once the black hole has eaten all the gas there it can just move on and it will be dormant until it gets another dose of material that it can consume.”
[Thanks to John King Tarpinian, and Andrew Porter for some of these stories. Title credit belongs to File 770 contributing editor of the day Addressee Unknown .]