Pixel Scroll 8/11/23 The Secret Diary Of Pixel Scroll, Aged Four And Five Fifths

(1) PUBLISHER STRUGGLES TO GET AMAZON TO LIST “JEWISH FUTURES” ANTHOLOGY. [Item by Michael A. Burstein.] Fantastic Books and I are having trouble getting Amazon to list the Jewish Futures: Science Fiction from the World’s Oldest Diaspora edited by Michael A. Burstein ebook on Amazon.

Fantastic Books publisher Ian Randal Strock told Facebook readers:

Amazon.com has decided to “block [the ebook version of Jewish Futures] from being sold on Amazon.” Apparently, the fact that Fantastic Books published the print version means that Fantastic Books submitting the ebook version to publish through them violates… something. I have no idea. So, if you use a Kindle ebook reader, and you’d like to read an electronic version of Jewish Futures, we recommend you buy it directly from Fantastic Books. Doing so will get you both the epub and the mobi versions of the book.

Amazon provides a number of ways to load your eBooks on to your Kindle. For instance, you can email it to your Kindle address. Click the link in the first comment for their email instructions, however the “Other Ways to Send” column on the right side of the Amazon page also shows you the other options available to you.

Also, they seem to have finally realized that the trade paperback version of the book is available.

Lezli Robyn amplified:

Amazon has decided to block the ebook edition of Jewish Futures from being published after multiple emails where the publisher, Ian Randal Strock, tried to find out why and how he can get the ebook listed on their website (the paper and hardback editions are up there!), and they said they will “uphold” their decision to block it from publication.

Ian will try to find out tomorrow why they made this decision and attempt get it reversed, but if there is ever a time to buy a book directly off of the publisher’s website to support them and their authors, this is it. So much blood, sweat, and tears go into publishing a new title and everyone in the book world knows how important sales numbers are in the first week!

I’ve even emailed Amazon’s CEO but haven’t heard anything. We’ve had to remind people they can buy the ebook from the publisher directly or from Barnes & Noble.  

We’ve also heard that Amazon has delayed getting the print books shipped out, even though the week before it was #1 in a few pre-order categories.

Here is the anthology’s Table of Contents:

  • Introduction by Jack Dann
  • Shema by Samantha Katz
  • Mission Divergence by E.M. Ben Shaul
  • Rachel Nussbaum Saves the World by Esther Friesner
  • One Must Imagine by Harry Turtledove
  • Into Thin Heirs by Susan Shwartz
  • Proof of Alina by Riv Begun
  • Baby Golem by Barbara Krasnoff
  • Frummer House by Leah Cypess
  • Moon Melody by SM Rosenberg
  • Initial Engagement by Steven H Silver
  • Matzah Ball Soup for the Vershluggin Soul by Randee Dawn
  • The Ascent by S.I. Rosenbaum and Abraham Josephine Reisman
  • The Aliens of Chelm by Valerie Estelle Frankel
  • The Kuiper Gemara by Shane Tourtellotte
  • Legend Born by Robert Greenberger
  • The Last Chosen by Jordan King-Lacroix

If anyone is in Boston on August 23, we are having a book event at Brookline Booksmith with the editor, publisher, cover artist Eli Portman and three writers, E.M. Ben Shaul, S.I. Rosenbaum, Abraham Josephine Riesman.

(2) SHERIDAN AND DELENN. “Warner Bros. Releases New ‘Babylon 5: The Road Home’ Clip”Animation World Network has the story.

…In anticipation of the all-new original animated movie, a never-before-seen clip from the film, “Standing In The Shadows” has just been released! In the clip, John Sheridan (voiced by Bruce Boxleitner) expresses his second thoughts about leaving Babylon 5 to his wife, Delenn (voiced by Rebecca Reidy)….

(3) PROPOSAL SUBMITTED TO COURT IN SUIT AGAINST INTERNET ARCHIVE. “Copyright: Publishers, Internet Archive File Court Proposal” at Publishing Perspectives. “A proposed judgment bars Internet Archive from of offering ‘unauthorized copies’ of book publishers’ copyrighted content inside and outside the United States.” There’s also an unspecified payment involved.

This afternoon (August 11), the Association of American Publishers is confirming to Publishing Perspectives that the publisher-plaintiffs in the June 2020 lawsuit of the Internet Archive have submitted to the US District Court in the Southern District of New York a joint, negotiated proposal for Judge Koeltl’s consideration.

As our readers will remember, the plaintiffs—Hachette Book Group; HarperCollins Publishers; John Wiley & Sons; and Penguin Random House—received on March 24 an adamant ruling against the Internet Archive for its “Open Library” lending activities. In that ruling, the court deemed Internet Archive as liable for copyright infringement.

Today’s proposed consent judgment provides for a “stipulated permanent injunction,” according to the AAP’s media messaging, “preventing Internet Archive from offering unauthorized copies of the plaintiffs’ books to the global public under the manufactured theory of ‘controlled digital lending,’ and indicates that the parties have reached a confidential agreement on a monetary payment, all subject to Internet Archive’s right to appeal the case.”…

(4) ZOOM CHANGES ITS MIND. According to Gizmodo, “Zoom Backtracks on Training Its AI on Your Calls”.

After massive backlash over its wishy-washy communication regarding training artificial intelligence with customer data, Zoom wants to set the record straight. Today, Zoom issued an update to its previous announcement on its plans for AI to formally claim that the company will not use audio, video, chat, or similar data to train its AI models.

Zoom issued the update today to its original blog post, published earlier this week by Chief Product Officer Smita Hashim. Zoom’s terms of service stated that the company could use Customer Content—which is what Zoom calls audio, video, chat, attachments, screen-sharing, etc.—to train its own in-house or third-party AI models. On Monday, however, the blog post from Hashim promised that Zoom wouldn’t use Customer Content to train AI (except in some cases). Today, the company has updated Section 10 of its terms of service to no longer retain the legal right to use Customer Content to train any AI models. Zoom did not immediately return Gizmodo’s request for comment on what data sources these AI features will, in fact, be trained with…..

Here’s the opening paragraph of the Zoom Blog’s post “How Zoom’s terms of service and practices apply to AI features”.

It’s important to us at Zoom to empower our customers with innovative and secure communication solutions. We’ve updated our terms of service (in section 10) to further confirm that Zoom does not use any of your audio, video, chat, screen-sharing, attachments, or other communications like customer content (such as poll results, whiteboard, and reactions) to train Zoom’s or third-party artificial intelligence models. In addition, we have updated our in-product notices to reflect this.*

Zoom is still offering users access to a pair of AI features:

…two powerful generative AI features — Zoom IQ Meeting Summary and Zoom IQ Team Chat Compose — on a free trial basis to enhance your Zoom experience. These features offer automated meeting summaries and AI-powered chat composition. Zoom account owners and administrators control whether to enable these AI features for their accounts.

We inform you and your meeting participants when Zoom’s generative AI services are in use….

(5) I AM I SAID. Writer Beware’s Victoria Strauss looks into a service capitalizing on a topical concern in “Dear Author, Are You Human? Certifying Authenticity”.

It is a truth universally acknowledged, that where there is an issue of concern for writers, someone will find a way to monetize it….

In this fraught environment, it was probably inevitable that someone would come up with the idea of a service to certify or authenticate human authorship, and invite creators buy into it. This post takes a look at two such services.

The Authenticity Initiative

The originator of The Authenticity Initiative is Eliza Rae, who also offers social media, brand management, and PR services for authors. The Authenticity Initiative provides a seal to authors who pledge not to use AI-generated content in their work, along with a number of additional perks, including a newsletter and promotional opportunities. The cost: $50 per year.

Of course, as illustrated by the Bob the Wizard kerfluffle (in which a cover artist who swore their art was not AI-assisted turned out to be fibbing) as well as a general knowledge of human nature, the question is the degree to which a voluntary promise is actually equivalent to certification. I reached out to Eliza for comment, and you can see her response to that question in the Q&A below.

WRITER BEWARE: The Authenticity Initiative seems to rely on authors to self-certify that their work contains no AI-generated content. Do you have any concern that some authors may not be honest?

ELIZA RAE: Yes, that’s exactly correct. While technology and laws that govern AI are limited, we decided that a trust based platform for authors and readers to come together was the best way to service this aspect of the community until more legislation and/or publishing platforms have caught up to technology issues and the pitfalls of what is and is not considered legal to scrape or use to train generative AI software….

(6) MEDICAL UPDATE. StarShipSofa’s Tony C. Smith made an announcement to the District of Wonders email list.

…Some of you might know, some maybe not but I thought it only best to let you all know.

I have cancer (that feels so horrid to write). Bladder cancer.

As you can imagine this came as one f–king huge shock. Then it was discovered there might have been something on my lung… thank god… that was not the case… so just bladder cancer.

I go into hospital on the 15th August to have my bladder removed and from then on I’m on a bag. Total lifestyle chance but hopefully one I can put behind me and move on when it’s done.

One neat SF thing, the operation will be done by robot – the future is here!

(7) EATING THE FANTASTIC. Scott Edelman invites listeners to feast on Fettuccine Alfredo with Howard Bender on Episode 204 of the Eating the Fantastic podcast.

Howard Bender

Eating the Fantastic moves on to Pittsburgh for the first of three episodes harvested due to this year’s StokerCon taking place in that city. My conversation this time around didn’t take place because of that main event, though, but only because I remembered my guest happens to live in Pittsburgh, and I couldn’t pass up the opportunity to reminisce with him about the old days.

I met Howard Bender 49 years ago, the year we both began working in the Marvel Comics Bullpen. He worked as a letterer and artist in the Marvel Comics production department from 1974–1980, and then moved on to DC Comics in the same role, where he worked from 1981–1985. He’s drawn Superman stories in Action Comics, Dial H for Hero stories published in The New Adventures of Superboy, Ghostbusters for First Comics, and a variety of series for Archie Comics. He also collaborated with Jack C. Harris on a Sherlock Holmes comic strip in the ‘90s. These days, he can be found at markets and fairs all across Pittsburgh working as a caricature artist.

We discussed how desperate Marvel Comics must have been to have hired young kids like us, his role in founding the Pittsburgh Comics Club (and the way he paid homage to that club down the road in Dial H for Hero), the day he showed Stan Lee his art portfolio over dessert, how he started his career at Marvel using Jack Kirby’s taboret, the fact neither of us would have become who we turned out to be without Superman creators Jerry Siegel and Joe Shuster, how terrified we both were of production manager John Verpoorten, our first meetings with the late, great Johnny Romita, the important life lesson he learned from inker Mike Esposito, what he was glad he remembered you shouldn’t talk about with Steve Ditko, how Marie Severin inspired him in his current career as a caricaturist,  and so much more.

(8) NYT SFF CRITIC. Amal El-Mohtar reviews “Witches, Robots and Martial Artists, Ready for Battle” — new books by Juno Dawson, Emma Mieko Candon and Alexander Darwin — in the New York Times.

(9) BSFS BEAUTIFUL. Congratulations to the Baltimore Science Fiction Society on their revived clubhouse space. (By gosh, there’s a Dalek on the balcony!) See the photos at Facebook.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born August 11, 1902 Jack BinderThrilling Wonder Stories in their October 1938 issue published his article, “If Science Reached the Earth’s Core”, where the first known use of the phrase “zero gravity” is known to happen. In the early Forties, he was an artist for Fawcett, Lev Gleason, and Timely Comics. During these years, he created the Golden Age character Daredevil which is not the Marvel Daredevil though he did work with Stan Lee where they co-created The Destroyer at Timely Comics. (Died 1986.)
  • Born August 11, 1923 Ben P. Indick. A member of First Fandom and prolific fanzine publisher. He wrote a handful of short genre fiction and two serious non-fiction works, The Drama of Ray Bradbury and George Alec Effinger: From Entropy to Budayeen. (Died 2009.)
  • Born August 11, 1928 Alan E. Nourse, 1928 – 1992. His connections to other SF writers are fascinating. Heinlein dedicated Farnham’s Freehold to Nourse, and in part dedicated Friday to Nourse’s wife Ann.  His novel The Bladerunner lent its name to the movie but nothing else from it was used in that story. However Blade Runner (a movie) written by, and I kid you not, William S. Burroughs, is based on his novel. Here the term “blade runner” refers to a smuggler of medical supplies, e.g. scalpels. (Died 1992.)
  • Born August 11, 1932 Chester  Anderson. His The Butterfly Kid is the first part of what is called the Greenwich Village Trilogy, with Michael Kurland writing the middle book, The Unicorn Girl, and the third volume, The Probability Pad, written by T.A. Waters. I can practically taste the acid from here… The Butterfly Kid, like all of these novels. is available from all the usual suspects. (Died 1991.)
  • Born August 11, 1949 Nate Bucklin, 74. Musician who has co-written songs with Stephen Brust and others. He wrote two Liavek anthology stories, “Dry Well” and “Strings Attached” He’s a founding member of the Scribblies, the Minneapolis writer’s group, and is also one of the founding members of the Minnesota Science Fiction Society, better known as Minn-stf. He spent four years as a member of the National Fantasy Fan Federation or N3F, and his correspondents included Greg Shaw, Walter Breen, and Piers Anthony. He’s been a filk guest of honor at five cons.
  • Born August 11, 1959 Alan Rodgers. Author of Bone Music, a truly great take off the Robert Johnson myth. His “The Boy Who Came Back From the Dead” novelette won the Bram Stoker Award for Best Long Fiction, and he was editor of Night Cry in the mid-Eighties. (Died 2014.)
  • Born August 11, 1961 Susan M. Garrett. She was a well-known and much liked writer, editor and publisher in many fandoms, but especially the Forever Knight community. (She also was active in Doctor Who and The Secret Adventures of Jules Verne fandoms. And no, I had no idea that the latter had a fandom.) She is perhaps best known for being invited to write a Forever Knight tie-in novel, Intimations of Mortality. (Died 2010.)
  • Born August 11, 1962 Brian Azzarello, 61. Comic book writer. First known crime series 100 Bullets, published by Vertigo. Writer of DC’s relaunched Wonder Woman series several years back. One of the writers in the Before Watchmen limited series. Co-writer with Frank Miller of the sequel to The Dark Knight ReturnsThe Dark Knight III: The Master Race.

(11) COMICS SECTION.

(12) GENERALIZATION ALERT. BookRiot’s Alice Nuttall asks, “Science Fiction Is Inherently Rebellious — So Why Don’t Some of Its Fans Think So?”

My husband and I are currently watching Star Trek: Deep Space Nine, me for the first time, him for about the billionth. After watching one episode where religious fundamentalists insist that the space station’s school teach their holy stories instead of scientific fact, and bomb the school when the teacher doesn’t agree, my husband leaned over to me and commented “But you know, Star Trek was never political.”

“[Sci fi story] was never political” is a running joke of ours, usually said with an eye roll and a bitter laugh at the complaint du jour about sci-fi stories that dare to centre anyone who isn’t a white, cishet man. Sci-fi has been decried as “political” for telling stories about people of colour or women (and predictably, some of the worst backlashes have come when a central character happens to be a woman of colour). Stories have been panned or banned for including LGBTQ+ people and relationships.

Writers who share the marginalisations of their characters are at the greatest risk of being harassed and attacked for daring to publish in a space that reactionary gatekeepers see as “theirs”. The ‘Sad Puppies’ campaign was a coordinated attempt by right-wing, “anti-diversity” pundits to influence the results of the Hugo Awards and push works by authors of colour, women, and LGBTQ+ people to the sidelines. Fortunately, it was unsuccessful — and not only because it was a clumsy, transparent attempt at attacking diversity. The fact is that sci-fi has never been a white, cishet, male, or conservative domain. It has always been a space for subversion, radical thinking, and rebelliousness — and marginalised people have been there from the beginning….

(13) PUMP BROTHERS, PUMP WITH CARE. This idea sucks, but does that mean it’s actually no good? “U.S. to Fund a $1.2 Billion Effort to Vacuum Greenhouse Gases From the Sky” reports the New York Times.

The Biden administration will spend $1.2 billion to help build the nation’s first two commercial-scale plants to vacuum carbon dioxide pollution from the atmosphere, a nascent technology that some scientists say could be a breakthrough in the fight against global warming, but that others fear is an extravagant boondoggle.

Jennifer Granholm, the energy secretary, announced Friday that her agency would fund two pilot projects that would deploy the disputed technology, known as direct air capture.

Occidental Petroleum will build one of the plants in Kleberg County, Texas, and Battelle, a nonprofit research organization, will build the other in Calcasieu Parish on the Louisiana coast. The federal government and the companies will equally split the cost of building the facilities.

“These projects are going to help us prove out the potential of these next-generation technologies so that we can add them to our climate crisis fighting arsenal, and one of those technologies includes direct air capture, which is essentially giant vacuums that can suck decades of old carbon pollution straight out of the sky,” Ms. Granholm said on a telephone call with reporters on Thursday.

The 2021 bipartisan infrastructure law included $3.5 billion to fund the construction of four commercial-scale direct air capture plants. Friday’s announcement covered the first two.

Oil and gas companies lobbied for the direct air capture money to be included in the law, arguing that the world could continue to burn fossil fuels if it had a way to clean up their planet-warming pollution….

(14) CLOSE ENCOUNTERS OF THE CLUCKY KIND. What does that mean? You’ll understand after you see the video of this unidentified flying coop on Tumblr.

(15) MAN OF A THOUSAND FLAVORS. Here’s another exotic collectible, the Chaney Entertainment Hot Sauce 5-Pack from Jade City Foods.

Here’s a close-up of one of the labels.

(16) DUNE WHAT COMES NATURALLY. “’Futurama’ meets ‘Dune’ in action-packed, exclusive clip” at Mashable.

The beloved sci-fi comedy Futurama is no stranger to Frank Herbert’s Dune, featuring nods to stillsuits and space worms. But with its newly launched 11th seasonFuturama takes its Dune tributes to a whole new level.

In an exclusive clip from the upcoming episode “Parasites Regained” (a spiritual sequel to Season 3’s “Parasites Lost,” perhaps?), we see Fry, Leela, Zoidberg, and Bender struggling to brave a mysterious desert landscape. There, they encounter a fearsome sandworm that looks like an oranger, fuzzier version of the show-stealing sandworms of Denis Villeneuve’s Dune. We also get Futurama‘s version of the powerful spice melange, a psychedelic drug that turns Leela’s eyes orange instead of Dune‘s classic blue-within-blue….

[Thanks to Mike Kennedy, Andrew Porter, John King Tarpinian, Kathy Sullivan, Nickpheas, Michael A. Burstein, Chris Barkley, Michael Toman, Cat Eldridge, and SF Concatenation’s Jonathan Cowie for some of these stories. Title credit belongs to File 770 contributing editor of the day Soon Lee.]

Jewish Futures Book Kickstarter

Fantastic Books, a Brooklyn-based small press of speculative fiction, has announced a new crowd-funded project of Jewish science fiction stories called Jewish Futures. In its first day of crowdfunding on Kickstarter, the project raised about two-thirds of its $6,000 goal, demonstrating the high interest in the idea.

“There hasn’t been an anthology of all-new science fiction stories with a Jewish theme for a long time,” said Ian Randal Strock, publisher of Fantastic Books. “We wanted to explore the possible futures our writers could imagine. What will Jews be up to fifty years from now? A hundred? A thousand? Will the Jewish people still be mostly living where they are now? Will Judaism still be recognizable in the many forms in which it exists today? Will there be Jewish aliens? Jewish robots? Our writers will imagine it all.”

Strock is no stranger to crowd-funded anthologies, having successfully run Kickstarter campaigns which resulted in the publication of the themed anthologies Release the Virgins and Three Time Travelers Walk Into… (both edited by Michael A. Ventrella), and Across the Universe (an alternate Beatles anthology edited by Ventrella and Randee Dawn).

Michael A. Burstein

The editor tapped to select the stories for “Jewish Futures” is Michael A. Burstein, a multiple Hugo and Nebula finalist and winner of the Campbell/Astounding Award for Best New Writer. Burstein, who lives in the Boston area, is the author of previous Jewish-themed science-fiction stories, including “Kaddish for the Last Survivor” and “The Great Miracle.” Burstein enlisted a group of high-level writers for the book, including award winners and finalists such as Leah Cypess, Esther Friesner, and Steven H Silver.

“I’ve always been interested in the intersection of Jewish fiction and science fiction,” Burstein said. “I remember the Wandering Stars anthology Jack Dann put together in the 1970s and 1980s. Those books were great but mostly contained reprinted stories. I wanted to see what today’s authors could create if given a chance to envision a Jewish future.”

Fantastic Books will be running the Jewish Futures Kickstarter over the next month, coinciding with the fall Jewish holidays. The book is planned for a July 2023 release.

[Based on a press release.]

Pixel Scroll 3/7/22 Head Like A Scroll, Pixeled Like Your Soul

(1) ARRIVAL. “On Coming to Ursula K. Le Guin in My Own Time” at Literary Hub, an excerpt from Amal El-Mohtar’s introduction to Worlds of Exile and Illusion by Ursula K. Le Guin.

… I took Le Guin for granted. When she died in 2018, I could have fit the span of my life inside hers almost three times. She had always been there, like a mountain, or the sun, and it was easy to fall into the certainty that she always would be. I was unfamiliar with her most celebrated works—The Left Hand of DarknessThe Dispossessed, books by which she became the first woman to win a Hugo Award for Best Novel, and then, five years later, the first woman to have won it twice.

I had assumed, with all the oblivious confidence of youth, that I’d get to read them while she was still with us and talk to her about them. I imagined that I would meet her one day, under ideal conditions that would make me seem interesting enough for conversation, and ask her about poetry, about being a middle-aged woman in the 1970s, and about science fiction. Her passing hit me harder than I expected, considering my slender acquaintance with her work, but that was the thing about Le Guin: to have lost her was to have lost a world I longed to visit….

(2) ROMANTIC NOVEL AWARDS. The Romantic Novelists Association announced the winners of the 2022 Romantic Novel Awards in London on March 7. The awards celebrate excellence in romantic fiction in all its forms. The complete list is here. In the RNA category of genre interest the winner is —

The Fantasy Romantic Novel Award

  • A Marvellous Light, Freya Marske, Pan Macmillan

(3) HIDDEN TREASURE. [Item by Bill Burns.] The BBC Archive started a new YouTube channel a couple of months ago, and there are some interesting SF items: BBC Archive – YouTube. As well as Star Wars, Doctor Who, and other media items, there’s these more mainstream pieces from broadcast programs:

  • “Arthur C Clarke predicts the future” (September 1964)
  • “Douglas Adams on HITCHHIKERS GUIDE TO THE GALAXY game” (1984)
  • “ISAAC ASIMOV’s 3 laws of ROBOTICS” (1965)

(4) SCREENTIME MACHINE. For the first five seconds I thought it was a Monty Python sketch. But no – these are all legit sff writers on a 1979 episode of the BBC’s Book Programme trying to answer the question “What is SCIENCE FICTION?”

Robert Robinson presents a science-fiction themed edition of The Book Programme. What constitutes science-fiction, is there room in the genre for the metaphysical or spiritual, or should writers slavishly stick to the scientific? What is to be made of the phenomenon that is the sci-fi convention – is there something unique to science fiction that inspires such devotion in its fans? And is all fiction slowly becoming science fiction? Taking part are: Douglas Adams, the author of the science-fiction comedy ‘The Hitchhikers Guide to the Galaxy’; Harry Harrison, a prolific science fiction writer best known for his ‘Deathworld’, ‘Stainless Steel Rat’ and ‘Bill, the Galactic Hero’ novels; Peter Nicholls, the editor of The Encyclopedia of Science Fiction; and Ian Watson, whose book ‘The Jonah Kit’ won the British Science Fiction Association award for Best Novel and whose new book “God’s World” is reviewed here and forms the basis for the discussion.

(5) RELATED WORKS. Today, Cora Buhlert turns the Non-Fiction Spotlight on “Lovecraft in the 21st Century Dead, But Still Dreaming, edited by Antonio Alcala Gonzalez and Carl H. Sederholm”.

…If you’re just joining us, the Non-Fiction Spotlights are a project, where I interview the authors/editors of SFF-related non-fiction books that came out in 2021 and are eligible for the 2022 Hugo Awards….

The subject of today’s Non-Fiction Spotlight is a collection of scholarly essays about H.P. Lovecraft entitled Lovecraft in the 21st Century: Dead, But Still Dreaming, edited by Antonio Alcala Gonzalez and Carl H. Sederholm….

Why should SFF fans in general and Hugo voters in particular read this book?

Carl: I first became interested in Lovecraft because of references to him in popular culture. As I began to read more and more of his stories, I became fascinated by the ways his work continues to show up in everything from heavy metal music to board games to internet memes to television shows. What I didn’t know was that there were dozens of others having similar experiences. This book provides a glimpse at what others have discovered in their own journey through Lovecraft. I think anyone with an interest in Lovecraft, including SFF fans and Hugo voters, can discover just how far Lovecraft’s influence goes through a book like this. Even those who already have a firm grasp of Lovecraft should be able to find new insights and research opportunities here….

(6) NATURE CALLS. SF² Concatenation has just Tweeted an advance post of the first of its four “Best of Nature Futures” one-page short stories for this year: “Freemium: It’s no game” by Louis Evans.

When SETI detected an alien signal, they called Derek. Derek was a billionaire from designing computer games. He was bankrolling the search.

Soon – an impossibility in physics – Derek was in regular contact with the aliens. But eventually, there is a price….

(7) NEWBERY WINNER’S NEXT. In the Washington Post, Mary Quattlebaum interviews Newbery Award-winner Kelly Barnhill, whose new book The Ogress and the Orphans creates “a complex character that makes readers question the stereotype of ogres.” “In Kelly Barnhill’s new fantasy novel, no single hero can save the day”.

…A more fully formed story started to emerge in 2020. This original fairy tale explored both the conflict and the generosity she was seeing in the world around her. She noticed, for example, that throughout the pandemic, some people worked together to protect one another from the coronavirus, and others did not.

“I saw the power that one individual has to make something better for another,” she said.

A conversation with her “awesome and interesting” 10-year-old nieces also helped shape the story. The girls’ parents are philosophers. They study knowledge — how people think and reason and how they decide right from wrong. The girls thought that philosophy should also consider kindness and animals.

Barnhill listened. “The Ogress and the Orphans” probes what happens to people’s hearts and to the spirit of their communities when they give to others — or turn away. What happens when they respect and include others — or seek power over them?…

(8) WOOL GATHERING. At Bandcamp, Aidan Baker’s album “The Sheep Look Up” is intended as “a ‘soundtrack’ to John Brunner’s 1972 dystopian novel.” Baker is a Canadian musician “making experimental ambient music.”

(9) MEMORY LANE.

1968 [Item by Cat Eldridge] Anne McCaffrey’s Dragonriders of Pern series has a fascinating Hugo history.

She won a Hugo the first time she was nominated, for the novella “Weyr Search” at Baycon (tied with Philip José Farmer’s “Riders of the Purple Wage”.) It was published in Analog Science Fiction / Science Fact, October 1967. It’s in A Dragon-Lover’s Treasury of the Fantastic anthology which was edited by Margaret Weis, available from the usual suspects at a very reasonable price. 

It would be the only win for the Dragonriders of Pern series but by far is not the only nomination for the series. 

Next up would be the “Dragonrider” novella which was nominated one year later at St. Louiscon. Three years later, her Dragonquest novel would get a nod at the first L.A. Con showing that Con had impeccable taste. And at Seacon ‘79, The White Dragon gets nominated. (I really love that novel.) The next L.A. Con would see another novel be nominated, Moreta: Dragonlady of Pern. (I’ve never heard of that one.) And the final nomination, also for a novel, was at MagiCon, for All the Weyrs of Pern.

The series did win a number of other awards including a Nebula for Dragonrider, a Ditmar and Gandalf for The White Dragon, a Balrog for Dragondrums and The Science Fiction Book Club’s Book of the Year Award for The Renegades of Pern. It is, after all, an expansive series.

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born March 7, 1925 Richard Vernon. He is perhaps best remembered for playing the role of Slartibartfast in The Hitchhiker’s Guide to the Galaxy series. His first genre role was Sir Edgar Hargraves in the Village of the Damned which was adapted from John Wyndham’s The Midwich Cuckoos.  He’s also in Goldfinger as Colonel Smithers. (Died 1997.)
  • Born March 7, 1926 Alan Sues. Here for his outstanding performance in The Twilight Zone’s “The Masks” as Wilfred Harper, Jr., one of the most chilling scripts written for that series. He really didn’t have much of a genre history showing just otherwise on Wild Wild West and Sabrina, the Teenage Witch unless you want to include Rudolph and Frosty’s Christmas in July where he played Scratcher the jealous Reindeer. (Died 2011.)
  • Born March 7, 1942 Paul Preuss, 80. I know I’ve read all of the Venus Prime series written by him off the Clarke stories. I am fairly sure I read all of them when I was in Sri Lanka where they were popular among the British ex-Pat community.  I don’t think I’ve read anything else by him. 
  • Born March 7, 1944 Stanley Schmidt, 78. Between 1978 and 2012 he served as editor of Analog Science Fiction and Fact magazine, an amazing feat by any standard! He was nominated for the Hugo Award for Best Professional Editor every year from 1980 through 2006 (its final year), and for the Hugo Award for Best Editor Short Form every year from 2007 (its first year) through 2013 with him winning in 2013 at LoneStarCon 3.  He’s also an accomplished author and l know I’ve read him but I can’t recall which novels in specific right now though I know I enjoyed what I read by him.
  • Born March 7, 1945 Elizabeth Moon, 77. I’ll let JJ have the say on her: “I’ve got all of the Serrano books waiting for when I’m ready to read them. But I have read all of the Kylara Vatta books — the first quintology which are Vatta’s War, and the two that have been published so far in Vatta’s Peace. I absolutely loved them — enough that I might be willing to break my ‘no re-reads’ rule to do the first 5 again at some point. Vatta is a competent but flawed character, with smarts and courage and integrity, and Moon has built a large, complex universe to hold her adventures. The stories also feature a secondary character who is an older woman; age-wise she is ‘elderly’, but in terms of intelligence and capability, she is extremely smart and competent — and such characters are pretty rare in science fiction, and much to be appreciated.” 
  • Born March 7, 1954 Elayne Pelz, 68. She is a member of LASFS (and officer) and of SCIFI who worked on myriad cons, mainly in art show and treasury.  She was married to famous SF fan Bruce Pelz and assumed leadership of Conagerie, the 2002 Westercon, upon Bruce’s death and the con was held successfully. She was the Chair of Loscon 20.
  • Born March 7, 1970 Rachel Weisz, 52. Best remembered  for The Mummy films which I really, really love (well the first two with her), and her first genre film was Death Machine, a British-Japanese cyberpunk horror film which scores rather well – fifty-one percent — among audience reviewers at Rotten Tomatoes. I’ve also got her in Chain Reaction and The Lobster. As of late, Weisz starred as Melina Vostokoff in the MCU film Black Widow.

(11) INSIDER TRADING. Gizmodo finds evidence of intergalactic smuggling: “Star Wars Galactic Starcruiser Rare Merch Already on eBay”.

It’s only been a few days since Disney’s lavishly priced Star Wars Galactic Starcruiser attraction previewed for invited media, influencers, and guests—yet eBay listings are already being promoted for exclusive items from the experience. Some item postings even have timetables for guests who have yet to step onto the Halcyon ship but promise to bring back merch for sale.

A sign that this might be different from the usual hive of scum and villainy where merch-flippers tend to dwell is that the prices seem to reflect ways to offset the cost of the trip itself—or for those who got freebies to maybe even get on board again….

(12) 2021 WAS GOOD FOR ONE THING. Yahoo! reports “Guillermo del Toro is really not into the Oscars’ new format”.

…Pan’s Labyrinth director Guillermo del Toro has brought up another point of contention: The new format for the upcoming awards ceremony.

The Academy of Motion Pictures and Arts recently unveiled its new format, which involves pre-taping a select eight categories and announcing the winners in a pre-show. The categories moved to this lower-tier position include Best Production Design, Editing, Makeup and Hairstyling, Original Score, Sound, Documentary Short, Animated Short and Live-Action Short. After the last couple of arduous years in the film industry, del Toro thinks this change could not come at a worse time.

“The nominees that we have here, most of the ones we have here tonight, [worked] against many, many difficult odds [to get here], and we don’t do [films] alone,” del Toro said while receiving the Hollywood Critics Association’s Filmmaking Achievement Award. “We do them together, and the people that made them with us did it risking everything in a pandemic, showing up, making the day, somewhat in a miracle.

“I must say, if any year was the year to think about it, this is not the year not to hear their names live at the Oscars. This is the year to sing it, and sing it loud,” Del Toro continued. “We shouldn’t do it this year; we shouldn’t do it ever, but not this year… And we must say this… 2021 was a f**king great year for movies.”…

(13) TIME’S THREE. “Take three historical figures, throw them together in some situation, and tell us the story that ensues.” That simple description was enough make a success of Fantastic Books’ Kickstarter campaign, fully funding the anthology Three Time Travelers Walk Into…, which will appear in June. “It pulls together the adventuring of such disparate figures as Julia Child, Jesus Christ, Michael Jackson, and Vlad the Impaler (well… not all in one story).”

Edited by Michael A. Ventrella, the contributing authors are Eric Avedissian, Adam-Troy Castro, Peter David, Keith R.A. DeCandido, Gregory Frost, David Gerrold, Henry Herz, Jonathan Maberry, Gail Z. Martin, Heather McKinney, James A. Moore, Jody Lynn Nye, L. Penelope, Louise Piper, Hildy Silverman, S.W. Sondheimer, Allen Steele, and Lawrence Watt-Evans.

(14) YOU CAN TAKE IT WITH YOU. Gizmodo noticed that “A Mars Rock Appears to Be Stuck in Perseverance Rover’s Wheel”. (Image at the link.)

NASA’s Perseverance rover has involuntarily adopted a traveling companion, in the form of a stone that’s lodged in one of its six aluminum wheels.

An image captured by Perseverance’s Onboard Front Left Hazard Avoidance Camera, or Hazcam for short, shows the interloper sitting on the interior of a wheel. The rover must’ve kicked up the rock while exploring Jezero Crater, where it’s been operating since it landed on Mars in February 2021.

The picture was taken on February 25, 2022, but a similar image taken five days later showed the rock still firmly in place. The stone, it would appear, is now a stubborn fixture of the $2.2 billion rover…. 

(15) RETURN TO SENDER. “Dreaming of Suitcases in Space”. Hard to believe, but the New York Times, not Philip K. Dick, came up with that title. “A California start-up company believes it can one day speed delivery of important items by storing them in orbit.”

…Inversion is building earth-orbiting capsules to deliver goods anywhere in the world from outer space. To make that a reality, Inversion’s capsule will come through the earth’s atmosphere at about 25 times as fast as the speed of sound, making the parachute essential for a soft landing and undisturbed cargo.

Inversion is betting that as it becomes cheaper to fly to space, government agencies and companies will want to not only send things to orbit but also bring items back to earth….

…What Inversion is trying to do is not easy. Designing a vehicle for re-entry is a different engineering challenge than sending things up to space. When a capsule enters the atmosphere from space, it is traveling at such high speeds that there is the danger of burning up — a huge risk for human travelers and precious nonhuman cargo alike.

Seetha Raghavan, a professor in the University of Central Florida’s mechanical and aerospace engineering department, said it would be even more difficult to handle the heat, vibration and deceleration of the capsule when the vehicle size shrank.

“It all becomes harder when you have a smaller item to control,” Ms. Raghavan said.

Inversion’s plan for capsules in orbit raises questions about whether it will contribute to congestion in space, already a problem with the megaconstellations of satellites. And the abundance of satellites interfering with observations of planets, stars and other celestial bodies has been a common complaint among astronomers.

But Inversion said it was using materials to make its capsules significantly less reflective to decrease visual pollution. In addition, the company said its capsule would come with systems to avoid debris and collisions in orbit….

(16) CUBISM. [Item by Ben Bird Person.] Artist/illustrator Will Quinn did this piece commemorating the Dungeons & Dragon‘s gelatinous cube.

According to Patreon, “I listen to ‘Not Another D&D Podcast’ while I draw these days, and they were coincidentally fighting an ooze monster during this drawing (not a Gelatinous Cube, though. It was a Juiblex).”

[Thanks to JJ, John King Tarpinian, Andrew Porter, Michael Toman, Rob Thornton, Ben Bird Person, Chris Barkley, Bill Burns, SF Concantenation’s Jonathan Cowie, Cat Eldridge, Mike Kennedy, and Martin Morse Wooster for some of these stories. Title credit belongs to File 770 contributing editor of the day Charon Dunn.]

Pixel Scroll 12/16/21 A Pixelness In The Scroll

(1) COLBERT’S LOTR CAST REUNION RAP. [Item by Mike Kennedy.] Stephen Colbert (of The Late Show) is a self-proclaimed Lord of the Rings fanatic (both the books and the movie series).His show is going on hiatus after this week for the rest of the year and Colbert bemoaned the fact that he will not be on air to celebrate Sunday’s 20th anniversary of the theatrical release of the first LOTR movie directed by Peter Jackson.

The Late Show With Stephen Colbert assembled Elijah Wood, Sean Astin, Billy Boyd, Dominic Monaghan, Orlando Bloom, Andy Serkis, Hugo Weaving, pro rappers Killer Mike and Method Man, plus bandleader Jon Batiste, host Colbert, and (for reasons unknown) Anna Kendrick, to create a rap video that pounds home the dominance of the LOTR movie trilogy.

(2) LEE AND MILLER’S FREE HOLIDAY STORY. Steve Miller says he “is in a strange land far away from Worldcon” —

The plan was that our new Liaden story would hit the interwebz while we were off at Worldcon, but we dropped that plan awhile back due to the pandemic. The story came out on time, but we’re home in Maine! FWIW I had several convention dreams last night (guess I’m missing the whole crew!), but it still isn’t the same.

Yesterday some folks were having a hard time finding the new release, though, so this is a direct link to “From Every Storm A Rainbow”, our official free online Liaden Universe holiday story for 2021, which follows pretty hard on the heels of our recent “Bread Alone” chapbook, which ran a week or so as “#1 new release” under SF anthologies right at Thanksgiving. “Bread Alone’s” on sale in many venues now, but here’s the Amazon link.

Have a good holiday season, a good year, and we’re still hoping for Chicago….

Bests wishes from all of us here at the Cat Farm and Confusion Factory …

(3) CLARION WEST IS HIRING. The annual Clarion West Writers Workshop is looking to fill several positions – Six-Week Workshop Facilitator, Residential Workshop Administrator, and Communications Specialist. See Jobs – Clarion West for the details.

Do you believe that stories are important? Do you want to work with a diverse and passionate team to bring emerging writers to the field of speculative fiction? Do you want to support more writers of color and from traditionally underrepresented communities? Take a look at our open opportunities and see where your expertise can grow Clarion West.

(4) SITE SELECTION CONTINUES. Rich Lynch sent along this photo he took of DisCon III’s at-con Site Selection voting area.  

(5) ON YONDER SHOREHAM. Highlander tweeted a video walkthrough from the first day of DisCon III. I see John Hertz in his beanie appears around the 25-second mark.

(6) HALL COSTUMES. Ian Randal Strock tweeted a photo of cosplayers at DisCon III dressed as the TARDIS and two Doctor Who nemeses.

(7) MOFFAT TEASES WHO FANS. Radio Times plucked some juicy quotes from an hour-long conversation about Steven Moffat’s career hosted by the Oxford Union: “Steven Moffat talks Russell T Davies’ ‘fantastic’ plans for Doctor Who”.

…“I had no idea Russell was going to do that,” Moffat told Oxford Union. “He told me the night before, he sent me an email and I read it. I was just coming home from a restaurant and I thought: ‘Is that real? I’ll see if that email is still there in the morning.’

“Then I phoned him up and said, ‘Have you read [behind-the-scenes Doctor Who book] The Writer’s Tale? Have you read it? Because I think you should’,” continued Moffat. “He said, ‘I want to do it again, I’m excited, I’m thrilled.’”…

View the complete Q&A session on YouTube.

Writer of Doctor Who and Sherlock, Steven Moffat has won an Emmy award, five BAFTA Awards and four Hugo Awards. He had been a fan of Doctor Who since childhood, and is responsible for some of the most famous episodes including ‘Blink’ and ‘Silence in the Library.’ In 2015, he was appointed an Order of the British Empire for his services to drama

(8) SIGNED BY EGO. Rob Hansen has posted a real rarity at his THEN British fanhistory website – the text of a 1940s chain letter with Arthur C. Clarke as one of the participants: “FAN-MAIL (1941)”.

Here’s something I never thought I’d ever see – one of Clarke’s WW2 chain-letters. Yet, amazingly, this one has survived after 80 years. And finally seeing one has, I think, enabled me to figure out the how these chains worked, an explanation of which appears after the scans. I described them in THEN as essentially operating like APAs, but the logistics involved were a bit more complicated than that.

(9) MEDIA BIRTHDAY.

1987 [Item by Cat Eldridge.] Thirty four years ago, A Muppet Family Christmas first aired on ABC. It was produced not by Jim Henson (though he did executive produce it) , a rare thing indeed, but rather by Peter Harris and Eric Till from a script by Jerry Juhl who had earlier scripted the most excellent Emmet Otter’s Jug-Band Christmas. For a Muppet film, it had an unusually large cast, to wit Gerry Parkes, Jim Henson, Frank Oz, Jerry Nelson, Richard Hunt, Dave Goelz, Steve Whitmire, Caroll Spinney, Kathryn Mullen, Karen Prell and David Rudman. 

This is one of the rare Muppet productions to feature the Muppets that were associated with all four of the major Muppet franchises: Fraggle RockMuppet Babies (who are seen here as actual puppets instead of their usual animated selves), The Muppet Show and Sesame Street

If you’ve saw it on TV and then watched it later on the North American DVD and VHS release, you might’ve notice that a lot of the original film was missing. That was because the Henson company only secured broadcast rights, not subsequent rights to songs like “Have Yourself a Merry Little Christmas” and “I Heard the Bells on Christmas Day” weren’t available. 

Critics generally like it. Myles McNutt of the A.V. Club said of it that was “a love letter to the Muppets as a wide-ranging, meaningful part of viewers’ childhoods.” Audience reviewers at Rotten Tomatoes give it a most cheery eighty-eight percent rating. 

(10) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born December 16, 1917 Arthur C. Clarke. When I was resident in Sri Lanka courtesy of Uncle Sam in the early Eighties, nearly every American ex-pat I ran into was reading The Fountains of Paradise. The tea plantations he described therein are very awesome.  I never saw him but he was well known among the small British community there and I passed by his residence one day. I’ll admit that I’ve not read that much by him — Childhood’s EndRendezvous with Rama and that novel are the only long form works by him I’ve read.  I’ve read a lot of short fiction including of course Tales from The White Hart. I’m certain I’ve read The Nine Billion Names of God collection as well. And I’ve seen 2001 myriad times but I’ve never seen the sequel. (Died 2008.)
  • Born December 16, 1927 Randall Garrett. Randall Garrett. Ahhh, Lord Darcy. When writing this up, I was gobsmacked to discover that he’d written only one such novel, Too Many Magicians, as I clearly remembered reading more than that number. Huh. That and two collections, Murder and Magic and Lord Darcy Investigates, is all there is of this brilliant series. (The later Lord Darcy collection has two previously uncollected stories.) Glen Cook’s Garrett P.I. is named in honor of Garrett.  I’ll admit I’ve not read anything else by him, so what else have y’all read? (Died 1987.)
  • Born December 16, 1928 Philip K. Dick. Dick has always been a difficult one for me to get a feel for. Mind you Blade Runner is my major touchstone for him but I’ve read the source material as well, Do Androids Dream of Electric Sheep?, and Flow My Tears, the Policeman Said which won the John W. Campbell Memorial Award, and I’ve read a lot of the shorter works, so I’d say that saying he’s a challenging writer is a Good Thing. I was surprised his only Hugo win was for at The Man in The High Castle at DisCon though Blade Runner would pick up one at ConStellation. (Died 1982.)
  • Born December 16, 1937 Peter Dickinson. Author who was married from 1991 to his death to Robin McKinley.  He had a number of truly great works, both genre and not genre, including EvaThe Tears of the Salamander and The Flight of DragonsThe Ropemaker garnered a well-deserved Mythopoeic Fantasy Award for Children’s Literature. His James Pibble upper-class British mystery series are quite excellent as well. (Died 2015.)
  • Born December 16, 1957 Mel Odom, 64. An author deep into mining franchise universes with work done into the BuffyverseOutlandersTime PoliceRogue Angel (which I’ve listen to a lot as GraphicAudio as produced them as most excellent audioworks) and weirder stuff such as the Left Behind Universe and Tom Clancy’s Net Force Explorers, both I think game tie-ins. 
  • Born December 16, 1961 Jon Tenney, 60. He’s best known as Special Agent Fritz Howard on The Closer and continued in its spinoff Major Crimes, but he does have genre creds. He played Jimmy Wells in The Phantom, Martin Jordon in Green Lantern, and Lt. Ching in two episodes in Lois & Clark: The New Adventures of Superman. He also showed up on Tales from the Crypt, Outer Limits and neXt
  • Born December 16, 1967 Miranda Otto, 54. She was Éowyn in the second and third installments of Peter Jackson’s The Lord of the Rings film franchise. (I stopped watching after The Fellowship of The Rings.) She‘s Zelda Spellman in Chilling Adventures of Sabrina, and Mary Ann Davis in Spielberg’s version of The War of The Worlds. She also played Wueen Lenore inI, Frankenstein which had an amazing cast even if the tomatometer at Rotten Tomatoes gives it a five percent rating meaning the critics really didn’t like it.

(11) GUESS WHAT? This March, make way for the new Sorcerer Supreme!

With Doctor Strange dead, another sorcerer has taken the title, or should we say Sorceress? Clea, mistress of the Dark Dimension and Stephen Strange’s powerful partner, will rise to the challenge of defending earth from mystical and otherworldly danger in writer Jed MacKay’s STRANGE #1! Featuring artwork by AMAZING SPIDER-MAN artist Marcelo Ferreira, this all-new ongoing series will spin directly out of the story still unfolding in MacKay’s DEATH OF DOCTOR STRANGE. 

.. Here’s what MacKay had to say about continuing this unprecedented Doctor Strange saga:

“After the apocalyptic events of The Death of Doctor Strange, there’s a new Sorcerer Supreme in residence at 177A Bleecker Street, and a new Doctor Strange- Clea Strange. And she’s got her work cut out for her- when she’s not fighting off the magical gangsters of the Blasphemy Syndicate, or battling undead super-monsters, she’s going after what’s hers: the late Stephen Strange. Clea is of the Faltine, that race of Warlords and conquerors, and like her relatives Dormammu and Umar, she will not be thwarted in her desires, not even by the mysterious Harvestman standing in her way.”

(12) NOW PLAYING. You can listen to Connie Willis and Nalo Hopkinson’s LOA Live appearance to promote American Christmas Stories on Soundcloud or watch the program on the Library of America website.

(13) FLICK PICKS. Wired presents its list of “The Best Sci-Fi Movies of 2021”. They start with Dune, but let’s skip ahead to one you haven’t read a million words about:

… Perhaps, at this stage, you’d prefer your women on the more visible side of things. If so, consider the French film Oxygen (Netflix), whose main—nearly only—character is a scientist played by the marvelous Mélanie Laurent. She wakes up in an AI-controlled cryogenic pod and must figure out how to escape it before the titular oxygen runs out. Who put her there? Where even is there? Soon enough, she begins to remember a man. A husband. The love of her life. Who died in a horrible pandemic back on Earth. Yes, that’s it: She’s part of a mission to save the human race, predicted to die out completely in two generations….

(14) A BIG DEAL. Radio Times fills us in on the new owner’s ambitions for Bad Wolf: “Doctor Who’s Bad Wolf could be biggest drama producer in UK, says Sony”.

Sony Pictures has invested £50 million into Welsh drama producer Bad Wolf, in the hopes of helping the maker of Doctor Who and His Dark Materials reach its “zenith”.

Wayne Garvie, Sony’s president of international production, recently revealed his hopes that Bad Wolf could become “the biggest drama producer in Britain and in Europe” (via BBC News).

He said: “We have invested in a company that has not reached its zenith. We have [another] company called Left Bank Pictures who make The Crown, which you may have watched, and which is Britain’s biggest drama company. And we built that together with the founders of the company over about eight years or so.

“And we want to do the same with Bad Wolf. There is no reason why Bad Wolf should not be or could not be the biggest drama producer in Britain and in Europe. And that is our ambition.”

(15) KEEPING TRACK OF CENSORSHIP. “School Library Journal Starts a Library Censorship Tips Hotline” reports Book Riot.

…In response to this wave of censorship attempts, the School Library Journal has opened a library censorship tips hotline, which allows library professionals to report censorship attempts anonymously. Hopefully, this will give a more complete picture than the ALA numbers and shed light on censorship happening that is not getting covered on the news. The censorship tips hotline form asks for name and email (both optional); the library/school district, and state; and a comments field: “Tell us who is behind the objection—parents, school board members, or other parties—and how the district/library responded. Was challenge policy followed? Let us know anything else relevant.”…

(16) VIDEO OF THE DAY. The How It Should Have Ended gang have an opinion about Spider-Man.

[Thanks to Cat Eldridge, Mike Kennedy, Martin Morse Wooster, N., Steve Miller, Rob Thornton, JJ, John King Tarpinian, Andrew Porter, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Rob Thornton, part of “The Hugo Pixel Scroll Winners” series.]

Pixel Scroll 1/1/21 I’ve Scrolled Pixels You People Wouldn’t Believe

(1) NEW BANNER. Thanks to Taral Wayne for creating the new header art! It’s based on the famous Prague astronomical clock face.

(2) ALL ABOARD. Deadline introduces another companion: “’Doctor Who’: John Bishop Joins The TARDIS In Season 13”.

Actor and comedian John Bishop will be joining the Thirteenteenth Doctor and Yaz on the TARDIS on the upcoming 13th season of BBC America’s Doctor Who. Season 13 began filming in November and is expected to premiere later in 2021.

Bishop will play Dan in the new season. As he becomes embroiled in the Doctor’s adventures, Dan will quickly learn there’s more to the Universe(s) than he could ever believe. Traveling through space and time alongside the Doctor and Yaz, he’ll face evil alien races beyond his wildest nightmares.

(3) NOW IN PUBLIC DOMAIN. NPR invites everyone to “Party Like It’s 1925 On Public Domain Day (Gatsby And Dalloway Are In)”.

… 1925 was the year of heralded novels by F. Scott Fitzgerald and Virginia Woolf, seminal works by Sinclair Lewis, Franz Kafka, Gertrude Stein, Agatha Christie, Theodore Dreiser, Edith Wharton, Aldous Huxley … and a banner year for musicians, too. Bessie Smith, Ma Rainey, the Gershwins, Duke Ellington and Fats Waller, among hundreds of others, made important recordings. And 1925 marked the release of canonical movies from silent film comedians Buster Keaton and Harold Lloyd.

As of today, every single one of those works has entered the public domain. “That means that copyright has expired,” explains Jennifer Jenkins, a law professor at Duke University who directs its Center for the Study of the Public Domain. “And all of the works are free for anyone to use, reuse, build upon for anyone — without paying a fee.”

On January 1 every year, a new batch of published works is liberated from the constraints of copyright. (For a long time, copyright expired after 75 years, but in 1998, Congress extended the date of copyright expiration for works published between 1923 and 1977 to 95 years.)… 

NPR’s named some of the works entering public domain – the first four on their list are:

  • The Great Gatsby by F. Scott Fitzgerald
  • Mrs. Dalloway by Virginia Woolf
  • In Our Time by Ernest Hemingway
  • The Trial (in German) by Franz Kafka

(4) NEW YEAR’S CHOWDOWN. Scott Edelman says “It’s time for cookies and conversation with writer/editor/publisher Ian Randal Strock” in Episode 135 of his Eating the Fantastic podcast.

Ian — who may be the person with whom I’ve appeared on more panels than any other — is currently the owner, publisher, and editor-in-chief of Gray Rabbit Publications and its speculative fiction imprint, Fantastic Books. He began his genre career by working at both Analog and Asimov’s magazines for six years, starting out as an editorial assistant, and rising to be Associate Editor.

He left to launch his own magazine of science fiction and science fact Artemis, which he edited and published for four years. He’s twice won the Analog Readers Poll — both for his short fiction and a science fact article. He’s also quite a history buff, having published The Presidential Book of ListsRanking the Vice Presidents, and other political titles.

We discussed what he said upon meeting Isaac Asimov which caused the Grand Master to refuse to write him a limerick, why he prefers The Princess Bride novel to the movie, the reason his father advised him not to name his publishing company after himself, why the 1,000-word short story is his natural length, the question editor Stan Schmidt asked before purchasing his first story for Analog, the essay which so thrilled him he felt compelled to start his own magazine, the most difficult aspect of running your own publishing company, why ending a story too late isn’t as great a sin as starting one too early, how his fascination with presidential trivia began in the bathroom, and much more.

(5) ANIME OF THE YEAR. Anime News Network is running a series of posts under the heading The Best Anime of 2020. The first four are:

(6) PARENTHOOD. Cora Buhlert answered your call for a counterpart to the Darth Vader Parenthood Award for good fictional parents: Jonathan and Martha Kent Fictional Parent of the Year Award

… As I said in my previous post, there was quite a bit of competition for the Fictional Parent of the Year Award in 2020, more than for the Darth Vader Parenthood Award in fact, which suggests that popular culture is moving towards portraying more loving parents, which is a very good thing.

So let’s take a look at the potential candidates…

(7) SFF’S TOP SHORT STORIES WEIGHED AND MEASURED. Mark Kelly, creator of the Science Fiction Awards Database, has devised a way to use his data to rank the all-time “Top SF/F/H Short Stories”. Will your mileage vary? The ranked stories are at the first link. Kelly’s explanation of how the numbers are crunched is here: Short Fiction Scoring Methodology.

(8) MEMORIAL. The grave of Charles R. Saunders was without a headstone until friends intervened. “Literary lion buried in unmarked grave sparks call for change in Nova Scotia”CBC News has the story.

… In Los Angeles, Taaq Kirksey was lost in a fog of grief, compounded by the nightmare reality that his dear friend lay in an unmarked grave thousands of kilometres away.

“The first few minutes, I literally had to remind myself of my own name and my age. ‘I’m Taaq Kirksey. I’ve got two kids and a wife and this is where I work and what I do.’ Because Imaro had been all I had known and all I had thought about really since 2002.”

He worked with a group of Saunders’s friends and collaborators in the U.S. and Canada, including several journalists at CBC, to right the wrong.  

The group set up a fundraiser and within 24 hours, hundreds of people had donated thousands of dollars. The group ordered a tombstone for Saunders. They also created a stone monument to Imaro that will feature original artwork from Mshindo, a celebrated American artist of Afro-futurism who created iconic covers for the Imaro books. It will stand facing his grave. 

“He had such community there to pick up the slack and say, ‘No, this has to get rectified,'” Kirksey says. “Charles’s life was so rich. He had a literary life that might have been global, but he was also a luminary in Nova Scotia, certainly a Black cultural luminary in Nova Scotia, and that was just as much a part as his literary pedigree.”

(9) STROUT OBIT. Urban fantasy author Anton Strout died suddenly and unexpectedly on December 30. Kij Johnson said on Facebook, “He was one of the most charismatic and funniest people I have ever known, and he will be missed by us all.” There’s a tribute at Tor.com.

… Strout was born in 1970, grew up Dalton, Massachusetts, and worked at Penguin Random House. His debut novel arrived in 2008 from Ace Books, an urban fantasy novel titled Dead to Me, which went on to spawn three sequels in the Simon Canderous series. The Once and Future Podcast launched in 2014, a passion project where readers and writers could enjoy book-centered content and discussion. The podcast has run for over 200 episodes….

He is survived by his wife, Orly Strout, and his seven-year old twins, Benjamin and Julia, and a GoFundMe has been started for his family.

(10) HOSSEIN OBIT. [Item by Cora Buhlert.] French actor, director and writer Robert Hossein died aged 93 of complications from COVID-19. Hossein’s lengthy career is at the very least genre-adjacent, because he worked at the famous Theatre de Grand Guignol and is probably best remembered for playing Jeoffrey de Peyrac in the Angelique movies of the 1960s. The Angelique novels by Anne Golon and their film adaptations were huge successes in 1960s Europe. I devoured the novels and movies as a teen. The novels and movies are historical adventure, but they are at the very least genre-adjacent, because the plots are so wild. Jeoffrey de Peyrac, the character played by Hossein, is a French count and alchemist who is executed for heresy and later becomes a pirate who rescues slaves from the Mediterranean slave trade. The protagonist of the movies and novels is his young wife Angelique. Like I said, it’s wild stuff.

(11) EDEN OBIT. BBC reports “Coronation Street actor Mark Eden dies aged 92”. Though best known for his work on the British soap opera, he had many genre credits.

He made his TV debut in Quatermass And The Pit (1958), and had roles in episodes of One Step Beyond, Dimensions Of Fear, Doctor Who (as “Marco Polo”), Out Of The Unknown, The Prisoner (as Number One Hundred, 1967), The Rivals Of Sherlock Holmes, the 1973 mini-series Jack The Ripper and Mark Gattiss’ Doctor Who tribute, An Adventure In Space And Time (2013). Eden co-starred with Boris Karloff, Christopher Lee, Barbara Steele and Michael Gough in Curse Of The Crimson Altar (1968).

(12) MEDIA BIRTHDAY.

  • January 1, 2007 The Sarah Jane Adventures premiered on BBC. (It was originally going to be called Sarah Jane Investigates.) A spin-off of Doctor Who, focusing on Sarah Jane Smith as played by Elizabeth Sladen who was the Companion to the Fourth Doctor. She’s frequently voted the most popular Who companion by both Who fans and members of the general public. It would run for five series and fifty-three episodes before ending when Sladen passed on. A spin-off of the spin-off, Sarah Jane’s Alien Files, aired right after that series. 

(13) MEDIA ANNIVERSARY.

  • 1981 — Forty years ago, Robert Holdstock’s “Mythago Wood”, not the first volume of the Ryhope Wood series, but the novella of the same name that appeared in the September 1981 edition of The Magazine of Fantasy & Science Fiction wins the BSFA Award for Best Short Fiction, and three years later Mythago Wood will get the the BSFA Award for Best Novel.  It would also win the World Fantasy Award for Best Novel the next year.

(14) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge and John Hertz.]

  • Born January 1, 1888 – Chesley Bonestell.  Designed the Chrysler and U.S. Supreme Court buildings.  Applying what he knew to astronomy he got paintings of Saturn into Life Magazine – here is his Saturn as Seen from Titan – which led to The Conquest of Space with Willy Ley, The Art of Chesley Bonestell, six dozen covers for Astounding AnalogGalaxyBoys’ LifeThe Magazine of Fantasy and Science Fiction, five dozen interiors, a Hugo for Special Achievement, the SF Hall of Fame, and eponymity of the ASFA (Ass’n of Science Fiction & Fantasy Artists) Chesley Awards.  (Died 1986) [JH]
  • Born January 1, 1918 – Ella Parker.  The Parker Pond Fund brought her to Seacon the 19th Worldcon; she chaired Loncon II the 23rd.  Her Orion won Best Fanzine in the Skyrack Readers Poll (which, incidentally, is Skyr-Ack the Shire Oak, ha ha Ron Bennett; read it here); she won again with The Atom Anthology and a third time as Fan Personality of the Year.  (Died 1993) [JH] 
  • Born January 1, 1926 Zena Marshall. She’s Miss Taro in Dr. No, the very first Bond film. The Terrornauts in which she’s Sandy Lund would be her last film. (The Terrornauts is based off Murray Leinster‘s The Wailing Asteroid screenplay apparently by John Brunner.) She had one-offs in Danger ManThe Invisible Man and Ghost Squad. She played Giselle in Helter Skelter, a 1949 film where the Third Doctor, Jon Pertwee, played Charles the Second. (Died 2009.) (CE) 
  • Born January 1, 1935 – Kadono Eiko, age 86.  (Personal name last, Japanese style.)  Famous for Kiki’s Delivery Service (Kiki is a witch in training).  Six sequels.  Three other books.  Hans Christian Andersen Award; judges called her female characters “singularly self-determining and enterprising”.  [JH]
  • Born January 1, 1935 – Bernard Kliban.  “Extremely bizarre cartoons that find their humor in their utter strangeness and unlikeliness”, which shows that truth can be found even in Wikipedia.   Michelle Urry, cartoon editor for PlayboyGood Housekeeping, and Modern Maturity – it’s stranger than fiction, too – got BK to a publisher for Cat, which led to Never Eat Anything Bigger Than Your HeadTwo Guys Fooling Around with the MoonThe Biggest Tongue in Tunisia, and like that.  (Died 1990) [JH]
  • Born January 1, 1954 Midori Snyder, 67. I was most impressed with The Flight of Michael McBride, the Old West meets Irish myth novel of hers and hannah’s garden, a creepy tale of the fey and folk music. She won the Mythopoeic Award for The Innamorati which I’ve not read.  With Yolen, Snyder co-authored the novel Except the Queen which I do recommend. (Yolen is one of my dark chocolate recipients.) She’s seems to have been inactive for a decade now. I will say that she has a most brilliant website: https://www.midorisnyder.com/ (CE)
  • Born January 1, 1957 Christopher Moore, 64. One early novel by him, Coyote Blue, is my favorite, but anything by him is always a weirdly entertaining read. I’ve not heard anything about Shakespeare for Squirrels: A Novel, his newest work. Has anyone read it? (CE)
  • Born January 1, 1962 – Geoffrey McSkimming, age 59.  Of course he’s interested in archeology.  A score of Cairo Jim books, some including Jocelyn Osgood; half a dozen of Phyllis Wong, recently PW and the Crumpled Stranger.  Married to the magician Sue-Anne Webster.  Also poetry.  [JH]
  • Born January 1, 1971 Navin Chowdhry, 50. He’s Indra Ganesh in a Ninth Doctor story, “Aliens of London“.   I also found him playing Mr. Watson in Skellig, a film that sounds really interesting.  He was also Prince Munodi in the BBC Gulliver’s Travels series, and oh, and I almost forgot to mention that he was Nodin Chavdri in Star Wars: The Last Jedi. (CE)
  • Born January 1, 1972 Jennifer Hale, 49. She’s a voice actor primarily showing up on such series as Green Lantern: The Animated SeriesStar Trek: Lower Decks and all over the Star Wars universe. She played Killer Frost in Batman: Assault on Arkham, the animated Suicide Squad film that was infinitely better than the live ones were. (CE) 
  • Born January 1, 1976 Sean Wallace, 45. Anthologist, editor, and publisher known for his work on Prime Books and for co-editing three magazines, Clarkesworld Magazine which I love, The Dark which I’ve never encountered, and Fantasy Magazine which is another fav read  of mine. He has won a very, very impressive three Hugo Awards and two World Fantasy Awards. His People of the Book: A Decade of Jewish Science Fiction and Fantasy co-edited with Rachel Swirsky is highly recommended by me. He’s finally beginning to be well represented at the usual digital suspects as an editor.   (CE) 
  • Born January 1, 1984 – Briony Stewart, age 37.  Auraelis Award for Kumiko and the Dragon, inspired by the author’s grandmother – remember dragons are the good guys in Japan.  Queensland Literary Award for Kumiko and the Shadow Catchers.  One more Kumiko book, two others, illustrated three.  Website.  [JH]

(15) COMICS SECTION.

(16) VIRTUAL BOSKONE. It’s not that far away — Boskone 58. a 3-day virtual convention, will be held February 12-14, 2021. Get full details here.

(17) SFF IN TRANSLATION. Rachel Cordasco announced a new theme – “Romanian SFT Month” – at her Speculative Fiction in Translation website.

Anglophone readers might think that Romanian speculative fiction in English is rare, but they’re wrong. In fact, if you start looking for it, you’ll find it everywhere….

(18) ON AN EMISSION MISSION. [Item by Martin Morse Wooster.] Dalvin Brown has a piece in the Washington Post about how researchers at Oxford have discovered a process whereby planes could take carbon dioxide from the air, mix it with catalysts and hydrogen, and turn the result into jet fuel, making flying carbon neutral.  I don’t know if this is relevant but it seems like gosh-wow science to me. “Oxford researchers hope to convert carbon dioxide into jet fuel”.

… “We need to reuse the carbon dioxide rather than simply burying or trying to replace it in the aviation industry,” said Peter Edwards, a professor of inorganic chemistry at Oxford and a lead researcher on the project. “This is about a new and exciting, climate-conscious, circular aviation economy.”

Typically, jet fuel is derived from crude oil. It is a hydrocarbon, or nonrenewable organic compound consisting solely of hydrogen and carbon atoms. Jet fuel is similar to gasoline in that both come from fossil fuels. However, they go through different refining processes, which results in jet fuel being heavier, with a lower freezing point and more carbon atoms.

When the fuel is burned during travel, the hydrocarbons are released into the atmosphere as carbon dioxide. Oxford researchers investigated to reverse-engineer that process, turning the gas back into a usable liquid via “organic combustion.”…

(19) ARECIBO NEWS. SYFY Wire tells of efforts to jumpstart a rebuild: “Arecibo Observatory telescope gets $8 million to launch rebuild in Puerto Rico”.

… Owned by the U.S. National Science Foundation (NSF), the Arecibo Observatory went into service in 1963, and for nearly 60 years collected radio data used to make a variety of observations that included the world’s first evidence of the existence of exoplanets. The telescope also became integral to NASA’s search for near-Earth objects.

In her order, [Puerto Rica Governor] Vázquez Garced said that the $8 million would be used to fund debris disposal for the remnants of the collapsed telescope, as well as the design of a new radio telescope to replace it. That leaves funding to construct an actual replacement — a far more costly proposition than $8 million — a matter of future budgeting priorities from the NSF, which receives its research allocations from Congress.

(20) PAGING THE ILLUSION OF INTELLIGENCE. Politico knows “Washington’s Secret to the Perfect Zoom Bookshelf? Buy It Wholesale.”

….Books by the Foot, a service run by the Maryland-based bookseller Wonder Book, has become a go-to curator of Washington bookshelves, offering precisely what its name sounds like it does. As retro as a shelf of books might seem in an era of flat-panel screens, Books by the Foot has thrived through Democratic and Republican administrations, including that of the book-averse Donald Trump. And this year, the company has seen a twist: When the coronavirus pandemic arrived, Books by the Foot had to adapt to a downturn in office- and hotel-decor business—and an uptick in home-office Zoom backdrops for the talking-head class.

The Wonder Book staff doesn’t pry too much into which objective a particular client is after. If an order were to come in for, say, 12 feet of books about politics, specifically with a progressive or liberal tilt—as one did in August—Wonder Book’s manager, Jessica Bowman, would simply send one of her more politics-savvy staffers to the enormous box labeled “Politically Incorrect” (the name of Books by the Foot’s politics package) to select about 120 books by authors like Hillary Clinton, Bill Maher, Al Franken and Bob Woodward. The books would then be “staged,” or arranged with the same care a florist might extend to a bouquet of flowers, on a library cart; double-checked by a second staffer; and then shipped off to the residence or commercial space where they would eventually be shelved and displayed (or shelved and taken down to read).

[Thanks to John King Tarpinian, John Hertz, Michael Toman, Cat Eldridge, JJ, Mike Kennedy, Cora Buhlert, Martin Morse Wooster, Lise Andreasen, and Andrew Porter for some of these stories. Title credit goes to File 770 contributing editor of New Year’s Day Jack Lint.]

Pixel Scroll 2/3/18 As God Is My Witness, I Thought Pixels Could Scroll!

(1) QUEEN OF PULP. Twitter’s Pulp Librarian today did a retrospective of illustrator Margaret Brundage, “the Queen of Pulp,” with lots of her Weird Tales covers from the 1930s. Jump on the thread here —

(2) ELLEN KLAGES DONATES CLARION WEST INSTRUCTORSHIP. Clarion West announced Karen Lord is the recipient of “The Sally Klages Memorial Instructorship 2018”.

The Sally Klages Memorial Instructorship will be awarded in 2018 in memory of Sally Klages, with love from her sister Ellen Klages….

Ellen Klages’ tribute begins —

Sally was a writer. I never heard her say that she wanted to be one; she simply proclaimed, proudly, that she was. She wrote every day in tiny, cramped cursive: working on her autobiography, lectures to her Invisible Friends, instructions about how life ought to be led.

Like many of us, she owned dozens of notebooks and countless pens, and was never without them. She once packed a gallon-sized Ziploc bag of pens and markers into her carry-on bag for a two-hour flight, “in case one runs out.” Writing was her joy, her recreation, her solace.

Sally was born with Down Syndrome. As far as she was concerned, that wasn’t a handicap — it was what made her special. And she was. She was Valedictorian of her class at Northeast Training Center, and an employee at Columbus State University for 17 years. She was one of the founding members of the Down Syndrome Association of Central Ohio (DSACO), she was on the board of the National Down Syndrome Conference, and was a featured speaker there in 1989. An active participant in the Special Olympics, she won more than three dozen medals in swimming, diving, track and field, bowling, and cross-country skiing….

[Via Locus Online.]

(3) PICACIO AT THE MIKE. In “Your 2018 Hugo Awards MC Is….” John Picacio tells why he is proud to be Worldcon 76’s choice.

Today, the 76th World Science Fiction Convention has announced me as the Master of Ceremonies for this year’s Hugo Awards in San Jose, CA, while also announcing that the Hugo Awards’ Nominations Period is now open! Having won two Hugos for Best Professional Artist, I know how much the Hugos mean to the sf/f field, and it’s a huge honor to serve this stage in front of my colleagues and heroes. Worldcon 76 asked me to be the 2018 Hugo MC last August so it’s been fun keeping that under wraps the last five months, even after being announced as this year’s Artist Guest of Honor.

There’s some history that comes along with this role.

  • I’m the first visual artist to ever be a Hugo Awards MC. I think this could perhaps be a harbinger of Hugo Ceremonies to come. Many of our best visual creators — such as Brom, Todd Lockwood, Ruth Sanderson, Gregory Manchess, and more — are becoming author / artist / storytellers, conjuring the words and pictures of their own bestselling books and media. Our next generation of illustrators are aspiring to tell their own stories, just as much as becoming hired guns. I suspect there will be more artists following through the Hugo MC door behind me, and they’ll likely come from this expanding universe of hybrid, contemporary artists.
  • I’m only the third Worldcon Guest of Honor to also serve as Hugo Awards MC at the same Worldcon. I believe Connie Willis and David Gerrold are the only others to do this in the con’s 76-year history. We must all be insane. ?.
  • I’m especially proud to be the first Mexicanx to ever serve as a Hugo Awards MC. I love being first, but the most important thing is that I’m not the last. With the daily assaults upon our DREAMers, villainizing of our culture by racists, and terroristic threats against our citizens, we’re living in an important moment for Mexicanx north and south of the border. I’m looking forward to sharing my spotlight with all of them.

(4) WITHOUT A SHADOW OF A DOUBT. 2016 Clarke Award judge David Gullen discusses what the experience taught him about his own fiction writing: “Things I Learned Judging the Arthur C. Clarke Award” at Medium.

At some point during reading those 113 books it occurred to me what a difficult thing writers are trying to do and just how many different things each author is trying to get right. It’s not just character and plot and pace and tension, world-building, good dialogue, effective exposition, setting story questions and keeping story promises, it’s also trying to get that motivating vision in your head down onto the page. Even a pretty ordinary book takes a lot of effort. If you assume each of those books took 6 months to write?—?and many would have taken more?—?that is 57 years of effort, not far from the entire productive life of a single person.

(5) THE WRITER’S EMOTIONAL ROLLER COASTER. A tweet from Annie Bellet.

(6) READERCON PRUNES PROGRAM INVITE LIST. Several older, white male writers who have participated on Readercon’s program in previous years have posted to Facebook over the past month that they have been notified they won’t be on this year’s program, or simply haven’t received the expected invitation. There’s no reason they have to be happy about it, and understandable if it triggers a bit of insecurity and resentment. However, the whiff of controversy around this development is not completely unlike Jon Del Arroz’ certainty that politics were the real reason he was rotated off BayCon programming.

Allen Steele wrote on Facebook yesterday:

The other convention I’ve usually gone to in the past, but will no longer attend, is Readercon. I’ve been an invited guest since Readercon 2 (had to skip the first one because of a schedule conflict), and have attended most of the 36 previous conventions … and then last year, without any sort of notice or explanation, I wasn’t invited. I was recovering from last year’s pancreas operation, so I probably wouldn’t have been able to show up anyway, but I wondered why nonetheless.

This year, I have an explanation … just not a good one. It appears, in an effort to be fair to young new writers, Readercon has been sending out form email letters to older authors such as myself (everyone known to have received the letter is male and above age 50), telling them that they’ve been dropped from the program participant list and therefore will not be invited guests.

Oh, we’re still welcome to attend, if we pay the registration fee. In fact, because of our exalted former status, we’re entitled to a 25% discount … if we go to a private registration site and enter the password (get this) PASTPRO.

So not only have we been told that we’re not welcome to come as professionals, we’re also being told that we’re no longer professionals, period.

I haven’t received the letter … but neither have I been invited. As I said, I wasn’t invited last year either, nor was I ever offered a reason why. To their program chair, I sent a polite letter calmly explaining why the letter is demeaning, insulting, and for the convention disastrously short-sighted; the response I got was a “so sorry you feel that way” blow-off. This pretty much confirms that I’ve been cast into the outer darkness for being … well, let’s not go there. And even if I’m not on the “past pro” list, I won’t come to a convention that would treat my friends and colleagues this way.

I mention this because I usually see at Readercon quite a few people who follow this page. Sometimes they bring copies of my books so I can sign them, and they need to know in advance not to use valuable suitcase-space. Sorry, guys … this year, it’s Boskone and the Hong Kong SF Forum only. At least those conventions still have respect for senior authors.

A month ago Ian Randall Strock said he got the letter and named two others who’d received it:

It seems Readercon has begun their apparently new tradition of uninviting past guests. Last year, it was Darrell Schweitzer. Today, I got the letter, as did Warren Lapine.

Anyone else get the email (under the subject line “Thank you for your service to Readercon”) starting out “There’s no easy way to say this, so I’ll be straightforward: you won’t be receiving an invitation to participate in programming for Readercon 29.”?

Another thought occurs: are they only doing this to folks who are also dealers, thinking we’ll be there anyway? I’ll have to run the numbers to see if it’s worth attending.

Readercon 29 takes place July 12-15 in Quincy, MA.

(7) TODAY IN HISTORY

  • February 3, 1993 Star Trek: Deep Space Nine premiered in television syndication.

(8) TODAY’S BIRTHDAY SUBCREATOR

  • Born February January 3, 1892 – J.R.R. Tolkien [never mind….]

(9) COMICS SECTION.

  • Mike Kennedy sends Pearls Before Swine with an observation that sounds just like the kind of dismal thing Kurt Vonnegut would come up with. So you’ll love it, right? (?)
  • John King Tarpinian discovered a horrific satirical cereal box in Off the Mark. (Was that a description or a pleonasm?)
  • JJ admires Grant Snider’s The Specter of Failure at Incidental Comics.
  • Via RedWombat –

(10) ARE YOU SURPRISED? Mental Floss tempts readers with “16 Surprising Facts About Ray Bradbury’s Fahrenheit 451”. Some are no more surprising than this —

  1. BRADBURY DID NOT WRITE FAHRENHEIT 451 IN NINE DAYS.

A popular apocryphal story is that Bradbury hammered out Fahrenheit 451 in just over a week. That story is wrong: It was the 25,000-word “The Fireman” that he wrote in that time period. The author would later refer to the short story as “the first version” of the eventual novel. But over the years, he would often speak about “The Fireman” and Fahrenheit 451 interchangeably, which has caused some confusion.

  1. HE WROTE HIS FIRST VERSION ON A RENTED TYPEWRITER IN A LIBRARY BASEMENT.

Bradbury and wife Marguerite McClure had two children in 1950 and 1951, and he was in need of a quiet place to write but had no money for renting an office. In a 2005 interview, Bradbury said:

“I was wandering around the UCLA library and discovered there was a typing room where you could rent a typewriter for 10 cents a half-hour. So I went and got a bag of dimes. The novel began that day, and nine days later it was finished. But my God, what a place to write that book! I ran up and down stairs and grabbed books off the shelf to find any kind of quote and ran back down and put it in the novel. The book wrote itself in nine days, because the library told me to do it.”

  1. HE SPENT $9.80 ON TYPEWRITER RENTAL.

Bradbury’s nine days in the library cost him, by his own estimate, just under $10. That means he spent about 49 hours writing “The Fireman.”

(11) NOT YOUR TYPICAL FLORIDA MAN STORY. From Futurism, “Florida Man Becomes First Person to Live With Advanced Mind-Controlled Robotic Arm”.

Prosthetics have advanced drastically in recent years. The technology’s potential has even inspired many, like Elon Musk, to ask whether we may be living as “cyborgs” in the not-too-far future. For Johnny Matheny of Port Richey, Florida, that future is now. Matheny, who lost his arm to cancer in 2005, has recently become the first person to live with an advanced mind-controlled robotic arm. He received the arm in December and will be spending the next year testing it out.

The arm was developed by Johns Hopkins Applied Physics Lab as part of their program Revolutionizing Prosthetics. The aim of the program, which is funded by the Defense Advanced Research Projects Agency (DARPA), is to create prosthetics that are controlled by neural activity in the brain to restore motor function to where it feels entirely natural. The program is specifically working on prosthetics for upper-arm amputee patients. While this particular arm has been demoed before, Matheny will be the first person to actually live with the prosthesis. The program does hope to have more patients take the tech for a longterm test run, though.

(12) FROM SOMEWHERE BESIDES LAKE WOEBEGONE. Since the firing of Garrison Keillor A Prairie Home Companion has a new host and a new name – Cat Eldridge reviews “Live from Here, the show formerly known as APHC, hosted by Chris Thile” at Green Man Review.

… Where Kellior was the sedate, downbeat host who wanted you to be part of the Lake Woebegon community, Thile is more than a bit manic, bouncing around in delight apparently as he gets to interact with musicians and other folk who he obviously admires a lot. APHC put me to sleep, LFH is definitely designed to keep me actively listening.

Shovel & Rope, a really good Americana couple, is dok good a bluesy travel song as I listen this moment. (By now I’d usually have decided to turn Kellior off.) Some minutes later, Gabby Moreno is playing a very lively (I think) a Tex-Mex song. Need I say Thile is really excited like her being on Live from Here?

… I’m an hour in and still not even close to tuning out though the comedy riff just now was meh but I’m not a fan of most such comedy anyways. That segued into a very nice and quite tasty bit of jazzy music by Snarky Puppy which is enhanced by the production team cleverly positioning mics in the audience which is more than a bit raucous all show long which they really demonstrate when Chris musically deconstructs  ‘I’ll Be There’ in words and music….

(13) FAR SIDE OF THE KERFUFFLE. Most of the post is more abuse, so won’t be excerpted here, but Vox Day hastened to say Foz Meadows won’t be getting an apology from him: “I’ll take ‘things that will never happen’”. He adds —

Third, Dave Freer didn’t sic me on anyone about anything. I don’t recall having any communication with him in years. I just checked my email and I haven’t received even a single email from him since I set up my current machine in April 2016. Nor have I spoken to him.

(I’m not creating an Internet Archive page for this one so people can somehow feel okay about insisting on reading the insults.)

(14) COUGH IT UP. Add this contraption to the list of things science fiction never predicted: “When The Flu Hits Campus, The Gesundheit Machine Will Be Ready”.

Those sick enough will get sent around the corner to a room with a crazy-looking, Rube-Goldberg-like contraption known as the Gesundheit machine.

For half an hour, the student sits in the machine. As the student breathes, the machine collects whatever virus they’ve got from the droplets in their breath.

The researchers will then use the student’s contacts to try to figure out how infections spread from person to person: “roommates, study buddies, girlfriends and boyfriends,” Milton says. “We’re going to swab them every day for a week to see if they get infected.”

If the student’s contacts get infected, researchers will try to pin down whether they got the bug from the original subject or someone else.

“We’re going to deep sequence the genetic code of the agent to see if it was really exactly the same thing,” Milton explains. He’s aware that confirming that your roommate gave you a horrible flu could ruin some perfectly nice relationships, but it’s for science.

(15) MELTING, MELTING. BBC tells how “Space lasers to track Earth’s ice”.

Ice is the “climate canary”. The loss, and the rate of that loss, tell us something about how global warming is progressing.

In the Arctic, the most visible sign is the decline of sea-ice, which, measured at its minimum extent over the ocean in September, is reducing by about 14% per decade.

At the other pole, the marine floes look much the same as they did in the earliest satellite imagery from the 1960s, but land ice is in a negative phase.

Something on the order of 160 billion tonnes are being lost annually, with most of that mass going from the west of the White Continent.

(16) STAR WARS MEETS PETER RABBIT. Daisy Ridley is still a rebel. And a rabbit.

[Thanks to Cat Eldridge, Bill, JJ, John King Tarpinian, John Picacio, Carl Slaughter, Chip Hitchcock, Andrew Porter, Mark Hepworth, Chris Garcia, Will R., Vox Day, StephenfromOttawa, Christopher Rowe, and Martin Morse Wooster for some of these stories. Title credit goes to File 770 contributing editor of the day Jamoche.]

Andrew Porter’s BookExpo Photo Gallery

Here are more photos from last weekend’s BookExpo in New York taken by Andrew Porter.

Larry Correia, Tony Daniel:

 

Tor Display:

Ian Strock, Joe Berlant:

James Minz, Larry Correia:

Malka Older, Charlie Jane Anders:

Overviews of the displays at the Javits Convention Center:

Mark Yturralde of Mysterious Galaxy, Steve Saffel:

At the Baen Books party:

Every Puppy Has Its Day 4/16

What European writers call the Hugo Awards “hack” is getting international coverage. Today’s roundup features quotes from Polish and German articles… or as close as Google Translate can get.

There are geniuses who are mad, writers who are mad, and fans who are mad. No wonder there’s also a psychologist trying to analyze the Sad Puppies phenomenon. And if that doesn’t work, someone else has done a statistical analysis.

One writer thinks so many are alarmed by the controversy she needs to volunteer as a bodyguard —

Vonda McIntyre on Book View Cafe

“I will walk with you” – April 15

I’m distressed to see that some folks who were planning to come to Sasquan are thinking of skipping Worldcon this year.

Because they’re frightened.

I understand why people are frightened, given the racist, misogynistic, and dishonest screeds they’ve been subjected to. It isn’t — alas — unusual for verbal abuse to escalate into physical abuse; and anyway verbal abuse is no fun to begin with.

But I was thinking about what might help counterbalance the situation….

I will walk with you at Worldcon.

I’m not very fond of confrontation. I’m a courtesy 5’1? and my 67th birthday (how did that happen?!) is just after the convention and I’m walking with a hiking pole while recovering from a hiking fall, an injury that’s taking way longer to heal than when I was a pup.

On the other hand I’m a shodan in Aikido.

On the third hand, which I can have because I’m an SF writer, shodan — first degree black belt — is when you realize how much you still have to learn.

But I’m thinking that maybe it would make folks who feel threatened feel a little safer to have someone at their side, maybe even someone with a bunch o’ fancy ribbons fluttering from her name badge, even if that person is shorter, smaller, and older than they are, white-haired and not physically prepossessing. It’s another person’s presence.

 

Lou Antonelli on This Way to Texas

Two more scalps – April 16

Yesterday two people who previously didn’t mind having their names on the list and who are Hugo nominated decided withdraw the names. They are both young and probably afraid theircareers will be hurt. Quite frankly, I think it’s a futile gesture. Their flirtation with deviancy will never be forgiven by the SF establishment.

 

Jason V Brock on Facebook  – April 15

I feel sympathy for those trapped in the scenario who did nothing wrong, yet are suffering the consequences, when they should be able to enjoy themselves.

Additionally, people who take a side against someone should reconsider from the perspective of the folks that have been honored justly, and who do good work. In other words, there are people who have toiled for years building a reputation and then have the misfortune of an angry person/group trying to exact revenge, or tarnish everything (out of jealousy, I’d say, and a warped sense of reality). It’s not fair to block or unfriend people that genuinely did nothing but stand up and say “But I didn’t do anything bad.” These are the actions of cowards. People need to have cooler heads and try to understand things better.

 

Alastair Reynolds on Approaching Pavonis Mons by balloon

“On the present Hugo mess and while I still want one” – April 15

The odd thing is – or perhaps it isn’t odd at all – is that the ongoing trouble with the Puppies only makes me feel more warmly disposed to the Hugos. I certainly should have voted. It would have taken a lot more of us to outweigh the block voting effect of the slate ballot, but that’s no argument not to have tried. As I’ve mentioned earlier, I’ve been striving to read a lot more short fiction this year, and I already feel a lot better informed about the state of the field in 2015 than in recent years. And yes, while the Hugo award has been damaged – it’s hard to see a way around that, irrespective of what happens later in the summer – I would still like to win one eventually. I hope the award can weather this storm, and continue on as it should be – a prized part of SF’s collective heritage.

 

Marcin Zwierzchowski on Geek Blog (Polish)

“Nagrody fantastyczne jest problem”  – April 8

[Google Translate from Polish to English] The latter is the nail in the coffin of awards plebiscite. This year, it hit a huge force in Hugo, where most nominations seized authors connected with the movement Sad Puppies. The initiators of action rightly pointed out that in recent years, this prestigious award has become a mouthpiece through which the environment was manifest on the strength of its tolerance and diversity.  Instead, the text of the loudest discussed whether the nominees and the winners are more women or men, whether it is enough ethnic minorities, whether they are homosexual, etc., Etc.

 

Der Standard

“Was George R.R. Martin zum rechten ‘Hack’ der Hugo Awards sagt” – April 16

[Google Translate from German to English] In the past, it managed to get individual groups to influence the nomination lists on their behalf: Be it the followers of Scientology -Gründers and (often forgotten) SF-author L. Ron Hubbard. Be it the well-organized fandom of “Doctor Who”, which manages year after year in the short film category, to give the impression that there is nothing price worthier throughout the film, television and web video world as the British endless series. But such initiatives were always based on individual works – there has never been such a comprehensive campaign, moreover, an ideological background.

 

George R. R. Martin on Not A Blog

“On the Darkling Plain” – April 15

My friend Janice Gelb, long time worldcon volunteer and SMOF, has suggested that the only thing we can do at this point is abolish the Hugo Awards altogether. When I first heard that notion, I dismissed it out of hand. Some good will, some civility, a mutual exchange of ideas, and surely we could find a way to salvage the situation.

I am no longer convinced of that. The Sad Puppies are digging in and doubling down, and so is worldcon fandom. Meanwhile, off in the cesspools, the Rabid Puppies grow ever more rabid. Nuclear options are being seriously considered, and Vox Day has apparently threatened that if NO AWARD wins in any category, he will see to it that no award is ever given in that category again.

My first inclination was to dismiss that threat as so much toxic wind. But I am not so sure. According to FILE 770 https://file770.com/?p=21877 there have been 1352 new Supporting Memberships purchased this month, an unprecedented number. Very few of these purchases, I fear, were motivated by a sincere desire to support WorldCon. No, all these new supporting members are plonking down their money for a vote on the Hugos.

Ah, but which side do they represent? Are these members of traditional fandom, signing up to take back their awards? Are these Sad Puppy supporters, anxious to vote their slate to victory? Are these all NO AWARDers? Or maybe these are the Vox Day fans. Beale seems to have much more control over his followers than Correia and Torgensen do over theirs… the ballot actually has more Rabid Puppies than Sad ones. Could it be that Vox Day has successfully roused the GamerGate bogeyman that he was been threatening us with? No one knows. Unless…

I think it is All of the Above.

And as for me… I don’t know right now. On odd numbered days, I lean toward opting out of SasQuan entirely. Stay home, work on the book, I don’t need this grief. On even numbered days, I am determined to go… and to go BIG. Take the Hugo Losers Party back. I started it, after all. And this year, so far as the Hugos are concerned, we are all going to be losers.

 

George R. R. Martin on Not A Blog

“Joining Sasquan” – April 16

I have been going to Worldcons for a long time. My icon is a picture of me at Torcon II, the 1973 Worldcon in Toronto, where I lost the very first John W. Campbell Award for Best New Writer. Wasn’t I cute? It was my second Worldcon, following on Noreascon I in Boston in 1971. (I missed LA in 1972).

 

Brandon Morse on EveryJoe

“Exclusive Interview With Sad Puppies’ Brad Torgersen”  – April 16

EJ: In a blog post, Doctor Who critical historian Philip Sandifer recently said that “the moral duty of progressive voices to form a blocking majority, and to loudly admit that fandom as it stands is broken, and that any work proclaimed to be the best of the year by a fandom this broken is demeaned by the association.” Do you think the outrage against Sad Puppies is ultimately because you broke the “blocking majority” that Progressives feel is their moral duty to maintain?

Torgersen: I feel like this is very much about totems. I wrote a long article today, talking about tribalism, and how Worldcon Fandom has reacted to having outside tribe(s) coming to “take away” the totem that is the Hugo Award. We’re committing near-sacrilege when we do that. But the chief problem is that the Hugos self-label as being the award for everybody while Worldcon wants to keep the total deciding process internal to itself; no out-tribe people allowed. An award for all, decided by the few. That’s the core of the problem. So, if the progressives feel a duty to keep out-tribe people from participating, I feel a duty to put a hand to their faces and say, “No, you don’t get to decide who is and is not a fan, or who is and is not worthy.”

 

Maureen O’Danu on Am I The Only One Dancing

“The Psychology of Hugo Sad Puppies and Rabid Puppies” – April 16

Larry Correia’s public attitude makes it pretty clear that he felt that he deserved to win and that the Hugo he was nominated for was stolen from him, rather than simply won by another contender. (Larry denies this verbally, but one of the first rules of psychology is that when there is a conflict between words and actions, believe the actions.) The subjective nature of literary awards makes this a not uncommon problem. In any award where winning is at least partially a matter of opinion instead of mathematics, the language of robbery holds sway. “He was robbed” “She stole that award” “How on earth did he take that away from her.” From ice dancing to dressage to debate to writing, any ranked creative competition is going to generate these sorts of claims.

Correia took this further, speculating on the basis of negative comments he had received from either fans or writers (he has never specified) that he was specifically denied his award because of his political views. He has said that he believes has been specifically denied because he owns a gun store, is Mormon, is conservative, or all or some combination of the above.

It is common for people who feel entitled to look for unjust reasons for exclusion from something they feel they are owed. Afraid to look within, they will search for any confirmations they can find that someone, somewhere has unjust views of them, and then work long and hard to build a case that these views somehow formed the basis of discrimination. The logical leaps and sifting for scant evidence that make up this process are the roots of paranoid beliefs and are pretty common among lots of people, not just people who have diagnoses.

 

Nathaniel Givens on Difficult Run

“Some Sad Puppy Data Analysis” – April 14

If the last chart depicted clearly the reasons why social justice warriors are so opposed to SP / RP, this chart depicts clearly the reasons why SP came into being in the first place. What it shows is the average Goodreads review for the Hugo best novel winners (in red) and nominees (in blue) for every year going back to the first Hugo awards awarded in 1953.8 The most interesting aspect of the chart, from the standpoint of understanding where SP is coming from, is the fairly extreme gap between the scores of the nominees and the winners in the last few years, with the nominees showing much higher scores than the winners. Here it is again, with the data points in question circled:

Let me be clear about what I think this shows. It does not show that the last few Hugo awards are flawed or that recent Hugo winners have been undeserving. There is no law written anywhere that says that average Goodreads score is the objective measure of quality. That is not my point. All those data points show is that there has been a significant difference of opinion between the Hugo voters who picked the winners and the popular opinion. What’s more, they shows that this gap is a relatively recent phenomenon. Go back 10 or 20 years and the winners tend to cluster near the top of the nominees, showing that the Hugo voting process and the Goodreads audience were more or less in tune. But starting a few years ago, a chasm suddenly opens up….

Closing Thoughts

I still think that Sad Puppies have a legitimate point. Their goal was to get a few new faces out there who otherwise wouldn’t have been considered. I think that’s an admirable goal, and I think that there are some folks on the ballot today who (1) deserve to be there and (2) wouldn’t ever have gotten there without Sad Puppies. And I know that even some of the critics of SP3 agree with that assessment (because they told me so).

 

 

Eric Flint

“Some comments on the Hugos and other SF awards” – April 16

[A very long and multifaceted post – this is just the first paragraph.]

I’ve been doing my best to stay away from the current ruckus over the Hugo Awards, but it’s now spread widely enough that it’s spilled onto my Facebook page, and it’s bound to splatter on me elsewhere as well. It’s also been brought to my attention that Breitbart’s very well-trafficked web site—never famous for the accuracy of its so-called “reporting”—has me listed as one of the supposedly downtrodden conservative and/or libertarian authors oppressed by the SF establishment. Given my lifelong advocacy of socialism—and I was no armchair Marxist either, but committed twenty-five years of my life to being an activist in the industrial trade unions—I find that quite amusing.

 

Ian Randal Strock

“Foolishly jumping into the Hugo mishegas” – April 16

So, to bring this back to the Hugo Awards: we have something which a significant number of people value. And it’s something that has a set of operating instructions, which can be followed and gamed. Now, after sixty years of giving out Hugo Awards, some of the voters have realized that acting in concert gives them power within the system, and the Puppies Party has been born and instantly proven its viability.

Many people who are not part of the Puppies Party are decrying their actions, rending their garb, declaiming their love for the Hugos, and announcing their hatred for those people who would dare to “hijack” the award with concerted effort. The Puppies Party appears to have issued an ultimatum that they will keep doing what they’ve done in the future; I don’t doubt they can (I do doubt the value of doing it, but not the ability to do it).

So, to those opposed to the Puppies Party, I can only say: welcome to party politics. If you don’t like what they’ve done, you have a few choices:

1. You can do away with the Hugo Awards, simply retire them as a concept.

2. You can change the rules to make party politics impossible (though off the top of my head, I can’t see an easy way to do so).

3. You can embrace the not-so-modern paradigm and form your own political party.

You can hate the concept of politics within the “purity” of the Hugo Awards, but now that a party has been formed and started operation, complaining about its existence will be a futile exercise. The Puppies Party has the power of unity that those who oppose it don’t yet have. So, who among you is going to step up and start the conversation to form your party?

And for our European viewers, none of this thinking is to deny the validity of the parliamentary system. Perhaps the Hugo Awards may evolve into a multi-party system. Although the awards, as winner-take-all prizes, do tend to lend themselves more to a two-party system.

 

Larry Correia on Monster Hunter Nation

“I’m not Vox Day” – April 16

I cannot disown what I do not own.

I neither condone nor defend any of his public statements. I did not make them.

Of course I do not like some of the things he has said.

Do you think the existence of Rabid Puppies has somehow made my life easier?

I’m not going to burn anyone in effigy. Stop asking.

I’m not going to condemn anyone by association. Stop asking.

 

Brad R. Torgersen

“Sad Puppies: We are not Rabid Puppies” – April 16

I’ll state it again for emphasis: we are not Rabid. None of us wants to burn the Hugos down. We want the Hugos to live up their reputation as the preeminent award in the combined field of Science Fiction & Fantasy. We want Worldcon to be an actually diverse thing with authors and fans participating from across the spectrum, without having to worry about litmus tests or being in the correct groups. We don’t want people to have to be chameleons who hide who they are — or what they like or what they create — because it’s not what the “cool kids” agree with.

The objectives of Sad Puppies 3 have been simple and consistent:

  • Use the democratic selection system of the Hugo awards.
  • No “quiet” logrolling. Make it transparent.
  • Boost authors, editors, and works — regardless of political persuasion.
  • Bring recognition to people who’ve been long overlooked.
  • Get some good promotion for new folks coming up in the field.
  • Have fun!

 

Kate Paulk on Mad Genius Club

“There Hugo Again” – April 6

Claiming that being nominated because people who agree with Vox Day or Larry Correia or Brad Torgerson, or any other person you care to mention voted for their works is some kind of horrible taint is beyond the pale. The more of that kind of totalitarian secret police tactic that’s used, the more I want to stand up and shout, “I am Vox Day.” Or “I am Larry Correia.” Or… you get the point.

Because we are all Vox Day. Or Larry Correia. Or Brad Torgerson. Or anyone else who dares to disagree with the opinions of the would-be power-brokers. If we are not, then Oceania has always been at war with Eastasia, Freedom is Slavery, and two plus two equals five.

 

Sanford Begley on Otherwhere Gazette

“I’m sick and tired of the Hugos”

I’m a 57 year old politically disgusted heterosexual male. I can more or less claim white. Family stories say there are a few other things in there, but none particularly show so, who cares? Now that you know I have privilege you can dismiss me and move on to a more diverse writer. Or stay if you aren’t a bigot. I’m good either way.

 

 

Miguel on Gun Free Zone

“The Hugo Awards, Social Justice Warriors and Sad Puppies” – April 16

Oh dear gods of the pantheon! You would have thought the Barbarians broke into the Vestal Temple and proceeded to rape the curtains and burn the Virgins. First came the accusations of ballot stuffing which went down in flames when it was pointed out that the rules for nominations were followed to a fault. Then it came the generalized accusations of “gaming the rules” to introduce a “Conservative, all-male heterosexual, redneck, icky” slate which died under quick examination of the slate as it was actually more varied in every concept than previous Hugo nominations. Then it came to be that the works were not true SciFi/Fantasy or did not conform to what SciFi should be, but somebody just pointed out that previously nominated works like If You Were A Dinosaur My Love and the whole cookie went down in crumbs.

But something was puzzling the SJW clique: After all the attacks, the Sad Puppies not only were not cowed, they had the balls of actually laugh at them! How dare they! So they went even stupider attacking individual authors. Larry Correia is an official White Anglo-Saxon Supremacist (I reckon that you will find the Portuguese last name in the Mayflower list), death threats were issued which is funny as hell when Larry is the size of a shoggoth, knocked down cows for fun a-lo-Mongo in his youth and is a firearms instructor with possibly more guns and ammo in his basement than many police forces in rural America…and some urban areas too.

 

Alan Davis on LewRockwell.com

“Science Fiction – The Culture War’s Line in the Sand”  – April 16

Why is science fiction–as a book genre–dying, while simultaneously conquering Hollywood, television, and video games?

Over the last twenty or thirty years, the science fiction publishing industry has changed.  Now, all of the major publishers, save one, take the political viewpoints of writers into account before publishing their works.  And if that writer happens to be libertarian, or conservative, or holds any views that don’t mesh neatly with the left-wing attitudes of the editors and publishers, then the only publisher willing to read their material is Baen.  Political correctness has become the key to science fiction, so excellent writers who don’t fit the mold are almost completely excluded from publishing and awards.

 

Ty Burr on Boston Globe

“Trouble brews in the world of sci-fi writing” – April 16

What’s at the bottom of the Sad Puppy complaint? Exclusion, it turns out. Responding to Martin’s comments, Correia blogged of his own memories of being a youthful sci-fi outcast at the Worldcon party: “The cool kids told their cool stories to the other cool kids, and lorded it over those who weren’t part of the In Joke. Honestly, it reminded me of high school, and I was the poor fat kid who had inadvertently pissed off the mean girls.” To which Martin responded, “Surely you have been around fandom long enough to realize that there are no cool kids. We’re all the fat kids, the nerds, the computer geeks, the guys who always had their nose in a book, who loved comics and played chess and couldn’t get a date for a prom.”

This isn’t really about right versus left, in other words, but feeling like you belong. And while there’s a productive conversation to be had when the volume is kept low, the voices on the sidelines, anonymous and otherwise, just pour gasoline on the flames.

More and more, I’m convinced that the Internet is toxic.

The only thing to do, I think — and I’m talking about more than just the Sad Puppies and Gamergate — is to marginalize the crazies on both sides. Which means, in practice, marginalizing the crazies on your side. We have to start making a stand for a big, sane middle and allowing everyone on the spectrum of that middle to express emotions without going on the attack. Anyone who calls names, responds from anger, hate, or fear — block them. Ignore them. Do not feed the trolls.

 

Jason Sanford

On screaming “We’re not VD!” while ignoring your relationship with VD – April 16

I don’t need Larry and Brad or anyone else to say they’re not Vox Day. I know that. Everyone knows VD is responsible for his own actions and statements.

But what many people suspect is that Larry and Brad worked with VD on all this. And based on the evidence, it’s difficult to draw any other conclusion.

For example, Brad ran this year’s Sad Puppies campaign and posted their voting slate on February 1. I can’t tell you the exact time he posted the slate, but the first comment on the post appeared at 8:40 pm, followed quickly by many more.

Vox Day posted his Rabid Puppies ballot on February 2nd. Again, I don’t know the exact time but the comments began coming in a little after 1 am. Depending on the time zone settings of these two sites, that means as little as a few hours separated the posting of the Sad and Rabid Puppies slates.

But hey, let’s be generous and say an entire day separated the launch of their “separate” campaigns. If there was no coordination between the two campaigns that means in less than a day VD read all the stories on the Sad Puppies slate, decided which to discard and which to add to his own slate, and launched his campaign.

Oh, and he also found time to contact the artist who created the Sad Puppies logo and have that artist create a similar but different logo for the Rabid Puppies. (The artist is Lee Madison, who uses the name Artracoon on his art. He even set up a site to sell shirts with both Sad and Rabid Puppies logos.)

If it’s possible to do all that in such a short time frame without coordinating the two campaigns, I’d love to hear how it was done.

 

 

Jim C. Hines on Facebook

Another Hugo Proposal:

Three Hugos for the Mil-SF and their space marines,

Seven for the grimdark-lords in their halls of blood,

Nine for Mortal Fans doomed to blog,…

One for Neil Gaiman on his dark throne

In the Land of Worldcon where the Shadows lie.

 

 

Unpaid ad from Fandom Prime:

Kitten+in+Mail

Hugo Justice Warriors If some Puppy has been calling you an SJW lately, maybe you’d rather identify yourself as a Hugo Justice Warrior. Click through to see our noble shield on a variety of products.

Proudly stand up to the enemies of fair play and quality SF&F by flaunting our shield. The Latin motto means “I will fear no puppies.” either sad or rabid.  I’m sure Heinlein, a man of principle, would have approved.

Considering the merchandise is being marketed to fans, one of the funniest parts is that T-shirts only go up to 3X….

 

Crook and Heinlein Awards Given at Balticon

The Compton Crook Award and Robert A. Heinlein Award were awarded during opening ceremonies at Balticon 46, the Maryland Regional Science Fiction Convention, on May 25.

The Compton Crook Award winner was T. C. McCarthy for his novel Germline.

The Robert A. Heinlein Award went to Stanley Schmidt, author and editor of Analog.

Compton Crook Award: Left to right, T. C. McCarthy, 2011 Crook Award winner; James Knapp, Master of Ceremonies; SF Author Mark L. Van Name. Photo by Patti Kinlock.

 

Robert A. Heinlein Award: Left to right, Ian Randal Strock accepts the award on behalf of winner Stanley Schmidt from SF author and Heinlein Award Chairman Dr. Yoji Kondo. (Dr. Kondo writes as Eric Kotani). Photo by Patti Kinlock.

[Thanks to Dale Arnold for the story.]