After several authors withdrew their stories today from the New Demons anthology due to the involvement of co-editor Patrick R. McDonough, another co-editor, Joe R. Lansdale, said the anthology is “done”.
A Kickstarter to fund the New Demons anthology was launched two days ago and promptly raised almost five times the amount of its target goal. The anthology was to be co-edited by Joe R. Lansdale, Patrick R. McDonough and Keith Lansdale, and feature stories from the following authors:
Subtweeting in social media about McDonough began when pre-launch publicity about the Kickstarter appeared. Ginger Nuts of Horror review website editor Jim McLeod then wrote explicitly on March 18:
Here are posts from several writers who today dropped out of the anthology.
(1) WRITERS WHO SPEAK AT THE CIA. From Brian Keene I heard about this article:
Over the years, many of you have asked why J.F. Gonzalez and I were invited to C.I.A. h.q. in Langley on multiple occasions, and just what the hell we were doing there. Here’s an article from this month’s @parisreview that answers some of those questions. https://t.co/q4IPpO92Br
… I had a little time to kill before our lunch reservation—seating time in the executive dining room was not flexible—so Vivian took me to the gift shop.
Given that almost no one’s allowed inside Langley and the people who work for the CIA aren’t supposed to advertise it, it was, like with the museum, a bit of a mystery who the gift shop was for. The shelves were stocked with T-shirts (Central Intelligence Agency), mugs (Central Intelligence Agency), and novelty barbecue sauce (Top Secret Recipe!). There was also a Pride Month display (Central Intelligence Agency in rainbow)….
… While we waited for our food, the writer of dystopian sci-fi confirmed that if you work for the CIA, lawyers have to vet anything you publish. But they were more lenient than I would’ve guessed. She said that one of her novels had helped change how the agency viewed fiction versus nonfiction. While reading her novel, the lawyers decided that just because a character in a novel says something doesn’t mean that the author necessarily agrees, so there should be more leeway for CIA fiction writers. (Which suggests CIA lawyers are more nuanced literary critics than half of Goodreads.)…
I write a lot about impersonation scams on this blog–for good reason: they are extremely common, and becoming more so all the time. Literary agents, publishers, production companies, film directors: all are targets.
The purpose: money, of course. By posing as real, reputable companies and individuals, the scammers aim to make it more likely writers will be bamboozled into paying for needless, substandard, and/or fraudulent “services”.
As a science fiction writer, I am professionally irritated by a lot of sf movies. Not only do those writers get paid a lot more than I do, they insist on including things like “self-destruct” buttons on the bridges of their starships.
Look, I get it. When the evil empire is closing in on your flagship with its secret transdimensional technology, it’s important that you keep those secrets out of the emperor’s hand. An irrevocable self-destruct switch there on the bridge gets the job done! (It has to be irrevocable, otherwise the baddies’ll just swarm the bridge and toggle it off).
But c’mon. If there’s a facility built into your spaceship that causes it to explode no matter what the people on the bridge do, that is also a pretty big security risk! What if the bad guy figures out how to hijack the measure that – by design – the people who depend on the spaceship as a matter of life and death can’t detect or override?…
Doctorow then gives several examples where software supposedly designed to secure computers turned out to be vulnerable. He sums up one case with a callback to his science fictional lede:
…This is a self-destruct switch that’s been compromised by the enemy, and which no one on the bridge can de-activate – by design. It’s not the first time this has happened, and it won’t be the last…
(4) THE WORST OF TIMES. BBC Radio 4’s Screen Shot discusses “British Dystopias”. Listen to the episode at the link.
Forty years on from 1984 and the release of the John Hurt-starring big screen adaptation of George Orwell’s novel, Ellen E Jones and Mark Kermode explore dystopian visions from British film and TV. Mark speaks to film critic Kim Newman about the literary roots of the dystopia, from 1984 to A Clockwork Orange. And he talks to actor Brian Cox about how, in a career that has included roles as Dr Hannibal Lecter and Logan Roy, the prophetic 1968 TV play The Year of The Sex Olympics remains one of the projects he is most proud of. Meanwhile, Ellen talks to Ngozi Onwurah, the director of landmark film Welcome II The Terrordome. Released in 1995, the radical British dystopian tale was the first feature directed by a black woman to get a UK cinema release. Ellen and Ngozi discuss why Welcome II The Terrordome was so prescient. And Ellen also speaks to Kibwe Tavares, who co-directed new film The Kitchen, about a dilapidated housing estate in a near-future London, with Get Out star Daniel Kaluuya.
(5) PLAGIARISM DISCOVERED. Utopia Science Fiction Magazine today made a painful announcement. Thread starts here.
We are disappointed to announce that a poem, submitted as After the Flood and released in our August issue, was actually plagiarised by John Kucera (John Siepkes).
— Utopia Science Fiction Magazine (@FictionUtopia) January 18, 2024
Utopia Science Fiction takes a hard stance against plagiarism and we can assure anyone who attempts to submit fraudulently that it will be discovered.
— Utopia Science Fiction Magazine (@FictionUtopia) January 18, 2024
… Speaking to Jimmy Fallon on The Tonight Show, Foster revealed this week that she turned down the opportunity to star in 1977’s blockbuster gamechanger because she would have had to break a contract for a Disney movie (almost certainly 1976’s Freaky Friday) filmed during the same period….
…Foster would have been 13 or 14 during the filming of the first Star Wars movie, while Carrie Fisher (who won the role) was 19. Suffice to say, this would have changed the dynamic of Lucas’s movie just a little bit. Star Wars isn’t necessarily the most mature and sophisticated of science fiction sagas, but lowering the age of one of its central protagonists might have brought the era of Phantom Menace on us three decades too early. Harrison Ford’s Han Solo and Foster’s Leia would have had more of a daughter and father figure relationship, which might have provided its own unique dynamic, but certainly would have been a leap. Might Leia have ended up plunging that weird crossguard ’saber into Solo’s heart in the sequel trilogy instead of Kylo Ren?…
A movie you barely remember, featuring characters you remember even less, featuring a set-up every kid will go crazy for: “Players try to safeguard as many properties as they can to collect rent in the form of cosmic energy units.” The sheer “waning days of Marvel Cinematic Universe dominance” vibes do add a certain nostalgic flair, though. $33.99 at Hasbro; $14.97 at Amazon.
(8) EVERYTHING DEPENDS ON WHERE YOU ARE IN THE CIRCLE THAT NEVER BEGINS. (Some of you will remember that lyric.) The Guardian likes the look of an Indiana Jones game that’s in development: “Lashings of fun? Microsoft reveals new Indiana Jones game”.
…During Microsoft’s latest Developer Direct online event, streamed on Thursday evening, we saw a 12-minute preview of Indiana Jones and the Great Circle, a globe-trotting first-person adventure, set between Raiders of the Lost Ark and the Last Crusade. The project was revealed three years ago, but this is the first footage we’ve seen, and it’s promising stuff. It has Nazis, it has a whip, it has Dr Jones in deserts, in tombs and arguing with Denholm Elliott in fusty college buildings; and it has a story involving a stolen artefact that is somehow linked to an international network of ancient monuments all of which align with a circle spanning the world…
(9) TODAY’S BIRTHDAY.
[Written by Cat Eldridge.]
Born January 19, 1932 — Richard Lester, 92. Serious film and I don’t get along — give me a good, fun film and I’m very, very happy. Thus you’re getting American-born but eventually British-resident film director Richard Lester for the Birthday this Scroll. Pop the bubbly and dig into the chocolate cake, let’s get started.
A variety show he produced caught the attention of Peter Sellers who got Lester’s assistance in getting The Goon Show from the BBC Home Service on to ITV in the London area as The Idiot Weekly, Price 2d. It lasted but six episodes.
Richard Lester in 1967.
His second film after It’s Trad, Dad which is decidedly not genre was The Mouse on the Moon, a sequel to The Mouse That Roared (which he was not involved in at all.) It was by Michael Pertwee, brother of a certain actor we know from Doctor Who. Quite silly it was.
He directed The Running Jumping & Standing Still Film, a late Fifties sketch comedy short film directed by him and Peter Sellers. So why mention it? It’s because it was a favorite of John Lennon which led to him being hired to direct A Hard Day’s Night and then Help! You know which film is genre, so I needn’t say so.
Next up is The Three Musketeers (which I didn’t know was also known as The Three Musketeers (The Queen’s Diamonds) which is an interesting title). Fascinatingly George MacDonald Fraser wrote the screenplay. He shot The Four Musketeers right after this film.
He later reunited most of the Three Musketeers cast to film The Return of the Musketeers with the only notable cast member not being present was Raquel Welch.
Lester was fond of swashbuckler films, so it was only natural that he decided to direct a Flashman film. Royal Flash was based offthe second of theFlashman novels by George MacDonald Fraser which now gives me the link to him writing the Musketeer screenplays. Cool. Very cool. And naturally Fraser wrote the screenplay here.
(A digression. I mentioned it before but I’ll mention it again. Kage Baker adored Flashman and this film as well. She told me several times in the last year before her passing on that she was planning on writing a Flashman novel but of course never did sadly.)
Then there was Robin and Marian, which along with along with Richard Carpenter’s Robin of Sherwood, I hold to be the finest representations of Robin Hood ever done. The script was by James Goldman, writer of The Lion in Winter, and as you know the leads were performed by Sean Connery and Audrey Hepburn. Perfect. Truly perfect.
Superman II was a great success after he reshot almost all the footage Richard Donner had already shot, some three quarters of the projected film. Ouch. (That was released as Superman II: The Richard Donner Cut.) Unlike this film, Superman III directed by him would be both a critical and box office failure.
His last film before retirement though not genre, I’ll note as it’s a great film called Get Back, the thirty-three year old concert film that about The Paul McCartney World Tour of 1989–1990. Seventeen of the twenty-three songs he performs are by the Beatles.
Well, he was certainly known among other writers. I think he’s sometimes been called a writer’s writer, which is quite the compliment from one’s colleagues. What does that accolade mean to you when you think about Waldrop’s work and how he related with other writers?
Well, you want the general audience to like your work, but I think there is something special about the idea that you’re writing something that your peers really get and really understand and really appreciate, because I think that ultimately you want to be able to say, “look, I want to write something unusual, but I want it to be appreciated by other people who write unusual things.”
So it’s not just passé or the same old stuff. So I believe that that’s what is meant by a writer’s writer. It’s a writer who looks at another writer and says, “I wish I could do that,” or “maybe I can learn to do that.”
(11) KILLING FOR IVORY. The Hugo Book Club Blog reviews Ray Nayler’s The Tusks of Extinction in “The Last Trumpet Shall Sound”.
…“The Mountain in the Sea had its roots in the ecological preservation work I engaged in in Vietnam. That work was preventative and positive, working with youth and with environmental activists to protect the Con Dao Archipelago,” Nayler explained by email in early January. “The Tusks of Extinction has its roots in my experiences in Vietnam dealing with the illegal ivory trade and the trade in rhino horn. That work exposed me to the grimmest realities of human greed, ignorance, and exploitation. The enormity of the slaughter of elephants and rhinos for the sake of useless trinkets and the stupidest pseudo-medicinal ideas.”…
If you’ve ever wondered exactly what it’s like to stay overnight alone in a haunted motel — one inhabited by hundreds of clowns — one brave soul knows the answer.
In a video shared to Instagram, user Khail Anonymous shares his experience staying overnight at the Clown Motel in Tonopah, Nevada.
“Why did I go ALONE??” he captions the Reel, which begins with a shot of the hotel room door — decorated with a colorful illustration of what appears to be Pennywise, the toothed clown made famous in Stephen King’s It….
… The video also shows what’s next door to the motel — a graveyard complete with rows of headstones.
“There’s also a graveyard next door. I forgot to mention that, Oh, whoops,” he says in the video….
Late one night many years ago, my sister was driving home through the leafy roads of South East England when a strange animal bounded into the headlights of her car and swiftly disappeared into a hedgerow. She was certain, she said, that it had been a wallaby—despite the fact that the kangaroo relative was native to Australia and Papua New Guinea and decidedly not native to Oxfordshire. Our reaction was about what you’d expect from a British family: politely skeptical. It had been dark, the encounter fleeting, and the human brain is decidedly fallible. Surely, then, she must have been mistaken.
My sister would eventually be vindicated when the existence of wild wallabies in the UK was confirmed and even captured on film. Yet, her experience isn’t too different from those who claim to have encountered cryptids, creatures whose existence remains a matter of debate. Yeti, Bigfoot, and the Loch Ness Monster are only the beginning; a small but committed community of cryptid hunters is dedicated to proving the existence of doubted beasts like the Mongolian Death Worm, the Honey Island Swamp Monster, and the Skunk Ape. …
… why do cryptid hunters continue to put their reputations on the line, and what other legendary beasts might we discover to be not so legendary after all? In an age when species extinction has reached alarming proportions, perhaps this quest to discover new life carries extra poignancy. The articles collected below offer tantalizing insight into both questions….
[Thanks to Chris Barkley, Cat Eldridge, SF Concatenation’s Jonathan Cowie, Nickpheas, Michael J. Walsh, Steven French, Mike Kennedy, Andrew Porter, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Peer.]
(1) IMAGINARY PAPERS 15. The latest issue of Imaginary Papers, ASU Center for Science and the Imagination’s quarterly newsletter about science fiction worldbuilding, futures thinking, and imagination, is out today.
In this issue, Hispanic studies scholar Mateo Díaz Choza writes about the 1968 speculative fiction story “Tesis,” by José B. Adolph; film studies student Devan Hakkal writes about the gloriously strange 2010 video game Nier: Replicant; and we cover UNESCO’s new open-access book Reporting on Artificial Intelligence: A Handbook for Journalism Educators.
Tesis (1968)
A spacecraft is crossing some indeterminate region of outer space. Inside, a group of students presents their final projects to Professor Locust. His favorite student, Andros, introduces a case study: an unknown planet will be struck by a comet, and violent precipitation and inundations will follow. Andros describes the planet as a primitive place where civilization is in its early stages, though its inhabitants have developed agriculture, modes of transportation, and small cities. When Professor Locust asks Andros how he will resolve the issue of preserving this young civilization, Andros enigmatically answers, “solution B.”…
The full archive of Imaginary Papers is available to read here.
A lot of Ace Double science fiction books. There’s no single book I’ve bought for the cover, but many. But the Ace Doubles were great. You got two books for the price of one, short books, and these really outstanding covers that were sometimes better than the contents. I remember one book I bought because of a giant lizard man approaching a human. They were both on a netting in the trees–and I think they were armed–and from there I filled in the story. When I actually read the book, it was nowhere as good as in my imagination. But there were many that fulfilled my expectations. Philip José Farmer was one.
(3) SMOFCON REMINDER. Smofcon, an annual conference for convention planners, will be held December 1-3 in Providence, RI. The event will be fully hybrid convention so members can attend from anywhere. Tammy Coxen explained on Facebook:
At Smofcon, we gather to discuss many aspects of convention planning, at both the local level and at the Worldcon and other large conference level. We look for old friends, make new ones, attend panels on a variety of subjects about convention running, and express our views on best ways to do something. We often get recruited to work on other conventions — or recruit others to come work on our next convention.
While Smofcon covers a variety of topics, this year’s program will have a particular focus on running hybrid conventions.
(4) LEARNEDLEAGUE. [Item by David Goldfarb.] Another SFF question cropped up in the ”Notable Women of Asia” mini-league.
Persis Khambatta was the winner of the 1965 Miss Femina India pageant, a contestant in that year’s Miss Universe pageant, and the first Indian person to present at the Academy Awards. But you may also know her as Deltan Starfleet officer Lt. Ilia in what 1979 science fiction film, a role for which she shaved her head.
This is of course Star Trek: the Motion Picture. It had a 57% get rate, with 13% giving the most common wrong answer of Alien.
(5) A CONDUCTOR’S LIFE. While looking up info about Somtow Sucharitkul for a post today I came across one of the maestro’s anecdotes in Martin Morse Wooster’s 2015 “Operacon Report”:
…Somtow also told about the time he tried to bring an elephant for a performance of Aida. He didn’t know that elephants in Bangkok had to be licensed, and was surprised when the pachyderm police showed up and arrested the elephant, taking him to the elephant impoundment lot or wherever it is that unlicensed elephants in Bangkok go. The resulting performance of Aida was elephant-free….
(6) AUSSIE FANHISTORY IN THE WORKS. Leigh Edmonds announced on Facebook he finished drafting the first part of the history of Australian science fiction fandom.
This project was ordered on my during Aussiecon 4 in 2010 and has taken 13 years to get this far partly because of the necessities of daily life. Partly also because I had expected the entire project of writing a history of Australian fandom up to Aussiecon in 1975 would run to around 50,000 words and the part that I have just completed, which covers the period from 1936 to about 1960, runs to just on 75,300 words. Now it’s time to write an introduction, polish up the text, find some photos, an editor and indexer (hint, hint) and get it published. I still have no idea what to call it.
The eclipse itself is very short, you know… Then I remember as the sun started to reappear people yelling out “Encore!” and I did not know what that word meant. And everyone around me laughed and I remember turning to my parents and saying “What does encore mean, what does that mean?” And they said it means “You are so good. We wanted you to do it again.”
(8) MEMORY LANE
2016 – [Written by Cat Eldridge from a choice by Mike Glyer.]
David Hutchison’s Fractured Europe Sequence is a brilliant telling of a Europe fractured into hundreds, maybe thousands, of political polities. Europe in Winter was published by Solaris seven years ago. It was the third of the five Fractured Europe Sequence novels. There may a sixth novel someday Hutchison says.
It’s an interesting series as the novels share the same setting but aren’t connected though the characters are common to the series except the final novel which has an all new cast of characters.
There are also two stories. Remember my wish that more stories were sold separately? Good luck on reading these two — one is in Barcelona Tales, the other is in London Centric: Tales of Future London which I actually have.
Our Beginning comes from Europe in Winter that won a BSFA. The series actually nominated for a lot of Awards include a Campbell Memorial, a Clarke, multiple BSFAs, a Dragon and even a Kitschies.
And now for our Beginning….
TRANS-EUROPE EXPRESS
THEY ALMOST MISSED the train. They had always planned to arrive close to departure time, so that Amanda had to spend as little time as possible on her feet, but there was a flash mob on the Place de la Concorde and all the streets leading into it were blocked.
“What the hell is this?” muttered William, who was driving. “Anti-Union protesters,” Kenneth said, reading the placards being carried by the crowds boiling between the traffic.
“Well, God has a sense of irony, anyway,” muttered Amanda, shifting uncomfortably on the back seat.
William looked back at her. “How are you feeling?”
“I’m all right,” she said. “Don’t worry about me. Can we go another way?”
They were in a make of vehicle nicknamed La Rage by the French, basically a looming black mediaeval fortress festooned with bullbars and lights and antitheft devices. Kenneth had wanted something more anonymous, but William said the only thing Parisian drivers understood was force. It had one obvious drawback; although its defensive systems could cause epileptic fits and rectal bleeding in anyone stupid enough to try to steal or attack it, it was too large to go down many of Paris’s lesser thoroughfares.
“We’re stuck,” William said, twisting left and right to look out of the windows and hovering his finger over the icon on the dash display which triggered a 10,000 volt charge through the skin of the car, as protesters bumped and pushed by between the line of vehicles.”
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 23, 1868 — Edgar Lee Masters. Author of the Spoon River Anthology which, since each poem is by someone who’s dead, should count as genre, shouldn’t it? Well, I think so even if you don’t, so there. (Died 1950.)
Born August 23, 1927 — Peter Wyngarde. Not a lead actor in any genre series but interesting nonetheless. For instance, he shows up in the two Sherlock Holmes series, one with Peter Cushing and one with Jeremy Brett. He’s in a series of Doctor Who with the Fifth Doctor and he faces off against the classic Avenger pairing of Steed and Peel. He shows up as Number Two in The Prisoner as well. (Died 2018.)
Born August 23, 1929 — Vera Miles, 94. Lila Crane in Psycho which she reprised in Psycho II. On a much more family friendly note, she’s Silly Hardy in Tarzan’s Hidden Jungle, the very last of the twelve Tarzan pictures released by RKO. She has done one-offs on Buck Rogers in Twentieth Century, Fantasy Island, The Twilight Zone, Alfred Hitchcock Presents, I Spy and The Man from U.N.C.L.E.
Born August 23, 1931 — Barbara Eden, 92. Jeannie on I Dream of Jeannie. Her first genre role however was on Voyage to the Bottom of the Sea as Lt. Cathy Connors, and she’d show up a few years later as Greta Heinrich on The Wonderful World of the Brothers Grimm. She was Angela Benedict in The Seven Faces of Dr. Lao, the wonderful film version of Charles Finney’s novel, The Circus of Dr. Lao. Some thirty-five years after I Dream of Jeannie went off the air, she had a recurring role as Aunt Irma on Sabrina, the Teenage Witch. Her latest genre was just two years ago, Mrs. Claus in My Adventures with Santa.
Born August 23, 1944 — Karl Alexander. Author of Time after Time which was filmed as Time after Time as directed and written by Nicholas Meyer. Cast includes Malcolm McDowell, Mary Steenburgen and David Warner. (A thirteen-episode series would happen in 2017.) His sequel of Jaclyn the Ripper is not as well known, nor is his Time-Crossed Lovers novel. Time after Time was nominated for a Hugo at Noreascon II, the year Alien won. (Died 2015.)
Born August 23, 1966 — Charley Boorman, 57. He played a young Mordred in Excalibur which was directed by his father (and he was joined by his older sister Katrine Boorman who played Ygraine, Mordred’s grandmother) He was Tommy Markham in The Emerald Forest, and had an uncredited role in Alien.
…One of the most notable things about Invasion is its structure. The show follows a handful of characters spread across the globe, each dealing with the invading aliens in different ways. Season 1 was all about survival for pretty much the whole cast, whether it was a mother in America trying to keep her kids alive, a bus full of students stranded and alone in England, or a Japanese communications expert desperately trying to contact a lost astronaut who also happened to be her secret girlfriend. But in season 2, most everybody has a bit more direction, and it makes the show move forward with more purpose and intensity.
The new season picks up a few months after the spiky alien blobs first made their presence known, and things aren’t going so well. Major cities look like war zones, with most people having fled or died, while those who remain struggle to fight against the very tough to kill invaders. If it weren’t for the looming spaceships on the horizon, the show could be mistaken for any number of postapocalyptic series early on…
… Professor Huyang is a droid who made his first appearance in the animated series Star Wars: The Clone Wars. He appeared in a total of three episodes in season 5, accompanying Yoda (Tom Kane) and Tano (Ashley Eckstein) to the planet Ilum with a group of younglings so they could find Kyber crystals to assemble their lightsabers. This is an important rite of passage for a youngling on their journey to becoming a Jedi. Huyang has been aiding younglings at this stage of their training for centuries and was specifically built to serve this purpose….
…Not much is known about Huyang’s role in Ahsoka, but we can probably expect him to be just as loyal and filled with stories and wisdom as ever. Additionally, we’re expecting a top-notch performance from Tennant, who took home an Emmy award for Outstanding Performer in an Animated Program for his role as Huyang in Star Wars: The Clone Wars. Tennant’s performances brings so much depth, mystery, and allure to the character. Whether it’s another award-winning performance or adding further context to this ancient droid, Huyang’s role in Ahsoka holds quite a bit of potential.
Oscar-winning VFX supervisor and VES founding member Tim McGovern will receive the 2023 VES Founders Award, and the group has awarded lifetime VES memberships to McGovern, archivist and curator Sandra Joy Aguilar, producer and AMPAS Governor Brooke Breton and VFX artist agent and executive Bob Coleman.
(13) RYAN GEORGE VIDEO. It’s great to be a genius, of course, but that’s not who we’re talking to here: “The First Guy To Ever Own A Bird”.
[Thanks to Cat Eldridge, SF Concatenation’s Jonathan Cowie, Mike Kennedy, David Goldfarb, Joey Eschrich, Andrew Porter, John King Tarpinian, Chris Barkley, and Michael Toman for some of these stories. Title credit belongs to File 770 contributing editor of the day Russell Letson.]
(1) PRO TIPS. With in-person cons resuming throughout fandom, Cass Morris has advice for “Giving Good Panel” in her latest newsletter.
Practice (and tailor) your introduction
Introducing yourself at the start of the panel isn’t the time to go into your full CV or publication history. It’s not even the time to recite your full 100 word bio that’s printed in the program.
A good formula? “Hi, I’m [name], I’m the author of [most recent publication or series] and [something else relevant to your writing career]. I’m also [whatever your day job is, or if you don’t have one, mention a hobby].”
Then, if there’s anything particularly relevant to the panel I’m on, I’ll mention that. I tend not to go into my background as a Shakespeare scholar, for instance, because that’s usually not directly relevant — but at RavenCon last April, it was! I was on a panel called “Elements of the Fantastic in Shakespeare,” so it was good to establish my credibility to speak on that particular topic.
Keep the intro to your book or series brief — an apposition, just a short phrase. “I’m the author of the Aven Cycle, historical fantasy set in an alternate ancient Rome” or even just “I’m the author of epic fantasy series the Aven Cycle.”…
(2) X CORP. No, not X-corps (a Heinlein reference). X Corp is the successor to Twitter, Inc. — which “no longer exists.” Slate reports “Twitter Isn’t A Company Anymore”.
In a court filing on Tuesday, April 4, Twitter Inc. quietly revealed a major development: It no longer exists. The company is currently being sued by right-wing provocateur Laura Loomer, who accused it of violating federal racketeering laws when it banned her account in 2019. Loomer has a Twitter account again, and her absurd lawsuit is bound to fail—but until it does, Twitter, as a defendant, must continue to submit corporate disclosure statements to the court. And so, in its most recent filing, the company provided notice that “Twitter, Inc. has been merged into X Corp. and no longer exists.” As the “successor in interest” to Twitter Inc.—that is, the survivor of the merger—X Corp. is now the defendant in Loomer’s suit. Its parent corporation is identified as X Holdings Corp.
…On a spring day in 2019, Ellie Newell, the youth-services librarian at the main branch, in a historic post office in downtown Kalispell, hosted a special story time for a visiting class of preschoolers. Newell was raised by librarians and had taken the job straight out of graduate school, drawn to Flathead’s reputation for “doing cutting-edge library stuff.” Several years earlier, the library had rebranded to adopt a new name and logo, as well as an updated, possibly foolhardy mission. The Flathead County Library System became the ImagineIF Libraries and set out to use technology and interactive programs to bring together far-flung residents of the county. This new approach earned ImagineIF a John Cotton Dana Award (the equivalent of a library Oscar) and the title of State Library of the Year.
Like most children’s librarians, Newell did a lot of story times and kept a stack of read-aloud books on her desk. She considered it important to mix things up: some books with animals, some with people; some classics, some new releases. At the top of Newell’s pile that day was “Prince & Knight,” a fairy-tale picture book published in 2018. The story features a charismatic dragon, but no lady who wins a warrior’s heart. The romance instead unfolds between the titular prince (a man) and knight (also a man). Newell thought the book was sweet: a bit edgy in its gayness, but still chaste and traditional, culminating in marriage. Her calendar didn’t show any special book requests or even the name of the visiting school, so she grabbed “Prince & Knight” off her desk and went out to read it. She opened her eyes wide behind her glasses and swivelled to connect with every member of her audience. The children giggled and clapped. But, at the end of the reading, their teacher looked upset.
The class had come from a Catholic school, and, a few days later, the teacher wrote to the Daily Inter Lake, a local newspaper, saying how “shocked and grieved” she was by the presentation of a book about “homosexual marriage.” She argued that “such a controversial topic” should not be introduced to “innocent children.”…
…During the pandemic, Flathead became the fastest-growing county in the state, thanks in part to new migration. The arrivals were split between lovers of the outdoors (of various political persuasions) and people in search of a Trumpian refuge from urban ills. The responses to the “Prince & Knight” reading tracked with the county’s divergent politics. Was the story time a sign of open-mindedness or proof that the library was promoting “all these alternative lifestyles,” as one Kalispell man wrote to the Inter Lake? The Catholic schoolteacher filed a formal challenge to “Prince & Knight,” seeking its removal from ImagineIF’s collection. The library director, Connie Behe, recommended that the book be retained because the work as a whole conformed to ImagineIF standards. The final decision was up to the library’s five-member board of trustees….
…The warning on the opening pages of the 2023 reissue of Thank You, Jeeves reads: “Please be aware that this book was published in the 1930s and contains language, themes and characterisations which you may find outdated. In the present edition we have sought to edit, minimally, words that we regard as unacceptable to present-day readers.”
The NR article goes on to state that the changes do not affect the story itself. The 2022 edition of Right Ho, Jeeves has also been edited and features the same disclaimer.
Wodehouse, who died in 1975, is known for authoring over 90 books, his oeuvre often hailed as the funniest in the English language. The Jeeves stories follow the idle upper-class gentleman Bertie Wooster and his resourceful valet Reginald Jeeves. The stories served as the basis for the well-known British comedy Jeeves and Wooster, which starred Stephen Fry and Hugh Laurie. The show was broadcast on ITV in the 1990s.
Racial terminology has been removed throughout the novels. A racial term used to describe a “minstrel of the old school” has been removed in Right Ho, Jeeves. In Thank You, Jeeves, whose plot hinges on the performance of a minstrel troupe, numerous terms have been removed or altered, both in the dialogue between characters and from the first-person narration of Bertie Wooster.
Another National Review article has declared such efforts to be the work of a “cabal of history vandals” that bear a strong resemblance to the clueless elites that populate Wodehouse’s works. “The Literature Vandals Don’t Know When to Stop”.
It is an impossible coincidence that the people endorsing retroactive edits to the works of P. G. Wodehouse are the very types of thickheaded dilettantes Wodehouse spent most of his 90 years lampooning.
“I’m not proud of it,” Joe R. Lansdale said in a recent phone interview, “but I’ve been in a lot of fights. You start to learn what’s real and what isn’t.”
He draws on his background as a martial artist, bouncer, and bodyguard from a rough part of East Texas when writing his fight scenes. Most real fights are over fast, he said, and it’s possible to reflect that in your writing while still giving them impact.
“I always think less is more,” he said. “To make it seem like you’ve given a lot of description, but you haven’t. You’ve chosen the right words. You have to write like a cinematographer. I’ve always found that the greatest thing outside experience is stopping and thinking about it from an observational standpoint. The more you do it, the more you’re able to envision that action sequence.”
For action sequences, he recommends short sentences and paragraphs. Another way of injecting a sense of immediacy is to give it a stream-of-consciousness structure, as in: “I spin and dodge his fist, then hit him with …”
“Some people will say that’s a run-on sentence,” he said. “It isn’t, if it’s done right.”
(6) OF INTEREST TO TOLKIEN AND SFF SCHOLARS. Robin A. Reid has assembled a list of hybrid and virtual conferences of interest to those working in Tolkien studies. The first edition is available at “The Online Conference Project”.
After seeing outstanding presentations at the 2021-22 Virtual PCA conferences by a significant number of Tolkien scholars who had never been able to attend the f2f PCA in the past, and who will not be able to attend future f2f PCA conferences because of the various barriers, I started the Online Conference Project.
My goal is to collect and share information about conferences that are either hybrid (meaning allowing for both virtual and in-person presentations and attendance) or virtual (meaning completely online), especially those of interest to those of us working in Tolkien studies and fantasy/speculative fiction studies generally
… In the list below, I provide basic information: conference name/theme, organization or institution organizing it; proposal submission deadline; delivery mode (hybrid, meaning an online track added to a f2f conference; or virtual, meaning entirely online); registration fee (if available); dates of conference…
Lincoln Center will bring back its Summer for the City festival this year, the organization announced on Monday, continuing its efforts to attract new audiences by embracing a wide variety of genres, including pop and classical music, social dance and comedy.
An opera based on Octavia E. Butler’s novel “Parable of the Sower,” by the folk and blues musician Toshi Reagon and the composer Bernice Johnson Reagon, will get its New York City premiere at Geffen Hall on July 14.
John Mansfield in 2015. Photo taken by and (c) Andrew Porter.
(8) PAST WORLDCON CHAIR DIES. John Mansfield, chair of the 1994 Worldcon in Winnipeg, died April 19. He was to be fan guest of honor at this year’s NASFiC, Pemmi-Con, also in Winnipeg.
Mansfield co-founded the Ontario Science Fiction Club (OSFiC) in 1966 with other Toronto locals he’d met at that year’s Worldcon, Peter Gill, Mike Glicksohn, Ken Smookler, and Maureen Bournes. Mansfield had decided to attend the Worldcon after reading a series of articles about fandom in If written by Lin Carter.
Mansfield also had a connection to early Star Trek fandom, contributing an article to the 1968 Comerford/Langsam fanzine Spockananalia 2, “Communication From Starfleet Intelligence”, about Klingon military techniques for interrogating Vulcans:
… Since the prisoner will show no emotion, it will be very hard to determine his mental state as he tries to adapt to captivity. They are a proud race, and consider many of the other Galactic races below them. We have found that if one breaks, he will break completely, and all the past frustrations and emotions will pour out. Experienced interrogators describe this as a rather long and sometimes boring experience….
Mansfield served in the Canadian Armed Forces for 25 years, retiring in 1990. While stationed in New Brunswick, he chaired OromoctoCon in 1970, with attendance of about 30, including some fans who drove up from Boston.
He and his wife, Linda Ross-Mansfield, ran the Pendragon Games specialty store at various locations in Winnipeg over the decades. His influence in gaming fandom is reflected in the fact that the Origins Awards, presented at the Origins Game Fair, are referred to as his “brainchild” in the official history.
He helped develop Winnipeg’s regional Keycon. Beginning in 1989 he published ConTRACT, a zine for Canadian conrunners, continuing until 2002. In the last issue he delivered this snapshot of his life at the time:
Here in Winnipeg, I get to do lots. …I’m part of a Media con and a Horror con, with more possibilities to come. I have the chance to promote some 20 movies a year. I am responsible for promoting various game companies via tournaments from Thunder Bay to Alberta. I’m still running the second largest Game store in Canada, that continues to grow in sales ever since our start in 1982. I know that I am only held back by my imagination and the time I wish to commit to my world.
When he led the 1994 Worldcon (ConAdian) committee, knowing that attendance would be sparse in comparison to Worldcons held in cities many times larger than Winnipeg, he showed a degree of commercial ingenuity that may be common among trade shows but had never been equaled by any previous Worldcon. He courted dozens sponsors and advertisers to gain new sources of revenue at the same time he unsentimentally cut expenses. At opening ceremonies the Mayor of Winnipeg said ConAdian would be the largest conference gathering in Winnipeg this year — the audience buzzed with interest when they heard that.
By then, I was already chair of the forthcoming 1996 Worldcon (L.A.con III), and I was deeply appreciative for all the times John sat with me to share his knowledge and experience.
He would have liked to bring the Worldcon back to Winnipeg for 2003, and started a bid, but the Toronto bid for that year became the unified Canadian entry, winning over a bid for Cancun.
He co-chaired the 2005 Westercon in Calgary. In 2012 he helped start the short-lived A.E. Van Vogt Award for Canadian science fiction on behalf of the Winnipeg Science Fiction Association (WINSFA), Conadian, and Science Fiction Winnipeg (SFW).
He is survived by his wife, Linda Ross-Mansfield, NASFiC co-chair.
(9) MEMORY LANE.
2016 – [Compiled by Cat Eldridge.]
The entire Terra Ignota series was nominated at Chicon 9 for a Hugo Award for Best Series. It was also nominated for an Otherwise Award,
The first work was Too Like The Lightning was published by Tor Books seven years ago. It was rapidly joined by the rest of the quartet, Seven Surrenders (2017), The Will to Battle, (2017) and finally Perhaps the Stars (2021).
I think it’s a brilliant if somewhat flawed series and that is all I’ll say here.
Now shall we read the Beginning of Too Like The Lightning? Of course we will…
A Prayer to the Reader
You will criticize me, reader, for writing in a style six hundred years removed from the events I describe, but you came to me for explanation of those days of transformation which left your world the world it is, and since it was the philosophy of the Eighteenth Century, heavy with optimism and ambition, whose abrupt revival birthed the recent revolution, so it is only in the language of the Enlightenment, rich with opinion and sentiment, that those days can be described. You must forgive me my ‘thee’s and ‘thou’s and ‘he’s and ‘she’s, my lack of modern words and modern objectivity. It will be hard at first, but whether you are my contemporary still awed by the new order, or an historian gazing back at my Twenty-Fifth Century as remotely as I gaze back on the Eighteenth, you will find yourself more fluent in the language of the past than you imagined; we all are.
I wondered once why authors of ancient days so often prostrate themselves before their audience, apologize, beg favors, pray to the reader as to an Emperor as they explain their faults and failings; yet, with my work barely begun, I find myself already in need of such obsequies. If I am properly to follow the style I have chosen, I must, at the book’s outset, describe myself, my background and qualifications, and tell you by what chance or Providence it is that the answers you seek are in my hands. I beg you, gentle reader, master, tyrant, grant me the privilege of silence on this count. Those of you who know the name of Mycroft Canner may now set this book aside. Those who do not, I beg you, let me make you trust me for a few dozen pages, since the tale will give you time enough to hate me in its own right.
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 20, 1908 — Donald Wandrei. Writer who had sixteen stories in Astounding Stories and fourteen stories in Weird Tales, plus a smattering elsewhere, all in the Twenties and Thirties. The Web of Easter Island is his only novel. He was the co-founder with August Derleth of Arkham House. He has World Fantasy Award for Lifetime Achievement, and he’s a member of First Fandom Hall of Fame. Only his “Raiders of The Universe“ short story and his story in Famous Fantastic Mysteries (October 1939 issue) are available at the usual digital suspects. (Died 1987.)
Born April 20, 1937 — George Takei, 86. Hikaru Sulu on the original Trek. And yes, I know that Vonda McIntyre wouldn’t coin the first name until a decade later in her Entropy Effect novel. Post-Trek, he would write Mirror Friend, Mirror Foe with Robert Asprin. By the way, his first genre roles were actually dubbing the English voices of Professor Kashiwagi of Rodan! The Flying Monster and the same of the Commander of Landing Craft of Godzilla Raids Again.
Born April 20, 1939 — Peter S. Beagle, 84. I’ve known him for about twenty years now, met him but once in that time. He’s quite charming. (I had dinner with him here once some years back.) My favorite works? Tamsin, Summerlong and In Calabria. He won the Novelette Hugo at L.A. Con IV for “Two Hearts”. And he has a World Fantasy Award for Lifetime Achievement.
Born April 20, 1943 — Ian Watson, 80. He’s won the BSFA Award twice, first for his novel, The Jonah Kit, and for his short story, “The Beloved Time of Their Lives“. He also got a BSFA nomination for the charmingly titled “The World Science Fiction Convention of 2080”. He has written in Warhammer 40,000 universe including The Inquisition War trilogy.
Born April 20, 1949 — John Ostrander, 74. Writer of comic books, including Grimjack, Suicide Squad and Star Wars: Legacy. Well those are the titles he most frequently gets noted for but I’ll add in the Spectre, Martian Manhunter and the late Eighties Manhunter as well.
Born April 20, 1959 — Clint Howard, 64. So the most interesting connection that he has to the genre is playing Balok, the strange childlike alien, in Star Trek’s “The Corbomite Maneuver” which I remember clearly decades after last seeing it. He’s also John Dexter in Cocoon, and Mark in The Rocketeer as well as Jason Ritter in the Austin Powers franchise. He’s got a minor role in Solo: A Star Wars Story as a character named Ralakili.
Born April 20, 1964 — Sean A. Moore. He wrote three Conan pastiches, Conan the Hunter, Conan and the Grim Grey God and Conan and the Shaman’s Curse. He also wrote the screenplay for Kull the Conqueror, and the novelization of it. All were published by Tor. He was active in Colorado fandom. He died in car crash in Boulder. (Died 1998.)
(11) JEOPARDY! Neal Stephenson figured in the climactic round of tonight’s Jeopardy! episode. Andrew Porter was watching.
Final Jeopardy: Modern Words
Answer: Neal Stephenson coined this word in his 1992 novel “Snow Crash”; it was later shortened by a company to become its new name
All three contestants got it wrong, with “What is powder?” “What is uber?” and “What is avalanche?”
“Buying a cassette direct from an independent artist on platforms such as Bandcamp is such a fun way to consume music. Often produced in very small runs, it is nice to receive something though the post that is relatively scarce. In these days of Spotify funnelling payments only to the superstars, it feels good to support small artists and labels. I love vinyl, too, but the magic of a cassette is that you have no way to skip tracks; you press ‘play’ and listen from start to finish with only the satisfying thud of one side ending to interrupt the experience. The noisy, tactile controls of a cassette player are the perfect tonic to the ways most of us consume media throughout the day, making it more of a special event and something to look forward to.” Dan White, 40, Norwich
(13) RECORD STORE RESOURCE. April 22 is “Record Store Day”. This link will take you to any store participating, anywhere, plus lots of other information.
This is a day for the people who make up the world of the record store—the staff, the customers, and the artists—to come together and celebrate the unique culture of a record store and the special role they play in their communities. Special vinyl and CD releases and various promotional products are made exclusively for the day. Festivities include performances, cook-outs, body painting, meet & greets with artists, parades, DJs spinning records, and on and on. In 2008 a small list of titles was released on Record Store Day and that list has grown to include artists and labels both large and small, in every genre and price point.
SpaceX’s Starship lifted off the pad in Southern Texas and cleared the launchpad, its first milestone, but then began tumbling as it was preparing for stage separation and the vehicle came apart some four minutes into flight.
… SpaceX’s Kate Tice said it was unclear what caused the rocket to come apart. She said that “teams will continue to review the data and work toward our next flight test.”
Still, since it was a test, SpaceX hailed the flight as a success because it would provide the company new information about how the vehicle performs in real life that will help them on future flights. And it did not damage the launchpad, a risk SpaceX CEO Elon Musk had said was his greatest worry….
Although currently there is no known threat to Earth from asteroids, strategies to protect the planet from a collision are being explored. On 26 September 2022, NASA and the Johns Hopkins Applied Physics Laboratory successfully tested one such approach: the Double Asteroid Redirection Test (DART) spacecraft was deliberately crashed into Dimorphos, a moon orbiting the small asteroid Didymos, resulting in a change in the moon’s orbit. In this week’s issue, five papers explore the test and the effects of the collision. “Successful kinetic impact into an asteroid” reconstructs the impact; a second looks at the change to Dimorphos’s orbit caused by the impact. A third paper reports observations from the Hubble Space Telescope of the material ejected during the collision. A fourth paper uses modelling to characterize the transfer of momentum that resulted from the impact. And the final paper reports on citizen science observations before, during and after the collision.
[Thanks to Michael Toman, Cat Eldridge, Mike Kennedy, Lloyd & Yvonne Penney, Moshe Feder, Danny Sichel, SF Concatenation’s Jonathan Cowie, Rich Lynch, Andrew Porter, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day Andrew (not Werdna).]
(0) Short Scroll today – I’m spending the day at my brother’s watching the Super Bowl.
(1) PROPOSED CHANGE TO COPYRIGHT LAW. In what may be a move to return to the pre-1978 copyright law, H.R. 576 the Copyright Clause Restoration Act of 2023 was introduced on January 26, 2023 by Congressman W. Greg Steube (R-FL-17). The bill can be read at: https://www.congress.gov/bill/118th-congress/house-bill/576/text
It states any copyright work shall endure for 28 years from the original date it was secured and is entitled to a renewal and extension for a further 28 years if the holder applies for that renewal and extension during the one-year period before the expiration of the original term of the copyright, It also includes provisions that specifically apply to a motion picture industry “person” (entity) with a market capitalization of more than $150 billion. They are relief provisions in the sense that they would allow the person to keep holding the rights for up to 10 years after May 1, 2023, which is when licensing starts if enacted.
(2) BOUNDARIES. Joe R. Lansdale testifies on Facebook. Is he addressing a complaint, or just making it into a reductio ad absurdum.?
…Why do you have black characters in your books and gay characters since you are not black or gay?
Because I don’t believe in segregated fiction where one group only writes about their group and no one can make an appearance that isn’t of your group. That’s just stupid. We are all humans and we need to try and know one another. I can get it wrong, but I’m trying to get it right. Write about white people if you like, black, gay, animals, what have you. Writers shouldn’t be subject to that kind of thinking, and the fact people want some form of segregated fiction isn’t good for any of us. We should celebrate our connections, and not forget there are those who are less celebrated than they ought to be. But if you only want to write about one group, go for it. Just don’t tell me that I have to.
If you write about characters unlike you, not of your race or sexual persuasion, then you hear that you shouldn’t. You don’t write about them, then you hear, why aren’t you including them in your work?
I get shit from those who think I’m Woke, and from those who think I’m not.
I’m not a fan of Woke due to the bully aspect. I’m not a fan of the rabidly anti-Woke for the same reason. Neither group gets to tell me what I think or how I think. I think everyone deserves a fair shake….
(3) MEMORY LANE.
1930 – [Compiled by Cat Eldridge.]
Dashiell Hammett’s The Maltese Falcon is without doubt the finest mystery novel ever written. Go ahead and dispute that. You can tell me what you think is the greatest mystery novel.
(It was also made in the greatest mystery film of all time. That is without dispute, I tell you.
No, not the first time it was made in 1930, but 1941 version with Humphrey Bogart as private investigator Sam Spade and Mary Astor as his femme fatale client.
The film is completely faithful to the novel, a tribute to the screenwriter John Huston who also directed.)
Published by Knopf in 1930, it was originally serialized in Black Mask beginning with the September 1929 issue. It’s a tight novel, only a little over two hundred pages depending on the printing.
And now for our Beginning…
SPADE & ARCHER
Samuel Spade’s jaw was long and bony, his chin a jutting v under the more flexible v of his mouth.
His nostrils curved back to make another, smaller, v. His yellow-grey eyes were horizontal. The v motif was picked up again by thickish brows rising outward from twin creases above a hooked nose, and his pale brown hair grew down—from high flat temples—in a point on his forehead. He looked rather pleasantly like a blond satan.
He said to Effie Perine: “Yes, sweetheart?”
She was a lanky sunburned girl whose tan dress of thin woolen stuff clung to her with an effect of dampness. Her eyes were brown and playful in a shiny boyish face. She finished shutting the door behind her, leaned against it, and said: “There’s a girl wants to see you. Her name’s Wonderly.”
“A customer?”
“I guess so. You’ll want to see her anyway: she’s a knockout.”
“Shoo her in, darling,” said Spade. “Shoo her in.”
Effie Perine opened the door again, following it back into the outer office, standing with a hand on the knob while saying: “Will you come in, Miss Wonderly?”
A voice said, “Thank you,” so softly that only the purest articulation made the words intelligible, and a young woman came through the doorway. She advanced slowly, with tentative steps, looking at Spade with cobalt-blue eyes that were both shy and probing. She was tall and pliantly slender, without angularity anywhere. Her body was erect and high-breasted, her legs long, her hands and feet narrow. She wore two shades of blue that had been selected because of her eyes. The hair curling from under her blue hat was darkly red, her full lips more brightly red. White teeth glistened in the crescent her timid smile made.
Spade rose bowing and indicating with a thick-fingered hand the oaken armchair beside his desk. He was quite six feet tall. The steep rounded slope of his shoulders made his body seem almost conical—no broader than it was thick—and kept his freshly pressed grey coat from fitting very well.
(4) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born February 12, 1920 — Russ Chauvenet. He co-founded the National Fantasy Fan Federation, with Damon Knight and Art Widner, and was a member of First Fandom. He coined the word “fanzine” in the October 1940 issue of his fanzine Detours and was for many years a member of the Fantasy Amateur Press Association. He later coined prozine, a phrase for professionally published magazines containing SF stories. It looks like he wrote one piece of fanfic called “If I Werewolf”. He shares credit for it with Harry Jenkins, Jr., Elmer Perdue, Jack Speer, Wilson Tucker and Arthur L. Widner, Jr. and it was published in Spaceways, January 1942. (Died 2003.)
Born February 12, 1929 — Donald Kingsbury, 94. He’s written three novels (Courtship Rite, The Moon Goddess and the Son and Psychohistorical Crisis) that could be akin to the Asimov’s Foundation novels. Clute at EOSF says that the Asimov estate explicitly refused him permission to set Psychohistorical Crisis in the Foundation universe.
Born February 12, 1933 — Juanita Ruth Coulson, 90. She apparently is well-known for her Children of the Stars books. She co-edited the fanzine Yandro for many years. The magazine won the Hugo in 1965, thus making Coulson one of the very first women editors to be so honored. She’s also known for being an excellent filker. She was inducted into the Filk Hall of Fame in 1996. She was nominated for several Pegasus Awards for filk music, winning the award for Best Writer/Composer in 2012.
Born February 12, 1942 — Terry Bisson, 81. He’s best known for his short stories including “Bears Discover Fire,” which won the Hugo Award and the Nebula Award and “They’re Made Out of Meat.” His genre novels include Talking Man, Wyrldmaker and a rather superb adaptation of Johnny Mnemonic that was far better than the film ever could be.
Born February 12, 1954 — Stu Shiffman. To quote Mike in his post, he was “The renowned fan artist, who generously shared his talents in fanzines, apas and convention publications, received the Best Fan Artist Hugo Award in 1990 and the Rotsler Award in 2010.” You can read Mikes’ gracious full post on him here. (Died 2014.)
Born February 12, 1962 — Steve Szilagyi, 61. This is going to get very meta. Photographing Fairies, his first novel, was short-listed for the 1993 World Fantasy Award. But the novel itself is based on the Cottingley Fairies hoax so is the novel a metanarrative? Ok I’ve been up too long again. At any rate the film made from the novel which starred Ben Kingsley was most excellent.
Born February 12, 1963 — Laura Miller, 60. Author of an essay whose title tickles me to the end: “It’s Philip Dick’s World, We Only Live In It“. Originally appearing in the New York Times, 24 November 2002, it was reprinted in PKD Otaku, #9 which you can download here.
Robby the Robot was built by ex-washing machine designer Robert Kinoshida who said, “I remember on the first day of filming, the crew stood around wondering ‘What the hell is this thing gonna do?'”
Robby was made of: metal, plastic, rubber, glass, and Plexiglas. The plastic parts were made using the then new technology of vacuum-forming heated plastic over wooden molds. He stands just over 7-feet tall, made in three detachable sections with a very detailed head.
Two stunt men took turns being inside Robby to operate him. An off-camera actor spoke Robby’s lines into a microphone that ran a cable to Robby’s foot and up to a voice-activated circuit that lit-up blue, neon tubes as he spoke.
Later, actor Marvin Miller dubbed in Robby’s final voice. Miller was the man that gave out the checks in TV’s The Millionaire series….
HBO’s The Nevers has found a new home after it was unceremoniously axed and pulled from HBO Max. On Friday, it was confirmed that Tubi landed the exclusive streaming rights to the drama series and will stream all six episodes starting Monday, February 13. On top of that, six previously-unseen episodes will air beginning on Tuesday, February 14 starting at 2:38 p.m. ET and wrapping with Episode 12 on Wednesday, February 15 at 4:50 p.m. ET….
Russia’s state-owned space corporation, Roscosmos, reported Saturday that a Progress supply ship attached to the International Space Station has lost pressure in its external cooling system.
In its statement, Roscosmos said there was no threat to the seven crew members on board the orbiting laboratory. NASA, too, said the hatch between the Progress MS-21 vehicle and the space station was open. Notably, the incident with the supply ship came within hours of the safe docking of another Progress ship, MS-22, which is in good health.
Although the initial Roscosmos statement was vague about the depressurization event, Dmitry Strugovets, a former head of space agency Roscosmos’ press service, later clarified it was a coolant leak. “All of the coolant has leaked out,” he said via Telegram.
This is the second Russian spacecraft to suffer a cooling system leak in less than two months at the space station….
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Linda Deneroff, Mike Kennedy, John King Tarpinian, and Chris Barkley for some of these stories. Title credit belongs to File 770 contributing editor of the day by Ingvar.]
The Horror Writers Association announced today that the Karen Lansdale Silver Hammer is the new name of the award given to an HWA volunteer “who has done a truly massive amount of work for the organization, often unsung and behind the scenes.”
They also are updating the physical award, replacing the hammer with a new stylized sculpture now being designed. It will be cast by the same company that makes the Bram Stoker Award statues.
Karen Lansdale will be the first recipient of the renamed award, to be presented to her in October 2022.
HWA said they have renamed the award “in honor of the tremendous amount of work Karen did starting the HWA.” Joe R. Lansdale tells in a brief history the things his wife did to help create the organization. He ends his memoir with the declaration:
…So, let it be known, it was she, not Rick [Robert R. McCammon], not me, not Dean [Koontz], who created the organization which continued to grow and became the Horror Writers Association. It leaped from our kitchen table, where Karen operated, and flew out into the ether to eventually become world-wide. That’s impressive.
Karen is proud of that.
I am proud of her.
Alas, her modesty has led to her not receiving the credit she deserves, to be set aside in favor of bigger names, all male, mind you, and she is not even mentioned in the history of the Horror Writers Association. This is a travesty.
She proudly received, many years later, a Richard Laymon award for her contributions, but that is not enough. She didn’t just Xerox and staple, she created.
Her efforts were soon forgotten, pushed aside even. The history is still improperly written. It needs to be revised to reflect the truth. Rick and Dean, and many others contributed, but the mojo that caused it to come into being, was the mojo Karen Lansdale put into it.
I love Karen for her humility all these years, but it frustrates me as well.
Rick had the idea, Dean had the money to broaden the newsletter and the organization’s appeal, but Karen Lansdale founded the Horror Writers Association.
That’s the in and the out of it, the alpha and the omega.
Adds Robert McCammon, “Karen Lansdale performed an invaluable service for HWA at the organization’s birth, and every HWA member around the world should be appreciative of the great work she did.”
(1) GENRE SQUEAKS IN. [Item by Cora Buhlert.] Amazingly, there actually is one genre book on the Deutscher Buch Preis (German Book Prize) longlist, which is quite unusual for this award, which tends to go to family sagas with historical background or novels about rootless young people in the big city.
The novel in question is Auf See (At Sea) by Theresia Enzensberger, which tells the story of a woman who grows up in a floating city in the Baltic Sea that was founded by her father, a tech billionaire to escape the chaos on shore. Alas, the floating city is declining and the protagonist worries that she might be succumbing to the same mystery disease as her late mother.
The 20-book longlist is here. The winner receives prize money of €25,000 (US$24,855). The five finalists each receive €2,500 (US$2,485). The shortlist will be released September 20.
—and another plug for another title, sheesh, what is it with you? Never mind, don’t answer that. Fredric Brown. Sensational writer, a whole lot better than you, and equally at home in science fiction and mystery. You ever write any SF?
I had a story in a magazine, Science Fiction Stories, in 1959, and it was chosen for Judith Merril’s best-of-the-year collection. And in 1984 Fantasy & Science Fiction ran “The Boy Who Disappeared Clouds.”
Two stories twenty-five years apart. Doesn’t exactly put you up there with Sturgeon and Asimov, does it?
The first time I went to a Game of Thrones dinner at the restaurant Elizabeth, the room was decked out in banners bearing ancestral sigils, while dozens of vinyl figurines were stuffed into every possible gap and onto every ledge. It was April 2017, a seventh season of the show would air in a couple of months, and a friend had come to Chicago to attend this dinner with me, not because we loved Game of Thrones — neither of us had watched for years at that point — but because the idea of a fannish dinner was exciting.
Before each of 10 courses, the staff explained the source or inspiration for everything that was served. We had the “black bread” that is mentioned repeatedly in the novels the TV series is based on. (This version was dyed with squid ink.) It was served with accompaniments, one of which was an asparagus relish; at another table, the server was explaining how he’d seen the chef arranging the asparagus on her bread like dragon scales while testing out the recipe.
If courses were inspired by something exact, the servers mentioned its scene of origin: After Catelyn Stark arrests Tyrion Lannister at an inn, she dines on onions dripping in juices, and we got the same. (The plating of these was vaguely scale-like, too.) Within a three-part course that reflected the seafaring Iron Islands culture, one dish, squid “noodles,” was a subtle nod toward the sigil of the local ruling family. Another Iron Islands dish, clams in a dashi broth, was inspired by a particular line in the fourth book of five currently published: “Aeron broke his fast on a broth of clams and seaweed cooked above a driftwood fire.” These citations were delivered in the same breath as the ingredient sources: This cheese is from Indiana, and that amuse-bouche draws on a description of tables laid with strawberries and sweetgrass.
The chef, Iliana Regan, has seemingly never done anything half-assed or half-hearted in her life; obviously she owns a small army of Game of Thrones dolls, and if she was bothering to cook a menu about it, there was going to be a chest of handmade dragon eggs next to the duck press near the kitchen….
…One of his pieces is titled David v G 2.0, which is a Mecha meets samurai meets bible story. It’s a retelling of David and Goliath. Each of his creations below comes with a little note about what his goal was for each piece.
This compendium is for members of Chicon, who are only in town for a few days, with hours or half-days (or empty stomachs!) to fill, so “here” is the Hyatt Regency on East Wacker (city center map We’re part of Illinois Center on the south side of the mouth of the river.). Except for Hyde Park (Museum of Science and Industry, University of Chicago, site of the first nuclear “pile”, site of 1893 Columbian Exposition), marked with the Ferris Wheel, I’ve tried to restrain myself from things more than a couple of miles from the Loop. Alas, no Nazi submarine [2] [3], Pullman, Garfield Park Conservatory, or Green Mill (fortunately, Ric Addy’s tour of the basement is on YouTube [2]).
(7) LANSDALE INTERVIEW. [Todd Mason.] And a good one, though you can pretty much ignore that pre-i/v intro. The interviewer does like to ask Tell Me About Your Journey questions of Creatives. “’The Family That Creates Together…’ Writer Joe Lansdale & Singer Kasey Lansdale” in The Hollywood AWAC Podcast with Host Bill Thill.
Host Bill Thill sits down with writer Joe R. Lansdale (“Hap And Leonard”, “Cold In July”, “The Bottoms”, Etc.) And Kasey Lansdale to discuss their recent collaboration writing their new book, “Terror Is Our Business”. This talented father-daughter duet chat about the creative process and what it takes to build a life less ordinary while pursuing creative endeavors.
(8) POPULARIZING SPACE EXPLORATION. At Dreams of Space, scans of Wernher Von Braun’s fictionalized portrayal of what “5 Days on the Moon” would really be like. From This Week, March 8, 1959.
“5 Days on the Moon” by Wernher Von Braun and illustrated by Fred Freeman. These are hard to find. I am still looking for a copy of part 2.
(While we’re aware of Von Braun’s V-2 program in WW2 and use of slave labor there, this item is linked as an example of how a vision for Moon exploration was set in American mass media just a few years before the real thing.)
(9) THE HORROR. [Item by Mike Kennedy.] If Winnie the Pooh can get a horror adaptation, why not Pretty Woman? “Popular Movies That Need Horror Adaptations”, a list by Buzzfeed’s Jeremy Hayes. For example:
3. It’s a Wonderful Life
The original is a Christmas classic, but this horror adaptation would focus on the elements at the movie’s end when George Bailey wishes he was never born. There’s an opportunity for a thought-provoking thriller with dark and supernatural elements. Imagine Clarence as a dark angel instead of George’s guardian angel.
My horror movie description: A man’s life falls into chaos after an angel makes it so he was never born.
The closest film comparison:The Forgotten
(10) MEDIA BIRTHDAY.
2014 – [By Cat Eldridge.] Peter Capaldi began his reign as the Twelfth Doctor in “Deep Breath” which featured just a brief cameo from Matt Smith as the Eleventh Doctor. It was a crowded affair as his Companion, Clara Oswald as played by Jenna Coleman, was there, as was Neve as Madame Vastra and Catrin Stewart as her wife Jenny Flint and Dan Starkey as Santoran Strax.
Partly without a working memory, a common theme with newly regenerated Doctors and one I’d dearly love to know why, he takes on The Faceless One. No more shall I say to skip the bother of posting SPOILER WARNINGS!
Now how was Capaldi as a Doctor? I liked his spiky, brusque and acerbic take on the Doctor and there were episodes that I must say were absolutely stellar. The take off Christie’s Murder on the Orient Express titled “Mummy on the Orient Express” and the heist story “Time Heist” was one of the best Who stories even told. “Twice Upon a Time” where he meets the First Doctor was amazing.
His relationships with Clara Oswald and Bill Potts I thought was written well. The Third Companion, Nardole, really not so much. That’s not his fault that at least for me Nardole didn’t work.
I hold that he was smart, inventive and unlike most incarnations of the Doctors save the Fourth and the Seventh, he had a touch of sarcasm running through him. Subtle at times, not at all subtle other times. Not a bad thing to have, I’d say.
Some of his episodes got nominated for Hugos — “Listen” at Sasquan, “Heaven Sent” at MidAmeriCon II, “The Return of Doctor Mysterio” at Worldcon 75 and “Twice Upon a Time” at Worldcon 76. None alas won.
(11) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born August 23, 1868 — Edgar Lee Masters. Author of the Spoon River Anthology which, since each poem is by someone who’s dead, should count as genre, shouldn’t it? Well, I think so even if you don’t, so there. (Died 1950.)
Born August 23, 1927 — Peter Wyngarde. Not a lead actor in any genre series but interesting nonetheless. For instance, he shows up in the two Sherlock Holmes series, one with Peter Cushing and one with Jeremy Brett. He’s in a series of Doctor Who with the Fifth Doctor and he faces off against the classic Avenger pairing of Steed and Peel. He shows up as Number Two in The Prisoner as well. (Died 2018.)
Born August 23, 1929 — Vera Miles, 93. Lila Crane in Psycho which she reprised in Psycho II. On a much more family friendly note, she’s Silly Hardy in Tarzan’s Hidden Jungle, the very last of the twelve Tarzan pictures released by RKO. She has done one-offs on Buck Rogers in Twentieth Century, Fantasy Island, The Twilight Zone, Alfred Hitchcock Presents, I Spy and The Man from U.N.C.L.E.
Born August 23, 1931 — Barbara Eden, 91. Jeannie on I Dream of Jeannie. Her first genre role however was on Voyage to the Bottom of the Sea as Lt. Cathy Connors though she’d show up a few years later as Greta Heinrich on The Wonderful World of the Brothers Grimm. And let’s not forget Barbara Eden’s role in The Brass Bottle, a 1964 film where she’s the girlfriend of a guy who is played Tony Randall who finds a troublemaking genie who was portrayed by Burl Ives. Some thirty-five years after I Dream of Jeannie went off the air, she had a recurring role as Aunt Irma on Sabrina, the Teenage Witch.
Born August 23, 1944 — Karl Alexander. Author of Time after Time which when filmed was directed and written by Nicholas Meyer. Cast included Malcolm McDowell, Mary Steenburgen and David Warner. (A thirteen-episode series would happen in 2017.) His sequel of Jaclyn the Ripper is not as well known, nor is his Time-Crossed Lovers novel. (Died 2015.)
Born August 23, 1965 — Chris Bachalo, 57. Illustrator well-known for his work on DC Comics’ Shade, the Changing Man and Gaiman’s two Death series, Death: The High Cost of Living and Death: The Time of Your Life.
Born August 23, 1970 — River Phoenix. The Young Indiana Jones in Indiana Jones and the Last Crusade was his best known genre role. He was also Wolfgang Müller in Explorers, and he’s Talbot Roe in Silent Tongue, a horror film most likely you’ve never heard of. (Died 1993.)
Born August 23, 1990 — Jessica Lee Keller, 32. Lauren, Elise’s Best Friend, in The Adjustment Bureau from Philip K. Dick’s “Adjustment Team” story. She also shows up in Lucifer, Terror Birds and 12-24 where IMDB describes her as the One Tit Zombie. (CE)
(12) SF REFERENCES, TOO. In the Washington Post, Michael Cavna profiles Tom Batiuk, who is celebrating the 50th anniversary of “Funky Winkerbean,” one of the few daily strips where the characters age in real time. “How ‘Funky Winkerbean’ became the darkest strip on the comics pages”.
…“I started out writing about kids in high school who worry about trying to get a date and climbing the rope in gym class,” says the “Funky Winkerbean” creator this month by Zoom from Medina, Ohio. “Now, I’m writing about going to financial seminars and getting colonoscopies and playing pickleball.”…
(14) MOON HOAX NEWS. [Item by Martin Morse Wooster.] In the Washington Post, Dave Kindy discusses the Great Moon Hoax of 1835, in which readers of the New York Sun were thrilled by a series about creatures on the Moon until they discovered the series was sf written by Sun reporter Richard Adams Locke. “Great Moon Hoax of 1835 convinced the world of extraterrestrial life”.
…The Sun ran six articles on the discoveries over the course of a week beginning on Aug. 25, 1835. The stories included amazing descriptions of life on the moon, as viewed through an enormous telescope with “hydro-oxygen” lenses built by Herschel at an observatory on the Cape of Good Hope in South Africa.
According to the Sun, the articles were reprinted from the Edinburgh Journal of Science in Scotland. In them, Grant wrote about golden temples and a ruby coliseum built by Vespertilio–Homo, a Latin name meaning “bat-man,” which was given to the humanoids populating the moon.
He also reported how “some of their amusements would but ill comport with our terrestrial notions of decorum.” Apparently, these winged humans liked to share intimate moments in public — presumably of a sexual nature…
The bright yellow creatures known as Minions have caused plenty of chaos on movie screens. When their latest film, “Minions: The Rise of Gru,” opened in China last Friday, censors decided to impose some law and order.
In the original version, the film’s two main villains make a bold escape, unpunished. But on Chinese social media, photographs of what appeared to be a jarringly different epilogue stitched into the credits section soon began to circulate widely.
According to that epilogue, one of the villains got a lengthy prison sentence for his crimes, while the other became an attentive father of three, in what some saw as a nod to China’s policy of encouraging higher birthrates.
(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Minions: The Rise of Gru,” the Screen Junkies say that “Everyone will be dumber for having seen it. But I award it all the points and may God make Minions of us all.” Now that Pixar has cornered the market in depressing your kids, the Minions film delivers fart jokes, ‘Silly Minion gibberish,” and ancient Boomer references that are too old for your parents (remember Don Rickles?)
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Rob Thornton, Todd Mason, BGrandrath, Neil Rest, Andrew Porter, Chris Barkley, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) VERTLIEB MEDICAL UPDATE. Please keep File 770 contributor Steve Vertlieb in mind on Monday, April 25 when he will be having major heart surgery. He explained to Facebook friends:
…With the impending replacement of not one, but both heart valves … Atrial and Mitral … as well as stopping the continuing dripping of blood into my heart cavity … and stitching back together a hole in my heart … I’m trusting in God, the fates, and the grateful prayer support of so many countless friends and loved ones to overcome this….
(2) DOUBLE-OH. Luke Poling looks at YA James Bond pastiches, including one where the teenage Bond fights a pirate named “Walker D. Plank.” “You Know, For Kids! The History of a Teenage James Bond” at CrimeReads. Even YA horror legend R.L. Stine has written one, Win, Place or Die.
When you think of the British agent with a license to kill, seducing his way around the world, keeping the rest of us safe, you likely don’t think of children. This is probably a good thing since the source novels are most definitely of their era, rife with casual sexism, racism, misogyny, homophobia and rape. While the films do a little better in some of these areas, they’re not exactly blameless.
It’s for these reasons that perhaps the idea of a teenage Bond isn’t something that instantly springs to mind as a great idea. Yet, as you’ll see, it’s been a long sought after market that the keepers of the Bond legacy have repeatedly tried to reach, with varying degrees of success….
(3) LE GUIN PRIZE DEADLINE. You have until midnight April 30 (Pacific time) to nominate for this year’s Ursula K. Le Guin Prize for Fiction. Click here for the nomination form and eligibility criteria. The winner will receive a $25,000 cash prize. The members of the 2022 jury are discussed here.
…And Uncle Hugo’s and Uncle Edgar’s bookstore — the deeply beloved science fiction and mystery store owned by Don Blyly — has found a new home. The “uncles,” as the store is known, burned during the unrest that took place in Minneapolis following the murder of George Floyd. Now, two years on, the store will reopen at 2716 E. 31st St., just a half-block away from Moon Palace Bookstore….
(5) NOTHING IS CERTAIN BUT DEATH AND TAXONOMY. Rob Thornton has a question about something he noticed at the New York Times Book Review.
They said that the column by Amal El-Mohtar was about ”science fiction and fantasy” but said in a headline that Emily St. John Mandel’s new (and acceptable) novel was “speculative fiction.”
Is NYTBR trying to split the genre into “pulp” (genre) and “literary” branches?
In the first quarter of 2022 (Janurary 1 to March 31), Netflix lost a net 200,000 subscribers, making it the first time in over a decade that the streaming service didn’t grow in subscriptions. If this weren’t bad enough, the loss was on the backdrop of Netflix projecting a 2,500,000 subscriber gain. Thier stock dropped roughly 30% in the last 24-ish hours. While Netflix continues to provide a handful of favorably received properties like Bridgerton, The Crown, Squid Game, and more, this drop was bound to happen. Everyone has beef with the company.
Stacking controversies from platforming bigoted comedians like Dave Chappelle (proud TERF), pay disparities, choosing to cancel fan-favorite content over bland hate-watched content, region-locked content, creepy cover art changes, and consistently colorist casting choices regarding Black women haven’t helped. A whole wiki page (divided into five categories) exists documenting Netflix criticism. To be very clear, not all of these grievances are equal. However, it does show that many people have issues with the company and the content for a broad range of reasons.
… Fans of Shatner are probably well-acquainted with Shatner’s dramatic interpretation of “Rocket Man” at the January 20, 1978. Saturn Awards, also called the Science Fiction Film Awards. For the uninitiated:
Mr. Shatner was a guest of Mr. Wallace on the latest episode of the CNN+ seriesWho’s Talking to Chris Wallace, and had a strange reaction to being confronted with the clip. He joked about torturing and killing Wallace for playing a very brief clip — then made the preposterous claim that he had been unaware the performance was being filmed at the time, even thought there were elements of the performance that couldn’t possibly have been incorporated in a non-televised setting:
MR. WALLACE: I want to explore these spoken word albums, and I get what exactly what you’re saying, it’s not quite singing. It’s not quite talking, but it’s you’re going to kill me for this. Nineteen…
MR. SHATNER: No, I would never kill you…. I’d torture you.
MR. WALLACE: …1978. I’m going to play… Here’s another spoken word album. Take a look. Okay.
MR. SHATNER: (video clip) Rocket Man. Burning out his fuse out here, a. I think it’s going to be a long, long time ’til touchdown bring me round again to find I’m not the man they think I am. Oh no, no, no. I’m a Rocket Man now.
MR. SHATNER: Now your audience is going to watch Chris die, as I kill you. (Wallace laughs) It was an award show…
(8) TOOL TIME. Christopher Barzak invites us to share “A Moment with Ellen Datlow” at Jenny Magazine, the Youngstown State University’s Student Literary Arts Association online literary magazine. In addition to talking about her professional work, Ellen answers questions what she collects. There are many photos of the items.
[CB] … It made me wonder if you see the collecting and arrangement of these art objects as a curatorial process in the same way that you essentially collect and arrange stories for anthologies? Do the processes seem similar to you? At heart, is being an editor essentially being a collector or curator?
ED: Wow-you’re much more perceptive than I am. I’ve usually started collecting by discovering one weird/beautiful/perfect object, then deciding I want more of them or more like them. I love antiquing and going to yard/garage sales. The first tool I ever bought was something I found in London’s Jubilee market hall in Covent Garden. I had no idea what it was for and neither did the seller. I didn’t discover its use until more than twenty years after I acquired it, when Kaaron Warren and I collaborated on Tool Tales (a chapbook consisting of photographs of ten of my tools/odd objects and the micro fictions she wrote about each one. A reader was able to match the item on ebay: Antique Nipper- Tool-Pliers-Adjust-Teeth-Saw-Hacksaw.
I prefer to find objects randomly, in-person. I started collecting native American fetish animals while visiting the American Southwest, then alas, discovered ebay and started buying way too many fetishes that way. But it’s not as satisfying. …
…I was asked to produce fifty watercolors for the single-volume edition. The question of which episodes I should choose as subjects, which could have occupied me for a good part of the allotted time, was more easily settled; the color plates were to be printed on separate sheets and bound around alternating signatures of text pages, which meant that the illustrations would fall between every thirty-two pages of text.
This limitation turned out to be a blessing; it was important for me that every illustration should relate immediately to the text on the opposite page to create a harmony between story and image, and it also relieved me of the obligation to represent all the dramatic high points of the tale. This meant that I could concentrate more on scene setting and atmosphere building, and creating some quieter moments.
My feeling was that it would be better to add detail and color to those parts which the author had not described in great depth than to try to echo his powerful storytelling. That said, there are very few pages in The Lord of the Rings where nothing remarkable is happening! …
The unofficial annual holiday celebrates the day in 2011 when the first episode of the sixth season of the series was aired in the United Kingdom, United States, and Canada.
(11) MEDIA BIRTHDAY.
1974 — [Compiled by Cat Eldridge.] Forty-eight years ago on ABC, Gene Roddenberry’s Planet Earth film first aired. It was intended to be a pilot for a new weekly television series but that was not to be.
It was written by Roddenberry and Juanita Bartlett, who had this point had no genre experience but later on would be the Executive Producer on many episodes of The Greatest American Hero and even wrote a handful of them.
It starred John Saxon as Dylan Hunt. Yes Dylan Hunt. If you remember, Gene Roddenberry’s Andromeda series will be fronted by Kevin Sorbo playing Dylan Hunt. Roddenberry was famous, or infamous for reusing almost everything. The previous pilot was Genesis II, and it featured many of the concepts and characters later redeveloped and mostly recast in this film.
So how was it received? Comic Mix correctly noted I think that “As a concept, it’s not bad. The execution, from Samuel A. Peebles’ script on down, is where the pilot film gets into trouble. Peebles’ writing was stiff, and whatever rewriting Roddenberry did, didn’t help. The characters are types, never fully fleshed out, and Cord’s heroic role is blunted by his cold, aloof performance (making him better suited as Airwolf’s Archangel a few years later).”
And Moria’s Reviews says of it that “Planet Earth tends to represent Gene Roddenberry at his preachy worst. Genesis II, when it came down to it, was only a variant on the basic premise of Buck Rogers (1939) about a man from the present-day waking up in the future and showing people how things should be done with a little 20th Century knowhow and individualism. That is to say, Genesis II was a Buck Rogers with Gene Roddenberry’s social utopianism added to the mix.”
Audience reviewers at Rotten Tomatoes give it a thirty percent rating.
(12) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born April 23, 1879 — Talbot Mundy. English-born, but based for most of his life in the States, he also wrote under the pseudonym of Walter Galt. Best known as the author of King of the Khyber Rifles which is not quite genre and the Jimgrim series which is genre, much of his work was published in pulp magazines. (Died 1940.)
Born April 23, 1923 — Avram Davidson. Equally at home writing mystery, fantasy or science fiction, he wrote two splendid Ellery Queen mysteries, And on the Eighth Day and The Fourth Side of the Triangle. I’m fond of his Vergil Magus series if only for the names of the novels such as The Phoenix and the Mirror or, The Enigmatic Speculum. His only Hugo was at Solacon (1958) for his “Or All the Seas with Oysters” short story. During his tenure as editor of The Magazine of Fantasy and Science Fiction (1962-1965) it won the Best Professional Magazine Hugo (1963) and was nominated twice more at Pacificon II (1964) and Loncon II (1965). He was honored with the World Fantasy Award for Lifetime Achievement in 1986. (Died 1993.)
Born April 23, 1935 — Tom Doherty, 87. Publisher of Ace Books who left there in 1980 to found Tor Books. Tor became a subsidiary of St. Martin’s Press in 1987; both are now divisions of Macmillan Publishers, owned by Holtzbrinck Publishers. Doherty was awarded a World Fantasy Award in the Lifetime Achievement category at the 2005 World Fantasy Convention for his contributions to the fantasy field. He also partnered in the founding of Baen Books.
Born April 23, 1939 — Lee Majors, 83. Here for his role as Colonel Steve Austin in The Six Million Dollar Man. He reprised the role in The Bionic Woman. Much later, he had a recurring role in Ash vs. Evil Dead as Brock Williams. In the new version of Thunderbirds Are Go, he voiced Jeff Tracy. He shows up in Scrooged as himself.
Born April 23, 1955 — Paul J. McAuley, 67. Four Hundred Billion Stars, his first novel, won the Philip K. Dick Award, Fairyland which I adore won a Arthur C. Clarke Award and a John W. Campbell Memorial Award for Best SF Novel. His short story, “The Choice”, won a Sturgeon Award, and “Pasquale’s Angel” won a Sideways Award. He was Toastmaster along Kim Newman at Interaction.
Born April 23, 1956 — Caroline Thompson, 66. She wrote the screenplays for Tim Burton’s Edward Scissorhands, The Nightmare Before Christmas, and Corpse Bride. A stage version of the latter with director and choreographer Matthew Bourne was co-adapted with her this year. She also wrote the screenplay for The Addams Family. And she wrote the screenplay for the television film, Snow White: The Fairest of Them All.
Born April 23, 1962 — John Hannah, 60. Here for being Jonathan Carnahan in The Mummy, The Mummy Returns, and there was apparently a third film as well though let’s not talk about it please, The Mummy: Tomb of the Dragon Emperor. In a more meaty role, he was the title characters in Dr. Jekyll and Mr. Hyde, and of late he’s been Holden Radcliffe on Marvel’s Agents of S.H.I.E.L.D. series.
Born April 23, 1973 — Naomi Kritzer, 49. I saw that her 2015 short story “Cat Pictures Please” had been a Hugo Award winner at MidAmeriCon II, so I went and purchased Cat Pictures Please and Other Stories off Apple Books so I could read it. It was superb as was Catfishing on CatNet which is nominated for a Lodestar Award for Best Young Adult Book at this year’s Hugos. It’s since been expanded continued in two more novels, Catfishing on CatNet and the Chaos on Catnet. DisCon III saw her nominated for two Hugos, one for her “Monster” novelette and one for her most excellent “Little Free Library” short story. She also picked up a nomination at Dublin 2019 for her “The Thing About Ghost Stories” novelette.
(13) COMICS SECTION.
The Argyle Sweater has a joke with unflattering implications about Superman!
The world of Riverdale, the comic book home of the redheaded Archie Andrews and friends, will expand in June with the introduction of Eliza Han.
The new character, created by the writer Tee Franklin and the artist Dan Parent, is queer and biracial. She meets the Riverdale gang in a summer special comic when she visits Harper Lodge, a cousin of Veronica — for whom she has romantic feelings, something Eliza has in common with Reggie Mantle. Oh, teenage love!
“The best Archie characters are the ones you can drop in and have them create a little fun chaos,” Mike Pellerito, the editor in chief of Archie Comic Publications, said in a telephone interview. “Eliza is another character that you can fall in love with very easily — and there’s a lot more to be revealed about the character besides her sexuality.”
Eliza also has a fuller figure, something new for Archie, Pellerito said, a move to have more characters people can relate to. “Body diversity is something we don’t tackle a ton of,” Pellerito said….
…Inspired by The New Yorker cover artists of the mid-century, Seth made a name for himself with semi-autobiographical literary comics rendered in that classic style, most notably his Palookaville series, including It’s a Good Life, If You Don’t Weaken and the acclaimed Clyde Fans. Perhaps this encroaching modern world is what he’s guarding against in his own home in Guelph’s historic neighborhood, The Ward. Many curtains are drawn, and custom stained glass windows with the words Inkwell’s End and Nothing Lasts set in beautiful hues, with an illustration of the house—pull you deeper into this world as they seal off the one outside.
…The house. Seth sees it as an art project that’s not only directly connected to his work, but to the city of Guelph and the province that runs in his blood. For one, electrical towers are a running theme, depicted in the ironwork outside, in one of the stained glass windows, in the sculptures on the first floor, even in the shower tiles; Seth regards them as a central image of Ontario. Elsewhere, the nearby train bridge and the two towers of Guelph’s basilica can be spotted in cabinetry masterfully crafted by Seth’s father-in-law.
His comic work lives and breathes here, too. For fans, it’s like walking into a museum of the creator’s mind. In the parlor alone there’s a light-up ceramic sculpture of Kao-Kuk, an Inuit astronaut from his book The Great Northern Brotherhood of Canadian Cartoonists. There’s a trio of nesting cookie jar sculptures of the titular character from George Sprott (1894–1975), a series he originally created for The New York Times Magazine; he removes the top of one to reveal a younger Sprott within, which is then removed to reveal Sprott as a child. There are dolls of all the characters from Wimbledon Green: The Greatest Comic Book Collector in the World….
(16) PLUS ÇA CLIMATE CHANGE. William McKibben’s doom-sounding article “The End of Nature” sounds like it could have been published this week, but The New Yorker first ran it in 1989.
…In other words, our sense of an unlimited future, which is drawn from that apparently bottomless well of the past, is a delusion. True, evolution, grinding on ever so slowly, has taken billions of years to create us from slime, but that does not mean that time always moves so ponderously. Over a lifetime or a decade or a year, big and impersonal and dramatic changes can take place. We have accepted the idea that continents can drift in the course of aeons, or that continents can die in a nuclear second. But normal time seems to us immune from such huge changes. It isn’t, though. In the last three decades, for example, the amount of carbon dioxide in the atmosphere has increased more than ten per cent, from about three hundred and fifteen parts per million to about three hundred and fifty parts per million. In the last decade, an immense “hole” in the ozone layer has opened up above the South Pole each fall, and, according to the Worldwatch Institute, the percentage of West German forests damaged by acid rain has risen from less than ten per cent to more than fifty per cent. Last year, for perhaps the first time since that starved Pilgrim winter at Plymouth, America consumed more grain than it grew. Burroughs again: “One summer day, while I was walking along the country road on the farm where I was born, a section of the stone wall opposite me, and not more than three or four yards distant, suddenly fell down. Amid the general stillness and immobility about me, the effect was quite startling. . . . It was the sudden summing-up of half a century or more of atomic changes in the material of the wall. A grain or two of sand yielded to the pressure of long years, and gravity did the rest.”…
…Soon Thoreau will make no sense. And when that happens the end of nature, which began with our alteration of the atmosphere and continued with the responses of the planetary managers and the genetic engineers, will be final. The loss of memory will be the eternal loss of meaning…
Two weeks ago NOCO Distillery founder and master blender Sebastien Gavillet was going about his normal life. Now he’s commissioning custom bottle corks affixed with Star Trek figurines.
Life — and, in Gavillet’s case, some opportune product placement — sure comes at you fast.
It all started April 6, when a bottle of the Fort Collins distillery’s “Bourbon II” whiskey appeared on the latest season of Paramount+ series “Star Trek: Picard.”
The bottle, which was shown during a bar scene in episode six, appeared on screen for a few seconds — just long enough for fans to pause and make out its name, batch, cask, bottle numbers, the distillery’s logo and hometown: Fort Collins, Colorado.
“I was floored,” said Gavillet, who woke up to a flurry of text messages and calls after the episode dropped on the streaming service.
NOCO Distillery had dipped its toes in product placement thanks to Mark McFann, a distillery customer and owner of Cast a Long Shadow, a Fort Collins-based product placement company that’s had placements in everything from “Avengers” movies to HBO’s “Westworld” and, now, “Star Trek: Picard,” McFann said.
Seeing it as an interesting marketing opportunity, Gavillet said NOCO Distillery also pursued small placements on Netflix’s “Lucifer,” the new Ben Affleck movie “Deep Water” and Peacock’s “The Fresh Prince of Bel-Air” reboot, “Bel-Air.”
While most of NOCO Distillery’s previous product placements were minor — “if you don’t know it’s there, you don’t really see it,” Gavillet explained — Bourbon II’s extended appearance on “Star Trek: Picard” was “very unique,” he said….
(18) LANSDALE Q&A. Joe R. Lansdale talks Born for Trouble and more with Michelle Souliere of the Green Hand Bookshop in Portland, Maine. Born for Trouble: The Further Adventures of Hap and Leonard was released March 21.
[Thanks to Mike Kennedy, Martin Morse Wooster, JJ, John King Tarpinian, Chris Barkley, Rob Thornton, Andrew Porter, Michael Toman, and Cat Eldridge for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) LINDSAY ELLIS LEAVES TWITTER. Hugo-nominated video essayist and Astounding-nominated author Lindsay Ellis has announced her departure from Twitter as a result of dogpiling and other forms of internet abuse.
YouTuber Lindsay Ellis has quit social media months after she was at the center of a Twitter controversy over her criticism of the film, Raya and the Last Dragon.
On March 26 of this year, the film critic and content creator ignited a frenzy among movie fans when she compared the Pixar movie to Avatar: The Last Airbender.
A month after the controversy began Ellis discussed it in “Mask Off”.
Ellis explained her decision to leave Twitter in a post available to her Patreon subscribers. Newsweek has seen the post and says, “in it, Ellis discusses her difficult year following the Raya controversy and how she is exhausted by the barrage of criticism she faces online.”
While Ellis’ Patreon post is not for public quoting, one resource she repeatedly cites in it is Porpentine’s “Hot Allostatic Load” from 2015 at The New Inquiry, which is available online (excerpt below).
… This is in defense of the hyper-marginalized among the marginalized, the Omelas kids, the marked for death, those who came looking for safety and found something worse than anything they’d experienced before.
For years, queer/trans/feminist scenes have been processing an influx of trans fems, often impoverished, disabled, and/or from traumatic backgrounds. These scenes have been abusing them, using them as free labor, and sexually exploiting them. The leaders of these scenes exert undue influence over tastemaking, jobs, finance, access to conferences, access to spaces. If someone resists, they are disappeared, in the mundane, boring, horrible way that many trans people are susceptible to, through a trapdoor that can be activated at any time. Housing, community, reputation—gone. No one mourns them, no one asks questions. Everyone agrees that they must have been crazy and problematic and that is why they were gone.
… What is “trashing,” this colloquial term that expresses so much, yet explains so little? It is not disagreement; it is not conflict; it is not opposition. These are perfectly ordinary phenomena which, when engaged in mutually, honestly, and not excessively, are necessary to keep an organism or organization healthy and active. Trashing is a particularly vicious form of character assassination which amounts to psychological rape. It is manipulative, dishonest, and excessive. It is occasionally disguised by the rhetoric of honest conflict, or covered up by denying that any disapproval exists at all. But it is not done to expose disagreements or resolve differences. It is done to disparage and destroy….
Today Kiva tweeted a thread on the theme that “social media is inherently unjust.” Thread begins here.
Amazon has updated its Alexa voice assistant after it “challenged” a 10-year-old girl to touch a coin to the prongs of a half-inserted plug.
The suggestion came after the girl asked Alexa for a “challenge to do”.
“Plug in a phone charger about halfway into a wall outlet, then touch a penny to the exposed prongs,” the smart speaker said.
Amazon said it fixed the error as soon as the company became aware of it.
The girl’s mother, Kristin Livdahl, described the incident on Twitter.
She said: “We were doing some physical challenges, like laying down and rolling over holding a shoe on your foot, from a [physical education] teacher on YouTube earlier. Bad weather outside. She just wanted another one.”
That’s when the Echo speaker suggested partaking in the challenge that it had “found on the web”.
The dangerous activity, known as “the penny challenge”, began circulating on TikTok and other social media websites about a year ago….
(4) POWER POLL. Ursula Vernon polled Twitter readers about a question that may have been inspired by a discussion of editorial power making the rounds. (Or not!) There’s also plenty of comments from writers that follow this tweet.
Ok, Twitter, solve a debate I am having with an editor about being offered great power. A hobbit offers you the One Ring. What do you say?
U.S. publisher WizKids has been releasing Star Trek-themed games for years, and it will release two more such titles in 2022, both being themed editions of previously released games. Star Trek: Super-Skill Pinball makes that connection clear right in the title…
Over the weekend, two of the country’s leading naturalists, E. O. Wilson and Tom Lovejoy, died a day apart. Wilson, who was perhaps best known for his work on ants, was a pioneer in the field of conservation biology; Lovejoy was one of the founders of the field. The two men were friends—part of an informal network that Wilson jokingly referred to as the “rain-forest mafia”—and there was something eerie about their nearly synchronous passing. “I’m trying very hard not to imagine a greater planetary message in the loss of these biodiversity pioneers right now,” Joel Clement, a senior fellow at the Harvard Kennedy School’s Belfer Center for Science and International Affairs, tweeted on Monday….
… In other work, Wilson performed a mass extinction study by removing insects from six mangrove islands in Florida via fumigation and documenting species recolonization and repopulation over two years. The observations, published in Ecology in 1970, provided insights into species extinction and conservation science.
Wilson is also credited with developing the field of sociobiology, which addresses the biological underpinnings of animal behavior, according to the Post. When he extended this thinking to humans in his 1975 book Sociobiology: The New Synthesis,which argues that people’s behavior is genetically determined, he incited much controversy, reports Reuters.
In the 1980s, Wilson pivoted his efforts to conservation biology, continuing to travel around the world and arguing that only by preserving half the Earth as wild will biodiversity be saved and mass extinction avoided, according to the Times….
(7) ANDREW VACHSS. The Official Website of Andrew Vachss reports he has died: “The loss cannot be measured and the debts can only be paid forward.” Vachss’ genre work includes some supernatural noir, the Cross series, and a Batman story.
Some of his most important work (non-sff) included writing about the realities about CASAs (“Court Appointed Special Advocate” volunteers), a program that wants to be “the child’s voice in court.”
Joe R. Lansdale mourned the death of Vachss, who felt like a brother to him. Lansdale linked to a published conversation they had about writing:
I lost my brother Andrew Vachss. I miss him deeply. We could talk so honestly to one another. I think of his amazing wife, Blood, Kin and Structure: A Conversation between Andrew Vachss and Joe R. Lansdale | Mulholland Books https://t.co/Eht0YAAgOc
1981 — [Item by Cat Eldridge.] Forty years ago, K-9 And Company: A Girl’s Best Friend first aired. It was a pilot for a proposed spin-off of Doctor Who. It features former Who series performers Sarah Jane Smith, an investigative journalist played by Elisabeth Sladen, and K9, a robotic dog voiced by John Leeson. Both characters had been companions of the Fourth Doctor, but they had not appeared together before.
It was broadcast by BBC1 as a Christmas special long before the traditional Doctor Who Christmas specials which didn’t start until the Tenth Doctor, and it did not become a continuing series. It was created by John Nathan-Turner as written by Terence Dudley who had the Fourth Doctor story, “Meglos” and three stories for the Fifth Doctor.
Despite not being picked up as a series, it had very good ratings as eight point four million viewers watched it. Under a different production team some twenty-six years later, the overall concept of a Sarah Jane and K9 series did eventually come to be as The Sarah Jane Adventures which would last five seasons. Though K9 would be used sparingly in the new series.
(9) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born December 28, 1913 — Charles Maxwell. He makes the Birthday List for being Virgil Earp in the “Spectre of the Gun”, a not terribly good Trek story. (My opinion of course, yours may differ.) He also appeared in My Favorite Martian in “An Old Friend of the Family” as the character Jakobar. His longest running genre role was as the Radio Announcer on Gilligan’s Island which he was largely uncredited for. Interestingly he had six appearances playing six different characters on the Fifties series Science Fiction Theatre. (Died 1993.)
Born December 28, 1922 — Stan Lee. Summarizing his career is quite beyond my abilities. He created and popularized Marvel Comics in a way that company is thought to be the creation of Stan Lee in a way that DC isn’t thought of as having a single creator. He co-created the Fantastic Four, Spider-Man, the X-Men, Iron Man, Thor, the Hulk, Daredevil, Doctor Strange, Black Panther, Scarlet Witch and Ant-Man, an impressive list by any measure. And it’s hardly the full list. I see he’s won Eisner and Kirby Awards and he won a Hugo at Anticipation for Iron Man. (Died 2018.)
Born December 28, 1932 — Nichelle Nichols, 89. Uhura on Trek. She reprised her character in Star Trek: The Motion Picture, Star Trek II: The Wrath of Khan, Star Trek III: The Search for Spock, Star Trek IV: The Voyage Home, Star Trek V: The Final Frontier and Star Trek VI: The Undiscovered Country. Other film SF roles included Ruana in Tarzan’s Deadly Silence with Ron Ely as Tarzan, High Priestess of Pangea in The Adventures of Captain Zoom in Outer Space, Oman in Surge of Power: The Stuff of Heroes and Mystic Woman in American Nightmares. Other series appearances have been as Lieutenant Uhura and additional voices in the animated Trek, archive footage of herself in the “Trials and Tribble-ations” DS9 episode and as Captain Nyota Uhura In Star Trek: Of Gods and Men which may or may not be canon.
Born December 28, 1934 — Maggie Smith, 87. First genre role was as Theis in Clash of the Titans though she’s better known as Minerva McGonagall In the Harry Potter film franchise. She also played Linnet Oldknow in From Time to Time and voiced Miss Shepherd, I kid you not, in two animated Gnomes films.
Born December 28, 1942 — Eleanor Arnason, 79. She won the Otherwise Award and the Mythopoeic Award for A Woman of the Iron People and also won the Gaylactic Spectrum Award for Best Short Fiction for “Dapple”. She’s a WisCon Guest of Honor. I wholeheartedly recommend her Mammoths of the Great Plains story collection, which like almost all of her fiction, is available at the usual digital suspects.
Born December 28, 1945 — George Zebrowski, 76. He won the John W. Campbell Memorial Award for Best Science Fiction Novel for Brute Forces. He’s married to Pamela Sargent with whom he has co-written a number of novels, including Trek novels.
Born December 28, 1970 — Elaine Hendrix, 51. I found a Munsters film I didn’t know about (big fan I am, yes) and she’s Marilyn Munster in it: The Munsters’ Scary Little Christmas. She later is Gadget Model 2 (G2) in Inspector Gadget 2. (Anyone watch these?) And she’s Mary in the animated Kids vs Monsters.
Born December 28, 1981 — Sienna Miller, 40. The Baroness in one of the endless G.I. Joe films I’ve no attention ever of seeing, G.I. Joe: The Rise of Cobra to be precise. More interestingly, she’s Victoria in the flawed but still worth seeing Stardust. (Go listen to Gaiman reading it for the best take on it — brilliant that is!) And she’s Darcy in Kis Vuk, A Fox’s Tale, a Hungarian-British animated tale that sounds quite charming.
(10) COMICS SECTION.
Bonus Context illustrates one benefit of doing cardio.
SPACEX CEO Elon Musk faced the ire of Chinese citizens online after their space station was reportedly forced to take evasive actions to avoid collision with satellites.
Chinese citizens lashed out against the tech billionaire’s space ambitions on Monday after satellites from Starlink Internet Services, a division of Musk’s SpaceX aerospace company, had two “close encounters” with the Chinese space station. According to a document submitted by China to the UN space agency, the incidents occurred on July 1 and October 21.
In the papers, Beijing complained about how the near-miss incident “constituted dangers to the life or health of astronauts aboard the China Space Station”.
It said: “During this period, Starlink satellites launched by Space Exploration Technologies Corporation (SpaceX) of the United States of America have had two close encounters with the China Space Station.
“For safety reasons, the China Space Station implemented preventive collision avoidance control on 1 July and 21 October 2021, respectively.
“For safety reasons, the China Space Station took the initiative to conduct an evasive manoeuvre in the evening of that day to avoid a potential collision between the two spacecraft.”…
(12) HE LOOKED. John Scalzi’s “Brief Review: Don’t Look Up” is at Whatever. Just quoting the first line here – don’t want my excerpt to bogart the post.
I liked it a lot, which is not surprising as it combines two of my favorite things — astronomy and satire — into one movie, and then also gives me an excellent cast and a pretty good script….
(13) ALTERNATE APOLLO. Jeff Foust reviews Chris Hadfield’s alternate-history novel: “Review: The Apollo Murders” at The Space Review.
… Such a book could easily go disastrously bad, but Hadfield pulls it off. He manages to find a balance between the narrative tension involved in a thriller, with multiple characters and plot lines coming together for the climax, with the technical details space enthusiasts will be looking for. Hadfield offers plenty of such details, whether it’s flying a Cessna or a high-performance jet or a lunar lander. He also mixes in actual historical figures among the fictional ones, like Gene Kranz, Alan Shepard, Sam Phillips, and Vladimir Chelomei (an author’s note at the end lists those actual figures.) Hadfield pays great attention to such details and others throughout the book; it might be overlooked or simply underappreciated by some readers, who simply want to get on to the next part of the plot, but such details never really drag the pace of the action….
A rare antique clay tablet that bears a portion of the Epic of Gilgamesh was returned to Iraq from the US on Tuesday in a victory for the war-torn nation in its long-running struggle to repatriate stolen artefacts.
The 127mm by 152mm fragment dates back 3,500 to 4,000 years. It was part of a group of more than 17,000 artefacts smuggled from Iraq decades ago and illegally imported to nations around the world. The tablets and other objects were seized from the Oklahoma-based Hobby Lobby company.
The chain of arts and crafts shops was forced by the US government to relinquish the items in 2017 and fined $3 million for failing to act on expert advice that the objects may have been looted or to declare their provenance to the authorities….
… kara swisher: One thing about this book, which is — it’s a little funnier than “The Circle,” which was a slightly more malevolent and menacing, although it’s the same company. Right? You seem to have gotten a little more of a sense of humor about it. One of the quotes was, “You’re disobedient and we strive to be too. Disobedient was a recently favored word replacing mutinous, which had replaced insurgent, which had replaced disruption, disruptor, which is, of course, the one they use now.”
david eggers: Yeah, I love the language of Silicon Valley. There’s always a word that is the word of the month or the word — and I can’t believe “disruption” is still out there. It’s been there for six, seven years or something and people are still using it. And everything for that period of time is measured against that word. Is it disruptive or is it not disruptive? Is this taco that I’m ordering, is that disruptive? I don’t know. And so — I had a lot of fun trying to think of not just the words that exist now but what would they invent or use in the future. And if you’re on the bleeding edge of that next word, the next “disruption,” you are seen as, I guess, a visionary in some way. But the words are kind of, they’re always — nouns used as verbs is always an easy thing to go for. But they’re always kind of awkward words. A little bit muscular but awkward and ungainly. And so it makes conversations so clunky and strange, almost like you’re talking in a second language in translation. Because so often you’re like, well, that word doesn’t at all belong there. It never meant that before, but here we are using it….
… Looking back at the 2021 releases, there were plenty of new sci-fi features released to keep audiences entertained. While some fantastic movies were offering fresh and fun takes on robot uprisings, anti-hero carnage, and anime endings, many fell short of the mark. This list looks back at the 5 worst sci-fi releases of the year according to Rotten Tomatoes featuring lackluster demonic possessions, bored Bruce Willis, and contrived romances….
Bliss (28%)
Directed by Mike Cahill and starring Owen Wilson as Greg and Salma Hayek as Isabel, Bliss follows recently divorced, Greg who happens to meet the strange and enigmatic Isabel at a bar. Isabel seems to know Greg and believes that the world they inhabit is a simulation. What follows is a messy mix of attempted mind-bending as Greg and Isabel begin to lose sight of what is real and what is fantasy. Bliss misses the mark with both its sci-fi and romance elements, leaving viewers wishing for an escape back to reality….
(17) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “The Matrix Resurrections Pitch Meeting” on Screen Rant, Ryan George, in a spoiler-filled episode, had the writer say that the first three Matrix movies told a story that “was over. It was done with.” So in the fourth film, Keanu Reeves plays a video game developer who has told the story of the Matrix in three video games and is forced to make a fourth one. The film basically retells the story of the first Matrix movies with additions that are so confusing that the producer asks at the end of the pitch, “What was that about?”
[Thanks to Andrew Porter, Michael Toman, Cat Eldridge, Meredith, Todd Mason, amk, Jeffrey Jones, Anne Marble, Andrew (not Werdna), Mike Kennedy, Martin Morse Wooster, JJ, and John King Tarpinian for some of these stories. Title credit belongs to File 770 contributing editor of the day Daniel Dern.]
(1) A HEART, HAS CHAMBERS. [Item by Olav Rokne.] In their latest edition, WIRED magazine profiles Becky Chambers and talks about both the philosophical underpinning of her writing, and the context in which she’s publishing. The article may be too much of a hagiography for some, but it does provide some insights into what makes her work appealing. “Is Becky Chambers the Ultimate Hope for Science Fiction?”
In a world numbed by cynicisms and divisions, Chambers’ stories are intended to repair—to warm up our insides and restore feeling. So you might say that Chambers is, herself, the tea of our times, a soothing soothsayer whose well-meaning characters act out a fragrant, curative optimism.
(2) THAT’S SHAT. In “William Shatner Reviews Impressions of WIlliam Shatner” on YouTube, Shat reviews impressions of him for Vanity Fair, including a teenager, Jim Carrey, and Bill Nye before he became The Science Guy.
(3) LATINX. Horror Writers Association Blog kicks off its “Latinx Horror” theme in an “Interview with E. Reyes”.
How do you feel the Latinx community has been represented thus far in the genre and what hopes do you have for representation in the genre going forward?
I feel like the Latinx community has finally knocked down that door and we are now being seen. I see more Latinx voices in horror emerging and I will be right there with them.
Who are some of our favorite Latinx characters in horror?
I need to expand more on my Latinx horror reading and viewing, but I’ll say that Robert Rodriguez directed one of my favorite horror movies ever: From Dusk Till Dawn (1996), and it has very awesome Latinx characters in it.
John Crowley’s Little, Big is a book which I have read more times than I can count. It is also in that rare category of books which I give away (sometimes even the copy in my hand). Readers of the Endless Bookshelf will have seen allusions to my readings over the years (Appraisal at Edgewood, the summer of 2007, or Chapter XIV in A Conversation larger than the Universe or “Strange Enough to Be Remembered Forever”). Everything which Hazlitt enumerates applies to re-readings of Little, Big. This year, when I picked up the novel, I paid attention to recurrences of words and parallels. I don’t say repetitions or doublings because the words often function — that is to say, carry meaning — in a new way when they return to the surface later in the book….
…Bialik will take over hosting duties for the first couple weeks, starting Sept. 20 and running through Nov. 5. She and Jennings will then trade off as their schedules allow. The two of them will tape enough episodes to get “Jeopardy!” through the end of the year….
(It may seem like there’s a pattern here and there is. Anyone who wants to deny conscious partners autonomy provides a demonstration of why autonomy is needed.)
(7) CLASSIC FRANK HERBERT INTERVIEW. [Item by Soon Lee.] I know all the current interest is in the Denis Villeneuve version of Dune, but as I was noodling around, I stumbled across this 1969 Frank Herbert interview where he talks to Willis E. McNelly about the origins of Dune. Interviewer Willis E. McNelly later wrote the Dune Encyclopedia. It’s a whopping 80 minutes long but fascinating for anyone who is a fan as it is a wide-ranging conversation exploring ecology, sustainability, religion, politics and powers among others. I haven’t finished listening to me but Beverly Herbert also appears in the recording.
(8) BAD LUCK AND TROUBLE, TWO OF MY BEST FRIENDS. Joe Lansdale talks about his Hap and Leonard series and pays tribute to Michael K. Williams who played Leonard Pine in the television adaptation of the series. A new collection of Hap and Leonard stories is coming from Tachyon in 2022. “Joe R. Lansdale Remembers The Genesis of Hap and Leonard and Pays Tribute to Michael K. Williams” at CrimeReads.
… My subconscious may have created them, but I felt as if Hap and Leonard were friends of mine. I was more like Hap than Leonard, but my inner voice, Leonard, was willing to contest my common viewpoints, and from time to time, teach me something.
When I first wrote about Hap and Leonard, black and white friends existed in fiction and film, but their friendship, I truly believe, was unique for the times. The racism Leonard met head on was real. Folks I knew said, oh, it’s not like that anymore.
That wasn’t what I was seeing….
(9) MEDIA BIRTHDAY.
1963 – Fifty eight years ago this evening on ABC, The Outer Limits series premiered. Created and executive produced by Leslie Stevens, who had done nothing of a genre nature before, and directed by far too many to note here. Two episodes, “Demon with a Glass Hand” and “Soldier”, were written by Harlan Ellison, Clifford Simak wrote “The Duplicate Man” episode, and David Duncan penned “The Human Factor”. Eando Binder gets credit for the “I, Robot” episode. Though The Outer Limits achieved cult status it was not long lived, lasting but two seasons and forty-nine episodes. It had a loyal audience but it was programmed against the far more popular Jackie Gleason program and it was cancelled part way through its second season. Thirty-three years later, the rebooted series would run for one hundred and fifty-two episodes. There is rumor of yet another rebooted series in development now.
There is nothing wrong with your DVD player. Do not attempt to adjust the picture. We are controlling your DVD player. We already control the horizontal and the vertical. We now control the digital. We can change the focus from a soft blur to crystal clarity. Sit quietly and we will control all that you see and hear. You are about to experience the awe and mystery which reaches from the inner mind to… The Outer Limits. — opening narration which was by Vic Perrin
(10) TODAY’S BIRTHDAYS.
[Compiled by Cat Eldridge.]
Born September 16, 1898 — Hans Augusto Rey. German-born American illustrator and author best remembered for the beloved Curious George children’s book series that he and his wife Margret Rey created from 1939 to 1966. An Eighties series of five-minute short cartoons starring him was produced by Alan Shalleck, along with Rey — Ken Sobol, scriptwriter of Fantastic Voyage, was the scriptwriter here. A later TV series (2006-2009) had many writers, including Craig Miller. Rey’s interest in astronomy led to him drawing star maps which are still use in such publications as Donald H. Menzel’s A Field Guide to the Stars and Planets. A simpler version for children called Find the Constellations, is still in print as well. (Died 1977.)
Born September 16, 1930 — Anne Francis. You’ll remember her best as Altaira “Alta” Morbius on Forbidden Planet. She also appeared twice in The Twilight Zone (“The After Hours” and “Jess-Belle”). She also appeared in multiple episodes of Alfred Hitchcock Presents and The Alfred Hitchcock Hour. She’d even appear twice in The Man from U.N.C.L.E. and played several roles on Fantasy Island as well. (Died 2011.)
Born September 16, 1932 — Karen Anderson. She co-wrote two series with her husband, Poul Anderson, King of Ys and The Last Viking, and created the delightful The Unicorn Trade collection with him. Fancyclopedia has her extensive fannish history thisaway, and Mike has her obituary here. (Died 2018.)
Born September 16, 1927 — Peter Falk. His best remembered genre role is in The Princess Bride as the Grandfather who narrates the story. (The person who replaced the late Falk in the full cast reading of The Princess Bride for the Wisconsin Democratic fundraiser, Director Rob Reiner, wasn’t nearly as good as he was in that role.) He also plays Ramos Clemente in “The Mirror,” an episode of The Twilight Zone. And he’s Reverend Theo Kerr in the 2001 version of The Lost World. (Died 2011.)
Born September 16, 1952 — Lisa Tuttle, 69. Tuttle won the Astounding Award for Best New Writer, received a Nebula Award for Best Short Story for “The Bone Flute,” which she refused, and a BSFA Award for Short Fiction for “In Translation”. My favorite works by her include Catwitch, The Silver Bough and her Ghosts and Other Loverscollection. Her latest novel is The Curious Affair of the Witch at Wayside Cross.
Born September 16, 1960 — Mike Mignola, 61. The Hellboy stories, of course, are definitely worth reading, particularly the early on ones. His Batman: Gotham by Gaslight is an amazing What If story which isn’t at all the same as the animated film of that name which is superb on its own footing, and the B.P.R.D. stories are quite excellent too. I’m very fond of the first Hellboy film, not so much of the second, and detest the reboot now that I’ve seen it, while the animated films are excellent.
Born September 16, 1960 — Kurt Busiek, 61. Writer whose work includes The Marvels limited series, his own outstanding Astro City series, and a very long run on The Avengers. He also worked at Dark Horse where he did Conan #1–28 and Young Indiana Jones Chronicles #1–8.
Born September 16, 1970 — Nick Sagan, 51. Son of Carl Sagan. He’s written scripts for Next Generation and Voyager. Not to mention Space Precinct. He is the author of the three novels, Edenborn, Everfree and Idlewild.
(11) OCTOTHORPE. Octothorpe episode 40 is “Very Exuberant and Very Dangerous”. John Coxon is listening to podcasts, Alison Scott is reading stories, and Liz Batty is watching TV.
We are pleased to see that Corflu now has something about COVID on their webpage and we discuss the NHS COVID Pass. We also do Picks, in which we (wait for it) talk about science fiction we quite like for a bit.
Also, Octothorpe sent along this nifty art of Woomera by Alison Scott.
A new report from the Anti-Defamation League has found that most U.S. teens experience harassment when playing video games online.
The study said 60% of children 13 to 17 years old experience harassment when playing games online.
And it doesn’t seem to be catching on with parents. Less than 40% of parents or guardians said they implemented safety controls for online games.
And less than 50% of teen gamers said they talk to their parents about their online games.
Overall, gamers experience massive harassment online. The survey found 71% of adults from 18 to 45 years old “experienced severe abuse, including physical threats, stalking and sustained harassment within the first six months of 2021.”…
… Pushing Daisies might be most memorable for its bright, uncanny visuals—a merry, surreal palette of greens, reds, and yellows that don’t veritably exist in nature. The candy-colors of Pushing Daisies reflect its deep thematic investment in artificiality—on a tonal level, the show concerns simulacra of life, rather than life itself. Its characters cannot truly live the lives they want, and this is rather literal. Ned (Lee Pace) is a gentle, bashful entrepreneur (the proprietor and chef of a pie bakery called “The Pie Hole”) guarding a disquieting secret—he has the ability to bring dead things back to life with only a touch. But if he lets these newly animated entities live for longer than a minute or so, another entity of equal mass must die in its place, to restore the balance of the universe. Touching them a second time will return them to death, permanently—which means that if he wants to reconnect with anyone after they have passed, he only has a solitary minute to do so….
(14) BE SEATED. In episode 61 of the Two Chairs Talking podcast, “The joining of three tides”, David Grigg and Perry Middlemiss discuss their fannish projects outside the podcast: in Perry’s case his sercon genzine The Alien Review; and in David’s case his new fortnightly email newsletter Through the Biblioscope.
They also discuss two of the nominees for Best Novel in this year’s Hugo Awards: The Relentless Moon by Mary Robinette Kowal, and Network Effect by Martha Wells.
…When the rover first attempted the manoeuvre, on 6 August, the rock it was trying to sample crumbled into powder before making it into a sample tube. The second attempt, on 1 September at a different location several hundred metres away, went smoothly: the drill bit pulled a slim cylinder out of a 70-centimetre long rock named Rochette. Engineers then paused the process so that they could photograph the core in its sample tube, to ensure it was intact, before sealing the specimen inside days later….
(16) VIDEO OF THE DAY. [Item by Martin Morse Wooster.] In “Honest Trailers: Snake Eyes–G.I. Joe–Origins” on YouTube, the Screen Junkies say, “Don’t care about the G.I. Joe movies?” No one else does,” and adds that the film comes from Paramount, “the studio who came in last at the box office for seven years straight.” The film features some great martial artists, but is under the direction of R.I.P.D. director Robert Schwentke, who loves his shaky cam, even though shaking a camera to make a film exciting “is like shaking a book to make it exciting.”
[Thanks to Cat Eldridge, Mike Kennedy, Andrew Porter, James Davis Nicoll, Soon Lee, David K.M. Klaus, SF Concatenation’s Jonathan Cowie, Martin Morse Wooster, JJ, Michael Toman, and John King Tarpinian for some of these stories. Title credit belongs to contributing editor of the day Soon Lee.]
